Latest / The Breakfast Club / INTERVIEW: Tyrese Clears The Air With DJ Envy, Talks Beautiful Pain, New '1992' Film, Ex Wife + More

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INTERVIEW: Tyrese Clears The Air With DJ Envy, Talks Beautiful Pain, New '1992' Film, Ex Wife + More · The Breakfast Club

• 0:00
  Speaker 1: Wake that ass up in the morning.
• 0:02
  Speaker 2: The Breakfast Club Morning, Everybody's dj en V just hilarious charlamage,
• 0:08
  Speaker 2: the guy we are the Breakfast Club.
• 0:10
  Speaker 1: Laura l Rossa is holding it downes. It's on maternity
• 0:13
  Speaker 1: leave and we.
• 0:13
  Speaker 3: Got a special guest in the building. Good brother, Tyre Gibbs.
• 0:19
  Speaker 1: Tye is here.
• 0:20
  Speaker 3: Good morning something.
• 0:21
  Speaker 1: What's funny now, man? Other than your great beard, I'm
• 0:24
  Speaker 1: letting it grow were grown? What's funny? Bopa?
• 0:27
  Speaker 3: I bet you won't let your face your head growing.
• 0:29
  Speaker 1: You're fucking right, fucking right, how.
• 0:33
  Speaker 3: Are you, sir?
• 0:35
  Speaker 1: Not only am I not gonna let him grow in,
• 0:37
  Speaker 1: but I definitely tried to get into my implant game
• 0:40
  Speaker 1: and it didn't. You know, it landed, but it didn't
• 0:42
  Speaker 1: landed for the video, didn't land for the Spangled banner.
• 0:45
  Speaker 3: But we talked about with a Wildflower.
• 0:47
  Speaker 1: Yeah, I shot the video. It wasn't even a video.
• 0:49
  Speaker 1: It's it's a short film called Wildflower, dedicated to my
• 0:54
  Speaker 1: mother Rest in Peace, produced by the legend David Foster
• 0:58
  Speaker 1: and uh my producer Brad them Damn Hodge. And even
• 1:02
  Speaker 1: though everyone knows the song Wildflower, it was it was
• 1:07
  Speaker 1: David Foster's group it's called Skylark from fifty years ago
• 1:12
  Speaker 1: and they released Wildflower. These these are Canadians that are
• 1:15
  Speaker 1: from Canada singing R and B and then the the
• 1:19
  Speaker 1: way that we know about the song is when New
• 1:21
  Speaker 1: Birth did it right. So, but David Foster has never
• 1:25
  Speaker 1: gotten back in the studio to do any other remake
• 1:28
  Speaker 1: of Wildflower until now. So I'm very honored that he
• 1:32
  Speaker 1: did this on behalf of my mom and I'm very grateful.
• 1:36
  Speaker 1: And it just it just actually came out today. Man.
• 1:38
  Speaker 1: So I'm like, I'm always emotional. I'm any emotional wreck
• 1:43
  Speaker 1: just knowing that my mama song came out today.
• 1:45
  Speaker 4: So what made you put the outphone on? Because that
• 1:46
  Speaker 4: was my I'm gonna ShW you my favorite video.
• 1:50
  Speaker 5: Marvin Gay.
• 1:53
  Speaker 1: Right, I was, well, I'm talking about the.
• 1:58
  Speaker 5: Yeah, we talked about that moment up here.
• 2:01
  Speaker 1: Of course, Charlemagne. Charlemagne is a control Thank you.
• 2:07
  Speaker 3: I'm like this this is me getting ready for bed.
• 2:11
  Speaker 3: This was fantastic. Look at my caption. How I feel
• 2:15
  Speaker 3: getting ready for bed every night. That's me.
• 2:19
  Speaker 1: See that you know your con fellas, I have to go.
• 2:24
  Speaker 1: I just want to stay away, disrespect conversation. I was
• 2:31
  Speaker 1: about to say he about to throw one at me.
• 2:33
  Speaker 1: Go ahead and conversation before on off, and you know
• 2:37
  Speaker 1: we we spoke like man. But I have to go.
• 2:39
  Speaker 2: But I don't want him to feel disrespectful that I'm leaving.
• 2:41
  Speaker 2: I think he has a conversation.
• 2:43
  Speaker 1: What I think it is too. I told you I
• 2:45
  Speaker 1: got to go before.
• 2:46
  Speaker 3: Can y'all have one interview with y'all don't disrespect each other?
• 2:51
  Speaker 1: Why envy? Yes, sir, I love you. What part of
• 2:55
  Speaker 1: your car show at this point, hongng, how many years
• 2:57
  Speaker 1: you've been doing it? Six years? Six years? What part
• 2:59
  Speaker 1: of your car show requires you to be there physically
• 3:03
  Speaker 1: unloading cars yourself? Well, it's the thing, I tell you
• 3:06
  Speaker 1: because I do car shows too, but Runner, I've neverloaded.
• 3:11
  Speaker 2: They're actually pulling up this weekend. But the thing is
• 3:14
  Speaker 2: is when Cardi B and Offset give me their car,
• 3:17
  Speaker 2: I don't let anybody touch their car but me because
• 3:19
  Speaker 2: if something happens, and that happened before we push your
• 3:21
  Speaker 2: tea push the t game is ferrari.
• 3:23
  Speaker 1: I let somebody pull it off the thing and he crashed,
• 3:25
  Speaker 1: you see him?
• 3:26
  Speaker 2: So now for my situation, when anybody comes and loading
• 3:29
  Speaker 2: it and loading is actually at nine thirty I'm supposed
• 3:31
  Speaker 2: to be there. I personally take their cars off. So
• 3:33
  Speaker 2: next time I come to Atlanta and I take your car,
• 3:36
  Speaker 2: I'm gonna put you know that Envy will personally take
• 3:38
  Speaker 2: care okay. Well if I if, I would be okay.
• 3:42
  Speaker 1: And I feel disrespected about Envy leaving because it said
• 3:44
  Speaker 1: this interview is pretty important. Everybody want to see us,
• 3:48
  Speaker 1: but they definitely tuned in right now for my bage.
• 3:50
  Speaker 1: Fella right, I just want you to say these words,
• 3:53
  Speaker 1: Envy before you leave. Boy, Beautiful Pain is the most
• 3:57
  Speaker 1: important R and B album in twenty twenty four.
• 4:00
  Speaker 3: I haven't heard yet. You got a point.
• 4:12
  Speaker 1: That's cool. I want to believe I sent him at
• 4:15
  Speaker 1: least a couple of pieces, and you did. You got
• 4:17
  Speaker 1: them to.
• 4:20
  Speaker 4: Just be wondering why they're taking so long, like you've
• 4:22
  Speaker 4: been sitting on this album for a while.
• 4:25
  Speaker 1: It's called being independent.
• 4:27
  Speaker 3: Mm hmm.
• 4:28
  Speaker 1: It's called money up, money down, being grown, and dealing
• 4:31
  Speaker 1: with seven lawsuits getting in the way of all kinds
• 4:35
  Speaker 1: of ship that I wanted to do. But we're here
• 4:38
  Speaker 1: now and now Envy is leaving.
• 4:41
  Speaker 2: We just seen Daniel in the hall y'all talking about
• 4:43
  Speaker 2: Teddy Pendergrass. That's going to happen.
• 4:46
  Speaker 1: Bumper mother, that's crazy hurting them for that. He had
• 5:01
  Speaker 1: that motherfucker in the I cloud.
• 5:06
  Speaker 3: Talking last night and he said, he said, man might
• 5:09
  Speaker 3: come on the tail and Lee.
• 5:11
  Speaker 6: Wait, hold on, wight on, hold on, I must, I
• 5:19
  Speaker 6: must say that the first part is bullshit, the second
• 5:23
  Speaker 6: part is true.
• 5:23
  Speaker 3: Wait.
• 5:24
  Speaker 1: I said, this is what I said, and I had
• 5:26
  Speaker 1: I announced. I ain't saying with the compart. This is
• 5:29
  Speaker 1: this nigga put it in on. This is what I
• 5:31
  Speaker 1: did say. I said, hey, man, I might have to
• 5:34
  Speaker 1: pull up on the tail end of the Lee Daniels
• 5:37
  Speaker 1: interview because y'all gonna be interviewing him. Right before I
• 5:41
  Speaker 1: heard what I said, I said, Paul, I said, hold on,
• 5:47
  Speaker 1: he don't give a nigga, let's move on. I thought
• 5:50
  Speaker 1: you didn't have no time do so you want to
• 5:52
  Speaker 1: stay here for the gay conversation. You want to stay here.
• 5:56
  Speaker 1: So so all of a sudden, CARDI B Is loaded.
• 5:59
  Speaker 1: I gotta don't matter because you don't want to hear
• 6:02
  Speaker 1: details off the tail end on. I heard you talking
• 6:07
  Speaker 1: about movie. Nobody else was there.
• 6:11
  Speaker 2: That's true, and you were you were talking about you.
• 6:14
  Speaker 2: You were saying, make sure that you know you you
• 6:16
  Speaker 2: you really want to do that movie, So to break
• 6:18
  Speaker 2: that down, is that gonna happen?
• 6:19
  Speaker 1: So, So what I explained to him was Lee Daniels
• 6:22
  Speaker 1: was born and raised in Philly. All right, he was
• 6:25
  Speaker 1: here with arjor Day, my fellow Capricorn. And Lee has
• 6:30
  Speaker 1: a specific commitment to telling stories from the legends and
• 6:34
  Speaker 1: icons from the ground to Philadelphia. All Right, I'm not
• 6:37
  Speaker 1: gonna be disparaging because we ain't finna get no more
• 6:40
  Speaker 1: calls about Oh he said this about truth be told. Uh,
• 6:46
  Speaker 1: there was a lawsuit filed and I did not win
• 6:49
  Speaker 1: the lawsuit, or not not win. I did not have
• 6:53
  Speaker 1: the lawsuit to work in my favor because I've been
• 6:57
  Speaker 1: on this journey to do Teddy Pendergrass for literally fourteen years,
• 7:01
  Speaker 1: long before Teddy married his current widow. Right, And again,
• 7:06
  Speaker 1: I have still respect for her. But when you're doing
• 7:09
  Speaker 1: a film with someone who does not have any experience,
• 7:14
  Speaker 1: respectfully in Hollywood, they don't know the process of writing
• 7:16
  Speaker 1: and rewriting and trying to figure out like how do
• 7:19
  Speaker 1: you tell the best story? You cannot do a Teddy
• 7:21
  Speaker 1: Pendergrass movie that has him quadriplegic for the whole movie
• 7:25
  Speaker 1: because nobody's gonna watch that movie. The movie was never
• 7:28
  Speaker 1: cradle to the grave, meaning from the moment he was
• 7:30
  Speaker 1: born to the moment he passed. And his wife, who
• 7:35
  Speaker 1: is incredible. I've seen her passion and love for this man,
• 7:39
  Speaker 1: which is why I don't want to be disrespectful.
• 7:41
  Speaker 3: But.
• 7:43
  Speaker 1: She was in his life, you know, the last four
• 7:46
  Speaker 1: years of his life, and the movie that myself and
• 7:49
  Speaker 1: Lee Daniels wanted to tell did not include that piece
• 7:53
  Speaker 1: of life that they had together. It was from this
• 7:57
  Speaker 1: period to that period, and that's the movie and the
• 7:59
  Speaker 1: story that we wanted to tell. And I don't think
• 8:02
  Speaker 1: anybody would would like you know as much as I
• 8:05
  Speaker 1: know and want to do as an actor. When Lee
• 8:08
  Speaker 1: Daniels in the driver's seat, as a genius that he
• 8:11
  Speaker 1: is as a filmmaker, he is, even I knew how
• 8:13
  Speaker 1: to shut the fuck up and get out the way, absolutely,
• 8:15
  Speaker 1: Like I was not involved in the day to day
• 8:18
  Speaker 1: of the script, in the process. Because you don't want
• 8:19
  Speaker 1: to piss Lee off for making him feel like you're
• 8:22
  Speaker 1: micro managing the process. Nigga, am I here to do
• 8:25
  Speaker 1: what I'm here to do? You show up and you
• 8:27
  Speaker 1: ready to do teddy? Okay? So at the end of
• 8:30
  Speaker 1: the day, I didn't think it was fair, and it
• 8:33
  Speaker 1: all fell apart. Warner Brothers, Lee, Daniels, Tyres. This man
• 8:37
  Speaker 1: told me, you're the only person in the world that
• 8:39
  Speaker 1: could ever play me.
• 8:41
  Speaker 3: So what hey told you that person?
• 8:45
  Speaker 1: There's nobody else on this on this earth that I
• 8:47
  Speaker 1: would ever trust that. He said, you know, the reason
• 8:49
  Speaker 1: why you're gonna play me is because you never wanted
• 8:52
  Speaker 1: to be me. I can't stand motherfuckers out here trying
• 8:56
  Speaker 1: to copy me. You've sing your ass off and you've
• 8:59
  Speaker 1: been doing you this whole time, and I want you
• 9:02
  Speaker 1: and I know you the only one that could tell
• 9:04
  Speaker 1: the story, so as you could imagine if something or
• 9:07
  Speaker 1: anybody's getting in the way of that. And we got
• 9:09
  Speaker 1: to lead Daniels from Philly Borne to raise and all
• 9:12
  Speaker 1: that that. So so that's that's what you just heard.
• 9:14
  Speaker 1: I basically just said the Lee, Ah in Jesus' name,
• 9:20
  Speaker 1: we're still gonna make this movie. They said, don't let
• 9:23
  Speaker 1: it go. Don't let it go. And I'm gonna tell
• 9:25
  Speaker 1: you right now that there is no other version of
• 9:28
  Speaker 1: the Teddy Pendergrass package is better than this package. So
• 9:32
  Speaker 1: I may have sued and lost the law suit.
• 9:35
  Speaker 3: Would you think Teddy would have wanted you to sue
• 9:36
  Speaker 3: his widow? Though?
• 9:39
  Speaker 1: I think I think the Teddy Pendergrass that I that
• 9:43
  Speaker 1: I know and got to know, Teddy Pendergrass is not
• 9:48
  Speaker 1: interested in anything or anybody that would getting the way
• 9:51
  Speaker 1: of progress. And I would he say sue. No, nobody
• 9:55
  Speaker 1: would ever say, hey, man, if she getting away sewer,
• 9:58
  Speaker 1: that's not what that man said me. What I will
• 10:01
  Speaker 1: say is I've been around. I've heard him say things
• 10:04
  Speaker 1: about people that you would never ever think he feels
• 10:07
  Speaker 1: this or feels that about. And I never repeat it
• 10:10
  Speaker 1: because that's who my heart is. But I will say,
• 10:13
  Speaker 1: Teddy don't fuck with who Teddy don't funk with, And
• 10:16
  Speaker 1: I'm aware of who he does and who he don't.
• 10:18
  Speaker 1: They can paint whatever picture they want, but Teddy is
• 10:21
  Speaker 1: not interested in anything or anybody getting the way of
• 10:23
  Speaker 1: his story being told Teddy didn't him. I'm not saying
• 10:27
  Speaker 1: that at all. Those are not my words. That's that
• 10:29
  Speaker 1: Charlemagne trying to do that.
• 10:31
  Speaker 3: People would it like that an envy is.
• 10:33
  Speaker 7: Slipping out of here? All right, we're gonna hug I
• 10:36
  Speaker 7: love you, There you go. That's what I like to
• 10:38
  Speaker 7: see that's what I like to see. That's what I
• 10:40
  Speaker 7: like this, that's what I like to see.
• 10:47
  Speaker 1: You know what, I'm gonna tell you what's funked up.
• 10:52
  Speaker 1: I'm gonna tell you what's funked up. If that was
• 10:54
  Speaker 1: Acon's car, you wouldn't be leaving there. His life scanning
• 10:56
  Speaker 1: Niggas stick.
• 10:57
  Speaker 4: Together headline looked like NVBIT, But listen. She also said
• 11:04
  Speaker 4: she was a poor businessman.
• 11:05
  Speaker 1: Poor businessman. That's fine, that's fine. Everybody's entitled to their opinion.
• 11:12
  Speaker 1: I want to believe that securing a deal with Warner Brothers,
• 11:16
  Speaker 1: securing Lee Daniels developing an actual relationship with her late
• 11:21
  Speaker 1: great husband, that says everything about who I am as
• 11:25
  Speaker 1: a business man, because I produce results. We had the
• 11:28
  Speaker 1: biggest press release ever. At the end of the day,
• 11:31
  Speaker 1: she's gonna see this interview, and I just want her
• 11:34
  Speaker 1: to know that, in my mind, I made a commitment
• 11:37
  Speaker 1: to your husband. I made a commitment to his story,
• 11:40
  Speaker 1: his journey, and Lee Daniels is still ready to go,
• 11:43
  Speaker 1: and Warner Brothers is still ready to go. I'm just
• 11:46
  Speaker 1: gonna hope and pray that somebody can make the phone
• 11:48
  Speaker 1: call to say that there is no better Teddy Pendergrass
• 11:52
  Speaker 1: package than Tyree's Lee Daniels and Warner Brothers. That's it.
• 11:57
  Speaker 8: But so if somebody doesn't make that phone call and
• 11:59
  Speaker 8: it happened right in a perfect world, like, how do
• 12:02
  Speaker 8: y'all move forward?
• 12:03
  Speaker 1: We already got the script done?
• 12:04
  Speaker 8: Not the script, but I mean, like just as people
• 12:07
  Speaker 8: and like now you have all this in the media,
• 12:09
  Speaker 8: the lawsuit or whatever.
• 12:10
  Speaker 1: It's like, did you just see what happened with me
• 12:12
  Speaker 1: and Envy?
• 12:12
  Speaker 5: So y'all gonna sit down to have a conversation.
• 12:14
  Speaker 1: You've seen what just happened with me and Envy. Yeah,
• 12:16
  Speaker 1: we're supposed to be fucking bare knuckle.
• 12:18
  Speaker 5: Right here, cracking all right, m't doing.
• 12:20
  Speaker 1: That, but we we said we wasn't doing and me
• 12:23
  Speaker 1: and Charlemagne said, we're not doing that. Me and Envy said,
• 12:26
  Speaker 1: we're not doing that. So if everybody tuning in there
• 12:29
  Speaker 1: ready for war, where's the war? Right? We've grown ass men,
• 12:33
  Speaker 1: and guess what we all felt and feel and went
• 12:36
  Speaker 1: about all of this shit the way we did. There's actions,
• 12:39
  Speaker 1: there's reactions that went to whatever level. But I'm a
• 12:41
  Speaker 1: grown ass man, and at the end of the day,
• 12:43
  Speaker 1: he is too, and that man is too so I
• 12:46
  Speaker 1: really believe in Jesus' name. First of all. First of all,
• 12:50
  Speaker 1: I'll say this, not despite anybody. We can't make Teddy
• 12:55
  Speaker 1: Pendergrass about any of us. His story his story. It's
• 13:01
  Speaker 1: history and it belongs to the world. And there's nobody
• 13:04
  Speaker 1: else in the world that could do that but me.
• 13:06
  Speaker 1: Y'all seeing the beard.
• 13:10
  Speaker 8: And why hold it onto the why did it go
• 13:12
  Speaker 8: into the star spangled banner situation?
• 13:14
  Speaker 1: I'll tell you because the guy. First of all, shout
• 13:17
  Speaker 1: out to my barber. I literally flew in man from Texas.
• 13:21
  Speaker 1: We found him a year ago online and his process
• 13:26
  Speaker 1: takes about five hours. And I did not want to
• 13:29
  Speaker 1: do anything from Hollywood because first of all, there's a
• 13:32
  Speaker 1: lot of white people are the makeup artists, and they
• 13:34
  Speaker 1: don't even know nothing about this black texture. So that's
• 13:37
  Speaker 1: why you got motherfuckers out here looking real crazy when
• 13:40
  Speaker 1: they put on fake beards and movies or whatever. First
• 13:42
  Speaker 1: of all, I'm an actor, and if anybody can get
• 13:45
  Speaker 1: away with putting on prosthetics and fake this and fake that,
• 13:48
  Speaker 1: it would be me that when you go and do
• 13:50
  Speaker 1: all that fake shit in real life, we got to
• 13:52
  Speaker 1: ask a real idea of question. But I have never
• 13:55
  Speaker 1: had facial hairds like that in my life. I got
• 13:59
  Speaker 1: a hold of what I believe is the best person
• 14:02
  Speaker 1: that could do that shit to make it look real
• 14:03
  Speaker 1: and believable. And I literally went full on for my
• 14:08
  Speaker 1: Wildflower not a video or a short film, and it
• 14:13
  Speaker 1: was casted by Robbie Reid, who did levels of like
• 14:15
  Speaker 1: Malcolm X, like this is a real movie. It would
• 14:19
  Speaker 1: be disrespectful the call of the music video, and so
• 14:22
  Speaker 1: I went all out. Okay, and my whole move, my
• 14:25
  Speaker 1: whole album, Beautiful Pain is like rumor has it the
• 14:32
  Speaker 1: year twenty twenty four is coming, I've been in the
• 14:34
  Speaker 1: year nineteen sixty eight for the last almost four years.
• 14:38
  Speaker 3: You said twenty twenty four is coming.
• 14:39
  Speaker 1: Rumor has it that we're still going to be alive
• 14:42
  Speaker 1: in twenty twenty four. I have been in the year
• 14:44
  Speaker 1: nineteen sixty eight working on this Beautiful Pain album. Because
• 14:49
  Speaker 1: when I was working on my album, there was no
• 14:52
  Speaker 1: such thing as Luther Vanros featuring Curtis Blow. There was
• 14:56
  Speaker 1: no such thing as Marvin Gaye feature and run DMC
• 14:59
  Speaker 1: was never. I want to tell you, baby, the chance
• 15:05
  Speaker 1: is I've been going through I've been working on teams
• 15:09
  Speaker 1: chances I've been going through the team. There was no
• 15:12
  Speaker 1: such thinking. Okay, grown ass man with just R and
• 15:16
  Speaker 1: B records that did not feature hip hop. So that's
• 15:19
  Speaker 1: what I did. I got twenty songs they live and
• 15:23
  Speaker 1: there was nothing about what I did in my Wildflower
• 15:27
  Speaker 1: video that had anything to do with me looking like
• 15:30
  Speaker 1: Jody baby Boy, Roaman Pierce, none of them niggas. I
• 15:33
  Speaker 1: had to become the person that I envisioned myself becoming
• 15:38
  Speaker 1: the motherfucking bail bottom shoe, her pants and them platform shoes.
• 15:42
  Speaker 1: That was this stick worstship I've ever experienced in my life.
• 15:46
  Speaker 1: I got.
• 15:47
  Speaker 4: I got a lover of the Adida suit with the
• 15:49
  Speaker 4: lofers the what worse than your Adida suit?
• 15:53
  Speaker 1: Yes, yes, yes that was Yeah.
• 15:56
  Speaker 5: That was uncomfortable where it was uncomfortable.
• 15:59
  Speaker 1: Listen, man, I ain't never wore no ship like that
• 16:01
  Speaker 1: in my life. Okay, full beard, full head of hair.
• 16:05
  Speaker 1: I wore a bonnet to go to sleep. My girl
• 16:09
  Speaker 1: gave me a bonnet, Okay, I had. I woke up
• 16:12
  Speaker 1: with a headache, damn because of the bonnet. Whatever that
• 16:15
  Speaker 1: ball that you you know, because I don't wear Wayne casts.
• 16:17
  Speaker 1: None of that ship nigga that bought that bonnet the
• 16:20
  Speaker 1: string tight. I woke up. I was like, yo, man,
• 16:24
  Speaker 1: I don't have I have no motherfucking idea. How y'all
• 16:26
  Speaker 1: niggas ain't no, ain't no way in hell anybody should
• 16:29
  Speaker 1: be committing the hair and waking up with I was
• 16:32
  Speaker 1: on fire. Yeah, So anyway, anyway, well, well it was
• 16:41
  Speaker 1: it was promo in my mind because I'm I'm pretty
• 16:46
  Speaker 1: methodical with my ship when when I can, they don't
• 16:48
  Speaker 1: always land, but it lands.
• 16:50
  Speaker 3: Why didn't think it was? It was like extra from
• 16:53
  Speaker 3: Good Time?
• 16:53
  Speaker 8: It was because he was singing that it was the
• 16:55
  Speaker 8: way that that's.
• 16:56
  Speaker 3: What he thought, like one of Rollo's friends or.
• 16:59
  Speaker 8: Something from So you like it didn't land? Like you,
• 17:01
  Speaker 8: you keep saying that, what's up? You keep saying that
• 17:03
  Speaker 8: that it didn't land? What didn't land?
• 17:05
  Speaker 3: Like?
• 17:05
  Speaker 5: What are you referring to? Are you talking about? When
• 17:07
  Speaker 5: you were singing and start.
• 17:09
  Speaker 1: When I was singing the national anthem and landed. But
• 17:13
  Speaker 1: I was saying that not everything that I'm very methodic,
• 17:16
  Speaker 1: I'm a capricorn. So we think and we'd strategize and
• 17:19
  Speaker 1: we calculate, and I was saying that not everything that
• 17:22
  Speaker 1: we calculate will always land. But everything about what I
• 17:26
  Speaker 1: did landed right. So I said, to these white people
• 17:29
  Speaker 1: at the rams, I said, to the to the people
• 17:31
  Speaker 1: at at at even the movie studio, I said, let
• 17:34
  Speaker 1: me tell you something. There is no version of me
• 17:37
  Speaker 1: doing the national anthem looking like Tyree, singing like Tyree's,
• 17:41
  Speaker 1: wearing regular Tyree's clothing that's going to get as much
• 17:44
  Speaker 1: traction and attention as this. And the outfit that I
• 17:47
  Speaker 1: wore is the output that I wore in the entire
• 17:51
  Speaker 1: music video or short film from Wildflow, is it?
• 17:56
  Speaker 5: No, I didn't see I didn't see Wildflower.
• 17:58
  Speaker 1: But I know he tried to come at me about
• 18:00
  Speaker 1: the ship. He's like, you're coming up here in that
• 18:02
  Speaker 1: beard for the interview, right, I said.
• 18:07
  Speaker 5: I was really confused all that stuff.
• 18:10
  Speaker 1: Of course, anybody I was confused. Everybody. Were they thinking
• 18:13
  Speaker 1: that I'm having another mental health breakdown on live television. Okay,
• 18:17
  Speaker 1: this is not a what more do you want from me?
• 18:19
  Speaker 1: Part two? It ain't never coming.
• 18:21
  Speaker 4: And you didn't sound bad. I was like, well, he
• 18:22
  Speaker 4: don't sound bad singing. Now, let's not do that like
• 18:26
  Speaker 4: you know.
• 18:27
  Speaker 1: Let me let me make another connection for the young niggas,
• 18:30
  Speaker 1: who who didn't live before Twitter was born. Uh, The
• 18:33
  Speaker 1: Great Western Forum had a legend by the name of
• 18:37
  Speaker 1: Marvin Gaye who sung one of the most legendary national
• 18:40
  Speaker 1: anthems ever at a Laker game. Okay, and that actual
• 18:46
  Speaker 1: physical property. Okay, let me give it to y'all. Y'all
• 18:49
  Speaker 1: still kind of slow, so let me get y'all to
• 18:51
  Speaker 1: catch up to me. Okay, here we go. The Great
• 18:53
  Speaker 1: Western Forum is in Inglewood.
• 18:55
  Speaker 5: Right here, right, oh, geographical right now?
• 18:58
  Speaker 1: Okay, I got it because because these kids don't know
• 19:00
  Speaker 1: what the fuck is going on Great Western Form. It's
• 19:02
  Speaker 1: right here. The same exact parking lot is where the
• 19:07
  Speaker 1: Sofi arena is located. I showed up in a red
• 19:12
  Speaker 1: Beanie and everything about my approach to the anthem and
• 19:16
  Speaker 1: the year that I've been living in Donnie Hathaway, Marvin Gaye,
• 19:19
  Speaker 1: Teddy Pendergrass, Stevie wonder Motown. This red Beanie was holding
• 19:26
  Speaker 1: hands with this red Beanie at the Gray Western Form
• 19:29
  Speaker 1: as I sung the national anthem on top of live
• 19:32
  Speaker 1: congos in an arena that just got built a couple
• 19:35
  Speaker 1: of years ago called the Sofi and the same exact
• 19:38
  Speaker 1: property holding hands. So Marvin did it? I did a
• 19:42
  Speaker 1: music video. This man said, it's gonna take four hours
• 19:45
  Speaker 1: to take all that nappy shit off your face. I said,
• 19:47
  Speaker 1: I don't have time. We left the set of Wildflower
• 19:51
  Speaker 1: and went straight to the Anthem because these white people
• 19:54
  Speaker 1: want to be there by ten thirty to rehearse. Like fuck,
• 19:56
  Speaker 1: I don't rehearse. I need sleep. But if y'all want
• 19:59
  Speaker 1: me to rehearse, i gotta show up in full costume
• 20:03
  Speaker 1: because I'm just leaving the set. So when Wildflower drops,
• 20:08
  Speaker 1: I think for all the people that's laughing, joking or
• 20:10
  Speaker 1: just asking questions, they're gonna understand.
• 20:12
  Speaker 4: It wasn't given. It was given like Lamar Standford got
• 20:15
  Speaker 4: a date. You know what I'm saying.
• 20:16
  Speaker 8: You know, but people picked up the Marvin because of
• 20:18
  Speaker 8: the I think it was like the just the way
• 20:21
  Speaker 8: you sung it, people.
• 20:21
  Speaker 5: Picked it up.
• 20:23
  Speaker 1: Look at this go ahead, you did it.
• 20:26
  Speaker 5: But I really I didn't know what yo.
• 20:29
  Speaker 1: Listen, you did it, You did it, You did that.
• 20:31
  Speaker 1: This nigga here he gonna.
• 20:33
  Speaker 5: I'm trying to move on, keep going back.
• 20:36
  Speaker 4: I was Raised'll know that doing comedy.
• 20:41
  Speaker 1: Man.
• 20:43
  Speaker 5: Now that I'm saying here, I'm like, you kind of
• 20:44
  Speaker 5: you knew what you was doing, like.
• 20:47
  Speaker 8: Can you look a little not trod in a bad way,
• 20:50
  Speaker 8: but like you knew that it was gonna get the
• 20:51
  Speaker 8: people going, and you didn't have a choice, so you
• 20:53
  Speaker 8: just made to do what you had to make.
• 20:55
  Speaker 5: Do at the time.
• 20:55
  Speaker 8: It's like, hene, it's a different feeling now because before
• 20:58
  Speaker 8: I'm like, this.
• 20:59
  Speaker 5: Is not going on.
• 21:01
  Speaker 1: Well, listen, y'all, all jokes aside. Wildflower is available worldwide.
• 21:07
  Speaker 1: It just went live on all the streaming platforms. And
• 21:11
  Speaker 1: you already know this song. You love this song. We
• 21:14
  Speaker 1: grew up on this song. I would have never heard
• 21:16
  Speaker 1: this song a day of my life. Let me tell
• 21:18
  Speaker 1: y'all something. Imagine me, little boy. Long before I ever
• 21:23
  Speaker 1: knew I could sing, my mama was an alcoholic twenty
• 21:26
  Speaker 1: seven years May God rest her soul. She died two
• 21:30
  Speaker 1: years ago, twenty twenty two. Of all days, she give
• 21:33
  Speaker 1: birth to an R and B singer, and she dies
• 21:35
  Speaker 1: on Valentine's Day. Okay, two girls, two boys, I'm the
• 21:40
  Speaker 1: last one. I'm the baby boy officially, So imagine, long
• 21:46
  Speaker 1: before I ever knew I could hold a note, As
• 21:48
  Speaker 1: my mama is drinking talking about she ain't just like sipping.
• 21:52
  Speaker 1: My mama was full on right. The soundtrack that helped
• 21:58
  Speaker 1: her to drink even more was R and B soul music.
• 22:04
  Speaker 1: I don't really know no other version of R and B,
• 22:07
  Speaker 1: like I don't know nothing about Little Taytay, Little Rayleay, look,
• 22:09
  Speaker 1: Little Say Say Listen, they will never be David Foster
• 22:14
  Speaker 1: and Little Tate in the same sentence, you understand me.
• 22:18
  Speaker 1: So y'all might be winning the popularity contest because you
• 22:22
  Speaker 1: know record labels these days, y'all niggas is corny, okay, corny?
• 22:27
  Speaker 1: Hey man, you know what's the data? What's the streaming numbers?
• 22:31
  Speaker 1: What's the YouTube view? Goofy from radio the same way
• 22:35
  Speaker 1: with goofy. If y'all motherfuckers think I'm at any point,
• 22:40
  Speaker 1: I'm forty five years old. Let me tell yall something.
• 22:42
  Speaker 1: Hear me, cameras is rolling right. What's your name?
• 22:45
  Speaker 3: Bro?
• 22:46
  Speaker 1: You look like envy nigga, don't like I'm just letting.
• 22:50
  Speaker 1: I'm I'm triggered.
• 22:54
  Speaker 3: Looking at.
• 22:57
  Speaker 1: Hold on, hold up, listen, listen, So listen, I'm forty
• 23:01
  Speaker 1: five years old. What's your name? Says again? And how
• 23:04
  Speaker 1: old are you? If you're mind you're thirty two? Let
• 23:06
  Speaker 1: me tell you something. I'm forty five years old. My
• 23:09
  Speaker 1: voice is deep. This nigga got gray facial hair as
• 23:11
  Speaker 1: a wife at home family. If I ever look out
• 23:14
  Speaker 1: in the audience and see a sixteen year old with
• 23:17
  Speaker 1: purple hair and black fingernails uploading a TikTok video on
• 23:21
  Speaker 1: my motherfucking audience, I would literally get him removed.
• 23:24
  Speaker 5: Why all that?
• 23:26
  Speaker 1: Why what if you appreciate I'm grown, but just I'm
• 23:30
  Speaker 1: trying to I'm trying to make go ahead. I'm trying
• 23:33
  Speaker 1: to make y'all understand that us, as grown men and
• 23:37
  Speaker 1: grown women, we are losing sight of the reality of
• 23:43
  Speaker 1: what this se is because we are here, thirsty and
• 23:46
  Speaker 1: desperate trying to appeal to kids.
• 23:50
  Speaker 3: I'm not against that.
• 23:51
  Speaker 1: So so I don't mean that literally. That's stupid. I
• 23:55
  Speaker 1: speak in antics.
• 23:57
  Speaker 5: I'm starting to learn you, okay.
• 23:59
  Speaker 1: I'm just letting and you know there is nothing about
• 24:02
  Speaker 1: that that any record label will ever be able to
• 24:06
  Speaker 1: convince me that if you don't check off these boxes
• 24:09
  Speaker 1: and do this and do that, then we don't really
• 24:13
  Speaker 1: know if we need to sign or do or listen.
• 24:17
  Speaker 1: Goofy ass record label executives, especially you executives that are
• 24:22
  Speaker 1: lucky to still have a job after you done worked
• 24:25
  Speaker 1: for fifteen goddamn record labels and don't even understand how
• 24:29
  Speaker 1: you still own. Go ahead and sign Little Ta Tay
• 24:33
  Speaker 1: Little jj litt Saysei, I'm a grown ass man. I
• 24:38
  Speaker 1: sell out arenas. I know what the other side of
• 24:41
  Speaker 1: two hundred thousand dollars a night look like. And I'm
• 24:44
  Speaker 1: not going nowhere. So do your data, do your research,
• 24:49
  Speaker 1: and go ahead and sign the niggas that went into
• 24:52
  Speaker 1: YouTube war. I'm a grown ass man. I don't want
• 24:56
  Speaker 1: none of you young niggas in my audience anyway. As
• 24:58
  Speaker 1: a matter of fact, my album is so grown. I'm
• 25:01
  Speaker 1: about to put out an album that's gonna help make
• 25:04
  Speaker 1: your baby sister, your baby brother's coming nigga because of me.
• 25:10
  Speaker 1: I'm post pandemic in a big jacket. Hmm. Grown Okay,
• 25:17
  Speaker 1: I'm selling out, and your mama gonna be in the
• 25:19
  Speaker 1: audience when she puts your ass asleep. Ain't gonna leave
• 25:23
  Speaker 1: you at home with a nanny.
• 25:26
  Speaker 4: Now, I don't disagree with then you said, but what
• 25:28
  Speaker 4: if because you are an international movie star.
• 25:30
  Speaker 1: As well, I got it. Wh ain't talking about that.
• 25:32
  Speaker 3: About these youngins who might see faster ferience.
• 25:34
  Speaker 1: And they see the fast and then they.
• 25:37
  Speaker 4: Say, oh, he does music too, So then they go
• 25:39
  Speaker 4: in there and listen to the music and they're like,
• 25:40
  Speaker 4: I like this.
• 25:41
  Speaker 1: They are welcome. What I'm saying to you is.
• 25:44
  Speaker 5: You're not catered to the.
• 25:46
  Speaker 1: Forty five years old.
• 25:48
  Speaker 5: Get you.
• 25:49
  Speaker 1: I go to clubs that say twenty one and over.
• 25:52
  Speaker 3: What the fuck?
• 25:52
  Speaker 1: Who is you go to? Slave nigga? Check your motherfucker ass.
• 26:05
  Speaker 1: Hey nigga, listen, hey, listen. Let me tell you something.
• 26:09
  Speaker 1: When you wake up in the morning, little young nigga,
• 26:12
  Speaker 1: you gonna have your homework, pend on your goddamn back
• 26:16
  Speaker 1: and a bus is pulling up. I'm grown, cuz fuck
• 26:19
  Speaker 1: out here, Okay, So I just want to make it plain. Yes,
• 26:25
  Speaker 1: I think I did. Listen, R and B, all of
• 26:29
  Speaker 1: the R and B singers out here, we know what
• 26:32
  Speaker 1: versus did for all of our careers. Hear me. All
• 26:37
  Speaker 1: your record labels can't stand you, motherfuckers. I love you
• 26:40
  Speaker 1: because you're doing what you gotta do. You gotta pivot
• 26:43
  Speaker 1: right when things change, things chang. I'm not bitter and
• 26:45
  Speaker 1: I'm not mad. Y'all losing sight. I've been I've been
• 26:49
  Speaker 1: out of a deal over two years, and I just
• 26:53
  Speaker 1: signed my deal, and the deal was for three million.
• 26:56
  Speaker 1: Oh so you are signed to a media It just
• 26:58
  Speaker 1: happened last week, CMG. And don't start calling them what No, No,
• 27:08
  Speaker 1: I'm not even gonna tell you. Don't start calling them either,
• 27:11
  Speaker 1: because they're not gonna give you my number, motherfucker. They're
• 27:15
  Speaker 1: gonna give you two hundred and look at your data.
• 27:20
  Speaker 1: Get out my goddamn beniness. Anyway, I want to make
• 27:23
  Speaker 1: it plain. It's distribution, it's everything. It's it's a full
• 27:28
  Speaker 1: on joint venture partnership. I'm signing artists, I'm doing publishing deals.
• 27:33
  Speaker 1: It's a whole thing. They didn't say here it's Votron
• 27:36
  Speaker 1: Records that has been homeless until now because these niggas
• 27:41
  Speaker 1: is pulling out the YouTube views. And they said litrd
• 27:45
  Speaker 1: Tata mattered in a fucking legend named Tyresee goofy ass niggas.
• 27:49
  Speaker 1: I'm right here. Wildflower will be number one for forty
• 27:54
  Speaker 1: weeks and Little Tate and David Foster will never be
• 27:58
  Speaker 1: in the same sentence. How does that make you feel?
• 28:02
  Speaker 1: We are exhausted with auto tune. We are exhausted with
• 28:06
  Speaker 1: motherfuckers out here who are not singing, who's not coming
• 28:09
  Speaker 1: from the soul. If y'all want us to think and
• 28:12
  Speaker 1: believe that Charlemagne the God is not going home to
• 28:18
  Speaker 1: his beautiful wife and his family. If y'all want us
• 28:21
  Speaker 1: to believe that all these women out here selling out
• 28:24
  Speaker 1: arenas talking about fuck you, I don't need you, I'm independent,
• 28:29
  Speaker 1: I could do bad by myself. If you think they're
• 28:32
  Speaker 1: not going home to a husband, you are the most
• 28:35
  Speaker 1: confused generation period. Y'all sing what happened with Siarra when
• 28:40
  Speaker 1: she released that song, and they like, I'm so confused,
• 28:45
  Speaker 1: and that's no disrespect to her. We all understand that
• 28:48
  Speaker 1: the record labels. It's like, if you, as a female artist,
• 28:51
  Speaker 1: want to be Scissa, Somma Walker, Iiko or this or
• 28:55
  Speaker 1: that and all these different women out here who keep
• 28:57
  Speaker 1: going and bashing men in the songs Jazmine Sullivan, Mary J. Blige,
• 29:03
  Speaker 1: If you want to sell out arenas, they not buying
• 29:07
  Speaker 1: love right now. They don't want to hear about how
• 29:09
  Speaker 1: much you love your husband that you're actually going home to.
• 29:13
  Speaker 1: These women ain't going home by theirself. Okay, I bust
• 29:17
  Speaker 1: the windows out your car, and after I bust the
• 29:21
  Speaker 1: windows out his car, I'm going home because I love you,
• 29:24
  Speaker 1: and I hate that we even took shit to that level.
• 29:26
  Speaker 1: That's what my eye missed. Now listen, I would love
• 29:29
  Speaker 1: to take up the rest of his interview time and
• 29:32
  Speaker 1: talk about my ex, but I'm not gonna do that.
• 29:35
  Speaker 1: Don't just listen to know what I'm saying. I love you.
• 29:42
  Speaker 1: I would love to take up the rest of his
• 29:43
  Speaker 1: interview time from going at my ex so that y'all
• 29:46
  Speaker 1: can understand what motivated Beautiful Pain, but I'm not going
• 29:49
  Speaker 1: to do that. I got plenty of interviews out there
• 29:53
  Speaker 1: with the whole world here in the details of my
• 29:55
  Speaker 1: heart about how I am still trying to figure out who,
• 29:58
  Speaker 1: what and how this all happened. But I'm also gonna
• 30:02
  Speaker 1: say to y'all that this album, including my new relationship,
• 30:07
  Speaker 1: has helped me to discover the beauty in my pain.
• 30:12
  Speaker 1: That's why the album is called Beautiful Pain. Twenty songs total,
• 30:16
  Speaker 1: It's all live Lenny Kravitz, Kenny g El, DeBarge, Kim Barell,
• 30:24
  Speaker 1: October London. We got a song on this album called
• 30:27
  Speaker 1: Bedroom Bully. Let me tell you something. I'm pregnant right now.
• 30:38
  Speaker 1: I knew it. I tell you boy, Charlamagne first Lady
• 30:44
  Speaker 1: at the House ask yourself some real questions about the
• 30:47
  Speaker 1: things your husband is into. I mean, we can't let
• 30:51
  Speaker 1: five minutes go by without some type of gays flying.
• 30:54
  Speaker 1: I just goddamn pause. That was my full jus. Gay
• 31:01
  Speaker 1: juice is the topic of whatever the fuck he keep
• 31:03
  Speaker 1: hurling out. A you either straight at your gay, ain't nobody,
• 31:07
  Speaker 1: don't be in my comments, mother, but you could be
• 31:10
  Speaker 1: whatever version of the gay you want. If you either
• 31:11
  Speaker 1: straight at your gay, that's it. I'm grown.
• 31:14
  Speaker 3: I didn't want to ask.
• 31:15
  Speaker 4: You one question though, Yes, beautiful thing. We know what
• 31:17
  Speaker 4: the album is about. When you see things, and I
• 31:22
  Speaker 4: don't want you to talk about your Acause'm just this
• 31:23
  Speaker 4: is a music question. Yes, when your ex does go
• 31:26
  Speaker 4: out there and continue to say things, does it make
• 31:29
  Speaker 4: you go to the studio.
• 31:30
  Speaker 3: And rewrite, write more? What does it do? Because I
• 31:34
  Speaker 3: know that's what I know, that's how you've been channeling
• 31:35
  Speaker 3: all that.
• 31:36
  Speaker 1: None of the things that she has been saying. If
• 31:39
  Speaker 1: I'm being honest, it's irritating, Okay, it's annoying. I don't
• 31:44
  Speaker 1: know who this person is. I wish I did. None
• 31:47
  Speaker 1: of her friends know who she is. I don't know
• 31:49
  Speaker 1: who she is, and I think we've already addressed that
• 31:52
  Speaker 1: and unpacked that. What I will say is I didn't
• 31:55
  Speaker 1: really need any other motivator because if you were to
• 32:00
  Speaker 1: put on some three D glasses, I'm sitting here in
• 32:02
  Speaker 1: the bay's jacket and I'm still on fire about the
• 32:07
  Speaker 1: confusion in and around my entire thing, crashing and burning. Now,
• 32:12
  Speaker 1: pride and ego is supposed to say, you look good,
• 32:14
  Speaker 1: you got money, you dry this, you live in that,
• 32:16
  Speaker 1: your square footage is that you got a new love.
• 32:20
  Speaker 1: So you know, here's the other narrative that that women
• 32:24
  Speaker 1: I love, y'all, but it's it's amazing to me. Does
• 32:28
  Speaker 1: that mean Jasmine Sullivan still want to be with her
• 32:31
  Speaker 1: ex because she released the song talk about Busts and
• 32:34
  Speaker 1: Windows out of Car? Does Mary J. Blige want to
• 32:38
  Speaker 1: get back with Ken Do because she has done a
• 32:42
  Speaker 1: bunch of interviews and released a bunch of songs venting
• 32:46
  Speaker 1: and talking and expressing her thoughts, feelings and sentiment about
• 32:50
  Speaker 1: a marriage that ultimately didn't work. Because it is fucked
• 32:55
  Speaker 1: up for y'all to keep telling me that I want,
• 33:00
  Speaker 1: I lust, I desire, I want. I have not talked
• 33:03
  Speaker 1: to this woman. I have not secretly done a lunch
• 33:05
  Speaker 1: at dinner. If she were to post screenshots right now
• 33:09
  Speaker 1: of her phone since she left me, there is not
• 33:11
  Speaker 1: one fucking text message that says I'll do it now.
• 33:15
  Speaker 1: There was some begging and pleading and trying to understand
• 33:18
  Speaker 1: when we first broke up, but the moment that that
• 33:21
  Speaker 1: divorce paperwork came in with twenty thousand dollars a month
• 33:24
  Speaker 1: for eight month old attached, I said, Okay, I got
• 33:28
  Speaker 1: what's going on now. I don't like it, but I
• 33:31
  Speaker 1: can't unsee what I saw and I can't unfeel what
• 33:33
  Speaker 1: I feel. So at the end of the day, I'm
• 33:36
  Speaker 1: now in a studio working on an album that shit
• 33:39
  Speaker 1: belonged to everybody else but me. You think I want
• 33:42
  Speaker 1: to sing these goddamn songs? Okay? You think Marvin Gaye
• 33:48
  Speaker 1: wanted to go to court after being married to Barry
• 33:52
  Speaker 1: Gordy's wife, I mean Barry Gordy's sister that was seventeen
• 33:56
  Speaker 1: years older than him named Anne Gordy, broke, depressed, addicted
• 34:02
  Speaker 1: to cocaine, going through everything imaginable in his life and
• 34:08
  Speaker 1: ended up going to court and didn't have anything that
• 34:10
  Speaker 1: he can give Barry Gordy's sister, and he ended up
• 34:13
  Speaker 1: having a judgment to say, you're gonna go to the studio.
• 34:17
  Speaker 1: You're gonna record a full album. All of the money
• 34:20
  Speaker 1: from yourselves, your publishing, everything that has to do with
• 34:24
  Speaker 1: this album. You gotta give it to this woman that
• 34:26
  Speaker 1: you were married to, because you ain't got a pot
• 34:28
  Speaker 1: to piss in and a hole in the wall. And
• 34:30
  Speaker 1: you know what he named the album? Here, my dear,
• 34:36
  Speaker 1: you think Marvin gave want to record that goddamn album.
• 34:39
  Speaker 1: You think Marvin Gay wanted his life to end up
• 34:42
  Speaker 1: the way it ended up before he released And it's
• 34:44
  Speaker 1: classics on the like just to keep you satisfied. You
• 34:48
  Speaker 1: know what that is, Charlotte Mane, you probably got three
• 34:50
  Speaker 1: kids off of that. That song would have never been
• 34:53
  Speaker 1: created if you didn't go through that tumultuous time. See
• 34:57
  Speaker 1: some of y'all out here, y'all niggas break up with
• 35:00
  Speaker 1: somebody in three weeks and y'all selling out arenas and
• 35:04
  Speaker 1: y'all are confusing popularity. What matters you? Mike wave ass
• 35:08
  Speaker 1: motherfucker ain't gonna be here five years.
• 35:11
  Speaker 8: So it sounds like you, I mean, you're in a
• 35:12
  Speaker 8: good space about a lot of stuff, right, So where
• 35:16
  Speaker 8: are you because people you brought up mental health earlier,
• 35:18
  Speaker 8: and people always you said, people question your mental health,
• 35:20
  Speaker 8: Like where are you right now with everything?
• 35:23
  Speaker 5: Mental health wise?
• 35:24
  Speaker 1: I have never been in a better place in my life,
• 35:29
  Speaker 1: did it? I take anxiety medicine that's one milligram, it's
• 35:35
  Speaker 1: called Adavan, changed my life. I've never taken any other
• 35:40
  Speaker 1: version of anxiety medicine. Most of y'all niggas out here
• 35:43
  Speaker 1: taken anxiety medicine. Don't really actually have anxiety. You just
• 35:46
  Speaker 1: want to be high. Because your favorite rapper mentioned in
• 35:49
  Speaker 1: every three bars, I've learned to get massages. I love
• 35:57
  Speaker 1: that I live in a cul de sac where there's
• 35:58
  Speaker 1: no cars, no people, to no movement, because my version
• 36:02
  Speaker 1: of hitting the reset button is when I get away
• 36:05
  Speaker 1: from everything and everybody. That may make some people sad
• 36:09
  Speaker 1: and depressed, but when I get to be alone is
• 36:13
  Speaker 1: when I am at my best. We don't really have
• 36:18
  Speaker 1: to talk about the crying video, because as I was
• 36:22
  Speaker 1: asking what more do you want from me? I realized
• 36:24
  Speaker 1: I was really talking to God because I felt like
• 36:27
  Speaker 1: if my life went from a thirty second commercial to
• 36:31
  Speaker 1: almost thirty years of some some type of a career,
• 36:34
  Speaker 1: I'm trying to figure out, like, what else do you
• 36:36
  Speaker 1: have in mind for me? What? What else are we going?
• 36:38
  Speaker 9: What?
• 36:38
  Speaker 1: What? What? What else happens from here at seriously, because
• 36:44
  Speaker 1: because because those were words that came out of my
• 36:46
  Speaker 1: mouth that I never knew that that video was out
• 36:48
  Speaker 1: there for four months before the psych meds was out
• 36:50
  Speaker 1: of my system. So it's it's still painful to think
• 36:54
  Speaker 1: about the shame and embarrassment that came with something that
• 36:57
  Speaker 1: I didn't even know happened. But at the end of
• 37:00
  Speaker 1: the day, I'm not here to make a mockery of
• 37:02
  Speaker 1: mental health. I'm just here to address what happens when
• 37:06
  Speaker 1: somebody says you're stressed out, you're going through something, and
• 37:10
  Speaker 1: they give you something to help you with your mental
• 37:12
  Speaker 1: health and it ended up having fucked up side effects
• 37:15
  Speaker 1: for the whole world to see. So with that being said,
• 37:18
  Speaker 1: understand and I gotta, I gotta, I gotta close this
• 37:23
  Speaker 1: out by talking about the movie because I have to.
• 37:28
  Speaker 1: But I want to say this in closing. I want
• 37:30
  Speaker 1: to show this. I want to say this in closing
• 37:32
  Speaker 1: about beautiful pain. We could find ourselves as R and
• 37:38
  Speaker 1: B singers continuing to make reference to things and events
• 37:42
  Speaker 1: and moments that happened fifty years ago while disowning our gifts,
• 37:47
  Speaker 1: disowning our songs, disowning our talents. Because we keep throwing
• 37:55
  Speaker 1: back to Donnie, to Marvin, to Stevie to all of
• 38:00
  Speaker 1: the greats. They are great, and they're still great. Rather
• 38:03
  Speaker 1: they're still with us or not. But it's time for
• 38:06
  Speaker 1: us as R and B singers to step into our
• 38:09
  Speaker 1: greatness and have the audacity to say, I believe I
• 38:15
  Speaker 1: just made the most important album of my life. And
• 38:20
  Speaker 1: when I take my last breath fifty sixty years from now,
• 38:23
  Speaker 1: God willing, I don't pass no time soon, they will
• 38:26
  Speaker 1: look at this interview. They will look at all my documentaries.
• 38:29
  Speaker 1: They will look at me and the process of me
• 38:31
  Speaker 1: making my album, which I've documented every step of the way,
• 38:34
  Speaker 1: and say, how can you not put that that there?
• 38:39
  Speaker 1: David Foster produced, executive produced Beautiful Pain. Brandon bam Hodge
• 38:47
  Speaker 1: produced Beautiful Pain. This is the only album that belongs
• 38:53
  Speaker 1: on vinyl. You go to tyres dot TV, the pre
• 38:56
  Speaker 1: ordered kids go to sleep. I know hear me to
• 39:05
  Speaker 1: my ex, you fucked me up? He did. But God,
• 39:18
  Speaker 1: God had this to happen for a reason, because what
• 39:21
  Speaker 1: I gave birth to and this album and this music
• 39:27
  Speaker 1: never existed before that. What I just gave birth to
• 39:34
  Speaker 1: never existed before. Zelly. I got a song called Rescue
• 39:38
  Speaker 1: because she was my rescue. God sent this woman in
• 39:42
  Speaker 1: my life in the midst of all of my message.
• 39:45
  Speaker 1: Not in everybody's cars to be alone while you're going
• 39:48
  Speaker 1: through a broken heart. That's how people kill themselves. It's
• 39:52
  Speaker 1: not about let me wait until I heal and I
• 39:55
  Speaker 1: take my heel and join them. About one hundred percent,
• 39:58
  Speaker 1: get off the internet when you've grown and you understand
• 40:02
  Speaker 1: the beauty of companionship, friends, family, loved ones and somebody
• 40:07
  Speaker 1: that you share in time with can put a smile
• 40:09
  Speaker 1: on your face when you can't put a smile on
• 40:11
  Speaker 1: your own face. Zelly, I love you, and I'm sorry
• 40:15
  Speaker 1: I had to do so many interviews talking about my
• 40:18
  Speaker 1: ex but I love you. It's spent four years and
• 40:21
  Speaker 1: you have changed my life. You are my rescue. God
• 40:25
  Speaker 1: sent you in my life to be something that never
• 40:28
  Speaker 1: existed before you got there. You never asked to be there.
• 40:32
  Speaker 1: I was supposed to be married and do this with her.
• 40:34
  Speaker 1: She made her choice. Beautiful pain. It drops on the
• 40:39
  Speaker 1: same day as nineteen ninety two Friday August thirtieth, Rest
• 40:44
  Speaker 1: in peace to Ray Liota. I appreciate Scott Eastwood. I
• 40:49
  Speaker 1: appreciate the director named Ariel Roman. Okay, this man is
• 40:55
  Speaker 1: Israeli from Israel, directing a film about one of the
• 40:59
  Speaker 1: most dramatic this nineteen ninety two. April twenty ninth, the
• 41:03
  Speaker 1: Rodney King Verdict. Not comparing tragedies. This was our September eleventh.
• 41:11
  Speaker 3: September eleventh.
• 41:13
  Speaker 1: Hear me out. We're not talking about comparing the tragedies.
• 41:17
  Speaker 3: It was a terrorist. I would like in Rodney King
• 41:20
  Speaker 3: more sort of like a George Floyd.
• 41:22
  Speaker 1: Police officers are terrorists. When you got seventeen white men
• 41:26
  Speaker 1: pulling out they batons and beating the shit out. They
• 41:29
  Speaker 1: killed this man, brought them back to life. They killed
• 41:31
  Speaker 1: this man. We've seen terrorism. Okay, Okay, so we got it.
• 41:35
  Speaker 1: We're not talking about airplanes and God bless all of
• 41:39
  Speaker 1: the loss. I'm not comparing tragedies. This was our September
• 41:43
  Speaker 1: eleventh on the West Coast. Prior to that, it was
• 41:46
  Speaker 1: the nineteen sixty five riots. Okay, that the President of
• 41:50
  Speaker 1: the United States sent doctor Martin Luther King to Watts
• 41:53
  Speaker 1: before I was born in Watts and raised and became successful.
• 41:58
  Speaker 1: My City Watts was only known for the nineteen sixty
• 42:01
  Speaker 1: five Watts riots. The movie nineteen ninety two is not
• 42:05
  Speaker 1: about the documentary of rioting looting. If y'all want to
• 42:09
  Speaker 1: watch a movie about rioting looting, go watch the shit online.
• 42:12
  Speaker 1: There's a documentary out there about It's plenty of them.
• 42:15
  Speaker 1: This is about a heist Radiota Scott Eastwood. They decided,
• 42:20
  Speaker 1: while the whole world is distracted, everything is burning, everybody's looting,
• 42:25
  Speaker 1: rioting and burning La the fuck down. Let's go break
• 42:29
  Speaker 1: in this warehouse and steal fifty platinum bars out of
• 42:32
  Speaker 1: this motherfucker's safe and do a heist. And you have
• 42:37
  Speaker 1: never in your life seen as many white people in
• 42:39
  Speaker 1: the South Central LA. Movie. I'll give you the list. Colors,
• 42:43
  Speaker 1: Minister Society, boys in the Hood, baby Boy, Poetic Justice,
• 42:49
  Speaker 1: set it off straight out of Compton and the New
• 42:52
  Speaker 1: show Snowfall. Whenever you see white people, whenever you see
• 42:56
  Speaker 1: white people in these South Central LA movies, they're normally
• 42:59
  Speaker 1: police officer. This is fucking up black and brown people.
• 43:03
  Speaker 1: This movie is the This is nineteen ninety two is
• 43:07
  Speaker 1: my South Central Fast and the Furious.
• 43:10
  Speaker 3: Interesting.
• 43:12
  Speaker 1: Imagine that so and Ray passed, Ray passed away, and
• 43:18
  Speaker 1: this is the last piece of already left the world
• 43:20
  Speaker 1: with And it is the most uncomfortable performance you'll ever
• 43:23
  Speaker 1: see from Rayleoto. I mean, I'm talking about on the set, Ray,
• 43:29
  Speaker 1: what's going on? Yeah, all right, Ray wasn't fucking with nobody.
• 43:34
  Speaker 1: Ray was in it.
• 43:36
  Speaker 4: You deal with a lot of grief, like I think
• 43:38
  Speaker 4: about you know, brother Paul Walker, and I think about
• 43:41
  Speaker 4: John Ray, John Singleton, your mother, divorce, your sisters. People
• 43:48
  Speaker 4: don't look at divorces grief, but you did. You lose things.
• 43:50
  Speaker 4: You know, you probably lost a lot of friends when
• 43:52
  Speaker 4: you went through your mental health breakdown. Are you really
• 43:56
  Speaker 4: really really have you really taken the time to deal
• 43:59
  Speaker 4: with all of that grief or do you just try
• 44:01
  Speaker 4: to stay busy?
• 44:02
  Speaker 9: To a boy, I'm doing the best I can. What
• 44:09
  Speaker 9: every twenty four hours, I get, that's its tissue.
• 44:18
  Speaker 1: No, I don't need no tissue, black men cry you
• 44:24
  Speaker 1: no fucking tissue. Every twenty four hours I get. I'm
• 44:30
  Speaker 1: doing the best I can. Beautiful Pain, nineteen ninety two.
• 44:39
  Speaker 1: There is no square footage I could ever live in.
• 44:41
  Speaker 1: There was no rims, no jury at, no car, There
• 44:46
  Speaker 1: is no net worth. There was no press release, there
• 44:51
  Speaker 1: was no co star. There is no collaboration in the
• 44:54
  Speaker 1: world that could ever replace my mama, that could feel
• 45:00
  Speaker 1: the void of what it's like to wake up and
• 45:04
  Speaker 1: get married and want to be in something for the
• 45:06
  Speaker 1: rest of your life and it goes away. I don't
• 45:11
  Speaker 1: need no tissue. Man, understand how much power it is
• 45:17
  Speaker 1: and letting it go.
• 45:18
  Speaker 5: Yeah, because you've been holding the whole interview.
• 45:20
  Speaker 1: You asked me the question, But I mean you should
• 45:23
  Speaker 1: have never asked the question if you didn't want to
• 45:26
  Speaker 1: see how hard it's being to get through. Okay, do
• 45:31
  Speaker 1: you not cry?
• 45:32
  Speaker 3: Absolutely?
• 45:33
  Speaker 1: You might not bring it to the radio, But this
• 45:37
  Speaker 1: is what being grown is. I'm not doing this.
• 45:43
  Speaker 5: I mean, my makeup going to mess up. Hear me,
• 45:46
  Speaker 5: I can hear hear me.
• 45:50
  Speaker 1: Black men cry when divorces happen. Women aren't the only
• 45:57
  Speaker 1: ones that have devastated when a miscarriage happens. Women are
• 46:03
  Speaker 1: not the only one that you should be checking on
• 46:07
  Speaker 1: when you can't put food on the table because your
• 46:10
  Speaker 1: career goes up and then it goes down. Stop calling,
• 46:14
  Speaker 1: skipping over the man and just checking on the woman.
• 46:23
  Speaker 1: This is real shit out here. I'm gonna wipe my
• 46:26
  Speaker 1: own tears. I love you, sis. When you do things
• 46:31
  Speaker 1: from the heart of the facts hearts, that's what beautiful
• 46:34
  Speaker 1: pain is. Y'all might outsell me the first week I
• 46:41
  Speaker 1: made a fucking classic. Some of the most legendary movies
• 46:49
  Speaker 1: in the world didn't do well in the box office.
• 46:52
  Speaker 1: Baby Boy bombed. Do your research? Is it a classic?
• 47:00
  Speaker 1: Baby Boy? People to even know who the fuck I
• 47:03
  Speaker 1: was as actor when that movie came out.
• 47:05
  Speaker 3: Maybe BT still got a network.
• 47:08
  Speaker 1: Praise God. If the movie bombed in the box office,
• 47:12
  Speaker 1: why is it the only movie that they still playing
• 47:15
  Speaker 1: on b ET every day. Don't confuse data and numbers
• 47:21
  Speaker 1: and popularity with the reality of what affects hearts. I'm
• 47:26
  Speaker 1: a grown ass man, and I'm gonna tell y'all something
• 47:29
  Speaker 1: about nineteen ninety two as well as the mass singer
• 47:33
  Speaker 1: when I did that show, praise God for Nick Cannon,
• 47:36
  Speaker 1: shout out to him. I was really a mass singer.
• 47:43
  Speaker 1: I needed that mask so fucking bad. I needed that
• 47:47
  Speaker 1: money from that show so bad. I didn't have it
• 47:51
  Speaker 1: in me to go stand on that fucking stage and
• 47:53
  Speaker 1: sing and praise God. I had a mask on because
• 47:56
  Speaker 1: while I was on stage singing if they had seen
• 47:59
  Speaker 1: my face under that mask. Listen, if it all ends
• 48:07
  Speaker 1: for me tomorrow, I never sold you on fake. None
• 48:13
  Speaker 1: of this jury on my mom is real. Don't love
• 48:17
  Speaker 1: me because of no fucking diamonds. Take all this shit.
• 48:21
  Speaker 1: This bracelet right here, look realism. Motherfuck. This shit was
• 48:23
  Speaker 1: twenty three dollars on Amazon. You said nothing. Hear me
• 48:31
  Speaker 1: out it don't look fake right If you out here
• 48:35
  Speaker 1: getting fake vagina over your fake jury, reality is reality.
• 48:44
  Speaker 1: This shit is corny. It's all fake. It's all superficial.
• 48:48
  Speaker 1: It doesn't mean anything. Can I ask you a question?
• 48:51
  Speaker 1: My brother and clothing. Everybody go see nineteen ninety two
• 48:55
  Speaker 1: and Beautiful Pain. They both drop Friday, August thirtieth. It's
• 48:59
  Speaker 1: a labor day weekend. Shout out to Snoop Dogg, who's
• 49:03
  Speaker 1: an executive producer on board. I want you to understand something.
• 49:08
  Speaker 1: R and B just changed the live instruments. Gotta come out,
• 49:14
  Speaker 1: go pulling my chick garage. Just time to dust them out.
• 49:16
  Speaker 1: All of y'all out here making these beats on these
• 49:18
  Speaker 1: goddamn iPhones, and y'all end up number one. Y'all gonna
• 49:21
  Speaker 1: have to have a seat.
• 49:23
  Speaker 5: That's why you did everything live. You're trying to bring
• 49:25
  Speaker 5: it back to that.
• 49:26
  Speaker 1: I didn't do it live on purpose. That just ended
• 49:28
  Speaker 1: up happening because I got into the biggest argument ever
• 49:31
  Speaker 1: with my producer named Brandon. He was like, bro, I'm
• 49:34
  Speaker 1: not doing that no more. We're not pulling out logic,
• 49:36
  Speaker 1: we're not pulling out beat machines. We're doing this shit live.
• 49:40
  Speaker 1: And I said, I don't even know what the fuck
• 49:41
  Speaker 1: that is, but I tell you what. The number one song,
• 49:44
  Speaker 1: biggest song of my life, produced by Warren Campbell, was
• 49:47
  Speaker 1: number one on Billboard for sixteen weeks, and that was live.
• 49:51
  Speaker 1: It's called Shame Shame. Wildflower. Shame was not a remake.
• 49:59
  Speaker 1: Wildflo is a remake that everybody already loved, and the
• 50:03
  Speaker 1: person who co wrote produce it has something to do
• 50:06
  Speaker 1: with it fifty years ago is involved with the current
• 50:08
  Speaker 1: version of the song. I just want you to know
• 50:12
  Speaker 1: that everything just changed. If you ain't never Bret a
• 50:15
  Speaker 1: real person in your life, I'm sitting right here, like me,
• 50:18
  Speaker 1: dislike me, agree with me, disagree with me. Whoever your
• 50:22
  Speaker 1: favorite is, I hope they stay your favorite. I've never
• 50:25
  Speaker 1: tried to win the popularity contest, and if I did.
• 50:28
  Speaker 1: I got every celebrity, director, actor, rapper, porn star, you
• 50:32
  Speaker 1: name it. They're all on my phone. I know all
• 50:34
  Speaker 1: these motherfuckers. I could be as hot as I want
• 50:36
  Speaker 1: to be. You don't think I got TMZ on the phone.
• 50:38
  Speaker 1: You don't think I know Harvey Levin. You don't think
• 50:41
  Speaker 1: I can make a phone call and say this is
• 50:42
  Speaker 1: what restaurant I'm eating at. Paparazzi show up.
• 50:45
  Speaker 5: I used to work there. I would be there when
• 50:46
  Speaker 5: you Okay, are.
• 50:48
  Speaker 3: Those areas real?
• 50:50
  Speaker 1: No? You can't. You know why it's not real because
• 50:55
  Speaker 1: I've lost so much of this shit. They spent a
• 50:59
  Speaker 1: half a million dollar long on the fuck what called
• 51:00
  Speaker 1: Jacob to jeweler, nigga, call all of them all your
• 51:04
  Speaker 1: most favorite popular jeweler's online and all got my black Centurion.
• 51:10
  Speaker 1: You don't know what centurion is.
• 51:11
  Speaker 3: They're platinum called that centurion called a black heart.
• 51:16
  Speaker 1: They know what that centurion is. That thing goes through.
• 51:19
  Speaker 1: I'm good. I don't lose no sleep over trying to
• 51:22
  Speaker 1: win the popularity contest from showing up with all this
• 51:25
  Speaker 1: jury that I'm gonna leave on a night stand and
• 51:27
  Speaker 1: have a housekeeper to say, I don't know I'm sure
• 51:30
  Speaker 1: you don't know. I'm sure you don't know. For them
• 51:34
  Speaker 1: two hundred and fifty thousand dollars, fucking two hundred and
• 51:38
  Speaker 1: thousand dollars, it raises that I don't know.
• 51:40
  Speaker 3: We looked at anywhere.
• 51:42
  Speaker 1: I'm sure you looked everywhere. That motherfucker retired two weeks later,
• 51:48
  Speaker 1: and sure hotels ain't paying me back to this day.
• 51:51
  Speaker 10: You know's new album beautiful pig Star TV everywhere you
• 51:57
  Speaker 10: scream music on a piece of history, double y August
• 52:03
  Speaker 10: Beautiful Pain.
• 52:07
  Speaker 1: On my on my website. Thank you for asking that
• 52:09
  Speaker 1: there's a limited edition version of the album. And every
• 52:13
  Speaker 1: limited edition version of my Beautiful Pain album that is purchased,
• 52:17
  Speaker 1: it comes signed. I'm not putting your name on it, motherfucker.
• 52:20
  Speaker 1: There's too many of them, but I'm signing every individual album.
• 52:24
  Speaker 1: Go to tyres dot tv pre order. I want you
• 52:27
  Speaker 1: to own a piece of history.
• 52:28
  Speaker 3: August thirtieth, Beautiful Pain will be out.
• 52:31
  Speaker 1: And thank you for everybody who's shawing up for my dreams,
• 52:34
  Speaker 1: my engineers, my writers, my producers. I wish I had
• 52:38
  Speaker 1: the time to go into every individual name, but I
• 52:41
  Speaker 1: just want you all to know, man, y'all showed up
• 52:45
  Speaker 1: for my dreams. Y'all been my therapist, you've been my friend,
• 52:48
  Speaker 1: You've encouraged me. And I have to close this out
• 52:52
  Speaker 1: by giving the one and only name that matters. If
• 52:58
  Speaker 1: you don't know, Jesus, the Lord Jesus Christ is my
• 53:05
  Speaker 1: Lord and savior. Every therapist has ever helped me, every friend,
• 53:11
  Speaker 1: every brother, girlfriend laughed at jokes. I would not be
• 53:16
  Speaker 1: here if it wasn't for the power and the presence
• 53:20
  Speaker 1: of the Lord Jesus Christ, who has been by my side.
• 53:24
  Speaker 1: When I thought it was over, when I thought it
• 53:27
  Speaker 1: was a rap, When I thought, what you thought? What
• 53:30
  Speaker 1: more do you congradual life? When I thought it was over,
• 53:36
  Speaker 1: God said no, I'm God. Amen, I got my hands
• 53:42
  Speaker 1: on you. Son. All you got to do is wake
• 53:44
  Speaker 1: up and decide to not do nothing. Stupid. Divorce is divorce.
• 53:52
  Speaker 1: People out here get sad and messed up and broken
• 53:54
  Speaker 1: and they decide they don't want to live no more.
• 53:57
  Speaker 1: I praise God every single day that that's never been
• 53:59
  Speaker 1: a choice. It's not because narcissism. Ego, oh, he would
• 54:03
  Speaker 1: never hurt himself. Because some of the biggest egos in
• 54:06
  Speaker 1: the world, with money and all the success in the world,
• 54:08
  Speaker 1: have made that choice, and if you're struggling with that,
• 54:11
  Speaker 1: I just want you to invite the Lord Jesus Christ
• 54:13
  Speaker 1: into your most vulnerable spaces and places and watch and
• 54:18
  Speaker 1: see what only God can do. Beautiful Pain at nineteen
• 54:23
  Speaker 1: ninety two are both dropping August thirty, Labor Day weekend Friday,
• 54:28
  Speaker 1: August thirty. If the only place you can get Beautiful
• 54:30
  Speaker 1: Pain right now is on Tyres TV, I can't sell
• 54:35
  Speaker 1: you on anything you don't want to be sold on
• 54:37
  Speaker 1: because the data, the pop little Taytay livery All I
• 54:40
  Speaker 1: can say is if you've grown and sexy and you
• 54:43
  Speaker 1: appreciate real song, real vulnerabilities, real music, and I'm gonna
• 54:47
  Speaker 1: tell you something else Charlemagne and I'm gonna shut up.
• 54:50
  Speaker 1: I praise God for this. I've actually played this album
• 54:54
  Speaker 1: for more married couples. They've danced, they've cried, they've wiped
• 54:59
  Speaker 1: each other others tears, they've literally said including Snoop Dog
• 55:02
  Speaker 1: with his wife that he's been with since high school.
• 55:05
  Speaker 1: He said, Babe, I'm sorry, and she like what, babs,
• 55:11
  Speaker 1: you know whatever? This album has brought married couples closer.
• 55:19
  Speaker 1: They're having sex the bedroom, they taking bubble baths, they
• 55:23
  Speaker 1: apologize and they're like, what are we arguing about? Like
• 55:27
  Speaker 1: what this is not I went through a divorce. This
• 55:30
  Speaker 1: ain't no bitter shit. You are not about to pick
• 55:33
  Speaker 1: up my I'm not about to be the Lord Jesus
• 55:35
  Speaker 1: Christ Jesus, and I'm about to release an album to
• 55:39
  Speaker 1: contribute to the divorce rate. M if y'all think y'all
• 55:45
  Speaker 1: about to go pick up an album where I'm going
• 55:47
  Speaker 1: at my ex the whole time. No, no, no, I got songs,
• 55:50
  Speaker 1: I got feelings, I got vulnerabilities and sentiments. I am
• 55:54
  Speaker 1: not misogynistic, I am not condescending. I'm not ripping her
• 55:58
  Speaker 1: down too. I am telling my truth. Point out the
• 56:01
  Speaker 1: difference in me and all of your female singers who
• 56:05
  Speaker 1: have ever released songs and singles about problems, cheated on,
• 56:09
  Speaker 1: lies and divorces and things that they've been through. And
• 56:12
  Speaker 1: it's fucked up for y'all to continue coming at me
• 56:15
  Speaker 1: like I can't express my sentiments and feelings the way
• 56:19
  Speaker 1: women have been able to do since the beginning of time.
• 56:22
  Speaker 1: Go get this work, beautiful, pain Tyrens TV nineteen ninety
• 56:26
  Speaker 1: two were making history and everybody to try and block it.
• 56:30
  Speaker 1: Move out the way God's got his hands on this.
• 56:34
  Speaker 3: Gives I love you, brother. Don't run from your grief. Brother.
• 56:36
  Speaker 3: It's the Breakfast Club.
• 56:38
  Speaker 1: Wake that ass up in the morning. The Breakfast Club