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Reward For Effort With MATT FACK From THE OMNIFIC · HEAVY Music Interviews

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  Yeah, what's up everyone. This is Matt fac from the Omnifik here,
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  the two based band. We've got a new album coming out called The Law
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  of Augmenting Returns, which is coming on June seventh, and yeah, come
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  over that to be our throw it back to Chris. Yeah if I mate,
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  thanks for joining us today, mate, Oh, pleasure to be here.
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  Pleasure to be here. Now I'm going to say straight off the bat,
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  mate. I love the album title, The Law of Augmenting Returns,
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  Like it just flows off the tongue, doesn't it. Yeah, yeah,
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  yeah, A lot of like thought went into went into that because the whole
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  concept was, like, well, the law diminishing returns seems to be like
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  a pretty pretty common concept mainly I guess in like the commerce world, but
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  in life when you think about it, I guess like the more you do
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  something, the less like return you get from that. So I was like
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  trying to think, like what could we sort of I guess do to like
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  be like, what's the opposite, Like the more you do something, the
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  more reward you get out of it? And like I guess augmenting also relates
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  to music like diminished to augment it, So I was like that that fits
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  to music as well, and yeah it's I guess you can say it's got
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  some cool meaning to it, you know, then I reckon there's probably seventy
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  five percent of people out there that listening music will have no fucking idea what
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  it means. I can learn something new every day. Then, So the
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  law of augmenting returns. Is your sophomore album later and it's coming out of
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  June and seventh, So how you feel on is it? Is it a
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  bit easier but a second one coming out made? Or is there a bit
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  more pressure or I guess like you can think about it like your own personal
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  pressure, like I want to outdo myself from the prior record. I guess
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  when it comes to just being creative like nah, I wouldn't say like the
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  pressure of like pressuring myself to do something, because it all kind of flows
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  naturally when you're feeling like in the moment, Yeah, like it's yeah,
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  I'm just thrilled it sort of just came came about as it did without pressuring
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  putting pressure on ourselves. I guess. So yeah, that's I guess that's
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  how we all would feel about it. Yeah, for sure. Man.
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  So drive into it a bit more, a bit deeper from the musical point
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  of view, made and tell us what you're going for with it or That's
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  always an interesting one to think of when it's instrumental, because sometimes it could
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  just be like as simple as that's a cool riff, I'm just gonna work
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  on that cool riff. I guess what what we were always trying to do
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  is see what we can expel or more so for this record, there's a
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  lot more elements from actual live musicians that aren't from the band, Like we've
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  incorporated some live trumpet and trombone, which is a new element to our recordings,
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  which we think is a next step to it while still staying true to
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  our to our roots. We also recorded with a bass v I, which
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  is like halfway to a guitar before, which like I guess, being the
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  bass band, we try to stay like just for the for the joke,
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  I guess I'm never incorporating a guitar, but we we got halfway there on
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  this record, which was which was good fun had how did it actually field
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  with that bray like like like you say, you sort of you're breaking your
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  own number one card and a rule by getting close to you're getting that on
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  there man, So had a few. Was it a good experience? Yeah?
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  Well, like there was just some parts to the music where like say
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  we wanted like a big, beautiful ringing out chord. It was like,
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  this sounds good on our bass, but imagine if did it like on like
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  some thinner strings for example, but it's still tuned to a base. That
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  sort of made it obvious that we needed to go down that route. Just
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  today made you release a single, Will of the Whisp, which the press
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  release says is your most progressive song to date. Would you agree with that?
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  Yeah, I think I definitely think so. Actually, I guess definition
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  of progressive can change for everybody, but for this track, it feels the
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  most story like, like it's following a story. Like the music video obviously
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  has its own stories that might assist people in thinking that, But my interpretation
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  of listening to the track, it's like kind of taking you through different like
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  levels of like a game for example. It's kind of like progressing further and
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  further until the end, which, like I always set to associate progressive music
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  with like storytelling through me, So yeah, that's my sort of assessment of
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  that track I'll run with that one, brother, thank you. And you've
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  also released the singles album Matrice's, bass Camp and Bat Mackerel, So those
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  four together would they would they be a good good summation sonically the album made
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  or is it what sort there's it's I'd say it's a good like those singles
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  there we did. We did kind of like choose them as a team to
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  be like the different sides to the album. I guess like he got some
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  like as you mentioned, progressive for that song, and then Matrice's, the
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  previous one we released like a month or so ago, was more of the
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  technical heavy side we could do. And then yeah, Fatmacarel again was like
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  almost like a metal song, like a short metal song, which was cool.
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  And then bass Camp was like trending more towards what i'd call a rock
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  anthem almost. So yeah, I think that that's a it's a good starting
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  point. But the other four tracks on the record do explore a few different
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  things as well, So yeah, I think each track has its own place
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  on the album. I suppose it as an instrumental band too, made Like
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  juse, this thing would be a bit more difficult for you because the instrumental
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  music sort of it goes more on moods and feels and groove rather than some
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  you know, the lyrics catching you for it. So is it a longer
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  process selecting what songs you think would best resonate with people? Sometimes? Sometimes
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  it can like the way I like to think about it, and it's obviously
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  a different thing for everybody. But I find like being the one who composed
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  a song, you can I usually try and then like, say I've composed
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  a song, I'll usually try and not be the one to say that's a
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  single, because you're so biased towards it, right, You're like, yeah,
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  it's my song, Like that's a single word song. It's just the
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  way you naturally think. But I find like what excites you the most when
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  you listen to the full album, Like usually that's a telling point personally at
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  least. And then if some if everyone kind of seems to have a similar
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  opinion on a song, then usually pretty confident that that could be a single.
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  Oh so, how would you say overall that the law of ogmenting returns
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  differs musically to your twenty twenty one day we will escapades or like differently,
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  Yeah, I haven't actually thought about that. It's I think we've just kind
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  of expanded what we know, like we've all matured, like we've we're three
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  years older since then, Like we're kind of like mature. You refine your
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  own sound and you sort of know what you want to tell a bit more.
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  And then, as I mentioned earlier, we've added more live musicians to
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  this record, which kind of enhances, like more opinions I guess have gone
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  into the creative process. So I think it's a more like mature album,
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  if that makes sense? Is that good? I don't know. Some people
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  like the immature style of but like, yeah, for me myself, like,
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  I think it's a it's a polished like composition, yeah, which is
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  what we start to do, sounding more mature and more polished in this spane
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  call mate. So that yeah, amazing? Three years does it has not?
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  Indeed, another thing that press release says made it says that you've pushed
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  your creative boundaries to unprecedented heights on this new album. So would you agree
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  with that statement? And if so, how unprecedented highest? I guess if
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  you think about it, what if you told us that this was the record
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  we released three years ago I'll probably be like, Wow, I wouldn't have
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  considered anything like that. Yeah, Like I guess it's yeah, like when
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  you make your own record, you just do what you do. But then
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  when you look back on it, like maybe a year later or a year
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  and a half later, like because we actually did record this record, we
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  started in January last Yeah, so it is a long it's been a long
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  process. But something I think makes me confident still releasing these songs now is
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  like they still feel fresh to me a year and a half later, So
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  when they're fresh to someone now, it's still going to be strong. So
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  yeah, I feel like those that kind of thought really makes me feel like
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  we have pushed those heights and like now I think, like, what can
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  we do after that? It's yeah, you're always try and push the banjo,
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  I guess. But yeah, I think when we did create these songs,
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  it was at the time the omnifix like what we were all trying to
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  say musically. And you also actually reassembled the same production team that you used
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  on Escapades, mate, So how how important was having that team back together?
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  I guess in the final outcome? Yeah, well I guess, I
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  guess if it ain't broke don't fix the kind of thing. Like we were
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  just super stoked on what we had with Escapades, and like we knew we'd
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  be able to get what we wanted with the same team because they nailed it
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  the first time around and again they've nailed it this time around, which has
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  been Yeah, exactly what we wanted. And you touched on this a bit
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  before. Man, But you've got a few guest spots on the album.
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  So you've got Tim Warrior and Luke Taylor from Hartline, there's tidn Hershog and
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  Rowan Sharma mate, So wat choose those guys to bring onto the album?
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  And then what did today sort of bring to the overall sound? So I'll
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  start with Tim. So Tim, Tim's probably the least progressive of them all.
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  He's actually like a I'd say it's just like a barbershop style singer,
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  which we use for the start of the record, and he's phenomenalies. He's
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  got a YouTube channel and everything doing really well. And fortunately, like I
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  sent him the concept we wanted and he was all on board, so that
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  I feel like the opening to the record is something really unique to like all
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  prog music. I've never heard anything like it. So yeah, his addition
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  to this this album was like something I think we'd never be able to achieve
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  without someone like having him on boards. Yeah, he's He's the very first
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  thing you hear when you press play on the records. That's cool. Yeah,
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  Charles Charles Baerirto, he's the famous YouTuber. Have you heard of him
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  before? Yeah, he's huge, huge in the base community. He's phenomenal.
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  Like, we ended up meeting him when we were over in America last
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  November, but he had actually already recorded this part for the album, so
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  it was just great to finally meet him and his unbelievable abilities on playing on
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  the bass like really opened up this solo section to just be like how far
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  can you take the bass guitar, which is his expertise. So yeah,
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  his solo is really cool. For that. Kai's solo is like almost like
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  a cinematic piece. He because he filled in for us on bass in like
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  November a couple of years back, and like he's an exceptional bas player from
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  Australia, and I was like, I'm going to like give him a section
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  of the record just like kind of like paying him back for helping us out.
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  And like he's taken the song to a new height. So well,
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  so yeah, that's he did exceptional for that. And then Rowan, we've
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  written him down as featuring as a solo for the last track, which is
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  like definitely his shining moment. But he also did a lot of the extra
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  programmings. He's like a keyboardist. He played on I think half of the
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  tracks on the record, just kind of thinking about things like we would never
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  have thought of when it comes to say, like a keyboard or a piano.
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  So yeah, his input on that kind of took took some of the
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  programming to that level where we'd never be able to achieve. Nice. Now
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  you're about to kick off a European tour over July and August, which will
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  be your first ever summer festival run over there, mate, so that sounds
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  pretty exciting. Oh mate. The festivals are kind of like a dream when
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  you start doing your doing your bands, so actually having it being a reality
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  is gonna be like phenomenal. And some of the bands on those festivals,
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  things like My Sugar's on one of them, which is like, wow,
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  how do you go overseas man? Like just like Australians are passionate as fuck
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  about everything, but especially for their own own bands and music. I guess.
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  But how do you go as an instrumental band overseas? Like you just
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  sort of did it take a bit to win people over some times? Or
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  oh I haven't thought about that. I think. I think like in Europe,
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  as you mentioned, in Australia, people get around a lot of stuff.
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  I say, it's pretty similar in Europe. Like it's like a lot
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  of people just love music for the sake of it being music, and like
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  you showing up all the way from Australia and doing your thing usually gets people's
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  attention, which is cool. So yeah, like it's just been like it's
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  always a great experience going over to Europe, which could have been about it
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  for time now, which is cool as okay, And then you've finished that
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  up in August, my friend, So what do you got planned after that?
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  You go to do a home run? Yeah, yeah, yeah,
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  we've got we've got something planned. I don't think it's announced yet, so
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  I won't anything, but yeah, we'll do some Australian stuff as well.
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  Is it all right? Mat Well, thanks for your time today, brother.
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  The law of augmenting returns is out June the seventh, and I was
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  fortunate enough to have a listen before chatting with you today, mate, and
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  very mature and polished, unreal thank you. I appreciate. I know she's
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  a fucking cracker of an album bro, so hopefully she gets the respect he
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  deserves. Appreciate that, man, Appreciate that. After Lee said SA to
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  have to do the ant a b anthing, a