Latest / The Bootleg Kev Podcast / #407 - Lefty Gunplay

Transcript

#407 - Lefty Gunplay · The Bootleg Kev Podcast

• 0:08
  Speaker 1: Oh hey, we got a special guest on the podcast
• 0:10
  Speaker 1: right now, Lefty Gunplay.
• 0:13
  Speaker 2: They used to gun Man famous game banging o tr
• 0:15
  Speaker 2: Bony Superstar right here typing Boulett cav Man how to
• 0:18
  Speaker 2: come run it up?
• 0:19
  Speaker 1: Venture to say he's the hottest rapper in LA right now?
• 0:22
  Speaker 2: Best I want to say hottest rapper in LA. I
• 0:23
  Speaker 2: will say hottest rapper and u uh for the Mexicans,
• 0:27
  Speaker 2: you know. Nah see, I don't even want to say
• 0:28
  Speaker 2: that because I want to say, like, you got motion.
• 0:31
  Speaker 1: Just Mexicans, because that's watching you win.
• 0:33
  Speaker 2: I keep it real. There's some blacks that are way
• 0:34
  Speaker 2: better than me. No, No, you're on fire right now. No,
• 0:37
  Speaker 2: that's cool, but nah, I'm keeping the guys going. It's running,
• 0:40
  Speaker 2: it's running. I want to be the best in all
• 0:41
  Speaker 2: California at the end of the day. And that's what
• 0:43
  Speaker 2: I say. And I keep a g like, yeah, I'm
• 0:45
  Speaker 2: the hardest. Essay, I want to be the hardest in
• 0:48
  Speaker 2: California period, you know what I'm saying. And like, there's
• 0:50
  Speaker 2: some blacks that are really really hard just doing unnatural
• 0:53
  Speaker 2: like me. But that's why I'm working hard. In a
• 0:56
  Speaker 2: it just comes out a little Do people know that minute.
• 0:58
  Speaker 2: Like a lot of my songs freestyle, like ninety percent
• 1:01
  Speaker 2: of them. I just on the first try. So that's
• 1:04
  Speaker 2: your like process or writing. You don't write just off
• 1:06
  Speaker 2: the time. I'm just good at it.
• 1:08
  Speaker 1: There's really good at rapping.
• 1:09
  Speaker 2: Yeah, put one hundred bands on the table for whoever.
• 1:12
  Speaker 2: Things they could get essay rapper things they can get
• 1:14
  Speaker 2: more views than me. I'll put the money on the table,
• 1:16
  Speaker 2: twenty bands, twenty bands right now. We post tomorrow night
• 1:20
  Speaker 2: and uh or you post today and try to beat
• 1:22
  Speaker 2: the grieful start for Scritch Left the gunplay, but you're
• 1:25
  Speaker 2: probably gonna get discouraged after seeing the numbers. So like,
• 1:27
  Speaker 2: I'll put twenty bands on any essay rapper. They could
• 1:30
  Speaker 2: do better than me. I think I'm the best, Like
• 1:32
  Speaker 2: I really didn't. I really, I really would put twenty thousand.
• 1:34
  Speaker 2: I'm not capping take the twenty bands. I'm not cappying.
• 1:37
  Speaker 2: I'm the best. I'm gonna win the twenty bands back.
• 1:39
  Speaker 2: Like dog, there's nobody. You're not gonna fuck me over.
• 1:41
  Speaker 2: We go to the same room, nobody buy, no followers, nothing,
• 1:43
  Speaker 2: I'll post the same day boom, we post.
• 1:46
  Speaker 1: Whatever you want. I'm gonna post whatever I want, I'll
• 1:48
  Speaker 1: post talking and get more views than you on the set.
• 1:51
  Speaker 1: Like it's just like when I saw you just challenged
• 1:53
  Speaker 1: Swifty do one hundred thousand dollars? Was it a song
• 1:55
  Speaker 1: battle or what is? What is that? Who? Swifty Blue?
• 1:59
  Speaker 1: I don't know that. You know Swift people, he was
• 2:01
  Speaker 1: the boy, doll.
• 2:02
  Speaker 2: You know what I'm saying, He's the help me man,
• 2:04
  Speaker 2: I fucking Swift. I don't know.
• 2:07
  Speaker 3: More like he just like he's cool, doll. We used
• 2:10
  Speaker 3: to be boys.
• 2:10
  Speaker 2: But you do say ship changes dog, friends switch up,
• 2:13
  Speaker 2: friends switch up and real like changes rap stupid fuck rap.
• 2:17
  Speaker 3: Just it's just like you know, he was the boy.
• 2:19
  Speaker 3: You know what I'm saying, I come in loyal. You
• 2:20
  Speaker 3: can't be loyal in his in his game like.
• 2:23
  Speaker 2: Just ship like that, Like I got carried away, but
• 2:25
  Speaker 2: like he started it, fuck him on and said fuck him.
• 2:29
  Speaker 2: He started a dog like you know what I'm saying.
• 2:31
  Speaker 2: I used to rep Grimy though you can edit it.
• 2:33
  Speaker 2: I used to rep Grimey re because he was the boy.
• 2:34
  Speaker 1: He was the boy. It's just I don't want anything
• 2:36
  Speaker 1: to do with it and leave it at that.
• 2:37
  Speaker 2: Well, I think that the productive way of give him
• 2:40
  Speaker 2: his attention real quick you No, No, I want to
• 2:41
  Speaker 2: say I want to I want to tell you that
• 2:44
  Speaker 2: the productive way of solving any issues is a song.
• 2:48
  Speaker 2: Challenge like you challenge for one hundred. That's that's the
• 2:50
  Speaker 2: way you sell issues. That's a peaceful way of doing it.
• 2:53
  Speaker 2: Whoever gets more views fucking wins, and you stop rapping.
• 2:55
  Speaker 2: But see, that's how ship should be settled between artists.
• 3:00
  Speaker 2: It's a competition.
• 3:01
  Speaker 1: I'm not a trip.
• 3:03
  Speaker 2: I don't want I'm not saying I'm gonna smoke, you know.
• 3:06
  Speaker 2: I'm just saying what I'm saying. But that I think
• 3:07
  Speaker 2: that that was a dope. That's the way you settle things. Him,
• 3:10
  Speaker 2: he ain't gonna take it though. He don't take it,
• 3:12
  Speaker 2: but he said I copied him. I copy you, my boy,
• 3:16
  Speaker 2: you I am nothing like you, dog like I'm gonna
• 3:18
  Speaker 2: fucking food or like. I never copy anything about you,
• 3:21
  Speaker 2: dog you hard. I know some of the songs, but
• 3:24
  Speaker 2: I never copy him. I don't think I rap like him.
• 3:27
  Speaker 1: I don't think he's better than me. That you guys
• 3:28
  Speaker 1: have different styles for sure. The boy I'm the best.
• 3:30
  Speaker 1: I came out.
• 3:30
  Speaker 2: I've been out thirty days and look at me. I'm
• 3:33
  Speaker 2: better than all these dudes, like I'm better than a lot.
• 3:36
  Speaker 2: I'm humble to it up, but run it up. All
• 3:38
  Speaker 2: love the competition, run it up, Like how are we
• 3:39
  Speaker 2: gonna be all rapping? We can play teams real quick
• 3:42
  Speaker 2: and see what bore a better team? Run it up,
• 3:44
  Speaker 2: put the money up. Gambling. I love to gamble, like gamble,
• 3:47
  Speaker 2: like I got money on this that should sell out,
• 3:50
  Speaker 2: saying it'll sell a lot of money. And I want
• 3:52
  Speaker 2: to just I just want everybody know like I am
• 3:54
  Speaker 2: the best, like I'm the best dog right now in
• 3:57
  Speaker 2: the moment when you.
• 3:58
  Speaker 1: Were locked up, did you hear it out? When Grido
• 4:02
  Speaker 1: and RJ took over the Novo?
• 4:03
  Speaker 3: And those are the best. Those are like the legend Blacks.
• 4:06
  Speaker 2: What I'm saying, RJ no Griedle, RJ Draco no Griedle,
• 4:10
  Speaker 2: r j jko uh Conrad from the ad Be Sad
• 4:14
  Speaker 2: nineteen hundred, I got a song with Be Sad. Just
• 4:17
  Speaker 2: people like packed Man the Gunman from O tr like
• 4:19
  Speaker 2: you know, shout like export of Macloord like for him.
• 4:23
  Speaker 2: Those are just dudes that are just like really good
• 4:25
  Speaker 2: at rap and just do it such nonchalant like so
• 4:29
  Speaker 2: some is the best Thos my boy, and I'm just
• 4:32
  Speaker 2: saying he's my friend. He's just like all around, he
• 4:34
  Speaker 2: got that it factor. I want to be more like Zoe.
• 4:37
  Speaker 2: I really do the way he carries himself. But the
• 4:39
  Speaker 2: essay version, I don't think I already like that. He's
• 4:42
  Speaker 2: just he's just that guy. Man, I'm just fucking stupid
• 4:45
  Speaker 2: and ghetto and it just turned up and just like Bezo,
• 4:47
  Speaker 2: Something just got it all in one package and just
• 4:49
  Speaker 2: carries it like humble, like just player about it. You
• 4:52
  Speaker 2: know what I'm saying, Just me not. I'm just I
• 4:54
  Speaker 2: just go with the flow. But Something is just like
• 4:56
  Speaker 2: every bat he gets on his West Coast l A.
• 4:59
  Speaker 1: She he made so bangers.
• 5:01
  Speaker 2: He hit him with that underrated like I would put
• 5:03
  Speaker 2: money on him, then he'll beat me with the underrated.
• 5:06
  Speaker 2: Doubt that song was a dog. That song took over
• 5:08
  Speaker 2: LA for a minute, Like he did some legendary things
• 5:11
  Speaker 2: with him. I got songs with old someone. Yeah, Like
• 5:13
  Speaker 2: I talked to him every day. I'm on his page
• 5:14
  Speaker 2: right now, like that's the home. He's like my friend.
• 5:17
  Speaker 2: I don't ever put him in a competition because he's
• 5:18
  Speaker 2: already like that's my boy already, like he's just like man,
• 5:22
  Speaker 2: I throw him first.
• 5:23
  Speaker 1: Every time one said, I was gonna say, uh, how
• 5:27
  Speaker 1: much of like you honing your rap skills happened while
• 5:30
  Speaker 1: you were incarcerated? Or were you rapping prior to you
• 5:32
  Speaker 1: getting locked up and you were eighteen? Like, cause you're
• 5:33
  Speaker 1: really good at rapping, You're not like you know, like
• 5:35
  Speaker 1: you really are dope? Were you? Were you like rapping
• 5:38
  Speaker 1: a lot in jail, like I freest all my ship?
• 5:41
  Speaker 1: That's what I'm saying, like you that you you you're
• 5:42
  Speaker 1: really good at that. So I'm assuming were you getting
• 5:44
  Speaker 1: your wraps up while you were in in prison, like
• 5:47
  Speaker 1: just rapping.
• 5:47
  Speaker 2: In Yeah, but I ran out of those songs aside.
• 5:50
  Speaker 2: So whoever whoever wants to rap, like, don't use those
• 5:53
  Speaker 2: first raps on like the worst beat when you get
• 5:55
  Speaker 2: out your your best bangers. Don't use them on a
• 5:57
  Speaker 2: beat that you didn't fully investigate, you didn't write it too,
• 6:00
  Speaker 2: because if you're I wrote, no, I write raps in
• 6:03
  Speaker 2: jail with my head without it, without a beat. Or
• 6:06
  Speaker 2: I remember a song on the radio like like the
• 6:08
  Speaker 2: Me and It'll be in your head, It'll be in
• 6:10
  Speaker 2: my head.
• 6:10
  Speaker 1: I can remember Mother for you.
• 6:11
  Speaker 2: Willis that like Wills Boulet, Kid Up in the Bitch
• 6:15
  Speaker 2: and I'm gonna knock out call Me Left the Gun play.
• 6:17
  Speaker 2: I don't fuck with dropouts. So it's just I'll write
• 6:20
  Speaker 2: it in there and I'll make it and I'll just
• 6:22
  Speaker 2: go back and forth. It's just crazy in the writing
• 6:24
  Speaker 2: process writing the song. It's just I wrote all my
• 6:26
  Speaker 2: songs and I memorize them after the first try. But
• 6:28
  Speaker 2: there's these one songs like you write in their bangers.
• 6:30
  Speaker 2: And when you get stuck on a rap song. If
• 6:32
  Speaker 2: you ever made a rap song and you don't buy
• 6:34
  Speaker 2: your stuff, you make a rap song. When you get stuck,
• 6:36
  Speaker 2: you get stuck forever. Cash you get stuck on. When
• 6:40
  Speaker 2: you get stuck writing a song, you get stuck forever.
• 6:42
  Speaker 2: You never get past that being stuck part. You're so
• 6:45
  Speaker 2: stuck you erace it like a thousand times. That's why
• 6:48
  Speaker 2: I free song on just off the top, because the
• 6:51
  Speaker 2: first one is the best one.
• 6:53
  Speaker 1: Not anybody can do that anymore either. Man.
• 6:54
  Speaker 2: That freestyle ship is a real gift. It's like, put
• 6:56
  Speaker 2: me on, They're gonna throw me on the distler their cipher. Yeah,
• 7:00
  Speaker 2: I'm gonna go against the best. Uh No, I'm gonna
• 7:04
  Speaker 2: win it. I'm not gonna be part of it. We're
• 7:05
  Speaker 2: gonna win it. La let the gun play. Is it
• 7:08
  Speaker 2: a competition, it's a competition. Why would you want to
• 7:10
  Speaker 2: lose the dis cipher.
• 7:12
  Speaker 1: I didn't know. I thought it was just everybody was rapping. Noah,
• 7:14
  Speaker 1: hell on on? They pick a winner, do they? Did?
• 7:17
  Speaker 1: You see the little white dude who did it? A
• 7:19
  Speaker 1: little seat though, I.
• 7:19
  Speaker 2: Seem to Ga won it from tr and he beat
• 7:22
  Speaker 2: Mons four shout out cheat the soul in a cab
• 7:25
  Speaker 2: bands and you know to g FA in San Diego
• 7:29
  Speaker 2: won for o TR.
• 7:30
  Speaker 1: I see that one. How did you?
• 7:32
  Speaker 2: That's one of my favorite videos. Man shout out, shout
• 7:33
  Speaker 2: out twenty two GF A man like that song.
• 7:35
  Speaker 1: Hard it's a repeat.
• 7:37
  Speaker 2: You gotta look it up on the this cipher it's
• 7:39
  Speaker 2: called twenty two g FA this cipher or marsh fort
• 7:42
  Speaker 2: you hear Marsh four l he hard to I was
• 7:44
  Speaker 2: gonna get a feature with him, he hard to heat.
• 7:46
  Speaker 2: Those guys could sing, man, both of them. Man once
• 7:49
  Speaker 2: black Ones, that's like Filipino essay. I don't know what
• 7:52
  Speaker 2: he was Black Ones like you know, and they're both
• 7:55
  Speaker 2: the best singers ever. I remember asking him like, hey, man,
• 7:58
  Speaker 2: how do you learn how to sing? On twenty two GFA?
• 7:59
  Speaker 2: He's just like, I just fucking shoot it. Hey, I
• 8:03
  Speaker 2: thought I was in trouble, He's all I asked, you, fa.
• 8:06
  Speaker 2: I told him, what's up man? At the New Word concert,
• 8:08
  Speaker 2: I walked through to him before I signed with your
• 8:09
  Speaker 2: I said, man, you seen hard man, and I'm serious.
• 8:12
  Speaker 2: I was just like, you got any tips for how
• 8:14
  Speaker 2: to sing better? And he's just like, I just do that.
• 8:17
  Speaker 1: Ship. I'm just like, what the fuck?
• 8:19
  Speaker 3: Like damn, Like that's a lefty answer, but it was
• 8:21
  Speaker 3: just like he was just cocky, like I'll just do it.
• 8:23
  Speaker 1: And it's just true. You just do it.
• 8:25
  Speaker 2: You can look up on Google doing fine chists. But
• 8:27
  Speaker 2: if you know how to sing, you're telling you you
• 8:28
  Speaker 2: know how to sing? Dog, Sure you know what I'm saying.
• 8:30
  Speaker 2: I want to I want to. I want to sing.
• 8:32
  Speaker 2: I want to sing.
• 8:33
  Speaker 3: And I just think that's what says the flowing gang
• 8:35
  Speaker 3: ship and it's just.
• 8:36
  Speaker 2: You're gonna start singing eventually being singing if you don't
• 8:39
  Speaker 2: pay attention.
• 8:40
  Speaker 1: I guess I'm not enough good enough singer, but I
• 8:42
  Speaker 1: want American Idol to see me. Now. I'm fucking with you,
• 8:44
  Speaker 1: and I missed that. I missed the funk out of that. Hey,
• 8:48
  Speaker 1: you like the voice of American Idol. I mean I
• 8:52
  Speaker 1: never really watched the voice, so probably American Idol. American Idol.
• 8:55
  Speaker 1: Who's the host on that ship? Bryan Seacrest? No, all him? No?
• 8:58
  Speaker 1: I still yeah?
• 9:00
  Speaker 3: Is it still Luke Bryant and not Linel Richie.
• 9:03
  Speaker 1: Lionel Richie is the new one. Yeah? And then uh,
• 9:07
  Speaker 1: all the O g's are gone.
• 9:08
  Speaker 2: They used to be like whoa, let me get it.
• 9:09
  Speaker 2: It's Lionel Richie, and then it's man Katie Perry, Katy Perry, right,
• 9:16
  Speaker 2: and then it's one more neo, Jennifer Lopez, the dancing one.
• 9:21
  Speaker 2: I know this because of jail. Like in j'all watch
• 9:23
  Speaker 2: a lot of TV. So what were you watching in jail?
• 9:29
  Speaker 2: Football on Sundays?
• 9:31
  Speaker 1: Uh?
• 9:31
  Speaker 2: Two Broke Girls and Pelican Bay, Two bro Girls, Two
• 9:34
  Speaker 2: Bro Girls? Fire thought Modern Family? But Modern Family is great.
• 9:39
  Speaker 1: I did so much time. I've seen every episode three times.
• 9:42
  Speaker 1: Modern Family.
• 9:43
  Speaker 2: My favorite episode is when she comes home and they're
• 9:46
  Speaker 2: throwing the party and the that full piel. He's all faded,
• 9:49
  Speaker 2: he smoked weed and they going and he has like
• 9:51
  Speaker 2: the eighties. I love Phil and I love fucking Al
• 9:54
  Speaker 2: Bundy in that show. What's all they don't get that
• 9:56
  Speaker 2: show right there? I get bay Watching the nighttime. On
• 9:59
  Speaker 2: my late night, I'll stay up and I watch bay
• 10:01
  Speaker 2: Watching the four Yards. Just and Pamela Anderson Carmen a lecture.
• 10:06
  Speaker 2: That's what that's part of my bars, I said, blue
• 10:08
  Speaker 2: check mark face carming the lecture.
• 10:10
  Speaker 1: So if you were locked up watching Baywatch, are you
• 10:12
  Speaker 1: able to you know, shine the helmet while watching Baywatch
• 10:15
  Speaker 1: and you're like in privacy, Nah.
• 10:17
  Speaker 2: Hell not, because I got my SELLI right there. And
• 10:18
  Speaker 2: if my Seley did it all, trip on my seld like,
• 10:20
  Speaker 2: what's so full of.
• 10:21
  Speaker 1: What you're doing? So you get pouring in there, like
• 10:23
  Speaker 1: you know what? I like? More on to your advice.
• 10:26
  Speaker 2: Yeah, somebody told me in there they'd be like, and
• 10:29
  Speaker 2: I live, and there's certain things a man keeps to himself,
• 10:33
  Speaker 2: and that would be and I just keep it real.
• 10:35
  Speaker 2: That would be like you know Jackie, now, oh no,
• 10:38
  Speaker 2: listen to this getting high, your dirty work, cheating on.
• 10:44
  Speaker 1: Your female or talking down on your wife just certainly
• 10:47
  Speaker 1: didn't do that family stuff. That's what I do. That's
• 10:49
  Speaker 1: why I just stopped it. I'm like, boom, I stopped it. Paying.
• 10:52
  Speaker 1: I'm not even you're the boy, you're the homie. But
• 10:54
  Speaker 1: I just know my mom.
• 10:55
  Speaker 3: Everybody's part of me. Like I just do it and
• 10:56
  Speaker 3: I live by that like some do, some don't.
• 10:58
  Speaker 2: Some do.
• 10:59
  Speaker 1: Want to listen, some don't.
• 11:00
  Speaker 3: Yeah, I have the fool when I'm stupid whatever.
• 11:02
  Speaker 1: I have a good time.
• 11:02
  Speaker 2: But when it's time to be serious, standards, I shut
• 11:05
  Speaker 2: it down. No, I got no standards. Okay, I got
• 11:07
  Speaker 2: no standards.
• 11:08
  Speaker 1: Straight up.
• 11:08
  Speaker 2: I'm like ghetto, but I'm just like I'm smart. I'm
• 11:11
  Speaker 2: just raised street knowledge and just what they taught me.
• 11:14
  Speaker 2: Just I contact all the time, always cool, I kick
• 11:16
  Speaker 2: it in.
• 11:17
  Speaker 1: I like to have a good time.
• 11:18
  Speaker 2: I don't like to be serious. I like to feel
• 11:19
  Speaker 2: I like to feel comfortable and just chill. But like
• 11:22
  Speaker 2: with all the cameras on and everything I'm going through.
• 11:24
  Speaker 2: Everything goes on the media site if you watch this,
• 11:26
  Speaker 2: Mexican platforms, and that's cool, but the way they twist it,
• 11:29
  Speaker 2: and I just like, yeah, I got I do got
• 11:31
  Speaker 2: a little bit of I got no standards. Never mind,
• 11:34
  Speaker 2: I was thinking about the door my boy I loved,
• 11:37
  Speaker 2: and I don't call them servers. I call them dancers.
• 11:39
  Speaker 2: That's how you're know from the containers. Dancers, professionals. If
• 11:43
  Speaker 2: you'd be like nah, dance though, like I love dancers food,
• 11:47
  Speaker 2: Like those are like the baddest you know girls to me.
• 11:49
  Speaker 1: The dancers in the STUV go crazy, they really do.
• 11:53
  Speaker 1: What's so on my Instagram? What's hey? What's the strip
• 11:55
  Speaker 1: club to go to? In the STV?
• 11:56
  Speaker 2: Sat in Paradise, Bliss sat in Paradise. Bliss is open
• 12:01
  Speaker 2: after those clothes sat in Paradise and Blizz sat in
• 12:06
  Speaker 2: Paradise Paradise first, then sating after Paradise while the sun
• 12:12
  Speaker 2: still up, like seven o'clock.
• 12:14
  Speaker 1: Go up in there, that's the day shift spot.
• 12:15
  Speaker 3: Go ship real quick. It's open all night. But I'd
• 12:18
  Speaker 3: rather go up in the in the in the daytime.
• 12:19
  Speaker 1: Say you go take a ship at the strip with
• 12:21
  Speaker 1: a whole game of money.
• 12:23
  Speaker 2: Let them know it's ot R R Bowling Superstar. Yeah,
• 12:28
  Speaker 2: up in there, always steph the gun play on the game.
• 12:31
  Speaker 2: Shot us Dolly, Sandy, uh, Mac, baby dog whatever? Whatever
• 12:36
  Speaker 2: are these dancers names? Shot out Lucy too, and I said,
• 12:39
  Speaker 2: that's my baby right there.
• 12:40
  Speaker 1: She worked there too. She quit right there, shout us
• 12:42
  Speaker 1: a knockout in a month or two.
• 12:44
  Speaker 2: Are these their real names? These are the real names
• 12:48
  Speaker 2: to me? Yea, these other real names to me, ship,
• 12:53
  Speaker 2: I don't want to know.
• 12:54
  Speaker 1: You ever have a stripper tell you or a dancer
• 12:56
  Speaker 1: tell you their name? And no, I don't know the name.
• 12:59
  Speaker 1: When I walk in there, I know who they already
• 13:01
  Speaker 1: are going in Now, you're not Mercedes, You're Rachel. Rachel. No, no, no.
• 13:06
  Speaker 2: I go up in there and I just know what
• 13:07
  Speaker 2: I want to ready, like from the ground from my
• 13:08
  Speaker 2: g g's vicious social media vicious.
• 13:11
  Speaker 1: Like you find someone on I G and seek them
• 13:12
  Speaker 1: out and went in love.
• 13:13
  Speaker 2: With them strippers over a picture, real ship looking at
• 13:16
  Speaker 2: her like that. She bad shout up flock's finance too
• 13:18
  Speaker 2: on the say it didn't work out, but we'll flirt
• 13:21
  Speaker 2: and stuff and it's just like yeah, I g's vicious
• 13:23
  Speaker 2: are like my schedule. I was just hard, hard to
• 13:26
  Speaker 2: go do it, but I'll be managing it. Like I said, Man,
• 13:29
  Speaker 2: I was kicking over the stripper last night. I was
• 13:31
  Speaker 2: kicking with stripper night before that. Like the girl I'm
• 13:33
  Speaker 2: in love with is a stripper, like call them on
• 13:35
  Speaker 2: dancers like my baby mama was a stripper like my
• 13:38
  Speaker 2: first baby mama used to try.
• 13:39
  Speaker 1: To wear a strip like I love strippers like they're
• 13:43
  Speaker 1: beautiful doll. They're bad. Strippers are bad, homie, not all
• 13:47
  Speaker 1: of them, but the strippers and the sub that are fine. Definitely,
• 13:50
  Speaker 1: not all of them.
• 13:50
  Speaker 2: She got some finance hin, Now, straight up, she got fine.
• 13:55
  Speaker 2: I think she got some of the best females in
• 13:57
  Speaker 2: the game as she got pretty girls. Dog been in
• 14:00
  Speaker 2: other areas. I don't think they're messing with the sv girls.
• 14:03
  Speaker 2: Shout us to all the SHGV grows have to go
• 14:05
  Speaker 2: to the strip club together. They got to drink water
• 14:07
  Speaker 2: out there. Maybe they'll come on fine too.
• 14:09
  Speaker 1: Let's go. I'm gonna go out there. We'll hit the
• 14:10
  Speaker 1: strip club and we'll take a ship as you what
• 14:12
  Speaker 1: strip club would you go to? Whatever you take me to.
• 14:14
  Speaker 1: What's your favorite one? I like your half of your
• 14:17
  Speaker 1: hat sick. That's a bad hat, but it's a fitted.
• 14:20
  Speaker 1: My favorite strip club.
• 14:21
  Speaker 2: Is not in La It's in Arizona. It's called Jaguars.
• 14:24
  Speaker 2: He rather with that one, given the play about the hat.
• 14:26
  Speaker 2: It's Arizona. I like that ship though his hat's bad.
• 14:29
  Speaker 1: Huh.
• 14:29
  Speaker 2: But see the thing before I tell you about the
• 14:31
  Speaker 2: shuper Clip team. I told everybody, like they get me
• 14:33
  Speaker 2: hot right now. When you get a fitted hat, sometimes
• 14:36
  Speaker 2: that's your size, you put it on and it's just
• 14:39
  Speaker 2: if you're a man, dude, you know it don't feel right.
• 14:41
  Speaker 2: But then that one dusty hat, it is your size
• 14:44
  Speaker 2: just for a long time, and that's your good luck hat.
• 14:46
  Speaker 2: You put it on and just fits on your head. Yeah,
• 14:48
  Speaker 2: but it's they're both the same size.
• 14:50
  Speaker 1: But the one that you've broken hard to just get
• 14:52
  Speaker 1: that one, it's just like that's it.
• 14:54
  Speaker 3: That's your hat, you know, you know with the fitting
• 14:57
  Speaker 3: is like that's the one.
• 14:58
  Speaker 1: This one fits perfect. You can't tell ship.
• 15:00
  Speaker 2: But see that's the thing with snap Dog. Snaphag always
• 15:03
  Speaker 2: gets me right, you know what I'm saying. Just Snapas's cool.
• 15:05
  Speaker 2: I like Snappag, Like shout up to snap Bass.
• 15:07
  Speaker 1: I don't. I don't funk with fitting no more, I
• 15:09
  Speaker 1: really don't. I don't like fitted hats with your hat size.
• 15:12
  Speaker 1: If you were to buy fitted my ces.
• 15:14
  Speaker 3: A thousands, so my hat size will be ward ten.
• 15:18
  Speaker 1: Feel like mine mine seven and seven three eights.
• 15:21
  Speaker 3: As much I want to try now, but I don't
• 15:23
  Speaker 3: want to give him my ship.
• 15:24
  Speaker 1: That I got on my head.
• 15:24
  Speaker 2: Yeah, I don't know if you got like I got
• 15:26
  Speaker 2: money on my head. I don't say that money on
• 15:29
  Speaker 2: my mind, No money on your mind.
• 15:31
  Speaker 1: Money. I get money when I get hit man. There
• 15:33
  Speaker 1: you go, you get money while you get head man.
• 15:35
  Speaker 2: I just got out of jail man. I'm just, you know,
• 15:37
  Speaker 2: fresh out, just living it up like I've been locked
• 15:39
  Speaker 2: on my whole life. I'm just having a good time.
• 15:41
  Speaker 2: What was the I don't care about I don't care
• 15:43
  Speaker 2: about the comments. I don't give a fuck, Like you
• 15:45
  Speaker 2: know what I'm saying. I don't care what people say.
• 15:46
  Speaker 2: Like I'm going everything about accordingating the right way, Like.
• 15:49
  Speaker 1: You know what I'm saying. I am from who I am.
• 15:51
  Speaker 1: I'm from you know a gang. I'm from La. I'm
• 15:53
  Speaker 1: proud of you. I'm an Essay, I'm Mexican. You know
• 15:55
  Speaker 1: I'm saying.
• 15:56
  Speaker 2: And I've been through some things, and you know what
• 15:57
  Speaker 2: I'm saying. I don't care about this ship. I don't
• 15:59
  Speaker 2: care I see this real ship. I don't care about
• 16:01
  Speaker 2: the rap, I don't care about the fame. I don't
• 16:03
  Speaker 2: care about the money. I just want to be happy,
• 16:06
  Speaker 2: and you know it's gonna make me happy.
• 16:08
  Speaker 1: More money, more money for more money? Do you think so?
• 16:12
  Speaker 2: I think I don't get happy when I got more money.
• 16:15
  Speaker 2: Strippers make me happy, but not I want more money.
• 16:17
  Speaker 2: I just don't ever want to go back to being
• 16:19
  Speaker 2: broken poor and just the way that I'm living like
• 16:21
  Speaker 2: it ain't cool.
• 16:22
  Speaker 1: I'm dying to get the about. Does it feel good
• 16:24
  Speaker 1: to get legal money?
• 16:25
  Speaker 2: Hell no, because gonna take it. I want it on
• 16:27
  Speaker 2: the table, on the said real ship. I ain't capping no, Yeah, no,
• 16:36
  Speaker 2: I want to.
• 16:36
  Speaker 1: I want to. Yeah, she's gonna yeah, hell no. Support
• 16:40
  Speaker 1: is gonna take half with back pay. So just so
• 16:43
  Speaker 1: we're clear, supports grinding family lawyers watching this, you're technically
• 16:47
  Speaker 1: a broke man and these are fake change my boy.
• 16:49
  Speaker 2: I don't care about any court ticket. I don't care
• 16:51
  Speaker 2: if the contract gets me.
• 16:53
  Speaker 1: I don't care.
• 16:54
  Speaker 2: But I'll do the time in the county what they're
• 16:55
  Speaker 2: gonna do. But you don't have any money, right I
• 16:57
  Speaker 2: got a gang of money. Oh, I got a lot
• 16:59
  Speaker 2: of money.
• 17:00
  Speaker 1: I do. I got money. I got a lot of money.
• 17:02
  Speaker 1: I'm trying to help you out right now.
• 17:03
  Speaker 2: I want to see who has more money in their
• 17:04
  Speaker 2: pocket than me right now? And I'm not putting counting solace.
• 17:08
  Speaker 2: I want to see who in everybody in the room
• 17:10
  Speaker 2: that's a fir bed.
• 17:11
  Speaker 1: I don't have any cash on me. Man.
• 17:12
  Speaker 3: You might win, though, I'm finking it all right then
• 17:16
  Speaker 3: I don't carey much.
• 17:17
  Speaker 1: I win win. I saw the money stuffed in it.
• 17:20
  Speaker 1: I'm humble about it. Man.
• 17:21
  Speaker 2: I've been broke my whole life. Man, I poppy and
• 17:23
  Speaker 2: I never had ship, you know what, I never had nothing.
• 17:25
  Speaker 1: What was the for you? Like getting out and like
• 17:28
  Speaker 1: kind of glowing up right away? Like how did you
• 17:30
  Speaker 1: get on soul? And OTRs?
• 17:32
  Speaker 2: I see, I seen it. I got out of Pelican
• 17:36
  Speaker 2: Bay and I hit up OTR right away and was
• 17:40
  Speaker 2: gonna wrap you know, King Cashu and just I always
• 17:43
  Speaker 2: wanted to be from OTR. Just seeing it OTR was
• 17:46
  Speaker 2: just it's OTR, like just growing up, that was just
• 17:48
  Speaker 2: o TR, like for the hood. That's like that's OTR.
• 17:51
  Speaker 2: Like they're just like they blow up all their artists,
• 17:54
  Speaker 2: you know what I'm saying. They got a pretty solid
• 17:56
  Speaker 2: line up. I said, I'm gonna be from this, so
• 17:57
  Speaker 2: I hit them up. But I read in a Gucci
• 17:59
  Speaker 2: main book and some real advice. You don't gotta tell
• 18:01
  Speaker 2: me your homeboy's hot. You don't gotta tell me that
• 18:04
  Speaker 2: your homie's popping and he knows how to rap, because
• 18:06
  Speaker 2: if he was popping and he knew how to rap.
• 18:07
  Speaker 1: I would have been heard about him.
• 18:09
  Speaker 2: And right now I'm on everybody's fucking Explorer and everybody's
• 18:12
  Speaker 2: feed and everybody's YouTube. I'm on everybody in all LA's stuff.
• 18:17
  Speaker 2: You cannot lie and say you ain't see me. You
• 18:20
  Speaker 2: ain't see me. You asleep under a rock, You probably
• 18:22
  Speaker 2: missed it. I'm everywhere, and I was ridiculous. I don't
• 18:26
  Speaker 2: even notice I'm passing my I'm on the store on
• 18:28
  Speaker 2: a sticker in the store, crazy story sticker. Yeah, on
• 18:32
  Speaker 2: a wear her shoe, sell my pictures on the side
• 18:35
  Speaker 2: for Street Rise.
• 18:37
  Speaker 1: What I say already Gucci Man book book.
• 18:42
  Speaker 2: Yeah, you don't gotta tell me your homies hot, Your
• 18:44
  Speaker 2: homi's popping, Your homeie knows how to wrap. Your beats
• 18:45
  Speaker 2: are hot. If your beat was hot, I would have
• 18:47
  Speaker 2: wanted your beat. If you're if you were popping, Soulis
• 18:50
  Speaker 2: would have been looking for me. You popping, So I'm
• 18:53
  Speaker 2: popping out. You know, I'm some type of way, And
• 18:56
  Speaker 2: now Old Char's reaching out to me. Like height we
• 18:58
  Speaker 2: like and now they see the message back then it's
• 19:00
  Speaker 2: a funny story. So I just manifested the whole situation
• 19:03
  Speaker 2: and now I'm a OTR and y'all was doing it
• 19:04
  Speaker 2: by myself. I was getting two hundred thousand with an iPhone,
• 19:07
  Speaker 2: but not OTR.
• 19:08
  Speaker 1: Just and cool.
• 19:09
  Speaker 2: People say, oh he got burned. Whatever, Nah, it felt right.
• 19:12
  Speaker 2: It feels like family. He does everything for me. Atlantic
• 19:16
  Speaker 2: anybody you ain't gonna do this for me and hold
• 19:17
  Speaker 2: my hand and just take me to the top and
• 19:20
  Speaker 2: put the actual love and support and believe in your music.
• 19:24
  Speaker 2: That's what I want and so believes in it. And
• 19:26
  Speaker 2: that's why I'm smoking the competition in LA. I'm really
• 19:30
  Speaker 2: money now. But he just he tells me the call
• 19:32
  Speaker 2: the time, like you want this, you know, And I
• 19:34
  Speaker 2: sit there like looking at what the hell? Like this
• 19:36
  Speaker 2: is some movie shit, right, And I was just like
• 19:38
  Speaker 2: do I want it? Like you know what I'm saying,
• 19:40
  Speaker 2: do I deserve?
• 19:40
  Speaker 1: Do I want it?
• 19:41
  Speaker 2: And yeah, I want it. But it's just that my
• 19:42
  Speaker 2: life's changing so quick and he's a big part of it,
• 19:45
  Speaker 2: cash too, Like it's just like it's happening so fast.
• 19:47
  Speaker 2: It's like a perfect game. It's like everything I ever wanted.
• 19:51
  Speaker 1: It really is. Man, Once you're hot and you're popping,
• 19:53
  Speaker 1: your schedule's just locked in. You're just in motion.
• 19:55
  Speaker 2: I don't even know where the hell we're going. They
• 19:57
  Speaker 2: just take me here and I'll be like, oh, I
• 19:58
  Speaker 2: remember this podcast.
• 20:00
  Speaker 1: You know when I first started and I was broke.
• 20:02
  Speaker 1: I remember looking at this one. This is it. I'm
• 20:04
  Speaker 1: here now cool. I'll see it in my dream, you
• 20:06
  Speaker 1: know I'm seeing I've seen it.
• 20:07
  Speaker 2: In my vision type of stuff. God put it in
• 20:10
  Speaker 2: my head because that's my vision. He didn't put it
• 20:12
  Speaker 2: in my mom's head. Your head, your head, your head,
• 20:14
  Speaker 2: you know how to wrap. He got a gang of
• 20:16
  Speaker 2: chains on.
• 20:17
  Speaker 1: They're loud.
• 20:18
  Speaker 3: God damn, he got a gang of chains on. Let
• 20:22
  Speaker 3: me brow on food. You heard that ship.
• 20:24
  Speaker 2: You probably could have hurt it from right there. That's
• 20:27
  Speaker 2: just sounding like somebody moving a shopping cardinals. A gang
• 20:29
  Speaker 2: of gold chains didn't sound like that.
• 20:32
  Speaker 3: Jesus Christ, that's a that's just heavy hung Oh man,
• 20:36
  Speaker 3: that's cool. He shipped on everybody in the conversation.
• 20:39
  Speaker 1: Well, I was gonna ask you, like, come on, I
• 20:41
  Speaker 1: do think that. At times in Latin hip hop, it
• 20:45
  Speaker 1: feels like because there isn't like a super pop in
• 20:49
  Speaker 1: Mexican rapper nationally yet that when someone starts to pop,
• 20:53
  Speaker 1: the divide starts to happen. I don't care about I'm
• 20:55
  Speaker 1: just like, let me finish. No, no, my point, let
• 20:58
  Speaker 1: me finish, so like like an exam, it would be
• 21:00
  Speaker 1: like the homie from Houston, that Mexican ot. He's hard.
• 21:03
  Speaker 1: He ain't Kelly popping no no no, but he got well.
• 21:06
  Speaker 1: He just sold out. He's in Houston popping. No. But
• 21:08
  Speaker 1: he's just the best rapper in Houston. He's the best.
• 21:10
  Speaker 2: Let me finish my back before saying no, no, no,
• 21:12
  Speaker 2: I got to get off the way because I already
• 21:13
  Speaker 2: spoke on him like I'm talking about him. No, he's
• 21:16
  Speaker 2: the best rapper and everybody says he's the best rapper
• 21:18
  Speaker 2: before I forget my bad. It's his podcast. How do
• 21:20
  Speaker 2: you want to get it right because you're gonna twist it? Nah,
• 21:22
  Speaker 2: hell no, I want to feature that's my dream collapse.
• 21:26
  Speaker 2: He's the best rapper. I never seen nobody split the
• 21:28
  Speaker 2: way he does. He's not even real. But my point
• 21:31
  Speaker 2: was no, but I just want to get it out
• 21:33
  Speaker 2: the way before it goes on and be like I'm
• 21:35
  Speaker 2: talking shitting on here.
• 21:35
  Speaker 1: You're saying something positive about h Yeah, he hard, He's
• 21:38
  Speaker 1: super hard. He hard, and I can't wait to go
• 21:39
  Speaker 1: out there to Houston. Okay, my bad, now your points.
• 21:41
  Speaker 2: No, My point was that I noticed that now that
• 21:44
  Speaker 2: he's starting to pot, that's a viral moment. We gotta
• 21:47
  Speaker 2: edit that done that there's.
• 21:48
  Speaker 1: A whole lot of negative energy from the other Mexican
• 21:53
  Speaker 1: artists in Texas towards him, And I feel like a
• 21:56
  Speaker 1: lot of times in La whenever a mex Can artist
• 22:00
  Speaker 1: starts to pop, everybody starts turning, turning it against him,
• 22:04
  Speaker 1: Like I saw that like this, Why I saw this
• 22:06
  Speaker 1: happen with like Kruk and C and G like they
• 22:08
  Speaker 1: beefed out when they would have been better being together.
• 22:10
  Speaker 1: Like I mean, you know what I'm saying, Like I
• 22:11
  Speaker 1: want to get it or like to me, if you
• 22:14
  Speaker 1: think of you're you're on fire.
• 22:16
  Speaker 3: I love crooked shot a crooked one man. Yeah, I
• 22:18
  Speaker 3: to that's my boy.
• 22:20
  Speaker 1: But what I'm saying is like I feel like for
• 22:22
  Speaker 1: the sake of like putting on a Mexican for the
• 22:25
  Speaker 1: United States as a rapper, it's like the unity's gotta
• 22:29
  Speaker 1: be oh gz exactly, oh G And if you notice
• 22:32
  Speaker 1: O GZ don't like about anything. She always he's always
• 22:36
  Speaker 1: extremely positive. You don't ever see him wrapped up in
• 22:39
  Speaker 1: any of the negative ship shout out.
• 22:40
  Speaker 2: So Giz we gotta songs either man, he worldwide. Man,
• 22:42
  Speaker 2: you cannot say you never.
• 22:43
  Speaker 1: Heard of GZ. But my question to you with mainstream
• 22:46
  Speaker 1: with it, is that something you think about, like, let
• 22:49
  Speaker 1: me try to kind of like no, no, I don't
• 22:51
  Speaker 1: always keep it route to myself. You like you cool,
• 22:53
  Speaker 1: you don't fast forward.
• 22:54
  Speaker 2: I just mean in terms of like trying to know
• 22:56
  Speaker 2: I gotta I got to go mainstream, but I don't
• 22:57
  Speaker 2: give it damn like I just want to do for
• 22:59
  Speaker 2: I mean music because I love to make music. I
• 23:01
  Speaker 2: don't want nobody to detain or change my steel. And
• 23:03
  Speaker 2: it does happen you did a certain rapper. They try
• 23:06
  Speaker 2: to twist it that way with that keen little g incident,
• 23:08
  Speaker 2: you know what I'm saying. But I still solid and
• 23:10
  Speaker 2: now they mean it that way. But I do think
• 23:12
  Speaker 2: that I'm the best and he's the best dog. So
• 23:14
  Speaker 2: they try to twist it. They made their whatever they
• 23:16
  Speaker 2: did that out of it, But you gotta get it right,
• 23:17
  Speaker 2: like I don't care like, I'm just doing it for LA.
• 23:20
  Speaker 2: That's what I do music for for La, for La,
• 23:23
  Speaker 2: for Los Angeles. Cool if they listen to it out
• 23:25
  Speaker 2: of time, cool they feel me, So I don't care. Damn,
• 23:27
  Speaker 2: I'm not gonna lie to them. I make it for La, La,
• 23:31
  Speaker 2: for essays and for blacks. I make LA music. I
• 23:34
  Speaker 2: want people in LA. I don't care about the radio.
• 23:36
  Speaker 2: I want people in LA to get in the car
• 23:38
  Speaker 2: on Friday and go bump that left the gun play.
• 23:40
  Speaker 2: That's all I care about is just like making music. Well,
• 23:43
  Speaker 2: I'm just letting it out. Everything I seen. My raps
• 23:46
  Speaker 2: are real, like I meet a lot of these rappers
• 23:47
  Speaker 2: do and they're not like that in real life, and
• 23:49
  Speaker 2: it's like it breaks it breaks your heart because like
• 23:51
  Speaker 2: you look at the tone you know your life, there's
• 23:53
  Speaker 2: certain ones that are like you know, they're they're like that,
• 23:55
  Speaker 2: and it's just like not since I'm doing it, it's
• 23:57
  Speaker 2: just like happens so quick and it's just like.
• 23:59
  Speaker 1: It it's over rady. It ain't what I thought it was.
• 24:02
  Speaker 1: It's cool shot. I saw the fancy shot.
• 24:03
  Speaker 2: I'm gonna keep making music, but it ain't wanna fuck
• 24:06
  Speaker 2: the fame like you know what I'm saying, Like, forget
• 24:08
  Speaker 2: the money.
• 24:09
  Speaker 1: The money you get the money's cool. Whatever I got money,
• 24:11
  Speaker 1: I'm happy I got a couple that I never had
• 24:13
  Speaker 1: a couple of thousand, one hundred thousand in my life.
• 24:15
  Speaker 1: You know, I'm saying to touch one hundred thousand, mettal
• 24:18
  Speaker 1: fresh on nine nine backs.
• 24:19
  Speaker 2: Touch a hundred. Touch How you say you rapping? You
• 24:21
  Speaker 2: ain't even touch ten thousand. I'm touching that.
• 24:23
  Speaker 1: It's cool.
• 24:24
  Speaker 2: It's like now what Like it's like still not happy.
• 24:27
  Speaker 2: I wonder what the hell it is. And it ain't drugs,
• 24:30
  Speaker 2: it ain't being in jail.
• 24:31
  Speaker 1: I wonder what it is. Like I don't know what's
• 24:33
  Speaker 1: gonna make me happy. Like it's just in motion.
• 24:35
  Speaker 2: Dog OTR keeps me like a family dog and like
• 24:38
  Speaker 2: I don't care about any other state but just La
• 24:42
  Speaker 2: and just making rap.
• 24:43
  Speaker 3: For like the homies dog and the homies are the
• 24:44
  Speaker 3: means wanted to hate on me.
• 24:45
  Speaker 2: Dog. So that's what I want to tell you. I
• 24:48
  Speaker 2: want to break the barrier, and I don't think it'll
• 24:49
  Speaker 2: ever get broken. Just with like the way that the
• 24:51
  Speaker 2: comments are with Mexicans hating on Mexicans, but like they're
• 24:54
  Speaker 2: so quick to go and jump and support like and
• 24:58
  Speaker 2: me too. I love black songs, you know what I'm saying.
• 25:01
  Speaker 2: I love black art I want I want to songs
• 25:03
  Speaker 2: with black artists. Black artists are my favorite. But I'm
• 25:06
  Speaker 2: always gonna support a Mexican. I will sign with a
• 25:10
  Speaker 2: black babel. I will sign with a Mexican. I'll sung
• 25:12
  Speaker 2: with any label whatever. Shout us to the Blacks, shout
• 25:14
  Speaker 2: ut to the Mexicans, and then if you know, you know,
• 25:17
  Speaker 2: but I'm gonna go with a Mexican artist because I
• 25:19
  Speaker 2: want to see the homie win.
• 25:20
  Speaker 1: Well, there's so many dope up and coming artists right now.
• 25:23
  Speaker 1: There's obviously, but they win. They're not breaking that barrier
• 25:26
  Speaker 1: to know I'm saying. I mean, but they're gonna come
• 25:28
  Speaker 1: on like Coyotes, Dope, they're hard. I never Ravo. I
• 25:31
  Speaker 1: never heard him.
• 25:32
  Speaker 2: I heard a Bravo. You never heard Coyote. The two
• 25:34
  Speaker 2: brothers never they're hard? Are they They're fired? I don't
• 25:37
  Speaker 2: know if I check that out. I keep it real,
• 25:39
  Speaker 2: but I heard the Bravo. The bad Chaser Jad bands
• 25:41
  Speaker 2: heard the Bravo. He reached out to me. We got
• 25:43
  Speaker 2: a song to get a shout up. Bravo ye got
• 25:45
  Speaker 2: you sitting the song of Bravo. Yeah, we got a
• 25:47
  Speaker 2: song with Bravo and Jab Bands. We're gonna do a song.
• 25:50
  Speaker 2: It's called Holy Field, Gang Brother, the Bad Chu Left,
• 25:53
  Speaker 2: the Gumpy Jab Bands.
• 25:54
  Speaker 1: Those are like they're they're doing it, They're like hood
• 25:56
  Speaker 1: A rich I'm curious because I'll notice, like the songs
• 25:59
  Speaker 1: like you picked rap over like that are old school,
• 26:01
  Speaker 1: like The Game, Start from Scratch and eminem the Superman Freestyle.
• 26:05
  Speaker 1: What were you like growing up? Bumping like? What were you?
• 26:07
  Speaker 1: What's your like? Top three or four favorite albums of
• 26:09
  Speaker 1: all time? The Game, the One with the Hater to
• 26:14
  Speaker 1: Love It, how the documentary Richard, I try yep, you man,
• 26:22
  Speaker 1: let me see.
• 26:22
  Speaker 2: Probably Doctor Dre two thousand and one. But if I
• 26:25
  Speaker 2: had to go, I would be debating on it. I
• 26:27
  Speaker 2: would probably get a Drummer Boy CD straight out the
• 26:31
  Speaker 2: Nine that one go Hard. I'll get a Drummer Boy
• 26:34
  Speaker 2: CD too, That CD go Hard straight out the nine
• 26:36
  Speaker 2: shot a Drummer Boy Man.
• 26:37
  Speaker 1: Damn is that CD? Go crazy on Mazie one the
• 26:41
  Speaker 1: first one? Nah? I would get the CML shit Heavyweight
• 26:45
  Speaker 1: Tank that's my boy. I can't do that. I want
• 26:48
  Speaker 1: to wear heavyweight more.
• 26:49
  Speaker 2: I can do that, they say, somebody doing the song
• 26:51
  Speaker 2: on myb I'm gonna get away heavyweight tank. He got
• 26:53
  Speaker 2: some ship every day before I get ready. I bumped
• 26:55
  Speaker 2: that a.
• 26:56
  Speaker 1: Plane for keeps that shit go crazy and he.
• 27:00
  Speaker 2: You know you're gonna do a record with Mazzi, I'll
• 27:03
  Speaker 2: probably do it with CML, okay, because that's my favorite
• 27:06
  Speaker 2: rapper CML.
• 27:07
  Speaker 1: If I bump his music, I would do a song
• 27:09
  Speaker 1: with Mazie. He's one of the greates in my opinion.
• 27:12
  Speaker 3: I wouldn't switch up through because CMO reached out to
• 27:14
  Speaker 3: me first.
• 27:15
  Speaker 1: I wouldn't.
• 27:15
  Speaker 2: I don't care about the fame CML and I bump.
• 27:18
  Speaker 2: I bumped CMO just as much as I bumped MAZI.
• 27:20
  Speaker 2: But I would rather want it with CML because he
• 27:23
  Speaker 2: just recognized me that just like I bump his stuff
• 27:25
  Speaker 2: every day before I go home with just a hood
• 27:27
  Speaker 2: like that cares if it's Mazi, that's CML lavish d
• 27:32
  Speaker 2: he goes hard. You've seen his songs, a mini, you
• 27:34
  Speaker 2: better ask about your son. I put tags on fees.
• 27:37
  Speaker 2: My mama texts me. She says she's praying for me.
• 27:39
  Speaker 2: I taxt my mama right back. You said, I'm playing
• 27:41
  Speaker 2: for keeps. You go crazy.
• 27:44
  Speaker 1: That song makes me want to go to a concert.
• 27:46
  Speaker 1: And just like, have you been to a Sacramento yet
• 27:48
  Speaker 1: or not?
• 27:48
  Speaker 2: He went out there and so with CML, and we
• 27:50
  Speaker 2: ain't get I'm out of bounds, baby on the game.
• 27:53
  Speaker 1: I ain't going with you thought, I ain't going with them,
• 27:55
  Speaker 1: I ain't going nobody. I stay down South. I was
• 27:57
  Speaker 1: not gonna say, like, if you get booked up there,
• 27:59
  Speaker 1: you're gonna take the booking or now.
• 28:00
  Speaker 2: I'm taking the straps. I'm taking the straps. I ain't
• 28:03
  Speaker 2: going out there's I'm way out of bounds. I wouldn't
• 28:05
  Speaker 2: want to even touch grounds right there. I would people
• 28:08
  Speaker 2: on the blog saying that, oh he's disey Northeast, so
• 28:10
  Speaker 2: what I am Disney North. They and I would never
• 28:12
  Speaker 2: go up there. I'm not stupid, and you would never
• 28:14
  Speaker 2: come down here.
• 28:15
  Speaker 1: Well, I've noticed like a lot of the a lot
• 28:17
  Speaker 1: of the ogs are uniting from the South.
• 28:20
  Speaker 3: And I don't want to speak on the ogs.
• 28:21
  Speaker 2: I don't speak on prison politics, prisons, prisons, the streets
• 28:24
  Speaker 2: is the streets.
• 28:25
  Speaker 1: Would I talk about music? We're talking to music wise?
• 28:28
  Speaker 2: Whatever they got going a I listened to that. My
• 28:30
  Speaker 2: politics are different. I don't speak on that. So what
• 28:33
  Speaker 2: I speak on though, is music wise. People say Northaniels
• 28:37
  Speaker 2: are better than South Side rappers for music, They're not.
• 28:41
  Speaker 1: They're not. They're hard.
• 28:42
  Speaker 2: I don't bump none of this stuff, you know what
• 28:44
  Speaker 2: I'm saying. And they stay dishing the homies. So why
• 28:46
  Speaker 2: is everybody at bug her that I'm saying, fuck them
• 28:49
  Speaker 2: because they stay dishing us. You know what I'm saying.
• 28:51
  Speaker 2: They stay dishing us, calling us. You know what I'm saying.
• 28:55
  Speaker 2: That's cool to each of his own. I'm gonna make
• 28:57
  Speaker 2: music from my side. He shout out, say the world man,
• 29:00
  Speaker 2: Blue Devil. I like the way he puts it. He
• 29:01
  Speaker 2: just keeps the real dog and he makes me see
• 29:03
  Speaker 2: it the way that I see it. But I just
• 29:05
  Speaker 2: can't get the words out. But he just like I would.
• 29:07
  Speaker 2: It's a big topic. It's everybody's saying left. He says,
• 29:09
  Speaker 2: I would never do a song with him. I would
• 29:11
  Speaker 2: never go up there and go to their side of town.
• 29:13
  Speaker 2: And I don't think they would ever come down South.
• 29:15
  Speaker 2: I never seen them, not Thaniel.
• 29:17
  Speaker 1: Never mind.
• 29:17
  Speaker 3: I'm not gonna say nothing. It's another subject. I never
• 29:20
  Speaker 3: I never believe it like that.
• 29:21
  Speaker 1: My question to you is, I know you've been putting
• 29:24
  Speaker 1: out a lot of videos, a lot of singles, freestyles.
• 29:26
  Speaker 1: Are you working on an album right now? Yeah?
• 29:30
  Speaker 2: Fuck rap dog. I think about it right there, just drinking,
• 29:32
  Speaker 2: just looking at it, like, fuck rap Rookie of the
• 29:37
  Speaker 2: Year and I'll still sell it out.
• 29:39
  Speaker 1: That's the album. That album's called Rookie of the Year.
• 29:41
  Speaker 1: It's hard, So that album's called Rookie of the Year.
• 29:43
  Speaker 2: Rookie of the Year. It's the best shit that I
• 29:45
  Speaker 2: ever wrote in my life. They got my sound out
• 29:47
  Speaker 2: of me.
• 29:48
  Speaker 3: All this shit.
• 29:48
  Speaker 1: You guys think it's hard.
• 29:50
  Speaker 2: Hell, you get a preview with like the gleeful stuff,
• 29:53
  Speaker 2: just the cheet though flow like those are like the
• 29:56
  Speaker 2: songs they just ad and they're getting like one hundred
• 29:59
  Speaker 2: and fifty. I was in seventy eight thousand and one
• 30:01
  Speaker 2: day on YouTube.
• 30:02
  Speaker 1: I trip out. How much is the start from scratch
• 30:04
  Speaker 1: cut right now? Please want to do it? Yeah?
• 30:06
  Speaker 2: Rookie the Year Man Left the Gun play by OTR Records,
• 30:09
  Speaker 2: produced by zay Keys, Saw Trees, Matt Breaks All cite
• 30:12
  Speaker 2: what features you got, oh man, I got Big Sad
• 30:15
  Speaker 2: nineteen hundred, I got drummer boy, I got keen cash.
• 30:18
  Speaker 1: I got that ain't ship. It's probably more than that.
• 30:23
  Speaker 1: That ain't nothing. The views ain't caught up yet. You
• 30:25
  Speaker 1: gotta look at it from the studio. He knows, he
• 30:27
  Speaker 1: knows he raced it. And that's so not hard. I
• 30:29
  Speaker 1: want to hear it right now. It's just hard. Ain't
• 30:31
  Speaker 1: no on big side. The wordo no ma roue shot
• 30:35
  Speaker 1: san Diego shot out. We're doing the baby.
• 30:38
  Speaker 3: I can't keep my eyes off you and are you serious?
• 30:43
  Speaker 1: Size?
• 30:43
  Speaker 2: But he's writing when he's ready, and I'm going I
• 30:46
  Speaker 2: got a thing for the Big Gemini to rocking right
• 30:48
  Speaker 2: pat you and that, Yeah, that was the Big Gemini record.
• 30:51
  Speaker 2: We missed that, that beat, and that's the song that
• 30:53
  Speaker 2: I told him I wanted to. I see him wanting,
• 30:55
  Speaker 2: and I think he's gonna do numbers him.
• 30:56
  Speaker 1: So when you when you do that record, you gotta
• 30:58
  Speaker 1: hit a big Gemini to get cleared. You gotta just
• 31:00
  Speaker 1: remake the beat, dog to whoever can make the beat better,
• 31:03
  Speaker 1: memorize it in are y'all clearing the Big Gemini sample? Yep, Yeah,
• 31:10
  Speaker 1: that's just hard. That's a Classic's gonna do money. Y'all
• 31:12
  Speaker 1: gotta remake some NB Rights ship no EMC Magic ship
• 31:18
  Speaker 1: that say, baby, no, I know what I'm saying. You
• 31:21
  Speaker 1: should also remamber, like did you ever grow up listening
• 31:24
  Speaker 1: to MC magic all my girls did, all my mom did,
• 31:26
  Speaker 1: my mom and all her Yeah, that's like the girls
• 31:28
  Speaker 1: and the mom stuff, Like uh nah, I can't.
• 31:31
  Speaker 3: Oh yeah, I should do it for the people. Why
• 31:33
  Speaker 3: not for the culture, For the culture.
• 31:35
  Speaker 1: They would really like that.
• 31:36
  Speaker 2: Shout out to other girls that grew up listening to that,
• 31:38
  Speaker 2: even something like you should you should do a free
• 31:40
  Speaker 2: you know what, We're gonna have your freestyle before you
• 31:42
  Speaker 2: leave over.
• 31:43
  Speaker 1: I'm gonna pick the beat. Let me hear which we
• 31:46
  Speaker 1: we're gonna do neighborhood music. Yeah, I think that'll be.
• 31:50
  Speaker 2: Hard, and that was gonna be hard, and then like then,
• 31:54
  Speaker 2: so we can do summer nights, that's it or neighborhood
• 31:58
  Speaker 2: neighborhood to do it like that?
• 32:01
  Speaker 1: I like this. We'll get to it later. Want to
• 32:04
  Speaker 1: do it right now? Already? Well, it'll be a different YouTube.
• 32:07
  Speaker 2: I met little rock the other day. Man shout us
• 32:09
  Speaker 2: a little rock man. Man'll took me over there to
• 32:12
  Speaker 2: a to a little rock concert on a something.
• 32:14
  Speaker 1: Boulevard and Melrose. Yeah, he took me.
• 32:17
  Speaker 2: I made him.
• 32:17
  Speaker 1: He was real humble.
• 32:18
  Speaker 3: He's just like real, like just the hommy you know, superway.
• 32:21
  Speaker 1: Local too, like boys boys, cool school. It's really cool.
• 32:25
  Speaker 2: He's like gang gang like he's just like hood with it,
• 32:28
  Speaker 2: like he's just he is woody like he says you
• 32:30
  Speaker 2: just like he's he's a gangster, sabboys, a gangster. Like
• 32:34
  Speaker 2: you meet him in person and be like, oh shit,
• 32:35
  Speaker 2: a gang he real one recognized real, he'll like you.
• 32:39
  Speaker 2: I always wonder is I didn't think he was gonna
• 32:41
  Speaker 2: be like that. He surprised the funk out of me.
• 32:44
  Speaker 2: He's really like that, Like he's just really tripping local.
• 32:47
  Speaker 1: I met him randomly backstage at a y G contract
• 32:49
  Speaker 1: in Arizona before he went to jail last time. He's
• 32:52
  Speaker 1: cool and he was cool yeah, like a homi like
• 32:54
  Speaker 1: just yeah that local shout us local y g F.
• 32:59
  Speaker 1: I was to peace Slim man. I was gonna ask
• 33:01
  Speaker 1: you yet, all right, Peter Slim for a hundred uh
• 33:04
  Speaker 1: for you like being in the shoe. I wonder mentally,
• 33:08
  Speaker 1: what do you do to not go crazy when you're
• 33:12
  Speaker 1: in that sort of confinement man? Because I just went
• 33:15
  Speaker 1: crazy to break you, right.
• 33:16
  Speaker 2: It did it didn't. I didn't even do that long
• 33:18
  Speaker 2: in there. People did twenty thirty years now, I don't
• 33:20
  Speaker 2: want to say too much on it. I did two
• 33:22
  Speaker 2: three years. I can't get no phone, no no sous.
• 33:25
  Speaker 1: Mentally, like are you able to mentally go on a
• 33:28
  Speaker 1: vacation and within.
• 33:29
  Speaker 3: Pelican ba' shoes like more boring than corking shoe.
• 33:31
  Speaker 2: Corking shoe. I had like a good time in there
• 33:34
  Speaker 2: corking shoes just like just cool. It's just like it's
• 33:36
  Speaker 2: like you just gotta be ready for ship with corking shoes,
• 33:39
  Speaker 2: corking shoes. You just gotta go to corking shoe and
• 33:41
  Speaker 2: no cork and shoe, No where tonna explain it. I've
• 33:43
  Speaker 2: been a corkoran shoe. I went a corking shoe for
• 33:46
  Speaker 2: like you know, young grew up in corking shoe. Eighteen
• 33:50
  Speaker 2: nineteen twenty boom transfer Pelican bass shoe a year and
• 33:53
  Speaker 2: a half boom hit the line. But I was a
• 33:56
  Speaker 2: corking shoe. It was cool with there. It's just like
• 33:59
  Speaker 2: a different type of time in my life and like
• 34:02
  Speaker 2: just really fucked me up, just really made me better.
• 34:04
  Speaker 2: Just I just tripped out and there I look back
• 34:06
  Speaker 2: at it like I should fuck you up, though, Like
• 34:08
  Speaker 2: it's just like it's a trip and made me who
• 34:10
  Speaker 2: I am and I got no regrets.
• 34:12
  Speaker 1: But yeah, I wasn't corking shoe. Has it? Has it
• 34:14
  Speaker 1: been hard? Like how long did it take for you?
• 34:16
  Speaker 1: If you even even haven't adjusted to like being out?
• 34:20
  Speaker 1: I don't think I could do corking shoe over again.
• 34:22
  Speaker 1: It was just like that that that was like that vicious,
• 34:25
  Speaker 1: like you just gotta have the heart for the first
• 34:26
  Speaker 1: time to do it one time, and that's it.
• 34:28
  Speaker 2: It's just corking shoe breaks motherfuckers. Like it's just good homies.
• 34:33
  Speaker 2: And if the homies are, they're just real tight. But
• 34:35
  Speaker 2: corking shoes just corking shoe.
• 34:37
  Speaker 1: I don't miss that thing. I do not any how,
• 34:41
  Speaker 1: How hard has it been being out? Learning how to adapt?
• 34:43
  Speaker 1: Is it? Trust me?
• 34:44
  Speaker 3: Learning how to adapt being so institutional I still being
• 34:48
  Speaker 3: in the hood.
• 34:48
  Speaker 2: Just yeah, I got a bag, I got money, but
• 34:50
  Speaker 2: money don't last forever, like you know, I take care
• 34:52
  Speaker 2: of my knees and right now I got an apartment and.
• 34:54
  Speaker 1: I'm just waiting to sign. I don't know why.
• 34:57
  Speaker 2: My mom she's like just lagging a sign. But yeah,
• 35:01
  Speaker 2: I gotta get it out of the hood. I'm dying
• 35:03
  Speaker 2: to get about the hood like people want to be
• 35:04
  Speaker 2: hood so bad. I don't want this no more. I'm
• 35:06
  Speaker 2: Alma's gonna be hood to keep a ghettle drout to
• 35:08
  Speaker 2: the hood.
• 35:08
  Speaker 1: But man, I guess also, where you're the most vulnerable
• 35:12
  Speaker 1: at the hood is always the hood. Don't ever take
• 35:14
  Speaker 1: it for granted. Dog.
• 35:16
  Speaker 2: Like you live by the gun, you die by the gun.
• 35:17
  Speaker 2: I'm not stupid, I'm really gangster. And God already wrote
• 35:20
  Speaker 2: the script. You can't be scared when you go. You
• 35:23
  Speaker 2: go just when it's your time. It's your time. And
• 35:25
  Speaker 2: if you're not asking for trouble, you just you know,
• 35:28
  Speaker 2: on your loan on some gang shit.
• 35:30
  Speaker 1: You be all right.
• 35:30
  Speaker 2: But if you're out there looking for trouble, trouble won't
• 35:32
  Speaker 2: find you that in hom You don't care what area
• 35:34
  Speaker 2: you in, Like you know what I'm saying. You in
• 35:36
  Speaker 2: the county, you on the streets, you on in another
• 35:38
  Speaker 2: person's hood, you be popping it for you. You better
• 35:40
  Speaker 2: be walking it. Like food's out there in plane. I
• 35:43
  Speaker 2: don't get a twisted people out there in plane. I
• 35:45
  Speaker 2: wasn't playing you know what I'm saying it's bad out
• 35:48
  Speaker 2: here in La too, like you know what I'm saying,
• 35:49
  Speaker 2: but it's also good. But if you look for trouble,
• 35:51
  Speaker 2: you gonna find trouble to the kids doing it, like,
• 35:53
  Speaker 2: don't do that, like listen to your mom.
• 35:55
  Speaker 1: This is bullshit. And do you feel like you're moving
• 35:59
  Speaker 1: in a way in which like a change steak? Yeah,
• 36:01
  Speaker 1: I'm like, like, you know, you you don't want to
• 36:03
  Speaker 1: you you don't want to end up not her back
• 36:05
  Speaker 1: or even dead.
• 36:07
  Speaker 2: You know, give a ship though, Like you know, I
• 36:09
  Speaker 2: don't care if I ended up dead or ended up back.
• 36:12
  Speaker 1: I don't.
• 36:13
  Speaker 3: I'm not doing that. I'm being smart about it.
• 36:14
  Speaker 2: I know I got shit going on for me for myself,
• 36:16
  Speaker 2: but if something were to happen and that happened, fucking
• 36:20
  Speaker 2: that's what happened.
• 36:20
  Speaker 3: That's the way the script went. And we're doing everything not.
• 36:23
  Speaker 1: To do that. And that's the part is as long
• 36:25
  Speaker 1: as you're doing those things right hard though.
• 36:26
  Speaker 2: You know, that's why I gotta tap pat myself in
• 36:28
  Speaker 2: the pocket and back, and nobody gives me that credit,
• 36:30
  Speaker 2: like them two steps.
• 36:31
  Speaker 1: Back, like not kicking it with the hood, not being
• 36:35
  Speaker 1: not setting dope no more. You can't sell dope and wrap.
• 36:38
  Speaker 2: That's bullshit because you're gonna be strapped serving up sacks
• 36:41
  Speaker 2: all day.
• 36:42
  Speaker 3: You don't never get in the zone you want to rap.
• 36:44
  Speaker 2: You gotta sacrifice and be broke dog and write them
• 36:46
  Speaker 2: bangs in jail and just believe in your dream, dog
• 36:50
  Speaker 2: and stop being selling dope.
• 36:51
  Speaker 1: Those cool selling those cool you.
• 36:53
  Speaker 2: I never made it past fucking five hundred thousand dollars
• 36:56
  Speaker 2: in my pocket to where I was just breaking even
• 36:58
  Speaker 2: every day and just you know how the brain new
• 37:00
  Speaker 2: shirt and a chain and a beamer. Had a beamer,
• 37:04
  Speaker 2: you know what I'm saying. But a haircut, but nothing,
• 37:06
  Speaker 2: no real wealth, nothing, that's the same thing every weekend.
• 37:09
  Speaker 1: That's all I have. But I have money though, But
• 37:11
  Speaker 1: now I got money. Well, I'm curious because I watched
• 37:15
  Speaker 1: your volog you did with do No where you guys
• 37:17
  Speaker 1: were in your area, which which was man, great guy
• 37:20
  Speaker 1: loved doing.
• 37:21
  Speaker 3: Most Mexican person I ever had.
• 37:24
  Speaker 1: That's not it. He should put that on a on
• 37:25
  Speaker 1: a T shirt, LA. But I'm curious because, like when
• 37:31
  Speaker 1: you were locked up, he's a humble man. He's a
• 37:33
  Speaker 1: humble guy. Do know for sure? What Like do you
• 37:36
  Speaker 1: remember hearing about Nipsey passing away and how he passed
• 37:39
  Speaker 1: away when you were incarcerated. Yeah, I do.
• 37:41
  Speaker 2: I remember that day. Nipsey was my favorite rapper. I
• 37:44
  Speaker 2: wish I could be more like me. I'm nothing like Nipsey.
• 37:47
  Speaker 2: His mind was just sick. Like I said, I want
• 37:49
  Speaker 2: to be the Mexican YG, but like Nipsey was just
• 37:51
  Speaker 2: his mentality and the thing that he did, the way
• 37:53
  Speaker 2: he made all money in grinding, all my life, all
• 37:55
  Speaker 2: that just his legendary best rapper, top three, one of
• 37:58
  Speaker 2: my top three rappers all time, Nipsey, Eminem probably the
• 38:03
  Speaker 2: game probably nah, yeah, man, Span Saws.
• 38:09
  Speaker 1: Homies on the game are hard, you know they are.
• 38:14
  Speaker 2: Hopefully I'm your favorite REP three all the time, Eminem.
• 38:18
  Speaker 1: Nipsey hustle the game. That's a good three.
• 38:22
  Speaker 3: Tupac's hard, too, but not those guys. I'm going with
• 38:27
  Speaker 3: the game, Nipsey.
• 38:30
  Speaker 1: So if you a third one left the gunn play,
• 38:34
  Speaker 1: if you and Whack end up doing this fade, you
• 38:36
  Speaker 1: just challenged him to on on community, He's not gonna
• 38:38
  Speaker 1: do it.
• 38:38
  Speaker 2: Man.
• 38:39
  Speaker 1: If you when you get a game verse, you know what, man,
• 38:42
  Speaker 1: you know what I'm.
• 38:42
  Speaker 2: Gonna say like this, I don't think he knows like
• 38:44
  Speaker 2: he did. Let me tell you like this, I got it.
• 38:46
  Speaker 2: I don't think he meant it like that.
• 38:48
  Speaker 1: Now whacks a good dude. That's cool, and I give it.
• 38:50
  Speaker 3: I give every person the benefit of the doubt.
• 38:52
  Speaker 2: But like like y'all climbed around for with like I'm
• 38:55
  Speaker 2: not playing out here, like I don't give a fuck,
• 38:57
  Speaker 2: Like I'm really from where I'm from.
• 38:59
  Speaker 1: I don't care about this shit.
• 39:00
  Speaker 2: Like you know, I'm from a gang and I got
• 39:03
  Speaker 2: my homies behind me, and I don't care if somebody's
• 39:05
  Speaker 2: dissing me. I'm I don't think he meant it that way.
• 39:08
  Speaker 2: I'm not taking it the whole and I'm pretty sure
• 39:10
  Speaker 2: he would take it the whole way against me too.
• 39:12
  Speaker 1: I know he does.
• 39:13
  Speaker 3: I know he does and not.
• 39:14
  Speaker 1: I know he does my bad.
• 39:16
  Speaker 3: I know he does talk down on Mexicans. I don't
• 39:19
  Speaker 3: talk down on blacks.
• 39:20
  Speaker 1: I do not.
• 39:21
  Speaker 2: I've been in jail, that's cool. I don't even know
• 39:23
  Speaker 2: who the fuck he is, dog Like, I really don't.
• 39:25
  Speaker 2: I just in nine years in Pelican.
• 39:26
  Speaker 1: Bay and I signed.
• 39:29
  Speaker 2: He has some artists and stuff. I wouldn't sign with him,
• 39:31
  Speaker 2: you know what I'm saying. Just i'd be a sellout.
• 39:33
  Speaker 2: He just if you guys met you guys would get along.
• 39:36
  Speaker 2: If he may, I'll come at him, embrace him. But
• 39:38
  Speaker 2: I know he's probably gonna, you know, be like fuck
• 39:40
  Speaker 2: fuck him. Dog, you know, without giving me the benefit
• 39:42
  Speaker 2: of the doubt. So you know, shot us to him.
• 39:44
  Speaker 2: But he said, like, I never shot ship, Like you
• 39:46
  Speaker 2: don't know me, Dog. You know that's a good answer
• 39:48
  Speaker 2: because yeah, in reality, yeah I never shot ship.
• 39:51
  Speaker 1: You know, don't. But you don't know my life. You
• 39:53
  Speaker 1: don't know what I've been through. I don't know your life.
• 39:55
  Speaker 1: I don't know who you are. You know what I'm saying.
• 39:57
  Speaker 2: Everybody has in line. You know what I'm saying, like Dog,
• 39:59
  Speaker 2: like I said, for you, ask for like trouble. I'm
• 40:01
  Speaker 2: not threatening him or nothing, but like I don't give
• 40:03
  Speaker 2: a fuck. You know what I'm saying, Like I don't
• 40:06
  Speaker 2: give a I don't give He ain't a businessman for
• 40:09
  Speaker 2: that whole but I ain't a businessman.
• 40:12
  Speaker 1: No, I'm not saying you're going to do something. I'm
• 40:14
  Speaker 1: the best LA rappers. It's an essay. You better check
• 40:16
  Speaker 1: the motherfucking resume. Dog, for you talk about me, Dog
• 40:19
  Speaker 1: on the gang.
• 40:19
  Speaker 2: I'm really tripping like that, Dad homies, I don't give
• 40:21
  Speaker 2: a fuck about this ship about.
• 40:23
  Speaker 1: Him like that.
• 40:24
  Speaker 3: No, I don't talk about him like that or his
• 40:26
  Speaker 3: people like that. That ship ain't cool.
• 40:27
  Speaker 2: Dog.
• 40:27
  Speaker 1: I'll never do ship with him. I wouldn't. He's cool.
• 40:30
  Speaker 1: Shout out to him. I'll never do nothing with him,
• 40:32
  Speaker 1: dad homies, bang that it's like that.
• 40:34
  Speaker 2: I'm tripping like I'm tripping, dog like that. Ship ain't cool.
• 40:37
  Speaker 2: Fuck him, I said it. Fuck him, it is what
• 40:39
  Speaker 2: it is.
• 40:40
  Speaker 1: Dog.
• 40:40
  Speaker 2: We won't do a show there wherever he's at. Fuck him,
• 40:42
  Speaker 2: my bad, Fuck him, dog. I'm sorry, guys, fuck him.
• 40:46
  Speaker 2: I'll be letting my people dog fuck him, Dog, I'll
• 40:50
  Speaker 2: be letting. I be a sellout. I'd be a sellout
• 40:52
  Speaker 2: embracing him. Nah, I'm cool, cool on him.
• 40:55
  Speaker 1: Fuck him. I heard what he said. Well, let's change
• 40:57
  Speaker 1: the subject. Nah. Fuck that. I don't really want to,
• 41:00
  Speaker 1: uh finish it up. We're good. I'm sorry for you
• 41:03
  Speaker 1: were saying on Sundays.
• 41:04
  Speaker 3: That's how I feel, though.
• 41:05
  Speaker 1: I keep it real.
• 41:06
  Speaker 2: I can't go to sleep when anything bottled inside. If
• 41:08
  Speaker 2: you got to feel something on your chest, get it
• 41:10
  Speaker 2: off your chest. I ain't fake, I'm real. Fuck you,
• 41:12
  Speaker 2: next question, My bad, Sorry, my bad, You're gonna have.
• 41:15
  Speaker 1: To he's let's lighten it up. Hey, what's your favorite
• 41:17
  Speaker 1: football team? The Raiders? The Raiders. I'm sorry, they suck.
• 41:22
  Speaker 1: They made it.
• 41:22
  Speaker 2: What you think the problem was? I can't even get
• 41:24
  Speaker 2: back to it after that one. I'm tripping. I feel
• 41:28
  Speaker 2: hot food. I'm too ghattle to be honest. Ship, I
• 41:31
  Speaker 2: heard what you sell, my boy, I'll be a sellout food.
• 41:33
  Speaker 2: Shout out to the Essays Mexican community. That's a big
• 41:36
  Speaker 2: old subject.
• 41:37
  Speaker 1: I don't do that. I love black people. I love blacks,
• 41:40
  Speaker 1: I love essays.
• 41:41
  Speaker 2: Why is he trying to, uh put put a line
• 41:44
  Speaker 2: between it when you're trying to break that right, you're
• 41:47
  Speaker 2: trying to put a line between it.
• 41:48
  Speaker 1: Like make us beef and like I fuck with blue Face.
• 41:51
  Speaker 1: You know what I'm saying. I fuck with the game.
• 41:53
  Speaker 1: I'm doing the game remakes. Why you do that?
• 41:55
  Speaker 3: Like, I fucking love bloods, I love some cribs, all
• 41:57
  Speaker 3: the homies.
• 41:58
  Speaker 1: I'm not don't know he doing too much.
• 42:01
  Speaker 2: Dog.
• 42:02
  Speaker 1: Well let's get to the Raider.
• 42:02
  Speaker 2: But I'm the first real I'm the first real I'm
• 42:04
  Speaker 2: the first real Latino freship out of jail. Thirty days
• 42:07
  Speaker 2: of Go Dog, and I'm telling you that's not cool. Dog,
• 42:10
  Speaker 2: It's not right, and people are just saying that it's cool.
• 42:12
  Speaker 1: It's not right.
• 42:13
  Speaker 3: Somebody with a platform has to say fuck that, it's
• 42:15
  Speaker 3: not cool.
• 42:16
  Speaker 1: Dog.
• 42:17
  Speaker 2: If he wants to stop doing that and be like,
• 42:18
  Speaker 2: you know what, I didn't meaning like that, that's cool,
• 42:20
  Speaker 2: we could do it, but I doubt they.
• 42:22
  Speaker 1: I wouldn't. I wouldn't exchange my hands with it. It's
• 42:24
  Speaker 1: not cool.
• 42:24
  Speaker 2: He knows what's right and what's wrong, and that's not right.
• 42:26
  Speaker 2: It ain't right, and I'm not cool with it saying
• 42:28
  Speaker 2: I would do it. I get it off my chest.
• 42:30
  Speaker 2: It's a big subject. You gonna go viral, fuck viral.
• 42:32
  Speaker 1: It's just real shit. That's not right. I got a platform,
• 42:35
  Speaker 1: I'm gonna speak. I don't like that shit. Dog. If
• 42:37
  Speaker 1: he wants to do it to each is his own,
• 42:38
  Speaker 1: do it. But I ain't fucking with him. Damn. He
• 42:42
  Speaker 1: put in the line between the boundary when we're breaking
• 42:44
  Speaker 1: that like, it's about it's about unity, That's what I'm
• 42:46
  Speaker 1: saying earlier. You need I love black edu came from
• 42:48
  Speaker 1: a black podcast. Yeah, No, it's about unity, man. I
• 42:52
  Speaker 1: think I think he'll clear that up. Man, she couldn't. Well,
• 42:55
  Speaker 1: I know one thing why I ain't racist. I think
• 42:58
  Speaker 1: he is. I think he is. Man. They keep asking me,
• 43:01
  Speaker 1: I think he I think he is. Do you think
• 43:03
  Speaker 1: the Raiders should keep Antonio Pears?
• 43:06
  Speaker 3: Actually, I'm gonna keep a g I don't think he
• 43:07
  Speaker 3: is that thingful.
• 43:09
  Speaker 1: I don't think he is.
• 43:10
  Speaker 2: I think he's just talking shit because I would say
• 43:12
  Speaker 2: some ship if I didn't give a fuck about the camera,
• 43:15
  Speaker 2: but they trained so good. I think he's just talking
• 43:16
  Speaker 2: shit like he don't mean it like that. Maybe he
• 43:19
  Speaker 2: don't mean it like that, but it comes out that
• 43:21
  Speaker 2: like that. Sometimes I be talking ship, but I gotta
• 43:24
  Speaker 2: watch what I say on camera. Right now, I'm talking ship,
• 43:26
  Speaker 2: and I don't think he means it like that. I
• 43:28
  Speaker 2: don't think he means like that. He's just like so
• 43:30
  Speaker 2: like that's whack one hundred whatever. You know, he has
• 43:32
  Speaker 2: his artists. He's casual Ony West and he's just like
• 43:35
  Speaker 2: fuck it, fuck everybody. I'm just talking shit, real, la ship.
• 43:39
  Speaker 1: You got a long career ahead of you, bro, I do.
• 43:41
  Speaker 1: That's what everybody says. I got a no no mind.
• 43:44
  Speaker 2: I was gonna say no, you know, you really do
• 43:47
  Speaker 2: have a long career ahead of you, bro, Like I
• 43:48
  Speaker 2: hope so, man, I really do, I really do. Nobody
• 43:51
  Speaker 2: wants to see anybody like you know the whole thing,
• 43:54
  Speaker 2: you know, I don't want to see you crash out,
• 43:57
  Speaker 2: you know what I'm saying, or get yourself into a
• 43:59
  Speaker 2: situation where no, I'm gonna be hot forever. That's my
• 44:01
  Speaker 2: biggest dream, that's my biggest downfall. I get what you're saying,
• 44:04
  Speaker 2: is to have not be hot and rule my career
• 44:07
  Speaker 2: over one thing.
• 44:07
  Speaker 1: And it can happen. It can happen at any time. Yeah,
• 44:12
  Speaker 1: and if it happens, it happens for fucking fuck you. Hey,
• 44:16
  Speaker 1: fucking I'm still gonna keep rapping. Nah, bro, you got
• 44:18
  Speaker 1: a long career ahead of you. You're just getting started.
• 44:20
  Speaker 1: And the other thing is like you look like you
• 44:22
  Speaker 1: could really like bar out, you know what I'm saying,
• 44:24
  Speaker 1: Like you really could rap rap for real for real, Like,
• 44:27
  Speaker 1: you know what, I'm svery impressed by your your your
• 44:29
  Speaker 1: skill level.
• 44:30
  Speaker 2: You know what I'm gonna say, Like these are like
• 44:32
  Speaker 2: a doll I get high on, like I do drink
• 44:35
  Speaker 2: every day, Like I'm fucking in the hood every day.
• 44:37
  Speaker 3: I don't give a fuck food.
• 44:38
  Speaker 2: I'm in the hood every day like foods don't understand,
• 44:41
  Speaker 2: Like what the fuck I'm going through? And if you
• 44:43
  Speaker 2: do cool, if you talk shit, cool, I still got
• 44:45
  Speaker 2: more money than you. Cool, I'm still better than you.
• 44:47
  Speaker 2: I still got two banzus. You can't be happy for me.
• 44:49
  Speaker 2: I'm happy for anybody doing it. I don't even know
• 44:51
  Speaker 2: what the fuck I'm saying round, I'm just saying, like,
• 44:52
  Speaker 2: so what, I'm drunk, I'm high. I don't give a fuck.
• 44:56
  Speaker 2: I look at all the comments and they always say
• 44:57
  Speaker 2: the same ship, like what man, oh, he's hard whatever,
• 45:01
  Speaker 2: Like man, you sound like a cop, every coming like
• 45:03
  Speaker 2: parole officer, Like I'm high, So what my mom knows?
• 45:05
  Speaker 1: Up high?
• 45:06
  Speaker 2: Everybody knows somebody. They told me to stop. I ain't
• 45:08
  Speaker 2: gonna stop. I'll stop.
• 45:10
  Speaker 3: You know when when I when I stopped? What is
• 45:12
  Speaker 3: your drug of true?
• 45:13
  Speaker 1: All kinds of shit, just everything.
• 45:15
  Speaker 2: All kinds of ship, all kinds of things, like I
• 45:17
  Speaker 2: don't give a fuck. I'm trying catching up to everybody.
• 45:19
  Speaker 2: I'm young for the for camera purposes marijuana right Hey, No,
• 45:23
  Speaker 2: that's just that right now, I'm on marijuana. That's why
• 45:26
  Speaker 2: I'm talking this ship.
• 45:26
  Speaker 1: Weed is great. I don't even know. I think we
• 45:28
  Speaker 1: should edit this.
• 45:29
  Speaker 2: Weed fucking just gets me like we gets me like
• 45:32
  Speaker 2: this fool, just dumb, and he gives me thinking fool.
• 45:35
  Speaker 1: I'm thinking on this ship now, I gotta get off
• 45:37
  Speaker 1: this ship. I told you gave me off here. Then
• 45:39
  Speaker 1: go bounce and go do a motherfucking.
• 45:42
  Speaker 2: Go do it.
• 45:42
  Speaker 1: Let's yeah, you go do a little walk all right, yo.
• 45:46
  Speaker 1: But I give him the best interview. I think I
• 45:48
  Speaker 1: give you a really good interview. I agree, brother, you
• 45:50
  Speaker 1: can edit it right here and we'll wrap it up
• 45:52
  Speaker 1: at the end. I appreciate you. I think he's like
• 45:53
  Speaker 1: looking at me like left like on the game. Yeah,
• 45:59
  Speaker 1: I'm trying to help you out dog cans out front man, Okay,
• 46:05
  Speaker 1: but cam to Lefty, he don't mean no heart, that's
• 46:08
  Speaker 1: how he is. You're good, for sure. I know you're good. Brother.
• 46:13
  Speaker 1: Hey man, I think you're dope. I think the music
• 46:15
  Speaker 1: is dope. I think, Oh, don't get this on camera.
• 46:17
  Speaker 2: I'm looking like I'm stressed up. I'll be cutting right there.
• 46:21
  Speaker 2: I only want to take a swing and get it.
• 46:22
  Speaker 2: Please don't force that you a room my ship. I'll
• 46:25
  Speaker 2: give you all these of.
• 46:30
  Speaker 1: You're having food.
• 46:33
  Speaker 2: Hey, damn, I'm gonna put this one away. They I'm
• 46:39
  Speaker 2: fucking ripping it. You know why because I went to
• 46:43
  Speaker 2: the strip clip right. Well, my bitches a stripper, right,
• 46:46
  Speaker 2: and she had a bunch of ones, right and at first,
• 46:48
  Speaker 2: but I got a lot of money too, so three.
• 46:51
  Speaker 1: Bands for a versus Mexico blew all the two days.
• 46:54
  Speaker 2: Look, I got money too, I got money to right.
• 46:56
  Speaker 2: So she's right there and she's just like, I'm like, hey,
• 46:59
  Speaker 2: I'll treat you one hundred for this hundred. I'll tell
• 47:01
  Speaker 2: you one hundred for this hundred. I'll trick you one
• 47:03
  Speaker 2: hundred for this hundred, just because I like the way
• 47:06
  Speaker 2: it looks. It just looks like more. This is tor
• 47:08
  Speaker 2: she'll come out with a break.
• 47:09
  Speaker 1: Now.
• 47:10
  Speaker 2: I'm looking at it because I put the fifties in
• 47:12
  Speaker 2: the front, put it on my pocket, trying to make
• 47:13
  Speaker 2: a joke out of it, and it ripped, and it's ripping.
• 47:16
  Speaker 2: So now I'm like putting the fifties background now and
• 47:20
  Speaker 2: I'm gonna put them away and shot showing on what
• 47:22
  Speaker 2: is it. I don't give a shit. It's like, what
• 47:24
  Speaker 2: one thousand dollars or let me see how much it is.
• 47:28
  Speaker 2: I'm care I'm not sure even showing up. I don't
• 47:30
  Speaker 2: even care recording.
• 47:31
  Speaker 1: Straight out, it looks like you had a nice night
• 47:33
  Speaker 1: at the strip club. From what I can tell, four
• 47:34
  Speaker 1: hundred four hundred over These are leftovers. Yeah, these are leftovers.
• 47:38
  Speaker 1: This is what the girls didn't get off you.
• 47:41
  Speaker 2: Look fifty, look hold on with a seventy eighty ninety hundred.
• 47:46
  Speaker 1: Three hundred, fourhundred. We're doing banking, no.
• 47:48
  Speaker 2: Way, No, I want to see how much like twenty
• 47:50
  Speaker 2: thirty forty fifty seventy eighty nine hundred, twenty thirty forty
• 47:53
  Speaker 2: fifty seventy eighty ninety hundred, twenty thirty forty fifty fifty
• 48:00
  Speaker 2: seventy eighty ninety one hundred four twenty five s lok.
• 48:09
  Speaker 2: I got one hundred two hundred, three hundred, four hundred
• 48:11
  Speaker 2: and five hundred, six hundred, seven hundred, eight hundred, eight
• 48:14
  Speaker 2: hundred twenty five dollars in my parking.
• 48:17
  Speaker 1: Let's go, baby. At least, at least the young ladies
• 48:22
  Speaker 1: didn't get all the money off of you at the
• 48:24
  Speaker 1: strip club last night. They're still leftovers for tonight. I money,
• 48:29
  Speaker 1: But now we just got to take you to Tijuana.
• 48:31
  Speaker 2: With that in my life no, I want to. I'll
• 48:32
  Speaker 2: spend it in the community. This community dig it's for everybody,
• 48:37
  Speaker 2: recreational use. I gotta throw back and get back to
• 48:40
  Speaker 2: the community. Right, I'm gonna go to the strip clubs
• 48:42
  Speaker 2: in the hood.
• 48:42
  Speaker 1: Yeah for sure.
• 48:44
  Speaker 2: Right, I support the ones in the hood. I don't
• 48:46
  Speaker 2: support the no homegirls. But I said, I got I
• 48:48
  Speaker 2: gotta get you. I gotta get you hooked up with
• 48:50
  Speaker 2: some blue Chew eight hundred twenty five dollars.
• 48:52
  Speaker 1: What is that I want some? It sounds like it's
• 48:53
  Speaker 1: a Dick pill Ooh shoot song, I got you blue
• 48:57
  Speaker 1: Chew promo, cook bootleg. You get a free month. It's
• 49:01
  Speaker 1: much better than a Rhino gas station Dick pill. Oh yeah,
• 49:05
  Speaker 1: we'll get you hooked up on the blue Shoe. They'll
• 49:07
  Speaker 1: have you fucking rocked up.
• 49:08
  Speaker 2: Bro.
• 49:10
  Speaker 1: Endorsement deal for all the SGV strippers. Bro. Yeah, you'll
• 49:13
  Speaker 1: be fucking serving Dick like Jack in the box Tacos
• 49:16
  Speaker 1: at two a M. BRO.
• 49:16
  Speaker 2: Can't if I say, like every time I I don't
• 49:20
  Speaker 2: pop Rhino, everybody the Honey Pack doing Rhino.
• 49:23
  Speaker 1: Sometimes it me up though, like my as well. Get
• 49:25
  Speaker 1: read when I questions, is it either or do you
• 49:27
  Speaker 1: prefer one over the other.
• 49:28
  Speaker 2: Your it's in your head, yeah, sometimes like it's in
• 49:31
  Speaker 2: your head like sometimes like you wing it without.
• 49:33
  Speaker 1: Have you ever popped a rhino thinking you're gonna fuck
• 49:35
  Speaker 1: but then didn't and then you ended up beating off
• 49:37
  Speaker 1: at night and your dick just won't go. No, never
• 49:41
  Speaker 1: that happened. Like I was talking to Ruccie once and
• 49:45
  Speaker 1: he was like, we're talking about.
• 49:50
  Speaker 3: Huge press.
• 49:52
  Speaker 2: Clear all in press. Open my DM in front of
• 49:54
  Speaker 2: the camera. Gosh, don't open it. News Jesus no, I'm
• 49:59
  Speaker 2: not gonna show no news. You want to show these
• 50:00
  Speaker 2: fools how my d ms look shut out? You you
• 50:02
  Speaker 2: edit them?
• 50:03
  Speaker 1: So I want to open it? Is it gonna open
• 50:04
  Speaker 1: on my page? I'm gonna show you. Hold on, We're
• 50:07
  Speaker 1: gonna go like this. I'm gonna go Instagram. Look here,
• 50:09
  Speaker 1: there's Instagram. Look, okay, we're looking. There's my Instagram. I
• 50:14
  Speaker 1: don't want doing.
• 50:15
  Speaker 3: I'm gonna go like this.
• 50:16
  Speaker 1: Look boo whoom.
• 50:20
  Speaker 2: And how much am I making on YouTube studio cash?
• 50:23
  Speaker 2: How much am I making while I'm looking for it? Okay,
• 50:26
  Speaker 2: here we're going. Honey, honey, honey. Look the cameras this camera, honey.
• 50:39
  Speaker 2: Every time they're all hundreds.
• 50:41
  Speaker 1: Look, they're all.
• 50:42
  Speaker 2: Hundred mostly women, are mostly people trying to buy versus
• 50:46
  Speaker 2: types of ship like all because like are you you
• 50:51
  Speaker 2: gotta be killing it right now of guests versus if
• 50:53
  Speaker 2: you're hitting me.
• 50:54
  Speaker 1: Up and you're famous, I don't even look at it
• 50:56
  Speaker 1: food Span style. I don't give a fuck. Yeah fuk wrap,
• 50:59
  Speaker 1: I got money like hundred a game. I got another one,
• 51:04
  Speaker 1: which you should go through and see what famous people
• 51:06
  Speaker 1: have hit you up. Maybe you're you're missing out on
• 51:08
  Speaker 1: a nice feature right now. No he no, no, no, hey,
• 51:13
  Speaker 1: hell hey, my bounce is kicking any thing.
• 51:15
  Speaker 2: We're keen and still we are. You know, hey, look,
• 51:17
  Speaker 2: I'm definitely one of the top five artists in the
• 51:19
  Speaker 2: SUV shot outs left the gun player. I appreciate you
• 51:21
  Speaker 2: gain who's this talking? Is this the only OJ the sickets,
• 51:27
  Speaker 2: I'm the best?
• 51:28
  Speaker 1: Yeah, uh.
• 51:31
  Speaker 3: Yeah, let me know. Let me see it, let me see.
• 51:32
  Speaker 3: Oh yeah, chickens got an interview.
• 51:34
  Speaker 1: That's right.
• 51:34
  Speaker 2: Look, here's my dam think my ship. Okay, man, let
• 51:38
  Speaker 2: me see where see we better, we better have some
• 51:42
  Speaker 2: girls in here. Let me see with a boom, won't
• 51:45
  Speaker 2: see it all with a fat wa pole. That's my
• 51:47
  Speaker 2: boy right there, like.
• 51:48
  Speaker 1: This bitch right here. That was really bad. Yeah yeah,
• 51:52
  Speaker 1: but there you go. I fucked too.
• 51:55
  Speaker 2: Look at leaky. Hit me up with a Juji Latin
• 51:58
  Speaker 2: b c be hit me up look food Network. Look, okay,
• 52:01
  Speaker 2: artists connect, come on the fools, way up with up.
• 52:03
  Speaker 1: You see all its living there? Now you want more?
• 52:09
  Speaker 1: I see the girls. I mean I ain't seeing the messages,
• 52:11
  Speaker 1: but I see you got a bunch of hoses and
• 52:13
  Speaker 1: your ship.
• 52:14
  Speaker 2: Super Young, hit me up on the set, stupid Young,
• 52:17
  Speaker 2: hit you up. Edit that ship though, So if you're running,
• 52:19
  Speaker 2: it's running right now, looks stupid young. Shout out stuper Young.
• 52:21
  Speaker 1: What say stupid young? Huh yeah that's the homie. Come
• 52:24
  Speaker 1: on full shout out to long Beach. Hey, I want
• 52:26
  Speaker 1: to go.
• 52:27
  Speaker 2: I want to read.
• 52:29
  Speaker 1: I want to I want to read it myself. And
• 52:31
  Speaker 1: actually got nine twenty five.
• 52:33
  Speaker 3: I dropped one hundred on the floor. I'm the winner.
• 52:35
  Speaker 1: Okay, we're gonna take this nine hundred and twenty five
• 52:38
  Speaker 1: dollars and go somewhere. Hell no, look, I appreciate you
• 52:43
  Speaker 1: pulling up. We're gonna have you freestyles that cool and
• 52:45
  Speaker 1: then separate video. We'll take a little pause.
• 52:47
  Speaker 2: No, no, we can do right now. No, No, we're
• 52:48
  Speaker 2: gona take a little break. But hey, Rookie, when is
• 52:52
  Speaker 2: Rookie of the Year coming.
• 52:53
  Speaker 1: A stupid young hearing me up? Full flo cripple with
• 52:56
  Speaker 1: that thing with me? Get stupid Young on Rookie of
• 52:59
  Speaker 1: the hear.
• 53:00
  Speaker 2: My brother's not And if you start up monning me,
• 53:03
  Speaker 2: you know I'm going even Fool's told me Young, you've
• 53:05
  Speaker 2: been shipping for no reason, which.
• 53:06
  Speaker 1: Or not he bring that pain song man, Tho, he's hard,
• 53:11
  Speaker 1: super hard. That's that's my dream. I'm just giving my dream.
• 53:14
  Speaker 2: Dog.
• 53:15
  Speaker 1: That's crazy. Hey man, Stuper Young, hit me up.
• 53:18
  Speaker 2: I think that's dope. I think you got a bright
• 53:21
  Speaker 2: future ahead. You have to be gunna play motherfuckers on
• 53:23
  Speaker 2: the ship on the set. I'm really the essay, Stuper Young, Damn,
• 53:27
  Speaker 2: that's crazy. I'm blast see. I would never expected that
• 53:31
  Speaker 2: motherfucker is paying for that ship. Like I'm just doing
• 53:34
  Speaker 2: it with him because he does it for the music.
• 53:35
  Speaker 2: I believe, like me, he's just like a real hitter
• 53:38
  Speaker 2: like me. Anyways, I'm going dog.
• 53:39
  Speaker 1: Well, listen, brother, I appreciate you. We're gonna get the
• 53:41
  Speaker 1: new album soon. Do we have any idea when Rookie
• 53:43
  Speaker 1: the year is coming. Fuck, I hope tonight. It's already
• 53:48
  Speaker 1: some time in February. It's already done. It's already done.
• 53:50
  Speaker 1: Sometime in February.
• 53:53
  Speaker 2: We're gonna okay, they gonna have it for a bands
• 53:55
  Speaker 2: right now. I appreciate you pulling up, brother, Yes, sir,
• 53:58
  Speaker 2: there it is. You believe I have nine hundred five.
• 54:00
  Speaker 2: I can't believe I dropped the hundred on the floor.
• 54:02
  Speaker 2: Come on back, one hundred, baby, half