Latest / The Art of Costume Podcast / Marie Antoinette

Transcript

Marie Antoinette · The Art of Costume Podcast

0:13
Kirsten Dunst look so good in the same.
0:16
I do love the colors. I will say that from a costume
0:19
point of view, like it became a costume with the fan but yeah.
0:24
Other than that, I'd be a good scene.
0:27
Very very nice. Yeah man.
0:30
Fantastic scene, great costuming also, it's nice block cast time
0:45
has with joy glass, it's just we Spencer Williams bugs or
0:51
Elizabeth little Spencer, those technical friends, but I hit up
0:57
Google translate before this. Yeah.
1:00
Let's put that egg. I took three years of French and
1:02
don't remember a single thing. That's how I am with Spanish to
1:07
ya. Am I one French teacher that I
1:09
had for two years was like French like from France and
1:15
literally nothing? Oh man.
1:18
Yeah, I took Spanish forever. Like, I think we started first
1:22
grade. I went all the way to the
1:23
Finish. Yeah, first grade because, you
1:26
know, I live in Southern California.
1:27
Hm. I believe I were always Way to
1:30
junior year of high school. Maybe maybe sophomore, at least
1:34
sophomore, but I feel like I just for some of those years.
1:38
We learn the same things over and over and over, like yeah.
1:41
Colors months of the year like simple, things rafter while
1:45
you're like, okay, okay. I get it like I could say the
1:48
days of the week, but then he way all the way till high school
1:51
and suddenly were like learning how to actually speak it.
1:54
But by that point I was I was only here.
1:57
Like I can't do this now. I'm just trying to graduate,
2:01
bro. Yeah, I would love to learn like
2:05
other languages. It's just like every time, I
2:07
like, like, get into it. I'm just like English.
2:10
It's two different for a long time.
2:12
Yeah. Like, I'd have a hard time
2:14
finding like a bridge where I'm like.
2:16
Yeah, I can understand this and like, well, they have those apps
2:20
now or you could just like learning a language on your
2:23
phone. I tried to learn language on
2:28
your cellular. Device.
2:30
Now I do have Duolingo but it's just like, who has the time?
2:35
You have the time, you know? Really.
2:38
No. Oh no, no, no.
2:42
I like gosh I have a hard time just finding time to do what I
2:47
actually want to. Yeah, I got behind this week
2:51
because I'm like, you know what? I got home.
2:53
Like I wasn't closing, but I also liked wasn't didn't get
2:56
home early from work and I was like I should do X.
3:00
Lindsay and I was like, no, I'm going to watch Star Trek
3:03
Enterprise and played The Sims, and that is how my evening is
3:06
going. No, I feel you.
3:09
I worked. And I like 14 hour days every
3:13
day for the past, like, six days.
3:15
Yeah, Spencer why, you know, I just gotta get that bag as they
3:21
say, I don't know. I just hate myself, but I'm
3:26
excited to be here with you. I've been looking forward On
3:30
this week's episode of hot girls summer.
3:33
Yes because this is the most hot girl of all hot girl costume
3:37
design films, we could watch. Absolutely, absolutely Spencer.
3:43
What did we watch this week this week?
3:46
We watched it two thousand. And let me say that again, the
3:49
nebula this week we watched the two that 2006 film Miry
3:55
Antoinette. I cannot say 2006.
4:00
Sounds like you're going to say 2007.
4:01
I was like, Spencer, that's that's incorrect.
4:04
Two thousand thousand. That's kind of a weird word
4:08
isn't it. Anyways, we watch Marie
4:09
Antoinette as we said last week. I've never seen this film, but
4:14
yet, I hear everyone talked about all the time.
4:17
Costume designer, Molina Cannon Arrow.
4:19
It's just an iconic film. And I'm so excited.
4:22
I got to watch it because I absolutely loved it.
4:24
Elizabeth. I know this is like one of the
4:27
best. . Films.
4:31
Especially for costume. It's like what were your like
4:34
first thoughts? First thoughts.
4:38
It's different. It's definitely a different kind
4:40
of film right. I was very excited about it
4:44
actually I thought it was going to be like very I don't know I
4:48
guess kind of like not dry but a little bit like the Emma films
4:53
Pride and Prejudice like I which I know totally different time
4:56
periods but very just kind of like it wasn't period in sense
5:00
that this felt like a modern retelling of the story.
5:03
I saw more of the summary said that this is like an electric
5:07
Telling of the story of Marie Antoinette, which I thought was
5:10
really cool because that's how I would describe it.
5:11
It was very Punk and very modern.
5:14
The music was very fun so I loved it.
5:17
It was great. I loved every scene.
5:21
It is. It is such a great film and I
5:23
feel like it's one of the first that kind of does that like, oh,
5:28
the music is really important but it's like modern more modern
5:32
music. Yeah, it's not appropriate to
5:35
the period. So it's really interesting and
5:39
why don't you start us off with a summary Spencer?
5:43
Okay, from her marriage to the French stuffing, Louis at 14 and
5:48
the rights to the throne at 19 Marie.
5:50
Antoinette is a modern retelling of France's most iconic, but
5:54
ill-fated Queen, and that is Marie Antoinette.
5:58
Have an obscene, Marie Antoinette.
6:00
It is free on, Hulu. Go go.
6:02
Watch it. Be free.
6:04
It's very good. His Very good.
6:07
It's very, it's a, it's a weird earlier movie.
6:12
It's definitely not there. Like there's no Central
6:15
storyline, right. It's literally just her living
6:19
her life. It was kind of like her, living
6:22
her life. But in like a series of art, I
6:24
don't know, just felt like, yeah, film just kind of seeing
6:27
her life play from like beginning to end.
6:30
I felt like all the context of what's actually happening
6:32
because it didn't matter. We all know how it ends.
6:36
Yeah, we all know how It ends and it's like because she she
6:40
liked telling Sofia Coppola wanted to tell Marie Antoinette
6:44
story from like a sympathetic view point.
6:46
That's like she was a literally raised to go have babies like
6:55
her, which is really strange because her mother was Maria
7:00
Theresa of Austria powerful intelligent woman.
7:07
Sound Austrian throne for I don't know how years did lots of
7:12
Public Service like introduced vaccines did like a lot of good
7:17
work for her people but was like oh my girls just need to like be
7:22
pretty and have babies. No expectations that they should
7:30
do anything she did. So she really just like I was
7:34
like oh yeah here you're going to be the perfect bride.
7:37
Ride. Right.
7:40
Let's go behind the Wardrobe. Let's go behind the Wardrobe.
7:43
We have director, Sofia Coppola costume designer, Molina Cannon.
7:51
Arrow is there. We've heard this name before I
7:55
am so excited. We all know Cannon Arrow.
8:00
We have heard her name before she is the designer of A
8:04
Clockwork Orange. Very London for which she
8:08
received her first Oscar win The Shining Chariots of Fire another
8:14
Oscar win, The Cotton Club, Out of Africa, Oscar nomination.
8:20
The Godfather Part 3, the affair of the necklace, another Oscar
8:25
nomination, and a very weird movie that we should watch
8:30
Ocean's Twelve The Wolfman Grand Budapest Hotel another Oscar
8:36
win. In and the French dispatch and
8:40
Spencer. This woman is so incredible that
8:43
we didn't even mention all of her Oscar nominations.
8:47
She is nine Oscar nominations with four wins.
8:51
Damn, like she doesn't, she doesn't play around.
8:55
She doesn't play around Al. She's one of those like iconic
9:00
costume designers. When, you know, just me talking
9:02
to people do like, oh, this reminds me of like a cannon
9:05
Arrow film. Like you He's like that
9:08
synonymous with like just award-winning just iconic.
9:12
Yeah, she has a room dedicated to all her trophies for all of
9:16
her badass films. She's designed.
9:18
Absolutely absolutely but uh it sounds like a Marie Antoinette.
9:24
Was a little bit different MVC quoted her as saying about when
9:30
she was first approached to do this film, Sophia gave me a box
9:34
of macaroons from Some company I cannot pronounce their name.
9:40
We looked at them and the beautiful colors and they became
9:44
a guideline in a way. We didn't do everything based
9:47
off them but they were definitely an inspiration and
9:51
it's like, yes, this film is just a little macaroons that you
9:55
can just pop in your mouth and not worry about at all.
9:59
I love that this film was just so colorful and it just felt
10:03
like the entire inspiration was just macaroons.
10:07
The champagne you know, lollipops Candyland.
10:11
It was just all of that. Yeah, it definitely was and
10:17
there is a fantastic article because last year was the 15th
10:21
anniversary of the film and Vogue did an incredible article
10:25
by key and Bell called it was like hosting the ultimate party
10:30
in oral history, of Sofia Coppola has Marie Antoinette and
10:35
it's a great article you all. You should read it.
10:38
This article talks about the process of making it from like
10:41
beginning to end. And at the time, Sophia was
10:45
like, a relatively new director, and she is like, you know, this
10:49
needed such a large budget and needed, like, so much time and
10:54
like, everything needs to be perfect.
10:56
That she was thinking about making this film for a while,
10:59
but knew nobody was going to give her the money until Lost in
11:03
Translation with Scarlett, Johansson, and Bill Murray.
11:07
Was such a success and then she was like I knew I'd be able to
11:10
make whatever I wanted afterwards and she was like this
11:14
is my chance to make Marie Antoinette.
11:16
I love. It's just like, let's go and
11:21
they got for what at the time. Was like a really good budget
11:24
that 40 million, which today would be like just under 70
11:28
million. So like for like a pretty
11:31
standard period piece like a nice budget and it shows on
11:35
screen. Not bad.
11:37
No, because it's like, there's no special effects.
11:40
There's like not. Like there's no CGI involved.
11:44
It's just beautiful cinematography.
11:47
Beautiful set dressing. Beautiful costumes are I say
11:52
this? Takes me back to our Dracula
11:54
episode. When Francis Ford Coppola, said
11:56
that the costumes of Dracula were the set.
11:59
Mhm. Honestly, the costumes were to
12:02
set in this film to it runs in the family, so absolutely.
12:07
Italy and Sophia she was like ready for this film, she talked
12:13
to Vogue about her preparation for the film.
12:16
She said I made reference boards that had a lot of new romantic
12:23
visuals and John galliano's work at Dior, he designed some
12:28
dresses inspired by Marie Antoinette and I loved that mix
12:31
of 18th century fashion and Couture.
12:36
Molina is a genius and completely understood what I was
12:39
going for. She interpreted the ERA with
12:43
such a fresh feeling and Palette Murray was into fashion.
12:47
So we wanted the film to feel fashionable and it does.
12:53
Yeah. The entire thing feels like a
12:56
runway show to me. It's so cool.
12:58
It really is in you know you know what, it reminded me of it,
13:02
reminded me of Juicy Couture. Advertising.
13:08
Yeah, in the 2000. That's exactly.
13:12
Like I feel like the Juicy Couture people looked at this
13:15
and was like, nice cow. Can we make this obnoxious?
13:18
All right. Thanks.
13:21
Tell you about the first time I went to a Juicy Couture store.
13:23
No, I was so massively disappointed because I just saw
13:28
there are tap their advertisement in like Teen
13:31
Vogue. I never really liked looked up
13:34
like what they did. I knew they did like Fans and
13:36
Handbags, but I didn't really like look up anything else
13:39
because I was like, I know I can't afford this and then we
13:42
went to a really nice small here.
13:44
They had a Juicy Couture store and I went in.
13:47
I was so massively disappointed because I was expecting, like
13:51
beautiful clothing, not like velour tracks.
13:55
You like I wanted to be Marie Antoinette.
13:58
What is this? So disappointed anyway at the
14:03
time though. Well, we Rave about it now at
14:05
the The time, it did not to very well Sofia Coppola told Vogue.
14:12
I'm so happy, it has an audience now because at the time it was
14:15
not successful, people didn't go see it.
14:19
They didn't really know what to make of it.
14:21
It means a lot to me that it continues to live on this movie
14:27
made 660 million nine. Hundred seventeen thousand $189
14:33
which like a tiny. Bit more than its budget.
14:37
Not great, not great, not great. And to me, I guess, you know,
14:43
now we even said this last week, but now that I'm older and I
14:46
could appreciate it. I mean, I just thought it was a
14:49
Flawless. Perfect film.
14:51
I really enjoyed it but I guess I could understand why people
14:54
will now have love this at the time.
14:56
Yeah, and she based it off she based her script off a book,
15:05
Marie Antoinette. The journey by Antonia Fraser
15:09
who was really looking at, Marie Antoinette with a sympathetic
15:12
lens, because up until probably the early 2000s.
15:16
People didn't really think of her that way.
15:19
It was like, oh this queen who indulged and then rightfully had
15:24
her head chopped off like nobody, nobody thought to look
15:29
at, like, oh, like she did what she did because that's what she
15:32
was told to do not because she was some evil person.
15:37
Yeah, I remember going to school being like today we're going to
15:39
talk about Marie Antoinette again that evil hag who told her
15:43
when to eat cake and she just ate macaroons all day.
15:47
Yeah. And it's like, oh wait, she
15:48
didn't say that. She didn't say perfect.
15:50
Okay, so does she not actually say that?
15:54
Because I was until when I saw the movie, I was like, oh, was
15:57
that not true? Oh no, she did not say that.
16:00
Damn, she didn't know so hardcore rumors because Clearing
16:06
it up today. I think I think that was written
16:10
that like line was written when she was a child actually and
16:14
attributed to someone else at the time.
16:16
No. She didn't say that.
16:18
And like when he's like, God, help us were too young to rule.
16:24
He means it in the film like neither of them.
16:27
Neither of them should be. It should have been rolling,
16:30
anybody, right? Rightfully.
16:32
So they were like, take, like, they should not have been in.
16:36
Art. But they also like the downfall
16:39
of the French monarchy. Monarchy was fair PSI because
16:43
while I kept the Nobles in line, it also kept the royal family
16:47
disconnected from the people and like, her husband, did not know
16:52
how to like, hit like his grandfather and I probably
16:56
great-grandfather kind of ride that line, but he just did not
16:59
know he didn't understand. Yeah, but anyway, Spencer after
17:07
our break. Are you ready to just dive into
17:09
the fountains of Versailles? I'm so excited.
17:12
I have a plate of macaroons here and I'm going to see how many I
17:16
could fit in my mouth during the break.
17:18
I should have gone macaroon. I'll send you some I regret my
17:23
decisions. Okay everybody go get some that
17:25
gurus and then come back. What's up costume, nerds?
17:43
This is Spencer co host and producer of The Art accosting.
17:46
Blogcast, thank you so much for listening to this episode.
17:49
We greatly appreciate all the support.
17:51
If you want to continue your support, you can become a
17:54
costume. Even at patreon.com slash the
17:57
art of costume. There, we post, unheard bloopers
18:00
highlights and bonus episodes for our costume.
18:02
Avens, you can even chat with other listeners and vote on
18:05
future episodes, head over to patreon.com/scishow Art of Stim,
18:09
And subscribe now. Spencer, are you ready to eat
18:29
some cake? Always ready to eat some cake
18:33
especially if it looks like this entire fifth.
18:36
Oh my gosh, I love this opening scene because I feel like this
18:40
is like the image of Marie Antoinette.
18:43
Especially at the time, like lazy has a French maid to do
18:47
everything for her. Yeah.
18:49
Like just Surrounded by luxury. I really like the dress she's
18:54
wearing because it's like just like an insane shimmies it
18:59
looks. It almost looks like that.
19:00
Really like tacky like satin. Yeah.
19:04
Like it looks ridiculous but I love that.
19:06
It kind of shows like this is who you think she is.
19:10
Now let's take it back but I love that opening shot because
19:14
to me this is just like I was already into movie because I
19:18
knew like oh this is going to be artsy film.
19:20
I'm like that first shot could easily be like a portrait
19:23
somewhere. Absolutely.
19:24
Absolutely. And Sofia Coppola she like put a
19:28
lot of punk Revolution into this starting with this opening
19:32
scene, it is modeled after the work of fashion.
19:38
French photographer guy Bodine. It is from a campaign he shot
19:46
for Charles jordan' in. D7.
19:52
Yeah, that's cool. I love that.
19:54
And I did, I'm glad he said that because I really feel like the
19:57
punk influence in this entire film.
20:02
So, I'm so excited to talk about it.
20:03
This is just opening shot. Like, we haven't started a movie
20:06
yet know and it's like this, very Punky, like could not care
20:11
less and Edge of her and then it's just her as this girl
20:16
leaving her home this entire Her, like opening sequence,
20:22
reminded me of one of our favorite TV shows the great.
20:25
Also, there's a lot of similarities.
20:27
Mhm. I mean, the nobility were,
20:31
constantly sending off their young women to be married.
20:35
Yeah, it was a different time happened.
20:37
All different time. And constantly Murray though, a
20:43
looks beautiful. You could tell like, Kristen
20:46
Dunst. She looks so young.
20:48
And you can just tell like this is about to be a person who's
20:50
About to go on a wild adventure that she has no idea what's
20:55
coming also that pug like stop so cute.
21:00
Right? Oh my pops one mops was taken
21:04
from her. I was pretty upset.
21:06
Gosh I it's like no wonder this girl isn't happy and I love how
21:11
they kind of show like her excessive like lifestyle was
21:16
like that without she was retail therapy shopping.
21:22
That was her trying to cope with the fact that everybody hated
21:25
her for something. She is like no part in like it
21:32
was not her fault right? I was so stoked to see Marianne
21:37
Faithfull as Marie's mother. What is crazy when I saw on Hulu
21:44
that was for some reason to first name I was like Marianne
21:47
Faithfull and what the hell's she doing in this but It's her,
21:51
it's crazy. The singer of broken English,
21:54
The Ballad of Lucy Jordan, that's sick.
21:58
Yeah, yeah. She I think I think she her
22:01
mother was Austrian because she talks about it in that article,
22:05
so she was like, yeah, I'll play Maria.
22:06
Theresa that's dope. Oh my gosh, if you want to know
22:10
about Maria, Theresa and her because I think Marie Antoinette
22:14
was her youngest of like 16 children.
22:16
Hmm. This woman had like a butt load
22:18
of kids. Lindsay holiday, history, tea
22:23
time with lynsey holiday has a couple of really great series
22:27
because mmm Maria. Theresa like the didn't always
22:31
do the right thing but was an incredible female leader for her
22:35
time, right after? Check it out.
22:38
But Maria is costume. We see her in the beginning
22:41
though you could tell like she is not, you know, we're about to
22:45
see the world of France. She's not from there like her
22:47
costume. Says like she's Austrian just So
22:51
many different influences of colors are much darker and more
22:54
set, and like a realistic tone. I would say yeah.
22:58
Because everything we're about to see is so like hyper fantasy.
23:02
That Maria is like the last bit of like realism we see before we
23:06
jump into this Looney Tunes of a world where buff to dive into.
23:11
Yes she's going from how I think her original name was Maria
23:14
Antonia. Yeah.
23:16
So she's like oh Maria Antonia shorter name.
23:20
Mmmmm simpler dress. Yeah.
23:24
And I love her her Austrian looks because they're so
23:28
childlike. And I think in this film it's
23:31
hard to realize because they don't really talk about how old
23:34
they are but it's like, she's 14.
23:36
Yeah. She's 14.
23:38
Yeah, she's a baby, she's a baby and she is literally being
23:42
stripped of everything she's ever known it.
23:45
Go marry this Prince and she comes out looking like an
23:47
entirely different person. That first look.
23:51
Shut up is so good. I already knew as soon as I'm
23:55
like okay I'm gonna love this film that blue look with the hat
24:02
to die for. Yeah to die for.
24:05
And I feel like this is really the iconic look from this movie
24:09
and I love it because it's like, she's so like green to
24:14
everything that's going on. But I feel like they've replaced
24:17
blue in the are green in this movie with Leo.
24:20
Yeah like she's just this like powdery fresh baby who doesn't
24:25
know what's going on, right? I knew this look and I've never
24:29
even seen his film but I recognize this look from, you
24:31
know, just being a human and seeing pictures of this costume
24:35
since 2006 so yeah. Oh yeah.
24:40
And we meet the first person she meets is um duchesse de
24:45
chartres. I think I'll be honest keeping
24:49
track of Of anybody who is not Marie Antoinette.
24:51
And this film is very hard, very difficult, very difficult, but
24:56
she meets this woman who's basically going to be like her
25:00
guide through the French court. And I love, she just has this
25:04
like very Stark red jacket and just like the huge skirt and she
25:10
was like welcome to a friend's played by Judy Davis.
25:15
I love her. She's brilliant, She was
25:17
recently in Ratched. Really.
25:20
Yeah, she's great. I mean, Judy Davis has been and
25:23
you know, two million things but that's why it's Lauren recently.
25:26
Yeah she has she was a great character.
25:29
I also will mention that I feel like some of these characters is
25:32
definitely just disappear though at some point of Phil.
25:34
Yeah. You'll have to point it out to
25:36
me because I think it's once they become king and queen.
25:40
Yeah, you see a lot of characters drop off and kind of
25:43
like who her friends are because um who's the woman who plays
25:47
Moaning Myrtle, she's in this film, Umm, what?
25:50
Yeah, I don't remember that. Um, you can tell me Moaning
25:56
Myrtle. It's not just a one-time ghost
25:58
that we saw in the Harry Potter films.
26:01
She is not. Um but you know, the to kind of
26:05
like middle-aged women. Yeah, who are kind of like
26:08
around her at first. Molly, Shannon and the other
26:12
girl. Yeah.
26:13
They'll the shorter one with like the funny voice.
26:16
You didn't, you don't recognize that funny voice.
26:21
I'm looking at it. Yeah, you're so right that it's
26:23
her Shirley Henderson Shirley Henderson?
26:26
Yeah. No.
26:28
I was distracted because that was Molly Shannon in a period
26:32
film. Like that was very distracting.
26:34
Yeah. And it's like I love her to
26:36
death with Superstar forever but I was like is that Molly
26:40
Shannon, what are you doing here?
26:43
Get stocks such a, such a good stuff.
26:47
I love this undress. Seing scene, which is just so
26:51
awkward and cringy compared to all of our dressings scenes.
26:54
But, uh, I still love it though. You know, I just love any sort
26:57
of period dressing undressing. Even if it's like uncomfortable
27:01
for the characters. I'm like, I just love this
27:03
process. Yes, yes.
27:07
Also very awkward and cringy. Their wedding awkward.
27:11
Like I said, awkward and cringy for them.
27:13
But for me, just so full of joy, these costumes were so so
27:18
beautiful. All the large pain yeas and do
27:22
you know how ridiculously huge ridiculous?
27:25
Do you know what's called those like drapes on the back of the
27:29
dress? Is there specific name for it?
27:32
There is and I am blanking on it because I was actually thinking
27:35
about the other day and I was like, oh, that's so beautiful
27:37
and I don't remember so cool. I'm sure there's a historical
27:41
costume fellow nerd, listening to us who's getting ready to
27:44
scream. It was already screaming.
27:47
Yeah, he's all right. Look Elizabeth, I have not had
27:51
our coffee today. We're really going for it.
27:56
I made the mistake of just drinking a try.
27:58
When I got home, I should have actually had coffee.
28:01
Um, but yeah, it's this beautiful dress and it is
28:06
inspired by like her wedding gown while I don't think any of
28:11
Marie Antoinette's clothes survived, even though she wore
28:14
something new, she never wore the same thing twice and she
28:18
doesn't in this movie. There wasn't just like
28:21
financially, how and why? But I love they have like it's
28:27
very clearly. There's this engraving of them
28:29
on their wedding day and then there's just this famous
28:32
portrait of her, which I kind. I don't think it's her wedding
28:36
gown but it's giving me like The Vibes of what they decided on
28:43
for the film. Definitely going for.
28:46
Yeah. And I'm like, that's like a
28:47
beautiful combination of the two.
28:49
To okay, I have a point of reference.
28:52
It is called a sack back down. Yes, there we go.
28:57
Hello, do you think they keep the Nerds off our backs?
29:04
And I feel so stupid because I like spent a lot of time in
29:07
College learning all of these terms.
29:09
And then now when I need them, right, they're just not there.
29:16
But yeah, you could definitely see like the reference to like,
29:19
Just paintings of Marie Antoinette.
29:21
Yeah, this is exactly what her dress look like, but it's
29:24
probably pretty damn close. Yes, apparently, it was
29:28
completely silver and covered in diamonds, of course, of course,
29:33
because the French just couldn't do anything halfway at the time.
29:38
Um, another very iconic aspect of Marie Antoinette that we
29:43
really actually don't get to see in the film is her wigs and
29:49
Well, you talked about just the creation of Kirsten Dunst is
29:54
Marie Antoinette, a little bit and MVC quotes.
29:57
Were I saying, I got to take this counter age.
30:00
Sort of story about a girl, who's a fashion victim in a way
30:04
she starts off very young and innocent, but we get to watch
30:08
her grow through the movie. I started by throwing piece of
30:11
McKee material. At Kirsten to see what colors
30:15
suited her best. I hardly used wigs because they
30:18
weren't right. For her.
30:20
We thought that maybe we could have gone more crazy, but there
30:23
was just not time. And she was like, she also talks
30:27
about this in the Vogue article where she's like, it's like the
30:31
Whigs just like didn't suit Kirsten, Dunst, right?
30:35
Like they just weren't right for her and like the overall look,
30:39
they wanted for Kirsten Dunst as Marie Antoinette, but we do get
30:44
this really incredible scene where she does were ridiculous
30:47
way. Right?
30:48
We do. Give it a little bit.
30:50
I can't whip Molina was saying she's like, you know, didn't
30:53
always work because sometimes environment around her was so
30:58
crazy and over-the-top that she don't always need to be
31:02
over-the-top herself. It would, you know, is still got
31:05
the point across so at the point across and I love the wig maker
31:09
in the movie. You get to see him a couple of
31:11
times and he is like outrageous enough.
31:14
It's like okay you understand like what's going on with her
31:17
hair just by the virtue of how Outrageous.
31:20
Right? And then doing her hair is I
31:22
love the scene where I like it's her birthday and she's like,
31:25
falling into the candles and he just blows everything out.
31:28
He's like, don't don't you dare mess up my piece of art, right?
31:34
Watching this almost made me go and grab the wig from our
31:38
episode of the great almost, but it's awesome.
31:41
Awesome, not 100 degrees outside and I don't want my, my head
31:45
doesn't help. Yeah, no we don't we don't need
31:48
a real. Antoinette her birthday moment.
31:51
Um, odile Gilbert though. Who was the hair designer on
31:57
Marie? Antoinette spoke to Vogue about
32:01
it. The whole process.
32:02
He said, I wanted Murray's hair to be extravagant while still
32:06
within the bounds of reality. I designed her hair through the
32:12
lens that she's a young rich kid without any sense of reality.
32:17
So, anything is possible. Goes through phases.
32:21
So sometimes it was massive and sometimes she wears it down.
32:25
I would say, I designed around, 30 looks but didn't sketch
32:29
anything. I would just start styling,
32:32
Kirsten's hair and Sophia would say that's so cute.
32:36
I love it. It sounds so easy.
32:40
Right. There's no way it was that easy.
32:43
I love these like dislike designer.
32:45
Sometimes they're like oh yeah I just did a thing.
32:48
Yeah. And it's her And out.
32:49
Fine? What did the Marie Antoinette?
32:52
Look. But I don't even have to write
32:54
it down. Yeah, and we got lots of rants
32:58
when it looks just within the first couple of days of her
33:01
living at the castle. All, they're very.
33:06
I want to say like Revolutionary War ask, because again, this is
33:10
reminding me of American Girl dolls.
33:15
It's very French Rococo. Lots of Beautiful florals, light
33:22
fluffy colors just and everything is embellished to the
33:27
nines. Yeah there's a ruffle on
33:29
everything and if there's not a ruffle, there's a bowl of snot a
33:32
bow, there's all sorts of stuff coming off flowers.
33:37
Feathers I love the opening looks though because it is
33:41
interesting when Murray gets there, she's really like playing
33:45
the part. Yeah.
33:46
She's trying to fit into all the rules dress, too.
33:49
Way that she's supposed to dress and it's not really until that
33:52
she actually becomes Queen where you see like that, evolution of
33:56
like simple just kind of doing what she's supposed to and to
33:59
just like full-on Punk Revolution fashion, show like
34:03
every other scene. So these, yeah, it's really fun
34:06
to like. Now that I've seen entire film,
34:08
go back to the beginning and just really see that Evolution
34:10
and her costumes. Absolutely, absolutely.
34:13
And I love the scenes or her and Louis are together because like
34:18
I feel like they Loci match a little bit.
34:21
A lot of the time even though despite how like Fantastical
34:26
this film is like the historical accuracy is like top-notch.
34:31
So that's awesome. Usually you don't say that but
34:35
what we watch usually I don't. But they really did a good job
34:39
in this one of making it fresh and accurate like at the same
34:44
time, but I love how they loci match all the time and they're
34:48
just like really adorable together.
34:51
Like not at all suited. No be married to each other but
34:54
I like it. Like they just kind of respect
34:57
each other. I was so hot and cold on Louis
34:59
has like, okay, this guy definitely does not want to be
35:02
here. He kind of sucks, but then
35:04
you're like, oh, like this isn't his fault.
35:06
Either like, this is also young guy who wants to stay home and
35:09
play video games. He really does not care.
35:13
It's not like I was really conflicted on him the entire
35:16
time. Yeah, he like really I'm still
35:19
like, I am and like make keys and like, that's all he really
35:24
wants to do with his life. Like he doesn't care about the
35:28
rest of it. Yeah, they want him to stay up
35:31
for the sunrise at one point. He's like the only time I wake
35:33
up that early is when I go hunting, which by the way, is
35:37
every day. So how on this movie?
35:41
I forgot about that but we have, oh my gosh.
35:47
She was like She's hardly in the movie but she's one of my
35:51
favorite characters and how down, Dewberry.
35:53
Yes, she's so dope and absolute icon.
35:57
It's I think I hope I'm getting the this I think she's the
36:02
French mistress. There are a lot of French
36:05
Mistresses because it was an official title within the court.
36:10
That's sweet. That was actually one of Marie
36:12
Antoinette's problems is that Louis did not have an official
36:14
mistress. Yeah, so all criticism went to
36:18
her Um, anyway, but i'm Dewberry a real life.
36:23
She was famous for having her nipples pierced and warlike
36:26
low-cut sheer tops. So people could see her like her
36:32
the different piercings. She had for them, like she would
36:37
have liked diet like diamond-encrusted like swans and
36:41
stuff, okay? I am writing all of this down
36:46
and I'll be doing my own research after the vodka.
36:49
Guest. Because I know there was a
36:51
French mistress, who did that. And I'm like, 90% sure it was
36:54
her because she wasn't, that's a very bold statement, if it's not
36:58
her. So, if not, we're gonna have to
37:00
have a follow-up conversation. She was wild and everybody hated
37:04
her because they loved the last official mistress, and she just
37:08
like, did not exact. She had big shoes to fill.
37:14
She had a follow-up Madame de pompadour.
37:16
So, Of this. Yeah, so when you see Madame du
37:23
Barry, her costumes are off to change.
37:26
She is, if I say off the chain one more time, please punish me.
37:31
I cannot be staying off the chain or cool, your jets
37:34
anymore. Anyways, um, she's giving me
37:38
like Alexander McQueen when I see her just so much fabric,
37:44
it's just beautiful. The colors are dark and Gothic,
37:47
she clearly does not Fit in here everyone hates her but they all
37:52
hate to love her too because she always looks so good and if
37:56
she's rocking that some diamond encrusted at nipple piercings
38:00
underneath to I love it even more.
38:02
But right right. I need a fact.
38:04
Check that one first though. Hold on.
38:08
Elizabeth's life fact. Checking it right now Daniel.
38:12
We need like some Jeopardy music or something.
38:21
Doo-doo-doo-doo doo-doo-doo-doo, doodly-doo.
38:27
Doodly-doo, the Seder. It may have been a different
38:31
French mistress. We will update on the Instagram.
38:40
I found an article but it was very long.
38:43
Okay, well, do a follow-up for you all next week.
38:46
Anyway, anyway, gosh, that's one of the things I meant to Like
38:51
look up before we did this podcast and I completely forgot
38:55
about it. It's all right, let's go.
38:57
I'm gonna go to bed tonight and just do my own research so we'll
39:01
figure it out. Yeah, we'll figure it out
39:03
together as did. Asia are gone toe who played
39:11
Madame du Barry and Lena can narrow our Gonzo said to Vogue.
39:17
I started to get an idea of who did Barry was through.
39:20
Working with Melina, we had meetings.
39:24
So she could study my face and body.
39:26
Before I even met, Sophia, they wanted my character to look
39:31
different from the rest of Versailles.
39:33
She chose a lot of deep Reds and purples for me compared to The
39:38
Pastels of all the other girls wear to show that du.
39:43
Barry wasn't like them. Yeah.
39:46
Yep. Yank can an arrow says, also to
39:49
Vogue. I Esther like an exotic bird in
39:53
contrast to the rather naive innocent Queen and waiting.
39:59
I love that. I mean it's the best way to put
40:01
it like just looking at her. You're like, okay, she does not
40:04
belong here. I don't know who that person is,
40:06
but she clearly did not get the dress code.
40:09
No, no, she didn't. Well, she'd have to.
40:12
She was allowed to do whatever she wanted.
40:14
Pink hair. The king loved it.
40:16
He was like, yeah, French mistress.
40:24
But I do love cuz like shoot like, I mean, people wore
40:27
jewelry at the time but it wasn't, it wasn't as big as it
40:31
had been in the past to wear jewelry and I love that.
40:34
She's just decked out and so much jewelry that perfectly
40:37
matches every single outfit she has.
40:40
Yes. I mean, she knew what she was
40:41
doing. She yeah, to put a look
40:43
together. It just really upset everyone
40:45
the way that she did it. It just wasn't macaroon enough
40:48
for them honestly. No.
40:50
No, no, it wasn't. But unfortunately, neither her.
40:55
The king were longed to stay at Versailles Spencer after our
41:01
break. Are you ready to see a movie
41:03
Antoinette? The queen of France.
41:06
Heads Will Roll eventually. Hi.
41:25
This is Dan. Audio engineer of the blogcast
41:28
here to let you know that if you wanted to support the show, you
41:31
can head over to the art of costume.com /.
41:35
Pause store there, you can buy some awesome.
41:38
T, public, merch with the blogcast logo.
41:41
We have shirts, sweaters, coffee mugs stickers, and of course, a
41:46
baby onesie. Thank you for all of your
41:50
support. Spencer, are you ready for our
42:11
favorite activity, a ball of all, not just any ball a mass
42:17
ball. I love the scene.
42:20
I think it was probably my favorite.
42:23
I think it was my favorite too. Because it's just so fun.
42:27
Everybody's having a good time except for Louis who got himself
42:30
into a very awkward cringy conversation, right?
42:35
But definitely her new friend. The Duchess is having just the
42:39
best time ever. And Rose Brin who played her
42:43
said, for the duchess, can an arrow had this intuitive.
42:47
Understanding of what Sophie is, interpretation of an 18th
42:52
century party girl would look like I was I wore a few costumes
42:57
that maresa Branson were in Barry London, which tickled me?
43:03
Maresa was also once an IT girl of her time.
43:07
So, would so to be wearing her costumes, for Sophia's movie,
43:11
felt very special. So I feel like this is almost a
43:15
first, where it's like, oh, this amazing film, with all these
43:18
amazing costumes, not everything was made for the film, right?
43:25
Is awesome. I love roses character, The
43:28
Duchess. And she was such a fun
43:30
character. I know she was supposed to be
43:31
like, maybe she's not a great influence all the time but to me
43:35
she was just like a good time. She's a party and she was looked
43:38
good. Her her ball look in this.
43:41
Like, emerald green was so stunning on her so stunning.
43:46
And so was Kirsten Dunces all-black.
43:51
Look. Oh yeah.
43:53
Like, it really looks like she's like, I'm just going to escape.
43:55
Up out into the night and she meets the most Charming, Swedish
44:01
officer, who looks like he dressed up just to complement
44:06
her. Yeah, he was a cool guy.
44:11
I love that look on him. It's very, you know, official
44:15
very uniform, but something about just feel so like Punk.
44:19
Also, you know, because it's like you're real.
44:22
Yeah. It's he's a real cool guy.
44:24
He smokes. You rats after.
44:26
And you know, does cool stuff. What's not saying?
44:31
Smoking is cool. But like this is my vision as he
44:36
rides has spirit in his mouth as he rides off to battle.
44:40
Yeah. Motorcycle.
44:45
Also again I felt like her and Louis matched a little bit.
44:49
Like I feel like she's almost trying to be this really cute
44:54
couple with him. And it just doesn't it.
44:56
Never works out. No, they're too goofy together
45:00
but like we love them for it. We do Murray's.
45:04
Black costume is incredible. I love.
45:07
It's definitely one of my favorites.
45:10
It's just so edgy and also like I'll just like very Punk and
45:14
unexpected you see her come out of the carriage and we're so
45:18
used to like all these balls we talked about on the podcast
45:20
being very big and flashy and maybe it's like bright yellow or
45:25
you know hot Pink. She came out all black and I was
45:27
like okay like yeah you know how I feel about black so I was very
45:32
thrilled. Okay Murray get it.
45:34
Um yeah it's definitely very like seductive and just like I
45:40
think this is the first time like she's really like enjoying
45:43
herself and really just like getting out there and like ooh
45:49
let me just go like mix and mingle with these people.
45:52
Yeah, she's just once upon a cool black.
45:55
Bingo. So this is essentially her way
45:57
of going out, clubbing. You know, she's like, I want to
45:59
go out while look good. I like hot and go out.
46:02
Yeah, that's what she does. That's exactly what she does.
46:05
But she doesn't get to do that for long because now, she's got
46:09
to be Co Weena, yeah, old daddy. Louis got smallpox, that
46:15
happens? Yeah.
46:17
Yeah. Grant Grandpa was not long for
46:20
this world. Why?
46:25
She wears this beautiful white and gold gown, and it's just
46:31
like, it's probably the most simple thing she wears, but it's
46:35
striking. Yeah, it's beautiful.
46:38
It's a very, it's two colors are just so Regal.
46:44
She looks very Divine. Like she looks like this is like
46:47
goddess Queen. She's here.
46:49
An angel walking down this like dark blue carpet.
46:53
That's just so stunning. It is very simple.
46:55
People compared to everything she wears, which doesn't really
46:58
say much because most of the things she wears are very
47:00
complicated. Yeah, it's incredible.
47:03
I love this. Look, one of my tops.
47:05
Also, one of the tops, one of the tops also another iconic
47:10
piece right after the coronation is her birthday.
47:15
Like again, like kind of simple, but beautiful feathers beautiful
47:23
flower applique. There's just this little Take
47:26
teal accent in the front and it's like, even though it's
47:29
simple, she's still going all out.
47:31
Yeah, I love this. Look, this is also one of those
47:35
looks I recognize without even seeing the movie beforehand.
47:40
It's like the simple white gown, but has like the flowers and
47:45
like that red contrast feather and a hair.
47:48
I just love that the way they contrast on her because she
47:50
always will do, like, maybe, like, kind of like a muted color
47:54
with like just very Very popping contrast on it.
47:58
You know make stuff like the lipstick she has on.
48:01
It's very striking and she looks amazing.
48:04
This looks like a fun birthday, right right?
48:07
Just gamble and drink till the sun comes up.
48:10
Like I'm here for that. Also, when she finally has a
48:16
baby, she's given this little country retreat.
48:24
It's still on the palace grounds so right, but it felt like a
48:29
whole different world. I went to the kitchen for real
48:33
quick, second, when her brother was, you know, hanging out with
48:36
the elephant. Think, I'll be right back, I
48:39
walk into the kitchen, get myself, my sandwich, I come back
48:42
out, she's in the countryside with a child.
48:45
I was like, whoa, whoa, whoa, don't why don't you use the
48:49
pause button on your little just pause the movie.
48:53
Just Is the show, Spencer swear. It was almost 60 seconds.
48:56
I then pause rewind it because it's like, when does she have a
49:00
kid? Yeah, she had a kid.
49:02
That's crazy. Good for her.
49:03
Yeah. And it's she's wearing again,
49:08
these like simple country looks, but they're filled with like,
49:12
Frills and the fabric. It looks like plain at first but
49:17
it's got all these beautiful little embroideries on it and
49:19
the pan yeas and the ribbon. She's wearing, and it's just
49:24
all, it's all like, she's playing out this like fantasy of
49:29
being a farmer and it's like, you're no farmer, right?
49:32
That's how I felt the whole time.
49:33
I'm like, is this like an act where she's just outside?
49:37
There's just like random Lambs walking around and chickens.
49:40
I'm like, what farm is this beautiful all the time but the
49:44
one Marie Antoinette built for herself in real life but I love
49:48
it though and I and our notes, you include this portrait of
49:52
Marie Antoinette. And that which I'm very familiar
49:55
with, we've all seen this portrait thousand times, but
49:57
like, this is definitely the inspiration for this scene
50:00
because Marie Antoinette did have like sometimes a simple
50:04
side where she probably was playing this part like Oh I'm a
50:07
country girl today. Like I'm gonna wear this huge
50:10
hat with feathers but I am also going to go pretend to work in
50:13
the fields for a little bit. That's what this reminds me of.
50:16
Yeah absolutely. And it's like she wanted just
50:20
kind of like a simple family life like that's kind of What
50:23
she was raised with was a simple family life, but obviously, as
50:28
Queen of France, she was never going to get that.
50:30
So it's like she was definitely just like running away to this
50:34
little fake Farm. She had and Her Fantasy
50:38
continues when she decides to take up Opera.
50:44
I love this scene. I love this.
50:46
It's so funny. It's so funny and awkward.
50:49
This made me laugh so hard because, you know, obviously us
50:53
knowing How the story of Marie Antoinette ends, you're like the
50:56
world around her is fully falling apart and she's like,
50:59
listen to me seeing. Yeah.
51:02
Yeah. But I love, I love her outfit.
51:06
It's just this like, again, the baby blue skirt, but then this,
51:10
like, I feel like, I like, it's a very, like, Americana print
51:17
corset, right? Like this.
51:19
Just like, random like pastoral. The scene in red and just so
51:26
simple, and she really looks beautiful, but it's like, girl,
51:29
not the time or place. This is again, her idea of like,
51:34
oh, what does a peasant dress? Like I'm sure they were a
51:37
little. Like she course it with this
51:40
baby blue and a little, like hair moment and like, clearly
51:45
very disconnected from reality, which is why I love it.
51:49
Like this very high fashion fantasy version of She thinks
51:54
that peasant would look like absolutely, absolutely.
51:57
And it just continues. She just continues to kind of
52:01
like see you just want this simple life but like at right at
52:05
the moment where she needs to be like paying attention and not
52:10
doing stupid things like wearing pink wigs to greet the soldiers.
52:16
Oh man, that look is one of my favorites at the hot pink wig is
52:22
so pink wig. Big with the pink outfit the
52:25
whole thing. I almost said this is my one
52:28
Costume World them all, but it's not, but it's like very close.
52:32
It's such a good one, it's very close and it's a Gad.
52:35
One of those iconic looks from the movie.
52:39
And one thing that was so annoying about this film, it was
52:42
really hard to get good pictures because this is like just as
52:46
digital is like coming right into the picture with film.
52:51
So like most We're still shot on film.
52:56
So it's like everything's like a little bit grainy and like a
52:58
little, like not great. And because it's like 2006,
53:02
there's not a ton of images on it.
53:05
I love it on the internet. So I had a really hard time
53:08
finding this this pink look of hers but it's like it's such a
53:12
good one. It's such a good one.
53:14
I love it a lot. Also, we get another very iconic
53:22
scene. Scene and look from Marie
53:25
Antoinette whena. She is just wearing nothing but
53:29
her socks and garters for the Swiss officer.
53:36
Yeah, this is a cool thing. I like it a lot, Kirsten Dunst.
53:41
Look so good in the same. That's all I'm gonna say.
53:45
It's a perfect is perfect. Like do love the colors.
53:49
I will say that from a costume point of view like that.
53:52
Pink whiff again. That very like baby blue and the
53:55
white. It says a lot about like it
53:59
became a costume with the fan but yeah, other than that.
54:03
I yeah, good scene very, very nice.
54:16
Yes, fantastic scene. Great costuming, awesome.
54:22
That's nice. Ice.
54:24
But no, it's that, that scene of her with the fan super iconic,
54:29
like we see a cropped version of that all the time in
54:34
relationship to the movie. Like, you don't get that whole
54:37
picture, but you get to see like a cropped version of it, a lot.
54:41
Also, I kind of iconic and just very Punk look is the let them
54:47
eat cake in the bathtub, right? They see the Cruella de Vil
54:51
moment. I was like, whoo.
54:53
Yeah, be in Westwood model telling us to eat cake right
54:56
now. So I will if she's telling me to
55:00
I will ma'am I'll do whatever you tell me to do.
55:04
I do like cake. I know, I love this.
55:08
Just like evil Murray wrote, It's all of like three seconds,
55:12
but they've got that like, nearly black lipstick pair of
55:17
earrings and necklace. That I think she's been wearing
55:20
throughout the film, but it's like this, too.
55:23
Turn. It's almost looks like a little
55:24
tarnished or like black. Yeah.
55:27
And it's just like it. Like is such the opposite of
55:30
everything we've seen so far. It makes you jump for a second,
55:34
right? It's evil Antoinette is scary.
55:37
It is scary that it just gets sad.
55:40
Yeah, just gets sad. She loses her baby.
55:44
That's really fell apart. Like really quickly and move.
55:47
Yeah. Like overnight she, there's a
55:51
good portion of the end of the Boom.
55:53
A lot of it. She's just wearing black.
55:55
She's just in morning. She it's like she's starting to
55:58
understand her role, right? When she's about to lose it.
56:04
Yeah, a little late on that Marie.
56:08
You know how I love a funeral. Look her grieving black-veiled
56:13
look. I mean, I know we're supposed to
56:15
be morning a but she looks so good.
56:21
Yeah, she is a morning. I hate her child, but she is
56:25
looking good doing it. Yeah, it's the Hat with the
56:29
veil. Oh, yeah, that's what that's
56:31
what makes that look. It's so good.
56:34
So her to it, keep my eyes off her.
56:36
No. And then her nightgown.
56:38
Look Exquisite, like it was so simple.
56:42
And like, the way it moved with her when she's like, bowing down
56:45
on the balcony. Beautiful.
56:49
Yeah. And I like it too because it's
56:51
almost like she's accepted her fate at Point.
56:53
She's like, well, we really screwed it up this job.
56:59
So she goes after in his nightgown and she has, it's like
57:02
a little bit. Like the old Murray were has
57:04
like still, like these, like little pops of color in it.
57:06
It's hard to tell because there's people with pitchforks
57:08
and torches. Literally, you look closely you
57:12
can see like little pops of color that feels very Marie.
57:14
It's like she's gonna go out swinging and her favorite
57:18
nightgown. She is she is but that is all
57:23
Murray believes, Fair sigh, never to return again, no things
57:28
don't really end well for her and her husband or a bunch of
57:33
people. Really.
57:34
Yeah. Her daughter was the only one
57:36
that made it out. I believe they call it the reign
57:40
of terror. Yeah, good times.
57:46
But what was not terrifying was all the costumes in this film.
57:50
There's so many good ones. I'm very excited to play our A
57:53
game Elizabeth yes, Daniel hit it, the one costume to rule them
58:01
all. Spencer, what was your one
58:07
costume to rule them? All, I was very torn on this
58:10
one. I was really leaning toward that
58:13
all pink look, and also that all blue look from the beginning.
58:18
But to me, I just felt like that black.
58:21
Look, she wears to the ball, the Marie, badass Antoinette, look
58:26
the Marie, The Punisher Antoinette.
58:30
Look at the ho badass, if like the black covering Eyes.
58:37
It's very like Alexander McQueen Vivienne Westwood just so edgy
58:42
and it's just not what you're expecting.
58:45
You're thinking like maybe like a more historical accurate
58:49
period moment where she would obviously be wearing something,
58:52
I don't know, blue or yellow, or pink, she chose black.
58:55
And I was very rock and roll and that's just, you know that I
58:59
love that as anaesthetic. So definitely my favorite easy.
59:03
I do love that. Yeah, this is like, Like, that
59:06
is probably the least historically accurate piece in
59:08
this film. And I love it, too.
59:10
Because it really says everything, like, Sofia Coppola
59:14
wanted right? So, say with this movie that
59:17
like, this was just a young woman trying to enjoy her life
59:22
and who didn't really know any better because she wasn't
59:25
expected to write. It was a very bold Choice,
59:29
honestly. Yeah, absolutely.
59:33
Similarly, my one costumer Mole was the baby blue French Alpha.
59:41
She was put into when she arrives in France because it's
59:45
just like its iconic. It's it says everything you need
59:50
to know about her innocence and like just kind of like, oh like
59:55
this is someone who was very unprepared for what was about to
59:59
happen to her. Alright.
1:00:03
So beautiful though, it gives me like Like you know, obviously
1:00:06
it's very French or reminds me of Harry Potter and the Goblet
1:00:09
of Fire when. Yeah.
1:00:13
The blue and the hats, it's very chic.
1:00:16
It's very, very chic and proper but also still like fashion
1:00:20
forward to absolutely and with that we are at the end.
1:00:25
Elizabeth, what are we watching next week?
1:00:27
Oh, next week, Spencer, we are watching The White Lotus.
1:00:35
We're going on a little vacation.
1:00:38
Yeah, it's hot girl summer. Vacation week through a
1:00:41
beautiful Hawaiian Islands as a reservoir of the White Lotus and
1:00:48
Jennifer Coolidge is going to be there, so I'm ready.
1:00:50
My gosh, I can't wait to just talk about Jennifer Coolidge the
1:00:53
whole time. That's all I'm going to do.
1:00:55
It's all I'm going to do is talk about Jennifer Coolidge, the
1:00:58
entire show and Sydney, Sweeney have a real Crush.
1:01:03
I hadn't seen her in anything because I don't, Don't I've
1:01:06
never watched Euphoria, but she's amazing.
1:01:11
Yeah, he's amazing. Thank you all so much for
1:01:16
listening. If you loved this episode, make
1:01:19
sure to hit up our voicemail number 62, 65 15, 1826.
1:01:24
Few, you know, maybe don't want to leave a voicemail.
1:01:28
You can also just hit us up at the art of costume pod on
1:01:32
Instagram, Tic Tac at the article.
1:01:35
Doom, you can follow our patreon and hear our voices, just like
1:01:41
an extra time every month at patreon.com slash the art of
1:01:46
costume. If you want a little like merch,
1:01:50
you can head to the Arctic austin.com / pot store, get a
1:01:54
tote bag, get a t-shirt, put your baby in a onesie of ours.
1:01:59
You want to raise them, right? Don't you raise your children
1:02:03
correct? Because one day they could end
1:02:04
up the queen. In of another country and things
1:02:08
could go wrong for them. I'm just saying yeah give them
1:02:12
an appreciation for costume design so that they avoid these
1:02:15
mistakes. Leave us a voicemail at 62. 65
1:02:20
15. 1826 tell. Tell me why that black look that
1:02:25
Marie. Where's is the one costume to
1:02:27
rule them all? Yeah let me know.
1:02:31
My the baby blue number is the one costume to rule them all.
1:02:35
If you just love the Pod overall please leave us a little
1:02:40
five-star text review on Apple podcast and or Spotify it really
1:02:45
helps us out. Everybody.
1:02:48
Have a magical Hawkgirl summer week?
1:02:51
Oh my friends. Well.
1:02:59
You're out of costume. Blogcast is hosted and produced
1:03:03
by Elizabeth Joy, glass, and Spencer Williams.
1:03:06
Our audio engineering and editing is done by Dan White.
1:03:11
Follow us on Instagram, at the art of costume pod or visit the
1:03:16
art of costume blogcast.com. For all blogcast updates, if you
1:03:20
want to support the show, go to the art of costume.com /, pause
1:03:25
store, or you can head over to / the art of costing for some
1:03:32
bonus content, for more costume, reviews deep, Dives and
1:03:36
interviews, head over to the art of costume.com a Blog dedicated
1:03:42
to highlighting the best and costume design.
1:03:54
From her marriage to the French stuff in that.
1:03:56
Louis at 14 to and their rise. To the throne at 19 Marie,
1:04:02
Antoinette is a modern retelling of France's most iconic Bill and
1:04:06
queen. I left the to in there, by
1:04:11
accident. Sorry,
1:04:22
we should just pack it up.