Latest / The Breakfast Club / Rewind: Serial Sister Ass Eater, Who You? and Nipsey Hussell Interview

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Rewind: Serial Sister Ass Eater, Who You? and Nipsey Hussell Interview · The Breakfast Club

• 0:00
  Speaker 1: The Thread is a new hit podcast from Azzi Media
• 0:03
  Speaker 1: that explores history surprising connections in order to discover how
• 0:06
  Speaker 1: one thing leads to another, like how movie moguls in
• 0:09
  Speaker 1: early Hollywood helped spark the me too movement. Today, get
• 0:13
  Speaker 1: it on iHeartRadio or wherever you listen. Fifty percent year,
• 0:17
  Speaker 1: I Love You to Sit Out didn't become the most
• 0:24
  Speaker 1: prominent form. Wake your ass up early in the morning.
• 0:27
  Speaker 1: But they tell me it was, y'all. I s hell yeah,
• 0:29
  Speaker 1: I'm getting the morning show. Three people's choice. Actually, people,
• 0:37
  Speaker 1: I can't believe you. Guys are the breaks? Did we
• 0:40
  Speaker 1: know this? Breakfast club? Wake up? Wake up, wake your
• 0:47
  Speaker 1: time to get it off your chest with your man
• 0:50
  Speaker 1: or blas. We want to hear from you on a
• 0:52
  Speaker 1: breakfast gloves. Hello, who's this poor chef? Hey, Paul should
• 0:55
  Speaker 1: get it off your chests? Mama, I want to get
• 0:57
  Speaker 1: off my shows. There I put on social media. I
• 1:02
  Speaker 1: purchased something from the local fashion over and they still
• 1:05
  Speaker 1: don't give me my credit and I CARDI whoa stop?
• 1:09
  Speaker 1: I need you to stop for a second. There's a
• 1:11
  Speaker 1: local fashion over. I thought fashion was only on social media.
• 1:15
  Speaker 1: It's locally online. Okay, all right? And I know y'all
• 1:22
  Speaker 1: seen my DM telling y'all to get it off my
• 1:25
  Speaker 1: chest from me because I added Cardi B asked her
• 1:28
  Speaker 1: to help me out with her street cred and I
• 1:32
  Speaker 1: ain't getting nothing bad. Well, Cardie B probably didn't see
• 1:35
  Speaker 1: it because she has like, you know, thousands of people
• 1:38
  Speaker 1: hit on and Cardi B don't own fashion over both.
• 1:41
  Speaker 1: Why are you adding Cardi B? You should be adding
• 1:42
  Speaker 1: the people fashion. She felt like maybe Cardi B would
• 1:47
  Speaker 1: have a little more cloud my goodness. So you get
• 1:50
  Speaker 1: your fashion over dress, mama. It was it for something
• 1:52
  Speaker 1: special with some mother's day. I had me a nice look,
• 1:55
  Speaker 1: you know, outfit picked out, but I just refused to
• 1:57
  Speaker 1: purchase anything and they still owe me like eighties. All right,
• 2:00
  Speaker 1: but listen, this is what you do. Send me a
• 2:02
  Speaker 1: DM right now, because I do know a couple of
• 2:04
  Speaker 1: people that work there, So I'm gonna hit up my
• 2:06
  Speaker 1: guy and send it to him and see if he
• 2:08
  Speaker 1: can help you. Good love, All y'all gonna feel so bad.
• 2:11
  Speaker 1: All y'all gonna feel badhen y'all realize if Bonka Trump
• 2:13
  Speaker 1: is going a fashion hello, who's this? Definitely not good
• 2:17
  Speaker 1: morning Breakfast club. This is Charlagne. Hey, Charlotte Man, Hey, Hey,
• 2:21
  Speaker 1: hear me, y'all. I just wanted to say that I'm blessed. Um.
• 2:27
  Speaker 1: You know, within the last six years of my life,
• 2:29
  Speaker 1: I've been through a lot. I lost my mom six
• 2:31
  Speaker 1: years ago, and you know, me and he were very
• 2:33
  Speaker 1: very close, was very setting, and so you know, I
• 2:36
  Speaker 1: was overweighted and I just had a lot of things
• 2:38
  Speaker 1: going on. And I just recently lost eighty pounds. I'm
• 2:42
  Speaker 1: seventy one, Okay, I am sexist, ever, I look like
• 2:46
  Speaker 1: my high school days. Um. I've been a stay at
• 2:48
  Speaker 1: home on my oldest and thirteen, and my youngest is nine.
• 2:51
  Speaker 1: I just went back to work for the first time
• 2:53
  Speaker 1: and I've been working for a year, and you know,
• 2:55
  Speaker 1: things are just really looking up for me. So I'm
• 2:57
  Speaker 1: just calling to say I'm blessed. I love y'all. Charlotte Magne,
• 3:00
  Speaker 1: I'm from South Carolina. Bo and the crowds you're talking about.
• 3:03
  Speaker 1: We had some of the best lane last night. Oh man,
• 3:06
  Speaker 1: So you got some good sleep, man, sleep my ass. Oh,
• 3:09
  Speaker 1: I can't say that I was doing anything but sleep. Okay,
• 3:13
  Speaker 1: that's what I'm telling you. Were having sex in the rain.
• 3:16
  Speaker 1: What you're talking about boy anytime. I am do you
• 3:19
  Speaker 1: know how to? I wish I could send a picture.
• 3:20
  Speaker 1: I am hot, okay, I am doing it up. And
• 3:24
  Speaker 1: you know, me and my have been together twenty two years.
• 3:27
  Speaker 1: I'm just glad and he's having fun because you're so
• 3:29
  Speaker 1: much more confident now too and happy. So you're talking
• 3:32
  Speaker 1: about I mean king. No, I could put on little
• 3:34
  Speaker 1: Bunny as ever and nobody can't tell me. I don't
• 3:35
  Speaker 1: look it. I don't give damn congratulations, see you, Murma.
• 3:39
  Speaker 1: I definitely was having sex to the night before I
• 3:41
  Speaker 1: was raining. I had them a guel playing while it
• 3:42
  Speaker 1: was raining. I was, I was wishing. I was wishing
• 3:44
  Speaker 1: it was raining last night. I said that to my wife.
• 3:46
  Speaker 1: Damn I was he was raining. Hello, who's this? Queen?
• 3:49
  Speaker 1: Goddep NB the spread from Alwakee, Wisconsin trucking in what whatting?
• 3:54
  Speaker 1: What's up? Bro? Get it off her chest man. It
• 3:56
  Speaker 1: is very expensive and a single person out here, I
• 3:59
  Speaker 1: wrought through a lot of though being single and brother envy.
• 4:02
  Speaker 1: I would like you to congratulate me, brother, because I
• 4:04
  Speaker 1: did get some pool last weekend. I was it a
• 4:08
  Speaker 1: real person or what was it a doll? Definitely definitely
• 4:10
  Speaker 1: a doll Yeah, it was a young lady. I had
• 4:13
  Speaker 1: to pay for it, young lady? How only young? What age?
• 4:16
  Speaker 1: It was? Twenty seven? Are you paid for it? What's
• 4:18
  Speaker 1: the price of poom former Milwaukee nowadays? I had to
• 4:21
  Speaker 1: pay one hundred dollars. So I didn't want you at Harry. Well,
• 4:24
  Speaker 1: you get what you paid. You get what you paid for, man,
• 4:27
  Speaker 1: So call me when you start getting that herpes medication.
• 4:31
  Speaker 1: Well you know at this stage to the game, mister, Yeah,
• 4:33
  Speaker 1: you gotta make it half to somehow. My great grandmother
• 4:35
  Speaker 1: Cloud always told me, baby, sometimes you gotta pay the play.
• 4:38
  Speaker 1: I didn't understand what she talked about back then. I
• 4:40
  Speaker 1: thought she had all times. Let me tell you something.
• 4:42
  Speaker 1: I can guarantee your grandma chargs more than a hundred dollars. Okay,
• 4:45
  Speaker 1: stop it, get it off your chests. Eight hundred five
• 4:47
  Speaker 1: eight five one oh five one. Callers up now was
• 4:49
  Speaker 1: the breakfast club coming? Pick up the mother mother phone
• 4:52
  Speaker 1: and dial this is your time to get it off
• 4:54
  Speaker 1: your chest. Brother, you're man or blast. We want to
• 4:58
  Speaker 1: hear from you on the breakfast club. Please, it has
• 5:00
  Speaker 1: the same energy. Hello, who's this hey? Get it off
• 5:04
  Speaker 1: your chest? Um? Well, first of all, I just want
• 5:07
  Speaker 1: to take good morning to everybody. I'm calling them salts
• 5:10
  Speaker 1: very Maryland. I just want to wish everybody a productive week. Okay,
• 5:14
  Speaker 1: thank you, Mama. When I think it's Altbury Maryland, I
• 5:16
  Speaker 1: think it's Alsbury Steak, and I don't even eat that.
• 5:21
  Speaker 1: That's like mystery. I love it down like you're in
• 5:23
  Speaker 1: a good mood this morning. Um. You know I'm getting
• 5:27
  Speaker 1: over pneumonia, but I mean I'm still just like really
• 5:29
  Speaker 1: blessed because you know, I didn't have to wake up
• 5:32
  Speaker 1: this morning. So I'm just trying to go forward every
• 5:35
  Speaker 1: day a little more proan know that has how you
• 5:39
  Speaker 1: got pneumoniable, I have no clue I got it, and
• 5:41
  Speaker 1: I had it for about a week before I even
• 5:43
  Speaker 1: figured it out. So it's standing online at the club
• 5:46
  Speaker 1: with a little short skirt on and no panties. Indeed,
• 5:48
  Speaker 1: I got too much meat for them, all right, Mama, Hello,
• 5:53
  Speaker 1: who's this? Precious? Hey, prescious, good morning, good morning. How
• 5:56
  Speaker 1: are you doing all right? Why are you? Why are
• 5:58
  Speaker 1: you calling this morning? My mom? Because my girls and
• 6:01
  Speaker 1: called me her exes name a couple. Hey, shout out
• 6:06
  Speaker 1: to shout out to your girls ex for having that
• 6:08
  Speaker 1: good tongue game soever, No, what is she doing in
• 6:12
  Speaker 1: the bedroom or is it just ra yes? Yes, yes,
• 6:16
  Speaker 1: yes in the bedroom. You know what that means. That
• 6:19
  Speaker 1: means that her jaw game way better than yours. Step
• 6:22
  Speaker 1: it up. It's not funny, Charlotte, her uncle train. What's
• 6:26
  Speaker 1: her ex's name? I'm not gonna see her name? Put
• 6:29
  Speaker 1: off whatever you may be off the chamb but she
• 6:30
  Speaker 1: can't forget her exes's name. What's her name? What's her name?
• 6:34
  Speaker 1: We just want to know her name? Mama, mama? Okay,
• 6:37
  Speaker 1: so maybe So what does she say when she said
• 6:39
  Speaker 1: her name by accident that she pretended didn't happen? Does
• 6:42
  Speaker 1: she apologize? Yes, she doesn't have it didn't happen? Wow,
• 6:47
  Speaker 1: heard you? That's what she got it like, I'm moaning? Sorry,
• 6:54
  Speaker 1: I'm sorry, Oh moan game gotta be like she gotta
• 6:59
  Speaker 1: be like I was just watching love and hip hop. Mona,
• 7:02
  Speaker 1: that's crazy. That your job game so whack. You can't
• 7:04
  Speaker 1: forget her exit's name. No, I'm gonna be honest, man,
• 7:06
  Speaker 1: not what Maybe you need some new tricks. Try halls
• 7:09
  Speaker 1: in your mouth for something. Halls all right, mama, thank
• 7:11
  Speaker 1: you for calling on. Thank you that sucks said that. Yeah, literally, Hello,
• 7:16
  Speaker 1: who's this? This jiggy called from Charleston. Let's up, broke,
• 7:20
  Speaker 1: get it off your checks for three what was happening?
• 7:22
  Speaker 1: So check it out? I got a gig at Walmart, right,
• 7:25
  Speaker 1: this is eligible for hiring. But they didn't call me back.
• 7:28
  Speaker 1: It's been five d Did you call them back? No? Well,
• 7:33
  Speaker 1: maybe you should do that, or maybe you're not getting
• 7:34
  Speaker 1: the job. You shouldn't, right, No, you should definitely hit
• 7:37
  Speaker 1: them up and be like, hey, I'm just checking in
• 7:39
  Speaker 1: to see if there was any other information that you
• 7:40
  Speaker 1: needed and to see the status of my residence passed
• 7:44
  Speaker 1: the background checking, all that, But I didn't get no
• 7:47
  Speaker 1: call back. Follow up? You've heard of a follow up?
• 7:49
  Speaker 1: God damn, it's your first job? No, all right, job,
• 7:54
  Speaker 1: your thirteenth job. Listen, go follow up? Stop playing? All right?
• 7:58
  Speaker 1: All right, my goodness, But you can call up, Hello,
• 8:00
  Speaker 1: who's this Hiles today? Chef from Destroyed? Hey, mama, what up? Do? Yes,
• 8:06
  Speaker 1: I'm here, fred and loved and bless it. And you know,
• 8:09
  Speaker 1: there's so much negativity in the world, and hey, my
• 8:12
  Speaker 1: mother got signed for that. I'd be feeling the same
• 8:14
  Speaker 1: way all the time. That's why I keep it positive.
• 8:17
  Speaker 1: That's all you can do. You know what I'm saying,
• 8:19
  Speaker 1: Even with nobody else used it positive, you have to
• 8:22
  Speaker 1: keep it positive for yourself. That's what I said. I
• 8:25
  Speaker 1: don't let anybody else dictate what my mood is gonna be.
• 8:28
  Speaker 1: There you go, Mama, the Breakfast Club morning. Everybody is
• 8:34
  Speaker 1: DJ Envy, Angela Yee, Charlomagne the guy we all the
• 8:37
  Speaker 1: Breakfast Club. Now, we have a young lady in the
• 8:41
  Speaker 1: building that's need a page. Her name is not Nita
• 8:43
  Speaker 1: pagees Gena Page, You crazy fool, okay, And Gina Page
• 8:47
  Speaker 1: is the founder of African Ancestry dot com. You know.
• 8:51
  Speaker 1: A couple of months ago, I took a twenty three
• 8:53
  Speaker 1: and meat dot com test and said that I was
• 8:55
  Speaker 1: ninety seven percent West African, which I love because I'm
• 8:57
  Speaker 1: black as black as hell, and uh, somebody Chadwick Boseman
• 9:01
  Speaker 1: actually put us on the African Ancestry and said that
• 9:03
  Speaker 1: if you get with them, they can tell you your
• 9:04
  Speaker 1: tribe and what country you're from. Sight do you a
• 9:06
  Speaker 1: matter factay, what idea is? I took the DNA test
• 9:10
  Speaker 1: me too, Yeah, so I'm from ninety seven percent of
• 9:14
  Speaker 1: East African West African now see that's the wrong test.
• 9:17
  Speaker 1: Which one you took, like you got you took ancestry. Yeah,
• 9:21
  Speaker 1: I took African ancestry. That's a difference. So African ancestry
• 9:25
  Speaker 1: could tell you the specific um ethnic group that you
• 9:29
  Speaker 1: come from. So you know, if you if you just
• 9:32
  Speaker 1: know the country, that's still the European borders. But if
• 9:37
  Speaker 1: you know that you're europe from Nigeria, then you can.
• 9:41
  Speaker 1: Now now you can you can pinpoint specific customers and
• 9:44
  Speaker 1: ritual that they are part of your path. So our
• 9:48
  Speaker 1: special guests heard that the page right, and so she
• 9:52
  Speaker 1: sent us African ancestry kids. Right, Well, good morning, how
• 9:59
  Speaker 1: are you? I'm great, I'm happy to be here. Now
• 10:01
  Speaker 1: how do you get all these results? We are able
• 10:03
  Speaker 1: to get these results because we had the largest database
• 10:06
  Speaker 1: of African lineages in the world. So we're the only
• 10:10
  Speaker 1: DNA company, if you will, for ancestry that can can
• 10:15
  Speaker 1: specialize in giving black people specific information fifteen years Wow,
• 10:23
  Speaker 1: So we pioneered this technology. What made you do it?
• 10:26
  Speaker 1: What was the start? Like? Why were you you know,
• 10:28
  Speaker 1: what made you want to do this? You know? So
• 10:30
  Speaker 1: my business partners a geneticist, doctor Rick Kittles, who is
• 10:34
  Speaker 1: a fan of your show, Thank you, and um. He
• 10:41
  Speaker 1: really wanted to know where he was from. That's how
• 10:43
  Speaker 1: it really started, right, He just wanted to know where
• 10:46
  Speaker 1: he was from. As he moved along in his career,
• 10:49
  Speaker 1: he worked on the New York African Burial Ground Project
• 10:52
  Speaker 1: in the nineties here in New York in Lower Manhattan.
• 10:54
  Speaker 1: They were building a federal building and they unearthed the
• 10:57
  Speaker 1: cemetery in the process, and so a team from Howard
• 11:01
  Speaker 1: University was brought in to identify the ancestry of those bones.
• 11:05
  Speaker 1: So then the community said, well, if you can do
• 11:08
  Speaker 1: it for bones, you should be able to do it
• 11:10
  Speaker 1: for me. I'm still alive. And so it was a
• 11:13
  Speaker 1: classic case of the community saying I want this information,
• 11:17
  Speaker 1: and I was forming a company to provide them with
• 11:20
  Speaker 1: the answer. I know what you were doing before this.
• 11:26
  Speaker 1: I had a corporate background, so I so I marketed Colgate,
• 11:30
  Speaker 1: Parmala product, sairy bakery products, stuff like that. Wonderfulfilling is
• 11:35
  Speaker 1: this no? Because you know what, it doesn't really matter
• 11:39
  Speaker 1: if you use dish liquid that has scrubbing bubbles in it,
• 11:43
  Speaker 1: or if it smells like lavender, that doesn't matter. You know,
• 11:47
  Speaker 1: we shouldn't really be eating a whole bunch of cheesecakes
• 11:50
  Speaker 1: and frozen pies and all of that. This technology did
• 11:55
  Speaker 1: not exist before African Ancestry dot Com. If you wanted
• 11:59
  Speaker 1: to know where in Africa you came from, you were short.
• 12:03
  Speaker 1: That's real and so this isn't like anything else that
• 12:06
  Speaker 1: has ever existed. So yeah, it's very different and much
• 12:09
  Speaker 1: more fulfilling. We're tested. A lot of celebrities tested, Oprah Winfrey,
• 12:12
  Speaker 1: John Legend, Yea sike Lee. Yes, and now we're excited. Yeah,
• 12:17
  Speaker 1: I'm excited to get out. I want to see if
• 12:19
  Speaker 1: I'm if I'm really black, I'm a Dominican, if I'm
• 12:23
  Speaker 1: a European from somewhere. I'm gonna be honest with you.
• 12:26
  Speaker 1: Have you have you ever had that happened? Somebody who
• 12:28
  Speaker 1: can't wait to see what they're from Africa, but he's
• 12:29
  Speaker 1: from somewhere totally different. Yeah, I wouldn't be the Caribbean though,
• 12:32
  Speaker 1: because we were taken. We were brought from Africa to
• 12:35
  Speaker 1: the Caribbean, so it wouldn't say Dominican, it would go
• 12:38
  Speaker 1: beyond to Africa. But yeah, so we don't know what
• 12:42
  Speaker 1: we're gonna find. We're called African ancestry, but None of
• 12:46
  Speaker 1: us is one hundred percent anything, Right. I was ninety
• 12:50
  Speaker 1: seven when I did that other times, and that's not
• 12:52
  Speaker 1: one hundred percent. So you were three percent something out.
• 12:55
  Speaker 1: So we might find part of your ninety seven percent,
• 12:58
  Speaker 1: or we might find part of your three percent. We
• 13:00
  Speaker 1: don't know. I think I'm Indian. I think I had
• 13:02
  Speaker 1: a little Indian in me. Might I think my mama
• 13:05
  Speaker 1: told me one time my great grandfather that her grandfather
• 13:12
  Speaker 1: was an Indian or something. I don't know. Why is
• 13:14
  Speaker 1: it a point for people to know that ancestry that's
• 13:17
  Speaker 1: your foundation. You can't know who you are if you
• 13:21
  Speaker 1: don't know where you come from. Right, And we're as
• 13:23
  Speaker 1: Black Americans, we're the only group in this country that
• 13:27
  Speaker 1: doesn't know. We know we're from Africa at some point.
• 13:31
  Speaker 1: We know it's West Africa because we know history, but
• 13:35
  Speaker 1: there are thousands of cultures and traditions and practices. So
• 13:39
  Speaker 1: it's a real difference when you know that your ancestry
• 13:42
  Speaker 1: is African versus knowing that your people were warriors, or
• 13:48
  Speaker 1: your people were artisans, or your people were business people
• 13:51
  Speaker 1: like mine. So it puts my entrepreneurship into perspective in
• 13:56
  Speaker 1: a new way. So my father's father's father. There's line.
• 14:01
  Speaker 1: I traced back to the house of people living in
• 14:03
  Speaker 1: Nigeria today, and then on my mother's mother's mother's line,
• 14:07
  Speaker 1: like you all did, I raced back to the Flani
• 14:10
  Speaker 1: people living in Nigeria. Did you see a spiking people
• 14:13
  Speaker 1: wanting to know where they're from at the Black Panther. Absolutely, yeah,
• 14:17
  Speaker 1: I mean it was. It was amazing how the consciousness
• 14:21
  Speaker 1: just shifted almost on a done and so now people
• 14:27
  Speaker 1: want to find their own Wakanda. You know, they already
• 14:30
  Speaker 1: know they're African, that's not what they want to know.
• 14:32
  Speaker 1: They want to know where in Africa. So um, that
• 14:35
  Speaker 1: movie was definitely instrumental and pivotal in shifting the collective
• 14:43
  Speaker 1: consciousness because you know, before February, when we would tell
• 14:47
  Speaker 1: people what we would do, they would say, I'm from Zamoonda, yes,
• 14:52
  Speaker 1: zond our cultural reference. And then the day Black Panther
• 14:57
  Speaker 1: line is now we're all from Wakanda. That's still a
• 15:00
  Speaker 1: debate though all jokers. Would you rather people see? I
• 15:05
  Speaker 1: feel like the Moonda is more like Jersey, Wakanda is
• 15:08
  Speaker 1: more like New York. Like I would live in Zamunda
• 15:10
  Speaker 1: and work in Wakanda, you know, what I'm saying. I
• 15:13
  Speaker 1: just feel like the mooning probably a little bit more country,
• 15:15
  Speaker 1: a little more rural, you know, da more city likes.
• 15:18
  Speaker 1: I would. I would live in Zamunda, work in Wakanda.
• 15:22
  Speaker 1: You know they didn't show us just a little bit,
• 15:25
  Speaker 1: just just when they were going through the Yeah, yeah,
• 15:29
  Speaker 1: we saw a lot more. All right. We have more
• 15:32
  Speaker 1: with Gina Paige when we come back, so don't move.
• 15:34
  Speaker 1: It's a breakfast club. God Morning, the breakfast club Morning.
• 15:39
  Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne, the guy. We
• 15:43
  Speaker 1: all the breakfast club. We have Gina Paige here from
• 15:46
  Speaker 1: African ancestry. You're ready, you're ready to find out you
• 15:50
  Speaker 1: from Dominican and go have some questions for your parents?
• 15:53
  Speaker 1: Are you ready? Ready? I'm ready, I'm ready. I bet
• 15:56
  Speaker 1: my wife already got hurt back. My wife got hurt
• 15:58
  Speaker 1: back this week, I believe. Okay. Yeah, she's a from
• 16:00
  Speaker 1: Sierra Leona. So that's what I call it, my diamond
• 16:02
  Speaker 1: from Sierra leon Yes, So who should I do first? Okay?
• 16:09
  Speaker 1: So the test that we did for you traces your
• 16:12
  Speaker 1: mother's mother's mother's mother's line. I'm yeah, I will and
• 16:18
  Speaker 1: it only looks at that branch of your tree, so
• 16:21
  Speaker 1: it doesn't look at anybody else. Nobody on your father's side,
• 16:24
  Speaker 1: nobody on your mother's father's side. It's just mother to
• 16:27
  Speaker 1: mother to mother got and these results are going to
• 16:30
  Speaker 1: be the same for you, your children, your siblings, your mother,
• 16:37
  Speaker 1: her brothers and sisters, their kids. Everybody in the family
• 16:39
  Speaker 1: is now going to share these results. The mother is
• 16:42
  Speaker 1: the most important one to get because that's most comprehensible. No,
• 16:45
  Speaker 1: the mother is important to get because there's a ninety
• 16:48
  Speaker 1: two percent chance that's going to be African. Got you.
• 16:51
  Speaker 1: When we do the paternal line, it only comes back
• 16:54
  Speaker 1: African sixty five because white in we're having brown babies.
• 17:05
  Speaker 1: He said that. So when we look at the Y
• 17:08
  Speaker 1: chromosome that you you all as men get from white men,
• 17:12
  Speaker 1: I mean get from your fathers, difr fathers, it could
• 17:16
  Speaker 1: if you know, if if a British slave trader had
• 17:20
  Speaker 1: a son with an enslaved African woman, then that son's
• 17:24
  Speaker 1: gonna be black and over generations he can look like
• 17:27
  Speaker 1: you and me, or look like you, but the Y
• 17:29
  Speaker 1: chromosome is still going to go back to Britain. So
• 17:32
  Speaker 1: I didn't want to come here and give have the
• 17:34
  Speaker 1: chance of giving you um European results, please don't. So
• 17:39
  Speaker 1: that's why I said the maternal tests. So actually I
• 17:46
  Speaker 1: want to do you both at the same time. That
• 17:48
  Speaker 1: cruel because your results are extremely similar. They're extremely similar.
• 17:55
  Speaker 1: So we found both of your ancestries anxiety in three countries,
• 18:04
  Speaker 1: and these three countries are very closely related. They're closely
• 18:09
  Speaker 1: close in proximity and the groups are related. So the
• 18:13
  Speaker 1: first country we found your ancestry in is Sierra Leons
• 18:18
  Speaker 1: and you're both Mendae. Mendae people in Sierra Leone. So
• 18:22
  Speaker 1: that's the same as your wife Charlemagne. People like Isaiah Washington, Correta,
• 18:28
  Speaker 1: Scott King, people like that are Menday. Now, the Menday
• 18:32
  Speaker 1: were on the Amistad, if you remember, they're the ones
• 18:35
  Speaker 1: who turned the Amistad around. Yes, okay, the other important
• 18:39
  Speaker 1: thing about the Menday I know that you come from
• 18:42
  Speaker 1: South Carolina, right, So the Menday were rice farmers and
• 18:47
  Speaker 1: slavery was a business, right, This one just some haphazard
• 18:51
  Speaker 1: thing that happened. So the planters in South Carolina, the
• 18:55
  Speaker 1: rice planters needed skilled labor in and so they took
• 19:01
  Speaker 1: the Mendae and brought them to South Carolina and Georgia. Yes,
• 19:09
  Speaker 1: mother mother, my mother's grandmother is from South Carolina. There
• 19:14
  Speaker 1: you go, and so um, that's one group. Then right
• 19:17
  Speaker 1: next to Sierra Leone is a country called Guinea Bissal.
• 19:23
  Speaker 1: Guinea Bissal is a very small as a tiny country
• 19:26
  Speaker 1: on the continent and unfortunately a very poor country. In fact,
• 19:31
  Speaker 1: they don't even have any representation here in the United States.
• 19:33
  Speaker 1: There's no embassy I can send you to or anything
• 19:36
  Speaker 1: like that, no diplomatic presence. You both share ancestry with
• 19:40
  Speaker 1: people from Guinea Bissau. Envy your people are the Fulani,
• 19:46
  Speaker 1: and the Fulani were nomads, so you'll find Fulani all
• 19:49
  Speaker 1: across Africa. You'll find them in Senegal, You'll find him
• 19:53
  Speaker 1: in Molly, You'll find him in Nigeria, where where my
• 19:55
  Speaker 1: people are Charlemagne, Your people are the Balanta in Guinea Bistau,
• 20:01
  Speaker 1: and Blanca means those who resist. I'm starting to see
• 20:04
  Speaker 1: a theme here, right. We've got the Mende who resistant enslavement,
• 20:09
  Speaker 1: We've got the Blanca who were resistant. And then you're
• 20:12
  Speaker 1: a wanderer, all right. And then the last country we
• 20:16
  Speaker 1: found is just one country away from Guinea Bistau. So
• 20:19
  Speaker 1: there's not even eight hundred miles between Sierra Leone and Senegal.
• 20:24
  Speaker 1: You know, these are artificial borders. You share ancestry with
• 20:28
  Speaker 1: the Mandinka man ding ding my wife told me. I
• 20:35
  Speaker 1: was a right, yeah, that's the same things. Well, you know,
• 20:42
  Speaker 1: the Mandinka are the grios. They're the keepers of the
• 20:47
  Speaker 1: history and the culture through oral traditions and musical traditions.
• 20:52
  Speaker 1: So I thought it was consistent that we're resistant and
• 20:55
  Speaker 1: wearing the music. I'm a resistant in the music yea,
• 20:58
  Speaker 1: and into communication with just why we're here now. So congratulations,
• 21:04
  Speaker 1: welcome to the African ancestry family. There are a lot
• 21:08
  Speaker 1: of places I don't know if you've traveled to any
• 21:10
  Speaker 1: of these countries, these results you get to share with
• 21:15
  Speaker 1: everybody in your family. So if you have a family
• 21:17
  Speaker 1: reunion on your mother's side, these are results are going
• 21:20
  Speaker 1: to apply to all of from three different tribes. Okay.
• 21:25
  Speaker 1: And if you think about it, so remember I told you,
• 21:27
  Speaker 1: they're not even eight hundred miles between cra LEAs and Senegal.
• 21:32
  Speaker 1: So it's like you could you could be living in
• 21:35
  Speaker 1: DC and have people in Atlanta. You're in different places,
• 21:40
  Speaker 1: but you share the same genetics. And then ethnic groups
• 21:44
  Speaker 1: aren't genetic. The Menday, the Mandinka, the belong to the Fulani.
• 21:49
  Speaker 1: Those are social and cultural groups. Okay, So you could
• 21:54
  Speaker 1: be in DC and be a Baptist, and your mother
• 22:00
  Speaker 1: could be in Atlanta and be a and me. You
• 22:04
  Speaker 1: belong to different groups that share different traditions, may have
• 22:08
  Speaker 1: different values, but you have the same genetics. I didn't
• 22:11
  Speaker 1: know it could be more than one. Yeah, and they're
• 22:13
  Speaker 1: so closely related that we just gave you everything. Now, Well,
• 22:17
  Speaker 1: in your letter, you'll see something called a sequence similarity
• 22:20
  Speaker 1: score rights. Okay, So in your case, Charlemagne, we found
• 22:28
  Speaker 1: identical matches. So we found people in each of those
• 22:32
  Speaker 1: groups in our database. Remember I told you it's the
• 22:34
  Speaker 1: largest in the world, over thirty three thousand that have
• 22:38
  Speaker 1: your exact same mitochondrial DNA signature. Here, Envy, we found
• 22:43
  Speaker 1: people whose signatures are ninety nine point seven percent the
• 22:48
  Speaker 1: same as yours. So they're not identical, but we feel
• 22:52
  Speaker 1: damn sure. You know, we are highly confident that you
• 22:57
  Speaker 1: share ancestry with those groups. Gotch So you can pick
• 23:00
  Speaker 1: and choose, you can. You know, identity is fluid. You
• 23:04
  Speaker 1: get to you get to form your identity. However, you
• 23:06
  Speaker 1: see fit my wife. Now now you're you're marking. When
• 23:12
  Speaker 1: you get home, you can compare your letters and these
• 23:14
  Speaker 1: are going to be different than her. Yep, but you
• 23:19
  Speaker 1: didn't need me to tell you that, right, Shut up?
• 23:22
  Speaker 1: Every time you talk light skin, you just as light skin,
• 23:24
  Speaker 1: and brothers, I am excited. So where can they get these?
• 23:29
  Speaker 1: African Ancestry test gin at African Ancestry dot com, African
• 23:34
  Speaker 1: ancestry dot com. All right, Gina, thank you for coming,
• 23:37
  Speaker 1: Thank you for coming, Thank you for having me. Charlotte Magne.
• 23:40
  Speaker 1: I brought you something else too. I brought you a gift,
• 23:43
  Speaker 1: thank you very much. That beautiful. That's a new pendant.
• 23:46
  Speaker 1: It has Senegal, Sierra Leone and um Guinea be out
• 23:52
  Speaker 1: on it. Your name is engraved on the back with
• 23:55
  Speaker 1: their countries. And so if now that I now that
• 23:58
  Speaker 1: we've revealed your is envy, I'll make sure that you
• 24:01
  Speaker 1: get a PA. Thank you very much, get him Latin
• 24:03
  Speaker 1: America pendant. Never say I'm on my mama's side, I
• 24:07
  Speaker 1: say I'm African. I'm your brother. Shut up, brother, Jesus Christ,
• 24:13
  Speaker 1: how's mom doing? Jesus? But we appreciate you for joining
• 24:19
  Speaker 1: us I've had a good time. Thank you very much
• 24:21
  Speaker 1: for me. All right, thank you, Gina. It's the Breakfast Club.
• 24:32
  Speaker 1: It's time to shoot your shot. To shoot your shot
• 24:34
  Speaker 1: with the Breakfast Club, one chance. Don't mess it up.
• 24:38
  Speaker 1: Mess it up, mess it up, mess it up. We
• 24:40
  Speaker 1: got ni Sha on the line. Nisha, Good morning, Good morning.
• 24:42
  Speaker 1: How are you doing this morning, Nisha? I'm doing okay.
• 24:45
  Speaker 1: I'm hoping you guys can help me out. Okay, Now
• 24:47
  Speaker 1: who do you want to shoot your shot with? His
• 24:48
  Speaker 1: name is Andrea. Okay, tell us about Andre. He's a
• 24:51
  Speaker 1: really free dude. He's my big brother, is one of
• 24:54
  Speaker 1: his best friends. So I've known him since I was
• 24:56
  Speaker 1: like a girl. He's always just been really cute. And
• 25:00
  Speaker 1: we started hooking up like a couple of months ago.
• 25:03
  Speaker 1: And now I want to like tell my brother. We've
• 25:05
  Speaker 1: been doing it on a super lolo and I want
• 25:07
  Speaker 1: to tell my brother so you can like be together.
• 25:09
  Speaker 1: So you want to tell your brother that his friend
• 25:11
  Speaker 1: been smashing I'm gonna tell my Well, I mean yeah,
• 25:14
  Speaker 1: but I wanted my brother that we're gonna be together. Okay,
• 25:18
  Speaker 1: So that you want this to be you a man,
• 25:19
  Speaker 1: So have y'all discussed this I mean, you know how
• 25:22
  Speaker 1: sometimes you don't need to what what doesn't need to
• 25:24
  Speaker 1: be said, doesn't need to be said, you know, like
• 25:26
  Speaker 1: we don't have to talk about that. I know he
• 25:27
  Speaker 1: wants to be with me. Make sure I'm clear. It's
• 25:30
  Speaker 1: your brother's best friend and you've been smashing your brother's
• 25:33
  Speaker 1: best friend. That's not gonna turn out. How old? How
• 25:35
  Speaker 1: old is your brother's best friend? How old do you are?
• 25:37
  Speaker 1: You the little sisters? I'm oh wow, Now it's gonna
• 25:41
  Speaker 1: be a little fight sister's ground. So let me say,
• 25:45
  Speaker 1: do y'all like go on dates? Or is it just
• 25:47
  Speaker 1: a smash? Sometimes? Thing? We go out when when you know,
• 25:51
  Speaker 1: time allows. I'm a nurse, so sometimes I work up,
• 25:54
  Speaker 1: you know, all day all night. But um, you know
• 25:56
  Speaker 1: we go out and guys talking to fill y'all face
• 26:00
  Speaker 1: time and all that. Sometimes. Yeah, and we text a lot.
• 26:03
  Speaker 1: Does he text you good morning? Bay? I miss you
• 26:05
  Speaker 1: thinking of you of course. Okay, I don't know. I
• 26:09
  Speaker 1: don't know how this is gonna work. Many are you
• 26:10
  Speaker 1: prepared for your brother to tell you that this guy
• 26:12
  Speaker 1: has been smashing a whole bunch of other chicks and
• 26:14
  Speaker 1: you just another one in a long line. True or
• 26:16
  Speaker 1: maybe he's a good guy and he would love for
• 26:18
  Speaker 1: his sister to be with his good friend. That all right,
• 26:21
  Speaker 1: Well let's see what happens. Well, hope for the best.
• 26:23
  Speaker 1: The only one way to find out is your brother big,
• 26:25
  Speaker 1: because if not, I'm sure he's gonna beat the hell
• 26:27
  Speaker 1: out of this guy. They've been first for a long time.
• 26:32
  Speaker 1: I don't think there's gonna be any problems shoots. Your
• 26:34
  Speaker 1: shot is hopeful the best. What's for the worst, because
• 26:36
  Speaker 1: the worst always leads for better ratings for us. Okay,
• 26:38
  Speaker 1: all right, we'll hold on. We'll call him and when
• 26:40
  Speaker 1: we come back, said, ope, move, keep a lot. We're
• 26:43
  Speaker 1: what's his name again? Andre? All right, we're gonna call
• 26:45
  Speaker 1: Andre when we come back. Keep a lock to Breakfast Club.
• 26:47
  Speaker 1: Good morning morning. Everybody is DJ Envy Angela Yee, Charlomane
• 26:52
  Speaker 1: the guy we are the Breakfast Club. Now, we have
• 26:54
  Speaker 1: Nisha on the line. Now, Nisha, we're about to call
• 26:57
  Speaker 1: Andre now, so let's call him. Hello, Hey, Andre, this
• 27:12
  Speaker 1: is nisa Um. I wanted to call it and talk
• 27:16
  Speaker 1: to you about something that's in my mind for a minute.
• 27:19
  Speaker 1: Oh boy, bush me, my boy, what's up? I think
• 27:24
  Speaker 1: it's till we tell my brother that you know, we together,
• 27:29
  Speaker 1: dear little which we were together, which we were together.
• 27:32
  Speaker 1: We're not together now because we on the load like
• 27:36
  Speaker 1: you act like you're scary, you don't want to tell
• 27:38
  Speaker 1: my brother what we've been doing, and I'm like, forget it,
• 27:42
  Speaker 1: like let's just tell him, tell the family so we
• 27:44
  Speaker 1: could be together. So now this is why I didn't
• 27:46
  Speaker 1: even want to go down this rabbit hole with you,
• 27:49
  Speaker 1: you know what I mean, because you know, just because
• 27:51
  Speaker 1: we've messed around on me will be together, you know
• 27:53
  Speaker 1: what I mean? What we're not together now? Yeah, but
• 27:59
  Speaker 1: see what we first started messing around. What the first
• 28:01
  Speaker 1: thing we said was we wasn't gonna you know, no feelings,
• 28:04
  Speaker 1: and you know, we're just having fun. You know. That's
• 28:07
  Speaker 1: why I don't understand what you're calling me with this
• 28:09
  Speaker 1: all out of left field right now. That's how you
• 28:11
  Speaker 1: treat the woman that you don't have any fund for. Listen,
• 28:15
  Speaker 1: it's just we're just having fun day. I don't understand.
• 28:18
  Speaker 1: You know, of course I care for you, you know
• 28:20
  Speaker 1: you're my friend. You know I definitely care for you,
• 28:23
  Speaker 1: But you know, all of that relationship stuff, I'm not
• 28:26
  Speaker 1: trying to hear that. And I'm definitely not trying to
• 28:28
  Speaker 1: tell this dude or the family or anybody else. You know,
• 28:32
  Speaker 1: what we do was between us school, Nope, not anymore
• 28:35
  Speaker 1: between you the whole breakfast club listening audience. Well it's
• 28:39
  Speaker 1: DJ v Angela Ye Shlomne the guy bro. Now you
• 28:42
  Speaker 1: said you didn't want to go down that rabbit hole,
• 28:43
  Speaker 1: but you didn't go down the rabbit hole. You went
• 28:45
  Speaker 1: down your friends, just this kittycat hole. So my god,
• 28:49
  Speaker 1: now you got me. Now you got me on the radio, like,
• 28:52
  Speaker 1: are you serious? That's what you give me? Messing with
• 28:54
  Speaker 1: a little sits. You can't believe you right now, that's right,
• 28:57
  Speaker 1: I can't believe you. Please me. You got me on
• 29:00
  Speaker 1: breakfast close like everybody listening to finish. Yeah, all right,
• 29:04
  Speaker 1: So so Andre, you're being honest though you guys are
• 29:07
  Speaker 1: just sleeping around. You don't want to be with her. No,
• 29:10
  Speaker 1: I don't want no, I'm not trying to do all.
• 29:12
  Speaker 1: I mean, nsha, He's honest with you. You know now,
• 29:15
  Speaker 1: to you, if you decide no, I mean listening, you
• 29:18
  Speaker 1: you got to stop playing. If you don't want a
• 29:20
  Speaker 1: girl to think that you don't want to be with her,
• 29:21
  Speaker 1: then you gotta stop doing a stuff that you do.
• 29:23
  Speaker 1: You treat me mad a nice cake, Well he should
• 29:27
  Speaker 1: still treat you at nice eat the butt or yeah,
• 29:33
  Speaker 1: you mean you're going around you're just eating mad booty.
• 29:36
  Speaker 1: You just eat an ass everywhere you go, eat all
• 29:38
  Speaker 1: your friends, sister's ass. Andre, you're cereal ass eater. You're
• 29:44
  Speaker 1: a serial sister as eave me first. Wow Okay, okay,
• 29:57
  Speaker 1: may say, y'all did a sixty nine in the bar. Yeah,
• 29:59
  Speaker 1: it sounds like y'all belong together if you ask me. Okay,
• 30:01
  Speaker 1: but instead of time to disrespect each other, I guess
• 30:04
  Speaker 1: what it is, Nitia. He don't want to be with
• 30:05
  Speaker 1: you like that. So if you still want to continue
• 30:07
  Speaker 1: to mess with him because he treats you nice, that's
• 30:10
  Speaker 1: on you. But just know it's not a relationship. Well,
• 30:12
  Speaker 1: he might not want to be with me, but he's
• 30:14
  Speaker 1: gonna have to tell my brother something because I'm pregnant. Okay,
• 30:19
  Speaker 1: she didn't not tell us this. Are you? Are you
• 30:23
  Speaker 1: really pregnant? Yeah? I really am. I'm taking my ball
• 30:27
  Speaker 1: and going home. I'm gonna be honest with you, Andrew.
• 30:28
  Speaker 1: I don't know if I believe it, because women sometimes
• 30:30
  Speaker 1: women do one or two things in this situation. Neither
• 30:32
  Speaker 1: say they're pregnant or they say you raped them. I don't.
• 30:35
  Speaker 1: I don't think it's mind. I don't think it's mind. What. Oh,
• 30:38
  Speaker 1: that's not the way to go. You think she's a
• 30:39
  Speaker 1: home Yeah, I don't think it's no what, just having fun.
• 30:43
  Speaker 1: I don't know what you're out there doing. Now you're
• 30:45
  Speaker 1: talking about the fun include condoms. Baby's gonna be named
• 30:50
  Speaker 1: it's gonna be named fun then, because that's what happened
• 30:53
  Speaker 1: with Andre Wayne condoms, misia. Yes, not all the time,
• 30:58
  Speaker 1: all the time, all the time. All right, Well, well guys,
• 31:01
  Speaker 1: I think you guys need to hit this one. This
• 31:02
  Speaker 1: was a little too far out of our tax bracket. Yeah, Andrew,
• 31:05
  Speaker 1: I hope that you enjoyed your little fun, because now
• 31:07
  Speaker 1: you're about to have a little fun on the way. Okay,
• 31:10
  Speaker 1: next thing, she's gonna be saying you your strong, God,
• 31:14
  Speaker 1: don't be disrespectful. That might be your child's mother. Are
• 31:16
  Speaker 1: you gonna tell Andre now? I mean you're gonna tell
• 31:19
  Speaker 1: her brother now? No, No, that's not much. She's not pregnant,
• 31:22
  Speaker 1: you know, and she's crazy, you know, and she's calling
• 31:25
  Speaker 1: up here a radio station to do it this unless
• 31:27
  Speaker 1: she's crazy. Now, did you guys have did you guys
• 31:29
  Speaker 1: have I protected sex? No? She just said sometimes, he
• 31:32
  Speaker 1: said yes, he said no. She listen, get his ass literally,
• 31:40
  Speaker 1: I mean there's nothing eat to say. I mean he
• 31:42
  Speaker 1: out here obviously in the street, just doing all types
• 31:44
  Speaker 1: of stuff dirty. He's gonna get what comes to him.
• 31:46
  Speaker 1: But that's fine. That has nothing to do with anything.
• 31:48
  Speaker 1: You don't want to tell my brother, Fine, I'm gonna
• 31:50
  Speaker 1: tell him. I'm gonna also tell him I'm pregnant. So
• 31:53
  Speaker 1: either way, you're gonna deal with it. All right. Well, well,
• 31:55
  Speaker 1: guys's not starting to be mean or anything, but I
• 31:57
  Speaker 1: can't do this with you because I gotta girl. You
• 31:59
  Speaker 1: know what I mean? Oh my god, Well you should
• 32:02
  Speaker 1: have thought about that. Andre, a member of the Faithful
• 32:06
  Speaker 1: male community. Basically, you've been cheating on your girlfriend and
• 32:09
  Speaker 1: you didn't even let her know you had a girlfriend.
• 32:11
  Speaker 1: So now this happens, Well, we was messing around before
• 32:14
  Speaker 1: I got a girlfriend, so you know, Wow, it's not
• 32:17
  Speaker 1: really cheating, I don't think. But you said was messing
• 32:20
  Speaker 1: with her even after you that's still cheating. You had
• 32:22
  Speaker 1: a girlfriend. Goodness, So now with you because what he's saying,
• 32:25
  Speaker 1: is he's cheating on me with the chick girl girl. No,
• 32:29
  Speaker 1: you're not my girl again. You know what, Guys, you know,
• 32:33
  Speaker 1: I'm sorry. This didn't won't out the way it was
• 32:34
  Speaker 1: supposed to. Nisia, good luck with the baby, Andre, support
• 32:38
  Speaker 1: your kids. Keep what's updated? Yeah, Nicia carll Us after
• 32:40
  Speaker 1: you had the baby? Okay? All right, I didn't go well,
• 32:43
  Speaker 1: not at all? All right, Well, rumors up. Next, it's
• 32:46
  Speaker 1: the Breakfast Club commanding it's time to shoot your shout
• 32:56
  Speaker 1: to shoot your shot with the Breakfast Club. Want chance,
• 32:59
  Speaker 1: don't mess it up? Mess it up? May you have
• 33:02
  Speaker 1: Asia on theline. Asia, good morning? Hey't good morning. How
• 33:05
  Speaker 1: are you doing this morning? I'm really good. How are you?
• 33:08
  Speaker 1: We're doing great? Now? Who do you want to shoot
• 33:10
  Speaker 1: your shot with? All right, he's my friend Sean Okay, Um,
• 33:15
  Speaker 1: basically he's known me for years. He knows the best
• 33:18
  Speaker 1: the worst about me, all that, and he also knows
• 33:22
  Speaker 1: my three kids, and he's an exceptional role model to them,
• 33:26
  Speaker 1: like they love him, an amazing guy. So I mean,
• 33:31
  Speaker 1: I was like bringing my kids to school they listened
• 33:33
  Speaker 1: to Breakfast Pub and when I heard about the shoot
• 33:35
  Speaker 1: your shot, I was like pulled up. Let me just
• 33:38
  Speaker 1: talk told it so you want your kids to hear
• 33:39
  Speaker 1: you get rejected this morning. No, that's not gonna happen. Well,
• 33:43
  Speaker 1: we don't know what's gonna happen. How the baby daddies
• 33:46
  Speaker 1: do you have? I have one? Okay, only one baby daddy?
• 33:49
  Speaker 1: All right? Okay? Now do you like this showing because
• 33:52
  Speaker 1: he's a nice person and you really liked him on
• 33:54
  Speaker 1: the fact that he just treats your kids good? No,
• 33:57
  Speaker 1: of course, race, he's he's calm, he have all the
• 34:01
  Speaker 1: same interest but he is an amazing role model for them. Like, yeah,
• 34:07
  Speaker 1: that goes hand in hand if he's a good guy.
• 34:08
  Speaker 1: He teased the kids kids, are you attractive to him? Yeah,
• 34:11
  Speaker 1: but just because he's a role model for your kids,
• 34:12
  Speaker 1: don't mean he need to be your piece of penis.
• 34:14
  Speaker 1: That is true. It's attractive to him. I'm very attractive
• 34:17
  Speaker 1: to him. Did he know that? I mean, I've we've
• 34:21
  Speaker 1: been friends. So if you ever flirted with him when
• 34:24
  Speaker 1: he when he come over to to say what's up
• 34:26
  Speaker 1: to the kids? Do you do you dress up a
• 34:27
  Speaker 1: little bit? I mean I make sure I look presentable.
• 34:31
  Speaker 1: Did you can't vibe? But did you catch a vibe?
• 34:33
  Speaker 1: From him, and he's feeling you too. I have crowd
• 34:37
  Speaker 1: of vibe. He does look at me like he likes me,
• 34:40
  Speaker 1: but he's very like and I'm saying like reserve, respectful,
• 34:43
  Speaker 1: like yes, yes, exactly, and which makes me like him
• 34:47
  Speaker 1: even more. All right, he could be looking at you like, man,
• 34:50
  Speaker 1: I know she ain't trying to be sexy right now.
• 34:51
  Speaker 1: I'm just over here to get teaching candy and to me.
• 34:55
  Speaker 1: All right, Well, when we come back, we're gonna call
• 34:57
  Speaker 1: showing up and um, We're gonna let you do your thing.
• 35:00
  Speaker 1: Hopefully works out. If you need help, just let us
• 35:02
  Speaker 1: know what's tapping. How many kids you got? Agree that
• 35:06
  Speaker 1: one guy? Right? So so hold on my mother, I
• 35:09
  Speaker 1: don't know if not to me. I people want to
• 35:10
  Speaker 1: ready made family day. Just just add water might have
• 35:14
  Speaker 1: all right, we'll call him when we come back. Keep
• 35:16
  Speaker 1: a lock as the breakfast Club, no more morning. Everybody
• 35:18
  Speaker 1: is DJ Envy Angela Yee, Charlomagne the guy we are
• 35:22
  Speaker 1: the breakfast club. We have Asia on the line. Asia,
• 35:25
  Speaker 1: You ready to call him? I'm ready all right? Hold
• 35:27
  Speaker 1: on Hello, Hello, Well the morning shone as Oh Asia? Yeah?
• 35:42
  Speaker 1: Are you doing? Are you doing? Are you doing? I
• 35:44
  Speaker 1: went good. I'm good. Listen, Um, I wanted to talk
• 35:48
  Speaker 1: to you about something today. I think, Um, I think
• 35:52
  Speaker 1: we both know that there's there's a little spark between us. Um.
• 35:56
  Speaker 1: I really like you. I think you're an amazing guy
• 35:59
  Speaker 1: and the kind of man that you are abound my
• 36:03
  Speaker 1: kids and some of my kids. It's just kind of
• 36:06
  Speaker 1: made me look at you and a romantic well being.
• 36:09
  Speaker 1: So basically what I'm saying is I'm interested in taking
• 36:13
  Speaker 1: this further, like being more than friends with you. What
• 36:18
  Speaker 1: do you think? All right, I'll keep you one hundred
• 36:22
  Speaker 1: because we always keep you one hundred. Asia, Like, yeah,
• 36:25
  Speaker 1: I like you know, I like you, you know. I
• 36:28
  Speaker 1: mean you have a good energy, good vibes. But I
• 36:31
  Speaker 1: can't want your kids. Your kids are just too too
• 36:34
  Speaker 1: did too much. They are too too much. Really, that's crazy.
• 36:44
  Speaker 1: Jathan Breakfast Club and she said that you're so great
• 36:49
  Speaker 1: with her kids. Asia, I'm sorry, but for real, though,
• 36:57
  Speaker 1: it's like they are just monsters. Is like, hey man,
• 37:07
  Speaker 1: first of all, I have three angels. He's been about
• 37:10
  Speaker 1: them long enough to know that, Like, I don't understand
• 37:12
  Speaker 1: why would you keep coming by? I think their monster's
• 37:14
  Speaker 1: like I like kicking it with you. You know that.
• 37:16
  Speaker 1: I like kicking it with you, like when you have
• 37:20
  Speaker 1: your kids like screaming at me for no reason, even
• 37:23
  Speaker 1: though when I'm nice, throwing they're throwing everywhere, calling you daddy.
• 37:30
  Speaker 1: They don't call me daddy. They don't do that. And
• 37:32
  Speaker 1: they call me they call me who you even though
• 37:35
  Speaker 1: they know my who you? Who? You really really out here? No,
• 37:45
  Speaker 1: not your fault, but you know what your father was?
• 37:48
  Speaker 1: Father was there? Oh? First of all. First of all,
• 37:52
  Speaker 1: those kids are the reflection of me. So I don't
• 37:53
  Speaker 1: know how you can me and not like my Wow,
• 37:55
  Speaker 1: don't get upset, Asia, Asia, you can't get mad at
• 37:58
  Speaker 1: that man because you read this all right, stands that
• 38:01
  Speaker 1: package deal though you know it's her and the kid.
• 38:03
  Speaker 1: He don't like the whole package. Right, there's the reason.
• 38:06
  Speaker 1: There's a reason why the father don't there's a reason
• 38:08
  Speaker 1: why don't go. That's the blows with the Terrence Crawford
• 38:16
  Speaker 1: body blows. My goodness. Well, I'm sorry, Asia, this didn't
• 38:19
  Speaker 1: work out. I don't even think you guys could be
• 38:20
  Speaker 1: friends in Asia. I wasn't even win around my kids
• 38:23
  Speaker 1: acting like that. He's definitely not seeing my kids like
• 38:25
  Speaker 1: come around trying to act like that cool, like we joked,
• 38:31
  Speaker 1: like he wasn't joking, But it's not funny. They need
• 38:33
  Speaker 1: a father your Asia, Like, why why would you think
• 38:36
  Speaker 1: that's okay? Asia? Maybe they're real. I'm keeping one hundred.
• 38:40
  Speaker 1: Your kids are just asked. Oh, if you should be Asia,
• 38:44
  Speaker 1: if you should be mad at anybody, it's your kids
• 38:45
  Speaker 1: for calling that man who you okay? And that's that
• 38:48
  Speaker 1: step Sean. You're gonna bring up the fact that their
• 38:50
  Speaker 1: father's not in their life. Maybe that's they need some direction.
• 38:54
  Speaker 1: You know, it's not their fuck. Asian knows. Asian knows
• 38:56
  Speaker 1: the daddy belled out on her. You don't have to
• 38:58
  Speaker 1: remind her. I'll stop it. Asia, I'm sorry. I hung
• 39:01
  Speaker 1: up on him, and you can find a better man
• 39:03
  Speaker 1: than him, Asian. Don't listen to he's lying to you
• 39:05
  Speaker 1: right now. I don't know. I don't know if you're
• 39:07
  Speaker 1: gonna find anybody better. You can find somebody ever love
• 39:10
  Speaker 1: you and your kids and your kids. That's right. I'm
• 39:13
  Speaker 1: gonna tell you one thing, Asia, I'll tell you one thing.
• 39:16
  Speaker 1: You always got a friend in Jesus. Oh my god,
• 39:18
  Speaker 1: stop it. Thank you very much. I'm sorry it didn't
• 39:20
  Speaker 1: work out. Yea all right, I'm sorry. I don't waste
• 39:24
  Speaker 1: your time anymore. That isn't the great. But I hope
• 39:28
  Speaker 1: you have her kids in the car. Let's be honest, right, Yeah,
• 39:31
  Speaker 1: I hope that kids weren't in the car. But if
• 39:33
  Speaker 1: you're dating somebody and their kids are not well, you know,
• 39:37
  Speaker 1: I don't want to say trained, but don't have manners
• 39:40
  Speaker 1: and all that. Do you still stay? Because my family,
• 39:43
  Speaker 1: especially if they referring to me as who you but
• 39:45
  Speaker 1: and then going to the mama and saying, Mama, who this?
• 39:48
  Speaker 1: You know what I mean? You gotta learn my name.
• 39:50
  Speaker 1: Remember that one time when Charlemagne was talking about it
• 39:52
  Speaker 1: ain't no charlemagnet nothing. Charlemagne, don't move like that. Charlemagne
• 39:56
  Speaker 1: has been a part of the faith of Maile community
• 39:58
  Speaker 1: for about two or three years now. Happily I am
• 40:01
  Speaker 1: a happily married man. And boy was like, dad, can
• 40:03
  Speaker 1: you read me a book? Yep? And what did Charlomagne
• 40:06
  Speaker 1: do we read in my book? Nope? My bell just
• 40:08
  Speaker 1: like Asia's baby daddy. All right, well we got rumors
• 40:14
  Speaker 1: on the way. Yes, let's talk about Nicki Mina just
• 40:16
  Speaker 1: knew song since we got into that or already Okay, well,
• 40:19
  Speaker 1: you can get my farts ready. Let's couldn't this Graci.
• 40:22
  Speaker 1: We'll talk about that when we come back as the
• 40:23
  Speaker 1: Breakfast Club God morning, don't you get you are? I'm
• 40:38
  Speaker 1: gonna fatten all that around your eye. They want this
• 40:41
  Speaker 1: man to doroten blowers. Man, they're waiting for Charlomagne to
• 40:44
  Speaker 1: top the blows. Let's go to make a judgment. Who
• 40:46
  Speaker 1: was going to be on the Donkey of the Day.
• 40:48
  Speaker 1: They chose you because the Breakfast Club bitch you Who's
• 40:51
  Speaker 1: Donkey of the day to day? All right, listen, man,
• 40:54
  Speaker 1: Charlomagne had got here. I'm on vacation. I don't give
• 40:56
  Speaker 1: a damn what y'all think about that, because I deserve it. Now,
• 40:59
  Speaker 1: the Breakfast was in eighty plus markets in one hundred
• 41:01
  Speaker 1: and fifty country, so we have a lot of new
• 41:02
  Speaker 1: listeners who probably don't even know who Charlomagne the God is.
• 41:05
  Speaker 1: So use my time off to catch up on some
• 41:08
  Speaker 1: of my past work. Okay, okay, if you knew here,
• 41:11
  Speaker 1: I do a segment every day called Donkey to Day
• 41:13
  Speaker 1: donkey as in jackass, and that's what I give someone
• 41:15
  Speaker 1: the credit they deserve for being stupid. So if you've
• 41:18
  Speaker 1: never heard of it. This is new to you, but
• 41:19
  Speaker 1: if you are a regular listener, then this is an
• 41:21
  Speaker 1: oldiep but goody because it's the best of the Donkey
• 41:24
  Speaker 1: of the day. Donkey or the day goes to Michael Rotundo. Now,
• 41:27
  Speaker 1: if you don't know who Michael Rotundo is, he's a
• 41:29
  Speaker 1: thirty year old man who clearly has never heard such
• 41:32
  Speaker 1: motivating records like tel see No Scrubs where t Bos
• 41:36
  Speaker 1: Left Eye and Chili told young men they don't want
• 41:38
  Speaker 1: no scrubs or scrubb as a man who can't get
• 41:40
  Speaker 1: no love from them, okay, hanging out the path the
• 41:43
  Speaker 1: side of their best friend's ride. I did not want
• 41:45
  Speaker 1: to beat that guy in the passengers side. Okay. When
• 41:47
  Speaker 1: Rasanda Thomas said, oh, if you live at home with
• 41:50
  Speaker 1: your mama, Oh yes, boy, I'm talking to you, It's
• 41:53
  Speaker 1: sent chills up my spine. I knew at that point
• 41:55
  Speaker 1: I couldn't live at home with my mama. No mote,
• 41:57
  Speaker 1: because you can't get chicks that look like Chili, you know,
• 42:00
  Speaker 1: with the natural babyheads if you live home with your mom. Okay,
• 42:03
  Speaker 1: when out Kast and Goody Mob told me you need
• 42:05
  Speaker 1: to get up, get out and get something don't let
• 42:07
  Speaker 1: the dais of your life pass by. You need to
• 42:08
  Speaker 1: get up, get out and get something because you and
• 42:10
  Speaker 1: I got to do for you and I. When I
• 42:12
  Speaker 1: heard that record, my rusty butt knew I had to
• 42:15
  Speaker 1: get up and get out of my mama house. And
• 42:17
  Speaker 1: who can forget jay Z cannot live? But shut up? Okay,
• 42:21
  Speaker 1: stop worrying about my butt this morning? Okay? And who
• 42:24
  Speaker 1: can forget jay Z cannot live? One line? One line
• 42:28
  Speaker 1: let me know I can't live with my mama no more.
• 42:30
  Speaker 1: And that line was I'd rather die enormous than live dormant.
• 42:34
  Speaker 1: And living in your mama house past a certain age
• 42:36
  Speaker 1: is living dormant. Okay. See Michael Rotunda was thirty years
• 42:39
  Speaker 1: old and still lives at home with his parents. In fact,
• 42:42
  Speaker 1: not only does he live at home with his parents,
• 42:44
  Speaker 1: his parents had to sue him. Okay, they get him
• 42:47
  Speaker 1: evicted from their house. Okay, real quick around the room.
• 42:50
  Speaker 1: Can we play a game up? Guess what race its?
• 42:55
  Speaker 1: Get real quick around in the room and be thirty
• 42:58
  Speaker 1: ye old man get sued by parents, get him evicted
• 43:00
  Speaker 1: from their home. What raises that individual? White angelu yee?
• 43:04
  Speaker 1: Thirty year old man get sewed by parents to get
• 43:06
  Speaker 1: him evicted from their home. What races that individual? Caucasian?
• 43:09
  Speaker 1: Why people? What happened? Let's go to CBS News for
• 43:17
  Speaker 1: the report. Thirty year old Michael Rotundo has caught the
• 43:20
  Speaker 1: attention of households around the country as a headstrong squatter
• 43:23
  Speaker 1: in his parents suburban Syracuse home. Parents Mark and Christina
• 43:27
  Speaker 1: Rotundo told a judge that they've been trying to evict
• 43:29
  Speaker 1: their unemployed son for eight years, writing him five notices
• 43:33
  Speaker 1: since February, even gifting Michael eleven hundred dollars to pay rent.
• 43:37
  Speaker 1: In an interview today, Michael says he wants to move out,
• 43:40
  Speaker 1: but believes he's owed a six month notice. I would
• 43:43
  Speaker 1: consider much of what they were doing to try to
• 43:46
  Speaker 1: get me out as attacks. I'll leave. I don't like
• 43:50
  Speaker 1: living here, but I need you know, I need reasonal time.
• 43:53
  Speaker 1: But the judge ultimately sided with the parents. Michael blames
• 43:56
  Speaker 1: an ongoing custody battle over his own son for overstaying.
• 43:59
  Speaker 1: Is welcome at home. He's a college graduate. I went
• 44:01
  Speaker 1: for engineering, and then when I couldn't do the mass,
• 44:04
  Speaker 1: I switched your business. But he couldn't keep a job.
• 44:06
  Speaker 1: I have plans to be able to provide myself with
• 44:09
  Speaker 1: the income I need to support myself. But it's not
• 44:12
  Speaker 1: something that's going to come together tomorrow. Matt Rotundo has
• 44:18
  Speaker 1: never heard the notorious Big say being broke at thirty
• 44:22
  Speaker 1: gives a brother to chill. See personally, when I heard
• 44:24
  Speaker 1: that line in nineteen ninety five, when I was a teenager,
• 44:26
  Speaker 1: I knew I couldn't be broken age thirty. I just
• 44:28
  Speaker 1: wanted better for myself. Matt, you don't want better for yourself, okay.
• 44:31
  Speaker 1: You want to enables in your life. You want to
• 44:33
  Speaker 1: be depending on your parents for the rest of your life.
• 44:35
  Speaker 1: God forbid if your parents passed away, what you're gonna do.
• 44:38
  Speaker 1: You don't pay bills, you don't pay rent. Your parents
• 44:40
  Speaker 1: are given. Your parents have given you every opportunity to
• 44:42
  Speaker 1: be great, and you haven't succeeded. Okay, your parents gave
• 44:45
  Speaker 1: you eleven hundred dollars and you can find a place
• 44:47
  Speaker 1: to stay. Let me tell you something. When I first
• 44:48
  Speaker 1: moved up my mama house, I left most Corona, South
• 44:50
  Speaker 1: Carolina and got an apartment in West Colombia. Okay, you
• 44:53
  Speaker 1: dropped on a clues bron for Columbia, South Carolina the
• 44:55
  Speaker 1: eight oh three. I think my rim might have been
• 44:57
  Speaker 1: four hundred dollars at the time, Okay. I think I
• 44:59
  Speaker 1: had to pay a security depart and first month rent,
• 45:01
  Speaker 1: so maybe it was eight hundred dollars. Okay, that's what
• 45:03
  Speaker 1: I needed. I don't remember, but I do know I
• 45:05
  Speaker 1: didn't have it, and I didn't have parents. I could
• 45:06
  Speaker 1: give me eleven hundred dollars to help me out, but
• 45:08
  Speaker 1: I knew I had to get out. Okay. See, living
• 45:10
  Speaker 1: with your mama past a certain age is the sunken place.
• 45:13
  Speaker 1: And Matt Michael Rotundo what was his name, mattam Michael
• 45:16
  Speaker 1: Michael Rotundo, you are in the sunken place. Okay. So
• 45:20
  Speaker 1: even though I didn't have the money, I saved up
• 45:22
  Speaker 1: and got that money. And I wasn't even full time
• 45:23
  Speaker 1: at the radio station Hot one of three nine by
• 45:26
  Speaker 1: the way, where we now do mornings. Or they fired
• 45:28
  Speaker 1: me at one time too, but we do morning. Yes,
• 45:31
  Speaker 1: you know, I was doing part time at the radio station.
• 45:34
  Speaker 1: I wasn't sure I was gonna have the rent every month,
• 45:36
  Speaker 1: but I said effort because anything was better thing hanging
• 45:39
  Speaker 1: out the passenger side of your best friend's ride and
• 45:41
  Speaker 1: living with your mama. So in the words of Martin
• 45:43
  Speaker 1: Luther King Junior. I took that first step even though
• 45:46
  Speaker 1: I didn't see the rest of the steadcase. And that
• 45:48
  Speaker 1: is what Michael Rotundo is scared to do, take the
• 45:50
  Speaker 1: first step to get his big, thirty year old rusty
• 45:53
  Speaker 1: butt out of his mama house. Now, why is Matt
• 45:55
  Speaker 1: Rotundo getting donkey to day to day? Not just for
• 45:57
  Speaker 1: being thirty and living with his parents. But he was
• 46:00
  Speaker 1: on TMZ Live and he was asked if he thinks
• 46:02
  Speaker 1: his parents are good people? And listen to what he
• 46:05
  Speaker 1: had to say. Do you think your parents are good people?
• 46:09
  Speaker 1: Why do you say that? Well, I just think that
• 46:11
  Speaker 1: when you attack someone who's supposed to be, you know,
• 46:15
  Speaker 1: someone you love, that's really reflects poorly on I don't
• 46:18
  Speaker 1: think good people do that. Once you do move out,
• 46:21
  Speaker 1: will there be a relationship between you and your parents? Wow?
• 46:26
  Speaker 1: How dare you? I see you? Why? People? I can
• 46:32
  Speaker 1: smell the privilege on his breath. Okay, do you know
• 46:36
  Speaker 1: the level of entitlement you have to have to live
• 46:38
  Speaker 1: with your parents for thirty years rentfree, and then when
• 46:40
  Speaker 1: they finally want you to leave because they want to
• 46:41
  Speaker 1: walk around their house negative because they have taken care
• 46:44
  Speaker 1: of you twelve years past the legal age. You have
• 46:46
  Speaker 1: to nerve to say they're not good people. They raise
• 46:49
  Speaker 1: you as a baby all through your teens and your
• 46:51
  Speaker 1: twenties and nine ain't not good people because you're thirty
• 46:53
  Speaker 1: and they want you at your house out there house. Well, Michael,
• 46:56
  Speaker 1: I am sorry your parents disapproval of your behavior and
• 46:59
  Speaker 1: since of entitlement makes you uncomfortable. Okay, kids, always remember
• 47:04
  Speaker 1: your parents old you nothing. All right? In a sense
• 47:06
  Speaker 1: of entitlement is a cancerous thought process that is void
• 47:09
  Speaker 1: of gratitude and can be deadly to all relationships. Please
• 47:12
  Speaker 1: give Michael Rotundo to switch signs and the Hamletones Police,
• 47:15
  Speaker 1: Oh no you are dogee, Oh the da do gee.
• 47:26
  Speaker 1: Oh the day ye shocked. The parents feel comfortable with
• 47:33
  Speaker 1: him living in the house. What's crazy is he don't
• 47:35
  Speaker 1: even speak to them in the house, like how dare
• 47:37
  Speaker 1: That's all I'm saying that that's the kind of that's
• 47:39
  Speaker 1: the kind of sun that you know wakes up one
• 47:41
  Speaker 1: day and decided to kill the parents. Yeah all right,
• 47:43
  Speaker 1: you know why when morning everybody is dj N Vie Angela, Ye,
• 47:49
  Speaker 1: Charlomagne the guy, we are the breakfast club. We got
• 47:52
  Speaker 1: a special guest in the building. Yes, yeah, see so
• 47:54
  Speaker 1: what ut? What up? What up? What's up? My brother? Deal? Bro? Now,
• 47:58
  Speaker 1: I don't know nothing about LA politics, but are you
• 48:00
  Speaker 1: allowed to way that was read? I could do it.
• 48:01
  Speaker 1: I won't. Man, just my brand, don't you know what
• 48:05
  Speaker 1: I'm saying? Absolutely, I like I read look with gold,
• 48:08
  Speaker 1: you know what I mean? People tripped like that with
• 48:09
  Speaker 1: the colors you wear or depend Like again, everybody knows
• 48:13
  Speaker 1: who I am far as where I belong, so you
• 48:16
  Speaker 1: know I'll be seeing like internet uh comments some time
• 48:20
  Speaker 1: when I'll be flamed up. But in La, you know
• 48:22
  Speaker 1: what I mean, we grew up. If he was a
• 48:25
  Speaker 1: real one, you can wear what you want. That don't
• 48:26
  Speaker 1: really apply. You know what I'm saying is it's still
• 48:30
  Speaker 1: heavy like that though. I mean it's like if I'm
• 48:33
  Speaker 1: in somebody elsehood with a gang of red on and
• 48:35
  Speaker 1: I'm not a known face and I'm in a crip hood, Yeah,
• 48:38
  Speaker 1: it'll probably I probably get addressed. But I don't think
• 48:41
  Speaker 1: I had that problem. They'd be like that's nit, you
• 48:43
  Speaker 1: know what I'm saying. Congratulations on the album, man, Yeah,
• 48:48
  Speaker 1: Victory Lapping Store, go grab that stream that all that
• 48:52
  Speaker 1: I've had to it took too long, right, he had
• 48:54
  Speaker 1: a lot to prove on that I did. Let's talk
• 48:56
  Speaker 1: about it now. The albums built first and foremost. I
• 48:59
  Speaker 1: love that. I hear a lot that you don't like
• 49:01
  Speaker 1: weirdo rappers, facts that what's a weirdo rapper to you? Well,
• 49:06
  Speaker 1: I think you're talking about the line when I was
• 49:07
  Speaker 1: like the Saint this weirdo rapp you Yeah, I just
• 49:11
  Speaker 1: feel like, you know, um, I felt pressure a little
• 49:14
  Speaker 1: bit from where the game is at, and it ain't
• 49:16
  Speaker 1: no just to nobody specific just like it ain't it
• 49:19
  Speaker 1: ain't um in a direction of what we grew up
• 49:24
  Speaker 1: on in terms of like you gotta say something, you
• 49:27
  Speaker 1: know what I mean. You gotta be a man of
• 49:28
  Speaker 1: respect or a woman of respect, you know what I mean?
• 49:31
  Speaker 1: Even from like just the drug stuff, like you know
• 49:34
  Speaker 1: that was never glorified in rap culture. We could almost
• 49:37
  Speaker 1: like led by scarfaces, jay Z or Tupac lyrics if
• 49:42
  Speaker 1: we ain't had no principles, like a man around, we
• 49:45
  Speaker 1: could live by the lyrics and come out as a
• 49:47
  Speaker 1: solid individual. So that's what I meant. Just as far as, like,
• 49:51
  Speaker 1: you know, just returning to that direction, I don't know,
• 49:54
  Speaker 1: like telling people what to do or just you know,
• 49:57
  Speaker 1: try to represent the principles that I grew up on
• 50:01
  Speaker 1: in rap music. That's one thing I like a bunch
• 50:03
  Speaker 1: of music. It always has socially redeeming value to it.
• 50:05
  Speaker 1: And on dedication. You know. Kendrick says that this man
• 50:08
  Speaker 1: El said, do a song with nip here better cryp with.
• 50:11
  Speaker 1: Kendrick said, he a man. First, do you hear what
• 50:13
  Speaker 1: these peaks about from black businesses and falls imprisonments? And
• 50:16
  Speaker 1: he said, listen closest bigger than deduces and four. So
• 50:18
  Speaker 1: is that a challenge for you to get people to
• 50:20
  Speaker 1: see you from more than the stereotypical West Coast gangster REBM.
• 50:23
  Speaker 1: I mean people people received me based on what I said,
• 50:25
  Speaker 1: so I wouldn't I wouldn't blame people for that. I
• 50:28
  Speaker 1: came in and said, it's why I'm from and it's
• 50:30
  Speaker 1: when I represent. But it was for a reason I wanted.
• 50:32
  Speaker 1: I wanted to establish, you know, what I belong to,
• 50:36
  Speaker 1: and I looked at it like jail. That's why I
• 50:37
  Speaker 1: usually tell my homies because even some of my homeboys
• 50:40
  Speaker 1: would be like, well, you can't come out talking about
• 50:42
  Speaker 1: the hood and specifically you know what I mean when
• 50:45
  Speaker 1: you walk into a dorm, the first thing you establishes
• 50:48
  Speaker 1: where are you from? And then from there you get
• 50:50
  Speaker 1: into the person behind this. Just in case whoever got
• 50:52
  Speaker 1: a problem with this, wherever your enemies is, you go
• 50:54
  Speaker 1: to the back, you hunting your business, and then you
• 50:56
  Speaker 1: get into like, okay, I could actually with you you
• 51:00
  Speaker 1: you know what I mean. We get to know each other,
• 51:02
  Speaker 1: but you get that out the way first. And so um. Also,
• 51:06
  Speaker 1: I wanted to I wanted my message to impact gang culture,
• 51:11
  Speaker 1: you know what I'm saying. I wanted what I had
• 51:12
  Speaker 1: to say to impact individuals like myself, young people. I
• 51:16
  Speaker 1: was in these areas that I was controlled by gag banging.
• 51:19
  Speaker 1: I didn't want to appreciate the choir, but I wanted
• 51:21
  Speaker 1: to be able to say, you know, I'm one of you,
• 51:24
  Speaker 1: and where I'm gonna go, wherever I end up, you're
• 51:26
  Speaker 1: gonna You're gonna know that you can end up there
• 51:28
  Speaker 1: two whether it's at the top of the game or
• 51:30
  Speaker 1: in a successful situation as a business owner. I came
• 51:34
  Speaker 1: from this and it's it's authentic and I'm not on
• 51:36
  Speaker 1: the outside of this culture. That's why I came in
• 51:38
  Speaker 1: like I came in. I wasn't trying to like be
• 51:40
  Speaker 1: on th super tough guys, you know what I'm saying.
• 51:42
  Speaker 1: I just wanted to be clear that you know, wherever
• 51:45
  Speaker 1: I take it, I'm not I'm not different. I'm exactly
• 51:48
  Speaker 1: the same. I've been through everything you've been through or
• 51:50
  Speaker 1: you're gonna go through as a somebody in that culture
• 51:53
  Speaker 1: is what is a better cryp? What does that mean?
• 51:56
  Speaker 1: I don't know because I ain't say it, But what
• 51:57
  Speaker 1: I would assume Kendrick ment was that, um, somebody that
• 52:02
  Speaker 1: is not one bias or outside of communicating with a
• 52:11
  Speaker 1: blood or somebody from the other side of the tracks.
• 52:13
  Speaker 1: Maybe that's what he meant. That's what I took it,
• 52:14
  Speaker 1: as you know, But we had to ask Kendrick his
• 52:17
  Speaker 1: his take on what he meant by that. You talk
• 52:19
  Speaker 1: about West coas infrastructure. It was a period when you
• 52:22
  Speaker 1: needed adopted Drake Co sign to get out of the West.
• 52:25
  Speaker 1: Why why do you think that changed? Drake Man he built. Uh.
• 52:29
  Speaker 1: I call it an island. If you look at music,
• 52:31
  Speaker 1: it's like three or four islands in rap music, you
• 52:35
  Speaker 1: know what I mean. And a lot of a lot
• 52:36
  Speaker 1: of things that you might not know, well y'all know,
• 52:39
  Speaker 1: but that the people might not know are connected to
• 52:41
  Speaker 1: these islands. They connected. You got to like Jimmy Iveen,
• 52:44
  Speaker 1: Doctor Dre Island, which you got to let start the
• 52:47
  Speaker 1: artist Tupac came under that. Drake Snoop game, Um Kendrick,
• 52:52
  Speaker 1: well yeah, Kendrick is a part of the top Dog
• 52:54
  Speaker 1: thing as well. But it connects, you know what I'm saying.
• 52:57
  Speaker 1: And so then you got like the leor def Jam
• 53:00
  Speaker 1: Island and that not Island Records. I'm just saying, you
• 53:04
  Speaker 1: know what I'm saying. Yeah, and a rough frauder's murder
• 53:07
  Speaker 1: ain't Rocket Feller. Yeah, you know, Um Kanye, then all
• 53:12
  Speaker 1: the artists that came out to ya fall under that,
• 53:15
  Speaker 1: and then you got um whatever happened on Sony, you
• 53:18
  Speaker 1: know what I mean. And so it was one of
• 53:19
  Speaker 1: them three options right for artists and unless you you
• 53:23
  Speaker 1: want to go what I called just taking the stairs
• 53:26
  Speaker 1: and figuring out how to how to get into one
• 53:30
  Speaker 1: of those situations as your own thing. Top Dog did it.
• 53:32
  Speaker 1: You know what I'm saying. Top Dog created his own thing.
• 53:35
  Speaker 1: And so that was my goal to build an island myself,
• 53:37
  Speaker 1: you know what I mean. I saw what even like
• 53:39
  Speaker 1: Jay they got rock Nations. I saw Island right. Absolutely,
• 53:41
  Speaker 1: that's his own thing. Even though it came from then
• 53:44
  Speaker 1: being an artist connected to another situation, they have turned
• 53:47
  Speaker 1: that into its own operation. Yeah, we're talking to Nipsey Hustle.
• 53:50
  Speaker 1: Of course he has a new album, Victory Lap out right. Now,
• 53:53
  Speaker 1: what kind of conversations did you and did he have?
• 53:55
  Speaker 1: Because you and did he? Yeah, formed a relationship, I assume, dude,
• 54:00
  Speaker 1: Lauren London and Cassie Yeah, yeah yeah, book threw me too,
• 54:03
  Speaker 1: you know Lauren. No, I'm saying Lauren. Lauren introduced me
• 54:08
  Speaker 1: to Puff. I mean I knew Puff, but it was
• 54:11
  Speaker 1: it was more of a personal relationship out to you know,
• 54:14
  Speaker 1: uh we was at Cassie something like that. You know
• 54:17
  Speaker 1: who made you want to get a old like? Did
• 54:18
  Speaker 1: he and put him on young? Crazy? Did he? Did
• 54:22
  Speaker 1: he Young? I'll try to get him more rapp because
• 54:24
  Speaker 1: I was I was referencing to Hate Me Now video
• 54:28
  Speaker 1: and what what his his presence on that record with
• 54:31
  Speaker 1: NAS brought to it. I'm like, look this this the record,
• 54:34
  Speaker 1: this rap I want you to get on this. Put
• 54:35
  Speaker 1: the mink one in the video. We're gonna make a movie.
• 54:38
  Speaker 1: And he was like, um, he told me the whole
• 54:40
  Speaker 1: story behind that. He like, Brobbuster forty million out of
• 54:42
  Speaker 1: check a week before I did that movie, So I wouldn't.
• 54:44
  Speaker 1: I mean that video, wow, Like that's that's the energy
• 54:47
  Speaker 1: you saw in that video. I wouldn't spend all this
• 54:50
  Speaker 1: dough on the chain and we got tigers. He's like,
• 54:52
  Speaker 1: I got the biggest check in my life. Yeah. So
• 54:55
  Speaker 1: he like, we probably gonna be able to recreate that.
• 54:59
  Speaker 1: But you know, um, when I played the rest of
• 55:01
  Speaker 1: the songs for him, he heard Young and he chose
• 55:03
  Speaker 1: that record. Yeah, so you know, he just went in
• 55:06
  Speaker 1: the booth and then started you know that, yeah, start gassing,
• 55:09
  Speaker 1: you know. But even still like Rapps, he gave me
• 55:12
  Speaker 1: some real production advice on that record. When I played
• 55:16
  Speaker 1: it for him, it was different than what you heard enough, yeah,
• 55:19
  Speaker 1: and he was like, listen, bro. He pulled up Natural,
• 55:21
  Speaker 1: moren Killers, Boy, ice Cube and Doctor Dre Like, this's
• 55:24
  Speaker 1: what you're going for. This is what y'all trying to
• 55:26
  Speaker 1: do on this record. Maximize make it sound like this.
• 55:29
  Speaker 1: And we went back in the studio and I played
• 55:31
  Speaker 1: it for my producers and then we turned it up
• 55:34
  Speaker 1: and added a sin flead all the way through, so
• 55:36
  Speaker 1: it sound more like West Coast violent, you know what
• 55:38
  Speaker 1: I mean? And I felt what he said. After the
• 55:40
  Speaker 1: fun I was a little set like what you mean, banging,
• 55:43
  Speaker 1: But after I reapproached it, it was room to make
• 55:47
  Speaker 1: the record better. See that's what all those people who
• 55:49
  Speaker 1: say did he don't do like when they said he
• 55:51
  Speaker 1: don't really produce? Nah? But see me my understanding the day,
• 55:53
  Speaker 1: this is how I look at Did he right? All right?
• 55:55
  Speaker 1: Think about my money, my problems. No disrespect to Big.
• 55:59
  Speaker 1: Big is legend. So what I'm about to say is
• 56:01
  Speaker 1: not a shot against Biggie. Don't please, don't spend it
• 56:04
  Speaker 1: like that when they hear this. What I'm saying is
• 56:06
  Speaker 1: that all right, I've seen an interview and Biggie had
• 56:08
  Speaker 1: the glasses on and he was like, yes, more money,
• 56:11
  Speaker 1: more problems, you know what I mean, you gotta you
• 56:13
  Speaker 1: just come with this. That was before the record, right,
• 56:16
  Speaker 1: So who told the songwriter, hey, look, take the Dinah
• 56:19
  Speaker 1: Ross melody and take this line more money, more problems
• 56:24
  Speaker 1: and in the hook with more money, more problems, that
• 56:27
  Speaker 1: was puff that's production and big and then presented it
• 56:31
  Speaker 1: to Biggie, who said, sample to Dinah Ross, I'm coming
• 56:34
  Speaker 1: out record you know what I'm saying. Who said that?
• 56:36
  Speaker 1: That was puff decision and then to Biggie to Alley Oop,
• 56:40
  Speaker 1: and Biggie came with the big poss Yeah, but to
• 56:44
  Speaker 1: catch that Alley Oop, I've been an artist. I know
• 56:47
  Speaker 1: what that dude. I gotta when I think I think
• 56:49
  Speaker 1: about then we should sample a big record, and I
• 56:52
  Speaker 1: think about what can I tell the songwriter for the hook?
• 56:56
  Speaker 1: Then I gotta also do the verse. So that's what
• 56:58
  Speaker 1: I told puff Bro, throw me and Ali like you threw.
• 57:01
  Speaker 1: You know what I'm saying. Yeah, listen to what I'm saying.
• 57:03
  Speaker 1: To my interviews, learned me get in your puff daddy
• 57:07
  Speaker 1: the producer bag and throw me some lubs. I'm gonna
• 57:09
  Speaker 1: catch him. We have more with Nipsey Hustle when we
• 57:12
  Speaker 1: come back. Keep a lot. This the Breakfast Club, Good
• 57:14
  Speaker 1: morning morning. Everybody is DJ Envy Angela Yee, Charlemagne the guy.
• 57:19
  Speaker 1: We are the Breakfast Club. We have Nipsey Hustle in
• 57:21
  Speaker 1: the building. Charlemagne. He said with Hard Knocked Wife on
• 57:24
  Speaker 1: the album, Yeah, yeah, did you have to clear what
• 57:26
  Speaker 1: do you have to clear that? With Jay z? Okay okay, yeah,
• 57:29
  Speaker 1: you know what's crazy about that record? I thought you
• 57:30
  Speaker 1: played the keys over just to the UF where you
• 57:32
  Speaker 1: have to clear na HS hard, motivation, recorde, hustle and motivation. Yeah.
• 57:36
  Speaker 1: So when jay Z got Annie to clear the record,
• 57:40
  Speaker 1: I guess when he paid him. He said, ya, gotta
• 57:42
  Speaker 1: let every other rap artists after me use it. Wow.
• 57:46
  Speaker 1: So that was his that was his deal with with
• 57:48
  Speaker 1: with whoever the producers and writers, you know what I'm saying. Yeah,
• 57:53
  Speaker 1: so we benefited off his negotiation in nineteen ninety eight. Wow,
• 57:57
  Speaker 1: we just had to get jay Z to clear because
• 57:59
  Speaker 1: when he cleared it with the owners of the copyright,
• 58:02
  Speaker 1: he made it to where any hip hop artist after
• 58:05
  Speaker 1: him could use the record. Jay did that, so hopefully
• 58:07
  Speaker 1: you don't have to go through that. Yeah, for everybody,
• 58:10
  Speaker 1: every hip hop artist gotta clear with jay first. Well,
• 58:13
  Speaker 1: they just need excuse me, they just need the jay
• 58:15
  Speaker 1: Z clearance to any Clarence as good long as their
• 58:17
  Speaker 1: hip hop artists. Jays always showed you love. But didn't
• 58:19
  Speaker 1: he buy like a thousand copies of your Crenshaw? What
• 58:22
  Speaker 1: was the he bought it? He bought a hundred copies
• 58:23
  Speaker 1: of Crenshaw That was one hundred dollars okay, okay, yeah, yeah,
• 58:26
  Speaker 1: And now you didn't even know him. Back to now.
• 58:28
  Speaker 1: I mean, you know I met j in l a
• 58:30
  Speaker 1: years ago at a concert. I was just backstage and
• 58:33
  Speaker 1: I you know, I ran up to I didn't run
• 58:35
  Speaker 1: up to him, just like, what's something I'm nip, you
• 58:36
  Speaker 1: know what I mean? From La Bron rolling sixties. He
• 58:38
  Speaker 1: actually bought a low rider. The story is I ain't
• 58:41
  Speaker 1: never asked him, but he bought a low rider from
• 58:42
  Speaker 1: one of my homeboys, Money Mike. That's in the Maya video.
• 58:45
  Speaker 1: That's to me the Yeah, you know what I mean,
• 58:48
  Speaker 1: he bought that from one of my homeboys, one of
• 58:49
  Speaker 1: my JA homies from La I was an old school hustling.
• 58:52
  Speaker 1: That was really his hunt. Yeah that was here he
• 58:53
  Speaker 1: bought that, being so real. Yeah yeah, yeah, that's confirmed,
• 58:57
  Speaker 1: you know what I mean. So I just was like, yeah,
• 59:00
  Speaker 1: I'm I'm net, I'm rolling sixties. He's like nah, I know.
• 59:03
  Speaker 1: And you know, this was years before the Crenshaw thing.
• 59:06
  Speaker 1: He like, you know, y'all doing your thing? He keep going.
• 59:09
  Speaker 1: So that was the only count boy we ever had
• 59:10
  Speaker 1: until the Crenshaw thing. But um, yeah, Jake been a
• 59:14
  Speaker 1: hunted man. So you know what I mean, a lot
• 59:16
  Speaker 1: of love and now Blue Laces Too, one of my
• 59:18
  Speaker 1: favorite records. On the album you make a Spook who
• 59:21
  Speaker 1: sat by the Door reference you know about that man? Yeah, absolutely,
• 59:24
  Speaker 1: I don't. I don't think you are spook, was said
• 59:26
  Speaker 1: by the door, I think your intentions are pretty clip.
• 59:28
  Speaker 1: Well now I would say so, but even to the
• 59:30
  Speaker 1: point of made earlier. That's one of the reasons I
• 59:32
  Speaker 1: was so vocal about where I was coming from and
• 59:35
  Speaker 1: what I represented because I knew, I knew who I
• 59:37
  Speaker 1: wanted to mobilize, you know what I mean. And if
• 59:40
  Speaker 1: anybody ain't seen that book, I mean, see that movie.
• 59:42
  Speaker 1: You read the book. It's about a gang member from
• 59:45
  Speaker 1: Chicago who you know, presented himself in a way he
• 59:50
  Speaker 1: never kind of cases he was. He was. He had
• 59:52
  Speaker 1: a clean cut look, and he infiltrated the CIA, yep,
• 59:55
  Speaker 1: and he became educated and became and basically he used
• 59:59
  Speaker 1: their agenda, choose to have a token in the CIA
• 1:00:02
  Speaker 1: for political reasons. You know, we're gonna speak blunt um.
• 1:00:07
  Speaker 1: He used it against him. And I think that in
• 1:00:09
  Speaker 1: terms of hip hop, you think of the message that
• 1:00:11
  Speaker 1: they embrace, I feel parallel with like you know what
• 1:00:14
  Speaker 1: I mean, the power structure. I don't mean the culture
• 1:00:17
  Speaker 1: of hip hop, but the power structure music they got
• 1:00:20
  Speaker 1: prescribed personas they expect from us, you know what I'm saying.
• 1:00:24
  Speaker 1: So I feel like the way he used their intention
• 1:00:27
  Speaker 1: against him was was one of my underlying strategies. You know,
• 1:00:31
  Speaker 1: you gotta put the medicine in the candy. And it
• 1:00:33
  Speaker 1: was interested by that book. All his people used to
• 1:00:34
  Speaker 1: call him my uncle Tom and a coon. He was
• 1:00:38
  Speaker 1: there working for them the whole time. Yeah, and he
• 1:00:40
  Speaker 1: and he I don't want to go blow nothing up
• 1:00:42
  Speaker 1: like he did in the movie, you know what I mean,
• 1:00:43
  Speaker 1: But just in terms of being able to mobilize his
• 1:00:46
  Speaker 1: homies toward to a higher cause. You know, there's a
• 1:00:49
  Speaker 1: lot of little Jews that you're saying. And then that's
• 1:00:51
  Speaker 1: what I like. Like I said, the medicine really isn't
• 1:00:53
  Speaker 1: the candy, because even when you drop a ball like
• 1:00:55
  Speaker 1: about doctor Seby. Yeah, like just that one thing they
• 1:00:57
  Speaker 1: killed doctor Seby will make somebody go research with hunt
• 1:00:59
  Speaker 1: him doctor doctor Cebatlet. I never met him, I met
• 1:01:10
  Speaker 1: his wife, and I take his products for sure. Why
• 1:01:13
  Speaker 1: do they kill all holistic doctors messing up the medicals
• 1:01:17
  Speaker 1: you short, stopping the ground. Why don't you get killed
• 1:01:19
  Speaker 1: for the hustling in front of your spot. You're short
• 1:01:22
  Speaker 1: stopping the grind. And they checked his billions. You got
• 1:01:26
  Speaker 1: that get flipped for a couple hundred thousand, So you're
• 1:01:29
  Speaker 1: playing with some pharmaceutical money, you know, and what's crazy.
• 1:01:33
  Speaker 1: I'm working on doing a documentary on the trial. In
• 1:01:36
  Speaker 1: nineteen eighty five, doctor Sevy went to trial against New
• 1:01:39
  Speaker 1: York Right because he put the newspaper. Sure did he did?
• 1:01:42
  Speaker 1: He beat the case and he went to federal court
• 1:01:45
  Speaker 1: the next day and beat that case on record, and
• 1:01:48
  Speaker 1: nobody talk about it. We're still talking to Nipsey Hustle,
• 1:01:51
  Speaker 1: he's in the building right now that what happened with
• 1:01:53
  Speaker 1: reboking And were you signed the revoking the rebok do
• 1:01:57
  Speaker 1: the release that you were there? Nah, I didn't. I
• 1:01:59
  Speaker 1: didn't endorse me with Pumer Right recently. Um, I don't
• 1:02:02
  Speaker 1: want to go too deep into that because man, I
• 1:02:07
  Speaker 1: ain't I ain't uh faking nah. But I don't want
• 1:02:11
  Speaker 1: to go too far into details with the with the
• 1:02:13
  Speaker 1: other thing because it's something that we're gonna pursue. But um,
• 1:02:17
  Speaker 1: you know, it wasn't authorized, It wasn't authorized, and they
• 1:02:20
  Speaker 1: put all money in on the shoe. They put rich
• 1:02:23
  Speaker 1: Rolling on the shoe. I don't even that's that's some gang.
• 1:02:26
  Speaker 1: You don't put rich Rolling on the shoe. You know,
• 1:02:28
  Speaker 1: you gotta pay thousands of people. It's doing life in
• 1:02:32
  Speaker 1: jail that, you know what I mean, fall under that structure.
• 1:02:35
  Speaker 1: So you gotta be careful with that. You know, I don't.
• 1:02:38
  Speaker 1: I'm not even taking a check for nothing to stay
• 1:02:40
  Speaker 1: rich Rolling. I would have told him. I'd have told
• 1:02:42
  Speaker 1: the designers, no, bro, stay clear of that. You can't
• 1:02:45
  Speaker 1: copy right. It's like putting crip on the shoe or something.
• 1:02:48
  Speaker 1: Who you're gonna pay And that caused the problems for you, like,
• 1:02:50
  Speaker 1: oh you got paid off? And even outside of that,
• 1:02:54
  Speaker 1: because if if I was right, I would I would
• 1:02:56
  Speaker 1: stand on being right. That's not right. I'm not. I'm
• 1:02:59
  Speaker 1: not the beneficiary of that. You can't just pay me
• 1:03:03
  Speaker 1: and think that. And by the way, they didn't pay me.
• 1:03:05
  Speaker 1: But you can't just pay me and think that we
• 1:03:07
  Speaker 1: paid Nip and he speaked for the nah ross got it.
• 1:03:11
  Speaker 1: They got a hundred years. You know what I'm saying,
• 1:03:13
  Speaker 1: what I looked like taking a check. I can't do that.
• 1:03:16
  Speaker 1: Grinding all my life. You tell a story where somebody
• 1:03:18
  Speaker 1: got stomped out and you say, fifty and Millwather bound
• 1:03:21
  Speaker 1: from Joling, Vegas. What was that? That was a long
• 1:03:23
  Speaker 1: time ago man at a club me and why you
• 1:03:25
  Speaker 1: was performing that in Vegas called strip hat and uh,
• 1:03:28
  Speaker 1: you know somebody Melee broke out and uh, you know
• 1:03:33
  Speaker 1: it ain't going they favor but didn't that started it?
• 1:03:36
  Speaker 1: And uh just so happened. Fifty and Mayweather was in
• 1:03:39
  Speaker 1: the club. You know, they had all the cars and
• 1:03:41
  Speaker 1: they was really just coming to show up, and uh,
• 1:03:44
  Speaker 1: you know it made the news. It was a big
• 1:03:47
  Speaker 1: old thing. But try to robbers, you know what I mean.
• 1:03:49
  Speaker 1: Like somebody was waiting outside of my section. It was
• 1:03:52
  Speaker 1: all girls coming into the section and take pictures. And
• 1:03:55
  Speaker 1: you know, you be in a section, your chain hand,
• 1:03:56
  Speaker 1: you stand on the couch, and you know somebody was
• 1:03:59
  Speaker 1: like where you from? One of the things you're a fan.
• 1:04:02
  Speaker 1: I'm like, hunt, you got my concert? You don't know
• 1:04:04
  Speaker 1: what I'm from? From? La Bros Like no, where are
• 1:04:06
  Speaker 1: you from? And I frowned. I guess my homeboy seeing
• 1:04:09
  Speaker 1: me frowning, dope fending and then it just a big
• 1:04:13
  Speaker 1: mylight broke out. You know what I'm saying but yeah,
• 1:04:15
  Speaker 1: that's what that was about. It's on YouTube. The those
• 1:04:18
  Speaker 1: footage is on YouTube. But fifty and maywe bound for
• 1:04:21
  Speaker 1: y'all like they need they need to get out the club? Well,
• 1:04:23
  Speaker 1: you that was probably taken out of context. They left
• 1:04:26
  Speaker 1: the same time, twenty thirty security and fifty was it
• 1:04:31
  Speaker 1: with fifty thirty people? So yeah, that was good money on.
• 1:04:35
  Speaker 1: I wasn't saying like they needed our help. It's just like,
• 1:04:38
  Speaker 1: you know, a little fact they was in the building
• 1:04:41
  Speaker 1: and you know that got footage and floored on on
• 1:04:43
  Speaker 1: the ind an argument the police in the front of
• 1:04:46
  Speaker 1: the club. You know, I just I'll be trying to
• 1:04:48
  Speaker 1: revolve around really that took place, you know what I mean?
• 1:04:50
  Speaker 1: Just to go back to the doctor seventy three real quick?
• 1:04:52
  Speaker 1: What makes you want to do a documentary? Okay, get
• 1:04:55
  Speaker 1: it right, man, It makes you want to do a
• 1:04:56
  Speaker 1: documentary about doctor Cebe. I think the stories and pardon,
• 1:05:00
  Speaker 1: I think it's a powerful narrative. It is, you know
• 1:05:02
  Speaker 1: what I mean? And I think if imagine this, anybody
• 1:05:05
  Speaker 1: in this room, if I could say, hey, somebody cured
• 1:05:08
  Speaker 1: a's Ya'll be like yeah, right, And then I can
• 1:05:10
  Speaker 1: show you an example of him going a trial, improving
• 1:05:14
  Speaker 1: in the court to a jury that he cured a's
• 1:05:18
  Speaker 1: I'll be interested in that absolute and y'all will look
• 1:05:21
  Speaker 1: into the way he did it. Right, So I feel like,
• 1:05:23
  Speaker 1: more so than like champion his products or explaining his methodology,
• 1:05:29
  Speaker 1: put some light on that case. Imagine being able to
• 1:05:32
  Speaker 1: cure cancer or being able to cure any type of herpes,
• 1:05:36
  Speaker 1: all kinds, and that's what he do about what he did. Yeah, yeah, yeah,
• 1:05:39
  Speaker 1: he used to send all types of vitamins up to
• 1:05:41
  Speaker 1: the station. Yeah, herpies. No, I said, vitamins. To hear me,
• 1:05:45
  Speaker 1: I said, all right, well, let's get into a Nipsey
• 1:05:50
  Speaker 1: Hustle joint is featuring Kendrick Lamar. It's called Dedication the
• 1:05:55
  Speaker 1: Breakfast Club. What y'all a seed j Envy Angela yee,
• 1:06:01
  Speaker 1: Charlomagne the guy we are the breakfast Club Nipsey Hustles
• 1:06:04
  Speaker 1: in the building. That was his joint dedication feature Kenjick Lamar. Now, now, Nipsey,
• 1:06:09
  Speaker 1: you were talking about Cardi and her wearing different colors. No,
• 1:06:13
  Speaker 1: that's not what I said, And you know what I mean,
• 1:06:15
  Speaker 1: Just yeah, I like Cardi b Cardi B DI diverse
• 1:06:19
  Speaker 1: for me, like Yeah, that's that's that's a fact. Like
• 1:06:23
  Speaker 1: anybody don't like Cardi, that hater. I used to watch
• 1:06:26
  Speaker 1: her ig clips and be laughing, like this girl crazy,
• 1:06:29
  Speaker 1: But her personality is golden, you know what I mean.
• 1:06:32
  Speaker 1: But wrong is wrong? Right is right? Bro, That's what
• 1:06:35
  Speaker 1: I grew up on. That loved me. Bro, gonna tell me,
• 1:06:38
  Speaker 1: Bro it was wrong? Right, all right, don't tell me
• 1:06:40
  Speaker 1: that in public. Wait until we get back to the hood.
• 1:06:42
  Speaker 1: I might set off a melee and we gonna fight
• 1:06:45
  Speaker 1: with me. But when we get back to the hood, Bro,
• 1:06:47
  Speaker 1: that was But don't do that. You gonna have us.
• 1:06:48
  Speaker 1: You're gonna get us in a wreck. Wrong is wrong, Right,
• 1:06:51
  Speaker 1: it's right. That terminology she used is like real Nooklet
• 1:06:55
  Speaker 1: just for the record, that's how Blood's talk. Blood says
• 1:06:58
  Speaker 1: crab BLUs, say flute crip, say slob crip, say dead
• 1:07:04
  Speaker 1: like the fires. With all my homeboys, I'd be like, bro,
• 1:07:06
  Speaker 1: give me a dead bull. That's how we talk. But
• 1:07:10
  Speaker 1: I'll be intentionally respectful on the record because we're talking
• 1:07:16
  Speaker 1: about a public environment, which is the music industry. You
• 1:07:20
  Speaker 1: feel what I'm saying. We saw what happened with death Row,
• 1:07:24
  Speaker 1: so we're gonna set tripping public You're gonna get count
• 1:07:27
  Speaker 1: on camera squabbling. You're gonna violate while you worth three
• 1:07:29
  Speaker 1: hundred million sugar night, you're gonna go to the pen.
• 1:07:33
  Speaker 1: Pockey gonna die right around that happened. That was game banging.
• 1:07:38
  Speaker 1: That was set tripping publicly. So we would be bad
• 1:07:41
  Speaker 1: leaders to read create that. What about somebody like Takashi
• 1:07:45
  Speaker 1: Si N I don't want to talk about other people
• 1:07:48
  Speaker 1: for real, you know what I'm saying. I feel I
• 1:07:51
  Speaker 1: feel my own way about it, but God, bless everybody. Man,
• 1:07:54
  Speaker 1: get your money? You feel me what I said about
• 1:07:56
  Speaker 1: Cardi Big asked me and so I spoke on it.
• 1:07:59
  Speaker 1: But I don't want to hate on Cardi. B get
• 1:08:00
  Speaker 1: your money. Cardi. I respect what you're doing. You know
• 1:08:02
  Speaker 1: what I'm saying. She done a verse for me. I
• 1:08:04
  Speaker 1: see to me goes, I shake their hand. You know
• 1:08:06
  Speaker 1: what I'm saying. I respect her. Come up, she came
• 1:08:09
  Speaker 1: from the gutter about saying disrespectful things on I G
• 1:08:15
  Speaker 1: I'm gonna always be like that. Ain't the move, That's
• 1:08:17
  Speaker 1: not That's not what you're supposed to do. Now, do
• 1:08:20
  Speaker 1: I tell you what to do? Nah? You get it?
• 1:08:22
  Speaker 1: How you live? If you like it. I love it.
• 1:08:24
  Speaker 1: I just know me and mine we're gonna move this
• 1:08:26
  Speaker 1: way because I'm always stand on what I do. So
• 1:08:30
  Speaker 1: that if I walk into a room full of bloods
• 1:08:32
  Speaker 1: and I ain't gonna be like, oh, they go to slops,
• 1:08:35
  Speaker 1: I'm not gonna talk like that, because that's that's called
• 1:08:37
  Speaker 1: being a cell soldier on some jail. You know what
• 1:08:41
  Speaker 1: I'm saying, Get us in the cell, popping it because
• 1:08:44
  Speaker 1: you can't get touched. You're hiding behind the cell. You
• 1:08:49
  Speaker 1: know what I'm saying, pop the gates. Talk like that.
• 1:08:51
  Speaker 1: If you ain't gonna talk like that, then keep it
• 1:08:54
  Speaker 1: one way. I've been in a tank with a hunted
• 1:08:56
  Speaker 1: bloods before. I'm from six old crib. I ain't gonna
• 1:08:59
  Speaker 1: call these slaves to kill me. But I ain't even
• 1:09:03
  Speaker 1: this is where I'm from, Homie. You feel what I'm saying,
• 1:09:05
  Speaker 1: and so same the other way around. I've been in
• 1:09:09
  Speaker 1: the dorm with a huntred crips in two or three
• 1:09:11
  Speaker 1: bloods and they ain't using that terminology. They not. That's
• 1:09:16
  Speaker 1: just against the laws of nature. This is just set
• 1:09:19
  Speaker 1: self preservation gonna prevent you. I'm talking like that. That's
• 1:09:22
  Speaker 1: what I was speaking on but for the record, and
• 1:09:25
  Speaker 1: just for the New York bangers, I respect realis everywhere
• 1:09:28
  Speaker 1: in every city and state. You can't take that from nobody.
• 1:09:32
  Speaker 1: Gang culture came from out of LA. I don't mean
• 1:09:35
  Speaker 1: it ain't really in New York that pushing aligne as
• 1:09:39
  Speaker 1: bloods and crips. But we gotta be honest, We gotta
• 1:09:42
  Speaker 1: speak honestly. We can't be political about the dead and
• 1:09:46
  Speaker 1: doing life for you see what I'm saying that. So
• 1:09:49
  Speaker 1: that's that's that's my stance on it. But so like
• 1:09:51
  Speaker 1: I said, everybody getting money, man, I respect party. You
• 1:09:54
  Speaker 1: know what I mean. She linked up with with Wacko
• 1:09:56
  Speaker 1: one of my respect he had parrot and you know,
• 1:10:01
  Speaker 1: I ain't mad out of deal thing. I just my
• 1:10:03
  Speaker 1: personal opinion. It's in your interest not to be public
• 1:10:06
  Speaker 1: dis in gangs, you know what I'm saying, unless you
• 1:10:10
  Speaker 1: want to put your security at risk, because it ain't
• 1:10:12
  Speaker 1: gonna be you shooting or getting shot at. You're gonna
• 1:10:14
  Speaker 1: be pushed into the car. You know, we were talking
• 1:10:17
  Speaker 1: about on Friday last week, we were talking about checking
• 1:10:20
  Speaker 1: in and how do you feel about checking in? Because
• 1:10:23
  Speaker 1: I mean, it's it's a big thing, especially in LA.
• 1:10:25
  Speaker 1: You know, what I mean, because it's so open, and
• 1:10:26
  Speaker 1: you mean you could drive in a block in LA
• 1:10:28
  Speaker 1: one block, it'd be a sunny, clean block, mixed block,
• 1:10:30
  Speaker 1: you in the middle of the hood. Yeah, checking in
• 1:10:34
  Speaker 1: is it suggests friendly extortion when you say checking in.
• 1:10:40
  Speaker 1: Our relationship is different because we all need relationships. You
• 1:10:44
  Speaker 1: know what I'm saying. I'm sure when you travel you
• 1:10:46
  Speaker 1: from New York, but you got relationships all over the country, Charlotte, man,
• 1:10:49
  Speaker 1: you got relationships all over it, and I'm sure you
• 1:10:52
  Speaker 1: do too, and a relationship I don't. I don't believe
• 1:10:55
  Speaker 1: in fake relationships. So it just established genuine relationships. Everywhere
• 1:10:59
  Speaker 1: you go, you'll be in a better position. And you
• 1:11:02
  Speaker 1: do that off being respectful and being you know, you're reciprocated.
• 1:11:06
  Speaker 1: Somebody come to your city, Bro, you need something, whether
• 1:11:09
  Speaker 1: it's a car, some weed, you know what I mean.
• 1:11:11
  Speaker 1: You want to go somewhere to eat what you need?
• 1:11:13
  Speaker 1: You out of town. I got you, not just some
• 1:11:15
  Speaker 1: protection you feel me. So I wouldn't say to check in.
• 1:11:19
  Speaker 1: I don't know them about that, but just I got
• 1:11:22
  Speaker 1: relationships in New York that it's respect. When I pull up,
• 1:11:25
  Speaker 1: you know what I mean, to make sure I got
• 1:11:27
  Speaker 1: whatever I need. Same in La. I can get you
• 1:11:29
  Speaker 1: from the airport. Bro, you could take my car, you
• 1:11:31
  Speaker 1: could come to my store. You could you meet my homeboys.
• 1:11:34
  Speaker 1: You could get numbers. If you any problems or whatever,
• 1:11:37
  Speaker 1: just call in or you want to know where to
• 1:11:38
  Speaker 1: go eat. That That ain't because you had to, That's
• 1:11:41
  Speaker 1: because yeah, we in strengthen numbers and we only from
• 1:11:44
  Speaker 1: one place. You know, now, what happened with the LGBT community.
• 1:11:47
  Speaker 1: They were set tripping on you at one point when
• 1:11:49
  Speaker 1: you you know, man, they for the record, Come on, man,
• 1:11:53
  Speaker 1: I live in LA I'm in the music industry. You're
• 1:11:56
  Speaker 1: gonna I can't. It's no way I could have take
• 1:11:59
  Speaker 1: issue with anybody sexuality, you know what I'm saying. And
• 1:12:02
  Speaker 1: at the end of the day, I got people in
• 1:12:03
  Speaker 1: my family. I got people I loved, my homegirls, some
• 1:12:06
  Speaker 1: of them, you know, people that I grew up around
• 1:12:09
  Speaker 1: that you know that stay lifestyle. I could never judge
• 1:12:13
  Speaker 1: nobody for their sexuality. What they what they took out
• 1:12:16
  Speaker 1: of context was a critique on the media. I made
• 1:12:19
  Speaker 1: a critique on the media, and I was really speaking
• 1:12:22
  Speaker 1: toward what my homeboy, Big you did for the kids
• 1:12:27
  Speaker 1: and the image of you know, somebody that came from prison,
• 1:12:33
  Speaker 1: that came from gang culture with what the image gets portrayed,
• 1:12:40
  Speaker 1: ass around that type of individual and what this this
• 1:12:43
  Speaker 1: this person's actually doing. And you know, I think that
• 1:12:47
  Speaker 1: it was taken out of contexts um, you know, and
• 1:12:51
  Speaker 1: that's a that's a sensitive thing. I would never want
• 1:12:53
  Speaker 1: people to feel alienated or like, damn, you know, an
• 1:12:58
  Speaker 1: artist that I inspired by look to or somebody I
• 1:13:00
  Speaker 1: respect might look at me is less staying. That's not
• 1:13:04
  Speaker 1: what I'm meant, you know what I'm saying. And I
• 1:13:06
  Speaker 1: think it just got taken out of context. And you know,
• 1:13:09
  Speaker 1: it's a movement right now for like acceptance and quality,
• 1:13:12
  Speaker 1: so you know there's a whole machine built behind it's like,
• 1:13:17
  Speaker 1: uh like a witch hunt, you know what I'm saying.
• 1:13:19
  Speaker 1: Let it like, let anybody say sexism, homophobia, you know
• 1:13:23
  Speaker 1: what I'm saying. So I fell into that. It's all good,
• 1:13:25
  Speaker 1: you know what I mean. I respected. I'm with the
• 1:13:27
  Speaker 1: movement of equality and everybody respect everybody's individuals. God is
• 1:13:32
  Speaker 1: the creator and the judge. I'm not the judge. I
• 1:13:34
  Speaker 1: think they were just upset because they felt like you
• 1:13:36
  Speaker 1: were implying that homosexuals couldn't look like to call real
• 1:13:41
  Speaker 1: min and that was probably the air that I made
• 1:13:43
  Speaker 1: in articulation that you know, it could be rare like that.
• 1:13:47
  Speaker 1: I could have been more clear, you know what I'm saying,
• 1:13:49
  Speaker 1: But me personally, I judged things off of intention. We
• 1:13:53
  Speaker 1: all human, We're gonna we're gonna make mistakes. But I
• 1:13:55
  Speaker 1: gave somebody intention. What was you trying to say? You
• 1:13:58
  Speaker 1: know what I'm saying. And if the intention and it's clear,
• 1:14:01
  Speaker 1: I give the execution a little wiggle room, you know
• 1:14:05
  Speaker 1: what I'm saying, or the or the articulation. And I
• 1:14:08
  Speaker 1: asked everybody looking my attention, you know what I'm saying?
• 1:14:10
  Speaker 1: Was I trying to say? I was trying to pick
• 1:14:12
  Speaker 1: up my homeboy for creating a banquet for these young
• 1:14:15
  Speaker 1: kids from the hood that played football, got everybody suited
• 1:14:18
  Speaker 1: and booted. I seen in there that was killers at
• 1:14:21
  Speaker 1: one time with suits on, you know, serving the kids food,
• 1:14:26
  Speaker 1: and you know what I mean, I'm like, we gotta
• 1:14:27
  Speaker 1: do this more often. I wanted to share a light
• 1:14:29
  Speaker 1: on that, you know what I'm saying. Yeah, my last
• 1:14:32
  Speaker 1: question for nip Man because I'm riding in the car
• 1:14:34
  Speaker 1: and I'm like, boy gonna get in for this. You
• 1:14:36
  Speaker 1: said that your mistress is creole. How do you get
• 1:14:39
  Speaker 1: away with that? Man, this music man, I said, I said,
• 1:14:43
  Speaker 1: my wife is a Cno, I said, this life is
• 1:14:45
  Speaker 1: a free through my life, my wife is a CN,
• 1:14:48
  Speaker 1: but my mistress is creole. You know that was that
• 1:14:51
  Speaker 1: was number one. I recorded that before me, before I
• 1:14:54
  Speaker 1: had a girl. For real. That's that's that's a fact
• 1:14:59
  Speaker 1: though I just put. But then again, this music man, like,
• 1:15:02
  Speaker 1: my girls are actress. If she kissing on camera, what
• 1:15:05
  Speaker 1: I'm gonna be mad? No do thing. I love. I
• 1:15:08
  Speaker 1: love the fact that you said your girls. So you're
• 1:15:09
  Speaker 1: back together, y'all go yeah, yeah, yeah, we solid players
• 1:15:12
  Speaker 1: to man, That's all I'm saying. Like that The reason
• 1:15:15
  Speaker 1: I ask because she don't play. Yeah, no run down
• 1:15:17
  Speaker 1: on you. Yes, she ran down on you. Chart went hard.
• 1:15:20
  Speaker 1: You know what I'm saying. But yeah, boie boogie boogie. Man.
• 1:15:24
  Speaker 1: You know she knows how to defend herself and stand up,
• 1:15:26
  Speaker 1: you know what I mean. And you know she from
• 1:15:29
  Speaker 1: La she grew up. Um. A lot of people might
• 1:15:31
  Speaker 1: think she got a privileged background. She ain't got no
• 1:15:33
  Speaker 1: privilege background. I think she's new new in real life.
• 1:15:35
  Speaker 1: Yeah yeah, yeah, yeah, no, but she comes from lag
• 1:15:38
  Speaker 1: Man and you know what I mean, she seen Charlotte
• 1:15:41
  Speaker 1: Mayne zero then, but she I told her, I told
• 1:15:44
  Speaker 1: her from jump though. I'm like, you're gonna meet Charlotte
• 1:15:45
  Speaker 1: Mage and like, Charlotte Man, respect Charlotte Man, you know
• 1:15:48
  Speaker 1: what I mean. Charlotte Magne known for being honest and
• 1:15:50
  Speaker 1: you know what I mean, ruffling feathers. But I know
• 1:15:54
  Speaker 1: his stance and I'm like, y'all got the similar mentality
• 1:15:57
  Speaker 1: in terms of like what's right, you know what I'm saying. Yeah,
• 1:16:00
  Speaker 1: she she got a lot of love and respect for you,
• 1:16:02
  Speaker 1: and we appreciate you joining us. Yeah, Victory, Yeah, and
• 1:16:08
  Speaker 1: it's the Breakfast Club. Good morning. Yeah,