Latest / Arroe Collins Like It's Live / A Real King Will Rise Series Producer Jane Atkins Talks About Lion
Transcript
- 0:00Speaker 1: So we've created this brand new podcast on Ero dot net,
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- 0:27Speaker 1: dot net, A r r Oe dot net. Enjoy your exploration. Hello,
- 0:32Speaker 1: and good morning. How are you doing today?
- 0:35Speaker 2: Good morning, I'm good. How are you?
- 0:37Speaker 1: Absolutely excited to share a conversation with you? Because the
- 0:40Speaker 1: Lion has been a major part of my life, my
- 0:42Speaker 1: entire journey, and probably because my mother named me Clarence.
- 0:46Speaker 1: But the problem is, though, is that during those early days,
- 0:48Speaker 1: we always thought of Clarence the cross eye line, so
- 0:51Speaker 1: everybody treated me like that. But I'm so glad you're
- 0:54Speaker 1: doing Lion in this four part series because finally the
- 0:57Speaker 1: Lion is going to get some true love that it deserves.
- 1:02Speaker 2: Oh well, I hope, though, we are so excited that
- 1:06Speaker 2: Lion has already premiered in la and in London and
- 1:09Speaker 2: is now about to be released across Disney and JU
- 1:13Speaker 2: and Hulu. So we're really excited and it is truly
- 1:17Speaker 2: an incredible story with super super thrilled that we managed
- 1:21Speaker 2: to tell this story and it's a beautiful emotional rollcaster.
- 1:24Speaker 1: Well, I love the way that you guys are doing this,
- 1:26Speaker 1: and the reason why is because I'm a firm believer
- 1:28Speaker 1: and this might be my martial arts background, and that
- 1:30Speaker 1: is that before we get to this present place of now,
- 1:33Speaker 1: there is a story. And that's what you do with
- 1:36Speaker 1: this is that you give us the story of Kio
- 1:39Speaker 1: and it really does open up the door for us
- 1:41Speaker 1: to start looking at other things around us.
- 1:47Speaker 2: Yeah, I mean, I think as filmmakers, we just wanted
- 1:51Speaker 2: to find something that felt really, really immersive and intimate.
- 1:57Speaker 2: And also, there's been lots of films about lion, right,
- 2:00Speaker 2: There's been lots of stories about linking lions. There's been linking,
- 2:03Speaker 2: there's been you know, a huge love lines for decades
- 2:08Speaker 2: and decades, myself included. I'm a you know, MANI lion fan.
- 2:14Speaker 2: But I think there has never been a story like
- 2:16Speaker 2: this where you really get to know what it takes
- 2:19Speaker 2: to be a lion and not just what it takes
- 2:20Speaker 2: to be live, but what it takes to become a
- 2:22Speaker 2: Lion King, and to have that ability to tell it
- 2:25Speaker 2: from a kind of cubs point of view with all
- 2:27Speaker 2: of the challenges, but also all of the wisdom that
- 2:31Speaker 2: he gets along the way, all the courage he has
- 2:33Speaker 2: to build and rebuild time again. I think it's a
- 2:37Speaker 2: really relatable, really beautiful, really heartfelt story. And it's not
- 2:41Speaker 2: teeth and Claws like a lot of sort of other
- 2:43Speaker 2: films you may have seen my lines. It's much more.
- 2:46Speaker 2: It's a much more like emotional, sentimental family story that
- 2:52Speaker 2: will hopefully feel really unique because it is documentary, but
- 2:56Speaker 2: also feels nostalgic because we are kind of like tying
- 2:59Speaker 2: in references to familiar storylines or music moments from Lion
- 3:03Speaker 2: King and obviously having wed John Favru and hands, we've
- 3:06Speaker 2: kind of brought this whole package together in this with this,
- 3:10Speaker 2: you know, the wider family of talented creatives to create
- 3:14Speaker 2: something that is really sort of special but singular as well,
- 3:18Speaker 2: with Kia at the heart of it.
- 3:20Speaker 1: Well, you guys give us the opportunity to get our
- 3:22Speaker 1: own interpretation and maybe that's the touching of Jon Favreau here.
- 3:26Speaker 1: But the thing is, though, is that because I am
- 3:27Speaker 1: a spiritualist and I do get into animals speak, which
- 3:30Speaker 1: is animal totems, I mean the very second that I
- 3:32Speaker 1: dove into this, of course, I started looking things up.
- 3:35Speaker 1: What was the meaning, what was the purpose? What is
- 3:37Speaker 1: the lion trying to tell me right now? And I
- 3:39Speaker 1: realize that there are so many stories like that, but
- 3:41Speaker 1: there's more to it for families, for business people, for
- 3:44Speaker 1: people to look at the lion and to look at
- 3:46Speaker 1: Kyo's journey and to sit there and say, I can
- 3:49Speaker 1: do this in my own life. I'm learning this from
- 3:51Speaker 1: my documentary. Yeah. Yeah, you are learning because you're going
- 3:55Speaker 1: to pick something up that you can put in your
- 3:56Speaker 1: own life in this documentary.
- 4:01Speaker 2: Yeah. Absolutely. I mean we you know, we are all,
- 4:04Speaker 2: whether we work in film or not, we are all
- 4:06Speaker 2: storytellers at heart. We come from you know, kind of
- 4:10Speaker 2: We wanted to make this story feel like it was
- 4:11Speaker 2: being told around a campfire with an elder who was
- 4:14Speaker 2: telling you the story. That was a story like as
- 4:16Speaker 2: old as age, you know, is any kind of age
- 4:20Speaker 2: could be that it could have been told in any generations.
- 4:22Speaker 2: It has equality, a kind of grandfather equality. This amazing
- 4:26Speaker 2: narrator brings his beautiful voice to it, and so I
- 4:29Speaker 2: think it goes. It does feel different to normal documentaries
- 4:32Speaker 2: for sure. I love the kind of the style and
- 4:36Speaker 2: John Faber really kind of set that with the kind
- 4:38Speaker 2: of tone that he wanted. It's like, let us just
- 4:40Speaker 2: feel like we're sitting around a campfire. Let's feel like
- 4:42Speaker 2: an elder is talking to us. And that allowed us
- 4:45Speaker 2: to sort of dial in the type of scripting, the
- 4:48Speaker 2: type of tone, and then we applied like the music.
- 4:52Speaker 2: But I think all of that really like any really
- 4:54Speaker 2: good film, it allows you to engage in a really emotional,
- 4:59Speaker 2: deep way, and the then the layers come through of Okay,
- 5:04Speaker 2: that little cub is struggling, who is there to help them? Yep,
- 5:07Speaker 2: it's his mother, or it's his brotherhood, or it's the
- 5:10Speaker 2: kind of the things that he himself has to sort
- 5:13Speaker 2: of overcome. And those are all, you know, true to
- 5:17Speaker 2: true in any of our lives, and so it is
- 5:19Speaker 2: a relatable is a relatable series, even though it's lions
- 5:23Speaker 2: like they are like family and actually we all fell
- 5:27Speaker 2: in love them so much. They were really like that
- 5:29Speaker 2: to us. We hope that kind of comes across with
- 5:32Speaker 2: the audiences you watch it.
- 5:34Speaker 1: Well, you definitely do that because I mean it's it's
- 5:36Speaker 1: so many times people will put the line up there
- 5:38Speaker 1: with a superhero from Marvel or DC, and what you're
- 5:41Speaker 1: doing is you're giving us the opportunity to see a
- 5:43Speaker 1: cub that wasn't perfect. Oh wait a second, that's my life.
- 5:46Speaker 1: And then the cub grows and learns new things. Oh
- 5:48Speaker 1: wait a second, that's our life. So yeah, you do.
- 5:51Speaker 1: You put such a human side to something, and maybe
- 5:53Speaker 1: the lions are going, wow, we got to teach him
- 5:55Speaker 1: somehow because we're not doing it through the zoos. Let's
- 5:57Speaker 1: just go ahead and get this documentary going so that
- 5:59Speaker 1: we can get people to start thinking like real, honest
- 6:03Speaker 1: to god thinkers and planners like the lion ears.
- 6:08Speaker 2: Absolutely, and I think for a long time lions have
- 6:11Speaker 2: been seen this really really powerful animals. But actually when
- 6:14Speaker 2: you watch this, you realize how vulnerable they are. There
- 6:17Speaker 2: are all sorts of yeah, dangers and difficulties, whether that's
- 6:23Speaker 2: in nature with buffalo or hyenas or fires or all
- 6:27Speaker 2: these kind of you know, forces that filled their days,
- 6:30Speaker 2: but also they are encroached in a way that they
- 6:33Speaker 2: have never been before with the kind of the pressures
- 6:35Speaker 2: of humankind around them. And actually, if you watch episode three,
- 6:40Speaker 2: you'll see a storyline that's really powerful in it about
- 6:45Speaker 2: a new challenge to lions. I don't want to give
- 6:47Speaker 2: it away now because people won't have watched it yet,
- 6:49Speaker 2: but we don't want to shy away from the vulnerabilities
- 6:52Speaker 2: they face because again, that allows you to think, well,
- 6:55Speaker 2: you know, that isn't that. That isn't perhaps how you've
- 6:57Speaker 2: seen lives for but they they are really struggling as
- 7:02Speaker 2: a species across Africa, and hopefully this series has shined
- 7:07Speaker 2: a little bit of light onto that vulnerability. As well
- 7:09Speaker 2: as them being beautiful, powerful animals, they are incredibly vulnerable
- 7:12Speaker 2: as well.
- 7:12Speaker 1: Please do not move. There's more with Jane Atkins right
- 7:15Speaker 1: around the corner, the name of the four part documentary Lion.
- 7:21Speaker 1: We are back with Jane Atkins. Am I wrong to
- 7:24Speaker 1: think that oj Lynch had a connection to lions because
- 7:27Speaker 1: the way that the narration takes place, it almost feels
- 7:30Speaker 1: like that this is a personal experience and we are
- 7:32Speaker 1: sitting around that campfire like you're talking about Because the
- 7:35Speaker 1: very second you said that, I'm going, oh my god,
- 7:37Speaker 1: that's kind of because what happened. I then started having
- 7:40Speaker 1: a conversation with people around me, like a campfire, but
- 7:44Speaker 1: it all goes to me to Oj Lynch here.
- 7:49Speaker 2: Yeah. Absolutely. Oj is an actor who has an incredible voice,
- 7:55Speaker 2: and he actually plays Mifassa in The Lion King in Europe. Yes,
- 8:00Speaker 2: he had so he had this connection anyway, but he
- 8:03Speaker 2: also had this really beautiful tone to his voice, emotional range,
- 8:09Speaker 2: and it felt very natural. And what we loved also
- 8:11Speaker 2: was that because he isn't like a really famous name,
- 8:14Speaker 2: like a big Hollywood name, when you listen to his voice,
- 8:17Speaker 2: you're not thinking, oh, what is this connection and why
- 8:20Speaker 2: is he You're immediately just sort of feeling like you're
- 8:24Speaker 2: setting around a campfire. But your eyes and your heart
- 8:27Speaker 2: and your attention is really on the character of the lions,
- 8:30Speaker 2: and they are the stars of the show. So we
- 8:32Speaker 2: wanted to make sure that the whole setting was preserved
- 8:36Speaker 2: for that kind of sort of sacred space, so that
- 8:38Speaker 2: the storylines were flowing through the words but kind of
- 8:43Speaker 2: carried by the animals that you see on screen.
- 8:46Speaker 1: So what was it like for you when Hans Zimmer
- 8:48Speaker 1: became a part of this project, Because now you know
- 8:50Speaker 1: that the photography was going to have music, that it
- 8:53Speaker 1: was going to help bring it forward in ways that
- 8:55Speaker 1: we're going to be effective on our end of that
- 8:57Speaker 1: flat screen.
- 9:01Speaker 2: Yeah. I mean when we probably got about a year
- 9:05Speaker 2: and a half into the project until before we started
- 9:08Speaker 2: looking at music because we wanted to get the film
- 9:10Speaker 2: shoots out of the door where we wanted to see
- 9:11Speaker 2: what characters were coming through. But once we had done
- 9:14Speaker 2: a few edits and we were trying to use different
- 9:17Speaker 2: sort of different types of music on this sort of
- 9:19Speaker 2: those pre early early edits, we quite quickly felt that
- 9:25Speaker 2: hand would be an amazing person to partner up with.
- 9:28Speaker 2: John Favreau has worked with Mobs and The Lion King.
- 9:30Speaker 2: We've at the BBC worked with Hands on Planet Earth
- 9:33Speaker 2: and Frozen Planet, a big kind of landmarks. So we
- 9:37Speaker 2: asked him if he would be interested, and he was,
- 9:39Speaker 2: which was fantastic. He watched one of our stories that's
- 9:42Speaker 2: in the best episode, which I don't want to give
- 9:44Speaker 2: it away, but it's a very powerful moment and very
- 9:47Speaker 2: dramatic moment, and he immediately had a sense of what
- 9:51Speaker 2: this could feel like with bringing in human vocals to
- 9:55Speaker 2: make it even more kind of emotional and connected and
- 9:59Speaker 2: about family and then also these kind of beautiful theme
- 10:03Speaker 2: pieces of music which builds and builds across a series.
- 10:06Speaker 2: So it was fantastic to work hands and the two
- 10:09Speaker 2: composers that he worked with as well, Georgia and Niko,
- 10:12Speaker 2: and together we just had a lot of back and
- 10:14Speaker 2: forth when we were sending cuts and receiving music back.
- 10:18Speaker 2: The whole process was amazing. It was very organic, and
- 10:20Speaker 2: we're really really proud that the music kind of gives
- 10:23Speaker 2: it not just the grandeur of Africa, but also it
- 10:29Speaker 2: kind of has its own mirrored parallel storyline within the
- 10:34Speaker 2: music because it evolves and its shapes and it builds
- 10:36Speaker 2: as well. So we're really we're so happy with that.
- 10:39Speaker 1: Wow, you have got to come back to this show
- 10:41Speaker 1: anytime in the future. Ten minutes with you did you
- 10:44Speaker 1: just tap into your experience. It's not enough. So please
- 10:47Speaker 1: come back to this show anytime.
- 10:50Speaker 2: Thank you. That's very kind. I will be there. Just
- 10:53Speaker 2: let me know when you want it.
- 10:55Speaker 1: Will you be brilliant today? Okay?
- 10:57Speaker 2: Oh? Thank you. Well, I hope you really enjoy it.
- 11:00Speaker 2: I hate your witnesses love it as well.