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Cinque Spooni · GOLDSTÜCKLi ahoy

• 0:00
  Speaker 0: Goldstückli, Ahoj!
• 0:02
  Speaker 0: This show is sponsored by you.
• 0:05
  Speaker 0: Listeners out there, fanclub.com slash goldstreckly.
• 0:11
  Speaker 0: join the platform now.
• 0:21
  Speaker 0: Here's it's a sex noise song.
• 0:24
  Speaker 0: There are six new songs.
• 0:26
  Speaker 0: They're good as you can listen to them now With Ueli and Vincent.
• 0:35
  Speaker 0: Join the platform Now Ladies and gentlemen, non-binary listeners.
• 0:41
  Speaker 0: This is Goldstückli Ahoy!
• 0:42
  Speaker 0: Your favorite format for the topic of new music with the freshest tracks in Gepäck.
• 0:47
  Speaker 0: Ueli & Winsor are playing on their microphones.
• 0:49
  Speaker 0: Hello Ueli!
• 0:49
  Speaker 0: Hello
• 0:50
  Speaker 1: Winsors
• 0:50
  Speaker 0: I thought I'd rap a little bit today at the beginning of this
• 0:53
  Speaker 1: show.
• 0:53
  Speaker 1: I think so too.
• 0:53
  Speaker 1: Who packed
• 0:54
  Speaker 0: the Freshest Tracks?
• 0:56
  Speaker 0: Ueli and Winsooorn!
• 0:59
  Speaker 1: My son Jonas started.
• 1:00
  Speaker 1: Kackenhande Havel.
• 1:01
  Speaker 1: Yes it's quite
• 1:01
  Speaker 0: okay But
• 1:02
  Speaker 1: i laughed twice or thrice because it was really good as lipstick.
• 1:07
  Speaker 1: Some of them are a bit angry, but maybe they still have to grow
• 1:11
  Speaker 0: up.
• 1:11
  Speaker 0: I've got this problem with Hollywood productions.
• 1:13
  Speaker 0: So fucking at the port is not a Hollywood production.
• 1:15
  Speaker 0: But in Hollywood you do it like that so to speak... The stars who performed particularly well last year and then know what's going on in the main role.
• 1:23
  Speaker 0: The movie will be full and Brian Gosling plays an astronaut next.
• 1:26
  Speaker 0: Of course he does!
• 1:26
  Speaker 0: The main thing has to come forward for the boxes to be full as well.
• 1:29
  Speaker 0: He also worked with the astronaut with Sandra Hüller
• 1:32
  Speaker 0: etc.,
• 1:32
  Speaker 0: no matter.
• 1:33
  Speaker 0: The topic has already been left a bit, but what I wanted to say is that sometimes these stars are picked up in the first row because they're always the same and want fresh material.
• 1:46
  Speaker 0: You know people who have never seen
• 1:47
  Speaker 1: before?
• 1:48
  Speaker 1: Yeah, but Fat Tony isn't a star
• 1:49
  Speaker 0: now!
• 1:50
  Speaker 0: But Fat Tony is already over-present In
• 1:52
  Speaker 1: our bubble!
• 1:53
  Speaker 1: Yes maybe... But it's not on Netflix you know But your girlfriend, Jordis
• 1:57
  Speaker 0: Triebel.
• 1:57
  Speaker 0: She's playing very well!
• 1:58
  Speaker 0: I had to watch it.
• 1:58
  Speaker 0: Yes you have to watch
• 2:00
  Speaker 1: her.
• 2:00
  Speaker 1: She plays great.
• 2:02
  Speaker 0: Yes that is the best
• 2:03
  Speaker 1: anyway.
• 2:03
  Speaker 1: Great role.
• 2:03
  Speaker 1: If
• 2:05
  Speaker 0: you watched Kackner der Haaflastung then everything will be
• 2:07
  Speaker 1: fine for you but... It was a bit stressful last days because school holidays start and we always prepare ourselves.
• 2:13
  Speaker 1: We go to
• 2:13
  Speaker 2: my
• 2:14
  Speaker 1: mother-in-law's house in Olmburg one week later into Switzerland after Luzern.
• 2:20
  Speaker 1: And on Easter this same thing happens all the time.
• 2:24
  Speaker 0: You notice when the holidays come, children ask and parents stress.
• 2:27
  Speaker 0: That's
• 2:27
  Speaker 1: how it looks like!
• 2:28
  Speaker 1: And everything is twice as expensive from your first day of school vacation.
• 2:31
  Speaker 1: Everything is double as expensive.
• 2:32
  Speaker 1: I've already noticed that.
• 2:34
  Speaker 1: Very terrible.
• 2:36
  Speaker 0: We can deal with new music if you want to.
• 2:39
  Speaker 1: You're doing well too?
• 2:40
  Speaker 0: Yes we are doing good.
• 2:41
  Speaker 0: What did i see then?
• 2:42
  Speaker 0: Inside The Manusphere I looked at me by Louis Theroux who met.
• 2:48
  Speaker 0: Men are influencers, they say you have to pump weights and be
• 2:52
  Speaker 1: alpha.
• 2:53
  Speaker 1: Let's
• 2:53
  Speaker 0: talk a little bit more about that later on because there is one song for the topic.
• 2:56
  Speaker 0: Otherwise I don't have too much to report now!
• 2:59
  Speaker 0: You brought an artist with us who we've already talked very often.
• 3:03
  Speaker 0: We also had her here once or twice in our program.
• 3:06
  Speaker 0: The last time was not so long ago.
• 3:08
  Speaker 0: She talks from Courtney Barnett.
• 3:09
  Speaker 0: Two
• 3:10
  Speaker 1: months ago, you brought a song with which you pressed something together with Woksa Hachi on the record.
• 3:15
  Speaker 1: We said that if this album comes out then we have to talk about it again because there are so many goals for Courtney just yet.
• 3:23
  Speaker 1: and now exactly this album Creature of Habit came out from what she has tried in recent years To be zwingen so ne einfach ihre gewohnheiten so irgendwie zu hinterfragen sich neu zu sortieren weil sie gemerkt hat So wie ich mein Leben gerade lebe macht es mir keinen spaß mehr.
• 3:42
  Speaker 1: ist dann wirklich auch in eine depression abgerutscht?
• 3:45
  Speaker 1: und so nach der letzten tour eigentlich das war noch vor corona.
• 3:50
  Speaker 1: Und da gemerkt so nein, dass nicht gut.
• 3:52
  Speaker 1: Ich bin zu traurig.
• 3:53
  Speaker 1: ich muss hier Sachen ändern und hat dann wirklich nicht nur.
• 3:57
  Speaker 1: her apartment was rented from Melbourne to Los Angeles, but she also added her indie label in Melbourne Milk Crackers.
• 4:03
  Speaker 0: Yes that's right!
• 4:04
  Speaker 0: I got it with
• 4:04
  Speaker 1: me and then started going into therapy, registered at the fitness center, started surfing... And there you have a Töpfer course.
• 4:14
  Speaker 1: The Töpfner apparently helped as well and at the same time they were able to go to the studio and write this album about what really happened with these
• 4:22
  Speaker 0: topics Change.
• 4:23
  Speaker 0: Yeah, the Woksa Hatshi duet I found very interesting.
• 4:26
  Speaker 0: Now you brought along the song Sugar Plum.
• 4:29
  Speaker 0: It didn't work out for me, I have to admit.
• 4:32
  Speaker 0: Did
• 4:33
  Speaker 1: you hear the whole thing?
• 4:34
  Speaker 1: Yes!
• 4:34
  Speaker 1: Because... I think it starts well already.
• 4:38
  Speaker 1: The first numbers are hard to break a habit when its just so comfortable But then in the middle of songs she comes with I'm looking forward to some brighter days.
• 4:49
  Speaker 1: You notice that the sun doesn't only go up here on text but also musically.
• 4:52
  Speaker 0: It's
• 4:53
  Speaker 1: starting to look like I haven't heard Kourtney sing yet.
• 4:56
  Speaker 1: And it really suits me very well!
• 4:57
  Speaker 1: Yes, there
• 4:57
  Speaker 0: may be the opposite of this really relaxed-looking verse text.
• 5:03
  Speaker 0: Quite good... Kourtnee Barnett is also as fat as Tony for my part.
• 5:08
  Speaker 0: No, he was so overpresent in recent years that you think okay now we have another new single by Kourtnie Barnett?
• 5:14
  Speaker 0: Do i not find it at all bad or something?
• 5:16
  Speaker 0: Nervt mich auch nicht, aber es ist halt nichts wo ich so mit großen Augen und völlig gespannt draufhöre oder draufkucke bin.
• 5:23
  Speaker 0: So oh jetzt was is das denn?
• 5:25
  Speaker 0: Sondern man weiß ja schon was passiert!
• 5:26
  Speaker 0: Und wenn dann diese bereits bekannten Versatzstücke quasi vorkommen... ...dann bin ich schnell gelangweifert schon!
• 5:32
  Speaker 0: Verstehst du sie
• 5:33
  Speaker 0: meine?!
• 5:33
  Speaker 1: Ja ich weiß dass Du meinst.. ..aber für mich schließt sich hier ein Kreis weil ich hab's ja gesehen in der Bar Bubu von paar Monaten.
• 5:39
  Speaker 1: da hat sie ihr neues Album her vorgestellt im kleinsten kreis vor hundert Leuten.... What a great song!
• 5:45
  Speaker 1: I've always wanted to play it in Goldstück.
• 5:50
  Speaker 1: And now, I could do that for you.
• 5:52
  Speaker 0: Jabo knows where the Babobu is?
• 5:54
  Speaker 0: Here's Courtney Barnett with Sugar Plumb by Goldstücke Aoi.
• 6:02
  Speaker 2: Ah, but
• 6:03
  Speaker 0: it's already good.
• 6:06
  Speaker 0: Or?
• 6:06
  Speaker 0: Then hit.
• 6:08
  Speaker 2: a very nice
• 6:09
  Speaker 0: song that I really like for me personally is his hit and the new album creature of habit A beautiful new chapter from Courtney.
• 6:55
  Speaker 0: And I think she really did it, just to break out of this sad phase in life and realize that's the process.
• 7:42
  Speaker 0: Focus on the process!
• 8:18
  Speaker 0: It is really great.
• 8:23
  Speaker 0: Courtney Barnett has also dealt with herself for the new album Creature Of Habit.
• 8:43
  Speaker 0: That's what the musicians like doing inside.
• 8:54
  Speaker 0: The view is turned into an inner one.
• 9:02
  Speaker 0: Which feeling system is suitable for which track on the record?
• 9:15
  Speaker 0: There are also indie bands who have been looking at their career from outside and, so to speak, have existed in the world that exists out there.
• 9:37
  Speaker 0: And this has happened with OK Kid from Cologne or originally from Gießen but now
• 10:28
  Speaker 1: I think
• 10:28
  Speaker 0: they're
• 10:40
  Speaker 1: still in Cologne
• 10:56
  Speaker 0: at home.
• 11:20
  Speaker 0: OK Kid
• 11:21
  Speaker 1: has
• 11:22
  Speaker 0: been with us since Versorgt.
• 11:34
  Speaker 0: immer wieder wurde sprechgesang vermischt mit einer poppigen attitüde.
• 11:38
  Speaker 0: also im musikalischen bereich war da eigentlich wenig hip hop zu hören aber es wurde halt gerappt in weitesten sind.
• 11:44
  Speaker 0: das wort ist und wir wissen alle der sprech gesang eignet sich natürlich auch ein bisschen besser dazu forderungen oder politische beobachtungen zu vertonen als jetzt eine gesungende strofe In so einem folk song.
• 11:56
  Speaker 0: Da geht's dann vielleicht auch wegen der melodie mehr ins innere und gar nicht so auf die außen.
• 12:02
  Speaker 0: You can say that you have been against WartsPop since the year of two thousand and thirteen.
• 12:09
  Speaker 0: In the past, they did it for WartsPOP.
• 12:12
  Speaker 0: And I got this one in twenty-fifteen with good people!
• 12:15
  Speaker 0: I don't know what's going on here but there are really good
• 12:20
  Speaker 1: people everywhere.
• 12:21
  Speaker 1: That
• 12:21
  Speaker 0: was a song like that which really helped me because the lyrics worked well too.
• 12:25
  Speaker 0: Now Jonas Moritz and Rafi join us again with another LP called Come We Go Back A title that is also busy with the fact, That the developments which are actually necessary to bring the world forward not really take place or should be
• 12:43
  Speaker 1: torpedoed
• 12:44
  Speaker 0: by stupid people.
• 12:44
  Speaker 0: By the way they still have a program in the course of today's broadcast.
• 12:49
  Speaker 0: Yes right And now we're back again With this new record and from it We hear one song, which I mentioned before.
• 12:56
  Speaker 0: Louis Theroux has visited Alphas inside The Manusphere.
• 12:59
  Speaker 0: He tried to explain what was especially cool about it, being able to build muscles and treat his wife badly.
• 13:08
  Speaker 0: What that brings for the world.
• 13:10
  Speaker 0: And he deconstructs people very well with such a... With his thin spaghetti arms which are also always themed over themselves again ...and with such laughter in their face.
• 13:20
  Speaker 0: It's really worth seeing but you have to be careful that you look at it with a good mood, otherwise they will get even worse.
• 13:28
  Speaker 0: Because there is also an amazing phenomenon where young people orient themselves on some mucky dudes who somehow claim to treat women badly in order for them to come close or contact each other.
• 13:41
  Speaker 0: So this is very wild and in the field of this topic, to shorten it,
• 13:46
  Speaker 1: now
• 13:47
  Speaker 0: the three gentlemen move from OK Kid and sing songs.
• 13:51
  Speaker 0: The most important sentence for me in the song is, above all men can't do anything about it.
• 13:59
  Speaker 0: They only react to rice.
• 14:01
  Speaker 0: I find
• 14:03
  Speaker 1: that very interesting too!
• 14:05
  Speaker 1: always exchanged by men, where you somehow think like a man.
• 14:08
  Speaker 1: I find that
• 14:09
  Speaker 0: also
• 14:09
  Speaker 1: strongly with OK Kids.
• 14:10
  Speaker 1: they have made it possible for good people to think from the other side of the world again and again about thinking in the text so that
• 14:16
  Speaker 0: one can think.
• 14:17
  Speaker 0: very briefly how is this meant now?
• 14:19
  Speaker 0: If you know the band then you immediately know what it means.
• 14:27
  Speaker 0: but if you keep listening to the song you get it out as well.
• 14:31
  Speaker 0: But that's a strength on the way she texts because there was always such attention moments where you think, what's going on here?
• 14:45
  Speaker 0: And I find that strong.
• 14:47
  Speaker 0: As a real man as the thing, also the chorus is really good.
• 14:51
  Speaker 0: so if one thinks it was now with the chorus then there will be another kind of chorus at the back and in total you have to compliment the band.
• 14:58
  Speaker 0: I'm curious about the rest from the LP.
• 15:00
  Speaker 0: Come We Go Back Okay Kid but first let us hear how a real guy I'll show you
• 15:08
  Speaker 1: in thirty-five seconds how it works with a real man.
• 15:13
  Speaker 0: Is that biological?
• 15:15
  Speaker 0: Real men have to tell you on Tiktok, they're real men!
• 15:19
  Speaker 0: Who gave us the gift That we always wanted to spray air and love?
• 15:25
  Speaker 0: Who gave our Miso?
• 15:26
  Speaker 0: Maybe he was the father of ours or our father who actually never paid for the rent?
• 15:34
  Speaker 0: Who taught us that empathy has no value here?
• 15:38
  Speaker 0: To cry in the basement, what doesn't make sense makes us stronger.
• 15:51
  Speaker 0: Who told you she shouldn't be so easily dressed up as a man?
• 15:55
  Speaker 0: Can't do anything for her to react only on free will?
• 16:02
  Speaker 0: never have it before As an asshole coming into this world.
• 16:17
  Speaker 0: But since
• 16:20
  Speaker 1: you're one of them You'll finally be taken seriously.
• 16:27
  Speaker 1: There's a bomb in DNA.
• 16:32
  Speaker 1: Feel like victims even though we've always been perpetrators.
• 16:52
  Speaker 1: I would like to say that Michal doesn't care about it.
• 16:59
  Speaker 1: With every finger which i show on her, three of me.
• 17:10
  Speaker 1: No we don´t fix ourselves, take the whole world right away.
• 17:19
  Speaker 1: Feel only seen when everything else falls apart.
• 17:26
  Speaker 1: We stole our feelings, so few drifts.
• 17:29
  Speaker 1: How many promelibuts until we are honest again?
• 17:37
  Speaker 1: The empty ones But at the first sunset feel like we're bored Because we really men A real man, we heard from OK Kid.
• 18:10
  Speaker 1: Interesting here too that this is a very current relationship right now when you look at these Colin Fernandes Christian Ullmann stories somehow but the song was written a hundred and a half years
• 18:20
  Speaker 0: ago?
• 18:20
  Speaker 0: Yes it's already crazy!
• 18:21
  Speaker 0: And that's the prophetic part of pop music in memory which lives within every text and one of each text.
• 18:28
  Speaker 0: You just have a feeling for social developments.
• 18:35
  Speaker 0: The Ulmen Fernandez story is also just a symptom of a social development in the wrong direction or not further development.
• 18:48
  Speaker 0: That's
• 18:48
  Speaker 1: exactly
• 18:49
  Speaker 0: what was already observed before, so to speak.
• 18:53
  Speaker 0: As I said, the props go out on OK Kid and we are happy that at this time with such songs here in the Goldstücklier Heuformat can take place.
• 19:03
  Speaker 0: In
• 19:03
  Speaker 1: any case, and the men just have to make their heads up how they free themselves from this corset that they put on themselfs.
• 19:13
  Speaker 1: So
• 19:13
  Speaker 0: it's really... Yes I think there is also a time when you need to ask yourself, do you reach solidarity announcements in the internet?
• 19:21
  Speaker 0: Or maybe you really have to ask around in your closest friend circle if everything is okay.
• 19:26
  Speaker 1: You know what i mean because sometimes it's like
• 19:28
  Speaker 0: that or quite many guys which you then say on this topic complex, but with my friend it doesn't matter at all.
• 19:35
  Speaker 0: But how do you want to be a hundred percent sure if not ever asked?
• 19:37
  Speaker 0: Or are we now not regularly in contact with both of the pairs across so-to speak?
• 19:44
  Speaker 0: can there be something wrong that you don't get along and maybe just have to ask afterwards?
• 19:48
  Speaker 0: And I also believe when you talk to your buddy about such things It's helpful for both sides.
• 19:58
  Speaker 0: So yes
• 19:58
  Speaker 1: Maybe you just have to get the migration control.
• 20:01
  Speaker 0: Yes, that's right!
• 20:02
  Speaker 0: Then everything
• 20:02
  Speaker 1: is solved.
• 20:03
  Speaker 0: It wasn't Christian Ullmann but Muslim Jahn Ülman who made the complaint.
• 20:11
  Speaker 0: Friedrich Merz is one
• 20:13
  Speaker 1: of
• 20:13
  Speaker 2: his.
• 20:13
  Speaker 2: Unbelievable!
• 20:14
  Speaker 0: How?
• 20:16
  Speaker 1: So how does
• 20:18
  Speaker 0: this thought come about?
• 20:19
  Speaker 0: The basic problem of the rights, so you have to listen to Friedrich Merz in the meantime.
• 20:25
  Speaker 0: That's a basic problem that they want their worldview answered on every question.
• 20:35
  Speaker 0: So no one is interested what you're talking about abroad.
• 20:39
  Speaker 0: when it comes to a relatively special case where virtual violence or sexualized violence goes well It's a topic that you shouldn't get too excited about, otherwise the sauna will really go in the basement with Friedrich Merz.
• 20:54
  Speaker 0: Totally!
• 20:54
  Speaker 1: With all of
• 20:55
  Speaker 0: them!
• 20:55
  Speaker 0: With my Friedrich-Merz-Katharina-Reiche.
• 20:57
  Speaker 0: what is it for whips?
• 20:59
  Speaker 1: What's going
• 20:59
  Speaker 1: on?!
• 20:59
  Speaker 1: I mean how can this continue then?
• 21:01
  Speaker 1: Yeah i don´t know
• 21:02
  Speaker 0: either... I would like to talk more about
• 21:04
  Speaker 1: what I told you earlier at Courtney Barnett these self doubts and depressive phases where we do not exactly know which one goes.
• 21:15
  Speaker 1: The Bogenkanken are very excited to play the next song by Softloft.
• 21:20
  Speaker 1: This wonderful Swiss indie band from Bruck in Kanto and Aragau, a place between Basel and Zurich, three rivers flow together there.
• 21:30
  Speaker 1: Bruck is really representative of the bridge that combines these three rivers.
• 21:35
  Speaker 1: so the Limat comes from Zurich , the Royce comes from Lausanne .
• 21:38
  Speaker 1: And the Are comes from Bern!
• 21:40
  Speaker 1: These three rivers flows into Bruck
• 21:42
  Speaker 0: together.
• 21:43
  Speaker 1: So the geography is still here.
• 21:44
  Speaker 1: And
• 21:45
  Speaker 0: then they will go to a big river, and that's the Aare.
• 21:50
  Speaker 1: And Softloft is coming from there.
• 21:53
  Speaker 1: They live in Switzerland, probably mainly in Zurich.
• 21:56
  Speaker 1: Here they presented it for three years already with Rose Colourd which was a beautiful song by Jorina the singer of this band and you give me Joni in case I still get lonely.
• 22:08
  Speaker 1: A hymn to Joni Mitchell too in that song.
• 22:12
  Speaker 1: This was an exhibition at their debut album The Party & The Mass where really much about these self-doubts identity loss, identity search etc.
• 22:23
  Speaker 1: And now here is the second album there and on its way which will appear in autumn with the reflection on their first album.
• 22:32
  Speaker 1: So what have we done, changed?
• 22:35
  Speaker 1: What helped us and didn't help us?
• 22:37
  Speaker 1: And that's a bit of the theme for the second new album.
• 22:42
  Speaker 1: Is life a game or is it just luck?
• 22:45
  Speaker 1: Then let the dice fall!
• 22:47
  Speaker 0: I would say the Swiss are from my point of view into Sweden The people who speak English better than non-Muttersprachlers.
• 22:58
  Speaker 0: Shit is mine!
• 22:59
  Speaker 0: Because I never had the feeling with Swiss bands that
• 23:15
  Speaker 1: you think, maybe they could use a
• 23:26
  Speaker 0: foreign language or an A to text again?
• 23:30
  Speaker 0: With Softloft for example... For the third time I thought they were from Amiland or something.
• 23:41
  Speaker 0: I didn't even hear them coming out of Switzerland at all!
• 23:54
  Speaker 0: Super good, so I love it... They will always be better!
• 24:07
  Speaker 0: So i'm really a big friend and because of that let's fall the dice.
• 24:26
  Speaker 0: That is also what this album called in September comes about.
• 24:43
  Speaker 0: Throw A Dice And the first move out there is called CORT and we'll listen to it now.
• 24:52
  Speaker 0: With CORT a song that keeps the Urli hipster caught.
• 24:57
  Speaker 0: Because he finds it so well But not in the act.
• 25:01
  Speaker 0: Nice thing, Softloft from Switzerland belongs to Goldstückli Aoi.
• 25:08
  Speaker 0: From the distribution of new music it was a... how should I say?
• 25:26
  Speaker 0: A competition for this week's song.
• 25:32
  Speaker 0: Yes totally!
• 25:33
  Speaker 0: A nice suggestion on your second album which will be released in autumn.
• 25:42
  Speaker 0: Very good We'll also deal with new music in the next few minutes.
• 26:21
  Speaker 0: However there is here the classic
• 26:27
  Speaker 1: in-the-matter Break,
• 26:29
  Speaker 0: which is there to look back.
• 26:33
  Speaker 0: Into the past on songs that
• 26:44
  Speaker 1: still move us even though
• 26:48
  Speaker 0: they are decades below our standard.
• 27:05
  Speaker 0: In this week in Old Stuckly and Goldstuckly a song... from the first of Italian music, so I would say.
• 27:27
  Speaker 0: Not
• 27:27
  Speaker 1: the king?
• 27:27
  Speaker 1: No not the king!
• 27:28
  Speaker 1: Why not the King?
• 27:29
  Speaker 0: because the word Conte
• 27:32
  Speaker 1: is translated from Italian with the word first in German and we have already told
• 27:37
  Speaker 0: you about Paolo Conte when it comes to it.
• 27:42
  Speaker 0: Finally this song is playing for us.
• 27:50
  Speaker 0: Since you know each other
• 27:57
  Speaker 1: talk again
• 27:58
  Speaker 0: and again about.
• 28:03
  Speaker 0: It's a wonderful... It's just an incredibly good song that makes good noise.
• 28:10
  Speaker 0: Oh yeah, okay.
• 28:11
  Speaker 0: The
• 28:11
  Speaker 1: thing is not unknown
• 28:12
  Speaker 0: because it was often used in film soundtracks, for example.
• 28:25
  Speaker 1: In
• 28:26
  Speaker 0: French Kiss with Mac Ryan and Kevin Klein.
• 28:28
  Speaker 0: that's the thing inside.
• 28:29
  Speaker 0: In Germany.
• 28:30
  Speaker 0: Karoline Herfurt has used only two examples in the SMS for you but there are a lot of films on Romcoms where this happens.
• 28:40
  Speaker 0: And I always have the phrasing.
• 28:42
  Speaker 0: The singing and mixing of the two languages fascinates me.
• 28:46
  Speaker 0: But there is also a moment after the C-part, so to speak... There's this part in the middle that works with other instruments like blasts or woodwinds
• 28:56
  Speaker 0: etc.,
• 28:57
  Speaker 0: which opens up a new harmonic level And how you come back from these C parts into the verse.
• 29:02
  Speaker 0: That's brilliant!
• 29:03
  Speaker 0: It was one of the most brilliant musical moments I've ever heard.
• 29:07
  Speaker 1: Okay, awesome but it's already an amazing memory for your childhood.
• 29:10
  Speaker 1: The song was released
• 29:12
  Speaker 0: in the early eighties, but to be honest I only got it when I was a grown-up.
• 29:17
  Speaker 0: Aha!
• 29:17
  Speaker 0: Okay...
• 29:17
  Speaker 1: I always thought you were so good that she's your style?
• 29:19
  Speaker 1: No, no back then
• 29:20
  Speaker 0: I didn't really get this song with me But since I know her for my best of all times playlist It
• 29:30
  Speaker 1: is wonderful!
• 29:31
  Speaker 1: Good luck in my belly!
• 29:33
  Speaker 0: Not
• 29:35
  Speaker 2: even these blue flowers Not this gray weather Full of music And the men that you liked.
• 30:01
  Speaker 0: It's wonderful,
• 30:03
  Speaker 2: it's wonderful.
• 30:04
  Speaker 2: Good luck my baby.
• 30:06
  Speaker 2: It's Wonderful, it is wonderful.
• 30:10
  Speaker 2: I dream.
• 30:11
  Speaker 0: a few chips, chips.
• 30:15
  Speaker 0: Doo doo
• 30:18
  Speaker 2: doo doo Come, come with me.
• 30:29
  Speaker 2: Enter this love and you will not lose yourself for nothing in the world.
• 30:48
  Speaker 2: The show of art varies from one fallen in love with you.
• 31:01
  Speaker 2: It's wonderful, it's wonderful.
• 31:04
  Speaker 2: Good luck my baby!
• 31:05
  Speaker 2: It's a wonderful dream of yours.
• 31:33
  Speaker 2: Entra in questo amore buio pieno di uomini.
• 31:42
  Speaker 2: Entra e fatti un bagno caldo.
• 31:45
  Speaker 2: c'è una capatoia azzurro.
• 31:48
  Speaker 2: It's wonderful, it's so wonderful, that my baby.
• 31:53
  Speaker 2: I dream of you.
• 31:54
  Speaker 2: Yeah, it's just great.
• 31:55
  Speaker 2: I love the Italian language and really want
• 32:15
  Speaker 1: to be able to speak italian but i have no chance.
• 32:23
  Speaker 1: Why?
• 32:23
  Speaker 1: Zero chance or... why?
• 32:25
  Speaker 1: I don't know!
• 32:25
  Speaker 1: I've never learned it before.
• 32:28
  Speaker 1: so then I'm like that because of my language and some sounds Creative, I'd say.
• 32:36
  Speaker 1: So when we were in Tessin, in the Italian part of Switzerland... ...we ate a grotto risotto and then I actually wanted to order
• 32:44
  Speaker 0: five spoons for dessert.
• 32:46
  Speaker 0: Yes exactly!
• 32:47
  Speaker 1: Then I ordered five spoons but he didn't like the word spoon because it was just a sausage.
• 32:53
  Speaker 1: And I ordered chinquisboni which is in our family's name.
• 32:58
  Speaker 1: Chiquisboning.
• 32:59
  Speaker 1: It sounds
• 32:59
  Speaker 0: like a band name.
• 33:00
  Speaker 1: Exactly!
• 33:02
  Speaker 0: I think so too.
• 33:03
  Speaker 0: Yes, I have a Duolingo app here.
• 33:05
  Speaker 0: What does it mean?
• 33:06
  Speaker 0: There is such an app on my phone.
• 33:08
  Speaker 0: Ah
• 33:08
  Speaker 1: yes, Bubble.
• 33:08
  Speaker 0: Bubble somehow something like that... I think it was Duolingu.
• 33:11
  Speaker 0: and then I put some Italian on for a few weeks.
• 33:13
  Speaker 0: And do you
• 33:13
  Speaker 1: want to keep
• 33:14
  Speaker 0: doing this?
• 33:15
  Speaker 0: because It's a relatively logical language, it's a Romanian language.
• 33:19
  Speaker 0: You know French a little bit.
• 33:20
  Speaker 0: Then there are a couple of words that are kind of italian- eh, italian.
• 33:23
  Speaker 0: They're identical.
• 33:25
  Speaker 1: Fortunately they are the Italians.
• 33:28
  Speaker 0: No, so really nice language, right?
• 33:30
  Speaker 1: Totally.
• 33:31
  Speaker 1: But yes, thank you very much for Paolo.
• 33:34
  Speaker 0: Yes, I would love to!
• 33:36
  Speaker 0: With a man who grew up with two languages it goes on, but he didn't learn Italian and German, instead English and German.
• 33:42
  Speaker 0: Julian Rogers from Schweinfurt.
• 33:45
  Speaker 0: You can also say Julian because his son is... German-Austrian mother, or a mother who lives in Germany but comes from Austria.
• 33:52
  Speaker 0: And an American father from New Orleans... G.I.
• 33:57
  Speaker 0: Joe!
• 33:57
  Speaker 0: ...who was stationed at Schweinfurt.
• 34:00
  Speaker 0: He grew up there with Julian Rogers Deuss and there he also invented the art figure Juju Rodgers which we're talking about now.
• 34:09
  Speaker 0: Hey I've never heard
• 34:11
  Speaker 1: of JuJu before so you suddenly come around sex with that guy.
• 34:16
  Speaker 1: What is that then?
• 34:18
  Speaker 0: Juju Rogers also took a break in the last few years.
• 34:20
  Speaker 0: He was relatively regularly on his way until the year of two thousand nine.
• 34:24
  Speaker 0: And for three or four years he completely disappeared from the surface, I think twenty-nineteen appeared out of his last record and she was one too who was created in the studio quite classically with beat machines and raps.
• 34:36
  Speaker 0: So still pretty close to it actually at the sound of contemporary hip hop a track called The Elohim, which is the Hebrew word for God.
• 34:49
  Speaker 0: So it's a song that goes all the way up there!
• 34:53
  Speaker 0: And with this we come to Elka and think about what kind of rapper from Schweinfurt he has with him in his bag.
• 35:01
  Speaker 0: He was also known as one of the few German or rapper from Germany who has English raps too... And now he has a record with him in his pack, which is called Pink Guitars, Spaceships and Voodoo Daws.
• 35:20
  Speaker 0: He's going to be there on December the next day!
• 35:25
  Speaker 0: In the world, in a space.
• 35:26
  Speaker 0: What's going on here?
• 35:27
  Speaker 0: In your reception room... Exactly!
• 35:28
  Speaker 0: And when you have that in front of your eyes and
• 35:34
  Speaker 1: then the
• 35:35
  Speaker 0: record is played with this music as well Below and then shows you this music that was on the right path.
• 35:47
  Speaker 0: Because it's really super awesome Space Funk Rock, which we are now hearing from Juju Rogers, recorded together with Jamilia Woods of
• 35:55
  Speaker 1: Chicago.
• 35:56
  Speaker 1: Exactly!
• 35:56
  Speaker 1: Then these heavenly Jamilia Woods, heavenly fits perfectly.
• 36:00
  Speaker 1: Really sky is the limit.
• 36:02
  Speaker 1: I'm a big fan.
• 36:03
  Speaker 0: Just like when you first decided to listen to the song.
• 36:09
  Speaker 0: Why don't I know Juju Rogers?
• 36:10
  Speaker 0: It's music from Germany that is a thousand times funkier than what you otherwise have on the screen.
• 36:18
  Speaker 0: How do we not know him, how are we not friends for a long time?
• 36:20
  Speaker 0: and why aren't all his records at home?
• 36:23
  Speaker 0: So maybe first of all it has to do with making sure that the first LPs were somewhat in the classic hip-hop area.
• 36:32
  Speaker 0: And so they might just haven't been included back then.
• 36:38
  Speaker 0: And secondly there may be... that we didn't send it to you.
• 36:41
  Speaker 0: That can be true too!
• 36:43
  Speaker 0: But I also noticed that he did have a problem with the foot interview.
• 36:49
  Speaker 2: With
• 36:49
  Speaker 0: Grim and him at the table, where he talks about his time in Schweinfurt etc... Of course!
• 36:53
  Speaker 0: I can recommend this to you very much.
• 36:55
  Speaker 0: Just enter Dorfkruuk & Juju Rogers.
• 36:57
  Speaker 0: You are on the right side.
• 36:59
  Speaker 0: I
• 36:59
  Speaker 1: thought it would be an American production.
• 37:01
  Speaker 1: And then when I saw your comment saying what is that?
• 37:06
  Speaker 1: And then he wrote Casper Slapper in Großbuchstaben und unter Casper Sammy der Lüchse, wo ich denke
• 37:12
  Speaker 0: so Hä?
• 37:13
  Speaker 0: Was ist
• 37:13
  Speaker 1: das?
• 37:14
  Speaker 1: Und dann hab' ich's gecheckt.
• 37:15
  Speaker 0: Ja!
• 37:15
  Speaker 0: Und da spielte es, merkt man.
• 37:16
  Speaker 0: er ist doch gut vernetzt in der Szene.
• 37:19
  Speaker 0: Tudor Rogers und Jamila Woods mit Elohim Neu bei Goldstückli Auei.
• 37:24
  Speaker 0: schnallt euch an Kinder.
• 37:25
  Speaker 0: Es is der Wahnsinn Space Funk Alex
• 37:27
  Speaker 1: Best Wahnsinn oder?
• 37:31
  Speaker 1: Richtig gut.
• 37:32
  Speaker 1: Ich freu mich sehr auf dieses Album.
• 37:35
  Speaker 1: Also auch wenn man so bisschen I'm curious about the rest of the album.
• 37:45
  Speaker 1: Could one be my favorite album in year twenty-six?
• 37:50
  Speaker 1: If there's even more stuff on it.
• 37:58
  Speaker 1: A favorite album from me this year will definitely become the new album by Mine.
• 38:09
  Speaker 1: Is that finished yet?
• 38:11
  Speaker 1: No, no!
• 38:11
  Speaker 1: It is done... No, it's not finished yet.
• 38:18
  Speaker 1: It was just announced that the album will be released in September.
• 38:27
  Speaker 1: Now on Friday, the very first single of which is published, called Dunkel... The announcement that this new album KILLER will appear in September already exists for a long time because if you follow me on Instagram then one can see she is very seductive.
• 39:07
  Speaker 1: She thinks all the time In terms of their art form, their figure is very acrobatic.
• 39:13
  Speaker 1: Because in the last twelve months you could only see Miene hanging on a rope when she was doing something like pirouettes and caprioles.
• 39:30
  Speaker 1: Some people say that they hang around with ropes... ...and fuck off!
• 39:33
  Speaker 1: When Miene says I'm hanging around with the ropes it goes up there.
• 40:24
  Speaker 0: And the interesting
• 40:26
  Speaker 1: thing about Mina is that a new chapter was introduced, A New Era.
• 40:34
  Speaker 1: The last three albums were still a bit in tune with each
• 40:44
  Speaker 0: other, like Trilogy and now you can already see
• 40:54
  Speaker 1: she got excited.
• 40:57
  Speaker 0: there's
• 40:58
  Speaker 1: an self-founding process.
• 41:00
  Speaker 1: hanging around this
• 41:03
  Speaker 0: rope also has something
• 41:05
  Speaker 1: to do on all cases so it just finds I have to go next level.
• 41:32
  Speaker 0: i need to
• 41:33
  Speaker 1: find Mina for me again.
• 41:35
  Speaker 1: So everything will be fun and I'll just come
• 41:41
  Speaker 0: forward but she comes from somewhere like this This new song Dark.
• 41:47
  Speaker 0: When I first heard
• 41:50
  Speaker 1: it, I was very happy.
• 41:53
  Speaker 1: I was really nervous and a little bit scared!
• 42:01
  Speaker 1: It's funny that Miener comes here with such a manly song around the corner.
• 42:21
  Speaker 1: You have this feeling again... that you
• 42:25
  Speaker 0: work with melodies, which are almost medieval.
• 42:28
  Speaker 0: Then this is connected to an ultra-modern production with super chopped vocals and if the word in third take sounds even better then for... You know it's all cut through each other maybe?
• 42:49
  Speaker 0: But also on a very decent way of singing.
• 42:53
  Speaker 0: And the sounds, and also the bass drum and so on.
• 42:57
  Speaker 0: The beat is all hyper-modern but the melody and structure of this song sound almost like a trombone.
• 43:08
  Speaker 0: I can imagine that you sing this song in an Middle Ages with a trompeone.
• 43:17
  Speaker 1: And
• 43:18
  Speaker 0: maybe there are two or
• 43:23
  Speaker 1: three texts where someone says, but that's not really from the middle age.
• 43:36
  Speaker 1: But otherwise I mean... Yes totally!
• 43:46
  Speaker 1: So I think it's great that Mina makes such
• 44:01
  Speaker 0: a mini-song as well.
• 44:06
  Speaker 0: Yeah and again her art
• 44:10
  Speaker 1: and her talents.
• 44:14
  Speaker 1: so she can put all of this in different environments.
• 44:23
  Speaker 1: All their songs.
• 44:26
  Speaker 1: We remember
• 44:27
  Speaker 0: two
• 44:27
  Speaker 1: years ago
• 44:29
  Speaker 0: when we were at Gasteem
• 44:35
  Speaker 1: Goldstückli and
• 44:36
  Speaker 0: didn't play it yet With us, we were
• 44:41
  Speaker 1: able to record the podcast in this hotel room.
• 44:48
  Speaker 1: Because still our absolutely popular session now has over thirty thousand views and that's really good!
• 45:03
  Speaker 1: And you can also notice there... This song works so small but it also works great on stage as always orchestrated and staged is It just all works?
• 45:13
  Speaker 1: because in the middle is always Mina with her very own singing.
• 45:18
  Speaker 1: The thing defines itself and that makes it so great.
• 45:22
  Speaker 1: That was definitely true.
• 45:24
  Speaker 1: Mine is the artist with its own sound at the time in the Bundesrepublik Deutschland.
• 45:29
  Speaker 1: You can immediately recognize her.
• 45:31
  Speaker 1: Totally!
• 45:32
  Speaker 1: And this self-founding process, to close all of these things off now... It's just going to be completely completed by releasing the new album Killer which will appear in September on your own label.
• 46:03
  Speaker 1: Ah!
• 46:03
  Speaker 1: It's all back to the roots.
• 46:04
  Speaker 1: I know everything myself.
• 46:06
  Speaker 1: My team built up over the last ten years.
• 46:08
  Speaker 1: how did you get there?
• 46:10
  Speaker 1: Congratulations!
• 46:11
  Speaker 1: Yes yes absolutely.
• 46:12
  Speaker 1: Then let's listen to the song by Mine Dunkel.
• 46:16
  Speaker 1: It is called The Track, which we will introduce you here at Goldstückler Heu.
• 46:20
  Speaker 1: The new single by Mine, Dunkel is the beginning of the new album campaign as you say in the industry.
• 46:51
  Speaker 1: I'm really looking forward to it because we can also distribute this at Wreck-a-Chat and i am very close to that and i'm very happy about that because
• 47:00
  Speaker 0: i'm proud that mine now has its own album.
• 47:01
  Speaker 0: So there are meetings with Mines recently?
• 47:03
  Speaker 0: Yes especially
• 47:04
  Speaker 1: with your management which is why we call each other.
• 47:06
  Speaker 1: but i have seen mine during a pollyton on midweek's music price.
• 47:09
  Speaker 1: How was that actually?
• 47:11
  Speaker 0: That was very funny!
• 47:14
  Speaker 0: That was very funny.
• 47:15
  Speaker 0: What is Polyton again for a music
• 47:16
  Speaker 1: prize?
• 47:17
  Speaker 1: Yes, that's such an newly founded pop academy which has now published this music award the third time or has given it.
• 47:23
  Speaker 1: better said not published and in collaboration with the spearheads of these academies are mainly Balbina and Herbert Grünemeyer.
• 47:34
  Speaker 1: These are also the loudest words.
• 47:35
  Speaker 1: who then like to go to the Bundestag?
• 47:37
  Speaker 1: the cultural minister and ministers say, we have to sit here on a round table.
• 47:42
  Speaker 1: Because as Streaming is forbidden in this country... That can't be true!
• 47:45
  Speaker 1: Yes that's
• 47:45
  Speaker 0: what they both have in their hands.
• 47:46
  Speaker 0: whether Wolfram Weimar will normalize it or not?
• 47:49
  Speaker 0: If you put yourself together with him for a few more times without sharing a chance then it'll just be
• 47:56
  Speaker 1: like that.
• 47:56
  Speaker 1: But Balbina….
• 47:57
  Speaker 1: I really love her for the way she talks about how things are going there What she tells us And something which always propagates here in Goldstückli.
• 48:07
  Speaker 1: Balbina also says that pop culture and pop music is a connected element.
• 48:13
  Speaker 1: That brings us forward when we all look in the same direction together, and pop
• 48:20
  Speaker 0: can connect with each other.
• 48:20
  Speaker 0: That's right!
• 48:21
  Speaker 0: This is our mission here as well – just to further develop society so everyone can listen to the texts of contemporary pop music together because they explain much more about the world and perhaps the younger generation on their own.
• 48:35
  Speaker 0: Yes, in
• 48:36
  Speaker 1: any case.
• 48:37
  Speaker 1: And we have to understand that as well.
• 48:41
  Speaker 1: It's difficult but it was always like this.
• 48:43
  Speaker 1: The old people never understood
• 48:46
  Speaker 0: the young people.
• 48:47
  Speaker 0: Yes and generations of conflicts may be because you hear a few songs together is also a very pleasant way to bring society forward.
• 48:58
  Speaker 0: You don't need to go to the seminar political theory waves, but you sit down with your people and listen to some music.
• 49:07
  Speaker 1: Yes!
• 49:07
  Speaker 1: And it was also funny because Domi Tziana played a song then Heinz Rudolf Kunze together with Annette Lousiane.
• 49:15
  Speaker 0: Your whole heart was in tune there.
• 49:16
  Speaker 1: that's very good too.
• 49:17
  Speaker 1: In the end Giovanni came here, the hit star of Brosis who is now just known everywhere.
• 49:25
  Speaker 1: My mother-in-law is a huge fan of Giovanni.
• 49:27
  Speaker 1: Okay cool.
• 49:27
  Speaker 1: He even made two songs sing so Schlager found instead really simply The whole pop culture.
• 49:33
  Speaker 0: Very nice!
• 49:34
  Speaker 0: Was there also microtonal music in the polython?
• 49:36
  Speaker 0: No,
• 49:36
  Speaker 1: it didn't exist but that exists
• 49:38
  Speaker 0: now.
• 49:38
  Speaker 0: That's right on your ears as well... We just talked about things which are a bit difficult to access.
• 49:44
  Speaker 0: Also political developments where you look around and think I don't understand anymore so to speak.
• 49:48
  Speaker 0: And there is some kind of music too that isn't easy to check out and this is microtonal music.
• 49:57
  Speaker 0: The classical division in the tone leader consists of all and half tones.
• 50:02
  Speaker 0: But there are people, even since music exists who do not deal with this limitation.
• 50:10
  Speaker 0: We are in the micro-tonal music and if you talk about microtonal music, there is one phenomenon that doesn't make any sense at all.
• 50:20
  Speaker 0: The Internet has just been dominated by this phenomenon called Angine de Poitrine!
• 50:25
  Speaker 0: A duo from Canada consists of the members of K&K...
• 50:29
  Speaker 1: Karno-Cleck,
• 50:31
  Speaker 0: right?
• 50:31
  Speaker 0: You don't know.
• 50:32
  Speaker 0: It will probably be Kin and Clecks because the band speaks a fantasy language.
• 50:37
  Speaker 0: so they also sit in interviews and
• 50:39
  Speaker 1: do like this.
• 50:41
  Speaker 1: So I give interviews.
• 50:43
  Speaker 0: Yes exactly And that's going to be subtitled.
• 50:46
  Speaker 0: The manager and the bands then thought about what they would say and how they are going to answer questions.
• 50:51
  Speaker 0: Then philosophical observations come up in the subtitling but when you hear it... That is really crazy.
• 50:56
  Speaker 0: That's the only thing you really need to know about your band name.
• 51:03
  Speaker 0: When they ask, what is it called?
• 51:05
  Speaker 0: Both of them do that at the same
• 51:07
  Speaker 2: time and the son goes like
• 51:10
  Speaker 0: this... It's really wild!
• 51:11
  Speaker 0: They dress up in polka dot costumes with masks on as well.
• 51:15
  Speaker 0: You don't recognize
• 51:16
  Speaker 1: anything there.
• 51:17
  Speaker 1: Self-climbing,
• 51:17
  Speaker 0: right?!
• 51:17
  Speaker 0: Self-clearing a man wearing black... Overall, the white point is on it and the other one wears the opposite of that.
• 51:25
  Speaker 0: White clothes with black dots on them!
• 51:26
  Speaker 0: And
• 51:26
  Speaker 1: both have long noses!
• 51:27
  Speaker 1: Both are great!
• 51:28
  Speaker 1: It's really
• 51:28
  Speaker 0: when you look at each other like this... Oh!
• 51:30
  Speaker 0: So my senses are racing to
• 51:31
  Speaker 2: see what
• 51:32
  Speaker 0: happens next.
• 51:33
  Speaker 0: Then they also play their instruments in a very special way.
• 51:38
  Speaker 0: One of these two has such a double halved guitar in his hand so both with micro tonal grip So you can talk to the microtones, so a double neck thing that is at the bottom of your bass and on top of it's guitar.
• 51:53
  Speaker 0: And then he plays both of them one after another.
• 51:55
  Speaker 0: They also do their music live with loop pedals.
• 51:59
  Speaker 0: Then they play each other once again and then the drummer comes in.
• 52:04
  Speaker 0: He somehow creates these very crumbly times which are also modern for an ancient portrait To count along.
• 52:09
  Speaker 0: If someone says here is awesome, fiddle music is my music I think it makes sense to count up to ten in the next piece, or two times five.
• 52:19
  Speaker 0: Ten quarters?
• 52:20
  Speaker 1: Or
• 52:20
  Speaker 0: five quarters... Ten eighths
• 52:21
  Speaker 1: then!
• 52:22
  Speaker 1: Five fourths
• 52:23
  Speaker 0: and eight tenths.
• 52:26
  Speaker 1: I have to say that KXP's sessions here from Rade sind aus Siertel, they got me with them and thought it was funny too.
• 52:33
  Speaker 1: but all i can do is just watch.
• 52:35
  Speaker 1: so if you want to hear this for myself Then I'm out.
• 52:38
  Speaker 0: So, for the first time in my career as an engineer portrait artist... ...I did a picture with him and especially this live thing because it's really impressive how he then switches to his two bright lights.
• 52:49
  Speaker 0: up there again something new is playing And that's even more striking than before but in the sum it gets kind of cooler.
• 52:55
  Speaker 0: Yes That also makes me very interesting.
• 53:00
  Speaker 0: sometimes you think I don't understand what comes next and suddenly it makes a little more sense in your head Although actually something new has come along which changes all the time.
• 53:11
  Speaker 0: There were a lot of things going on and for me it was like that.
• 53:18
  Speaker 0: The first steps I took in with the picture, well... I drove off without pictures from iTunes but then.... What happens in my head is extremely rare with music, because I spend all of the time trying to understand what's going on there.
• 53:29
  Speaker 0: It's like sitting at a philosophy seminar where the professor really thinks very quickly and prepares very fast for things that go wrong.
• 53:37
  Speaker 0: You're doing notes over here but you can hear it when you notice something.
• 53:40
  Speaker 0: At one point while I was concentrating on writing again he said half a sentence or half a word.
• 53:45
  Speaker 0: The essential thing is for me to understand how this works And that happened all the time to me at Anzine de Poitrine.
• 53:52
  Speaker 0: They counted it like this and thought, is now somewhere here one?
• 53:55
  Speaker 0: Where's the first one?
• 53:56
  Speaker 0: Do I really have to count two times five?
• 54:00
  Speaker 0: What if... where do i start counting then?
• 54:02
  Speaker 0: And when you're on a point in which you count twice and then go back to number one again It was so yeah!
• 54:06
  Speaker 0: I looked through.
• 54:06
  Speaker 0: So with those
• 54:07
  Speaker 1: two I just realized again That my heart just beats forward to the floor.
• 54:13
  Speaker 1: I can't get there.
• 54:16
  Speaker 0: I'm too lazy.
• 54:16
  Speaker 0: Yes, maybe.
• 54:17
  Speaker 1: I've always been
• 54:21
  Speaker 0: interested in finding the ones that can be found at such remote locations and even if it's a bit of a strange number of times... That doesn't make sense!
• 54:29
  Speaker 0: But actually you have to be interested too?
• 54:30
  Speaker 0: You're also an example of such a drummer.
• 54:32
  Speaker 0: Yeah
• 54:32
  Speaker 1: but as mentioned before, for Fertil Forte de Flor is my thing which
• 54:40
  Speaker 0: I know very well.
• 54:41
  Speaker 0: so then there will still be enough.
• 54:47
  Speaker 0: For people out there like Ole Hefliger we could now talk about farewell words And all the others who might listen to it with open ears in the music
• 55:05
  Speaker 1: world, stay tuned.
• 55:07
  Speaker 0: I think that's totally worth it!
• 55:09
  Speaker 0: Marta Sigtek is the piece we're going to hear now
• 55:11
  Speaker 1: from Volume Two, which will be released on the third
• 55:13
  Speaker 0: day of Easter by Angina de Portrini.
• 55:15
  Speaker 0: By the way, this French
• 55:18
  Speaker 1: word for angina pectoris...
• 55:20
  Speaker 0: Oh, I know that again?
• 55:22
  Speaker 0: That has been my mum for a long time.
• 55:24
  Speaker 0: Yes, there was such a chest-painting pain she had with her heart disease.
• 55:29
  Speaker 0: Heart and
• 55:31
  Speaker 1: lung, yes exactly.
• 55:32
  Speaker 1: She
• 55:32
  Speaker 0: had Angine de Portrin, your sea.
• 55:34
  Speaker 0: Okay, good.
• 55:34
  Speaker 0: Yeah?
• 55:34
  Speaker 0: Okay
• 55:34
  Speaker 1: interesting.