Latest / Fandom on the Rocks / Pack Dynamics 4x01 — “The Dark Moon”
Transcript
- 0:02Alison: It's not news that fandom, fan fiction, and even
- 0:05RPF seems to be everywhere. Suddenly, everyone and
- 0:08their mother is talking about fic. But a lot of
- 0:11people are getting everything about fandom just
- 0:14plain wrong. While all of us at Fandom on the
- 0:17Rocks are talented amateurs in our own particular
- 0:20corners of fandom, there's a lot of history and
- 0:22lore that even we don't know. And that's where the
- 0:25podcast does. This Week in Fandom History comes
- 0:27in. Hosted by longtime fans V. Arrow and Emily J,
- 0:31this Week in Fandom History gets deep into the
- 0:34who, what, and why behind fandom culture's highest
- 0:37highs and weirdest lows and the events that
- 0:40somehow permanently altered the Internet. November
- 0:435th, I'm looking at you, my current favorite
- 0:46episode, surprising no one at all has to do with
- 0:48Bucks coming out in season seven of 911V. And
- 0:52Emily did careful research, looking at the event
- 0:54through an outsider's lens and digging through
- 0:57everything from Reddit to the bowels of Twitter to
- 0:59examine the differences between fandom reaction
- 1:02and the response from the broader general viewing
- 1:04audience. And that's what makes this Week in
- 1:06Fandom, history so much fun and so insightful.
- 1:09Even when they're talking about a fandom you
- 1:11already know, there's a pretty good chance that
- 1:13you're going to learn a little something new.
- 1:16Check out this Week in Fandom History. Wherever
- 1:18you're listening to us,
- 1:35Emily: You're listening to Pack Dynamics, a fandom on the
- 1:37rocks podcast. Everyday life is the wrong tab.
- 1:41Hello. Welcome back to Pack, Dynamics, a Teen Wolf
- 1:44podcast I am m. Emily.
- 1:46Alison: And I'm Alison.
- 1:47Emily: And I'm so proud I remembered which one we were
- 1:48recording today.
- 1:49Alison: Yes, good, because this is the season premiere of
- 1:53season four, guys. We made it Season four, baby.
- 1:58What?
- 1:59Emily: Yes.
- 1:59Alison: Which honestly, feels like a cop out, because
- 2:02seasons one and two were just as big as 3A and 3B.
- 2:06We are on season four, but this is season five,
- 2:08for us, so.
- 2:10Emily: Yes, that is true, because season three is like a
- 2:12double season, so. Yeah, but still, still, still,
- 2:17it was good. How many episodes are in season four?
- 2:21I didn't bother to look.
- 2:22Alison: I think it's still 12.
- 2:23Emily: It's only 12.
- 2:24Alison: Yeah.
- 2:25Emily: That's nice.
- 2:27Alison: So, yeah, ah, it's a short season. Well, it's a
- 2:29regular Teen Wolf. Season three was just stupid.
- 2:31Big double, long. And then season five does that
- 2:34thing that I hate. So season three, three A and
- 2:37three B, now that we've gone through them, you
- 2:39can't get three B without three A. Like, you can't
- 2:43get the nogitsune possessing Stiles unless you get
- 2:48Jennifer cracking open the nemetol.
- 2:51Emily: Yeah, they.
- 2:52Alison: 3B comes from 3A.
- 2:54Emily: They're friends. They're buddies.
- 2:55Alison: They're buddies. They're, they're, they're,
- 2:56they're, they're, they're good time pals. But
- 2:59season five just really feels. They took one story
- 3:03and dragged it over two seasons.
- 3:05Alison: Gross.
- 3:05Emily: We don't like that.
- 3:06Alison: I hate. I feel there's minor bad guy changes
- 3:10between 5a and 5b, but from what I remember, it's
- 3:13just a. It's just a fucking 2224 episode long
- 3:17story. And it just. It drags.
- 3:20Emily: I just checked. It's 20 episodes.
- 3:22Alison: It drags somehow.
- 3:24Emily: Season six is also 20 episodes.
- 3:27Alison: Yes, but. Okay, season six. I am not. I'm gonna
- 3:33get mad at it. We'll get there when we get there.
- 3:35But it does split apart 3A and 3B.
- 3:38Emily: Okay.
- 3:39Alison: They're not as connected, I don't think.
- 3:43Emily: Yeah, there's a six month gap between 6:10 and
- 3:466:11.
- 3:47Alison: Yeah, but they, The stories don't really link, so
- 3:52they conclude at the end of one, and you start a
- 3:56new story at the end of the other. At the start of
- 3:58the other. So I'm not quite as mad about it.
- 4:00Emily: Okay, well, we'll get there.
- 4:02Alison: We'll get there when we get there.
- 4:04Emily: So this is season four, episode one, the Dark
- 4:07Moon.
- 4:08Alison: Ooh, spooky.
- 4:10Emily: I don't know if this is purposeful, but the finale
- 4:14of season three was the divine move. And both of
- 4:17those begin and end with D and M. That's true. And
- 4:20I don't know if they did that on purpose, but I
- 4:21was interesting. Probably not on purpose.
- 4:24Alison: Probably not.
- 4:25Emily: No, for being perfectly sincere.
- 4:28Alison: No, it was. The Teen Wolf writers room just kind
- 4:30of gives up after 3B.
- 4:32Emily: Do they?
- 4:33Alison: Oh, I'm sorry. Did you not watch this episode?
- 4:37Emily: I did. I did watch it, actually. I mean, I watched
- 4:39it as much as I could keep interest in it.
- 4:43Alison: Correct. It is a choice. They decide.
- 4:46Emily: Wait, let me give you the rundown before we talk
- 4:48about it. So this is Scott and his pack journey
- 4:52into Mexico to rescue a missing friend. Even the
- 4:56rundowns of the episodes are like, that's an
- 4:58episode.
- 4:59Alison: It's fine.
- 5:00Emily: This aired June 23, 2014, which is beginning to
- 5:05feel more real. Years. Yeah, but it's 11 years
- 5:08ago.
- 5:09Alison: That's too many years.
- 5:10Emily: It's far too many. So my very first note of this
- 5:12episode was, hey, it's sepia.
- 5:15Alison: Yeah, it's Teen Wolf is sepia colored now with
- 5:17twangy guitar music. We must be capital S south of
- 5:21the border.
- 5:21Emily: Yeah, Well, I guess that's how we know we're in
- 5:23Mexico.
- 5:24Alison: We know we're in Mexico. Come on, guy.
- 5:26Emily: I was. It's sepia, it's guitars, and there are
- 5:29brown people. We're in Mexico. Could have tried a
- 5:31little harder.
- 5:32Alison: Literally. Literally.
- 5:34Emily: but Lydia's hair is doing that cute thing that I
- 5:36wish people would do to my hair.
- 5:37Alison: Oh, my God.
- 5:38Emily: The little. The curly or the. The loopy braid?
- 5:41Alison: Her little loopy braid. And her little wispy bangs
- 5:44everywhere.
- 5:44Emily: Oh, my God.
- 5:45Alison: And honestly, this is when I really start tapping
- 5:48into Stiles and Lydia.
- 5:50Emily: Okay.
- 5:51Alison: we all know that Stiles and Derek got too close in
- 5:54three because they slammed a big wall down on them
- 5:58in 3B. I know. and then Derek dreamed about Stiles
- 6:03in a moment of crisis. And then, you know, they.
- 6:07Goodbye.
- 6:08Emily: something that the network was. Get those queers
- 6:10apart.
- 6:10Alison: Get those queers apart. And so then they've, you
- 6:13know, smashed Stiles together with Malia. And now
- 6:16that there isn't this desperate kind of. I love
- 6:22her. I've got the 10 year plan between Stiles and
- 6:25Lydia. They're actually building a relationship.
- 6:28And then, of course, we're all, oh, you're
- 6:30building a relationship, people. And then we're
- 6:33all getting into it. So I think they are so funny
- 6:36together and they're just leveling up their
- 6:38shenanigans. And I love this for them.
- 6:40Emily: I think the actors probably were building better
- 6:45chemistry, too.
- 6:47Alison: Probably. Yeah.
- 6:48Emily: having. Now they're spending. I mean, they were
- 6:50always spending a ton of time together, but I
- 6:52think on sets, right. People naturally gravitate
- 6:56towards certain people, depending on how much time
- 6:58you're spending together. So it's. I think you can
- 7:01always. I don't wanna say. You can always tell.
- 7:03You can just kind of. You get vibes, Right. When
- 7:06actors really kind of each other.
- 7:07Alison: Yeah. You do.
- 7:08Emily: Not like. But just somebody.
- 7:09Alison: Yeah. When you enjoy seeing them at work. You
- 7:11know, you have a work wife,
- 7:13Emily: and that's how easy the dialogue flows between
- 7:15people. And. And the banter really kind of works.
- 7:19Yeah.
- 7:20Alison: Because, the two of them have never bantered
- 7:21before. Stiles and Lydia don't banter. They do
- 7:24now.
- 7:24Emily: They don't. They do now. Which I really like.
- 7:26These people are supposed to be friends.
- 7:28Alison: Yes. Yes, they are. They're supposed to be
- 7:31friends. Stiles and Scott used to banter in
- 7:33seasons one and two. Then, you know, Scott got
- 7:36Alison on the brain. And now he's got Kira on the
- 7:39brain and he's got Alpha being on the brain.
- 7:42Emily: And Stiles is just the weight of the world.
- 7:45Alison: Poor kid. On the one hand, no thank you. But on
- 7:50the other hand, he's just a kid and he's trying
- 7:52his fucking best.
- 7:54Emily: He, Yeah, they're not. They're maybe 18 at this
- 7:57point, depending on how the Teen Wolf timeline
- 7:59flows.
- 8:00Alison: Aren't they junior seniors, maybe?
- 8:02Emily: Basically. Problem. What year is it?
- 8:05Alison: Yeah, they're junior seniors. I think they
- 8:07graduate at the end of season six.
- 8:11Emily: Oh, so they could still. Who knows what year it
- 8:14is?
- 8:14Alison: Graduate? No. Did they graduate into 6A?
- 8:18Emily: They might. College.
- 8:20Alison: Well, I'm trying to. I'm trying to figure it out.
- 8:22They might. Somewhere around season six because
- 8:26Stiles.
- 8:27Emily: It's a Buffy problem.
- 8:29Alison: Well, because Stiles disappears to his FBI thing.
- 8:32Emily: You have to go to college for. Yeah, well, you
- 8:35don't just go to FBI training.
- 8:37Alison: It might be a summer program.
- 8:39Emily: I. I was an X Files nerd. I thought about being an
- 8:41FBI agent as a kid. I was. I could do that. And
- 8:43then I was like, I couldn't do that.
- 8:45Alison: I couldn't do that. But that's fine.
- 8:47Emily: But.
- 8:47Alison: Yeah, so we're. We're. We're finally back to
- 8:50banter between Stiles and his work wife, Lydia.
- 8:53Love this for them. And he starts, you know,
- 8:55yanking her around about, you know, this is. This
- 8:57plan is stupid and we're gonna die. Is that an
- 8:58official Banshee prediction or are you just being
- 9:00pessimistic? Like I love.
- 9:02Emily: Could be either one. I. I love that they're just
- 9:07walking through the streets of some unknown town
- 9:09in Mexico.
- 9:10Alison: Yeah, just whatever. It's cool, guys. Just.
- 9:13Emily: Just chilling in. Clearly. And not a tourist town.
- 9:16Alison: Correct.
- 9:18Emily: Okay. Yeah. It might be a stupid plan.
- 9:21Alison: Yeah.
- 9:21Emily: And it goes from day to night real quick while
- 9:24they're still walking.
- 9:25Alison: It sure does. They've been wandering around this
- 9:27town for some time. But look at Lydia's Spanish.
- 9:29They get to this door, this secret spooky door
- 9:32with secret spooky men in front of it, and Lydia
- 9:36busts out her high school Spanish. Apparently she
- 9:38took Spanish while Isaac and Alison were taking
- 9:40French.
- 9:41Emily: Yes. That makes I. I believe enough about Lydia
- 9:45that she would know a couple languages.
- 9:47Alison: Yeah. And especially because she says, asamo Saki
- 9:49put up. We're here for the party. which absolutely
- 9:52makes sense in this context.
- 9:54Emily: Yeah, she's got her duolingo going.
- 9:55Alison: She's got her duo going. Duo would have taught her
- 9:58that.
- 9:59Emily: It wouldn't teach her anything useful. But we're
- 10:01here for the party.
- 10:01Alison: Sure it's okay all the hunters inside speak
- 10:05English. It's fine.
- 10:06Emily: Yes, and they really have to flash a tarot card
- 10:08with a skull together? There's no other context as
- 10:12to what any of this means, but that's fine.
- 10:16However, what's happening behind a bunch of closed
- 10:18doors is a rave.
- 10:20Alison: Is it bad that my first immediate thought was, did
- 10:23they fight another gay club?
- 10:25Emily: No, that is a great first thought. Mine was. So
- 10:27was this a cover for the hunters, or is this how
- 10:30they make their money?
- 10:31Alison: Probably both. It's. I. Yes, I think it's how they
- 10:35make the money. I think it's a great cover for
- 10:36base of operations. It's allowed. No one comes and
- 10:39asks questions.
- 10:40Emily: People are coming and going all the time, so it
- 10:42doesn't matter if big burly guys are coming and
- 10:44going.
- 10:44Alison: Yeah. And, you know, muscle is just. Oh, yeah.
- 10:47Well, it's a club. There are bouncers. It totally
- 10:49makes sense. And I'm just thinking of, like, all
- 10:51the. Of all the. The clubs in. In Beacon Hills,
- 10:55and I'm. Oh, did they just. Did they. Is this
- 10:56Beacon Hills, Mexico?
- 10:58Emily: I mean, so there is a moment later where we can
- 11:03have a. A queer baiting conversation.
- 11:06Alison: Oh, yes, we will. Oh, yes, we will.
- 11:09Emily: So, yeah, we'll bring that up later because I was.
- 11:12Alison: All right, we'll talk about that.
- 11:15Emily: Because there was always.
- 11:16Alison: Is.
- 11:16Emily: Is Derek and Stiles. Is this queerbaiting? No, but
- 11:19this is. So we'll come back around to it.
- 11:23Alison: Oh, yeah, we'll come back around to them.
- 11:26Emily: Capital T. Them.
- 11:28Alison: Them.
- 11:28Emily: Lydia gets to be a badass because she is. We're
- 11:31not here to drink. And she drops a bullet casing
- 11:33with a skull carving in the shot glass.
- 11:35Alison: Like in the shot of a skull.
- 11:37Emily: Ooh, I love that she's the one leading this little
- 11:40operation and not Stiles. Yes, but they're there
- 11:43to see Araya Ariah. Araya. Araya, the leader of
- 11:48our Mexican hunter family, who we have seen in the
- 11:52previous season being a bitch to Derek and Peter.
- 11:57And Peter. Peter is an unknown entity. So far, we
- 12:01don't see him, but he's somewhere.
- 12:02Alison: He's around. He's always around.
- 12:05Emily: She apparently loves the rave music, though. yeah,
- 12:08she's living the youth life. But the pack is there
- 12:12for Derek because he is missing at the end of
- 12:17season three.
- 12:17Alison: Don't tell me Stiles and Lydia are there for
- 12:21Derek. I'm sorry.
- 12:22Emily: They're there for Derek.
- 12:24Alison: I'm Sorry, can you just say that one more time
- 12:26that Lydia and Stiles travel to Mexico to find
- 12:28Derek. I'm so sorry.
- 12:30Emily: My brain, can't quite. For Derek who is missing
- 12:35because they
- 12:36Alison: are willing to pay $50,000 for Derek Hale and
- 12:41Araya is. Where do you get this kind of money? The
- 12:44Japanese mafia. And I had to think so freaking
- 12:47hard.
- 12:47Emily: I know.
- 12:48Alison: How did they know the Japanese. They don't know
- 12:50Japanese mafia. No, that was Deaton.
- 12:55Emily: I. The deep cut of this. I was. How did they.
- 12:58Alison: Who?
- 13:00Emily: And they don't even bother explaining it either.
- 13:02How did we get from. From the 50k on the table
- 13:06back to the mafia?
- 13:07Alison: Why is Stiles. Why is Stiles carrying $50,000 in
- 13:11cash just in his little pockets and no
- 13:15Emily: one jumped him for it?
- 13:16Alison: For real? For real. Although there is.
- 13:18Emily: You cannot carry that through the airport. They
- 13:20had to have driven.
- 13:22Alison: Yeah, no, they definitely did. They definitely did
- 13:24because the jeep is there.
- 13:25Emily: The jeep is there.
- 13:26Emily: But they got that through the border.
- 13:27Alison: Yeah, I guess. And there's a part of me as we're
- 13:30talking about 911 and the different characters who
- 13:33have praise kinks that can be seen from space. I
- 13:35think that it would give Derek a special shot of
- 13:39something to his heart to know that they were
- 13:41willing that they have priced him at $50,000.
- 13:44Emily: That's true. When they had more than that on hand.
- 13:48Alison: When they had more than the hot hand spit. you
- 13:51know what you mean. You know what you mean to me.
- 13:52$50,000.
- 13:54Emily: Yeah.
- 13:54Alison: Which you know what? Later in the season isn't
- 13:57gonna sound much.
- 13:58Emily: No, it's not.
- 13:59Alison: But four.
- 14:00Emily: I did think about that. I was. That's all he's
- 14:02worth to you?
- 14:03Alison: That's all he's worth to you?
- 14:04Emily: No Boomer.
- 14:07Alison: But yes, we have just. I think this is really
- 14:10where I started to have Stiles has two hands
- 14:13feelings.
- 14:14Emily: Oh.
- 14:15Alison: In my initial watch through it'll get worse next
- 14:17episode I think. But I definitely started. I
- 14:20definitely started to have Stiles has two hands.
- 14:23Emily: Got it. I. You know me. I'm not a great multi
- 14:26shipper but I. I will. I indulge other people's.
- 14:30Alison: For which I am very, very grateful.
- 14:32Emily: Yes. Especially. Cause they're all so pretty.
- 14:34They're so pretty.
- 14:35Alison: They're such cuties.
- 14:36Emily: But they, They haven't come alone because Kira and
- 14:39Malia are out dancing in the club and Scott is
- 14:43just lurking somewhere with his very.
- 14:46Alison: He's staring at the ground. I'm looking into and
- 14:48eating in the corner. You sure are Scotty. Good
- 14:50job.
- 14:51Emily: Yeah, good, good. Good job, buddy. He's just. Just
- 14:53standing there. So.
- 14:56Alison: So no, we. We have to. I have to get through a few
- 14:58things before we get to whatever it is you're
- 15:00sighing about.
- 15:01Emily: Okay.
- 15:01Alison: so first thing, we have a new credit opening
- 15:03sequence for some people. Well, okay, so the whole
- 15:07thing is now tan. It's all yellow, orange now.
- 15:10Emily: Fucking sepia.
- 15:11Alison: Very sepia toned. We get Scott, we get Stiles, we
- 15:15get Derek. So Alison's been removed by. By
- 15:18Crystal, and Jackson's been removed for a while,
- 15:21but I wasn't thinking about it until now.
- 15:23Emily: Oh, right. Yeah.
- 15:24Alison: So we get Scott, Stiles, Derek, Lydia, then Kira
- 15:28and Malia both get added Malia then Kira to the
- 15:32main credit sequence. So congratulations. I guess
- 15:33you guys are getting added to the show now.
- 15:35Emily: yeah, I think they become regulars instead of
- 15:37guests.
- 15:37Alison: Yeah, they become regulars instead of guests.
- 15:39Congratulations. And then we open back up and I'm
- 15:43looking at all the damn credits at the bottom of
- 15:45the screen, you know, also starring. And my
- 15:50immediate thought was, wow, look at all these
- 15:52characters who are about to appear in this
- 15:53episode.
- 15:54Emily: Oh, God, yikes.
- 15:55Alison: Because we get, you know, Jill Wagner and Ian
- 15:58Bowen and Ian Nelson and just picking, Megan.
- 16:02Megan Tandy. Oh, okay, so everyone's coming back.
- 16:06I know who. I know who's showing up here. Okay,
- 16:07great.
- 16:08Emily: Yeah. For how little you see of anybody, they're
- 16:12all there.
- 16:13Alison: For how little you see of anybody, they are all
- 16:15there.
- 16:16Emily: Yeah. Yep.
- 16:18Alison: All right, time to sigh.
- 16:20Emily: So, the bouncers are looking for Kieran Malia. So
- 16:24they're gonna dance together to blend in. Which, I
- 16:28mean, it doesn't work anyway because a ring forms
- 16:32around their basic girl dancing. But, the framing
- 16:37of this is. You know what?
- 16:40Alison: It.
- 16:40Emily: It's so queer baity. They're meant to look the.
- 16:44That they're into it.
- 16:45Alison: They are both into it and each other. Malia grabs
- 16:49Kira by the waist and pulls her in. There's all
- 16:53these shots of them in each other's hair. She's
- 16:56throwing her neck back and it's just. Okay,
- 16:59everybody. And they. And they spend 20 or so
- 17:02seconds on it.
- 17:03Emily: Oh, it's long.
- 17:04Alison: It is a long. And so it's. You know, they do all
- 17:08of this. They've. They've. They've slammed a big
- 17:11wall down between Stiles and Derek. They have
- 17:15attached Stiles to Malia. They slammed a big wall
- 17:19down between Scott and Alison. They're just making
- 17:22Stiles and Lydia totally platonic. They've got
- 17:25Scott and Kira. And then for Reasons they do this.
- 17:31Yeah. And it. It's not bad. I love it. But it
- 17:35does. I do have to ask some questions.
- 17:38Emily: It's only bad because there's no purpose behind it
- 17:41other than, hey, two hot.
- 17:42Alison: Huh?
- 17:42Emily: Girls dancing.
- 17:44Alison: Yeah.
- 17:45Emily: They're never gonna be queer characters.
- 17:48Alison: No, they're not. And they could be.
- 17:50Emily: That could be a plot line. And people are 100%
- 17:53into it on AO3.
- 17:54Alison: Yeah, they should have been. I love, Kira and
- 17:57Malia. I love Kira and Malia more than I love
- 17:59Scott and Kira and more than I love Stiles and
- 18:02Malia.
- 18:03Emily: Totally down with it.
- 18:04Alison: And Malia have a arc. They are. They are great.
- 18:07They're great. They're incredible. It is kind of
- 18:10Urkel and me irking. Not Urkel. Urkel. Yeah, it's
- 18:14Urkel and me. Did I do that? Did I do that? Yeah.
- 18:18Yeah, you did. Writers.
- 18:19Emily: You did do that.
- 18:20Alison: You did do that. You sure did. Because Ken, our
- 18:24beloved. Our beloved Father Kennedy sets it up in
- 18:293B. Maybe you should date the coyote.
- 18:34Emily: Yeah.
- 18:35Alison: And if I was a person who believed in canon slow
- 18:39burn romances. If I were that person, sure. Then
- 18:44it just, it's. It's set up. You set it up last
- 18:47season with. Maybe you should date the Coyote. And
- 18:49then you get this dancing scene and you. Okay,
- 18:52guy. Yes. They're both very pretty. And do you
- 18:56know what you set up? And you're just gonna leave
- 18:58it, you're just gonna leave the bait there in the
- 19:00trap. Okay, cool. Cool, cool, cool, cool, cool,
- 19:02cool. Yeah.
- 19:03Emily: This, this is the shit people talk about when
- 19:05they're queerbaiting or, male gays.
- 19:09Alison: Yes, but this isn't. Was there anything male about
- 19:12that gaze? Because I don't think there was.
- 19:14Emily: Well, but it's still not even shot for women to
- 19:18enjoy, I guess.
- 19:19Alison: Not. Not.
- 19:20Emily: Not really.
- 19:21Alison: Not really. The. The. The beginning shot is when
- 19:25Malia puts her hand around Kira's waist.
- 19:27Emily: Sure. Yeah.
- 19:28Alison: That one is a close up shot. I'm like, that's
- 19:30female coded. Yeah, that's female gaze coded. But
- 19:33I just.
- 19:34Emily: Exactly.
- 19:35Alison: Yeah. So the Malia reached out and says, dance
- 19:38with me, dumbass. Which is one of their big tags.
- 19:42these, my notes read. These two belong together.
- 19:44Don't look at me. Don't perceive me. I am weak.
- 19:47That fucking boob shot. Are you kidding me? They
- 19:50like focus in on their boobs, like bouncing and
- 19:53dancing together.
- 19:54Emily: They really do.
- 19:55Alison: Like what?
- 19:56Emily: I had also forgotten that Malia is basically
- 19:59wearing
- 20:01Alison: diaper.
- 20:02Emily: like her shorts are so short.
- 20:04Alison: Yeah, she's wearing little bitty booty shorts.
- 20:07Emily: They are booty, shorts.
- 20:09Alison: Booty shorts indeed.
- 20:10Emily: I will complain endlessly about the wardrobe for
- 20:13the women on this show.
- 20:15Alison: Correct.
- 20:16Emily: Utterly inappropriate for the situation.
- 20:18Alison: Let them wear pants.
- 20:19Emily: Let them wear pants. Put Lydia in pants. She is in
- 20:22the Mexican desert. It's gonna be so cold.
- 20:25Alison: Yeah, that's the thing is that like in the day,
- 20:27it's. It's really hot. At night, they're all
- 20:30freezing and they're
- 20:31Emily: like on a mission.
- 20:33Alison: Yeah.
- 20:33Emily: You're there to rescue someone. You're wearing a
- 20:35skirt.
- 20:36Alison: No, no, no, no, no.
- 20:38Emily: Utility pants. You need pockets, bitch. Like,
- 20:43Alison: correct. I just. It's. It's wild. This whole thing
- 20:45is wild. It serves no purpose other than
- 20:47queerbaiting. it's just. I. Yikes.
- 20:52Emily: So anyway, the title of the show. Because now we
- 20:54get a monologue. Well, it's not really a
- 20:56monologue. It's a weird discussion.
- 20:57Alison: It is a weird discussion.
- 20:59Emily: I, I hated this because I didn't hate it. I was
- 21:02just like. So you wanted to use the title for the
- 21:05episode. For the first. For the, for the premiere.
- 21:08But it's not. Is it the Dark Moon? Is it the New
- 21:13Moon? It doesn't feel it fits in. And this happens
- 21:16with other titles too. It's the. Actually, I'm not
- 21:19gonna be able to think of one now. Cause I forgot
- 21:20to write it down.
- 21:21Alison: But, I think really the only thing about it is
- 21:25that it kind of kickstarts their whole
- 21:26conversation on grief and loss. Because, you know,
- 21:30Lydia and Araya are talking about the moon
- 21:33symbolisms and talking about the dark moon and the
- 21:35new moon and, you know, grief, Grief and loss. And
- 21:39she calls her Miha, which just, Oh, yeah, yeah,
- 21:44that's. That's, that's. That's a term. It's not
- 21:46always a term of endearment.
- 21:48Emily: Sure.
- 21:48Alison: Like it's appropriate, but. Oof.
- 21:50Emily: Yeah.
- 21:52Alison: And just. They're just re. Kick starting that
- 21:54conversation about. About grief and loss.
- 21:57Emily: Yeah.
- 21:57Alison: Because they have to. This entire freaking episode
- 22:00is just retcon.
- 22:02Emily: Oh, is it? Is it?
- 22:06Alison: Is it? Is it just Retcon? Oh my gosh. And so they
- 22:10have. And they'll do it a little bit more later,
- 22:12but they're just friggin. They have to just set
- 22:15up. Hey, hey, hey. Remember how Alison died? Do
- 22:17you remember Alison Archer? Do you remember how
- 22:19she died? Do you remember. Do you remember.
- 22:20Emily: Remember that character that everyone mostly
- 22:23liked?
- 22:23Alison: And then we killed her. We killed her dead, dead,
- 22:26dead, dead.
- 22:27Emily: The actress wanted to leave the show and we
- 22:28couldn't just send her to France.
- 22:29Alison: Dead, dead, dead. Except not for long. Not
- 22:33forever.
- 22:35Emily: I did. I mean, I did. Why are you risking it for
- 22:38Derek Hale and Stiles is. We don't to lose.
- 22:40Alison: Yeah. Why? Okay. And this is, a problem. It's not
- 22:44a problem. It's a situation that I have a problem
- 22:46with. Stiles. Stiles. Middle name Stilinski.
- 22:51Emily: Stiles S. Stolinski.
- 22:53Alison: Because I think his name is Micislav, but
- 22:55whatever. Stiles, get Derek's name out of your
- 22:57mouth. Why is his name, just in your mouth? Why?
- 23:00Emily: The whole episode.
- 23:00Alison: Why is his name in your mouth the whole episode?
- 23:03Why can you not stop talking about him? Why?
- 23:05Emily: Because that's his husband.
- 23:07Alison: So fucking real. Why would you risk all this grief
- 23:11and loss for someone, Derek? It's because Stiles
- 23:14is obviously. Were you not paying attention?
- 23:18Emily: And why are we acting? Derek's a piece of shit.
- 23:21Alison: Yes. He's not. What?
- 23:22Emily: Why aren't you just gonna let Derek die? Why would
- 23:24we.
- 23:25Alison: Why would.
- 23:26Emily: He sucks.
- 23:27Alison: He's saved us a number of times.
- 23:29Emily: He's not Peter.
- 23:31Alison: Exactly. He's not Peter.
- 23:33Emily: Why does this show hate Derek Hale?
- 23:35Alison: They really do. They hate Derek, and it's very
- 23:38upsetting.
- 23:38Emily: I don't get it. I get it. If this was a
- 23:40conversation about Peter and Arya was. Why. Why
- 23:44are you risking your lives for fucking Peter Hale?
- 23:47I'd be like, yeah, why are you. Fuck that, dude.
- 23:49Alison: That is a good question. Derek, not Derek. He has
- 23:52grown and is trying so hard and has allies and
- 23:55friends and. Come on, guys. Come on, now. But for
- 23:59real, with Lydia being, you know, in charge of
- 24:02this meeting, it should be her.
- 24:05Emily: Yeah.
- 24:06Alison: It would have lost nothing if, you know, Ariah's
- 24:09confronting the both of them and go, why would you
- 24:11risk all this for someone, Derek? And Lydia goes,
- 24:13because we don't to lose. It didn't have to be
- 24:16Stiles. Why?
- 24:17Emily: Was it because that's his husband.
- 24:20Alison: Correct.
- 24:22Emily: And he loves him.
- 24:24Alison: Because you. You think I'm gorgeous.
- 24:27Emily: You want to date me.
- 24:30Alison: Correct.
- 24:31Emily: So, yeah. And there's. Okay. There's also a fun
- 24:35moment where the bodyguards are checking in around
- 24:37the thing, and then Scott's taking care of
- 24:40business.
- 24:40Alison: Scott is. He's making power moves. He's taking
- 24:43care of business. Look at that.
- 24:45Emily: Getting on the radio hate Stiles Take 10,000 off
- 24:48the table.
- 24:48Alison: That is, in fact, a power move.
- 24:50Emily: I really like that because I, They have done
- 24:53enough missions at this point that they should be
- 24:55getting pretty good at them for real to actually
- 24:58have a little plan to Be all right. We're gonna.
- 25:01We're going to offer 50, we're going to take out
- 25:03the bodyguards, and then we're going to take 10
- 25:05off the table. I, I liked it.
- 25:07Alison: Yeah, so did I. It was really good to see Scott
- 25:10because Scott, for the last season has been trying
- 25:12to step into this leader alpha role, and it's good
- 25:16to see him get to flex those muscles a little bit.
- 25:19It was. It was really good.
- 25:21Emily: I quite enjoy that. So. Yeah, it's good. Good boy.
- 25:27It feels weird.
- 25:28Alison: Feels weird. So my next question on, did the
- 25:33writers even pay attention? Did anyone beta this
- 25:35episode for real? I have questions.
- 25:38Emily: the scripts before we send them out, obviously.
- 25:41Alison: How does Ariah know that Lydia is a banshee? Is
- 25:43she just telling people now? Is it in the network?
- 25:45Did she get it from Peter?
- 25:46Emily: Like, okay, there has to be a hunter. how does
- 25:50anyone know anything in the show?
- 25:51Alison: How does anything in the show do
- 25:53Emily: we find out later? Because obvious. Honestly,
- 25:55season four is much blurrier than seasons one
- 25:58through three.
- 25:59Alison: Truly. I don't remember.
- 26:01Emily: Where do they get the fucking tarot card with the
- 26:03skull to get let in?
- 26:04Alison: I don't know. Probably from Chris, maybe from
- 26:06Deaton.
- 26:07Emily: Like, that's just a hand wave of. They've. They've
- 26:10gotten in because of the. I get why they have the
- 26:12bullet casings.
- 26:14Alison: Yeah, that's obvious because they scooped them out
- 26:16of Derek's loft. Yeah, but where do they get the
- 26:17Emily: tarot card to get in? It's not. They have a good
- 26:21relationship with Orayah and her crew.
- 26:24Alison: I don't know. I don't know. We're just gonna wave
- 26:26it. We're just gonna suspend our disbelief. We're
- 26:28just gonna.
- 26:28Emily: Is it. It's just in the same place where she knows
- 26:33everything else? yeah.
- 26:36Alison: I don't know. Well, we go back to the baitiest
- 26:40queers on the dance floor because Kira and Malia
- 26:43have decided that the security guards are now too
- 26:46close and decide to show off some of their fun,
- 26:49fancy fighting skills.
- 26:51Emily: Glow stick nunchucks. Why?
- 26:54Alison: Because Kira Yakimura is the light of my life,
- 26:57that's why. Why nunchucks? Apparently Malia has
- 27:03gotten much better at high kicks in the last
- 27:06couple of weeks.
- 27:08Emily: Girl should barely be able to use her body outside
- 27:11of a coyote.
- 27:12Alison: I don't know.
- 27:13Emily: That's a trope that I. I really wanted to love
- 27:16about Malia is that she's been in a coyote's body
- 27:19for what, eight years? Yeah, I wanted. Doesn't
- 27:22know English. No social niceties. Can is like
- 27:27stumbling on two human legs. Like an Ariel.
- 27:29Alison: Yeah.
- 27:30Emily: That. That's a direction in the storyline that I
- 27:34really wanted. When they reveal that. Who she's
- 27:38been. Right.
- 27:39Alison: Yeah.
- 27:40Emily: Because it's juicy and kind of maybe a cool
- 27:42acting. It works really well in fic.
- 27:45Alison: Yeah. It's so interesting when it's. You gotta
- 27:48teach her to be a werewolf. No, we gotta teach her
- 27:50to be a person.
- 27:51Emily: Yeah.
- 27:51Alison: She's been a coyote since she was eight years old.
- 27:54Emily: Yeah.
- 27:54Alison: She's a third grader.
- 27:55Emily: Third grader doesn't mean she's dumb. It means she
- 27:58doesn't know how to be a person.
- 27:59Alison: It means she doesn't know how to be a. She doesn't
- 28:01know how to be 16. She never learned. And so, yes,
- 28:04truly feral Malia is something I would have loved
- 28:09to see. I completely agree. Totally.
- 28:10Emily: I. And they just. The bits that they throw out,
- 28:13especially in this episode of her. I would just
- 28:15leave them behind. Duh. I actually really that.
- 28:17Alison: Yeah.
- 28:18Emily: Because it's. It's not her being mean. It's just
- 28:20her following her instincts at the fucking coyote.
- 28:23Why am I not leaving behind the weakest flake?
- 28:26Duh.
- 28:26Alison: Yeah. If it like I wanted more and if it was a bad
- 28:30season, I would eat her. Yeah, you would. You sure
- 28:32would. That's correct.
- 28:33Emily: I wanted more of that and I wanted deeper.
- 28:36Alison: Yeah, I agree.
- 28:39Emily: That's. I think that's why Malia is always so
- 28:41upsetting for me is it's not enough character.
- 28:44Alison: Right.
- 28:44Emily: They just brought in another pretty girl to
- 28:47replace Alison to be a badass.
- 28:51Alison: And what they're doing is that they're trying to
- 28:53put Stiles with every possible hail in order to
- 28:56avoid putting him with Derek.
- 28:57Emily: Because 100 I think they'd rather he Peter before
- 29:02Derek.
- 29:02Alison: Oh, I'm sorry. Do you not remember the scene when.
- 29:06Emily: I, remember all the scenes when
- 29:08Alison: Peter offers to turn Stiles into a werewolf with
- 29:10like elevating over his arm the way that the two
- 29:13of them. You remember this?
- 29:16Emily: I do. Sorry. Hecklin is so beautiful. They can't
- 29:20be on screen together. I don't know what the
- 29:21problem is.
- 29:22Alison: First it was Derek, then it was Peter, then it was
- 29:23Cora, now it's Malia. Yes.
- 29:25Emily: All of them. He's running the gamut of them trying
- 29:28to plant the same chemistry and it doesn't work.
- 29:32Alison: Oh my God. Obscene. So speaking of Gur Arg. So
- 29:36Kira and Malia are fighting on the dance floor and
- 29:38it's just very stunt work and it's very exciting.
- 29:41With their gluing it up, Glow in the dark,
- 29:43nunchucks. Ariah's office. And they're trying to
- 29:48defend why they don't want to keep Derek. And
- 29:52Stiles is the funniest in the room.
- 29:59Emily: You don't want him. He's a downer. I want him.
- 30:02He's mine. But you don't want him.
- 30:05Alison: So once again, tell me, Derek Stiles, why can you
- 30:08not keep Derek's name out of your mouth?
- 30:10Emily: Because it's his favorite word.
- 30:12Alison: It's literally his favorite fucking word. Funniest
- 30:14shit of my whole life.
- 30:16Emily: I love it. I adore it.
- 30:18Alison: Me, too. It's so funny.
- 30:21Emily: I'm sorry, what was that word again? Derek. It was
- 30:22Derek. You were saying? Oh, okay.
- 30:23Alison: I'm sorry. It was Derek.
- 30:25Emily: Yeah. What are you talking about again?
- 30:26Alison: My husband, Derek Hale. Oh, yes.
- 30:29Emily: Okay, buddy. So they're Ariah's. Okay, enough of
- 30:33this shit. Let's show them how the Calaveras
- 30:35negotiate. Which their last name apparently just
- 30:38means skull, because we're really going to hit the
- 30:41nail on the head with this one. Because Joel is
- 30:43the skull in da Club de Klerb.
- 30:48Emily: Which is a joke that's not going to make any sense
- 30:50in a year when this comes out, but, you know,
- 30:51correct in the kleur. We all fam anyway. We all
- 30:55werewolves. The dj, who just has this on hand, I
- 30:59guess, for this particular situation, start to
- 31:02blow and smoke anywhere that's laced with
- 31:03wolfsbane.
- 31:04Alison: Oh, no.
- 31:06Emily: Because, you know, you just keep that at the ready
- 31:09for when it's needed.
- 31:11Alison: Because it definitely doesn't injure any of the
- 31:12regular people that are there.
- 31:14Emily: No. But I imagine that doesn't taste good, right?
- 31:16Alison: No, probably not.
- 31:18Emily: Imagine you're just vibing at the club, and all of
- 31:20a sudden you're like, gross. So who knows what's
- 31:24happening there? Scott's going. Going down with
- 31:27the wolfsbane, and he's. Hold on, Flash. Arya
- 31:32doesn't know where Derek is either. Now, I'm not
- 31:34entirely sure how he makes this logically.
- 31:37Alison: Oh, I have no idea. There's nothing other than,
- 31:40maybe Scott can hear her lie.
- 31:44Emily: Yeah.
- 31:45Alison: But I. I have no idea. I don't have no idea how he
- 31:48comes to this conclusion, but apparently he is
- 31:50correct.
- 31:51Emily: I mean, I feel what happened is they wrote
- 31:54themselves into a corner of, you tell me where
- 31:57Eric is. No, you tell me where Derek is. And then
- 31:59the writers were, Someone has to know where.
- 32:02Alison: Someone has to know where Derek is. And I think
- 32:04it's us.
- 32:05Emily: We know where Derek is. But nobody knows where
- 32:07Derek is. So then they had to be. Well, Scott's
- 32:10gonna figure it out. Because he's Scott.
- 32:13Alison: Because he's Scott. And he does. He does.
- 32:16Emily: And we get a flashback. And you can tell because
- 32:19it's not sepia, right?
- 32:20Alison: It's blue.
- 32:21Emily: It's blue. And Derek's been gone for weeks, which
- 32:24is how we know that Derek's been gone for weeks.
- 32:28And Scott has the skull engraved bullet casings
- 32:31from the loft. And in my brain I went, you know
- 32:34what? We have two lofts to defeat in our fandoms.
- 32:38Alison: You have two lofts to defeat.
- 32:40Emily: What is it with the bisexuals and
- 32:42Alison: their lofts that they need to be defeated to move
- 32:45home with their husbands? I'm the mystics.
- 32:47Emily: What is going on with sad bisexuals and their
- 32:51lofts?
- 32:52Alison: It's truly a pattern that needs.
- 32:54Emily: Who in Hollywood set deck is the bisexuals are
- 32:57getting a loft that's kind of ugly and sad and
- 32:59empty and barren.
- 33:01Alison: Right?
- 33:01Emily: That's how, that's how the audience is going to
- 33:03know.
- 33:04Alison: That's how the audience is going to know.
- 33:06Emily: Going to have to talk to somebody about this. So
- 33:09Lydia, you know, gets a hold of them and she gets
- 33:13a flash of gunshots and screaming. And but she's.
- 33:17I. I don't know if he's alive. There's just
- 33:19something not right. Which is true. Something is
- 33:23very not right.
- 33:25Alison: So this whole scene is very, very odd because once
- 33:28again, Stiles cannot keep Derek out of his mouth.
- 33:32Emily: No.
- 33:32Alison: Well, he can't keep Derek's name out of his mouth.
- 33:35You're welcome.
- 33:36Emily: He would love keep Derek in his mouth, but yes.
- 33:39Alison: Yeah, he. A little bit would.
- 33:40Emily: we have to mark this podcast as not safe for kids.
- 33:43Alison: Oh, God. I think we are. There's gonna be just too
- 33:45many blowtop jokes. Really. Sorry. But you know,
- 33:49Stiles is really the one who's kind of moving the
- 33:52conversation forward. Do we know where he is? What
- 33:54do you think happened to him? You don't think he's
- 33:55dead, do you? it's. Well, do you return your
- 33:58texts? He's. He's returned my texts. Does Derek
- 34:00ever return your texts? And I'm sitting here
- 34:04going, does he return your styles?
- 34:06Emily: Does he return your texts?
- 34:08Alison: Do you. Do you talk about it? But every friggin
- 34:12time, even when it's Scott postulating and even
- 34:14when it's Lydia postulating, they still focus on
- 34:16freaking Stiles.
- 34:18Emily: They do.
- 34:18Alison: Who is so worried about what's going on with
- 34:21Derek? I just, I don't Understand?
- 34:23Emily: I did just have a realization that Derek doesn't
- 34:25text back, but he does leave voice notes.
- 34:29Alison: I'm sorry. Explain.
- 34:31Emily: So, I'm. I'm just imagining Derek is not going to
- 34:33text you back, but when he has something to tell
- 34:35you, he's going to leave it as a voice note.
- 34:36Alison: That tracks.
- 34:38Emily: That just occurred to me as we. As you were
- 34:40saying, is he. Does he text you back? And I was
- 34:42like, of course he doesn't text you back. He
- 34:43leaves you a voice note. Because, he does not have
- 34:45time to sit there and type.
- 34:48Alison: No, but he will growl at you
- 34:49Emily: through a voice note.
- 34:50Alison: I'm sorry. I think I need you to write me 5,000
- 34:53words of Stiles when Derek is gone. Just listening
- 34:57to the voice notes over and over.
- 34:58Emily: Exactly. Because that way he can save them.
- 35:01Alison: I'm. I'm really upset with you right now, by the
- 35:03way.
- 35:03Emily: So sorry. Sorry. It just. It just blooped in my
- 35:06brain. I was like, oh, voice notes. Duh.
- 35:07Alison: Of course.
- 35:08Emily: Because then he can be running through the
- 35:10preserve while leaving a voice note.
- 35:12Alison: I'm coming to get you, you ungrateful bastard.
- 35:14Don't die until I do.
- 35:16Emily: Exactly.
- 35:17Alison: Yeah.
- 35:17Emily: He can't text that.
- 35:20Alison: No, no, he can't. Very upsetting.
- 35:23Emily: Anyway, an aside. So Lydia has been politely
- 35:30abducted.
- 35:31Alison: Politely.
- 35:32Emily: By Aria, who has taken her to tea because she
- 35:36knows she's a Banshee. Again, you said how?
- 35:39Alison: No idea.
- 35:39Emily: But how is there a hunter Twitter do they just.
- 35:42Alison: There must be.
- 35:44Emily: And she's. I want you to tell me which one of my
- 35:47men are about to die.
- 35:48Alison: And Lydia panics because she doesn't know how to
- 35:51turn her banshee powers on and off. She is brand
- 35:54new at this.
- 35:57Emily: Yes, she is. And Raya's just how close do they
- 36:00have to. How close to death do they have to be?
- 36:02And she's a knife right into one of them.
- 36:04Alison: And then she screams.
- 36:05Emily: And then he goes, ah. Not a banshee scream, more
- 36:08like a what the fuck?
- 36:10Alison: Just a regular scream.
- 36:12Emily: Yep. And then Ariah's. And this is where the
- 36:16writing for me, I was like, okay, what is your
- 36:17question though? Because now she wants to know
- 36:19about Scott McCall and what kind of alpha he
- 36:20really is. Do you want to know where Derek is? Do
- 36:23you want to know about her banshee powers? Or do
- 36:24you want to know about Scott McCall? What is your
- 36:26question?
- 36:27Alison: What is your question, ma'? Am?
- 36:28Emily: Like, what do you want to know? These are three
- 36:30different things and they need. We got three
- 36:32different plot lines happening. What do you want
- 36:34to know? Pick one.
- 36:35Alison: Pick, pick, pick one.
- 36:38Emily: I don't know if that bothered you, but I was. Why
- 36:40are we now talking about Scott? You were asking
- 36:41about her banshee powers.
- 36:43Alison: Literally. I think that they only focus on the
- 36:45Scott question to set up the next scene. But they
- 36:49do, you know, spoiler alert. Kind of at the end of
- 36:54this episode when Arya continues to threaten
- 36:55Scott. They do lay some groundwork for next
- 36:59season.
- 37:00Emily: Sure.
- 37:01Alison: A little itty bitty bit of groundwork that I don't
- 37:03think ever comes to fruition. Yeah, they just, I
- 37:07think they just. What this episode feels like to
- 37:09me is that they wrote three or four scenes and
- 37:11then was. Okay, how do we connect these all
- 37:13together? Right?
- 37:14Emily: It also doesn't feel like Premiere.
- 37:17Alison: No, no, it doesn't. Not at all.
- 37:20Emily: Which is annoying.
- 37:22Alison: Yeah. But so at this point, the rest of the gang
- 37:26is all trapped in a bathroom. Yeah, Like a very
- 37:30saw. A very saw esque bathroom.
- 37:32Emily: I was like, is this a public gas station bathroom?
- 37:35What is this?
- 37:36Alison: This is a club bathroom.
- 37:37Emily: The club. It is. It's you. Which. And then I was
- 37:40also. Did the patrons not get to pee now?
- 37:43Alison: I'm sorry.
- 37:44Emily: And they. Did they not notice the fight that
- 37:45happened in the middle of the dance floor?
- 37:47Everyone just kept dancing. Everyone's like, no
- 37:49fight was happening. Does this happen on the
- 37:50regular. What is.
- 37:52Alison: I don't know.
- 37:53Emily: I would have been running. I mean, I don't go
- 37:55dancing. Although this is an aside. At 10 o' clock
- 37:59at night a couple weeks ago, I had just the insane
- 38:02urge to go dancing.
- 38:03Alison: Good. I love that for you.
- 38:05Emily: I don't know what I was watching, but I was. I
- 38:06could go dancing right now.
- 38:07Alison: You were Pink Pony Emily.
- 38:09Emily: A little bit. But I had no one to go dancing. If
- 38:11it had been you and me, I would have been, we're
- 38:13out of here. Let's go somewhere.
- 38:14Alison: excuse me. Call me. I would have been there in 12
- 38:15hours. 15, 20. I would have been there in 20, 34
- 38:19hours.
- 38:20Emily: Yeah. Let's go. Oh, now the urge is gone. And now
- 38:24we're just sitting on. On the couch writing. But
- 38:27yeah, anyway, now we're just.
- 38:28Alison: Now we're just here. But Scott is so worried about
- 38:32Lydia and he loves her. And literally this is what
- 38:35I would have. If I could scramble the romantic
- 38:38leads of Teen Wolf, I would. As much as I love
- 38:42Scott and Kira, and I do, and I do, this would
- 38:45have been a really great place to start.
- 38:47Seriously. Building Scott and Lydia.
- 38:50Emily: Yes.
- 38:52Alison: and I would have loved that. I Do love Scott and
- 38:54Lydia, because Scott is so worried about her, and
- 38:58it just makes me very, very happy. Malia, on the
- 39:01other hand, has no such compunction.
- 39:03Emily: She doesn't. The rules of the Wild King. Yeah. Or,
- 39:05yeah, because she's like, why don't we just leave
- 39:06Lydia behind and Stiles has to be. The rules of
- 39:09the Wild Kingdom don't apply to friends. We've
- 39:11talked about this. I. That's the shit I want. And
- 39:14deeper. More, please.
- 39:16Alison: Yes. And, like, I, you know, I understand that
- 39:20there's only 42 minutes of TV time and whatever,
- 39:22but it's very clear that Stiles has been working
- 39:25with her on. On this very clearly. That, like,
- 39:29Stiles has been working with her on the people
- 39:31part and Scott's been working with her on the
- 39:33werewolf training part, and that, like, there is
- 39:36progress. I would have loved to see it. Yeah, but
- 39:40that's what fic is for.
- 39:42Emily: That is exactly what fic is for. I know, but. But
- 39:46also, the show should be good.
- 39:48Alison: Yeah, I know, I know, I know.
- 39:51Emily: The fic is the delta between the show and the
- 39:54possibility. But, like, the show should also be
- 39:58good.
- 39:58Alison: The show should also be good, which is a thing
- 40:00that we're going to be saying more and more often.
- 40:04Very sorry to tell you.
- 40:06Emily: I know, I know, because I've. I've seen, like, the
- 40:11Deadpool, so. I know I've seen this. I just. I
- 40:14feel like maybe I've washed it away or maybe I
- 40:19just wasn't paying as much attention.
- 40:20Alison: No, you were not paying as much attention. I
- 40:22promise. it is fine. because, you know, Lydia has
- 40:27come back from her tea time with Araya. and it
- 40:30turns out that, she is now hooked up to some very
- 40:33sad electrodes in a very sad office location.
- 40:39Emily: I guess this is her office. This is the roommate.
- 40:43This is the room that has the deer heads mounted
- 40:45on the wall.
- 40:45Alison: Right. For real? And a wolf house for fun.
- 40:47Emily: Yeah. Just for giggle. M. How. Okay. Because
- 40:52sometimes Stiles is portrayed as a deer, right?
- 40:55And I was like, oh, we got a deer and a wolf on
- 40:57the wall. but yeah, so this is going to be a test
- 41:00because they have questions to ask Scott and
- 41:04they're going to make Kira turn on the electricity
- 41:06because she's immune to electricity. But it's.
- 41:09She's not going to get electrocuted if she turns
- 41:11the dial. So I don't know what that was all about.
- 41:13If she doesn't turn the dial on Scott, they're
- 41:16going to electrocute Lydia instead, who is
- 41:19definitely going to be affected by it. Although I
- 41:22think. I think they would find some Banshee power
- 41:25to make it fine if they did do it for real. I was
- 41:28not worried about her at all.
- 41:29Alison: No.
- 41:30Emily: Because the. The hunters also want to find Derek.
- 41:33And they think Derek. No. Or Scott knows who took
- 41:37Derek. So then we get some light. Electric
- 41:40electricity play happening here.
- 41:42Alison: Zap.
- 41:43Emily: Little zip. Zap, zip, zap. Paddy whack.
- 41:46Alison: It's very shattering.
- 41:47Emily: Which is not sexy at all in this.
- 41:51Alison: No.
- 41:51Emily: And they shoot him very differently than they
- 41:53shoot Derek when he gets electrocuted. Just FYI.
- 41:56Alison: Real Scott, like his whole body, it's not shot at
- 42:00a close up. It's No.
- 42:02Emily: He's wearing clothes.
- 42:03Alison: Yeah.
- 42:04Emily: He's never wearing clothes when he gets
- 42:06electrocuted.
- 42:06Alison: Never once.
- 42:08Emily: The lighting is harsh. He's not lit. It's porn.
- 42:11So. Just saying. It's different.
- 42:14Alison: It's very different. And I can't begin to tell you
- 42:17why.
- 42:18Emily: Well, you know, I have my. Not Tyler Posey isn't
- 42:22ripped.
- 42:23Alison: Yeah. So it's not pretty. He is.
- 42:25Emily: Yeah. I. Yeah. M. Anyway.
- 42:28Alison: Yeah. But in any case, Scott is very insistent
- 42:32that he. That Kira focus all the zaps towards him.
- 42:36Because he's going to protect Lydia. And he's
- 42:37going to try his very best to emotionally prepare
- 42:40Kira so that everyone's cool. Because Scott McCall
- 42:43is a very good alpha who protects his friends.
- 42:46Emily: Yes.
- 42:46Alison: That's the Scott McCall thesis statement. Protect
- 42:49your friends. And I. You know what? For as
- 42:51ridiculous as their writers room has been, they
- 42:53haven't forgotten that about Scott.
- 42:55Emily: They have not. This is true. They And at all
- 42:58costs, bad or good.
- 43:00Alison: True.
- 43:00Emily: Protect your friends.
- 43:02Alison: Protect your friends. And speaking of someone who
- 43:05doesn't protect their friends. Or who. Who does.
- 43:07But not to Scott McCall level. Stiles is
- 43:09desperately trying to get Malia to concentrate
- 43:12enough to be a little werewolf hearing device. So
- 43:16they, figure out what's going on.
- 43:19Emily: Yeah. And was it established before that she had
- 43:21super hearing?
- 43:23Alison: I have no idea. Maybe because she's been wild for
- 43:25so long, she's just gotten better. Better at using
- 43:27it.
- 43:28Emily: And that all weres have good hearing.
- 43:31Alison: I don't know. I don't know.
- 43:34Emily: So you know, he's. You gotta concentrate. Let's
- 43:37try to concentrate. And I guess to concentrate.
- 43:39She kisses him.
- 43:41Alison: And you know what? It's not a thing that I use to
- 43:45concentrate. I use it to concentrate on other
- 43:47things. Lydia used it on Stiles in 3A.
- 43:50Emily: Yes.
- 43:51Alison: Stop. Focus. Focus your mind on one thing. And it
- 43:56works for her. And they Wanted to, you know, put
- 43:59more smooches in the episode because they were
- 44:01cowards and didn't let Kira and Malia kiss, so.
- 44:05You should have kissed your girlfriend. Yeah, you
- 44:07should have.
- 44:08Emily: Yep. Shoulda. Should duns it.
- 44:11Alison: But yeah, it's.
- 44:12Emily: I'm just. I can't be into Stiles and Malia.
- 44:14Alison: Ah.
- 44:14Emily: I can't do it.
- 44:16Alison: I haven't been able to. But I'm less mad about it
- 44:19now than I used to be, I think.
- 44:21Emily: I. Yeah, I don't know. I. I don't know. I'll find
- 44:24a way to. To voice. I just don't. Her character,
- 44:29not description. I don't where her character is
- 44:31yet because I still feel she's wild.
- 44:34Alison: Yeah. But they're just not talking about it.
- 44:36Emily: Yeah.
- 44:36Alison: Yeah. By the time, you know, spoiler alert. By the
- 44:41time Stiles and Malia break up, I. Her a lot more
- 44:45because she moves on emotionally from Stiles kind
- 44:49of to Lydia and Kira. And then she becomes. She
- 44:54kind of figures it out. She models womanhood kind
- 44:56of after her friends, and then she gets with
- 44:59Scott, and they're very cute, but I don't know. I
- 45:03don't know. I just. I don't love Stiles and Malia,
- 45:05but a lot of people do, so let it ride.
- 45:08Emily: Yeah. Yeah.
- 45:10Alison: I just.
- 45:10Emily: I want. I want more from all sorts of things.
- 45:13Alison: Yeah. Just let Malia be feral. Just let her be
- 45:15feral. She deserves feral. Let her be feral.
- 45:18Emily: Yeah.
- 45:19Emily: Awesome.
- 45:20Alison: Okay, so here's the other thing. The writers were
- 45:23just throwing shit at the wall here is still
- 45:25zapping Scott because she wants. She wants the
- 45:30answer from Scott. We established earlier in the
- 45:33episode that Scott does not know where Derek is.
- 45:37And Scott established for us that Aria does not
- 45:40know where Derek is. And so then Aria turns him to
- 45:4610 and zaps him big time. And then leads him to an
- 45:52answer.
- 45:54Emily: Listen.
- 45:55Alison: That no one else had because they didn't know
- 46:00where Derek was. I have so many questions. I,
- 46:04Emily: How I. Again, I don't know if there was a missing
- 46:07scene, if they forgot what they were asking, but
- 46:12the whole conversation that they were having was,
- 46:15where's Derek? Who has the power of a
- 46:18shapeshifter? What?
- 46:19Alison: What?
- 46:20Emily: Who can be turned, but not by a bite. What are we
- 46:22talking about?
- 46:23Alison: what are we talking about? Derek was born a
- 46:25werewolf.
- 46:26Emily: So wait, do you know who took him? We know who
- 46:29took him, so we know why you're leading this
- 46:31question. But. But she shouldn't know if she
- 46:34doesn't know.
- 46:36Alison: Like.
- 46:36Emily: So you do know. Cause it Turns out, you fucking
- 46:38know.
- 46:39Alison: Turns out you fucking know. So then we go back to
- 46:41the end of last season. So Derek is standing
- 46:44there, and the gunfire everywhere. Gunfire
- 46:48everywhere is how they get the Calaveras bullet
- 46:51casings, right?
- 46:53Emily: Yes.
- 46:54Alison: And then Kate shows up in the, In the apartment,
- 46:58in the loft. So have the Calaveras been chasing
- 47:01Kate this whole time? Is that. Is that what's
- 47:05going on? I don't. I don't understand. I do not
- 47:08understand. And it only gets worse because aria is
- 47:11in 3B when they're. When Braden comes to save
- 47:13Derek. Sorry, I don't know. they. She keeps
- 47:16talking about La Loba.
- 47:19Emily: Yes.
- 47:19Alison: They call her La Loba. The wolf. The she wolf. And
- 47:23then later they talk about the Bone Woman.
- 47:27Emily: Oh, I forgot about the Bone Woman.
- 47:28Alison: Like a different person. And I'm sitting here
- 47:30going, Kate is not. Kate is not a wolf. You should
- 47:36call her the Bone Woman. she's got those bone
- 47:39guys. Come on.
- 47:40Emily: And they also know where she is in. In Langlesia.
- 47:44Alison: They must. I just. I don't. I don't understand.
- 47:48But in any case, they have to immediately
- 47:50retconned the ever loving shit out of Kate Argent
- 47:53and her death in season one.
- 47:56Emily: Yeah, because. And I hate this so, much. And it's
- 48:01not even that it's Kate. I just don't her. Because
- 48:04of the Derek murdering family, assaulting a child
- 48:07thing. But somehow Scotty McCall is. Oh, it's
- 48:13Kate. I figured it out. Because he has these
- 48:16flashbacks and he's okay. And he. He flashes back
- 48:19to a conversation in season one, Right.
- 48:23Alison: I don't know.
- 48:24Emily: With Chris and Kate Argent.
- 48:26Alison: That someone.
- 48:27Emily: Yeah, someone could get turned by a deep enough
- 48:30scratch. And the entire life of Teen Wolf, I have
- 48:34always wondered, was this a hint? Was this a
- 48:37little plot pebble that we'll come back to this
- 48:41someday? That someone could get turned by a deep,
- 48:44enough scratch. Now it's never happened again. It
- 48:48never happened before, but they just buried this
- 48:50little thing to be like someone could get turned
- 48:52by a scratch. And then they tore out Kate's
- 48:54throat, left it for seasons, and then. Then had to
- 48:59retcon the. The flow of her resurrection for real.
- 49:06Because they didn't build anything to it. They
- 49:09were just, oh, she's back. Okay. But also, the
- 49:12Calaveras are involved somehow.
- 49:16Alison: Somehow.
- 49:17Emily: So did they just say that because it sounded cool,
- 49:19or were they. Yeah, one day we'll come back to
- 49:21this. Maybe.
- 49:22Alison: I have absolutely no idea. And eventually we'll
- 49:26get back to him because Peter's the Fucking worst
- 49:29at, ah, everything forever. But how mad do you
- 49:32think that Peter would be? I thought I killed you
- 49:36last year. Nope, not well enough.
- 49:39Emily: Not enough. I've. I've been regenerating in cold
- 49:42storage the whole time. What do you mean?
- 49:45Alison: Surprise. And last to me as a jaguar. Yeah. I just
- 49:51don't understand because, that's.
- 49:53Emily: That's. Your inner self is a cat.
- 49:56Alison: Like, don't understand.
- 49:58Emily: Your inner self is a spirit spider or a fucking
- 50:04Wendigo. I don't know.
- 50:05Alison: I don't. I don't understand. But they needed. One
- 50:09of my favorite little reveals of this episode is.
- 50:11Then we flash back to the bathroom where Stiles is
- 50:14getting the lowdown from Malia about what
- 50:16everyone's saying. And there. And he's. No way.
- 50:18That's not what he just said. And she goes, why?
- 50:21Who's Kate?
- 50:23Emily: Yeah.
- 50:24Alison: And this sets, up my favorite scene in the
- 50:26episode. But for real, guys, really, I. I love
- 50:31Kate Argent. I am a Kate Argent defender. I am a
- 50:34defender of women's wrongs. Okay. I love Kate
- 50:38Argent.
- 50:39Alison: This was bullshit.
- 50:40Emily: This is bullshit. Bullshit. My voice doesn't even
- 50:44go high enough to describe.
- 50:45Alison: It's bullshit.
- 50:46Emily: So apparently can't get it up there.
- 50:48Alison: So apparently this whole thing has been set up to
- 50:50be welcome back, Kate. And then. And then, because
- 50:54this episode cannot get any dumber, we are in a
- 50:57fucking spider we temple. And then we go through a
- 51:00wall that Kate apparently has Derek trapped in goo
- 51:04and assorted spider webs in some kind of temple.
- 51:07And I don't understand, but. Okay, guys, sounds
- 51:10great.
- 51:10Emily: Because she's a spider.
- 51:12Alison: Yeah, she should be. She.
- 51:14Emily: Like a black widow or some.
- 51:16Alison: Some.
- 51:16Emily: I. Yeah, he's unconscious. And still an adult.
- 51:21Alison: Yeah, still an adult.
- 51:22Emily: But he's all cocooned up.
- 51:23Alison: Yeah, he's in the Jackson Whittemore Season 2
- 51:26Cocoon. You're right.
- 51:28Emily: That's right. I forgot about that.
- 51:29Alison: The goon.
- 51:31Emily: And then they just let Scott go. All right, you
- 51:33can go now. Now that I know what kind of alpha you
- 51:35are.
- 51:35Alison: Yeah.
- 51:36Emily: What kind of Alpha is he?
- 51:36Alison: What kind of Alpha is that?
- 51:38Emily: What is it?
- 51:39Alison: What's funny about it?
- 51:40Emily: That he can manifest memory and answers out of
- 51:44thin air and break out of manacles? Yeah, of
- 51:47course he can do that. He's the main character.
- 51:49Alison: He's very strong. He has plot armor.
- 51:51Emily: He's so strong. He's a true Alpha. But do you know
- 51:54that now? Do you know he's a true Alpha, or do you
- 51:56just know he is an Alpha.
- 51:58Alison: I have no Idea.
- 51:59Emily: What do you know?
- 52:01Alison: I don't know.
- 52:02Emily: So, like, I'm gonna leave you alone until you kill
- 52:04an innocent.
- 52:06Alison: Until you. Until you make a wolf of your own. And
- 52:09then I'll come back for you. Okay.
- 52:12Emily: Come back for you. Get out of here.
- 52:14Alison: And then it's like, well, she's setting us up with
- 52:17a guide. Okay, I hate you in your pack,
- 52:20Emily: but here's a guide. I hate.
- 52:22Alison: I hate you and everything you stand for, but
- 52:23here's a nice lady who will assist you. And then.
- 52:27Stupid. Then Braden just rolls up on her
- 52:30motorcycle to be high. Guys.
- 52:32Emily: Bet you thought you've seen the last of me, too.
- 52:35Alison: I tried to die at least once. It didn't catch.
- 52:38Emily: Yeah.
- 52:38Alison: Although, props to the makeup department that
- 52:41they've had. Continued to keep her scars.
- 52:43Emily: Yeah. How come she gets to keep her scars?
- 52:46Alison: Because there's 911 set. There's just the one set.
- 52:49She only gets hurt the one time.
- 52:52Emily: Do you see this 9, 1 1. Do you see how people keep
- 52:54scars and are still hot?
- 52:56Alison: She is hot, though. Megan Tandy's a babe. She's.
- 52:59Oh, my God, What a babe. What a babe. and so they
- 53:03m. Braden is. I'm taking you a place called La
- 53:06Iglesia. And Lydia with her duolingo Spanish goes
- 53:09the church.
- 53:11Emily: Even I knew that one.
- 53:12Alison: And they're. What's the church? And Braden goes
- 53:15back. Not a place you'll find God. And my note
- 53:19here is that someone thought they ate with that. I
- 53:23know. And they were wrong.
- 53:24Emily: They were wrong.
- 53:26Alison: Oh, God, that's a bad line.
- 53:28Emily: Not a place you find God.
- 53:30Alison: Okay, guys, so they have.
- 53:33Emily: They're being told that they are to find Kate,
- 53:36capture her, and bring her back to the hunters.
- 53:38Yeah, I'm sure that's exactly what's going to
- 53:40happen.
- 53:40Alison: Correct. Absolutely.
- 53:42Emily: So now. Now we got a road trip through the desert
- 53:45where Kira is now asking who Kate Argent is, which
- 53:50they sort of answered in a previous question but
- 53:52didn't. So now we gotta ask it again.
- 53:55Alison: But I'm, not even mad about it because this scene
- 53:58fucks me up every time. Because the writer who
- 54:03thought they ate with it's not a place you'll find
- 54:06God, in fact, did eat with the symbolism and lines
- 54:10they drew in this scene. May I stand on my
- 54:13soapbox?
- 54:14Emily: You may.
- 54:16Alison: So, Malia and Kira need it explained because
- 54:18neither of them know who Kate is. Like, Kira
- 54:22barely knows who Allyson is. Poor thing. They're
- 54:25just so confused because they have no real history
- 54:28with Alicent or the Argens. And so we have Lydia,
- 54:32Stiles and Scott in the car as truth tellers.
- 54:35Lydia relates Kate to Alison. She was Alison's
- 54:39aunt. And she sort of relates her to Peter and a
- 54:43total sociopath. Yep. Stiles relates Kate to
- 54:47Derek. Obviously Kate was. Kate was the one who
- 54:52set the fire that killed most of Derek's family.
- 54:56Scott relates Kate to the werewolves and werewolf
- 54:59packs. Some of them survived Cora and Peter. Lydia
- 55:03relates her to Peter again, a very angry Peter.
- 55:08Scott relates back to his werewolf journey. Yeah,
- 55:11he's the one who bit and turned me. And then Lydia
- 55:14back to Peter. And the one who finally caught up
- 55:17to Kate and killed her.
- 55:19Emily: Yep.
- 55:20Alison: So you can look at the different priorities
- 55:26through each of them. Like you would think that
- 55:30Scott prioritizes Alison in this, but no, for
- 55:33Scott, Kate is all about his own journey to
- 55:37becoming a werewolf. Kate kickstarted everything
- 55:40that ruined his life. Lydia relates it to Alison,
- 55:45her best friend.
- 55:47Emily: Her best. Her.
- 55:49Alison: Her. Her best friend.
- 55:51Emily: Slash.
- 55:53Alison: Slash. the guy who possessed her a little bit. And
- 55:57some of my favorite dark fic. Hello, Lydia. Peter.
- 55:59Hello. And then of course, Surprising. Absolutely
- 56:02no one relates Kate to Derek because she was the
- 56:08one who ruined his life. And I just. I really
- 56:13appreciate whoever took the time to lay this out.
- 56:17Did it on purpose. And I just.
- 56:18Emily: So where's that person in the rest of the episode?
- 56:22Alison: They wrote this scene on spec. And then we're
- 56:24paid, ah. A daily rate. And then we're never heard
- 56:26from again.
- 56:27Emily: And then they threw them into the desert for
- 56:29reasons.
- 56:31Alison: Yeah.
- 56:31Emily: where's. Just inconsistent. Where is this level of
- 56:34writing in the rest of the season? The episode.
- 56:36Alison: For real.
- 56:37Emily: The whatever.
- 56:38Alison: For real. So do, you want to go over the
- 56:41Retconnapalooza that happens next?
- 56:45Emily: I just. So apparently after Kate's throat was
- 56:50slashed out by Peter, somebody took her body to a
- 56:55morgue. Unknown.
- 56:56Alison: Who?
- 56:57Emily: Probably. Probably Kris. Although I Wouldn't you
- 57:01think that the. The Argents would deal with their
- 57:04dead on their own instead of getting. Getting the.
- 57:07The greater Beacon Hills. Whatever Involved in it.
- 57:11Whatever. She ended up in a morgue. And then the
- 57:14Calaveras went to check on her to, I guess, make
- 57:18sure she was actually dead.
- 57:20Alison: And how would they have known? The Twitter
- 57:22network. Is that right?
- 57:23Emily: How would they known that she had gotten killed in
- 57:25the first place? Chris would someone.
- 57:26Alison: Chris wouldn't have said anything. Gerard wouldn't
- 57:29have said anything.
- 57:30Emily: No. And the. The pack wasn't going to be. Hey.
- 57:33Unknown. Other hunters. So was there a hunter you
- 57:36have to tell everyone when another hunter dies.
- 57:39That's not part of the code. And the Argents m.
- 57:42Don't give a fuck about the code anyway.
- 57:43Alison: Not those Argents.
- 57:45Emily: Yeah, well, Peter. No. Chris might have. Yeah.
- 57:49Alison: No.
- 57:49Emily: Is there a hunter Twitter where you have to be
- 57:51shot in the Hunger Games? Fireworks, go up every
- 57:54time a hunter goes down. I don't know. So somehow
- 57:57they knew and they were in Beacon Hills and. And
- 58:00Chris didn't do anything about it because I guess,
- 58:03I. I would imagine the different hunter clans have
- 58:06treaties where they can't off each other without
- 58:09warning. So maybe Chris couldn't be off. I.
- 58:13Whatever. So they were in the morgue, whatever.
- 58:15Checking on Kate's body an unknown time after she
- 58:18was slashed and saw that she was healing from it
- 58:23by seeing that she was. She was growing claws. And
- 58:28then they. They switched out her body with a
- 58:31different body. Where they had another dead woman.
- 58:34Alison: I don't know.
- 58:36Emily: And. And then I guess the coroner never looked at
- 58:40the body again to be. This isn't the same body.
- 58:43This is someone else. And then they just took her.
- 58:47They just took her away and did nothing with. So,
- 58:53who knows? So she healed enough in the dirty
- 58:56bathroom where the pack was being held in the
- 59:00present day. Because, you know, the code is that
- 59:03hunters are supposed to take their own life if
- 59:06they get bitten. Bitten, not scrap, but bitten by
- 59:09a, werewolf before they change. And this is what
- 59:11we saw from Victoria Argent in season two, right?
- 59:15Two.
- 59:16Alison: Yeah.
- 59:17Emily: that she had to kill herself after she got bitten
- 59:20by Derek.
- 59:22Alison: Right?
- 59:23Emily: Yeah, Derek. For some reason, like Scott. No,
- 59:25Derek. that she had to do it because that's like
- 59:28Hunter Cove, which is garbage. It's not worse to
- 59:31be a werewolf. No, they're just racist. but Kate
- 59:36didn't. Because. Why would she. That's not her
- 59:37style.
- 59:38Alison: Yeah, Kate doesn't believe in the code. She's
- 59:39fine.
- 59:41Emily: Any code other than self preservation. So, she
- 59:44killed everyone to escape and has been somewhere.
- 59:49I'm guessing the church.
- 59:51Alison: She's been vaguely around since then.
- 59:54Emily: So. So how long ago was this? We're gonna say a
- 59:57year since she died. Roughly. Yeah, about a year.
- 1:00:01Alison: About a year.
- 1:00:01Emily: Just vibing in an underground church on top of an
- 1:00:06Aztec temple?
- 1:00:07Alison: Yes, or.
- 1:00:08Emily: It says the church was built over the ruins, but
- 1:00:10they're clearly underground. So are there they in
- 1:00:12the ruins of an Aztec temple? It doesn't matter.
- 1:00:15Alison: They're in the ruins. So none of that happened?
- 1:00:18None of it.
- 1:00:19Emily: None of that happened. That's all Retconned.
- 1:00:21Alison: No, it's all fucking Retcon. A guide. And so they
- 1:00:25have this conversation so much. They have this
- 1:00:27conversation in the car. They're still talking
- 1:00:28about it. it's. Well, is she a werewolf? And so
- 1:00:31Scott pulls Derek. It's Scott, I think, that pulls
- 1:00:34Derek out of his own mouth. Sometimes the shape
- 1:00:37you take reflects the person that you are.
- 1:00:39Emily: Yeah.
- 1:00:40Alison: And I really appreciate that. It's Lydia who goes,
- 1:00:42what kind of shape is sociopathic bitch?
- 1:00:45Emily: She's not wrong.
- 1:00:46Alison: And she's not wrong. Especially because the last
- 1:00:50time someone close to her got bitten, it was
- 1:00:53Jackson who turned into a snake.
- 1:00:55Emily: Snakey. Which made sense.
- 1:00:58Alison: It did. It. It did. It was just a whole. It was a
- 1:01:00whole thing.
- 1:01:01Emily: And they turn Kate into a, jaguar because they
- 1:01:04have this church over the temple that was home to
- 1:01:07a, people who were a race of shapeshifters called
- 1:01:09jaguars. Then why not be it that she became a
- 1:01:14jaguar? Because she was buried in the runes and
- 1:01:16the ancient magic made her a jaguar. Not. Not
- 1:01:19because you heal from the. Than the depth.
- 1:01:24Alison: Well, yeah. So, okay, so Lydia calls her a
- 1:01:28sociopathic, and then immediately the jeep
- 1:01:31fritzes. Yes.
- 1:01:32Emily: Something hits the jeep.
- 1:01:33Alison: Something hits the G. But it's. And my immediate
- 1:01:36gut reaction was, oh, she heard you, Lydia.
- 1:01:38Emily: Oh.
- 1:01:41Alison: And I don't know what happened here, but my note
- 1:01:44says, God, Stiles, can you keep Derek's name out
- 1:01:47of your mouth for five fucking minutes, please?
- 1:01:49Emily: Yes. Oh, it's because Stiles is. You gotta go.
- 1:01:53Keep. Keep going. Cause they have Braden on the
- 1:01:55motorcycle. You and. You and Braden go. And
- 1:01:57Scott's. I don't wanna go without you. And Stiles
- 1:01:59is. Someone needs to find Derek.
- 1:02:01Alison: Oh, yeah. Because it's.
- 1:02:02Emily: He's the one to be like, we gotta get Derek.
- 1:02:04Alison: We gotta get Derek because he sends Scott and Kira
- 1:02:06away. Or Scott away with Brayden to go get Derek.
- 1:02:08Emily: Yeah. So Scott goes off with Braden on the
- 1:02:10motorcycle, and the three of them
- 1:02:12Alison: and he and Kira share a very cute, soft hug.
- 1:02:15Emily: They do. She holds on long enough that Scott's. I.
- 1:02:18I gotta go, Dave. I gotta go.
- 1:02:20Alison: And Braden is losing patience. Correct.
- 1:02:23Emily: She does not have time. How come she didn't turn
- 1:02:25into a. Wear something with the depth.
- 1:02:27Alison: Yeah.
- 1:02:27Emily: Of the scratch in her throat.
- 1:02:29Alison: Because the scratch in her throat. You saying the
- 1:02:30Deucalion is a less powerful Alpha than your hail?
- 1:02:33Are you kidding?
- 1:02:34Emily: She almost lost her goddamn head to some claws.
- 1:02:37Alison: Yeah.
- 1:02:38Emily: Do you think she is. That she doesn't have special
- 1:02:40powers from having her throat sliced?
- 1:02:41Alison: I mean, I would. Especially hunting for Kate.
- 1:02:44Arjun. I'D be pissed.
- 1:02:45Emily: Yeah, I would be too. I think she deserves
- 1:02:47something special.
- 1:02:47Alison: She. She does. And she gets something special, but
- 1:02:49a different something special.
- 1:02:51Emily: Not in my house.
- 1:02:53Alison: So anyway, Malia, because she's very good and very
- 1:02:57special. Fine. Is poking around the car and goes,
- 1:02:59styles, I think I found. You know, we didn't hit
- 1:03:01it. It hit us. And she pulls this giant fucking
- 1:03:04claw out of the G. Yes. Okay, guys.
- 1:03:10Emily: Yep. Okay. Whatever that was.
- 1:03:12Alison: Sounds.
- 1:03:13Emily: So we. We now have two splits. We have Scott and
- 1:03:17Braden going off to La Inglesia. And then the pack
- 1:03:21at the Jeep trying to figure out what the fuck
- 1:03:23happened. And then maybe what is lurking in the
- 1:03:26distance. So should we stay at the Jeep first?
- 1:03:30Alison: Yeah, we'll stay at the Jeep.
- 1:03:32Emily: So Stiles is not going to abandon his baby, which
- 1:03:34Malia does not understand, but that makes sense
- 1:03:37because she is feral.
- 1:03:38Alison: You hear me? I will never abandon this Jeep.
- 1:03:41Never.
- 1:03:42Emily: That's his BAE number one. Derek is BAE number
- 1:03:44two.
- 1:03:45Alison: And Derek heard that from his little tomb and
- 1:03:47swore to always protect the jeep.
- 1:03:50Emily: And he does.
- 1:03:50Alison: And he does.
- 1:03:51Emily: Because he has to pass it on to their son.
- 1:03:53Alison: Real question. Did Stiles learn car maintenance
- 1:03:56from Derek or did Derek learn it from Stiles?
- 1:03:59Emily: Derek's older by three years. Which we will die
- 1:04:03on. Clearly Stiles does not know that much
- 1:04:06Alison: car maintenance because he's still enough and
- 1:04:09Derek knows enough to open a mechanic shop.
- 1:04:12Emily: So I, think Stiles learns it from Derek because
- 1:04:16he's a few steps behind in this scene. He's
- 1:04:19working at it. But I think he gets better as he
- 1:04:23gets older and spends more time with Derek.
- 1:04:25Alison: Yeah. Love this for them.
- 1:04:27Emily: I love this for them. So Malia's. Babe, you gotta
- 1:04:30work faster because something is out there with
- 1:04:32us. Because Kira.
- 1:04:34Alison: Because Malia can hear things with her good ears.
- 1:04:37Emily: With her good ears. Unlike hard of hearing Buck,
- 1:04:40Kira uses her sword as a flashlight somehow.
- 1:04:44Alison: Congratulations.
- 1:04:45Emily: Magic flashlight sword. Why not just use the glow
- 1:04:48stick nunchucks. Where did they go?
- 1:04:49Alison: That's right. Kira.
- 1:04:51Emily: And there a creature that I could not see because
- 1:04:55there was some light in my house when I watched
- 1:04:58this episode. So I couldn't see shit.
- 1:05:00Alison: No, you see something moving in the background,
- 1:05:02but that's really it.
- 1:05:04Emily: Let me tell you how much of the scene in the
- 1:05:06church crypts I could not see.
- 1:05:08Alison: I could not see. I love the Stidia sass again.
- 1:05:11We're being attacked by yet another razor clawed
- 1:05:13monster.
- 1:05:15Emily: She's right, though.
- 1:05:15Alison: She's correct.
- 1:05:17Emily: Yeah. Malia is just off a shot, running out into
- 1:05:19the desert. Because that's what she does.
- 1:05:22Alison: And Kira chases after her because. You should have
- 1:05:24kissed your girlfriend.
- 1:05:25Emily: You should have kissed your girlfriend. I'm into
- 1:05:27the two of them. I'm fine with that. I'd feel bad
- 1:05:28for Scott. Cause, you know, he seems someone who
- 1:05:32really wants a partner. Yeah, I'm kind of in a
- 1:05:35Lydia on her own vibe because she's a strong,
- 1:05:37independent, take no shit girl. And I could live
- 1:05:41with her on her own for a little while. Just
- 1:05:43learning her powers and not dealing with partner.
- 1:05:47Was she. I know, but give it. Give it some time.
- 1:05:50Just get your banshee shit under control. But
- 1:05:52yeah, they. They rush off and Malia gets a little
- 1:05:57slicey slice in her side from this unseen
- 1:06:00creature.
- 1:06:00Alison: Ouch.
- 1:06:01Emily: Ouchies. And when she gets back, Stiles is. Do not
- 1:06:04run off again. I thought you were fleeing. I
- 1:06:07thought you were just leaving us behind. Cause you
- 1:06:09kind of said that that's what you were gonna do.
- 1:06:11But Malia's. I'm not. I'm not gonna leave you. I
- 1:06:14would never leave you, Stiles. Now, I would leave
- 1:06:16Kira and Lydia behind, no problem. I'd leave them.
- 1:06:20But I wouldn't leave you. Which is progress.
- 1:06:23Alison: It's progress.
- 1:06:24Emily: It's progress. And it's definitely the kind of
- 1:06:27shit that I love from Malia.
- 1:06:28Alison: Yes, Correct. I love this shit from Malia.
- 1:06:31Emily: So she's, also the thing that cut me. It smelled
- 1:06:35actual Big D. Death. Yikes. So we also have the
- 1:06:42dynamic duo arriving at this church grounds. And
- 1:06:47we get there a little bit of history that this
- 1:06:49church was built over the ruins of an Aztec
- 1:06:51temple. I have no idea if this location and is
- 1:06:56correct. Aztec here in this part of Mexico?
- 1:06:59Couldn't tell. You don't know if they did their
- 1:07:02research because there are lots of different
- 1:07:05cultures and societies across.
- 1:07:07Alison: Considering they don't tell us where in Mexico
- 1:07:09they are.
- 1:07:10Emily: I know. How far do they actually travel? I have no
- 1:07:13idea. But. So it was the home of the nag. What do
- 1:07:17they say? Nagual. I think. I think so. Yeah. and
- 1:07:21Scott, I know who they are. A race of
- 1:07:23shapeshifters. Why do you know that? That's a
- 1:07:25styles knowledge. Not you. But anyway. Brandon's.
- 1:07:31Those were weird. Jaguars. Okay. Great new
- 1:07:36creatures. And Braden tells him that she would
- 1:07:40kill anyone if the money was good. Which I
- 1:07:42appreciate. Because, you know, she's gotta live.
- 1:07:46And she is a mercenary or bounty hunter.
- 1:07:49Mercenary.
- 1:07:49Alison: I'm going with mercenary. As she says. As she says
- 1:07:52in a few episodes, Girls gotta eat.
- 1:07:54Emily: Girls gotta eat. She does that's her. Her life.
- 1:07:59But then they have this little conversation about
- 1:08:00Kira isn't his girlfriend, which is why they
- 1:08:04didn't kiss when they parted. Oh, buddy. I mean,
- 1:08:07come on.
- 1:08:08Alison: Because Kira is attached.
- 1:08:10Emily: Kira's very attached. And I think you are too, my
- 1:08:13friend.
- 1:08:13Alison: And according to the Internet, the Aztec the
- 1:08:17dominated northern Mexico at the time of the
- 1:08:20Spanish conquest in the early 16th century.
- 1:08:22Emily: okay, so I guess that makes sense that they
- 1:08:24wouldn't be deep into Mexico.
- 1:08:27Alison: I don't know how far south is their this territory
- 1:08:31goes or how. Yeah. How far south it starts. But it
- 1:08:33does say northern Mexico. So we're going to hand
- 1:08:35wave it. It's approximate.
- 1:08:38Emily: Okay, okay, we'll. We'll give it a pass.
- 1:08:41Alison: We'll give it a pass.
- 1:08:42Emily: I just feel like they picked Aztec because
- 1:08:44everyone knows that word.
- 1:08:45Alison: Yeah, for sure. For sure. They did.
- 1:08:48Emily: And they're both. Oh, there's something non human
- 1:08:50in here with us.
- 1:08:51Alison: And so Scott, doing exactly what Scott always
- 1:08:55does, puts Braden behind him and
- 1:08:57Emily: roars
- 1:08:59Alison: m. Protect your friend.
- 1:09:02Emily: He does. He does. Protect. Attack.
- 1:09:05Alison: Protect, attack. Eat a snack.
- 1:09:07Emily: Protect.
- 1:09:07Alison: Attack.
- 1:09:08Emily: And I, We can't see anything. Oh, no, my note. My
- 1:09:12note was. It's a very cobwebby and gross. Which
- 1:09:15was, This has no bearing on the timeframe of the
- 1:09:19recording of. Well, it bears on the timeframe of
- 1:09:22recording, but when this actually airs, it won't
- 1:09:24matter. But I watched this right after having
- 1:09:27cleaned out the garage, which was full of cobwebs,
- 1:09:29Nick. So I was. Oh, I felt that today. Yeah, that
- 1:09:32was. I'd had that in my hair. It was gross.
- 1:09:34Alison: Yuck.
- 1:09:35Emily: But my note was bone. Dot, dot, dot. Creature.
- 1:09:38Alison: Bone creature.
- 1:09:39Emily: What is. What are we. What am I looking at? Am I
- 1:09:41supposed to be able to see anything because
- 1:09:43there's light in the house and I can't see.
- 1:09:46Alison: I think it, I think you scared everything.
- 1:09:48Emily: Which is fair, I hope. His little roar gave.
- 1:09:52Derek. Oh, help is here.
- 1:09:54Alison: Help is here.
- 1:09:55Emily: Because when they. Anyway. Because his hand is.
- 1:09:57Anyway. So it. It gets scared off. But is there a
- 1:10:01cave in that reveals the seal? Rock shift. Right?
- 1:10:04Alison: Secret tunnel. Secret tunnel. I have no idea.
- 1:10:08Something happens. Something falls, Something
- 1:10:10comes up. I think. I think it's a rock. A slide.
- 1:10:13But I have, no freaking clue. But they've unlocked
- 1:10:16the tunnel.
- 1:10:17Emily: But yes, the roaring reveals the seal that Kate
- 1:10:21Argent was standing in front of when we saw her.
- 1:10:25And not a flashback. But, Oh, Kate's alive and
- 1:10:27she's in front of this weird seal thing. And
- 1:10:30Braden is the nagual Nagualo. I can't remember how
- 1:10:33they pronounced it.
- 1:10:35Alison: I would imagine it's Nahual.
- 1:10:36Emily: Nahual. Jaguar God. And Derek's behind that, and
- 1:10:40they gotta get him. So Scott just straight punches
- 1:10:42through it. I would've thought there would have
- 1:10:43been some magical protections to be. You can't do
- 1:10:46that.
- 1:10:47Alison: Yeah. But Scott just rips it apart.
- 1:10:50Emily: And then a little hand reaches through,
- 1:10:52Alison: and Scott and Braden are just staring at Derek
- 1:10:55like, ah. what's happening?
- 1:10:57Emily: Yep.
- 1:10:57Alison: So they're limping out. They're carrying Derek
- 1:11:01kind of out of the. Of the thing. And it turns out
- 1:11:04that Scott or that Stiles has fixed the Jeep
- 1:11:06because it comes tearing into the parking lot at
- 1:11:09the Aztec Temple.
- 1:11:11Emily: This perfect parking lot. Pay a, quick parking
- 1:11:14fee.
- 1:11:14Alison: Yeah. And so Stiles. It's Stiles that leaps out of
- 1:11:19the Jeep. He leaps out of the Jeep and he runs to
- 1:11:23Scott and for. And then the girls all show up
- 1:11:27later, and we spend a good five or six seconds on
- 1:11:32Stiles. Big shocked face.
- 1:11:34Emily: Yeah.
- 1:11:35Alison: Is that because I think it's Malia who goes, is
- 1:11:38that Derek?
- 1:11:39Emily: Yeah.
- 1:11:39Alison: Because Malia doesn't know who the fuck Derek Hale
- 1:11:42is. She's never. I don't think they've ever met. I
- 1:11:44don't think it matters.
- 1:11:45Emily: Yeah, I don't think so. It's hard to tell who
- 1:11:49knows who at any given point.
- 1:11:50Alison: Yeah. Basically, Scott and Stiles know Derek.
- 1:11:53Lydia knows Derek, but hasn't actually talked to
- 1:11:56him for a while. It's been a season or two, and I
- 1:11:59don't know if Kira or. I think the closest Kira
- 1:12:02and Derek really ever got was that one time in the
- 1:12:06parking lot m. With the electricity.
- 1:12:10Emily: Oh, yeah, yeah.
- 1:12:10Alison: The electricity at the hospital with the leather
- 1:12:13jacket as Kira was inducted into the hail pack.
- 1:12:16Emily: Yes.
- 1:12:16Alison: so Malia's never met him. It's a whole thing. But
- 1:12:19none of them know if it's Derek. Except for
- 1:12:22Stiles. Stiles recognizes Derek as it is because
- 1:12:29the camera turns to, you know, to Scott and
- 1:12:32Braden, and they are carrying a very clearly de.
- 1:12:36Aged Derek.
- 1:12:39Emily: He is maybe 16.
- 1:12:41Alison: Maybe 16. Yeah.
- 1:12:43Emily: Why does Stiles know what he looks at 16?
- 1:12:45Alison: Why does Stiles. Why can Stiles recognize him?
- 1:12:48Emily: Yeah, why?
- 1:12:49Alison: How. How. How does Stiles recognize baby Derek?
- 1:12:53Emily: I don't know. I don't understand anything.
- 1:12:57Alison: Is it just. Is it the soulmate identifying marks?
- 1:13:00Is it aura? Is it the red string? Is it.
- 1:13:04Emily: It has to be red string. It's just the tingles he
- 1:13:06gets around Derek.
- 1:13:07Alison: The Derek tingles?
- 1:13:08Emily: The Derek tingle. Yeah, he's Just. Oh, that one's
- 1:13:10mine.
- 1:13:11Alison: I think Scott. Honestly, even if Scott, I. Because
- 1:13:14I don't really know. Because I don't think Braden
- 1:13:15ne. Because Braden's already saved Eric once
- 1:13:17before. So Braden knows the face she's looking
- 1:13:20for.
- 1:13:20Emily: Yeah. Stiles just knows the soul and knows
- 1:13:25Alison: what Derek looks like. I don't know if Scott knows
- 1:13:26what baby Derek looks. I think Scott would have
- 1:13:28pulled anybody out of that tomb. If there was a
- 1:13:30person reaching out for him. Scott would be. Yes,
- 1:13:32of course I don't know who you are, but come on
- 1:13:33down with me.
- 1:13:34Emily: Yeah, totally.
- 1:13:35Alison: So whether or not Scott recognizes Derek is a
- 1:13:37different problem. But how does Stiles recognize
- 1:13:39him? How does it. How it get. Get Derek out of
- 1:13:42your mouth? Stiles? I don't understand. I,
- 1:13:45Emily: I don't know, man.
- 1:13:47Alison: Not queer. Why queer shaped if not soulmates? If
- 1:13:52not soulmates, why soulmate shaped?
- 1:13:54Emily: Why red string?
- 1:13:56Alison: I don't understand.
- 1:13:57Emily: I don't know. Because this show hates me. Sorry.
- 1:14:02It is. Yes. The show hates everybody. I don't
- 1:14:05understand.
- 1:14:05Alison: It hates us all. It hates us all. I can't even
- 1:14:09begin to understand what's happening.
- 1:14:11Emily: we've seen this Derek before because we saw him
- 1:14:14young with Paige. So it's the same actor. We know.
- 1:14:17They don't know. They didn't see him.
- 1:14:20Alison: No. The closest I can get is if at one point they
- 1:14:26were going back and looking through yearbooks for
- 1:14:29something that may have been a thing. But you
- 1:14:33know, we establish in the first season that
- 1:14:35Derek's werewolf eyes fuck with the camera from
- 1:14:39his mugtail police station. maybe Cora and Peter
- 1:14:43had old photos. But even that's a stretch. That's
- 1:14:46a fucking stretch.
- 1:14:47Emily: Yeah.
- 1:14:48Alison: I don't know. Does because we established in the
- 1:14:50pilot that Stiles knows who Derek is. He's only a
- 1:14:55few years older than us, so maybe Stiles knew him
- 1:15:00from getting the day. I don't know. I don't know.
- 1:15:04I don't understand. We're hand waving it. We're
- 1:15:06just making it go away. It's fine. But I have so
- 1:15:09many questions. I hate it sucks and I hate it.
- 1:15:14Emily: It sucks and I hate it. Yeah.
- 1:15:17Alison: Yeah. So congratulations. Baby Derek is back. Hi,
- 1:15:20Baby Derek.
- 1:15:21Emily: Baby Derek is back. Baby. Yeah.
- 1:15:24Alison: It's a fucking mess of an episode
- 1:15:28Emily: is. Yeah, it's a. It's a mess and it doesn't feel
- 1:15:32a. A premiere. Although the. The premiere part is
- 1:15:36the end. The premiere part is. Surprise. Here's
- 1:15:38baby Derek.
- 1:15:39Alison: Yeah.
- 1:15:40Emily: Now what do we do with him? But the rest is. It's
- 1:15:44Such an assault of questions, but not questions
- 1:15:47you want to ask. The questions are, why does Aria
- 1:15:52know or not know these things? How. How could. Why
- 1:15:56does Scott make these intuitive or non intuitive
- 1:15:58leaps? Well, because they have to get to the next
- 1:16:01plot point. It's just, it's. It's messy. And, so
- 1:16:06sorry to the writer. Clearly you had to get from A
- 1:16:09to B quickly. And you couldn't with how things
- 1:16:15were set up before because they brought back Kate
- 1:16:17and that created a fuck of a lot of problems.
- 1:16:20Alison: Yeah, it did.
- 1:16:21Emily: How did they know she was dead? Because you've
- 1:16:24never set up, a Hunter network. Because they
- 1:16:27don't. They don't hang out.
- 1:16:28Alison: I don't understand. I don't understand. Nothing
- 1:16:30about this makes sense. Nothing.
- 1:16:31Emily: It doesn't. And you're better at keeping track of
- 1:16:35some of the smaller details than I am if you can't
- 1:16:37remember.
- 1:16:38Alison: No, none that Hunters would have talked
- 1:16:40Emily: to each other literally.
- 1:16:41Alison: None of this makes sense. None of it doesn't. It's
- 1:16:44just. They just. They needed a new villain and
- 1:16:46they just glued three old villains together and
- 1:16:49put them in a trench coat and shove them out on
- 1:16:51the doorstep.
- 1:16:52Emily: Yeah. And, you know, we have some, some new, I
- 1:16:56don't know, sub 2 villains in the bone thing and
- 1:17:00whatever scratched Malia. But we don't know what
- 1:17:02they are yet.
- 1:17:03Alison: Not yet. No.
- 1:17:05Emily: So they're. They're there, but are they dangerous
- 1:17:09yet? Oh, we don't know.
- 1:17:11Alison: It doesn't. Nothing about this makes sense.
- 1:17:14Nothing. And I regret to inform you it does not
- 1:17:16get better.
- 1:17:17Emily: It doesn't get better. And I forget how long baby
- 1:17:19Derek stays around. I feel it's not that long.
- 1:17:21Alison: It's not that long. It's, an episode. Maybe an
- 1:17:24episode or two. Maybe.
- 1:17:25Emily: Which again, is. Okay. Keep him or make it matter,
- 1:17:29bitch.
- 1:17:29Alison: Yeah. And literally. And we're gonna talk about
- 1:17:34season, season long spoilers. So if you have, if
- 1:17:36you're, if you're. If this is important to you,
- 1:17:38skip forward a couple minutes because I don't
- 1:17:40think it's important to you, Emily. Right.
- 1:17:42Emily: Oh, spoilers for the season. No, no.
- 1:17:45Alison: So spoil ahead. So, from what I remember, Kate
- 1:17:48does weird Aztec magic on. On Derek. Right.
- 1:17:53Basically de ages him for reasons. And then it
- 1:17:56starts to suck away at his little werewolf powers,
- 1:18:00like, bit by bit by bit. And so, like, by the end
- 1:18:02of the season, he's like, fucking mortal so that
- 1:18:05he can, like, transform into. He's evolving into
- 1:18:08his, like, full wolf. Whatever. literally, I think
- 1:18:11the entire. I think the real you Know the capital
- 1:18:15R. Real reason is so that he can evolve into his
- 1:18:18full, like full shift wolf, like his mama. the
- 1:18:21only reason that matters is so that he can die
- 1:18:25staring at the love of his life. Style Stoneski.
- 1:18:28They prep for this for like 11 fucking episodes.
- 1:18:31And I don't understand why.
- 1:18:33Emily: Okay, another question. Because obviously I do not
- 1:18:37remember why the fuck is she doing this? Like, why
- 1:18:41does Kate Argent care if Derek Hale can become a
- 1:18:45full wolf?
- 1:18:47Alison: So I just. To fuck with him. I think it. I think
- 1:18:52they deal with it next episode. Something about
- 1:18:55him, like her wanting to de age him to the point
- 1:18:58where he still trusted her.
- 1:19:01Emily: But yeah, I get that she's a rapist for real.
- 1:19:04Alison: And a pedophile. After. After that, I really lose
- 1:19:10the plot.
- 1:19:11Emily: Okay, great. I. Again, it's been 11 fucking years
- 1:19:15since this aired and I don't think I ever
- 1:19:17rewatched season four. Like one through three I
- 1:19:19rewatched.
- 1:19:19Alison: But season four, I saw, I think once, and it would
- 1:19:23have been 20, 21, I think was the last time I
- 1:19:27rewatched this. I don't remember shit.
- 1:19:30Emily: I can see her coming back to life and then trying
- 1:19:33to kill him.
- 1:19:34Alison: Oh, for sure.
- 1:19:35Emily: As the one that got away. Kill Scott or to the
- 1:19:40Fall. Not a folia. Duh. But she's. She's
- 1:19:43psychotic. I know. these words get thrown around
- 1:19:46in true crime podcasts. The killer was psychotic
- 1:19:48of Kate Argent, actually is correct.
- 1:19:49Alison: She is a true psychopath. She is, yeah.
- 1:19:52Emily: Psychopath, yes. She murdered a whole family of,
- 1:19:56including children by lighting a house on fire and
- 1:19:59did it gleefully. And she assaulted a teenage boy
- 1:20:04and seduced him.
- 1:20:06Alison: On purpose?
- 1:20:06Emily: Yeah, on purpose. And. And now she comes back from
- 1:20:10the dead and turns a grown man into a six month
- 1:20:14old boy.
- 1:20:15Alison: I don't. For what I feel. What are we doing? I
- 1:20:18feel they attempt to give it a reason, but I think
- 1:20:22they really lose the plot after an episode.
- 1:20:25Emily: And I also feel maybe. Do the writers not see. Ew.
- 1:20:29Ew, brother.
- 1:20:33Alison: I don't. I don't understand. I don't get. I don't
- 1:20:34understand anything. I don't understand a damn
- 1:20:37thing.
- 1:20:37Emily: I,
- 1:20:38Alison: I have so many questions. It just doesn't make,
- 1:20:40any sense at all. And I'm just. At this point, I'm
- 1:20:43here for the ride because I love Kate Argent.
- 1:20:45Emily: Complicated characters are great. Right? We don't.
- 1:20:48Alison: I'm not excusing her. I don't agree with her, but
- 1:20:51I find her interesting. I'm glad she's back, but
- 1:20:54like, it could have been written a lot better. But
- 1:20:56I also really love the werejaguar makeup. I think
- 1:20:58it's awesome.
- 1:21:00Emily: It's weird that it's blue row, right?
- 1:21:02Alison: It's kind of blue purple.
- 1:21:04Emily: Yeah.
- 1:21:05Alison: Yeah. But we do get several instances of Kate
- 1:21:08shooting random men and covered in blood, and I'm
- 1:21:11just here for that.
- 1:21:12Emily: Yeah.
- 1:21:13Alison: I support you and your wrongs.
- 1:21:15Emily: Your wrongs. Yeah, totally.
- 1:21:18Alison: But, yeah, no, this. I have so many questions
- 1:21:21about the writing. I have so many questions.
- 1:21:24Still.
- 1:21:25Emily: Still. Yeah, I just, Where are the writers? Come
- 1:21:29talk to us. I know you won't because we're a
- 1:21:32little teeny tiny podcast and whatever, but
- 1:21:35Alison: none of us have careers to think about. But I have
- 1:21:37so many questions. I want to pick your brain
- 1:21:39forever.
- 1:21:40Emily: So I. I just. I really would love. We have nothing
- 1:21:44to offer a writer, but I would love to talk to
- 1:21:45them to be like, what hap. What are you doing?
- 1:21:47Why? What's the network note?
- 1:21:50Alison: What's the network note? What got cut?
- 1:21:52Emily: Yes. What got cut?
- 1:21:53Alison: What got cut? Where did you want to take this?
- 1:21:55Where was it supposed to go?
- 1:21:58Emily: What's on the wall? What's on the wall to be.
- 1:22:00Here's the progression of the plot line. And then
- 1:22:02what happened?
- 1:22:04Alison: Yeah. Where? I. I'm desperate. I'm desperate to
- 1:22:07know your thoughts.
- 1:22:09Emily: Yeah. Understand.
- 1:22:11Alison: Well, until next time.
- 1:22:14Emily: So, that's the premiere of season four.
- 1:22:19Alison: God, I sure hope you find our podcast more
- 1:22:22entertaining than the TV show, considering it was
- 1:22:24twice as long.
- 1:22:26Emily: That's true. That's what happens around here. and
- 1:22:31we're not gonna change, frankly.
- 1:22:32Alison: We're professional yappers. This is our job.
- 1:22:34Emily: That's true. Professional yapper is going on my
- 1:22:37resume. Can't be helped. So sorry. Yeah, so I
- 1:22:42guess we'll just wrap it up because, you know,
- 1:22:44there's lots of episodes. Actually, there's not
- 1:22:46that many episodes to get through this time, which
- 1:22:47is kind of nice. But, yeah, we will. You know, we
- 1:22:51got got episodes to get through. We're gonna have
- 1:22:53lots to talk about in this season because a lot
- 1:22:57happens,
- 1:22:58Alison: and none of it makes any sense.
- 1:23:00Emily: None of it makes any sense. But, yeah. So thank
- 1:23:02you for listening. You can find us on, the
- 1:23:05Internet at fandomonthere Rocks and Pack Dynamics
- 1:23:10is the name. I'm gonna cut that part out. Yeah,
- 1:23:14you can find us at Fandom on the Rocks, and you
- 1:23:17can support the pod@patreon.com phantomontherocks
- 1:23:21and, you know, we will catch you next time for
- 1:23:23another rousing rendition of. What are they doing?
- 1:23:26Hello, you've been listening to Pack Dynamics, a
- 1:23:29Fandom on the Rocks podcast. For more episodes,
- 1:23:31subscribe on Apple Podcasts, Spotify, or wherever
- 1:23:34you get your podcast. You can follow us online at
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- 1:23:41account@patreon.com fandomontherocks Subscribers
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- 1:23:47episodes, deep diving into fandom and more. So
- 1:23:50until next time, keep your pack close.
- 1:23:58Alison: Sat.