Latest / Sergeant York and His People / Color - Countee Cullen
Transcript
- 0:00Speaker 1: Section zero of color. This is a LibriVox recording. All
- 0:05Speaker 1: LibriVox recordings are in the public domain. For more information
- 0:10Speaker 1: or to volunteer, please visit LibriVox dot org. Read by
- 0:15Speaker 1: Mike Overbye Midland, Washington, Color by Counte Cullen to you
- 0:23Speaker 1: who read my book. Soon every sprinter, however, fleet, comes
- 0:29Speaker 1: to a winter of sure defeat. Though he may race
- 0:32Speaker 1: like the hunted dough, time has a pace to lay
- 0:36Speaker 1: him low. Soon, We who sing, however high, must face
- 0:41Speaker 1: the thing we cannot fly. Yea, though we fling our
- 0:45Speaker 1: notes to the sun, time will outsing us every one.
- 0:50Speaker 1: All things must change. As the wind is blown. Time
- 0:54Speaker 1: will estrange the flesh from the bone. The dream shall
- 0:58Speaker 1: elude the dreamer's clasp, and only its hood shall comfort
- 1:03Speaker 1: his grasp. A little while, too brief at most, and
- 1:08Speaker 1: even my smile will be a ghost, a little space,
- 1:12Speaker 1: a finger's crook. And who shall trace the path I took?
- 1:17Speaker 1: Who shall declare my whereabouts? Say if in the air
- 1:21Speaker 1: my being shouts along light ways, or if in the
- 1:24Speaker 1: sea or deep earth stays the germ of me? Ah?
- 1:30Speaker 1: None knows, none, save but too well the cryptic one
- 1:34Speaker 1: who will not tell this is my hour to wax
- 1:38Speaker 1: and climb, flaunt a red flower in the face of time,
- 1:42Speaker 1: and only an hour time gives. Then snap goes the flower,
- 1:46Speaker 1: and dried is the sap juice of the first grapes
- 1:50Speaker 1: of my vine. I proffer your thirst, my own heart's whine.
- 1:55Speaker 1: Here of my growing a red rose sways, seed of
- 1:59Speaker 1: my soul and work of my days. I run, but
- 2:04Speaker 1: times abreast with me. I sing, But he climbs with
- 2:07Speaker 1: my highest sea drink, while my blood colors the wine
- 2:11Speaker 1: reach while the bud is still on the vine. Then
- 2:16Speaker 1: when the hawks of death tear at my throat, till
- 2:19Speaker 1: song and breath ebb note by note, turn to this
- 2:23Speaker 1: book of the mellow word for a singing. Look at
- 2:27Speaker 1: the stricken bird, Say this is the way he chirped
- 2:30Speaker 1: and sung in the sweet hey day when his heart
- 2:33Speaker 1: was young. Though his throat is bare by death, defiled song,
- 2:38Speaker 1: labored there and bore a child. When the dreadful axe
- 2:42Speaker 1: rives me apart, when the sharp wedge cracks my arid heart,
- 2:47Speaker 1: turn to this book of the singing me for a springtime.
- 2:51Speaker 1: Look at the wintry tree, Say thus it was weighed
- 2:55Speaker 1: with flower and fruit. Ere the axe was laid unto
- 2:59Speaker 1: its root, though the blows fall free on a gnarled trunk.
- 3:03Speaker 1: Now once he was a tree with a blossomy bow.
- 3:08Speaker 1: End of section zero, Section one of Color by Counte Cullen.
- 3:19Speaker 1: The Librovox according is in the public domain, read by
- 3:23Speaker 1: Mike Overby, Midland, Washington, Color one. Yet do I marvel?
- 3:31Speaker 1: I doubt not God as good, well meaning kind? And
- 3:35Speaker 1: did he stoop to quibble? Could tell why the little
- 3:38Speaker 1: buried mole continues blind? Why flesh that mirrors him must
- 3:43Speaker 1: some day die? Make plain the reason tortured Tantalus is
- 3:48Speaker 1: baited by the fickle fruit. Declare, if merely brute caprice
- 3:52Speaker 1: doom sissyphus to struggle up a never ending stare inscrutable,
- 3:58Speaker 1: his ways are and immune to ca atochism by a
- 4:00Speaker 1: mind too strewn with petty, cares to slightly understand what
- 4:04Speaker 1: awful brain compels his awful hand. Yet do I marvel
- 4:09Speaker 1: at this curious thing to make a poet black and
- 4:13Speaker 1: bid him sing? End of section one, Section two of
- 4:24Speaker 1: Color by Counte Cullen. This Liebrivox according is in the
- 4:28Speaker 1: public domain, read by Mike Overbye, Midland, Washington, Color two.
- 4:36Speaker 1: A song of praise for one who praised his lady's
- 4:40Speaker 1: being fair. You have not heard my love's dark throat,
- 4:45Speaker 1: slow fluting like a read release the perfect golden note.
- 4:49Speaker 1: She caged there from my need. Her walk is like
- 4:53Speaker 1: the replica of some barbaric dance, wherein the soul of
- 4:57Speaker 1: Africa is winged with arrogant and yet so light. She
- 5:02Speaker 1: steps across the ways her shore feet pass. She does
- 5:06Speaker 1: not dent the smoothest moss or bend the thinnest grass.
- 5:12Speaker 1: My love is dark as yours is fair, yet lovelier.
- 5:16Speaker 1: I hold her than listless maids with pallid hair and
- 5:20Speaker 1: blood that's thin and colder. You proud and to be pitied.
- 5:24Speaker 1: One gaze on her in despair, then seal your lips
- 5:29Speaker 1: until the sun discovers one is fair. End of section two,
- 5:40Speaker 1: Section three of Color by Countay Cullen. This LibriVox according
- 5:46Speaker 1: is in the public domain. Read by Mike overby Midland, Washington,
- 5:52Speaker 1: Color three, Brown boy to brown Girl, Remembrance on a
- 5:58Speaker 1: hill for Yolande, as surely as I hold your hand
- 6:02Speaker 1: in mine, as surely as your crinkled hair belies the
- 6:06Speaker 1: enamored sun. Pretending that he dies while he still loiters
- 6:09Speaker 1: in its glossy shine, as surely as I break the
- 6:13Speaker 1: slender line that Spider linked us with. In no least
- 6:17Speaker 1: wise am I uncertain that these alien skies do not
- 6:21Speaker 1: our whole life, measure and confine no less. Once in
- 6:26Speaker 1: a land of scarlet suns and brooding winds, before the
- 6:30Speaker 1: hurricane bore down upon us, long before this pain, we
- 6:34Speaker 1: found a place where quiet water runs. I held your
- 6:38Speaker 1: hand this way upon a hill, and felt my heart forbear.
- 6:43Speaker 1: My pulse grows still. End of section three, Section four
- 6:54Speaker 1: of color by Counte Cullen. This LibriVox recording is in
- 6:59Speaker 1: the public domain. Read by Mike Overbye, Miland, Washington, color four.
- 7:07Speaker 1: A brown girl dead with two white roses on her breasts,
- 7:12Speaker 1: white candles at head and feet, dark Madonna of the grave,
- 7:17Speaker 1: she rests Lord death has found her sweet. Her mother
- 7:22Speaker 1: pawned her wedding ring to lay her out in white.
- 7:26Speaker 1: She'd be so proud, she'd dance and sing to see
- 7:30Speaker 1: herself tonight. End of section four, Section five of color
- 7:43Speaker 1: by Counte Cullen. This LibriVox recording is in the public domain.
- 7:48Speaker 1: Read by Mike Overby, Midland, Washington, color five to a
- 7:55Speaker 1: brown girl for Roberta. What if his gladnce is bold
- 8:00Speaker 1: and free, his mouth the lash of whips, so should
- 8:04Speaker 1: the eyes of lovers be, and so a lover's lips.
- 8:08Speaker 1: What if no puritanic strain confines him to the nice,
- 8:13Speaker 1: he will not pass this way again, nor hunger for
- 8:16Speaker 1: you twice, since in the end consort together Magdalene and
- 8:21Speaker 1: marry youth. Is the time for careless weather. Later lass
- 8:26Speaker 1: be wary. End of section five, Section six of Color
- 8:38Speaker 1: by Counte Cullen. The sleepervox according is in the public domain.
- 8:43Speaker 1: Read by Mike Overbee, Midland, Washington, Color six to a
- 8:50Speaker 1: brown boy, that brown girl's swagger gives a twitch to
- 8:55Speaker 1: beauty like a queen lad Never damn your body's it
- 9:00Speaker 1: when loveliness is seen, for there is ample room for
- 9:04Speaker 1: bliss in pride, in clean brown limbs and lips. Know
- 9:10Speaker 1: better how to kiss than how to raise white hymns.
- 9:15Speaker 1: And when your body's death gives birth to soil for
- 9:18Speaker 1: spring to crown, men will not ask if that rare
- 9:23Speaker 1: earth was white flesh once or brown. End of section six,
- 9:34Speaker 1: Section seven of Color by Counte Cullen. This LibriVox recording
- 9:41Speaker 1: is in the public Domain, read by Mike Overbye, Midland, Washington,
- 9:47Speaker 1: Color seven. Black Magdalens. These have no Christ to spit in,
- 9:54Speaker 1: stoop to write upon the sand, inviting him that has
- 9:58Speaker 1: not sinned, to raise the first rude hand. And if
- 10:03Speaker 1: he came, they could not buy rich ointment for his feet.
- 10:07Speaker 1: The body's sail scarce yields enough to let the body eat.
- 10:12Speaker 1: The chaste clean ladies passed them by and draw their
- 10:16Speaker 1: skirts aside. But magdalens have a ready laugh. They wrap
- 10:21Speaker 1: their wounds in pride. They fare full ill, since Christ
- 10:26Speaker 1: forsook the cross to mount a throne, and Virtue still
- 10:31Speaker 1: is stooping down to cast the first hard stone. End
- 10:37Speaker 1: of section seven, Section eight of color by Counte Cullen.
- 10:48Speaker 1: This LibriVox according is in the public domain, read by
- 10:52Speaker 1: Mike Overby, Midland, Washington, Color eight. Atlantic city waiter with
- 11:01Speaker 1: subtle poise. He grips his tray of delicate things to eat,
- 11:06Speaker 1: choice viands to their mouths. Half way. The ladies watch
- 11:10Speaker 1: his feet go, carving dexterous avenues through sly intricacies ten
- 11:17Speaker 1: thousand years on jungle clues alone, shaped feet like these
- 11:23Speaker 1: for him to be humble, who is proud, needs colder artifice,
- 11:28Speaker 1: though half his pride is disavowed in vain, the sacrifice
- 11:33Speaker 1: sheer through his acquiescent mask of bland gentility. The jungle
- 11:38Speaker 1: flames like a copper cask set where the sun strikes free.
- 11:44Speaker 1: End of section eight, Section nine of color by Counte Cullen.
- 11:55Speaker 1: This LibriVox according is in the public domain. Read by
- 11:59Speaker 1: Mike Overby, Midland, Washington, Color nine, near white, ambiguous of race.
- 12:09Speaker 1: They stand by one, disowned scorn of another, not knowing
- 12:14Speaker 1: where to stretch a hand, and cry, my sister or
- 12:19Speaker 1: my brother. End of section nine, Section ten of color
- 12:30Speaker 1: by Counte Cullen. This LibriVox recording is in the public domain,
- 12:35Speaker 1: read by Mike Overby, Midland, Washington, Color ten. To blow
- 12:43Speaker 1: for Donald Duff. Locked arm in arm, they cross the way,
- 12:49Speaker 1: the black boy and the white, the golden splendor of
- 12:53Speaker 1: the day, the sable pride of night from lowered blinds.
- 12:58Speaker 1: The dark folk stare and hear the fair folk talk,
- 13:02Speaker 1: indignant that these two should dare in unison, to walk,
- 13:07Speaker 1: oblivious to look and word. They pass and see no
- 13:12Speaker 1: wonder that lightning brilliant as a sword should blaze the
- 13:17Speaker 1: path of thunder. End of section ten, Section eleven of
- 13:28Speaker 1: color by Countey Cullen. This LibriVox according is in the
- 13:32Speaker 1: public domain. Read by Mike Overby, Midland, Washington, Color eleven.
- 13:40Speaker 1: Harlem Wine. This is not water running here, these thick,
- 13:46Speaker 1: rebellious streams that hurtle flesh and bone, past fear, down
- 13:51Speaker 1: alleyways of dreams. This is a wine that must flow on,
- 13:56Speaker 1: not caring how nor where. So it has ways to
- 14:00Speaker 1: flow upon where song is in the air. So it
- 14:05Speaker 1: can woo an artful flute with loose elastic lips. Its
- 14:10Speaker 1: measurement of joy compute with blithe ecstatic hips. End of
- 14:16Speaker 1: section eleven, Section twelve of color by Countey Cullen. This
- 14:27Speaker 1: LibriVox according is in the public domain. Read by Mike Overby, Midland, Washington,
- 14:35Speaker 1: Color twelve. Simon the Cyrenian speaks. He never spoke a
- 14:41Speaker 1: word to me, and yet he called my name. He
- 14:45Speaker 1: never gave a sign to me, and yet I knew
- 14:49Speaker 1: and came. At first. I said, I will not bear
- 14:53Speaker 1: his cross upon my back. He only seeks to place
- 14:58Speaker 1: it there because my skin is black. But he was
- 15:02Speaker 1: dying for a dream, and he was very meek, and
- 15:07Speaker 1: in his eyes there shone a gleam men journey far
- 15:11Speaker 1: to seek. It was himself my pity bot I did
- 15:16Speaker 1: for Christ alone what all of Rome could not have
- 15:20Speaker 1: wrought with bruise of lash or stone. End of section twelve,
- 15:33Speaker 1: Section thirteen of Color by Countey Cullen. This LibriVox recording
- 15:39Speaker 1: is in the public domain. Read by Mike Overby, Midland, Washington,
- 15:45Speaker 1: Color thirteen incident for Eric Wahrond. Once riding in old Baltimore,
- 15:54Speaker 1: heart filled, head filled with glee. I saw a Baltimorean
- 16:00Speaker 1: keep looking straight at me. Now I was eight and
- 16:03Speaker 1: very small, and he was no whit bigger, and so
- 16:07Speaker 1: I smiled, But he poked out his tongue and called
- 16:10Speaker 1: me nigger. I saw the whole of Baltimore from May
- 16:17Speaker 1: until December, of all the things that happened there, that's
- 16:22Speaker 1: all that I remember. End of section thirteen, Section fourteen
- 16:34Speaker 1: of Color by Count A. Cullin. This LibriVox according is
- 16:39Speaker 1: in the public domain. Read by Mike Overbye, Midland, Washington,
- 16:46Speaker 1: Color fourteen two. Who crossed the line? She crosses from
- 16:53Speaker 1: where she stood. The air she craved smoked with the
- 16:57Speaker 1: smell of pine. It was too much to bear. She
- 17:01Speaker 1: braved her gods and crossed the line, and we were
- 17:06Speaker 1: hurt to see her go, with her fair face and
- 17:09Speaker 1: hair and veins too thin and blue to show what
- 17:14Speaker 1: mingled blood flowed there. We envied her awhile who still
- 17:19Speaker 1: pursued the hated track. Then we forgot her name, until
- 17:24Speaker 1: one day her shade came back, calm as a wave
- 17:29Speaker 1: without a crest, sorrow proud and sorrow wise, with trouble,
- 17:34Speaker 1: sucking at her breast, with tear disdainful eyes, she slipp'd
- 17:40Speaker 1: into her ancient place, and no word asked, gave none.
- 17:46Speaker 1: Only the silence in her face said seats were dear
- 17:51Speaker 1: in the sun. End of section fourteen. Section fifteen of
- 18:03Speaker 1: color by Countey Cullen. This LibriVox recording is in the
- 18:07Speaker 1: public domain. Read by Mike Overby Midland, Washington, Color fifteen two.
- 18:16Speaker 1: Who crossed a line he crosses, he rode across like
- 18:21Speaker 1: a cavalier, spurs clicking hard and loud, and where he tarried,
- 18:27Speaker 1: dropped his tear on heads he left low bowed, but
- 18:32Speaker 1: even Stephen he cried and struck his steed, an urgent blow.
- 18:37Speaker 1: He swore by youth, he was a bach with savage
- 18:41Speaker 1: oats to sow, to even up some standing scores from
- 18:47Speaker 1: every flower bed he passed. He pluck'd by threes and
- 18:51Speaker 1: fours till Wheel's world in his head. But long before
- 18:57Speaker 1: the drug could tell, he took his anodyne with scornful grace.
- 19:03Speaker 1: He bowed farewell and retraversed the line end of section fifteen.
- 19:15Speaker 1: Section sixteen of Color by Counte Cullen. This LibriVox recording
- 19:22Speaker 1: is in the public domain. Read by Mike Overby Midland, Washington,
- 19:28Speaker 1: Color sixteen, Saturday's Child. Some are teethed on a silver
- 19:35Speaker 1: spoon with the stars strung for a rattle. I cut
- 19:40Speaker 1: my teeth as the black raccoon for implements of battle.
- 19:46Speaker 1: Some are swaddled in silk and down and heralded by
- 19:51Speaker 1: a star. They swathed my limbs in a sackcloth gown
- 19:56Speaker 1: on a night that was black as tar. For some
- 20:01Speaker 1: Godfather and God Dame, the opulent fairies be Dame. Poverty
- 20:07Speaker 1: gave me my name, and pain. Godfathered me for I
- 20:13Speaker 1: was born on Saturday, bad time for planting a seed
- 20:17Speaker 1: was all my father had to say, and one mouth
- 20:21Speaker 1: more to feed. Death cut the strings that gave me
- 20:25Speaker 1: life and handed me to sorrow. The only kind of
- 20:30Speaker 1: middle wife. My folks could beg or borrow. End of
- 20:36Speaker 1: section sixteen, Section seventeen of Color by Counte Cullen. This
- 20:48Speaker 1: LibriVox recording is in the public domain. Read by Mike Overbye, Midland, Washington,
- 20:56Speaker 1: Color seventeen The Dance of Love after reading Renee Moron's Batullah.
- 21:04Speaker 1: All night we danced upon our windy hill, your dress
- 21:09Speaker 1: a cloud of tangled midnight hair, and love was much
- 21:13Speaker 1: too much for me to wear my leaves. The killer
- 21:17Speaker 1: roared above his kill, but you danced on. And when
- 21:21Speaker 1: some star would spill its red and white upon you,
- 21:24Speaker 1: whirling there, I sensed a hidden beauty in the air.
- 21:29Speaker 1: Though you danced on my heart and I stood still.
- 21:35Speaker 1: But suddenly a bit of morning crept along your trembling
- 21:39Speaker 1: sides of ebony. I saw the tears your tired limbs
- 21:43Speaker 1: had wept, and how your breasts heaved high, how languidly
- 21:48Speaker 1: your dark arms moved. I drew you close to me.
- 21:52Speaker 1: We flung ourselves upon our hill and slept end of
- 21:57Speaker 1: section seventeen, Section eighteen of Color by Counte Cullen. This
- 22:10Speaker 1: LibriVox according is in the public domain. Read by Mike Overbee, Midland, Washington,
- 22:18Speaker 1: Color eighteen pagan prayer. Not for myself I make this prayer,
- 22:26Speaker 1: but for this race of mine that stretches forth from
- 22:30Speaker 1: shadowed places, dark hands, for bread and wine. For me,
- 22:36Speaker 1: my heart is pagan mad. My feet are never still.
- 22:40Speaker 1: But give them hearths to keep them warm in homes
- 22:44Speaker 1: high on a hill. For me, my faith lies fallowing.
- 22:50Speaker 1: I bow not till I see. But these are humble
- 22:54Speaker 1: and believe. Bless their credulity. For me, I pay my
- 23:00Speaker 1: debts in kind and see no better way. Bless these
- 23:06Speaker 1: who turn the other cheek for love of you and
- 23:09Speaker 1: pray Our Father God, our brother Christ. So are we
- 23:15Speaker 1: taught to pray? Their kinship seems a little thing who
- 23:20Speaker 1: sorrow all the day, our Father God, our brother Christ.
- 23:27Speaker 1: Or are we bastard kin that to our plaints your
- 23:31Speaker 1: ears are closed, your doors barred from within, Our Father God,
- 23:38Speaker 1: our Brother Christ. Retrieve my race again? So shall you
- 23:43Speaker 1: compass this black sheep, this pagan heart. Amen end of
- 23:50Speaker 1: section eighteen, Section nineteen of color by Counte Cullen. This
- 24:02Speaker 1: LibriVox recording is in the public domain. Read by Mike Overbee, Midland, Washington,
- 24:09Speaker 1: Color nineteen. Wisdom cometh with the years. Now I am
- 24:16Speaker 1: young and credulous. My heart is quick to bleed at
- 24:20Speaker 1: courage in the tremulous slow sprouting of a seed. Now
- 24:26Speaker 1: I am young and sensitive. Man's lack can stab me through.
- 24:31Speaker 1: I own no stitch I would not give to him
- 24:34Speaker 1: that asked me to. Now I am young and a
- 24:38Speaker 1: fool for love. My blood goes mad to see a
- 24:42Speaker 1: brown girl past me, like a dove that flies melodiously.
- 24:48Speaker 1: Let me be lavish of my tears and dream that
- 24:52Speaker 1: false is true. Though wisdom cometh with the years, the
- 24:57Speaker 1: barren days come too. End of section nineteen, Section twenty
- 25:08Speaker 1: of Color by Count A. Cullen. This LibriVox recording is
- 25:14Speaker 1: in the public domain. Read by Mike Overbee, Miland Washington,
- 25:20Speaker 1: Color twenty. To my fairer brethren, though I score you
- 25:26Speaker 1: with my best treble, circumstance must confirm the verdict, lest
- 25:32Speaker 1: it be laid to chance insufficient that I match you
- 25:36Speaker 1: every coin you flip. Your demand is that I catch
- 25:40Speaker 1: you squarely on the hip. Should I wear my reads
- 25:44Speaker 1: a bit rakishly and proud I have bought my right
- 25:48Speaker 1: to it? Let it be allowed. End of Section twenty
- 26:00Speaker 1: twenty one of Color by COUNTE Cullen. The LibriVox recording
- 26:06Speaker 1: is in the public domain. Read by Mike Overby, Midland, Washington,
- 26:12Speaker 1: Color twenty one, Fruit of the Flower. My father is
- 26:19Speaker 1: a quiet man, with sober, steady ways for simile a
- 26:24Speaker 1: folded fan. His nights are like his days. My mother's
- 26:29Speaker 1: life is puritan, no hint of cavalier. A pool so
- 26:35Speaker 1: calm your shore, it can have little depth to fear.
- 26:40Speaker 1: And yet my father's eyes can boast how full his
- 26:44Speaker 1: life has been. There haunts them. Yet the languid ghost
- 26:49Speaker 1: of some still sacred sin. And though my mother chance
- 26:53Speaker 1: of God and of the mystic river, I've seen a
- 26:57Speaker 1: bit of checkered sod at all her flesh a quiver.
- 27:03Speaker 1: Why should he deem it pure mischance. A son of
- 27:06Speaker 1: his is fain to do a naked tribal dance each
- 27:10Speaker 1: time he hears the rain. Why should he think it
- 27:14Speaker 1: devil's art that all my songs should be of love
- 27:19Speaker 1: and lover's broken heart and wild sweet agony. Who plants
- 27:25Speaker 1: a seed begets a bud extract of that same root.
- 27:30Speaker 1: Why marvel at the hectic blood that flushes this wild fruit?
- 27:37Speaker 1: End of section twenty one. Section twenty two of color
- 27:47Speaker 1: by Counte Cullen. This LibriVox recording is in the public domain.
- 27:53Speaker 1: Read by Mike Overbye, Midland, Washington, Color twenty two. The
- 27:59Speaker 1: shroud out of color for Llewellyn Ransom Lord, being dark,
- 28:08Speaker 1: I said, I cannot bear the further touch of earth
- 28:13Speaker 1: the scented air. Lord, being dark, forewilled to that despair,
- 28:19Speaker 1: My color shrouds me in. I am as dirt beneath
- 28:24Speaker 1: my brother's heel. There is a hurt in all the
- 28:28Speaker 1: simple joys which to a child are sweet. They are contaminate,
- 28:34Speaker 1: defiled by truths of wrongs. The childish vision fails to
- 28:39Speaker 1: see too great a cost this birth entails. I strangle
- 28:46Speaker 1: in this yoke, drawn tighter than the worth of bearing
- 28:49Speaker 1: it just to be man. I am not brave enough
- 28:53Speaker 1: to pay the price in full. I lack the strength
- 28:58Speaker 1: to sacrifice. I who have burn'd my hands upon a star,
- 29:03Speaker 1: and climb'd high hills at dawn to view the far
- 29:07Speaker 1: illimitable wonderments of Earth, for whom all cups have dripp'd
- 29:13Speaker 1: the wine of mirth, for whom the sea has strain'd
- 29:17Speaker 1: her honey'd throat till all the world was see and
- 29:21Speaker 1: I a boat unmoor'd on what strange quest I will'd
- 29:26Speaker 1: to float, who wore a many color'd coat of dreams,
- 29:31Speaker 1: Thy gift, O Lord, I whom sun dabbl'd streams have wash'd,
- 29:36Speaker 1: whose bare brown thighs have held the sun incarcerate until
- 29:40Speaker 1: his course was run, I who consider'd man a high,
- 29:45Speaker 1: perfected glass where loveliness could lie reflected. Now that I
- 29:51Speaker 1: sway athwart Truth's deep abyss, denuding man for what he
- 29:56Speaker 1: was and is, shall breath and being so so invigal
- 30:00Speaker 1: me that I can damn my dreams to hell and
- 30:04Speaker 1: be content each new born day, anew to see the
- 30:09Speaker 1: steaming crimson vintage of my youth in Carnadine, the altar
- 30:13Speaker 1: slab of truth. Or hast thou Lord, somewhere I cannot
- 30:19Speaker 1: see a lamb imprisoned in a bush for me. Not.
- 30:24Speaker 1: So then, let me render one by one thy gifts,
- 30:27Speaker 1: while still they shine. Some little sun yet gilds these thighs.
- 30:33Speaker 1: My coat, albeit worn, still holds its colors fast, albeit torn,
- 30:39Speaker 1: My heart will laugh a little. Yet if I may
- 30:42Speaker 1: win of thee this grace, Lord, on this high and
- 30:46Speaker 1: sacrificial hill TwixT earth and sky, to dream still pure
- 30:51Speaker 1: all that I loved and die. There is no other
- 30:55Speaker 1: way to keep secure my wild chimeras grave locked against
- 30:59Speaker 1: the lore of truth. The small hard teeth of worms,
- 31:04Speaker 1: yet less envenomed than the mouth of truth, will bless
- 31:08Speaker 1: them into dust and happy nothingness. Lord, thou art God,
- 31:14Speaker 1: and I, Lord, what am I but dust? With dust
- 31:18Speaker 1: my place? Lord, Let me die across the earth's warm,
- 31:25Speaker 1: palpitating crust. I flung my body in embrace. I thrust
- 31:29Speaker 1: my mouth into the grass and sucked the dew, then
- 31:33Speaker 1: gave it back in tears. My anguish drew so hard
- 31:37Speaker 1: I pressed against the ground. I felt the smallest sand
- 31:40Speaker 1: grain like a knife, and smelt the next year's flowering.
- 31:45Speaker 1: All this to speed my body's dissolution. Feign to feed
- 31:49Speaker 1: the worms, and so I groaned and spent my strength
- 31:53Speaker 1: until all passions spent. I lay full length and quivered
- 31:58Speaker 1: like a flayed and bleeding thing. So lay till lifted
- 32:02Speaker 1: on a great black wing that had no mate nor
- 32:05Speaker 1: flesh apparent trunk to hamper it with me. All time
- 32:09Speaker 1: had sunk into oblivion. When I awoke, the wing hung
- 32:14Speaker 1: poised above two cliffs that broke the bowels of the earth.
- 32:18Speaker 1: In twain and cleft, the seas apart below above to
- 32:24Speaker 1: left till right. I saw what no man saw before Earth,
- 32:29Speaker 1: Hell and Heaven sign you vein and core. All things
- 32:34Speaker 1: that swim or walk, or creep or fly, all things
- 32:37Speaker 1: that live and hunger, faint and die, were made majestic then,
- 32:42Speaker 1: and magnified by sight, so clearly purged and deified. The
- 32:48Speaker 1: smallest bug that crawls was taller than a tree. The
- 32:52Speaker 1: mustard seed loomed like a man. The earth that rides
- 32:56Speaker 1: eternally with pain of birth and woe of taking back
- 33:00Speaker 1: her slain, laid bare her teeming bosom to my sight,
- 33:05Speaker 1: and all was struggle, gasping breath and fight. A blind worm.
- 33:10Speaker 1: Here dug tunnels to the light. And there a seed,
- 33:14Speaker 1: racked with heroic pain, thrust eager tentacles to sun and rain.
- 33:20Speaker 1: It climbed, it died. The old love conquered me to
- 33:25Speaker 1: weep the blossom it would never be. But here a
- 33:29Speaker 1: bud one light, It burst and flowered into a rose
- 33:34Speaker 1: whose beauty challenged coward. There was no thing alive save
- 33:38Speaker 1: only I, that held life in contempt and longed to die.
- 33:43Speaker 1: And still I writhed and moaned. The curse, the curse
- 33:50Speaker 1: than animated death. Can death be worse? Dark child of sorrow,
- 33:56Speaker 1: mine no less? What art of mine can make thee
- 34:00Speaker 1: see and play thy part? The key to all strange
- 34:05Speaker 1: things is in thy heart. What voice was this that
- 34:09Speaker 1: coursed like liquid fire along my flesh and turned my
- 34:13Speaker 1: hair to wire? I raised my burning eyes, beheld a
- 34:17Speaker 1: field all multitudinous with carnal yield, a grim ensanguined mead,
- 34:22Speaker 1: whereon I saw evolve the ancient fundamental law of tooth
- 34:26Speaker 1: and talon, fist and nail and claw. There, with the
- 34:30Speaker 1: force of living, hostile hills whose clash the hemm'd in
- 34:35Speaker 1: veil with clamor fills with greater din contended fierce majestic
- 34:40Speaker 1: wills of beast with beast of man, with man in strife.
- 34:45Speaker 1: For love of what my heart despised for life, that,
- 34:49Speaker 1: unto me at dawn was now a prayer for night.
- 34:52Speaker 1: At night, a bloody heart wrung tear for day again
- 34:55Speaker 1: for this these groans from tangled flesh and interlocked bones.
- 35:02Speaker 1: And no thing died that did not give a testimony
- 35:06Speaker 1: that it longed to live. Man strange composite blend of
- 35:11Speaker 1: brute and God pushed on nor backward, glanced where last
- 35:16Speaker 1: he trod. He seemed to mount a misty ladder, flung
- 35:20Speaker 1: pendant from a cloud, yet never gained a rung. But
- 35:24Speaker 1: at his feet another tugged and clung. My heart was
- 35:29Speaker 1: still a pool of bitterness. Would yield not else, not else,
- 35:34Speaker 1: confess I spoke, although no form was there to see.
- 35:38Speaker 1: I knew an ear was there to hear. Well, let
- 35:42Speaker 1: them fight they can, whose flesh is fair? Crisp lightning flashed,
- 35:49Speaker 1: A wave of thunder shook my wing, A pause, and
- 35:54Speaker 1: then a speaking look. I scarce dared try my ears
- 36:00Speaker 1: or eyes for awe of what they heard, and dread
- 36:04Speaker 1: of what they saw. For privileged beyond degree, this flesh
- 36:10Speaker 1: beheld God and his heaven in the mesh of Lucifer's revolt.
- 36:15Speaker 1: Saw Lucifer glow like the sun and like a dulcimer.
- 36:19Speaker 1: I heard his sin sweet voice break on the yell
- 36:23Speaker 1: of God's great warriors, Gabriel, Saint Clair and Michael Is,
- 36:28Speaker 1: Raphael and Raphael and Strange. It was to see God
- 36:33Speaker 1: with his back against a wall, to see christ Hew
- 36:36Speaker 1: and hack to Lucifer, pressed by the mighty pair and
- 36:40Speaker 1: losing inch by inch clawed at the air with fevered wings,
- 36:45Speaker 1: then lost beyond repair, he tricked a mass of stars
- 36:49Speaker 1: into his hair. He filled his hands with stars, crying
- 36:53Speaker 1: as he fell. A star's a star, although it burns
- 36:57Speaker 1: in hell. So God was left to his divinity, omnipotent,
- 37:03Speaker 1: at that most costly fee. There was a lesson here.
- 37:08Speaker 1: But still the clad in me was sickophant until the
- 37:11Speaker 1: rod and cried, why mock me? Thus am I a God?
- 37:17Speaker 1: One trial? More this failing? Then I give you leave
- 37:23Speaker 1: to die, no further need to live. Now suddenly a
- 37:29Speaker 1: strange wild music smote accord long impotent in me. A
- 37:33Speaker 1: note of jungles, primitive and subtle throbbed against my echoing breast,
- 37:39Speaker 1: and tom Tom's sobbed in every pulse beat of my frame.
- 37:43Speaker 1: The din, a hollow log bound with a python's skin,
- 37:47Speaker 1: can make rot every nerve to ecstasy. And I was
- 37:52Speaker 1: wind and sky again, and see and all sweet things
- 37:56Speaker 1: that flourish being free, till all at once the music
- 38:01Speaker 1: changed its key, and now it was of bitterness and death.
- 38:06Speaker 1: The cry the lash extorts the broken breath of liberty
- 38:12Speaker 1: in chained, And yet there ran through all a harmony
- 38:16Speaker 1: of faith in man a knowledge all would end as
- 38:20Speaker 1: it began. All sights and sounds and aspects of my
- 38:24Speaker 1: race accompanied this melody, kept pace with it with music.
- 38:29Speaker 1: All their hopes and hates were charged not to be
- 38:33Speaker 1: downed by all the fates. And somehow it was borne
- 38:37Speaker 1: upon my brain. How being dark and living through the
- 38:42Speaker 1: pain of it is courage more than angels have. I
- 38:48Speaker 1: knew what storms and tumults lashed the tree that grew
- 38:53Speaker 1: this body, That I was, this cringing eye that feared
- 38:58Speaker 1: to contemplate a changing sky. This that I groveled, whining.
- 39:03Speaker 1: Let me die while others struggled in life's abatoir. The
- 39:08Speaker 1: cries of all dark people near or far were billowed
- 39:12Speaker 1: over me, a mighty surge of suffering, in which my
- 39:16Speaker 1: puny grief must merge and lose itself. I had no
- 39:22Speaker 1: further claim to urge for death. In shame. I raised
- 39:26Speaker 1: my dust grimed head, And though my lips moved, not
- 39:31Speaker 1: God knew, I said, Lord, not for what I saw
- 39:37Speaker 1: in flesh or bone of pharaoh men not raised on
- 39:41Speaker 1: faith alone, Lord, I will live, Persuaded by mine own.
- 39:46Speaker 1: I cannot play the recreant to these. My spirit has
- 39:52Speaker 1: come home that sailed the doubtful seas with the whiz
- 39:58Speaker 1: of a sword that severs space. The wing dropped down
- 40:02Speaker 1: at a dizzy pace and flung me on my hill,
- 40:05Speaker 1: flat on my face. Flat on my face, I lay,
- 40:08Speaker 1: defying pain, glad of the blood in my smallest vein,
- 40:13Speaker 1: and in my hands I clutched a loyal dream, still
- 40:17Speaker 1: spitting fire, bright twist and coil and gleam and chisel
- 40:23Speaker 1: like a hound's white tooth. Oh I will match you. Yet,
- 40:27Speaker 1: I cried to truth. Right glad I was to stoop
- 40:32Speaker 1: to what I once had spurned. Glad even unto tears,
- 40:36Speaker 1: I laughed aloud. I turned upon my back, and though
- 40:39Speaker 1: the tears for joy would run, my sight was clear.
- 40:43Speaker 1: I looked and saw the rising sun. End of section
- 40:49Speaker 1: twenty two. Section twenty three of color by Counte Color.
- 41:00Speaker 1: This LibriVox recording is in the public domain. Read by
- 41:05Speaker 1: Mike Overby, Midland, Washington, Color twenty three Heritage for Harold Jackman,
- 41:15Speaker 1: What is Africa to me? Copper sun or scarlet sea,
- 41:20Speaker 1: jungle star or jungle track, Strong bronzed men or regal
- 41:25Speaker 1: black women from whose loins I sprang when the birds
- 41:28Speaker 1: of Eden sang one, three centuries removed from the scenes
- 41:32Speaker 1: his father's loved spicy grove cinnamon tree. What is Africa
- 41:38Speaker 1: to me? So I lie, who all day long want
- 41:42Speaker 1: no sound except the song sung by wild barbaric birds, goading,
- 41:46Speaker 1: massive jungle herds, juggernauts of flesh that pass, trampling tall
- 41:52Speaker 1: defiant grass, where young forest lovers lie plighting troth beneath
- 41:58Speaker 1: the sky. So I lie, who always hear, though I
- 42:02Speaker 1: cram against my ear both my thumbs and keep them
- 42:06Speaker 1: there great drums throbbing through the air. So I lie,
- 42:11Speaker 1: whose fount of pride, dear distress, and joy alide is
- 42:15Speaker 1: my somber flesh and skin, with the dark blood damned within,
- 42:20Speaker 1: like great pulsing tides of wine that I fear must
- 42:25Speaker 1: burst the fine channels of the chafing net, where they
- 42:29Speaker 1: surge and foam and fret. Africa a book one thumbs
- 42:35Speaker 1: listlessly till slumber comes. Unremembered. Are her bats circling through
- 42:40Speaker 1: the night, her cats crouching in the river reeds, stalking
- 42:45Speaker 1: gentle flesh that feeds by the river brink. No more
- 42:49Speaker 1: does the bugle throated roar cry that monarch claws have
- 42:53Speaker 1: leapt from the scabbards where they slept, silver snakes that
- 42:57Speaker 1: once a year doff the lovely coats you where seek
- 43:01Speaker 1: no covert in your fear, lest a mortal eye should see.
- 43:05Speaker 1: What's your nakedness to me? Here? No leprous flowers rear,
- 43:10Speaker 1: fierce corollas in the air, hear no bodies sleek and wet, dripping,
- 43:15Speaker 1: mingled rain and sweat tread the savage measures of jungle
- 43:20Speaker 1: boys and girls in love. What is last year's snow
- 43:23Speaker 1: to me? Last year's anything? The tree budding yearly must
- 43:28Speaker 1: forget how it's past a rose or set bow and blossom,
- 43:34Speaker 1: flower fruit? Even what shy bird with mute wonder at
- 43:38Speaker 1: her travail there, meekly labored in its hair, one three
- 43:43Speaker 1: centuries removed from the scenes his father's loved spicy grove
- 43:48Speaker 1: cinnamon tree. What is Africa to me? So I lie,
- 43:53Speaker 1: who find no peace night or day, no slight release
- 43:57Speaker 1: from the unremittent beat made by cruel, padded feet walking
- 44:02Speaker 1: through my body street, up and down they go and back,
- 44:07Speaker 1: treading out a jungle track. So I lie, who never
- 44:11Speaker 1: quite safely sleep from rain at night. I can never
- 44:14Speaker 1: rest at all when the rain begins to fall like
- 44:17Speaker 1: a soul gone mad with pain. I must match its
- 44:20Speaker 1: weird refrain. Ever, must I twist and squirm, writhing like
- 44:25Speaker 1: a bated worm, while its primal measures drip through my body? Crying, strip,
- 44:32Speaker 1: doff this new exuberance. Come and dance the lover's dance
- 44:36Speaker 1: in an old, remembered way. Rain works on me night
- 44:40Speaker 1: and day. Quaint outlandish heathen gods black men fashion out
- 44:46Speaker 1: of rods, clay and brittle bits of stone, in a
- 44:50Speaker 1: likeness like their own. My conversion came high Christ. I
- 44:55Speaker 1: belong to Jesus Christ, preacher of humility. Heathen God are
- 45:00Speaker 1: not to me, father son and holy ghost. So I
- 45:05Speaker 1: make an idle boast Jesus of the twice turned cheek
- 45:09Speaker 1: lamb of God. Although I speak with my mouth, thus
- 45:13Speaker 1: in my heart do I play a double part. Ever
- 45:18Speaker 1: at thy glowing altar, must my heart grow sick and falter?
- 45:22Speaker 1: Wishing he I served were black, thinking then it would
- 45:27Speaker 1: not lack precedent of pain to guide it. Let who
- 45:30Speaker 1: would or might deride it? Surely then this flesh would
- 45:34Speaker 1: know yours had borne a kindred woe. Lord, I fashion
- 45:39Speaker 1: dark gods too daring even to give you dark, despairing
- 45:44Speaker 1: features where crowned with dark, rebellious hair, patience wavers just
- 45:50Speaker 1: so much as mortal grief compels, while touches, quick and
- 45:54Speaker 1: hot of anger rise to smitten cheek and weary eyes. Lord,
- 46:01Speaker 1: forgive me if my need sometimes shapes a human creed
- 46:06Speaker 1: all day long and all night through one thing, only
- 46:10Speaker 1: must I do quench my pride and cool my blood,
- 46:14Speaker 1: lest I perish in the flood lest a hidden ember
- 46:18Speaker 1: set timber that I thought was wet, burning like the
- 46:22Speaker 1: driest flax, melting like the merest wax. Lest the grave
- 46:28Speaker 1: restore its dead. Not yet has my heart or head
- 46:33Speaker 1: in the least way realized they and I are civilized.
- 46:40Speaker 1: End of section twenty three, Section twenty four of Color
- 46:50Speaker 1: by Countey Cullen. This LibriVox according is in the public domain.
- 46:55Speaker 1: Read by Mike overby Midland, Washington, epitaphs one for a poet.
- 47:02Speaker 1: I have wrapped my dreams and a silken cloth, and
- 47:06Speaker 1: laid them away in a box of gold, where long
- 47:09Speaker 1: will cling the lips of the moth. I have wrapped
- 47:12Speaker 1: my dreams in a silken cloth. I hide no hate.
- 47:17Speaker 1: I am not even wroth who found her its breath,
- 47:19Speaker 1: so keen and cold. I have wrapped my dreams in
- 47:23Speaker 1: a silken cloth and laid them away in a box
- 47:27Speaker 1: of gold. End of section twenty four, Section twenty five
- 47:37Speaker 1: of Color by Countey Cullen. This LibriVox recording is in
- 47:41Speaker 1: the public domain, read by Mike overby Midland, Washington. Epitaph
- 47:48Speaker 1: two for my grandmother, this lovely flower fell to seed,
- 47:54Speaker 1: worked gently, sun and rain. She held it as her
- 47:58Speaker 1: dying creed that she would roh again. End of section
- 48:02Speaker 1: twenty five, Section twenty six of Color by Count A. Cullen.
- 48:13Speaker 1: The LibriVox recordings in the public domain, read by Mike
- 48:18Speaker 1: overby Midland, Washington. Epitaphs three for a cynic birth is
- 48:26Speaker 1: a crime all men commit. Life gives them time to
- 48:30Speaker 1: atone for it. Death ends the rhyme as the price
- 48:34Speaker 1: for it. End of section twenty six, Section twenty seven
- 48:44Speaker 1: of Color by Count Ay Cullen. This LibriVox recording is
- 48:50Speaker 1: in the public domain, read by Mike overby Midland, Washington.
- 48:56Speaker 1: Epitaphs four for a singer death clogged. This flute at
- 49:02Speaker 1: its highest note song sleeps here mute in this breathless throat.
- 49:08Speaker 1: End of section twenty seven, Section twenty eight of Color
- 49:18Speaker 1: by Countay Cullen. This LibriVox recording is in the public domain,
- 49:24Speaker 1: read by Mike overby Midland, Washington Epitaphs five for a
- 49:31Speaker 1: virgin for forty years, I shunned the lust inherent in
- 49:37Speaker 1: my clay death only was so amorous I let him
- 49:41Speaker 1: have his way. End of section twenty eight. Section twenty
- 49:52Speaker 1: nine of Color by Countay Cullen. This LibriVox recording is
- 49:57Speaker 1: in the public domain, read by Mike Overby Midland, Washington,
- 50:02Speaker 1: Epitaph's six for a lady, I know she even thinks
- 50:08Speaker 1: that up in heaven, her class lies late and snores,
- 50:13Speaker 1: while poor black cherubs rise at seven to do celestial chores.
- 50:20Speaker 1: End of section twenty nine, Section thirty of Color by
- 50:29Speaker 1: Countey Cullen. This LibriVox recording is in the public domain,
- 50:35Speaker 1: read by Mike overby Midland Washington, Epitaphs seven for a
- 50:42Speaker 1: lovely lady, A creature slender as a read and sad
- 50:47Speaker 1: eyed as a doe lies here. But take my word
- 50:51Speaker 1: for it, and do not pry below. End of section
- 50:55Speaker 1: thirty Section thirty one of Color by Counte Cullen. This
- 51:07Speaker 1: LibriVox recording is in the public domain, read by Mike
- 51:11Speaker 1: overby Midland, Washington. Epitaphs eight for an atheist mountains cover
- 51:20Speaker 1: me like rain, billows, whirl and rise, hide me from
- 51:26Speaker 1: the stabbing pain in his reproachful eyes end of section
- 51:32Speaker 1: thirty one, Section thirty two of Color by Count A. Cullen.
- 51:43Speaker 1: This LibriVox recording is in the public domain, read by
- 51:47Speaker 1: Mike Overby Midland, Washington. Epitaphs nine for an evolutionist and
- 51:54Speaker 1: his opponent showing that our ways agreed death is proof
- 51:59Speaker 1: enough body seeks the primal clay soul transcends the slough
- 52:05Speaker 1: end of section thirty two, Section thirty three of Color
- 52:15Speaker 1: by COUNTA. Culin. This LibriVox recording is in the public domain.
- 52:20Speaker 1: Read by Mike overby Midland, Washington. Epitaphs ten for an anarchist,
- 52:28Speaker 1: what matters that I stormed and swore, not Samson with
- 52:32Speaker 1: an ass's jaw, Not though a forest of hair he
- 52:35Speaker 1: wore could break deaths at a Mantyne law end of
- 52:40Speaker 1: section thirty three, Section thirty four of Color by COUNTA. Culen.
- 52:51Speaker 1: This LibriVox recording is in the public domain. Read by
- 52:56Speaker 1: Mike overby Midland Washington, halfs eleven. For a magician, I
- 53:04Speaker 1: whose magic could explore ways others might not guess or see.
- 53:08Speaker 1: Now embarred behind a door that has no open sesame
- 53:14Speaker 1: end of section thirty four, Section thirty five of Color
- 53:23Speaker 1: by Countey Cullen. This LibriVox according is in the public domain.
- 53:29Speaker 1: Read by Mike overby Midland, Washington, Epitaphs twelve. For a pessimist,
- 53:38Speaker 1: he wore his coffin for a hat, calamity his cape,
- 53:42Speaker 1: while on his face a death's head sat and waved
- 53:45Speaker 1: a bit of crape. End of section thirty five, Section
- 53:55Speaker 1: thirty six of Color by Countay Cullen. This LibriVox recording
- 54:01Speaker 1: is in the public domain, read by Mike Overby Midland, Washington,
- 54:07Speaker 1: Epitaphs thirteen. For a mouthy woman, God and the devil
- 54:14Speaker 1: still are wrangling, which should have her? Which repel? God
- 54:19Speaker 1: wants no discord in his heaven. Satan has enough in hell.
- 54:25Speaker 1: End of section thirty six, Section thirty seven of Color
- 54:35Speaker 1: by Counte Cullen. This LibriVox recording is in the public domain,
- 54:41Speaker 1: read by Mike overby Midland, Washington, Epitaphs fourteen. For a philosopher,
- 54:49Speaker 1: here lies one who tried to solve the riddle of
- 54:53Speaker 1: being and breath, The wee blind mole that gnaws his
- 54:57Speaker 1: bones tells him the answer is death. End of section
- 55:02Speaker 1: thirty seven, Section thirty eight of Color by Count A Culen.
- 55:14Speaker 1: This LibriVox according is in the public domain, read by
- 55:18Speaker 1: Mike overby Midland, Washington, epitaphs fifteen. For an unsuccessful sinner,
- 55:26Speaker 1: I boasted, My sins were sure to sink me out
- 55:31Speaker 1: of all sound and sight of glory, And the most
- 55:35Speaker 1: I've won for all my pains is a century of
- 55:40Speaker 1: purgatory end of section thirty eight, Section thirty nine of
- 55:51Speaker 1: Color by Count A. Cullen. This LibriVox according is in
- 55:56Speaker 1: the public domain, read by Mike overby Midland Washington Epitaphs sixteen.
- 56:04Speaker 1: For a fool on earth, the wise man makes the
- 56:08Speaker 1: rules and is the fool's adviser. But here the wiser
- 56:13Speaker 1: as the fools, and no man is the wiser. End
- 56:17Speaker 1: of section thirty nine, Section forty of Color by Countey Cullen.
- 56:28Speaker 1: This LibriVox according is in the public domain, read by
- 56:33Speaker 1: Mike overby Midland Washington, Epitaphs seventeen. For one who gaily
- 56:41Speaker 1: sowed his oats. My days were a thing for me
- 56:45Speaker 1: to live, for others to deplore. I took of life
- 56:49Speaker 1: all it could give, rind, inner, fruit, and core. End
- 56:56Speaker 1: of section forty section forty one of color by count
- 57:06Speaker 1: A Cullen. This LibriVox according is in the public domain,
- 57:11Speaker 1: read by Mike overby Midland, Washington Epitaphs eighteen for a
- 57:18Speaker 1: skeptic blood brother unto Thomas, whose weak faith doubt kept
- 57:23Speaker 1: in trammels. His little credence strained at gnats, but grew
- 57:29Speaker 1: robust on camels. End of section forty one, section forty
- 57:39Speaker 1: two of color by count A Cullen. This LibriVox according
- 57:45Speaker 1: is in the public domain, read by Mike overby Midland,
- 57:50Speaker 1: Washington Epitaphs nineteen four. Fatalist life ushers some as airs
- 57:59Speaker 1: elect to weather, wind and gale. Here lies a man
- 58:04Speaker 1: whose ships were wrecked ere he could hoist a sail.
- 58:10Speaker 1: End of section forty two, section forty three of color
- 58:20Speaker 1: by Countey Cullen. This LibriVox recording is in the public domain,
- 58:25Speaker 1: read by Mike overby Midland, Washington, Epitaphs twenty for Daughters
- 58:33Speaker 1: of Magdalen. Ours is the ancient story Delicate flowers of sin,
- 58:41Speaker 1: lilies arrayed in glory that would not toil nor spin.
- 58:48Speaker 1: End of section forty three, Section forty four of color
- 58:58Speaker 1: by Countey Cullen. This LibriVox recording is in the public domain,
- 59:03Speaker 1: read by Mike Overbye, Midland, Washington. Apaitaphs twenty one. For
- 59:11Speaker 1: a wanton to men, no more than so much cover
- 59:16Speaker 1: for them to doff or try. I found in death
- 59:20Speaker 1: a constant lover here in his arms I lie end
- 59:26Speaker 1: of section forty four, Section forty five of color by
- 59:36Speaker 1: Counte Cullen. This LibriVox recording is in the public domain,
- 59:41Speaker 1: read by Mike Overbee, Midland, Washington. Apitaphs twenty two for
- 59:49Speaker 1: a preacher vanity of vanities, All is vanity, yea, even
- 59:56Speaker 1: the rod he flays you with crumbled and turned to clay.
- 1:00:02Speaker 1: End of section forty five, Section forty six of color
- 1:00:13Speaker 1: by Countay Cullen. This LibriVox recording is in the public domain,
- 1:00:18Speaker 1: read by Mike Overby, Midland, Washington. Epitaphs twenty three for
- 1:00:25Speaker 1: one who died singing of death, he whose might you
- 1:00:30Speaker 1: sang so well living, will not let you rust death
- 1:00:35Speaker 1: has set the golden bell pealing in the courts of
- 1:00:39Speaker 1: dust end of section forty six, Section forty seven of
- 1:00:49Speaker 1: color by count Ay Cullen. This LibriVox recording is in
- 1:00:54Speaker 1: the public domain, read by Mike Overby, Midland, Washington, Epitaphs
- 1:01:01Speaker 1: twenty four for John Keats apostle of beauty, not writ
- 1:01:07Speaker 1: in water, nor in mist, sweet lyric throat, thy name,
- 1:01:12Speaker 1: thy singing lips, that cold death kissed have seared his
- 1:01:15Speaker 1: own with flame end of section forty seven, Section forty
- 1:01:26Speaker 1: eight of color by Countey Cullen. This LibriVox recording is
- 1:01:31Speaker 1: in the public domain, read by Mike Overbye, Midland, Washington,
- 1:01:37Speaker 1: Epitaphs twenty five for Hazel Hall, American poet, soul troubled
- 1:01:44Speaker 1: at the febril ways of breath, her timid breast shot
- 1:01:48Speaker 1: through with faint alarm. Yes, I'm a stranger here, she
- 1:01:52Speaker 1: said to death. It's kind of you to let me
- 1:01:54Speaker 1: take your arm. End of section forty eight, section forty
- 1:02:03Speaker 1: nine of color by Countey Cullen. This LibriVox recording is
- 1:02:09Speaker 1: in the public domain, read by Mike Overby, Midland, Washington,
- 1:02:15Speaker 1: Epitaphs twenty six for Paul Lawrence Dunbar born of the
- 1:02:21Speaker 1: sorrowful of heart, mirth was a crown upon his head.
- 1:02:26Speaker 1: Pride kept his twisted lips apart in jest to hide
- 1:02:30Speaker 1: a heart that bled. End of section forty nine, Section
- 1:02:41Speaker 1: fifty of color by Counte Cullen. This LibriVox recording is
- 1:02:46Speaker 1: in the public domain. Read by Mike Overby, Midland, Washington,
- 1:02:53Speaker 1: Epitaphs twenty seven for Joseph Conrad, not of the dust,
- 1:02:59Speaker 1: but of the wave, his final couch should be. They
- 1:03:03Speaker 1: lie not easy in a grave, who once have known
- 1:03:07Speaker 1: the sea? How shall Earth's meager bed enthrall the heartiest
- 1:03:12Speaker 1: seamen of them all? End of section fifty section fifty
- 1:03:22Speaker 1: one of color by Countey Cullen. This LibriVox recording is
- 1:03:28Speaker 1: in the public domain. Read by Mike Overbye, Midland, Washington,
- 1:03:34Speaker 1: Epitaphs twenty eight For myself, what's in this grave is
- 1:03:41Speaker 1: worth your tear. There's more than the eye can see.
- 1:03:45Speaker 1: Folly and pride and love lie here buried alive with me.
- 1:03:53Speaker 1: End of section fifty one, Section fifty two of color
- 1:04:03Speaker 1: by Count A Cullen. This is a LibriVox recording. All
- 1:04:08Speaker 1: LibriVox recordings are in the public domain. Read by Mike Overby, Midland, Washington,
- 1:04:15Speaker 1: Epitaphs twenty nine All the dead priest and layman, virgin strumpet,
- 1:04:23Speaker 1: good and ill commingled sleep, waiting till the dreadful trumpet
- 1:04:29Speaker 1: separates the wolves and sheep. End of section fifty two,
- 1:04:40Speaker 1: Section fifty three of Colour by Count Ay Cullen. This
- 1:04:46Speaker 1: LibriVox recording is in the public domain. Read by Mike
- 1:04:50Speaker 1: Overby Midland, Washington. For love's sake, one, Oh, for a
- 1:04:56Speaker 1: little while, be kind for ruth marine, Oh, for a
- 1:05:02Speaker 1: little while, be kind to me, who stands in such
- 1:05:05Speaker 1: imperious need of you, And for a fitful space. Let
- 1:05:09Speaker 1: my head lie haply on your passion's frigid breast, although
- 1:05:14Speaker 1: yourself no more resigned to me than on all bitter yesterdays.
- 1:05:18Speaker 1: I knew this half a loaf from sumptuous crumbs, your shy,
- 1:05:22Speaker 1: renegging hand lets fall shall make me blessed. The sturdy
- 1:05:27Speaker 1: homage of a love that throws its strength about you
- 1:05:31Speaker 1: dawn and dusk at bed and board is not for scorn.
- 1:05:36Speaker 1: When all is said with final aimen certitude, who knows
- 1:05:41Speaker 1: but Divus found a matchless fragrance fled when Lazarus no
- 1:05:45Speaker 1: longer shocked his nose end of section fifty three, Section
- 1:05:56Speaker 1: fifty four of Color by Counte Cullen. This LibriVox recording
- 1:06:01Speaker 1: is in the public domain, read by Mike overby Midland Washington,
- 1:06:08Speaker 1: for love's sake. Two, If you should go, love, leave
- 1:06:14Speaker 1: me like the light the gently passing day, we would
- 1:06:17Speaker 1: not know but for the night, when it has slipped away,
- 1:06:21Speaker 1: go quietly. A dream, when done, should leave no trace
- 1:06:25Speaker 1: that it has lived, except a gleam across the dreamer's face.
- 1:06:30Speaker 1: End of section fifty four, Section fifty five of Color
- 1:06:40Speaker 1: by Countey Cullen. This LibriVox according is in the public domain,
- 1:06:46Speaker 1: read by Mike overby Midland Washington, for love's sake. Three
- 1:06:53Speaker 1: to one who said me nay this much the gods
- 1:06:57Speaker 1: vouchsafe to day that we two lie in the clover,
- 1:07:00Speaker 1: watching the heavens dip and sway with galleons sailing over.
- 1:07:06Speaker 1: This much is granted for an hour. That we are
- 1:07:09Speaker 1: young and tender, that I am be and you are
- 1:07:12Speaker 1: flower honeymouth than swaying slender. This sweet of sweets is
- 1:07:18Speaker 1: ours now to wander through the land, plucking an apple
- 1:07:22Speaker 1: from its bough, to toss from hand to hand. Nothing
- 1:07:26Speaker 1: is certain joy nor sorrow except the hour we know it.
- 1:07:31Speaker 1: Oh where my heart to day tomorrow? Who knows where
- 1:07:35Speaker 1: the winds will blow it? End of section fifty five,
- 1:07:45Speaker 1: Section fifty six of Color by Countey Cullen. This LibriVox
- 1:07:51Speaker 1: recording is in the public domain, read by Mike overby Midland, Washington,
- 1:07:57Speaker 1: for love's sake, for advice to youth, for guillume, since
- 1:08:04Speaker 1: little time is granted here for pride in pain or play,
- 1:08:08Speaker 1: since blood soon cools before that fear that makes our
- 1:08:12Speaker 1: prowess clay. If lips to kiss are freely met, lad
- 1:08:16Speaker 1: be not proud nor shy. There are no lips where
- 1:08:20Speaker 1: men forget and undesiring lie. End of section fifty six,
- 1:08:31Speaker 1: Section fifty seven of Color by Counte Cullen. This LibriVox
- 1:08:36Speaker 1: according is in the public domain, read by Mike Overby Midland, Washington,
- 1:08:43Speaker 1: for love's sake. Five Caprice, I'll tell him when he comes,
- 1:08:49Speaker 1: she said, body and baggage to go, though the night
- 1:08:53Speaker 1: be darker than my hair, and the ground be hard
- 1:08:56Speaker 1: with snow. But when he came, with his gay black
- 1:09:01Speaker 1: head thrown back and his lips apart, she flipped a
- 1:09:05Speaker 1: light hair from his coat and sobbed against his heart.
- 1:09:10Speaker 1: End of section fifty seven, Section fifty eight of Color
- 1:09:20Speaker 1: by Counte Cullen. This LibriVox recording is in the public domain,
- 1:09:25Speaker 1: read by Mike Overby Midland, Washington, for Love's sake. Six Sacrament.
- 1:09:34Speaker 1: She gave her body for my meat, her soul to
- 1:09:37Speaker 1: be my wine, and prayed that I be made complete
- 1:09:41Speaker 1: in sunlight and starshine. With such abandoned grace she gave
- 1:09:48Speaker 1: of all that passion taught her. She never knew her
- 1:09:52Speaker 1: tidle wave cast bread on the stagnant water. End of
- 1:09:58Speaker 1: section fifty eight, Section fifty nine of Color by Counte Cullen.
- 1:10:11Speaker 1: This LibriVox recording is in the public domain, read by
- 1:10:15Speaker 1: Mike Overby Midland, Washington, for love's Sake. Seven Bread and wine,
- 1:10:23Speaker 1: from death of Star to new Star's birth. This ache
- 1:10:27Speaker 1: of limb, this throb of head, this sweaty shop, this
- 1:10:31Speaker 1: smell of earth. For this we pray give daily bread,
- 1:10:36Speaker 1: then tenuous with dreams the night, the feel of soft
- 1:10:41Speaker 1: brown hands in mine, strength from your lips for one
- 1:10:45Speaker 1: more fight. Bread's not so dry when dipped in wine.
- 1:10:50Speaker 1: End of section fifty nine, Section sixty of by Count
- 1:11:01Speaker 1: A Cullen. This LibriVox according is in the public Domain,
- 1:11:06Speaker 1: read by Mike Overbee, Midland, Washington. For Love's Sake, eight
- 1:11:12Speaker 1: Spring reminiscence. My sweet you sang, and sweet I sang,
- 1:11:19Speaker 1: and sweet we sang together, glad to be young as
- 1:11:22Speaker 1: the world was young. Two colts too strong for a tether.
- 1:11:27Speaker 1: Shall ever as spring be like that spring, or apple
- 1:11:30Speaker 1: blossoms as white? Or ever clover smell like the clover
- 1:11:33Speaker 1: we lay upon that night? Shall ever your hand lie
- 1:11:37Speaker 1: in my hand pulsing to it? I wonder? Or have
- 1:11:41Speaker 1: the gods, being jealous gods envied us our thunder? End
- 1:11:47Speaker 1: of section sixty Section sixty one of color by Count
- 1:11:57Speaker 1: A Cullen Li LibriVox co is in the public domain,
- 1:12:02Speaker 1: read by Mike Overbee, Midland, Washington, Veria. One suicide chant.
- 1:12:12Speaker 1: I am the seed the sower sowed. I am the
- 1:12:16Speaker 1: deed his hand bestowed upon the world. Censure me not
- 1:12:21Speaker 1: if a rank weed flood the garden plot instead of
- 1:12:25Speaker 1: a bud to be unfurled, Bridle your blame. If the
- 1:12:30Speaker 1: deed proves less than the brooded fame with which it
- 1:12:33Speaker 1: came from nothingness. The seed of a weed cannot be flowered,
- 1:12:39Speaker 1: nor a hero's deed spring from a coward, pull up
- 1:12:43Speaker 1: the weed, bring plow and mower, then fetch new seed
- 1:12:49Speaker 1: for the hand of the sower. End of section sixty
- 1:12:53Speaker 1: Onection sixty two of Color by Counte Cullen. This LibriVox
- 1:13:06Speaker 1: recording is in the public domain, read by Mike Overbee, Midland, Washington, Veria. Two.
- 1:13:16Speaker 1: She of the dancing Feet sings to Oddie Graham, And
- 1:13:22Speaker 1: what would I do in Heaven? Pray me with my
- 1:13:25Speaker 1: dancing feet and limbs like apple boughs that sway when
- 1:13:29Speaker 1: the gusty rain winds beat? And how would I thrive
- 1:13:34Speaker 1: in a perfect place where dancing would be sin with
- 1:13:38Speaker 1: not a man to love my face, nor an arm
- 1:13:41Speaker 1: to hold me in? The seraphs and the cherubim would
- 1:13:46Speaker 1: be too proud to bend to sing the fairy tunes
- 1:13:49Speaker 1: that brim my heart from end to end. The wistful
- 1:13:54Speaker 1: angels down in hell will smile to see my face
- 1:13:59Speaker 1: and understand because they fell from that all perfect place.
- 1:14:06Speaker 1: End of section sixty two, Section sixty three of Color
- 1:14:16Speaker 1: by Countey Cullen. This LibriVox recording is in the public domain,
- 1:14:21Speaker 1: read by Mike Overbye in Midland, Washington, Veria. Three. Judas
- 1:14:29Speaker 1: is scariot. I think when Judas's mother heard his first
- 1:14:34Speaker 1: faint cry that night that he was born, that worships
- 1:14:38Speaker 1: stirred her at the sound in sight, she thought this
- 1:14:43Speaker 1: was as fair a frame as flesh and blood had worn.
- 1:14:46Speaker 1: I think she made this lovely name for him, Star
- 1:14:50Speaker 1: of my mourn, As any mother's son, he grew from
- 1:14:55Speaker 1: spring to crimson spring. I think his eyes were black
- 1:14:59Speaker 1: or blue, his hair curled like a ring. His mother's
- 1:15:03Speaker 1: heart strings were a lute, wherein all day he played,
- 1:15:07Speaker 1: she listened, wrapped, abandoned mute to every note he made.
- 1:15:14Speaker 1: I think he knew the growing Christ and played with
- 1:15:17Speaker 1: Mary's son, And where mere mortal craft sufficed there Judas
- 1:15:22Speaker 1: may have won. Perhaps he little cared or knew so
- 1:15:26Speaker 1: folly wise is youth, that he whose hand his hand
- 1:15:30Speaker 1: clung to was flesh embodied truth. Until one day he
- 1:15:35Speaker 1: heard young Christ, with far off eyes agleam, tell of
- 1:15:39Speaker 1: a mystic solemn tryst between him and dream. And Judas
- 1:15:45Speaker 1: listened wonder eyed until the Christ was through. Then said,
- 1:15:50Speaker 1: and I though good, betide or ill, will go with you.
- 1:15:55Speaker 1: And so he followed heard Christ preach, saw how by
- 1:15:59Speaker 1: miracle the blind man saw the dumb God's speech. The
- 1:16:03Speaker 1: leper found him well. And Judas, in those holy hours
- 1:16:07Speaker 1: loved Christ and loved him much. And in his heart
- 1:16:11Speaker 1: he sensed dead flowers bloom at the Master's touch. And
- 1:16:16Speaker 1: when Christ felt the death hour creep with sullen, drunken lurch,
- 1:16:21Speaker 1: he said to Peter, feed my sheep and build my
- 1:16:24Speaker 1: holy church. He gave to each the special task that
- 1:16:28Speaker 1: should be his to do. But reaching one, I hear
- 1:16:31Speaker 1: him ask what shall I give to you? Then Judas,
- 1:16:36Speaker 1: in his hot desire, said, give me what you will.
- 1:16:41Speaker 1: Christ spoke to him with words of fire. Then Judas,
- 1:16:45Speaker 1: you must kill one whom you love, one who loves
- 1:16:49Speaker 1: you as only God's son can. This is the work
- 1:16:53Speaker 1: for you to do to save the creature. Man and
- 1:16:58Speaker 1: men to come will curse you on name and hold
- 1:17:01Speaker 1: you up to scorn. In all the world will be
- 1:17:04Speaker 1: no shame like yours. This is love's thorn. It takes
- 1:17:09Speaker 1: strong will of heart and soul. But man is under ban. Think, Judas,
- 1:17:15Speaker 1: can you play this role in Heaven's mystic plan? So
- 1:17:20Speaker 1: Judas took the sorry part, went out and spoke the word,
- 1:17:24Speaker 1: and gave the kiss that broke his heart. But no
- 1:17:26Speaker 1: one knew or heard, and no one knew what poison
- 1:17:30Speaker 1: ate into his palm that day, where bright and damned
- 1:17:35Speaker 1: the monstrous weight of thirty white coins lay. It was
- 1:17:40Speaker 1: not death that Judas found upon a kindly tree. The
- 1:17:45Speaker 1: man was dead long ere he bound his throat as
- 1:17:49Speaker 1: final fee. And who can say if on that day,
- 1:17:53Speaker 1: when gates of pearl swung wide, Christ did not go
- 1:17:57Speaker 1: his honored way with Judas by his side. I think
- 1:18:03Speaker 1: somewhere a table round owns Jesus as its head, and
- 1:18:08Speaker 1: there the saintly twelve are found, who followed where he led,
- 1:18:13Speaker 1: And Judas sits down with the rest, and none shrinks
- 1:18:16Speaker 1: from his hand, For there the worst is as the best,
- 1:18:21Speaker 1: and there they understand. And you may think of Judas
- 1:18:26Speaker 1: friend as one who broke his word, whose neck came
- 1:18:30Speaker 1: to a bitter end for giving up his lord. But
- 1:18:33Speaker 1: I would rather think of him as the little Jewish
- 1:18:36Speaker 1: lad who gave young Christ heart, soul and limb and
- 1:18:42Speaker 1: all the love he had. End of section sixty three,
- 1:18:52Speaker 1: Section sixty four of color by Counte Cullen. This LibriVox
- 1:18:58Speaker 1: according is in the Public Dome main read by Mike Overbee, Midland, Washington, Veria.
- 1:19:07Speaker 1: Four The wise for a Lain Locke. Dead men are wisest,
- 1:19:14Speaker 1: for they know how far the roots of flowers go,
- 1:19:18Speaker 1: how long a seed must rot to grow. Dead Men
- 1:19:23Speaker 1: alone bear frost and rain on throbless heart and heatless brain,
- 1:19:28Speaker 1: and feel no stir of joy or pain. Dead Men
- 1:19:33Speaker 1: alone are satiate. They sleep and dream and have no
- 1:19:37Speaker 1: weight to curb their rest of love or hate. Strange
- 1:19:44Speaker 1: men should flee their company, or think me strange who
- 1:19:48Speaker 1: long to be wrapt in their cool immunity? End of
- 1:19:53Speaker 1: section sixty four, Section sixty five of Color by Counte Culin.
- 1:20:05Speaker 1: This LibriVox recording is in the public domain. Read by
- 1:20:09Speaker 1: Mike Overby, Midland, Washington, Veria. Five. Mary, mother of Christ.
- 1:20:19Speaker 1: That night she felt those searching hands grip deep upon
- 1:20:22Speaker 1: her breast. She laughed and sang a silly tune to
- 1:20:27Speaker 1: lull her babe to rest. That night she kissed his
- 1:20:32Speaker 1: coral lips. How could she know the rest? End of
- 1:20:36Speaker 1: section sixty five, Section sixty six of Color by Counte Culin.
- 1:20:49Speaker 1: This LibriVox recording is in the public domain. Read by
- 1:20:53Speaker 1: Mike Overby, Midland, Washington, Veria. Six. Die soul. There is
- 1:21:03Speaker 1: no stronger thing than song in sun and rain and
- 1:21:07Speaker 1: leafy trees. It wafts the timid soul along on crested
- 1:21:12Speaker 1: waves of melodies body, but leaves the body bear to
- 1:21:17Speaker 1: feed its hunger with its very need soul. Although the
- 1:21:22Speaker 1: frenzied belly writhes, yet render up in song your tithes.
- 1:21:27Speaker 1: Song is the weakling's oaken rod, his jacob's ladder, dropped
- 1:21:32Speaker 1: from God body. Song is not drink. Song is not meat,
- 1:21:38Speaker 1: nor strong thick shoes for naked feet. Soul who sings
- 1:21:44Speaker 1: by unseen hands is fed with honeyed milk and warm
- 1:21:47Speaker 1: white bread. His ways and pastures green are lead, and
- 1:21:52Speaker 1: perfumed oil illumes his head. His cup with wine is surfeited,
- 1:21:58Speaker 1: and when the last lone is read, he sings among
- 1:22:02Speaker 1: the lipless dead with singing stars to crown his head body,
- 1:22:07Speaker 1: but will song by a wooden box the length of
- 1:22:11Speaker 1: me from tow to crown, to keep me safe from
- 1:22:14Speaker 1: carrion flocks when singing's done and lyre laid down. End
- 1:22:20Speaker 1: of section sixty six, Section sixty seven of Color by
- 1:22:30Speaker 1: Counte Cullen. This LibriVox recording is in the public domain.
- 1:22:35Speaker 1: Read by Mike Overbee, Midland, Washington, Veria. Seven, in memory
- 1:22:43Speaker 1: of Colonel Charles Young. Along the shore, the tall thin
- 1:22:48Speaker 1: grass that fringes that dark river, while sinuously soft feet pass,
- 1:22:55Speaker 1: begins to bleed and quiver. The great dark voice breaks
- 1:23:00Speaker 1: with a sob across the womb of night. Above your grave,
- 1:23:05Speaker 1: the tom tom's throb, and the hills are weird with light.
- 1:23:10Speaker 1: The great dark heart is like a well drained bitter
- 1:23:14Speaker 1: by the sky, and all the honeyed lies they tell
- 1:23:18Speaker 1: come there to thirst and die. No lie is strong
- 1:23:23Speaker 1: enough to kill the roots that work below. From your
- 1:23:27Speaker 1: rich dust, and slaughtered will a tree with tongues will grow.
- 1:23:33Speaker 1: End of section sixty seven, Section sixty eight of color
- 1:23:43Speaker 1: by Counte Cullen. This LibriVox according is in the public domain.
- 1:23:49Speaker 1: Read by Mike Overbye, Midland, Washington, Veria. Eight. To my friends,
- 1:23:58Speaker 1: you feeble few that me somewhat more than all I am. Base,
- 1:24:03Speaker 1: clay and spittle join'd to shape an aimless whim substantial
- 1:24:09Speaker 1: coin'd amiss one idle hour. This heart, though poor, O
- 1:24:14Speaker 1: golden host I count upon the ends of one bare
- 1:24:18Speaker 1: hand with fingers still to spare, is rich enough for
- 1:24:23Speaker 1: this to harbor there in opulence its frugal need of friends.
- 1:24:29Speaker 1: Let neither lose his faith, lest by such loss each
- 1:24:34Speaker 1: find insufferable his daily cross. And be not less immovable
- 1:24:39Speaker 1: to me, not less lovely, all and stanch than my
- 1:24:43Speaker 1: heart is. In brief, these fine heroics. Come to this,
- 1:24:49Speaker 1: my friends. If you are true I needs must be
- 1:24:55Speaker 1: end of section sixty eight, Section sixty nine of Color
- 1:25:05Speaker 1: by Countey Cullen. This LibriVox recording is in the public domain.
- 1:25:11Speaker 1: Read by Mike Overby Midland Washington, Varia. Nine. Gods, I
- 1:25:21Speaker 1: fast and pray and go to church and put my
- 1:25:25Speaker 1: penny in. But God's not fooled by such slight tricks,
- 1:25:30Speaker 1: and I'm not saved from sin. I cannot hide from
- 1:25:34Speaker 1: him the gods that revel in my heart, nor can
- 1:25:39Speaker 1: I find an easy word to tell them to depart.
- 1:25:43Speaker 1: God's alabaster turrets gleam too high for me to win
- 1:25:49Speaker 1: unless he turns his face and lets me bring my
- 1:25:53Speaker 1: own gods in end of section sixty nine, Section seventy
- 1:26:04Speaker 1: of Color by Counte Cullen. This LibriVox recording is in
- 1:26:08Speaker 1: the public domain, read by Mike Overby Midland Washington, Veria.
- 1:26:16Speaker 1: Ten to John Keats's poet at springtime for Carl van Vechten.
- 1:26:24Speaker 1: I cannot hold my peace, John Keats. There never was
- 1:26:27Speaker 1: a spring like this. It is an echo that repeats
- 1:26:31Speaker 1: my last year's song and next year's bliss. I know,
- 1:26:35Speaker 1: in spite of all men say of beauty, you have
- 1:26:38Speaker 1: felt her most yea, even in your grave, her way
- 1:26:41Speaker 1: is laid poor, troubled lyric ghost. Spring never was so
- 1:26:47Speaker 1: fair and dear as beauty makes her seen this year.
- 1:26:52Speaker 1: I cannot hold my piece, John Keats. I am as
- 1:26:55Speaker 1: helpless in the toil of spring as any lamb that
- 1:26:58Speaker 1: bleats to feel the solid earth recoiled beneath his puny legs.
- 1:27:03Speaker 1: Spring beats her tocsin, call to those who love her,
- 1:27:06Speaker 1: and lo the dogwood petals cover her breast with drifts
- 1:27:11Speaker 1: of snow, and sleek white gulls fly screaming to her,
- 1:27:15Speaker 1: and hover about her shoulders and kiss her cheek, while
- 1:27:18Speaker 1: white and purple lilacs muster a strength that bears them
- 1:27:22Speaker 1: to a cluster of color and odor. For her sake,
- 1:27:25Speaker 1: all things that slept are now awake, And you and
- 1:27:30Speaker 1: I shall we lie still, John Keats, while beauty summons us,
- 1:27:35Speaker 1: somehow I feel your sensitive will is pulsing up some
- 1:27:38Speaker 1: tremulous sap road of a maple tree, whose leaves grow
- 1:27:41Speaker 1: music as they grow, Since your wild voice is in them,
- 1:27:45Speaker 1: a harp that grieves for life, that opens death's dark door.
- 1:27:50Speaker 1: Though dust, your fingers still can push the vision splendid
- 1:27:54Speaker 1: to a berth, though now they work as grass in
- 1:27:58Speaker 1: the hush of the night, on the broad sweet page
- 1:28:01Speaker 1: of the earth. John Keats is dead, they say, But
- 1:28:06Speaker 1: I who hear your full insistent cry in bud and blossom,
- 1:28:10Speaker 1: leaf and tree know John Keats still writes poetry. And
- 1:28:15Speaker 1: while my head is earthward bowed to read new life
- 1:28:19Speaker 1: sprung from your shroud. Folks seeing me must think it
- 1:28:23Speaker 1: strange that merely spring should so derange my mind. They
- 1:28:27Speaker 1: do not know that you, John Keats, keep revel with me. Two.
- 1:28:33Speaker 1: End of section seventy Section seventy one of Color by
- 1:28:43Speaker 1: Countey Cullen. This LibriVox recording is in the public domain.
- 1:28:48Speaker 1: Read by Mike Overbye, Midland, Washington, Varia eleven ongoing for
- 1:28:56Speaker 1: Willard Johnson. A grave all too weak a thing to
- 1:29:01Speaker 1: hold my fancy long. I'll bear a blossom with the spring,
- 1:29:05Speaker 1: or be a blackbird's song. I think that I shall
- 1:29:09Speaker 1: feed with these melt into earth like snow, be food
- 1:29:14Speaker 1: for hungry growing trees, or help the lilies blow. And
- 1:29:19Speaker 1: if my love should lonely walk quite of my nearness fain,
- 1:29:23Speaker 1: I may come back to her and talk in liquid
- 1:29:26Speaker 1: words of rain. End of section seventy one, Section seventy
- 1:29:37Speaker 1: two of Color by Countey Cullen. This LibriVox recording is
- 1:29:44Speaker 1: in the public domain. Read by Mike Overbye, Midland, Washington,
- 1:29:51Speaker 1: Varia twelve. Harsh world that lashest me for Walter White,
- 1:29:59Speaker 1: harsh whirl that lashest me each day. Dub me not
- 1:30:03Speaker 1: cowardly because I seem to find no sudden way to
- 1:30:07Speaker 1: throttle you or clip your claws. No force compels me
- 1:30:12Speaker 1: to the wound whereof my body bears the scar. Although
- 1:30:17Speaker 1: my feet are on the ground, doubt not, my eyes
- 1:30:20Speaker 1: are on a star. You cannot keep me captive. World entrammeled, chained,
- 1:30:27Speaker 1: spit on, and spurned, more free than all your flags unfurled.
- 1:30:33Speaker 1: I give my body to be burned. I mount my
- 1:30:38Speaker 1: cross because I will I drink the hemlock which you
- 1:30:42Speaker 1: give for wine, which you withhold. And still because I
- 1:30:46Speaker 1: will not die. I live. I live because an ember
- 1:30:52Speaker 1: in me smolders to regain its fire. Because what is
- 1:30:56Speaker 1: and what has been not yet have conquered my desire.
- 1:31:01Speaker 1: I live to prove the groping clod is surely more
- 1:31:05Speaker 1: than simple dust. I live to see the breath of
- 1:31:09Speaker 1: God beatify the carnal crust. But when I will, world,
- 1:31:15Speaker 1: I can go. Though triple bronze should wall me round,
- 1:31:21Speaker 1: slip past your guard, as swift as snow, translated without
- 1:31:25Speaker 1: pain or sound. Within myself is launched the key to
- 1:31:31Speaker 1: that vast room of couches laid for those too proud
- 1:31:35Speaker 1: to live and see their dreams of light eclipsed in shade.
- 1:31:42Speaker 1: End of section seventy two, Section seventy three of Color
- 1:31:52Speaker 1: by Counte Cullen. This LibriVox according is in the public domain.
- 1:31:58Speaker 1: Read by Mike Over, Midland, Washington, Veria. Thirteen requiescum I
- 1:32:08Speaker 1: am for sleeping and forgetting all that has gone before.
- 1:32:13Speaker 1: I am for lying still and letting who will beat
- 1:32:18Speaker 1: at my door? I would my life's cold sun were
- 1:32:23Speaker 1: setting to rise for me no more. End of section
- 1:32:29Speaker 1: seventy three, end of Color by Counte Cullen