Latest / Fairytales and Short Stories by Hans Christian Andersen / 020 - Lucky Peer part 4
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- 0:01Speaker 1: Section twenty of Hans Christian Anderson Fairy Tales and Short Stories,
- 0:06Speaker 1: Volume six. This is a LibriVox recording. All LibriVox recordings
- 0:10Speaker 1: are in the public domain. For more information or to volunteer,
- 0:14Speaker 1: please visit LibriVox dot org. Recording by Ruhi Huck Hans
- 0:21Speaker 1: Christian Anderson Fairy Tales and Short Stories, Volume six, eighteen
- 0:25Speaker 1: sixty six to eighteen seventy three by Anne Christian Anderson,
- 0:31Speaker 1: translated by HP Paul Lucky Pierre.
- 0:35Speaker 2: Part four, The journey home.
- 0:38Speaker 1: Was made with glad and lightheart devoutly did Grandmother thank
- 0:42Speaker 1: our Lord that Pier was yet to outlive her. She
- 0:45Speaker 1: had delightful neighbors in the railway carriage, the apothecary and
- 0:49Speaker 1: his daughter. They talked about Pier. They loved him as
- 0:52Speaker 1: if they belonged to his family. He was to become
- 0:55Speaker 1: a great actor, said the apothecary. His voice had now
- 0:59Speaker 1: returned too, and there was a fortune in such a
- 1:02Speaker 1: throat as his. What a pleasure it was to the
- 1:06Speaker 1: grandmother to hear such words. She lived on them, she
- 1:09Speaker 1: believed them thoroughly. And so they came to the station
- 1:12Speaker 1: at the capital, where the mother met her God be
- 1:16Speaker 1: praised for the railway, said grandmother. And be praised too
- 1:20Speaker 1: that I quite forgot I was on it. I owe
- 1:23Speaker 1: that to these excellent people. And she pressed the hands
- 1:26Speaker 1: of the apothecary and his daughter. The railway is a
- 1:30Speaker 1: blessed discovery. When one is through with it, one is
- 1:33Speaker 1: in God's hands. Then she talked of her sweet boy,
- 1:37Speaker 1: who was out of all danger and housed with people
- 1:40Speaker 1: who were very well off, and kept two girls and
- 1:42Speaker 1: a man. Peer was like a son in the house,
- 1:45Speaker 1: and on the same footing with two children of distinguished families.
- 1:50Speaker 1: One of them was a dean son. The grandmother had
- 1:53Speaker 1: lodged at the post inn. It was dreadfully dear, But
- 1:57Speaker 1: then she had been invited to Madame Gabriel's. There she
- 2:00Speaker 1: stayed five days. They were angelic people, specially the mistress.
- 2:06Speaker 1: She had urged her to drink punch excellently made, but
- 2:09Speaker 1: rather strong. In about a month, would Peer, by God's help,
- 2:14Speaker 1: be strong enough to come home to the capital. He
- 2:18Speaker 1: had been flattered and has become very fine, said the mother.
- 2:22Speaker 1: He will not feel at home here in the garret.
- 2:24Speaker 1: I am very glad that the singing master has invited
- 2:27Speaker 1: him to stay with him, and yet so mourned she
- 2:31Speaker 1: It is horribly sad that one should be so poor
- 2:34Speaker 1: that one's own bairn should not find it good enough
- 2:37Speaker 1: for him in his own home. Don't say those words
- 2:41Speaker 1: to Pierre, said grandmother. You don't see into him as
- 2:45Speaker 1: I do. But he must have meat and drink anyway,
- 2:48Speaker 1: no matter how fine he has grown, and he shall
- 2:51Speaker 1: not want those so long as my hands can joggle
- 2:54Speaker 1: in the watch up. Madame Court has told me that
- 2:57Speaker 1: he can dine twice a week with her, now that
- 3:00Speaker 1: she's well off. She knows what posterity is and what
- 3:04Speaker 1: rough times are too. Has she not herself told me
- 3:08Speaker 1: that one evening in the box at the theater where
- 3:10Speaker 1: the old dance suices have a place, she felt sick
- 3:14Speaker 1: the whole day long. She only had water and a
- 3:17Speaker 1: caraway seed cake, and she was sick from hunger and
- 3:21Speaker 1: very faint water. Water, cried the other. No, some tarts,
- 3:25Speaker 1: she begged tarts. She needed something nourishing and had not
- 3:30Speaker 1: the least need of water. Now she has her old
- 3:34Speaker 1: pantries and a well spread table. Thirty miles away. Pierre
- 3:39Speaker 1: still sat but happy in the thought that he would
- 3:41Speaker 1: soon be in the city at the theater with all
- 3:44Speaker 1: his old dear friends boom. Now he rightly knew how
- 3:47Speaker 1: to value within him there was music without there was
- 3:51Speaker 1: music too. All was sunshine, the glad time of youth,
- 3:56Speaker 1: the time of hope and anticipation. Day he grew stronger,
- 4:01Speaker 1: got good spirits and color. But Madame Gabriel was much
- 4:06Speaker 1: depressed as his time for departure drew near. You're going
- 4:10Speaker 1: into great society and into the midst of many temptations.
- 4:14Speaker 1: For you are handsome that you have become in our house.
- 4:18Speaker 1: You have navy, just as I have, and that will
- 4:21Speaker 1: get you into temptation. One must not be fastidious, and
- 4:25Speaker 1: he must not be mangy fastidious like the Queen Dagmar,
- 4:29Speaker 1: who on Sunday dyed her silk sleeves and then had
- 4:32Speaker 1: her mind made up about such little things. More than
- 4:36Speaker 1: that I would never have taken on. So as I
- 4:39Speaker 1: Lucretia did, what did she stick herself? For she was
- 4:44Speaker 1: pure and honest. Everybody in the town knew that what
- 4:48Speaker 1: could she do about the misfortune which I won't talk about,
- 4:51Speaker 1: but that you, at your time of life, understand perfectly well.
- 4:55Speaker 1: So she gives a shriek and takes the dagger. There
- 4:59Speaker 1: was no use in that. I would not have done it,
- 5:02Speaker 1: nor you either, for we are both people of nature.
- 5:05Speaker 1: And that you will continue to be in your art career.
- 5:10Speaker 1: How happy I shall be to read about you in
- 5:13Speaker 1: the papers. Sometime you will come to our little town
- 5:17Speaker 1: and a peer perhaps is Romeo, but I shall not
- 5:21Speaker 1: be the nurse. Then I shall sit in the parkway
- 5:24Speaker 1: and enjoy myself. Madame had a great washing and ironing
- 5:28Speaker 1: done the week he went away, that Pierre might go
- 5:31Speaker 1: home with a whole clean wardrobe as when he came.
- 5:35Speaker 2: She drew a new strong ribbon through his amber heart.
- 5:39Speaker 1: That was the only thing she wanted for a remembrance souvenir,
- 5:43Speaker 1: but she did not get it from her Gabriel. He
- 5:46Speaker 1: received a French lexicon enriched with marginal notes by her
- 5:50Speaker 1: Gabriel's own hand. Madame Gabriel gave him roses and ribbon grass.
- 5:56Speaker 1: The roses would wither, but the grass would keep all
- 5:58Speaker 1: winter if it did not get into the water, but
- 6:02Speaker 1: was kept in a dry place. And she wrote a
- 6:05Speaker 1: quotation from Goethe as a kind of album leaf omgang
- 6:09Speaker 1: micfausen it daj elimeen gutur sit. Then she gave it
- 6:14Speaker 1: in translation intercourse with women is the foundation of good manners, Goethe.
- 6:21Speaker 2: He was a.
- 6:22Speaker 1: Great man, said she, if he had only not written fast,
- 6:26Speaker 1: For I don't understand it. Gabriel says so too. Young
- 6:30Speaker 1: Madstone presented Pierre with a not badly done drawing which
- 6:34Speaker 1: she had made of her Gabriel hanging from the gallows
- 6:37Speaker 1: with a ferule in his hand, and the inscription a
- 6:41Speaker 1: great actors, first conductor on the road of science. Primus,
- 6:46Speaker 1: the Dean's son, gave him a pair of slippers, which
- 6:49Speaker 1: the Denis herself had made, but so large that Primus
- 6:53Speaker 1: could not fill them for a year or two. Yet
- 6:56Speaker 1: upon the souls was written in ink, Remember a sorrowing friend,
- 7:00Speaker 1: and Primus, all of her Gabriel's household accompanied Pier to
- 7:05Speaker 1: the train. They shall not say that you went off
- 7:08Speaker 1: saints serdu, said Madame, as she kissed him in the
- 7:11Speaker 1: railway station. I am not concerned, said she. When one
- 7:15Speaker 1: does not do a thing secretly, one can do anything.
- 7:19Speaker 1: The signal whistle let off steam. Young Madson in Primus
- 7:22Speaker 1: shouted Hurrah. The small playthings joined.
- 7:25Speaker 2: In with them.
- 7:27Speaker 1: Madame dried her eyes and wiped them with her pocket handkerchief.
- 7:30Speaker 1: Her Gabriel said only the word veil. The villages and
- 7:35Speaker 1: stations flew by, were the people in them as happy
- 7:38Speaker 1: as peer? He thought of that, praised his good fortune,
- 7:41Speaker 1: and thought of the invisible golden apple which mother had
- 7:44Speaker 1: seen lying in his hand when he was a child.
- 7:48Speaker 1: He thought of his lucky find in the gutter, and
- 7:51Speaker 1: above all, of his new found voice, and of the
- 7:54Speaker 1: knowledge he had now acquired. He had become altogether another person.
- 7:59Speaker 1: He sat with then for gladness. It was a great
- 8:02Speaker 1: restraint for him to keep from singing aloud.
- 8:05Speaker 2: In the cars.
- 8:07Speaker 1: Now the towers of the city appeared, and the buildings
- 8:10Speaker 1: began to show themselves. The train reached the station. There
- 8:13Speaker 1: stood mother and grandmother, and one other along with them,
- 8:18Speaker 1: Madame courte Well bound quote Bookbinder Court's lady born Franson.
- 8:24Speaker 1: Neither in want nor in prosperity did she forget her friends.
- 8:28Speaker 1: She must needs kiss him as his mother and grandmother had.
- 8:31Speaker 1: Donete could not.
- 8:34Speaker 2: Come with me, said she.
- 8:35Speaker 1: He is hard at work binding a lot of books
- 8:38Speaker 1: for the King's private library.
- 8:40Speaker 2: You had your good luck, and I have mine.
- 8:43Speaker 1: I have my court and my own chimney corner with
- 8:46Speaker 1: a rocking chair. Twice a week, you are to dine
- 8:49Speaker 1: with us. You shall see my life at home. It
- 8:52Speaker 1: is a complete ballet. Mother and grandmother hardly got a
- 8:56Speaker 1: chance to talk to Pierre, but they looked on him
- 8:59Speaker 1: with eyes the chonned with delight. Then he had to
- 9:02Speaker 1: take a cab to drive to his new home at
- 9:04Speaker 1: the singing Master's. They laughed and they cried. He is
- 9:09Speaker 1: still so charming, said grandmother. He has his own good face,
- 9:14Speaker 1: just as when he went away, said mother, And he
- 9:16Speaker 1: will keep that when he is in the theater. The
- 9:20Speaker 1: cab stopped at the singing Master's door, but the master
- 9:23Speaker 1: was out. His old servant opened the door and showed
- 9:26Speaker 1: Pier up to his chamber, where all about on the
- 9:28Speaker 1: walls were portraits of composers, and on the stove a
- 9:32Speaker 1: white plaster busts stood gleaming. The old man a little dull,
- 9:36Speaker 1: but trustworthiness itself. Showed him the drawers in the bureau
- 9:41Speaker 1: and hooks for him to hang his clothes from, and
- 9:44Speaker 1: said he was very willing to clean his boots. When
- 9:47Speaker 1: the singing master came in and gave Pierre a hearty
- 9:50Speaker 1: shake of the hand in welcome here is every convenience,
- 9:54Speaker 1: said he, make yourself quite at home. You can use
- 9:57Speaker 1: my piano in the room. Tomorrow we will hear how
- 10:00Speaker 1: your voice gets on. This is our warden of the castle,
- 10:04Speaker 1: our director of household affairs. And he nodded to the
- 10:08Speaker 1: old servant. All is in order, Kyle Maria von Weber.
- 10:14Speaker 1: On the stove there has been whitened in honor of
- 10:17Speaker 1: your coming. He was dreadfully grimy. But it is not
- 10:21Speaker 1: Weber at all that is put up there. It is Mozart.
- 10:25Speaker 1: How comes he there? It is the old Webber, said
- 10:29Speaker 1: the servant. I took him myself to the plaster man,
- 10:33Speaker 1: and he has sent him home this morning.
- 10:37Speaker 2: But this is a.
- 10:38Speaker 1: Bust of Mozart, not a bust of Webber. Pardon, sir,
- 10:42Speaker 1: said the servant. It is the old Weber who has
- 10:44Speaker 1: become clean. The master does not recognize him again. Now
- 10:48Speaker 1: that he has been whitened, he could learn how it
- 10:53Speaker 1: was of the plaster man. And then he got the
- 10:55Speaker 1: answer that Webber had been broken in pieces, and so
- 10:58Speaker 1: he had sent him Mozart instead. It was all the
- 11:01Speaker 1: same thing on the stove. The first day peer was
- 11:05Speaker 1: not to sing nor play. But when our young friend
- 11:08Speaker 1: came into the parlor, where the piano stood and the
- 11:11Speaker 1: opera of Joseph lay open upon it. He sang my
- 11:15Speaker 1: fourteenth Spring, and sang with a voice that was clear
- 11:18Speaker 1: as a bell. There was something so charming about it,
- 11:22Speaker 1: so innocent and yet so strong and full. The singing
- 11:26Speaker 1: master's eyes were wet with tears. So shall it be,
- 11:30Speaker 1: and better still, exclaimed he. Now we will shut the
- 11:34Speaker 1: piano for the day.
- 11:35Speaker 2: You will want to rest.
- 11:38Speaker 1: But I must go this evening to my mother and grandmother,
- 11:41Speaker 1: for I have promised it.
- 11:42Speaker 2: And he hurried away.
- 11:44Speaker 1: The setting sun shone over the home of his childhood.
- 11:47Speaker 1: The bits of glass in the wall sparkled. It was
- 11:51Speaker 1: like a diamond castle. Mother and grandmother sat up there
- 11:55Speaker 1: in the garret, a good many steps up. But he
- 11:58Speaker 1: flew up three stairs at a time, and was at
- 12:01Speaker 1: their door, and received with kisses and embraces. It was
- 12:06Speaker 1: clean and tidy. There in the little chamber there stood
- 12:09Speaker 1: the stove, the old bear, and the chest of drawers
- 12:12Speaker 1: with the hidden treasure which he knew when he rode
- 12:14Speaker 1: his hobby horse. On the walls hung the three familiar pictures,
- 12:19Speaker 1: the King's Portrait, a picture of our Lord, the father's
- 12:23Speaker 1: silhouette cut out in black paper. It was a good
- 12:26Speaker 1: side view, said mother. But it would have been more
- 12:29Speaker 1: like him if the paper had been white and red.
- 12:32Speaker 1: For that, he was an excellent man, and Pierre was
- 12:35Speaker 1: the very picture of him.
- 12:38Speaker 2: There was so much to.
- 12:39Speaker 1: Talk about, much to tell. They were to have a
- 12:42Speaker 1: head cheese, and Madame Court had promised to look in
- 12:45Speaker 1: upon them in the evening.
- 12:48Speaker 2: But how is it.
- 12:49Speaker 1: That those two old people caught and miss Vanston ever
- 12:52Speaker 1: should have got married, asked Pierre. It has been in
- 12:55Speaker 1: their thoughts these many years, said mother.
- 12:57Speaker 2: You know he was married.
- 12:59Speaker 1: Well he did it, they say to pique, miss Franson,
- 13:02Speaker 1: who looked down on him when she was in her
- 13:05Speaker 1: high and mighty state. He got her comfortable property with
- 13:09Speaker 1: his wife. But she was dreadfully old, lively, and on crutches.
- 13:15Speaker 1: She could not die. He waited for it. It would
- 13:18Speaker 1: not have surprised me if, like the man in the story,
- 13:22Speaker 1: he had every Sunday put the old thing out in
- 13:25Speaker 1: the open air, so that our Lord might see her
- 13:28Speaker 1: and remember to send for her. Miss Franson sat still
- 13:32Speaker 1: and waited, said grandmother. I never believed she would get it.
- 13:36Speaker 1: But last year Madame Court died, and so Fransom came
- 13:40Speaker 1: to be mistress of the house. At that moment, in
- 13:44Speaker 1: came Madame Court. We were talking about you, said grandmother.
- 13:48Speaker 1: We were talking about your patience and reward. Yes, said
- 13:51Speaker 1: Madame Court. It did not come in my youth. But
- 13:55Speaker 1: one is always young, so long as one hasn't a
- 13:57Speaker 1: broken body, says my Court. He's a witty fellow. We
- 14:01Speaker 1: are old good works, he says, both in one volume,
- 14:05Speaker 1: and that with gilt top. I am so happy with
- 14:08Speaker 1: my coat and my chimney corner a porcelaine stove. There
- 14:13Speaker 1: the fire is made in the evening, and it keeps
- 14:16Speaker 1: warm all the next day. It is such a luxury.
- 14:20Speaker 1: It is as in the Ballet of Circe's Island.
- 14:23Speaker 2: Do you remember me as Circe?
- 14:25Speaker 1: Yes, you were charming, said grandmother. But how people do change?
- 14:30Speaker 1: That was not at all, said impolitely, and was not
- 14:33Speaker 1: so taken. Then came the head, cheese and the tea.
- 14:38Speaker 1: Next morning, Pier paid his visit at the merchant's. The
- 14:41Speaker 1: lady met him, pressed his hand and bagged him to
- 14:43Speaker 1: take a seat by her. In conversation with her, he
- 14:48Speaker 1: expressed his great gratitude knew that the merchant was a
- 14:52Speaker 1: secret benefactor. The lady did not know it. But it
- 14:56Speaker 1: is like my husband, said she, It is not worth
- 14:58Speaker 1: talking about. The merchant was nearly angry when Pierre touched
- 15:03Speaker 1: on this. You are on the wrong track altogether, said he,
- 15:06Speaker 1: and abruptly closed the conversation. Felix was a student and
- 15:12Speaker 1: was to go into diplomatic life. My husband called it
- 15:16Speaker 1: all folly, said the lady. I have no opinion. Providence
- 15:20Speaker 1: disposes of such things. Felix did not show himself, for
- 15:24Speaker 1: he was taking a lesson at his fencing masters.
- 15:28Speaker 2: At home, Pierre told how he had.
- 15:29Speaker 1: Thanked the merchant, but that he would not receive his thanks.
- 15:34Speaker 1: Who told you that he was what you call him
- 15:37Speaker 1: your benefactor? Asked the singing master. Mother and grandmother answered Pierre. Oh,
- 15:43Speaker 1: then it must be so you know about it, said Pierre.
- 15:46Speaker 1: I know, but you.
- 15:48Speaker 2: Will get nothing out of me.
- 15:50Speaker 1: Now come, let us sing an hour here at home
- 15:53Speaker 1: this morning. Ten Once a week there was quartet music.
- 15:58Speaker 1: Ears sulen thought were filled with the grand musical poems
- 16:02Speaker 1: of Beethoven and Mozart. For a long time Pierre had
- 16:05Speaker 1: heard no good and well given music. It was as
- 16:09Speaker 1: if a kiss of fire darted down his spine and
- 16:11Speaker 1: shot through all his nerves.
- 16:13Speaker 2: His eyes filled with tears.
- 16:15Speaker 1: Every music evening here at home was a feast to
- 16:18Speaker 1: him that made a deeper impression upon him than any
- 16:21Speaker 1: opera at the theater, where there is always something that
- 16:24Speaker 1: destroys pleasure or brings falts too strongly forward. The first
- 16:29Speaker 1: thing one knows, the words do not come out right.
- 16:31Speaker 1: They are so smooth down in the singing that they
- 16:34Speaker 1: are as intelligible to a Chinaman as to a greenlander.
- 16:38Speaker 1: Then the effect is weakened by faults in the dramatic expression,
- 16:42Speaker 1: and by a full voice sinking down in single places
- 16:45Speaker 1: to the tower of a music box, or is drolled
- 16:48Speaker 1: out in false stones. Lack of truthfulness, also in decoration
- 16:53Speaker 1: and costume is to be observed. All this was absent
- 16:57Speaker 1: from the quartet. The music poems rose in all their grandeur,
- 17:01Speaker 1: Costly hangings decorated the walls in the concert room, and
- 17:05Speaker 1: he was in the world of music, listening to the
- 17:08Speaker 1: masters in their fascination. In the great public music hall
- 17:13Speaker 1: was given one evening by a well trained orchestra. Beethoven's
- 17:16Speaker 1: Pastoral Symphony, especially the undand movement. The scene by the
- 17:21Speaker 1: brook stirred and excited our young friend. By strange power,
- 17:26Speaker 1: it carried him into the living fresh woods. The lark
- 17:29Speaker 1: and the nightingale warbled there, the cuckoo sang, What beauty
- 17:34Speaker 1: of nature? What a well spring of refreshment was there?
- 17:37Speaker 1: From this hour he knew within himself that it was
- 17:40Speaker 1: the picturesque music in which nature had reflected and the
- 17:44Speaker 1: emotions of men's hearts were set forth, that struck deepest
- 17:48Speaker 1: into his soul. Beethoven and Hayden became his favorite composers.
- 17:54Speaker 1: With the singing Master. He talked frequently of this, and
- 17:57Speaker 1: at every conversation they too came nearer ear each other,
- 18:01Speaker 1: flow rich and knowledge. This man was as inexhaustible as
- 18:05Speaker 1: Mimer's footnote too, Myma in the Scandinavian mythologies, the Goddess
- 18:11Speaker 1: of wisdom. It was from her well that Odin drew
- 18:14Speaker 1: his bucketfuls of wisdom translator end of footnote. Well, Pierre
- 18:20Speaker 1: listened to him, and just as when he was a
- 18:22Speaker 1: little boy he heard eagerly grandmother's wonder stories and tales,
- 18:27Speaker 1: now he heard those of the world of music, and
- 18:29Speaker 1: knew what the forest and the sea, told what sounds
- 18:33Speaker 1: in the old giant mound, what every bird sings with
- 18:36Speaker 1: its bill, and what the boiceless flowers breathed forth in fragrance.
- 18:42Speaker 1: The hour for singing every morning was a real hour
- 18:44Speaker 1: of delight for master and pupil. Every little song was
- 18:48Speaker 1: sung with a freshness and expression, and his simplicity. Most
- 18:51Speaker 1: charmingly did they give Schubert's travel song. The melody was true,
- 18:56Speaker 1: and as the words also, they blended together, they exalted
- 19:00Speaker 1: and illumined one another as his fitting. Pierre was undeniably
- 19:04Speaker 1: a dramatic singer. Each month showed progress in ability. Every week, Yes,
- 19:09Speaker 1: each day by day, our young friend grew in a wholesome,
- 19:14Speaker 1: happy way, knowing no one or sorrow. His trust in
- 19:18Speaker 1: mankind was never deceived. He had a child's soul and
- 19:21Speaker 1: a man's endurance, and everywhere he was received with gentle
- 19:25Speaker 1: eyes and a kind welcome. Day by day the relations
- 19:28Speaker 1: between him and the singing master grew more intimate and
- 19:31Speaker 1: more confidential. The two were like elder and younger brothers,
- 19:35Speaker 1: and the younger had all the fervor and warmth of
- 19:38Speaker 1: a young heart that the elder understood and gave in turn.
- 19:42Speaker 2: In his own.
- 19:42Speaker 1: Wise, the singing Master's character was marked by a sudden ardor,
- 19:47Speaker 1: and one saw at once that this man could hate
- 19:49Speaker 1: vehemently or love passionately. And fortunately this last governed in him.
- 19:56Speaker 1: He was moreover so placed by a fortune left him
- 19:58Speaker 1: by his father, that he did not need to take
- 20:01Speaker 1: any office which he did not content him. He did
- 20:04Speaker 1: secretly a great deal of good in a sensible way,
- 20:07Speaker 1: but would not suffer people to thank him, or indeed
- 20:10Speaker 1: to talk about it. Have I done anything, said he
- 20:13Speaker 1: It is because I could and ought to do it.
- 20:15Speaker 1: It was my duty.
- 20:17Speaker 2: His old serving.
- 20:18Speaker 1: Man, our Warden, as he called him in jest, talked
- 20:21Speaker 1: only with half a voice, and he gave expression to
- 20:24Speaker 1: his opinion about the master of the house. I know
- 20:27Speaker 1: what he gives away between a year and a day,
- 20:30Speaker 1: and I don't know the half. The King ought to
- 20:33Speaker 1: give him a star to wear on his breast, but
- 20:35Speaker 1: he would not wear it. He would get mad as lightning.
- 20:39Speaker 2: If I know him.
- 20:40Speaker 1: Should one notice him for his honesty, He's happy beyond
- 20:43Speaker 1: the rest of us in his faith, which he has.
- 20:46Speaker 2: He's just like a man out of the Bible.
- 20:49Speaker 1: And at that the old fellow gave an additional emphasis,
- 20:52Speaker 1: as if Beerre could have some doubt, he felt and
- 20:56Speaker 1: understood well that the singing master was a true Christian
- 21:00Speaker 1: in good earnest, an example for everyone. Yet the man
- 21:04Speaker 1: never went to church. And when Peer one day mentioned
- 21:07Speaker 1: that next Sunday he was going with his mother and
- 21:09Speaker 1: grandmother to our Lord's stable, and asked if the singing
- 21:13Speaker 1: master never did the same, the answer came no. It
- 21:17Speaker 1: seemed as if he would say something more, as if
- 21:20Speaker 1: indeed he had some confidence to impart to pier, But
- 21:24Speaker 1: it was not said. One evening he read aloud from
- 21:28Speaker 1: the papers of the beneficence of two or three persons
- 21:31Speaker 1: who were mentioned, and that led him to speak of
- 21:34Speaker 1: good deeds and their reward. When one does not think
- 21:37Speaker 1: of it, it is sure to come. The reward for
- 21:40Speaker 1: good friends is like dates that are spoken of in
- 21:44Speaker 1: the Talmud. They ripen late and then asked sweet Talmud
- 21:48Speaker 1: asked Peer, what sort of a book is That? A
- 21:52Speaker 1: book was the answer from which more than one seed
- 21:56Speaker 1: of thought has been implanted in Christianity, wrote the book
- 22:01Speaker 1: wise men in the earliest time, wise in various nations
- 22:05Speaker 1: and religions. Here is wisdom enclosed in such words as
- 22:09Speaker 1: the finds in Solomon's proverbs. What kernels of truth? One
- 22:14Speaker 1: reads here that men round about the whole earth, in
- 22:17Speaker 1: all the centuries, have always been the same. What kernels
- 22:23Speaker 1: of truth one reads here? That men around the whole earth,
- 22:27Speaker 1: in all the centuries, have always been the same. Thy
- 22:31Speaker 1: friend has a friend, and thy friend's friend has a friend.
- 22:34Speaker 1: Be discreet in what you say is found here. It
- 22:38Speaker 1: is a piece of wisdom for all times. No one
- 22:41Speaker 1: can jump over his own shadow is here too, and
- 22:46Speaker 1: wear shoes when you talk over thorns.
- 22:48Speaker 2: You ought to read this book.
- 22:50Speaker 1: You will find in it the proof of culture, more
- 22:53Speaker 1: clearly than you will discover cultivation of the soil in
- 22:58Speaker 1: layers of the earth. Me as a Jew, it is
- 23:01Speaker 1: besides an inheritance from my father's jew, said Pier, are
- 23:07Speaker 1: you a Jew?
- 23:09Speaker 2: Did you not know that?
- 23:10Speaker 1: How strange that we too should not have spoken of
- 23:13Speaker 1: it before to day? Mother and grandmother knew nothing about
- 23:17Speaker 1: it either. They had never thought anything about it, but
- 23:20Speaker 1: always had known that the singing Master was an honorable,
- 23:23Speaker 1: unexceptionable man. It was in the providence of God that
- 23:28Speaker 1: Pier had come in his way next to our Lord.
- 23:31Speaker 1: He owed him all his fortune. And now the mother
- 23:34Speaker 1: let out a secret which she had carried faithfully a
- 23:38Speaker 1: few days only, and which under the pledge of secrecy,
- 23:43Speaker 1: had been told her by the merchant's lady. The singing
- 23:47Speaker 1: Master was never to know that it was out. It
- 23:50Speaker 1: was he who had paid for Peer's support and education
- 23:54Speaker 1: at her Gabriel's from the evening when at the merchant's
- 23:58Speaker 1: house he heard Peers the ballet Samson. He alone had
- 24:03Speaker 1: been his real friend and benefactor, but in secret.
- 24:10Speaker 2: End of
- 24:12Speaker 1: The Lucky Peer Part four