Latest / 70 80 / SETTANTAxOTTANTA: 1984. Nessuno apprezza Terminator. A Schwarzenegger non piace, Stallone e Gibson rifiutano il ruolo dell’androide

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SETTANTAxOTTANTA: 1984. Nessuno apprezza Terminator. A Schwarzenegger non piace, Stallone e Gibson rifiutano il ruolo dell’androide · 70 80

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  and get your print on. Benvenuti a 70x80, la
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  rubrica di 7080 .it che approfondisce i temi
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  trattati sul portale. Sono con la giornalista
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  Enzo Mauri che introduce l 'argomento odierno.
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  Hello, today I tell you about a top movie of
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  the 80s. On October 26, 1984, among the general
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  skepticism, Terminator came out in the American
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  cinemas. The film opened the way for success
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  to the director James Cameron, with a budget
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  of only 6 million dollars, it cost 78. A 12 automatic
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  caliber. This is Italian, it goes to pump and
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  is automatic. The 45 long barrel with laser sight.
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  These are brand new, I just received them, it's
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  a good gun. Terminator tells the story of a cybernetic
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  assassin android sent from 2029 to 1984 to kill
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  Sarah Connor, the actress Linda Hamilton, the
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  future mother of the head of the resistance against
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  Skynet, artificial intelligence intended to exterminate
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  the entire humanity. Think that the script even
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  dates back to the early 80s. Along with the Terminator,
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  in 1984, also Kylie Reese, the actor Michael
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  Biehn, soldier of the Resistance, whose task
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  is to protect Sarah Connor. It is said that the
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  director James Cameron had conceived the subject
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  of Terminator during his stay in Rome in 1982
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  on the occasion of the release of Piranha Fear,
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  a low -cost film shot in Italy that had seen
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  him debut in directing. During his Italian stay,
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  James Cameron, a feverish dreamer, dreamed of
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  a metal torso just come out of an explosion with
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  kitchen knives in hand. The initial subject actually
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  envisaged that there were two and the first one
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  that became the protagonist of the film, the
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  second one made of fused liquid metal. Unfortunately,
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  the technology of the time did not allow the
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  realization of the latter and the idea was thus
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  abandoned, except then being recycled in the
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  1991 sequel Terminator 2 The Day of Judgment,
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  where the actor Robert Patrick played a very
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  advanced android, T -1000. Today it seems strange,
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  but James Cameron struggled a little to make
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  the subject of the film accepted and in the end
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  he sold the rights to the producer Gail Annie
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  Hard for a single dollar, provided that he was
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  directing the film. The executive producer instead
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  became John Daly of the Hamdale Film Corporation,
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  while HBO and Orion Pictures engaged in the distribution.
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  The production thought of the actor Arnold Schwarzenegger
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  initially for the role of Kylie Reese, but many
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  refused the role of Terminator, including Sylvester
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  Stallone and Mel Gibson, thus suggesting the
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  role we know. The filming of Terminator should
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  have started in Toronto in the early months of
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  1983, but slowed down by Dino De Laurentiis producer
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  of Conan the Barbarian. The producer applied
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  a contractual clause that involved Arnold Schwarzenegger
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  in the realization of Conan the Barbarian for
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  at least nine months. Subsequently, Los Angeles
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  was chosen as the location for the filming of
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  Terminator and most of the scenes were made at
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  night to make them more spectacular. On that
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  occasion, the stop motion technique became one
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  of the peculiarities. To complicate things, a
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  week before the start of the filming, Linda Hamilton
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  slid a ankle, forcing James Cameron to the working
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  schedule and the actress had to work, bearing
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  stinging pains. In his 2013 biography, Total
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  Recall, My Unbelievably True Life Story, Arnold
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  Schwarzenegger declared that he would never have
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  thought it would be so demanding to interpret
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  a robot. Previously he had defined Terminator
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  as a shit movie. The actor Michael Biehn, not
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  too famous, instead played the role of Kyle Reese,
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  for whom he also thought of the musician Sting,
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  but also he at the beginning defined Terminator
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  as a stupid movie. The unmistakable soundtrack
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  of Terminator was composed by Brad Fiedel, the
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  musician claimed to have wanted to produce the
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  heartbeat of a mechanical man. In 2018, Terminator,
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  the first of a long series of productions, was
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  selected by the Congress Library of the United
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  States for the National Film Registry and is
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  culturally, historically or aesthetically defined
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  as significant. Thanks to Enzo Mauri for the
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  today's theme, appointment to the next episode
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