Latest / The Breakfast Club / FULL SHOW: Chris Brown Demands Receipts After Journalist Claims He's 'Still Actively Abusing Women’ + Jon Boogz & Morgan DeBaun Interview
Transcript
- 0:00Speaker 1: Woke up, woke up, wake you up, wake you up,
- 0:02Speaker 1: wake that ass up, program your alarm to power 105.1
- 0:05Speaker 1: on iHeartRadio.
- 0:05Speaker 2: Good morning, USA! <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>.
- 0:09Speaker 3: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>.
- 0:15Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>.
- 0:25Speaker 4: How y'all feel out there? I feel blessed, black, and
- 0:28Speaker 4: highly favored. Happy to be here. Another day to serve
- 0:30Speaker 4: our beautiful listeners.
- 0:31Speaker 5: Good morning.
- 0:31Speaker 2: Good morning, Jess. How you feeling?
- 0:33Speaker 6: I feel good. You know, I caught a flight from
- 0:36Speaker 6: EWR to DCA yesterday, and whatever was going on the
- 0:39Speaker 6: day before yesterday with the flights, I mean, with the airport,
- 0:42Speaker 6: it was like a power outage or something like that.
- 0:44Speaker 7: Power outage, yeah.
- 0:45Speaker 2: All the flights were delayed over a thousand flights, yep.
- 0:47Speaker 6: Yes, yo, I felt the aftermath of that yesterday, right?
- 0:51Speaker 6: Because I was supposed to land, my flight was at 1,
- 0:52Speaker 6: I was supposed to land at 2, like 2 something.
- 0:57Speaker 6: My flight was delayed 4 hours and then it was
- 1:00Speaker 6: so packed yesterday. I flew on a Tuesday. It's not
- 1:03Speaker 6: usually packed in EWR on a Tuesday. It was so
- 1:06Speaker 6: many backed up flights from Monday. that everybody who was
- 1:09Speaker 6: supposed to fly out Tuesday was just making their flights.
- 1:12Speaker 6: It was people that had to sleep in the airports.
- 1:15Speaker 6: It was so packed. It looked like a Friday at JFK.
- 1:17Speaker 2: Jess, Baltimore's three hours away.
- 1:20Speaker 4: You're saying she could have got on the train?
- 1:21Speaker 2: She could have got on the train. She could have drove.
- 1:23Speaker 6: Yeah, but I didn't want to do that.
- 1:26Speaker 2: You know what I mean? So it might have taken
- 1:27Speaker 2: you six hours to get there anyway.
- 1:28Speaker 6: Because I don't live in Baltimore. I live past Baltimore.
- 1:32Speaker 6: You know what I mean? So driving my house is
- 1:34Speaker 6: like five and a half hours away. from Jersey City
- 1:38Speaker 6: or New York, right?
- 1:39Speaker 4: Gotcha.
- 1:39Speaker 6: So just flying is like an hour and 10 minutes.
- 1:42Speaker 4: Well, has the FAA resolved all those issues?
- 1:44Speaker 1: I know they had to repair throughout the communication lines.
- 1:48Speaker 4: Has all that been repaired?
- 1:49Speaker 2: Yeah, they said they resolved the issues. The problem was
- 1:51Speaker 2: that everybody that missed their flight, their flights got pushed back,
- 1:53Speaker 2: which pushed back everybody else's flights.
- 1:55Speaker 8: Right.
- 1:56Speaker 2: So it just makes the airports disgusted and nasty for
- 1:58Speaker 2: the next couple of days.
- 1:59Speaker 4: Well, I'm glad we didn't have any problems leaving Vegas
- 2:02Speaker 4: this weekend.
- 2:02Speaker 2: No, not at all.
- 2:03Speaker 6: Yeah, that's what's up. Well, it happened after we got back, so.
- 2:05Speaker 2: So how was everything in Maryland?
- 2:07Speaker 6: Everything was good in Merlin. We landed. DCA, I guess,
- 2:10Speaker 6: wasn't affected by it. It was like a ghost town
- 2:12Speaker 6: in DCA. But EWR looked like a family reunion. It
- 2:16Speaker 6: was so many people everywhere.
- 2:17Speaker 1: I mean, it's that time of year, man. It's the parents'
- 2:21Speaker 1: back-to-school nights for most of us. When you got multiple kids,
- 2:26Speaker 1: the back-to-school nights are on different days. Last week, I
- 2:29Speaker 1: had back-to-school night for the 4-year-old and the 8-year-old. And tonight,
- 2:34Speaker 1: I got back-to-school night for the 11-year-old.
- 2:36Speaker 6: Right, that's what's going on with my son's school. You know,
- 2:38Speaker 6: he's in high school, so I cannot miss.
- 2:41Speaker 2: His back-to-school night.
- 2:42Speaker 6: Back-to-school is tonight.
- 2:43Speaker 2: Back-to-school is tonight. Thank you for reminding me.
- 2:45Speaker 4: I'm trying to tell you.
- 2:46Speaker 2: Damn, you forgot, Envy? No, I'm sure my wife is
- 2:49Speaker 2: going to tell me later, but I just forgot. She
- 2:50Speaker 2: just tells me where to go and what time. Be
- 2:51Speaker 2: here this time.
- 2:52Speaker 1: I got family, whatever you call it, family parent weekend
- 2:57Speaker 1: at college coming up soon.
- 2:59Speaker 8: Oh, wow.
- 3:00Speaker 2: Oh, yeah, that's the first year they usually do it up.
- 3:04Speaker 2: First weekend in October, usually. And salute to Dr. Puma.
- 3:07Speaker 5: Dr.
- 3:08Speaker 2: Puma from Soarin' Medical.
- 3:10Speaker 4: My guy.
- 3:11Speaker 2: I just want to tell you guys, you should definitely,
- 3:14Speaker 2: if you're in town or you want to fly into town,
- 3:16Speaker 2: check out Dr. Puma with Soarin' Medical.
- 3:19Speaker 4: Soarin' Medical scan, baby.
- 3:19Speaker 2: They do a heart scan. They do a full body
- 3:22Speaker 2: scan to see everything from head to toe, whether they
- 3:24Speaker 2: can see... your arteries in your heart, your veins, to
- 3:29Speaker 2: see if there's any blood clots, to see if there's
- 3:30Speaker 2: any clots or any tumors.
- 3:32Speaker 4: Early signs of heart disease.
- 3:34Speaker 2: Early signs of heart disease, even signs of cancer. Plaques, calcification.
- 3:38Speaker 2: And when I say you need to go check it
- 3:41Speaker 2: or take your parents or take your wife or take
- 3:43Speaker 2: your uncles, take your aunts, I know a lot of
- 3:46Speaker 2: older people, they, I'm with my doctor. No, trust me. Yesterday,
- 3:49Speaker 2: I took my parents there yesterday. And my dad was
- 3:53Speaker 2: the one that was always, now I got my own doctor.
- 3:55Speaker 2: But after he spoke to Dr. Puma, he was like, yo, Dr.
- 3:58Speaker 2: Puma really cares.
- 4:00Speaker 4: He'll put your mind at ease.
- 4:02Speaker 1: Whatever anxiety you're dealing with, especially when you hear about
- 4:04Speaker 1: other people having coronary issues. Cardiovascular issues, he will put
- 4:09Speaker 1: your mind at ease. Yes, because he just doesn't want
- 4:11Speaker 1: to solve the problem.
- 4:12Speaker 2: He wants to know why the problem occurred, why it happened.
- 4:15Speaker 2: He goes through your history. He's not one of those
- 4:17Speaker 2: doctors that will be like, you know, oh, you got
- 4:18Speaker 2: 10 minutes, 10 minutes is all you got. No, he
- 4:20Speaker 2: will stay there for you for hours to talk to
- 4:23Speaker 2: you and make you feel comfortable.
- 4:24Speaker 6: And he'd be excited about it, too.
- 4:26Speaker 7: Yes, he does.
- 4:26Speaker 6: He wants to inform you on what's going on in
- 4:28Speaker 6: your body.
- 4:29Speaker 4: I love Dr.
- 4:29Speaker 5: Boone.
- 4:30Speaker 2: So if you get a chance... Please take you, your wife,
- 4:33Speaker 2: your family members, please take them to Dr.
- 4:36Speaker 9: Puma.
- 4:36Speaker 2: Yesterday I was there, just quickly, I ran into somebody
- 4:39Speaker 2: from Switzerland who listens to The Breakfast Club from Switzerland.
- 4:42Speaker 9: Nice.
- 4:42Speaker 2: He was here for a week on vacation. He wanted
- 4:45Speaker 2: to get the procedure done in Switzerland. They declined him
- 4:47Speaker 2: and denied him. So when he was here... He actually
- 4:50Speaker 2: got it done at Soarin' Medical. So he heard us.
- 4:52Speaker 2: He went there and got the full body scan. He
- 4:54Speaker 2: was there with his kids yesterday just to make sure
- 4:56Speaker 2: he would be healthy to raise his kids. And I
- 4:58Speaker 2: just thought that was good.
- 4:59Speaker 4: Dropping the clues behind for Dr.
- 5:00Speaker 9: Puma.
- 5:00Speaker 1: The only other doctor that excites him to be like
- 5:02Speaker 1: this is his urologist because he's the prostate doctor.
- 5:04Speaker 2: Colonoscopy. You don't got to do that no more. I
- 5:07Speaker 2: got an appointment with him two weeks. I said it yesterday.
- 5:10Speaker 6: Calm down because you don't even got to get stuck
- 5:13Speaker 6: in your butt no more. Don't you do it differently?
- 5:15Speaker 4: Yeah, you get the blood. I got the blood last week.
- 5:17Speaker 2: That's what I say. Not for colonoscopy, though.
- 5:18Speaker 4: Yeah, not for the colonoscopy.
- 5:19Speaker 2: Yeah, that's what I say.
- 5:20Speaker 10: Oh, okay.
- 5:20Speaker 2: I got to do that in three to four years. Yeah,
- 5:22Speaker 2: just to check. But anyway. All right, well, let's get
- 5:23Speaker 2: the show cracking. On the show, John Boogs will be
- 5:25Speaker 2: joining us. John Boogs is a street dancer. He's also
- 5:28Speaker 2: a director.
- 5:29Speaker 1: Man, he's got a great new short film called Remedy
- 5:31Speaker 1: in the Rhythm, and it's a really, really, really, really
- 5:34Speaker 1: great film about grief.
- 5:35Speaker 7: Yes.
- 5:36Speaker 2: He danced in the Michael Jackson film, Cirque du Soleil.
- 5:39Speaker 2: He was also in the movie. So we'll talk to
- 5:41Speaker 2: him about that. And Morgan DeBond, the CEO of Afrotech,
- 5:45Speaker 2: founding CEO and Blavity Incorporated. We're going to talk to
- 5:47Speaker 2: them as well. But let's get the show cracking. Today
- 5:49Speaker 2: is JD's birthday. Jermaine Dupri is what we start with.
- 5:52Speaker 5: Hey.
- 5:53Speaker 7: Hey.
- 5:54Speaker 2: Oh, I think they like me, the Franchise Boys. The remix.
- 5:57Speaker 2: It's the Breakfast Club. Good morning, y'all. Get your ass up.
- 5:59Speaker 5: Morning, everybody.
- 6:00Speaker 2: It's DJ Envy.
- 6:01Speaker 5: Just hilarious.
- 6:01Speaker 2: Y'all the only people.
- 6:02Speaker 1: That said somebody born, they didn't cut their verse off
- 6:04Speaker 1: in the middle of the song.
- 6:06Speaker 2: We ain't got time.
- 6:07Speaker 5: We ain't got time.
- 6:07Speaker 4: You know what I'm saying? Well, good morning.
- 6:09Speaker 2: We are the Breakfast Club. Let's get some front page news.
- 6:12Speaker 2: We ain't got much time for you, maybe. I'm sorry.
- 6:14Speaker 11: Damn.
- 6:15Speaker 4: God damn you. And Jermaine Dupree is 54. You hate Mimi.
- 6:18Speaker 5: That's crazy.
- 6:19Speaker 2: I don't hate Mimi. That's why I cut it off
- 6:21Speaker 2: so she can get on. What's up, Mimi?
- 6:23Speaker 12: Good morning, guys.
- 6:24Speaker 8: So we started this morning with a major escalation in
- 6:27Speaker 8: the fight over the white, the press access to the
- 6:30Speaker 8: White House. Now, Front Page is sponsored by Morgan & Morgan,
- 6:33Speaker 8: America's largest injury law firm. So overnight, the Justice Department,
- 6:37Speaker 8: they told a federal judge that President Trump can keep CNN, MSNOW,
- 6:42Speaker 8: and Politico out of certain areas of the White House.
- 6:44Speaker 8: The administration is now arguing, though, this is a point
- 6:48Speaker 8: of national security. They say reporting by these three outlets
- 6:51Speaker 8: on the Iran war. The White House construction is now
- 6:55Speaker 8: raising concerns that sensitive information could be exposed. And they
- 6:59Speaker 8: argue that reporters, they do have a First Amendment right
- 7:02Speaker 8: to report, but that does not give them the right
- 7:04Speaker 8: to be inside the White House. And the DOJ is
- 7:07Speaker 8: going even further, arguing that the president can decide who
- 7:10Speaker 8: gets into those restricted areas like the Oval Office. And
- 7:15Speaker 8: we saw this fight play out in real time yesterday
- 7:18Speaker 8: at the United Nations between Trump and CNN.
- 7:20Speaker 2: Let's listen. It's an honor to be here. I'm surprised
- 7:23Speaker 2: that CNN is here covering me.
- 7:25Speaker 5: You should not be here covering me.
- 7:29Speaker 2: You said you weren't going to cover me. You shouldn't
- 7:31Speaker 2: be covering me.
- 7:31Speaker 1: But I will tell you, it is an honor to.
- 7:34Speaker 6: Be at the United Nations, and we're making a lot
- 7:37Speaker 6: of progress.
- 7:37Speaker 13: Our country is doing.
- 7:38Speaker 3: Really, really well.
- 7:40Speaker 1: Well, keep in mind, the Justice Department, they're Trump's puppets
- 7:42Speaker 1: as well. OK, and I don't want nobody to think
- 7:44Speaker 1: that this is normal. The government should not get to
- 7:46Speaker 1: decide which journalists you're allowed to hear from. And then
- 7:49Speaker 1: volunteer itself is the replacement with Trump TV.
- 7:52Speaker 12: Correct.
- 7:53Speaker 8: Correct. And now this fight is, again, as I said, escalating.
- 7:56Speaker 8: It moves into court today. An emergency hearing is scheduled
- 8:00Speaker 8: where the three outlets are asking a federal judge to
- 8:02Speaker 8: immediately restore their White House access while the larger lawsuit
- 8:06Speaker 8: plays out.
- 8:06Speaker 12: So we'll continue to watch that this afternoon.
- 8:09Speaker 6: And you may want to.
- 8:10Speaker 12: Double check that you still have health insurance.
- 8:12Speaker 8: The Trump administration has canceled health insurance coverage for people
- 8:15Speaker 8: enrolled through the Affordable Care Act. That's Obamacare saying that
- 8:20Speaker 8: some of those people should not have been allowed health
- 8:22Speaker 8: care in the first place.
- 8:24Speaker 12: Here's J.D. Vance with just how many people have been affected.
- 8:27Speaker 5: Let's listen.
- 8:28Speaker 14: We are stopping Obamacare enrollment for about 750,000 people, 750,000
- 8:34Speaker 14: people who we believe are fraudulently enrolled in the program.
- 8:38Speaker 14: The second thing that we're going to do is we're
- 8:40Speaker 14: going to do some additional verification.
- 8:41Speaker 5: We expect that most of these.
- 8:43Speaker 14: People are fraudulently enrolled, but we're going to do some
- 8:45Speaker 14: additional verification on about 419,000 people enrolled. We're going to
- 8:50Speaker 14: make sure that they're, first of all, legal residents of
- 8:52Speaker 14: the United States of America. And second of all, we're
- 8:54Speaker 14: going to make sure that they actually meet the income
- 8:56Speaker 14: threshold requirements in order to receive these Obamacare benefits.
- 9:01Speaker 12: I was going.
- 9:05Speaker 15: To say the White House.
- 9:08Speaker 16: Says this is.
- 9:10Speaker 8: It's cracked down on fraud and improper enrollment, and they're
- 9:13Speaker 8: saying that they're saving the taxpayers about $ 2.
- 9:17Speaker 12: 2 billion in fraudulent health care sign-ups.
- 9:22Speaker 5: I guarantee.
- 9:23Speaker 1: Well, first of all, this administration hates you. They want
- 9:25Speaker 1: to squeeze the life out of everybody. Nobody, you know,
- 9:29Speaker 1: canceling those individuals health care in that administration. And we
- 9:33Speaker 1: know that they do nothing surgical. I guarantee they didn't
- 9:35Speaker 1: measure twice to cut once on this. I bet you
- 9:38Speaker 1: plenty of people got their health care cut this morning
- 9:40Speaker 1: that actually have legal health care.
- 9:42Speaker 2: Absolutely. And yesterday I was talking to Dr.
- 9:45Speaker 9: Pullman.
- 9:45Speaker 2: He was saying that his biggest problem is. A lot
- 9:48Speaker 2: of these health care companies, especially like the Affordable Care Act,
- 9:50Speaker 2: they only give money towards certain treatments. So, for instance,
- 9:55Speaker 2: he was like he's treating somebody right now that is
- 9:57Speaker 2: still using the treatment from the 80s that they should.
- 10:00Speaker 2: be using the treatment from 2026 but it doesn't cover
- 10:02Speaker 2: the 2026 treatment so he so people still have to
- 10:05Speaker 2: take treatment from the 80s that they shouldn't be taking
- 10:07Speaker 2: which is insane.
- 10:08Speaker 8: Wow wow And really quickly, the Israeli Prime Minister Benjamin Netanyahu,
- 10:14Speaker 8: he is in New York and taking aim at Zoran Mandani,
- 10:18Speaker 8: Mayor Zoran Mandani. And he started, though, with a social
- 10:21Speaker 8: media post. Let's listen to what he had to say
- 10:23Speaker 8: about Mandani.
- 10:26Speaker 5: Mr.
- 10:27Speaker 3: Mandani, shame on you for supporting the Hamas terrorist monsters
- 10:31Speaker 3: who butchered our people. Shame on you for inciting riots
- 10:35Speaker 3: against New York Jews. I'm coming to the UN. I'm
- 10:38Speaker 3: going to tell the truth about our heroic soldiers, and
- 10:41Speaker 3: I'm going to tell the truth about you.
- 10:44Speaker 9: What we do know to actually be the truth when
- 10:46Speaker 9: it comes to the prime minister is that he is
- 10:48Speaker 9: the subject of an international criminal court arrest warrant for
- 10:52Speaker 9: alleged war crimes and crimes against humanity. And as the
- 10:56Speaker 9: prime minister, he is the architect of a horrific genocide
- 10:58Speaker 9: against Palestinians.
- 11:00Speaker 2: Is he going to lock him up? Because I know
- 11:02Speaker 2: one time he said when he comes in, he.
- 11:03Speaker 8: Doesn't have the authority to do that. But Netanyahu is
- 11:07Speaker 8: scheduled to address the United Nations tomorrow. And he says
- 11:10Speaker 8: he plans to use his speech or part of that
- 11:12Speaker 8: speech to.
- 11:13Speaker 12: Speak on Mondani as well. So that's tomorrow.
- 11:16Speaker 1: I do like the fact that Mondani expresses that, you know,
- 11:18Speaker 1: he is a war criminal and there is a warrant
- 11:21Speaker 1: for his arrest out there from the U.N.
- 11:24Speaker 4: Am I making this up?
- 11:25Speaker 7: Yep.
- 11:25Speaker 5: Yes.
- 11:26Speaker 9: Yep. Yep.
- 11:27Speaker 12: So that was his response.
- 11:29Speaker 8: All right, y'all, that hour was sponsored by Morgan & Morgan.
- 11:31Speaker 12: Injured, know your worth. America's largest law firm.
- 11:33Speaker 8: Visit ForThePeople.com. When we get into the next hour, we're
- 11:37Speaker 8: going to talk more on Nolan Wells and their family
- 11:39Speaker 8: and their response to that.
- 11:41Speaker 12: District DA that we spoke about yesterday.
- 11:43Speaker 2: And everybody else, get it off your chest. 800-585-1051. If
- 11:47Speaker 2: you need to vent, phone lines are wide open. Call
- 11:49Speaker 2: us up right now.
- 11:50Speaker 1: It was the International Criminal Court that issued an arrest
- 11:52Speaker 1: warrant for Netanyahu.
- 11:54Speaker 4: Correct.
- 11:55Speaker 2: Call us up now. It's The Breakfast Club. Good morning.
- 11:56Speaker 2: We want to hear from you on The Breakfast Club.
- 11:58Speaker 10: We can get on the phone right now. We'll tell
- 12:00Speaker 10: you what it is.
- 12:01Speaker 2: Hello, who's this? This is David Chapman calling from North Carolina.
- 12:05Speaker 17: LaGrange, North Carolina.
- 12:08Speaker 4: 252. What's up, 252? What's happening?
- 12:10Speaker 2: Get it off your chest. Hey, I just want to
- 12:12Speaker 2: say I need to get that Mastego hello in the rotation, man.
- 12:16Speaker 6: Hey.
- 12:16Speaker 10: My homeboy Josh, the producer for it, man.
- 12:19Speaker 18: For real.
- 12:19Speaker 2: I told him I was going to call. and let
- 12:22Speaker 2: y'all know to keep that in rotation, man.
- 12:24Speaker 4: Masego, hello, featuring Buju Bantan. Let's play it right now.
- 12:27Speaker 4: You know, Kirk Franklin.
- 12:28Speaker 5: Sampled her shorty low, too.
- 12:30Speaker 2: Yeah, he sure did.
- 12:31Speaker 4: Kirk Franklin what? Kirk Franklin did that same shorty low sample.
- 12:34Speaker 4: This is a low sample. We're going to play it
- 12:37Speaker 4: right now. Get Masego hello on, Ray. We're going to
- 12:39Speaker 4: play that right now.
- 12:40Speaker 13: Yes, sir.
- 12:41Speaker 10: Thank y'all.
- 12:41Speaker 12: Thank y'all.
- 12:42Speaker 5: 252, stand up.
- 12:43Speaker 4: Thank you, brother.
- 12:44Speaker 2: Hello, who's this?
- 12:45Speaker 7: Hi, good morning. How are you guys?
- 12:48Speaker 2: Good morning. What's your name, my man?
- 12:50Speaker 7: My name is Ashley. I'm calling from Jersey.
- 12:53Speaker 5: Hey, Ashley.
- 12:55Speaker 10: So yesterday I was listening to you guys, and you
- 12:58Speaker 10: guys were talking about fibroids.
- 13:00Speaker 17: Yes, ma'am.
- 13:01Speaker 10: And I am a health development coach, and I'm also
- 13:04Speaker 10: a nurse for 15 years, and I coach black women.
- 13:07Speaker 7: And I think a lot of the time black women.
- 13:10Speaker 10: Miss two very important things when it comes to their health. Yes,
- 13:14Speaker 10: it's very important to eat well. It's very important to
- 13:18Speaker 10: work out. But also, we need to start thinking about
- 13:21Speaker 10: environmental toxins. The makeup, the hair, all these different things
- 13:27Speaker 10: that we're using, those endocrine disruptors, is causing all different
- 13:33Speaker 10: types of health problems. So I challenge women to also
- 13:37Speaker 10: think about their environment, their detergents, their lotions, their soaps,
- 13:41Speaker 10: all these different things that disrupt the endocrine system or
- 13:45Speaker 10: the hormone-producing system. The next thing that I find that
- 13:50Speaker 10: a lot of black women that I talk to have
- 13:52Speaker 10: a problem with is stress related illnesses, right? So like
- 13:57Speaker 10: we're carrying so much, we're working sometimes two and three
- 14:03Speaker 10: jobs to make ends meet. We're caring for our kids.
- 14:06Speaker 10: We're trying to care for our parents, our loved ones,
- 14:09Speaker 10: our spouses, and we neglect caring for ourselves. We forget
- 14:13Speaker 10: the importance of nervous system regulation. So again, Women need
- 14:18Speaker 10: to learn to slow down, take time for themselves, even
- 14:22Speaker 10: though it can be difficult. But you've got to get
- 14:25Speaker 10: up and give to yourself before you give to anybody else.
- 14:28Speaker 10: So I didn't hear anyone yesterday talk about that or
- 14:32Speaker 10: mention that it was all about food and watching the
- 14:36Speaker 10: meat and all that is important. But there are a
- 14:39Speaker 10: lot of other steps that women are missing. When I
- 14:42Speaker 10: talk to black women, they are super-duper stressed out, super
- 14:45Speaker 10: burnt out. And we got to really, really start addressing
- 14:48Speaker 10: those issues. Absolutely.
- 14:50Speaker 4: I agree with you.
- 14:50Speaker 1: We're going to have some experts in the field, you know,
- 14:54Speaker 1: come up here and really do a deep dive on fibroids, man,
- 14:56Speaker 1: because that conversation really resonated with a lot of people yesterday.
- 15:00Speaker 4: Absolutely.
- 15:01Speaker 10: And can I just shout out my business?
- 15:04Speaker 6: Please do.
- 15:07Speaker 10: And I'm on Instagram.
- 15:09Speaker 7: My name is Nurse Coach Smith.
- 15:10Speaker 10: And I enjoy helping black women because I feel like
- 15:14Speaker 10: if we could get black women healthier, we can get
- 15:16Speaker 10: our whole entire community healthier.
- 15:19Speaker 7: Because it's us with the black woman.
- 15:22Speaker 6: And you're in Jersey? What part of Jersey are you in?
- 15:24Speaker 7: I'm in Burlington. I'm from New York, but I'm in Burlington.
- 15:28Speaker 10: But I can serve women anywhere because I have a
- 15:33Speaker 10: compact state license.
- 15:34Speaker 6: Give me up, ladies, if you need help.
- 15:37Speaker 10: HealthyHighHub.com. And on Instagram, I'm Nurse Coach Smith.
- 15:47Speaker 2: Thank you so much.
- 15:47Speaker 5: Nurse Coach Smith.
- 15:48Speaker 1: All right, have a good day, guys. Thank you, Nurse
- 15:50Speaker 1: Coach Smith. Who was in here talking on my microphone, yo?
- 15:53Speaker 1: I know what my breath smells like. You know what
- 15:55Speaker 1: I'm saying?
- 15:55Speaker 7: Damn.
- 15:56Speaker 1: I can smell that somebody ain't had their teeth cleaned
- 15:59Speaker 1: in a long time, that plaque got their gums bleeding.
- 16:02Speaker 4: Who was in here talking on my microphone, yo? Y'all
- 16:04Speaker 4: know we got cameras in here.
- 16:05Speaker 6: Run the cameras back. You act like somebody's going to
- 16:07Speaker 6: step up and be like, it was me.
- 16:08Speaker 4: Yeah, I'm going to just run the cameras back.
- 16:10Speaker 2: Well, get it off your chest.
- 16:12Speaker 6: 800-585-1051.
- 16:13Speaker 2: We got the latest with Lauren coming up.
- 16:15Speaker 4: What locker you got that jacket from?
- 16:17Speaker 2: Delaware State University.
- 16:18Speaker 15: People ain't hear you before.
- 16:20Speaker 5: All right.
- 16:20Speaker 15: Good morning, y'all.
- 16:21Speaker 4: That's LL Cool B and Lauren LaRosa.
- 16:23Speaker 2: There you go.
- 16:24Speaker 4: I definitely can smell that jacket. I must be pregnant.
- 16:25Speaker 4: I can smell all types of stuff.
- 16:26Speaker 15: First of all, you don't smell this jacket.
- 16:29Speaker 4: I definitely smell that jacket.
- 16:30Speaker 15: This is not like a fresh out the locker brand
- 16:31Speaker 15: new jacket.
- 16:32Speaker 2: You never wear it.
- 16:32Speaker 5: Oh, I get it.
- 16:33Speaker 2: I understand. I understand.
- 16:35Speaker 15: Yeah.
- 16:36Speaker 2: Sean Jackson stopping later. That's why she wear that because
- 16:37Speaker 2: she never wear no Delaware stuff.
- 16:39Speaker 15: I just got this, though, maybe like a month ago,
- 16:41Speaker 15: and it just got cold.
- 16:42Speaker 2: You never wear no Delaware stuff.
- 16:43Speaker 15: I got this for a feature that I'm doing. Y'all
- 16:45Speaker 15: see it soon in a magazine.
- 16:47Speaker 5: Hey!
- 16:48Speaker 6: Hey, HBCU, baby.
- 16:50Speaker 15: Y'all see it.
- 16:50Speaker 2: Okay, okay.
- 16:52Speaker 15: Stop playing with LL Cool B. But wait, we do
- 16:54Speaker 15: got the latest coming up, y'all. Speaking of magazines and journalists,
- 16:59Speaker 15: Chris Brown, he is not playing about.
- 17:01Speaker 6: His name anymore.
- 17:02Speaker 4: Yeah, salute to Chris Brown.
- 17:03Speaker 15: He sees everything. All right, we're going to get into it.
- 17:05Speaker 15: He is out here correcting stuff himself. No publicist, no nothing.
- 17:09Speaker 1: Y'all about to start working for Chris Brown because I'm
- 17:11Speaker 1: sick of the Chris Brown slander.
- 17:12Speaker 6: Exactly.
- 17:13Speaker 1: You got to let people grow, man. You got to
- 17:15Speaker 1: give people grace. And y'all only bring up the foolishness
- 17:18Speaker 1: when y'all want to.
- 17:19Speaker 5: It's picking and choosing. It's weird to me.
- 17:22Speaker 7: Crazy.
- 17:22Speaker 2: Makes no sense.
- 17:23Speaker 15: But we'll talk about it.
- 17:24Speaker 2: We'll get into it next. It's the Breakfast Club.
- 17:25Speaker 10: Good morning.
- 17:26Speaker 1: Hey, can I salute my guy, little Duval man, little Duval?
- 17:29Speaker 1: His movie, Camp Duval, Ain't Nobody Dying Today, is coming
- 17:34Speaker 1: out soon. But he's premiering it in different cities.
- 17:36Speaker 7: Yes.
- 17:36Speaker 1: And so if you go to CampDuval.com, you can see
- 17:39Speaker 1: where he's going to be at. He's actually going to
- 17:40Speaker 1: be in Alabama tomorrow.
- 17:42Speaker 2: Okay.
- 17:43Speaker 1: Alabama tomorrow at the premier Lux Cinema GSX. in Pizza
- 17:48Speaker 1: Pub at 6.30 p.m. So go to campduval.com.
- 17:51Speaker 2: I've seen him do one in Jacksonville.
- 17:52Speaker 4: He did one in Jacksonville?
- 17:53Speaker 6: Shout out to Duval.
- 17:54Speaker 15: And we also did a full conversation on the latest
- 17:56Speaker 15: with Lauren Rosa, the podcast, about the business behind the movie.
- 18:00Speaker 15: And this being his first, like, big film, horror film that.
- 18:03Speaker 9: He's put out.
- 18:03Speaker 1: And he funded it himself and everything. Sleuth of My Guy, Eric,
- 18:06Speaker 1: at Swish Films. You know, they sent a bunch of
- 18:08Speaker 1: merchandise up here and everything. Sleuth of My Guy, Duval.
- 18:10Speaker 2: Sleuth of Duval. Let's get to the latest with Lauren.
- 18:14Speaker 2: All right, guys. So let's talk about Chris Brown.
- 18:16Speaker 15: Um, So yesterday, Chris Brown decided to clear some things
- 18:45Speaker 15: up about his name. There was a journalist. His name
- 18:47Speaker 15: is David Dennis Jr. He's a senior writer for Enscape
- 18:51Speaker 15: that posted a video a week ago in response to
- 18:54Speaker 15: Chris Brown and some of the, you know, the conversation
- 18:56Speaker 15: that people were having about the tour and Jasmine Croc
- 18:58Speaker 15: and all the things. Let's take a listen to the
- 19:00Speaker 15: video that Davis Dennis Jr.
- 19:02Speaker 7: Posted.
- 19:05Speaker 17: When I think about Chris Brown fans, you ask them, hey,
- 19:07Speaker 17: why do you like Chris Brown? And they say things like, well,
- 19:10Speaker 17: he only brutally assaulted Rihanna two decades ago when he
- 19:13Speaker 17: apologized for it. And they kind of don't really acknowledge
- 19:16Speaker 17: the fact that, yeah, he's still actively abusing women to
- 19:21Speaker 17: this day and kind of never stopped. And when you
- 19:23Speaker 17: kind of make these excuses. You sound worse. So I
- 19:26Speaker 17: just think that if you love Chris Brown, love him
- 19:29Speaker 17: for who he is, because that's a real sign of love.
- 19:32Speaker 17: Love him while he's abusing. And just be honest with yourself.
- 19:36Speaker 17: Say that man backflips so good. I don't care that
- 19:39Speaker 17: he abuses women. I love his music more than I
- 19:43Speaker 17: care about how he abuses women.
- 19:45Speaker 5: Just say it.
- 19:46Speaker 1: Hey, David Dennis Jr., your feelings are not facts like
- 19:49Speaker 1: there is a legitimate. journalistic ethics problem with the way
- 19:53Speaker 1: you reported that you can't declare something as an established
- 19:57Speaker 1: fact like if you bring up his history and say
- 19:59Speaker 1: chris has had multiple allegations of violence against women since
- 20:02Speaker 1: rihanna That's accurate, but it's still an allegation to say
- 20:06Speaker 1: he's still actively abusing women to this day and kind
- 20:10Speaker 1: of never stopped.
- 20:12Speaker 4: You have to prove that.
- 20:13Speaker 1: Where is the evidence that Chris is still actively abusing
- 20:16Speaker 1: women to this day and kind of never stopped?
- 20:19Speaker 2: Yeah, that is very dangerous. And especially if you call
- 20:22Speaker 2: yourself a journalist, if you don't cite your sources, if
- 20:24Speaker 2: you don't have proof, if you don't have evidence, because
- 20:26Speaker 2: what happens is what's happening now. That sucker will. That
- 20:29Speaker 2: issue will go around and Chris will start losing all
- 20:31Speaker 2: types of stuff based off an accusation that hasn't been
- 20:35Speaker 2: found true. And by the way, you can talk about
- 20:37Speaker 2: his allegations, right?
- 20:38Speaker 1: But you can't turn that into he's actively abusing women
- 20:44Speaker 1: to this day.
- 20:44Speaker 6: How you come to that conclusion?
- 20:46Speaker 4: Where's the evidence to that?
- 20:48Speaker 15: Well, let's because Chris Brown came into the comments to
- 20:50Speaker 15: defend himself. Let's listen. I mean, we don't have a video.
- 20:53Speaker 15: It's an actual comment. I'll read it. So Chris Brown says, hey, brother,
- 20:57Speaker 15: can you show me where I'm actively abusing women to
- 20:59Speaker 15: this day? Not allegedly, not I heard. Criminality is public
- 21:03Speaker 15: information when you are convicted of something. So, hey, my
- 21:06Speaker 15: good brother, please print some receipts for your claim. What
- 21:09Speaker 15: abuse charges, violence against women currently and over the last
- 21:13Speaker 15: 17 years have I been convicted of? I want you
- 21:15Speaker 15: to show me those charges and convictions. Love your message,
- 21:18Speaker 15: but you are clearly misinformed or you believe any headline
- 21:20Speaker 15: without facts. Must be from all the toxic shows you
- 21:25Speaker 15: speak of watching. Hope this helps your journalism. God bless,
- 21:28Speaker 15: and good day, my brother.
- 21:29Speaker 6: There we go. He is so mature, too. He is growing.
- 21:33Speaker 6: Because of a Chris Brown? Would have been like, yo,
- 21:36Speaker 6: where you at?
- 21:38Speaker 2: Would have been SMD. You know what I mean?
- 21:40Speaker 6: Yeah.
- 21:41Speaker 5: Absolutely.
- 21:42Speaker 15: Yeah, so then David, the journalist, he posted, he screenshotted
- 21:45Speaker 15: Chris Brown's comment in his Insta story. He put, sure, dot, dot.
- 21:49Speaker 15: He then responded to Chris Brown in the comments. He says, okay, well,
- 21:52Speaker 15: as a journalist, it's good to get the info directly
- 21:54Speaker 15: from the source. Let's get it from the source himself.
- 21:56Speaker 15: You never laid a finger on or harmed any woman
- 21:59Speaker 15: in the past 17 years, not once, not a single time,
- 22:02Speaker 15: question mark. Now you're questioning me?
- 22:04Speaker 6: No, this is not an interview.
- 22:06Speaker 15: Every accusation in restraining order is false. Just want to
- 22:09Speaker 15: be clear. Yeah, so... Just want.
- 22:12Speaker 6: To be clear.
- 22:13Speaker 12: See, that's what he need to get hit in his
- 22:14Speaker 12: little ass mouth.
- 22:15Speaker 2: That's what it is.
- 22:16Speaker 4: We're not encouraging violence, Jess. But see.
- 22:19Speaker 1: I don't like that because I don't like how Dennis
- 22:22Speaker 1: tried to put the burden on Chris to prove the
- 22:25Speaker 1: claim false.
- 22:26Speaker 4: No, sir, Dennis, you made the claim. So you need
- 22:29Speaker 4: to provide evidence for.
- 22:30Speaker 2: The claim you published. You haven't touched.
- 22:32Speaker 9: What?
- 22:33Speaker 2: This is about me. Now you're interviewing me.
- 22:34Speaker 4: You can't put the burden on me.
- 22:36Speaker 2: You made the claim.
- 22:37Speaker 12: That's right.
- 22:38Speaker 4: It ain't up to me to prove it false. It's
- 22:39Speaker 4: up to you to prove it true. You know, if
- 22:41Speaker 4: Chris Tunes breaks off that guy, that's on his. He
- 22:43Speaker 4: earned that one.
- 22:44Speaker 2: But like I said you sue somebody it costs you
- 22:47Speaker 2: hundreds of thousands of dollars and I don't know the
- 22:49Speaker 2: brother but what does he have you sue him and
- 22:52Speaker 2: you wind up spending more money than anything in the.
- 22:53Speaker 1: World and this is why Chris got a dog and
- 22:55Speaker 1: this is why some people deserve to get.
- 22:57Speaker 6: Bit sometimes no no come on because that lady probably
- 23:01Speaker 6: listening and she's like oh my god he's not.
- 23:03Speaker 1: Talking about that young lady he's talking about that's why
- 23:06Speaker 1: somebody so you want people have dogs Lauren is what
- 23:09Speaker 1: I'm saying so you're saying if this gentleman went to
- 23:10Speaker 1: Chris's house and Chris's dog bit this guy I don't.
- 23:13Speaker 4: Think he going there You see what I'm saying?
- 23:17Speaker 15: I think when you had this conversation with Chris Brown
- 23:20Speaker 15: and people talk about, you know, the Rihanna stuff and
- 23:22Speaker 15: anything else moving forward, they point to things, but it's
- 23:25Speaker 15: like you have to provide full context around certain things. And,
- 23:28Speaker 15: you know, even when. He mentions the restraining order thing.
- 23:31Speaker 15: We know that that's like he's talking about Carucci, the
- 23:34Speaker 15: 2017 incident. Like that's all that is.
- 23:36Speaker 4: Those are accurate, factual things. If you're talking about his history.
- 23:39Speaker 9: Yeah.
- 23:40Speaker 1: But even then, you know, you still have to say
- 23:42Speaker 1: those are those are allegations for the most part. But
- 23:44Speaker 1: when you say this line, he's still actively abusing women
- 23:50Speaker 1: to this day and kind of never stopped.
- 23:53Speaker 4: You got to prove that.
- 23:54Speaker 15: Actively, it would seem current.
- 23:55Speaker 2: That is insane without proof. You got to prove that.
- 23:58Speaker 2: That is insane without proof, without evidence, without some type
- 24:00Speaker 2: of police reports, without the young lady. Like, you have
- 24:02Speaker 2: to prove that. You just can't be jumping out and
- 24:03Speaker 2: just saying that.
- 24:04Speaker 4: That's crazy.
- 24:04Speaker 15: Yeah, I mean, because the last one that I can
- 24:07Speaker 15: remember was in 2022 when Chris Brown was accused of
- 24:10Speaker 15: some things and the woman filed that $ 20 million lawsuit,
- 24:12Speaker 15: but then it was dismissed immediately. on procedural grounds without prejudice.
- 24:16Speaker 15: So it could be pursued in the future. But the
- 24:19Speaker 15: plaintiff at the time said that they weren't going to,
- 24:21Speaker 15: but could have. But the Carucci situation, remember there was
- 24:24Speaker 15: a restraining order that was granted. So I think people
- 24:26Speaker 15: use that.
- 24:26Speaker 6: They kept trying to get her back. Popping up where
- 24:29Speaker 6: she was to get her back.
- 24:30Speaker 15: And they're like, okay, boom, this is it.
- 24:32Speaker 6: Let's talk about what actually happened. You know what I mean?
- 24:35Speaker 6: Trying to get this girl back.
- 24:36Speaker 1: And we're not trying to christen the court of public
- 24:38Speaker 1: opinion because I don't know what he's guilty of or
- 24:40Speaker 1: not guilty of. I'm just talking about david dennis jr
- 24:43Speaker 1: and his responsibility as a journalist like you can't just
- 24:48Speaker 1: make a claim like that with no proof or no.
- 24:51Speaker 2: Evidence and if he is he is a journalist right
- 24:53Speaker 2: because you if you go to his page you see
- 24:54Speaker 2: him doing a bunch of things but i've seen him
- 24:56Speaker 2: before but my whole thing is he would not like
- 24:59Speaker 2: it if somebody did it to him right without having
- 25:01Speaker 2: proof and like charlamagne said if you had the proof
- 25:04Speaker 2: if you had the evidence then it is what it
- 25:05Speaker 2: is but you just can't make a statement without having
- 25:08Speaker 2: facts and as a journalist he.
- 25:09Speaker 15: Knows that yeah you just provide a more detailed like
- 25:12Speaker 15: breakdown of what exactly you're talking about and where it's
- 25:14Speaker 15: coming from and then I mean that's your argument if you're.
- 25:16Speaker 1: Going to say that I'm in present tense that's still
- 25:20Speaker 1: actively abusing women and kind of never stopped you gotta
- 25:25Speaker 1: prove that and then when I call you out on
- 25:27Speaker 1: it don't put the burden on me to prove the
- 25:30Speaker 1: claim is false you're the one who made the.
- 25:32Speaker 6: Claim He was so excited that Chris Brown even responded
- 25:35Speaker 6: back to him. That's crazy. He was so excited for that.
- 25:39Speaker 4: That was crazy.
- 25:40Speaker 7: Yeah.
- 25:41Speaker 15: Well, Chris Brown is clearing things up and he ain't
- 25:43Speaker 15: playing no more. He also posted on his Insta story
- 25:45Speaker 15: after this that he don't want no friends. He ain't
- 25:48Speaker 15: nobody friend. He hates the industry. It was a whole
- 25:51Speaker 15: list of things that he said.
- 25:53Speaker 11: So, yeah.
- 25:54Speaker 6: Another day, another clown.
- 25:55Speaker 15: That's where we leave this at.
- 25:56Speaker 6: All right, y'all.
- 25:57Speaker 15: That's the latest for the hour. And in next latest,
- 25:59Speaker 15: we are going to be talking about Christmas and Mariah
- 26:02Speaker 15: Carey because her number one. Streak just got taken away
- 26:06Speaker 15: from us.
- 26:06Speaker 4: It's the holiday season, yo!
- 26:08Speaker 16: It is.
- 26:08Speaker 2: It's the holiday season. I told you the other day,
- 26:10Speaker 2: when I went to the supermarket, they have Christmas stuff up.
- 26:13Speaker 5: You're like, no, no, don't you look.
- 26:14Speaker 4: I still ain't seen none of that.
- 26:15Speaker 2: I'm telling you.
- 26:15Speaker 6: I didn't say you was lying, yo. We just said
- 26:18Speaker 6: we ain't seen none yet.
- 26:20Speaker 9: No.
- 26:20Speaker 2: We said I was lying.
- 26:21Speaker 6: Once we start talking.
- 26:22Speaker 15: About Mariah Carey a lot, it's that season.
- 26:24Speaker 2: We said I was lying. But salute to LifeLock. Your
- 26:26Speaker 2: name is attached to everything you've built. And if you
- 26:28Speaker 2: get your identity stolen, what then? Your bank can only
- 26:31Speaker 2: do so much. LifeLock is who you can trust to
- 26:33Speaker 2: protect your identity. Get LifeLock at LifeLock.com and use promo
- 26:36Speaker 2: code BREAKFAST for up to 30% off your first year.
- 26:40Speaker 2: And when we come back, we got front page news.
- 26:42Speaker 2: So don't move. It's the Breakfast Club.
- 26:43Speaker 10: Good morning.
- 26:44Speaker 5: Morning, everybody.
- 26:44Speaker 2: We are The Breakfast Club. Let's get in some front
- 26:46Speaker 2: page news. Sadly, my New York Giants, it looks like
- 26:51Speaker 2: Jackson Dark could miss the rest of the season.
- 26:54Speaker 4: And he wasn't going to do nothing anyway.
- 26:55Speaker 5: Yes, he was.
- 26:55Speaker 2: We were going to the Super Bowl. After tests showed
- 26:58Speaker 2: his knee injury is more severe than initially anticipated. Well,
- 27:01Speaker 2: I hate to see people. I'm sorry, Envy.
- 27:03Speaker 4: Yeah, I hate to see people injured, but shout out
- 27:07Speaker 4: to the Dallas Cowboys.
- 27:08Speaker 2: Don't laugh.
- 27:08Speaker 4: I'm dropping the clues behind for my squad. Don't laugh.
- 27:10Speaker 2: It can happen to any of your players anytime.
- 27:12Speaker 5: That is true.
- 27:13Speaker 2: But Jackson Dawg wasn't going to do nothing for y'all.
- 27:15Speaker 12: Yes, he was.
- 27:15Speaker 2: He was going to the ball. We beat y'all. Good morning, Mimi.
- 27:19Speaker 12: Good morning, everyone. So Front Page News is sponsored by
- 27:22Speaker 12: Morgan & Morgan.
- 27:22Speaker 2: Go ahead.
- 27:24Speaker 12: Say it again.
- 27:25Speaker 2: You didn't say that you went to the game yesterday.
- 27:27Speaker 2: I seen you at the game yesterday.
- 27:29Speaker 8: I didn't want to hurt your feelings because the Giants
- 27:31Speaker 8: lost so bad.
- 27:32Speaker 12: So I just was like, I was going to.
- 27:33Speaker 10: I'm sorry.
- 27:35Speaker 5: All right.
- 27:35Speaker 7: Go ahead.
- 27:36Speaker 12: Yeah, but I did go, and it wasn't good for you.
- 27:40Speaker 12: But the Rams won.
- 27:41Speaker 9: Okay.
- 27:41Speaker 8: All right. Well, Front Page News is sponsored by Morgan & Morgan,
- 27:44Speaker 8: America's largest law firm. So let's start with a major
- 27:47Speaker 8: settlement for DoorDash workers. And this one is getting a
- 27:50Speaker 8: lot of attention for gig workers across the country. So DoorDash,
- 27:54Speaker 8: they have agreed to pay millions of dollars after New
- 27:57Speaker 8: York City found it underpaid thousands of workers. Here is
- 28:01Speaker 8: New York City Mayor Zoran Mondani.
- 28:03Speaker 11: Let's listen.
- 28:04Speaker 19: After analyzing 152 million payments and 110 million hours of work,
- 28:11Speaker 19: DoorDash had underpaid more than 260,000 delivery workers across New
- 28:16Speaker 19: York City. I am proud to announce that DoorDash will
- 28:20Speaker 19: pay more than $ 131 million, the largest settlement for food
- 28:26Speaker 19: delivery workers ever secured in American municipal history, and a
- 28:30Speaker 19: landmark win for those who have been mistreated and abused
- 28:33Speaker 19: for years with nowhere to turn.
- 28:42Speaker 12: That's exactly true. That's really huge.
- 28:44Speaker 8: So DoorDash, they are acknowledging that mistakes were made, but
- 28:47Speaker 8: said it was not intentional. But the city says 27,000
- 28:51Speaker 8: DoorDash workers will get back pay for more than $ 1, 000.
- 28:54Speaker 8: And there's about 4,000 workers who will get more than
- 28:58Speaker 8: $ 5, 000 in back pay.
- 29:00Speaker 1: Yeah, I'd like to see him shaking down those corporations.
- 29:03Speaker 1: He did something like that with Amazon as well.
- 29:05Speaker 5: Yep.
- 29:06Speaker 2: What's crazy is how much DoorDash makes on people, right?
- 29:10Speaker 2: Because it's so damn expensive. And you always think about
- 29:12Speaker 2: when you order DoorDash, you're like, how can people afford this?
- 29:15Speaker 6: But you see the profit that they're making.
- 29:17Speaker 2: If they got enough money to pay $ 118 million like this,
- 29:20Speaker 2: it's Jesus Christ.
- 29:21Speaker 6: That's crazy. All the fees. That's crazy.
- 29:26Speaker 8: And now moving on to Nolan Wells and his family.
- 29:29Speaker 8: They say their fight for justice is not over yet.
- 29:32Speaker 8: on monday a mississippi grand jury decided that there was
- 29:36Speaker 8: not enough evidence to charge anyone in the 18-year-old's death. Now,
- 29:41Speaker 8: the grand jury, they said they heard from 43 witnesses,
- 29:43Speaker 8: reviewed autopsies, police interviews, videos, photos, and other evidence, and
- 29:47Speaker 8: it found no credible evidence that Nolan and the acquaintances
- 29:52Speaker 8: that he was on the island with committed a crime
- 29:55Speaker 8: and said that so far the findings are consistent with
- 29:59Speaker 8: a drowning. But yesterday, Nolan's family, they pushed back. Both
- 30:02Speaker 8: the state medical examiner and the family's independent pathologist, they
- 30:07Speaker 8: listed his cause of manner and death as undetermined. The
- 30:10Speaker 8: family's private autopsy found unexplained blunt force trauma to the
- 30:16Speaker 8: back of Nolan's head and other areas of his back. Now,
- 30:19Speaker 8: his mother, Christine Wansley, she made it clear that the
- 30:22Speaker 8: family is not accepting their findings as the final word.
- 30:26Speaker 12: Let's listen.
- 30:27Speaker 20: What we have learned is that we still have no answers.
- 30:30Speaker 11: Elmore and I do not believe that.
- 30:34Speaker 8: Nolan simply and accidentally drowned and nobody saw anything and
- 30:42Speaker 8: no one knows anything.
- 30:43Speaker 6: Last night was.
- 30:46Speaker 19: A reminder that our son's life does not matter.
- 30:52Speaker 18: To those who hold positions that are supposed to serve
- 30:58Speaker 18: and protect the public.
- 31:01Speaker 7: Man.
- 31:01Speaker 6: Yeah.
- 31:03Speaker 12: Very, very sad.
- 31:04Speaker 8: The family says they have more evidence they're preparing to
- 31:07Speaker 8: make public. Their attorneys say Nolan's phone was not turned
- 31:11Speaker 8: over to investigators under the conditions that investigators requested. Instead,
- 31:16Speaker 8: the family's team conducted its own inspection of that phone.
- 31:19Speaker 12: Here's Attorney Van Crump.
- 31:21Speaker 18: We went out and we retained the top experts to
- 31:25Speaker 18: help us get to the truth of what happened. And
- 31:28Speaker 18: we think it's going to be enlightening when you go
- 31:31Speaker 18: through that phone extraction and everything dealing with the metadata
- 31:38Speaker 18: of the phone because the investigation should remain open and active.
- 31:46Speaker 1: I guarantee you at some point in life, one of
- 31:49Speaker 1: those kids involved in this situation is going.
- 31:52Speaker 4: To break and tell the truth about what happened to
- 31:55Speaker 4: Nolan Wells.
- 31:55Speaker 1: There's no way you can walk around with something like
- 31:57Speaker 1: that on your conscience for the rest of your life.
- 32:00Speaker 2: Impossible. I feel so sorry for the family.
- 32:02Speaker 6: Absolutely. I'm sorry.
- 32:04Speaker 8: Attorney Crump says that on Thursday, tomorrow in Orlando, they
- 32:09Speaker 8: will reveal what they found on that phone. The family
- 32:12Speaker 8: is also calling for authorities to release the full state
- 32:16Speaker 8: autopsy report and investigative file. And their attorneys say that
- 32:20Speaker 8: they're just going to continue fighting through a civil case.
- 32:24Speaker 8: And the NAACP is also calling for a federal investigation.
- 32:28Speaker 8: So definitely not giving up there. All right, guys, looks
- 32:35Speaker 8: like we are out of time. So that is your
- 32:37Speaker 8: front page news sponsored by Morgan & Morgan, Injured, Know
- 32:40Speaker 8: Your Worth, America's largest law firm.
- 32:43Speaker 12: Visit ForThePeople.com.
- 32:45Speaker 2: All right. Thank you, Mimi.
- 32:47Speaker 12: Thank you.
- 32:48Speaker 2: Now, when we come back, we have street dancer and
- 32:50Speaker 2: director John Boogs. He has a new short film, Remedy
- 32:54Speaker 2: in the Rhythm. And also he was in the Michael movie.
- 32:58Speaker 2: He was also in Cirque du Soleil, Michael. He was
- 33:01Speaker 2: one of the dudes, if you watched the Michael movie that,
- 33:03Speaker 2: you know, when Michael learned the popping from the street dudes,
- 33:06Speaker 2: he was one of the street dudes that taught Michael
- 33:08Speaker 2: how to pop and lock.
- 33:09Speaker 4: And he's just got such a great story, man.
- 33:11Speaker 1: A lot of times we see these street dancers and
- 33:14Speaker 1: we don't know what's behind their motivation for doing what
- 33:17Speaker 1: it is that they're doing.
- 33:18Speaker 5: But these are people that are just out there hustling.
- 33:20Speaker 5: You know what I mean? They're trying to.
- 33:22Speaker 1: You know, pay their rent for the month, right? They're
- 33:24Speaker 1: trying to pay their health insurance. Like, this is an
- 33:26Speaker 1: actual job for them. So he's got a great story, man.
- 33:29Speaker 1: Salute to John Boogs. We're going to talk to him next.
- 33:31Speaker 1: Nice to Breakfast Club.
- 33:31Speaker 10: Good morning.
- 33:32Speaker 18: Morning, everybody.
- 33:33Speaker 2: It's DJ Envy, Jess Hilarious, Charlamagne Tha Guy. We are
- 33:36Speaker 2: the Breakfast Club. Lon LaRose is here as well. We
- 33:39Speaker 2: got a special guest in the building.
- 33:40Speaker 5: Yes, indeed.
- 33:41Speaker 2: We got a brother, John Boogs. Welcome.
- 33:43Speaker 5: I'm happy to be here, man. I've been a fan
- 33:44Speaker 5: of the platform for a really long time. So it's
- 33:47Speaker 5: just dope to be on here with y'all, kicking it
- 33:49Speaker 5: and getting a chance to... Just chop it up with y'all.
- 33:51Speaker 6: I like your ensemble. I like your jewelry. I love
- 33:54Speaker 6: your outfit.
- 33:55Speaker 5: I appreciate it. This outfit was made by my homie Keon.
- 33:58Speaker 5: It's a black-owned company called Haas in Las Vegas where
- 34:02Speaker 5: I live. So he made this shirt for me because
- 34:04Speaker 5: I was in the Michael movie as a gift.
- 34:06Speaker 4: Nice.
- 34:07Speaker 5: Then he made the custom jeans for me, so I
- 34:08Speaker 5: got to shout the homie out.
- 34:09Speaker 2: For people that don't know who you are, let's start
- 34:11Speaker 2: from the beginning of who you are, what you do,
- 34:14Speaker 2: how you started dancing at the age of four. Give
- 34:16Speaker 2: me a little rundown of who John Boogs is.
- 34:18Speaker 5: I mean, in a nutshell, I'm just an artist. You know,
- 34:21Speaker 5: I'm a filmmaker, Emmy winning choreographer, director, writer, producer. I
- 34:27Speaker 5: wear all the hats, you know what I mean? Because
- 34:29Speaker 5: I really had no choice if I wanted to get
- 34:30Speaker 5: the stories out there that I've been that's been living
- 34:33Speaker 5: in my body for a long time.
- 34:34Speaker 1: I had to learn to wear all those hats. What
- 34:36Speaker 1: do people get wrong about street dancing? I've had the
- 34:39Speaker 1: privilege of reading a lot of your stories and things
- 34:41Speaker 1: that you've written about. And the world of street dancing,
- 34:44Speaker 1: I never even thought about it. Like you never even
- 34:47Speaker 1: thought about why people are out there doing what it
- 34:50Speaker 1: is that they're doing.
- 34:51Speaker 5: A hundred percent. There's so many misconceptions about the art form.
- 34:54Speaker 5: I think one is like, it's true rich history. You know,
- 34:58Speaker 5: the particular style that I do popping and boogalooing, it
- 35:00Speaker 5: started in Oakland, California, and it actually started during the
- 35:03Speaker 5: time period of the black Panther party. You know what
- 35:05Speaker 5: I'm saying? So it's, it's crazy that a dance kind
- 35:08Speaker 5: of started during the black liberation movement and they would actually, um,
- 35:12Speaker 5: they would get down to draw crowds for Huey Newton
- 35:15Speaker 5: to do his speeches. You know, a lot of people
- 35:17Speaker 5: don't really know how deep in the social connection that's
- 35:20Speaker 5: always been connected to the dance. It's always been a
- 35:23Speaker 5: healing modality. It's always been a response to an environment.
- 35:27Speaker 5: And I think what the masses see with our vernacular
- 35:30Speaker 5: on film and screen just kind of hasn't represented the
- 35:33Speaker 5: culture correctly. And I think that's one of my big
- 35:37Speaker 5: goals is to kind of changed that perception.
- 35:39Speaker 1: You know, people in the South Bronx right now are like,
- 35:41Speaker 1: what you mean popping and locking started in Oakland?
- 35:44Speaker 5: Well, there's two different styles. Hands down, b-boying started here
- 35:48Speaker 5: in New York. So there's no disputing that hip-hop, the
- 35:52Speaker 5: birthplace of hip-hop is New York City. But popping and
- 35:55Speaker 5: boogaloo are West Coast styles. They originated in Oakland. So
- 35:59Speaker 5: it's kind of like.
- 36:00Speaker 4: What's the difference?
- 36:01Speaker 5: B-boying is more like the common audience would know as breakdancing,
- 36:06Speaker 5: when people kind of doing six steps, head spins, halos.
- 36:08Speaker 5: Popping is more of the... the robotic you know the
- 36:12Speaker 5: way like the movie breaking exactly like that yeah exactly
- 36:15Speaker 5: the movie breaking was like popping boogaloo and then beach
- 36:18Speaker 5: street was like the east coast.
- 36:20Speaker 15: Version yeah he used to be a b-boy dancer.
- 36:22Speaker 2: No i wasn't i wish i could but wasn't in
- 36:24Speaker 2: beach street when he had the uh the broom.
- 36:26Speaker 5: Right that's breaking that was breaking that was boogaloo shrimp
- 36:29Speaker 5: that was boogaloo shrimp turbo aka.
- 36:30Speaker 2: That was turbo that wasn't popping and locking or was
- 36:33Speaker 2: that that is popping yeah yeah you said that started
- 36:35Speaker 2: in on the west coast on.
- 36:36Speaker 1: The west coast yes sir yeah what about when michael
- 36:38Speaker 1: gave share her ass on um what was that american man's.
- 36:43Speaker 4: Name remember when you remember when michael he.
- 36:45Speaker 5: Was robot yeah yeah yeah yeah i mean wouldn't.
- 36:48Speaker 4: That be considered like popping and locking so i would.
- 36:50Speaker 5: Say it's like one of the like godfather dances that
- 36:53Speaker 5: kind of spawned popping. You know what I'm saying? Because
- 36:56Speaker 5: roboting was like just a black social dance that people did.
- 36:59Speaker 5: You know what I mean? Like the funky robot was
- 37:02Speaker 5: just a thing people did. And I think that evolved
- 37:04Speaker 5: into popping, if that makes any sense.
- 37:07Speaker 2: When you started dancing... And you were going through your
- 37:10Speaker 2: career as a dancer and street dancer. Did you know
- 37:14Speaker 2: that this was going to be a career? And did
- 37:15Speaker 2: you know what you were going to make out of it, right?
- 37:17Speaker 2: Because I have daughters that dance. And I always, you know,
- 37:20Speaker 2: they're young. But I'm like, well, what's next?
- 37:22Speaker 5: Yeah.
- 37:22Speaker 2: But when I'm looking at you, I'm like, oh, there
- 37:24Speaker 2: is a next.
- 37:24Speaker 5: No, that's a great question. I got to shout my
- 37:27Speaker 5: mother out because in tandem, I had this art form
- 37:30Speaker 5: of street dance that I love. But my mother was
- 37:32Speaker 5: a huge dancer. film head you know she used to
- 37:36Speaker 5: make me watch really deep narrative movies as a kid
- 37:38Speaker 5: like Schindler's List Color Purple The Roots made me watch
- 37:42Speaker 5: the whole Roots series and then she was a big
- 37:44Speaker 5: musical fan West Side Story South Pacific so like I
- 37:49Speaker 5: had this love for popping and what everybody was doing
- 37:51Speaker 5: in my But then I had this deep love for film.
- 37:55Speaker 5: And then when I, you know, fast forward, I moved
- 37:57Speaker 5: to Los Angeles. I kind of noticed like everybody who
- 38:00Speaker 5: was doing our genre was either on like America's Best
- 38:03Speaker 5: Dance Crew or So You Think You Can Dance. And
- 38:05Speaker 5: there was no like I couldn't see myself. You know
- 38:08Speaker 5: what I mean? I was like, oh, I want to
- 38:09Speaker 5: make people feel like. the way I felt when I
- 38:12Speaker 5: seen those films, you know what I'm saying? And I'm like,
- 38:14Speaker 5: but with this beautiful vernacular that we do, and that's
- 38:18Speaker 5: where I think it spawned, like, I want to be
- 38:20Speaker 5: a filmmaker. You know, I got to learn how to direct.
- 38:22Speaker 5: I got to learn how to write because the stories
- 38:24Speaker 5: that I see with the craft, they just don't exist
- 38:27Speaker 5: in the space. And that's what kind of started me
- 38:30Speaker 5: on that road of like, okay, I'm going to choreograph,
- 38:33Speaker 5: but I'm also want to be a filmmaker as well.
- 38:36Speaker 1: You know, I don't think people understand like, you know, the,
- 38:38Speaker 1: There's people also trying to just survive by doing screen dancing, right? Like,
- 38:42Speaker 1: you don't think about it. I promise you, I never
- 38:45Speaker 1: thought about it until I started reading your stuff, right?
- 38:47Speaker 5: Yeah. Because I'm just like, they're so talented.
- 38:49Speaker 18: Yeah.
- 38:49Speaker 1: I would never think that they struggling with rent or,
- 38:52Speaker 1: you know.
- 38:52Speaker 4: Just trying to make ends meet. Like, they're actually out
- 38:54Speaker 4: there trying to make money.
- 38:55Speaker 5: Oh, no. I did not know that. Oh, dude. When
- 38:57Speaker 5: I moved to L.A., I was living with four other
- 39:01Speaker 5: black men in a one-bedroom apartment. We did it for
- 39:04Speaker 5: five years. I would take... a two and a half
- 39:06Speaker 5: hour bus ride from the Valley all the way down
- 39:08Speaker 5: to Santa Monica. And we would street perform on Santa
- 39:11Speaker 5: Monica's third street from 12 PM to 9 PM and
- 39:15Speaker 5: jump on a two and a half hour bus ride back,
- 39:17Speaker 5: wake up and do it again. And like, that was
- 39:20Speaker 5: like that time period shaped me, you know what I'm saying?
- 39:23Speaker 5: It shaped my craft. It shaped my hunger for the game.
- 39:26Speaker 5: It made me see how tough living in L.A. really
- 39:29Speaker 5: is because I'm from the East Coast. So I'm thinking L.A.
- 39:31Speaker 5: is what I saw on TV. And then I move
- 39:33Speaker 5: out there and I'm like, yo, you know what I mean?
- 39:35Speaker 5: This is this is not. what it is, but, um,
- 39:38Speaker 5: there's a whole world of street dancers out there who
- 39:41Speaker 5: like really, you know, hit that pavement every day to
- 39:44Speaker 5: pay their rent. And I was, I was one of
- 39:46Speaker 5: those people and I got really lucky. That's why it's
- 39:48Speaker 5: not Michael Jackson just cause he's my idol, but like Michael,
- 39:51Speaker 5: that's how I got discovered to go do the Cirque
- 39:53Speaker 5: du Soleil show was I was street performing on Santa
- 39:56Speaker 5: Monica and somebody from Michael Jackson's estate saw me and
- 39:58Speaker 5: was like, yo, They're doing a show in Vegas. At
- 40:01Speaker 5: this time, I'm living poor. So, you know, people in L.A.
- 40:03Speaker 5: always tell you, yeah, I can do this for you.
- 40:05Speaker 2: I can do this for you.
- 40:05Speaker 5: And I'm like, all right, cool. Gave me a card
- 40:07Speaker 5: to like email a video to this email. I was like,
- 40:10Speaker 5: what I got to lose? Like, you know, I'm broke anyway.
- 40:13Speaker 5: We out here struggling. And then I emailed. I sent
- 40:16Speaker 5: the video dancing to Man in the Mirror to that email.
- 40:18Speaker 5: And then like two days later, they flew me out
- 40:20Speaker 5: to Vegas to see the show. And I was like,
- 40:23Speaker 5: I couldn't believe they wanted me to be in that,
- 40:25Speaker 5: like in my head at that time. And I was
- 40:28Speaker 5: just grateful. So shout out to Cirque du Soleil because
- 40:29Speaker 5: that gave me the time to like not be broke,
- 40:33Speaker 5: figure out what I really wanted to do with the craft.
- 40:35Speaker 5: And then that's when the filmmaking and directing and writing
- 40:38Speaker 5: really kicked in during my years at Michael Jackson Cirque
- 40:42Speaker 5: du Soleil.
- 40:43Speaker 4: How do you dance to Man in the Mirror?
- 40:45Speaker 5: All I do is cry when that song comes out.
- 40:47Speaker 6: Michael Jackson don't cry. He dance like Michael Jackson.
- 40:48Speaker 5: Man in the Mirror? I never seen Michael dance to it. Yeah,
- 40:51Speaker 5: it's just one of my all-time favorite songs.
- 40:53Speaker 11: I love it.
- 40:54Speaker 4: I'm just like, how do you dance to Man in
- 40:55Speaker 4: the Mirror?
- 40:56Speaker 5: I mean, to me, popping is just an instrument to
- 40:59Speaker 5: illustrate music. I don't have a limit to what music
- 41:04Speaker 5: I can dance to. I love orchestrated music. I love Jay-Z.
- 41:08Speaker 5: My palate for music is.
- 41:12Speaker 6: So you don't always need a beat.
- 41:14Speaker 5: Nah, nah, it's a feeling. It's emotion. Dance is emoting emotion.
- 41:17Speaker 5: You know what I mean?
- 41:18Speaker 4: You stop.
- 41:19Speaker 2: What did you play in Cirque du Soleil?
- 41:21Speaker 4: What character?
- 41:21Speaker 5: It was a character actually called a tabloid junkie, which
- 41:24Speaker 5: it represented the media. You know what I'm saying? You
- 41:26Speaker 5: know how Michael always had like his tiffs with the
- 41:29Speaker 5: media and they always bashing him in the media. So
- 41:31Speaker 5: we kind of represented the side, um, He was a
- 41:34Speaker 5: camera guy or a reporter? Yeah, like it was funny.
- 41:36Speaker 5: It was like kind of like we were like these
- 41:38Speaker 5: machines with like cameras on top of our head, cameras
- 41:41Speaker 5: on our shoulders, like cameras everywhere. So it was just
- 41:43Speaker 5: like it wasn't really an actual person. It meant it
- 41:47Speaker 5: was more like a symbol of media in a negative fashion.
- 41:50Speaker 2: And then in the new movie, you played one of
- 41:52Speaker 2: the gang members.
- 41:53Speaker 5: Yeah, yeah. Another full circle moment because when I was
- 41:57Speaker 5: living with four people in a one bedroom, somebody from
- 41:59Speaker 5: Michael's estate saw me. I got that show. That's where
- 42:03Speaker 5: I met my wife. You know what I mean? It
- 42:04Speaker 5: changed my whole life. So that was a blessing. And then,
- 42:07Speaker 5: I don't know, six, seven years later, my homies, shout
- 42:10Speaker 5: out Rich and Tone. They were the choreographers for the movie.
- 42:12Speaker 5: And they reached out to me. It was like, yo, Boogs,
- 42:14Speaker 5: there's a scene in the movie where Michael's going to
- 42:16Speaker 5: see Poppin' for the first time. And I was like,
- 42:18Speaker 5: come on, man. This is like full circle. Like I
- 42:20Speaker 5: was watching it when I was five years old. Then
- 42:22Speaker 5: I end up changing my life, getting into his Cirque
- 42:24Speaker 5: du Soleil show. And now I'm about to play a
- 42:26Speaker 5: part where he's seeing... the particular style that I do.
- 42:30Speaker 5: That was like, you couldn't write that. You couldn't even
- 42:32Speaker 5: write that better. You know what I'm saying? And so
- 42:34Speaker 5: it was, even though it was a small part, I
- 42:36Speaker 5: thought it was one of the more authentic scenes of
- 42:38Speaker 5: the movie. Cause a lot of people know how talented
- 42:41Speaker 5: Michael was and his music and how grandioso his performances were.
- 42:45Speaker 5: But a lot of people don't know he learned street
- 42:47Speaker 5: dance from real street dancers, you know, pop and taco,
- 42:51Speaker 5: pop and Pete, Boogaloo shrimp, Jeffrey Daniels, Casper. These are
- 42:55Speaker 5: all people who really, used to go to Mike's house
- 42:58Speaker 5: in Havenhurst and really teach him some of those steps.
- 43:01Speaker 5: So a lot of people think Mike doing the backslide,
- 43:03Speaker 5: because it's not the moonwalk, it's actually really the backslide.
- 43:06Speaker 5: That's the real terminology for it. They thought he created it.
- 43:10Speaker 5: You know what I'm saying? But he really, but that
- 43:12Speaker 5: was Mike's genius. Mike knew the beauty of like Fred
- 43:15Speaker 5: Astaire and Bob Fosse and what those dudes brought to
- 43:17Speaker 5: the table, but also knew what dudes was doing in
- 43:20Speaker 5: the hood was just as elevated. And he was the
- 43:22Speaker 5: first to kind of merge it. And that's why Michael's
- 43:25Speaker 5: movement to this day is still untouched.
- 43:27Speaker 1: It's funny because even being young back then and before
- 43:29Speaker 1: the internet and everything, you heard that though. You heard like,
- 43:32Speaker 1: I remember somebody saying, Boogaloo and Turbo taught Michael how
- 43:35Speaker 1: to dance.
- 43:35Speaker 4: I don't know if that was true.
- 43:37Speaker 5: There's a lot of people I think Michael interacted with.
- 43:43Speaker 5: I can't speak exactly on everybody. I just named the
- 43:47Speaker 5: few names that I do know that I know Taco
- 43:49Speaker 5: was with him for a long time. I know Boogaloo
- 43:51Speaker 5: Shrimp was with him. Casper. Jeffrey Daniels from the group
- 43:54Speaker 5: Shalamar back in the day. And there's some other people.
- 43:58Speaker 5: I was thinking about the guy from the Breaking movie, though.
- 44:00Speaker 7: Yeah, yeah, that's right. Sorry.
- 44:01Speaker 5: A lot of people know him as Turbo. In the movie,
- 44:04Speaker 5: he's Turbo. In the street, he's Boogaloo Shrimp.
- 44:08Speaker 4: Got you.
- 44:09Speaker 2: Did you ever meet Michael?
- 44:09Speaker 5: Nah, man. Nah. I've gotten to meet some of his
- 44:12Speaker 5: family members, but never had a chance to meet him. That's...
- 44:15Speaker 5: But I feel like I've been able to be a
- 44:17Speaker 5: part of his legacy in a unique way. So I'm
- 44:20Speaker 5: just honored to even be in that little percentile who's helping,
- 44:24Speaker 5: you know, help elevating his legacy to them.
- 44:27Speaker 4: I want to get into Remedy and Rhythm.
- 44:28Speaker 5: Yeah.
- 44:29Speaker 4: But I have to ask you before we move on.
- 44:31Speaker 1: Better dancer, because you would know better than all of
- 44:33Speaker 1: us in this room, Michael Jackson or Chris Brown.
- 44:36Speaker 5: Okay, I'm going to keep it a beam. Michael.
- 44:38Speaker 7: Thank you.
- 44:39Speaker 5: And I'm going to tell you why. Chris Brown is
- 44:42Speaker 5: so talented in his versatility. of dance he can pop
- 44:46Speaker 5: a little bit crump a little bit like he can
- 44:48Speaker 5: do a little bit but like Michael made up isms
- 44:52Speaker 5: yep that only Michael does like I can't find what
- 44:57Speaker 5: you're saying I can't find a move that I'm like
- 44:59Speaker 5: that's Chris Brown he could do it though if you
- 45:03Speaker 5: if you teach him he'll do it and he'll do
- 45:04Speaker 5: it just as good as the dancer if not better
- 45:07Speaker 5: but Michael has certain moves that everyone knows when when
- 45:11Speaker 5: you do that kick and he.
- 45:13Speaker 6: Do, that's Mike.
- 45:15Speaker 5: So it's just like iconic. It's just certain movements. So
- 45:18Speaker 5: I got to give him the nod just because he
- 45:21Speaker 5: has original moves that is what we would consider like,
- 45:25Speaker 5: that's some Michael Jackson.
- 45:26Speaker 2: Yeah, I disagree, but I'm not a dancer. The reason
- 45:29Speaker 2: I said that is when I see Chris Brown what
- 45:31Speaker 2: he can do.
- 45:32Speaker 4: Yeah.
- 45:32Speaker 2: He, to me, it feels like he's able to do
- 45:35Speaker 2: a Michael Jackson can do on crack, meaning you can
- 45:37Speaker 2: do a lot of the moves, but then he adds
- 45:39Speaker 2: in the acro where he's flipping and doing it and
- 45:42Speaker 2: making his body do weird stuff that I've never seen
- 45:44Speaker 2: before when it comes to dance on top of that. So,
- 45:47Speaker 2: I mean, they're both amazing dancers.
- 45:48Speaker 6: Michael Jackson can do things that, well, could do things
- 45:50Speaker 6: that nobody else can do. Imagine somebody walking on stage,
- 45:53Speaker 6: grabbing a crotch, screaming hee-hee on his toes.
- 45:56Speaker 5: And he can get away with it. That's what I'm saying.
- 45:58Speaker 5: So don't get me wrong. Shout out to Chris, because
- 46:00Speaker 5: Chris is phenomenal.
- 46:02Speaker 6: And he is.
- 46:02Speaker 5: He is phenomenal. It's just, I'm going to be biased
- 46:05Speaker 5: because Mike has been a part of my life since
- 46:08Speaker 5: I was five years old. So, like, I didn't watch
- 46:10Speaker 5: Chris and get inspired by him.
- 46:11Speaker 2: I don't think there's no wrong answer.
- 46:12Speaker 5: Yeah, but Chris... Outside of Mike, it's Chris. Now, what
- 46:16Speaker 5: you said make a lot of sense.
- 46:17Speaker 2: Like, you can.
- 46:18Speaker 4: Everybody got a little bit of Michael in them.
- 46:20Speaker 5: Yeah.
- 46:20Speaker 4: Like, there is a lot of Michael.
- 46:22Speaker 5: Yeah.
- 46:22Speaker 4: I think that makes perfect sense.
- 46:23Speaker 5: Yeah, yeah. Mike's isms was just crazy. Even how he
- 46:26Speaker 5: would just slap him. He would just do crazy.
- 46:28Speaker 6: Go out there and do stuff that you would see
- 46:30Speaker 6: happen in the back of your classroom, but you wouldn't
- 46:32Speaker 6: pay attention to him doing it.
- 46:33Speaker 5: There's only one other person with isms to me.
- 46:35Speaker 3: Who?
- 46:35Speaker 5: James Brown.
- 46:36Speaker 14: Oh.
- 46:37Speaker 5: And, yeah, that's Mike's teacher. You know what I'm saying?
- 46:41Speaker 5: You get what I'm saying?
- 46:41Speaker 7: So, like.
- 46:42Speaker 5: Like, and to be honest, that was my mother used
- 46:45Speaker 5: to make me watch James Brown tape. Shout out my
- 46:47Speaker 5: mom again. She used to make me watch James Brown
- 46:49Speaker 5: all the time. The night train performance, the little black
- 46:51Speaker 5: and white one. And he was on some TV show
- 46:53Speaker 5: and he was gliding on one leg and vibing. James
- 46:58Speaker 5: was a dog on that dance floor. He was crazy.
- 47:01Speaker 1: Now, Remedy and Rhythm. It's about your childhood best friend
- 47:05Speaker 1: who committed, completed suicide.
- 47:08Speaker 5: Yes.
- 47:08Speaker 1: Right.
- 47:08Speaker 18: Right.
- 47:09Speaker 4: And then you spiraled into isolation, right?
- 47:13Speaker 5: Yeah, the film Remedy and the Rhythm is basically about
- 47:16Speaker 5: four friends who all grew up together. And one of
- 47:19Speaker 5: them ends up taking their own life. So the other
- 47:21Speaker 5: three are left behind to kind of deal with the
- 47:23Speaker 5: grieving of that situation. And then the three characters, they
- 47:27Speaker 5: all go to this kind of group therapy session that
- 47:29Speaker 5: they all promised each other that they would go to
- 47:31Speaker 5: when the friend passed away. And when they go there,
- 47:34Speaker 5: you see how the death of the friend has changed.
- 47:36Speaker 5: triggered each one of them in different ways. But instead
- 47:39Speaker 5: of hearing them talk about it, you see their deepest
- 47:41Speaker 5: traumas connected to the friend's death play out in an
- 47:44Speaker 5: operatic fashion. So like through my, through choreography, poetry, music,
- 47:49Speaker 5: and so far our film has gotten into three, two
- 47:52Speaker 5: Oscar qualifiers. So I'm really happy about that. Thank you.
- 47:55Speaker 5: Thank you. No, I'm really happy about that. And just,
- 47:57Speaker 5: just using this as an opportunity for twofold, like, cause
- 48:00Speaker 5: I'm a huge advocate for mental health. You know what
- 48:02Speaker 5: I'm saying? Especially amongst black men. So I really wanted
- 48:05Speaker 5: to make a film that touched on that because I
- 48:07Speaker 5: lost a friend to that, you know, to that exact situation.
- 48:11Speaker 5: But I also want to show people there's no limits
- 48:14Speaker 5: to the stories that can be told. No disrespect to
- 48:16Speaker 5: these films because these films gave jobs to people and
- 48:19Speaker 5: they provided opportunities, but step up can't be the standard.
- 48:22Speaker 1: Mm-hmm.
- 48:23Speaker 5: You know what I'm saying? Like, I want a film
- 48:26Speaker 5: as powerful as Moonlight with our vernacular in it, pushing
- 48:29Speaker 5: the story forward. You know what I'm saying? And I
- 48:31Speaker 5: just feel like we've never seen that. And so this
- 48:33Speaker 5: film to me is like the beginning, I hope, of
- 48:36Speaker 5: us changing the narrative of like what stories can be
- 48:39Speaker 5: told with black dance vernacular on screen.
- 48:42Speaker 4: You won an Emmy, but.
- 48:43Speaker 1: You were the first black street dance choreographer to win
- 48:47Speaker 1: an Emmy for Blindspotting.
- 48:49Speaker 4: How does that feel? Being first still feel like an accomplishment?
- 48:52Speaker 6: Oh, man.
- 48:52Speaker 5: I mean, my wife tries to help me celebrate the
- 48:56Speaker 5: small things because I'm so forward thinking that sometimes I
- 48:59Speaker 5: don't sit in any of those moments. I still feel
- 49:02Speaker 5: like I got so much I want to do as
- 49:03Speaker 5: a director and a filmmaker and a creative. But shout
- 49:06Speaker 5: out Rafael Casal and Davi Diggs. Like they actually came
- 49:10Speaker 5: to a theater show that Lil Buck and I created
- 49:13Speaker 5: called Love Heals All Wounds. We toured 25 cities. We
- 49:15Speaker 5: did a Europe run. And I'll never forget, we did
- 49:18Speaker 5: the show in L.A. at the Royce Hall. at UCLA.
- 49:21Speaker 5: And then Rafa invites me to his crib and he's like, yo, man,
- 49:24Speaker 5: Stars just gave us a deal to make Blindspotting a
- 49:27Speaker 5: TV show. And some of the stuff you're doing in
- 49:29Speaker 5: your theater show, I see it existing in the TV series.
- 49:33Speaker 5: And so I'm forever grateful to those brothers because they
- 49:36Speaker 5: gave me a platform to kind of show what we
- 49:38Speaker 5: were already kind of doing in the theater space and
- 49:41Speaker 5: bring it to the screen. And not only did we
- 49:43Speaker 5: win an Emmy, but we told the history of the
- 49:45Speaker 5: N-word through street dance on TV and it won an Emmy.
- 49:49Speaker 5: So to me, it's like not only being the first
- 49:50Speaker 5: black street dancer, but the subject matter was so difficult
- 49:54Speaker 5: to understand. express and through movement that i think it
- 49:58Speaker 5: almost deserved like two awards because i i personally still
- 50:01Speaker 5: to this day have never seen anything like that on
- 50:03Speaker 5: tv and i don't think we will see anything like
- 50:06Speaker 5: that again on tv so shout out to them brothers how.
- 50:09Speaker 4: Do you how do you address the history of the
- 50:10Speaker 4: n-word in dance.
- 50:12Speaker 5: Was crazy it was like in the script it just
- 50:14Speaker 5: said john choreographs history of the n-word there was no
- 50:18Speaker 5: like Damn. No layout. You know what I'm saying? Now
- 50:20Speaker 5: I worked with the director of the episode, Jess Wu.
- 50:23Speaker 5: She was the director of episode three, season two. And
- 50:26Speaker 5: we sat down and we started to create the worlds like, okay, cool.
- 50:30Speaker 5: I thought in my brain, like the history of the
- 50:32Speaker 5: N word and how it's changed over time. You know
- 50:35Speaker 5: what I'm saying? So I was like, oh, there's, we'll
- 50:37Speaker 5: do this, you know, the slave slavery era. We'll do
- 50:40Speaker 5: the civil rights era. We'll do the modern era. And
- 50:43Speaker 5: we kind of broke it down into three worlds. And
- 50:46Speaker 5: I had done a piece in my theater show that
- 50:48Speaker 5: was like an auction, you know what I'm saying? Like
- 50:49Speaker 5: a slave auction. So I had already kind of dabbled
- 50:52Speaker 5: with that concept before. And then I started looking up sit-ins,
- 50:56Speaker 5: you know, where blacks used to sit in the restaurants
- 50:58Speaker 5: as a form of protest. And then obviously there's too
- 51:01Speaker 5: many modern that we can talk about George Floyd, all
- 51:04Speaker 5: kinds of stuff. So we pulled from the three different
- 51:07Speaker 5: generations of the word and broke it down into three worlds.
- 51:11Speaker 5: And then each world, me and my wife, we choreographed
- 51:15Speaker 5: each one together to kind of make it come to life.
- 51:19Speaker 1: What do you think about the word now? You know,
- 51:20Speaker 1: there's always a debate. There was a debate a week ago.
- 51:23Speaker 2: Yeah.
- 51:25Speaker 5: I mean, in a, in a, it's, it's tough because
- 51:29Speaker 5: not saying tough in that way. We're like, I, I
- 51:31Speaker 5: think personally we don't need to use it. You know
- 51:33Speaker 5: what I'm saying? Like, I don't think we need to
- 51:36Speaker 5: use it at all. I agree. I, I, I can't
- 51:38Speaker 5: lie and say that I grew up in neighborhoods where
- 51:41Speaker 5: everybody was using it all the time. Even myself, you know,
- 51:44Speaker 5: I've been a victim of using it all the time,
- 51:46Speaker 5: you know, all the time, but I've been trying to
- 51:48Speaker 5: like change that. Cause I feel like once I started
- 51:50Speaker 5: doing some of the work I started doing over the
- 51:52Speaker 5: years and I started really like tapping into the, Yeah.
- 51:55Speaker 5: To the to the to the social impact part of
- 51:58Speaker 5: what I'm doing. I just realized, like, I understand it
- 52:00Speaker 5: because some people just grew up in environments where they
- 52:02Speaker 5: hear it all the time.
- 52:03Speaker 4: And it's habitual. Yeah, it's habitual.
- 52:05Speaker 5: So I understand that. But also, like, you know, we
- 52:08Speaker 5: can change habits. Yeah.
- 52:10Speaker 20: Yeah.
- 52:11Speaker 6: Favorite Michael Jackson movie.
- 52:12Speaker 5: Favorite Michael Jackson.
- 52:13Speaker 6: There's a couple of them out there.
- 52:14Speaker 5: Movie?
- 52:14Speaker 7: Yeah.
- 52:15Speaker 5: Meaning like, like, like.
- 52:16Speaker 6: Flex Washington, Javon Jackson.
- 52:18Speaker 5: Nobody likes Flex Washington.
- 52:19Speaker 2: Now you bring that one up.
- 52:20Speaker 20: Oh.
- 52:20Speaker 6: Because he's all things Michael Jackson, so I know you
- 52:23Speaker 6: watched the one with Flex.
- 52:24Speaker 5: Okay, I put the Javar Jackson one first, the one,
- 52:28Speaker 5: the reason. Because you meant it. Yeah, yeah, gotta shut that.
- 52:30Speaker 5: And then second is the one with Angela Bassett. Remember
- 52:33Speaker 5: the series? The American Dream.
- 52:35Speaker 7: Yes, okay.
- 52:36Speaker 5: All right, got you. The one with Angela Bassett was live. Yeah,
- 52:41Speaker 5: those are my two favorite Michael Biles.
- 52:44Speaker 6: The third one is Flex's.
- 52:47Speaker 5: Nobody watches the Flex watch the one.
- 52:49Speaker 4: I don't even think he danced in that movie.
- 52:52Speaker 2: Do you think there needs to be a part two
- 52:53Speaker 2: of Michael?
- 52:54Speaker 5: Yeah, I believe there is going to be one from
- 52:56Speaker 5: what I know.
- 52:57Speaker 2: I told you.
- 52:57Speaker 6: Remember, you broke it.
- 52:59Speaker 2: Charlamagne doesn't think there should be one.
- 53:00Speaker 5: I think there should be one. Do you think there
- 53:02Speaker 5: should be? Well, I think, yeah, you know why? Because
- 53:05Speaker 5: my favorite music video of all time is Smooth Criminal.
- 53:08Speaker 5: And so I would love, Javar went so crazy. He did.
- 53:12Speaker 5: He went so crazy, like, I think people don't know,
- 53:15Speaker 5: like they saw it, but like, we got to see
- 53:18Speaker 5: it like behind the scenes. And like, it was eerie. Yeah.
- 53:22Speaker 5: And I'm not, I know some people say that, but
- 53:24Speaker 5: I'm telling you as a diehard Michael, like I'm picky
- 53:26Speaker 5: on some, I'm picky about Michael. And I'm like, I
- 53:29Speaker 5: would look over and be like, yo.
- 53:30Speaker 7: Yeah.
- 53:31Speaker 5: Yeah. He was.
- 53:32Speaker 4: Yeah.
- 53:33Speaker 5: So I just think there's other generations of Michael that
- 53:35Speaker 5: he's so great at playing his uncle that, a part
- 53:38Speaker 5: two of like remember the time like.
- 53:40Speaker 6: You know wherever they go.
- 53:42Speaker 15: With it music stuff people want part twos for like
- 53:46Speaker 15: they want to get into the other.
- 53:47Speaker 5: Stuff yeah they want to get what should be yeah
- 53:50Speaker 5: yeah well i mean that's up to antoine fuqua the
- 53:53Speaker 5: director you know i'm saying like you know i i
- 53:55Speaker 5: think either way part two will be received really well
- 53:58Speaker 5: because the people people want it you gotta get the
- 54:00Speaker 5: people what they want.
- 54:01Speaker 6: And it ended too early There's a lot of hits
- 54:03Speaker 6: we didn't get to see him perform and things like that.
- 54:05Speaker 6: Like you just said.
- 54:06Speaker 5: Yeah, there's a lot of stuff. So yeah, I think
- 54:08Speaker 5: they left room for it to be there.
- 54:11Speaker 4: I just got two more questions about the film, right?
- 54:13Speaker 5: Yeah, of course.
- 54:14Speaker 1: I sometimes feel like there's a danger when artists want
- 54:17Speaker 1: to turn trauma into art.
- 54:19Speaker 5: Yep.
- 54:19Speaker 4: Because the pain can become.
- 54:21Speaker 2: Productive, right?
- 54:22Speaker 1: Have you ever had to make sure you weren't holding
- 54:24Speaker 1: on to something just because it was creatively useful?
- 54:26Speaker 5: Yeah, I mean, I think like as cathartic as that,
- 54:30Speaker 5: the work is, you know, I, you know, a lot
- 54:32Speaker 5: of things that if I can't get out, cause sometimes
- 54:35Speaker 5: some people think that like, you know, like they go, Oh, well,
- 54:38Speaker 5: when I, when I'm depressed, I write music or when
- 54:41Speaker 5: I'm anxious, I dance like, and don't get me wrong,
- 54:43Speaker 5: art serves as a healer, but I also am an
- 54:46Speaker 5: advocate for like other forms of therapy. You know, I
- 54:48Speaker 5: have a therapist that I talked to twice a month
- 54:51Speaker 5: that some things that I can't get out that the
- 54:53Speaker 5: movement can't get out or the writing can't get out
- 54:56Speaker 5: of the directing can't get out. I like, talk it
- 54:58Speaker 5: out with her. You know what I'm saying? Cause there's, there's,
- 55:01Speaker 5: I'll be honest. Like when I was telling y'all about that,
- 55:02Speaker 5: living in a one bedroom apartment, there's traumas that still
- 55:06Speaker 5: are stored in my body from that time period. You
- 55:08Speaker 5: know what I'm saying? Like living like that was crazy.
- 55:11Speaker 5: And I think like it also formed a, I was
- 55:13Speaker 5: such an outcast with what I was doing at the
- 55:16Speaker 5: time in LA. It made this like, created this mindset
- 55:19Speaker 5: of needing validation.
- 55:21Speaker 4: This is my last question. Who were you trying to,
- 55:24Speaker 4: I guess, save when you made this movie? Was it
- 55:26Speaker 4: for you?
- 55:26Speaker 1: Was it, you know, just to pay homage to.
- 55:28Speaker 5: Your friend, was it the audience? Like, I think it
- 55:31Speaker 5: was all three, Charlamagne. I think it was all three.
- 55:33Speaker 5: I think there was a part of me who needed it.
- 55:35Speaker 5: There was a part of me who wanted to see
- 55:37Speaker 5: other people heal from it. And I mean, I've done
- 55:40Speaker 5: screenings everywhere, LA, Vegas, and everywhere I go, people come
- 55:44Speaker 5: up to me and like, with the most powerful things,
- 55:47Speaker 5: you almost got to be prepared to hear people's deepest,
- 55:50Speaker 5: like traumas. You know what I'm saying? Like I had
- 55:52Speaker 5: to like prepare myself for that. Like a dude came
- 55:54Speaker 5: up to me and was like, I haven't talked about
- 55:55Speaker 5: this since Vietnam. He talks about how like he was
- 55:59Speaker 5: him and his friend were on a tour of Vietnam
- 56:01Speaker 5: out there really in war zone. And like he felt
- 56:04Speaker 5: his friend passed away and it was his fault. You
- 56:06Speaker 5: know what I'm saying? And like hearing that from a
- 56:08Speaker 5: 70 some year old man, 60 some year old man.
- 56:11Speaker 5: And like he's coming up to me and like I
- 56:13Speaker 5: haven't spoke about that since then. But my your film
- 56:16Speaker 5: made me want to come talk to you about it.
- 56:18Speaker 5: So to me, it's that cultural currency.
- 56:21Speaker 1: It's.
- 56:21Speaker 5: Can't put a value on you know i'm saying like
- 56:24Speaker 5: those are the that was that's the real win the
- 56:26Speaker 5: oscar qualifiers is great and yeah we want to do
- 56:28Speaker 5: as many of those as we can but hearing people
- 56:31Speaker 5: come out to me and saying your art affected me
- 56:33Speaker 5: in that way that's that's the dub all right.
- 56:36Speaker 2: Well, John Boogs, we appreciate you for joining us.
- 56:38Speaker 5: No, I appreciate you for having me, man. Oh, yeah,
- 56:39Speaker 5: you can follow me at John Boogs, J-O-N-B-O-O-G-Z. I'm that
- 56:44Speaker 5: on all platforms. All right.
- 56:46Speaker 2: John Boogs.
- 56:46Speaker 7: Yes, sir.
- 56:47Speaker 9: Love y'all.
- 56:47Speaker 6: Appreciate you.
- 56:48Speaker 2: We are The Breakfast Club. Yes, John Boogs just left.
- 56:50Speaker 2: He was actually in the Michael movie and did Michael
- 56:53Speaker 2: Cirque du Soleil out in Vegas. And his new documentary
- 56:57Speaker 2: or short film, I should say, Remedy in the Rhythm.
- 56:59Speaker 2: You can check that out now. And I know a
- 57:00Speaker 2: lot of people thought.
- 57:01Speaker 6: And I thought, I know a lot of people was like,
- 57:03Speaker 6: J-Bug from B2K. And the whole time they see this
- 57:05Speaker 6: guy with locks and it's John Bugs.
- 57:08Speaker 5: John Bugs.
- 57:09Speaker 6: So everybody out there listening, no, not J-Bugs from B2K.
- 57:12Speaker 9: All right.
- 57:12Speaker 2: Well, let's get to the latest with Laura.
- 57:15Speaker 4: What, what, what, what, what you want to know?
- 57:17Speaker 2: The latest with Lauren La Rosa.
- 57:18Speaker 5: Because you particularly are bringing the energy to mainstream radio,
- 57:21Speaker 5: the black radio. That source is trusted. Did you hear
- 57:23Speaker 5: that exclusive?
- 57:23Speaker 15: Lauren, I'm the homegirl that knows a little bit about
- 57:26Speaker 15: everything and everything.
- 57:27Speaker 4: She be having the latest on things.
- 57:29Speaker 11: You ask the questions that need to be answered.
- 57:31Speaker 4: On The Breakfast Club.
- 57:33Speaker 11: Little brown girls look at you and go, I want
- 57:34Speaker 11: to be like you.
- 57:35Speaker 5: LL Cool B. Talk to me.
- 57:37Speaker 15: All righty, y'all. Well, the season has begun where we
- 57:40Speaker 15: start talking about Mariah Carey's All I Want for Christmas.
- 57:45Speaker 15: But it is kicking off with us talking about her record.
- 57:48Speaker 15: Because you guys remember, she held the record at 22
- 57:51Speaker 15: weeks on the Billboard Hot 100 at number one. That
- 57:54Speaker 15: record was broken by Ella Langley, who is a country
- 57:57Speaker 15: music artist, with her song, Choose in Texas. Y'all heard
- 58:00Speaker 15: the song before?
- 58:00Speaker 4: Nope.
- 58:01Speaker 15: This is the song that Drake and Don Tolliver did
- 58:03Speaker 15: their own little mix to on that one-hour FOMO stream.
- 58:06Speaker 15: Let's take a listen to Ella Langley's Choose in Texas
- 58:08Speaker 15: real quick.
- 58:08Speaker 5: It doesn't take a crazy.
- 58:13Speaker 1: Cowboy always finds a way to leave.
- 58:17Speaker 12: Drinking Jack all by myself.
- 58:20Speaker 4: Drinking Jack all by myself.
- 58:23Speaker 1: Whenever you hear a country artist with that twang, that
- 58:25Speaker 1: little twang, that little twang, you know it's about to hit.
- 58:28Speaker 5: Drinking Jack all by myself.
- 58:31Speaker 15: She said this record changed her life, and I know
- 58:33Speaker 15: Drake has been screaming about her.
- 58:35Speaker 4: That ain't no.
- 58:35Speaker 5: Holiday record, though, right?
- 58:37Speaker 9: No.
- 58:37Speaker 2: That's crazy. I never heard that record before in my life.
- 58:39Speaker 15: I didn't listen to it until Drake started talking about it, honestly.
- 58:42Speaker 15: But it's a big song.
- 58:43Speaker 2: Congratulations to her.
- 58:45Speaker 4: It's a whole different algorithm.
- 58:48Speaker 15: Now, shifting gears a bit. So, Kimora Lee Simmons, she
- 58:51Speaker 15: dropped her documentary. Or Kimora Lee, I'm sorry. She goes
- 58:54Speaker 15: by Kimora Lee now. Kimora Lee dropped her documentary, Kimora Lee,
- 58:58Speaker 15: on her own. It's a doc that premiered on Lifetime
- 59:01Speaker 15: on September 20th. And I watched it last night. The
- 59:04Speaker 15: Breakfast Club is literally like used to completely help shape
- 59:08Speaker 15: different conversations that they're doing. as, like, the media or
- 59:11Speaker 15: news search. You're not going to input, like, clips in.
- 59:12Speaker 6: The doc, right?
- 59:13Speaker 1: Yo, Lifetime, y'all ain't ask nobody up here to do
- 59:15Speaker 1: that now. You will be hearing from my white people today.
- 59:18Speaker 15: My white people, yes. We all up and through there. Well,
- 59:21Speaker 15: they address a couple different things. They open up with,
- 59:24Speaker 15: you know, of course, Kimora talking about her relationship and
- 59:27Speaker 15: then marriage with Russell Simmons. And she talks about meeting
- 59:29Speaker 15: Russell Simmons at what she claims is age 16. He
- 59:32Speaker 15: claims different. Let's take a listen.
- 59:34Speaker 20: I was 16 years old when I met that man.
- 59:36Speaker 20: He was 18 years older than me.
- 59:38Speaker 2: When you first started dating Kimora, she was young as well.
- 59:41Speaker 4: She was 17.
- 59:41Speaker 5: I was 34. She was on the runway.
- 59:43Speaker 4: I remember going backstage.
- 59:45Speaker 5: I mean, she was a grown woman. I didn't know
- 59:47Speaker 5: how old she was.
- 59:48Speaker 20: He started sending like flowers to my agency.
- 59:50Speaker 2: Big, crazy, like.
- 59:51Speaker 20: Tree kind of flowers that you couldn't even lift when
- 59:54Speaker 20: I was young. And he was super charismatic, funny, and
- 59:57Speaker 20: what I thought was smart.
- 59:58Speaker 15: Yeah, so you heard yourself.
- 1:00:00Speaker 2: Was that my voice?
- 1:00:01Speaker 8: Yes, Envy.
- 1:00:01Speaker 6: No, you mean that was your voice.
- 1:00:02Speaker 4: You know your voice. That was when Russell Simmons was here.
- 1:00:04Speaker 4: That was before the nose job, though.
- 1:00:04Speaker 2: Yeah, shut up.
- 1:00:05Speaker 15: Yeah, you sound a little groggy. But yeah, so there's
- 1:00:08Speaker 15: been a back and forth about that conversation as well.
- 1:00:10Speaker 15: But yeah, Russell Simmons was here talking about that and
- 1:00:12Speaker 15: they used that clip.
- 1:00:13Speaker 1: And you know, I saw, because yesterday he replied and
- 1:00:16Speaker 1: said something like that as well, that she was 17
- 1:00:19Speaker 1: and nine months or something like that. And I know
- 1:00:21Speaker 1: people think that sounds crazy because it does, but sadly,
- 1:00:24Speaker 1: the legal age of consent in New York is 17.
- 1:00:26Speaker 5: Yeah, it does.
- 1:00:26Speaker 2: Sound crazy though, but it's not illegal.
- 1:00:29Speaker 4: I don't know why.
- 1:00:30Speaker 1: Yeah, I don't know why a 30 plus year old
- 1:00:31Speaker 1: man would want a 17 year old, but it's, yeah,
- 1:00:34Speaker 1: in New York City, that is.
- 1:00:35Speaker 2: The age of consent.
- 1:00:36Speaker 15: Well, they get into some other things as well. So
- 1:00:38Speaker 15: you guys remember when, you know, there was so much
- 1:00:41Speaker 15: happening between Russell Simmons and Kamora Lee and the kids
- 1:00:44Speaker 15: were involved. And it was like, is he seeing his kids?
- 1:00:47Speaker 6: Is he able to? Is he not?
- 1:00:49Speaker 15: They talk about that. And they also use the Breakfast
- 1:00:50Speaker 15: Club to narrate that as well, too. Let's take a
- 1:00:52Speaker 15: listen to Kamora on Russ never seeing his kids.
- 1:00:55Speaker 20: What he said about me saying you weren't going to
- 1:00:58Speaker 20: see the kids, yes, I did say that, but not
- 1:01:00Speaker 20: in the way that he says that. What I said
- 1:01:01Speaker 20: to him was, please don't do this. Your crazy behavior
- 1:01:06Speaker 20: is going to alienate you from your friends and your family.
- 1:01:10Speaker 20: You're going to ruin your relationship with us.
- 1:01:12Speaker 11: And sure enough, he did.
- 1:01:13Speaker 15: I don't talk to my dad unless it's my birthday.
- 1:01:15Speaker 7: I'll pick up.
- 1:01:16Speaker 20: I don't talk to him because he lives in Bali,
- 1:01:18Speaker 20: and I just don't like when I get on the
- 1:01:19Speaker 20: phone that most of the things that we talk about
- 1:01:20Speaker 20: is the lawsuits. My other daughter, Aoki, goes sometimes and
- 1:01:24Speaker 20: sees her dad in Bali.
- 1:01:25Speaker 6: So they do see him. So then Aoki was upset.
- 1:01:28Speaker 2: The youngest daughter that recently graduated from Harvard.
- 1:01:31Speaker 6: Aoki said a screenshot shows Russell calling Kimora a piece
- 1:01:35Speaker 6: of ass and accusing her of stealing from him. Aoki
- 1:01:38Speaker 6: says she will never speak to him again, but talking
- 1:01:40Speaker 6: about their mother the way he does. So then Aoki
- 1:01:43Speaker 6: screen recorded a FaceTime call.
- 1:01:45Speaker 2: It was muted. You don't know what he's saying, but
- 1:01:47Speaker 2: this is all family business.
- 1:01:49Speaker 5: So was this audio or just visual?
- 1:01:51Speaker 15: It was visual as well.
- 1:01:52Speaker 4: So they showed Jess and Envy?
- 1:01:54Speaker 15: No, they didn't show... I'm sorry. Let me correct myself.
- 1:01:57Speaker 15: In that part of it, you don't see Jess and Envy.
- 1:02:00Speaker 15: You just see the FaceTime video. But on that beginning
- 1:02:04Speaker 15: part where Russell Simmons is here to clear up the
- 1:02:06Speaker 15: age thing, you see you and you see him.
- 1:02:07Speaker 2: Yeah, my mom seen that yesterday. She's like, I seen
- 1:02:09Speaker 2: you on the documentary.
- 1:02:11Speaker 4: I'm sorry, listeners.
- 1:02:12Speaker 1: I know that this story is about Kamara and Russell,
- 1:02:15Speaker 1: but I'm just thinking about inside baseball business here. because
- 1:02:17Speaker 1: they didn't ask for permission to use any of that
- 1:02:19Speaker 1: stuff over at Lifetime.
- 1:02:21Speaker 4: Not that I know of.
- 1:02:22Speaker 1: And from what I've fact-checked here so far.
- 1:02:26Speaker 4: So I need the white people to get on that.
- 1:02:27Speaker 6: Get the white people, y'all. I am.
- 1:02:28Speaker 2: I'm going to get the white people on the white
- 1:02:30Speaker 2: people at Lifetime.
- 1:02:32Speaker 15: Well, oh God. The last audio I will play from
- 1:02:38Speaker 15: the doc is something that has been circulating. Kamora Lee Simmons.
- 1:02:41Speaker 15: She talks about how Tyra Banks was actually trying to
- 1:02:43Speaker 15: stop her from dating Russell Simmons. Let's take a listen
- 1:02:46Speaker 15: to that.
- 1:02:47Speaker 20: I remember Tyra Banks and so many other models used
- 1:02:52Speaker 20: to say, oh, don't talk to him. I remember Tyra
- 1:02:55Speaker 20: kept me in her apartment through the weekend trying to
- 1:02:58Speaker 20: avoid me going home and checking my voicemail. Because we
- 1:03:01Speaker 20: had a machine then that you had to push the button, right?
- 1:03:03Speaker 20: Because we knew he was calling. I would be like,
- 1:03:06Speaker 20: but he's so cool. He sent me these flowers. They'd
- 1:03:08Speaker 20: be like, yeah, come on.
- 1:03:08Speaker 6: We got those.
- 1:03:09Speaker 2: Flowers last week.
- 1:03:10Speaker 20: And I was always like, uh-oh, he wanted all of you?
- 1:03:13Speaker 20: And now he wants me? And I think something about
- 1:03:15Speaker 20: that made me like, yes. they say no you're like
- 1:03:18Speaker 20: yes yeah.
- 1:03:19Speaker 15: That she was young yeah that picked up pretty big
- 1:03:22Speaker 15: but i think that's exactly what it was like she
- 1:03:23Speaker 15: was young and she was new as a model and
- 1:03:26Speaker 15: the friends that had already been modeling was like girl
- 1:03:28Speaker 15: this ain't nothing new pump your brakes but yeah.
- 1:03:31Speaker 6: This is here comes this guy with all this money
- 1:03:33Speaker 6: and you know he's rich and he's showing his uh
- 1:03:37Speaker 6: his charm he's sending you all type you know what
- 1:03:39Speaker 6: i mean and she felt Like, oh, that's special.
- 1:03:43Speaker 1: But listen, what is this doc about? Because, I mean,
- 1:03:46Speaker 1: Russell and Kimora got married.
- 1:03:47Speaker 4: They had kids.
- 1:03:48Speaker 5: Had children.
- 1:03:50Speaker 6: A reality show.
- 1:03:51Speaker 1: Everybody watched it. We all knew the age difference way
- 1:03:54Speaker 1: back when.
- 1:03:55Speaker 15: It goes to different points in her life. A lot
- 1:03:57Speaker 15: of it, though, is Russell, her, and the family. But
- 1:04:00Speaker 15: it talks about her being young, moving to Paris, becoming
- 1:04:03Speaker 15: the face of Chanel, leaving home.
- 1:04:04Speaker 2: It's just her story?
- 1:04:05Speaker 15: Yes, but it goes into Russell Simmons because that was
- 1:04:07Speaker 15: a huge part of her life. And they address a
- 1:04:10Speaker 15: lot of the things that she hasn't really formally talked
- 1:04:12Speaker 15: about a lot. They do talk about, you know, when
- 1:04:14Speaker 15: they had the children. They talk about the show that
- 1:04:17Speaker 15: she had and them literally having, you know, a lot
- 1:04:20Speaker 15: of their things on the show. They go into the
- 1:04:21Speaker 15: baby's bed.
- 1:04:22Speaker 2: She had a dope closet. I remember her closet.
- 1:04:23Speaker 5: But there's no salaciousness, though.
- 1:04:24Speaker 6: Like, there's nothing that they're trying to get us to, like,
- 1:04:27Speaker 6: you know what I mean? Yeah, I guess that's what
- 1:04:28Speaker 6: I'm asking. Like, are they accusing him of anything?
- 1:04:29Speaker 5: Yeah, you're right.
- 1:04:29Speaker 2: That's what I'm asking, Jess.
- 1:04:30Speaker 5: What's the intention?
- 1:04:31Speaker 15: I can't tell you her intention, but what I took
- 1:04:34Speaker 15: from it, she does point to the fact that she
- 1:04:37Speaker 15: was very young and naive in the relationship with Russell Simmons.
- 1:04:40Speaker 15: She does clearly say that she did not get what
- 1:04:43Speaker 15: she deserved from Baby Phat when that deal was done,
- 1:04:44Speaker 15: when Baby Phat was sold. She calls Russell Simmons crusty
- 1:04:48Speaker 15: a lot.
- 1:04:49Speaker 5: Krusty?
- 1:04:50Speaker 15: Yeah.
- 1:04:51Speaker 6: It's not a crime. It's not a crime to be Krusty.
- 1:04:54Speaker 15: The way that I took it after she left the
- 1:04:57Speaker 15: relationship was like she was kind of left high and
- 1:04:58Speaker 15: dry having to figure it out with her kids because
- 1:05:00Speaker 15: of how bad everything ended, of course, with the stock
- 1:05:03Speaker 15: and everything they were arguing about.
- 1:05:05Speaker 4: She was married to Krusty for 10 years. You had
- 1:05:07Speaker 4: two kids from Krusty.
- 1:05:08Speaker 15: But the way that she.
- 1:05:10Speaker 4: I'm talking to her. I'm saying if I heard her
- 1:05:12Speaker 4: say that.
- 1:05:13Speaker 2: That's what I would be.
- 1:05:14Speaker 15: But the way that she made it seem, though, is like.
- 1:05:16Speaker 4: I guess I'm just trying to figure out what's the
- 1:05:18Speaker 4: moral of the story.
- 1:05:18Speaker 5: What's the teachable moment here?
- 1:05:20Speaker 2: I think the.
- 1:05:20Speaker 15: Teachable moment is, according to this documentary, when you're young
- 1:05:24Speaker 15: and you're in something like that, be smart. Like, she
- 1:05:26Speaker 15: said she didn't sign proper paperwork when it came to
- 1:05:28Speaker 15: baby fat and the way the business was done. She
- 1:05:30Speaker 15: didn't even think she had a contract.
- 1:05:31Speaker 10: Like, she.
- 1:05:32Speaker 2: You know, when I heard it this morning when you
- 1:05:33Speaker 2: were talking behind the scenes about it, the first thing
- 1:05:35Speaker 2: I thought about having four daughters is I wonder where
- 1:05:37Speaker 2: her father was or if there was a male figure
- 1:05:39Speaker 2: in her life, right? Because at that age at 17
- 1:05:42Speaker 2: and she was talking to a 34, 35-year-old man, grown-ass man,
- 1:05:45Speaker 2: and she's still a child. She's a teenager.
- 1:05:48Speaker 4: My daughter's 18 and I don't want any 35-year-old.
- 1:05:50Speaker 2: Coming around me. I'm just wondering where the male figure
- 1:05:53Speaker 2: in her life, like, I don't want to say who
- 1:05:55Speaker 2: allowed it to happen, but I wonder if that figure
- 1:05:57Speaker 2: was there and if there was a father figure, if
- 1:05:59Speaker 2: that would have happened.
- 1:05:59Speaker 15: All she talks about, Majority, was her mom and her
- 1:06:02Speaker 15: mom being a single mom and having to figure it
- 1:06:03Speaker 15: out and then allowing her to move to Paris at 13.
- 1:06:06Speaker 2: Because dad's out there.
- 1:06:08Speaker 6: She don't talk about her father because you see she
- 1:06:10Speaker 6: had Tyra Banks, who was like a bigger sister, you know,
- 1:06:13Speaker 6: trying to protect her from it.
- 1:06:15Speaker 2: Yeah, because dad's out there. Could you imagine having a
- 1:06:17Speaker 2: 17-year-old girl and somebody bringing home a 35-year-old man? Hell no.
- 1:06:22Speaker 15: But she also goes into her other relationships, too, after.
- 1:06:25Speaker 15: It's just a lot of Russell Simmons, Kimora, because that
- 1:06:27Speaker 15: was such a big deal for her. But, you know,
- 1:06:29Speaker 15: I think the takeaway is if she knew better, she
- 1:06:31Speaker 15: would have done better in certain situations. That was my takeaway. But, yeah,
- 1:06:35Speaker 15: so that's the latest for the hour. And when we
- 1:06:37Speaker 15: come back.
- 1:06:38Speaker 4: And Russell should have done better, too, because there ain't
- 1:06:39Speaker 4: no need to be 35 years old talking to no 17-year-old.
- 1:06:42Speaker 5: No.
- 1:06:45Speaker 15: Well, when we come back, we'll get into more of
- 1:06:48Speaker 15: the latest. Kirk Franklin has this new track dropping with
- 1:06:51Speaker 15: Glorilla on Friday.
- 1:06:54Speaker 2: Will I go to heaven if I... take that record
- 1:06:57Speaker 2: because it's dope well we'll talk about next.
- 1:06:59Speaker 6: Hour because you do a lot for people so you're
- 1:07:02Speaker 6: gonna go to heaven.
- 1:07:03Speaker 15: Yeah don't make me accomplice in your sin thanks jess
- 1:07:05Speaker 15: donkey today who you gonna donkey to um i want
- 1:07:07Speaker 15: that brother david dennis jr to come to the front
- 1:07:09Speaker 15: of the congregation yes the teachable moment in all of
- 1:07:12Speaker 15: this we'll discuss.
- 1:07:13Speaker 2: All right we'll get to that next it's the breakfast
- 1:07:14Speaker 2: club good morning.
- 1:07:17Speaker 5: It's time for Donkey of the Day.
- 1:07:19Speaker 4: There's a bunch of donkeys out here in the streets.
- 1:07:22Speaker 5: Call Donkey of the Day.
- 1:07:23Speaker 15: It really caught me off guard.
- 1:07:25Speaker 1: Once I saw the competition, I was like, dang.
- 1:07:31Speaker 5: You are a donkey.
- 1:07:34Speaker 4: Why so low?
- 1:07:35Speaker 6: It's time.
- 1:07:38Speaker 4: Exactly.
- 1:07:38Speaker 5: On the Breakfast Club.
- 1:07:40Speaker 1: Okay, Chalamet, who you giving Donkey of the Day to today? Well,
- 1:07:43Speaker 1: Donkey of the Day for Wednesday, September 23rd. It goes
- 1:07:46Speaker 1: to a journalist by the name of David Dennis Jr.
- 1:07:49Speaker 1: He's a senior writer at Anscape. I've seen him on
- 1:07:54Speaker 1: Around the Horn on ESPN quite a few times over
- 1:07:56Speaker 1: the years. And brother, this is nothing personal, okay? But
- 1:07:59Speaker 1: donkey of the day does not discriminate and it's a
- 1:08:01Speaker 1: teachable moment.
- 1:08:02Speaker 4: Now, if you haven't heard... Last week, David Dennis Jr.
- 1:08:05Speaker 1: Posted a video on his personal Instagram page discussing why
- 1:08:09Speaker 1: Chris Brown's fan base continues to give the singer unwavering
- 1:08:13Speaker 1: support despite his past littered with legal issues.
- 1:08:18Speaker 5: Let's listen.
- 1:08:19Speaker 17: When I think about Chris Brown fans, you ask them, hey,
- 1:08:22Speaker 17: why do you like Chris Brown? And they say things like, well,
- 1:08:24Speaker 17: he only brutally assaulted Rihanna two decades ago when he
- 1:08:28Speaker 17: apologized for it. And they kind of don't really acknowledge
- 1:08:31Speaker 17: the fact that, yeah, he's still actively abusing women to
- 1:08:35Speaker 17: this day and kind of never stopped. And when you
- 1:08:38Speaker 17: kind of make these excuses. You sound worse. So I
- 1:08:41Speaker 17: just think that if you love Chris Brown, love him
- 1:08:44Speaker 17: for who he is. Because that's a real sign of love.
- 1:08:46Speaker 17: Love him while he's abusing. And just be honest with yourself. Say,
- 1:08:50Speaker 17: that man backflips so good that I don't care that
- 1:08:54Speaker 17: he abuses women. I love his music more than I
- 1:08:57Speaker 17: care about how he abuses women.
- 1:08:59Speaker 2: Just say it.
- 1:09:01Speaker 4: OK, let's unpack this.
- 1:09:02Speaker 10: All right.
- 1:09:02Speaker 1: David Dennis Jr. This pisses me off so bad. OK,
- 1:09:05Speaker 1: this is the problem with the current media era that
- 1:09:08Speaker 1: we're in. To everyone listening to my voice, your feelings
- 1:09:12Speaker 1: are not facts. OK, there is a legitimate journalistic ethics problem.
- 1:09:17Speaker 1: with the way David Dennis Jr. reported this. You can't
- 1:09:20Speaker 1: declare something as an established fact if it's not an
- 1:09:23Speaker 1: established fact, okay? And before I continue, I would like
- 1:09:26Speaker 1: to say, this is not a defense of Chris Brown, okay?
- 1:09:29Speaker 1: Chris Brown does not need Charlemagne Tha God to defend him.
- 1:09:31Speaker 1: He's got Team Breezy for that, okay? Look, David, you
- 1:09:34Speaker 1: brought up Chris Brown's past. You know, what he did
- 1:09:37Speaker 1: to Rihanna in 2009, that's documented.
- 1:09:39Speaker 5: He pleaded guilty to felony assault.
- 1:09:41Speaker 4: That's a fact.
- 1:09:42Speaker 1: Has he faced other serious accusations involving women since then? Yes,
- 1:09:46Speaker 1: but those are accusations. If you want to discuss those accusations,
- 1:09:50Speaker 1: fair game.
- 1:09:51Speaker 5: But David Dennis Jr.
- 1:09:52Speaker 1: you're supposed to be a journalist, and journalists don't get
- 1:09:55Speaker 1: to turn allegations into facts just because you may believe
- 1:10:00Speaker 1: the allegations, okay? Play the line that really grinds my gears.
- 1:10:04Speaker 5: Do we have that line?
- 1:10:05Speaker 17: They kind of don't really acknowledge the fact that, yeah,
- 1:10:08Speaker 17: he's still actively abusing women to this day and kind
- 1:10:12Speaker 17: of never stopped.
- 1:10:14Speaker 1: Still actively abusing women to this day and kind of
- 1:10:18Speaker 1: never stopped?
- 1:10:19Speaker 6: Actively?
- 1:10:20Speaker 5: To this day? Never stopped?
- 1:10:23Speaker 1: Those aren't vague words. Okay, that's not Chris Brown has
- 1:10:26Speaker 1: faced allegations. That's not Chris Brown has a troubling history.
- 1:10:29Speaker 5: That's not.
- 1:10:31Speaker 1: multiple women have accused chris brown of misconduct you said
- 1:10:33Speaker 1: this man is actively abusing women right now and basically
- 1:10:38Speaker 1: has been doing it continuously for 17 years provide evidence
- 1:10:42Speaker 1: okay you gotta show proof all right you can talk
- 1:10:44Speaker 1: about a person's allegations but you can't say he's actively
- 1:10:48Speaker 1: abusing women to this day and kind of never stopped
- 1:10:52Speaker 1: my god now chris brown replied And it's proof that
- 1:10:56Speaker 1: when a dog barks at the moon, it's nothing.
- 1:10:59Speaker 4: But if the moon was to bark back at the dog,
- 1:11:01Speaker 4: it would be news.
- 1:11:02Speaker 1: Because I wouldn't even have known about this story if
- 1:11:04Speaker 1: Chris Brown hadn't replied, okay? Now, Chris jumped in the
- 1:11:07Speaker 1: comments and basically said, where's the proof that I'm currently
- 1:11:11Speaker 1: abusing women? Show me the charges. Show me the convictions.
- 1:11:14Speaker 1: Show me what the hell you're talking about.
- 1:11:16Speaker 6: Now, I want.
- 1:11:18Speaker 5: Now, no, no. I know what some of y'all, okay,
- 1:11:21Speaker 5: might say, all right?
- 1:11:22Speaker 1: Y'all might say, well, Chris, you don't need a criminal
- 1:11:25Speaker 1: conviction for abuse to have happened, and plenty of abuse
- 1:11:28Speaker 1: never results in a conviction, and yo, bring up the
- 1:11:31Speaker 1: fact that Carrucci had a rescraining order against Chris Brown.
- 1:11:34Speaker 1: All of that is correct, but guess what? That's not
- 1:11:36Speaker 1: the point, okay? None of that can be collapsed into
- 1:11:40Speaker 1: he's actively abusing women to this day, okay?
- 1:11:45Speaker 4: The claim David made is the problem.
- 1:11:48Speaker 1: Now, instead of David answering Chris's question, david responded with
- 1:11:52Speaker 1: you've never laid a finger on or harmed any women
- 1:11:57Speaker 1: in the past 17 years not once not a single
- 1:12:00Speaker 1: time question mark every accusation and restraining order is false
- 1:12:05Speaker 1: question mark david you are really trying to raise my
- 1:12:08Speaker 1: cortisol levels this morning okay i am not the highest
- 1:12:10Speaker 1: grade of weed in the dispensary nor am i the
- 1:12:12Speaker 1: strongest avenger but i know That's not how journalism works. OK,
- 1:12:16Speaker 1: I despise how Dennis tried to put the burden on
- 1:12:20Speaker 1: Chris to prove the claim false. No, Dennis, you made
- 1:12:24Speaker 1: the claim. So you need to provide evidence for the
- 1:12:27Speaker 1: claim you published. OK, you made the statement. You don't
- 1:12:30Speaker 1: get to make a definitive accusation. And then when somebody
- 1:12:33Speaker 1: asks you to prove it, turn around and make them
- 1:12:36Speaker 1: prove you wrong.
- 1:12:38Speaker 4: What if I said.
- 1:12:40Speaker 5: David Dennis Jr.
- 1:12:41Speaker 1: Goes around sniffing random men's butts in public every Thursday.
- 1:12:46Speaker 4: OK, David replied to me.
- 1:12:49Speaker 9: What?
- 1:12:50Speaker 5: Where's your proof?
- 1:12:51Speaker 1: Then I say, well, David, are you saying you've never
- 1:12:54Speaker 1: sniffed a man's butt?
- 1:12:56Speaker 5: Question mark.
- 1:12:57Speaker 4: Every Thursday. Question mark.
- 1:12:59Speaker 5: Not once.
- 1:12:59Speaker 4: Question mark.
- 1:13:00Speaker 1: Just want to be clear. That's not how it would work.
- 1:13:03Speaker 1: Since I made the claim that David Dennis Jr. sniffed butts,
- 1:13:06Speaker 1: the burden is on me to prove my claims to
- 1:13:09Speaker 1: be true. And this, ladies and gentlemen, is where social
- 1:13:12Speaker 1: media has ruined journalism forever. Everybody wants to go viral.
- 1:13:16Speaker 1: Everybody wants to clip. That's going to make people stop scrolling.
- 1:13:19Speaker 1: But when you're a journalist, you need precision. OK, words matter.
- 1:13:23Speaker 1: Alleged is a word for a reason.
- 1:13:25Speaker 4: Accused.
- 1:13:26Speaker 1: Is a word for a reason. Convicted is a word
- 1:13:29Speaker 1: for a reason. Restraining order means something specific. And actively
- 1:13:33Speaker 1: abusing women to this day, that means something specific too.
- 1:13:37Speaker 5: You can't throw.
- 1:13:38Speaker 1: All those things in a blender and serve them as
- 1:13:41Speaker 1: the same smoothie, especially when you're a journalist. David, you're
- 1:13:46Speaker 1: not some random person arguing in the shade room comments
- 1:13:50Speaker 1: or some random YouTuber just ranting.
- 1:13:52Speaker 4: You're a professional journalist.
- 1:13:54Speaker 1: And that's probably why Chris Brown responded, because he understands.
- 1:13:57Speaker 4: That your words carry a different responsibility.
- 1:14:00Speaker 1: If there are documented incidents that support your statement, present them.
- 1:14:03Speaker 1: If not, you've got to shut the F up forever.
- 1:14:07Speaker 1: By the way, you didn't even need to do that
- 1:14:09Speaker 1: to get your point across. OK, we all know Chris
- 1:14:12Speaker 1: Brown's actual documented history.
- 1:14:13Speaker 4: It gives you plenty to talk about.
- 1:14:15Speaker 1: You can criticize Chris Brown without exaggerating anything. You can
- 1:14:18Speaker 1: report the other accusations that have been made against him.
- 1:14:21Speaker 1: But you've got to explain what happened with those cases. OK,
- 1:14:24Speaker 1: tell people what is documented and then let them decide
- 1:14:27Speaker 1: what they think about Chris Brown.
- 1:14:29Speaker 5: By the way.
- 1:14:30Speaker 1: You can tell by the sold out arenas around the
- 1:14:32Speaker 1: world that his fans have already made up their mind.
- 1:14:35Speaker 1: But to me, this is bigger than Chris Brown.
- 1:14:37Speaker 5: This is about journalism.
- 1:14:39Speaker 4: OK, and just journalism.
- 1:14:41Speaker 18: All right.
- 1:14:41Speaker 5: Just the era we live in as a whole.
- 1:14:44Speaker 1: We live in a time where people decide allegations are
- 1:14:48Speaker 1: automatically facts whenever we don't like the person being accused.
- 1:14:53Speaker 5: That bothers me.
- 1:14:54Speaker 1: OK, principles aren't principles if they only apply to people
- 1:14:58Speaker 1: you like. You can believe every allegation against Chris Brown
- 1:15:02Speaker 1: you want. But an accusation isn't a conviction. An allegation
- 1:15:07Speaker 1: isn't automatically a fact simply because it fits what you
- 1:15:10Speaker 1: already believe about somebody.
- 1:15:12Speaker 5: And David, you're a journalist. You should know better. Please
- 1:15:16Speaker 5: give David Dennis Jr.
- 1:15:17Speaker 4: The sweet sounds and the hammer tones.
- 1:15:19Speaker 16: Oh, now you are the donkey of the day. You
- 1:15:27Speaker 16: are the donkey of the day.
- 1:15:32Speaker 2: Yeehaw.
- 1:15:36Speaker 4: I can't stand it. I'm telling you.
- 1:15:37Speaker 6: I can't stand it either.
- 1:15:38Speaker 1: We live in an era where people decide allegations are
- 1:15:41Speaker 1: automatically facts whenever we don't like the person being accused.
- 1:15:44Speaker 4: That's not how this should work.
- 1:15:46Speaker 6: I can't stand that. And I think Wale had a tweet.
- 1:15:50Speaker 6: He tweeted like a year ago, the demise of journalism,
- 1:15:54Speaker 6: like and how he can't stand to where like seeing
- 1:16:00Speaker 6: how downhill it went because it's spiraling because social media
- 1:16:04Speaker 6: messes up.
- 1:16:04Speaker 2: There's more headlines. Like we said before, you know, the nasty,
- 1:16:07Speaker 2: the headlines, the worst, the headlines, the more clicks you get,
- 1:16:10Speaker 2: the more engagement you get. And for a lot of people,
- 1:16:12Speaker 2: when they do this stuff on TikTok or YouTube or
- 1:16:15Speaker 2: Instagram or threads or X, they get paid for it.
- 1:16:18Speaker 2: So it's a more engagement. The more you get paid
- 1:16:20Speaker 2: and and if they see it working, they keep doing it. Well,
- 1:16:23Speaker 2: even if it is a lie, even if it's made up.
- 1:16:26Speaker 2: What if it is a butt sniffer? And on Thursday,
- 1:16:29Speaker 2: that's what he does.
- 1:16:29Speaker 5: Shut up.
- 1:16:30Speaker 2: Thank you for that donkey today, Charlemagne.
- 1:16:32Speaker 4: Okay. That was just an example.
- 1:16:33Speaker 5: All right.
- 1:16:33Speaker 4: I'm just saying.
- 1:16:34Speaker 2: That's what I said. What if? Now, when we come back.
- 1:16:37Speaker 4: No, it's not a what if. The man doesn't sniff
- 1:16:38Speaker 4: butts that we know of.
- 1:16:39Speaker 5: Stop.
- 1:16:40Speaker 7: Shut up.
- 1:16:40Speaker 4: Don't even do this to me right now.
- 1:16:42Speaker 6: Calm down.
- 1:16:44Speaker 2: When we come back, Morgan DeBond will be joining us.
- 1:16:48Speaker 2: She is the founder of Afrotech and CEO of Blavity Incorporated.
- 1:16:52Speaker 2: And we're going to talk to her next. So don't move.
- 1:16:54Speaker 2: It's The Breakfast Club. Good morning.
- 1:16:55Speaker 5: Morning, everybody.
- 1:16:56Speaker 2: It's DJ Envy, Jess Hilarious, Charlamagne Tha Guy. We are
- 1:16:59Speaker 2: The Breakfast Club. Lola Rose is here as well. We
- 1:17:02Speaker 2: got a special guest in the building.
- 1:17:03Speaker 4: Yes, indeed.
- 1:17:04Speaker 2: We have Morgan DeBond.
- 1:17:05Speaker 6: Welcome.
- 1:17:05Speaker 7: Hey, everybody.
- 1:17:06Speaker 2: How are you feeling?
- 1:17:07Speaker 11: Feeling good.
- 1:17:08Speaker 6: Hey.
- 1:17:10Speaker 4: Happy to have you, man. You know, Afrotech, of course,
- 1:17:13Speaker 4: you know, Blavity.
- 1:17:15Speaker 5: Blavity.
- 1:17:15Speaker 1: Mm-hmm. I wanted to talk to you about a lot
- 1:17:18Speaker 1: of things because I feel like, you know, lately you've
- 1:17:20Speaker 1: had to spend more time proving black people are a
- 1:17:24Speaker 1: valuable market than explaining why your company is actually valuable.
- 1:17:28Speaker 7: True.
- 1:17:29Speaker 11: Yeah, you know, in this day and age where D &
- 1:17:30Speaker 11: I is totally being attacked left and right, it's almost
- 1:17:33Speaker 11: as if it's become cool to be like, no, we
- 1:17:35Speaker 11: actually don't care. We have no consequences for not caring.
- 1:17:39Speaker 11: It's interesting to also be like, but if you care
- 1:17:41Speaker 11: about bottom line growth, then you're going to have to
- 1:17:43Speaker 11: care about multicultural eventually for your company. You're going to
- 1:17:46Speaker 11: have to care about advertising to us, for us, because
- 1:17:48Speaker 11: the next generation is so diverse. So at some point,
- 1:17:52Speaker 11: it's going to flip back. And we're going to be like,
- 1:17:55Speaker 11: where were you? What were you doing? You didn't stand
- 1:17:57Speaker 11: 10 tones down for us. And I think that we're
- 1:18:01Speaker 11: seeing that with different brands kind of going back and
- 1:18:03Speaker 11: forth on do we care, do we not care? And yeah,
- 1:18:07Speaker 11: it's been an interesting few years since Trump's been reelected.
- 1:18:09Speaker 5: Because advertising is huge.
- 1:18:11Speaker 11: Aberdeen is huge, 40,000 people.
- 1:18:12Speaker 1: And it makes me, like, you know, and I hear
- 1:18:14Speaker 1: you say if it wasn't a black tech company, people
- 1:18:18Speaker 1: would just look at it as one of the largest
- 1:18:19Speaker 1: tech conferences.
- 1:18:20Speaker 2: In the world.
- 1:18:21Speaker 3: 100%.
- 1:18:21Speaker 11: We're three times the size of TechCrunch Disrupt. We're the
- 1:18:23Speaker 11: second largest trade show for black folks in the country.
- 1:18:26Speaker 11: Essence is number one. We're number two. And we have
- 1:18:29Speaker 11: over 100 tech companies that come and advertise, recruit, and
- 1:18:32Speaker 11: do all types of stuff for us, right? So it's
- 1:18:35Speaker 11: interesting that we have to justify the investment in our community.
- 1:18:39Speaker 4: That's right.
- 1:18:39Speaker 15: The video, I was saying that I saved a video
- 1:18:42Speaker 15: to talk to you about today. You made a video
- 1:18:43Speaker 15: when the whole earn your leisure conversation was going on, right?
- 1:18:47Speaker 15: And you were talking about how that like, because your
- 1:18:50Speaker 15: business is, I mean, because your conference is Afrotech and
- 1:18:53Speaker 15: it's like branded for black people, the difference in like
- 1:18:56Speaker 15: partnerships and like all these things. Talk a bit about that.
- 1:19:00Speaker 15: And then about, do we do a good enough job
- 1:19:02Speaker 15: at holding people accountable in that video?
- 1:19:04Speaker 9: Yeah.
- 1:19:05Speaker 11: I mean, I think the thing with Afrotech is 40,000 people,
- 1:19:08Speaker 11: These are your smartest folks. These are people working at
- 1:19:10Speaker 11: big tech companies. These are VCs, venture capitalists. Less than 1%
- 1:19:14Speaker 11: of VC funding goes to black people still to this day,
- 1:19:18Speaker 11: despite our huge influence, right? And we shouldn't have to
- 1:19:21Speaker 11: beg for people to take our community seriously, right? Multi-trillion
- 1:19:26Speaker 11: dollar buying power. So when it comes to earn your
- 1:19:29Speaker 11: leisure and InvestFest, similarly, they have a huge audience. Take
- 1:19:33Speaker 11: black out of it. It's a huge moment. Another 40,000
- 1:19:36Speaker 11: people Sitting in a room. It's very rare. You don't
- 1:19:40Speaker 11: see white conferences with 40,000 people. Name one.
- 1:19:43Speaker 4: I don't even know.
- 1:19:45Speaker 2: They don't exist.
- 1:19:47Speaker 11: Unless they're seriously very tech or industry focused, but not
- 1:19:52Speaker 11: just people coming together as a part of their culture.
- 1:19:55Speaker 7: Yeah, nah.
- 1:19:56Speaker 11: So why do we have to even have a conversation
- 1:19:59Speaker 11: to justify an investment for brands spending millions of dollars
- 1:20:03Speaker 11: on this audience?
- 1:20:04Speaker 2: Do you think we're too hard on ourselves? We see
- 1:20:07Speaker 2: it with Essence. We see it with InvestFest.
- 1:20:09Speaker 11: You know, every year around this time, I go off
- 1:20:11Speaker 11: social media. So it looks like I'm still online. But
- 1:20:13Speaker 11: like the online discourse from our community to one another,
- 1:20:17Speaker 11: for the people who've actually decided to build for us,
- 1:20:19Speaker 11: it's atrocious.
- 1:20:20Speaker 6: It's atrocious.
- 1:20:21Speaker 11: Threads is like, I'm sure they're going to clip this
- 1:20:23Speaker 11: and be like, oh, here she go. But Threads is
- 1:20:25Speaker 11: like so toxic.
- 1:20:26Speaker 6: Oh, yeah.
- 1:20:27Speaker 11: We're so toxic to one another. For the people who
- 1:20:29Speaker 11: are actually taking the risk to invest in themselves, invest
- 1:20:32Speaker 11: in their business, hire black people at their companies. Those
- 1:20:35Speaker 11: are the ones you're going to attack. where's the same
- 1:20:37Speaker 11: heat for Donald Trump? Like we talk more about each
- 1:20:40Speaker 11: other than we do about politicians.
- 1:20:43Speaker 6: Cause my thing is, how do you turn that around? Like,
- 1:20:45Speaker 6: how do you, it still seems like that's going to
- 1:20:48Speaker 6: be just what it is. How do you stop our
- 1:20:51Speaker 6: own from tearing down our own? Even when we ain't
- 1:20:55Speaker 6: doing nothing wrong. It's just, it's always a flaw that
- 1:20:58Speaker 6: you find that, well, that they find in something.
- 1:21:01Speaker 11: You know, I've had to do a lot of like
- 1:21:02Speaker 11: self-reflection to be able to even show up after. I mean,
- 1:21:05Speaker 11: Afrotech's over a decade, right? That's we're celebrating 10 years
- 1:21:08Speaker 11: this year. And one of the things that I tell
- 1:21:11Speaker 11: myself is I have to come from a place of compassion.
- 1:21:13Speaker 11: It's because we are the few that have made it.
- 1:21:15Speaker 11: We are the few who have become this platform. And therefore,
- 1:21:20Speaker 11: if not us, then who? So if we're not the
- 1:21:23Speaker 11: ones advocating and building these platforms, these businesses and giving
- 1:21:27Speaker 11: back to our community.
- 1:21:27Speaker 9: Yeah.
- 1:21:28Speaker 11: Then who else would be doing it? And so they
- 1:21:31Speaker 11: feel really attached to the perfection, you know, everything that
- 1:21:35Speaker 11: we say we're going to do that we do, you know,
- 1:21:36Speaker 11: and I'm not saying we shouldn't hold ourselves to high standards.
- 1:21:38Speaker 11: I'm all for feedback, but the personal attack is crazy.
- 1:21:41Speaker 4: Is there a danger in calling something a black tech company?
- 1:21:46Speaker 11: Yeah, I think so. I don't think anyone should call
- 1:21:48Speaker 11: themselves a black tech company today. Not in this market.
- 1:21:51Speaker 11: Absolutely not.
- 1:21:52Speaker 1: Have you ever had to convince someone that serving black
- 1:21:55Speaker 1: people doesn't mean your business, I guess, has a black
- 1:21:57Speaker 1: size ceiling, whatever.
- 1:21:59Speaker 11: You know, I advise a lot of startups and founders.
- 1:22:01Speaker 11: You know, I've raised over $ 12 million in venture funding
- 1:22:03Speaker 11: a long time ago. So I've been in this game
- 1:22:05Speaker 11: for a minute. I started in Silicon Valley working in tech.
- 1:22:08Speaker 11: And when I talk to young founders who are trying
- 1:22:11Speaker 11: to figure out what they should build and they're Black,
- 1:22:13Speaker 11: I definitely suggest go after the biggest market possible. Like,
- 1:22:18Speaker 11: go after the largest market. You can still serve Black people.
- 1:22:22Speaker 11: You're going to because you are Black. So you're going
- 1:22:24Speaker 11: to naturally... be more inclusive in how you operate, but
- 1:22:27Speaker 11: let's go for the gold. Like why we don't need to, uh,
- 1:22:31Speaker 11: just serve our people all the time when it comes
- 1:22:33Speaker 11: to building something that people are trying to build billion
- 1:22:35Speaker 11: dollar businesses on. We don't have that many black billionaires
- 1:22:38Speaker 11: that are billionaires off of black products and services. There's
- 1:22:41Speaker 11: like a handful.
- 1:22:43Speaker 2: Yeah.
- 1:22:43Speaker 1: I mean, there's only been one that, I mean, there's
- 1:22:45Speaker 1: only been the largest exit has been, uh, BET with
- 1:22:48Speaker 1: Bob Johnson.
- 1:22:49Speaker 7: Yeah.
- 1:22:50Speaker 4: Yeah.
- 1:22:51Speaker 6: That's right.
- 1:22:51Speaker 11: And then, You know, Rich Dennis in essence and Shea Moisture.
- 1:22:57Speaker 4: So does the black company thing, does it help us
- 1:23:00Speaker 4: or limit us?
- 1:23:02Speaker 11: I think it's limiting right now.
- 1:23:03Speaker 4: Just because of the political climate?
- 1:23:05Speaker 11: You can't get investors. It's hard to get multicultural dollars.
- 1:23:08Speaker 11: I mean, they're completely laying off and firing anybody with
- 1:23:12Speaker 11: a DEI title still to this day. The executive order
- 1:23:16Speaker 11: from Stephen Miller, led by Stephen Miller, is still causing
- 1:23:20Speaker 11: a ripple effect in terms of contractors, companies that have
- 1:23:23Speaker 11: contracts with the federal government, they're under a lens. And
- 1:23:26Speaker 11: so one thing about Afrotech that we were intentional, even
- 1:23:28Speaker 11: before all of this happened, was we don't even call
- 1:23:30Speaker 11: Afrotech like a black conference in that way. When you
- 1:23:33Speaker 11: go on stage at Afrotech, we're not like, oh, it's
- 1:23:35Speaker 11: so exciting for.
- 1:23:36Speaker 15: You to be black.
- 1:23:36Speaker 11: How do you become black in tech? How do you
- 1:23:38Speaker 11: become black product manager? How do you raise black dollars?
- 1:23:40Speaker 11: We're not talking about that. We're talking about AI. We're
- 1:23:42Speaker 11: talking about cybersecurity. We're talking about what certifications do you need?
- 1:23:45Speaker 11: We're talking about how do you scale to a million users?
- 1:23:48Speaker 6: Because.
- 1:23:49Speaker 11: That's actually what's going to unlock the next level of
- 1:23:52Speaker 11: us being self-sufficient as a community. It's not going to
- 1:23:54Speaker 11: be us playing their game. We're not going to win that.
- 1:23:57Speaker 11: I think we tried. It's not working.
- 1:23:58Speaker 2: You talk about advertisement and you're saying it's not as
- 1:24:02Speaker 2: easy to get advertisement as some of these other conferences
- 1:24:04Speaker 2: and other networks. What makes it more difficult and why
- 1:24:06Speaker 2: are they saying no?
- 1:24:08Speaker 11: I think it's risky for some of them. I think
- 1:24:10Speaker 11: they have to jump through so many hoops.
- 1:24:11Speaker 2: What's risky about Afrotech? What's risky?
- 1:24:14Speaker 11: They don't want to target on their back from the
- 1:24:15Speaker 11: federal government. They're terrified of these people.
- 1:24:19Speaker 8: Terrified.
- 1:24:20Speaker 11: They've been very successful at making companies say, we don't
- 1:24:25Speaker 11: want the risk of being bothered. And again, the question is,
- 1:24:30Speaker 11: what do we say? Do we say, okay, we're out then. Like,
- 1:24:34Speaker 11: I shouldn't have to beg you for the privilege to
- 1:24:37Speaker 11: advertise to our people. Or do I say, well, let
- 1:24:42Speaker 11: me play the game. Let me meet you where you are.
- 1:24:45Speaker 11: Let me do the dance. And then, because we need
- 1:24:48Speaker 11: this institution to continue to survive and we need to
- 1:24:51Speaker 11: pay our teams, the thousands of staffers that we have,
- 1:24:53Speaker 11: the businesses that we support, we have to do that.
- 1:24:56Speaker 11: So it's this constant delicate balance. There's some companies that
- 1:24:58Speaker 11: my team and I'm like, Oh, you can keep that 500.
- 1:25:02Speaker 6: You can keep it. I was just about to ask
- 1:25:03Speaker 6: you was, is there any moment where you're like, look, no,
- 1:25:06Speaker 6: we're not even going to do this.
- 1:25:07Speaker 5: Okay.
- 1:25:08Speaker 6: So there are moments.
- 1:25:09Speaker 7: Yeah.
- 1:25:09Speaker 11: We're like, I'm good.
- 1:25:10Speaker 6: Yeah. And then, And then there are moments where you
- 1:25:12Speaker 6: do have to play the game, but at what point
- 1:25:15Speaker 6: do you stop playing the game? You throw your hands out.
- 1:25:19Speaker 6: This ain't benefiting me. It's benefiting y'all more. It's not
- 1:25:21Speaker 6: benefiting me as much.
- 1:25:22Speaker 11: That just happened this summer. And it's a constant dialogue.
- 1:25:26Speaker 11: It's so funny because if you look at the public sentiment,
- 1:25:29Speaker 11: you know, there's all these people on threads and all
- 1:25:31Speaker 11: these different places that think that we all just say, like,
- 1:25:34Speaker 11: we're just going to take any dollar.
- 1:25:35Speaker 6: Yeah.
- 1:25:36Speaker 11: Do you know how much money I've left on the
- 1:25:39Speaker 11: table to be, like, morally in alignment with y'all.
- 1:25:43Speaker 4: Lord have mercy.
- 1:25:45Speaker 11: They have no idea.
- 1:25:46Speaker 2: I don't even want to talk about it.
- 1:25:48Speaker 1: I don't even, because sometimes, you know, you'll get those
- 1:25:52Speaker 1: phone calls and be like, hey, such and such wants
- 1:25:55Speaker 1: to advertise and blah, blah, blah, this and that.
- 1:25:57Speaker 4: And you'll be like, but you know, this is going
- 1:25:58Speaker 4: to be backlash.
- 1:25:58Speaker 1: And I'm sitting there thinking, they're going to run them
- 1:26:00Speaker 1: same commercials somewhere else and nobody's going to say shit.
- 1:26:03Speaker 16: Oh, word.
- 1:26:04Speaker 14: And I see it.
- 1:26:04Speaker 11: I'm literally like, oh, so-and-so said yes to this. I
- 1:26:06Speaker 11: can literally see it. I'm like, oh, Esa said yes
- 1:26:09Speaker 11: to that. Oh, Ravel said yes to that.
- 1:26:11Speaker 2: I can, I can see it. It's the same RFP.
- 1:26:13Speaker 1: It has to be a Robin Hood mentality. And what
- 1:26:17Speaker 1: I mean by that is Robin Hood would take from
- 1:26:18Speaker 1: the rich to get back to the poor.
- 1:26:20Speaker 4: It has to be that.
- 1:26:21Speaker 11: But we also have to have boundaries at some point
- 1:26:23Speaker 11: of what's the lowest price we're willing to sell for.
- 1:26:25Speaker 2: Yeah, that's true too.
- 1:26:26Speaker 11: Especially if we're the last guardrail between us and our
- 1:26:30Speaker 11: people and the capitalists, we have to have some sort
- 1:26:34Speaker 11: of boundary. But that boundary shifts, I would say, depending
- 1:26:38Speaker 11: on the company, depending on their track record. depending on
- 1:26:42Speaker 11: who's in leadership, the intent behind it. Is it just a,
- 1:26:47Speaker 11: you know, checkbox? Is it a band-aid? Because you really
- 1:26:50Speaker 11: messed up and now you need to show something shiny
- 1:26:53Speaker 11: over here?
- 1:26:54Speaker 6: Or are you actually.
- 1:26:55Speaker 11: Trying to do something that's going to have an economic
- 1:26:57Speaker 11: benefit to the rest of us? So it's a constant conversation.
- 1:27:02Speaker 4: Does it matter sometimes?
- 1:27:05Speaker 1: And what I mean by that is, like, who cares
- 1:27:07Speaker 1: why they decide they want to give a black company,
- 1:27:10Speaker 1: the money is going to a black company.
- 1:27:12Speaker 5: I care more.
- 1:27:12Speaker 4: Like I know your intention. I don't care who gave
- 1:27:15Speaker 4: you the money. I know what Morgan is going to
- 1:27:17Speaker 4: do with that money.
- 1:27:18Speaker 11: My nervous system disagrees. I need to be able to
- 1:27:25Speaker 11: wake up every morning and look myself in the mirror
- 1:27:28Speaker 11: and say, yeah.
- 1:27:30Speaker 7: Right.
- 1:27:30Speaker 11: And sometimes I will take the check because I'm like,
- 1:27:33Speaker 11: you know what? That is like these three people's salaries.
- 1:27:35Speaker 11: And they have been asking for a raise and we
- 1:27:36Speaker 11: haven't been able to do it. And now I'm going
- 1:27:38Speaker 11: to do this. And now they get a raise.
- 1:27:39Speaker 4: That's right.
- 1:27:40Speaker 11: So I will justify sometimes for those things. But it's tough.
- 1:27:44Speaker 6: It's a tough question.
- 1:27:45Speaker 1: And it's hard to discuss business with people who don't
- 1:27:47Speaker 1: got nothing.
- 1:27:49Speaker 12: True.
- 1:27:50Speaker 11: They don't get it.
- 1:27:50Speaker 5: They don't understand your mindset.
- 1:27:51Speaker 12: But do they have to get it?
- 1:27:53Speaker 5: No, I don't think so.
- 1:27:54Speaker 9: Right.
- 1:27:55Speaker 15: I mean, they don't, but then you have things that
- 1:27:57Speaker 15: happen like when Essence Festival gets all that bad conversation
- 1:28:00Speaker 15: around it, knowing that in a business, things happen that
- 1:28:03Speaker 15: you got to correct sometimes.
- 1:28:05Speaker 16: Right.
- 1:28:05Speaker 15: But it puts them in a position where the following year,
- 1:28:07Speaker 15: because of that backlash, certain things are supporting certain things
- 1:28:10Speaker 15: or not.
- 1:28:11Speaker 11: You know, I think that there's some level of criticism
- 1:28:14Speaker 11: that is always, there's some truth in all, in some
- 1:28:17Speaker 11: sort of like large sets of criticism, in my opinion.
- 1:28:20Speaker 11: You just have to decide, do you care or do
- 1:28:22Speaker 11: you not care? Do you want to take action? Do
- 1:28:24Speaker 11: you not take action? Like there was a time when Afrotech,
- 1:28:26Speaker 11: when people were really mad, you know, we started off very,
- 1:28:27Speaker 11: very techie because we were based in Silicon Valley. It
- 1:28:30Speaker 11: was very much for engineers, nerds. And as it grew,
- 1:28:33Speaker 11: we had a lot of people come in from the
- 1:28:35Speaker 11: music industry, from the film industry, from culture. And people
- 1:28:39Speaker 11: were like, where's the tech? Like, where's the tech in Afrotech?
- 1:28:43Speaker 11: And I was like, you know what? We maybe went
- 1:28:45Speaker 11: a little too far to the left. We should make
- 1:28:49Speaker 11: sure that we have proper, in-depth, hands-on workshops where people
- 1:28:53Speaker 11: who are very technical can still get value out of
- 1:28:54Speaker 11: this space and still grow from this space.
- 1:28:57Speaker 15: It was valid feedback.
- 1:28:58Speaker 11: How they delivered it, a little rough, but valid.
- 1:29:02Speaker 4: My last question, because I know you got a goal.
- 1:29:03Speaker 1: What has building a black company taught you about black
- 1:29:07Speaker 1: people's relationship with ownership that you couldn't have understood before
- 1:29:11Speaker 1: becoming this CEO that you've become?
- 1:29:15Speaker 11: I used to believe that the goal was instead of
- 1:29:18Speaker 11: more white millionaires and billionaires, we need more black millionaires
- 1:29:21Speaker 11: and billionaires. And I don't know that I believe that
- 1:29:23Speaker 11: that is the answer anymore. Like now having reached a
- 1:29:26Speaker 11: certain level, and having access to tons of billionaires, I
- 1:29:30Speaker 11: don't believe that that is going to save us.
- 1:29:32Speaker 4: What do you think? Institutions, infrastructure?
- 1:29:34Speaker 5: Yeah.
- 1:29:35Speaker 11: It's institutions. It's community benefits within our institutions. And that
- 1:29:41Speaker 11: being a part of the cycle, it can't just be
- 1:29:43Speaker 11: about profits, profits, profits. It won't work for this next generation.
- 1:29:47Speaker 11: And with the evolution of AI and the future of work,
- 1:29:49Speaker 11: it's just not going to work in our favor to
- 1:29:52Speaker 11: only care about getting a certain level of wealth.
- 1:29:55Speaker 1: Yeah, I think you need people who get the money
- 1:29:57Speaker 1: but are also intentional about building that infrastructure within certain communities.
- 1:30:01Speaker 6: That's right.
- 1:30:02Speaker 11: And some people are doing good at that, and there's
- 1:30:03Speaker 11: some people in our community that just, they don't care.
- 1:30:06Speaker 2: Tell them when Afrotech is and everything. Give them all
- 1:30:08Speaker 2: the information so they know.
- 1:30:08Speaker 11: Yeah, Afrotech's November 2nd through 6th in Houston. It's our
- 1:30:12Speaker 11: third or fourth year in Houston. Houston's been holding us down.
- 1:30:14Speaker 11: It's a lot of fun and also a lot of work.
- 1:30:17Speaker 11: Come to be curious with an open heart. It's a
- 1:30:20Speaker 11: life-changing experience. If you've ever been thinking about, how can
- 1:30:23Speaker 11: I build something? I have an idea. I have something
- 1:30:25Speaker 11: on my heart to provide back into this community. I
- 1:30:28Speaker 11: want to get into tech, or I want to build
- 1:30:31Speaker 11: on top of this AI revolution.
- 1:30:33Speaker 9: Come.
- 1:30:34Speaker 11: We've got something for you.
- 1:30:35Speaker 2: Are the student tickets done? Somebody asked me about the
- 1:30:37Speaker 2: student tickets.
- 1:30:37Speaker 11: Student tickets are sold out.
- 1:30:38Speaker 6: The kids don't play.
- 1:30:40Speaker 2: The kids don't play.
- 1:30:42Speaker 6: What's the website?
- 1:30:43Speaker 11: AfroTechConference.com.
- 1:30:44Speaker 10: All right.
- 1:30:45Speaker 2: Morgan DeBond, thank you for joining us so much.
- 1:30:46Speaker 7: Thanks, guys.
- 1:30:47Speaker 2: It's the Breakfast Club. Good morning. Let's get to the
- 1:30:48Speaker 2: latest with Lauren.
- 1:30:50Speaker 4: Lauren, you're coming to the street, baby.
- 1:30:52Speaker 9: We up!
- 1:30:53Speaker 2: Talk to me, Hot Dog Lo.
- 1:31:15Speaker 15: How are y'all? Good morning. So Lionel Richie, yesterday I
- 1:31:19Speaker 15: got this alert. TMZ broke the story exclusively. And I
- 1:31:22Speaker 15: was like, man, again, he is hospitalized. And he's back
- 1:31:26Speaker 15: in the hospital because of another heart issue. So the
- 1:31:29Speaker 15: last time we talked about this, remember, he had kind
- 1:31:32Speaker 15: of checked himself into the hospital because he was dizzy.
- 1:31:35Speaker 15: And then they found out that it was something related
- 1:31:36Speaker 15: to cardiac, related to his heart. So because of this
- 1:31:39Speaker 15: time right now, him, Earth, Wind & Fire have decided
- 1:31:41Speaker 15: to cancel their next three shows. He's currently being hospitalized
- 1:31:44Speaker 15: and receiving treatment for a regular heartbeat. Now, they're going
- 1:31:47Speaker 15: to do, according to TMZ and their sources, doctors. And
- 1:31:50Speaker 15: I think I actually saw the tour page post this
- 1:31:53Speaker 15: on Instagram as well, too. The doctors are going to
- 1:31:56Speaker 15: do this procedure. It's not a major procedure. It's minimally invasive.
- 1:32:00Speaker 15: It's a treatment that cures tiny scars around the heart.
- 1:32:04Speaker 15: that block like these electrical signals and help restore a
- 1:32:07Speaker 15: normal heart rhythm.
- 1:32:09Speaker 2: But I don't know.
- 1:32:09Speaker 15: I think maybe I don't know if I would want
- 1:32:11Speaker 15: him to push through this tour. This is like three times. Yeah,
- 1:32:15Speaker 15: like I think he should just really.
- 1:32:17Speaker 5: He definitely needs to sit down and come off tour.
- 1:32:20Speaker 15: It ain't about the money for him. I know it's
- 1:32:22Speaker 15: about the love of, you know, performing.
- 1:32:23Speaker 6: In the artistry.
- 1:32:24Speaker 5: Lionel kicked up.
- 1:32:26Speaker 4: Lionel probably spending money from 1970-something.
- 1:32:29Speaker 5: But he needs to come to New York and come
- 1:32:30Speaker 5: see Dr.
- 1:32:30Speaker 7: Puma.
- 1:32:30Speaker 2: Yeah, he needs to go see Dr. Puma, check on
- 1:32:32Speaker 2: his heart.
- 1:32:33Speaker 6: Yeah.
- 1:32:33Speaker 2: That'll get him right.
- 1:32:34Speaker 15: Yeah, well, you know, sending him some love and some
- 1:32:37Speaker 15: prayers this morning. Get well soon. In other news, yesterday
- 1:32:40Speaker 15: there was a conversation that Ryan Clark had with Craig Melvin.
- 1:32:43Speaker 15: And we learned a bit more about that new show
- 1:32:46Speaker 15: that they had, Pivot Sports, on YouTube that we talked about.
- 1:32:48Speaker 15: And I was telling you guys how amazing the production
- 1:32:50Speaker 15: looks and all these things. So Ryan Clark is speaking
- 1:32:53Speaker 15: out about a billionaire who reached out to him to
- 1:32:55Speaker 15: get involved as an investor and help them kick that off.
- 1:32:58Speaker 15: Let's take a listen to Ryan Clark with Craig Melvin
- 1:33:00Speaker 15: on Howard Schultz.
- 1:33:02Speaker 13: Probably four days afterwards, my PR people hit me like,
- 1:33:07Speaker 13: Howard Schultz wants to talk to you.
- 1:33:09Speaker 4: The Starbucks billionaire.
- 1:33:10Speaker 9: Yes.
- 1:33:11Speaker 13: He talks about this deep dive he's done on me
- 1:33:13Speaker 13: since he saw it happen, how he wants to not
- 1:33:16Speaker 13: only be a part of my comeback, but he believes
- 1:33:19Speaker 13: that I'm a brand, which I hadn't heard from somebody
- 1:33:22Speaker 13: of his stature who didn't look like me. And he said,
- 1:33:25Speaker 13: can we get on a Zoom? And then he said,
- 1:33:27Speaker 13: how can I help you? And I told him that
- 1:33:29Speaker 13: I wanted to do a show. And from there, he
- 1:33:32Speaker 13: was like, wait, why would we just talk about doing
- 1:33:34Speaker 13: one show? I believe that in you being a brand,
- 1:33:36Speaker 13: we can build an entire network. And I don't want
- 1:33:39Speaker 13: you to have to go ask to be accepted. Since then, man,
- 1:33:43Speaker 13: there hasn't been a day that we haven't spoken or
- 1:33:47Speaker 13: text or he hasn't been working to help me bring
- 1:33:50Speaker 13: this to fruition.
- 1:33:52Speaker 1: Well, salute to the good brother, Ryan Clark. I don't
- 1:33:54Speaker 1: know why we're using that sweaty-ass picture of Ryan Clark.
- 1:33:56Speaker 1: But salute to the good brother, Ryan Clark. Howard Schultz
- 1:34:01Speaker 1: isn't just investing in Ryan's next show, as you heard.
- 1:34:03Speaker 1: He's investing in Ryan as a brand and a business.
- 1:34:07Speaker 1: And that's the difference between, you know, getting another job. Like,
- 1:34:10Speaker 1: Ryan is building something that can outlive him.
- 1:34:12Speaker 5: So salute to the good.
- 1:34:13Speaker 4: Brother, Ryan Clark. Drop on the clues box for Ryan Clark.
- 1:34:15Speaker 7: Absolutely.
- 1:34:16Speaker 5: I saw Ryan yesterday.
- 1:34:17Speaker 4: I did the pivot yesterday.
- 1:34:18Speaker 5: Oh, dope.
- 1:34:19Speaker 15: Oh nice though but she was on there talking about
- 1:34:21Speaker 15: that strong.
- 1:34:22Speaker 2: Neck wow awesome all right let's.
- 1:34:25Speaker 15: Move on god is good speaking of kirk franklin y'all
- 1:34:28Speaker 15: remember i did the uh the intimate conversation with kirk
- 1:34:30Speaker 15: franklin and we got to talk through a lot of
- 1:34:33Speaker 15: his music and his new i am what i am
- 1:34:35Speaker 15: album that is going to be coming out this fall
- 1:34:37Speaker 15: yes and i told you guys that he was going
- 1:34:38Speaker 15: to be dropping a track this friday Yes.
- 1:34:41Speaker 4: You said you wasn't supposed to say who was on it, though.
- 1:34:44Speaker 5: He gave you permission?
- 1:34:45Speaker 8: Yes.
- 1:34:45Speaker 15: So, I mean, they're previewing the track places. We have it.
- 1:34:48Speaker 15: Kirk Franklin will be dropping a record called This Time
- 1:34:51Speaker 15: featuring Glorilla this Friday. And we have a snippet of it.
- 1:34:55Speaker 15: Let's take a listen.
- 1:34:58Speaker 2: I could be in the dirt right now, but instead
- 1:35:05Speaker 2: I'm on a beach.
- 1:35:06Speaker 4: Not Kirk Franklin, a.k.a. Holy Low. Featuring Hallelujah Woods.
- 1:35:12Speaker 1: That's Holy Low and Hallelujah Woods right there.
- 1:35:16Speaker 6: That song is tough.
- 1:35:17Speaker 5: I need to hear that whole tune. Play that whole
- 1:35:19Speaker 5: tune for me one time, man.
- 1:35:21Speaker 6: We got it in the mix. I love it.
- 1:35:25Speaker 15: Are you allowed to snipe gospel music, though?
- 1:35:28Speaker 2: I was thinking about that. I don't know if.
- 1:35:29Speaker 6: Yes, yes, it's okay.
- 1:35:31Speaker 4: Y'all wasn't supposed to play that?
- 1:35:32Speaker 18: No.
- 1:35:33Speaker 12: Why not?
- 1:35:34Speaker 5: It's not out?
- 1:35:35Speaker 9: No.
- 1:35:35Speaker 6: It comes out Friday.
- 1:35:36Speaker 4: Oh, all right.
- 1:35:38Speaker 6: Okay, give him a little taste. It's okay.
- 1:35:40Speaker 5: It's all right.
- 1:35:40Speaker 6: Give him a little taste.
- 1:35:41Speaker 4: I don't think he would mind. You just played a
- 1:35:43Speaker 4: little snippet of it. I don't think the Lord would
- 1:35:45Speaker 4: mind either.
- 1:35:45Speaker 6: Like, what are we talking about?
- 1:35:46Speaker 15: Won't he do it?
- 1:35:47Speaker 4: So we going to get that on in the mix?
- 1:35:49Speaker 7: Yeah, no.
- 1:35:50Speaker 15: I'm trying to tell y'all.
- 1:35:51Speaker 4: Holy low from now on.
- 1:35:52Speaker 2: That's his new name.
- 1:35:53Speaker 15: I Am What I Am is a dual-disc album. He
- 1:35:56Speaker 15: got some Grammy nominations coming off this project. It is amazing.
- 1:35:59Speaker 15: Y'all haven't even heard. That is great. But wait till
- 1:36:03Speaker 15: y'all hear the project in full, like the sequences and stuff.
- 1:36:05Speaker 15: It's an amazing project.
- 1:36:06Speaker 9: All right.
- 1:36:07Speaker 6: I love me some Kirk Franklin.
- 1:36:09Speaker 2: I think God would want us to play the record.
- 1:36:11Speaker 9: Yep.
- 1:36:12Speaker 2: I think so.
- 1:36:14Speaker 15: Well, let's get to it. That was Top Dog Law.
- 1:36:17Speaker 15: That was sponsored by Top Dog.
- 1:36:18Speaker 7: Let's see.
- 1:36:18Speaker 15: I can't even do it right because I don't know
- 1:36:19Speaker 15: what God is feeling like right now. That was sponsored
- 1:36:21Speaker 15: by Top Dog Law. Top Dog Law is built for
- 1:36:23Speaker 15: tough cases. Go see how much your case may be worth.
- 1:36:26Speaker 15: It's TopDogLaw.com. Envy.
- 1:36:28Speaker 2: Let's do it.
- 1:36:30Speaker 5: Let's do it.
- 1:36:31Speaker 1: I mean, he gave y'all the record to do it.
- 1:36:33Speaker 1: You played a snippet just now, so why wouldn't you
- 1:36:34Speaker 1: play it over?
- 1:36:34Speaker 6: Oh, it's all right. Just drop it, yo.
- 1:36:36Speaker 9: All right.
- 1:36:36Speaker 2: Say no more. He didn't actually give us the record,
- 1:36:38Speaker 2: but yes, let's do it.
- 1:36:40Speaker 6: God gave us the record.
- 1:36:41Speaker 2: Y'all envy. You know how people say that God put
- 1:36:44Speaker 2: it in my email?
- 1:36:44Speaker 5: Stop blaming this on God.
- 1:36:45Speaker 2: Well, it wound up in the email. Let's get it on.
- 1:36:48Speaker 2: It comes out this Friday.
- 1:36:50Speaker 4: Kirk Franklin, a.k.a. Holy Low, featuring Hallelujah Woods.
- 1:36:53Speaker 15: Yes.
- 1:36:54Speaker 2: Breakfast Club, good morning.
- 1:36:55Speaker 7: Morning, everybody.
- 1:36:56Speaker 2: It's DJ Envy, Just Hilarious, Charlamagne Tha Guy. We are
- 1:36:59Speaker 2: The Breakfast Club. Salute to our street dancer, John Books,
- 1:37:04Speaker 2: for joining us and a filmmaker. His new film, Remedy
- 1:37:07Speaker 2: in the Rhythm. What'd you say?
- 1:37:08Speaker 6: I said shout out to him. He actually spent a
- 1:37:10Speaker 6: lot of his time in Baltimore, too.
- 1:37:12Speaker 2: He's from Baltimore, I said.
- 1:37:14Speaker 6: He's not from Baltimore, but he grew up there. He
- 1:37:17Speaker 6: spent a lot of his years there. It was kind
- 1:37:20Speaker 6: of like seeing one of my cousins or whatever.
- 1:37:22Speaker 1: Yeah, John is interesting, man. I've learned a lot from
- 1:37:24Speaker 1: John just listening to a lot of his stories. You
- 1:37:28Speaker 1: should definitely check out his short film, Remedy in the Rhythm.
- 1:37:31Speaker 1: But just hearing his story about being a street dancer and.
- 1:37:35Speaker 5: Why a lot of people.
- 1:37:38Speaker 1: participate in street dancing like i never thought about it
- 1:37:40Speaker 1: like you see these people on the street and they're
- 1:37:42Speaker 1: dancing and they got so much talent yeah because they're
- 1:37:45Speaker 1: so talented you're not even thinking oh this person's struggling
- 1:37:48Speaker 1: you know what i'm saying like yeah i don't know
- 1:37:49Speaker 1: why it's duh but yeah these people really be out
- 1:37:53Speaker 1: here hustling man trying to make money trying to pay
- 1:37:54Speaker 1: their rent you know trying to pay their car notes
- 1:37:56Speaker 1: so salute to uh john books Yeah.
- 1:37:59Speaker 4: Representing for street dancers all over the world.
- 1:38:01Speaker 2: I'm going to try to connect with him. I'm going
- 1:38:02Speaker 2: to head out to Vegas. I'm going to try to
- 1:38:03Speaker 2: connect with him when I'm out there.
- 1:38:04Speaker 5: He's a good dude.
- 1:38:06Speaker 2: So salute to him. And yeah, he was part of
- 1:38:08Speaker 2: the Michael Jackson Cirque du Soleil show out in Vegas.
- 1:38:11Speaker 2: And he was in the Michael movie that came out
- 1:38:13Speaker 2: last year. Early this year, I should say.
- 1:38:15Speaker 4: I love that.
- 1:38:16Speaker 2: Yeah. And also Morgan DeBond. She's the founder of Afrotech,
- 1:38:20Speaker 2: CEO of Blivity Incorporated.
- 1:38:22Speaker 4: Blavity, boy.
- 1:38:23Speaker 5: Blavity.
- 1:38:23Speaker 2: I said Blivity.
- 1:38:24Speaker 5: Blavity.
- 1:38:25Speaker 2: So yeah, she stopped doing it as well.
- 1:38:27Speaker 1: So salute to Morgan. You can learn a lot from
- 1:38:28Speaker 1: Morgan as well. Morgan has been doing Afrotech for a
- 1:38:31Speaker 1: long time. It's one of the biggest tech conferences, period,
- 1:38:36Speaker 1: in the country.
- 1:38:37Speaker 4: You know what I mean? But definitely the biggest tech
- 1:38:38Speaker 4: conference for black folk.
- 1:38:39Speaker 5: Yes, right.
- 1:38:40Speaker 2: Now, you in Atlantic City this weekend?
- 1:38:43Speaker 7: I am, y'all.
- 1:38:43Speaker 6: I got three more days to get y'all tickets. No,
- 1:38:45Speaker 6: two more days. I'm there this Friday, September 25th. Sorry,
- 1:38:50Speaker 6: at Harris Casino. So make sure you get your tickets
- 1:38:52Speaker 6: for that. JustelariusOfficial.com, Atlantic City. Calling Philly, calling Newark, calling,
- 1:38:57Speaker 6: you know, because it's like, hey, yo, how far is
- 1:39:00Speaker 6: Atlantic City from Newark?
- 1:39:01Speaker 15: Like two hours.
- 1:39:02Speaker 6: It's like two hours.
- 1:39:03Speaker 2: Yeah, about two hours.
- 1:39:04Speaker 6: Yeah, see, Atlantic City, that's crazy because it's closer to Philly.
- 1:39:07Speaker 5: It's right there. No, it's right there. It's right there.
- 1:39:09Speaker 7: It ain't far.
- 1:39:10Speaker 5: Yeah, it's right there.
- 1:39:11Speaker 6: Yeah, so y'all get y'all tickets, man, hour 40. And
- 1:39:13Speaker 6: they are going quick, so y'all got just two more
- 1:39:16Speaker 6: days to be in the place to be. And then
- 1:39:19Speaker 6: next week, I'm in Tacoma, Washington. I'm coming back to
- 1:39:22Speaker 6: the West Coast, so make sure you get your tickets
- 1:39:24Speaker 6: for that as well. I'll be at the Super Funny
- 1:39:26Speaker 6: Comedy Club with my boy Nate Jackson. Me and Desi
- 1:39:28Speaker 6: Alexander will be hitting that stage for the second or
- 1:39:31Speaker 6: third time. I haven't been to Tacoma yet. since like 2020,
- 1:39:34Speaker 6: like back in the COVID days. So get your tickets
- 1:39:36Speaker 6: for that as well. If you have not, I'll be
- 1:39:38Speaker 6: doing meet and greet. I will be having my book,
- 1:39:40Speaker 6: Till Death Do We Parent, on hand. And I will
- 1:39:42Speaker 6: be doing a book signing event as well. Go to
- 1:39:44Speaker 6: my website for all that information and more, JessalariusOfficial.com.
- 1:39:48Speaker 5: All right.
- 1:39:49Speaker 2: Charlotte, you got a positive note?
- 1:39:50Speaker 5: I do.
- 1:39:50Speaker 1: I just want to remind y'all my sixth annual Mental
- 1:39:53Speaker 1: Wealth Expo is on 1010. October 10th, World Mental Health
- 1:39:57Speaker 1: Day to Joelle and Diane Bloom Wellness and Events Center, man.
- 1:40:00Speaker 1: So make sure you go to mentalwealthexpo.com and RSVP to
- 1:40:04Speaker 1: be there.
- 1:40:04Speaker 4: It is a completely free event. Now, the positive note
- 1:40:08Speaker 4: is this.
- 1:40:08Speaker 1: Your entire life will change when you realize energy is
- 1:40:12Speaker 1: the most attractive human trait, okay?
- 1:40:14Speaker 5: Not looks, wealth, or status.
- 1:40:17Speaker 7: Energy.
- 1:40:17Speaker 1: Start walking into rooms with genuine enthusiasm, curiosity, and interest,
- 1:40:22Speaker 1: and watch what happens. You become a magnet for the
- 1:40:24Speaker 1: highest quality people. Energy is contagious. Spread the kind you'd
- 1:40:28Speaker 1: want to catch.
- 1:40:29Speaker 4: Like herpes. Have a great day. Breakfast Club, bitches! You
- 1:40:33Speaker 4: all finished or you all done?
- 1:40:34Speaker 5: Woke up, woke up, wake you up.
- 1:40:36Speaker 2: Wake that ass up.
- 1:40:37Speaker 1: Program your alarm to Power 105.1 on iHeartRadio.