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Sherlock Holmes Radio The Eyes of Mr Leyton Basil Rathbone, Nigel Bruce, To · Sherlock Holmes

• 0:00
  Speaker 1: Let's see, mister Bartel, don't say let's see if he's
• 0:03
  Speaker 1: expecting us. You know I always expect you this time
• 0:06
  Speaker 1: on Monday evenings, my boy, So draw up your usual
• 0:09
  Speaker 1: cham settled down, thanks, doctor, that's it all along this evening, doctor,
• 0:15
  Speaker 1: where are the puppies out on the patio? They had
• 0:17
  Speaker 1: a most unfortunate encounter with the dead seal on the
• 0:20
  Speaker 1: beach this afternoon. In constance that a little maloderus.
• 0:25
  Speaker 2: In that case, Doctor, perhaps we'd better change the subject.
• 0:28
  Speaker 2: So suppose I ask you about tonight's new Sherlock Holmes advantage.
• 0:31
  Speaker 1: Well, my boys, I told you last week the story
• 0:33
  Speaker 1: took place in the foul alleyways of Limehouse.
• 0:37
  Speaker 3: It was there on a foggy December evening in eighteen.
• 0:40
  Speaker 1: Hundred and ninety that my story began. An old friend
• 0:43
  Speaker 1: and patient of mine, I soa Whitney, had disappeared, and
• 0:46
  Speaker 1: his distraught wife had.
• 0:48
  Speaker 3: Come to me for help.
• 0:49
  Speaker 1: Knowing the man to be the victim of the shocking
• 0:51
  Speaker 1: habit of taking opium, I suspected that I might find
• 0:54
  Speaker 1: him in one of the vile dens inhabited by the
• 0:56
  Speaker 1: dregs of the waterfront.
• 0:58
  Speaker 3: And so mister Boutell.
• 0:59
  Speaker 1: About five o'clock on that December evening, I.
• 1:01
  Speaker 3: Began my search.
• 1:03
  Speaker 1: After an hour fruitless wanderings, I found myself in a
• 1:06
  Speaker 1: vile alley called Upper Swandham Lane. I could hear the
• 1:11
  Speaker 1: distant moans of the river boats as I walked, eyes
• 1:14
  Speaker 1: alert and hand on the revolver in my coatbark. Suddenly
• 1:23
  Speaker 1: I saw a steep flight of steps leading down to
• 1:26
  Speaker 1: a black gap, like the mouth of a cave.
• 1:29
  Speaker 3: I walked down.
• 1:36
  Speaker 1: The steps were worn hollow in the center by the
• 1:39
  Speaker 1: ceaseless tread of stumbling feet.
• 1:41
  Speaker 3: I reached the bottom.
• 1:43
  Speaker 1: A door faced me in Above it, a flickering oil
• 1:46
  Speaker 1: lamp winked warning. I found the latch and lifted it.
• 1:52
  Speaker 1: The door squeaked open, protesting.
• 1:54
  Speaker 3: That, and I entered.
• 2:06
  Speaker 1: There was a tinkle of Chinese windbills.
• 2:09
  Speaker 4: As I walked towards.
• 2:10
  Speaker 1: A long, low room, A strange sight met my eyes.
• 2:16
  Speaker 1: Through the gloom, thick and heavy with a brown opium smoke,
• 2:20
  Speaker 1: I saw that the room was terraced with wooden berths,
• 2:22
  Speaker 1: like the.
• 2:23
  Speaker 3: Forecastle of an emigrant ship.
• 2:25
  Speaker 1: Out of the shadows they glimmered little red circles of light,
• 2:28
  Speaker 1: now bright.
• 2:29
  Speaker 3: Now faint.
• 2:30
  Speaker 1: There's a burning poison waxed or waned in the metal pipes.
• 2:34
  Speaker 1: Bodies lay in strange fantastic poses, out shoulders bent, knees,
• 2:41
  Speaker 1: heads thrown back. The tendant came up to me with
• 2:43
  Speaker 1: a pipe and beckoned me to an empty birth. I
• 2:49
  Speaker 1: haven't come here to smoke your filthy drug. I'm looking
• 2:51
  Speaker 1: for a friend. Just tie a whitner, nor miss their
• 2:54
  Speaker 1: wheatney here.
• 2:55
  Speaker 3: I'm going to search the place.
• 2:56
  Speaker 1: You must not disturb a train carrying a revolver, so
• 2:58
  Speaker 1: you'd better not argue with.
• 3:00
  Speaker 4: My good man out of the way.
• 3:02
  Speaker 1: I searched that filthy den, but found no trace of
• 3:05
  Speaker 1: my missing friend.
• 3:06
  Speaker 3: As I was leaving despair, a long, shaking hand reached
• 3:09
  Speaker 3: out and plucked at my sleeve.
• 3:11
  Speaker 1: I turned, and there, sprawl in the berth was the
• 3:14
  Speaker 1: wreckage of a man, his gaunt face yellow and twitching,
• 3:18
  Speaker 1: his clothes filthy and ragged, and the pupil of his
• 3:20
  Speaker 1: eyes like pinpoints.
• 3:23
  Speaker 3: He spoke to me in a thin, quavering.
• 3:26
  Speaker 1: Voice, Get me out of here, now, look here, my man.
• 3:30
  Speaker 5: Don't say you won't help me, Governor, and you got
• 3:33
  Speaker 5: nd Please help me. Come take me out of here.
• 3:36
  Speaker 5: Start to think I'm going from me.
• 3:37
  Speaker 1: I tell you what was you expect if you're indulge
• 3:39
  Speaker 1: in this filthy heabit take me.
• 3:41
  Speaker 4: Out of here, governor, Oh go strike this time, cross
• 3:44
  Speaker 4: me out.
• 3:44
  Speaker 3: I will well come along with me. I suppose it's
• 3:47
  Speaker 3: my duty to help you.
• 3:48
  Speaker 4: God pleasure.
• 3:50
  Speaker 3: You not give me your arm.
• 3:51
  Speaker 1: You cannot take him away.
• 3:52
  Speaker 3: He owe me money.
• 3:53
  Speaker 4: That's a breading lie I paid him on coming out.
• 3:56
  Speaker 1: He cannot go with you.
• 3:57
  Speaker 4: Mister.
• 3:57
  Speaker 1: Remember what I said about my revolver, you blackguard?
• 4:00
  Speaker 3: In more trouble with you. I'll fetch the police.
• 4:02
  Speaker 1: Come along, see owe me money?
• 4:03
  Speaker 4: He owe me money, fernel proper. I hope you didn't.
• 4:17
  Speaker 3: Now look here, my good man.
• 4:18
  Speaker 1: I'll give you a square meal, some advice and some
• 4:21
  Speaker 1: medical attention.
• 4:22
  Speaker 6: But the rest and I'm the advice watson. But I'll
• 4:24
  Speaker 6: take them up on that square meal.
• 4:25
  Speaker 3: Homes.
• 4:26
  Speaker 6: Yes, better get to see you, old fellow. What brought
• 4:28
  Speaker 6: you to that ropid den of iniquity?
• 4:29
  Speaker 3: Oh me?
• 4:32
  Speaker 1: I want to find a friend, and I an anime.
• 4:35
  Speaker 3: You all disguise is wonderful. It completely fooled man.
• 4:38
  Speaker 6: But I'm afraid that proprian it was beginning to penetrate
• 4:40
  Speaker 6: it that's why I staged the little rescue seen and
• 4:42
  Speaker 6: I've been recognized. My life pun't worth an asked purchase.
• 4:46
  Speaker 3: How long had you been there? Why were you there?
• 4:48
  Speaker 4: Come on, homes, tell me all about the pleasure, old
• 4:50
  Speaker 4: chap the first.
• 4:50
  Speaker 6: Let's find a chop house. I want that square meal.
• 4:53
  Speaker 6: You promise me an excellent Neil Watson.
• 5:06
  Speaker 1: Yes, a surprisingly good for such a shoy looking place.
• 5:08
  Speaker 3: Well, helms, Now, perhaps you will tell me what you
• 5:10
  Speaker 3: were doing in that opium den. I've already told you
• 5:13
  Speaker 3: my story.
• 5:14
  Speaker 6: I'm shadowing the most unusual criminal, a man who haunts
• 5:17
  Speaker 6: the opium dens. Yet I know that he himself is
• 5:20
  Speaker 6: not an addict.
• 5:20
  Speaker 1: I don't see anything but a criminal about that. He
• 5:22
  Speaker 1: might be looking for thrill, or perhaps he's one of
• 5:24
  Speaker 1: those writer fellows or something.
• 5:25
  Speaker 6: But this man pretends to be an addict. I watched
• 5:28
  Speaker 6: him closely. He fakes his smoking, and grease paint has
• 5:31
  Speaker 6: enabled him to simulate the characteristic pallor of a drug victim.
• 5:34
  Speaker 6: Even affects the typical mannerism of no scratching. But it's
• 5:37
  Speaker 6: his eyes that give him away. Pupils who wide open
• 5:40
  Speaker 6: as exactly fellow. Whereas if he were really addicted to
• 5:43
  Speaker 6: the drug, they would, as you.
• 5:44
  Speaker 4: Know, be contacted.
• 5:45
  Speaker 6: I myself always treat my eyes with a special, special
• 5:49
  Speaker 6: kind of drop on the occasion when.
• 5:51
  Speaker 4: When I have to enter these deads.
• 5:52
  Speaker 1: Why does a man haunt an opium den in order
• 5:54
  Speaker 1: not to smoke?
• 5:55
  Speaker 6: That, my dear Watson, is the problem that I intend
• 5:57
  Speaker 6: to solve.
• 5:58
  Speaker 1: Perhaps the fellows a policeman or private to tech if
• 6:00
  Speaker 1: you like yourself, Homes.
• 6:00
  Speaker 6: I've already checked on those possibilities. No, Watson, I believe
• 6:04
  Speaker 6: there is only one answer.
• 6:06
  Speaker 4: I believe the.
• 6:07
  Speaker 6: Man is planning a murder, a murder tempting setting for
• 6:11
  Speaker 6: a murder. You victim is an addict, drugged and helpless.
• 6:15
  Speaker 6: Your witnesses there are in an equal state of thefettlement. The
• 6:18
  Speaker 6: proprietor is anxious to cover up the crime.
• 6:19
  Speaker 4: Because of the police.
• 6:21
  Speaker 6: Yes, now the question is who is the intended victim? That,
• 6:25
  Speaker 6: my dear Watson, is why I've been shadowing this man
• 6:28
  Speaker 6: unfortunately but not present in the den. We just left,
• 6:30
  Speaker 6: but I intend to continue my search.
• 6:32
  Speaker 3: Homes, Can I help you? My My wife's a way.
• 6:35
  Speaker 3: You are a long time since we were on.
• 6:39
  Speaker 4: A case, to much have been delighted, My dear chap.
• 6:41
  Speaker 4: I've missed you sadly during the past few months.
• 6:43
  Speaker 3: All you holmes. What's the next?
• 6:46
  Speaker 4: Move back to Baker Street? Talk along?
• 6:47
  Speaker 6: My disguise is wearing thin, and I must contrive a
• 6:49
  Speaker 6: new one. You disguise, eh, well, which one should it be?
• 7:00
  Speaker 3: What? So how about the old flower sellar? I love
• 7:03
  Speaker 3: that one?
• 7:04
  Speaker 4: Well it's pretty o No, no, no, my dear fellow.
• 7:08
  Speaker 6: Now hardly appropriate for an opium dinner. In any case,
• 7:10
  Speaker 6: the clothes was so wretchedly uncomfortable.
• 7:12
  Speaker 3: Well how about the music.
• 7:13
  Speaker 4: Halls ware chep oh.
• 7:15
  Speaker 5: I don't want to be behind the same side her.
• 7:17
  Speaker 5: We don't want to be behind the scene.
• 7:19
  Speaker 4: I don't want to.
• 7:20
  Speaker 5: Travel along the problem from from where the brass band plays,
• 7:23
  Speaker 5: totally unpope confounded.
• 7:25
  Speaker 4: Who can that be?
• 7:25
  Speaker 3: You won't expecting in a word?
• 7:27
  Speaker 4: Now, this is just like.
• 7:29
  Speaker 1: The old days, the doorbell ringing, missus Hudson toddling off
• 7:32
  Speaker 1: and bringing up some poor devil in trouble and seeing
• 7:35
  Speaker 1: a rather.
• 7:36
  Speaker 6: Whispery old fellow. Don't tell me that you repentive marriage?
• 7:39
  Speaker 1: Oh of course on homes Mary's a perfect darling, and
• 7:42
  Speaker 1: I couldn't be happier just the same.
• 7:45
  Speaker 3: It is rather fun to be back here again.
• 7:47
  Speaker 4: Come yes, MISSU Hudson.
• 7:50
  Speaker 7: It's a gentle Unstead.
• 7:51
  Speaker 3: He gave me this card.
• 7:53
  Speaker 7: Say she's very anxious to see you.
• 7:56
  Speaker 4: Wayne J.
• 7:56
  Speaker 6: Layton, President Layton Corporation in Chicago, the United States. Ask
• 8:00
  Speaker 6: him to come up with you, missus Hudson.
• 8:01
  Speaker 7: Hi, sir, well, it's quite the cold times to see you.
• 8:04
  Speaker 1: Back to your dr Just what I.
• 8:06
  Speaker 3: Was saying myself. This is Hudson.
• 8:08
  Speaker 6: Mister Layton has scribbled a message on the back of
• 8:10
  Speaker 6: his card. If a thousand pounds for a week's work
• 8:13
  Speaker 6: interests you, you'll.
• 8:14
  Speaker 4: See me a thousand pounds big fish, Watson, very big fish.
• 8:19
  Speaker 1: This thank you.
• 8:21
  Speaker 4: Oh, how do you do, mister Layton.
• 8:25
  Speaker 1: I guess you're Sherlock Holmes.
• 8:27
  Speaker 4: You guess correct me, sir, excuse me.
• 8:31
  Speaker 7: I'm mister Holmes.
• 8:33
  Speaker 1: Sit down, won't you, Slayton. My name's Wat's Dr Watson.
• 8:36
  Speaker 1: I'm sure Holmes his colleague.
• 8:38
  Speaker 2: Yes, I've heard about you too, Like a cigar doctor.
• 8:41
  Speaker 4: It's a good one.
• 8:42
  Speaker 1: Send me back three shillings.
• 8:44
  Speaker 3: Thank you, very.
• 8:49
  Speaker 4: Layton. May I ask what brings you here?
• 8:51
  Speaker 1: I'll talk fast and to the point.
• 8:53
  Speaker 2: I'm a business man. I like to do things in
• 8:54
  Speaker 2: a business way. I have a chance to control the
• 8:57
  Speaker 2: quantad buzzes. The Republic of San Pedro.
• 9:00
  Speaker 1: Minister will be in London tomorrow.
• 9:01
  Speaker 2: And if it weren't for one thing, I know that
• 9:03
  Speaker 2: I could swing the deal and get the concession.
• 9:05
  Speaker 4: And what is that one thing, mister Layton?
• 9:06
  Speaker 3: The deal is secrecy.
• 9:08
  Speaker 2: I thought no one knew about it, but when I
• 9:10
  Speaker 2: got here, I found out that my biggest business rival
• 9:12
  Speaker 2: has gotten wind of what's going on.
• 9:14
  Speaker 4: He's an Englishman. I've never met him, but.
• 9:17
  Speaker 1: He's right here in London now.
• 9:19
  Speaker 6: I am not going to tell you his name, not
• 9:20
  Speaker 6: until you.
• 9:21
  Speaker 4: Give me your word that you'll work for me.
• 9:22
  Speaker 6: Just what you wish me to do, mister Layton.
• 9:24
  Speaker 2: Get this rival of mine and keep him out of
• 9:26
  Speaker 2: circulation for a week. I don't care how you do it,
• 9:28
  Speaker 2: and I won't ask. In a week's time, I'll give
• 9:30
  Speaker 2: you the other half of this five hundred pounds.
• 9:32
  Speaker 3: I propa with me. Good Scott, you use.
• 9:34
  Speaker 6: To layton his hat and gloves. That's it, thanks, old fellow.
• 9:40
  Speaker 4: Goodbye, sir.
• 9:41
  Speaker 1: What are you doing throwing me out?
• 9:42
  Speaker 6: I can't think where you gathered the impression that I
• 9:45
  Speaker 6: indulged in kidnapping once again.
• 9:48
  Speaker 4: Goodbye, sir, and here so you can take back your cigar.
• 9:50
  Speaker 3: Hell, if you.
• 9:51
  Speaker 2: Don't want some using money, else I'll find someone else
• 9:53
  Speaker 2: that does.
• 9:53
  Speaker 1: This is the last you'll say of me, mister Hall.
• 9:55
  Speaker 4: Life is full of little consolations.
• 9:59
  Speaker 3: M People seem to think that money can beat the
• 10:02
  Speaker 3: game's a foot.
• 10:03
  Speaker 6: Mister Lacan is the man I've been seeking, a man
• 10:04
  Speaker 6: who pretends to be an opium smoking while basically you
• 10:06
  Speaker 6: let him get.
• 10:07
  Speaker 3: Away here, I'll go after him.
• 10:08
  Speaker 4: No, no, no, no, no, don't Boddy, I've already arranged for that.
• 10:10
  Speaker 4: Oh ha.
• 10:11
  Speaker 6: When I left the room just now to talk to
• 10:12
  Speaker 6: missus Hudson, and I was intending to tell her to
• 10:14
  Speaker 6: summon some of my band of street.
• 10:15
  Speaker 4: Urchins, you're not the biggest street of regulars.
• 10:17
  Speaker 6: When she informed me that half a dozen of them
• 10:19
  Speaker 6: we're in the kitchen at this very moment. By taking
• 10:21
  Speaker 6: one of her uncomfortables taking kidney pies.
• 10:23
  Speaker 4: The rest should be obvious.
• 10:24
  Speaker 3: Your left instructions to one of them to shallows to
• 10:26
  Speaker 3: Laton when he.
• 10:27
  Speaker 6: Left her elementary. My dear Watson, Oh, don't come that
• 10:29
  Speaker 6: Lacon back again. No, I think not, and I should
• 10:32
  Speaker 6: say that at the moment he's just.
• 10:33
  Speaker 4: About to walk out of the front door.
• 10:34
  Speaker 5: No, I think we shall have another visitor. And judging
• 10:37
  Speaker 5: by the commotion, the incoming and the outgoing visitors know each.
• 10:40
  Speaker 4: Other and are not on the best of terms, it
• 10:42
  Speaker 4: sounds to me of her having a fight. Comes Missus
• 10:46
  Speaker 4: Hudson to tell us about it.
• 10:48
  Speaker 7: A man, come in, mister Hune, you've got another visitor.
• 10:52
  Speaker 4: So I gathered Missus Hudson.
• 10:54
  Speaker 6: You gave my instructions to one of the boys.
• 10:56
  Speaker 7: I did that, Sir Young Wiggins was going to follow
• 10:58
  Speaker 7: the gentleman.
• 10:59
  Speaker 3: MISSU Hudson.
• 11:00
  Speaker 1: What was all that commotion about downstairs?
• 11:02
  Speaker 3: Your hair?
• 11:02
  Speaker 7: It was the two gentlemen shouting at each other, him
• 11:05
  Speaker 7: that was leaving and the one that was Swayne and
• 11:07
  Speaker 7: the door stand.
• 11:07
  Speaker 4: Who is our new visitor, Missus Hudson.
• 11:09
  Speaker 7: Here's his cats?
• 11:10
  Speaker 4: Oh thank you Linton Chumley nine Belgrave Square. Well ask
• 11:15
  Speaker 4: him to come up, WILLI, Missus Hudson, very well?
• 11:17
  Speaker 3: One thing more?
• 11:18
  Speaker 6: Yes, please instruct another of the Bakest Treaty regulars to
• 11:22
  Speaker 6: follow this Linton Chumley when he leaves here and reports me.
• 11:26
  Speaker 3: Oh right, you're taking no chances, Holmesir, you're having this
• 11:32
  Speaker 3: fellow shadow too.
• 11:34
  Speaker 6: Layton is a potential murderer that I'm convinced this mister
• 11:38
  Speaker 6: Chumley might possibly be his intended.
• 11:40
  Speaker 4: Victim while we're talking to him. What's no fellow?
• 11:43
  Speaker 6: I want you to be sure to look at the
• 11:45
  Speaker 6: condition of his eyes.
• 11:46
  Speaker 3: Certainly will.
• 11:49
  Speaker 4: Oh good evening, missus Chumley. And this is my colleague,
• 11:52
  Speaker 4: doctor Watson.
• 11:53
  Speaker 8: How do you do, sir?
• 11:54
  Speaker 5: That was Wayne Layton that we've just left here, or
• 11:57
  Speaker 5: wasn't it. I want to sit down, sir, I thank you.
• 11:59
  Speaker 5: I don't want to it down all right. You needn't
• 12:01
  Speaker 5: answer my question. But I know it was Layton. I've
• 12:04
  Speaker 5: never met him, but i've seen his picture in the
• 12:06
  Speaker 5: newspapers very well.
• 12:07
  Speaker 4: Mentor it was Wayne Lakeon.
• 12:09
  Speaker 5: I know why he came to you. He's he's trying
• 12:12
  Speaker 5: to have me put out of the way while he
• 12:13
  Speaker 5: closes that deal on the San Peter and Guana concession.
• 12:16
  Speaker 5: Now look here, Holmes, you've got to be on my side.
• 12:19
  Speaker 5: Whatever fee he offered you to dispose of me, I'll
• 12:21
  Speaker 5: double it if you'll.
• 12:22
  Speaker 4: Take care of him for a few days. Dear me,
• 12:25
  Speaker 4: this is becoming monotonous.
• 12:26
  Speaker 3: What's the hatton gloves?
• 12:28
  Speaker 4: Thank you, old Chap. That's Ryan.
• 12:31
  Speaker 5: Good night, mister chamlay Look here, Holmes, I'll trouble his fee.
• 12:34
  Speaker 4: I'll quite truthfully, my dear mister Chumley, I have accepted
• 12:37
  Speaker 4: no fee from mister Layton. I don't prefer to accept
• 12:39
  Speaker 4: one from you your hatton glove.
• 12:41
  Speaker 3: Sir.
• 12:41
  Speaker 5: That man is out to kill me.
• 12:43
  Speaker 3: Holmes.
• 12:43
  Speaker 8: Well, if you won't help me, I'll.
• 12:45
  Speaker 3: Go to the police.
• 12:45
  Speaker 4: That's an excellent idea, mister Chumley. Again, good night. Did
• 12:50
  Speaker 4: you notice his eyes? What's me?
• 12:51
  Speaker 3: If the pupils were contracted, he's obviously and.
• 12:53
  Speaker 4: Opia and also a potential copse.
• 12:55
  Speaker 3: What do we do now? Wait for the irregulars to
• 12:57
  Speaker 3: a partner.
• 12:58
  Speaker 4: You return home for your medical bag.
• 12:59
  Speaker 6: I have a feeling you'll need it before the might
• 13:01
  Speaker 6: desert and come back here. I've gone before your return,
• 13:04
  Speaker 6: I'll send one of your regulars to bring you to
• 13:06
  Speaker 6: wherever I may be. Wait until you receive a message
• 13:09
  Speaker 6: from me on your way, Old Chap, there's work ahead
• 13:11
  Speaker 6: of us.
• 13:20
  Speaker 3: Wiggins.
• 13:27
  Speaker 1: You're certain this is the place that mister Holmes told
• 13:29
  Speaker 1: you to bring me to herries, Doctor Watson, the corner
• 13:31
  Speaker 1: of Swandam Line and Brixell Street.
• 13:33
  Speaker 3: Mystery Alms said, oh this is.
• 13:34
  Speaker 1: A spud aw right, I don't see anysynomym. Hello, this
• 13:38
  Speaker 1: old woman coming towards us, So that's the disguise each other.
• 13:44
  Speaker 7: Spare me if you compensate, mister my features something awful
• 13:48
  Speaker 7: lines had a bite of food.
• 13:50
  Speaker 4: Dolls.
• 13:51
  Speaker 1: You know you can't fool me this time. As a
• 13:54
  Speaker 1: matter of fact, your makeup doesn't been convincing.
• 13:57
  Speaker 3: You hardly look like a.
• 13:58
  Speaker 1: Woman, and nobody's nose could be quite as red as
• 14:00
  Speaker 1: the staffs look like your woman.
• 14:03
  Speaker 4: It's too red?
• 14:03
  Speaker 8: Is this a sight fas before?
• 14:10
  Speaker 3: Sorry, madam, I didn't mean jus.
• 14:14
  Speaker 4: Where Mandy you gave you a bit of what for
• 14:16
  Speaker 4: right in yeah? Box your ears and always say about it.
• 14:19
  Speaker 1: You might business and then a while to aboard your
• 14:21
  Speaker 1: ship at this time of night.
• 14:22
  Speaker 4: Because I'm not a sailor, Watson gets mister romes like
• 14:25
  Speaker 4: Heaven's homes.
• 14:27
  Speaker 3: I wish you you wouldn't confuse me like this.
• 14:30
  Speaker 1: I've never recognized you, I hear, Watson.
• 14:32
  Speaker 6: When you're able to recognize me, well, indeed be the
• 14:35
  Speaker 6: beginning of the end. When your eagle eye penetrates my disguise.
• 14:37
  Speaker 6: I shall realize that my retirement is imminent.
• 14:40
  Speaker 4: But enough of this. See that house.
• 14:41
  Speaker 1: Opposite you, me in the ramshackle place with the broken
• 14:44
  Speaker 1: tiled roof.
• 14:44
  Speaker 6: Yes, I gave you irregulous instructions to let me know
• 14:46
  Speaker 6: at once if our two quarries ever entered the same house,
• 14:49
  Speaker 6: but at one time. They're inside there now and I'm
• 14:51
  Speaker 6: going in after thet Be.
• 14:52
  Speaker 3: Careful, Homes. I better come along with you.
• 14:53
  Speaker 4: Cart come to you, mister Rops, certainly not. We'll keep
• 14:56
  Speaker 4: watch outside.
• 14:57
  Speaker 6: If I needing a help, hop smash one of the
• 14:59
  Speaker 6: windows and then you can not to me.
• 15:00
  Speaker 4: Wait here on me. I don't expect I'll be very long.
• 15:03
  Speaker 3: I'll be here. Homes, don't worry about me. Just take
• 15:05
  Speaker 3: good care of yourself. It's one o'clock.
• 15:21
  Speaker 1: I'm going to say, no, Wiggans, he's been in there
• 15:23
  Speaker 1: half an hour.
• 15:24
  Speaker 3: I'm beginning to get worried.
• 15:25
  Speaker 4: Start going off.
• 15:26
  Speaker 3: No, no, no, Wiggans. You knows to homes. When he
• 15:28
  Speaker 3: gives orders, he likes the.
• 15:29
  Speaker 8: Sign for help.
• 15:32
  Speaker 3: He watch your house, Wiggins. We asked for five minutes
• 15:35
  Speaker 3: help the police. Watch your answer.
• 15:37
  Speaker 8: All right, Homes, All right, you have.
• 15:50
  Speaker 5: Searched my house from basement to rekick.
• 15:53
  Speaker 3: Why do you not give up?
• 15:55
  Speaker 5: I'll tell you what getting There has been no.
• 15:57
  Speaker 1: One here tonight that my friend came in here half
• 15:59
  Speaker 1: an hour ago.
• 15:59
  Speaker 3: I saw it before that. Twelve the men are known
• 16:01
  Speaker 3: to have come in here.
• 16:02
  Speaker 5: If that is sold, then where are the three men?
• 16:04
  Speaker 5: Cannot vanish?
• 16:05
  Speaker 3: That's just a point, you scoundrel. Out of the way.
• 16:07
  Speaker 3: I'm going to search this hubble again.
• 16:09
  Speaker 1: I'm not leaving here until I find mister Shellock Holmes.
• 16:21
  Speaker 2: You'll hear the rest of doctor Watson's story in just
• 16:23
  Speaker 2: a second.
• 16:24
  Speaker 6: And if you don't mind, I'll.
• 16:25
  Speaker 2: Take that second to say just one word to the ladies,
• 16:28
  Speaker 2: and that word is musk Tell, Petrie California Muscatell. I
• 16:33
  Speaker 2: want you women to know about it because Petrie musk
• 16:36
  Speaker 2: Tell is one wine that practically every woman likes. Maybe
• 16:41
  Speaker 2: because it's such a beautiful color, like pale gold, but
• 16:45
  Speaker 2: I guess really because Petrie Musketell brings you the wonderful
• 16:48
  Speaker 2: flavor of luscious sun ripe and muscat grapes. And that's
• 16:52
  Speaker 2: a flavor. Try Petrie Musketel after dinner or anytime. As
• 16:57
  Speaker 2: a change from Petrie port remember, if it's a Petrie wine,
• 17:02
  Speaker 2: you know it's a good wine. And now back to
• 17:12
  Speaker 2: doctor Watson and tonight's story the eyes of mister lighton. Well,
• 17:17
  Speaker 2: what happened next?
• 17:18
  Speaker 4: Doctor?
• 17:19
  Speaker 2: When you searched the house for the second time? Did
• 17:21
  Speaker 2: you find any trace of Sherlock Holmes, of the two
• 17:23
  Speaker 2: rival businessman?
• 17:24
  Speaker 3: I tell I'm afraid I didn't.
• 17:26
  Speaker 4: What did you do?
• 17:27
  Speaker 1: I told Wiggins to report the matter to the nearest
• 17:29
  Speaker 1: police station, and then rattle back to Baker Street at
• 17:31
  Speaker 1: a handsome cab as fast as I could. When I
• 17:34
  Speaker 1: arrived at the old familiar doorstep, I wrenched the bell
• 17:37
  Speaker 1: in a frenzy of anxiety.
• 17:38
  Speaker 3: Finally the door opened. There stood missus Hudson's doctor watching.
• 17:43
  Speaker 9: Which is it, sir?
• 17:44
  Speaker 7: Why you're as white.
• 17:45
  Speaker 1: As a ghost?
• 17:46
  Speaker 3: Mister Holmes? Is he here?
• 17:48
  Speaker 7: I said to him. In half an hour ago, he
• 17:50
  Speaker 7: was draced as a sailor and was half carrying some
• 17:52
  Speaker 7: drunken friend of his.
• 17:53
  Speaker 3: Thanks he safe. I'll go up all right, sir. I
• 18:02
  Speaker 3: want to check Holmes.
• 18:04
  Speaker 1: I can't tell you how glad I am the severer.
• 18:06
  Speaker 1: Who's that lying on the sofa?
• 18:09
  Speaker 6: Well, I'm pretty bag button. Oh, I'm afraid the poor
• 18:12
  Speaker 6: devil's done for.
• 18:13
  Speaker 3: Good, Scott.
• 18:14
  Speaker 1: It's wearing Layton, the American fellow, a.
• 18:16
  Speaker 6: Knife wound between his rips. See what you can do
• 18:18
  Speaker 6: for him, will you?
• 18:19
  Speaker 3: Right? There's extraordine, Holmes.
• 18:21
  Speaker 1: You said that Layton was a potential murderer, and now he's.
• 18:24
  Speaker 4: A victim himself, the bitter bit al chap.
• 18:28
  Speaker 3: Yes, he's still breathing that he hasn't a chance. I'll
• 18:31
  Speaker 3: try him with.
• 18:31
  Speaker 1: An injection of strictne Holmes, how did you get his
• 18:34
  Speaker 1: body out of the house. I searched the place from
• 18:37
  Speaker 1: top to bottom.
• 18:37
  Speaker 3: Ie, I found no trace of any of you.
• 18:39
  Speaker 6: When I went in, I found the stabbing had already
• 18:41
  Speaker 6: taking place.
• 18:42
  Speaker 4: The proprietor then bribed me or rather than broken down.
• 18:44
  Speaker 6: Cell, he took me for to smuggle the body out
• 18:46
  Speaker 6: through the secret stairway leading to the worlds at the
• 18:49
  Speaker 6: back of the house.
• 18:50
  Speaker 3: There's no trace of Chamler out.
• 18:51
  Speaker 6: No, he must have blessed before me by the same exit.
• 18:53
  Speaker 8: And then you smashed the window and vaulted.
• 18:55
  Speaker 6: Yes, I knew the back account. I knew to hold
• 18:57
  Speaker 6: the port while I was getting the body away. Just
• 19:00
  Speaker 6: try to say something, Watson.
• 19:02
  Speaker 3: Yes, the Egyptians beginning to take effect.
• 19:04
  Speaker 4: Yes, mister Layton, what are you trying to say?
• 19:08
  Speaker 6: Tell us who stabbed yourself? Lips are moving, man, he's dead. Home, Yes,
• 19:24
  Speaker 6: but he gave us the clue to the murderer's identity.
• 19:26
  Speaker 3: Ah.
• 19:27
  Speaker 4: The word he mumbled just before he died.
• 19:29
  Speaker 1: Sounded to me as if he said mandolcisely.
• 19:31
  Speaker 8: Old fellow.
• 19:32
  Speaker 4: Never did a corpse give us a clearer instruction.
• 19:34
  Speaker 5: That's to our next and final move, and that is
• 19:36
  Speaker 5: back to Limehouse, Watson, Back to Limehouse.
• 19:51
  Speaker 4: Here we are, This is Bill the place.
• 19:52
  Speaker 3: What's this? Another opium down?
• 19:54
  Speaker 4: Yes?
• 19:54
  Speaker 6: I knew that since Termally refrained from smoking earlier on
• 19:57
  Speaker 6: in the night in order to keep his faculty a
• 19:59
  Speaker 6: la for murder, that.
• 20:00
  Speaker 4: An enormous reaction set him.
• 20:03
  Speaker 6: You have to find a den at once, and beyond question,
• 20:06
  Speaker 6: a different one from that in which the murder has committed.
• 20:08
  Speaker 3: But how do you know that he's inside here?
• 20:10
  Speaker 6: Just before you return to Baker Street tonight, I had
• 20:12
  Speaker 6: a message from one of my regulars.
• 20:14
  Speaker 4: He tracked him here after he escaped from the scene
• 20:16
  Speaker 4: of the stabbings.
• 20:17
  Speaker 3: That was a couple of hours ago. He might have
• 20:18
  Speaker 3: slipped away again.
• 20:19
  Speaker 6: Oh, Watson, tonight. He came to drown his senses with
• 20:22
  Speaker 6: a wretched drug.
• 20:23
  Speaker 4: He'll be here.
• 20:23
  Speaker 9: Come on, h.
• 20:38
  Speaker 1: That second injection of caffee and should bring him around.
• 20:41
  Speaker 3: He's heavily drug but I think it will work.
• 20:43
  Speaker 4: Rising what a five found note will do, isn't it?
• 20:45
  Speaker 3: Yes?
• 20:46
  Speaker 1: The proprietor let us bring Chumley into his private room
• 20:48
  Speaker 1: in each.
• 20:51
  Speaker 3: He's coming to m m who who are you? Who?
• 20:59
  Speaker 3: What do you want?
• 21:00
  Speaker 4: Remember me, sir? I'm sure like Holmes, Yes, yes, I
• 21:05
  Speaker 4: remember you.
• 21:06
  Speaker 6: You are in serious trouble, mister Chumney, very serious trouble.
• 21:10
  Speaker 3: Trouble, what trouble.
• 21:13
  Speaker 6: Wayne Layton didn't die, He badly wounded, but he's going
• 21:17
  Speaker 6: to live.
• 21:18
  Speaker 4: He's at Baker Street now. He wants to go to
• 21:21
  Speaker 4: the police and give evidence.
• 21:23
  Speaker 5: You've got to get me out of this Homes.
• 21:25
  Speaker 3: I'll pay you anything ten twenty.
• 21:28
  Speaker 4: Why did you stab Lake?
• 21:30
  Speaker 8: He was in my way.
• 21:31
  Speaker 5: I wanted the San Pedro concession. I meant to kill him.
• 21:35
  Speaker 5: But we can fix it up now. Can't be homes.
• 21:37
  Speaker 5: We can fix it up.
• 21:38
  Speaker 4: Last week and fix it Beuri presser.
• 21:40
  Speaker 3: As Nita Murley confession. As ever I listened to her exactly.
• 21:43
  Speaker 4: Come along, mister Chumney. I think some night air will
• 21:45
  Speaker 4: be good for you.
• 21:45
  Speaker 5: We'll take you for a nice drive to Scotland yard.
• 22:02
  Speaker 1: I've brought you some kippers.
• 22:03
  Speaker 7: Gentlemen, you've been up all night and I'm sure you
• 22:05
  Speaker 7: can do it. What is Missus Watson going to say
• 22:11
  Speaker 7: when she finds you've been out all night?
• 22:13
  Speaker 1: Do you worry about that? Missus Hudson, she's very understanding.
• 22:17
  Speaker 4: It's lucky for you that she is well.
• 22:19
  Speaker 7: I'll do leave your Breakfad.
• 22:22
  Speaker 1: Holmes, Yes, sir fellow, there's any one thing that puzzles
• 22:25
  Speaker 1: me about this case. When Layton was dying, he muttered
• 22:28
  Speaker 1: the word Mandalay. How did that give you the key
• 22:31
  Speaker 1: to the merger's identity?
• 22:33
  Speaker 8: Oh?
• 22:33
  Speaker 6: The dead American had never met miss Chumley, remember, except
• 22:36
  Speaker 6: when they bumped into each other in our hallway.
• 22:38
  Speaker 1: Yes, he told us that he recognized him from the
• 22:39
  Speaker 1: newspaper photograph.
• 22:40
  Speaker 6: Being an American, he had no reason to know that
• 22:43
  Speaker 6: the name Chumbley is in no way pronounced the way
• 22:47
  Speaker 6: it is spelt.
• 22:48
  Speaker 1: I never thought of that Chumbley. That name spelt c
• 22:52
  Speaker 1: h O L chaw m O n mon d d
• 22:58
  Speaker 1: l e y. Charles Monalaysily, oldfellow, what you.
• 23:04
  Speaker 6: Thought of the mandalay was really Charles Mondalay, the name
• 23:08
  Speaker 6: of the murderer.
• 23:09
  Speaker 3: Amazing case. You did a remarkable job. Homes.
• 23:13
  Speaker 1: I'm beginning to be confinedly sleepy.
• 23:17
  Speaker 6: Why not sleep ole Chapter O rooms all ready for you.
• 23:19
  Speaker 3: You would take an air?
• 23:20
  Speaker 6: Oh jear me, No, I have much too busy an
• 23:23
  Speaker 6: ahead of me. Let me look at my engagement book
• 23:27
  Speaker 6: next to square murderer. I put the police on the
• 23:31
  Speaker 6: track the duchess of Pharaohs, and I got her material.
• 23:36
  Speaker 4: The princess, who was about to run away from.
• 23:38
  Speaker 6: Home could graciously let her run. The Pope's cameos ah. Yes, yes,
• 23:43
  Speaker 6: his holiness must not be kept waiting.
• 23:45
  Speaker 1: Can can I help you get homes? That Mary doesn't
• 23:49
  Speaker 1: return until tomorrow?
• 23:50
  Speaker 4: But I thought you were a sleepy, old fellow, sleepy rubbish.
• 23:53
  Speaker 3: I never felt more wide awake in my life.
• 24:01
  Speaker 9: Stay any added Land and the user worker