Latest / The Bald Brothers Podcast / 131: Top Eddie Murphy Movies | #thebaldbrotherspodcast

Transcript

131: Top Eddie Murphy Movies | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: All right, what up y'all? Welcome to the Ball Brothers
• 0:02
  Speaker 1: Podcast Kevin Baker. We are on tour. Go to our
• 0:07
  Speaker 1: websites Kevin Stage dot com, Tony Baker Comedy dot com.
• 0:09
  Speaker 1: Come see us. We are funnier in person. I mean
• 0:13
  Speaker 1: this is just because we're friends. We like to do
• 0:14
  Speaker 1: podcasts together. We actually are trying to make you laugh.
• 0:17
  Speaker 1: And the show today we're talking top five Eddie Murphy
• 0:21
  Speaker 1: movies in order.
• 0:23
  Speaker 2: Got no voice acting, no voice acting, and.
• 0:25
  Speaker 1: We gotta agree. And I'm not agreeing with Tony. I've
• 0:29
  Speaker 1: agreed with him on two episodes and what was the
• 0:33
  Speaker 1: other one.
• 0:33
  Speaker 2: Of Big you hate no good stuff though?
• 0:37
  Speaker 1: Man, So now we're here with Eddie Murphy, which I
• 0:42
  Speaker 1: don't know. It's gonna be tough. It's gonna be tough,
• 0:44
  Speaker 1: it's gonna be tough. Well, the only thing I know
• 0:48
  Speaker 1: for sure that's gotta going is coming to America.
• 0:50
  Speaker 2: So that's what you're bringing.
• 0:53
  Speaker 1: On a personal tip, life too, which.
• 0:58
  Speaker 2: One you're bringing right now?
• 0:59
  Speaker 1: Coming to me? Okay, coming to America for sure.
• 1:01
  Speaker 2: That's your concession. I'm gonna bring in, uh, I bring life.
• 1:09
  Speaker 1: In Okay, cool, because we are not there. I will
• 1:12
  Speaker 1: cut your dead before we got life and come, let's
• 1:15
  Speaker 1: kick it. I was about to get tell we're going
• 1:16
  Speaker 1: through his philmography.
• 1:17
  Speaker 2: No video.
• 1:18
  Speaker 1: So although he killed in Mulan and Iconic, he might
• 1:24
  Speaker 1: be the greatest comedic voice actor ever. Yeah, movie wise,
• 1:28
  Speaker 1: but I mean like a person who not like made
• 1:31
  Speaker 1: a career voice acting. I mean like movie star who
• 1:33
  Speaker 1: did who did him? And Robin Williams mhm mm hmm.
• 1:41
  Speaker 1: Genie he was Uh was he Flubber Daddy and Fri
• 1:45
  Speaker 1: and Gully? Oh he was?
• 1:48
  Speaker 2: He did voice working something else too. It wasn't just
• 1:51
  Speaker 2: the genie, I don't know. It was best Robin.
• 1:53
  Speaker 1: We could do so too. He dipped out of comedy too,
• 1:57
  Speaker 1: So here we go.
• 1:58
  Speaker 2: All right, his first movie movie forty eight hours. God,
• 2:02
  Speaker 2: that's the.
• 2:07
  Speaker 3: God.
• 2:08
  Speaker 1: And it wasn't messing around this movie ever. Everybody else's
• 2:12
  Speaker 1: beginning was just like this saw Once Magin.
• 2:16
  Speaker 2: You look at you look at Jim Carrey's mimography Once Midden,
• 2:20
  Speaker 2: The Deadpool, Earth Girls are easy.
• 2:23
  Speaker 1: Forty eight hours out the gate.
• 2:25
  Speaker 2: Forty eight hours out the gate. So it's in the
• 2:28
  Speaker 2: conversation Jesus conversation.
• 2:31
  Speaker 1: Oh for sure. All right, just watch that we was
• 2:33
  Speaker 1: talking about we was researching Buddy Cop. I had forgotten
• 2:36
  Speaker 1: how good it was.
• 2:37
  Speaker 2: Man, it's a good time.
• 2:39
  Speaker 1: Branda loved him in that.
• 2:41
  Speaker 2: Yeah, he called that story. He told he got the
• 2:44
  Speaker 2: best stories. Man. You need to go on the stories.
• 2:46
  Speaker 2: If you don't want to do stand up doing one
• 2:48
  Speaker 2: man show us, just tell us the stories. Eddie so funny, man, God.
• 2:54
  Speaker 1: Listen to me.
• 2:55
  Speaker 2: A trading places. This top five gonna be tough.
• 3:02
  Speaker 1: To I love trading places. It's Billy Ray Vallen Ray Valentine.
• 3:09
  Speaker 1: He had the no legs thing't going They're in Mortimer
• 3:13
  Speaker 1: and Randolph aren't coming.
• 3:14
  Speaker 2: To Randolf Randall.
• 3:16
  Speaker 1: They're coming to America.
• 3:17
  Speaker 2: We're bad.
• 3:18
  Speaker 1: He kicked it off, kicked it off.
• 3:20
  Speaker 2: Second movie, dang, best defense is the movie They just
• 3:24
  Speaker 2: threw him in because the movie sucked, and they was like, yo, Anie,
• 3:28
  Speaker 2: Murphy's hot. Can you just be in this movie? He's
• 3:31
  Speaker 2: in it after the fact.
• 3:32
  Speaker 1: What do you mean after the fact.
• 3:33
  Speaker 2: They shot his scenes after the movie done, just to
• 3:37
  Speaker 2: save the shitty movie. They don't know. I didn't They
• 3:43
  Speaker 2: paid him one million dollars just to be in this movie.
• 3:46
  Speaker 2: That already yeah, it was with Dudley Moore, So that
• 3:51
  Speaker 2: doesn't really count But this out of here, Beverly Hills.
• 3:54
  Speaker 1: Cop Man, this he here for the first five movies,
• 3:59
  Speaker 1: who even can compete with this? Axe?
• 4:06
  Speaker 2: Fully, that's the third movie for real?
• 4:09
  Speaker 1: In the conversation for sure.
• 4:11
  Speaker 2: Okay, the Golden Child.
• 4:13
  Speaker 1: Oh my god, we're not even out of the eighties.
• 4:19
  Speaker 1: No we still we ain't got the nutty Professor.
• 4:22
  Speaker 2: No, we're just getting started.
• 4:24
  Speaker 1: The Child was a girl, by the way.
• 4:26
  Speaker 2: Yes, I remember saying I know, Old Child. I don't
• 4:35
  Speaker 2: think it's making the top five though.
• 4:38
  Speaker 1: No, it's probably gonna get top five. I gotta be
• 4:39
  Speaker 1: a conversation though actually maybe not.
• 4:42
  Speaker 2: It's not getting in there just because.
• 4:45
  Speaker 1: Two step Sorry Golden Child.
• 4:47
  Speaker 2: Gold Child's out. Okay, Beverly Hills cop too.
• 4:51
  Speaker 1: Also good.
• 4:52
  Speaker 2: I think it's better than the first.
• 4:53
  Speaker 1: I agree with you, and I watched them back to
• 4:55
  Speaker 1: back on the same day.
• 4:56
  Speaker 2: It's in the conversation. Yeah, all right, we including Eddie
• 5:00
  Speaker 2: Murphy Raw even though it was a concert film, So
• 5:02
  Speaker 2: all right.
• 5:03
  Speaker 1: Raw, we will be here all day if we got
• 5:05
  Speaker 1: to include Ron Delirious.
• 5:07
  Speaker 2: Okay, all right, Well Delirious wasn't released theatrically, that was it? Nah,
• 5:11
  Speaker 2: that was a HBO.
• 5:12
  Speaker 1: Joint ah, Heart couldn't catch that even without inflation. That's
• 5:17
  Speaker 1: no disrespect to Kevin Hart.
• 5:19
  Speaker 2: It made fifty million dollars in eighty seven.
• 5:21
  Speaker 1: That's just like, man, what are you talking about?
• 5:24
  Speaker 2: The stand up?
• 5:24
  Speaker 1: Do you understand?
• 5:25
  Speaker 2: Like and Richard Pryme's Live on the Sunset, Stripp did
• 5:30
  Speaker 2: thirty something back in the super early eighties. Anyway, let's
• 5:35
  Speaker 2: neither hit the right Harlem Knights in the conversation. My god,
• 5:41
  Speaker 2: So we didn't coming to America before this and then
• 5:43
  Speaker 2: followed the level of Harlem Knights. Okay, another forty eight
• 5:48
  Speaker 2: hours now now it's out.
• 5:53
  Speaker 1: I like it another, I like it too. But we
• 5:55
  Speaker 1: got too much going We got.
• 5:57
  Speaker 2: Too much going on Boomerang, Oh my god, what can't
• 6:00
  Speaker 2: do this?
• 6:01
  Speaker 1: What are we gonna do?
• 6:02
  Speaker 2: We gotta we gotta do this. We gotta structure it
• 6:06
  Speaker 2: of real nice Oh my god, we gotta structure of
• 6:09
  Speaker 2: real noise. So Boomerang is in the county.
• 6:11
  Speaker 1: We already have two. We are saying coming to America
• 6:14
  Speaker 1: in life are for sure? So all we were talking
• 6:17
  Speaker 1: about all these.
• 6:17
  Speaker 2: Movies three yeah, we only got three left, because there's
• 6:20
  Speaker 2: no way coming to America. Might not even make it
• 6:25
  Speaker 2: if we're being real. You want to be like the
• 6:27
  Speaker 2: kids say, keep real, I'm real. Life life is back in,
• 6:34
  Speaker 2: but the competition is still because.
• 6:37
  Speaker 1: We ain't even got none of his dramatic stuff for real.
• 6:39
  Speaker 2: So Boomerang is right there in the conversation. Now, now
• 6:44
  Speaker 2: we got we got about seven years of Oh he
• 6:47
  Speaker 2: got mad stinkers as easy. The stinguish gentleman is out.
• 6:51
  Speaker 2: Get it, okay, Beverly Hills three is big out the
• 6:54
  Speaker 2: hell and the Netflix or Amazon Prime one out. Uh
• 7:00
  Speaker 2: that fleets. Vampire and Brooklyn is out. I don't care
• 7:04
  Speaker 2: what y'all say. I don't want to look over here
• 7:06
  Speaker 2: and see it. Vampire and Brooklyn is out, lover, it's
• 7:11
  Speaker 2: not even in the conversation Vampire movies.
• 7:14
  Speaker 1: You don't even want to hear it.
• 7:16
  Speaker 2: It's not top ten. Eddie Murphy, stop bringing this ship up.
• 7:22
  Speaker 2: Wait till we get the technical difficulties back on track.
• 7:32
  Speaker 2: I'm waiting. Oh my god, now we're back. Vampire and
• 7:42
  Speaker 2: Brooklyn is not making it. There's too many flaws in
• 7:47
  Speaker 2: that movie. I'm tired of y'all bringing it to the table.
• 7:50
  Speaker 2: It's a guilty pleasure. I'm not trying to hear none
• 7:54
  Speaker 2: of it. Vampire and Brooklyn is not making the.
• 7:57
  Speaker 1: Cut feelings about Vampire and Brooklyn.
• 8:00
  Speaker 2: Hey, man, sick of y'all this gay moments. That's it.
• 8:05
  Speaker 1: It was just cool to see black people with vampire.
• 8:07
  Speaker 1: It was cool.
• 8:07
  Speaker 2: Yeah, yeah, blacks vampires. All right, Now we got a
• 8:10
  Speaker 2: new black vampire movie and get this ship out of there.
• 8:14
  Speaker 2: Once Wesley Snipe showed up as Blade, should have just
• 8:17
  Speaker 2: thrown Vampire and Brooklyn out the window. Sick of y'all, man,
• 8:23
  Speaker 2: the nutty professors in the conversation man, dang man, nutty
• 8:29
  Speaker 2: professors in the in there. Okay, Metro is out. I
• 8:34
  Speaker 2: like Metro, but it's out. Doctor Doolittle is out. It's
• 8:38
  Speaker 2: not as funny as another professor. No, no, he was
• 8:41
  Speaker 2: like the animals. Y'all watch y'at Doctor Doulittle's out. Holy
• 8:46
  Speaker 2: man is big out.
• 8:47
  Speaker 1: That's one of the worst.
• 8:49
  Speaker 2: Yeah, but now he came back with life. Okay, we
• 8:53
  Speaker 2: already discussed, like both fingers slept on. I like both
• 8:57
  Speaker 2: both fingers slept on.
• 8:58
  Speaker 1: I wouldn't argue this weren't Betty right.
• 9:00
  Speaker 2: Now, it's a Steve Martin.
• 9:02
  Speaker 1: Oh you know what I'm thinking of.
• 9:05
  Speaker 3: What you're thinking?
• 9:06
  Speaker 1: What with Maya Man the song Mayan did.
• 9:14
  Speaker 2: Take me there? I want to go there.
• 9:15
  Speaker 1: No, No, Ghetto Superstar, Ghetto Superstar. What movie is that?
• 9:22
  Speaker 2: Oh? That's all bullworst work. Okay, got you all right,
• 9:26
  Speaker 2: So both fingers end the discussion.
• 9:29
  Speaker 1: Man, Okay, it ain't gonna be three movies.
• 9:34
  Speaker 2: Ain't gonna be gonna squeeze it. Not the Professor too
• 9:38
  Speaker 2: out of here, dirty waterer.
• 9:40
  Speaker 1: I hated that part of that movie.
• 9:42
  Speaker 2: Man.
• 9:43
  Speaker 1: I was like, all right, I gotta go man, Doctor
• 9:46
  Speaker 1: Doolittle too. No, man, shut up, animals.
• 9:49
  Speaker 2: Showtime out of here.
• 9:51
  Speaker 1: I don't know what that is.
• 9:52
  Speaker 2: Let's move with him and Robert de Niro. He was
• 9:55
  Speaker 2: a colleagues filming like a reality show cop type of
• 9:58
  Speaker 2: Bobby Showtime. Time is out, Pluto is out.
• 10:03
  Speaker 1: Now we're finna be in this time. Yeah, because I know, uh,
• 10:07
  Speaker 1: meet Davis on the way coming up, and Daddy Daycare
• 10:11
  Speaker 1: on the way there you go, stinking spies out, Daddy Daycare,
• 10:17
  Speaker 1: hate kids, the Haunted Mansion. Eddie was getting paid. But man,
• 10:22
  Speaker 1: we understood dream Girls. Now dream Girls is? I still
• 10:27
  Speaker 1: believe I have not forgiven Alan Arkins for winning the Oscar.
• 10:30
  Speaker 1: He got Eddie Murphy's Oscar in his house right now, Yes,
• 10:35
  Speaker 1: then go get it. Respect Alan, no disrespect, And I
• 10:42
  Speaker 1: felt like that for me, gotta be in the conversation.
• 10:50
  Speaker 1: He dream girls and dream girls and he was singing.
• 10:53
  Speaker 2: He was when when when he was about to shoot up,
• 10:57
  Speaker 2: and they was like, come on man, he was like.
• 11:02
  Speaker 1: It was like, all right, he's like, all these drugs
• 11:05
  Speaker 1: are getting done the way, getting done up. It was
• 11:08
  Speaker 1: the settle. I'm gonna do the drug due to these drugs.
• 11:17
  Speaker 1: Nothing y'all can do.
• 11:18
  Speaker 2: How you feel?
• 11:19
  Speaker 3: All right?
• 11:19
  Speaker 2: The drugs is getting done up.
• 11:21
  Speaker 1: Jimmy got so. Jimmy want rims. Busy your doc k
• 11:27
  Speaker 1: follow all that. Jimmy wanter break he pulled his past down.
• 11:31
  Speaker 2: Jimmy. All right, peeps, First of all, thank you for
• 11:35
  Speaker 2: watching the Ball Brothers yet again. This is your first time.
• 11:38
  Speaker 2: Thank you for showing up for the first time and
• 11:40
  Speaker 2: come back again. Anyway, This's neither here nor there. Listen,
• 11:42
  Speaker 2: life doesn't happen bi weekly, all right, So why should
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• 12:05
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• 12:12
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• 13:40
  Speaker 2: Norman is out?
• 13:43
  Speaker 1: How you did?
• 13:46
  Speaker 2: Norman is out of my life?
• 13:49
  Speaker 1: People. A lot of people feel very strong about Norburn.
• 13:52
  Speaker 1: I am not one. Was funny in that though, will.
• 13:58
  Speaker 2: Power tap. I don't like nor but.
• 14:01
  Speaker 1: No, no, no, I don't feel strong about me.
• 14:03
  Speaker 2: David is out. Oh my god, imagine that is out. Yeah,
• 14:08
  Speaker 2: Tower Heist is out. A thousand Words is out. Man,
• 14:14
  Speaker 2: Mister Church is out. But I liked it.
• 14:16
  Speaker 1: Yeah, oh snap.
• 14:23
  Speaker 4: Forties same. I didn't listen to the show at the
• 14:35
  Speaker 4: end of my God, Hungry for the Thirsty for the Distant.
• 14:47
  Speaker 2: Okay, mister Church was good, but it's out. Dolomite is
• 14:53
  Speaker 2: my name.
• 14:55
  Speaker 1: I like that movie.
• 14:56
  Speaker 2: I like it.
• 14:57
  Speaker 1: It's not gonna be top five. No, it's not in it,
• 14:59
  Speaker 1: but he was.
• 15:00
  Speaker 2: I enjoyed it. Coming to America. Oh, come on, man
• 15:04
  Speaker 2: absolutely out hated it. You people, Candy Can Lane.
• 15:12
  Speaker 1: It wasn't that bad for a Christmas movie. Christmas movies
• 15:15
  Speaker 1: are ready at a different scale than regular movies. But
• 15:17
  Speaker 1: it's not so far.
• 15:19
  Speaker 2: Beverly Hills Cop Axual f Out, The Pickup Out, Okay.
• 15:24
  Speaker 1: Pick Up is the new Amazon movie.
• 15:26
  Speaker 2: Yeah, I watched it when I went to visit my fan.
• 15:30
  Speaker 3: It was cool, it was cool.
• 15:31
  Speaker 2: I fell asleep on the very end. I was on
• 15:33
  Speaker 2: that couch, that was on that cach What we got.
• 15:36
  Speaker 5: Leah got forty eight hours trading places, Beverly Hills Cop,
• 15:42
  Speaker 5: Beverly Hills Cop two, Harlem Knights, Boomerang, The Nutty Professor,
• 15:47
  Speaker 5: and Dreamgirls.
• 15:48
  Speaker 1: So what do you want to just get to the
• 15:50
  Speaker 1: argument first? What are you going slip up and say
• 15:54
  Speaker 1: dream Girls is out? Come?
• 16:00
  Speaker 2: Dream Girls is out? Man, It's just too much hot
• 16:05
  Speaker 2: ship left. Man, it's just too much hot ship left.
• 16:10
  Speaker 1: Oh my god, you you it's like you going my
• 16:13
  Speaker 1: mind to be like what Cam is gonna go for?
• 16:14
  Speaker 1: I'm dream Girls is an Oscar nom We both agree
• 16:20
  Speaker 1: that he should have won the Oscar for sure shows
• 16:23
  Speaker 1: his range, supporting role, supporting role. You you would be
• 16:26
  Speaker 1: good for a supporting.
• 16:28
  Speaker 2: This is fine a support and he was big supporting
• 16:31
  Speaker 2: role in that.
• 16:32
  Speaker 1: Yeah, it was what so you mean Bill, Jennifer Hudson, Beyonce,
• 16:38
  Speaker 1: Jamie Ben, probably Eddie.
• 16:41
  Speaker 2: Then you're gonna put on even Nika Rose before him
• 16:45
  Speaker 2: in terms of screen time, not even like promotional wise.
• 16:49
  Speaker 2: Oh well yeah, they got it, like and Eddie Murphy.
• 16:51
  Speaker 2: He was like and Eddie Murphy.
• 16:54
  Speaker 1: I don't think Nonie Rose was even big at that time.
• 16:57
  Speaker 1: He was Jennifer. I mean, Jennifer Hudson had American.
• 17:00
  Speaker 2: Uh, American, but that's what got her big.
• 17:03
  Speaker 1: Yeah, I remember that.
• 17:04
  Speaker 2: But it is just too much heat, man, that's still
• 17:06
  Speaker 2: left on the table for for dream Girls to beat
• 17:09
  Speaker 2: any any of these joints.
• 17:10
  Speaker 1: The building is Jamie Fox, Beyonce Knows, and Eddie Murphy
• 17:13
  Speaker 1: introducing Academy Award winner Jennifer Hudson. So this is the
• 17:17
  Speaker 1: old flying that's like, Yeah, they threw into the bottle.
• 17:22
  Speaker 1: That's not they went through. They had heard of everything
• 17:27
  Speaker 1: on the damn. This is what happens about the Internet.
• 17:29
  Speaker 1: You can't see the you can't see.
• 17:30
  Speaker 2: The real time. I can't see the real but in
• 17:32
  Speaker 2: real time I remember in real time. Yeah, yeah, yeah,
• 17:35
  Speaker 2: Jennifer Hudson, she wasn't the name. It was Jamie beyond Eddie. Yeah,
• 17:39
  Speaker 2: for su dream Girls ain't out, man, dream Girls out
• 17:43
  Speaker 2: all right? Will will well? All right? So can you
• 17:46
  Speaker 2: put dream Girls ahead of the nutty professor? Can you
• 17:49
  Speaker 2: put it ahead of Harlem Knights? Can you put it
• 17:52
  Speaker 2: ahead of Trading places for forty eight hours? Can you
• 17:55
  Speaker 2: put it ahead of Beverly Hills coup one of two? No,
• 17:58
  Speaker 2: none of it whatsoever? And all these movies I just named.
• 18:06
  Speaker 2: Eddie is the face.
• 18:12
  Speaker 1: I kid him. You don't like when people it ain't
• 18:17
  Speaker 1: just their movie.
• 18:18
  Speaker 2: Man, you're gonna sit there and say dream Girls is
• 18:20
  Speaker 2: better than Boomerang. You're gonna sit there and say it
• 18:25
  Speaker 2: with a straight face.
• 18:28
  Speaker 1: Fuck. Boomerang is on top of too.
• 18:32
  Speaker 2: But Eddie is the main piece, Eddie in every scene
• 18:36
  Speaker 2: in that mud.
• 18:37
  Speaker 1: Let's just put it on the side.
• 18:39
  Speaker 2: Dream Girls is out from the side.
• 18:41
  Speaker 1: Why can't it be side for what? For?
• 18:43
  Speaker 3: Just?
• 18:44
  Speaker 1: I can think dream Girls is not making Put it
• 18:47
  Speaker 1: on the side for now. Let me think of an argument.
• 18:52
  Speaker 2: Oh man, nothing, Professor's going in the top five. It's
• 19:01
  Speaker 2: got to be it. Nutting professor, nuhting, Professor's got to.
• 19:04
  Speaker 1: Be right now if if we say that we have
• 19:06
  Speaker 1: life coming to America, a nutting professor.
• 19:09
  Speaker 2: And life hanging on by a three, life is hanging
• 19:12
  Speaker 2: on by a thread.
• 19:13
  Speaker 1: Why so now what you're talking crazy? Hold on, hold on,
• 19:18
  Speaker 1: let me get a mid man my breakfast. You don't
• 19:21
  Speaker 1: be eating your breath.
• 19:22
  Speaker 2: Don't be like I got gum, I stay with something
• 19:25
  Speaker 2: in my mouth. Yeah, it's a right here, you having
• 19:29
  Speaker 2: be eating Nah, I just I just like for my
• 19:31
  Speaker 2: breath to be fresh, even if it's just me home alone.
• 19:36
  Speaker 1: Man, this is now, oh not.
• 19:47
  Speaker 2: Now, y'all. What I'm saying here, here's why I got
• 19:50
  Speaker 2: life hanging on by a thread. I think I want
• 19:53
  Speaker 2: life in there. But it's just going up against it's
• 19:58
  Speaker 2: going up against Boomerang, It's going up against the Beverly Hills.
• 20:01
  Speaker 2: Cap one and two is going against the nutty professors,
• 20:03
  Speaker 2: going against So we got a lot of stuff to
• 20:05
  Speaker 2: fill in. But I feel like I'm a fight for
• 20:09
  Speaker 2: life though life is in. I'm a fight for life. Okay,
• 20:14
  Speaker 2: So what was we saying?
• 20:18
  Speaker 1: You was arguing why dream Girls is out because you
• 20:20
  Speaker 1: don't love black women. You're saying like something because so
• 20:23
  Speaker 1: many black black women are in.
• 20:25
  Speaker 2: Oh, the nutting professor. The nutting Professor is in because
• 20:29
  Speaker 2: of what Eddie was able to do as an actor
• 20:32
  Speaker 2: and as a comedic actor.
• 20:33
  Speaker 1: You got to have enough the sheer weight of like
• 20:36
  Speaker 1: if you think he is the ensemble, he is the
• 20:41
  Speaker 1: nsengb He I sat there and thought, how how how
• 20:47
  Speaker 1: could he just time wise alone? That is not obviously
• 20:55
  Speaker 1: Eddie Murphy. That is Eddie Murphy as Sherman clumb right.
• 20:59
  Speaker 1: That it's his mom who is different than him, his
• 21:03
  Speaker 1: dad who's different from him, and different from his mom,
• 21:06
  Speaker 1: his grandma. Yes, like that, those are people. Those are
• 21:11
  Speaker 1: different people, all distinct people with their own points of
• 21:15
  Speaker 1: view on tics. And then he's buddy as well.
• 21:20
  Speaker 2: Also somebody that is just drastically different. And that's just
• 21:23
  Speaker 2: like all in one piece, one piece. They're sitting at
• 21:27
  Speaker 2: the table together, distinct personalities and I'm fully believing, like
• 21:33
  Speaker 2: these are different.
• 21:34
  Speaker 1: People having relations.
• 21:35
  Speaker 2: Hercules, hercules, you forget, you forget, that's him you he did,
• 21:42
  Speaker 2: he did so good. I fully believe that that was
• 21:45
  Speaker 2: Sherman's mama, that was his dad.
• 21:49
  Speaker 1: His mom was proud of him. The ground was nasty.
• 21:51
  Speaker 2: She was just so supportive of every family member.
• 21:54
  Speaker 1: Oh look at him.
• 21:56
  Speaker 2: You know what I'm saying. That type of energy, the
• 21:59
  Speaker 2: creepy old yes, and Sherman's just Sherman's energy, the way
• 22:04
  Speaker 2: he was fully realized. God, nice guy.
• 22:09
  Speaker 1: Just you've known the Sherman Clinton for sure. He's a
• 22:12
  Speaker 1: professor in.
• 22:13
  Speaker 2: Your root for him. You want him to get the.
• 22:15
  Speaker 1: Girl and Jana thinking, boy, who.
• 22:19
  Speaker 2: Man, you gotta I ain't gonna argue with you.
• 22:25
  Speaker 1: That might be number one.
• 22:27
  Speaker 2: I wouldn't even argue that.
• 22:28
  Speaker 1: If you're just based on the if you watch all
• 22:31
  Speaker 1: the episodes up, based on the criteria we set up,
• 22:33
  Speaker 1: if you got to say this is you know, he
• 22:36
  Speaker 1: did a lot of that. In Coming to America not
• 22:38
  Speaker 1: as much, but.
• 22:38
  Speaker 2: I got I gotta get coming Coming to America the
• 22:41
  Speaker 2: edge because the ensemble and Coming to America was stronger
• 22:44
  Speaker 2: than another professor ensemble.
• 22:46
  Speaker 1: The problem is Coming to America for me, the last
• 22:49
  Speaker 1: fifteen twenty it kind of falls off the cliff. Comedically,
• 22:54
  Speaker 1: they keep the story going, which a lot of comedies
• 22:57
  Speaker 1: fumble the They just be like, man, all right, y'all,
• 23:01
  Speaker 1: but they seem like they just stopped telling jokes for
• 23:03
  Speaker 1: the last fifteen minutes. That was the last joke the
• 23:08
  Speaker 1: trade really a prince, I marry you. But yeah, it
• 23:14
  Speaker 1: didn't fall off so bad that it's just like this
• 23:16
  Speaker 1: movie's not good. Okay, So that means we got three
• 23:19
  Speaker 1: you got three in.
• 23:22
  Speaker 2: So we got we got room for two more on
• 23:24
  Speaker 2: the ship.
• 23:27
  Speaker 1: See, I feel like you're gonna come for trading places,
• 23:31
  Speaker 1: and Trading Place is a dark horse, lovely movie. And
• 23:35
  Speaker 1: you're gonna go action Beverly. He is forty eight hours,
• 23:38
  Speaker 1: Guns and God Chases Tony Baker. This is what I like.
• 23:41
  Speaker 1: It doesn't matter what keV likes. And I'm gona come
• 23:43
  Speaker 1: with good arguments and make camp questions himself as.
• 23:45
  Speaker 2: An arguler fight for trading places.
• 23:48
  Speaker 1: I just love it. Man, you we got okay, so
• 23:52
  Speaker 1: you got I love It's Fish out of Water, which
• 23:56
  Speaker 1: I tend to like those movies from where Billy Ray
• 23:59
  Speaker 1: Valentine's darts and where he ends. Great movie funny Through
• 24:04
  Speaker 1: taught you about the stock market, the oranges they buying orange,
• 24:08
  Speaker 1: future pork bellies and oranges. Now what I will say.
• 24:14
  Speaker 2: Is this age will in terms of tone, Yeah yeah,
• 24:21
  Speaker 2: come on, and neither did Rush Hour talking about I'm
• 24:25
  Speaker 2: just saying I went back and watching Rush who hey, gee,
• 24:31
  Speaker 2: we was We thought this was hilarious.
• 24:33
  Speaker 1: And it was hilarious at the time, but man, y'all,
• 24:36
  Speaker 1: they got to put a thing in front of it.
• 24:37
  Speaker 3: Now it's tough.
• 24:38
  Speaker 1: They'd be like, hey, y'all, hey man, we we kind
• 24:41
  Speaker 1: of don't do this.
• 24:42
  Speaker 2: It was a good time when we was doing it, but.
• 24:44
  Speaker 1: It's kind of like blatantly racist. Even at the time,
• 24:47
  Speaker 1: we was like, y'all racist and funny, y'all. Uh put
• 24:54
  Speaker 1: trading places over there in the in the in the mix.
• 24:59
  Speaker 2: It's still a lie.
• 25:00
  Speaker 1: It's still alive because if you try to come for life,
• 25:03
  Speaker 1: I'll take yours. That's what I'm telling you. Now, there's
• 25:08
  Speaker 1: nothing you can say you try to come for I've
• 25:10
  Speaker 1: taken yours away, all right, I'm taking yours. I'm gonna
• 25:16
  Speaker 1: I'm gonna take yours away. So I'm gonna choose my battle.
• 25:19
  Speaker 1: I'm not I love trying places, but I'm not gonna.
• 25:22
  Speaker 1: All right, and I dream girls. The only concession I'll
• 25:24
  Speaker 1: make is it is his performance was great and Oscar worthy,
• 25:30
  Speaker 1: but it is not a like he has so much
• 25:33
  Speaker 1: more Eddie Murphy forward for sure, like he got eight
• 25:37
  Speaker 1: He's eight people.
• 25:37
  Speaker 2: And that's why I have to get it out of it. Yeah,
• 25:40
  Speaker 2: you know what I'm saying.
• 25:41
  Speaker 1: So we got coming to America. Uh life, Life, we
• 25:46
  Speaker 1: still got Harlem Knights. Ensembles was just not gonna ever
• 25:50
  Speaker 1: be in because Private Ryan's ensemble and that was in
• 25:55
  Speaker 1: for the White Man.
• 25:57
  Speaker 2: Life is technically an ensemble, I'm but not really, but no,
• 26:00
  Speaker 2: it's about them too.
• 26:01
  Speaker 1: It's about these two guys. The middle is big ensemble,
• 26:06
  Speaker 1: but the beginning is them too.
• 26:08
  Speaker 2: But Hall Them Nights ain't an ensemble either because it's
• 26:10
  Speaker 2: really about Quick and uh, Sugar Ray.
• 26:14
  Speaker 1: There's hell of niggas in there though.
• 26:15
  Speaker 2: But then it's hell of the niggas in life.
• 26:19
  Speaker 1: I feel like it's more in hard them Knights.
• 26:21
  Speaker 2: It's just Red Fox, Dela Reese, just the regular side people.
• 26:26
  Speaker 2: No Richard pryor Richard Price. It's about Sugar Ray.
• 26:29
  Speaker 1: Oh you said that character.
• 26:30
  Speaker 2: Yeah, you're quick and they're trying to get shook down.
• 26:34
  Speaker 1: He's just not in there that much. He's just that
• 26:37
  Speaker 1: saying was so funny.
• 26:38
  Speaker 2: But in life you got Rick James. You gotta know
• 26:41
  Speaker 2: that was Rick James at the time lifting.
• 26:46
  Speaker 1: But uh, I'm way higher on life than I am
• 26:50
  Speaker 1: on the other movies.
• 26:51
  Speaker 2: I love, I love like. I want to keep life
• 26:53
  Speaker 2: in there. And I'm just you know, Beverly Hills. Oh ship.
• 27:02
  Speaker 3: H m Hma.
• 27:12
  Speaker 1: Just three or four, it's four, moving and groove as usual.
• 27:17
  Speaker 2: So here's the thing. So life is staying.
• 27:20
  Speaker 1: Life is staying.
• 27:21
  Speaker 2: Life is staying.
• 27:22
  Speaker 1: Life gotta stay.
• 27:24
  Speaker 2: But we gotta get these other two slots. Field. I
• 27:29
  Speaker 2: want a campaign. He was just a regular law enforcement supporter. No,
• 27:35
  Speaker 2: it's not blue line, Blue line, Blue Lives Matter.
• 27:38
  Speaker 1: McGee over here. I know you got a Blue Lives
• 27:40
  Speaker 1: Matter flag on the back of your truck.
• 27:44
  Speaker 2: I want a campaign for one of the Beverly Hills
• 27:46
  Speaker 2: cop movies because.
• 27:47
  Speaker 1: Of how big it was in Eddie Murphy at the
• 27:50
  Speaker 1: time in the box office. Is in big big Titanic
• 27:52
  Speaker 1: gets your Titanic argument.
• 27:54
  Speaker 2: Axel Foley was just an iconic character. When you think
• 27:59
  Speaker 2: about a character just in film, Axel Foley's name is
• 28:02
  Speaker 2: gonna come up.
• 28:06
  Speaker 1: How much the milloy did they make the movie?
• 28:09
  Speaker 2: The first one?
• 28:10
  Speaker 1: Both of them?
• 28:11
  Speaker 2: Oh, the first one did over two hundred something mill
• 28:14
  Speaker 2: in nineteen eighty four, eighty five, two hundred million, over
• 28:19
  Speaker 2: two hundred mill two thirty something. Hold on, I get
• 28:22
  Speaker 2: I'll give you the exact day. Beverly Hills Cop was
• 28:25
  Speaker 2: a phenomenon. Beverly Hills Cop did Oh.
• 28:38
  Speaker 3: B P b pep you.
• 28:53
  Speaker 4: Be peep?
• 28:53
  Speaker 2: Do you do? You beep?
• 28:54
  Speaker 5: You?
• 28:57
  Speaker 3: Oh?
• 28:57
  Speaker 2: ESPN messed it up?
• 28:59
  Speaker 1: Is that what's happening?
• 29:00
  Speaker 5: Well, yeah, we were trying to do a podcast while
• 29:02
  Speaker 5: they were here, and it was this was Mell and
• 29:04
  Speaker 5: Gregg's podcast and a cap screwing up.
• 29:07
  Speaker 2: Oh, but they were on stream Yard, so I wonder
• 29:11
  Speaker 2: stream Yard.
• 29:16
  Speaker 3: Doo doo doo doo doo doo doom doom doom doom
• 29:20
  Speaker 3: doom doom do doom doom doom doom boo doom doom
• 29:23
  Speaker 3: doom doo doo do doo doo doo doo doo boot
• 29:26
  Speaker 3: doo do doo do doo doo doo doo doo doo
• 29:29
  Speaker 3: doo doo do do do.
• 29:30
  Speaker 2: Do get an iconic soundtrack? All right? So, Beverly Hills
• 29:33
  Speaker 2: Cop made two hundred and thirty four million domestically, so
• 29:38
  Speaker 2: it's at three sixteen worldwide. God Lee and then Beverly
• 29:46
  Speaker 2: Hills Cop two made two ninety nine worldwide and eighty
• 29:54
  Speaker 2: seven money, so Axle Foley is six.
• 30:01
  Speaker 1: Hundred million dollars almost. Yeah, First of all, just two.
• 30:05
  Speaker 2: Movies without the inflation. So AXL Foley is like iconic
• 30:09
  Speaker 2: and that's Eddie.
• 30:12
  Speaker 1: What a checking places make?
• 30:13
  Speaker 2: Trading Places did like ninety ninety million domestically, so he's.
• 30:18
  Speaker 1: Well over a billion. Oh yeah, for sure he might
• 30:21
  Speaker 1: be over.
• 30:22
  Speaker 2: The multi billions if you add up to total and
• 30:24
  Speaker 2: animation animation. Yeah, he's like three four five six billion
• 30:28
  Speaker 2: something like that. It's crazy.
• 30:31
  Speaker 1: All right, back me up? Where we at?
• 30:32
  Speaker 5: Leah, So are you adding Beverly Hill?
• 30:36
  Speaker 1: Not yet?
• 30:36
  Speaker 5: Okay, forty eight hours, Trading Places, Beverly Hills, Cop one
• 30:40
  Speaker 5: and two, Harlem Knights, Boomerang and dream Girls is up?
• 30:51
  Speaker 1: We got life coming to America and not a professor, and.
• 30:55
  Speaker 2: Yes, we just need two more. What you want to
• 30:57
  Speaker 2: put in, man, what you want to campaign?
• 31:01
  Speaker 1: If it were me and you weren't a part of
• 31:03
  Speaker 1: my life, you weren't a part of my life, it
• 31:07
  Speaker 1: would be dream Girls and trading Places for just my
• 31:11
  Speaker 1: personal rewatch. But I'm not going into America. That guy's
• 31:14
  Speaker 1: box office. I'm just talking about man. I'm sitting down
• 31:17
  Speaker 1: on pressing play his His dream Girls performance is one
• 31:20
  Speaker 1: of the best performances first of all, I like when
• 31:23
  Speaker 1: comedians played dramatic, he was able to do both. It's
• 31:27
  Speaker 1: not his movie, but it is he's amazing in it.
• 31:32
  Speaker 1: But what I'm struggling with is when we came into
• 31:36
  Speaker 1: this my my my points were based off of like
• 31:42
  Speaker 1: the movies I enjoyed versus Like, I don't necessarily think
• 31:48
  Speaker 1: dream Girls is his movie or ain't his movie. I'm
• 31:51
  Speaker 1: just like he was great in dream Girls and he's
• 31:54
  Speaker 1: great in it, Versus I also.
• 31:59
  Speaker 2: Enjoyed Very Hills with Cop one of two forty eight hours,
• 32:01
  Speaker 2: And that's movies that he's the leading, you.
• 32:06
  Speaker 1: Know point, But as far as rewatching how many times
• 32:09
  Speaker 1: I've seen them? Also, if I'm being honest, I didn't
• 32:11
  Speaker 1: watch Beverly Hills Cop one or two or forty eight
• 32:13
  Speaker 1: hours in real time. Okay, I went back and but
• 32:16
  Speaker 1: I watched Trading Places in real time, so I was
• 32:19
  Speaker 1: watching that. I was like, hey, really come in to
• 32:20
  Speaker 1: American trading places there. He was like, this is crazy.
• 32:23
  Speaker 1: So those ranked higher on mine because I watched them
• 32:27
  Speaker 1: way more often. But I was when I saw those,
• 32:30
  Speaker 1: I was like, saw the Beverly Hills cop in forty
• 32:33
  Speaker 1: eight hours, I was like, these are and they also
• 32:35
  Speaker 1: hold up really well for movies that are like in
• 32:37
  Speaker 1: the eighties, then you're like, man, you gotta watch it.
• 32:39
  Speaker 1: I was like, man, this movie gonna be and I
• 32:41
  Speaker 1: was like, dang it. I mean it looks old, but
• 32:42
  Speaker 1: like everything else is good, it's just like looks old.
• 32:46
  Speaker 1: And Boomerang also I watched in real time, and I
• 32:50
  Speaker 1: remember like what that did for black culture. I remember
• 32:52
  Speaker 1: him going on I think it was maybe Jay Leno
• 32:56
  Speaker 1: and he was talking about and they were pitching and
• 32:57
  Speaker 1: it was like, but where's the like, you know what
• 32:59
  Speaker 1: I'm saying struggle. He was like, there's nothing. It was like, yeah,
• 33:02
  Speaker 1: but you know what I'm saying, they're black. They was like,
• 33:05
  Speaker 1: so black people have money. It's like, yeah, come on, man.
• 33:10
  Speaker 1: So the cultural relevance of that is high.
• 33:13
  Speaker 3: I want in there.
• 33:15
  Speaker 1: And that's what I said, and it should be and
• 33:18
  Speaker 1: therefore I'm right. And I made the case as well,
• 33:20
  Speaker 1: and I made something to say that was like I
• 33:25
  Speaker 1: won't boom for movies like you hadn't seen black people.
• 33:29
  Speaker 1: Everybody was gorgeous. He had a little texturizer going.
• 33:31
  Speaker 2: Yeah.
• 33:33
  Speaker 1: John Wederspoon very funny.
• 33:35
  Speaker 2: Ensemble was amazing in Boomerang.
• 33:36
  Speaker 1: Ensemble great, but Eddie lead, Yeah, you know, wait, so
• 33:42
  Speaker 1: that'd before if we did that.
• 33:43
  Speaker 2: Yeah, I think Boomerang should be in there.
• 33:48
  Speaker 3: So we just need one more.
• 33:54
  Speaker 1: Dream Girls trading places forty eight hours. Dream Girls is
• 33:56
  Speaker 1: not in, Bennie Murphy said, Eddie Murphy wanted to Girls.
• 34:03
  Speaker 2: Ain't making the cut.
• 34:04
  Speaker 1: Man, What is your thing about dream Girls?
• 34:06
  Speaker 2: It's just that it was as a movie as a whole,
• 34:09
  Speaker 2: because we gotta we gotta come down to the movie
• 34:11
  Speaker 2: as a whole. Yeah, it was good. You don't like musicals,
• 34:15
  Speaker 2: I'm not. I don't mind musicals like that because they
• 34:21
  Speaker 2: were performative in terms of they're actually giving shows.
• 34:24
  Speaker 1: Within the movie, like talking to Like all musical right,
• 34:31
  Speaker 1: I love to like step into the Badside where we
• 34:33
  Speaker 1: gotta find a way.
• 34:34
  Speaker 2: If they talking, they having an argument, then they walking
• 34:36
  Speaker 2: into the street and then it's just ran the homeless
• 34:38
  Speaker 2: people and they dancing in the newspaper. Man is going
• 34:41
  Speaker 2: into the choreography, and then it's a person walking their dogs.
• 34:45
  Speaker 2: Like those type of musicals. I'll be like, Man.
• 34:49
  Speaker 1: To the Bad Side.
• 34:53
  Speaker 2: You got a musical about a music group and then
• 34:56
  Speaker 2: they're doing the shows. I don't mind those at all,
• 34:59
  Speaker 2: Like records. Yeah, I love ca Yeah, yeah, yeah. And
• 35:01
  Speaker 2: I'm like, there's some musicals I really love Blues Brothers,
• 35:04
  Speaker 2: the Wiz. Yeah. Dream Girls is actually one of the
• 35:07
  Speaker 2: musicals that I did enjoy, but it's stacked up against
• 35:11
  Speaker 2: greatness and I don't. I don't think dream Girls is great.
• 35:14
  Speaker 1: I never thought that black women.
• 35:16
  Speaker 2: Again, I never thought dream Girls was great.
• 35:18
  Speaker 1: Black women leave, that's what it is. So now black
• 35:21
  Speaker 1: women can't be great. I never thought it was right
• 35:23
  Speaker 1: wing Baker conservative Tony Wild baking up some conspiracy theories.
• 35:29
  Speaker 1: I ever thought it was great, of course because it
• 35:31
  Speaker 1: was lad by black women. Had to say black women,
• 35:35
  Speaker 1: I love y'all. Okay, so what would you what would
• 35:38
  Speaker 1: be your case of for the fifth spot?
• 35:41
  Speaker 2: Then? Uh, all right, So we got forty eight hours,
• 35:49
  Speaker 2: we had trading places, we got Beverly Hills, Cap One
• 35:51
  Speaker 2: and two. That's all. Oh All the Nights.
• 35:56
  Speaker 1: Hall ofm Nights?
• 35:57
  Speaker 3: To me?
• 35:59
  Speaker 2: Is it tad over rated? As a whole?
• 36:02
  Speaker 1: Clip it out? Okay, let's start a dialogue. How so?
• 36:07
  Speaker 2: Because I feel like Harlem Knights has fantastic moments, but
• 36:16
  Speaker 2: overall the film is good. But it's not like that,
• 36:21
  Speaker 2: Like I feel like life is funnier all the way
• 36:25
  Speaker 2: throughout this. Oh I agree with that, you know what
• 36:27
  Speaker 2: I'm saying. Also, you could argue Life it's a tragedy.
• 36:31
  Speaker 2: It's super sad, it's very sad. It's horrible what happens
• 36:34
  Speaker 2: to them. But that's that's why I give Life extra
• 36:37
  Speaker 2: points because in the midst of all the horrible thing
• 36:40
  Speaker 2: that happened to them, it's still hilarious. And they got
• 36:45
  Speaker 2: funnier with every time I watched it. Harlem Knights. I
• 36:48
  Speaker 2: came in with the super high expectation of just like, oh,
• 36:52
  Speaker 2: this is Eddie and Richard Pryor and Red Fox together,
• 36:55
  Speaker 2: It's gonna be the funniest shit I've ever seen. And
• 36:57
  Speaker 2: I saw it. I was like, Yo, they had some
• 36:58
  Speaker 2: good pockets in there, like the gambling in the beginning,
• 37:02
  Speaker 2: the fighting the alley, the fighting the alley, you know
• 37:06
  Speaker 2: what I'm saying, the shootout Quig the crime man, and
• 37:12
  Speaker 2: it was just a cool not coming home here you Mom,
• 37:15
  Speaker 2: not the sunshine, you know what I'm saying. Great moments
• 37:18
  Speaker 2: within the film, but uh tell you see your mom
• 37:23
  Speaker 2: not come home. But at the end, Hallom Nice is dope.
• 37:30
  Speaker 2: Hallom Nice as good as hell. But it's there's several
• 37:34
  Speaker 2: Eddie Murphy movies I would put ahead of it me personally, like,
• 37:42
  Speaker 2: like Eddie Murphy, the way he was in forty eight
• 37:46
  Speaker 2: Hours was just hilarious to me. He was hilarious in
• 37:50
  Speaker 2: forty eight Hours. He was funny and Hall of Knights,
• 37:52
  Speaker 2: but man, he was he was almost straight. He was
• 37:56
  Speaker 2: he was cool.
• 37:57
  Speaker 1: He was like a cool dude, and he was cool
• 37:59
  Speaker 1: though he was he was cool shit, yeah, because everybody
• 38:01
  Speaker 1: can't even pull off cool.
• 38:02
  Speaker 2: He was. I believe, I believed h It was just
• 38:06
  Speaker 2: the coolest cat this side of the Prohibition. But when
• 38:11
  Speaker 2: I think about how he was in forty eight Hours,
• 38:14
  Speaker 2: and I think of how he was and trading places,
• 38:16
  Speaker 2: It's like yeah, yeah, yeah. And then even even Axl Foley,
• 38:21
  Speaker 2: the stuff Axle Foley was doing and getting away with
• 38:24
  Speaker 2: it was just like, Yo, how is he gonna get
• 38:26
  Speaker 2: out of this? How is he gonna lie his way
• 38:27
  Speaker 2: into this?
• 38:29
  Speaker 3: How is he?
• 38:29
  Speaker 2: Because he was lying, He was hustling everybody in the movie.
• 38:32
  Speaker 2: He hustled his lieutenant back in Detroit, he was hustling
• 38:35
  Speaker 2: the cops in Beverly Hills, he was hustling the people
• 38:38
  Speaker 2: that worked at the hotel he hustled his way into
• 38:40
  Speaker 2: a hotel stay at a top notch hotel. He went
• 38:44
  Speaker 2: in there and lied his way into a room in
• 38:47
  Speaker 2: the five star hotel. He lies to get into the
• 38:50
  Speaker 2: offices of mister Maitland, who he thinks killed killed his friend. Yea,
• 38:54
  Speaker 2: every everything Axel Foley was doing was a big hustle,
• 38:57
  Speaker 2: and so you just like, man, yeah, balcon, you know
• 39:04
  Speaker 2: what I'm saying. So it was just like, yo, Eddie
• 39:07
  Speaker 2: Murphy is carrying the ship out of this film.
• 39:11
  Speaker 1: Somebody said, Beverly Hills cops are die hard. Oh that's
• 39:16
  Speaker 1: a good point. I'm not mad at it.
• 39:19
  Speaker 2: And not only that, it was just my dog is
• 39:27
  Speaker 2: a great so so I would have like a Beverly
• 39:33
  Speaker 2: Hills cop in front of Harlem Nights or Trading Places.
• 39:38
  Speaker 1: Was just funny as hell done places.
• 39:41
  Speaker 2: Man, that whole dynamic between Roy and just like everything
• 39:47
  Speaker 2: and then it was just it was gritty. It was
• 39:49
  Speaker 2: just like rough around the edges, offensive on so many levels.
• 39:57
  Speaker 1: Man, this is really hard.
• 40:03
  Speaker 3: Yeah.
• 40:03
  Speaker 1: So we got four left. We got one, I mean
• 40:05
  Speaker 1: one spot left forty eight hours Beverly Hills cop won
• 40:08
  Speaker 1: and two Trading Places and Harlem Knights. You're saying Harlem
• 40:11
  Speaker 1: Knights is out, so down to two Beverly Hill Cops. Oh,
• 40:15
  Speaker 1: Boom Rings in Boom Ring is in, So two Beverly
• 40:18
  Speaker 1: Hills Cop forty eight hours and trading places for Eddie
• 40:20
  Speaker 1: Murphy's fifth film.
• 40:21
  Speaker 2: I'm gonna takema even though I think Beverly Hills Cop
• 40:23
  Speaker 2: two is better. I'm gonna take out two and leave.
• 40:25
  Speaker 1: One because you got the origination of one.
• 40:28
  Speaker 2: Yeah, yeah, exactly.
• 40:30
  Speaker 1: So now I got Beverly Hills Cop forty eight hours
• 40:32
  Speaker 1: in trading places.
• 40:35
  Speaker 2: I'm gonna take forty Excuse me, I'm gonna take forty
• 40:37
  Speaker 2: eight hours out because he doesn't show up in that
• 40:41
  Speaker 2: movie till like forty five minutes.
• 40:43
  Speaker 1: And this is what Nicky Yeah, Nignalty is the quintessential
• 40:47
  Speaker 1: off the books bad Cop God. I mean that like
• 40:51
  Speaker 1: that trope he was he was he was that.
• 40:54
  Speaker 2: He just didn't give a damn. He's just like I'm
• 40:55
  Speaker 2: just trying to solve the case. He was racist too.
• 40:58
  Speaker 1: It was just like he always looks disheveled, keep playing.
• 41:03
  Speaker 1: It looks like he could have quit that job and
• 41:05
  Speaker 1: went to the Blue Chips College and coached them. And
• 41:08
  Speaker 1: that is the same person.
• 41:11
  Speaker 2: I love that look too.
• 41:13
  Speaker 1: Yeah, he's just always like he's the guys like alcoholics coffee.
• 41:19
  Speaker 1: It's my coffee. You don't worry about.
• 41:21
  Speaker 2: Leave me in the hell along.
• 41:23
  Speaker 1: See, you're making your own arguments that I should be making.
• 41:27
  Speaker 1: So now we're down to.
• 41:29
  Speaker 2: Uh trading place hill cop Man.
• 41:34
  Speaker 1: Trading place is tone that s okay? First of all?
• 41:42
  Speaker 1: To me, trading places is funnier than Beverly Hills cop.
• 41:46
  Speaker 2: Okay, I'm not mad at that.
• 41:47
  Speaker 1: I'm partial to fish out of water movies. So from
• 41:51
  Speaker 1: where Billy Ray Valentine starts, how funny he is.
• 41:54
  Speaker 2: As swimming pools right here? What you pulshed the fish
• 41:57
  Speaker 2: out of water movies? Yeah, you're gonna sit up here
• 42:01
  Speaker 2: and say Sistag two is better than Sistag one. When
• 42:04
  Speaker 2: we lose the fish out, I'm gonna do it. You
• 42:07
  Speaker 2: said we were working to bring it up. You said
• 42:11
  Speaker 2: we lose the fish out of an element on the
• 42:14
  Speaker 2: second one, and you like, I'm pushing the fish out
• 42:16
  Speaker 2: of water. All right, but continue, continue, Continue.
• 42:21
  Speaker 1: For the record, I've always maintained Sister Act one is
• 42:24
  Speaker 1: a great film. This better.
• 42:26
  Speaker 2: That's what I'm talking about.
• 42:29
  Speaker 1: One A one B. Sister Act two is just one
• 42:31
  Speaker 1: beeh funny for funny. Trading Place is a funnier film.
• 42:39
  Speaker 1: I agree with the Beverly Hills cop Billy Ray Valentine
• 42:42
  Speaker 1: in every step poor when they find him, he's hustling,
• 42:45
  Speaker 1: also hustling. He got the racket when jail.
• 42:50
  Speaker 2: See when he was in jail talking, yeah.
• 42:52
  Speaker 1: Did not tell this man the no legs on the
• 42:57
  Speaker 1: skateboard thing. So then he and then they clean him up,
• 43:01
  Speaker 1: they take them in and how they're rich. You got
• 43:03
  Speaker 1: dan Aykroyd going that whole buddy cop man.
• 43:09
  Speaker 2: He said, y'all ain't cozy, and nobody, you know what
• 43:11
  Speaker 2: I mean, said, hey, man, I knew he dropped the
• 43:14
  Speaker 2: F bomb. That was offensive, but he was just like, man, man,
• 43:17
  Speaker 2: I knew.
• 43:17
  Speaker 1: Y'all in the eighties tough in his early standard.
• 43:21
  Speaker 2: I'd be like, oh yeah, tough.
• 43:24
  Speaker 1: But on top of that, Trading Places lands the plane
• 43:28
  Speaker 1: as well. Oh yeah, funny is so satisfying, And it's
• 43:33
  Speaker 1: so satisfying, and it's funny through and through. There was
• 43:38
  Speaker 1: a time when I was going back and forth. Coming
• 43:39
  Speaker 1: to America is just funny, and the quotables and the
• 43:41
  Speaker 1: character and all that suff But it's like rooting in
• 43:43
  Speaker 1: a real world comedy. Trading Places is up there. If
• 43:47
  Speaker 1: you asked me if I'm gonna watch a movie or another, like, man,
• 43:49
  Speaker 1: what' I finna watch Trading Places of Beverly Hills, Cop, Man,
• 43:52
  Speaker 1: I'm turning Trading Places on time. You sold me.
• 43:56
  Speaker 2: You sold me on the trade.
• 43:59
  Speaker 1: I finally got Tony on my side.
• 44:02
  Speaker 2: You sold me on that one. Yeah, all right, so
• 44:06
  Speaker 2: we gotta.
• 44:06
  Speaker 1: Order now, we got ordered up. We gotta come into America.
• 44:09
  Speaker 1: Life Trading Places Boomerang and Nutty Professor, Yes, like coming
• 44:17
  Speaker 1: to America probably is that's his magnim opis. Personally, I
• 44:26
  Speaker 1: would say Life, but I could be sold on Nutting
• 44:28
  Speaker 1: Professor just because of like the feet that he does
• 44:34
  Speaker 1: is like you gotta put hardly anybody would even ever
• 44:37
  Speaker 1: try that. You got a video much less of hour
• 44:40
  Speaker 1: and a half film, like the acting work to pull
• 44:42
  Speaker 1: off that different that many different characters. Well, I would say.
• 44:46
  Speaker 2: That I really sat there and forgot.
• 44:49
  Speaker 1: It was like Michael B. Jordan's They're Twins like they
• 44:53
  Speaker 1: could have been. It was that time six plus You
• 44:56
  Speaker 1: still did it. You didn't lose the comedic timing on it.
• 44:59
  Speaker 1: That dinner Alone, the Dinner City, you know, I'm like,
• 45:02
  Speaker 1: this is all him, all him delivering eye line, timing,
• 45:12
  Speaker 1: love me some creative I don't care. Okay. So third,
• 45:19
  Speaker 1: we got Boomerang, trading places, and.
• 45:22
  Speaker 2: Life.
• 45:24
  Speaker 1: I would say Life.
• 45:27
  Speaker 2: I'm not mad at I love.
• 45:28
  Speaker 1: Just a great film. I love life all right. Life
• 45:31
  Speaker 1: is third.
• 45:31
  Speaker 2: I love life in real life too. I just won't
• 45:34
  Speaker 2: say that life is third. So we got trading places
• 45:38
  Speaker 2: and Boom they can go four. Five to me, I
• 45:43
  Speaker 2: would go, I would say trading places, Boomerang, Boom fifth, Yeah,
• 45:48
  Speaker 2: Boomerang fifth, trading places fourth. I wouldn't argue with it
• 45:52
  Speaker 2: because I laugh harder at trading places than Boomerang. Overall.
• 45:55
  Speaker 1: For sure, Booming is just a great film, but also
• 46:01
  Speaker 1: what it represented is what matters a lot to.
• 46:06
  Speaker 2: Them.
• 46:06
  Speaker 1: Jokes and boom ring gets us to like our love jones,
• 46:11
  Speaker 1: our you know what I'm saying.
• 46:13
  Speaker 2: It changed the vibe of black cinema on the romantic tip,
• 46:17
  Speaker 2: because you can get different after.
• 46:19
  Speaker 1: That loving basketball like. It doesn't have to be always like, we.
• 46:22
  Speaker 2: Ain't always have to be a new hood. You saw
• 46:25
  Speaker 2: all these movies where black folks were doing well. Let's
• 46:27
  Speaker 2: focus on the romance.
• 46:28
  Speaker 1: We can go romance.
• 46:29
  Speaker 2: You're in exec at.
• 46:30
  Speaker 1: This play, and it makes sense because you don't see
• 46:33
  Speaker 1: that you do it all right, God, bless y'all, will
• 46:36
  Speaker 1: see you next week for Willer, Carol Smith the Second.
• 46:41
  Speaker 1: It's not Junior,