Latest / Matt and Alex / Dyso’s Trying His Best

Transcript

Dyso’s Trying His Best · Matt and Alex

• 0:02
  S1: A listener production.
• 0:04
  S2: Two cuddly boys overloading the bromance. Kilometre. It's Matt and.
• 0:10
  S3: Alex all day. Breakfast. Oh, geed up Alex Dyson. That's
• 0:14
  S3: how I feel. Absolutely Geed up, bruv. Why are you
• 0:18
  S3: getting geed up? Well, tonight, uh, I'm getting to see
• 0:21
  S3: one of my favorite bands in all of the world
• 0:24
  S3: play in one of my favorite cities in all of
• 0:26
  S3: the world, in a venue that is about to close down,
• 0:30
  S3: which is very sad. Oh, Ball Park Music is putting
• 0:34
  S3: on their, uh, a show to say goodbye to the zoo,
• 0:38
  S3: one of Brisbane's most famous venues that has been around for. Oh, God.
• 0:44
  S3: I don't know how long the zoo's been around, but
• 0:46
  S3: Ball Park Music played their first show there. Um, I
• 0:49
  S3: think we're talking about, like the zoo has been around
• 0:53
  S3: for sort of in the 30 years marks. Um, and
• 0:56
  S3: they're closing down on the 8th of July. The Ball
• 0:58
  S3: park music wanted to say goodbye. And me and Belinda
• 1:01
  S3: are hitting the town. Brother can't wait.
• 1:03
  S4: Oh, that's gonna be so nice. Like, I reckon it's
• 1:05
  S4: gonna be pretty emotional. You know, the ball park crew
• 1:08
  S4: are able to to tug on those heart strings when necessary,
• 1:11
  S4: as well as rocking the house, and it's just a
• 1:14
  S4: bit of bad news around the Australian music industry, whether
• 1:16
  S4: it's festivals, counselling or like venues shutting down. It's some
• 1:20
  S4: pretty tough times out there, man.
• 1:22
  S3: Yeah. Well look, they've they've, uh, said the cost of
• 1:24
  S3: supplying alcohol is rising. Bar sales are going down, likely
• 1:27
  S3: due to a mix of lifestyle changes and cost of
• 1:29
  S3: living stress. Um, that's the hard truth of running the
• 1:32
  S3: zoo at a loss for over three years. So they've
• 1:36
  S3: tried hard. I mean, I've seen interviews with the Queensland
• 1:39
  S3: Premier saying, look, there's I mean, there's not much we
• 1:41
  S3: could have done in this situation. Um, but, you know,
• 1:44
  S3: how do we save live music? How do we save
• 1:46
  S3: the Australian music industry? Bro?
• 1:48
  S4: Um, I've got an idea. Okay, okay. What? We get
• 1:52
  S4: Matt Damon and Scarlett Johansson to make a film, but
• 1:57
  S4: instead of a film, make it a documentary and call
• 2:00
  S4: it instead of. We bought a zoo, we bought the zoo.
• 2:03
  S4: And then the two of them buy the zoo in Brisbane.
• 2:06
  S4: Matt Damon hands out an Australia a lot now.
• 2:08
  S3: Yes, he's just down the road in Byron. I'm pretty
• 2:10
  S3: sure he's got a place near Ballina though. He was
• 2:12
  S3: seen at Ballina Kmart a couple of years ago.
• 2:15
  S4: You saw Matt.
• 2:16
  S3: Damon? Someone saw him at Ballina Kmart. That's the truth.
• 2:20
  S3: He's gone to the Ekka a couple of times. I mean,
• 2:22
  S3: this is his second home. Save us Matt, save us.
• 2:25
  S4: Matt. We bought the zoo. Well, make it happen. It'll
• 2:28
  S4: be like escape to the chateau, but with, um, Damon
• 2:31
  S4: and Johansson. Well, Johansson's been in the news a bit.
• 2:33
  S3: Actually, I saw that about the OpenAI thing. About her voice.
• 2:37
  S3: We have a chat. We can talk about that a
• 2:39
  S3: little bit later on, but we'll also be talking about, uh,
• 2:42
  S3: some other big players in the tech industry, especially the
• 2:46
  S3: shopping industry, which has been raising a few eyebrows around
• 2:50
  S3: the place. We're going to dive right into Matt and
• 2:52
  S3: Alex all day. Breakfast. I hope you're having a good one.
• 2:54
  S5: Everyone ready? Let's get this show on the road.
• 2:56
  S6: Let's go. Here we go, here we go, here we go.
• 3:00
  S4: Yeah, we bought a zoo. More like we decided to sue. Um.
• 3:05
  S4: Which is what.
• 3:07
  S3: Scarlett Johansson's doing. Is that what you're saying?
• 3:09
  S4: For Scarlett Johansson, who's spoken out after OpenAI? Who do ChatGPT, uh,
• 3:16
  S4: used a voice which is eerily similar to her own
• 3:19
  S4: voice for their new product, in which the AI now,
• 3:22
  S4: you know, have a have a have vocal cords by
• 3:25
  S4: the sounds of things.
• 3:26
  S3: Well, here's the thing that I'm annoyed about the whole
• 3:28
  S3: OpenAI choosing, like their assistant to be called Sky, because
• 3:32
  S3: Sky is, again a name. And we've seen this pop
• 3:34
  S3: up with Alexa, people. Alexa's around the world had to
• 3:38
  S3: band together and say, stop calling your assistant our names
• 3:43
  S3: so that when I'm at home and my kid says, hey, well,
• 3:47
  S3: I mean, probably would say, hey mum, but may say,
• 3:49
  S3: hey Alexa, Sofia calls me and Belinda by our names
• 3:53
  S3: every now and then. You know, suddenly you've got the
• 3:56
  S3: the AI assistant on the line, right? So it's it's
• 3:59
  S3: I'm I'm behind Scarlett on this one.
• 4:02
  S4: Yeah, well, she said she was asked like she was
• 4:04
  S4: in a movie called her in which she is one
• 4:09
  S4: of these sort of chat bots. She falls in love
• 4:11
  S4: with Joaquin Phoenix's character. There's probably why the crew from
• 4:14
  S4: OpenAI wanted to chat to her, but she said for
• 4:16
  S4: personal reasons, she declined. Suddenly it comes out sounds eerily similar.
• 4:22
  S4: And when he announced it, Sam Altman, who's the CEO
• 4:24
  S4: of OpenAI, um, when he just said her, as in, like,
• 4:29
  S4: here's our new voice, here's her. And so she is, um,
• 4:34
  S4: a little bit miffed.
• 4:35
  S3: Um, I mean, this is this is tough because someone
• 4:38
  S3: like Scarlett, I believe, has the, uh, you know, power
• 4:41
  S3: to fight if she believes she's been wronged, she's got
• 4:43
  S3: the power to fight. Now, the question is, what happens
• 4:46
  S3: if you, uh, don't have multiple, multiple millions of dollars
• 4:51
  S3: and a huge international fan base? Uh, and you do
• 4:55
  S3: feel like you're getting, um, you know, wronged by a huge,
• 5:00
  S3: massive international company. Um, Lauren is on the phone. Hello? Lauren.
• 5:05
  S3: How are you? I'm good, thank you.
• 5:06
  S7: How are you?
• 5:07
  S3: Good. Thank you. Now, tell us, Lauren, what happened recently
• 5:10
  S3: when you went online or was did someone notify you
• 5:12
  S3: of a situation that really kind of felt like everything was,
• 5:17
  S3: I mean, not crashing down. I don't want to overdramatize it, but,
• 5:20
  S3: you know, really felt like there was, uh, something that
• 5:22
  S3: was was not happening that you were happy about.
• 5:25
  S7: Yeah. So I actually found it myself. Um, I happened
• 5:29
  S7: to be on Pinterest. This was yesterday morning. Went onto
• 5:32
  S7: Pinterest and saw my own artwork, my own greeting card
• 5:35
  S7: design on Pinterest, but mocked up with this kind of
• 5:39
  S7: bright red envelope that I knew wasn't, you know, wasn't mine.
• 5:42
  S7: And I initially thought maybe a company was selling envelopes
• 5:45
  S7: and had just used my greeting cards that they'd found to,
• 5:48
  S7: you know, pair it with their envelope. But then I
• 5:50
  S7: noticed the actual pin was from Tamu, which is a
• 5:54
  S7: huge company. Um, and I clicked through to their website
• 5:59
  S7: and saw that they were using my greeting card artwork.
• 6:02
  S7: They were printing them and actually selling it as cards themselves. Um,
• 6:06
  S7: and then when I clicked through, there was over 800
• 6:09
  S7: different cards, and I noticed a lot of other artists
• 6:11
  S7: that I'm familiar with. Their designs were on there too,
• 6:13
  S7: so instantly realized that they were just taking the artworks
• 6:16
  S7: from wherever they'd found them online. And yeah, just printing
• 6:20
  S7: them themselves and selling them.
• 6:21
  S4: So doing the old copy paste control C, control V
• 6:25
  S4: on their own design and then selling them. And because
• 6:28
  S4: they're quite a big company, are they like undercutting you
• 6:30
  S4: on price and everything as well? Lauren, the.
• 6:32
  S7: Ironic thing this was showing up in British pounds, um,
• 6:35
  S7: but it is pretty much the same price as what
• 6:38
  S7: I'm selling them for, which is the surprising part to me. Mhm.
• 6:41
  S3: And okay, so was there any indication that they'd sold
• 6:44
  S3: many of them. Yeah.
• 6:46
  S7: So it actually says that this particular seller um has
• 6:49
  S7: sold 144 items. And my particular listing has gotten almost
• 6:53
  S7: sold out. Sign flashing on top of it.
• 6:55
  S3: Right. So there so even just 144 and you've only
• 6:59
  S3: seen this like in a day. So I mean that's
• 7:02
  S3: I don't know how much you're charging per car, but
• 7:04
  S3: we could we can assume this is in the thousands
• 7:06
  S3: of dollars just, just in a day that you've seen it. Exactly.
• 7:09
  S7: And yeah, it's already gone up. Um, the number sold
• 7:12
  S7: since I saw this yesterday, so.
• 7:13
  S3: Oh, okay. And look, here's the other thing. You're not
• 7:15
  S3: the only person who's had this sort of experience happen.
• 7:18
  S7: No, not at all. I actually reached out to some
• 7:21
  S7: of the other artists whose work I recognized on that, um, page,
• 7:24
  S7: and out of the few I contacted, a few of
• 7:27
  S7: them came straight back to me and said this had
• 7:28
  S7: happened to them multiple times before on Teemu, and that
• 7:31
  S7: they hadn't really got anywhere when they had pursued anything
• 7:34
  S7: to try and get it removed.
• 7:36
  S4: That's crazy. Well, Scarlett Johansson with her voice, I mean,
• 7:38
  S4: she's got quite a bit of cash. She can throw
• 7:40
  S4: a few lawyers at this. What for? People like yourself.
• 7:44
  S4: You know, I'm not sure if you're your kids have
• 7:47
  S4: passed law in daycare yet, but other than that, how
• 7:52
  S4: can you afford to try and get something happening?
• 7:55
  S7: I honestly. So I've been sitting with this for a
• 7:57
  S7: day now, and I've had a few people reach out
• 7:59
  S7: when I did share it and say contact IP Australia,
• 8:02
  S7: you know, go to the Copyright Council, who are completely
• 8:04
  S7: not for profit and, you know, don't can't offer legal advice.
• 8:08
  S7: And I've made a few phone calls to those organisations
• 8:11
  S7: and they've pretty much all said to me it's a
• 8:13
  S7: case of seeking my own legal representation if I want
• 8:16
  S7: to take it further. Um, and this is obviously one
• 8:19
  S7: design I've found and who knows how many more are
• 8:22
  S7: being sold, you know? And that in itself would take
• 8:25
  S7: so much time to sit there and try and figure
• 8:27
  S7: out how many are out there. Um, but yeah, I mean, I'm,
• 8:31
  S7: I'm a small business. I don't have the cash, as
• 8:34
  S7: you said, to, to be throwing at lawyers and things
• 8:36
  S7: to try and pursue legal action. So I'm not really
• 8:40
  S7: sure at this stage what next steps are. Okay.
• 8:42
  S3: So just just so anyone everyone's across the team at
• 8:45
  S3: the moment is a Chinese e-commerce e-commerce company. It's become
• 8:49
  S3: one of the biggest retail apps in America and the world.
• 8:53
  S3: You've probably seen it, uh, pop up on, uh, any
• 8:57
  S3: sort of googling that you do when you're looking for
• 8:59
  S3: basically any product, there's always a. Really cheap version on there.
• 9:03
  S3: Is it the is it the fault of a company,
• 9:05
  S3: or is it the fault of an individual seller that
• 9:07
  S3: exists within the company the same way that Amazon kind
• 9:10
  S3: of just allows a platform for sellers?
• 9:14
  S7: Exactly. And I think that's a kind of gray area
• 9:17
  S7: that I'm trying to work out myself, because this is
• 9:19
  S7: a seller who's obviously producing this product and selling it.
• 9:22
  S7: But then we are seeing this happen so much over
• 9:26
  S7: and over again across all different categories, like jewelry and
• 9:28
  S7: tote bags and blankets, anything you can think of as
• 9:31
  S7: artwork being stolen from, you know, independent artists and being
• 9:35
  S7: sold on that platform. So I feel like I yeah,
• 9:39
  S7: I feel like they have to hold some responsibility for that.
• 9:42
  S3: Mhm. Well, look, I mean it's up to you I
• 9:44
  S3: guess if you're shopping, uh you're listening, if you're shopping
• 9:47
  S3: what to do and uh who to choose. But it's
• 9:50
  S3: certainly interesting to hear from the people whose, uh, artwork
• 9:53
  S3: and products are appearing without their consent online. So thank
• 9:57
  S3: you very much, Lauren. I hope I hope this, you know,
• 9:59
  S3: I hope you are and, you know, able to rally
• 10:01
  S3: enough troops to kind of make sure that your stuff
• 10:04
  S3: isn't getting, um, plagiarized out there. Uh, anyone who wants
• 10:07
  S3: to show some support, check out at laurencin's. That's c
• 10:11
  S3: s o n s at Lauren underscore sisson's underscore studio. And, uh,
• 10:17
  S3: you know, if you if you are looking for a
• 10:19
  S3: card for someone, then maybe buy one of Lauren's cards
• 10:21
  S3: straight from the artist themselves, straight.
• 10:24
  S4: From the natural hot springs source. Uh, that where you
• 10:27
  S4: create it? Lauren. That's perfect.
• 10:29
  S7: Thank you so much for having me.
• 10:31
  S3: Thanks, Lauren. We'll catch you next time.
• 10:32
  S7: Thank you guys.
• 10:36
  UU: Hut hut hut hut! Take take this.
• 10:39
  S4: Yeah. That's right. It is the time where we allow
• 10:41
  S4: you to hot take it away to give the world
• 10:44
  S4: what it needs in the form of some spicy chorizo opinions.
• 10:49
  S3: Yeah. That's right. Last week, I, uh, ruffled a few
• 10:51
  S3: feathers when I suggested that, uh, no more roads should
• 10:54
  S3: be built at all. Uh, every road should have a
• 10:56
  S3: bus lane. And, uh, only tradies should be allowed to
• 10:59
  S3: drive hahahahahahahahaha.
• 11:01
  S4: Uh. I don't think there are any feathers left in
• 11:06
  S4: the world at the amount of ruffling that was going
• 11:09
  S4: on from that particular take, but it is it is
• 11:11
  S4: a safe space or allow you to, uh, to give
• 11:13
  S4: us your opinions. And, Matt, there's a couple of food
• 11:16
  S4: hot takes we might get to. First off, from listeners,
• 11:20
  S4: Christopher saying the nutritional qualities of banana is not made
• 11:25
  S4: up for by its texture, textures, just no good.
• 11:28
  S3: I hate the texture of banana. I'm not a banana
• 11:31
  S3: fan at all. Cannot stand it. Have never enjoyed it
• 11:33
  S3: and it's got to do with the mush. I do
• 11:36
  S3: not like the mush. What's disgusting?
• 11:39
  S4: You eat other things with mush, I'm sure.
• 11:42
  S3: Well, yeah, but Nick, Nick has said a similar thing.
• 11:45
  S3: Avocado is honestly the most overhyped pile of tasteless mush
• 11:48
  S3: known to man, and I understand that. But I don't
• 11:51
  S3: eat an avocado just by peeling it and shoving it
• 11:54
  S3: in my mouth. It's supposed to be a spread, you know,
• 11:57
  S3: or it's supposed to be the mush. That's what makes
• 12:00
  S3: it good.
• 12:01
  S4: You're saying there's a time and a place for mush,
• 12:03
  S4: and it must be accompanied by some deep mushing? Uh, yes. Sidekicks?
• 12:09
  S3: Yes, exactly. You need to put the. You need to
• 12:11
  S3: put the mush on something or in a smoothie. Then
• 12:13
  S3: I'm all for it. In which case I actually put
• 12:15
  S3: banana and avocado in my breakfast smoothie.
• 12:17
  S4: So hang on. So banana on its own. Terrible banana.
• 12:22
  S4: Less mushy like with milk or making it smoother. That's okay.
• 12:27
  S4: And solidifying banana is also okay.
• 12:31
  S3: Um, I don't like banana just as it is. As
• 12:34
  S3: it stands, I like banana lollies, strangely enough. Um, big
• 12:38
  S3: fan of the little banana lollies. Very very very nutritionally.
• 12:41
  S3: Good for you as well.
• 12:42
  S4: Those little not as much potassium I think in the lollies. Um,
• 12:47
  S4: Caitlyn reckon hash browns are revolting. I mean that's get off.
• 12:51
  S3: A Caitlyn.
• 12:52
  S4: That's a hot take.
• 12:53
  S3: Caitlyn disgrace. That is a garbage take. That is an
• 12:57
  S3: absolute bin fire of a take. Well get out of hot.
• 13:00
  S4: One because, uh, you try and go into the world
• 13:04
  S4: and say any form of fried potato is no good. Caitlyn.
• 13:08
  S4: You are. Wow. There's not many people on your side
• 13:11
  S4: of enemies. Caitlyn yeah, it's pretty good.
• 13:15
  S3: If the world's toddlers found out about what you're saying,
• 13:20
  S3: they would go at you.
• 13:22
  S4: Um, well, let's move outside the world of food now
• 13:25
  S4: to Alec. Who who's hot take is pram. Parking spots
• 13:29
  S4: are fair game for everyone.
• 13:31
  S3: Oh, look, I had this argument with Belinda recently because
• 13:34
  S3: I was in I was going into the shopping centre and,
• 13:37
  S3: and I was like, and I'll just park in this
• 13:39
  S3: pram spot and she's like, you can't park in the
• 13:41
  S3: pram spot. And I'm like, of course I can. I've
• 13:44
  S3: got a five year old in the back and she's like, yeah,
• 13:47
  S3: but you don't have a pram. And I'm like, yeah,
• 13:49
  S3: but that's I've got a little kid. That is why
• 13:53
  S3: they're there. It's to get the kid to the to
• 13:55
  S3: the shop easier, so they don't have to walk through
• 13:58
  S3: a minefield of cars in a car park. And. And
• 14:01
  S3: then Sophia starts chiming in, chiming in, saying, you're not
• 14:04
  S3: allowed to park there, dad. And I'm like, oh for
• 14:05
  S3: God's sake. Two on one. Forget it. Drove off.
• 14:09
  S4: So the child talked, talked you out of parking in
• 14:13
  S4: the child parking spot.
• 14:14
  S3: Oh, because, you know, suddenly I don't want to be.
• 14:16
  S3: I don't want to see. Show her that I'm breaking
• 14:18
  S3: the rules. Oh. So annoying.
• 14:21
  S4: Well, there you go. And, uh, Zoe and, uh, here's
• 14:23
  S4: a hot take for you. Theaters are any seated concert
• 14:26
  S4: event shouldn't let anyone in after the show starts.
• 14:30
  S3: They're usually. Sometimes you have the option as an artist, actually.
• 14:33
  S3: So if you can say I will not allow any latecomers.
• 14:36
  S3: And that's actually totally, uh, that's a totally fine thing
• 14:39
  S3: to do. Or you say you're allowed to let late
• 14:42
  S3: comers in. Uh, when I hit this part of the show,
• 14:44
  S3: so they'll bank them all up, and then as soon
• 14:46
  S3: as you hit, you know, minute five of the show,
• 14:48
  S3: then the door opens and all these late comers start walking.
• 14:51
  S3: In other times, it's all, you know, free for all.
• 14:53
  S3: And it's an absolute drip.
• 14:54
  S4: Feeding him into the into the aisles. Yeah.
• 14:57
  S3: So, um. No, look, I hear you, Zoe, because sometimes
• 14:59
  S3: it can be a little bit annoying, but, I mean,
• 15:00
  S3: you know, you got to sometimes it's the bus's fault.
• 15:05
  S3: And we've also got Rihanna on the phone. Rihanna, what
• 15:07
  S3: is your hot take?
• 15:10
  S8: Um, okay, so, uh, I might get a lot of
• 15:13
  S8: heat for this, but I think that there are too
• 15:16
  S8: many sports in the Olympics.
• 15:18
  S4: Oh.
• 15:19
  S8: Um.
• 15:20
  S3: Wow. Brave enough to say it. Rihanna. But thank you,
• 15:23
  S3: thank you.
• 15:24
  S8: Uh, I think that if you've already got an international
• 15:27
  S8: stage like soccer or rugby, rugby, then definitely shouldn't be
• 15:31
  S8: in the Olympics. Uh, um, but the faster, higher, stronger,
• 15:36
  S8: you know, high jump, 200 meter dash, maybe like hammer
• 15:41
  S8: throw and just cap it at that.
• 15:44
  S3: I hear you. Do you know what? No. Here's here's
• 15:47
  S3: my thing about the Olympics. You shouldn't be doing any
• 15:49
  S3: sports that require significant amounts of money to be good
• 15:53
  S3: at them.
• 15:53
  S8: Well, yeah. And I was talking to my husband about
• 15:57
  S8: this the other day, and we thought, how about it?
• 16:00
  S8: Just go Hunger Games style. You just do randomly draw
• 16:04
  S8: Average Joe and Average Jane out of a hat. They
• 16:08
  S8: have four years to prepare. Um, and they get to do,
• 16:12
  S8: you know, ten simple. You know, they run as fast
• 16:15
  S8: as they can. They swim one lap of a pool,
• 16:18
  S8: they jump as high as they can. Um, yeah. And
• 16:21
  S8: then it's just the best country win that way.
• 16:23
  S3: I am feeling this just the absolute like, uh, you know,
• 16:29
  S3: anyone that full blown wild card effect. So anyone can
• 16:33
  S3: be a champion.
• 16:35
  S8: Then you might have your shot. Matt.
• 16:38
  S3: I've been dreaming of it for such a long time.
• 16:40
  S3: Ever since I tried to become a Ghanaian citizen to
• 16:42
  S3: compete in the Olympics for swimming. Um, no, I hear you.
• 16:46
  S4: I see we're coming from Roshana. You sort of go
• 16:48
  S4: back to the original games, you know, where they they
• 16:51
  S4: weren't doing the sort of skateboarding and BMX side of
• 16:54
  S4: things or the synchronized swimming back in the day. Do
• 16:57
  S4: you think we should also revert back to doing it
• 17:00
  S4: in the nude? Do you think that would lift the ratings?
• 17:05
  S8: Um, we might not need to go that far. Okay.
• 17:08
  S8: I think that we have learnt a few things. Um,
• 17:12
  S8: as time has gone on.
• 17:13
  S4: There are some things good about the modern games.
• 17:15
  S3: I'm all for new. I'm all for nude Olympics. I
• 17:18
  S3: would I would really be into that.
• 17:22
  S8: It would have to be late night only screening then
• 17:24
  S8: if they were to televise it.
• 17:27
  S3: Yeah, I mean pixelated. You wouldn't, you wouldn't want to
• 17:30
  S3: be the long jumpers though would you. You'd be digging
• 17:33
  S3: sand out of everywhere for days.
• 17:38
  S4: Oh, that pit, that would seem plenty of things. Yeah.
• 17:41
  S4: I'm with you as well, Rashaan. As far as like,
• 17:43
  S4: I find sports where an expert judge needs to give
• 17:47
  S4: you a score as, like, pretty difficult as a as
• 17:52
  S4: a task like the diving. You know, there's always the
• 17:55
  S4: Russian judge and the Chinese judge and the Australian judge
• 17:57
  S4: all disagreeing over if that was a good dive or not.
• 18:01
  S4: I find that really difficult to, to get on board.
• 18:04
  S3: Well, that's the thing.
• 18:05
  S8: It's like a technicality, like with all the gymnastics, like,
• 18:08
  S8: you know, whether a girl smiles enough in her routine,
• 18:11
  S8: how is that like.
• 18:14
  S3: You know.
• 18:14
  S8: It just does. It doesn't make any sense. It's like,
• 18:16
  S8: did she do a triple backflip and land it? Yeah. Okay, great.
• 18:20
  S8: That's what, you know. Like it doesn't. It's. Yeah.
• 18:24
  S3: If we hear.
• 18:25
  S8: You two metres or if he's jumping ten metres, like
• 18:28
  S8: there's a difference in it's measurable. Whereas like yeah subjective.
• 18:31
  S3: Will you have did you ever have any Olympic dreams? Rashauna.
• 18:33
  S3: Could you almost have made it into the Olympics for anything.
• 18:36
  S8: Oh no no no no no no not a competitive
• 18:40
  S8: bone in my body. So yeah, it's rich coming from me,
• 18:43
  S8: I'm sure.
• 18:43
  S3: No, look, thank you very much. That's exactly what we need.
• 18:46
  S3: We need unqualified opinions for this segment. So thank you
• 18:49
  S3: very much for jumping in.
• 18:51
  S4: That's what a hot take is all about. Roshana.
• 18:54
  S3: Um, thanks very much. Hey, we'll let you get back
• 18:55
  S3: to it. Thanks, guys.
• 18:57
  UU: Order up. Just how you like it.
• 19:05
  S9: Perfect.
• 19:15
  S4: Well, Matt, the Vienna adventure continues here, looking out over
• 19:19
  S4: a bit of a drizzly Austrian capital at the moment.
• 19:23
  S4: It was beautiful weather during the week though, and I
• 19:25
  S4: got to go along to this open air venue and
• 19:28
  S4: check out some of Australia's finest King Gizzard and the
• 19:32
  S4: Lizard Wizard. Playing to a packed house in Vienna. It
• 19:38
  S4: was a killer venue. Killer set. Oh my God, so good.
• 19:42
  S3: How many people do you reckon were at a King
• 19:44
  S3: Gizzard and the lizard? Lizard gig in Australia.
• 19:49
  S4: Would have been about 800.
• 19:50
  S3: No. Are you kidding me that.
• 19:53
  S4: People loved.
• 19:54
  S3: It? Oh my God. And I was.
• 19:55
  S4: Standing next to this German guy, said goodbye to him.
• 19:59
  S4: He's like, oh, where are you from? I'm Australia from Melbourne,
• 20:01
  S4: same as Kim guys. And he's like, oh, it's great.
• 20:02
  S4: I love Australian bands. I love King Gizzard and the
• 20:04
  S4: Lizard Wizard, love Tex Perkins, love the Go-Betweens like, how
• 20:09
  S4: do you say this in this thick German accent? No, look,
• 20:12
  S4: it was amazing.
• 20:12
  S3: That's the benefit of King Gizzard, right? When you're saying
• 20:15
  S3: basically nothing in your lyrics. Everyone can can relate to it.
• 20:21
  S3: You know what I mean? Everyone worldwide.
• 20:23
  S4: I that's a very good stuff. I really like rattlesnake, rattlesnake, rattlesnake.
• 20:29
  S3: Rattlesnake. It's internationally. It's like you can translate to anyone.
• 20:33
  S3: It's genius. I'm jealous.
• 20:35
  S4: It is genius. But it's also like it's not the
• 20:38
  S4: most accessible music you can get. Like one of the songs,
• 20:41
  S4: it was like you're playing the song. It's about 13
• 20:43
  S4: minutes long, you know, 15 minutes long could be the
• 20:46
  S4: one song. It's. It's the what? There's such a great
• 20:49
  S4: example of what you can do if you just have
• 20:52
  S4: no rules. You try something interesting and then you put
• 20:55
  S4: that idea out and move straight on to the next idea.
• 20:58
  S4: I just love what they've done. And who else can
• 21:01
  S4: play a two hour set like the set was two hours,
• 21:04
  S4: they wouldn't have been able to fit in a song
• 21:06
  S4: from every album. You could play one song from each
• 21:09
  S4: album and still not even make that time from their
• 21:11
  S4: 25 releases. How many.
• 21:14
  S3: How many albums do they have now?
• 21:16
  S4: 25.
• 21:16
  S3: How many?
• 21:17
  S4: 25 albums? 25 albums.
• 21:21
  S3: That's ridiculous.
• 21:23
  S4: 2017 they put out five albums that year.
• 21:26
  S3: That is ridiculous.
• 21:29
  S4: All right, well, let's move on from the King Gizz
• 21:33
  S4: in Austria to another performance that is likely to draw
• 21:38
  S4: a crowd of 800 to 1000 people. And that is
• 21:42
  S4: Alex Dyson potentially doing five minutes of stand up comedy.
• 21:44
  S3: Still potentially. Mate, you got offered to do a gig
• 21:47
  S3: in Austria. You take it, bro. Like it? Like you
• 21:52
  S3: can only win from here. It's not like you're going
• 21:54
  S3: to be walking down the street any time and anyone's
• 21:56
  S3: going to be like, oh bro, I saw you and
• 21:58
  S3: the Austrian, you know, bar somewhere bombing. You're like, this
• 22:03
  S3: is total anonymity, dude. You just got to do it.
• 22:07
  S4: Look, but I respect the crowd, so I do not
• 22:09
  S4: want to get up unless I have some quality. Unlike you, Matt,
• 22:13
  S4: I respect the audience. Okay.
• 22:15
  S3: Fair enough. Not just enough for that sweet Austrian dollar
• 22:19
  S3: that I'm sure you're going to be collecting from your
• 22:22
  S3: open mic gig. Exactly.
• 22:23
  S4: Right. So I want to make sure the material is there.
• 22:26
  S4: And to do that, um, I am going to plagiarize.
• 22:30
  S4: I'm going to be like, Teemu, I'm going to steal
• 22:32
  S4: your jokes. Allegedly put.
• 22:34
  S3: Them. Allegedly.
• 22:38
  S4: All right. Allegedly steal your jokes. Um, I'll be inspired
• 22:43
  S4: by your jokes to see what I can do. Because
• 22:45
  S4: I'm not. Not a stand up. I need all the
• 22:46
  S4: help I can get. And so thank you very much
• 22:49
  S4: for sending the jokes in. Um, Bron re put up
• 22:51
  S4: a question. Other than just what's the best joke in
• 22:55
  S4: general as to what? What sort of material do you
• 22:58
  S4: think would work if I'm doing a stand up set
• 22:59
  S4: in Austria? So we tried it again and we've got
• 23:02
  S4: a few gags here. Matt.
• 23:04
  S3: Yeah, that's right, Joshua has launched us off. Uh, what
• 23:07
  S3: do you call a grouchy German, a sauerkraut?
• 23:11
  S10: Is it? Crowd. Is it crowd?
• 23:13
  S3: A word for a German person?
• 23:15
  S4: Yeah, I'm just not so sure the offensiveness of it feels.
• 23:19
  S3: It feels not nice.
• 23:22
  S4: I think it's what? Like. Yeah. It says its allies.
• 23:25
  S3: Look, I just googled it. Says it's derogatory. I'm sorry.
• 23:28
  S3: I didn't realize what that is.
• 23:31
  S4: I do not want, um, you know, off Strudels being
• 23:36
  S4: thrown at my face. Oh, my.
• 23:37
  S3: God, no, people are saying it. Well, okay, someone's saying
• 23:41
  S3: Kraut is a word that literally means herb or cabbage,
• 23:44
  S3: and so isn't an offensive word in itself. However, as.
• 23:49
  S3: You know the word for someone. It is offensive. I genuinely.
• 23:53
  S3: I'm sorry. I had no idea. I had no idea.
• 23:56
  S3: Why is your comedy getting me in trouble? Dyson, this
• 23:59
  S3: is bullshit.
• 24:01
  S4: Did I, um, m message as well? If all the
• 24:05
  S4: jokes go to shit, I'd finish the set with. I
• 24:08
  S4: was trying my best.
• 24:10
  S3: No, it's supposed to be Australian. My best. It works
• 24:14
  S3: better if you've got a Scottish accent or Australian. Me?
• 24:17
  S3: Best maybe. Um. Nick.
• 24:21
  S10: Australian. My best.
• 24:23
  S3: Uh, Nick says an Australian man is working in the
• 24:25
  S3: US and has to go on a long drive with
• 24:26
  S3: his colleagues. He pulls to the side of the road
• 24:29
  S3: to have a wee in. One of his colleagues says
• 24:31
  S3: that's gross. And he replies, oh, Dunker.
• 24:36
  S4: Okay.
• 24:36
  S3: What's going on here?
• 24:37
  S10: I don't know, because.
• 24:39
  S4: Because he's gone for a week. All right. Yeah. It's
• 24:43
  S4: got to pull down his pants for that gross domain.
• 24:45
  S3: Total or big or something like that.
• 24:47
  S4: Gross. Gross means big. So when I said before, go,
• 24:51
  S4: go for a gross beer, that's a big beer.
• 24:52
  S3: Oh yes.
• 24:54
  S4: He says dankeschön. He says, thank you for mentioning.
• 24:57
  S3: When the other person going, that's gross. And it's like, yes,
• 25:00
  S3: thank you. Okay, cool. No, that's yeah, that's not bad,
• 25:03
  S3: I like that.
• 25:05
  S4: Um, Jess says, what's the worst thing about Austria? I
• 25:08
  S4: don't know, but the flag is a big minus. Which is,
• 25:12
  S4: I guess, the inverse of the Swiss joke with the
• 25:14
  S4: flag is a big plus. But in Austria it's red, white,
• 25:19
  S4: red with a big line through the middle, which I
• 25:21
  S4: guess does look like a minus. It's not as famous
• 25:23
  S4: as the plus on the Swiss flag. But yeah, you
• 25:26
  S4: could try that.
• 25:27
  S3: Well, here's the thing, Alex Dawson. You don't ask people
• 25:29
  S3: for help and then tell them it's not good enough. Okay?
• 25:31
  S3: So if you could do it, then do it. Otherwise,
• 25:35
  S3: I'd be saying thank you and taking all of these
• 25:37
  S3: jokes to your next gig when I. When is it?
• 25:40
  S3: Come on. When can we expect it?
• 25:42
  S4: Oh, look, I might be able to nab five minutes
• 25:45
  S4: this weekend in Vienna. I'll. I'll check.
• 25:48
  S3: Stay tuned to Matt and Alex all day. Breakfast next week.
• 25:51
  S3: Alex Dyson is going to record the whole thing. And
• 25:54
  S3: are we going to get all five minutes? Yeah, of
• 25:57
  S3: course you are the set. Of course you are. That
• 26:02
  S3: is the only way you're going to do it. You're
• 26:03
  S3: going to put microphones in the crowd, a phone on
• 26:07
  S3: the on the edge of the stage, and you're going
• 26:09
  S3: to record the entire entire set, and we're going to
• 26:13
  S3: hear all five minutes of it here on Matt and
• 26:15
  S3: Alex all day. Breakfast.
• 26:16
  S10: All five minutes. Are you kidding me? No.
• 26:19
  S3: That's what we want. That's what we expect.
• 26:21
  S11: You're like the Austrian min, Alex.
• 26:27
  S3: Austria's men.
• 26:31
  S10: Shout out.
• 26:31
  S3: To our favorite open mic friend debut.
• 26:37
  S12: Yeah, it'll be my debut.
• 26:38
  S10: Oh my God.
• 26:40
  S4: Uh, maybe I should steal some of Min's germ, come
• 26:43
  S4: up to the Austrian crowd and go. I know what
• 26:45
  S4: you like. You're just here for the racism.
• 26:50
  S3: I'm all right. This is Matt and Alex. All day breakfast.
• 26:53
  S3: Hope you had a good one today. We've had a
• 26:55
  S3: bit of fun. We're going to be back here. Same time,
• 26:56
  S3: same place tomorrow. And in the meantime, as you've heard today,
• 26:59
  S3: we are always posting questions, etc. on our Instagram. Hit
• 27:03
  S3: us up at Matt and Alex just to make sure
• 27:05
  S3: you're up to date with everything.
• 27:06
  S4: Hope you've had a good one. We will catch you
• 27:08
  S4: with another big episode of All Day Breakfast tomorrow.
• 27:11
  S3: Bye bye.
• 27:11
  S2: That's it. The all day breakfast kitchen is closed. Got
• 27:14
  S2: something to add to the show? Slide into our DMs.
• 27:17
  UU: At Matt and Alex.