Latest / Luke's English Podcast / SALVADOR DA RIMA - Podpah _1037

Transcript

SALVADOR DA RIMA - Podpah _1037 · Luke's English Podcast

• 1:09
  Speaker 1: Superbet, you feel when it's super.
• 1:41
  Speaker 2: Gringos?
• 1:43
  Speaker 1: Nunca entenderão. Guaraná Antarctica. Sente de torcer é coisa nossa.
• 1:54
  Speaker 1: Guaraná Antarctica. Guaraná Antarctica.
• 2:09
  Speaker 2: I'm fine, I'm fine.
• 2:33
  Speaker 3: And I'm... Do you remember this collab? Are you crazy?
• 2:35
  Speaker 1: You can go to the live, it's obvious that I remember.
• 2:37
  Speaker 3: Yesterday was a lot of madness there in Rio de Janeiro,
• 2:40
  Speaker 3: the call, the fuck. It's true, I was here. It
• 2:43
  Speaker 3: was a broadcast, more than 150,000 people watched our live.
• 2:46
  Speaker 1: It was phenomenal. And yesterday there, was there a different vibe?
• 2:49
  Speaker 3: There was, but everyone only talked about Neymar, man. It
• 2:52
  Speaker 3: was everyone, Neymar, and Neymar goes, Neymar comes, and, man,
• 2:55
  Speaker 3: a lot of people. It was really cool there, at
• 2:57
  Speaker 3: the Museum of Tomorrow, in Rio de Janeiro.
• 2:59
  Speaker 1: Okay?
• 3:00
  Speaker 3: Go to Conchegue there... Give us a like and subscribe
• 3:03
  Speaker 3: because we're almost 10 million subscribers, for God's sake.
• 3:07
  Speaker 1: By the way, Mítico Jovem... Say it.
• 3:08
  Speaker 3: Igão Underground.
• 3:09
  Speaker 1: We're almost 10 million subscribers. But look, there's something coming.
• 3:14
  Speaker 1: A new news, coming on Thursday now. There's an absurd premiere,
• 3:19
  Speaker 1: which is Sala, from Powered by Records. It's a project
• 3:23
  Speaker 1: that's really beautiful, Mítico Jovem.
• 3:25
  Speaker 4: Man.
• 3:25
  Speaker 3: Igão, what is.
• 3:26
  Speaker 1: Podpah Records' living room? Do you know what was the
• 3:28
  Speaker 1: acoustic for MTV? Back there? The living room is for
• 3:32
  Speaker 1: Podpah Records. Yes.
• 3:33
  Speaker 3: And why a living room, Igão?
• 3:35
  Speaker 1: Because we're going to open... You'll understand when Rael debuts,
• 3:39
  Speaker 1: but we're going to open a living room for you
• 3:43
  Speaker 1: to relax and listen to a sound in a comfortable environment,
• 3:48
  Speaker 1: like a living room is. And it's in a 2000s style,
• 3:50
  Speaker 1: you'll like it. It's aesthetically beautiful. Technically, it's perfect.
• 3:54
  Speaker 3: There are 18 songs, man.
• 3:56
  Speaker 1: Sonoramente, it's impeccable. So, really, all these musical projects you're
• 4:01
  Speaker 1: seeing there on the street, of the guys there, that
• 4:04
  Speaker 1: bring the gringa to Brazil, weak near ours. That's what
• 4:07
  Speaker 1: I wanted to say. O nosso tá muito mais pica.
• 4:09
  Speaker 1: E eu tô falando isso com propriedade e certeza, tá bom?
• 4:13
  Speaker 3: Então, é isso.
• 4:13
  Speaker 1: Na quinta-feira, agora, acompanhe o Sala do Rael. Inclusive, faça
• 4:17
  Speaker 1: o pre-save, tá bom? Tem o QR Code aí na tela.
• 4:20
  Speaker 1: Você não vai se arrepender, mano.
• 4:22
  Speaker 3: It's Friday, man.
• 4:23
  Speaker 1: You have to see the mixing of this stuff.
• 4:25
  Speaker 3: Subscribe to our channel, Podpah Records, the music channel.
• 4:28
  Speaker 1: Here at Podpah, Mítico Jovem.
• 4:29
  Speaker 3: That's it.
• 4:30
  Speaker 1: Talking about Guarana Antártica, as Mítico Jovem said, yesterday there
• 4:34
  Speaker 1: was the call. But did you see what happened here
• 4:38
  Speaker 1: on Friday, last week? It was historic.
• 4:40
  Speaker 3: It really was, man.
• 4:41
  Speaker 1: Mítico Jovem, Guaraná Antarctica gave life to these commemorative cans
• 4:45
  Speaker 1: and each can represents a year that we won the Copa.
• 4:46
  Speaker 3: What's your favorite, Vigão?
• 4:48
  Speaker 1: Man, I confess that the 2002 one gets me because
• 4:52
  Speaker 1: this canary yellow here is very beautiful.
• 4:54
  Speaker 3: Very beautiful, yes.
• 4:54
  Speaker 1: But I like this golden yellow here from the 70s,
• 4:56
  Speaker 1: you know? The 70s got me too.
• 4:57
  Speaker 3: I like it a lot, but the 58 blue is
• 4:58
  Speaker 3: beautiful too, man.
• 4:59
  Speaker 1: It can't be. And the thing is that we had
• 5:05
  Speaker 1: a representative of each can here. Mengálvio, Pepe, Rivelino, Tafarel
• 5:11
  Speaker 1: and also him, our captain Cafu, okay? This was the
• 5:15
  Speaker 1: apex for us. Guaraná Antarctica shone in this one. Man,
• 5:18
  Speaker 1: I saw that it was news and everything was singing.
• 5:21
  Speaker 1: We're together, guys. We always make a question.
• 5:22
  Speaker 3: Pepe is so cute, my God. Watch the episode if
• 5:25
  Speaker 3: you haven't watched it, for God's sake. Exactly.
• 5:29
  Speaker 1: And the thing is this. Yesterday, the call left everyone,
• 5:34
  Speaker 1: like the young myth, thirsty for hexa.
• 5:37
  Speaker 3: True.
• 5:37
  Speaker 1: The man goes... We'll be there. So the thing is.
• 5:41
  Speaker 3: He's going and we're there.
• 5:43
  Speaker 1: Scan the QR code that's on the screen and guarantee
• 5:46
  Speaker 1: your can. And for those who think that this year
• 5:47
  Speaker 1: we won't cheer, calm down, buddy. We're peita champions, you know?
• 5:52
  Speaker 1: Let's go up.
• 5:53
  Speaker 3: I believe. Me too.
• 5:53
  Speaker 1: Let's go up with this thirst to cheer, which is
• 5:56
  Speaker 1: our thing, Mítico Jovem.
• 5:57
  Speaker 3: Let's go. Take advantage of Guaraná on his social media,
• 6:00
  Speaker 3: who do a wonderful job. Thank you very much for
• 6:02
  Speaker 3: this partnership. And stay with us, Guaraná. For the love
• 6:04
  Speaker 3: of God.
• 6:04
  Speaker 1: Remember the question for Pepe? Hey, Pepe, how was it
• 6:06
  Speaker 1: in Sweden, the celebration there?
• 6:08
  Speaker 3: Here, with the little finger like this. Little finger, little finger. Calm, calm.
• 6:13
  Speaker 3: Let's do the next five. Who will be the next five? Now, no,
• 6:15
  Speaker 3: keep thinking.
• 6:16
  Speaker 1: Receive with great affection, make a lot of noise, knock
• 6:18
  Speaker 1: down this studio. After five years, almost six, he came back.
• 6:23
  Speaker 1: Give a lot of applause for our guest today, Salvador
• 6:25
  Speaker 1: da Rima!
• 6:26
  Speaker 3: Good!
• 6:28
  Speaker 1: Let's go, that's it!
• 6:30
  Speaker 3: That's it, fuck!
• 6:33
  Speaker 1: Let's go my brother, how are you? It's us, my brothers.
• 6:35
  Speaker 4: Are you ready to arrive?
• 6:37
  Speaker 1: I'm ready.
• 6:38
  Speaker 2: Thank you very much for the invitation, for me it's
• 6:40
  Speaker 2: an immense gratitude to be coming here after all this
• 6:43
  Speaker 2: time and to be following your progress and evolution.
• 6:45
  Speaker 4: May God bless you more and more.
• 6:46
  Speaker 1: Thank you.
• 6:46
  Speaker 4: And we are following yours, right bro?
• 6:49
  Speaker 1: We were talking here before coming on air. When Salvador
• 6:56
  Speaker 1: went to Podpá to exchange ideas with us for the
• 6:59
  Speaker 1: first time, we were all kids. He was 19 years old.
• 7:02
  Speaker 1: I remember him saying that. You're 25 years old today? Yes,
• 7:05
  Speaker 1: I'll be 25. So you'll be 25 years old. It's
• 7:06
  Speaker 1: exactly that age. A lot has changed from then to now. Totally.
• 7:09
  Speaker 1: Another reality.
• 7:09
  Speaker 3: What are the main things that you can tell.
• 7:12
  Speaker 1: Us that have changed in your life?
• 7:13
  Speaker 4: I think....
• 7:23
  Speaker 2: The mentality, you know, brother? It comes along with... Sorry,
• 7:25
  Speaker 2: it comes along with... It comes along with the access,
• 7:29
  Speaker 2: but it also comes a lot from what we... What I,
• 7:32
  Speaker 2: in particular, chose to seek, you know? So I believe
• 7:35
  Speaker 2: that at that time I had little... Little.
• 7:38
  Speaker 4: Discernment, I had a lot.
• 7:41
  Speaker 2: Of desire to make changes, I had a lot of
• 7:43
  Speaker 2: desire to talk, but I didn't know what it was about, so...
• 7:46
  Speaker 2: Today I have a better maturity in relation to that,
• 7:49
  Speaker 2: my family has also grown... My daughters grew up.
• 7:53
  Speaker 1: That's a beautiful thing.
• 7:54
  Speaker 2: At the time I had a grandchild, now I have
• 7:56
  Speaker 2: two daughters who talk and run around the house. And
• 8:01
  Speaker 2: the financial life too, thank God. That's not the most
• 8:05
  Speaker 2: important point.
• 8:06
  Speaker 4: But it's also a blessing.
• 8:06
  Speaker 3: And I think that's it.
• 8:08
  Speaker 1: The three things.
• 8:08
  Speaker 4: That changed from there to here, which is screaming.
• 8:10
  Speaker 1: It made me another person. Very crazy, Salvador. I think
• 8:14
  Speaker 1: it's cool here, man. I think we, in that first chat,
• 8:18
  Speaker 1: You talked a lot about your beginning, about your childhood,
• 8:20
  Speaker 1: but I think it's nice to remember, bro. I think
• 8:23
  Speaker 1: it's because, as you said, the ideas are renewed, you
• 8:26
  Speaker 1: can talk a little better about your life today. And
• 8:29
  Speaker 1: I think it's cool to start from the beginning, bro,
• 8:32
  Speaker 1: because you come from a place, for me, that I
• 8:34
  Speaker 1: think is very important to São Paulo and characteristic there,
• 8:38
  Speaker 1: which is the Romano, right, bro? No, I didn't live
• 8:41
  Speaker 1: in the Romano.
• 8:42
  Speaker 3: No?
• 8:42
  Speaker 1: I thought you lived in the Romano when we were
• 8:43
  Speaker 1: doing the research. I brought the.
• 8:46
  Speaker 4: The monster of Romano is because it's broken.
• 8:49
  Speaker 1: By the neighbors, bro.
• 8:50
  Speaker 4: Ah, okay, but it's like it was there, but it wasn't.
• 8:53
  Speaker 2: It's there in the whole region, we made presents.
• 8:54
  Speaker 1: You know? So, but there in Itacoa, I see that
• 8:56
  Speaker 1: the funk is very alive. Even the passinho do Romano
• 9:00
  Speaker 1: comes from there. It's that the Romano is already in Itaim.
• 9:04
  Speaker 1: Which is also almost.
• 9:05
  Speaker 2: It's like I'm saying, it's all divided, right, bro? It's
• 9:07
  Speaker 2: like it's not broken there.
• 9:09
  Speaker 1: And I lived a little there in the whole region.
• 9:11
  Speaker 3: You know?
• 9:13
  Speaker 2: For you to understand, I was born in Tiradentes, my
• 9:16
  Speaker 2: biological father.
• 9:17
  Speaker 3: Is from there.
• 9:18
  Speaker 2: Right. When I was born, he played in Mundão, went
• 9:22
  Speaker 2: to his dick.
• 9:22
  Speaker 4: He went to buy his balls.
• 9:25
  Speaker 1: His dick is awesome. I had a stepfather who was
• 9:27
  Speaker 1: my father. He went to your dick since you were little?
• 9:30
  Speaker 4: Yes, my stepfather raised me since I was.
• 9:32
  Speaker 3: 8 months old. Right when I was born.
• 9:34
  Speaker 1: He kicked me.
• 9:41
  Speaker 2: He went to Bolivia, but it didn't work out. I
• 9:43
  Speaker 2: also have three sisters. Actually, I have six sisters. I'm
• 9:46
  Speaker 2: the only one with a man. I got the idea
• 9:48
  Speaker 2: when you said you broke up. I had three sisters.
• 9:50
  Speaker 2: My stepfather, who raised me, was from Guaraná.
• 9:52
  Speaker 1: Then we.
• 9:58
  Speaker 4: Went to live in Guaraná. We lived in São Mateus.
• 10:01
  Speaker 1: So that's it.
• 10:02
  Speaker 4: Then we lived in Itacoatiara.
• 10:04
  Speaker 1: If he says it's a broken house, the rest of
• 10:06
  Speaker 1: the place where he lived, people say, no, calm down.
• 10:08
  Speaker 2: There's this thing, I go to a broken house, people say,
• 10:12
  Speaker 2: Salvador is from here.
• 10:12
  Speaker 1: Then the people say, Salvador is from here. No, but
• 10:15
  Speaker 1: he's from Itacoatiara.
• 10:16
  Speaker 2: You know, I met him when I was little. And
• 10:18
  Speaker 2: there was also the question of where I had family.
• 10:20
  Speaker 2: So my family is like an example. My grandmother is
• 10:23
  Speaker 2: the root of my whole life in Guaraná. So, regardless
• 10:25
  Speaker 2: of where I lived, I was always there. Every weekend,
• 10:29
  Speaker 2: we would spend the holidays there.
• 10:31
  Speaker 1: The East Zone.
• 10:31
  Speaker 4: It's the entire East Zone, dad.
• 10:33
  Speaker 2: There.
• 10:33
  Speaker 1: Especially the bottom there.
• 10:34
  Speaker 2: The extreme of the East. There we mapped everything, brother.
• 10:38
  Speaker 1: So your break is the extreme East, let's say.
• 10:40
  Speaker 4: There is our home.
• 10:41
  Speaker 1: What is the importance of the extreme East for São Paulo,
• 10:46
  Speaker 1: as in the peripheral culture, But for you as an artist, brother,
• 10:49
  Speaker 1: because I think that you coming from there says a
• 10:53
  Speaker 1: lot about the artist that you are today, you know?
• 10:55
  Speaker 1: If you had been from another place, you would be
• 10:57
  Speaker 1: a very cool artist too, but I think that with
• 11:00
  Speaker 1: particularities a little different. Don't you agree? Damn, I believe
• 11:03
  Speaker 1: that nothing is for nothing.
• 11:04
  Speaker 2: I have this breeze, I talk directly to my DJ,
• 11:05
  Speaker 2: to my partners, I say like this, friend, think with me.
• 11:08
  Speaker 2: There are more than 200 countries in the world, brother,
• 11:10
  Speaker 2: we were born in Brazil, a country that has all
• 11:13
  Speaker 2: its peculiarities, a country that was built on the basis
• 11:17
  Speaker 2: of enslaved people, you know, brother?
• 11:19
  Speaker 1: Screaming social inequality. Exploration in the.
• 11:29
  Speaker 2: In the state, where it's more unequal, where the capital turns.
• 11:33
  Speaker 1: But we, in the capital, are not in our hands.
• 11:35
  Speaker 2: But not in any place in the state. We are
• 11:38
  Speaker 2: born in the place where the leather eats. All respect
• 11:41
  Speaker 2: to the broken in São Paulo, that everyone understands. Because
• 11:43
  Speaker 2: everyone who comes to the favela feels like... It's like
• 11:46
  Speaker 2: when you were in school, brother. Yes.
• 11:47
  Speaker 4: The teacher would say like this. Ah, the fifth B
• 11:50
  Speaker 4: is the worst of all. It's us, man.
• 11:52
  Speaker 1: Everyone feels that their broken is the most sinister place
• 11:55
  Speaker 1: to live.
• 11:56
  Speaker 4: Yes, yes.
• 11:57
  Speaker 2: Only that the eastern zone has this question, that it
• 11:59
  Speaker 2: is the most populous zone of São Paulo. It has
• 12:01
  Speaker 2: twice the population of any of the other zones. Why?
• 12:04
  Speaker 2: Each of these zones has 2 million and a little population,
• 12:07
  Speaker 2: both the west, the north and the south, while the
• 12:09
  Speaker 2: east has 4 million and a little. But it's not
• 12:11
  Speaker 2: bigger in kilometers, it's bigger in population.
• 12:14
  Speaker 1: So there are many people, right? Right?
• 12:16
  Speaker 2: And then, man, the main question I think is what?
• 12:19
  Speaker 2: This makes me a common guy, you know? Regardless of
• 12:23
  Speaker 2: my talent, of my brightness. And I like to be common,
• 12:26
  Speaker 2: you know? You're a similar one. I'm a leader, you know?
• 12:30
  Speaker 2: A revolutionary, I'm not common. But at the same time
• 12:33
  Speaker 2: I am, because I am like everyone else. I'm not
• 12:36
  Speaker 2: a character, you know? And I'm very grateful for that,
• 12:39
  Speaker 2: because it's an identification. So I've been there for a
• 12:41
  Speaker 2: long time, sometimes even without releasing a song. I've been
• 12:44
  Speaker 2: through a lot of issues, both mental, family, business, a
• 12:48
  Speaker 2: lot of paths that mess with the artist's mind. But
• 12:50
  Speaker 2: my audience never abandoned me, because they feel this similarity.
• 12:55
  Speaker 2: So it's different when you admire a guy from a
• 12:57
  Speaker 2: distance and when you see yourself in that person.
• 13:00
  Speaker 4: So I think this is the.
• 13:01
  Speaker 2: Main point that I thank you for being from where
• 13:04
  Speaker 2: I came from, from a poor place, from having gone
• 13:06
  Speaker 2: through a sad and suffering story, but that I go
• 13:10
  Speaker 2: there in my brokenness and listen to others that I say,
• 13:12
  Speaker 2: you're crazy, you're blessed.
• 13:14
  Speaker 1: Mine is even lighter.
• 13:15
  Speaker 4: So it's about that, you know?
• 13:17
  Speaker 3: Very cool, brother, you saying that, but you've seen it
• 13:19
  Speaker 3: here on the podcast, you may have said that in
• 13:21
  Speaker 3: other talks, other podcasts, interviews, but... When you were a
• 13:26
  Speaker 3: kid in ZL, who were your references? Not only musically,
• 13:30
  Speaker 3: but as you said, you're a leader, but where does
• 13:35
  Speaker 3: this thing come from? Right.
• 13:38
  Speaker 2: Man, I usually say in many places, when people ask
• 13:41
  Speaker 2: me who is your reference, I say, my reference is
• 13:43
  Speaker 2: my father and my mother.
• 13:44
  Speaker 3: Got it?
• 13:45
  Speaker 4: So, like, my reference was my father, my mother and
• 13:49
  Speaker 4: that's it.
• 13:49
  Speaker 3: It was like what?
• 13:50
  Speaker 1: It was like what?
• 13:50
  Speaker 4: Yeah, but I'll get to that point.
• 13:52
  Speaker 2: But, like, During our journey, there were many people who
• 13:58
  Speaker 2: served as inspiration. It starts from my mother's point of view,
• 14:01
  Speaker 2: because the family is suffering, it's a favela, everyone is
• 14:05
  Speaker 2: a fighter. I don't know my father, he raised me
• 14:07
  Speaker 2: as a black man, and there was a whole family
• 14:09
  Speaker 2: of retarded black men.
• 14:16
  Speaker 1: Another line, right? Yes, another line.
• 14:17
  Speaker 2: My grandparents are from the Northeast, both my father and
• 14:19
  Speaker 2: my mother, you know? So my father's people are from Piauí,
• 14:23
  Speaker 2: my mother's people are from the Northeast. So, like, everything
• 14:26
  Speaker 2: they did, they encouraged me to be a better person.
• 14:28
  Speaker 2: And as far as culture is concerned, too, because through
• 14:31
  Speaker 2: my father I knew rap since I was little, I
• 14:34
  Speaker 2: grew up listening to rap, I grew up listening to
• 14:36
  Speaker 2: good music, my mother loves samba, MPB, so even my day-to-day, nowadays, bro,
• 14:41
  Speaker 2: I only listen to this, MPB and samba, you know? So, like,
• 14:46
  Speaker 2: formed my mentality in my house. So that's why I
• 14:49
  Speaker 2: say they're my first reference.
• 14:51
  Speaker 3: What did your dad put for you to listen when
• 14:52
  Speaker 3: you were a kid?
• 14:53
  Speaker 2: Racionais, Sabotage, Faction. My dad liked them, but he also
• 14:57
  Speaker 2: liked Legião Urbana.
• 14:58
  Speaker 1: Cool. You know?
• 14:59
  Speaker 4: Legião Urbana, I sing all of them.
• 15:00
  Speaker 1: That's what's crazy, right? Because Favela's house is the most eclectic,
• 15:04
  Speaker 1: richest house of culture possible, bro. Because you stick to Quebrada, man.
• 15:07
  Speaker 1: It's forró, Legião Urbana. And you'll say, like, you like
• 15:10
  Speaker 1: both things? And you sing.
• 15:11
  Speaker 4: Yeah, Luiz Gonzaga.
• 15:13
  Speaker 1: Forró, I sing all of them. My mom showed me
• 15:15
  Speaker 1: all the albums of Racionais. And he showed me the
• 15:18
  Speaker 1: songs of Legião Urbana. When he said Legião Urbana, I said, wow,
• 15:20
  Speaker 1: my house.
• 15:20
  Speaker 3: My mom used to sing, right? It's awesome.
• 15:22
  Speaker 1: You know? And we are very eclectic, right, bro? Very
• 15:25
  Speaker 1: culturally populated, like, a lot of culture, a lot of music,
• 15:29
  Speaker 1: a lot of things. So I think that comes from
• 15:32
  Speaker 1: the cradle too, right? Got it?
• 15:33
  Speaker 2: And then, like, artistically, consequently, by my father, I always
• 15:37
  Speaker 2: had a great inspiration in Racionais, you know?
• 15:40
  Speaker 4: Mano Brau, always a total inspiration.
• 15:43
  Speaker 2: And as I walked, as I got to know street movements,
• 15:46
  Speaker 2: rima battles, most of my references, bro, are people who
• 15:52
  Speaker 2: are recognized in the underground hip-hop world, but who are
• 15:54
  Speaker 2: anonymous people on a daily basis, you know? So, like,
• 15:57
  Speaker 2: an example is a partner that I brought here, which
• 15:59
  Speaker 2: is Janderz, you know?
• 16:00
  Speaker 1: Key.
• 16:00
  Speaker 2: Until, in a little while, I'll give him a shout
• 16:03
  Speaker 2: out for him touching there, man. It's another thing, it's
• 16:06
  Speaker 2: out of the box, you know? Nowadays, I would undertake
• 16:09
  Speaker 2: his career, But when I started, he was my reference.
• 16:13
  Speaker 2: He had more than 10 years of rap. In the
• 16:14
  Speaker 2: Rhyme Battles, you can ask any MC who is sitting here.
• 16:17
  Speaker 2: Say the name of this guy. Everyone will take off
• 16:19
  Speaker 2: the hat. Not only in the battle, but also in
• 16:22
  Speaker 2: the lyrics. He was a great reference for us.
• 16:25
  Speaker 4: He, Vick, Pum.
• 16:26
  Speaker 2: In the world of battles, there was a lot of
• 16:28
  Speaker 2: inspiration from MC. But most of my famous musical references
• 16:42
  Speaker 2: are vacancies, you know? I've never got anyone to inspire
• 16:47
  Speaker 2: me to be that person. The guys that really inspire
• 16:50
  Speaker 2: me are those guys from the streets, who I say, man,
• 16:53
  Speaker 2: these guys are bigots.
• 16:54
  Speaker 1: But how do you not fall into the trap of, like,
• 16:55
  Speaker 1: this experience you're bringing is a totally street experience? I'm
• 16:58
  Speaker 1: out there on the street, I know who are the
• 17:00
  Speaker 1: street leaders, who are making a movement on the street.
• 17:03
  Speaker 1: but you also start to have access to be in
• 17:07
  Speaker 1: media places, with more famous people, let's say, and people
• 17:09
  Speaker 1: will say like this, ah, there's Janderson, very cool, but
• 17:12
  Speaker 1: if he's with this person who has followers, she's better
• 17:15
  Speaker 1: than Janderson, let's say. How do you not fall into
• 17:17
  Speaker 1: this trap of being just... in the holofote and forget
• 17:24
  Speaker 1: about your broken leaders because I think it's very cool
• 17:27
  Speaker 1: for you to say this guy who is cool but
• 17:29
  Speaker 1: sometimes we because we are living only this world we
• 17:31
  Speaker 1: start to think that only people from this world are
• 17:33
  Speaker 1: cool you understand.
• 17:34
  Speaker 3: What I mean?
• 17:35
  Speaker 2: That is in front of the cameras exactly exactly I
• 17:37
  Speaker 2: think like this you touched on a subject brother that
• 17:40
  Speaker 2: I I think a lot about it I thank you
• 17:43
  Speaker 2: for the opportunity to be able to talk about it
• 17:45
  Speaker 2: because it's not just about me you know? that this
• 17:48
  Speaker 2: is for all the kids from the outskirts who are
• 17:49
  Speaker 2: watching this video understood bro? but seeing a reality that
• 17:52
  Speaker 2: is suffered, we can never forget our reality and our truth,
• 17:54
  Speaker 2: even if the truth of the next one is very beautiful.
• 17:57
  Speaker 2: And today the world of the internet confuses people's minds,
• 18:02
  Speaker 2: putting values and a price table in us through numbers,
• 18:07
  Speaker 2: whether it's bank balance or number on social media, and
• 18:11
  Speaker 2: I believe that we, as artists, have to promote a
• 18:15
  Speaker 2: lot the question of daily victory. So, yes, I'm victorious
• 18:18
  Speaker 2: and many times it's not because I'm riding a Porsche,
• 18:20
  Speaker 2: It's because I have my rent, my bills, this month
• 18:22
  Speaker 2: everything is fine, this weekend I can have a beer.
• 18:24
  Speaker 1: With my girlfriend. It was an impossible thing for the teenager.
• 18:27
  Speaker 2: Several guys are a reference in everyday life, without having
• 18:30
  Speaker 2: to be a millionaire. The worker who takes the crowded train,
• 18:33
  Speaker 2: who can handle four hours of bus, goes to work,
• 18:36
  Speaker 2: arrives there, and the boss still offending him, saying several things,
• 18:40
  Speaker 2: but he can't answer because he needs to buy his
• 18:41
  Speaker 2: daughter's milk at the.
• 18:42
  Speaker 4: End of the month, you know, partner? So I think
• 18:44
  Speaker 4: we need to teach....
• 18:46
  Speaker 2: The young ones, even the references, the people who are close,
• 18:49
  Speaker 2: you know? Because these guys are references. Janderson himself, he's
• 18:52
  Speaker 2: a guy that... He's an example, he's a reference for me.
• 18:54
  Speaker 2: It's not because his lyrics are from aliens, because it is,
• 18:57
  Speaker 2: you know? But it's because I accompanied the guy suffering,
• 19:00
  Speaker 2: I accompanied the guy having to work as a CLT,
• 19:02
  Speaker 2: having to work in the açougue. having to work on
• 19:05
  Speaker 2: other stuff and run from rap at dawn.
• 19:07
  Speaker 1: And why do I say that, Salvador? Sorry to cut
• 19:09
  Speaker 1: you off, but just to complement the thought, it's because
• 19:11
  Speaker 1: if the reference turns, for example, only the kids from Podpah,
• 19:14
  Speaker 1: it becomes something that is sometimes very distant, man. Because
• 19:16
  Speaker 1: the mythical here is an exception of the exception of
• 19:18
  Speaker 1: the exception of the exception. That has a lot of
• 19:20
  Speaker 1: luck involved too.
• 19:20
  Speaker 4: But you have to understand, my brother, the problem is
• 19:22
  Speaker 4: not in being, ah, it's just the podipá.
• 19:24
  Speaker 2: Yes. The problem today is not, ah, it's just the podipá.
• 19:26
  Speaker 2: It's because it's the podipá, because the podipá has numbers.
• 19:29
  Speaker 2: It's not like that, it's the podipá because, damn, it
• 19:31
  Speaker 2: was a bad fight. Igão came from Osasco, you know?
• 19:33
  Speaker 2: Where did you come from, my brother?
• 19:34
  Speaker 1: Belém.
• 19:34
  Speaker 4: Brazil is a country that doesn't value work, it values
• 19:36
  Speaker 4: the product. The status, right?
• 19:37
  Speaker 1: Understand?
• 19:38
  Speaker 2: This reflects in the artistic world. But when it comes
• 19:40
  Speaker 2: to art, brother, it's the place to be. where this
• 19:50
  Speaker 2: categorization of appreciation should be prohibited through this. So that's
• 19:54
  Speaker 2: what I want to say. My inspiration has always been
• 19:56
  Speaker 2: for this, for the size of the fight of the guy,
• 19:58
  Speaker 2: of the work, of the identification, of the talent. And
• 20:01
  Speaker 2: not because, man, the guy is the guy who is hitting.
• 20:03
  Speaker 2: Of course, I'll use this guy as a reference for
• 20:06
  Speaker 2: how to do the right job, at the right time.
• 20:08
  Speaker 1: But it can't be just him, right?
• 20:09
  Speaker 2: The merit is not only from the guy who is
• 20:11
  Speaker 2: great in numbers. So there are several guys who... Mó
• 20:15
  Speaker 2: Luta Diária also does several podcasts. The merit is from
• 20:18
  Speaker 2: the podcast, because it pulled the bond, because the guys suffered,
• 20:21
  Speaker 2: the guys put and it has its story. But in
• 20:23
  Speaker 2: the same way, the guy also has his shine, his stuff,
• 20:25
  Speaker 2: and that's how it works. Sometimes the guy innovated in
• 20:28
  Speaker 2: an idea, sometimes his interview stuff is more focused on
• 20:31
  Speaker 2: another topic. I think it's about that, it's about valuing
• 20:35
  Speaker 2: the trap. The return that this trap has had, be
• 20:39
  Speaker 2: it financially, you know.
• 20:40
  Speaker 4: What I mean?
• 20:41
  Speaker 1: I wanted to say that because sometimes it seems to
• 20:43
  Speaker 1: this young kid, and I'm not blaming them, I think
• 20:46
  Speaker 1: it's more the system's fault that they are inserted, that
• 20:49
  Speaker 1: they will look just like, no, for me to work,
• 20:51
  Speaker 1: I have to be Salvador, or Mítico, or Higão. And no, man,
• 20:54
  Speaker 1: before becoming one of us, and I'm talking only about numbers, okay?
• 20:58
  Speaker 1: A lot of shit is all about the trap we did.
• 21:00
  Speaker 1: But if only the guy who has a number, a follower,
• 21:04
  Speaker 1: becomes the reference, your chance of dying frustrated is very high, bro. Because,
• 21:10
  Speaker 1: once again, bro.
• 21:11
  Speaker 3: If he's only thinking about numbers.
• 21:12
  Speaker 1: You know, Salvador comes from a broken, bro, as he said,
• 21:15
  Speaker 1: of 5 million people, bro. Like, from a zone of
• 21:17
  Speaker 1: 5 million people. How many are Salvador, bro?
• 21:19
  Speaker 3: Got it?
• 21:20
  Speaker 1: It's a lot... Very few people. And I think you
• 21:22
  Speaker 1: know the main question, bro?
• 21:24
  Speaker 2: It's us teaching that it's about being and not about having.
• 21:27
  Speaker 4: So, here's the thing. I'm fucked because I'm... It's not
• 21:31
  Speaker 4: because I'm there, it's because I have it.
• 21:33
  Speaker 2: Today, Podpá has a huge structure, but since that time,
• 21:37
  Speaker 2: you were already there.
• 21:38
  Speaker 4: That's the idea.
• 21:39
  Speaker 2: Today, I'm Salvador da Rima, I have millions of followers
• 21:43
  Speaker 2: on Instagram, I have a car, a house, it's cool.
• 21:46
  Speaker 2: But when I was on the train, with a slipper
• 21:49
  Speaker 2: on my foot, I wasn't sure if I.
• 21:51
  Speaker 4: Was going to have something to eat.
• 21:52
  Speaker 2: I lived in a tent, just like we were remembering,
• 21:55
  Speaker 2: my partner was from Palafita and Telha, my partner was
• 21:57
  Speaker 2: with Janderson, he liked to go there. Bro, I didn't
• 22:01
  Speaker 2: even have a fridge, I had a mattress and a
• 22:03
  Speaker 2: cardboard box with clothes that weren't too many. That's how
• 22:06
  Speaker 2: I went to the battle, hungry to win. So I
• 22:08
  Speaker 2: was already fucked, I was fucked. So now I'm fucked
• 22:12
  Speaker 2: because I am, because I am. So when the young man,
• 22:14
  Speaker 2: even the artist who is in the day-to-day cheating, that's
• 22:17
  Speaker 2: what I want to implant in people's minds. My fight
• 22:20
  Speaker 2: has value regardless of the result, because sometimes the result
• 22:23
  Speaker 2: takes time.
• 22:26
  Speaker 1: Sometimes the result doesn't come. And sometimes the result.
• 22:29
  Speaker 4: I want doesn't come.
• 22:30
  Speaker 2: But there are several mini results that we don't notice.
• 22:32
  Speaker 2: And then when we learn to value this thing that
• 22:34
  Speaker 2: I told you. The guy who is a father of
• 22:36
  Speaker 2: a family. He is victorious when he arrives at the
• 22:38
  Speaker 2: end of the month.
• 22:38
  Speaker 4: He took everything.
• 22:40
  Speaker 3: It's over.
• 22:41
  Speaker 2: There is no day more of victory than the guy
• 22:42
  Speaker 2: feels more manly. Than when he opens the closet and
• 22:44
  Speaker 2: looks and says. Damn, look at the fridge.
• 22:46
  Speaker 1: Man, I swear to God. The joy of my parents
• 22:49
  Speaker 1: inside the house was like. What happened? Are you happy? No,
• 22:51
  Speaker 1: today is the 18th. What happened? It's all paid for.
• 22:55
  Speaker 1: Because I would get there on the 30th by the neck.
• 22:58
  Speaker 3: And the closet was full of food. But in that
• 23:00
  Speaker 3: phase when you didn't have a fridge, you kept your
• 23:02
  Speaker 3: clothes in the box, what was going through your mind?
• 23:06
  Speaker 3: Did you see yourself big, in numbers? Did you know
• 23:10
  Speaker 3: you were going to get somewhere? How was your mind
• 23:14
  Speaker 3: at that moment?
• 23:15
  Speaker 1: I was sure. I already knew.
• 23:16
  Speaker 2: I already saw myself as an astro. Like, the idea
• 23:19
  Speaker 2: that my house was already difficult in my people's house.
• 23:22
  Speaker 2: It's hard, we've been through a lot. Of course, there
• 23:24
  Speaker 2: were phases, you know? My father also had his parts
• 23:28
  Speaker 2: through tortuous paths, you know, dad? That doesn't come to
• 23:31
  Speaker 2: the case. My mother is also suffering, you know? She
• 23:35
  Speaker 2: was from the church at the time, you know? Nowadays,
• 23:37
  Speaker 2: she's more into this African-American religion. I still go to
• 23:41
  Speaker 2: church more and we respect each other. But at the time,
• 23:43
  Speaker 2: she was the peak of the church. So, like, in reality,
• 23:45
  Speaker 2: it's a little house on the outskirts. So, we've been
• 23:48
  Speaker 2: through a lot. When I was 11 years old I
• 23:51
  Speaker 2: was already selling balacedão and other things, so much so
• 23:54
  Speaker 2: that I went to the train with 12, 13 years old,
• 23:56
  Speaker 2: I already sold on the train for 3 years, when
• 23:58
  Speaker 2: I saw the first guy rhyming, I said, man, I'm
• 24:00
  Speaker 2: going to rhyme with the guys at Mercadoria Investing, so
• 24:03
  Speaker 2: I already had this trajectory, you know, brother?
• 24:05
  Speaker 1: And did you think about rhyming too, because it was a.
• 24:10
  Speaker 1: A talent that you could beat, because you don't have
• 24:13
  Speaker 1: the product, you don't have bullets, you don't have anything.
• 24:15
  Speaker 2: Yeah, no, I was already starting to break into the
• 24:17
  Speaker 2: battle stuff, because since I was little, actually, my cousin
• 24:20
  Speaker 2: is connected, Matheus, who at that time I was about
• 24:22
  Speaker 2: 12 years old, he already has some videos, we lost
• 24:24
  Speaker 2: the videos, right? But he recorded there on his father's
• 24:27
  Speaker 2: cell phone, in the past, the videos that I sent
• 24:28
  Speaker 2: some fans, you know, brother?
• 24:29
  Speaker 4: You were 12 years old there.
• 24:30
  Speaker 2: Yeah, man, I already sent some fans, I was already
• 24:33
  Speaker 2: the boy of the rhyme at school, you know? I
• 24:34
  Speaker 2: already sent them at the right time, at the right time, cool,
• 24:36
  Speaker 2: but I didn't have that goal. At the same time
• 24:38
  Speaker 2: that I started to watch Rhyme Battles, MC, Orochi, the guys,
• 24:42
  Speaker 2: you know?
• 24:43
  Speaker 4: What was it?
• 24:44
  Speaker 2: 2015, 2016.
• 24:44
  Speaker 3: That's right.
• 24:44
  Speaker 1: Then I saw the guys rhyming.
• 24:46
  Speaker 2: On the train, and then I had already gone to
• 24:49
  Speaker 2: my first battle to watch, but I didn't have the
• 24:51
  Speaker 2: courage to rhyme.
• 24:53
  Speaker 4: What was your.
• 24:53
  Speaker 3: First impression, bro, in the first battle you stuck?
• 24:57
  Speaker 4: Ah, bro, are you crazy? It was a fantastic world.
• 25:00
  Speaker 3: You met and said... Can I do that? Only people
• 25:02
  Speaker 3: of my age can do that.
• 25:04
  Speaker 2: At that time it wasn't like that. At that time
• 25:06
  Speaker 2: it was only the old guys. São Paulo, underground, there
• 25:10
  Speaker 2: was no such thing. It was in Santa Cruz.
• 25:13
  Speaker 3: How many people did you see there?
• 25:15
  Speaker 2: Like I'm saying, Janderson was already there. Like I'm saying,
• 25:19
  Speaker 2: our reference was because the guys were there. And the
• 25:21
  Speaker 2: battles were only the guys who had 10 years of rap.
• 25:23
  Speaker 2: 9 years of rap.
• 25:27
  Speaker 1: 20 years of street.
• 25:27
  Speaker 4: There were few young kids, Cusão.
• 25:29
  Speaker 2: My generation was the generation that saw several young kids
• 25:31
  Speaker 2: at once.
• 25:32
  Speaker 4: But we were the first. We got the kids coming.
• 25:34
  Speaker 4: Why do you.
• 25:35
  Speaker 1: Feel that your generation was a generation of young kids that.
• 25:41
  Speaker 2: Except for Aldeia, they already had the new guys, you know?
• 25:43
  Speaker 2: But Aldeia was new too. Yes, but Aldeia was just Aldeia.
• 25:46
  Speaker 2: Just Aldeia, Zona Oeste, Barueri.
• 25:48
  Speaker 4: Was another thing. The São Paulo street was another line.
• 25:52
  Speaker 1: It was the dirty rap. Aldeia was seen, I'm not criticizing,
• 25:56
  Speaker 1: but it was seen as more gourmetized.
• 25:58
  Speaker 3: Yes, yes.
• 26:00
  Speaker 2: Aldeia was like, with all due respect, it was the
• 26:02
  Speaker 2: battle that was the media. It's important to stick it there.
• 26:06
  Speaker 2: At that time, there was still a lot of judgment. Ah,
• 26:08
  Speaker 2: it's just the boys, it's just the boys that rhyme there.
• 26:10
  Speaker 2: All the respect of the world, you know? But we
• 26:12
  Speaker 2: went there to gain space and great gratitude to the village.
• 26:16
  Speaker 2: What the village moved in the movement of the battles,
• 26:19
  Speaker 2: it revolutionized.
• 26:20
  Speaker 1: You know?
• 26:21
  Speaker 2: And most of the guys who were there were also
• 26:23
  Speaker 2: sufferers in real life. We were talking about the MCs,
• 26:26
  Speaker 2: we were on the other side. Ah, the boys are cool,
• 26:28
  Speaker 2: but sometimes, you know, it wasn't even many of them,
• 26:31
  Speaker 2: you know?
• 26:31
  Speaker 3: Some, yes.
• 26:33
  Speaker 2: But in short, it was a lot of this stuff.
• 26:35
  Speaker 2: The street battles were another thing, brother. All the MCs
• 26:37
  Speaker 2: who were fucking on the street, and it was a
• 26:39
  Speaker 2: second to second battle, a chat of... In one day,
• 26:41
  Speaker 2: it's four battles in São Paulo, in some place, in
• 26:44
  Speaker 2: the North Zone... So the guys who were monsters on
• 26:47
  Speaker 2: the streets didn't rhyme in the village.
• 26:49
  Speaker 3: So the guys from there, they only rhymed there. But
• 26:51
  Speaker 3: they didn't rhyme because they didn't want to say.
• 26:53
  Speaker 2: There was no space, there was no space yet, right, brother?
• 26:55
  Speaker 2: Because it was still... The battles were still not talked about,
• 26:57
  Speaker 2: there wasn't all this, right, bro? It's that I feel
• 26:59
  Speaker 2: that the village, when it appeared, it.
• 27:00
  Speaker 1: Already appeared on the internet and kind of... Exploding because
• 27:03
  Speaker 1: of Thiago, of the guys. It's already become a product, right?
• 27:06
  Speaker 1: It's already become famous, you know? It was already the battle, like.
• 27:09
  Speaker 2: For many, it was just a rhyme there.
• 27:12
  Speaker 4: Me, in particular, I didn't. I developed this dream further.
• 27:14
  Speaker 2: My dream was to win the Battle of Santa Cruz,
• 27:18
  Speaker 2: you know? And then there are these walk of God,
• 27:21
  Speaker 2: write the stories the right way, because the day I...
• 27:23
  Speaker 2: It was never worth the wait, right, man? And it
• 27:24
  Speaker 2: was a dream for everyone to rhyme in the village.
• 27:26
  Speaker 2: The day I won the Battle of Santa Cruz was
• 27:28
  Speaker 2: a day that coincidentally was worth the wait for the village,
• 27:30
  Speaker 2: because there was going to be an event called the
• 27:32
  Speaker 2: Paulista Freestyle Cup, which was going to be in the
• 27:33
  Speaker 2: village battle.
• 27:34
  Speaker 1: Against whom did you win the final in Santa Cruz?
• 27:37
  Speaker 3: You won't remember.
• 27:38
  Speaker 4: Bigão.
• 27:39
  Speaker 1: Fuck!
• 27:39
  Speaker 4: Wow! I think it's almost certain that it was against Bigão.
• 27:44
  Speaker 1: Damn, to win against Santa Cruz. It's almost certain, bro.
• 27:47
  Speaker 2: If I'm talking, there was another one that I won
• 27:48
  Speaker 2: against him. I don't know if it was like that.
• 27:50
  Speaker 2: It's been a long time. But it's almost certain. I
• 27:54
  Speaker 2: think it was against Bigão.
• 27:55
  Speaker 3: No, but okay. I wanted to know, like... Going back
• 27:57
  Speaker 3: to the.
• 27:57
  Speaker 2: Beginning of the first question that you had asked in
• 28:00
  Speaker 2: real life, how you saw me, right? Because I talked
• 28:02
  Speaker 2: about the difficulty that I had in my house. And
• 28:04
  Speaker 2: then what happens? When I was 16 years old, I
• 28:06
  Speaker 2: left the house. Then it was when I went to
• 28:08
  Speaker 2: live in this little water, you know?
• 28:12
  Speaker 4: Alone.
• 28:12
  Speaker 2: I lived with a partner, you know? It was like
• 28:15
  Speaker 2: a thing divided by a wall.
• 28:17
  Speaker 3: And what were the ideas? Like, bro, I'm going to leave,
• 28:19
  Speaker 3: I'm going to live alone, I'm going to work on this.
• 28:20
  Speaker 4: In fact, it wasn't any partner, it was me and Mineiro.
• 28:23
  Speaker 4: Have you ever heard of Mineiro?
• 28:24
  Speaker 3: Yeah. Mineiro... Mineiro, he's.
• 28:27
  Speaker 2: A symbol in the battles, you know, bro? He committed suicide,
• 28:30
  Speaker 2: you know? He took his own life, you know, my brother?
• 28:32
  Speaker 2: He was a friend of mine, who was with me
• 28:34
  Speaker 2: since my first battle that I reamed.
• 28:35
  Speaker 4: He was there and stuff, you know?
• 28:37
  Speaker 1: He's a man who.
• 28:42
  Speaker 4: During my career, if I were to talk about it,
• 28:45
  Speaker 4: it's crazy.
• 28:45
  Speaker 2: I lost some of my friends. They were from the streets,
• 28:48
  Speaker 2: I lost a friend. Then I went to the battle
• 28:51
  Speaker 2: with Mineiro, I got to Funk, I lost Kev. And
• 28:52
  Speaker 2: I don't usually talk about the partners who left. I
• 28:54
  Speaker 2: let the guys rest, but the partner was my closure.
• 28:57
  Speaker 2: And this thing he did was even in our barracks.
• 28:59
  Speaker 2: Paco Bagun was already with the walls, the stuff was smooth.
• 29:13
  Speaker 2: but then in summary there the reality of a tight
• 29:16
  Speaker 2: time there because you know it was already difficult to
• 29:18
  Speaker 2: have in my house you know but brother.
• 29:21
  Speaker 1: You said I don't want you don't even need to
• 29:24
  Speaker 1: talk about the guys who ended up coming to die
• 29:27
  Speaker 1: but the thing is you have a spiritual side very
• 29:30
  Speaker 1: very very connected very good you believe that when these
• 29:33
  Speaker 1: stops happen in your life, it's something of... Obviously, no
• 29:37
  Speaker 1: one wants this to happen, but it's something that's like, bro,
• 29:40
  Speaker 1: I can't stop, bro. There's something.
• 29:42
  Speaker 2: Ah, bro, I think that the world, like, many times,
• 29:44
  Speaker 2: doesn't turn around us, you know, dad? Yes.
• 29:46
  Speaker 1: It's the individual trajectory of each one, bro. Got it?
• 29:49
  Speaker 2: And, like, several people, sometimes, have to get closer, there
• 29:52
  Speaker 2: are people who lose their father, lose their brother, lose
• 29:54
  Speaker 2: their son, you know?
• 29:55
  Speaker 1: It hurts a lot more.
• 29:56
  Speaker 2: Like, me, myself, For example, before I start dreaming, to clarify,
• 29:58
  Speaker 2: you know? My first partner, I already preserve 100%, even
• 30:01
  Speaker 2: by chance, exposes the family and everything else. But since
• 30:05
  Speaker 2: I was little, my partner was the best friend, you know, brother?
• 30:08
  Speaker 4: Ah, you didn't know him in the fights?
• 30:11
  Speaker 2: It's another partner, I'm talking about before him, so you understand, mineiro.
• 30:15
  Speaker 2: Then my partner sold the bullet on the train, since
• 30:17
  Speaker 2: I was little in school. Then this partner saw the
• 30:20
  Speaker 2: condition of the walks with the partner, the partner died
• 30:23
  Speaker 2: in the hands of the police, you know, brother? That's
• 30:25
  Speaker 2: when I started to focus on rap and sales. I
• 30:29
  Speaker 2: used to sell, but I focused on going out on
• 30:32
  Speaker 2: the streets and working, you know? We lived on the
• 30:35
  Speaker 2: streets since we were little, 11 years old.
• 30:38
  Speaker 4: I was selling guns, but we lived everything, man.
• 30:41
  Speaker 2: You must have lived everything, man. That's why I say,
• 30:45
  Speaker 2: with all due respect to dialect, I'm talking a lot. Brother,
• 30:49
  Speaker 2: what we had also talked about the place we come from,
• 30:51
  Speaker 2: our origin, for my fans, just one thing I have
• 30:54
  Speaker 2: to say, you know, that I am proud, is that
• 30:55
  Speaker 2: my fans consume someone who is true, it is not
• 30:58
  Speaker 2: a product created by a businessman, you know, I lived
• 31:00
  Speaker 2: the thing, brother, just like several guys lived, this is
• 31:02
  Speaker 2: no merit, I have a grandmother of creation, Mrs. Sônia,
• 31:04
  Speaker 2: you know, she passed away last year, people, you know,
• 31:06
  Speaker 2: she always said, Gabriel, since I was little, an example,
• 31:09
  Speaker 2: several songs that I used to talk about the police
• 31:11
  Speaker 2: when I was young, you know, brother, even today we
• 31:13
  Speaker 2: talk more in a more directed way, you know, When
• 31:16
  Speaker 2: I was a baby, the police broke into my grandma's house,
• 31:19
  Speaker 2: opened my skirt and slapped me on my chest. My
• 31:21
  Speaker 2: grandma says that since I was little, I've.
• 31:23
  Speaker 1: Had his reasons.
• 31:24
  Speaker 2: I used to work in the streets, I was a chameleon.
• 31:25
  Speaker 2: I've been beaten for working. So it's not a thing
• 31:27
  Speaker 2: that we say because it's trendy.
• 31:29
  Speaker 3: We lived on one side.
• 31:30
  Speaker 2: Then you go to the artistic world, sometimes you work
• 31:32
  Speaker 2: with a guy who is a police officer in your security.
• 31:34
  Speaker 4: I don't have that habit, but I've been to other states.
• 31:43
  Speaker 2: And had this need, sometimes you see that the guy
• 31:45
  Speaker 2: is a human being too, or in several approaches you
• 31:47
  Speaker 2: see that several guys have the guys who are bad
• 31:49
  Speaker 2: and the guys who are good, but until you get
• 31:51
  Speaker 2: to this understanding, cousin, just like me, I lived only
• 31:53
  Speaker 2: one reality, you know? So that's why I myself, I
• 31:56
  Speaker 2: fight for the right of the game to express itself,
• 31:58
  Speaker 2: because several kids sometimes speak in a way, the kid
• 32:00
  Speaker 2: has his own reason, you know? Sometimes the kid lost
• 32:02
  Speaker 2: a relative, sometimes the kid... suffered a lot of things
• 32:04
  Speaker 2: like us, suffered what is normal to live on a
• 32:06
  Speaker 2: daily basis, you know? And sometimes that happened literally that way, bro.
• 32:08
  Speaker 2: Trying to survive, you know, bro? Like, so, I lived
• 32:11
  Speaker 2: this experience, you know? The street itself.
• 32:14
  Speaker 4: I lived this thing. So, thank God, the thing forged me,
• 32:15
  Speaker 4: you know?
• 32:16
  Speaker 1: Man, it's that I understand what you're talking about, because
• 32:19
  Speaker 1: I think that over time, with everyone having the internet,
• 32:23
  Speaker 1: I see that many people invalidate the discourse of when
• 32:26
  Speaker 1: a person says, I came from the broken, I lived
• 32:28
  Speaker 1: on the street, I did this. The people try to say, ah, okay,
• 32:31
  Speaker 1: it looks a lot like... That became a speech just
• 32:33
  Speaker 1: for people to like us. But when you say something
• 32:37
  Speaker 1: like that, I want people to understand that it's literally.
• 32:40
  Speaker 4: And it's very difficult, partner. And it's one in a million.
• 32:43
  Speaker 3: You know?
• 32:43
  Speaker 2: It's 1 in 1 million. And many people say that
• 32:46
  Speaker 2: it's not even... The guys who suffered, who were poor,
• 32:49
  Speaker 2: to get there... It's very difficult, you know? I think
• 32:52
  Speaker 2: people don't know what a house is. I say this
• 32:54
  Speaker 2: to people who criticize. They don't know what a house is, really,
• 32:56
  Speaker 2: a house made of straw. They don't know what it's
• 32:58
  Speaker 2: like to be 11 years old on the street. They
• 33:00
  Speaker 2: don't know what the street is like. São Paulo at dawn, man.
• 33:04
  Speaker 4: And, like, it's a big breeze, that's it. Because, like.
• 33:07
  Speaker 2: many times they don't understand that the outskirts, within the
• 33:10
  Speaker 2: outskirts itself, it also has.
• 33:11
  Speaker 4: Several degrees of social, you know.
• 33:14
  Speaker 2: Brother, of social class, everyone there is poor, but some
• 33:17
  Speaker 2: have a better condition than the other, you know, and
• 33:20
  Speaker 2: the other, one sometimes pays rent, the other sometimes the
• 33:23
  Speaker 2: grandfather builds a house, or the staff already has a house,
• 33:27
  Speaker 2: it's a society within society, you know, some sometimes have
• 33:29
  Speaker 2: families that have problems with drugs, you don't choose to
• 33:31
  Speaker 2: be the son of someone who has problems with drugs,
• 33:33
  Speaker 2: and I think that many times the population sometimes says
• 33:35
  Speaker 2: like this, ah, I also I wasn't born rich.
• 33:38
  Speaker 4: Because, man, 90% of Brazilians are middle class.
• 33:39
  Speaker 3: It's okay.
• 33:39
  Speaker 4: Everyone is a sufferer, you know?
• 33:46
  Speaker 2: But sometimes people use it as an example, because she
• 33:48
  Speaker 2: suffered and won, but sometimes it seems that the person
• 33:52
  Speaker 2: doesn't look through the window of her car, doesn't see
• 33:53
  Speaker 2: the little sheds that are on the side of the
• 33:56
  Speaker 2: avenues that she passes, you know?
• 33:57
  Speaker 4: No, if you want, you can.
• 33:58
  Speaker 2: It seems that when the person is walking in the
• 33:59
  Speaker 2: center of São Paulo, in the Republic, coming back to
• 34:02
  Speaker 2: pick up the train, she doesn't see so many people
• 34:03
  Speaker 2: sleeping on the floor on the street, you know? It
• 34:04
  Speaker 2: seems that people don't have this reality that, no matter
• 34:07
  Speaker 2: how difficult your life is, there will always be someone, brother,
• 34:11
  Speaker 2: who has a life more difficult than yours, you know? So, like,
• 34:14
  Speaker 2: it's not easy. Never was, never will be.
• 34:17
  Speaker 3: At that moment, you were in a tent, you were
• 34:19
  Speaker 3: going to the train, what were you doing?
• 34:21
  Speaker 4: Because you already served in the future.
• 34:23
  Speaker 2: It was one of the ideas that I had exchanged
• 34:25
  Speaker 2: with my mother too, you know? Because I worked early,
• 34:27
  Speaker 2: but my mother had asked me not to drop out
• 34:29
  Speaker 2: of school, you know?
• 34:31
  Speaker 4: And I respected my mother a lot.
• 34:33
  Speaker 3: And how was you at school, man?
• 34:35
  Speaker 4: Ah, cusão.
• 34:36
  Speaker 1: Imagine that. Many lines, many ideas, and then school.
• 34:40
  Speaker 3: As I always like to say....
• 34:46
  Speaker 4: I had my shine, right? Charisma.
• 34:48
  Speaker 1: Look what a crazy thing.
• 34:49
  Speaker 4: I'm going to tell you a curiosity.
• 34:51
  Speaker 3: Tell me a curiosity. Do you know Dr.
• 34:53
  Speaker 4: Felipe Araújo?
• 34:54
  Speaker 3: Dr. Felipe Araújo, dentist, right? His mother was my English teacher.
• 35:00
  Speaker 1: Look how crazy the world is, man.
• 35:02
  Speaker 2: For you to see, all the respect in the world.
• 35:04
  Speaker 2: I love her, I really love her. She knows that
• 35:08
  Speaker 2: at school she didn't like me, and I didn't like
• 35:10
  Speaker 2: any teacher either. I brought some teachers close to me.
• 35:13
  Speaker 2: Not a teacher who was very... I've always had problems
• 35:17
  Speaker 2: with following rules, you know? A kid whose father is
• 35:20
  Speaker 2: absent and everything. But the teachers who knew how to
• 35:24
  Speaker 2: take us, like I have several teachers, like I was
• 35:26
  Speaker 2: not that boy who gave post-teacher work in itself, but
• 35:29
  Speaker 2: I gave work at Geraca, ended up giving work to
• 35:31
  Speaker 2: the teacher for disturbing the class, right brother?
• 35:33
  Speaker 3: In summary, how did I meet her?
• 35:34
  Speaker 2: Not going back to the subject, I'll tell you how
• 35:36
  Speaker 2: I was, but for you to understand. I went to
• 35:38
  Speaker 2: deliver the basic basket in the favela in Itaim with Dr.
• 35:42
  Speaker 3: Felipe.
• 35:43
  Speaker 2: And then she came, and we didn't recognize each other,
• 35:46
  Speaker 2: because before she was.
• 35:48
  Speaker 3: Bigger than me, right?
• 35:48
  Speaker 2: And then we continued, we delivered the basic basket and such.
• 35:51
  Speaker 2: And then, coming back, talking in the car, she commented,
• 35:54
  Speaker 2: she's a teacher, she said her name, I said, then
• 35:57
  Speaker 2: at the time I remembered, I said, Pissora, don't you
• 36:00
  Speaker 2: remember me? You gave me classes, who was you? I
• 36:03
  Speaker 2: said the name of the school, I said my name,
• 36:06
  Speaker 2: it was Fábio Gabriel, and she said, my God, you
• 36:07
  Speaker 2: were that demon, for God's sake, God give me this word,
• 36:11
  Speaker 2: it was the word that the teacher used.
• 36:12
  Speaker 4: I said, it was me, teacher, do you believe, did
• 36:14
  Speaker 4: you see how I changed and such? God bless you.
• 36:17
  Speaker 3: So I understood how it was at school.
• 36:20
  Speaker 2: It was hard, but I also have a story for that.
• 36:24
  Speaker 2: I used to go to school. In the first grade,
• 36:27
  Speaker 2: I went to school and it was nice because my
• 36:29
  Speaker 2: cousins ​ ​ studied there. In the second grade, my cousins
• 36:33
  Speaker 2: ​ ​ changed schools. I started to suffer a lot. I
• 36:35
  Speaker 2: had a repetitive kid in my classroom. I'm not ashamed
• 36:38
  Speaker 2: to say that. He beat me, took my material. Then
• 36:41
  Speaker 2: I would get home and still get mad at my dad,
• 36:42
  Speaker 2: because I didn't have the courage to tell him that
• 36:45
  Speaker 2: I got hit. So my dad would think that I
• 36:47
  Speaker 2: lost the stuff, you know? Then I didn't have the courage,
• 36:51
  Speaker 2: the kid was bigger than me, I didn't have the
• 36:52
  Speaker 2: courage to go out with the kid, I got hit
• 36:54
  Speaker 2: a lot. When I got to Rio Rocha, my mom
• 36:56
  Speaker 2: changed schools in the middle of the second series.
• 36:58
  Speaker 4: Then my mind changed, bro.
• 36:59
  Speaker 2: Now I'm going to have to be the valentine. If
• 37:02
  Speaker 2: I'm not the valentine, now I'm going to be the nerd.
• 37:04
  Speaker 3: I was a kid, bro.
• 37:04
  Speaker 4: I was self-taught, you know?
• 37:06
  Speaker 2: In the first series, the teacher took me to the
• 37:08
  Speaker 2: third series room to show the accounts that I already
• 37:10
  Speaker 2: knew how to do. How I already read well, you know?
• 37:12
  Speaker 2: For God's sake, bro. They took me to the other
• 37:14
  Speaker 2: rooms to show. And then I had this problem. When
• 37:21
  Speaker 2: I got to the second part of the third series,
• 37:24
  Speaker 2: I didn't want to study because I told my mom, no,
• 37:26
  Speaker 2: otherwise the guys.
• 37:27
  Speaker 4: Will think I'm a nerd. You know? But I had
• 37:29
  Speaker 4: a question, what?
• 37:30
  Speaker 2: My notebooks were all in white. Man, it's not an
• 37:34
  Speaker 2: example for anyone. I have some kids that I take
• 37:36
  Speaker 2: care of in the favela there, bro. I break to
• 37:39
  Speaker 2: walk with me. The 13, 12-year-old kids, I leave them
• 37:41
  Speaker 2: playing video games in the little house that I have there.
• 37:43
  Speaker 4: I've already taken them to Rio. I take them to
• 37:45
  Speaker 4: enjoy with me.
• 37:46
  Speaker 1: I take them to give them a experience.
• 37:47
  Speaker 4: The kids were working, they weren't going to school.
• 37:49
  Speaker 2: I said, look, If you stop going to school, like
• 37:51
  Speaker 2: there were some who were going to school, you don't
• 37:52
  Speaker 2: stick anymore, you don't stick anymore. But, bro, it's that tape,
• 37:54
  Speaker 2: do what I say, but don't do what I do.
• 37:56
  Speaker 2: That in my childhood, I gave these headshots. I didn't
• 37:59
  Speaker 2: do any lessons, my books were all blank. However, when
• 38:02
  Speaker 2: the teacher explained, I listened. And I always researched about
• 38:05
  Speaker 2: subjects that I liked. And also my mother always encouraged
• 38:08
  Speaker 2: me to read since I was little. So I always read, bro.
• 38:10
  Speaker 2: When I was little, I read a lot of Gibiru
• 38:12
  Speaker 2: and Madamônica. And then I started to get interested in reading.
• 38:15
  Speaker 2: And then, what was the book that the teachers had
• 38:17
  Speaker 2: with me? Because I didn't do anything, brother, and I
• 38:19
  Speaker 2: was still snoring. And then when they asked me, I knew.
• 38:21
  Speaker 2: Then when I was going to do the test, I
• 38:22
  Speaker 2: took a good grade, you know?
• 38:23
  Speaker 1: So you couldn't crucify yourself there.
• 38:25
  Speaker 2: I went to school, I took any random notebook that
• 38:28
  Speaker 2: the government gave me, my notebooks were already all this thin,
• 38:30
  Speaker 2: that I pulled out all the sheets, all in white
• 38:32
  Speaker 2: and white. There was that thing, today it's such a material,
• 38:34
  Speaker 2: today it's like that. It's because the aunt was afraid
• 38:36
  Speaker 2: to go in without material, so I had to take
• 38:37
  Speaker 2: the notebook.
• 38:38
  Speaker 1: In my hand. But the importance... I mutated the whole thing.
• 38:40
  Speaker 4: For you to write, but when she explained, I stopped.
• 38:43
  Speaker 2: I always had this thing of learning just by.
• 38:47
  Speaker 4: Listening, you know? This thing helped me.
• 38:50
  Speaker 2: That's why I say that the kids who follow me
• 38:52
  Speaker 2: are not the same example, right? Because everyone has their
• 38:55
  Speaker 2: own type of intelligence. Sometimes the kid is intelligent for
• 38:58
  Speaker 2: other things, for the motorcycle, for the mechanics, and he
• 39:01
  Speaker 2: won't be so good at reading that the father can
• 39:03
  Speaker 2: get hurt at school, you know?
• 39:04
  Speaker 3: But at school you didn't imagine that you would be
• 39:06
  Speaker 3: a musician, that you would work in another way. No.
• 39:10
  Speaker 2: Nothing for me all respect brother for me the thing
• 39:12
  Speaker 2: was always I was going to do it.
• 39:14
  Speaker 4: On the street I was never going to work for
• 39:16
  Speaker 4: the others but.
• 39:19
  Speaker 1: I think there is a story of yours that you
• 39:21
  Speaker 1: can link with this because the importance of having a
• 39:23
  Speaker 1: teacher attentive bro classroom there I'm not criticizing the teachers
• 39:26
  Speaker 1: here they're all heroes bro work in three schools get Right.
• 39:42
  Speaker 1: Calm down, let me understand this guy. You understood that
• 39:43
  Speaker 1: his life is... Tell me.
• 39:45
  Speaker 3: It's true, bro. I... Take a break for a man too.
• 39:48
  Speaker 3: It's over. Man, I was an intern. I did pedagogy, right?
• 39:53
  Speaker 3: I was an intern at a school. And the little
• 39:57
  Speaker 3: boy was 4 years old, he was very angry, you know?
• 40:00
  Speaker 3: He would spit at the teachers, he would say, ah,
• 40:01
  Speaker 3: it's a lie, no one touched him. And then I
• 40:03
  Speaker 3: would ask the other teachers, the principal, what does this
• 40:06
  Speaker 3: boy have, man?
• 40:06
  Speaker 1: And the guys had already let go.
• 40:07
  Speaker 3: Of his hand, right? Yeah, the guys had already let
• 40:09
  Speaker 3: go of his hand.
• 40:10
  Speaker 1: Ah, that's right. At 4 years old, Salvador, you being rejected, man,
• 40:13
  Speaker 1: by a society, being let go, what does this boy become?
• 40:16
  Speaker 2: And you spend most of the time there, so it's
• 40:17
  Speaker 2: a society that at that age is too important for
• 40:19
  Speaker 2: the school.
• 40:20
  Speaker 3: Then I asked him what was going on with this kid,
• 40:22
  Speaker 3: what kind of revolt is this? Everyone was leaving him alone,
• 40:25
  Speaker 3: he can't do it anymore. I said, no, man, I
• 40:28
  Speaker 3: was pissed, I said, I'm going to conquer this kid,
• 40:30
  Speaker 3: why is this kid like this? And then I went,
• 40:33
  Speaker 3: he finished class, he was there in the classroom alone,
• 40:38
  Speaker 3: waiting for his parents, and sometimes I was there at
• 40:41
  Speaker 3: the end, I finished class at 5 in the afternoon,
• 40:45
  Speaker 3: sometimes I left at 6 and a half, the kid
• 40:46
  Speaker 3: was still there. I said, damn, man, why is this
• 40:48
  Speaker 3: kid here? And then I waited, and I even waited
• 40:51
  Speaker 3: a time when his mother went there to talk to him,
• 40:53
  Speaker 3: and his mother said, his father is going to jail,
• 40:56
  Speaker 3: he won't go, he beats me, he sees his father
• 41:00
  Speaker 3: beating me, sometimes I forget him, sometimes I use drugs
• 41:03
  Speaker 3: and I stay two days without seeing the boy. Then
• 41:06
  Speaker 3: I understood, I said, man, look at the life of
• 41:08
  Speaker 3: the boy, the boy with four years going through this.
• 41:10
  Speaker 3: And I started to exchange ideas with him, I started
• 41:12
  Speaker 3: to get closer to the boy, and I started to
• 41:14
  Speaker 3: talk to the boy, I started to understand. And then
• 41:17
  Speaker 3: you see the revolt, man. A 4 year old boy.
• 41:19
  Speaker 3: No one understood. No one stopped to listen to the boy.
• 41:23
  Speaker 3: And then I understood. I said, man, his mother uses drugs.
• 41:27
  Speaker 3: His father is arrested one day. No one calls the boy.
• 41:30
  Speaker 3: So what do we do with a boy like that?
• 41:33
  Speaker 3: Imagine how many kids go through that.
• 41:35
  Speaker 4: And society doesn't even care.
• 41:36
  Speaker 1: And the state school in the favela.
• 41:38
  Speaker 2: In the outskirts, 99% of the kids have family problems, brother.
• 41:41
  Speaker 2: And the girls, you know? And the majority are serious traumas,
• 41:43
  Speaker 2: you know? And, like, about the school, that's it. Like,
• 41:46
  Speaker 2: most of my friends that I lost, many times, the
• 41:50
  Speaker 2: guys were worse than me, you know? I was a
• 41:53
  Speaker 2: kid who was still soft. I always had a good heart.
• 41:56
  Speaker 2: There were people who were... There were partners who, unfortunately, bro,
• 42:02
  Speaker 2: He was really bad, since he was little, you know?
• 42:04
  Speaker 4: A bad person, you know?
• 42:05
  Speaker 1: But then you'll see why he was a bad person.
• 42:07
  Speaker 2: His father was murdered when he was little, sometimes he saw.
• 42:09
  Speaker 1: He had contact with the evil.
• 42:11
  Speaker 4: Like I already had friends who saw the murdered father,
• 42:14
  Speaker 4: you know?
• 42:14
  Speaker 1: You're crazy, man.
• 42:15
  Speaker 2: Or even the case of this friend of mine, you know,
• 42:17
  Speaker 2: who left, it was because of the following, the boy
• 42:20
  Speaker 2: was your father, his brother didn't run, his brother died first,
• 42:22
  Speaker 2: you know?
• 42:23
  Speaker 4: And then the boy revolted, father, and followed the same
• 42:24
  Speaker 4: path as his brother.
• 42:25
  Speaker 1: Now, now there's no story of a boy who saw
• 42:28
  Speaker 1: his father murdered and was 9 years old. The boy
• 42:31
  Speaker 1: waited 10 years, brother. 10 years old. How was this
• 42:34
  Speaker 1: kid's heart during 10 years?
• 42:35
  Speaker 3: Inflamed. Bitter.
• 42:36
  Speaker 1: It's very crazy.
• 42:38
  Speaker 2: Tupac said something about the hatred you sow in children,
• 42:43
  Speaker 2: you know?
• 42:43
  Speaker 1: And I believe a lot in this ideology.
• 42:45
  Speaker 2: The world we live in, the violence we live in,
• 42:48
  Speaker 2: is caused by the hatred we sow in children. So,
• 42:51
  Speaker 2: this is the question when you talk about the system.
• 42:53
  Speaker 2: Like us who pull some more political sides, many times
• 42:58
  Speaker 2: the guys say, you're passing the cloth to the vagabond
• 43:00
  Speaker 2: and such, but many times the question... It's not the vagabond,
• 43:03
  Speaker 2: it's before he becomes a vagabond. It's before he even
• 43:05
  Speaker 2: becomes a human being capable of responding to his own actions,
• 43:09
  Speaker 2: you know? And how much we neglect the childhood of
• 43:12
  Speaker 2: our children, you know? So you see that all the
• 43:14
  Speaker 2: first world countries, they offer school support and everything else,
• 43:20
  Speaker 2: much more advanced than ours. That's why there's no exaggerated
• 43:23
  Speaker 2: violence like here. Because what shapes the adult with hatred, brother, is.
• 43:29
  Speaker 4: The hatred that was planted in his childhood, you know?
• 43:31
  Speaker 2: And the contact with violence is something that, like, it moves,
• 43:35
  Speaker 2: it hurts.
• 43:36
  Speaker 4: I'm already connected.
• 43:37
  Speaker 3: Because I imagine you with four years old, that's your universe, bro,
• 43:40
  Speaker 3: there's no way. It's his world, it's what he's seeing,
• 43:43
  Speaker 3: it's what he's experiencing. If you don't take him and
• 43:45
  Speaker 3: show another world, exchange an idea with him, he will
• 43:47
  Speaker 3: live that forever. And he will grow up angry, wanting to...
• 43:50
  Speaker 3: It's easy, bro.
• 43:50
  Speaker 1: It's very important to talk about it.
• 43:53
  Speaker 2: This is already in the thesis of the thing I
• 43:54
  Speaker 2: sent to the CPI, to the guys there, you know, bro?
• 43:57
  Speaker 4: The guys wanting, not questioning.
• 43:59
  Speaker 2: What we say in one letter, but the guys don't
• 44:01
  Speaker 2: question the reality that is lived in the country that
• 44:04
  Speaker 2: we are living in, the state, you know? So the
• 44:07
  Speaker 2: guy comes to you and says like this, you can't
• 44:09
  Speaker 2: say this here, but the guy doesn't inhibit you from
• 44:11
  Speaker 2: living with this thing at.
• 44:12
  Speaker 4: The door of your house, you know, partner?
• 44:14
  Speaker 2: The guy comes to tell you that you can't talk
• 44:16
  Speaker 2: to the police, but the guy doesn't inhibit the policeman
• 44:19
  Speaker 2: from slapping your face, you know? The guy tells you
• 44:22
  Speaker 2: that you can't be talking in a way That, in
• 44:27
  Speaker 2: a way, right, brother? For him it sounds marginal, but
• 44:30
  Speaker 2: he doesn't give you the education and the vocabulary for
• 44:32
  Speaker 2: you to be able to speak in a formal way,
• 44:34
  Speaker 2: you know?
• 44:35
  Speaker 1: That's in the legislation.
• 44:36
  Speaker 4: So it's about that, you know? So when the young.
• 44:38
  Speaker 2: Man understands his right, understands his place, that it's just
• 44:41
  Speaker 2: to charge, we don't owe anything to the guys, partner.
• 44:43
  Speaker 3: Got it?
• 44:43
  Speaker 2: So when you're in an environment like this, with a camera,
• 44:46
  Speaker 2: or whatever, these guys owe you a lot, you know?
• 44:49
  Speaker 2: But how do you feel, Salvador, being called, intimated, right?
• 44:52
  Speaker 2: Because it's something that you were forced to do. You
• 44:55
  Speaker 2: couldn't just say, I won't.
• 44:56
  Speaker 1: How do you feel being intimated to do something like this?
• 45:01
  Speaker 1: Because in my opinion, whoever promoted this CPI was wanting
• 45:06
  Speaker 1: to make a stage on your back.
• 45:08
  Speaker 3: Wow.
• 45:09
  Speaker 1: You know? How did you feel? Because you knew you
• 45:10
  Speaker 1: were going to a trap that you had to be prepared.
• 45:13
  Speaker 1: How was it for you to be in that environment?
• 45:16
  Speaker 1: Which was kind of hostile, right? Like the... How can
• 45:20
  Speaker 1: I say? The climate there. Yes, the climate.
• 45:23
  Speaker 4: Friend, I see it this way, you know?
• 45:25
  Speaker 2: When you are born in a place like the one
• 45:27
  Speaker 2: we were born in, the only thing that is given
• 45:29
  Speaker 2: to you by the right is death, you know? Everything
• 45:33
  Speaker 2: that you conquer afterwards comes.
• 45:36
  Speaker 4: Through your O, you know?
• 45:36
  Speaker 2: However, Every place we live in was built by our ancestors,
• 45:43
  Speaker 2: you know? Be it from the enslaved people, be it
• 45:45
  Speaker 2: from the native people, or even from the northerners, you know?
• 45:48
  Speaker 2: They built almost the entire capital, as long as you
• 45:50
  Speaker 2: know that my grandparents are all northerners and everything else. So, like,
• 45:54
  Speaker 2: it's a matter, brother, that you live in a daily war,
• 45:57
  Speaker 2: it's a cold war, it's a return of land and places,
• 46:01
  Speaker 2: you know? So you don't have to be frightened or
• 46:04
  Speaker 2: feel intimidated. On the contrary, it's the opportunity that I
• 46:07
  Speaker 2: was waiting for, you know? Because I know that there
• 46:10
  Speaker 2: are millions of Brazilians who would like to have the
• 46:14
  Speaker 2: opportunity to be face to face with this guy who
• 46:17
  Speaker 2: lives off public money, who doesn't do anything for the society,
• 46:20
  Speaker 2: to have five minutes to tell the truth in the
• 46:21
  Speaker 2: face of this guy, you know?
• 46:22
  Speaker 4: So if I.
• 46:23
  Speaker 2: Don't know how to take advantage of this opportunity, I
• 46:25
  Speaker 2: don't see this as an opportunity for me, I'm more
• 46:27
  Speaker 2: than a fly.
• 46:28
  Speaker 4: So when you got.
• 46:29
  Speaker 3: There, you said, let's go, I'm ready? Brother, I got there, dad,
• 46:31
  Speaker 3: straight talk, when I sat in the chair, it.
• 46:33
  Speaker 4: Starts like this.
• 46:38
  Speaker 2: It was 11 o'clock and it was the CPI, right, brother?
• 46:42
  Speaker 4: I made an appointment.
• 46:43
  Speaker 2: To meet with Evelyn, who works with me in my
• 46:46
  Speaker 2: press office, and with the lawyer at 10 o'clock in
• 46:48
  Speaker 2: the parking lot. I got there at 9 o'clock. At
• 46:50
  Speaker 2: 9 o'clock in the morning, I was already inside my
• 46:53
  Speaker 2: car listening to Racionais and smoking a Bazeada.
• 46:55
  Speaker 4: With blood in my eyes. Pre-workout.
• 46:57
  Speaker 2: I was already listening like this, kill him, kill him,
• 47:00
  Speaker 2: you know?
• 47:01
  Speaker 4: Preparing. Then, when I got in there, when I got in.
• 47:04
  Speaker 1: No, calm down, because the people will take it out
• 47:06
  Speaker 1: of context, you will say that you really wanted to
• 47:08
  Speaker 1: kill the person inside... No, the people know, it's a
• 47:10
  Speaker 1: rhyme battle.
• 47:11
  Speaker 2: Then it's the following, when I got in there, there
• 47:14
  Speaker 2: was no soul in there.
• 47:16
  Speaker 4: I was the first to get inside the room.
• 47:18
  Speaker 1: You were already prepared.
• 47:18
  Speaker 2: There was no one in front of me, there was
• 47:20
  Speaker 2: no one there, there was only us, right, Everton?
• 47:22
  Speaker 1: Not even the ties were there.
• 47:23
  Speaker 3: No one.
• 47:24
  Speaker 2: Brother, when I sat in the chair of the stuff,
• 47:26
  Speaker 2: the stuff looked like a mattress of the most comfortable sofa.
• 47:30
  Speaker 2: I said, look... Shooting, all of this was built with
• 47:35
  Speaker 2: our money.
• 47:36
  Speaker 4: It was a palace.
• 47:37
  Speaker 2: I said, man, the chairs of the school, the hard plastic,
• 47:40
  Speaker 2: the chairs of the public universities. When I got there,
• 47:43
  Speaker 2: the guys said, brother, more than 200 mattresses. I said,
• 47:46
  Speaker 2: I'm comfortable, it's like the sofa of my house, partner.
• 47:49
  Speaker 3: You didn't feel any fear at the beginning? On the contrary, brother,
• 47:52
  Speaker 3: I thought I was going to get nervous.
• 47:53
  Speaker 2: I said to you, I get much more nervous to
• 47:55
  Speaker 2: rhyme in the battle of Aldeia or any other battle
• 47:57
  Speaker 2: than that day.
• 47:57
  Speaker 4: That day I was.
• 47:59
  Speaker 2: I just wanted a space to talk, bro, really, I
• 48:01
  Speaker 2: was bleeding in my eyes, you know? Because, like, it's
• 48:05
  Speaker 2: a slap in the face of society, you know, bro?
• 48:08
  Speaker 2: I even wanted to take advantage of this space to
• 48:10
  Speaker 2: raise awareness of the public, without citing anything, but already
• 48:15
  Speaker 2: making people understand everything. We are in the year of
• 48:18
  Speaker 2: election and we are living a political war, a war
• 48:20
  Speaker 2: of ideals, you know? And the guys are, in every way, bro,
• 48:23
  Speaker 2: trying to weaken our discourse as a movement, you know?
• 48:26
  Speaker 2: Trying to marginalize us As for funk, you know, through accusations,
• 48:31
  Speaker 2: you know, persecutions and even early trials, you know, partnership,
• 48:38
  Speaker 2: associating us with things that have nothing to do with us.
• 48:40
  Speaker 1: Law projects?
• 48:41
  Speaker 3: In general.
• 48:43
  Speaker 2: And creating a smoke screen to make us forget, for example,
• 48:47
  Speaker 2: the biggest corruption scandal in the history of our country,
• 48:50
  Speaker 2: which is the INSS, among many other things. So, let
• 48:53
  Speaker 2: everyone be aware, regardless of my differences with some or
• 48:57
  Speaker 2: my similarities with others, I'm not talking here as a
• 48:59
  Speaker 2: friend or enemy of anyone.
• 49:00
  Speaker 4: Or for me, but as a movement, you know?
• 49:03
  Speaker 3: Because.
• 49:11
  Speaker 2: Art and the funk or rap movement, whatever it is,
• 49:14
  Speaker 2: it doesn't have a.
• 49:15
  Speaker 4: Owner, you know?
• 49:17
  Speaker 2: It doesn't have a culprit and it doesn't have someone
• 49:21
  Speaker 2: to make it work.
• 49:23
  Speaker 4: It's something necessary, you know?
• 49:25
  Speaker 2: It brings voice to situations that shouldn't be narrated, because
• 49:29
  Speaker 2: they don't want it to be.
• 49:30
  Speaker 1: And they're the only Salvadoran movements that are in the
• 49:32
  Speaker 1: hands of the youth, man. Because we don't have access
• 49:36
  Speaker 1: to make a sertanejo. It's a very distant thing. What
• 49:40
  Speaker 1: is the access of the young audience? Funk rap. So,
• 49:44
  Speaker 1: not for nothing, they want to criminalize this because they
• 49:47
  Speaker 1: silence the youth. What is revolutionary in the world? It's
• 49:51
  Speaker 1: always the youth. I understand perfectly what you're trying to say. So,
• 49:54
  Speaker 1: when they criminalize a cultural movement with law projects, with CPIs,
• 49:58
  Speaker 1: that's what Salvador is talking about, man. He's trying to
• 50:00
  Speaker 1: weaken the whole movement by showing, are you seeing this?
• 50:03
  Speaker 3: Bandit.
• 50:05
  Speaker 1: Son of a bitch, you know?
• 50:06
  Speaker 2: And then if you analyze most of the news about
• 50:10
  Speaker 2: politics and about several other half-brothers, all over the world,
• 50:14
  Speaker 2: let's talk now in Portuguese, of course, you know? We
• 50:18
  Speaker 2: had already mentioned the reality of drug trafficking, you know? And, like,
• 50:22
  Speaker 2: several scandals in several large companies, you know? This shows that, like,
• 50:27
  Speaker 2: the crime, whatever it is, without denomination and without flag,
• 50:30
  Speaker 2: you know? It is present in several sectors, you know?
• 50:34
  Speaker 2: This is not something that concerns you or me. You
• 50:36
  Speaker 2: can be working for a criminal without even knowing it,
• 50:39
  Speaker 2: you know, brother? Even if you close a show for
• 50:41
  Speaker 2: the city hall, you can be working for a corrupt
• 50:43
  Speaker 2: and criminal politician, you know? So this is something that
• 50:47
  Speaker 2: is out of our control, you know? Now you commit
• 50:50
  Speaker 2: a crime or you associate yourself with someone criminal, with
• 50:54
  Speaker 2: a criminal act, It's a totally different thing. And when
• 50:59
  Speaker 2: it comes to us, brother, any indication or suspicion is
• 51:01
  Speaker 2: an accusation and sentence.
• 51:03
  Speaker 1: It's real. Got it?
• 51:05
  Speaker 2: That's the question, you know? And, like, I don't know
• 51:07
  Speaker 2: how no one makes their money, you know? So I'm
• 51:09
  Speaker 2: not here to say, ah, someone is innocent, someone is guilty.
• 51:13
  Speaker 2: Far from it, you know? But, like, in general, as
• 51:15
  Speaker 2: a movement, you know, brother? There is a political persecution
• 51:19
  Speaker 2: and that the MCs, be more aware of the weight
• 51:22
  Speaker 2: of not being able.
• 51:24
  Speaker 4: To speak the truth.
• 51:25
  Speaker 2: On the contrary, that they go deeper to know how
• 51:28
  Speaker 2: to speak the truth. Because if you don't have a
• 51:31
  Speaker 2: chest to support, if you don't know what you're talking about,
• 51:33
  Speaker 2: the guys will really get on top of you.
• 51:35
  Speaker 1: So that's what I was going to say, because it
• 51:36
  Speaker 1: goes through people who are part of the movement to
• 51:41
  Speaker 1: politicize themselves more, to know what they're talking about, to
• 51:44
  Speaker 1: know what their movement is about, because... I agree with
• 51:48
  Speaker 1: everything you said, because if you're not prepared, if you...
• 51:51
  Speaker 1: And when I say politicize, guys, understand, talking about politics
• 51:55
  Speaker 1: is not talking about political parties, it's talking about basic sanitation, schools, violence, anyway.
• 52:04
  Speaker 1: We need to politicize ourselves more, bro. To get to
• 52:06
  Speaker 1: that moment you had at the CPI and know how
• 52:09
  Speaker 1: to change. It's like you said, otherwise people will get
• 52:11
  Speaker 1: on our backs, bro.
• 52:12
  Speaker 2: And we're being bombarded from all sides, you know, bro?
• 52:16
  Speaker 2: And when we don't have the strength, argumentation and firm
• 52:19
  Speaker 2: feet to speak, we can be right, but we lose
• 52:21
  Speaker 2: the debate.
• 52:22
  Speaker 3: And how was that day? The first impressions, when it started,
• 52:24
  Speaker 3: I wanted you to talk more about it. Wow, I
• 52:26
  Speaker 3: could see.
• 52:27
  Speaker 1: That the guy wanted to put a cord on top
• 52:29
  Speaker 1: of him.
• 52:29
  Speaker 2: There, I already understood the whole context. I was already
• 52:33
  Speaker 2: psychologically prepared, you know? I'm not going to tell you
• 52:37
  Speaker 2: that I stayed at home decorating things, looking at what, dad.
• 52:41
  Speaker 4: There, I thought about the following.
• 52:42
  Speaker 2: Brother, the theme is, despite being from Pancadão, the theme
• 52:46
  Speaker 2: is omission of public organs, you know? Am I indebted
• 52:50
  Speaker 2: to something? Am I a public body? Brother, the fact
• 52:55
  Speaker 2: that the public body is omitted is not new to me.
• 52:57
  Speaker 2: The guys want to talk about omission of the public
• 52:59
  Speaker 2: body for me, who lived my whole life in the outskirts.
• 53:01
  Speaker 4: So, here's the thing, it's a matter that I have ownership.
• 53:03
  Speaker 2: If the guys were calling me there to debate the economy,
• 53:06
  Speaker 2: then it's not just about you knowing how to debate,
• 53:07
  Speaker 2: it's because you have the reason.
• 53:08
  Speaker 4: And the ownership in your hand to talk. The guys
• 53:09
  Speaker 4: want to talk.
• 53:10
  Speaker 2: About the Baile Funk problem, but the guys are out
• 53:12
  Speaker 2: of infrastructure and urban planning. Because it's easy for you
• 53:15
  Speaker 2: to say that there are millions of people taking a street,
• 53:17
  Speaker 2: or thousands of people taking a street, when one house
• 53:19
  Speaker 2: is piled on top of the other. When your house
• 53:21
  Speaker 2: is just a bathroom, you know? It's sunny as hell,
• 53:24
  Speaker 2: if it's already hot all day, you know? And you
• 53:27
  Speaker 2: worked all week on Saturday night and there's no place
• 53:28
  Speaker 2: for you there. Where are you going to stay? At
• 53:30
  Speaker 2: your house's door, my friend.
• 53:31
  Speaker 1: And if it rains too hard, your house will go away.
• 53:33
  Speaker 3: You know?
• 53:33
  Speaker 1: So, you know?
• 53:34
  Speaker 2: So, like, it's easy. The guys said the following. Ah,
• 53:38
  Speaker 2: there's drug use at the ball, you know, brother? As
• 53:40
  Speaker 2: if it wasn't on the safe at the big parties.
• 53:42
  Speaker 4: But, like, let's go there.
• 53:44
  Speaker 2: In my opinion, what is the entertainment, the culture and
• 53:47
  Speaker 2: leisure that is being promoted within the periphery?
• 53:49
  Speaker 1: The funk and the rap.
• 53:50
  Speaker 4: And from the state.
• 53:53
  Speaker 2: In my opinion, if there is any problem, is it
• 53:57
  Speaker 2: to solve the problem or to end the culture? So,
• 54:00
  Speaker 2: if there is violence, put security. Put structure, put light,
• 54:05
  Speaker 2: hire an artist. Put an artist per month, just like
• 54:07
  Speaker 2: you do in small cities, where they earn millions.
• 54:10
  Speaker 4: Invest in Ballyfunk.
• 54:16
  Speaker 2: Ah, there's the use of drugs, the danger of people,
• 54:20
  Speaker 2: everyone moving around. Put an ambulance, put a fireman, put
• 54:23
  Speaker 2: a structure, just like you do with the carnival. Because
• 54:25
  Speaker 2: the carnival 10 years ago was criminalized the blocks too.
• 54:29
  Speaker 2: And today it generates a income of more than 5,
• 54:32
  Speaker 2: 6 million per year for the state.
• 54:33
  Speaker 3: Run a ball and break it.
• 54:34
  Speaker 4: So imagine, what.
• 54:36
  Speaker 2: It generates, you know, of money for the population around.
• 54:38
  Speaker 2: The Ballyfunk, it generates for the barber. He generates for
• 54:41
  Speaker 2: the restaurant of Quebrada, which does not open on the
• 54:43
  Speaker 2: day of the ball, because it's not just on the
• 54:45
  Speaker 2: day of the ball, because it's the following, why does
• 54:47
  Speaker 2: everyone want to go to Paraisópolis? Paraisópolis, for those who
• 54:50
  Speaker 2: don't know, Paraisópolis, it's that Paraisópolis is more the residents
• 54:53
  Speaker 2: who say, I stick a lot, I get this custom.
• 54:55
  Speaker 2: Why does everyone want to stick to Paraisópolis? Because it's
• 54:57
  Speaker 2: a quebrada, brother, the quebrada of the ball, it's famous,
• 54:59
  Speaker 2: the quebrada 17. Of course, there were soap operas, there
• 55:03
  Speaker 2: were many other things about shine. But what most promotes
• 55:06
  Speaker 2: breaking up is this. Why does everyone want to go
• 55:08
  Speaker 2: to Tiradentes? Because it's the cradle of funk in the capital.
• 55:10
  Speaker 2: Everyone knows that breaking up is a bomb. Who doesn't
• 55:12
  Speaker 2: want to stick to Roda Sorte, which was mentioned in
• 55:14
  Speaker 2: many songs?
• 55:15
  Speaker 3: In many songs.
• 55:15
  Speaker 2: Everyone wants to stick to this. It promotes what? The
• 55:18
  Speaker 2: market of the region.
• 55:19
  Speaker 3: Many bars selling food, drinks, commerce.
• 55:21
  Speaker 4: Local commerce, you know? So, like this.
• 55:23
  Speaker 2: The guys don't have this vision.
• 55:25
  Speaker 4: Oh, the schedule, it took time, it starts earlier and
• 55:27
  Speaker 4: ends earlier.
• 55:27
  Speaker 3: And it seems that he doesn't understand that a year
• 55:30
  Speaker 3: of the barraquinha sustains the whole family selling in the barraquinha.
• 55:34
  Speaker 2: Selling in his barraquinha at Bally Funk. So, like, the
• 55:37
  Speaker 2: question there, I was 100% calm about this thing. The
• 55:40
  Speaker 2: guys want to tell me about omission, it took time.
• 55:42
  Speaker 3: Let's go. And how long was the debate there?
• 55:46
  Speaker 4: Help, brother, I stayed an hour, an hour and a little.
• 55:49
  Speaker 1: Man, I watched it completely, it was very key. It
• 55:51
  Speaker 1: was an hour and a little.
• 55:53
  Speaker 3: And I also knew that the intention.
• 55:54
  Speaker 4: Was to generate a cut to the internet, you know?
• 55:57
  Speaker 1: And generate a crack.
• 55:58
  Speaker 2: I knew, because it's the following, going back to the
• 56:01
  Speaker 2: subject I'm talking about, UTM is the mission of the
• 56:03
  Speaker 2: public organ. If I'm a councilor, that I'm pulling a CPI,
• 56:07
  Speaker 2: because a CPI is a parliamentary commission of investigation. I'm
• 56:11
  Speaker 2: trying to investigate if you're omitting any public or stopping
• 56:14
  Speaker 2: any corruption. What am I going to call the MC, influencer,
• 56:17
  Speaker 2: owner of the production company? Being that in São Paulo,
• 56:19
  Speaker 2: the first thing the MC doesn't even do is show
• 56:20
  Speaker 2: in Baili.
• 56:21
  Speaker 1: Funk, brother.
• 56:21
  Speaker 2: We only do special dates, Children's Day, New Year's Day,
• 56:24
  Speaker 2: because you're going to sing at the Baili for the
• 56:26
  Speaker 2: police to invade? No one builds the Baili Funk structure
• 56:29
  Speaker 2: for the show, you don't see. So we don't even
• 56:31
  Speaker 2: sing at the Baili, we sing, brother. We don't encourage
• 56:34
  Speaker 2: Baili Funk in any way. But it's a cause that
• 56:36
  Speaker 2: is ours.
• 56:36
  Speaker 4: That's why I hugged.
• 56:37
  Speaker 2: Because I could take mine from the street like Varus did.
• 56:39
  Speaker 2: I have nothing to do with Baili, it's over. But
• 56:42
  Speaker 2: my population has something to do with that. I don't
• 56:44
  Speaker 2: only fight for the kid who wants to enjoy the
• 56:46
  Speaker 2: ball and also for the aunt who wants to sleep.
• 56:49
  Speaker 2: I fight to get to a consensus where the young
• 56:51
  Speaker 2: people will have the leisure and the entertainment of their
• 56:54
  Speaker 2: culture and the aunt will also sleep to work. Even
• 56:56
  Speaker 2: because the young man who is there is her relative.
• 56:58
  Speaker 2: It's her nephew, it's her grandson, it's her neighbor. Everyone
• 57:02
  Speaker 2: is one population. No one is more or less dignified.
• 57:05
  Speaker 2: Do you understand this path? So, going back to the
• 57:08
  Speaker 2: main point, I'm a councilor, I'm organizing a CPI to
• 57:11
  Speaker 2: investigate a thing, which is the omission of public organs.
• 57:14
  Speaker 4: Who am I going to call to this commission?
• 57:17
  Speaker 2: The secretaries of these public organs. The city's security secretary,
• 57:23
  Speaker 2: education secretary, health secretary, infrastructure and urban planning secretary, Secretaria
• 57:29
  Speaker 2: de Cultura, these guys who must explain to me, brother.
• 57:32
  Speaker 4: It's not the MC, it's not the influencer.
• 57:34
  Speaker 2: So, if the guys are calling us, it's because the
• 57:35
  Speaker 2: guys want media, the guys want to make their cuts
• 57:38
  Speaker 2: to post on Instagram. Because if the guys want to
• 57:40
  Speaker 2: solve the problem, the guys will call those who have
• 57:42
  Speaker 2: the power to solve the problem.
• 57:44
  Speaker 1: At the time of asking you, the person who was
• 57:46
  Speaker 1: asking you, there was a... There was a camera from
• 57:49
  Speaker 1: the CPI, but there was another camera here, look, on
• 57:51
  Speaker 1: the person. Which was for the cut, it was... It
• 57:53
  Speaker 1: was what was important. That little cell phone there, it
• 57:56
  Speaker 1: wasn't what was being said there, it was... I'm going
• 57:58
  Speaker 1: to give it my all, I don't know what to
• 58:00
  Speaker 1: put later. Cut it fast. But then the shot came
• 58:03
  Speaker 1: out of the ass, bro.
• 58:04
  Speaker 2: Because I was already in this thing, I said to
• 58:08
  Speaker 2: the people, I didn't prepare much, but I said, bro,
• 58:10
  Speaker 2: after this thing, there will be another Salvador da Rima
• 58:12
  Speaker 2: in the eyes of the people. Because if someone sees
• 58:14
  Speaker 2: me in an ignorant way, like judging me by my
• 58:17
  Speaker 2: stereotype or by my past, he will see that we
• 58:20
  Speaker 2: are leaders, you know? And another, if the guys are
• 58:23
  Speaker 2: wanting to win me over me, I'm going to win
• 58:25
  Speaker 2: me over the guys, you know? I'm going to lay
• 58:27
  Speaker 2: on top of the guys, and not just for me,
• 58:29
  Speaker 2: you know? But by the strength of our movement, because
• 58:32
  Speaker 2: I'm seeing, since, father, since the anti-Oruan law, since, in fact,
• 58:36
  Speaker 2: it's since the primordial, right? Since when the slaves left
• 58:40
  Speaker 2: the hands of the gentlemen of Genho to go to
• 58:43
  Speaker 2: the hills, right, brother?
• 58:44
  Speaker 4: So it's since then.
• 58:45
  Speaker 3: You think the guys kind of talked in the middle
• 58:48
  Speaker 3: of that process, they said, man, wow, we invited the guy,
• 58:51
  Speaker 3: he thought we would swallow him, and the guy is
• 58:53
  Speaker 3: full of... For sure.
• 58:54
  Speaker 2: For sure.
• 58:54
  Speaker 3: For sure. They expected me.
• 59:00
  Speaker 4: To lose the line, that I was going to.
• 59:02
  Speaker 2: I was already prepared for them to say personal things
• 59:05
  Speaker 2: about me. And it's like this, brother. I have a
• 59:07
  Speaker 2: glass test, like every human being, father. Here we are
• 59:09
  Speaker 2: not here to be an example for anyone, brother. An
• 59:12
  Speaker 2: example you have to have in your house is your
• 59:13
  Speaker 2: father and your mother, you know? I myself am a failure.
• 59:16
  Speaker 2: I will try to be the least failure possible, you know?
• 59:19
  Speaker 2: But I'm not here to ask for approval from anyone.
• 59:21
  Speaker 2: I'm not everyone looking for validation, approval.
• 59:24
  Speaker 1: You know? You started by saying this, right?
• 59:25
  Speaker 3: I'm common.
• 59:26
  Speaker 2: I already knew that they were going to talk about
• 59:29
  Speaker 2: some things, but we gave them other accusations, other things
• 59:33
  Speaker 2: that don't proceed anymore, that came to the internet. So
• 59:36
  Speaker 2: I was prepared for that, firm conviction of who I am,
• 59:40
  Speaker 2: what I carry, what I represent, you know? I also
• 59:43
  Speaker 2: have a lot of that breeze, bro. I like to
• 59:45
  Speaker 2: see the others shine, you know? I don't have a
• 59:48
  Speaker 2: problem like the guys have envy of the others, you know?
• 59:50
  Speaker 1: And let it go.
• 59:51
  Speaker 2: Ah, I want to be there, I want to be talking.
• 59:53
  Speaker 2: So many times, for a long time, I was quiet,
• 59:54
  Speaker 2: you know? But then you see that many times, many guys,
• 59:57
  Speaker 2: as much as we like the guys, sometimes the guys
• 59:59
  Speaker 2: don't have to talk about it. Like, if no one
• 1:00:01
  Speaker 2: is going to talk, you have to talk. You see, like, obligation, man,
• 1:00:06
  Speaker 2: if no one sees or if no one can express
• 1:00:08
  Speaker 2: themselves in the way that is necessary for us to
• 1:00:09
  Speaker 2: win the debate, you know? So, I'll be there, like,
• 1:00:12
  Speaker 2: it's like when it's a street fight, your friend is losing,
• 1:00:15
  Speaker 2: you'll have to go in at least to separate, right?
• 1:00:17
  Speaker 3: At least.
• 1:00:18
  Speaker 2: If someone comes in, it's going to be a fight. So, like,
• 1:00:20
  Speaker 2: it's about that. I also arrived at the moment.
• 1:00:24
  Speaker 2: I found that very necessary because I saw that we
• 1:00:27
  Speaker 2: were getting hit a lot by politicians in general and we,
• 1:00:31
  Speaker 2: as a movement, weren't having the strength to retribute, you know?
• 1:00:34
  Speaker 4: We were losing.
• 1:00:34
  Speaker 3: We weren't knowing how to respond, right, brother?
• 1:00:36
  Speaker 4: In the argumentation, you know?
• 1:00:37
  Speaker 2: Because that's it, it's like I was saying, many times,
• 1:00:39
  Speaker 2: you can be right, but if you don't have the
• 1:00:40
  Speaker 2: position to... to be firm, you lose that reason, the
• 1:00:44
  Speaker 2: wrong one passes as the right.
• 1:00:46
  Speaker 1: One and the right one as the wrong one.
• 1:00:47
  Speaker 4: So the importance of us being united. So I was
• 1:00:50
  Speaker 4: in that lineage, you know?
• 1:00:51
  Speaker 2: Like, man, I wasn't feeling represented with the words of many, like, no,
• 1:00:54
  Speaker 2: I think this is the thing that represents me, I'm
• 1:00:57
  Speaker 2: going there to represent this, to impose this idea, this ideal,
• 1:01:00
  Speaker 2: and whoever identifies, this is the thing.
• 1:01:02
  Speaker 1: We had to unite more, man, to really talk, because
• 1:01:05
  Speaker 1: sometimes I feel that the person who takes this front of, like, man,
• 1:01:08
  Speaker 1: damn it, there's no one talking, I'm not going to talk.
• 1:01:12
  Speaker 1: This person, when she speaks, then she stays alone.
• 1:01:16
  Speaker 3: Yeah.
• 1:01:17
  Speaker 1: You know? It's true. Like, you're part of a movement
• 1:01:19
  Speaker 1: that has a lot of people, everyone you know around
• 1:01:21
  Speaker 1: you agrees with you. But then it's really cool when
• 1:01:24
  Speaker 1: this prego stands out and he stays there alone, hammering.
• 1:01:26
  Speaker 1: So sometimes I feel that. You went there and gave
• 1:01:28
  Speaker 1: a letter. But then I also looked and said like this.
• 1:01:31
  Speaker 1: If there was another Salvador with Salvador coming. No, I agree,
• 1:01:34
  Speaker 1: I don't know what. If you did something even bigger,
• 1:01:37
  Speaker 1: if you showed yourself.
• 1:01:38
  Speaker 7: Group.
• 1:01:38
  Speaker 1: You know?
• 1:01:39
  Speaker 4: Yeah, there's a phrase from Djonga that says this, brother.
• 1:01:41
  Speaker 4: You can handle the pressure.
• 1:01:43
  Speaker 2: Do you bear the persecution of facing the conflict and
• 1:01:46
  Speaker 2: taking the position?
• 1:01:47
  Speaker 1: You know?
• 1:01:47
  Speaker 2: Because, whether you like it or not, man, on top
• 1:01:49
  Speaker 2: of the wall, you don't... You don't take a shot, right?
• 1:01:51
  Speaker 2: You know?
• 1:01:51
  Speaker 1: Or you take it from both sides.
• 1:01:52
  Speaker 2: No, you take it from both sides. But, like, when
• 1:01:54
  Speaker 2: it's a matter of debate, on top of the wall,
• 1:01:56
  Speaker 2: you get absent.
• 1:01:57
  Speaker 4: Right? So, you're, like... You play on both teams.
• 1:02:00
  Speaker 1: You know?
• 1:02:01
  Speaker 4: Whether you like it or not. Because when you... It's
• 1:02:03
  Speaker 4: the same as voting null.
• 1:02:05
  Speaker 1: Right? You help whoever's winning.
• 1:02:06
  Speaker 4: You help anyone. Whoever's winning will have strength. Silence is that, right?
• 1:02:09
  Speaker 3: But after you left this place, didn't you have the
• 1:02:11
  Speaker 3: feeling that you had a target of this size on
• 1:02:14
  Speaker 3: your back? Did you get more worried?
• 1:02:15
  Speaker 1: Ah, but that's how I feel since I was born, brother.
• 1:02:19
  Speaker 4: I have this breeze like this, look.
• 1:02:22
  Speaker 1: I don't rhyme.
• 1:02:23
  Speaker 4: I never rhymed, dad. For money, asshole.
• 1:02:26
  Speaker 1: You know?
• 1:02:27
  Speaker 4: I always needed a lot of money and always wanted.
• 1:02:29
  Speaker 4: Because I'm poor, you know?
• 1:02:30
  Speaker 2: And like the ancients said, I believe that the dream
• 1:02:33
  Speaker 2: of all the poor is to get rich.
• 1:02:34
  Speaker 4: You know?
• 1:02:35
  Speaker 2: But I always rhymed because I always believed that I
• 1:02:38
  Speaker 2: had a mission.
• 1:02:40
  Speaker 4: Got it? And all the guys that I inspire died
• 1:02:43
  Speaker 4: early or were persecuted, got it? Or walked a lot
• 1:02:45
  Speaker 4: to be able to be there, got it? So.
• 1:02:49
  Speaker 2: I've never been afraid of these walks, bro. I was
• 1:02:51
  Speaker 2: even saying that out there to the people. The people asked.
• 1:02:55
  Speaker 4: About it, right? Like.
• 1:02:57
  Speaker 2: It's... It's scary to position yourself and stuff, but I
• 1:03:00
  Speaker 2: believe that in the world we.
• 1:03:01
  Speaker 4: It came to the world to die, got it?
• 1:03:03
  Speaker 2: So.
• 1:03:04
  Speaker 4: I don't have the fear of dying. I have the
• 1:03:05
  Speaker 4: fear of dying like the pilantra.
• 1:03:06
  Speaker 3: If I die as a man.
• 1:03:08
  Speaker 4: I died happy.
• 1:03:09
  Speaker 3: And what is your mission?
• 1:03:12
  Speaker 1: My mission is this, brother.
• 1:03:14
  Speaker 2: Representing these people who don't have a voice to express themselves,
• 1:03:17
  Speaker 2: you know? Representing the disadvantaged, you know?
• 1:03:21
  Speaker 1: So, like, speaking.
• 1:03:22
  Speaker 4: For these people.
• 1:03:24
  Speaker 2: It's a way of channeling the voice of these people,
• 1:03:28
  Speaker 2: you know?
• 1:03:29
  Speaker 3: Man, and that also doesn't give you... I'm asking this too,
• 1:03:31
  Speaker 3: beyond the target, but that also doesn't give you... a weight, brother,
• 1:03:35
  Speaker 3: a weight, a representativeness that you have to have, that sometimes, like,
• 1:03:40
  Speaker 3: at every moment you have to be like this, at
• 1:03:42
  Speaker 3: every moment people are waiting for Salvador da Rima to
• 1:03:45
  Speaker 3: send the letter and I know and I realize that
• 1:03:47
  Speaker 3: you are also a funny guy, you are a soft guy,
• 1:03:49
  Speaker 3: but doesn't that also give you a weight, that you
• 1:03:51
  Speaker 3: always have to be sending the letter, bro?
• 1:03:54
  Speaker 2: Yes, bro, it's cool, you're asking several interesting questions, you know, brother,
• 1:04:00
  Speaker 2: and when sometimes it's There are some subjects that I
• 1:04:02
  Speaker 2: always wanted to talk about, I want to make it
• 1:04:05
  Speaker 2: a matter of phrasing for the people who are watching,
• 1:04:07
  Speaker 2: keep this thing, you know? Like this, brother, when you
• 1:04:10
  Speaker 2: are born, going back there, when you are born in
• 1:04:12
  Speaker 2: a place like the place where we are born, Truta,
• 1:04:15
  Speaker 2: you are already born with weight, partner, which is the
• 1:04:17
  Speaker 2: weight of survival, you know? And I think that a
• 1:04:20
  Speaker 2: weight is not the correct word, this gives me a reason,
• 1:04:23
  Speaker 2: you know?
• 1:04:23
  Speaker 4: And that's what takes our.
• 1:04:24
  Speaker 2: Young people to crime and to many paths, it's because
• 1:04:27
  Speaker 2: we were born without a reason, without cause and without identity.
• 1:04:30
  Speaker 2: So I say for myself, I asked for money at
• 1:04:32
  Speaker 2: the lighthouse, sold the bullet, went to the mall to
• 1:04:34
  Speaker 2: ask for money, and boom, we were simply the favelas,
• 1:04:39
  Speaker 2: we never had an identity. So in the same way
• 1:04:41
  Speaker 2: that the funk gives you this, I, with all due respect,
• 1:04:42
  Speaker 2: don't even like to talk about the things I lived through.
• 1:04:47
  Speaker 2: I'm not proud of it, but I know the streets,
• 1:04:50
  Speaker 2: with all due respect to crime, and crime seduces a
• 1:04:53
  Speaker 2: lot of young people, because it also gives you an identity.
• 1:04:56
  Speaker 2: So that young man on the street, he's just a
• 1:04:58
  Speaker 2: black guy, he's just a favela guy, now he has
• 1:04:59
  Speaker 2: a flag, he has a reason to die, you know?
• 1:05:01
  Speaker 4: So for my reason, not to be the crime, you.
• 1:05:02
  Speaker 2: Know, for me it's much better the weight, to represent
• 1:05:11
  Speaker 2: a thing and take a risk for it, than the
• 1:05:13
  Speaker 2: weight of being hurting other people, or taking a risk
• 1:05:16
  Speaker 2: for something that I'm not proud of, you know, brother?
• 1:05:18
  Speaker 4: So I think that's it.
• 1:05:19
  Speaker 2: It doesn't give me a weight, it gives me a reason,
• 1:05:22
  Speaker 2: and I needed that to survive.
• 1:05:24
  Speaker 1: And it's very key, it's very cool to talk about it, Salvador,
• 1:05:27
  Speaker 1: but I think it's also very cool for me to
• 1:05:29
  Speaker 1: ask a question like this, because we see people like you,
• 1:05:34
  Speaker 1: who emerge with this certain responsibility, they are stereotyped Until
• 1:05:38
  Speaker 1: their old age, until the rest of their lives, which
• 1:05:41
  Speaker 1: is like, for example, not comparing, for God's sake, I
• 1:05:43
  Speaker 1: know you don't like to compare, but Mano Brown is
• 1:05:46
  Speaker 1: a guy who has a fucking response since day one
• 1:05:48
  Speaker 1: that he appears in the media. If the guy laughs,
• 1:05:50
  Speaker 1: it looks like he's talking about a crime. If he
• 1:05:52
  Speaker 1: makes a song of love, passion, it's changed. I don't
• 1:05:57
  Speaker 1: know if Salvador is sure, but if he makes a
• 1:05:59
  Speaker 1: dancing song, people are like... And he can't?
• 1:06:01
  Speaker 3: Just to conclude what you were saying, but when Emicida
• 1:06:04
  Speaker 3: comes here, sometimes we talk about... You're not going to talk.
• 1:06:07
  Speaker 1: About the Syrian war, right? I like to come here because.
• 1:06:09
  Speaker 3: Sometimes people just put me to talk about war, about problems,
• 1:06:13
  Speaker 3: and sometimes I also want.
• 1:06:15
  Speaker 1: I also want to talk about Dragon Ball.
• 1:06:17
  Speaker 3: Z, I also want to have fun. So there is
• 1:06:18
  Speaker 3: also this thing. But I think that this.
• 1:06:20
  Speaker 1: Brother, comes down to the issue of space recovery, you know?
• 1:06:24
  Speaker 2: Which is the thing I was talking about. I was
• 1:06:27
  Speaker 2: even talking to my younger sister these days, because she
• 1:06:31
  Speaker 2: is a teenager, right? She goes through the phases at school, right?
• 1:06:34
  Speaker 2: And my younger sisters are black, you know? My family
• 1:06:39
  Speaker 2: is all misogynistic, like I said, my father is black,
• 1:06:42
  Speaker 2: my older sister is blue-eyed, my younger sisters are already black,
• 1:06:45
  Speaker 2: my daughters are all black.
• 1:06:46
  Speaker 4: Each one has their own suffering.
• 1:06:49
  Speaker 2: Yes, and each one has their own way of being,
• 1:06:50
  Speaker 2: but like I said to her, you have to understand
• 1:06:52
  Speaker 2: that you are a black woman, and you are not
• 1:06:57
  Speaker 2: in school to make friends, you are not in school
• 1:07:00
  Speaker 2: to seek approval. And this also serves us while this
• 1:07:02
  Speaker 2: journey that you are asking, because it is the following,
• 1:07:08
  Speaker 2: I have my fight, you know? I'm a guy that
• 1:07:10
  Speaker 2: I suffered in life, I'm favelado. I'm part of the
• 1:07:13
  Speaker 2: share that was harmed by the system. And I'm not
• 1:07:15
  Speaker 2: in the world looking for approval, I have a mission.
• 1:07:18
  Speaker 2: So she's in her school to learn and I'm also
• 1:07:20
  Speaker 2: in the game to win. So I'm not here worried,
• 1:07:23
  Speaker 2: you know? And many times, logically, this interferes, because we
• 1:07:26
  Speaker 2: live from it. We live from the approval of the people,
• 1:07:29
  Speaker 2: we live from streams, we live from art. However, I particularly, brother,
• 1:07:33
  Speaker 2: I want you to fuck, excuse the word, sorry mesmo.
• 1:07:36
  Speaker 2: What I want is that people who identify with me
• 1:07:38
  Speaker 2: like it.
• 1:07:38
  Speaker 4: I'm not forcing it. Like me.
• 1:07:41
  Speaker 1: You're trying to conquer someone. You know what I mean?
• 1:07:43
  Speaker 4: Who is it will look and say, man, it's a
• 1:07:45
  Speaker 4: thousand degrees.
• 1:07:45
  Speaker 3: And who isn't?
• 1:07:46
  Speaker 1: It's your problem, man. It's about that, you know?
• 1:07:48
  Speaker 2: I think the thing is also about teaching self-esteem to
• 1:07:52
  Speaker 2: people who come from where they come from.
• 1:07:56
  Speaker 4: Because that's it.
• 1:07:56
  Speaker 2: We're taking up space, brother. So, Brau himself already said that.
• 1:08:00
  Speaker 2: The whole world is looking at you, you know why?
• 1:08:02
  Speaker 2: Because of your origin. That's it, man. You don't see
• 1:08:04
  Speaker 2: the guys like that, right? The actor from Globo. You
• 1:08:06
  Speaker 2: don't see the guys like that. It's because you're this here,
• 1:08:09
  Speaker 2: you have to have this stereotype. No one calls you
• 1:08:10
  Speaker 2: a good actor. Because you're this stereotype, man.
• 1:08:12
  Speaker 3: Yes, yes.
• 1:08:13
  Speaker 4: Got it?
• 1:08:14
  Speaker 1: If you're not like that, you don't serve.
• 1:08:16
  Speaker 3: You know?
• 1:08:16
  Speaker 2: So we don't have to stick to that, because it's
• 1:08:19
  Speaker 2: never going to be good for the guys. We're taking
• 1:08:21
  Speaker 2: back a space that wasn't ours. We're taking the money
• 1:08:25
  Speaker 2: that was in the hands of the guys, which is
• 1:08:27
  Speaker 2: actually ours.
• 1:08:27
  Speaker 3: It's ours.
• 1:08:27
  Speaker 2: We built the whole thing for the guys to live.
• 1:08:29
  Speaker 2: We generated the whole PIB for the guys to spend.
• 1:08:31
  Speaker 2: But now we want our stuff back. And of course
• 1:08:33
  Speaker 2: it won't be pleasant for those who are already in
• 1:08:37
  Speaker 2: a place that is ours.
• 1:08:38
  Speaker 4: Of course we won't be well seen. So I'm not
• 1:08:41
  Speaker 4: worried about that, bro.
• 1:08:43
  Speaker 2: Pass the house keys and the cars and put the
• 1:08:45
  Speaker 2: Venti license plate that we're buying.
• 1:08:46
  Speaker 1: That's exactly it, bro. Very cool, man. I think there's
• 1:08:51
  Speaker 1: a very cool passage in your life, which is the
• 1:08:54
  Speaker 1: song Shame for the Media. And everyone who participated in
• 1:08:58
  Speaker 1: this song and all of them... came to this table
• 1:09:00
  Speaker 1: and everyone talks about this song in a very beautiful way,
• 1:09:04
  Speaker 1: you know? Everyone talks about the sound as if it
• 1:09:08
  Speaker 1: were a union there, a lot by Kevin too, but
• 1:09:11
  Speaker 1: you came here, it was the first of them that came,
• 1:09:13
  Speaker 1: right brother? And then you stayed a while without coming.
• 1:09:15
  Speaker 1: The craziest thing about all of this is that everyone
• 1:09:17
  Speaker 1: talks about you. Salvador was in a difficult moment of
• 1:09:23
  Speaker 1: his life, but he was flying artistically, and Kevin jumped
• 1:09:26
  Speaker 1: on his ball. I just wanted you to... Whenever this
• 1:09:30
  Speaker 1: topic appears here on the table, they talk a lot
• 1:09:33
  Speaker 1: about you, and I think you didn't have the opportunity
• 1:09:35
  Speaker 1: to tell us how this day was, man. Because I
• 1:09:38
  Speaker 1: think it was a crucial day in your life, you know?
• 1:09:39
  Speaker 1: That you didn't even know, man.
• 1:09:41
  Speaker 3: Wow. You know?
• 1:09:42
  Speaker 1: Man, this....
• 1:09:45
  Speaker 4: This story is very crazy. God is wonderful, man. Sometimes
• 1:09:47
  Speaker 4: I even get emotional.
• 1:09:49
  Speaker 2: This song changed the lives of many people who participated
• 1:09:52
  Speaker 2: in this song. I think all of them. All of them,
• 1:09:54
  Speaker 2: you know? For example, since the production, you know?
• 1:09:59
  Speaker 1: Like, DJ Boi, you know?
• 1:10:00
  Speaker 2: He said it himself, it was the first DJ Boi's hit.
• 1:10:03
  Speaker 2: LP was going through a phase where he had to
• 1:10:06
  Speaker 2: leave the company, you know? And with a hand in
• 1:10:08
  Speaker 2: the front, he's behind the pandemic too. It doesn't matter
• 1:10:11
  Speaker 2: which company, but he was going through his difficulties. The
• 1:10:16
  Speaker 2: only thing he had was a little camera, which is
• 1:10:19
  Speaker 2: the partner who made the music video, you know? And
• 1:10:21
  Speaker 2: that music video also opened doors for him to record
• 1:10:23
  Speaker 2: several music videos. And then we came in as artists,
• 1:10:26
  Speaker 2: which changed Rian's life, changed my life. Lele was already cool,
• 1:10:30
  Speaker 2: but it changed, you know? It opened the margins. Nogue,
• 1:10:33
  Speaker 2: I think, opened doors for him to.
• 1:10:35
  Speaker 4: Hit with the funk noise, you know?
• 1:10:36
  Speaker 1: That's right.
• 1:10:37
  Speaker 3: Kev was already Kev.
• 1:10:38
  Speaker 1: Kev was the blessing. Kev was the blessing, you know?
• 1:10:42
  Speaker 2: But I think the question that the guys mention a lot,
• 1:10:45
  Speaker 2: my partner, is that going back to the story I
• 1:10:47
  Speaker 2: was telling you, we didn't play to suffer, my partner.
• 1:10:50
  Speaker 2: We suffered in the thing. And I don't pay for
• 1:10:53
  Speaker 2: the sufferer, because the place I live in, like I
• 1:10:56
  Speaker 2: said to you, bro, my story is cool, bro. But
• 1:11:00
  Speaker 2: I suffered in the thing. And when I met the guys,
• 1:11:02
  Speaker 2: I was a sufferer. And then, for you to have
• 1:11:05
  Speaker 2: an idea, when I went to Trombaulelé' s house.
• 1:11:10
  Speaker 1: Lele said it was the wrong place.
• 1:11:12
  Speaker 2: Then he said, it took a while, we're here in
• 1:11:14
  Speaker 2: Rian and Costa will not ask for your Uber. See
• 1:11:17
  Speaker 2: how much it gives. I was living in Itaipu Paulista,
• 1:11:20
  Speaker 2: I looked at the guys and said, guys, the guys
• 1:11:22
  Speaker 2: from Funk have money, the guys will ask for my Uber,
• 1:11:24
  Speaker 2: it was.
• 1:11:24
  Speaker 1: R $ 70.
• 1:11:25
  Speaker 4: The guys are with the bagace, brother. R $ 70.
• 1:11:30
  Speaker 4: Just to touch the thing.
• 1:11:31
  Speaker 1: And another important thing too, brother.
• 1:11:34
  Speaker 2: And for you to understand this breeze, my video had
• 1:11:36
  Speaker 2: already burst rhyming on the train, you know? I even
• 1:11:39
  Speaker 2: had the song Caldeia, Vida Bandida, which was already, I think,
• 1:11:43
  Speaker 2: 5 million. No, it was 8 million and such.
• 1:11:46
  Speaker 4: It's my Ascensão.
• 1:11:48
  Speaker 1: Yeah.
• 1:11:48
  Speaker 2: Dad, but I was so layman, which is the following,
• 1:11:51
  Speaker 2: I had 1 million followers on my Instagram, and I
• 1:11:53
  Speaker 2: made partnerships, sometimes I won 5 lunches, and I said, okay,
• 1:11:55
  Speaker 2: I blew it. The guys are going to send 5
• 1:11:57
  Speaker 2: lunches to us, and boom, you know? I arrived in
• 1:12:00
  Speaker 2: a phase where I was on the train, people were
• 1:12:02
  Speaker 2: working on the train, and sometimes in one car or
• 1:12:04
  Speaker 2: another there was always someone who recognized me, asked for
• 1:12:07
  Speaker 2: a picture, you know?
• 1:12:07
  Speaker 4: I had no idea about the internet, man.
• 1:12:08
  Speaker 2: And then it also happened that in this phase there, like,
• 1:12:12
  Speaker 2: I don't talk much, I don't go deep, I don't stop,
• 1:12:14
  Speaker 2: but Lele is connected, the guys are connected, like, man,
• 1:12:17
  Speaker 2: the pandemic came, dad, the train stopped, everything stopped, even
• 1:12:20
  Speaker 2: the battles.
• 1:12:20
  Speaker 1: Stopped, you know?
• 1:12:21
  Speaker 2: So, like, I had to turn to make a coin
• 1:12:23
  Speaker 2: in some ways too, don't run clumsy, you know, cousin?
• 1:12:25
  Speaker 2: The guys themselves composed from beginning to end, So the
• 1:12:29
  Speaker 2: guys extended their hands to me in a way that was, like,
• 1:12:32
  Speaker 2: without words. That's why I take it with gratitude forever. Rian, Lele, Kev,
• 1:12:35
  Speaker 2: you know? Even Nogue, you know? Who accepted our invitation,
• 1:12:39
  Speaker 2: you know? Of all of them, regardless of what happens,
• 1:12:42
  Speaker 2: gratitude will never pass, you know? And it's about that,
• 1:12:45
  Speaker 2: you know? But for me, the crazy thing about this story, bro, is.
• 1:12:48
  Speaker 1: To see that... None of them are lying, obviously. Everyone
• 1:12:54
  Speaker 1: told the same story, which is crazy. Obviously, sometimes it
• 1:12:58
  Speaker 1: doesn't even cross people's minds. But one guy who was
• 1:13:00
  Speaker 1: more blown up at the time looked at me and
• 1:13:02
  Speaker 1: said like this. Cool people, everyone is more or less fine.
• 1:13:04
  Speaker 1: But this one, for now, is from Salvador. That's what
• 1:13:06
  Speaker 1: I found, like, the funk, man. I found the rap,
• 1:13:09
  Speaker 1: you know?
• 1:13:09
  Speaker 3: The street.
• 1:13:11
  Speaker 1: That's what the guys did.
• 1:13:12
  Speaker 3: But in your vision, I wanted you to tell us
• 1:13:13
  Speaker 3: how the construction of this sound was, how it was.
• 1:13:16
  Speaker 3: Getting there from Uber, your vision, how was it?
• 1:13:18
  Speaker 1: No, I got there on the guys.
• 1:13:18
  Speaker 4: Opened the sound, smashed it, damn, very strong. I got
• 1:13:21
  Speaker 4: there on the guys there, man. Ixi, right?
• 1:13:23
  Speaker 2: I saw a lot of stuff. I think Rianja even
• 1:13:24
  Speaker 2: came to tell me. The guys called the minis and such.
• 1:13:26
  Speaker 2: I said hi to the pregnant woman and such, wanting
• 1:13:29
  Speaker 2: to give us this protocol, you know? It's on the mission.
• 1:13:32
  Speaker 2: But it's a boy with a good heart, man. But
• 1:13:34
  Speaker 2: it's focused on progress. Then, wanting to... I didn't participate in...
• 1:13:40
  Speaker 2: From the act of the guys, I give you all
• 1:13:41
  Speaker 2: the respect, I don't stop at this thing when it
• 1:13:43
  Speaker 2: comes to talking about music, I'm here, then I stayed
• 1:13:45
  Speaker 2: in this house doing some drag and stuff, then I
• 1:13:47
  Speaker 2: slept with the guys, then the next day we went
• 1:13:49
  Speaker 2: to the studio, then the guys saw the thesis, hey bro,
• 1:13:52
  Speaker 2: let's pull a trap, right, which is to pull the
• 1:13:54
  Speaker 2: trap that was in ascension, the first traps, recaid, and such,
• 1:13:57
  Speaker 2: the guys, right, bro, and then all respect to the
• 1:13:59
  Speaker 2: guys that today I have even a more open view,
• 1:14:00
  Speaker 2: but at the time, as we thought, we favelas, let's say, no, man,
• 1:14:03
  Speaker 2: the way the guys talk, don't, Many times they drink,
• 1:14:07
  Speaker 2: we have to send the message in Brazilian Portuguese words,
• 1:14:10
  Speaker 2: you know?
• 1:14:10
  Speaker 4: It's assault, it's trafficking, it's the word we use here, right?
• 1:14:14
  Speaker 2: If we're talking about gangs, because the guys wanted to
• 1:14:18
  Speaker 2: say criminal trap like in the United States, you know?
• 1:14:21
  Speaker 2: So much so that I myself, in reality, it's a
• 1:14:23
  Speaker 2: big breeze this walk of mine with... with the music
• 1:14:25
  Speaker 2: stuff like that, that I have an ideology that there
• 1:14:27
  Speaker 2: is no apology, you know, dad? You have your freedom
• 1:14:30
  Speaker 2: to say what you want, but many times I even
• 1:14:32
  Speaker 2: avoid making the songs more criminal.
• 1:14:34
  Speaker 4: But whenever I do, it breaks, cousin.
• 1:14:36
  Speaker 1: You know?
• 1:14:37
  Speaker 2: I release several conscious songs, I release several stuff, sometimes
• 1:14:40
  Speaker 2: it sucks, but dude, if I talk about personal crime,
• 1:14:42
  Speaker 2: because we lived a walk that was a raw reality,
• 1:14:44
  Speaker 2: so we know more or less, you know, how the
• 1:14:47
  Speaker 2: stuff is, I don't know.
• 1:14:48
  Speaker 4: Then I said, bro, let's pull and such.
• 1:14:50
  Speaker 2: Then Rian already came in the line, it took a while,
• 1:14:52
  Speaker 2: so I'm going to talk about Atena. I said, it
• 1:14:56
  Speaker 2: took a while, let's go. I already started with the
• 1:14:59
  Speaker 2: lyrics there. I was listening to that song on the phone.
• 1:15:01
  Speaker 4: I'm crazy, right, Jão?
• 1:15:02
  Speaker 3: That way.
• 1:15:02
  Speaker 4: Little boy from the favela, I'm suspicious. I already came
• 1:15:05
  Speaker 4: like this. The guys were like, damn!
• 1:15:15
  Speaker 2: They listened to my lyrics and started to write. Then
• 1:15:18
  Speaker 2: it all worked out, you know, brother? It was totally God, totally.
• 1:15:21
  Speaker 2: God always helped my life in ways that He always
• 1:15:23
  Speaker 2: made clear, like, it's me. There's no way you can
• 1:15:26
  Speaker 2: say it's a coincidence. Your ability is not that, I'm
• 1:15:28
  Speaker 2: the one who's training you.
• 1:15:30
  Speaker 3: You know?
• 1:15:31
  Speaker 2: I even got goosebumps when I said, my daughter was
• 1:15:34
  Speaker 2: born a month before I released the vergonha to the media,
• 1:15:37
  Speaker 2: you know, brother?
• 1:15:37
  Speaker 4: I was poor and crazy, really poor and crazy. I
• 1:15:39
  Speaker 4: didn't know what I was going to do with my life.
• 1:15:43
  Speaker 2: I was desperate, you know? And both me and her
• 1:15:46
  Speaker 2: mother were teenagers, you know? So it was a complicated situation.
• 1:15:51
  Speaker 2: Then the song came as a channeling of blessing to
• 1:15:55
  Speaker 2: many people and changed my life completely.
• 1:15:58
  Speaker 4: And it was the third time in my life that
• 1:16:00
  Speaker 4: I had stepped in a studio.
• 1:16:02
  Speaker 1: That's what I'm talking.
• 1:16:03
  Speaker 3: About, bro.
• 1:16:03
  Speaker 1: The second time, it was something that seemed like you
• 1:16:05
  Speaker 1: had been doing it for 10 years. Yeah, you know?
• 1:16:07
  Speaker 4: So much that I didn't like the lyrics. I get
• 1:16:10
  Speaker 4: emotional with forgiveness, bro.
• 1:16:12
  Speaker 1: No, bro.
• 1:16:12
  Speaker 4: It's when I talk about children, family, right, bro? Remember
• 1:16:15
  Speaker 4: the stuff.
• 1:16:16
  Speaker 2: Bro, I'm even going to say a curiosity here.
• 1:16:19
  Speaker 4: I'm going to say something, you know?
• 1:16:20
  Speaker 2: Since we're talking about gratitude, it has nothing to do
• 1:16:25
  Speaker 2: with the subject, but it's a curiosity. Many people don't know.
• 1:16:27
  Speaker 1: So, like this.
• 1:16:30
  Speaker 4: I want to thank Thiago Ventura and Hariel. Why both
• 1:16:31
  Speaker 4: of them?
• 1:16:32
  Speaker 1: Because both Thiago Ventura and Hariel, who is the uncle
• 1:16:35
  Speaker 1: of my youngest daughter, are my family.
• 1:16:36
  Speaker 2: But before he was the uncle of my youngest daughter,
• 1:16:40
  Speaker 2: he was the godfather of my youngest daughter. Because when
• 1:16:42
  Speaker 2: I was a poor guy, I used to be ashamed
• 1:16:44
  Speaker 2: of myself. Everyone knew I had a daughter to give
• 1:16:56
  Speaker 2: birth to, so I made a baby tea online, not
• 1:17:00
  Speaker 2: even a cow. People bought the stuff and sent it.
• 1:17:03
  Speaker 2: In short, Harry sent me a X amount of money,
• 1:17:05
  Speaker 2: which helped me a lot. I didn't even know myself yet,
• 1:17:07
  Speaker 2: then he became my friend, then a lot of things happened.
• 1:17:10
  Speaker 2: And Thiago Ventura sent me a suit truck, of all sizes, RN, PM.
• 1:17:13
  Speaker 2: I never bought a suit for my older daughter. So
• 1:17:20
  Speaker 2: these two guys from the artistic world, I will always
• 1:17:24
  Speaker 2: be grateful for the rest of my life. What they
• 1:17:26
  Speaker 2: did to me, they don't even know. Because they didn't
• 1:17:30
  Speaker 2: know me, it was only on the internet, if they
• 1:17:33
  Speaker 2: compared it to my story. So I'm leaving this thanks
• 1:17:36
  Speaker 2: to Harry and Tiago Ventura, because they made me strong
• 1:17:39
  Speaker 2: at the time. Then a while passed, the song exploded,
• 1:17:42
  Speaker 2: then everything happened.
• 1:17:43
  Speaker 1: I don't know if you have any idea, but you
• 1:17:46
  Speaker 1: are the artist of the song that made the song.
• 1:17:48
  Speaker 1: But I, as an audience... Jesus. Damn, it was all
• 1:17:51
  Speaker 1: the time, man. That little voice whispering in the flashlight.
• 1:17:54
  Speaker 4: No, it's like I said, it's going to the periphery.
• 1:17:56
  Speaker 3: Damn, you know, man. And it was a moment, too,
• 1:17:58
  Speaker 3: in that song.
• 1:17:58
  Speaker 2: And one day, it was very good, brother. I released
• 1:18:00
  Speaker 2: it in one day, brother. Then I got there in
• 1:18:01
  Speaker 2: my grandma's house, in Morrão, Guaianazes.
• 1:18:03
  Speaker 4: Brother, I got there, I'm on top of the fence.
• 1:18:05
  Speaker 4: I'm listening there in the background, the resident listening to
• 1:18:07
  Speaker 4: it in his house. In the same day, brother.
• 1:18:09
  Speaker 1: I said, okay, man.
• 1:18:10
  Speaker 2: Oh, Bico is listening to my song. I told my cousin.
• 1:18:12
  Speaker 2: And he was like, it's crazy. Then the next day, bro,
• 1:18:16
  Speaker 2: it was like three cars passing by. And then, like this,
• 1:18:19
  Speaker 2: on the first day, bro. On the first day, the
• 1:18:22
  Speaker 2: thing already hit 300,000. Because I was very famous. Of
• 1:18:25
  Speaker 2: the thing, of the battles of the end, you know?
• 1:18:26
  Speaker 2: And then, like this, this thing of the guys from Funk. Like, man,
• 1:18:29
  Speaker 2: MC Kev. Lelê had already released Tiger Preta, a name
• 1:18:33
  Speaker 2: that was already Ascensão. He wasn't very famous, but there
• 1:18:37
  Speaker 2: was already another song that the people of the favela
• 1:18:40
  Speaker 2: already knew, they already knew who the person was. So
• 1:18:43
  Speaker 2: there was this thing about Junção, the surprise, man, the
• 1:18:46
  Speaker 2: battle boy, let's hear it.
• 1:18:48
  Speaker 4: And when I heard the song, the thing was awesome.
• 1:18:50
  Speaker 1: Original, original. Nobody had ever done anything like it. When
• 1:18:52
  Speaker 1: she was ready, you didn't... You know?
• 1:18:54
  Speaker 3: When she was ready, you didn't say, like, bro, this
• 1:18:56
  Speaker 3: one is going to hit. What was the feeling?
• 1:18:57
  Speaker 4: I didn't imagine it was going to hit the way
• 1:18:59
  Speaker 4: it did, dad.
• 1:19:00
  Speaker 2: Jesus Jesus and there are 110.
• 1:19:28
  Speaker 1: Almost 111 on Spotify. Half a billion.
• 1:19:31
  Speaker 3: Half a billion just on a song, bro.
• 1:19:33
  Speaker 1: No, not to mention the people who downloaded it on
• 1:19:37
  Speaker 1: the pendrive. The other platforms. This song is like... It's
• 1:19:43
  Speaker 1: what Salvador is saying. When it's true, you don't need
• 1:19:47
  Speaker 1: to invest. You don't need to put money, you don't
• 1:19:51
  Speaker 1: need anything. It's just the experience there.
• 1:19:54
  Speaker 2: You said everything. The detail is my channel too, bro.
• 1:19:56
  Speaker 2: My channel, I released it. It had two videos there, like...
• 1:19:59
  Speaker 2: 100 views, 800 views. The channel was from scratch. And
• 1:20:03
  Speaker 2: why was it decided to release it on your channel?
• 1:20:06
  Speaker 2: Because the guys said, man, no one believed in the thing.
• 1:20:09
  Speaker 1: Right?
• 1:20:09
  Speaker 2: The project was ours. And another, no MC had a channel, dad, too.
• 1:20:15
  Speaker 2: I was already a revolutionary. My channel was the first
• 1:20:18
  Speaker 2: to hit a million of all the artists, of the
• 1:20:20
  Speaker 2: MCs of funk, you know?
• 1:20:21
  Speaker 1: Do you think that put a plug in the ears
• 1:20:23
  Speaker 1: of the guys and said.
• 1:20:23
  Speaker 2: Oh, you have to make a channel? For sure, for sure, bro.
• 1:20:25
  Speaker 2: At the time, really, this was the thing of all
• 1:20:27
  Speaker 2: the partners. Damn, you can go to make my channel,
• 1:20:30
  Speaker 2: you know? Even Kev, Paus, partners. No one had a
• 1:20:32
  Speaker 2: channel of their own. They had a contract, but I
• 1:20:35
  Speaker 2: wasn't a producer.
• 1:20:36
  Speaker 4: The project was mine.
• 1:20:37
  Speaker 2: And they wanted to release it to help me, not
• 1:20:38
  Speaker 2: to release it in the hands of other people. And then, like,
• 1:20:41
  Speaker 2: let's release it on Salvas' channel. No one imagined that
• 1:20:43
  Speaker 2: it would go like that.
• 1:20:45
  Speaker 3: Got it?
• 1:20:46
  Speaker 4: And then, was it a week for you to say, no,
• 1:20:47
  Speaker 4: this was three days? No, three days.
• 1:20:49
  Speaker 3: With three days, I said, it was already. Because with
• 1:20:54
  Speaker 3: three days, it was already like 300,000, dad.
• 1:20:56
  Speaker 4: No, I think 300,000 was the first day.
• 1:20:57
  Speaker 3: Like.
• 1:21:03
  Speaker 3: Yeah, I don't remember.
• 1:21:05
  Speaker 1: Almost a million. I saw the song on Didi Lasso.
• 1:21:07
  Speaker 2: Sometimes I get confused with the others, because Crack-O-Land was
• 1:21:09
  Speaker 2: also a record song of the day.
• 1:21:12
  Speaker 1: Let's talk about this song too, man. Because Crack-O-Land is,
• 1:21:15
  Speaker 1: besides a hit, I think it's something... You know the
• 1:21:20
  Speaker 1: We Are The World by Michael Jackson? Yes. That was
• 1:21:22
  Speaker 1: for a cause.
• 1:21:23
  Speaker 2: No, not Michael Jackson. This song is Usa for Africa.
• 1:21:26
  Speaker 2: There are more than 50 artists.
• 1:21:28
  Speaker 4: But he's the one who pulled the bonnet.
• 1:21:31
  Speaker 1: What I want to say about Crack-O-Land is that, besides
• 1:21:33
  Speaker 1: a hit.
• 1:21:34
  Speaker 4: In reality, I didn't even want to participate, bro.
• 1:21:36
  Speaker 3: Who?
• 1:21:36
  Speaker 1: Michael Jackson.
• 1:21:37
  Speaker 4: In reality, I didn't even want to participate in this truck.
• 1:21:39
  Speaker 1: It was him who pulled the bonnet. No, I thought
• 1:21:40
  Speaker 1: it was him who pulled the bonnet.
• 1:21:41
  Speaker 4: No, it's because he shines.
• 1:21:43
  Speaker 1: He's the one who shines. Everyone was waiting to get
• 1:21:45
  Speaker 1: to his part to say, Oh, Michael! This one... You
• 1:21:48
  Speaker 1: are the one.
• 1:21:49
  Speaker 4: We are the children.
• 1:21:51
  Speaker 3: He didn't want to talk about this.
• 1:21:52
  Speaker 1: I wasn't there, actually. I've read about it. What I
• 1:21:57
  Speaker 1: think is cool about Crackoland is that, besides being a hit,
• 1:21:59
  Speaker 1: it's a hymn. It's temporary. It's temporary. It has a
• 1:22:04
  Speaker 1: cause behind it. And I get... I know that there
• 1:22:08
  Speaker 1: are guys from Mula, it's all right, guys.
• 1:22:10
  Speaker 3: No, it's smooth.
• 1:22:11
  Speaker 1: I've always been a joker and such. But I see
• 1:22:13
  Speaker 1: that there are guys who think that music is like,
• 1:22:16
  Speaker 1: to play, that it's for you to make jokes, you know?
• 1:22:20
  Speaker 1: There are people who are aware, but I see us
• 1:22:24
  Speaker 1: who are from the movement itself, You'll see this song
• 1:22:30
  Speaker 1: with a certain... Do you understand what I'm trying to say?
• 1:22:33
  Speaker 4: Ah, for sure, bro.
• 1:22:34
  Speaker 2: I think it's mainly because the song wasn't made to
• 1:22:37
  Speaker 2: talk to Marmanjo Barbaro, what does he have that I
• 1:22:39
  Speaker 2: don't have to do, right? The song was made to
• 1:22:42
  Speaker 2: raise awareness for those who have ears and want to listen.
• 1:22:43
  Speaker 1: Right, partner?
• 1:22:45
  Speaker 2: And especially the children, because they love and adore this song.
• 1:22:49
  Speaker 1: This song is... You know?
• 1:22:50
  Speaker 4: So, this is natural.
• 1:22:51
  Speaker 1: You know?
• 1:22:52
  Speaker 2: When you're talking to someone, don't do that. If the
• 1:22:55
  Speaker 2: person has this habit, she'll feel... And her way of
• 1:22:58
  Speaker 2: defending it may be to debauch, but it's about what
• 1:23:00
  Speaker 2: you said, the song has a cause, and in reality
• 1:23:03
  Speaker 2: the song is a very crazy thing, because if you
• 1:23:05
  Speaker 2: notice the lyrics from the beginning to the end, the
• 1:23:08
  Speaker 2: song is not about Cracolândia and about the vices. The
• 1:23:11
  Speaker 2: part of Hariel and Davi, yes, and me and Rihanna,
• 1:23:14
  Speaker 2: we already address the crime more. The song, the name
• 1:23:17
  Speaker 2: before would be Ilusão, that's why it's Ilusão, between parentheses Cracolândia,
• 1:23:20
  Speaker 2: because it's about the illusions that can seduce us in
• 1:23:22
  Speaker 2: the periphery, both crime and vices.
• 1:23:25
  Speaker 4: However, the part of Hariel exploded, A lot before the
• 1:23:28
  Speaker 4: song was released, you know?
• 1:23:29
  Speaker 2: And then, because of the chorus and the theme, in
• 1:23:31
  Speaker 2: the preview, everywhere, everyone started calling the song Cracolândia. Because
• 1:23:34
  Speaker 2: it's a heavy name, right? We wouldn't call it Cracolândia, right?
• 1:23:37
  Speaker 2: It's a heavy name, but the audience gave it that name,
• 1:23:39
  Speaker 2: you know?
• 1:23:39
  Speaker 4: Cracolândia. But I think it covers more than just that,
• 1:23:42
  Speaker 4: you know? It's the general, you know?
• 1:23:44
  Speaker 2: So much so that on my page I already talk
• 1:23:48
  Speaker 2: about it, you know? Imagine the world at my level
• 1:23:55
  Speaker 2: and you there, talking to your relatives through a letter.
• 1:23:57
  Speaker 4: I think that's what you.
• 1:23:58
  Speaker 2: I'm talking about chains, about another part of the illusion
• 1:24:01
  Speaker 2: that we can suffer, you know?
• 1:24:02
  Speaker 1: Talking about situations that can take you there, right?
• 1:24:06
  Speaker 2: That's what tries to seduce you every day when you
• 1:24:09
  Speaker 2: live a frenetic reality.
• 1:24:10
  Speaker 3: And this song was in November 2020?
• 1:24:14
  Speaker 4: I don't remember.
• 1:24:15
  Speaker 1: It was at the end of the year.
• 1:24:16
  Speaker 4: It was at that time.
• 1:24:16
  Speaker 3: But how was the invitation?
• 1:24:18
  Speaker 4: Bro, I'm bad at these things.
• 1:24:19
  Speaker 1: I'm bad too. But how was the invitation?
• 1:24:21
  Speaker 3: How did you get into this sound?
• 1:24:23
  Speaker 2: So, actually, as I said, I wasn't there either. But
• 1:24:27
  Speaker 2: the greeting that came at the time, even out of
• 1:24:29
  Speaker 2: shame for the media, is that Alok gave a greeting
• 1:24:31
  Speaker 2: to make a song with.
• 1:24:32
  Speaker 1: Me and Rian.
• 1:24:33
  Speaker 4: Got it?
• 1:24:34
  Speaker 2: Then Rodrigo set up the team of the legendary monsters.
• 1:24:38
  Speaker 4: And we went there, you know? To do this thing there.
• 1:24:41
  Speaker 3: But when you were... I remember that there was.
• 1:24:43
  Speaker 2: A recording of Difficulties Prodigy. The song was not an idea,
• 1:24:45
  Speaker 2: we want to make a song about drugs. It was
• 1:24:48
  Speaker 2: just to make a song with us. A conscious song.
• 1:24:51
  Speaker 2: A fucking project. But there was not yet a segment.
• 1:24:55
  Speaker 2: What theme are we going to address?
• 1:24:57
  Speaker 4: You know?
• 1:24:57
  Speaker 2: Harry already had his lyrics. He already had a written lyrics.
• 1:25:02
  Speaker 2: And Davi's lyrics are crazy. Once he saw Harry sending
• 1:25:05
  Speaker 2: his lyrics and he wrote a letter at home inspired
• 1:25:08
  Speaker 2: by Harry's lyrics.
• 1:25:09
  Speaker 4: And then he already had the lyrics too.
• 1:25:11
  Speaker 3: But was it according to the lyrics that Harry was sending?
• 1:25:13
  Speaker 4: He wrote it because of Harry's lyrics, which is the
• 1:25:16
  Speaker 4: same lyrics.
• 1:25:16
  Speaker 2: So, like, it was literally predestined for the country.
• 1:25:20
  Speaker 1: It was as if he had already felt, no, one
• 1:25:21
  Speaker 1: day we're going to record together.
• 1:25:22
  Speaker 4: You know?
• 1:25:23
  Speaker 2: He saw Harry sending it once and said, man, the
• 1:25:24
  Speaker 2: lyrics are awesome. At least that's what he reported. He reported, no,
• 1:25:28
  Speaker 2: at the time, Harry commented on this letter and said, really...
• 1:25:31
  Speaker 2: I've already heard you sending this one, I even have
• 1:25:32
  Speaker 2: a letter on this one. Rário sent his, David already
• 1:25:35
  Speaker 2: sent his.
• 1:25:36
  Speaker 1: I think there's.
• 1:25:37
  Speaker 3: Even a video of this, you guys in the studio,
• 1:25:39
  Speaker 3: some talk about it.
• 1:25:40
  Speaker 2: Yeah, then Rinho also had some written bars, you know?
• 1:25:43
  Speaker 2: And then I sent it on time.
• 1:25:45
  Speaker 3: You know? And bro, wow, very cool, in the same
• 1:25:46
  Speaker 3: year you released two hits like this, how did your
• 1:25:50
  Speaker 3: mind get, bro? For example, it was in 2020, if
• 1:25:52
  Speaker 3: it's bad data, I'm also, but it was the two songs.
• 1:25:57
  Speaker 3: Turn to 2021, how was your head? Because you were
• 1:25:59
  Speaker 3: there in the tent, you knew about your mission, you
• 1:26:02
  Speaker 3: knew that you were going to arrive, but sometimes it's
• 1:26:05
  Speaker 3: complicated when you see yourself, you say, man, thank God,
• 1:26:09
  Speaker 3: I'm in a great condition here, I'm famous as fuck,
• 1:26:11
  Speaker 3: I'm recognized, there's a lot of people wanting my attention,
• 1:26:14
  Speaker 3: the famous people all calling me. How was this moment
• 1:26:17
  Speaker 3: for you? Didn't it give you any confusion? For sure,
• 1:26:20
  Speaker 3: a lot. Did it give you?
• 1:26:21
  Speaker 4: I think it's natural, you know? I lost myself for several.
• 1:26:26
  Speaker 2: Moments, you know, Mítico? Within myself, you know? You lose this...
• 1:26:30
  Speaker 2: This awareness of what is real and what is not,
• 1:26:35
  Speaker 2: you know? Of who really likes you and who doesn't,
• 1:26:37
  Speaker 2: you know? There's also the question of what? For me,
• 1:26:39
  Speaker 2: I was just making music and friends, you know? So
• 1:26:42
  Speaker 2: I didn't understand that it was a business. And this
• 1:26:46
  Speaker 2: thing hurt me a lot, you know? Sometimes because I
• 1:26:49
  Speaker 2: was too.
• 1:26:54
  Speaker 4: Very ignorant in many aspects, you know?
• 1:26:57
  Speaker 2: Other aspects also, like, being very... Contrary to that, very open-hearted,
• 1:27:02
  Speaker 2: you know, brother?
• 1:27:03
  Speaker 4: So, like... Thinking that the majority was coming being partners.
• 1:27:05
  Speaker 3: Yeah, and, like, I think it's about that, that when we.
• 1:27:08
  Speaker 2: Are poor and dream, we only know how to dream. So,
• 1:27:13
  Speaker 2: even more when you are a musician, you just want
• 1:27:16
  Speaker 2: to make music. You don't know that you need to
• 1:27:20
  Speaker 2: manage to be successful.
• 1:27:22
  Speaker 3: To keep it, right?
• 1:27:23
  Speaker 2: I wasn't taught to do business, you know? So, this
• 1:27:26
  Speaker 2: thing made me lose myself a little bit, you know?
• 1:27:30
  Speaker 2: And also, it's family, because it's like this. Since my
• 1:27:34
  Speaker 2: father wasn't present in my life, I always swore to
• 1:27:37
  Speaker 2: myself that when I had a child, I would be
• 1:27:40
  Speaker 2: the best father in the world, you know? So, this
• 1:27:43
  Speaker 2: issue of taking care of my family, you know? And
• 1:27:47
  Speaker 2: focusing on my career, you know? And managing this thing
• 1:27:49
  Speaker 2: was also a little difficult for me to achieve. In
• 1:27:52
  Speaker 2: a moment to manage everything, you know? Relationships also distract
• 1:27:55
  Speaker 2: us a lot. So, there I went through several... After
• 1:28:00
  Speaker 2: this thing of winning and everything, because not everything is
• 1:28:03
  Speaker 2: mar de rosa.
• 1:28:03
  Speaker 4: And the artists don't say that, you know?
• 1:28:06
  Speaker 2: The artist is telling you that he's happy because he's
• 1:28:10
  Speaker 2: with a millionaire, and many times he's really not missing
• 1:28:12
  Speaker 2: any money, but he's depressed and crying inside his luxury car.
• 1:28:15
  Speaker 3: And it's hard for the public to understand that too.
• 1:28:17
  Speaker 2: And many times the guy is also spending, sometimes it
• 1:28:20
  Speaker 2: can even be financial, the guy who you're thinking is
• 1:28:23
  Speaker 2: rich is not as rich as you think. Everyone is
• 1:28:26
  Speaker 2: a human being, so I spent that, I spent financial stuff,
• 1:28:28
  Speaker 2: after it burst, I spent financial stuff. I went through depression,
• 1:28:35
  Speaker 2: I went under the public's eyes without anyone noticing.
• 1:28:37
  Speaker 1: And everyone thought Salvador was a b-boy. Yeah, you know?
• 1:28:40
  Speaker 2: So that's why I was also very upset, without paying
• 1:28:43
  Speaker 2: attention to my career, without focusing, you know? But thank God,
• 1:28:47
  Speaker 2: I left nothing missing in my house, in my family,
• 1:28:49
  Speaker 2: which is my main mission.
• 1:28:50
  Speaker 1: But it's very important to talk about this, Mítico, because
• 1:28:52
  Speaker 1: I think, man, a boy who comes from a situation
• 1:28:56
  Speaker 1: like that of Salvador, and has this ascent, a lot,
• 1:29:00
  Speaker 1: It's not sudden, because you've been drinking for a while, but...
• 1:29:02
  Speaker 1: But it was from one hour to the next. Unexpected,
• 1:29:06
  Speaker 1: you know? This messes a lot with the head, man.
• 1:29:08
  Speaker 1: This messes a lot with your mental health. So it's
• 1:29:11
  Speaker 1: important to talk about this, even... For the importance of
• 1:29:13
  Speaker 1: us seeking psychological treatment, seeking therapists, seeking... This thing, because
• 1:29:19
  Speaker 1: sometimes situations will happen... Because I myself believed that when
• 1:29:23
  Speaker 1: I made money, all.
• 1:29:24
  Speaker 3: My problems would be solved. That's right. There are others.
• 1:29:28
  Speaker 1: There are real problems, man. Because this problem of money
• 1:29:31
  Speaker 1: for us is what Salvador said.
• 1:29:32
  Speaker 4: It's survival.
• 1:29:33
  Speaker 1: It's that we were born in a place where you say, man,
• 1:29:35
  Speaker 1: you're going to fuck yourself, you're going to be rewarded,
• 1:29:37
  Speaker 1: but it's the other way around, right? I was born
• 1:29:39
  Speaker 1: in a family with problems with violence, drugs, everything, and
• 1:29:42
  Speaker 1: now I have to win from here. Let's go. So
• 1:29:45
  Speaker 1: money is a necessity. I got a little lost in
• 1:29:49
  Speaker 1: what I was saying, but I think that's it. It
• 1:29:52
  Speaker 1: affects our mental health a lot, affects our head a lot,
• 1:29:54
  Speaker 1: any kind of ascent. And the importance of us talking
• 1:29:58
  Speaker 1: about it.
• 1:29:58
  Speaker 4: Ascent as well as fall. Especially.
• 1:30:00
  Speaker 1: Because sometimes you're not prepared. Especially.
• 1:30:02
  Speaker 2: Because, like, do you want me to say something really crazy, brother?
• 1:30:05
  Speaker 2: You don't have anything, it's not as desperate as you
• 1:30:08
  Speaker 2: lose something you have.
• 1:30:10
  Speaker 1: You don't know how to manage it.
• 1:30:11
  Speaker 2: As long as you take steps back from a level
• 1:30:13
  Speaker 2: of life that you take.
• 1:30:15
  Speaker 4: I've been through that, you know, dad? I'm not ashamed
• 1:30:17
  Speaker 4: to say it.
• 1:30:18
  Speaker 2: Today, why? Today, it's that thing we were talking about
• 1:30:19
  Speaker 2: back there, you know? Today, a lot of guys want
• 1:30:22
  Speaker 2: to sell their value on top of what they have. So,
• 1:30:24
  Speaker 2: he's fucking because he has it. No, I've been through
• 1:30:26
  Speaker 2: situations where I didn't have it, even after I became famous.
• 1:30:29
  Speaker 2: I've been through ups and downs, I'm fucking independent, you know?
• 1:30:33
  Speaker 2: Before the money, I was already. So, I'm not ashamed
• 1:30:34
  Speaker 2: to say it, you know, asshole? I've been through a
• 1:30:36
  Speaker 2: lot of things, even after I became famous. Some things
• 1:30:39
  Speaker 2: because of my head, others because I was elected, others because.
• 1:30:42
  Speaker 1: Of a bad deal, you know?
• 1:30:44
  Speaker 2: So, like, you have to have the wisdom to deal
• 1:30:47
  Speaker 2: with this walk, you know, brother? Imagine, like, now people
• 1:30:51
  Speaker 2: depend on you, you know? So, like, I used to
• 1:30:54
  Speaker 2: live in a barrack, brother.
• 1:30:56
  Speaker 4: I worked all.
• 1:30:57
  Speaker 2: Do you know what my routine was like? I had
• 1:30:59
  Speaker 2: talked about the school thing and I didn't even finish
• 1:31:01
  Speaker 2: talking about my mother. Because I had made the promise
• 1:31:02
  Speaker 2: that she wouldn't stop. And one day I got to her,
• 1:31:04
  Speaker 2: when I met the battles, I met the rap, I said, mom,
• 1:31:06
  Speaker 2: I'm going to have to quit school, because before I
• 1:31:08
  Speaker 2: worked and studied, but now I also dream. And I'm
• 1:31:11
  Speaker 2: going to chase my dream. So, one of those, I'm
• 1:31:13
  Speaker 2: going to have to give up. And I can't give
• 1:31:15
  Speaker 2: up eating. So, I'm going to keep working. So, I'm
• 1:31:17
  Speaker 2: going to work and, as long as I have, I'm
• 1:31:20
  Speaker 2: going to chase rap. I'm going to drop out of school.
• 1:31:23
  Speaker 3: And what did she say?
• 1:31:24
  Speaker 4: She didn't have.
• 1:31:25
  Speaker 2: My relationship with my mother was not to command, man.
• 1:31:27
  Speaker 2: She didn't have much to.
• 1:31:28
  Speaker 4: She just.
• 1:31:28
  Speaker 2: She always advised me, always... Because, like I'm telling you,
• 1:31:31
  Speaker 2: since I was little, I was already on the streets, man.
• 1:31:33
  Speaker 1: The authority was yours already.
• 1:31:34
  Speaker 4: Got it?
• 1:31:34
  Speaker 2: Since I was little. I would arrive at times when, like,
• 1:31:36
  Speaker 2: my mother was already sleeping. And when I woke up,
• 1:31:39
  Speaker 2: my mother had already left to work, you know? A
• 1:31:41
  Speaker 2: little before me.
• 1:31:43
  Speaker 4: I left early, but not as early as her.
• 1:31:45
  Speaker 2: And I arrived at the time of the last train, right? So, like,
• 1:31:49
  Speaker 2: I already had this autonomy. I just went to warn,
• 1:31:51
  Speaker 2: I didn't go to ask for authorization. And then, she
• 1:31:54
  Speaker 2: said that for her, no, because I needed to have
• 1:31:56
  Speaker 2: a plan B and such. But I said, mom, if
• 1:31:58
  Speaker 2: I'm worried about having a plan B, I won't be
• 1:32:00
  Speaker 2: able to focus 100% on my plan A.
• 1:32:01
  Speaker 4: My plan is this and it will work.
• 1:32:03
  Speaker 2: There are some guys here that became famous here with
• 1:32:06
  Speaker 2: the Riemann battle. The guys raved, the battle became famous,
• 1:32:09
  Speaker 2: then the guys released the song, everyone wanted to listen to.
• 1:32:11
  Speaker 4: The song of the guys.
• 1:32:12
  Speaker 2: Here, Orochi, the name of this guy here, MC Iripun,
• 1:32:14
  Speaker 2: I'm going to follow this thing here. I'm going to
• 1:32:16
  Speaker 2: be famous in the battle and then I'm going to
• 1:32:17
  Speaker 2: release the song. And then what did I do? I
• 1:32:19
  Speaker 2: raved all day on the train and at night I
• 1:32:22
  Speaker 2: went to the battle. So I raved and then I raved.
• 1:32:24
  Speaker 2: So there was no way to get bad, right?
• 1:32:26
  Speaker 1: So many times I didn't.
• 1:32:27
  Speaker 4: Even know if I was going to eat at the
• 1:32:28
  Speaker 4: end of the day, you know?
• 1:32:29
  Speaker 2: If I made good money, I would eat, but sometimes
• 1:32:31
  Speaker 2: I had to pay rent, I had to go to
• 1:32:33
  Speaker 2: Ipuno and there was nothing left. Like I said, there
• 1:32:36
  Speaker 2: was nothing in my house, there was no fire, there
• 1:32:37
  Speaker 2: was nothing. We lived with hot dogs, street stuff.
• 1:32:40
  Speaker 1: Or with leaves, right?
• 1:32:42
  Speaker 4: Or, actually, what happened?
• 1:32:43
  Speaker 1: A curiosity.
• 1:32:44
  Speaker 2: It's hard for me to say that it's going to
• 1:32:47
  Speaker 2: drag the traffic, but it's like this. How do we, marreteros,
• 1:32:49
  Speaker 2: people who live with a lot of money, also have
• 1:32:51
  Speaker 2: a trick, which is the following. You go to the
• 1:32:54
  Speaker 2: shop's restaurant, it can be a burger restaurant here, anywhere.
• 1:32:57
  Speaker 4: I exchange R $ 100 or R $ 200 in currency.
• 1:32:58
  Speaker 2: The guys give me a note because they need change
• 1:33:00
  Speaker 2: and then I eat for free.
• 1:33:02
  Speaker 4: So sometimes we also ate well at least at lunchtime.
• 1:33:04
  Speaker 1: No, man, I worked at McDonald's, man. How many times
• 1:33:07
  Speaker 1: did I do that, man? How many times did the
• 1:33:08
  Speaker 1: guys arrive with a lot of money there? I was
• 1:33:10
  Speaker 1: one of those guys. Do a combo for the guys there.
• 1:33:12
  Speaker 2: I was one of those guys. Because you saved them.
• 1:33:14
  Speaker 2: I ate well at lunchtime. But many times I didn't
• 1:33:15
  Speaker 2: know how to eat before going to bed. But it's
• 1:33:17
  Speaker 2: the following.
• 1:33:17
  Speaker 4: It was me, dad.
• 1:33:18
  Speaker 2: If I get hungry, it's me. If I get cold,
• 1:33:21
  Speaker 2: it's me. It's my problem. Now when you have a child,
• 1:33:25
  Speaker 2: you know? Now when you have A little sister that
• 1:33:28
  Speaker 2: you already had. When you already had, mom already had,
• 1:33:30
  Speaker 2: but now you came to people and said, I promise you,
• 1:33:33
  Speaker 2: you can leave me. Now you can't fail anymore, dad.
• 1:33:36
  Speaker 2: And no one teaches you, you know? You're going to learn, right?
• 1:33:40
  Speaker 1: To deal with this thing, the fall.
• 1:33:41
  Speaker 2: Because you don't have, you're already at zero, it's a thing.
• 1:33:45
  Speaker 2: But even who is a millionaire, passes several ups and downs.
• 1:33:48
  Speaker 1: Sometimes who came from below.
• 1:33:49
  Speaker 2: And conquered a thing, sometimes he doesn't know how to
• 1:33:51
  Speaker 2: deal with a phase... If we don't have the preparation,
• 1:33:54
  Speaker 2: if we don't have the mentality of knowing that everything
• 1:33:56
  Speaker 2: is phase, man, in the same way that yesterday I
• 1:33:58
  Speaker 2: was like, in a little while I'll be back, it's patience,
• 1:34:01
  Speaker 2: faith in God. If we don't have that mentality, we
• 1:34:03
  Speaker 2: get lost, bro. Today, even I, I'm in a phase
• 1:34:06
  Speaker 2: of my life that I'm rebuilding, I'm reconquering, you know?
• 1:34:10
  Speaker 2: I'm not like I was in 2020, on the contrary,
• 1:34:12
  Speaker 2: but blessed, several things, I invested, I already have a guarantee,
• 1:34:16
  Speaker 2: I already have several things that I don't put, but
• 1:34:18
  Speaker 2: I'm not in the place I wanted to be. And
• 1:34:20
  Speaker 2: not even when I get there, I'll be back, because
• 1:34:23
  Speaker 2: when I get there, I'll want to be in another one.
• 1:34:25
  Speaker 4: Because it's about that, you know?
• 1:34:26
  Speaker 2: We're always in constant search, you know? So the public
• 1:34:30
  Speaker 2: has to understand this thing too. There's never a moment
• 1:34:32
  Speaker 2: when we say, like you were saying, it's not because
• 1:34:35
  Speaker 2: you made money that the problems are over.
• 1:34:37
  Speaker 1: Now it's over.
• 1:34:38
  Speaker 2: I made money, my house is taken care of, my
• 1:34:41
  Speaker 2: car is also taken.
• 1:34:43
  Speaker 3: Care of, there's nothing missing, it's good.
• 1:34:44
  Speaker 4: You're going to help the others, you're going to do
• 1:34:47
  Speaker 4: the car.
• 1:34:47
  Speaker 2: But sometimes you live a life, you earn a X value.
• 1:34:51
  Speaker 4: But your cost is high.
• 1:34:52
  Speaker 2: If you start to earn a lower value, it can
• 1:34:54
  Speaker 2: be a lot compared to what other people earn. But
• 1:34:56
  Speaker 2: how much you spend, sometimes there's nothing left. Sometimes you're
• 1:35:00
  Speaker 2: living in the mansion, you're walking in the car and
• 1:35:02
  Speaker 2: there's nothing left.
• 1:35:03
  Speaker 4: There are several guys living in appearance.
• 1:35:05
  Speaker 2: And these guys don't count, don't prepare us as a
• 1:35:07
  Speaker 2: favela of the country. They're selling the dream. I'm not
• 1:35:10
  Speaker 2: judging the guys, because many times they don't even have
• 1:35:12
  Speaker 2: this lettering. Sometimes the guy just doesn't want to look weak.
• 1:35:15
  Speaker 3: Got it?
• 1:35:15
  Speaker 2: So the guy self-affirms through the money that sometimes he
• 1:35:18
  Speaker 2: doesn't even have as much as he has.
• 1:35:19
  Speaker 4: Others have.
• 1:35:21
  Speaker 2: And it's okay, may God bless you, because if you
• 1:35:23
  Speaker 2: don't want to, just like Racionais said, whatever you have
• 1:35:26
  Speaker 2: to be, it will be mine.
• 1:35:28
  Speaker 4: And another, who has, has, doesn't grow up in anyone.
• 1:35:31
  Speaker 1: Right, brother?
• 1:35:31
  Speaker 2: So it's cool, but it's preparing us as human beings
• 1:35:36
  Speaker 2: for that, father. High and low, life is not easy.
• 1:35:39
  Speaker 2: Let's focus on getting rich, but if you get rich too,
• 1:35:41
  Speaker 2: it won't solve your problems. Take care of your family,
• 1:35:45
  Speaker 2: unite your bonds, strengthen them, value your friends who are loyal.
• 1:35:51
  Speaker 1: It's about that.
• 1:35:51
  Speaker 4: Live less of appearances.
• 1:35:53
  Speaker 1: This is the thing of my ideology.
• 1:35:55
  Speaker 2: Of the vision that I have, because of the things
• 1:35:57
  Speaker 2: I've been through, I opened my eyes in relation to that.
• 1:35:59
  Speaker 2: Salvador Zimão, all the respect in the world.
• 1:36:03
  Speaker 1: Go there. I hold here with the mythical. The man
• 1:36:05
  Speaker 1: is written.
• 1:36:05
  Speaker 3: Lineage.
• 1:36:06
  Speaker 1: Are you enjoying today's episode? Wonderful.
• 1:36:14
  Speaker 3: Very cool.
• 1:36:15
  Speaker 1: I also went to the bathroom.
• 1:36:17
  Speaker 3: Get water out of your knee. What happened to your knee?
• 1:36:19
  Speaker 3: Explain to the fans who are asking, what's the deal, guys?
• 1:36:21
  Speaker 1: For those who know me, I hate this phrase. For
• 1:36:25
  Speaker 1: those who know me, I have a rotten knee. For
• 1:36:27
  Speaker 1: a long time. My first injury was in 2012. I
• 1:36:29
  Speaker 1: was 16 years old. My knee came out of place.
• 1:36:31
  Speaker 1: That sad story. And then, playing football, always, always injuring me,
• 1:36:43
  Speaker 1: always the screen kind of coming out of the place
• 1:36:46
  Speaker 1: when I hit the plate, and then... I got really fat,
• 1:36:49
  Speaker 1: people remember, then I lost weight, I started taking care
• 1:36:51
  Speaker 1: of myself, the gym and such, I said, bro... I'm
• 1:36:54
  Speaker 1: going back to football, it's something I've always liked and such...
• 1:36:58
  Speaker 1: I was playing, playing, nothing was happening, I was with
• 1:37:00
  Speaker 1: the strongest thigh... Until, bro, I was waiting for the
• 1:37:03
  Speaker 1: day to happen what happened... I got injured.
• 1:37:07
  Speaker 3: You kicked the penalty in the Kings League, you kicked
• 1:37:09
  Speaker 3: the ball.
• 1:37:10
  Speaker 1: I got hurt in the groin. That's what's cool. Just kidding.
• 1:37:13
  Speaker 1: But the thing is that... Man, I broke the ligament... Patellar, femoral,
• 1:37:20
  Speaker 1: lateral here.
• 1:37:21
  Speaker 3: But you're still able to walk.
• 1:37:22
  Speaker 1: Yeah, because I didn't cross it. And I also screwed
• 1:37:24
  Speaker 1: up with the meniscus. I'll have to do surgery. Post-Cup.
• 1:37:27
  Speaker 1: Expensive player, right? He goes to the Cup, then after
• 1:37:29
  Speaker 1: the Cup he stops. He's going to operate.
• 1:37:31
  Speaker 3: But it's all right.
• 1:37:32
  Speaker 1: It's just something from a long time ago. But now,
• 1:37:36
  Speaker 1: thinking about it, it's better to do it at this moment, right?
• 1:37:39
  Speaker 1: With a better agreement, knowing what really happened and such.
• 1:37:43
  Speaker 3: With good doctors. Yeah, but, my God, what a pain, man. No,
• 1:37:49
  Speaker 3: it's ugly, it's swollen, it's full of bruises, your knees.
• 1:37:51
  Speaker 3: It's horrible. Better, my dear.
• 1:37:52
  Speaker 1: Man, your mug is too much. Your mug is too much.
• 1:37:55
  Speaker 1: And they're done, right?
• 1:37:58
  Speaker 3: They're done.
• 1:38:00
  Speaker 1: Damn, I remembered the thing now. Here, look.
• 1:38:02
  Speaker 3: He must be like this in his house, look. will
• 1:38:07
  Speaker 3: play light cup bro damn.
• 1:38:08
  Speaker 1: It because I remember the call.
• 1:38:11
  Speaker 3: There yesterday because I remembered this bro I was kidding
• 1:38:13
  Speaker 3: I was kidding because I remembered that Vini finished with
• 1:38:17
  Speaker 3: Virgílio and she never bet the flags.
• 1:38:21
  Speaker 1: Here in Brazil it's true the crazy guy from the
• 1:38:23
  Speaker 1: live is coming now So, calm down, guys. I'm making
• 1:38:31
  Speaker 1: a room here for Salvador to go to the.
• 1:38:34
  Speaker 3: Bathroom, right, bro? It happens. Did you see the call yesterday?
• 1:38:37
  Speaker 3: It was really cool. I want to thank you. Did
• 1:38:41
  Speaker 3: you see? There were more than 150,000 people watching the
• 1:38:43
  Speaker 3: call from Brazil. Neymar was... We're not going to win
• 1:38:47
  Speaker 3: the cup, are we?
• 1:38:49
  Speaker 1: Yes, man. Are you crazy?
• 1:38:50
  Speaker 3: I don't think so.
• 1:38:52
  Speaker 1: You're from DX, Mítico.
• 1:38:53
  Speaker 3: I'm drinking... I'm drinking here in the wine can. He's back.
• 1:38:57
  Speaker 3: I have a very good subject to talk to him, Mítico.
• 1:38:59
  Speaker 1: It was a very cool thing. And I thought it
• 1:39:02
  Speaker 1: was really cool. And I was very happy to see
• 1:39:04
  Speaker 1: you rhyme again. But brother, what was you in FMS, man? Fuck, man.
• 1:39:10
  Speaker 1: You have to... Don't stop rhyming, man. It's not true.
• 1:39:19
  Speaker 1: A little run back to the bathroom.
• 1:39:21
  Speaker 4: Hey, I'm telling you. Gordão, you're an asshole, you son
• 1:39:23
  Speaker 4: of a bitch.
• 1:39:24
  Speaker 3: Prado? Oh, man.
• 1:39:25
  Speaker 1: But that battle of yours was really cool, bro. You
• 1:39:27
  Speaker 1: know what was the.
• 1:39:28
  Speaker 3: Thing there, bro? Like this.
• 1:39:30
  Speaker 1: Gordão, he.
• 1:39:31
  Speaker 2: Both him and the guys and everything, had already rhymed
• 1:39:33
  Speaker 2: in the FMS format.
• 1:39:34
  Speaker 1: I had never rhymed, man.
• 1:39:34
  Speaker 4: Got it? Then you can see there in the thing.
• 1:39:37
  Speaker 4: I sent it well.
• 1:39:39
  Speaker 2: I don't even know how to say.
• 1:39:42
  Speaker 1: It, but we're evolving.
• 1:39:44
  Speaker 2: I think it's cool because sometimes my running doesn't work.
• 1:39:48
  Speaker 2: Sometimes I can't take the place of a kid who's
• 1:39:51
  Speaker 2: dreaming of running. Sometimes I won't be able to commit
• 1:39:55
  Speaker 2: myself to be there on the dates. But I wanted
• 1:39:57
  Speaker 2: to have the opportunity to rhyme again in this format,
• 1:39:59
  Speaker 2: to give a training that was my first time. But
• 1:40:02
  Speaker 2: talking to the guys, they all said, Salvador, pick Romário.
• 1:40:07
  Speaker 1: He's not training, but he goes there and puts the box.
• 1:40:10
  Speaker 3: It's very cool, man. What was the feeling there, despite
• 1:40:13
  Speaker 3: the difficulties? But we felt that you were doing very
• 1:40:15
  Speaker 3: well there. How long were you there? I don't know, man.
• 1:40:17
  Speaker 3: Because I stay there for a few months. Then it
• 1:40:19
  Speaker 3: goes crazy. One day when I'm not doing anything.
• 1:40:27
  Speaker 4: I'm smoking one here, look, he says like this, ah,
• 1:40:28
  Speaker 4: soon there will be a battle in such and such place.
• 1:40:30
  Speaker 1: I say, bro, is there a vacancy there? I go
• 1:40:32
  Speaker 1: there and rhyme.
• 1:40:32
  Speaker 2: I never planned, after I stopped, ah, I'm going to
• 1:40:35
  Speaker 2: rhyme in such and such battle, because such and such
• 1:40:37
  Speaker 2: day will.
• 1:40:37
  Speaker 3: Be such and such. It's out of nowhere, I stick.
• 1:40:38
  Speaker 3: So I don't know, it's a chronometer. But I was
• 1:40:40
  Speaker 3: there for a few days.
• 1:40:40
  Speaker 2: I was there for a few months, I was there
• 1:40:42
  Speaker 2: for a few months. And I had already seen the
• 1:40:43
  Speaker 2: videos of the guys, you know? I was there for months,
• 1:40:46
  Speaker 2: for a year, in reality. No, but I had already
• 1:40:48
  Speaker 2: passed in the village, I had already stuck. I was
• 1:40:51
  Speaker 2: there for a few years, even stopped. Then I stuck
• 1:40:53
  Speaker 2: in the village and such. But it's like I said,
• 1:40:55
  Speaker 2: when I laugh, I laugh out of nowhere, I.
• 1:40:57
  Speaker 4: Don't care how much time I have.
• 1:40:58
  Speaker 1: For sure.
• 1:40:59
  Speaker 4: You have fun in these places, you enjoy it, right?
• 1:41:01
  Speaker 3: A lot, man.
• 1:41:01
  Speaker 4: I get very nervous, brother.
• 1:41:03
  Speaker 2: Really?
• 1:41:03
  Speaker 1: You know, brother?
• 1:41:04
  Speaker 2: That time when I was famous, I had the feeling
• 1:41:06
  Speaker 2: that I was on the day of the CPI.
• 1:41:08
  Speaker 3: Yes.
• 1:41:08
  Speaker 2: Calm, crazy, with blood in my eyes. Today I'm always shaking.
• 1:41:12
  Speaker 2: After the first rhyme, I'll... Why? Because you're a little stopped?
• 1:41:15
  Speaker 2: Because there's a new group that's very advanced?
• 1:41:17
  Speaker 4: Yeah, I think that's it. I'm a little stopped, too.
• 1:41:21
  Speaker 1: Anxiety, like, will I go.
• 1:41:22
  Speaker 4: Damn, will the kid... You know what it is? When
• 1:41:23
  Speaker 4: you're doing this every day, man, you're... Normal.
• 1:41:25
  Speaker 3: I think it's what.
• 1:41:26
  Speaker 1: The charge, too.
• 1:41:28
  Speaker 4: Man, he's awesome.
• 1:41:29
  Speaker 1: He has to rhyme well.
• 1:41:30
  Speaker 4: I think it's because you.
• 1:41:32
  Speaker 1: It's the thing he likes to do the most. Everyone
• 1:41:34
  Speaker 1: is waiting.
• 1:41:34
  Speaker 3: No, but there's this. I imagine it's like this. Fuck,
• 1:41:36
  Speaker 3: it's Salvador D'Arma. He's going to smash. He has to smash.
• 1:41:38
  Speaker 2: Everyone is waiting for you to send well, man. I
• 1:41:40
  Speaker 2: think it's the same thing. I think Neymar must feel that. Yeah,
• 1:41:43
  Speaker 2: but that's what I'm saying.
• 1:41:44
  Speaker 1: He can see.
• 1:41:44
  Speaker 2: He plays the same way. He plays like hell when
• 1:41:46
  Speaker 2: it's Seleção, when it's Copital. But it's the following... He
• 1:41:49
  Speaker 2: doesn't have that foot joy, obviously.
• 1:41:51
  Speaker 1: That he had in 2014.
• 1:41:51
  Speaker 2: Because you play without a weight, man. If you play
• 1:41:54
  Speaker 2: with the weight of the charge, it's another thing. You're
• 1:41:56
  Speaker 2: going to do it, I'll do it. You're going to
• 1:41:58
  Speaker 2: do it, but give a bigger nervousness.
• 1:41:59
  Speaker 1: But I think that... You know?
• 1:42:00
  Speaker 4: Give a bigger response.
• 1:42:01
  Speaker 1: What's great about nervousness is that... If you got there
• 1:42:05
  Speaker 1: and that didn't... to make you nervous, it means that
• 1:42:08
  Speaker 1: you don't care anymore.
• 1:42:09
  Speaker 3: Yeah.
• 1:42:09
  Speaker 1: You know? So I think that you get nervous because
• 1:42:12
  Speaker 1: it's something that you really like. And you care about
• 1:42:15
  Speaker 1: what you're going to deliver. So I think it's a
• 1:42:17
  Speaker 1: combination of factors. I think that a lot goes by
• 1:42:21
  Speaker 1: because it's something that you really.
• 1:42:22
  Speaker 2: Like to do.
• 1:42:23
  Speaker 1: It's important.
• 1:42:23
  Speaker 3: What was the last time you raced? I know. You battled.
• 1:42:26
  Speaker 4: Yeah, it was with Magrão from Duplo, these days. A
• 1:42:28
  Speaker 4: month ago, I think.
• 1:42:29
  Speaker 1: Oh, but there at FMS, sorry to cut you off,
• 1:42:31
  Speaker 1: I thought it was an absurd thing because it's a league,
• 1:42:34
  Speaker 1: they're different formats. And you said that there was a
• 1:42:38
  Speaker 1: difficulty in the different rounds, but when it came to
• 1:42:41
  Speaker 1: the exchange, it seemed like... O Salvador de 2019 desceu.
• 1:42:49
  Speaker 4: É a hora, pai. Formou a hora.
• 1:42:51
  Speaker 1: Formou a hora. Tá ligado? Aquela hora... Você não percebeu
• 1:42:54
  Speaker 1: isso mesmo? Na hora que você começou a falar e
• 1:42:56
  Speaker 1: as palavras veio literalmente na boca ali, você, tipo.
• 1:42:59
  Speaker 2: Não, voltei. É, eu fico mó feliz, irmão. Porque, igual
• 1:43:01
  Speaker 2: eu falei pra você, o começo de tudo era só
• 1:43:03
  Speaker 2: esse sonho. Era só... Só tinha um sonho, a minha rima,
• 1:43:06
  Speaker 2: tá ligado? Sempre sonhei grande, mas eu sempre foquei no passo...
• 1:43:11
  Speaker 2: No passo atual, tá ligado? O primeiro passo, o segundo,
• 1:43:14
  Speaker 2: o terceiro, um passo de cada vez.
• 1:43:16
  Speaker 3: Tá ligado?
• 1:43:17
  Speaker 2: A minha chegada é lá... In Amapá, I don't know where.
• 1:43:21
  Speaker 2: But you have to go through here, through here. But
• 1:43:24
  Speaker 2: every place I go through, so I always, like I said,
• 1:43:26
  Speaker 2: my first dream was to win Santa Cruz only. Then
• 1:43:28
  Speaker 2: I got to Aldeia, I wanted to win Aldeia, a
• 1:43:30
  Speaker 2: dream too. And then it went like this, then a
• 1:43:33
  Speaker 2: dream of hitting a million on YouTube.
• 1:43:36
  Speaker 3: How many Aldeias do you have in your pocket? Or
• 1:43:38
  Speaker 3: in Florinha?
• 1:43:40
  Speaker 2: Man, I think it's 13 or 14, but I also stopped. Okay,
• 1:43:41
  Speaker 2: but even 13 or 14, you.
• 1:43:42
  Speaker 1: Must be in the top 5.
• 1:43:44
  Speaker 3: But I won, like this, I left everything.
• 1:43:45
  Speaker 1: In one year, you know?
• 1:43:49
  Speaker 2: I think I won 9 in a year, and the
• 1:43:52
  Speaker 2: other 4... The record was mine. Then came Guri, I
• 1:43:57
  Speaker 2: think it was Guri, and in a year he won
• 1:43:59
  Speaker 2: so many. But before that, the record of winning in
• 1:44:03
  Speaker 2: a year was mine.
• 1:44:03
  Speaker 1: You helped me a lot, man, near the pandemic.
• 1:44:06
  Speaker 4: I only had one year of age, I was like Ronaldinho,
• 1:44:08
  Speaker 4: that fast career. Was it 19-20?
• 1:44:09
  Speaker 1: That 19-20 season? Because this guy, he and Kanti helped
• 1:44:13
  Speaker 1: me a lot, because the pandemic came and I said, wow,
• 1:44:15
  Speaker 1: I can't go out anymore to record video. Dali React
• 1:44:20
  Speaker 1: from Salvador Da Rima. He and Kante.
• 1:44:23
  Speaker 3: Still have a.
• 1:44:24
  Speaker 1: Do you have Chelsea's shirt? I think it's a red cap.
• 1:44:27
  Speaker 1: I think this one is the one I got fucked up, right?
• 1:44:29
  Speaker 1: I don't know. I think this one is the one
• 1:44:31
  Speaker 1: I got fucked up.
• 1:44:32
  Speaker 3: I don't know.
• 1:44:32
  Speaker 1: I just know that this battle is a very good battle,
• 1:44:34
  Speaker 1: very high level. You were in a very forward rhythm,
• 1:44:36
  Speaker 1: you know? Even... Ah, I was going to say this.
• 1:44:42
  Speaker 1: I found Janderson out there. He said, you say my
• 1:44:44
  Speaker 1: name in a cool way. It's Janderson.
• 1:44:47
  Speaker 3: Can I say hi to him? Please, please.
• 1:44:48
  Speaker 2: Hey, Jandinho, put it here, brother. Put it here, my brother. Hey, guys,
• 1:44:52
  Speaker 2: are you out there?
• 1:44:53
  Speaker 4: Okay.
• 1:44:54
  Speaker 1: No, enjoy it. I'm going to make a sound.
• 1:44:56
  Speaker 2: I'm going to say, I'm going to send the thing,
• 1:44:59
  Speaker 2: I'm going to sell the fish. This guy, guys, is
• 1:45:01
  Speaker 2: my brother, my reference. And one of the best rappers
• 1:45:05
  Speaker 2: I've known, one of the best MCs I've known.
• 1:45:07
  Speaker 1: Applause for Janderson, monster! Look, look! He's rolling his chin! Look, look, look! Oh, oh, oh!
• 1:45:15
  Speaker 1: Calm down, calm down, calm down!
• 1:45:19
  Speaker 3: What is this? What's up, my family?
• 1:45:22
  Speaker 5: Yo, what's up, my family? A big hug to Zona Leste!
• 1:45:25
  Speaker 5: To Maranhão, right?
• 1:45:27
  Speaker 1: To Maranhão?
• 1:45:28
  Speaker 5: To all the people living.
• 1:45:29
  Speaker 3: On Earth, okay? Maranhão, that's right, man!
• 1:45:32
  Speaker 5: That's right, Janderson Foundation. Interim representative of the national rap,
• 1:45:36
  Speaker 5: Segundo das Ruas.
• 1:45:37
  Speaker 3: Big hug!
• 1:45:38
  Speaker 4: With all due respect, family. You know, so you don't
• 1:45:40
  Speaker 4: get drunk too much. Stay in peace.
• 1:45:42
  Speaker 2: I told my partner. My partner has a lot of lyrics.
• 1:45:46
  Speaker 2: But there's one here that's really crazy, man. I told him, bro,
• 1:45:48
  Speaker 2: if you have a chance, I'll even send you the doubles.
• 1:45:51
  Speaker 4: I'll tell him to send it.
• 1:45:52
  Speaker 2: Hey, whoever is at home, who is a sufferer, who
• 1:45:55
  Speaker 2: lives the peripheral reality, man.
• 1:45:56
  Speaker 4: Take the guy's lyrics here.
• 1:45:57
  Speaker 1: Look at the crazy one. Pick show now.
• 1:46:00
  Speaker 3: You can send it.
• 1:46:01
  Speaker 1: Wait a minute. Are you going to release the base?
• 1:46:03
  Speaker 1: Do you have a base?
• 1:46:04
  Speaker 4: No, not now.
• 1:46:04
  Speaker 3: No? Now you know. I'm going to tell you a walk.
• 1:46:08
  Speaker 4: First of all, right my brother?
• 1:46:10
  Speaker 2: Do you remember when there was a gold robbery in Guarulhos?
• 1:46:14
  Speaker 3: I remember, I remember.
• 1:46:15
  Speaker 4: Start the first rhyme already, reporting a thing like that,
• 1:46:18
  Speaker 4: send it.
• 1:46:20
  Speaker 5: My ton of gold, from inside the airport, in broad daylight.
• 1:46:24
  Speaker 4: Was stolen.
• 1:46:25
  Speaker 5: The guys came in and out, all covered, and not
• 1:46:27
  Speaker 5: a single bullet was fired. You think you're a bandit,
• 1:46:30
  Speaker 5: because you put the crazy, robbing pedestrians, armed. For me,
• 1:46:33
  Speaker 5: who steals in the break, is a naughty pilantra, in
• 1:46:36
  Speaker 5: the best we break you, in the wooded. You risk
• 1:46:38
  Speaker 5: your freedom stealing the smart The mayor with the pen
• 1:46:41
  Speaker 5: controls the city Hostilizes, discriminates, makes art difficult Takes five
• 1:46:44
  Speaker 5: prostitutes to the suíte Take Azuzinho the whole shit and
• 1:46:47
  Speaker 5: I can't stand the BAC Denies everything when the video
• 1:46:49
  Speaker 5: leaks out Chef, you're from Mequetrefe, you don't even have
• 1:46:51
  Speaker 5: a face You still think you have the right to
• 1:46:53
  Speaker 5: judge my class Take it in the ass, son of
• 1:46:55
  Speaker 5: a bitch, I know what your taste is You like
• 1:46:56
  Speaker 5: it when you see a dead favela In the interview
• 1:46:58
  Speaker 5: I speak in peace thinking Thank you for watching! Muito
• 1:47:23
  Speaker 5: menos pra ser dominado por alguma substância E viver sendo
• 1:47:26
  Speaker 5: internado de maneira compulsória Quero contar uma história que não
• 1:47:28
  Speaker 5: seja triste Um final feliz faz parte da acreditice Eu
• 1:47:31
  Speaker 5: lembro muito bem do que o poeta diz Desistir da vida, truta,
• 1:47:34
  Speaker 5: é tolice Não, não muda nada, não dá nada, nada
• 1:47:37
  Speaker 5: muda nada Não muda nada, não dá nada, nada, nada
• 1:47:39
  Speaker 5: muda Não muda nada, não dá nada, nada, nada muda
• 1:47:41
  Speaker 5: nada Não muda nada, truta.
• 1:47:45
  Speaker 1: Janderson!
• 1:47:46
  Speaker 3: Holy shit!
• 1:47:47
  Speaker 1: Holy shit! I was in shock. What is this? You know?
• 1:47:51
  Speaker 4: These are the talents that have been lost out there, bro.
• 1:47:53
  Speaker 2: That's why I've always been inspired on the street more
• 1:47:55
  Speaker 2: than on the media, you know, bro?
• 1:47:56
  Speaker 1: This is the thing. Janderson.
• 1:47:58
  Speaker 2: Congratulations, you monster. God bless you, Janderson. Guys, follow Janderson there, jand.foundação, right?
• 1:48:04
  Speaker 2: And it's the following, too, follow him on the platforms,
• 1:48:08
  Speaker 2: the Trump of the partner is a thousand degrees, as
• 1:48:10
  Speaker 2: you can see there, the reality in the iglua of
• 1:48:12
  Speaker 2: who lives, you know?
• 1:48:13
  Speaker 4: Who identifies, identifies.
• 1:48:15
  Speaker 1: Come to the street, kids. Man, take advantage, Mítico. advantage
• 1:48:21
  Speaker 1: of the fact that we're in the musical part, is
• 1:48:25
  Speaker 1: to continue, right?
• 1:48:27
  Speaker 3: Yes, man.
• 1:48:28
  Speaker 1: If you want to call the partners who sing, make
• 1:48:30
  Speaker 1: a sound, show the talent. There's a whole device there.
• 1:48:34
  Speaker 4: I think you're talking about 23 years old.
• 1:48:37
  Speaker 1: No, 22. I'm talking about 21.
• 1:48:38
  Speaker 2: Ah.
• 1:48:59
  Speaker 3: I said 22.
• 1:49:00
  Speaker 1: But very young. Where are you from?
• 1:49:03
  Speaker 4: Tell us about yourself.
• 1:49:04
  Speaker 1: I'm Mabi.
• 1:49:05
  Speaker 4: What's up, guys?
• 1:49:06
  Speaker 3: Where are you from, Mabi?
• 1:49:08
  Speaker 8: I'm from Zona Norte. Do you know?
• 1:49:12
  Speaker 1: No.
• 1:49:13
  Speaker 8: It's disconnected. Zona Norte, Cachoeirinha.
• 1:49:17
  Speaker 3: Near Peri Alto. Near Peri.
• 1:49:19
  Speaker 4: Make a sound.
• 1:49:19
  Speaker 3: What?
• 1:49:20
  Speaker 1: What?
• 1:49:20
  Speaker 2: Brother.
• 1:49:27
  Speaker 1: You're crazy. Who makes sound is your brother. He makes
• 1:49:29
  Speaker 1: works of art.
• 1:49:30
  Speaker 3: Really?
• 1:49:31
  Speaker 4: You're crazy, brother. Can I send a stick there? Of course.
• 1:49:33
  Speaker 8: Let's go, Sam.
• 1:49:35
  Speaker 3: Holy shit, that's how I like it. Disposition.
• 1:49:40
  Speaker 9: E se você quiser ficar, eu posso dizer mais Do
• 1:49:46
  Speaker 9: que é feito.
• 1:49:47
  Speaker 6: Amor Eu vivo atrás dos seus sinais, que traz o
• 1:49:54
  Speaker 6: meu calor Porque, porque é feito amor Sonhou todos os
• 1:50:04
  Speaker 6: dias Come what may, I'll go wherever it takes me.
• 1:50:15
  Speaker 9: Over us, like Bahia, walk in Maceió, oasis of love.
• 1:50:23
  Speaker 4: It unwinds, man.
• 1:50:25
  Speaker 1: Applause for Naby! What a young legend! Calm down! Even
• 1:50:31
  Speaker 1: Mítico Jovem! That's absurd! We have the Pó de Pá
• 1:50:35
  Speaker 1: Records in here, right?
• 1:50:35
  Speaker 3: Yes, we do.
• 1:50:36
  Speaker 1: And we recorded a song with Mami.
• 1:50:39
  Speaker 8: Ah, it's true! Fuck, Mítico!
• 1:50:41
  Speaker 1: I'm kidding, we recorded it.
• 1:50:43
  Speaker 4: When are you releasing it?
• 1:50:44
  Speaker 8: Tell me, I want to know.
• 1:50:45
  Speaker 1: Soon, but... Where's the song that didn't reach us? They
• 1:50:47
  Speaker 1: told me so. It was the best we've recorded so far. Wow, lie!
• 1:50:51
  Speaker 8: For God's sake!
• 1:50:52
  Speaker 1: I don't doubt it.
• 1:50:53
  Speaker 4: Send me that rhyme to see if it's versatile. It's
• 1:50:56
  Speaker 4: from Mili Mili, I did it.
• 1:50:56
  Speaker 1: With vocal NP.
• 1:50:59
  Speaker 9: Did you ask for a mili-mili? It's only for the
• 1:51:02
  Speaker 9: rap women from São Paulo, right? Here in São Paulo.
• 1:51:04
  Speaker 4: Zona Norte.
• 1:51:05
  Speaker 9: É a síndrome da Elza, som do bairro A mulherada
• 1:51:09
  Speaker 9: canta e o cosmo adoça o gosto amargo de algumas
• 1:51:12
  Speaker 9: infâncias Dona Chica sai no corre, a criançada pula a
• 1:51:15
  Speaker 9: corda A noite cai, a bala azul que as nonas
• 1:51:17
  Speaker 9: segura na bolsa E o futebol de lei da área
• 1:51:19
  Speaker 9: tem umas horas de talento que sobra Outras martas sem baile,
• 1:51:22
  Speaker 9: sem hora de volta à tarde Quebraram o barraco e
• 1:51:24
  Speaker 9: as bibidra que roncam Quebraram o covarde na curva que
• 1:51:27
  Speaker 9: entrou Numas camouça lava louça todo dia Griselda dona da boca,
• 1:51:31
  Speaker 9: fundo de quintal, piscina Varal tá com pouco de roupa,
• 1:51:33
  Speaker 9: não deram nada pra tia Tocotiri, Deto 3 na ponta,
• 1:51:36
  Speaker 9: Tirsi no samba Batucada, Carnaval e as bomba Se essa
• 1:51:40
  Speaker 9: moda pega como Amabi Dona Ivone Lara lançou várias que
• 1:51:44
  Speaker 9: é de Eu sou filha de Dandara, essa é minha
• 1:51:46
  Speaker 9: cara e vem de mili mili Mele mele, mele mele,
• 1:51:49
  Speaker 9: mele mele Se essa moda pega como Dinadi Ah, Dona
• 1:51:53
  Speaker 9: Ivone Lara lançou várias que é de Eu sou filha
• 1:51:56
  Speaker 9: de Dandara, essa é minha cara e.
• 1:51:57
  Speaker 8: Vem de mili mili Mele, mele, mele, mele.
• 1:52:00
  Speaker 1: Mele, mele, mele.
• 1:52:24
  Speaker 2: Of course, what everyone is seeing is that the girls
• 1:52:28
  Speaker 2: are putting everyone in the pocket when it comes to talent,
• 1:52:32
  Speaker 2: you know?
• 1:52:32
  Speaker 1: No, I mean, you know?
• 1:52:33
  Speaker 2: Like, speaking in a plural, but if you see her,
• 1:52:36
  Speaker 2: she already speaks for herself, you know?
• 1:52:38
  Speaker 4: And then there's the whole team there. Me, Brizzy, bro.
• 1:52:40
  Speaker 4: You're crazy! Mabih, Janderson, my whole team, you know?
• 1:52:44
  Speaker 2: Bro, what Janderson and Mabih did here, there was no base,
• 1:52:46
  Speaker 2: there was nothing, and I was like.
• 1:52:52
  Speaker 1: Damn, let me hear what you're talking about. This way
• 1:52:54
  Speaker 1: of rhyming, as I said.
• 1:52:55
  Speaker 3: And how did you guys connect?
• 1:52:57
  Speaker 2: Man, Amabi joins our team, you know? Today my career
• 1:52:59
  Speaker 2: is being managed by GR6, you know?
• 1:53:02
  Speaker 1: A hug to Rodrigo, thank you very much.
• 1:53:04
  Speaker 4: Along with Altlaus, you know, brother?
• 1:53:05
  Speaker 3: With some partners.
• 1:53:06
  Speaker 4: Who also join us in my business career. And Amabi
• 1:53:08
  Speaker 4: joins us at Altlaus, you know? She.
• 1:53:18
  Speaker 2: There's also the vocal N.P. You have to know him,
• 1:53:20
  Speaker 2: if you hear him. Do you know him? He's here,
• 1:53:22
  Speaker 2: the N.P. If you want to follow Trump, you have
• 1:53:25
  Speaker 2: to know him. You've been singing since you were one
• 1:53:27
  Speaker 2: year old, right?
• 1:53:28
  Speaker 3: Man, my grandfather was a pastor. Can I say it
• 1:53:31
  Speaker 3: here on the microphone?
• 1:53:32
  Speaker 4: Of course.
• 1:53:33
  Speaker 1: My grandfather was a pastor. My grandfather was a pastor.
• 1:53:35
  Speaker 8: There was a whole church. I started singing in the church,
• 1:53:37
  Speaker 8: like the church choir. How old were you? I was
• 1:53:39
  Speaker 8: a little girl.
• 1:53:39
  Speaker 3: I was eight years old.
• 1:53:40
  Speaker 8: I sang like those from the Coral Resgate, you know?
• 1:53:45
  Speaker 4: Moisés in front of.
• 1:53:46
  Speaker 8: The sea, Pharaoh behind him. I sang and I was like,
• 1:53:51
  Speaker 8: have faith. In Albergue, I started singing in Albergue.
• 1:53:54
  Speaker 3: Wonderful.
• 1:53:54
  Speaker 8: For the people of, like, Easter, Christmas.
• 1:53:57
  Speaker 1: The church is a great incentive for artists too, because
• 1:54:02
  Speaker 1: they take the children and say, take the guitar, take
• 1:54:04
  Speaker 1: the microphone, take the drums, take the guitar.
• 1:54:06
  Speaker 3: Go there.
• 1:54:07
  Speaker 4: My mom used to be a guitarist. I started in
• 1:54:08
  Speaker 4: the church too.
• 1:54:09
  Speaker 1: Very cool, obviously.
• 1:54:10
  Speaker 4: The people of the congregation.
• 1:54:11
  Speaker 3: Many monsters.
• 1:54:11
  Speaker 2: In reality, like this, I did music school, right? That
• 1:54:13
  Speaker 2: I was going to play the violin. In the congregation,
• 1:54:18
  Speaker 2: you do the theoretical part first and then the practical part.
• 1:54:21
  Speaker 4: I did the theoretical part twice.
• 1:54:22
  Speaker 2: I got to the practical part and sometimes I couldn't
• 1:54:25
  Speaker 2: afford to buy the violin, I was discouraged and such.
• 1:54:27
  Speaker 2: Being that there they do something like this, you work,
• 1:54:29
  Speaker 2: you prepare, you wait, you win. But I lost my patience.
• 1:54:32
  Speaker 2: and I would move away from the school, you know? Yeah,
• 1:54:34
  Speaker 2: people get together, usually make donations, but sometimes... In short,
• 1:54:38
  Speaker 2: I did the theoretical part twice, the point I want
• 1:54:40
  Speaker 2: to get to, I know how to read scores.
• 1:54:41
  Speaker 4: Thanks to the church, you know?
• 1:54:42
  Speaker 2: I read scores from any club and such, because I
• 1:54:45
  Speaker 2: took music classes at the church.
• 1:54:46
  Speaker 1: If I'm not mistaken, Pericles told us to start at
• 1:54:48
  Speaker 1: the church.
• 1:54:48
  Speaker 4: I'm trying to see my singing, but it's access to music,
• 1:54:50
  Speaker 4: you know?
• 1:54:50
  Speaker 3: Ah, brother, I think.
• 1:54:51
  Speaker 1: Okay, sometimes we'll always link the church to someone who
• 1:54:53
  Speaker 1: sings more lyrically and such, but just because you've been
• 1:54:57
  Speaker 1: an art encourager, you weren't having this in any place,
• 1:55:00
  Speaker 1: you know? You're reading scores.
• 1:55:02
  Speaker 2: I'm talking about this when I was little, before I
• 1:55:04
  Speaker 2: was on the streets, because I was in the church first.
• 1:55:07
  Speaker 1: In your early childhood. Yeah, you know?
• 1:55:09
  Speaker 4: You don't have anything else.
• 1:55:10
  Speaker 3: To sing for us, do you? I do, man. Whatever
• 1:55:12
  Speaker 3: you want, we're playing.
• 1:55:14
  Speaker 4: Just sing one more, because you sing a lot, man.
• 1:55:19
  Speaker 4: That's it.
• 1:55:20
  Speaker 8: All the platforms. What's the name of the album again?
• 1:55:23
  Speaker 4: Amobi.
• 1:55:23
  Speaker 3: Amobi.
• 1:55:23
  Speaker 4: Amobi.
• 1:55:23
  Speaker 2: Amobi.
• 1:55:38
  Speaker 8: Remember that, remember that.
• 1:55:41
  Speaker 4: Let me see.
• 1:55:41
  Speaker 3: Rasta, help me, pull one there. Man, this is live, huh, guys?
• 1:55:44
  Speaker 3: Look at the beast here.
• 1:55:46
  Speaker 1: If you want, there's a return here.
• 1:55:48
  Speaker 4: Show your voice there, that you pull live.
• 1:55:50
  Speaker 3: There, bro.
• 1:55:53
  Speaker 2: Which one?
• 1:55:54
  Speaker 3: A gringa, they told you to sing a gringa.
• 1:55:57
  Speaker 1: Which one?
• 1:55:58
  Speaker 3: Alcione?
• 1:56:00
  Speaker 8: Ah, closed, no, I'll sing.
• 1:56:02
  Speaker 2: I'm feeling high My money's gone I want alone Too
• 1:56:06
  Speaker 2: much to boo-boo-boo-see.
• 1:56:25
  Speaker 8: The world keeps burning.
• 1:56:28
  Speaker 1: Oh, what a day. What a day.
• 1:56:31
  Speaker 8: What a day.
• 1:56:32
  Speaker 9: Beasts and blessings manifest. We're everlasting light. as we do after.
• 1:56:41
  Speaker 8: We will be one.
• 1:56:44
  Speaker 9: If we were made in heat and mash, then call
• 1:56:47
  Speaker 9: us by our names. Most intellects do not believe.
• 1:56:51
  Speaker 8: In God, but the feel is just the same. Oh,
• 1:56:55
  Speaker 8: on and on and on and on. My life keeps
• 1:56:59
  Speaker 8: proving like a rolling stone. On and on and on
• 1:57:02
  Speaker 8: and on and on and on. I go on and
• 1:57:07
  Speaker 8: on and on and on. My life keeps a-brewin' like
• 1:57:10
  Speaker 8: a rolling stone. On and on and on and on
• 1:57:13
  Speaker 8: and on and on.
• 1:57:14
  Speaker 1: Amen.
• 1:57:18
  Speaker 9: I'm thinking that I'm hungry, because my heart is coming down.
• 1:57:24
  Speaker 9: Don't feel me use, because the food is not in dude.
• 1:57:29
  Speaker 8: I think I need a cup of tea. The world
• 1:57:33
  Speaker 8: keeps burning. Oh, what a day.
• 1:57:37
  Speaker 3: What a day.
• 1:57:37
  Speaker 8: What a day.
• 1:57:38
  Speaker 6: Marching to the space we live in.
• 1:57:42
  Speaker 1: I have a show there on the 21st.
• 1:57:44
  Speaker 3: At SESC, you know? Thursday now.
• 1:57:46
  Speaker 8: SESC Interlagos, Itaquera. SESC Santo André.
• 1:57:47
  Speaker 3: Good.
• 1:57:47
  Speaker 1: SESC Santo André, on the 21st at 5pm. And on
• 1:57:49
  Speaker 1: the 17th at 5pm, I have a show.
• 1:58:00
  Speaker 8: Tem um show aí, ó, no dia vinte e um
• 1:58:01
  Speaker 8: no Sesc, entendeu?
• 1:58:02
  Speaker 4: Quinta-feira agora.
• 1:58:03
  Speaker 1: Sesc Interlagos, Itaquera.
• 1:58:04
  Speaker 8: Sesc Santo André.
• 1:58:05
  Speaker 2: Boa.
• 1:58:05
  Speaker 9: Sesc Santo André, dia vinte e um do cinco, e
• 1:58:08
  Speaker 9: no dia dezessete do cinco.
• 1:58:09
  Speaker 8: Eu tenho um show lá no Blue Note. Dezessete do cinco, não. Ô,
• 1:58:12
  Speaker 8: dezessete do seis, dezessete do cinco.
• 1:58:13
  Speaker 1: Boa.
• 1:58:14
  Speaker 8: Foi agora, boa, foi boa essa aí, hein, parceiro?
• 1:58:16
  Speaker 4: Tô aqui. Ó, brabo.
• 1:58:17
  Speaker 8: Dia dezessete do seis, eu vou fazer um show lá
• 1:58:19
  Speaker 8: no Blue Note, Crisálida.
• 1:58:20
  Speaker 1: Boa, Deus abençoe, Cris.
• 1:58:22
  Speaker 8: Gente, tamo junto aí, chamou o NP Bocal pra jogar.
• 1:58:25
  Speaker 3: Agora. Que carisma, que carisma.
• 1:58:26
  Speaker 1: Tamo junto, rapaziada, segue A round of applause! This is amazing.
• 1:58:34
  Speaker 1: What is this? Holy shit!
• 1:58:35
  Speaker 4: And happy birthday, Mabih!
• 1:58:37
  Speaker 1: Congratulations! Congratulations, you're here every day with this talent.
• 1:58:41
  Speaker 3: Credo, absurd.
• 1:58:43
  Speaker 1: Top, right, bro?
• 1:58:44
  Speaker 4: Top, right?
• 1:58:44
  Speaker 3: It's with a little drink.
• 1:58:46
  Speaker 4: And the NP, can you come here and send the stick?
• 1:58:48
  Speaker 3: Of course, monster. Come here, my brother.
• 1:58:50
  Speaker 4: When do you want the NP? Give a salve here,
• 1:58:51
  Speaker 4: my brother, just to be able to let it go.
• 1:58:53
  Speaker 2: A round of applause for the NP! Tell the people
• 1:58:56
  Speaker 2: to access you there. My voice is with reverb?
• 1:58:58
  Speaker 1: We are part of the team, guys. It's out of
• 1:59:00
  Speaker 1: the curve. You're a monster.
• 1:59:01
  Speaker 3: Cool.
• 1:59:01
  Speaker 1: Do you know Trampo?
• 1:59:02
  Speaker 2: Cool.
• 1:59:02
  Speaker 3: Send it to VejaBem.
• 1:59:03
  Speaker 1: Send whatever you want. Because people already know it.
• 1:59:06
  Speaker 4: But if you want to send a new one, you
• 1:59:08
  Speaker 4: send it.
• 1:59:08
  Speaker 2: So, just to say here, the new album came out
• 1:59:11
  Speaker 2: with the partner who is with us here.
• 1:59:13
  Speaker 4: Salvador D'Arrimo, Xamana.
• 1:59:15
  Speaker 1: The song is awesome, right? The album is called Hereditary.
• 1:59:23
  Speaker 7: Produced by Maestro Modesto and produced by Outlaws. Out Mafia,
• 1:59:27
  Speaker 7: Bupi Johnson is with us.
• 1:59:29
  Speaker 3: Big hug.
• 1:59:30
  Speaker 1: Hightech is with us too. One of the songs you
• 1:59:33
  Speaker 1: like is Apus.
• 1:59:35
  Speaker 4: Top.
• 1:59:35
  Speaker 1: It's a latino plan in a lost Latin America.
• 1:59:39
  Speaker 4: A cursed routine in a life already half lived.
• 1:59:43
  Speaker 7: And a beautiful latin black.
• 1:59:45
  Speaker 4: A dirty plan, a weird boutique in the village.
• 1:59:47
  Speaker 7: On the side of the mouth, stronger than the strips.
• 1:59:49
  Speaker 7: They are paid on the tape, in fact. It's the
• 1:59:51
  Speaker 7: dream of many in life.
• 1:59:53
  Speaker 2: Pode ser que em uma dessas noites depressivas Dentro desse
• 1:59:56
  Speaker 2: insano circo e nessas dores íntimas.
• 1:59:58
  Speaker 7: Eu te cantarei algo pra que viva bem Anjos na campana,
• 2:00:02
  Speaker 7: no céu e na terra É só por.
• 2:00:03
  Speaker 2: Deus enquanto Jesus não vem Dá minha pistola enquanto Jesus.
• 2:00:06
  Speaker 7: Não vem Que a lei do crime versus homens da
• 2:00:09
  Speaker 7: lei É o choro de um filho e a filha
• 2:00:11
  Speaker 7: balança o neném Meu.
• 2:00:12
  Speaker 2: Domingo tá firmão Hoje não morreu ninguém.
• 2:00:15
  Speaker 7: My mission, I know, and my value is not in
• 2:00:17
  Speaker 7: the hands of anyone.
• 2:00:18
  Speaker 1: I made a very good sound. Yeah, we're like that, bro. Oh, Calica,
• 2:00:23
  Speaker 1: there you are. The guys are sending us here.
• 2:00:27
  Speaker 2: To make it clear to everyone, Truta, who follows Salvas,
• 2:00:30
  Speaker 2: you know, bro, we focus on quality, not on quantity.
• 2:00:34
  Speaker 2: Speaking of numbers, one day it can become quantity, you know?
• 2:00:38
  Speaker 1: But our team is just out of the curve. But
• 2:00:40
  Speaker 1: the NP is in the race since it's 10 years old, right?
• 2:00:42
  Speaker 1: The NP is a reference, man. A lot of keys, man.
• 2:00:46
  Speaker 3: Did you realize that, bro?
• 2:00:47
  Speaker 1: Like, three... Your record is out too, bro? It's the
• 2:00:49
  Speaker 1: hereditary one you said. Please, bro. The artists are appearing here.
• 2:01:09
  Speaker 1: Go listen to the sound, be an enthusiast of art.
• 2:01:11
  Speaker 1: Don't wait to listen to the song that everyone is
• 2:01:14
  Speaker 1: listening to, because then you were a maneuver mass once again,
• 2:01:17
  Speaker 1: you know? Go after your sound, the sound you like.
• 2:01:20
  Speaker 3: You know?
• 2:01:21
  Speaker 1: That's it, Melo.
• 2:01:22
  Speaker 4: A thousand degrees.
• 2:01:23
  Speaker 1: NP.Vocal, it's us, we're together. Big hug, the chat is cool.
• 2:01:27
  Speaker 1: Thanks for the song.
• 2:01:29
  Speaker 3: You're awesome.
• 2:01:30
  Speaker 1: Congrats for your work. You're crazy, congrats for yours. You're
• 2:01:33
  Speaker 1: Boopie Johnson, that's us. Hey, Salvador da Rima. Applause for NP.Vocal.
• 2:01:40
  Speaker 3: You brought a heavy bond.
• 2:01:43
  Speaker 2: We spent some time to listen to some people, but
• 2:01:47
  Speaker 2: you saw that it was worth it. No one here
• 2:01:50
  Speaker 2: was wasted playing nothing in your ears. It was pleasant.
• 2:01:53
  Speaker 4: It was a.
• 2:01:54
  Speaker 3: Silver ball and it was on the forehead. It was pleasant.
• 2:02:00
  Speaker 1: Now it's time for Salvador da Rima, right? Did you
• 2:02:03
  Speaker 1: send one for us to end this wonderful day? Did
• 2:02:05
  Speaker 1: you like it, brother? I was crazy to go.
• 2:02:07
  Speaker 4: To the bathroom again, I'm kidding. Go there, go there.
• 2:02:10
  Speaker 1: I'll send it because it's time, right?
• 2:02:11
  Speaker 4: Go there, go there.
• 2:02:12
  Speaker 1: No, go to the bathroom and come back, you send it.
• 2:02:14
  Speaker 3: Better?
• 2:02:15
  Speaker 1: Yeah, for you to sing. But you're not going to
• 2:02:16
  Speaker 1: cut the mood?
• 2:02:17
  Speaker 3: No, I'm not.
• 2:02:18
  Speaker 1: I stay here.
• 2:02:18
  Speaker 3: Don't go away, bro.
• 2:02:19
  Speaker 2: You're not going to wait for me to sing? Of
• 2:02:20
  Speaker 2: course you're going to wait. It's the time for you
• 2:02:23
  Speaker 2: guys to go to the studio and say, now it's
• 2:02:25
  Speaker 2: time for the show, man. Jump on the live, jump
• 2:02:27
  Speaker 2: on the live.
• 2:02:28
  Speaker 3: That's it.
• 2:02:28
  Speaker 4: It's the time. Five minutes that I go there, the
• 2:02:30
  Speaker 4: partners who are not watching come back.
• 2:02:31
  Speaker 1: It's time to follow Amabi, the MP.
• 2:02:33
  Speaker 4: It's posting, hey, Salva is going to sing now.
• 2:02:36
  Speaker 3: Janderson.
• 2:02:36
  Speaker 4: Go there, go there, so you can be comfortable.
• 2:02:38
  Speaker 1: Janderson, what is your Instagram? Did you say, monstro? Come, touch.
• 2:02:42
  Speaker 4: It's jand.fundação, man. I'll go to the bathroom quickly.
• 2:02:45
  Speaker 1: Go there. What is your Instagram, monstro?
• 2:02:50
  Speaker 5: So, family, I'll tell you, Janderson Fundação, right? At instalatajande.fundaçãodemudo J-A-N-D.fundação Good,
• 2:03:00
  Speaker 5: thanks There's an EP there, that's been on the tracks
• 2:03:04
  Speaker 5: since last year That I'm doing a trick on it,
• 2:03:07
  Speaker 5: which is the following My goal is to commercialize 500
• 2:03:10
  Speaker 5: copies of the thing, link, you know, brother? Good After that,
• 2:03:14
  Speaker 5: all the recording will be invested in the platforms, you know?
• 2:03:17
  Speaker 5: The name of the EP is Fundação Até o Final
• 2:03:19
  Speaker 5: There are seven exclusive bands, including a bonus, which is
• 2:03:23
  Speaker 5: without remorse. Who followed there is connected without remorse, as
• 2:03:26
  Speaker 5: it is, understood? And we are cheating on the new
• 2:03:28
  Speaker 5: album there, for those who follow.
• 2:03:29
  Speaker 3: There, right?
• 2:03:30
  Speaker 5: Friday the 13th is coming, understood? We are going to
• 2:03:32
  Speaker 5: launch seven bands there on the thing and then six
• 2:03:34
  Speaker 5: more bands, that way. Special participation, only the monster, right?
• 2:03:38
  Speaker 5: The skinny one. Biel is in the situation right now.
• 2:03:41
  Speaker 5: Meus Trutas, right? Xadai, everyone is going to be together.
• 2:03:44
  Speaker 1: And you're on Salvador's.
• 2:03:45
  Speaker 3: Album, right?
• 2:03:46
  Speaker 5: Yes, that's why he's on mine too.
• 2:03:48
  Speaker 3: Everyone, you know?
• 2:03:49
  Speaker 5: It was for me to be on the other one
• 2:03:51
  Speaker 5: he released before. I just want you to listen to me,
• 2:03:55
  Speaker 5: you know? Then we released a single after, you know?
• 2:03:58
  Speaker 5: It's crazy, it's a satisfaction to be on this track
• 2:04:00
  Speaker 5: with Magrão too, our brother.
• 2:04:01
  Speaker 3: You know? Big hug, Magrelo.
• 2:04:03
  Speaker 1: Everything is ours, dude, you know?
• 2:04:04
  Speaker 3: Magrão is a monster, right?
• 2:04:06
  Speaker 5: It's crazy, family.
• 2:04:06
  Speaker 4: Wow, by the way.
• 2:04:08
  Speaker 1: But dude, it was really cool that you released... Yes... Like,
• 2:04:12
  Speaker 1: Pique um Rock, what was the name of the project?
• 2:04:14
  Speaker 1: Mike Aberto, I think, I don't know.
• 2:04:16
  Speaker 3: Yes, but it was fucking awesome.
• 2:04:18
  Speaker 1: It's Zica, it's Zica, the thing is Alvivão.
• 2:04:20
  Speaker 3: Alvivão, Alvivão.
• 2:04:21
  Speaker 1: On Google, right?
• 2:04:22
  Speaker 3: And how old are you on the path? Ah, we're
• 2:04:25
  Speaker 3: a few years there, bro. So, more ideas?
• 2:04:28
  Speaker 5: Man, I remember perfectly, on the first Saturday of 2013,
• 2:04:32
  Speaker 5: I won my first Santa Cruz, you know? I remember
• 2:04:36
  Speaker 5: that the final was against BNS, a partner that still
• 2:04:39
  Speaker 5: reacts to this day. A big hug to Tracer, Flo,
• 2:04:41
  Speaker 5: Marcelo Gugu, to everyone, to everyone from Santa Cruz. In 2003,
• 2:04:46
  Speaker 5: I was winning my first battle sheet at Santa Cruz.
• 2:04:50
  Speaker 1: Winning a Santa Cruz sheet is like winning a T-Shirt.
• 2:04:52
  Speaker 5: It was another situation, but I was like, I'm MC.
• 2:04:57
  Speaker 3: Now, you know? In 2003, it was another scene. It
• 2:04:59
  Speaker 3: was another moment, you know? And then.
• 2:05:03
  Speaker 5: I lived at that time, bro, I had just returned
• 2:05:05
  Speaker 5: from Maranhão, you know, bro? I came here, I was
• 2:05:08
  Speaker 5: like three years old, my parents went back there, they separated.
• 2:05:11
  Speaker 5: I stayed there and came back. When I came back,
• 2:05:13
  Speaker 5: I said, bro, I'm going to Santa Cruz. I want
• 2:05:15
  Speaker 5: to see this freestyle thing, you know?
• 2:05:17
  Speaker 3: The guy is a relic, bro. He won the first
• 2:05:18
  Speaker 3: leaflet in Santa Cruz in 2013.
• 2:05:19
  Speaker 1: First Saturday of 2013.
• 2:05:20
  Speaker 5: First Saturday, I remember today, I was on vacation from Trump,
• 2:05:23
  Speaker 5: I said, I got there early, you know?
• 2:05:24
  Speaker 4: Foda, bro.
• 2:05:25
  Speaker 5: It was better, satisfaction, to say something to you here,
• 2:05:27
  Speaker 5: straight talk. I love this guy here, you know, bro?
• 2:05:32
  Speaker 5: Hey family, if you knew this guy the way I
• 2:05:34
  Speaker 5: know him, you would love him twice as much as
• 2:05:37
  Speaker 5: you love him infinitely, you know? Because I know him closely,
• 2:05:40
  Speaker 5: he deserves all the love in this world.
• 2:05:41
  Speaker 3: Right, bro? I love you. Very nice.
• 2:05:44
  Speaker 1: To be honest, the first Saturday of 2013 was January 5th.
• 2:05:47
  Speaker 1: Let me just say something here.
• 2:05:49
  Speaker 5: Family, so we don't miss the beat, a big hug
• 2:05:53
  Speaker 5: to my brother, Jardim Romano, until the end, you know?
• 2:05:55
  Speaker 4: He's from Romano.
• 2:05:55
  Speaker 5: Everyone in Itaim, Paulista, got it, family? Big hug to
• 2:05:58
  Speaker 5: Barra do Codra do Maranhão. Mom, I love you. Dad,
• 2:06:00
  Speaker 5: I love you. Grandma, I love you. My sister, my brother,
• 2:06:03
  Speaker 5: I love you, right? Lananzita, Eduarda, Jayane, that's us, right, Viar? Viar,
• 2:06:06
  Speaker 5: I love you too, my brother, and all of us,
• 2:06:08
  Speaker 5: Rap Nação, it's been.
• 2:06:10
  Speaker 3: Great, man.
• 2:06:10
  Speaker 1: Applause for Janderson! But that's what I said. When you
• 2:06:15
  Speaker 1: say Quebrada and you say Adjacente, bro, it's so it
• 2:06:18
  Speaker 1: doesn't get bad with anyone. It's like, I'm from Osasco,
• 2:06:21
  Speaker 1: but I have to say all the Quebradas de Osasco.
• 2:06:23
  Speaker 3: All the Quebradas de Osasco. My brother, Fone, if.
• 2:06:25
  Speaker 1: You want the return, right? Of your producers and DJs.
• 2:06:31
  Speaker 4: Is it to send some? It took a while. Send
• 2:06:33
  Speaker 4: what you want.
• 2:06:34
  Speaker 1: Send what you want, bro.
• 2:06:37
  Speaker 3: Man, this first.
• 2:06:39
  Speaker 2: Song, it's called Gigante, you know? I couldn't hear the
• 2:06:41
  Speaker 2: beat very well. Yeah, without the horn it's better. It's
• 2:06:43
  Speaker 2: available on all platforms, you know?
• 2:06:46
  Speaker 4: Here it's loud, man. I think it's not getting here.
• 2:06:47
  Speaker 3: Let's go back?
• 2:06:50
  Speaker 1: Let's go back.
• 2:06:51
  Speaker 2: Huh?
• 2:06:52
  Speaker 1: Ah, another.
• 2:06:55
  Speaker 3: One, right?
• 2:06:57
  Speaker 2: There's another one here, calm down, quickly, let me see.
• 2:06:59
  Speaker 4: This one for the guys.
• 2:07:02
  Speaker 3: To hear.
• 2:07:02
  Speaker 1: Ah, here it's playing, let's go. Huh?
• 2:07:08
  Speaker 4: It's a drill, this one, you know?
• 2:07:09
  Speaker 2: The name is Gigante, it's about dreaming and going back,
• 2:07:15
  Speaker 2: knowing your size, accumulating money. Dominando o tabuleiro No jogo
• 2:07:22
  Speaker 2: da vida chegando em primeiro Eu vejo meu nome em
• 2:07:24
  Speaker 2: letreiros Cirúrgico igual enfermeiro Mais que o doutorado da rua
• 2:07:28
  Speaker 2: Noturno que nem um morcego Voando sobre a luz da
• 2:07:31
  Speaker 2: lua Meu.
• 2:07:32
  Speaker 4: Bairro é sinistro É.
• 2:07:33
  Speaker 2: Uma escola que quem não aprende perde sua vida Aqui
• 2:07:35
  Speaker 2: falta tudo, nós foca nas notas mais altas De baixa
• 2:07:37
  Speaker 2: já basta a expectativa O estado é um inimigo Quer
• 2:07:40
  Speaker 2: me ver burro e sem informação Viciado, privado, fudido Com
• 2:07:44
  Speaker 2: o corpo crivado, alvejado no chão Um milhão diz não
• 2:07:47
  Speaker 2: Só que Deus diz sim And I said, why not?
• 2:07:49
  Speaker 1: Just because I.
• 2:07:51
  Speaker 2: Came from the war of hunger and left, it's nothing,
• 2:07:53
  Speaker 2: it didn't.
• 2:07:53
  Speaker 4: Demotivate, it just made me more man.
• 2:07:56
  Speaker 2: I'm prepared for any tape, no matter where.
• 2:07:58
  Speaker 4: I was destined. to get far, to be giant.
• 2:08:01
  Speaker 2: You see the hatred, see the focus in my semblance
• 2:08:06
  Speaker 2: Leaving is nothing, did not unmotivate, just made me more
• 2:08:09
  Speaker 2: man I'm prepared for any tape, no matter where I
• 2:08:13
  Speaker 2: was destined to get far, to be giant Você vê
• 2:08:17
  Speaker 2: o ódio e vê o foco no meu semblante Que
• 2:08:19
  Speaker 2: se foda essas.
• 2:08:20
  Speaker 4: Mina Want to give me.
• 2:08:22
  Speaker 2: Because I have, this is futile Today I see that
• 2:08:24
  Speaker 2: they match much more with those useless comedians I was
• 2:08:26
  Speaker 2: born to grow, this is not sober, this is just
• 2:08:28
  Speaker 2: certainty of what I deserve If I have to cost
• 2:08:31
  Speaker 2: my smile, bro, I'll pay the price I can cry
• 2:08:34
  Speaker 2: to see my smiles, because in my blood I carry
• 2:08:36
  Speaker 2: nobility But no one will ever see me crying, because
• 2:08:38
  Speaker 2: for the enemy I do not show cowardice in such phases.
• 2:08:40
  Speaker 4: Of glory and struggle But do not shake at the base,
• 2:08:43
  Speaker 4: my truta.
• 2:08:43
  Speaker 2: Without fear of anything, the prize is death and life
• 2:08:46
  Speaker 2: is short Se o problema fosse só o que eu
• 2:08:48
  Speaker 2: não tinha, nós enchia de bala o pente da peça,
• 2:08:50
  Speaker 2: é mais que o dinheiro Dignidade que desde pequeno o
• 2:08:53
  Speaker 2: sistema me nega, se paca esse ódio que tanto motiva
• 2:08:56
  Speaker 2: Mesma parada que sempre me cega, nasci favelado e me
• 2:08:58
  Speaker 2: sinto obrigado Vencer o jogo sem seguir as regras, sair
• 2:09:01
  Speaker 2: não é nada, não desmotivou, só me fez mais homem
• 2:09:04
  Speaker 2: Eu tô preparado pra qualquer fita, não importa aonde Eu
• 2:09:08
  Speaker 2: fui destinado.
• 2:09:08
  Speaker 4: Pra chegar longe, pra ser gigante Você vê o ódio
• 2:09:11
  Speaker 4: e vê o foco no.
• 2:09:12
  Speaker 1: Meu semblante.
• 2:09:14
  Speaker 2: This is nothing, it didn't demotivate me, it just made
• 2:09:16
  Speaker 2: me more manly. I'm prepared for any tape, no matter where.
• 2:09:21
  Speaker 2: I was destined to get far, to be giant. You
• 2:09:24
  Speaker 2: see the hatred, see the focus in my semblance.
• 2:09:28
  Speaker 1: It's us, we're together in the family.
• 2:09:35
  Speaker 2: Check it out, the name of this song is Gigante.
• 2:09:37
  Speaker 2: It's available on all digital platforms and it's about that,
• 2:09:39
  Speaker 2: you know? Even if the whole world tells you no,
• 2:09:41
  Speaker 2: you have to believe in your potential, Charay, got it?
• 2:09:44
  Speaker 4: And close your face, with a smile. Man's show.
• 2:09:46
  Speaker 3: This is for.
• 2:09:50
  Speaker 1: Those who like heavy boomerangs, got it?
• 2:09:52
  Speaker 4: It's not social inequality. People liked it too, right?
• 2:09:56
  Speaker 2: Identified.
• 2:10:04
  Speaker 4: It's a survival test.
• 2:10:08
  Speaker 2: Social inequality, fucking corruption Creates a lot of men, bomb
• 2:10:12
  Speaker 2: the collection, play ninja Capital of the notes, of the
• 2:10:15
  Speaker 2: revolt of the kids Of the bank robbers, of the
• 2:10:17
  Speaker 2: coups on the internet New boy, played on the street,
• 2:10:20
  Speaker 2: accumulates anodium in the chest Started selling on the streetlight,
• 2:10:23
  Speaker 2: then he emigrated and started on the streets I know,
• 2:10:25
  Speaker 2: there's a lack of money, cultural movement, incentive in the
• 2:10:27
  Speaker 2: local sport There's an innocent chassi dying, but he manipulated
• 2:10:29
  Speaker 2: the newspaper Little boy, had nothing to do, died like
• 2:10:31
  Speaker 2: a criminal In a shooting range, with only one of
• 2:10:34
  Speaker 2: the armed sides Cacena forjada com oitão dos outros Deixando
• 2:10:39
  Speaker 2: o irmão mais novo revoltado No noticiário um bandido morto
• 2:10:44
  Speaker 2: Mais outro soldado sendo premiado Mais outra mãezinha engolindo choro
• 2:10:48
  Speaker 2: E outro parente motivado a se vingar do Estado Falando
• 2:10:51
  Speaker 2: de clima que é o Brasil número um A mafapaulista
• 2:10:55
  Speaker 2: já tá dominando o mundo Pode ter certeza o sistema
• 2:10:58
  Speaker 2: sabe de tudo Inclusive eles que ficam com a maior
• 2:11:00
  Speaker 2: parte do lucro Faz uns dias que eu não durmo
• 2:11:03
  Speaker 2: Refletindo sobre tudo Como ganhar mais dinheiro sem roubar esses
• 2:11:06
  Speaker 2: cu de burro Um Bené, um Zé Pequeno ou uma
• 2:11:08
  Speaker 2: Negalinha No final todo mundo morre Só o que fica
• 2:11:11
  Speaker 2: é as.
• 2:11:11
  Speaker 1: Lojinha crime goes and crime ends.
• 2:11:20
  Speaker 2: O crime vem e o crime vai Vários menos e
• 2:11:25
  Speaker 2: não tem, outros já é pai Uma boca na esquina
• 2:11:28
  Speaker 2: e cinco boca em casa Uma boca que rendia e
• 2:11:31
  Speaker 2: outras precisava Uma família cristã, uma avó que orava Nem
• 2:11:35
  Speaker 2: só de pão viverá e nem só de palavra Capitalismo bruto,
• 2:11:39
  Speaker 2: menor sem estudo Na infância ignorado pelo estatuto The crime
• 2:11:44
  Speaker 2: statute decorated everything Rules needed to live in the underworld
• 2:11:48
  Speaker 2: And in the police, the thief liked more to be
• 2:11:50
  Speaker 2: a bandit Walking with the older ones, wanting to be
• 2:11:53
  Speaker 2: involved Saw a strange car, ordered to lower the glass
• 2:11:57
  Speaker 2: Like the owner of the favela, searched and foraged A 5, 7,
• 2:12:00
  Speaker 2: 12 is a bomb trap, there are a lot I
• 2:12:02
  Speaker 2: think he should have been sabotaged before But our generation
• 2:12:06
  Speaker 2: is not like the generation of today.
• 2:12:08
  Speaker 4: That rat of broken is considered a robber. Independent our people.
• 2:12:11
  Speaker 4: Our face is to unite the crime.
• 2:12:13
  Speaker 1: Go the crime and come.
• 2:12:14
  Speaker 4: We are there to instruct.
• 2:12:19
  Speaker 7: Social inequality in this country, thank you very much.
• 2:12:23
  Speaker 1: I'm going to take off my shirt here, it's very hot. Wow, man,
• 2:12:25
  Speaker 1: it looks like I'm in a lecture, in a class.
• 2:12:28
  Speaker 1: It looks like everything we talked about now, you synthesized
• 2:12:31
  Speaker 1: in mine. That's it, that's it. Holy Mary.
• 2:12:34
  Speaker 3: Hey, DJ.
• 2:12:34
  Speaker 1: It's all posted.
• 2:12:35
  Speaker 3: Guys, let's listen.
• 2:12:38
  Speaker 4: Do you have time or are you running?
• 2:12:39
  Speaker 3: He's with us, bro. He's with us. Did you have
• 2:12:42
  Speaker 3: a problem?
• 2:12:42
  Speaker 2: It's because I put only four songs there, then the
• 2:12:45
  Speaker 2: partners had said that it was to send at least
• 2:12:48
  Speaker 2: a few.
• 2:12:48
  Speaker 4: Minutes and such, I said, bro, it was too short.
• 2:12:51
  Speaker 2: I said to the DJ, any tape, we'll pull some
• 2:12:53
  Speaker 2: fans here in Relica that Igão likes. to see if
• 2:12:55
  Speaker 2: they know how to sing and we're going to change
• 2:12:57
  Speaker 2: the vibe of the show now, you know? We were
• 2:12:59
  Speaker 2: in Consciência, now we're going to change it to Gangster.
• 2:13:03
  Speaker 3: You know? That's how I like it, man. Let's go.
• 2:13:05
  Speaker 3: You know?
• 2:13:05
  Speaker 1: Just to pull the band, right, DJ?
• 2:13:06
  Speaker 4: I'm going to send a scene, you're going to pull it.
• 2:13:08
  Speaker 4: You know?
• 2:13:09
  Speaker 1: It's a thing, right?
• 2:13:10
  Speaker 4: You can turn it off here, because I'm going to
• 2:13:14
  Speaker 4: send it here on the stick.
• 2:13:16
  Speaker 2: Right, DJ? Forneceram as peça pra nós e naqueles assaltos
• 2:13:20
  Speaker 2: nós se demos bem Tugudu Recolhemos a mercadoria e o
• 2:13:23
  Speaker 2: dinheiro do cacho estoque também Vai!
• 2:13:25
  Speaker 1: Oi loira, cê deita no chão, né? Bem que eu
• 2:13:27
  Speaker 1: não tô falando a verdade Vejo câmera em todos.
• 2:13:30
  Speaker 2: Os cantos, então Manda parar com a filmagem Traz a.
• 2:13:33
  Speaker 1: Porra da fita pra nós Porque o nosso bonde não
• 2:13:35
  Speaker 1: é de deixar rastro 157, toma lá da.
• 2:13:37
  Speaker 4: Cá Especialistas em assalto Nessa.
• 2:13:40
  Speaker 2: Fita tava o Barcelona Com pota ribava, fundão da Vitel
• 2:13:43
  Speaker 2: Carga explosiva, produto importado É o quê?
• 2:13:46
  Speaker 4: AR, baby, de Saer A.
• 2:13:48
  Speaker 1: Gente vem bombada assim, hein?
• 2:13:50
  Speaker 2: Mora aqui, motepão É que eu sou lá da zona
• 2:13:54
  Speaker 2: leste Onde reside só os loucos Loucos.
• 2:13:59
  Speaker 1: Nós leva a vida no sorriso Mesmo passando sufoco Loucos.
• 2:14:07
  Speaker 2: Rio e Gão é zona oeste Onde reside só os
• 2:14:10
  Speaker 2: loucos Loucos Nós leva a vida no sorriso Mesmo passando
• 2:14:17
  Speaker 2: sufoco Now yes, my brother.
• 2:14:21
  Speaker 4: Open the doors to the gangs. Big hug to Felipe Boladão, cousin.
• 2:14:24
  Speaker 1: Duda do Marapé, dude. Big hug. Your legacy is eternal.
• 2:14:27
  Speaker 3: Why art?
• 2:14:27
  Speaker 1: Because it's an expression of a lived reality, you know?
• 2:14:29
  Speaker 1: And it's about that.
• 2:14:30
  Speaker 2: Like I was talking about the musical issue, when we
• 2:14:33
  Speaker 2: sometimes talk about criminal stuff, We avoid doing it, not
• 2:14:43
  Speaker 2: because it's wrong, but it's like, for example, you see
• 2:14:45
  Speaker 2: that always an actor, when he is favelado, when he
• 2:14:47
  Speaker 2: is black, when he is peripheral, people want to give
• 2:14:49
  Speaker 2: him the role of criminal. So, in the same way,
• 2:14:52
  Speaker 2: we in music, friend, when we take on this role
• 2:14:54
  Speaker 2: to make our art, it sounds like very well done,
• 2:14:57
  Speaker 2: but we are artists, you know? However, the boys like
• 2:15:02
  Speaker 2: to consume this adrenaline through music. The boys live this reality.
• 2:15:06
  Speaker 2: And in my opinion, the following. What influences is the
• 2:15:10
  Speaker 2: lived reality. The music narrates what is already real.
• 2:15:14
  Speaker 4: On top of this thesis, we will pull this one.
• 2:15:16
  Speaker 1: I hope I know.
• 2:15:18
  Speaker 2: Look, I breathed.
• 2:15:19
  Speaker 9: Look, I breathed.
• 2:15:28
  Speaker 3: Filma ali, ó.
• 2:15:41
  Speaker 2: Noites de ódio na boca, revoltado com o estado Em
• 2:15:44
  Speaker 2: memória de uns parceiro que hoje não tá do meu
• 2:15:47
  Speaker 2: lado Na madrugada é nós que manda, fortemente armado Ciente
• 2:15:51
  Speaker 2: e capaz, é momento e sempre preparado Nós crescemos mesmo
• 2:15:54
  Speaker 2: revoltados com a situação No cenário cocazinhão que forma o
• 2:15:59
  Speaker 2: ladrão É muita guerra com a polícia, sangue derramado E
• 2:16:03
  Speaker 2: nós menos ali no meio, acostumados Não demonstramos porque ele
• 2:16:07
  Speaker 2: pode te matar There is no compassion in the middle
• 2:16:11
  Speaker 2: of the war Humility is the key anywhere Because there
• 2:16:15
  Speaker 2: are many crooks underground Thinking of you at dawn, I'll
• 2:16:17
  Speaker 2: work Criminal mind, crazy life, I'm a gangsta She wants
• 2:16:19
  Speaker 2: to fuck with.
• 2:16:20
  Speaker 4: My mind, but I'm a gangsta Relika 22, got it?
• 2:16:35
  Speaker 1: It's us.
• 2:16:36
  Speaker 4: Liberdade, Maurinho.
• 2:16:37
  Speaker 1: Right, DJ?
• 2:16:37
  Speaker 4: Did you get it or not? It's us.
• 2:16:39
  Speaker 3: It's us.
• 2:16:39
  Speaker 4: Look where the guys from the ghetto came from, DJ.
• 2:16:42
  Speaker 3: Far, huh?
• 2:16:57
  Speaker 4: This is to end, man.
• 2:17:19
  Speaker 2: Foi no pinhão de vida louco, eu tô de moletom
• 2:17:21
  Speaker 2: e touca Acabou meu plantão na boca e eu vou
• 2:17:23
  Speaker 2: pro baile curtir Destino é casinha, dê um salve nas
• 2:17:27
  Speaker 2: novinha Se tromba com os coxinha eu falo que sou
• 2:17:30
  Speaker 2: MC Maloqueiro, favelado bem trajado, eu bolso com dinheiro Tô
• 2:17:34
  Speaker 2: fumando altos baseado com os parceiro Nós é atividade menor
• 2:17:38
  Speaker 2: de comunidade Se tenta atrasar meu lado eu vou atrasar
• 2:17:42
  Speaker 2: o seu primeiro Digo aqui na city, jacaré no peito
• 2:17:45
  Speaker 2: Tô levando a vida desse jeito, mas respeito, nós é gueto,
• 2:17:49
  Speaker 2: vive nos caminhos.
• 2:17:50
  Speaker 4: Estreitos antes de entrar pro crime.
• 2:17:51
  Speaker 2: Busca o show, gera suspeito e que se foda, bro. Mano,
• 2:17:55
  Speaker 2: bota a cara aqui. Cês não aguentam tudo que eu vivi.
• 2:17:58
  Speaker 2: Imagina o que eu e os amigos que eu perdi.
• 2:18:01
  Speaker 2: Nós vivem o tipo de coisa que só sabe quem
• 2:18:03
  Speaker 2: é daqui. Os menor crescem revoltado contra o Estado. E
• 2:18:07
  Speaker 2: depois a mídia passa como se nós fossem errados. Seu
• 2:18:10
  Speaker 2: sistema é de safado. Aperta pro meu lado. Então que
• 2:18:13
  Speaker 2: se foda, vai pro chão e passa os placa. É
• 2:18:15
  Speaker 2: fuga nos bota de meiota. Toca a rota pras casinha
• 2:18:20
  Speaker 2: do mal. Na zona leste sempre é nós que toca.
• 2:18:25
  Speaker 4: Eu quero ouvir vocês assim, ó.
• 2:18:27
  Speaker 1: Olha o Tormeideão tapar na cara.
• 2:18:31
  Speaker 4: That's it.
• 2:18:32
  Speaker 1: Applause! Go well, stay calm.
• 2:18:56
  Speaker 4: It's us, my family, we're together. Thank you very much.
• 2:18:59
  Speaker 1: This was Salvador da Rima, guys. Did you like it,
• 2:19:02
  Speaker 1: my brother?
• 2:19:02
  Speaker 4: We're together, my brother. Really, I'm the one who asks
• 2:19:04
  Speaker 4: this to you.
• 2:19:05
  Speaker 3: I liked it a lot.
• 2:19:06
  Speaker 1: I liked it a lot, man. Thank you for this
• 2:19:08
  Speaker 1: final moment.
• 2:19:08
  Speaker 2: You can call me again in the other projects, in
• 2:19:10
  Speaker 2: whatever you can add, you know, man?
• 2:19:11
  Speaker 4: Let's go up.
• 2:19:12
  Speaker 3: You'll be invited for sure.
• 2:19:13
  Speaker 4: God bless you.
• 2:19:14
  Speaker 1: Vitor, come to the new office.
• 2:19:17
  Speaker 4: God bless you more and more. I told you when I.
• 2:19:19
  Speaker 1: Arrived, that when I came for the first time, I
• 2:19:20
  Speaker 1: was in the first place.
• 2:19:21
  Speaker 2: I was very happy for the blessing of you too,
• 2:19:23
  Speaker 2: for the evolution that God blesses you more and more,
• 2:19:26
  Speaker 2: my brothers. Thank you very much. And I saw you
• 2:19:28
  Speaker 2: showing your rubber jacket.
• 2:19:29
  Speaker 1: And your boots there, it made me very happy to
• 2:19:31
  Speaker 1: enjoy these things. This is the greatest blessing.
• 2:19:33
  Speaker 2: Guys, follow me on social media, follow the album that
• 2:19:35
  Speaker 2: I released, Por Último Arte Como Crime, and wait for
• 2:19:37
  Speaker 2: the news to come, got it? I don't talk too much,
• 2:19:46
  Speaker 2: I promise. I don't force you to listen. If you
• 2:19:49
  Speaker 2: like it, follow me. It's just Pedrada.
• 2:19:51
  Speaker 3: God bless you.
• 2:19:52
  Speaker 4: Let's go, my family.
• 2:19:53
  Speaker 1: As Salvador da Rima said, follow him on all social media.
• 2:19:57
  Speaker 1: I like this.
• 2:19:59
  Speaker 3: Again, again, the noise.
• 2:19:59
  Speaker 1: Alex, I want to implement this, bro. I'll leave a
• 2:20:03
  Speaker 1: sonoplasty here with you. I'll tell you, you'll play Nextel.
• 2:20:06
  Speaker 1: You know? Come with me to end this episode, DJ.
• 2:20:10
  Speaker 4: Big hug to the DJs too.
• 2:20:11
  Speaker 1: Big hug to the DJs and the producers.
• 2:20:13
  Speaker 4: DJ Liuti has been with me since the battles. Applause!
• 2:20:18
  Speaker 4: God bless you.
• 2:20:21
  Speaker 1: If you liked it, leave your like, subscribe to the
• 2:20:23
  Speaker 1: channel as Salvador da Rima says. Follow him on social media,
• 2:20:25
  Speaker 1: they will be in the description. Listen to the last
• 2:20:28
  Speaker 1: album that the man released, Art as Crime. Meet the
• 2:20:31
  Speaker 1: artists he presented here. NP Vocal, Jean Anderson, Amabi, please,
• 2:20:36
  Speaker 1: listen to the projects of these artists too, it's very important,
• 2:20:40
  Speaker 1: as I said, for us to be enthusiastic about art, okay?
• 2:20:42
  Speaker 1: I hope you enjoyed it, a lot.
• 2:20:43
  Speaker 3: Of ideas, a lot of music, a lot of experience.
• 2:20:46
  Speaker 1: Did you enjoy it, Tico Jovem?
• 2:20:47
  Speaker 3: I enjoyed it a lot, my brother. Subscribe to Podpah Records,
• 2:20:50
  Speaker 3: our music channel, subscribe to Podpah's channel, it's around 10 million,
• 2:20:54
  Speaker 3: when you get to my face, it gets gigantic, okay?
• 2:20:57
  Speaker 3: Leave your like there. See you tomorrow.
• 2:21:01
  Speaker 1: Bye, dignity now.
• 2:21:01
  Speaker 3: That's it.
• 2:21:11
  Speaker 1: Superbet, you feel when it's super.
• 2:21:44
  Speaker 2: Gringos?
• 2:21:46
  Speaker 1: Nunca entenderão. Guaraná Antarctica.
• 2:21:53
  Speaker 4: Sente de torcer é coisa nossa.