Latest / What's Your (Least) Favorite Scary Movie? / #216: Freaky (2020)

Transcript

#216: Freaky (2020) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello, what's your least favorite scary movie?
• 0:10
  It's like I need a friend right now and you guys are smashing
• 0:13
  the shit out of me. Welcome to What's Your least
• 0:16
  Favorite Scary Movie? The podcast where we talk about
• 0:19
  the good, the bad, the ugly and the absurd and all of our
• 0:22
  favorite. And least favorite?
• 0:23
  Scary movies. Because we believe every horror
• 0:25
  movie rightfully has its fan base.
• 0:27
  Even if we don't always get it. My name is Travis.
• 0:29
  My name is Jesse and we're back. Another Pride Month movie.
• 0:34
  This time we're talking about 2020's Freaky.
• 0:38
  Yeah, the Patreon pick for this month.
• 0:40
  Yes. And Speaking of Patreon and
• 0:42
  Prime Month, we just want to remind everybody that all of our
• 0:45
  Patreon proceeds this month are being donated to the Trevor
• 0:49
  Project, which is a nonprofit organization that provides
• 0:54
  emergency like mental health services and lifeline support,
• 0:59
  things like that to LGBTQ youth. It's amazing.
• 1:06
  So if you want to, you know, get some bonus content while also
• 1:11
  making a donation, you can sign up to be a patron for one month
• 1:15
  and one month only. Just make sure you do it before
• 1:17
  the end of June. Yeah, yeah.
• 1:19
  Then you know it. It's not, It's not like a huge
• 1:22
  donation, but you know, every little bit counts.
• 1:26
  Yeah, Yeah. I think our highest tier is $6
• 1:28
  right now. Yeah, it is.
• 1:30
  Yeah. So $6, you get like bonus
• 1:32
  episodes, all kinds of shit and. And you do some good for the
• 1:35
  world. Yeah, exactly.
• 1:36
  Yeah, so. All right, all right.
• 1:39
  Well, I guess I got the announcements, so I've got our
• 1:41
  poll. OK.
• 1:42
  So we talked about Knock at the Cabin last week, and a big
• 1:46
  topic, nice big topic on that episode was Jesse, and I
• 1:53
  couldn't agree on whether or not it was real or not, so we
• 1:56
  figured we'd ask you guys. Does this is the apocalypse for
• 1:59
  real? Does it?
• 2:00
  Well, let's find out. That was the poll.
• 2:02
  That's exactly how you wrote it too.
• 2:04
  Yeah, pretty much. You're an accountant, not not a
• 2:06
  wordsmith. Well, it translates like binary.
• 2:12
  I don't know. I don't know what the fuck I'm
• 2:15
  talking about now. All right, getting out of there.
• 2:18
  All right. So, yeah.
• 2:19
  Were the foreign traders telling the truth or was it a lie?
• 2:22
  So over on Twitter, 90% believe that they were being honest, 10%
• 2:29
  believe that they were all lying.
• 2:31
  I think some people are just ready to fucking murder someone
• 2:33
  in their family. Well, we had some people saying
• 2:38
  that they feel like that they actually believed that they but
• 2:43
  they don't necessarily know if it was actually real.
• 2:45
  Oh OK, so maybe you just worded it poorly.
• 2:48
  I did, I said were they being honest or were they lying?
• 2:51
  But that was the question that like we were asking ourselves,
• 2:55
  well, we were also asking if it was real.
• 2:57
  Yeah, no, I was saying, is this real?
• 2:59
  I don't think it was real. OK, well, I guess I worded it a
• 3:04
  little bit different on Instagram because the question
• 3:06
  there was was it all real or a lie?
• 3:08
  So over there it's like evenly split 5050 and it wasn't like
• 3:13
  two people voting. So which it was kind of a
• 3:18
  shocker to me, but I guess it's a matter of how I asked the
• 3:21
  question. So I guess it's up in the air.
• 3:25
  Yeah. Like I if you listen to the
• 3:28
  episode, you'll see that I would very much believe that it was
• 3:32
  all true and they were being honest.
• 3:33
  And Jesse thinks that they were full of shit and it was all just
• 3:36
  a bunch of coincidences. Yep.
• 3:38
  Yeah. So, OK, that's our poll.
• 3:40
  OK, so are we ready to talk about Freaky?
• 3:43
  OK, so Freaky premiered on October 8th, 2020 at the Beyond
• 3:47
  Fest with a wide release of November 13th, 2020.
• 3:51
  Were they? Actually doing festivals in
• 3:54
  2020. Around October I think there
• 3:59
  were some like smaller things were happening.
• 4:01
  So remember, Shaky Knees got postponed to.
• 4:04
  They cancelled it that whole year.
• 4:05
  Yeah, they did, didn't they? Yeah.
• 4:06
  And they did it October the next year.
• 4:08
  I don't know. I guess I just, I have the
• 4:10
  information here. I don't, I don't know anything.
• 4:12
  About how beyond this was conducted that year, I didn't
• 4:15
  think, I didn't expect you to have the answer.
• 4:16
  I'm just like thinking out loud. That's wow.
• 4:18
  OK, we watched it on Peacock, but as of today you can also
• 4:23
  stream it on Fubo TV, Hulu Premium, or YouTube TV Premium,
• 4:27
  or you can rent it from Prime, YouTube, Google Play or Fandango
• 4:29
  at home. Formerly Voodoo.
• 4:32
  Written by Michael Kennedy and Christopher Landon.
• 4:34
  Directed by Christopher Landon, music by Bear McCreary and
• 4:38
  special effects makeup by Andre Freitas, Tony Gardner, Sven
• 4:43
  Grendland, Megan Riley and Joshua A Schneider with mask
• 4:47
  design by Bryan Christenson. Wow.
• 4:49
  And that's a team. Well, they went heavy on the
• 4:53
  gore for this movie, so. Shockingly I I was caught off
• 4:57
  guard even though I had seen this before.
• 4:59
  Yeah, I forgot like how gnarly some of the deaths were.
• 5:02
  Yeah. Right off the bat, too.
• 5:04
  That's kind of crazy. They got a guy for the mask too.
• 5:06
  I feel like the mask is barely present.
• 5:08
  OK, well, we had the mask at the beginning, but we also had the
• 5:11
  Aaron Rodgers mask. It was OK, Very important to
• 5:14
  remember Rodgers. Mask and kudos.
• 5:19
  Starring Vince Vaughn as The Butcher, Catherine Newton as
• 5:23
  Millie, Celeste O'Connor as Nayla Chones, Misha Oshervich as
• 5:28
  Josh Detmer, Dana Drury as Charlene Kessler, Katie Finneran
• 5:33
  as Coral Kessler, and Uriah Shelton as Booker Shelton.
• 5:39
  I don't think his last name was Shelton.
• 5:40
  I think I wrote Shelton twice. Uriah Shelton is Booker.
• 5:43
  I'm not sure what his last name is.
• 5:45
  Isn't it crazy that we get to talk about Vince Vaughn on here?
• 5:49
  Vince thought it. Happened.
• 5:50
  Never thought. It happened.
• 5:53
  OK, so I'm just gonna spoil now. My original theme for the movies
• 5:59
  was gonna be like this guy's starring in a horror movie, but
• 6:03
  I couldn't find a good third. One.
• 6:05
  Oh man, so there were at least two.
• 6:07
  Yeah. Are they movies that you have
• 6:09
  here? One is.
• 6:10
  OK, then we'll save that then. Yeah, but the other one was
• 6:13
  gonna be, I forget what it's called, but it's the one
• 6:16
  starring Kevin James. Oh, oh, what is that?
• 6:20
  I, I know he's like a Becky. He's like a fucking Nazi or
• 6:24
  something in it. Becky.
• 6:25
  Yeah, it's Becky. Yeah.
• 6:26
  Wow. Yeah.
• 6:27
  White supremacist Kevin James. And that's a sense I didn't
• 6:30
  really expect. OK, Travis, it's time for our
• 6:34
  favorite game. Budget.
• 6:36
  Or bug Ted. Something about this movie just
• 6:40
  makes me think it's a bug, Ted, And I think maybe it's like
• 6:43
  seeing the Blum House logo at the beginning.
• 6:45
  Yep, that would be the the biggest precipitating factor on
• 6:49
  that. So it's got a budget of five to
• 6:51
  $6 million depending on which source you look at.
• 6:54
  So OK in our bug Ted category. Definitely.
• 6:58
  Opening box office of 3.6 million and a worldwide gross of
• 7:01
  18.1 million. I think we can thank COVID for
• 7:04
  some of. Those numbers like a big
• 7:06
  asterisk next to that. Yeah, and and IMDb score of 6.3
• 7:10
  out of 10. Wow, not too bad.
• 7:11
  Yeah. OK, so my theme is movie titles
• 7:15
  that sum up the general vibe of 2020.
• 7:20
  Oh nice, I like that. Cool.
• 7:23
  So the Nikki. Is kind of good for one.
• 7:25
  Too. Yeah.
• 7:27
  So the first one is Scare Me, which that's actually a really
• 7:31
  good movie. If you haven't seen it.
• 7:33
  It's on Shudder. It's about two authors in a
• 7:36
  cabin telling scary stories to each other.
• 7:38
  That was really good. Yeah.
• 7:39
  And the cinematography and the way they do the storytelling is
• 7:43
  just amazing. Yeah.
• 7:45
  Yeah, that one really caught me off guard.
• 7:47
  I liked it a lot. So that released October 1st
• 7:50
  2020 and I don't have any budget or gross information cuz again
• 7:54
  shutter shutter yeah, but it does have a 5.7 out of 10 on
• 7:57
  IMDb. Shockingly low. 2nd movie, one
• 8:02
  of the movies that made the cut from theme to theme.
• 8:07
  Theme. Yeah, unhinged.
• 8:09
  Oh. Man starring Russell Crowe, who
• 8:12
  puts on a Texas accent for two sentences.
• 8:15
  We watched that for the first time like 3 weeks ago.
• 8:18
  Yes. Man, what a fun time.
• 8:20
  Yeah, that was such a Yeah, We were just that we were having a
• 8:22
  Russell Crowe weekend as as you have to do every once in a
• 8:25
  while. Nice guys, nice guys.
• 8:27
  Yeah, we we had a Russell Crowe, Ryan Gosling weekend.
• 8:30
  That's exactly what it was we were trying to figure out, like,
• 8:33
  OK, what's another movie with these?
• 8:34
  Guys, then we did drive. Yeah, then we did drive.
• 8:36
  Yeah, man, now that's a good lineup.
• 8:39
  Yeah. So that released August 21st,
• 8:42
  2020 had a budget of 33 million and a worldwide gross of 44
• 8:46
  million. 33 million for that movie, yeah.
• 8:49
  I don't feel like that's warranted.
• 8:51
  What did they use that for? Did he actually like, fuck up
• 8:55
  all of those? Cars.
• 8:56
  Yeah, I was gonna say it's probably like all of the car
• 8:58
  stunts. Yeah, it's a why, Yeah, I guess
• 9:00
  that that'd probably be a pain to film.
• 9:02
  Yeah, it has a six point O out of 10 on IMDb.
• 9:06
  Man, yeah, that's a solid. Movie that's yeah, that's the
• 9:08
  one that I'm sad we we it's not that we avoided watching it is
• 9:13
  that it's not like the most easily accessible movie on
• 9:15
  streaming and we finally got a chance to watch it so we did we.
• 9:18
  Just rented it. Yeah, fucking let's just do it.
• 9:20
  And then the third movie, Body Cam.
• 9:26
  OK. Because we were also dealing,
• 9:30
  George Floyd's death ended up being like a huge catalyst for a
• 9:33
  lot of protests. Not that police brutality
• 9:35
  protests, protests weren't happening before, but that was
• 9:39
  like a huge moment, so. Yeah, that was that was.
• 9:42
  Yeah, that's noteworthy events. So Body Cam released May 18th
• 9:48
  2028 had a budget of 9.5 million and I couldn't find any
• 9:51
  information on the worldwide gross but it does have a 5.3 out
• 9:54
  of 10 on IMDb. OK, that seems like one we would
• 9:57
  probably end up watching eventually.
• 9:58
  Yeah, starting Mary J Blige. So I think that's kind of cool.
• 10:01
  Yeah, listening to her singer, I guess actress now.
• 10:05
  OK, OK, I've got 3 tag lines. Oh, OK, cool.
• 10:09
  So the one that's on the poster. Basic switch killer new look.
• 10:15
  OK, OK. Playing into the whole.
• 10:18
  Yeah, like this is a premise that we've seen before, but
• 10:21
  we're yeah, zhen it up some. OK, a body swap that cuts deep.
• 10:28
  OK. I kind of always appreciate like
• 10:30
  a good cuts deep, yeah. Yeah.
• 10:32
  And I mean especially because they swapped because of the the
• 10:35
  shoulder cut. Oh yeah, I didn't think about
• 10:37
  that. I'm just thinking about like all
• 10:38
  like the deep cuts. He actually doesn't.
• 10:43
  And then Friday the 13th of November, which I'm pretty sure
• 10:48
  Friday the 13th was in October in 2020 because it was supposed
• 10:52
  to be like an amazing Halloween month.
• 10:55
  So that one makes no sense to me unless it's gonna be released a
• 10:58
  different year originally. Yeah, I don't get that one.
• 11:01
  Was this freaky Friday notably in November?
• 11:07
  Let's see, when was Freaky Friday?
• 11:08
  See, I don't know the original, but I do know the one with Jamie
• 11:10
  Lee Curtis and Lindsay Lohan. And I know there was a battle of
• 11:13
  the bands, and I think those typically don't happen in
• 11:15
  November. I think those tend to be like
• 11:17
  early fall. Late spring, That seems like a
• 11:19
  spring event. Yeah.
• 11:20
  So wow, we're getting real doing the math on that one.
• 11:26
  OK, I have some fun facts. Yeah.
• 11:29
  So Michael Kennedy had this idea after seeing Happy Death Day,
• 11:36
  which was kind of it. It took the premise of Groundhog
• 11:39
  Day and made it a slasher. And he loved that.
• 11:42
  He was like, Oh my God, what other kind of like, you know,
• 11:45
  notable stories can we retell in a horror way?
• 11:49
  And he'd friends with Christopher Landon, the director
• 11:52
  of Happy Death Day, brought him this like, very rough idea of
• 11:56
  the movie. And they just started like
• 11:57
  bouncing ideas off of each other and within 20 minutes had
• 12:00
  decided to like work on the skirt that's.
• 12:04
  Cool. Yeah, yeah, they they seem like
• 12:06
  a very good pairing. Yeah, yeah, I, I, I like that.
• 12:09
  And knowing that they were friends before makes me feel
• 12:11
  happy because I think they're, I like them both creatively,
• 12:14
  separately, but seeing them together is also really great.
• 12:18
  Yeah. This was filmed in Atlanta.
• 12:20
  And at the time there was like, a lot of rumors going around
• 12:23
  that it was actually a Scream reboot, funny enough.
• 12:26
  Yeah. Wow.
• 12:28
  Damn that's so weird. Yeah, let's see, it was a 33 day
• 12:32
  shoot starting October 21st, 2019 to December 12th, 2019 and
• 12:37
  it was filmed under the title of Freaky Friday the 13th.
• 12:40
  I like that, I like that, but I'm also in a way I'm glad they
• 12:44
  didn't go with it 'cause it's a little bit too on the nose.
• 12:47
  Yeah, that's true. Yeah.
• 12:48
  And then like seeing the title cards of like Wednesday the
• 12:52
  11th, I was like, I know what they're doing.
• 12:54
  Yeah, yeah. Fun little way to open up the
• 12:56
  movie and I was like OK, I like that we're merging these ideas
• 12:59
  yeah, they. Even had the same font that
• 13:02
  yeah. Yeah, so there was an interview
• 13:05
  with Dread Central. That's where I found out that
• 13:09
  Michael Kennedy and Christopher Landon had actually been
• 13:11
  friends. They wanted this to be a hard R
• 13:14
  rating from the Gore. That was their goal from the
• 13:17
  beginning. Christopher Landon was like, I
• 13:21
  haven't gotten to do really gross score in a long time.
• 13:25
  I want to do that. So they knew from the jump that
• 13:29
  they wanted it to be as like violent as they could make it.
• 13:33
  I'm glad, yeah, I guess. I wonder if they forced them to
• 13:35
  do PG13 for Happy Death Day. They like capture a wider
• 13:38
  audience. Yeah, I, I don't know, I assume
• 13:41
  maybe so. I always forget that that movie
• 13:43
  is PG13 just 'cause she dies so many times.
• 13:45
  But then when I think of it, I'm like, well, I guess we don't
• 13:47
  really see the actual death moments that much.
• 13:49
  It's all kind of like, cartoonish in a way, like.
• 13:52
  Yeah, it's very Looney Tunes. Yeah, it is.
• 13:54
  Yeah. Yeah, and I, I feel like we
• 13:56
  probably talked about that when we covered that episode plug.
• 14:00
  So I, yeah, I, I love that movie too.
• 14:03
  It's also got a great sense of humor.
• 14:05
  Speaking of other things that Christopher Lennon has worked
• 14:07
  on, he was one of the writers for Paranormal Activity 4 which
• 14:12
  also Co starred Catherine Newton.
• 14:14
  So he knew from the beginning that he wanted Vince Vaughn and
• 14:17
  Catherine Newton. She's in that, yeah.
• 14:20
  I, I keep getting surprised about all of these things that
• 14:23
  she's in and I'm like, wow. She actually had quite a career
• 14:28
  before before Freaky, which is what really got her on our
• 14:31
  radar. Yeah, I've seen her in a lot of
• 14:33
  things here lately, but I didn't realize it.
• 14:35
  Didn't he also do the second one 'cause I remember he was the one
• 14:38
  that confirmed for us the status of the dog?
• 14:42
  Yes, yeah, he, he he he's been a writer on the series for a
• 14:46
  while, but I specifically wanted to bring up four because of the
• 14:49
  connection to Catherine. And then the fact that he knew
• 14:51
  he wanted her in that role for Millie because he knew that she
• 14:55
  could bring like that softness and vulnerability while also
• 14:58
  being kind of like a bad ass when she's taken over by the
• 15:02
  butcher, right. So tying into our LGBT month,
• 15:08
  and this is a pretty like, this is one that we've got a lot of
• 15:12
  queer themes within the movie and we've also got queer cast
• 15:15
  and crew. Michael Kennedy and Christopher
• 15:18
  Landon are both gay. And actually this is really sad.
• 15:21
  When I was reading this, when Christopher Landon came out, his
• 15:24
  mom, who is a Christian, was not accepting of him.
• 15:27
  So, but luckily his dad and his stepmom, they had suspicions and
• 15:31
  I think the the kind of hint was that like they were more
• 15:34
  supportive. OK well I feel like they would
• 15:36
  have mentioned that if they weren't since they already
• 15:39
  called out the mom. Yeah, and then Misha Oshervich
• 15:43
  is non binary and uses they them pronouns.
• 15:46
  Oh, OK. So and I'm sorry if I'm missing
• 15:48
  anybody else in the cast. Those were just like the names
• 15:50
  that immediately come up to me. Part of that is because Misha,
• 15:54
  when you look at their IMDb page, like, very, like,
• 15:58
  androgynous, like style, OK, a mix of like, feminine mask
• 16:03
  stuff, which I love. And then obviously, we know
• 16:08
  Michael Kennedy wrote it's a wonderful knife.
• 16:11
  Yeah. And unfortunately have had to
• 16:14
  watch him fight with a lot of douchebags on Twitter who were
• 16:17
  like I just don't know why there has to be that many gay
• 16:20
  relationships. And he's like dude I had to grow
• 16:22
  up watching straight relationships all the time in
• 16:24
  all of my movies and they were all straight relationships.
• 16:26
  I want a movie where I can see all gay relationships.
• 16:28
  Fuck off. It was really weird than the
• 16:30
  build up to that movie, like seeing it because everybody was
• 16:33
  like so like there was there was like a pocket of people that
• 16:36
  were so outraged and vocal about how gay that movie was.
• 16:39
  And he was talking about I was like, yeah, it's so fucking gay.
• 16:41
  Like it's the gayest movie ever. Yes, and.
• 16:43
  Then like I went to go see and I'm like, oh, it's just like a
• 16:45
  fucking relationship. Like it's not even that like in
• 16:48
  your face about it. It's just like, it's not like
• 16:49
  super gay. It's just like, hey, these are
• 16:51
  characters and they're also gay. Yeah, like I like I was
• 16:54
  expecting it to be so much in your face about it.
• 16:56
  Exist. Yeah, like, I was like, I was
• 16:58
  like, is this really what people are so upset about?
• 17:01
  This is so nothing. This is stupid and.
• 17:03
  That's funny because I was reading an interview with him
• 17:06
  actually about It's a wonderful knife, and they're like, you've
• 17:09
  become kind of a niche for gay word.
• 17:11
  And he was like, yeah, I mean, I guess I mean, a lot of his
• 17:14
  movies involve those kinds of themes, but it's about writing
• 17:18
  what you know. And I think we see this kind of
• 17:24
  watching the progression of the Chucky series, the movies and
• 17:27
  the show, seeing Don Mancini be able to be a lot more out in his
• 17:33
  writing. And I I think seeing that
• 17:36
  growing like this is what we talk about when we say
• 17:38
  representation matters. Like having these things in TV
• 17:42
  and movies and media is important because gay people
• 17:45
  exist, whether or not you want to show them on TV.
• 17:47
  But having that support network, seeing that this just be
• 17:50
  normalized, like you were saying with it's a wonderful knife.
• 17:52
  Like they're it's just a movie. It's just relationships in a
• 17:56
  movie and they happen to be same sex.
• 17:57
  Or like with the Child's Play TV show, we've got two teenagers in
• 18:02
  a first relationship and they're navigating all of the
• 18:04
  awkwardness of that, and they just also happen to be gay.
• 18:08
  Well, not only that. Don Mancini and Devin Sauer are
• 18:10
  always fighting fuckers on Twitter about that too.
• 18:12
  Yeah, it's not like even before them with Cedar Chucky, like
• 18:15
  it's like a character questioning their ideas.
• 18:17
  Yeah. And I'm so excited to kind of
• 18:20
  talk about that growth and progression of the franchise as
• 18:25
  we go through it these next several months.
• 18:28
  Yeah, we'll have plenty of opportunities.
• 18:30
  For that coming up. Yeah, Yeah, I'm so excited.
• 18:31
  That's our current franchise. So yeah.
• 18:35
  And then I and then obviously the movie itself because we've
• 18:40
  got this main character, Josh, who is very gay.
• 18:44
  And then we also have an upfront discussion of using the correct
• 18:50
  pronouns. And I love that idea of the body
• 18:53
  you're in doesn't define who you are as a person, because I think
• 18:56
  that's something that is difficult for a lot of people
• 18:59
  that don't understand what it means to be trans.
• 19:03
  Yeah, I like that they made it the thing, but I don't know if
• 19:08
  they mentioned it. Did they mention it multiple
• 19:10
  times? I only remember it whenever they
• 19:12
  had the butcher tied up and. Yes, and I love that they did
• 19:17
  that very early on. When Josh refers to the Butcher
• 19:21
  and Millie's body as she and Nyla goes, he because it's the
• 19:27
  Butcher and it doesn't matter that it's Malley's body.
• 19:30
  We're talking about the person, not the body they're in.
• 19:32
  Cool that they did that. I felt like it was really
• 19:34
  jarring where they placed that conversation because there was
• 19:38
  like a very urgent crisis and she had to make a moment to stop
• 19:42
  and be like, hey, let me correct you.
• 19:45
  It was so quick and throw away that it didn't throw me off that
• 19:47
  much and I like that they made a point of saying that.
• 19:50
  So that way when people talk about the movie, they're they
• 19:54
  were very clear about how we are supposed to interpret.
• 19:56
  That's how I was doing it. I was writing it like he and
• 19:59
  she, whenever it was, you know? Yeah, when I when the switch
• 20:02
  first happened, in my notes I put in quotations Millie and the
• 20:06
  Butcher. But then as soon as, like, it
• 20:08
  was revealed, yeah, I started referring to them as the person
• 20:12
  they are rather than the body of their own.
• 20:15
  And, you know, I also love that moment where Booker kisses
• 20:19
  Millie in the butcher's body, like, 'cause he's, he likes
• 20:22
  Millie. And yeah, it's a fucked up
• 20:25
  situation all the way around, but, you know, it was in his
• 20:28
  heart. He wanted to kiss her and they
• 20:30
  kissed. And then we got to have a joke
• 20:32
  about how giant Vince Vaughn is. And.
• 20:35
  Yeah, it also kind of brings up another question too, of like,
• 20:37
  you're doing that shit with another person's body too.
• 20:40
  Yeah, that was a little bit. Yeah, like.
• 20:45
  OK, so I do also have some statistics that I thought would
• 20:49
  be interesting to share with this.
• 20:51
  And this is from the UCLA Williams Institute.
• 20:56
  And it's just some some statistics on the trans
• 21:00
  identity. So over 1.6 million adults, and
• 21:04
  they're defining that as ages 18 and older, and youth ages 13 to
• 21:09
  17 identify as transgender in the United States.
• 21:12
  Point, which is .6% of those ages 13 and older among US
• 21:17
  adults, about .5%, which is 1.3 million, identify as
• 21:22
  transgender. Among youth ages 13 to 17 in the
• 21:25
  US, 1.4%, which is about 300,000 youth, identify as transgender.
• 21:30
  Of the 1.3 million adults who identify as transgender, 38.5%
• 21:36
  are trans women, 35.9% are trans men and 25.6% reported they are
• 21:42
  gender non conforming. Forgive me but I feel like I
• 21:46
  need to ask if when you're saying trans women and trans
• 21:49
  men, is that like is the women part like what they ended up
• 21:53
  like changing to or is that what they formally were?
• 21:57
  What they identify, that's who they are, OK, Not who they were
• 22:02
  assigned at birth. OK.
• 22:03
  So research shows that transgender individuals are
• 22:06
  younger on average than the US population.
• 22:08
  So we find that youth ages 13 to 17 are significantly more likely
• 22:13
  to identify as transgender than adults ages 65 or older.
• 22:16
  And I have to assume some of that is social stigma.
• 22:22
  Yeah, surely. The racial ethnic distribution
• 22:25
  of youth and adults who identify as transgender appears generally
• 22:28
  similar to the US population, though our estimates mirror
• 22:32
  prior research that found transgender youth in adults are
• 22:35
  more likely to report being Latin X and less likely to
• 22:38
  appear being white compared to the US population.
• 22:41
  Estimates of the percent of residents in the US regions who
• 22:44
  identify as transgender range from 1.8% in the Northeast, 1.2%
• 22:48
  in the Midwest for youth ages 13 to 17, and range from .6% in the
• 22:52
  Northeast to .4% in the Midwest. For adults, the state level
• 22:56
  estimates range from 3% of youth ages 13 to 17 identifying as
• 23:00
  transgender in New York to .6% in Wyoming.
• 23:04
  The percentage for adults who identify as trans range from .9%
• 23:08
  in North Carolina to .2% in Missouri.
• 23:11
  So overall, based on our estimates from the 2016 to 2017
• 23:14
  and the current report, we find that the percentage in numbers
• 23:17
  of adults who identify as transgender has remained steady
• 23:19
  over time. The availability of the YRBS
• 23:22
  data has given us more direct look into the youth gender
• 23:25
  identity and provides better data than previously available
• 23:27
  to us for estimating the size and statistics of the
• 23:31
  population. So I found this website.
• 23:34
  They are founded by two lawyers or yeah I think 2 lawyers and
• 23:39
  they basically are try and they're a couple.
• 23:42
  They're a same sex couple and they wanted to look at LGBTQ
• 23:50
  statistics in a non biased way to try and help inform politics
• 23:56
  as opposed to the general like biases that we see from certain
• 24:04
  politicians. Oh yeah, that's a way of
• 24:06
  putting. It yeah and as always I'm going
• 24:09
  to include the link to that the website itself is pretty cool
• 24:12
  it's got a lot of like Interactive Data maps and stuff
• 24:14
  so if you want to take a look around there read their like
• 24:16
  about story I think it's all really interesting so.
• 24:19
  That is a shockingly low number. Yeah, yeah.
• 24:23
  I'm glad that Kentucky's not on the list for the extremes in the
• 24:27
  low end of Yeah, which is kind of.
• 24:30
  Surprising, though, yeah. So OK, those are my fun facts.
• 24:34
  Nice. OK, less of a bummer than last
• 24:37
  week. I know you.
• 24:38
  Yeah, it was a bummer last week, but maybe it was a bummer.
• 24:41
  We're kind of turning it on our heads this week and I decided
• 24:44
  I'd have more less bummer facts. It's cool man, the bummer stuff
• 24:49
  is important. Too.
• 24:50
  Yes, it. All has this place.
• 24:52
  OK, OK, so good, bad, ugly and absurd.
• 24:55
  Yes, kick it off, Trev. OK, so this was our second watch
• 25:01
  and. Your second watch.
• 25:03
  How many times have you seen it? 33?
• 25:05
  OK so you've watched it once without me?
• 25:06
  OK well I remember the 1st watch I wasn't super high on it but re
• 25:15
  watching it this time I feel a lot better about it.
• 25:17
  OK. I liked it a lot more this go
• 25:19
  around. Yeah, like.
• 25:22
  This is one of those I pulled a good and a bad review because I
• 25:25
  was like, I don't know where he, I don't know how he feels about
• 25:28
  it right now. Yeah, no, I I liked it.
• 25:30
  I liked it a lot this time around.
• 25:32
  I'm glad we can add another Vince Vogan movie to our
• 25:36
  rotation. We have at least two, yes.
• 25:41
  I don't even know if you're wondering what the other one is.
• 25:43
  It's for Christmases with Vince Vaughn and.
• 25:44
  Reasonable. Oh, yeah.
• 25:47
  OK, yeah, I liked, I liked how they mix the two here.
• 25:52
  Now, I'm not super familiar with Freaky Friday.
• 25:55
  I've seen it like one time in school whenever they showed it
• 25:58
  on one of those days where it's like let's not fucking do class
• 26:00
  today folks. Like, but you've seen about a
• 26:02
  million parodies of it in other movies.
• 26:04
  I'm very familiar with the whole thing, so I wasn't able to like
• 26:10
  gauge how that was doing, but I feel like they played the Friday
• 26:13
  the 13th stuff pretty cool. Especially the mask that they
• 26:17
  use and. I like the mask A.
• 26:19
  Lot Silent Slasher and the Bone. I pick about Jason Voorhees all
• 26:24
  the time where people talk about his signature weapon and I say
• 26:26
  his signature weapon is whatever the fuck is available.
• 26:29
  Except this time, he actually does have a signature weapon.
• 26:32
  He's warning that dagger. But honestly when you think
• 26:36
  about the killing, he only wants the dagger to switch start to
• 26:40
  make sure that Millie can't switch back with him.
• 26:42
  So he seemed confused about that.
• 26:45
  Did he just grab the dagger originally because it was like a
• 26:47
  a blade that was available? Because the voices of LA Dolo
• 26:50
  were speaking to him. OK, I missed that, I guess.
• 26:53
  Yeah, Yeah. So I like that.
• 26:55
  I like the horror parts of this a lot too.
• 26:58
  Like I, like I said before, I like it was way more violent and
• 27:02
  gory in certain scenes than I had remembered.
• 27:04
  Like especially the opening with the kid that gets the wine
• 27:07
  bottle shoved down his throat and then he just busts the
• 27:10
  bottle in his neck. Oh, my God, that's inventive.
• 27:12
  That was some good stuff, actually.
• 27:16
  Like, it got some laughs out of me this time around, too.
• 27:19
  Like some of the delivery, like the opening line that you said
• 27:22
  there too, like, and you guys were beating the shit out.
• 27:24
  Yeah. Like, that was really funny.
• 27:26
  I liked it. Or like when she's like trying
• 27:29
  to explain to them what happened, but she's also in the
• 27:31
  middle of peeing and trying to understand.
• 27:34
  This. Body like that's just and they
• 27:36
  picked a good person to be both like a hulking killer but also a
• 27:41
  comedic lead. Yeah, yeah, he they needed
• 27:45
  somebody that could like play it like that for those.
• 27:48
  And Speaking of that, I feel like I can't remember her name,
• 27:53
  but the actor that played Millie.
• 27:55
  Catherine Newton. Catherine Newton, I've seen her
• 27:58
  like a lot of things here lately.
• 27:59
  This is probably the best performance I've seen from her
• 28:02
  so far. She like did a great job of
• 28:05
  really changing her portrayal because she's really shy and
• 28:09
  bashful in her normal body. But then whenever the Butcher
• 28:14
  takes over, like, she has to play like a killer and like, you
• 28:17
  know, kind of mimic those tendencies and like, she killed
• 28:20
  it. And when I think about the
• 28:21
  things that we've seen her in, and it's surprising to think
• 28:24
  about all the things we've seen her in, I think that's like a
• 28:26
  good sign of an actor in a way where she can be a chameleon in
• 28:29
  these different roles. Cuz I was shocked when we
• 28:31
  watched Blockers and I was like, oh shit, that's Catherine
• 28:35
  Newton. And then she did Lisa
• 28:37
  Frankenstein, which is a totally different vibe.
• 28:39
  And apparently she was in Paranormal Activity 4.
• 28:41
  So I guess we got to rewatch that and.
• 28:43
  Yeah, yeah, she just did a really good job.
• 28:47
  I was really impressed with it. Yeah.
• 28:50
  So yeah, that's my good stuff. OK, I am a sucker for a good
• 28:54
  horror comedy and I think that this is a good horror comedy.
• 28:57
  I think it's probably heavier on the comedy than a lot of horror
• 29:00
  comedies are, but that's not necessarily a problem because we
• 29:03
  do have all of the like, over the top violence that comes
• 29:06
  along with it. Yeah, I think like when you get
• 29:08
  the horror, like they really go for it.
• 29:10
  Yeah, So they swing for the fences and it pays off.
• 29:12
  Like it makes it OK. Yes, absolutely.
• 29:15
  And there's also like some real like touching moments in it,
• 29:18
  aside from what I was talking about with like, you know,
• 29:21
  Booker just like actually being attracted to Millie as a person
• 29:24
  and always like sticking up for her and trying to help her
• 29:27
  believe in herself. Same with her friends.
• 29:29
  But like we have this whole family drama that's going on
• 29:31
  because her dad died a year ago and the sister is hanging
• 29:34
  around. It feels almost in a way to try
• 29:36
  and protect Millie because her mom is has become kind of
• 29:40
  codependent on her. Yeah, I didn't really know.
• 29:43
  I was like, are you all trying to like, shoe in a little bit of
• 29:45
  scream here, too? Is she Dewey?
• 29:49
  I mean a little bit, except like so one of the bad reviews I had
• 29:52
  pulled. Well, we'll talk about it when
• 29:54
  we get to it then. OK.
• 29:57
  Actually, no, I didn't pull it because I was like, you didn't
• 29:59
  pay attention to the movie. So they were like, why wouldn't
• 30:01
  she just tell her sister that she's really Billy and just
• 30:04
  like, talk about childhood stories?
• 30:05
  I'm like, Are you sure they did? That yeah, like, yeah.
• 30:08
  Come on the The sister was a cop and a known wanted killer was
• 30:13
  right in front of her. Of course she was gonna like.
• 30:17
  Yeah. Shoot.
• 30:18
  Yeah, yeah, no shit. But yeah, I just like all
• 30:22
  around, it's kind of one of those horror movies.
• 30:24
  It's like almost like a feel good horror movie in a way.
• 30:26
  Yeah. And like you can put it on in it
• 30:29
  at any point and it would be fine.
• 30:31
  Is that what you did when you watched it without me?
• 30:32
  Yeah. You wanted to just feel good.
• 30:34
  Yeah, OK. Yeah.
• 30:35
  I think it was like a sick day or something where I was at home
• 30:37
  and I was just like, let's put something on.
• 30:38
  And I was like, yeah, let's watch Freaky girls.
• 30:41
  Daddy doesn't like it, so we'll watch it together.
• 30:43
  Did I shit on it the first time we watched?
• 30:45
  It you said that you were not a fan of it, you you weren't like
• 30:48
  harsh about it, but you're just like, it's not what I wanted it
• 30:51
  to be. I yeah, I think I had, I think
• 30:54
  maybe what it was is like I was expecting it to be like a little
• 30:57
  bit harder with a horror maybe. OK.
• 30:59
  But I can't really remember though, because we watched it
• 31:01
  like back then in 2020 because like that was when they were
• 31:04
  doing like straight to Peacock and shit like.
• 31:06
  That. Yeah.
• 31:08
  OK. You got any more?
• 31:09
  Good. The the different ways of
• 31:13
  killing like we've got the wine bottle, the toilet, smashing the
• 31:16
  tennis racket to the head. Yeah, that's all in like the
• 31:19
  first five. Minutes.
• 31:19
  Yeah, stabbed up on wall art. We've got the whole fight with
• 31:23
  fucking Cameron from Ferris Bueller and the woodshop.
• 31:26
  Like splitting. Them in half at the.
• 31:28
  Stop yeah it like and then like the chainsaw at the old mill
• 31:33
  like there's some really creative kills throughout this
• 31:36
  and I I love it yeah for. Sure, OK.
• 31:40
  So what did you not like about it?
• 31:44
  I don't know, like, I guess it could have been cool to like,
• 31:47
  have the horror played up a little bit more.
• 31:48
  Like it still kind of felt like they were going silly with it
• 31:52
  whenever they were doing horror stuff.
• 31:54
  Like I don't feel like they ever really once, maybe like at the
• 31:57
  end, Like I wanted more scenes like at the end when like you
• 32:00
  think it's over and then he sneaks back in the house.
• 32:02
  Yeah, that's probably the tensest scene in the whole.
• 32:05
  Movie Exactly. And I think it would have been
• 32:06
  cool to do a little bit more with that because I feel like
• 32:09
  they focus way more on the fact like, hey, look at this like
• 32:12
  he's a girl now and now he has to do killer things, but he's
• 32:15
  too weak, you know what I mean? He's like.
• 32:17
  OK, you did that enough. Like maybe like initially and
• 32:21
  then like he figures out how to navigate this new body a little
• 32:24
  bit better. And he kind of does do that, but
• 32:26
  he like plays into just like stupid, like tropes like, you
• 32:30
  know, like a whiny girl trying to like play like the damsel or
• 32:33
  whatever, you know what I mean? So or I wish that they would
• 32:38
  have done a little bit more like that.
• 32:40
  Also, I just kind of want to see something different from Michael
• 32:44
  Kennedy. Is that his name?
• 32:45
  Yes, because like, I don't really know what else he's done.
• 32:48
  So this might just be a me problem, but I've seen this and
• 32:50
  I've seen a wonderful knife and they're both like, hey, let's
• 32:53
  mix 2 movies together that aren't really supposed to be,
• 32:56
  you know what I mean? Let's turn this movie into a
• 32:58
  horror movie. What if?
• 32:59
  Well, and that's kind of like the, you know, he had a lot of
• 33:02
  fun working on freaky and then was thinking like, what else
• 33:05
  could he do? So that was very much like, not
• 33:08
  an accident, but I'm going to pull up his.
• 33:11
  He's been like, he writes like the same movie, it feels like.
• 33:15
  I'm but I'm fine with it because I know what I'm going to get
• 33:19
  with him. You know what I mean?
• 33:20
  It's. True.
• 33:20
  Like it's cool, like it's fine, but like I just like, it'd be
• 33:24
  nice to see him like branch out just a tad bit.
• 33:27
  What else has he done? He just He was a staff writer on
• 33:31
  a show called Border Town. Oh, is that really all writing
• 33:37
  credits? Just those two movies?
• 33:39
  No shit. He has appeared as, like, a
• 33:42
  guest on several different shows and a producer and a couple of
• 33:45
  things. An additional crew.
• 33:48
  Oh, my God, He has additional crew.
• 33:49
  And American Dad. Wow.
• 33:52
  OK Under a different name, though.
• 33:53
  Yeah, Sam. Well, yeah, so you know, like, I
• 33:57
  guess like maybe mix it up next time in like, let's see what
• 34:00
  else you got in here. Like he could have maybe done
• 34:01
  that with Scream, but then again, like that's just like a
• 34:04
  meta movie. So just kind of what these are
• 34:06
  in a way too. Like hey.
• 34:07
  These are. This is the similarity between
• 34:09
  this movie. You get it, but it didn't really
• 34:12
  like it didn't hurt my enjoyment of the movie.
• 34:15
  It just like I just want to see what else you can do.
• 34:18
  OK. What about you?
• 34:21
  I guess I just, I like if you're gonna put in something where the
• 34:26
  lore or ritual or whatever of a thing matters, you either need
• 34:31
  to dive deep into it or you need to like basically icebox it
• 34:36
  where you're like, I don't understand it, but I know we
• 34:37
  generally have to do this thing. In this one they tried to act
• 34:41
  like they knew what Ladola does and what they needed to do, but
• 34:45
  they didn't actually really explain anything other than
• 34:47
  there was 24 hours to. Yeah, and like.
• 34:50
  Reverse the swap. It's.
• 34:51
  Almost like they tease us because they went to the teacher
• 34:53
  who explained everything in Spanish but then we never get
• 34:56
  like they don't do subtitles so we never really get to know.
• 34:59
  Yeah and I needed the subtitles cuz like my Spanish is a little
• 35:03
  rusty and like trying to catch everything she was saying is
• 35:06
  only catching like every 3rd word.
• 35:07
  Yeah I can. And those were the words that
• 35:09
  she ended up explaining at the end.
• 35:11
  Yeah, exactly. Yeah, I guess like one other
• 35:14
  thing. Do you have anything else?
• 35:17
  That that was pretty much it. I just, you know, if you're
• 35:20
  going to have like ritual or lore or something, you either
• 35:22
  need to go all the way with it or you need to just feel like
• 35:25
  very vague, kind of like they are and talk to me.
• 35:29
  OK, OK, one other thing for me I guess, and maybe this is just
• 35:35
  like experiencing another body, but like I feel like Vince
• 35:38
  Vaughn didn't really play it true to how Millie's character
• 35:43
  was beforehand. He went way over the top with
• 35:46
  it. Yeah, it's a.
• 35:48
  Didn't match her personality. Yeah, it was like we didn't, or
• 35:52
  maybe we just didn't see enough of her before the switch, but
• 35:54
  like. She was so timid, yeah, the
• 35:56
  entire time. I feel like we needed to see
• 35:58
  more of her one-on-one with her friends.
• 36:00
  Yeah, cuz like we didn't we just see her getting bullied
• 36:03
  repeatedly. Yeah.
• 36:04
  So it's like, hey, OK, she's in this body now.
• 36:06
  So like, I've got this new power.
• 36:08
  Like I can actually stand up to the people who are being mean to
• 36:11
  me. Yeah, I have a little bit more
• 36:12
  of that transformation. Maybe like having that new body
• 36:15
  like gave her a different like confidence.
• 36:18
  Which I think is something they were kind of trying to get at.
• 36:21
  I mean, she says it like pretty much out right, but like still
• 36:25
  it just mannerisms and all. It was just kind of like a
• 36:28
  little bit more over the top than I would expect.
• 36:31
  I will say though, the running is how Catherine Newton runs.
• 36:35
  I watched like a video clip of like an interview where somebody
• 36:39
  was like, well, why did you decide to make Millie run like
• 36:42
  that? And Vince goes, because that's
• 36:43
  how Catherine Newton runs. We asked her to run for us and
• 36:46
  she ran like that. So I ran like that.
• 36:50
  So that's like that little like arms up, like shuffle.
• 36:53
  That's how she that's what she does.
• 36:55
  It was really funny. That scene where she is or like
• 36:58
  running and then like her friends run right past like that
• 37:04
  was pretty good. That was a good visual gag.
• 37:05
  Yeah. OK, ugly stuff.
• 37:08
  Yeah. The fucking teacher.
• 37:10
  Oh my God. Fucking Cameron.
• 37:14
  Cameron. In my head, this is just what
• 37:16
  happened to Cameron after he took the fall for Ferris.
• 37:19
  Like stealing his dad's car. Like he just went down real hard
• 37:24
  and became a bully to teenagers I think and grew Fu Manchu.
• 37:28
  When he was in that museum in Chicago, a piece of him died
• 37:32
  when he looked at that painting. His soul was sucked into the
• 37:36
  painting. And he looked at her when she
• 37:38
  walked in the class one day. He's like, that's the face.
• 37:41
  Fuck that girl. Like he's just like targets her
• 37:46
  it seems. It's so weird that he targets
• 37:48
  her of all people. Like he's, he just wants to be a
• 37:51
  bully like everybody else. 'S I think he's one of those
• 37:54
  teachers that, like, never really outgrew high school
• 37:58
  'cause like, he's all over the jock guy's Dick.
• 38:02
  Yeah, like. Yeah, he is.
• 38:04
  Work and everything, and then he's making fun of like the
• 38:07
  least intimidating person there because that's who everybody
• 38:09
  else makes fun of. Yeah, I'm surprised he didn't
• 38:12
  like Pat, one of the jocks on the ass or something.
• 38:15
  Like a good game, champ? Yeah.
• 38:16
  I slap. Yeah, stop ass.
• 38:19
  Stop ass. Thank you.
• 38:21
  OK, ugly for me I guess would be Riler and all her fucking
• 38:27
  bullshit. I forgot about her.
• 38:29
  Yeah, she is, kind of. She's just like one of those
• 38:32
  weechie people. Yeah, like, she's mean for no
• 38:35
  reason. Like, she corners Millie in the
• 38:37
  hallway to, like, just shit on her.
• 38:39
  Like, Millie's just trying to get her textbook from her
• 38:40
  locker, and you bring a gaggle of girls around her and like.
• 38:44
  Oh, by the way, your mom works at Discount Bonanza.
• 38:47
  Yeah, like, yeah. Calm down.
• 38:50
  And then like immediately, like when she thinks Millie is a
• 38:52
  lesbian, she's like, know it like.
• 38:55
  Oh, I didn't necessarily take it as her being like homophobic
• 38:58
  towards her. I, she was just like, look, I
• 39:00
  didn't come down here to like, fuck.
• 39:02
  No, but she like starts texting her friend while she's.
• 39:04
  Being oh, right. Oh yeah, she's just trying to
• 39:07
  spread the rumor or not the rumor, I guess.
• 39:09
  Like, well, I guess she's kind. Of rumor, yeah.
• 39:12
  And then like, you know, she as soon as somebody like dies or
• 39:15
  almost dies, it's like, oh, we're besties.
• 39:17
  Yeah, kind of remind me of how there's.
• 39:20
  Yes, yes, for sure. Oh my God, she would be like a
• 39:25
  good like. She'd be a good habit.
• 39:27
  Yeah, yeah. OK, absurd.
• 39:32
  I thought it was kind of interesting that the butcher got
• 39:35
  really into like getting the look down whenever he got into
• 39:40
  her body. Like he went, he knew how to do
• 39:43
  that ponytail, which look, man, I don't think that that's easy
• 39:47
  to pull off. I've had like a long hair.
• 39:49
  I suck at that shit. I guarantee that he doesn't do
• 39:52
  grooming. He like, sleeps in the fucking
• 39:53
  abandoned mill. Yeah, no, and he's got like a
• 39:56
  cute little cat eye. Eye.
• 39:58
  Yeah, there's no chance, man. Like I feel like in reality he
• 40:01
  would have like wandered in there in his pajamas still like
• 40:03
  not giving a fuck what he's wearing.
• 40:05
  Yes, absolutely. And also just like how easily
• 40:09
  everybody buys into though, like, hey, it's me.
• 40:11
  I'm Millie and Vince Vaughn's body and everybody's like, oh
• 40:14
  wow, cool. Like it takes like a little bit
• 40:16
  convincing, but it happens surprisingly fast, like less
• 40:20
  than 5 minutes. Everybody's on board and it's
• 40:23
  just like a little bit of like, like, what if this guy was like,
• 40:26
  you know, stalking you guys and knew these secrets that you, you
• 40:30
  know. Yeah, they don't know enough
• 40:32
  about the Butcher to know that that's not what he does.
• 40:35
  It's funny, like, whenever he or she is, like, reciting the poem
• 40:39
  that she slipped Booker before, Like, what if he just got a copy
• 40:43
  of it? You know what I mean?
• 40:44
  Like, he could have just, like, been like, yeah.
• 40:46
  So like, I'm the, like, everybody was so on board to
• 40:49
  just, like, embrace it. This person isn't another body.
• 40:52
  Like, everybody's cool with it. That's pretty much it from my
• 40:55
  absurds. MY2 observes are when the
• 41:01
  butcher in Millie's body is tied up and Booker comes to and he
• 41:05
  keeps saying Booker, but he's saying Booger and he's like
• 41:08
  Booger, Booger, look at me. Is that intentional?
• 41:11
  I couldn't tell if that was Miss Newton or if that was an actual
• 41:16
  thing. He didn't hear a query, so he's
• 41:18
  like, all right, Booger I. Could see that being a thing
• 41:21
  that Vince Vaughn would come up with and be like, look, if it
• 41:23
  was cuz I could see this being one of those movies where it's
• 41:26
  very much like the actors kind of act out the scene for the
• 41:28
  other person. How they would do it.
• 41:30
  That would be and I could very much see that being Vince Vaughn
• 41:34
  would say Booger. Yeah, I could see that's very
• 41:36
  much on brand for him. Like how he would approach that.
• 41:39
  You're right. And then also, and this is like
• 41:42
  a wholesome absurd for all of the portraits of Josh and I'm
• 41:48
  going to I'm going to use he him pronouns because that's for the
• 41:50
  character. Yeah, Josh and his mom, all of
• 41:55
  their like amazing, like over the top portraits throughout the
• 41:59
  house. I didn't pay.
• 42:01
  Attention. Oh my God, they were just
• 42:02
  catching like every room there were like these like they're in
• 42:05
  glammed up outfits. It's very like, it's not even,
• 42:09
  it's above Sears level. It's like the glam booth studio
• 42:14
  in the mall or. Whatever.
• 42:15
  Oh man, I had to do one of those for my mom whenever she was
• 42:18
  doing like head shots. For glamour shots, that's the
• 42:20
  word I'm thinking. Glamour shots.
• 42:21
  Yep, I had to do one of those. Yeah.
• 42:23
  It reminds me of 21 Jump St. when they like go and look at
• 42:26
  Jonah Hill's pictures like a little Jay Leno it.
• 42:30
  Was no young Fred Savage? Yeah, man, it's so fun.
• 42:36
  Yeah, I, I love that. I I would watch like a 20 minute
• 42:41
  short of the two of them, just like live in a normal day
• 42:44
  together, Yeah. We didn't really get a lot of
• 42:46
  her, but yeah, they had like some fun little moments here.
• 42:49
  OK cool, so let's rated. OK.
• 42:55
  I think I am going to give this a 7 1/2.
• 42:58
  OK. No, I wanna give it an 8, OK?
• 43:00
  I have a lot of fun with it. Like I said, it's like becoming
• 43:03
  one of those. That's like a good comfort movie
• 43:05
  for me. OK.
• 43:07
  So 7.75 starting rating and I think that's pretty solid shit.
• 43:10
  One point she haven't passed, all right.
• 43:14
  Ready to talk about it? Let's do it.
• 43:16
  So we start off Wednesday the 11th, and I'm going to be
• 43:21
  honest, like that moment instantly won me.
• 43:23
  The first time we watched it, I was like, Oh yeah.
• 43:25
  Like I could see exactly what kind of sense of humor they were
• 43:28
  going to have. So it was, it was good.
• 43:30
  There it's four teens sitting around telling the story of the
• 43:34
  Blitzfield Butcher. And they talk about how there's
• 43:37
  a new story every year, and it's always around homecoming.
• 43:40
  And it's like a false morality play to try and convince teens
• 43:42
  not to drink and have sex. And then Isaac is fucking around
• 43:48
  and he spills his girlfriend's beer all over her.
• 43:50
  And she's annoyed, Rightly so. Yeah.
• 43:53
  And then Jenny says, hey, you can go clean up in the barn.
• 43:58
  There's soda water. Fucking barn.
• 44:00
  Really. You're calling this a barn?
• 44:02
  This is some rich people. Shit, it's like a fucking
• 44:03
  mansion, man. Yeah, that's not a barn.
• 44:06
  And wait, soda water. Yeah, it's.
• 44:10
  Liquid. Death.
• 44:11
  No. Like carbonated water, OK.
• 44:14
  Yeah, weird. OK, well why don't I just go to
• 44:16
  the sink, which is? What she does.
• 44:18
  So she goes to clean herself up. Jenny's dad is an art collector,
• 44:22
  so there's a lot of like artifacts all around and they're
• 44:25
  kind of like looking around, messing with stuff.
• 44:28
  And Isaac C is ladola and it's just this kind of kitschy
• 44:34
  looking knife in a way. It's got like skull on the hilt
• 44:39
  and very ornate handle but it's like.
• 44:44
  Yeah. It was.
• 44:45
  It's not subtle. Yeah, no, not at all.
• 44:49
  So he's like wandering around and we see like there's a wall
• 44:52
  of masks and one of them's missing.
• 44:54
  Yeah. Oh man, I'm I'm sad that this
• 44:57
  mask doesn't stick around. I think it would have been cool
• 45:00
  if they picked up the mask for like when he switches bodies to.
• 45:04
  Yeah, or like, maybe just shoved a couple, like, grabbed a couple
• 45:08
  to keep along with them. So he goes downstairs and is
• 45:13
  like pulling wine. And you know that these wine
• 45:16
  bottles have to be several $100 because look at how fucking rich
• 45:19
  this person is. They have a wine cellar.
• 45:22
  So he gets startled by noise, drops the bottle and he's like
• 45:27
  trying to clean up the glass pieces.
• 45:29
  And he thinks it's his girlfriend, Sandra.
• 45:33
  And you know, as he's shouting at her for help, the butcher
• 45:37
  appears behind him, shoves a bottle down his throat, and then
• 45:39
  smashes the bottle. Oh my God, what an opening kill.
• 45:43
  Yeah, man, like that's one of the best kills I've seen in a
• 45:46
  long time. It was good.
• 45:49
  Yeah, so he gets killed. And then we see Sandra in the
• 45:52
  bathroom and she's like trying to clean herself up.
• 45:54
  And there's like a knock on the door and she's like, no, I'm
• 45:57
  still mad at you. And then an urgent knocking she
• 45:59
  goes. Knocking louder isn't gonna make
• 46:02
  me come answer the door faster. Aggro knocking.
• 46:05
  Yeah, aggro knocking. Yes.
• 46:08
  And eventually the door person and it's the picture and he
• 46:11
  smashes her head in with the toilet seat, which is gross in
• 46:14
  every sense of the word. I thought she was for sure gonna
• 46:18
  get swirly to death, but no, the bastion's good too.
• 46:23
  Then we cut to the other two who are having sex.
• 46:27
  See, I was gonna say they were sexing.
• 46:29
  They are OK. Well, they were sexy.
• 46:30
  Yes, both are correct and they're like walking away after
• 46:35
  the fact. But like I like.
• 46:37
  This switch on the trope too, because like, yeah, she's like
• 46:42
  we're done. And he goes, I'm not done.
• 46:43
  She goes, well, I am. And then I like her line.
• 46:46
  It's a vagina, not an all night drive through.
• 46:48
  And he's like, I just needed three more minutes.
• 46:52
  He's got a handy. Yeah, but as they're like
• 46:55
  squabbling like that, the butcher sinks up from behind,
• 46:58
  takes a tennis racket, breaks it in half, and then steps both
• 47:01
  ends of it through his head. Yeah.
• 47:03
  And it like it's kind of cool because the end effect looks
• 47:06
  like one of those like prop thing like prop head.
• 47:09
  Yeah. So Jenny goes and hides, and
• 47:12
  because it's her house, and because they're like gross rich,
• 47:16
  there's a secret room in her closet so he can't find her.
• 47:20
  But then Dum Dum decides she's going to crawl out from the
• 47:22
  secret room while the butcher's still in the house.
• 47:24
  Dude that's the thing that always gives me with these like
• 47:27
  scenarios. Like why not just stay hidden
• 47:29
  forever like for an hour like until the killer's bored?
• 47:33
  I. Feel like if you live in a
• 47:34
  literal like 27 room mansion, you have to have a painted room
• 47:38
  somewhere right? Truly like that level of wealth
• 47:41
  you're gonna have a panic room. Rich people are always paranoid.
• 47:44
  That's true, yeah. If I had a house habit, we would
• 47:47
  have a panic room. Yeah, we might have multiple
• 47:49
  panic rooms. We can make one, right?
• 47:50
  Now, like if you've got three wings to your house, panic room
• 47:54
  in each wing. Every wing, every room has its
• 47:56
  own panic room it makes. Me think it was like either a
• 48:02
  Tumblr post or Twitter post. Tweet if you will.
• 48:08
  Every room can be a panic room if you just give me a fucking
• 48:11
  second. OK, so she hears some honking
• 48:17
  outside and it's Daddy. Yeah, so she goes in normally
• 48:20
  Honk when he comes in. It's like those people when we
• 48:24
  were walking to the restaurant yesterday, like they were on
• 48:26
  mopeds and they were all just honking the entire way, and then
• 48:29
  I think they got to a red light and they just waited on it.
• 48:31
  She's like, at first I thought he was honking at us.
• 48:33
  I was like, you're on a moped. You were going 30 miles an hour
• 48:36
  so you can cross the street before you get to us.
• 48:38
  Come on. Chill out.
• 48:40
  So yeah, so she runs out to go get him, but the killer catches
• 48:44
  her and pins her up on some like art hours or.
• 48:48
  No, it's like an arrow. Is it OK?
• 48:50
  I thought, yeah, we didn't. See, we didn't see the full art.
• 48:52
  Before I thought they were doing the Silent Night Deadly night.
• 48:55
  If only. Linnea Quigley, Yeah.
• 48:57
  Yeah. But yeah, so the parents come in
• 49:00
  and at first they're kind of bitching about like, I saw
• 49:03
  another car, she better not have boys over.
• 49:05
  And then they look up and see her on the wall and scream.
• 49:07
  Very scream. Yeah.
• 49:09
  So maybe we are injecting some scream in here too.
• 49:13
  And he the butcher is sneaking away and he's like hearing
• 49:17
  whisper voices from ladola. So he smashes little boxes in
• 49:21
  and takes it. Thursday the 12th we see a tense
• 49:27
  family breakfast as Shar is asking Millie if she's going to
• 49:32
  go if she has a date for the homecoming dance and their mom
• 49:36
  Coral is like well she's actually got a date with me to
• 49:39
  go see Wicked at the Anna's Theater.
• 49:41
  She also, like, spotted a university, like an application
• 49:47
  and like, Millie had to, like, hide it really fast so the mom
• 49:50
  would notice. But she still saw it.
• 49:52
  Yeah. So yeah, yeah, try is like
• 49:54
  trying to convince her and like, hey, prom's super important, you
• 49:58
  don't wanna miss out on these life experiences and then.
• 50:00
  Especially to go see a local community production of Wicked.
• 50:04
  But a little bit brutal, I get it.
• 50:07
  But come on, there's a better way.
• 50:09
  Listen, I thought it was really harsh until I saw the commercial
• 50:12
  for it. When Josh was at his house and
• 50:15
  the production came on, I was like, oh, that's not good.
• 50:18
  Yeah, it was still. Sounding so OK.
• 50:21
  Community theater's important people.
• 50:23
  It is, yeah. So.
• 50:24
  Quote your local art scene. Was it char?
• 50:29
  Yeah, Char sees an empty wine bottle in the trash can and just
• 50:34
  kind of shoots the Mama look. So yeah, we get a lot of context
• 50:37
  for the for their family dynamics in a very short scene.
• 50:40
  And that's that's effective storytelling.
• 50:42
  It is. They play it all out there like,
• 50:44
  oh, going to college, you don't like that mom really clinging to
• 50:47
  daughter right now. Oh, and she's also drinking.
• 50:49
  Yep. All right.
• 50:51
  We, we know exactly what's happening.
• 50:53
  So Nellie gets picked up by her friends Joshua and Nyla, who are
• 50:58
  trying to, like, gilt her into going to the homecoming dance.
• 51:01
  And then they also mentioned that Booker's gonna be there.
• 51:04
  Booker Hooker. Yeah, the type of name that
• 51:09
  teens come up with because hooker rhymes with hooker and it
• 51:12
  also refers to sex. I.
• 51:16
  Thought Hooker was his actual last name.
• 51:17
  No. OK, so Nyla, like, also has this
• 51:22
  moment with Millie. And she's like, listen, it's
• 51:24
  been a year since your dad died. And one of the great things
• 51:26
  about you is you're so kind and you care about people, but I
• 51:29
  don't want you to wake up years down the line and regret not
• 51:33
  ever doing anything for yourself, which is a very wise
• 51:37
  thing for somebody that age to say.
• 51:39
  Yeah, that's unrealistic. High school is not going to hit
• 51:41
  you with that kind of wisdom right there.
• 51:43
  I mean, maybe. No.
• 51:45
  Probably not, but you know it's not impossible.
• 51:49
  It's not impossible, no. Maybe her parents actually put
• 51:52
  her in therapy like Millie's mom should have done.
• 51:55
  So she's at her locker and this is where Ryler and her mean girl
• 51:59
  click. Or just mean for no reason.
• 52:01
  Yeah, like, for literally no reason whatsoever.
• 52:04
  She's just there to shit on the way she looks.
• 52:06
  And like, that's just it. And also your mom works a job,
• 52:11
  like. Oh, good.
• 52:13
  Yeah. Wow.
• 52:13
  Yeah. Thanks.
• 52:14
  Yeah, she does. Yeah.
• 52:15
  Cool. Thank you.
• 52:16
  Yeah, thanks for noticing. She works really hard.
• 52:18
  She would appreciate to hear that.
• 52:21
  And then we, I don't know his name.
• 52:23
  I'm just going to call him Cameron.
• 52:25
  Yeah, he's got an actual name, but as soon as I saw that it was
• 52:29
  Alan Tuck, I was like, ah, it's fucking Cameron.
• 52:32
  He comes at Millie with the energy that the people in
• 52:38
  Tremors come at Melvin. It's like Millie in class now.
• 52:45
  He's like done with her shit for no reason whatsoever.
• 52:51
  We're. Going to blame the town's entire
• 52:53
  destruction on you, Melvin. So yeah, we cut to his class and
• 53:01
  it's like wood shop. Or.
• 53:03
  Whatever that. Class is Shop class.
• 53:06
  Shop class. Yeah.
• 53:07
  And they're making dog houses and he's like, really just like
• 53:11
  jerking off this. Guy this is funny because this
• 53:13
  dog, he was calling it with the Chateau Fido and he was like any
• 53:18
  dog would be lucky to have this house and Talia let out a loud
• 53:21
  snort because it's like such a tiny house her head wouldn't fit
• 53:24
  in there like. Talia thought it was funny.
• 53:27
  Yeah. I get it.
• 53:29
  So yeah, she is late to class. Apparently she's chronically
• 53:31
  late to class, but also supposedly only 5 minutes late.
• 53:36
  I don't know, but Booker's like hey, a trick I do, which is also
• 53:41
  something me Jesse as a human does.
• 53:43
  Travis hates driving my car because my car clock is 8
• 53:47
  minutes fast because I struggle in the mornings and it's the
• 53:50
  only way I can make sure I get to work on time.
• 53:53
  See and Booker does the same thing with his watch.
• 53:55
  His watch is always 5 minutes fast.
• 53:57
  I always do the math in my head. I'm like, I really have this
• 53:59
  much time. Like it does no good for me.
• 54:02
  Yeah, no, I need it. I need it.
• 54:06
  So Cameron there is trying to force Millie to present her
• 54:11
  doghouse like 5 days earlier. Yeah, she.
• 54:14
  Was like, you said I was presenting on the 16th.
• 54:16
  And he's like, oh, look at Millie Kessler holding up class
• 54:19
  again. And she was like, well, no, I
• 54:20
  just don't have it ready because it's the 12th and you said I
• 54:24
  present on the 16th. Except she's saying this all
• 54:26
  very quietly and he's like, speak up.
• 54:28
  And Booker calls him a Dick. Even, like, Moxer, like mimics
• 54:32
  her. Yeah, he's like way too
• 54:34
  aggressive. This guy sucks.
• 54:37
  And then they all get alerts on their phones against Scream 4.
• 54:41
  This. Time.
• 54:41
  Yeah, this is very Scream 4. Yeah, about the deaths that
• 54:44
  happened. So Millie, Josh and Nyla are
• 54:49
  talking about it and you know, Ryler is of course like posting
• 54:53
  on I guess it would have been Snapchat at this point or was
• 54:56
  Tiktok around yet I don't I don't know I.
• 54:58
  Can't. Yeah, Tiktok was around.
• 55:00
  This is 2020. The past four years have been a
• 55:03
  blur. For sure.
• 55:04
  Yeah, in terms of like social movements and everything, but
• 55:08
  yeah, she was like posting about how, Oh my God, me and Jenny
• 55:11
  were BFFS and Millie was like, Jenny fucking hated Ryler.
• 55:16
  This is like exactly taken from Heather's.
• 55:19
  Yeah, like I remember this. Yes, Oh my God, yeah.
• 55:22
  The one guy that was like our love will never get to be.
• 55:25
  Public. No, I'm thinking of the scene
• 55:28
  where Veronica is watching the TV and it's like the Heather
• 55:33
  from the end of the movie. She's like, Oh my God, I missed
• 55:36
  her so much. I loved her.
• 55:37
  He's like, you hated her. You shit talked to her like she
• 55:39
  was so mean to you. Oh, I was thinking about the the
• 55:42
  lovin that the hippie teacher hosts.
• 55:44
  Oh yeah. Though one guy was like trying
• 55:45
  to say that him and Heather were actually secretly in love.
• 55:49
  Yeah, there's a lot of good examples of that in the.
• 55:51
  Movie. Yeah, for sure.
• 55:54
  So, yeah, and they're saying like, well, surely they're going
• 55:57
  to cancel homecoming. And Josh is like, no, Homecoming
• 55:59
  is like the revival of Jesus in this town.
• 56:02
  And then it immediately cuts to the homecoming football game.
• 56:05
  I mean, this is all true. Yeah.
• 56:06
  I don't think that they would do that.
• 56:08
  And I'm just going to say it. Millie's got some moves in that
• 56:12
  mascot costume. I was surprised that she was a
• 56:14
  mascot, honestly. I didn't expect that, but yeah,
• 56:17
  yeah, she's like out there dancing and grooving.
• 56:21
  Yeah, football players are being kind of Dick sewer and just like
• 56:23
  throwing a can at her and. Orange.
• 56:25
  What a waste of orange soda. Why the fuck you drinking orange
• 56:28
  soda on the sidelines bro? Gatorade Water.
• 56:31
  Maybe he know. Maybe, like Kel, he loves orange
• 56:35
  soda. He do.
• 56:36
  He do, he do. It's not good for you to do that
• 56:38
  in this situation. Yeah, and teenagers are
• 56:41
  notoriously great about doing things that are good for their.
• 56:43
  Their coach is supposed to be there for that.
• 56:46
  The coach is Truthfully, the coach is probably Cameron.
• 56:48
  I'm going to tell you something, man, when you like do these
• 56:51
  sports for some reason, like there's just something there and
• 56:54
  it's must be like advertising or like Gatorade's like actually
• 56:57
  pumping fumes onto the fields, but like you want a Gatorade I.
• 57:00
  Kind of want a Gatorade now that we can sorry about it They're.
• 57:03
  Pumping in here too. So anyway, the game is over.
• 57:07
  Josh offers Millie a ride and she goes, now it's OK, my mom's
• 57:10
  on the way and they're like, what do you want us to wait?
• 57:12
  And she goes, no, I'm sure it's fine.
• 57:13
  There's plenty of people around and I think the friends didn't
• 57:16
  really want to leave cuz they know.
• 57:17
  They knew. Yeah, you.
• 57:18
  Could tell, but they did. They didn't do that.
• 57:20
  Like, well, we're gonna stay around anyway.
• 57:22
  They just trusted their friend who trusted her mom.
• 57:26
  And then was all alone at the football field.
• 57:29
  Very Mike Birbiglia. I was done with swimming class.
• 57:33
  I was in my wet Speedo. Mom wasn't even on the way.
• 57:36
  That's that's really in the moment.
• 57:39
  Yeah, like she's out there just sitting on the bench.
• 57:41
  All the lights are out now. And like, it got me thinking
• 57:45
  like, damn, you know what? That actually probably, and this
• 57:47
  is sounds terrible, but it's probably like a bad, like a good
• 57:50
  opportunity for people to like get somebody because if that
• 57:54
  this happens often, like it happened to me growing up too.
• 57:56
  Like I would just like sit outside waiting for my mom to
• 57:59
  come pick me up sometimes. Yeah, I was in marching band
• 58:02
  because I'm really cool. And I remember after football
• 58:05
  games, like sometimes because we would have to stay around and
• 58:07
  help clean the stadium for some reason, and like, we'd be some
• 58:12
  of the last ones to leave. And it's fucking scary around an
• 58:14
  empty stadium at night. Yeah.
• 58:16
  Yeah, definitely. Even more so whenever you walk
• 58:19
  across the street and you see a man with the mask just staring
• 58:22
  at you, which is what Nelly is experiencing in this moment.
• 58:25
  Yeah. And she started saying, like,
• 58:26
  because she tries to call her mom, her mom doesn't answer.
• 58:29
  And Shar walks in and sees mom passed out and answers the
• 58:34
  phone. And Millie says that she hasn't
• 58:37
  been picked up yet. And then her phone dies.
• 58:40
  So she looks up. She sees the butcher, and she
• 58:42
  says, my sister's on the way. She's a cop with a gun.
• 58:47
  And then he starts chasing her, and she goes running.
• 58:50
  She squeezes through the gates, and he just, like, knocks him
• 58:55
  down. Yeah.
• 58:56
  So the chase leads all the way to the football field.
• 58:59
  The butcher pins Millie down, manages to stab her right in the
• 59:03
  shoulder. Here's the thing.
• 59:05
  I get that for maybe it's like this.
• 59:10
  You can't have your main character killed right away.
• 59:14
  Yeah, but also, we've seen this man as an unstoppable killing
• 59:20
  machine and suddenly he's got somebody a full foot shorter
• 59:24
  than him and probably 100 lbs lighter pinned to the ground and
• 59:27
  he misses her heart. Yeah, it's it's nice this guy's
• 59:32
  got experience on his side. I'm not, I'm not buying it that
• 59:36
  he's. No, this isn't some Ghostface
• 59:39
  bullshit. He's a known murderer.
• 59:41
  Like, yeah. This guy's supposed to be like
• 59:43
  Jason. Yeah.
• 59:44
  And we he's been so good at it. But yeah.
• 59:48
  But when he does it, we kind of get like a shift in the
• 59:51
  universe. They're kind of like on the
• 59:53
  temple steps. Ade Duwe Dumbala.
• 59:56
  Yes, right here. The moon comes out and then
• 59:59
  closes back up and they both feel something weird.
• 1:00:02
  He's got an injury to his shoulder too.
• 1:00:05
  That's weird. Yeah, and they don't even
• 1:00:07
  explain that. It's just like a thing that
• 1:00:09
  happens. Ladola, ladola, ladola.
• 1:00:14
  And then Shar comes in and the butcher runs off.
• 1:00:18
  But, you know, she calls in reinforcements to, you know,
• 1:00:22
  start the manhunt, but also to, you know, get Millie medical
• 1:00:26
  attention. Yeah.
• 1:00:28
  And then we have like, this whole, like, quiet kind of
• 1:00:31
  montage. Like we don't hear necessarily
• 1:00:34
  direct conversations, but we just see Millie kind of like
• 1:00:37
  zoned out as she's sitting in the ambulance than the police
• 1:00:40
  station and she's in the bathtub and like her mom like freaking
• 1:00:44
  out about everything and then shark fighting with her mom
• 1:00:46
  about it. Yeah, I think she's fighting
• 1:00:48
  about her, like leaving her there in the 1st place.
• 1:00:51
  Yeah, Millie's just, like, checked out.
• 1:00:52
  Yeah, the next morning my mom comes in and is trying way too
• 1:00:57
  hard to overcompensate and quote UN quote.
• 1:01:02
  Millie is not responsive, which Coral thinks is fair because she
• 1:01:08
  almost died because of her. I mean, I would approach this
• 1:01:12
  kind of the not like be overbearing, but I would also be
• 1:01:15
  like, you know what? You got stabbed in the shoulder
• 1:01:17
  by a butcher. Like sure, you can act a little
• 1:01:20
  bit strange. Yeah, yeah.
• 1:01:22
  And then we see, quote UN quote, the butcher waking up in the old
• 1:01:26
  mill that this is actually Millie, which we figure out
• 1:01:30
  Friday the 13th. Yeah, she is like freaking out
• 1:01:34
  and she asked this person that comes and asking for Jelly
• 1:01:36
  beans. Very Jack Black and Tropic
• 1:01:38
  Thunder. Yeah, it is.
• 1:01:40
  Yeah. And she's like, I don't have any
• 1:01:43
  drugs. Am IA teen girl.
• 1:01:45
  And he goes. You definitely have drugs.
• 1:01:47
  You are like you were. So undressed.
• 1:01:48
  He's like, I want to be, I want to be a girl.
• 1:01:52
  Yeah, he's like, I'll suck your Dick.
• 1:01:54
  All of it. All of it.
• 1:01:56
  Yeah, he's like, I'll suck your Dick.
• 1:01:58
  All of it. Damn.
• 1:02:01
  So yeah, this is where we realized that they are swapped.
• 1:02:04
  So the Butcher and Millie's body.
• 1:02:06
  And from now on, we're gonna just call him the Butcher and
• 1:02:08
  Millie and just know that, you know, their body swapped.
• 1:02:10
  Yeah, that's how I wrote it. Yep.
• 1:02:11
  And my. Notes too.
• 1:02:12
  That's how I wrote it too. And just for clarification for
• 1:02:14
  people listening. OK, so the butcher comes down
• 1:02:17
  and Millie's mom has been cooking up a storm.
• 1:02:21
  She's got all the bacon, all the pancakes, all the grilled fruit.
• 1:02:25
  Yeah, and the Butcher just starts shoving it in her mouth.
• 1:02:30
  She's his mouth. His mouth, Yeah, she says
• 1:02:32
  something about caramelized bananas.
• 1:02:34
  And I don't like the texture of bananas, but I love the taste
• 1:02:37
  and it makes me want to try and caramelize a banana.
• 1:02:39
  Cuz that might be like a delicious way to eat one.
• 1:02:42
  I'm just not getting on board with that idea of it being
• 1:02:45
  onions. So like, let's let's leave
• 1:02:47
  bananas the one for a minute. I don't need it to be bananas
• 1:02:51
  just yet. OK, so they get a ring at the
• 1:02:56
  doorbell. Millie's mom goes to answer and
• 1:02:58
  it's the postman and he just wants to check in on Millie.
• 1:03:01
  Millie's one of those people that like adults, recognize as a
• 1:03:06
  very kind, sweet person, and she is gonna peek after high school.
• 1:03:10
  Yeah, that's one of those ones like, hey, just like bear
• 1:03:13
  through this whole thing right here, Everything's great after
• 1:03:16
  high. School, it's that cliched, like
• 1:03:18
  things do get better, but they do get better, Yeah, for sure.
• 1:03:21
  And yeah, I think I'm not going to speak for you.
• 1:03:26
  I mean, I know we've talked about this, but like, I know for
• 1:03:28
  me personally, like it was very much as life got so much better
• 1:03:32
  when I got out of high school and out of my hometown.
• 1:03:34
  Yeah, yeah, way, way better for sure.
• 1:03:38
  And I feel like they only introduced this guy here for
• 1:03:40
  this one scene just because he was like Josh was talking about
• 1:03:44
  him being on Grinder before. Yeah, like, yeah, like.
• 1:03:48
  But then the butcher goes to grab a knife because Shar has
• 1:03:53
  come downstairs and he's going to stab her.
• 1:03:56
  Except Coral comes back in. At that moment it's like, Oh no
• 1:03:59
  sweetie, it's OK, I'll cut the fruit.
• 1:04:00
  It's interesting because this is like a killer, like, you know,
• 1:04:03
  an established Butcher and like, seeing him so easily disarmed
• 1:04:08
  like that. And then he just like, resigns
• 1:04:10
  to it. He's like, I guess I'm not
• 1:04:11
  killing. And I kind of love that, like
• 1:04:14
  him having to reckon with being in the smaller body and not
• 1:04:18
  having like the brute force he's used to.
• 1:04:22
  Yeah, yeah, it is kind of interesting.
• 1:04:25
  It's interesting at first but I feel like it gets placed.
• 1:04:29
  So Mellie runs out of the old mill and into the street and
• 1:04:34
  people are scared of her and there's already like, wanted
• 1:04:37
  posters and stuff up on the news and everything, so people are
• 1:04:40
  recognizing her and she's got to run and hide.
• 1:04:43
  I would have loved for at least one person to be like, Oh my God
• 1:04:46
  is Evan's fun. Like just like throw that in
• 1:04:50
  there real quick, you know? Like he still exists in this
• 1:04:52
  universe. Yes, I would love then be like,
• 1:04:55
  just like somebody be like, you know, if he cleaned up a little
• 1:04:58
  bit, he'd look a little bit like Vince Vaughn.
• 1:04:59
  Yeah, you. Know.
• 1:05:01
  Because they say so many things about the Butcher being ugly and
• 1:05:04
  having yellow teeth and Gray skin, and I wonder how Vince
• 1:05:08
  Vaughn felt about that. They really didn't do a lot to,
• 1:05:11
  like, make him look bad. They were just like, hey, don't
• 1:05:14
  shave for your day, please. Yeah.
• 1:05:15
  Get some stubble. I'm like, let's mess up your
• 1:05:17
  hair a little bit. Yeah.
• 1:05:18
  Yeah, you do look not great. Yeah, awesome.
• 1:05:21
  You look bad for a movie star. Yeah, like average guy.
• 1:05:26
  Fine. Like, damn, your teeth are so
• 1:05:30
  young. He's like, yeah, really just
• 1:05:33
  like having to cover his mouth now.
• 1:05:36
  So the butcher goes to get dressed and hates everything in
• 1:05:38
  Millie's closet. So it goes and steals some of
• 1:05:41
  Char's clothes, which is typical sister behavior.
• 1:05:44
  Yeah, I was going to say I thought that that was normal.
• 1:05:47
  Yeah. He's adapting well to that.
• 1:05:49
  It's like a nice weather jacket. Yeah, rocking it.
• 1:05:53
  Which like makes me realize that we don't ever actually see Char
• 1:05:56
  outside of her police uniform, so we don't have a sense of her
• 1:06:00
  like personal style. Do we?
• 1:06:04
  No Jesse Plemons in game night. Oh yeah.
• 1:06:07
  Yeah. In the uniform, yeah.
• 1:06:12
  So at school, like Josh and Isla come up and they're like, Oh my
• 1:06:16
  God, what's going on? Are you OK?
• 1:06:18
  And Ryler comes out because Ryler is like fame whore,
• 1:06:21
  basically. Yeah, because everybody monger.
• 1:06:24
  Yeah, Knows that she survived the attack, so she wants to
• 1:06:27
  like, get close and, you know, get all the Intel.
• 1:06:29
  That way she can make it look good for her somehow.
• 1:06:33
  Yeah, and the Butcher tells Josh and Nala to fuck off and then
• 1:06:38
  says Ryler let's go somewhere private to talk.
• 1:06:40
  And Ryler thinks she's going to get like, secret info.
• 1:06:43
  I feel like that fuck off is meant for everybody, but Ryler
• 1:06:46
  just didn't accept it. Yeah, no, that that seems
• 1:06:49
  correct. Yeah.
• 1:06:50
  So yeah, yeah, like, OK, let's go somewhere private.
• 1:06:53
  So this leads them to the locker room.
• 1:06:56
  Yeah, notoriously private places in the middle of the school day.
• 1:06:59
  Yeah, the Butcher's kind of like looking around for something
• 1:07:02
  that he can use to kill Ryler. And Ryler is just vapid as I'll
• 1:07:08
  get out, just trying to get all the gossip and secret details
• 1:07:14
  that she can then, you know, exploit for her own personal
• 1:07:16
  gain. And then the Butcher disappears
• 1:07:20
  for a minute. So Ryler gets up, hears the
• 1:07:23
  shower running, and like a creep, peeks in and sees Millie.
• 1:07:29
  But, you know, to her, that's the butcher.
• 1:07:32
  Yeah. Showering in there.
• 1:07:33
  Yeah, and so freaks out, runs out, runs into the real Butcher,
• 1:07:37
  but in Millie's body is like, Oh my God, the killer's here and
• 1:07:41
  the Butcher's like, you've got to hide.
• 1:07:42
  And then shoves her in this cryotherapy chamber.
• 1:07:46
  What kind? Of no.
• 1:07:47
  What kind of fucking school is this?
• 1:07:49
  There's no way. Not really not real.
• 1:07:53
  No, this is. Advanced.
• 1:07:54
  Technology. Yeah, I don't even think like
• 1:07:56
  our university. Has no, like, that's insane and
• 1:08:01
  then like, just, you know, how's her locked in there?
• 1:08:05
  She's done. She's yeah, she's just dead.
• 1:08:06
  Yeah. It like we just see the
• 1:08:08
  temperature plummeting. It's like -300° or.
• 1:08:12
  Something so Millie gets out of the shower.
• 1:08:15
  Same clothes. Yeah.
• 1:08:16
  Totally cool with it. It was kind of a bummer.
• 1:08:18
  Yeah, but I mean, where's? She, she's like, that feels so
• 1:08:21
  much better. And I'm like, I'm sure it does
• 1:08:23
  feel better to shower, but like, sometimes it's worse to, like,
• 1:08:27
  shower and then have to get back into disgusting clothes.
• 1:08:31
  Maybe like, after a really intense workout, you shower and
• 1:08:33
  then you put your sweaty clothes on.
• 1:08:35
  That's disgusting. Yeah.
• 1:08:37
  And she notices the cryo thing is like acting strange so she
• 1:08:43
  opens it up and finds Ryler's body and like taps it and then
• 1:08:46
  this causes her to fall down and just bust into pieces.
• 1:08:49
  Yes, very adjacent X Yeah. So the principal announces that
• 1:08:54
  the homecoming dance is going to be postponed due to the repeated
• 1:08:57
  attacks on our students. It's funny that they're like, we
• 1:08:59
  can do the game, but the the dance, No, yeah, yeah.
• 1:09:04
  Somehow the Butcher knows Millie's class schedule and I.
• 1:09:07
  Think he's just wandering the hall and then this is when
• 1:09:10
  Cameron is like Millie. Millie, Millie.
• 1:09:15
  And it's like getting on to him. And then Booker, like, tries to
• 1:09:19
  ask Millie, quote UN quote, how they're doing.
• 1:09:24
  Millie finds her friends who are like, freaking out and they
• 1:09:28
  start running. And Josh has a great line where
• 1:09:31
  he's like, you're black, I'm gay.
• 1:09:33
  We are so dead. Yeah, yeah.
• 1:09:35
  Talking about all the tropes and horror movies.
• 1:09:38
  But Millie, like, they fight for a little bit and eventually,
• 1:09:42
  like, Millie gets them both knocked down and then starts
• 1:09:45
  like rattling off like personal details and they quiz her and
• 1:09:48
  then they do their secret handshake.
• 1:09:50
  And yeah, also at one point Millie gets kicked in the balls
• 1:09:54
  and she was like, wow, having balls sucks.
• 1:09:57
  It's a very easy target. It's always successful.
• 1:10:01
  Also like while that was happening in the classroom, the
• 1:10:05
  butcher is sitting there next to Booker who cuts or it gets cut
• 1:10:10
  by the butcher. I don't know what happened.
• 1:10:12
  It all happened so fast. He kind of, like, forces him to
• 1:10:14
  get his hand cut. OK, Yeah.
• 1:10:16
  And then like, sucks the blood off.
• 1:10:18
  Yeah. And then, like, the jock is
• 1:10:20
  caught and then Cameron's like, Millie, the things you'll do to
• 1:10:24
  get attention, like, just like, absolutely goes off on her.
• 1:10:27
  Again, Yeah, maybe if you didn't always give her the attention.
• 1:10:31
  Yeah, just don't even like, just don't.
• 1:10:34
  She's like, come on. So they decide that they're
• 1:10:39
  going to look up what ladola is, you know, 'cause Millie's kind
• 1:10:43
  of explained the situation to Josh and Nyla as she's peeing
• 1:10:46
  for a million years. And they see like there's riding
• 1:10:51
  on the hilt of ladola and Josh's like, this is on Spanish and I
• 1:10:57
  was like, you are in Spanish three.
• 1:11:00
  So they go to Senora and ask her to read it, and she reads it
• 1:11:05
  all. And they're just like, So what
• 1:11:07
  does it mean? And she goes, you are in my
• 1:11:09
  class, Senora Denver. Yeah, I.
• 1:11:13
  I love how she is. Yeah.
• 1:11:16
  And yeah, basically they have 24 hours to reverse the swap,
• 1:11:21
  otherwise it's permanent. Then we get my note just says
• 1:11:25
  Millie barks at a student. She actually just like, hey, I'm
• 1:11:29
  Vince Vaughn now. I'll bark at somebody and it'll
• 1:11:31
  maybe like intimidate them. And it does.
• 1:11:33
  Well cuz she's hiding in a bathroom stall and then a guy
• 1:11:37
  comes in and he's like I need this stall I got a shit.
• 1:11:40
  And she's just seen mean graffiti about herself.
• 1:11:44
  Was she pooping here? No, she was just like hiding.
• 1:11:47
  OK, because I was going to say like she stands up and just like
• 1:11:50
  no flesh, no wipe, no nothing puts.
• 1:11:53
  Back on Very On Brand for Friday the 13th.
• 1:11:55
  It would, Yeah, it would. But not for Millie.
• 1:11:59
  Yeah, But yeah, so basically, she realizes that she's much
• 1:12:02
  bigger and stronger than this guy and pins him up against the
• 1:12:04
  wall. And I was like, don't you ever
• 1:12:06
  be mean to Millie Kessler or anyone else ever again.
• 1:12:10
  And he pees himself. Yeah, this is my favorite thing
• 1:12:14
  in the movie. And it cuts to the teacher and
• 1:12:18
  he's like doing homework and he's just like looking at the
• 1:12:20
  papers. He's like, that's a fucking
• 1:12:22
  stupid name. And he looks up and the Butcher
• 1:12:27
  has walked in and has safety glasses on, good for him, and
• 1:12:34
  tries to fight the teacher. And the teacher wins because
• 1:12:38
  he's bigger than her. And he's like, the self-defense,
• 1:12:40
  The self-defense, We'll talk about this in the principal's
• 1:12:43
  office. And then they actually end up
• 1:12:45
  fighting a little bit more. To the death.
• 1:12:48
  Yeah, and at one point the butcher stabs Cameron in the
• 1:12:51
  neck with a screwdriver and he starts losing a lot of blood.
• 1:12:54
  And then that's when he, like, throws him on the table and saws
• 1:12:58
  him in half. Norley so.
• 1:13:00
  It's a good kill and they show it.
• 1:13:01
  Good job. So Millie and the Butcher end up
• 1:13:06
  crossing paths in the hall and the Butcher, like they have kind
• 1:13:10
  of a moment and you think maybe they're going to fight.
• 1:13:11
  Except as the Butcher goes, Oh my God, it's the Blissfield
• 1:13:15
  butcher help. Which is great, great strategy.
• 1:13:20
  Yeah, it is like I. Hate to give it to the mass
• 1:13:22
  murderer, but embrace it. Yeah, yeah.
• 1:13:24
  For sure. So Millie and her friends drive
• 1:13:27
  off and Shar follows because like right as the car goes past
• 1:13:31
  she gets the call for the APB. So.
• 1:13:33
  Yeah, cops are chasing, Yeah. They pull into the discount
• 1:13:36
  bonanza, which is where Millie's mom works, as we've already
• 1:13:39
  established. And they hide Millie in one of
• 1:13:43
  the dressing rooms and say just like, hang out here for a
• 1:13:45
  second. And then Millie's mom comes in
• 1:13:49
  and they have kind of like an awkward talk through the door,
• 1:13:53
  like her mom over shares which. Like really fast.
• 1:13:59
  Like, hey, I was just like Millie's like, yeah, I'm just
• 1:14:02
  here to try non poll. I was like, cool.
• 1:14:04
  I'm really good at picking up polls.
• 1:14:06
  I got my husband. From my dead husband.
• 1:14:08
  Also, do you want to go on a date?
• 1:14:10
  Yeah, man. This is moving so fast you want
• 1:14:12
  to move in together. Yeah, like, and then, you know,
• 1:14:16
  Millie being Millie at one point goes EW, no.
• 1:14:18
  And then hearing coral be heard and like.
• 1:14:22
  The look you gave me after that, you just looked at me and you
• 1:14:25
  looked heartbroken. I like, I felt bad for how sad
• 1:14:29
  Coral felt, but I also felt like really unconfident.
• 1:14:31
  Like, I get what Millie was going through because like, you
• 1:14:35
  know, she had her knee jerk reaction, but she can't just
• 1:14:37
  like have her reactions to things.
• 1:14:39
  She feels like she has to be responsible for everybody's
• 1:14:41
  feelings around her, especially her mom's.
• 1:14:43
  Yeah, she wants to be nice to her mom, but I think like any
• 1:14:45
  other person is kind of rightfully to be like, please,
• 1:14:48
  like, I'm just trying to try. And yeah, like, I don't have
• 1:14:50
  pants on. I mean on it.
• 1:14:53
  Time. Or place.
• 1:14:54
  So she walks out and Mellie's friends come in and they've got
• 1:14:58
  an Aaron Rodgers mask and she's like, who's that?
• 1:15:00
  And they're like quarterback for the Green Bay Packers.
• 1:15:04
  Man, that guy way off the fucking deep end.
• 1:15:08
  He is a he's. I know nothing.
• 1:15:11
  He is like huge conspiracy shit. Is he really?
• 1:15:14
  He like, blamed Jimmy Kimmel for like being on the Epstein list
• 1:15:19
  and that like, 'cause like all it's all he's like big
• 1:15:21
  conspiracy. Shit, was he one of the
• 1:15:23
  believers in like pizza gate? I guarantee he is.
• 1:15:25
  He's so fucking stupid. He he goes on to trapezoid head
• 1:15:30
  Pat McAfee. He goes on to his show and just,
• 1:15:32
  like, starts talking about all kinds of stupid shit.
• 1:15:34
  Oh my God, yeah. Yeah, he's one of those guys.
• 1:15:38
  So the butcher is a like the mini golf arcade with some jocks
• 1:15:42
  who like put something up on Snapchat or TikTok or reels or
• 1:15:45
  whatever the fuck was there at this time.
• 1:15:48
  And they're like calling her the unofficial homecoming queen
• 1:15:52
  because I guess I think that she's going to be and easy sex.
• 1:15:57
  And easy sex. And easy sex.
• 1:15:58
  That's the lingo that we. Use.
• 1:15:59
  Yeah, I was going to say an easy lay, but I just feel skeezy to
• 1:16:02
  say it's. I mean they are being skeezy.
• 1:16:05
  Yeah, I get that, but like Millie is not skeezy, so I feel.
• 1:16:08
  Bad thing. The Butcher is probably pretty
• 1:16:10
  skeezy. Probably.
• 1:16:11
  Yeah, he probably would have gotten all of his Dick sucked if
• 1:16:14
  he was actually in his body at that moment.
• 1:16:16
  Well, the fact that the the guy offered to suck all of it and I
• 1:16:19
  was like, I feel like maybe he's done this.
• 1:16:21
  I feel like they've negotiated before and it's like, you know,
• 1:16:23
  you suck at all. Or like he's like, OK, fine,
• 1:16:26
  I'll do all of it this time. Cradle the balls so.
• 1:16:31
  And then one of the guys there, he like grabs her ass or his
• 1:16:37
  ass. And this is like when she, just
• 1:16:40
  like he, whispers. Make my vagina drier than
• 1:16:44
  sandpaper. I can't wait to kill you, you
• 1:16:47
  fucking monkey. God, that was awesome.
• 1:16:50
  Yeah. And then like he just walks away
• 1:16:52
  and the guy doesn't know how to react.
• 1:16:54
  Kind of the like similar energy to Mary Lou in What's Surface's
• 1:17:00
  body. Vicky.
• 1:17:01
  Yeah, Vicky's body when the science T-shirt grabs her butt.
• 1:17:05
  Yeah, you know what kind of big Mary glue energy here for?
• 1:17:10
  Sure. Yeah.
• 1:17:12
  So you know, Millie and her friends, they go to the mini
• 1:17:15
  golf slash arcade place and they're trying to chase the
• 1:17:21
  Butcher. And Millie ends up, like,
• 1:17:25
  popping out and scaring Booker. But, you know, he freaks out
• 1:17:28
  because he, you know, thinks that Millie's the real butcher
• 1:17:32
  because of the body she's in. And she's like, no, you can't go
• 1:17:35
  tell anybody. And like, accidentally.
• 1:17:37
  Knocks him out. Yeah, knocks him out, just
• 1:17:39
  trying to stop him. So he wakes up.
• 1:17:43
  They're all at Josh's house. The butcher is tied up and
• 1:17:48
  Millie is trying to explain to Booker who she is and he tries
• 1:17:54
  to leave, but then she quotes this poem that she had put in
• 1:17:57
  his locker a couple of weeks ago.
• 1:18:00
  And this is enough to sell him on the whole idea that that is
• 1:18:04
  her in his body, which, yeah. And then the butcher is making
• 1:18:09
  fun of Millie for putting a poem in his locker and is like going
• 1:18:13
  on and on and on and they gag him.
• 1:18:17
  So they plan to go to the police station and steal the dola so
• 1:18:21
  that way they can swap back. And then they also need to stop
• 1:18:26
  the party at the Old Mill because it's a trap to slaughter
• 1:18:29
  all of these teens. And also, somebody has to say
• 1:18:31
  and watch the butchers. Which they nominate Josh and
• 1:18:34
  he's like, why? And they're like, because it's
• 1:18:35
  your house. And he can't really argue with
• 1:18:37
  that. Can't at all, no.
• 1:18:39
  So Shar and his mom is supposed to be out of town for the
• 1:18:42
  weekend. She is a flight attendant.
• 1:18:47
  That's important. Ish in a minute.
• 1:18:50
  So it isn't. It isn't.
• 1:18:52
  Yeah, so they figured that there's not going to be a lot of
• 1:18:54
  action at the police station because they're all going to be
• 1:18:57
  looking for the three of them, plus trying to, you know, keep
• 1:19:01
  an eye on the rest of the kids in town because of, you know,
• 1:19:04
  the whole murder situation and teens be partying when this shit
• 1:19:08
  goes down. They do be.
• 1:19:10
  So. And it turns out Shar is the
• 1:19:12
  only one at the station that night.
• 1:19:13
  So Nylon was like, got an idea? Basically what she does is she
• 1:19:17
  goes in there and she tries to tell Char that the the butcher
• 1:19:21
  followed her there and she needs to go, you know, find him.
• 1:19:24
  Dangerous game considering you know, the actual body of the
• 1:19:27
  butcher is out there in the car and like if she saw Millie there
• 1:19:32
  and she just shot. Her also yeah, also like, what
• 1:19:35
  if this was any other cop? What if it wasn't her best
• 1:19:39
  friend's older sister? Like somebody that recognized
• 1:19:42
  her instantly and all I knew was that she was wanted for being
• 1:19:46
  with the butcher. Yeah, yeah, it could have.
• 1:19:50
  It's very convenient. It worked out.
• 1:19:52
  Yeah, so she's trying to get little out of the like, lock up
• 1:19:59
  and she's getting phone calls from Josh in the middle of all
• 1:20:01
  that and everything while Shar is popping in and out and asking
• 1:20:04
  questions and stuff. Meanwhile, Millie and Booker are
• 1:20:08
  in the car and they're talking and getting, you know, pretty
• 1:20:11
  deep with their feelings and. Getting all intimate, Booker
• 1:20:15
  gets in the back seat and then they share a kiss.
• 1:20:19
  Yeah, yeah. And then they.
• 1:20:21
  He says. That he read that poem like so
• 1:20:24
  many times since it was left in his Walker.
• 1:20:27
  And he said, I hoped it was you. And she goes, shut up.
• 1:20:29
  You're only saying that 'cause you know, I wrote it.
• 1:20:31
  And he's like, I like you from day one, Millie.
• 1:20:35
  No. No.
• 1:20:36
  Yeah. Meanwhile, at Josh's house, the
• 1:20:38
  butcher is working on loosening the ropes.
• 1:20:40
  And Josh's mom walks in because the flight was cancelled.
• 1:20:44
  And Josh says that him and Millie, who his mom thinks is
• 1:20:49
  Millie, are role-playing. And she goes, isn't that a sex
• 1:20:53
  thing? And he goes, Mom, I'm straight.
• 1:20:57
  Yeah, he's. Like, come out that he's
• 1:21:00
  straight. I was like, no, you're not.
• 1:21:03
  Yeah. You're the furthest thing from
• 1:21:07
  that. Yeah, she was like, you're a lot
• 1:21:08
  of things. Yeah, straight is not one of
• 1:21:10
  them. So she frees the Butcher, and
• 1:21:13
  then the Butcher starts to try to kill them.
• 1:21:15
  Yep. I mean, that's really all we get
• 1:21:17
  with that because he ends up running out of the house.
• 1:21:20
  Yeah and she stays in there and like it's like the butcher just
• 1:21:23
  like fucks off cuz once you get to the mill yeah no, it doesn't
• 1:21:28
  steal the. Car no.
• 1:21:29
  So he the butcher goes to the police station, Josh follows to
• 1:21:33
  the police station and while they're there so the Butcher
• 1:21:37
  runs in, Char thinks that's her sister, and then Millie runs in
• 1:21:43
  and Char thinks that's the butcher.
• 1:21:45
  So there's this whole standoff and basically what ends up
• 1:21:48
  happening is the butcher is able to get Lazola run off while Char
• 1:21:53
  is trying to shoot Millie and put her in the jail cell.
• 1:21:58
  And Millie ends up tricking her, locking her in the jail cell.
• 1:22:02
  It is like, I'm really sorry I drowned your pet hamster.
• 1:22:05
  Yeah, I thought Regal could swim.
• 1:22:10
  So, you know, they they run off to the mill and they're going to
• 1:22:13
  try and stop this party and also, like, swap bodies back.
• 1:22:17
  So at the party. They they mentioned they only
• 1:22:20
  have 13 minutes left. Yes, until. 12 Booker gives
• 1:22:23
  Millie his watch and sets an alarm for 12:00.
• 1:22:26
  And it's really We just gotta remember.
• 1:22:29
  That yeah, just yeah. So they're in the party and
• 1:22:33
  they've kind of like all split up and are looking for the
• 1:22:36
  butcher. There are these three douche
• 1:22:39
  guys. 4 103 Yeah. You're right.
• 1:22:42
  Yeah. One of them is the one who the
• 1:22:44
  butcher said made Millie's vagina dry sandpaper.
• 1:22:49
  And he was like, nobody tells me that I make their vagina dry
• 1:22:53
  hot. What I.
• 1:22:56
  Come online yeah. It's also hot being like, you
• 1:22:59
  know, taken to a secluded area with three other dudes that
• 1:23:02
  yeah, like there's. Three of us and you have three
• 1:23:05
  holes, so they were definitely gonna rape.
• 1:23:06
  Her, yeah, for sure. Yeah, but the butcher has other
• 1:23:11
  plans. Takes a bottle, bashes it over
• 1:23:13
  one, takes the broken bottle, slits the throat of the other.
• 1:23:16
  And. Pushes the other guy chainsaw,
• 1:23:18
  and chainsaw's the dude's wee wee poof.
• 1:23:22
  Man, that yeah, that was that. Was which that feels kind of
• 1:23:25
  like a nod to Chainsaw too. Yeah, kind of.
• 1:23:29
  Yeah, 'cause like he does that. Yeah, yeah, he holds it up to
• 1:23:32
  Slim's crotch. Except in that case like.
• 1:23:35
  Yeah, reversal. He and that right there.
• 1:23:39
  The chainsaw as an extension of his Dick.
• 1:23:41
  Yeah. Yeah, in this case, removing a
• 1:23:43
  Dick. Yeah, yeah, yeah.
• 1:23:46
  Yeah, OK. So.
• 1:23:49
  Josh. Oh, the football player.
• 1:23:51
  Yeah, Josh finds a football player who says that.
• 1:23:54
  Yeah, no, I saw Mellie and then like leads him to this other
• 1:23:58
  room and then like tries to kiss him and Josh is like, what?
• 1:24:02
  No, what are you doing? And then the guy gets
• 1:24:05
  immediately like calls him a slur and stuff.
• 1:24:09
  Projected. Yeah, it's it's rough to.
• 1:24:12
  Projecto seat Cos. You know what?
• 1:24:18
  You forget about that Cos. Fast and furious, everybody too
• 1:24:24
  fast and furious. Too fast, too fast, too furious.
• 1:24:28
  Okay, so. The butcher kills the football
• 1:24:32
  player. Yes, pops through, has a hook.
• 1:24:34
  Yeah, through the wall. I thought you were supposed to
• 1:24:36
  be super weak but the Butcher is just full on breaking through
• 1:24:39
  walls now. I don't know.
• 1:24:41
  This mill probably hasn't been very well maintained.
• 1:24:44
  Maybe, I don't know, and this leads to a scuffle between
• 1:24:49
  Millie and Butcher. Yeah, and the cops are there
• 1:24:51
  also, so everybody's trying to keep the cops from catching up
• 1:24:54
  to the two of them before the swap can happen.
• 1:24:57
  So Millie chases the Butcher, and then the friends chase
• 1:25:01
  faster and end up tackling the Butcher, and Millie comes over
• 1:25:05
  and is ready to stab the Butcher when Booker's watch goes off and
• 1:25:12
  the Butcher starts laughing. It's like you're too late.
• 1:25:14
  And then Millie's like guess what?
• 1:25:17
  Booker sets his watch fast because the.
• 1:25:21
  Josh is like, oh, we're not hearing the bell.
• 1:25:22
  The Bell's not going off. Yeah, which that's a cool idea.
• 1:25:25
  Yeah. And then they realized, yeah,
• 1:25:28
  still got time, so they haven't been down.
• 1:25:30
  They stab. Swap back and then the cops come
• 1:25:34
  and they shoot the Butcher who is now back in his original
• 1:25:37
  body. Well, I am up.
• 1:25:39
  Yep, so. Cut to, you know, very much
• 1:25:43
  ending a movie vibes here. Millie's in the back of a NAMI.
• 1:25:47
  That's with Booker. And during what has got to be a
• 1:25:50
  reshoot, because Booker's hair is different totally.
• 1:25:52
  Different. Yeah, this point, yeah, it was
• 1:25:54
  like his hair is so different from how it was.
• 1:25:56
  Yeah. But yeah, they have like a like
• 1:26:00
  a real kiss this time. Well, the first kiss was a real
• 1:26:02
  kiss. But this time it doesn't.
• 1:26:03
  Get yeah, it doesn't get interrupted by them being like,
• 1:26:06
  this is a very absurd kind of situation.
• 1:26:08
  Yeah. So the Butcher is in the back of
• 1:26:12
  a separate ambulance, barely alive, and the EMTs are like,
• 1:26:16
  whatever, fuck him. And then he flatlines.
• 1:26:19
  Halloween 4 here. Except what really happened was
• 1:26:21
  he just took off the pulse monitor.
• 1:26:24
  I'm gonna imagine that he took his thumb and stabbed it through
• 1:26:26
  one of their heads. Yeah, just I assume that that
• 1:26:29
  happens. Caused a rack.
• 1:26:31
  Flipped it upside down. Yeah, exactly.
• 1:26:33
  Crawled out into a Creek. Yeah, with the whole whole whole
• 1:26:38
  9 yards of it. And then this is the end.
• 1:26:41
  Like that was talking about where he gets super tense.
• 1:26:43
  We're back at the house with Millie.
• 1:26:45
  Yeah. Everything seems Yeah, they're
• 1:26:47
  wrapping up. Millie's mom says that she needs
• 1:26:48
  to go to college. She needs to go live her own
• 1:26:51
  life. They're having a great moment.
• 1:26:54
  And then she hears the front door open.
• 1:26:57
  This is really loud. Why this is so loud?
• 1:26:59
  It's. One of those Hulu commercials.
• 1:27:01
  Sorry, everybody. I guess I won't cut this because
• 1:27:03
  you can hear this to this. But yeah, we have our TV on back
• 1:27:06
  there for the girls. Yeah, yeah, this commercial is
• 1:27:09
  hella loud. Hulu does that sometimes.
• 1:27:10
  OK, got it. OK, so yeah, she sees that the
• 1:27:14
  front door is open and she goes, Shara, you left the front door
• 1:27:17
  open again. Why is a cop getting the front
• 1:27:19
  door open all the time? Why?
• 1:27:21
  Why? Yeah, that's Dewey.
• 1:27:25
  You know what pair? Do.
• 1:27:26
  We Yeah. So she closes the door and then
• 1:27:29
  she's getting kind of suspicious and she's wandering around the
• 1:27:32
  house, and then, uh oh, the butcher's there.
• 1:27:35
  Walking right behind her. That's very.
• 1:27:37
  Creepy. He grabs her and he's ready to
• 1:27:40
  kill her. Except Shar comes in, she tries
• 1:27:42
  to shoot him and he's like little girl shouldn't play with
• 1:27:45
  guns, he's already taken all the bullets out.
• 1:27:47
  Mom comes in, attacks him while Shar reloads her gun and he's
• 1:27:52
  like, I know your body, I know why you feel so weak and so
• 1:27:55
  pathetic. Most of the time she goes, well,
• 1:27:57
  guess I I know your body too. And then she kicks him in the
• 1:27:59
  nuts, which is not. A.
• 1:28:01
  Not a unique thing. No, but you know what?
• 1:28:04
  It it was effective because it distracted him just enough for
• 1:28:08
  them all to kind of like pile on, fight him, and then
• 1:28:10
  eventually Millie takes a broken chair leg and stabs him through
• 1:28:14
  the torso with it. Like, oh, the mom's like Millie.
• 1:28:18
  Jesus Christ, Millie. And yeah, that's it.
• 1:28:24
  That's the end of the movie. This seems like the type of
• 1:28:27
  movie that would have had a mid credits scene but it didn't it.
• 1:28:29
  Didn't yeah, I was really expecting one.
• 1:28:31
  Like I feel like they this is the type of movie that I could
• 1:28:34
  also feel like having a sequel. Like, I don't know if you would
• 1:28:38
  want to do. Well, I guess we'll talk about
• 1:28:40
  it here with our dream sequel here.
• 1:28:41
  It's coming up. But OK, so ratings you keep in
• 1:28:46
  yours, you changing it. I actually think I'm going to
• 1:28:48
  change it to 8 1/2. OK.
• 1:28:51
  I really like this movie. And it's I'm keep in mind, I
• 1:28:57
  like it. I did feel really good talking
• 1:28:59
  about it though. I guess maybe fuck it, I'll do
• 1:29:01
  it. I'll bump it to an 8 because
• 1:29:04
  it's a fun movie. I like it.
• 1:29:06
  All right, so new new average is 8.25.
• 1:29:10
  All right, cool. So Talia, she was really playful
• 1:29:15
  when the movie first started, and then she was really loving
• 1:29:17
  on you all. She was licking your arm a lot.
• 1:29:19
  She had to go out at 29 minutes. She take a quick break.
• 1:29:22
  She was. She whacked my notes with her
• 1:29:26
  tail twice, one time while farting.
• 1:29:28
  It was probably one of the worst farts I'd smelled from her in a
• 1:29:31
  while. She was scared by the movie and
• 1:29:32
  she was like, this movie is so good.
• 1:29:34
  You need to stop writing notes and just pay attention.
• 1:29:36
  You need to just experience the movie.
• 1:29:38
  So I think Talia actually, she's going to give this A9.
• 1:29:41
  Yeah, I mean, she laughed at the dog house.
• 1:29:44
  Yeah, She was like, that's silly.
• 1:29:45
  She was like, Scout might fit in there.
• 1:29:47
  Yeah. Maybe.
• 1:29:49
  Zoe was fighting herself throughout this movie, so I
• 1:29:52
  think Zoe, Zoe's ultimate warrior, is the butcher in
• 1:29:56
  Millie's body. 'Cause he's fighting himself.
• 1:29:59
  Yeah, kind of. Yeah, you're right.
• 1:30:01
  Wow, that's so perfect. Yeah.
• 1:30:05
  OK. Who did you relate to?
• 1:30:10
  I relate to Booker because I too set my watch as fast and I I
• 1:30:16
  also don't care about the body that the people I love are in.
• 1:30:19
  So OK, I relate to hear me out the teacher because I'm
• 1:30:26
  constantly shitting at like kids names these days too, because
• 1:30:30
  I'm like that's a fucking stupid name.
• 1:30:32
  Like it just there's so many weird names like people.
• 1:30:36
  I feel like our generation and this, I'm not even blaming
• 1:30:39
  younger generations for this, like we're responsible for as
• 1:30:41
  millennials, as parents. You're like, hey, subreddit
• 1:30:44
  about it is there? Yeah.
• 1:30:46
  Tragedy. It's spelled TRAGEIGHDEIGH.
• 1:30:51
  I just like, I don't understand why we as a generation are like,
• 1:30:54
  yeah, let's like go weird with their names this time around.
• 1:30:57
  Like we're all tired and sick of Jake and Frank and Susan.
• 1:31:02
  That's why souvenir shops don't have personalized name shit
• 1:31:05
  anymore because we as a society we're so embittered by like I
• 1:31:10
  was children that we decided to take it out on our children even
• 1:31:13
  more and and the personalized souvenir industry.
• 1:31:16
  Like, yeah, like I have a normal assume and I never got one of
• 1:31:19
  those. You're never going.
• 1:31:20
  To see I was only ever able to get Jessica and I don't go by
• 1:31:23
  Jessica. I haven't gone by Jessica since
• 1:31:25
  I was old enough to respond to names.
• 1:31:27
  You'd be surprised. Not a lot of Travis shit out
• 1:31:30
  there either. That's weird.
• 1:31:31
  Yeah, there's not that many, Travis.
• 1:31:35
  But there's enough. There's there should be.
• 1:31:36
  You would think so. There's not OK now.
• 1:31:40
  Dream sequel. So do we?
• 1:31:43
  Do we stick? Do we mix different movies
• 1:31:46
  again? Hear me out.
• 1:31:49
  Crossover Freaky 2. Happy Death day three.
• 1:31:53
  Oh wow. Wouldn't you want to see Jessica
• 1:31:55
  Roth and Catherine Newton and O maybe together and deal with
• 1:31:59
  their like, interdimensional travel bullshit together?
• 1:32:02
  They'd have good chemistry, Yes, I would imagine so, yeah, I feel
• 1:32:06
  like that would be really good. And then you also have Matt.
• 1:32:09
  Christopher Landon is tied into both of those, so it'd be easy
• 1:32:12
  enough to just merge them. Yeah, yeah, pretty much, yeah.
• 1:32:17
  And then that's also a good way to bring Vince Vaughn back
• 1:32:19
  because, you know, we've got the like time loop stuff.
• 1:32:22
  That's his name. For some reason I called him
• 1:32:24
  Matt. I I thought you were trying to
• 1:32:26
  say Michael Kennedy. No, no.
• 1:32:28
  I'm trying to say Vince Vaughn, you can have him back in it and
• 1:32:31
  if you bring him in, I think that would be cool.
• 1:32:33
  You're probably thinking of my Uncle Matt, who's, like, as tall
• 1:32:36
  as Vince Vaughn. Large man.
• 1:32:40
  Yeah. Yeah, like, I think that would
• 1:32:44
  be cool. Maybe have like, like have the
• 1:32:49
  revealed be that he was the babyface killer the entire time
• 1:32:53
  because, like, do we ever really find out?
• 1:32:55
  I mean, we kind of do, but like. John Rob Mello.
• 1:33:00
  He is a killer in several. Like he is a killer in all of
• 1:33:04
  the timelines, but I think he's the babyface and a couple of
• 1:33:06
  them. He's the killer, He's a killer,
• 1:33:09
  but I don't think he puts that on and then like I think.
• 1:33:12
  I also imagine we get to see Vince Vaughn and Rob Mello.
• 1:33:15
  Maybe they like have a moment where they could cheek each
• 1:33:18
  other's murder style. I think we can have a lot of fun
• 1:33:22
  with this. Well, I would like that because
• 1:33:23
  it would also give Rob Mello some speaking roles.
• 1:33:26
  Yeah. And like, we met him.
• 1:33:28
  He's a really cool dude. He's really cool and he's really
• 1:33:31
  fucking funny too. Yeah, he is I.
• 1:33:32
  Would love to say Michael Land, Michael Kennedy, Christopher
• 1:33:38
  Landon. If you need help make an
• 1:33:40
  outline, reach out to us. Yeah.
• 1:33:45
  Fuck, what's that movie called again?
• 1:33:47
  Which one? The one that we're talking.
• 1:33:48
  About Happy Death Day. Yeah, OK, you can call it Freaky
• 1:33:51
  Death Day. I like that.
• 1:33:55
  I like that. OK cool, that's a good dream
• 1:33:58
  sequel. New tag line.
• 1:34:01
  OK, so I wasn't a huge fan of the tag lines.
• 1:34:05
  They were OK. They were OK.
• 1:34:07
  Yeah, they. Were like mid tier.
• 1:34:09
  Yeah, there's just. Let's see.
• 1:34:14
  Bait and switch. Oh, that's really good.
• 1:34:18
  I like that. Yeah.
• 1:34:20
  Bait and switch. Good job.
• 1:34:23
  That was the like one of the least amount of times we've had
• 1:34:25
  to think about a tagline. Yeah, I know.
• 1:34:27
  I'm barely going to have to cut anything for that.
• 1:34:29
  That's great. Amazing.
• 1:34:30
  I cut so much time last week. Like it just it.
• 1:34:33
  It's been several scrolls over. It's the end of it.
• 1:34:37
  We've we. Yeah, Sometimes it comes,
• 1:34:39
  sometimes it doesn't. That's the way she goes.
• 1:34:42
  OK, OK, time for the Internet review.
• 1:34:44
  OK, what you got? So this one, it's not the most
• 1:34:50
  serious review, but I think you'll understand why I picked
• 1:34:52
  it. OK.
• 1:34:54
  I found this is such a I found this movie in the comedy section
• 1:35:03
  on an Amazon platform and found out I was watching a slasher
• 1:35:05
  film, not knowing it. All kinds of blood and gore
• 1:35:08
  sprung on the viewer who thinks it's a comedy because somebody
• 1:35:11
  labeled it that way, perhaps at the production company or movie
• 1:35:13
  studio. Whoever did it is a deceitful
• 1:35:15
  son of a bitch. You weren't.
• 1:35:17
  If you want to watch this movie, that is not anything less than a
• 1:35:20
  gruesome and heinous display of violence and disgusting imagery
• 1:35:23
  that will not nourish your soul or make you a better person in
• 1:35:27
  any way. It's sick and twisted trash that
• 1:35:29
  should not be entertained by any healthy person.
• 1:35:31
  Good Ward. Wait, so they just went in
• 1:35:34
  expecting like a comedy? Yes, 'cause it was labeled
• 1:35:37
  comedy. But my thing is, my dude, my
• 1:35:40
  sibling in Christ, you watch the whole movie even though there
• 1:35:44
  was like a wine bottle to the throat in the 1st 2 minutes.
• 1:35:49
  That's what I'm saying. Like it gets really upfront
• 1:35:52
  about what it is right there. Yeah, 'cause it mixes the comedy
• 1:35:56
  and the humor upfront. That, and I mean the horror
• 1:36:00
  upfront, and the horror goes hard.
• 1:36:02
  This is very much like Pam not understanding 28 Days Later
• 1:36:06
  wasn't 28 Days and she just kept watching it thinking Sandra
• 1:36:09
  Bullock would pop up at some point.
• 1:36:10
  It's. The same thing with Dwyer.
• 1:36:12
  It's like, that's the thing about bear attacks, it always
• 1:36:14
  happened when you least expect. It Yep, Yep, exactly.
• 1:36:17
  Yeah. I just, I wish I'd been with
• 1:36:21
  this person watching this movie and they're like, when is why
• 1:36:25
  are there so many deaths in my comedy?
• 1:36:27
  I want to see their face like they're just like so confused
• 1:36:30
  like are trying to like figure out what the fuck is happening.
• 1:36:32
  Here, Like I understand Vince Vaughn is a comedian, but why is
• 1:36:35
  he killing all of these people, Vince?
• 1:36:37
  It's not cool, bro. You don't have to do this.
• 1:36:42
  Yeah, that's so weird. Yeah, but that's kind.
• 1:36:44
  Of So yeah, I guess if you just want straight up comedy, this
• 1:36:47
  movie is not for you. Same as if you want straight up
• 1:36:49
  or you have to want both for this movie.
• 1:36:52
  And like, I realized, like, horror comedies are kind of
• 1:36:56
  divisive amongst the horror community.
• 1:36:59
  So yeah. All right.
• 1:37:01
  Well, then I will Mosey on over to our listener reviews.
• 1:37:06
  OK, so we'll start off on Twitter.
• 1:37:11
  First up, Lord Zombie, who says saw this in theaters.
• 1:37:16
  Great take on the body swap with a horror humor vibe.
• 1:37:18
  Crazy kills. Fun.
• 1:37:20
  Look into the killer's hideout. Lots of camp.
• 1:37:23
  The only odd thing was the two characters changing their bodies
• 1:37:26
  and getting used to them so fast.
• 1:37:28
  Great movie overall. Yeah, there is like a small
• 1:37:32
  adjustment period with that. I think it was easier for Millie
• 1:37:36
  like well actually honestly though, I don't think they got
• 1:37:39
  adjusted that quickly because Millie kept over doing things
• 1:37:44
  like and accidentally hurting people and oh that's true.
• 1:37:47
  Butcher kept like. Over anticipating.
• 1:37:50
  Yeah, like not being able to knock down doors and stuff.
• 1:37:53
  I think the main things were, like you said, the butcher just
• 1:37:59
  being able to do like a perfect messy ponytail and cat eyeliner.
• 1:38:03
  Yeah, that was the thing that really, it was like, really
• 1:38:06
  like, come on. And.
• 1:38:07
  Meanwhile we have Millie going like, am I supposed to wipe when
• 1:38:10
  she's starting? Yeah, and the killer side, I
• 1:38:18
  think it would have been cool to like explore that a little bit
• 1:38:20
  more. I mean, we kind of do with the
• 1:38:21
  party, but you don't really get. Yeah, it kind of reminded me of
• 1:38:25
  again, Scream 4 with the stabathon where they go to the
• 1:38:29
  barn for that. But yeah, no, I agree, good
• 1:38:32
  movie. It's a good mixture of fun
• 1:38:34
  times. Geo Freak of Tron.
• 1:38:36
  As is his name. Says the opening scene sets a
• 1:38:39
  badass tone for a great movie. Give many more Christopher
• 1:38:44
  Landon smash Michael Kennedy films please.
• 1:38:47
  Yes, I I would watch. They're like a team that like,
• 1:38:51
  I'm going to give any movie they do together a chance.
• 1:38:53
  Yeah, I'm bummed that we didn't get the screen movie.
• 1:38:55
  It sucks for them because I don't know, they were both
• 1:38:57
  really excited and that's like a big move for them.
• 1:39:00
  But yeah, hopefully they do something cool together in the
• 1:39:05
  future. We actually watched It's a
• 1:39:08
  Wonderful Knife with Joe, too. Yeah.
• 1:39:10
  Yeah, Yeah, that's true. All right over on Instagram, our
• 1:39:17
  Instagram review is from Cube Saves, who says the slasher
• 1:39:20
  parts are fun comedy slash Freaky Friday parts are not.
• 1:39:24
  I get it. Like the comedy has to land for
• 1:39:26
  you. Yeah, I guess it's my sense of
• 1:39:29
  humor and I guess I can see how it's not everybody's sense of
• 1:39:32
  humor. So it's.
• 1:39:33
  It wasn't my first time around, yeah.
• 1:39:34
  I didn't really laugh at that much.
• 1:39:36
  But this time around, I don't know, like for some reason, like
• 1:39:38
  it just kind of like there are certain parts that really quick
• 1:39:40
  for me, especially the scene where it's like you guys are
• 1:39:44
  just beating the shit out. You guys are just like beating
• 1:39:46
  the shit out of me, yeah. That was really funny.
• 1:39:49
  Yeah. OK, cool.
• 1:39:52
  So yeah, like, I guess it's a horror comedy.
• 1:39:55
  Yeah. You know you got to do both Well
• 1:39:57
  or you. Know it's heavy on both of them.
• 1:39:59
  Yeah, for sure. All right, that's it for this
• 1:40:03
  week's episode then. Next week, so we will do our saw
• 1:40:06
  wrap up over the weekend where we do our final rankings and
• 1:40:10
  then we are starting our new franchise.
• 1:40:11
  We're going to be kicking it off with Child's Play 1988.
• 1:40:19
  Right now you can watch it on TV, Pluto, TVMGM Plus, YouTube
• 1:40:24
  Primetime, Sling TV Premium, Prime Premium, YouTube TV
• 1:40:27
  Premium, Philo Premium, or you can rent it from Finitango at
• 1:40:30
  home, formally Voodoo or Google Play.
• 1:40:34
  Or on the Roku Channel. Real.
• 1:40:37
  Good. OK.
• 1:40:40
  Well, so I mean, I'm sure most of you guys have seen that movie
• 1:40:44
  at this point, yes. But if not, or if you just need
• 1:40:47
  a refresher before the episode, you know it's always a good
• 1:40:51
  excuse to watch that movie. It's a great.
• 1:40:52
  Movie Yeah, it's a good time to watch it all the time Yeah, I am
• 1:40:58
  God, I'm just. I'm excited.
• 1:41:01
  Pleased as hell to go through this franchise.
• 1:41:03
  Yeah, we've known we were gonna do this since we recorded the
• 1:41:06
  first Saw movie almost a year ago.
• 1:41:08
  We're like the next one's child's play, right?
• 1:41:10
  Yep. Absolutely, yeah.
• 1:41:12
  If you're wondering, we do already know the next franchise,
• 1:41:14
  too. Not going to tell you you're
• 1:41:15
  going to have to wait, but we already know what the next
• 1:41:17
  franchise will be once we get through.
• 1:41:18
  Child's Play, True slash Chucky. If you're a patron, you'll
• 1:41:21
  probably get like a little preview because we tend to do
• 1:41:23
  that, but. Yeah, Speaking of.
• 1:41:26
  Speaking of, we would like to thank our patrons out there.
• 1:41:29
  We have Joe. Freakatron, as is his name.
• 1:41:33
  Still, Amber, Michael, Ward, Zombie, and Tyler, thank you
• 1:41:37
  guys so much for being our bubbies.
• 1:41:39
  Yes, we have the best bubbies and bubbies of the Treasure
• 1:41:42
  Trevor Project. Yeah, yeah.
• 1:41:44
  Thank you guys so much. You guys are awesome.
• 1:41:45
  We really appreciate your all support.
• 1:41:48
  If you are unable to support us financially through Patreon, you
• 1:41:52
  can always like our podcast on whatever platform you listen.
• 1:41:56
  And that's free. That is free.
• 1:41:57
  Same with reviewing. So if you wanted to drop a
• 1:42:00
  little review for other people to read, including us, we will
• 1:42:02
  also read it on the show. You know, we love reading
• 1:42:04
  reviews. It's a whole.
• 1:42:05
  Segment of it's true, yeah. It is true, yeah.
• 1:42:09
  And also just sharing our episodes.
• 1:42:12
  It's, you know, that's really helpful.
• 1:42:13
  I, you know, I like that you guys do that and where I see it,
• 1:42:18
  it really makes my day because you know, I like seeing that you
• 1:42:21
  guys are having good time watching or not watching or
• 1:42:23
  listening or maybe watching movies that we are like serving
• 1:42:26
  up on our line up here. Shout out to our friend Chad who
• 1:42:29
  said anybody who doesn't like the Society episode is an idiot.
• 1:42:32
  Oh yeah. Thank you for that.
• 1:42:35
  Yeah, that was funny. Yeah.
• 1:42:37
  So yeah, thank you guys so much. You guys are awesome, we
• 1:42:39
  appreciate having you all around.
• 1:42:41
  Yes, love you guys very much. If you want to find more of us,
• 1:42:45
  you can find us on social media. We're on Instagram and Threads
• 1:42:47
  at least. Favorite scam?
• 1:42:48
  Maybe podcast and blue ski at least favpod.
• 1:42:51
  We've got our website. What's your least favorite Scary
• 1:42:53
  movie.com Or you can e-mail us at least figure it's
• 1:42:55
  scarymovie@gmail.com and all this information is in the show
• 1:42:58
  notes below. Yep, you can.
• 1:42:59
  Find her there. If for some reason a link isn't
• 1:43:02
  working for you or something, because we do occasionally get
• 1:43:04
  messages like that, just let us know.
• 1:43:06
  We will send you a link to it directly.
• 1:43:08
  Yeah, and I think most of our profiles also have our link tree
• 1:43:11
  in the BIOS. Yeah, everything's on the link
• 1:43:13
  tree. Yeah, I've made sure that that
• 1:43:15
  is current. Yes, so there's you know, like I
• 1:43:19
  said, if that stuff just isn't working for you for whatever
• 1:43:22
  reason, we get it. Technology is great and stupid
• 1:43:24
  at the same time. We we live in 2024 with you.
• 1:43:28
  You could just let us know and we'll make it happen.
• 1:43:30
  I also had a couple of people because we mentioned on the the
• 1:43:35
  unfriended episode. The playlist that he's got for
• 1:43:40
  his girlfriend is shorter than our playlist for Talia.
• 1:43:42
  And some people are like, we want the link to we can't find
• 1:43:46
  it. And it's because my Spotify
• 1:43:48
  accounts private, but just hit us up.
• 1:43:50
  And yeah, we're we're co-authors of the yeah.
• 1:43:53
  Mine's so private. I can, yeah.
• 1:43:54
  You can check my profile out. I'm Groovy commie.
• 1:43:58
  I think so. Maybe I'm travel, I can't
• 1:43:59
  remember. No, it's Groovy Commie.
• 1:44:01
  Yeah, you're. I'm Groovy Commie.
• 1:44:02
  Yeah, you are groovy, Commie. Hell yeah.
• 1:44:06
  But yeah. So this is a really fun episode.
• 1:44:08
  I'm so. Happy that Freaky can be on the
• 1:44:10
  rotation in our house now. Yeah, for sure.
• 1:44:12
  Yeah, it was a good time. Yeah.
• 1:44:13
  Thanks for being here, everybody.
• 1:44:15
  And. We'll see you.
• 1:44:16
  All saw wrap up. Yeah, yeah, yay.
• 1:44:19
  We actually just rewatched the first Saw movie last night just
• 1:44:21
  for funsies. Yeah, maybe by then when we do
• 1:44:24
  the wrap up, we'll have some more.
• 1:44:26
  Yep. Yeah.
• 1:44:26
  All right. Cool.
• 1:44:27
  All right, we'll see. Y'all.
• 1:44:28
  Bye. Bye.
• 1:44:40
  It's like God test, test, test my voice.
• 1:44:49
  Hey, hey. We got our pooper right off the
• 1:44:51
  bat. That was that came out feeling
• 1:44:54
  real bad. That sounded great.
• 1:44:57
  OK.