Latest / Abide Meditation App / A DREAMY Bedtime Story_ A Dreamy Victorian Dinner Party _ Relaxing Story for Sleep 💤
Transcript
- 0:01Speaker 1: Welcome to Get Sleepy, where we listen, we relax, and
- 0:09Speaker 1: we get sleepy. I'm your host, Thomas. Thanks so much
- 0:17Speaker 1: for joining us. Just to let you know, we'll have
- 0:21Speaker 1: a special bonus meditation episode for you tomorrow night, one
- 0:26Speaker 1: that is particularly poignant for the upcoming flip of the
- 0:30Speaker 1: calendar into a new year. It's focused on transition and
- 0:36Speaker 1: experiencing change, so be sure to join me for that
- 0:41Speaker 1: tomorrow night. As for this evening story, we're heading to
- 0:47Speaker 1: nineteenth century England to the country home of Elizabeth Phillips.
- 0:54Speaker 1: We'll watch on as she hosts a marvelous dinner party
- 0:59Speaker 1: with some of her closest friends to celebrate the golden
- 1:03Speaker 1: Jubilee of Queen Victoria. It was written by Joe and
- 1:10Speaker 1: will be read by Nadine.
- 1:12Speaker 2: Thanks so much to both of you.
- 1:18Speaker 1: Now, my friends, the day is done and it's time
- 1:23Speaker 1: for a good night's rest, So let's make space for
- 1:28Speaker 1: that in both body and mind. Begin by making yourself comfortable,
- 1:41Speaker 1: adjusting anything you need to reach optimum comfort, and just
- 1:52Speaker 1: spend a moment mentally scanning your body, checking in with
- 1:58Speaker 1: each section as you go, and noticing any tension or
- 2:06Speaker 1: any excess energy that may be present. If you do
- 2:15Speaker 1: come across any areas of tension, just spend a moment
- 2:21Speaker 1: reassuring yourself that you can now rest, that your body
- 2:28Speaker 1: can release the energy that it's holding on too, and
- 2:37Speaker 1: just breathe this sense of calming reassurance into each of
- 2:42Speaker 1: those areas. As your mind focuses on scanning through the body,
- 2:54Speaker 1: forming more inner awareness, it too should begin to slow
- 3:00Speaker 1: down and align with the stillness of the night and
- 3:07Speaker 1: the opportunity to rest. There is no more that needs
- 3:16Speaker 1: to be done today, nothing left to solve, to complete,
- 3:24Speaker 1: to even consider. You've done what you can today, and
- 3:33Speaker 1: the best thing you can do now, for both yourself
- 3:37Speaker 1: and anyone that relies on you during your day to
- 3:41Speaker 1: day life, is to rest peacefully and deeply. So take
- 3:54Speaker 1: one more deep, reassuring breath, absorbing calm and peace as
- 4:02Speaker 1: you win hail, and then release it, letting go of
- 4:09Speaker 1: any last bits of tension or excess energy.
- 4:19Speaker 2: Now you can relax.
- 4:21Speaker 1: Completely as you follow the sound of Nadine's voice.
- 4:28Speaker 2: So let's begin our story.
- 4:31Speaker 1: On a warm summer's evening in eighteen eighty seven.
- 5:01Speaker 3: We're visiting the home of mister and Missus Phillips It's
- 5:07Speaker 3: in the County of Hampshire, in the south of England.
- 5:13Speaker 3: At around seven o'clock, the day is still light and
- 5:18Speaker 3: the sweet scent of honeysuckle wafts in through the open windows.
- 5:26Speaker 3: Elizabeth Phillips, a lady of the house, is seated upstairs
- 5:32Speaker 3: at her elegant dressing table. She admires her reflection in
- 5:38Speaker 3: the mirror while her servant Hattie, attends to a hair.
- 5:45Speaker 3: Hattie has already helped her mistress to dress for the
- 5:49Speaker 3: evening in the late nineteenth century. This is a complex process,
- 5:57Speaker 3: including various layers of un garments and fittings. Elizabeth wears
- 6:05Speaker 3: a cotton chemise and silk stockings pulled up above the knee.
- 6:12Speaker 3: Her stockings are tied with frilly garter ribbons, and she
- 6:17Speaker 3: wears loose cotton drawers pulled up to her waist. A
- 6:22Speaker 3: corset is fastened around Elizabeth's midriff. Pink lace has been
- 6:28Speaker 3: embroidered across the top and bottom between vertical strips of velvet.
- 6:36Speaker 3: The corset's design has changed with the times. Not only
- 6:41Speaker 3: is it more colorful than those of the past, but
- 6:45Speaker 3: it's much less restrictive. Elizabeth's corset is lightweight, and flexible.
- 6:56Speaker 3: She was able to fasten it herself thanks to the
- 7:00Speaker 3: clips running down its front. She's masked of the skill
- 7:07Speaker 3: of pulling the lace at the back and tying a bow.
- 7:13Speaker 3: The next garment is a structured bustle fastened at the waist.
- 7:21Speaker 3: It has a padded cushion that juts out at the back,
- 7:26Speaker 3: creating a dramatic silhouette. Victorian ladies often wear large, bulky
- 7:35Speaker 3: gowns that give them a striking figure. Elizabeth likes her
- 7:43Speaker 3: padded bustle. It's cushioned at the back are made from
- 7:49Speaker 3: a series of curved steel bands, so it keeps its
- 7:54Speaker 3: elegant form even when she's sitting. She also wears an underskirt,
- 8:03Speaker 3: including layers of frills and even more padding, while a
- 8:08Speaker 3: cotton top covers the corset. Over all of these layers
- 8:15Speaker 3: goes the dress itself. It has two parts, a skirt
- 8:23Speaker 3: and a bodice. Tonight, Elizabeth wears a brand new dress
- 8:32Speaker 3: made from the finest silk its ivory and color, with
- 8:39Speaker 3: gold stripes and a frilled V shaped neckline. Each layer
- 8:47Speaker 3: of fabric is hemmed with lace. A skirt is roofed
- 8:54Speaker 3: and gathered in sections. It cascades to the ground like
- 9:01Speaker 3: a flowing waterfall, and sways as she walks. At present,
- 9:09Speaker 3: the train of the skirt rests neatly on the rug
- 9:14Speaker 3: near the stool where Elizabeth sits. Hattie steps around it
- 9:21Speaker 3: as she carefully inserts a final hairpin. Elizabeth's dark hair
- 9:28Speaker 3: has been elegantly styled. It's partly pinned up in a
- 9:35Speaker 3: voluminous bouffont, with the lower half loose in ringlet curls.
- 9:43Speaker 3: The hairstyle is complimented by her jewelry pearl drop earrings
- 9:49Speaker 3: and a matching necklace. Hattie helps her mistress into ivory
- 9:57Speaker 3: colored heels embroidered with flowers across the front and sides.
- 10:05Speaker 3: Next come the gloves of similarly colored silk, the finishing
- 10:11Speaker 3: touch to complete the outfit. Dressing for dinner is a
- 10:17Speaker 3: daily ritual, but today Elizabeth has made even more effort
- 10:25Speaker 3: than usual.
- 10:28Speaker 4: It is the twenty first.
- 10:30Speaker 3: Of June eighteen eighty seven, the Golden Jubilee of Queen Victoria.
- 10:40Speaker 3: Families across the United Kingdom will no doubt to be
- 10:44Speaker 3: celebrating her fifty year reign, and many, like the Phillips,
- 10:52Speaker 3: will host a dinner party to remember the Victorians love
- 10:59Speaker 3: their e ticket and ceremony, and every evening meal has
- 11:05Speaker 3: the feel of an event. Tonight's dinner promises to be
- 11:12Speaker 3: something extra special. Elizabeth has been planning it for the
- 11:19Speaker 3: best part of a month. It's the most exciting event
- 11:25Speaker 3: that she's hosted so far since marrying her husband and
- 11:30Speaker 3: moving out into the country. She's keen to show off
- 11:36Speaker 3: her talents as a hostess. Two other couples have been
- 11:42Speaker 3: invited to dinner, both recently married like Elizabeth and George.
- 11:50Speaker 3: The ladies are Elizabeth's closest friends. They're people she can
- 11:56Speaker 3: laugh with and be completely at ease. She knows that
- 12:03Speaker 3: they'll tease her for going to so much trouble when
- 12:07Speaker 3: they see the dishes brought out at dinner, but they'd
- 12:11Speaker 3: make a similar effort if she were dining at their
- 12:14Speaker 3: homes instead. All three friends are fans of missus Beeton
- 12:22Speaker 3: and her book of Household Management. It often gets a
- 12:29Speaker 3: mention in their letters, and certainly it's been useful in
- 12:34Speaker 3: preparing for today. Elizabeth herself has been busy in the
- 12:40Speaker 3: kitchen alongside the cook and the one kitchen servant. Between them,
- 12:49Speaker 3: they've been testing different recipes, planning a menu that befits
- 12:55Speaker 3: the occasion. Keen to check on the menu now, Elizabeth
- 13:02Speaker 3: stands and thanks Hattie for her efforts. She squirts a
- 13:09Speaker 3: little perfume on her wrists and neck, then leaves the room,
- 13:15Speaker 3: dress trailing behind her. The Philip's home is not quite
- 13:22Speaker 3: a mansion, but it's large and opulent. There are carpets
- 13:29Speaker 3: in fashionable floral patterns, while the walls are part paneled
- 13:37Speaker 3: in richest mahogany. Elizabeth carefully descends the central staircase across
- 13:47Speaker 3: the wide floral carpet fitted down the middle. Her left
- 13:54Speaker 3: hand rests gently on the walnut banister while her right
- 14:01Speaker 3: lifts the fabric of her gown. The wall beside the
- 14:07Speaker 3: staircase is beautifully decorated, The lower third paneled in wood
- 14:14Speaker 3: with concentric rectangles.
- 14:19Speaker 4: Above the wood.
- 14:20Speaker 3: Is light red wallpaper with a print of ruby velvet
- 14:25Speaker 3: in the foreground. Much of the wallpaper is hidden from
- 14:32Speaker 3: sight behind the many paintings in all shapes and sizes.
- 14:41Speaker 3: There are individual portraits of Elizabeth and George, and also
- 14:47Speaker 3: a larger one which they posed for together. They'd only
- 14:53Speaker 3: been married a month when it was painted, and you
- 14:57Speaker 3: can see their contentment other paintings display scenes from nature,
- 15:06Speaker 3: as a young couple enjoying a boat ride, and another
- 15:11Speaker 3: of horses running wild.
- 15:16Speaker 4: In one, a young woman.
- 15:18Speaker 3: Sits reading beneath a parasol, surrounded by the colors of
- 15:24Speaker 3: a summer garden. Among the larger paintings there are photographs
- 15:32Speaker 3: of loved ones in small oval frames. Elizabeth smiles as
- 15:40Speaker 3: she steps down the stairs and.
- 15:42Speaker 4: Heads towards the kitchen.
- 15:47Speaker 3: She follows the scent of meat roasting and more smells
- 15:52Speaker 3: too that cause her mouth to water. They lead her
- 15:58Speaker 3: to cook stare having soup on the hob. She hums
- 16:03Speaker 3: a melody as she gazes into the pot. Soup will
- 16:09Speaker 3: be the first course, followed by fish, battered and breadcrumbs.
- 16:17Speaker 3: The main course is a dish of roast partridge accompanied
- 16:22Speaker 3: with French beans and buttered cauliflower. Elizabeth as also planned
- 16:30Speaker 3: for another man, this being such a special occasion, cook
- 16:37Speaker 3: or serve curried lobster with carrots and spinach. The final course, dessert,
- 16:48Speaker 3: has been left to the care of the young kitchen maid, Celia.
- 16:54Speaker 3: Anne has spent the last few weeks making various recipes
- 16:59Speaker 3: with the help of missus Beaton's book. She's made cakes,
- 17:05Speaker 3: and custards and tarts and trifles, her skill growing over time.
- 17:15Speaker 3: Elizabeth is impressed with sally Anne's efforts. So she's only young,
- 17:23Speaker 3: she's proving to be quite the confectioner. Elizabeth had thought
- 17:30Speaker 3: about buying dessert from one of the high end confectioners
- 17:34Speaker 3: just a train ride away, but having seen sally Ann's
- 17:41Speaker 3: gorgeous layered jellies, it seems far more sensible to leave
- 17:46Speaker 3: it to her. Three such jellies are currently resting, the
- 17:54Speaker 3: result of the maid's previous efforts. They've been left to
- 18:00Speaker 3: set in their elaborate bronze molds placed in bowls of
- 18:06Speaker 3: icy water. Now, sally Anne is busy with the pastry,
- 18:14Speaker 3: which will form the base of a scrumptious treacle tart.
- 18:21Speaker 3: Elizabeth chats to the ladies in the kitchen. Everything, of course,
- 18:28Speaker 3: is going to plan. A range of fine wines have
- 18:34Speaker 3: been brought from the cellar and will later be paired
- 18:38Speaker 3: with the dishes. Happy with what she sees, Elizabeth leaves
- 18:44Speaker 3: the kitchen and makes her way towards the dining room.
- 18:51Speaker 3: This is one of her favorite rooms, with its bright
- 18:56Speaker 3: floral wallpaper and thick yellow curds. The windows look out
- 19:04Speaker 3: onto the back garden and flowers displaying every shade of
- 19:09Speaker 3: the rainbow. The dining room almost feels like an extension
- 19:16Speaker 3: of the garden with its warm colors and floral motifs.
- 19:24Speaker 3: Yellow curtains glow like a honeyed sunshine, swaying gently in
- 19:30Speaker 3: the breeze from the open window. More light falls from
- 19:37Speaker 3: a gorgeous chandelier positioned above the table at the center
- 19:42Speaker 3: of the room. It reveals a table that's been expertly
- 19:49Speaker 3: dressed with the Philip's best cutlery laid out on a tablecloth.
- 19:57Speaker 3: Each place setting has three knives, four forks.
- 20:03Speaker 4: And a spoon for soup.
- 20:06Speaker 3: To the left of the cuttlery, there's a small bread
- 20:10Speaker 3: plate with a napkin folded on it. A goblet of
- 20:15Speaker 3: water sits to the right, alongside glasses of finest crystal.
- 20:24Speaker 3: Elizabeth lights the candles on the mantelpiece above it, which
- 20:29Speaker 3: are held by bronze candlesticks. Between the candles is a
- 20:37Speaker 3: decorative garland, one arranged by Elizabeth herself. It includes summer
- 20:45Speaker 3: flowers picked from the garden, sunflowers, buttercups, and that sweet,
- 20:54Speaker 3: fragrant honeysuckle. The blooms of these flowers match the decour
- 21:01Speaker 3: of the room and bring the scents of the summer indoors.
- 21:08Speaker 3: The green leaves and bright yellow petals stand out beautifully
- 21:14Speaker 3: on the marble mantelpiece. From a cabinet, Elizabeth picks up
- 21:22Speaker 3: two smaller arrangements of the same bright flowers and uses
- 21:27Speaker 3: them to decorate the dining table. They're placed on either
- 21:33Speaker 3: side of the golden candlarbra Then she opens a drawer
- 21:41Speaker 3: in the cabinet and retrieves the name cards that she
- 21:45Speaker 3: wrote out earlier. She moves around the table, setting down
- 21:52Speaker 3: the cards and admiring the elegance of her own penstroke.
- 22:00Speaker 3: It's customary for guests to have set place settings with
- 22:05Speaker 3: the host and hostess at opposite ends. Couples are generally
- 22:12Speaker 3: seated apart so as to encourage fresh conversation. As Elizabeth
- 22:20Speaker 3: sets down the final name card, a noise from outside
- 22:25Speaker 3: catches her attention. She recognizes the sound of horses hoofs
- 22:34Speaker 3: and wheels on gravel slowing to a halt. Everything is
- 22:40Speaker 3: ready and her guests are arriving. She remembers something from
- 22:48Speaker 3: Missus Beaton's Book of Household Management about the half hour
- 22:54Speaker 3: ordeal before a dinner party begins. The mistress so is
- 23:00Speaker 3: Missus Beeton will either pass with flying colors or lose
- 23:06Speaker 3: many of her laurels. Elizabeth smiles. Being calm and capable,
- 23:16Speaker 3: she can only think that Missus Beeton would be impressed
- 23:21Speaker 3: was she to see how everything had been handled so smoothly.
- 23:28Speaker 3: With that thought, Elizabeth goes to the drawing room where
- 23:32Speaker 3: her guests will be greeted. There she finds George in
- 23:39Speaker 3: his finest black dinner suit. It includes a white shirt
- 23:45Speaker 3: and waistcoat with a white silk bow tie. A couple
- 23:52Speaker 3: exchange a warm embrace, and Elizabeth is complimented on her
- 23:57Speaker 3: lovely new dress. George is cheerful, even more so than usual.
- 24:07Speaker 3: He's excited at the prospect of an evening with friends.
- 24:13Speaker 3: Two such friends are beckoned into the drawing room, followed
- 24:19Speaker 3: by two more only minutes later. All receive the most
- 24:25Speaker 3: informal of greetings, a clap on the shoulder between men
- 24:31Speaker 3: and a kiss on the cheek between ladies. Six of
- 24:37Speaker 3: them make a very merry bunch, handsome too in their
- 24:43Speaker 3: best formal way. They're instantly relaxed in each other's presence
- 24:50Speaker 3: and ready for an evening of good food and company.
- 24:57Speaker 3: When it's time for dinner, then hold out their arms
- 25:01Speaker 3: for their wives to take. George and Elizabeth lead the
- 25:08Speaker 3: way to the dining room, where the ladies sit first,
- 25:12Speaker 3: followed by the men. A servant appears to the tray
- 25:18Speaker 3: in hand. He carries six crystal glasses filled with sherry.
- 25:28Speaker 3: He works his way around the table, allowing guests to
- 25:32Speaker 3: take their drink for the toast. Meanwhile, the maid brings
- 25:39Speaker 3: in a large ceramic bowl. It's beautifully hand painted in
- 25:46Speaker 3: a blue floral design. The maid serves the soup to
- 25:52Speaker 3: each person in turn, before bringing out freshly baked bread.
- 26:00Speaker 3: These little rolls are one of Cook's specialties and nearly
- 26:05Speaker 3: always an accompaniment to dishes like soup.
- 26:11Speaker 4: It's typical to begin.
- 26:13Speaker 3: Dinner with a toast to the sovereign, and today the
- 26:19Speaker 3: day of the Queen's Golden Jubilee, this toast is even
- 26:25Speaker 3: more special to Queen and country, says George long maish Rain.
- 26:35Speaker 3: The guests raise their glasses here, hear some say, before
- 26:42Speaker 3: taking their first sip. Now the meal can officially begin
- 26:49Speaker 3: with napkins unfolded and laid across laps. Once the hostess
- 26:56Speaker 3: begins eating. The others follow. The rhubarb soup, served in
- 27:04Speaker 3: a bowl of fine china, is thin and delicate. It's
- 27:10Speaker 3: a soft shade of pink beneath a sprinkling of crotons.
- 27:18Speaker 3: The guests eat slowly, savoring each mouthful. It's considered impolite
- 27:26Speaker 3: to eat too much or too fast, and instead of
- 27:32Speaker 3: dipping bread, one should break off small pieces and eat
- 27:38Speaker 3: them with a spoon between mouthfuls of soup. It's also
- 27:44Speaker 3: important to be restrained from complimenting the food. The conversation
- 27:52Speaker 3: shouldn't be too focused on the meal. Elizabeth herself thinks
- 27:59Speaker 3: the soup is delicious. It's sweet and tangy, the perfect
- 28:06Speaker 3: first course. The conversation, too, is equally pleasing, as her
- 28:14Speaker 3: friends regale her with stories from their lives. One couple
- 28:21Speaker 3: lives in the center of London, not far from Elizabeth's
- 28:26Speaker 3: childhood home. Their tales remind her of old memories and
- 28:33Speaker 3: the excitement that comes from living in the capitol. Freddie
- 28:40Speaker 3: describes a spectacle he saw recently, the human cannonball. Everyone
- 28:49Speaker 3: is captivated by the description of a woman being shot
- 28:54Speaker 3: high into the air, and the ladies are pularly relieved
- 29:01Speaker 3: to hear that she landed safely on a large net.
- 29:08Speaker 3: After soup comes the fish course. It's typically quite light
- 29:13Speaker 3: as the meal builds up to the main The cord
- 29:18Speaker 3: has been battered in egg and breadcrumbs and sits beside
- 29:24Speaker 3: a dollar of bayinonnaise sauce. Everyone eats politely with their
- 29:31Speaker 3: knives and fish forks, continuing the conversation is barely a pause.
- 29:39Speaker 3: The men especially are keen to talk business sharing developments
- 29:45Speaker 3: in their respective industries. As some talk of politics and
- 29:52Speaker 3: the Conservative government the Prime Minister Benjamin Disraeli, said to
- 30:00Speaker 3: be a favorite of the Queen. Talk has turned to
- 30:06Speaker 3: the subject of sports by the time the guests are
- 30:09Speaker 3: dining on the first main course. This is a plate
- 30:16Speaker 3: of golden roast partridge with French beans, cauliflower and a
- 30:22Speaker 3: rich claret wine. As talk of the boat race which
- 30:29Speaker 3: took place on the Thames a few months ago between
- 30:33Speaker 3: rival clubs from Cambridge and to Oxford University. This year
- 30:41Speaker 3: Cambridge were the winners. Football also gets a mention. Recently
- 30:50Speaker 3: Aston Villa won the FA Cup for the first time
- 30:56Speaker 3: and with more and more clubs joining the company, who
- 31:01Speaker 3: knows what will happen next year? The ladies are more
- 31:06Speaker 3: excited about the Wimbledon tennis tournament due to take place
- 31:12Speaker 3: next month. They decided they should meet and watch a
- 31:17Speaker 3: game together. The second main is a course of curried lobster,
- 31:26Speaker 3: an exotic dish in honor of the Queen. In addition
- 31:32Speaker 3: to being Queen of Great Britain and Ireland, Victoria is
- 31:36Speaker 3: known as the Empress of India. She's very fond of
- 31:42Speaker 3: Indian culture, everything from artwork to clothing. She's even said
- 31:51Speaker 3: to be learning Hindustani under the tutelage of her Indian servant.
- 31:59Speaker 3: The room in the Queen's residence on the Isle of
- 32:03Speaker 3: Wight has been beautifully designed in an Indian style, and
- 32:10Speaker 3: it's said that the chefs at Buckingham Palace prepare curries
- 32:16Speaker 3: every week. Naturally, as Monarch, Victoria is a trendsetter. Where
- 32:27Speaker 3: she goes, the British public follows. Thanks in part to
- 32:35Speaker 3: the Queen's influence, curried dishes are now popular, with Indian
- 32:40Speaker 3: style recipes becoming commonplace in cookbooks. To the modern palette,
- 32:48Speaker 3: curried lobster might seem a long way away from being
- 32:52Speaker 3: authentically Indian, but to these people dining in England in
- 32:59Speaker 3: the late nineteenth century. It's a taste of exotic, faraway lands.
- 33:08Speaker 3: Perhaps it's for this reason. The talk turns to travel
- 33:14Speaker 3: as Freddy's wife Emily describes a trip to the coast.
- 33:21Speaker 3: The couple spent their honeymoon in Brighton, around fifty miles
- 33:25Speaker 3: south of their townhouse in London. Emily's eyes light up
- 33:32Speaker 3: as she talks of the aquarium with its cafe, conservatory,
- 33:37Speaker 3: and rink for roller skating, though Elizabeth is more interested
- 33:44Speaker 3: in the many tanks filled with all kinds of sea creatures.
- 33:51Speaker 3: George too must like what he hears, because he's soon suggesting
- 33:56Speaker 3: a fortnight in Brighton. There's nothing more soothing than the
- 34:02Speaker 3: salty sea air or walking on the promenade, besides the
- 34:07Speaker 3: ever rolling waves. The table is cleared before the final
- 34:13Speaker 3: course and the dessert spoons and forks set out. Then
- 34:19Speaker 3: the desserts are brought in, one tray at a time.
- 34:24Speaker 3: They are as fine, if not finer, than anything from
- 34:29Speaker 3: a shop. The jellies especially are quite a feat. They've
- 34:37Speaker 3: been made using molds of castles and palaces. One is
- 34:44Speaker 3: so impressive that Emily lets out a gasp. It looks
- 34:50Speaker 3: just like the Brighton Aquarium with its stonework, arches and
- 34:55Speaker 3: gothic detail. Her gasp is a break in etiquette, but
- 35:03Speaker 3: easily forgiven. A lady shouldn't strive to be too perfect
- 35:09Speaker 3: after all, George says that he hopes the real aquarium
- 35:14Speaker 3: is less wobbly, which leads to laughter around the table.
- 35:21Speaker 3: One of the jellies is red and green, with thick
- 35:25Speaker 3: inner layers.
- 35:26Speaker 4: Of rich yellow custard.
- 35:30Speaker 3: The other two jellies have fruit set within them. There
- 35:36Speaker 3: are grapes in one and raspberries in another. The jellies
- 35:42Speaker 3: are brought round from person to person alongside a cake
- 35:47Speaker 3: stand of gooey treacle tart. The ladies are served first,
- 35:55Speaker 3: then the men, until they all have portions of each dessert.
- 36:02Speaker 3: This course is paired with a sweet wine and a
- 36:05Speaker 3: helping of cream poured over the puddings. There's a lull
- 36:12Speaker 3: in conversation as the guests enjoy their treats, absorbed by
- 36:17Speaker 3: the tastes and textures. Once dessert is over and appetites
- 36:25Speaker 3: are fully satisfied, the guests wait for the signal from
- 36:29Speaker 3: their hostess. When Elizabeth stands, the others also rise from
- 36:37Speaker 3: their chairs. The men offer their arms to the ladies
- 36:44Speaker 3: and follow behind. Elizabeth and George. The group returns to
- 36:52Speaker 3: the cozy drawing room, now lit by a roaring fireplace.
- 37:00Speaker 3: The flames are reflected in the windows, and the garden
- 37:04Speaker 3: beyond is now blanketed in darkness. The guests find seats
- 37:13Speaker 3: on chairs and sofas, continuing their conversation to the crackling
- 37:19Speaker 3: of firewood. Meanwhile, they've brought coffee in fine china cups
- 37:29Speaker 3: with milk and sugar to each person's tastes. The ladies
- 37:36Speaker 3: are sitting together so they can share a loud things usually.
- 37:41Speaker 4: Written in letters.
- 37:46Speaker 3: It's so comforting being able to discuss matters of the household,
- 37:51Speaker 3: from shopping habits to homemade medicines.
- 37:58Speaker 4: The spirits are warmed by the fresh.
- 38:01Speaker 3: Hot coffee, and their faces glow in the golden firelight.
- 38:10Speaker 3: As she looks through the window, Elizabeth sees the twinkling
- 38:14Speaker 3: stars and a burst of color far in the distance.
- 38:23Speaker 3: The others soon notice the fireworks, and the group gathers
- 38:28Speaker 3: around the windows. They must be part of some jubilee celebration,
- 38:38Speaker 3: perhaps held at a grand, stately home. The fireworks are
- 38:46Speaker 3: far away enough that they're barely audible. This only makes
- 38:54Speaker 3: them more dreamlike and magical as they appear in silence
- 38:59Speaker 3: painted cross the night sky. It's a touch of fate
- 39:07Speaker 3: that Elizabeth hadn't planned for and the perfect end to
- 39:13Speaker 3: a wonderful evening. The couple's move to stand side by
- 39:22Speaker 3: side and fall into silence while gazing at the sky.
- 39:31Speaker 3: Elizabeth is proud of how she's handled the evening and
- 39:36Speaker 3: so grateful to her staff. Their combined efforts have paid
- 39:44Speaker 3: off beautifully. It's been a night to remember, full of
- 39:53Speaker 3: good food and friendship.
- 40:02Speaker 5: M y people musing us uneasi.
- 42:55Speaker 6: Must m.
- 43:44Speaker 2: M m.
- 45:00Speaker 6: The muss.
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