Latest / 52 Cues - A Production Music and Sync Podcast / Fright Night Composer Quest Live Showcase!

Transcript

Fright Night Composer Quest Live Showcase! · 52 Cues - A Production Music and Sync Podcast

• 0:37
  Speaker 1: What is happening everybody?
• 0:38
  Speaker 1: This is Dave Kroff, and welcome to a very special episode of the 52 Cues podcast, where it's Fright Night 2023.
• 0:49
  Speaker 1: Oh, I am so excited.
• 0:51
  Speaker 1: We are going to be listening to your cues.
• 0:56
  Speaker 1: Listening to your cues, I am so excited.
• 0:58
  Speaker 1: We've got 19 cues that we're going to be listening to, ranging from comedic to sound design to horror and man.
• 1:08
  Speaker 1: It is going to be such a fabulous time and it is so good.
• 1:14
  Speaker 1: We got lots of folks hanging in the chat.
• 1:15
  Speaker 1: We've got Arco, we've got Dex, we've got Mrs Juju Beatz, we've got Mikal, we've got Blaznetz, we've got Linda, we've got Dex.
• 1:24
  Speaker 1: Did I say Dex already?
• 1:25
  Speaker 1: We've got Shannon, mrs 52 cues also hanging in the chat.
• 1:28
  Speaker 1: But it is going to be an absolutely fabulous day.
• 1:31
  Speaker 1: I even look at that.
• 1:32
  Speaker 1: I even I even changed the lights to it's a nice spooky lighting color and so really, really good, really good to have everybody with us today and hope you're all doing well.
• 1:46
  Speaker 1: Hope you're all doing well.
• 1:49
  Speaker 1: And before we get started, I'm going to put this in the YouTube chat here, but the link to for voting and this isn't like a vote for your favorite kind of a thing no, that's not how we are, that's not how we're voting.
• 2:03
  Speaker 1: We're voting on what do you like, what do you think, are there cues that you want to show some love to?
• 2:13
  Speaker 1: And so, by doing that, what we're doing is it's a five star system, five stars, and we're going to be listening through all of these.
• 2:22
  Speaker 1: And so what I want you to do is, as you are actively listening, if you're watching on the archive, hopefully within the next couple of days or so, pull up the link.
• 2:31
  Speaker 1: It's at bitly slash, 52 C Fright Night, and, as you're listening, give it a five stars, one to five, five being the best, one being not my favorite, all right, and that's how I would like to do the vote.
• 2:49
  Speaker 1: So it's not which do you think is the winner, it is which do you like.
• 2:55
  Speaker 1: And that's how we are doing the voting.
• 2:57
  Speaker 1: I guess, technically it is not that call like rank choice voting.
• 3:00
  Speaker 1: I think it's good to see we've got some more folks hanging out in the chat.
• 3:03
  Speaker 1: We've got Kent, we've got Yuko, we've got Shane, we've got Van Kraken gaming, we've got Moodpitch, we've got Carlos, we've got Jerome, we've got Nigel.
• 3:13
  Speaker 1: Oh, it is so good to see all the friends and family showing up here at 52 Cues, and so yeah, but before we get started.
• 3:22
  Speaker 1: Before we get started, I want to put on your radar coming up just this Monday for the friends and family members of 52 Cues Right, submit, forget repeat Q&A and Q review with the taxi whisperer himself, dean Flipping Cropane is joining us for an open Q&A and Q review session.
• 3:45
  Speaker 1: So if you want feedback from an industry pro with 20 years in the production music industry, then man, what you doing?
• 3:54
  Speaker 1: Go, submit your cues and have the author of demystifying the cue, demystifying the genre Absolutely.
• 4:05
  Speaker 1: And if you are watching, jake, good to see you and I actually have my chat.
• 4:09
  Speaker 1: Look at that, look at that.
• 4:10
  Speaker 1: Woo, I could pull up some chat.
• 4:11
  Speaker 1: Jake man, thank you so much for joining us.
• 4:15
  Speaker 1: And if you are watching this right now on the 52 Cues Mighty Networks platform, then go ahead, go over to YouTube.
• 4:23
  Speaker 1: I think you can.
• 4:23
  Speaker 1: You know you can click it and we're all having fun over here in the YouTube chat.
• 4:28
  Speaker 1: Probably won't be able to check out the.
• 4:31
  Speaker 1: Probably won't be able to check out the other chat while we're going.
• 4:35
  Speaker 1: There's so many moving parts already.
• 4:37
  Speaker 1: So, yeah, yens, really, really good to see you.
• 4:40
  Speaker 1: Yens and Michael Sene oh man, it's so good to see all familiar friends and family and neighbors and patrons, and so we're going to have a really good day.
• 4:53
  Speaker 1: So why don't you join us?
• 4:55
  Speaker 1: If you're a friend or family subscriber, why don't you join us over there?
• 4:59
  Speaker 1: And if you're not, man, we would love to have you.
• 5:01
  Speaker 1: We would absolutely love to have you over at 52 Cues.
• 5:04
  Speaker 1: We have three membership tiers that you can join.
• 5:06
  Speaker 1: Obviously, it's free to be a member of the community, take part in the weekly feedback threads.
• 5:12
  Speaker 1: You could have your cue featured here on the 52 Cues YouTube channel and in the podcast.
• 5:16
  Speaker 1: That is free and that will always.
• 5:18
  Speaker 1: That will always be free.
• 5:19
  Speaker 1: But we also have three tiers that if you are ready to kind of push in, right, if you're ready to find out a little bit more, then join us over in the Neighbor Group.
• 5:31
  Speaker 1: It's only $4.99, it's like $5 a month or $49 for an entire year and you get access to the weekly live streams and if you've not seen those, that is absolutely worth checking out.
• 5:47
  Speaker 1: I'll actually pull it up here so you can kind of see it.
• 5:50
  Speaker 1: The live streams have archives.
• 5:55
  Speaker 1: This is going up and we've got archives.
• 5:58
  Speaker 1: And if you want to see in real time a drone tension cue written or a shark week tension cue written or funky ukulele dramedy all of these are archives that you can check out.
• 6:10
  Speaker 1: We would love to have you that is for our friends subscribers, our neighbor subscribers.
• 6:15
  Speaker 1: And you get access to the production music Almanac, which is a hitchhiker's guide to the galaxy, but for us production music composers and friend subscription.
• 6:24
  Speaker 1: Membership subscription is just 19 bucks a month or $199 a year and you get all of that plus weekly cue breakdowns.
• 6:32
  Speaker 1: You get access to our workshops which feature industry guests, cue reviews and teaching topics, along with your very own friend's own chat.
• 6:42
  Speaker 1: And then the nuclear option, the 52 cues family.
• 6:46
  Speaker 1: For folks who are seriously ready to push into a real, sustainable career in production music, than join us as a 52 cues family member.
• 6:55
  Speaker 1: You get all of that plus weekly zoom feedback, zoom feedback sessions, weekly zoom office hours.
• 7:01
  Speaker 1: You get access to the briefing room, which is folks writing real cues for real, for real placement in libraries.
• 7:10
  Speaker 1: We just had two students who wrote for the briefing room from this past summer.
• 7:15
  Speaker 1: Who is art?
• 7:16
  Speaker 1: They've already made air.
• 7:17
  Speaker 1: They've already gotten air on the NFL on CBS.
• 7:20
  Speaker 1: So and so, if you're wanting, if you're, if you're ready, if you're now now, john, I mean you can join the family if you want and then never do anything.
• 7:27
  Speaker 1: But if you're really seriously ready to kickstart your career and push into sustainable output, then join us over in the family group.
• 7:37
  Speaker 1: We would absolutely, absolutely love to have you got lots of folks hanging out in the chat.
• 7:42
  Speaker 1: Good to see Rolf man.
• 7:45
  Speaker 1: Good to see Ralph.
• 7:46
  Speaker 1: Good to see Simon.
• 7:47
  Speaker 1: Good to see Gary Welcome Gary.
• 7:50
  Speaker 1: Good to see oh, it's a full sale folks chilling out and hanging.
• 7:53
  Speaker 1: Did I get everybody, linda?
• 7:55
  Speaker 1: Yeah, it's going to be a great week.
• 7:57
  Speaker 1: It's going to be a great afternoon.
• 8:01
  Speaker 1: So what we are doing is we are going to to check out each of the types of cues and we have three categories that we are writing to.
• 8:12
  Speaker 1: Okay, so we are writing comedic tension, just kind of dramedy.
• 8:18
  Speaker 1: So we're going to start at light and then create creative and sound design cues, and then, finally, the horror tension cues, and anybody who knows me and Shannon Mrs 52 cues can can attest to this.
• 8:34
  Speaker 1: I'm a big fat chicken and I get freaked out really easily, so so if you see me turn on all of the lights all of a sudden, it's because I got really freaked out.
• 8:46
  Speaker 1: Right, got really freaked out.
• 8:48
  Speaker 1: That's happened more than once, absolutely.
• 8:51
  Speaker 1: I'm a little worried.
• 8:53
  Speaker 1: I'm a little worried about what happens, but we're going to start nice and easy.
• 8:58
  Speaker 1: We're going to start it nice and easy with our comedic tension category.
• 9:04
  Speaker 1: And, again, if you haven't already, we're going to put this chat link there in the chat.
• 9:08
  Speaker 1: If you've not already, pull up your scorecard and get ready to listen to the cues.
• 9:15
  Speaker 1: And we are first starting out with Ralph Oleski.
• 9:19
  Speaker 1: Ralph Oleski says this is an older cue that was always meant for Halloween.
• 9:23
  Speaker 1: Just have it hanging around, modeled a little bit from Danny Elfman.
• 9:28
  Speaker 1: So let's take a listen to Dancing Bones.
• 10:00
  Speaker 2: Anybody want to finish?
• 11:20
  Speaker 1: All right, that was Ralph Olesky with Dancing Bones.
• 11:23
  Speaker 1: Oh man, ralph, thank you so much for sending that along.
• 11:27
  Speaker 1: And if that's something, if you dig it, why don't you hit over to the scorecard?
• 11:31
  Speaker 1: Let me actually pull that up here, the scorecard, and of a one one through five, entirely up to you.
• 11:40
  Speaker 1: What does five mean?
• 11:41
  Speaker 1: Well, that means I love it.
• 11:43
  Speaker 1: Oh, my gosh, that was mind blowing.
• 11:45
  Speaker 1: What does one mean?
• 11:47
  Speaker 1: I mean maybe not a fan, which is, you know, totally okay, it's totally okay, all right.
• 11:55
  Speaker 1: So next up, we have demented waltz Waltz from Patrick Pinnock.
• 12:02
  Speaker 1: He's always wanted to do a waltz style Halloween track and thought, why not?
• 12:05
  Speaker 1: For this contest Took a while to get the mix right while deciding which instruments to push forward and which we're going to play a more background role.
• 12:14
  Speaker 1: Once the mix was done, mastering was quite straightforward.
• 12:16
  Speaker 1: Hope you enjoy.
• 12:19
  Speaker 1: So here is demented waltz.
• 12:21
  Speaker 1: All right, that was Patrick.
• 14:29
  Speaker 1: Thank you so much.
• 14:30
  Speaker 1: I'm not going to lie.
• 14:30
  Speaker 1: Oh man, yeah, that, knock that door, knock, that got to me.
• 14:38
  Speaker 1: I'm not going to lie.
• 14:38
  Speaker 1: I'm not going to lie.
• 14:39
  Speaker 1: That got to me.
• 14:43
  Speaker 1: Oh man, oh, mad about you, says mad about nothing, says it's only going to get worse.
• 14:48
  Speaker 1: It really this is the funny stuff?
• 14:50
  Speaker 1: Okay, all right, I can do it.
• 14:52
  Speaker 1: Shannon, will you come up and hold me if I get too scared?
• 14:56
  Speaker 1: Oh man, okay, all right.
• 14:59
  Speaker 1: Well, by the way, it's really good to see we got some new folks hanging out in the chat.
• 15:02
  Speaker 1: Ralph, oh, really really good to see you and mad about nothing.
• 15:07
  Speaker 1: Thank you, thank you so much, all right, so that was demented.
• 15:10
  Speaker 1: Waltz All right.
• 15:11
  Speaker 1: Next up we have sleep unwisely from Alan Moore.
• 15:16
  Speaker 1: Alan says, written for Halloween last year and based around the base clarinet, which gives the piece a slight quirky comedic nature.
• 15:23
  Speaker 1: I think An insistent snare drum gives a march like feel the obligatory spooky ooze and ahs arrive towards the end.
• 15:33
  Speaker 1: All right, if you listen to sleep unwisely.
• 16:18
  Speaker 2: Okay, alright, got one.
• 17:31
  Speaker 2: All right, that was Alan Moore with Sleep Unwisely.
• 17:48
  Speaker 1: Alan, thank you so much for sending that along.
• 17:50
  Speaker 1: We had a question in the chat Is it a problem if I put everything as a five?
• 17:55
  Speaker 1: Well, shannon, mrs 52Q, says well, we'll just have a 15-way tie or 19-way tie and you can change these kind of after the fact.
• 18:06
  Speaker 1: So yeah, these have all been absolutely fantastic, which is why I'm glad that I'm not voting on these, because I don't know if I could do that.
• 18:15
  Speaker 1: But really really well done.
• 18:18
  Speaker 1: Thank you so much, alan, for sending that along.
• 18:20
  Speaker 1: Next up we have Nathan with Bonesaw Lullaby.
• 18:24
  Speaker 1: Nathan says I was originally going for an Adam's Family kind of vibe with Harpsichord and Theramon and planned to somehow incorporate Trombone.
• 18:33
  Speaker 1: Once I landed on the Bonesaw Lullaby title, it became apparent I needed to add a Power Saw because, as we know, trombone plus Power Saw equals Lullaby.
• 18:44
  Speaker 1: Obviously All right.
• 18:47
  Speaker 1: So here is Nathan Toft with Bonesaw Lullaby.
• 19:03
  Speaker 2: Move Important.
• 20:31
  Speaker 1: All right, that was Bonesaw Lullaby from Nathan.
• 20:34
  Speaker 1: Nathan, thank you so much for sending that along.
• 20:36
  Speaker 1: Really enjoyed.
• 20:38
  Speaker 1: Yeah, who knew who knew Power Saw was such a powerful voice and in dramedy?
• 20:44
  Speaker 1: But really do appreciate it All right.
• 20:46
  Speaker 1: Next up we have Enrico.
• 20:48
  Speaker 1: Enrico, who I know is hanging out in the chat, the purveyor of all things Italian coffee.
• 20:53
  Speaker 1: I gotta tell you, enrico, I need to up my Lovato.
• 20:56
  Speaker 1: I'm out so I had to dip into my Starbucks.
• 20:59
  Speaker 1: I'm like, oh, this is not Italian coffee, but it's really good to have you with us.
• 21:05
  Speaker 1: This is Haunted Ska Review.
• 21:08
  Speaker 1: And Enrico says an attempt at Circus Macabre that is not in three, four or two, four and, yes, an excuse to dig deep in my libraries for Halloween capers.
• 21:19
  Speaker 1: So here is Haunted Ska Review.
• 21:23
  Speaker 1: All right, I was in Rico with haunted ska review In Rico.
• 23:27
  Speaker 1: Thank you so much for sending that along.
• 23:29
  Speaker 1: Yeah, that was a ton of fun.
• 23:30
  Speaker 1: Man, that was a ton of fun and good to see some new folks hanging out in the chat.
• 23:34
  Speaker 1: Good to see you.
• 23:36
  Speaker 1: What is good?
• 23:38
  Speaker 1: We got Jeff LaPlante.
• 23:39
  Speaker 1: I don't think I gave you a shout out.
• 23:40
  Speaker 1: Boost a Kid.
• 23:41
  Speaker 1: Really good to see you.
• 23:42
  Speaker 1: Thank you so, so much.
• 23:45
  Speaker 1: And Van Kraken Gaming says my mom played the accordion.
• 23:48
  Speaker 1: Well, that's awesome.
• 23:49
  Speaker 1: I had a gig a couple of weekends ago and they used an electric accordion.
• 23:54
  Speaker 1: I didn't know that Roland makes accordions electric accordions like they make electronic drum sets Great.
• 24:00
  Speaker 1: So thank you once again for sending that along.
• 24:04
  Speaker 1: Next up we have Mikhail Pasilage, who sent along Cemetery Circus.
• 24:10
  Speaker 1: He says this was the first time I've been making a cue of this genre.
• 24:15
  Speaker 1: I think it's not very scary in the end, more like a music for sad bear circus show.
• 24:21
  Speaker 1: Oh man, that story got sad.
• 24:23
  Speaker 1: I used to.
• 24:25
  Speaker 1: I used that for the title at least.
• 24:28
  Speaker 1: All right, so let's take a listen.
• 24:30
  Speaker 1: This is Cemetery Circus.
• 24:33
  Speaker 1: Off, we go, transportations.
• 24:37
  Speaker 1: See you next time.
• 24:57
  Speaker 1: Alright, that was Cemetery Circus from Michal.
• 26:28
  Speaker 1: Thank you so much.
• 26:29
  Speaker 1: That was fantastic.
• 26:30
  Speaker 1: That slow gluro.
• 26:31
  Speaker 1: My right ear really enjoyed that.
• 26:33
  Speaker 1: That was so good.
• 26:35
  Speaker 1: Great title too.
• 26:36
  Speaker 1: Really really nice.
• 26:37
  Speaker 1: Nice.
• 26:38
  Speaker 1: I tell you.
• 26:39
  Speaker 1: You guys voting, you have your work cut out for you.
• 26:44
  Speaker 1: I'm going to go ahead and put that link once again in the chat.
• 26:47
  Speaker 1: Bitly slash 5 2 C Fright Night.
• 26:50
  Speaker 1: 52 Q's Fright Night or 5 2 C Fright Night.
• 26:54
  Speaker 1: Why don't you go vote?
• 26:56
  Speaker 1: Go vote.
• 26:56
  Speaker 1: This is going to be open, mrs 52 Q's.
• 27:00
  Speaker 1: How long is voting open?
• 27:01
  Speaker 1: I think until tomorrow.
• 27:05
  Speaker 1: I think we're going to have voting up until tomorrow.
• 27:10
  Speaker 1: Yeah, arco says everything's a 5.
• 27:12
  Speaker 1: Yeah, yep, everything is a 5.
• 27:15
  Speaker 1: Alright, then, finally, rounding up the comedic tension, we have Linda Britton and says Linda says I had a strong image in my mind before starting this piece and I wanted to use a good combination of contrasting sounds, including strings, woodwind, harpsichord, organ and voices, as well as some opening sound design to set the atmosphere of a castle.
• 27:37
  Speaker 1: The newlywed couple are invited to tea with the count, a vampiric host who loves to entertain new visitors with tea and his harpsichord skills.
• 27:46
  Speaker 1: The unsuspecting guests arrive and are ushered into a large, resonant drawing room, the door of which slams noisily behind them.
• 27:56
  Speaker 1: The count echoes the chimes, catching the strings of the harpsichord with his long black and brittle fingernails.
• 28:05
  Speaker 1: With the flick of his coattails, he sits and begins to play.
• 28:09
  Speaker 1: The guests become entranced, beguiled by the innocent yet all-consuming resonances.
• 28:17
  Speaker 1: Here is tea with the count.
• 28:21
  Speaker 1: That was Tea with the Count from Linda.
• 30:13
  Speaker 1: Linda, thank you so much for sending that along.
• 30:16
  Speaker 1: Really, really do appreciate you.
• 30:19
  Speaker 1: So that is the comedic tension.
• 30:22
  Speaker 1: So get to voting right now.
• 30:24
  Speaker 1: Get to voting right now and, if you want to maybe bookmark this and watch the archive a little bit later so you can kind of back things up and listen again.
• 30:35
  Speaker 1: Yeah, would love to have you vote in the comedic tension category.
• 30:41
  Speaker 1: Yeah, again, that's good luck voters.
• 30:48
  Speaker 1: Good luck voters.
• 30:53
  Speaker 1: Next up we have the creative sound design category.
• 30:58
  Speaker 1: Creative sound design.
• 31:00
  Speaker 1: Now, these are cues that aren't necessarily super scary, not necessarily super funny, but creative use of sound design elements going in, getting your hands dirty, not just off the shelf sounds.
• 31:14
  Speaker 1: That's what we are doing here in the creative sound design category.
• 31:19
  Speaker 1: And first up we have Mr Alan Moore with Unsettled Ambient, unsettling instrumental cue.
• 31:29
  Speaker 1: The music starts off out with an ethereal ambient mood and transitions into an unsettling mood as it progresses.
• 31:37
  Speaker 1: Here is Unsettled.
• 31:39
  Speaker 1: That was Unsettled by Alan Moore.
• 33:18
  Speaker 1: Alan, thank you so much for sending that along for so many interesting textures and everything going on with that one.
• 33:26
  Speaker 1: Next up we have Enrico with Haunting Lamentations Boutique.
• 33:33
  Speaker 1: He says A collection of what were originally pretty sound recordings I made, mangled through the darker, deeper recesses of Reason's Sonic Arsenal To deliver a rather unpleasant experience.
• 33:47
  Speaker 1: One hopes ten points for each correctly identified original sample.
• 33:52
  Speaker 1: This is Haunting Lamentations Boutique.
• 33:57
  Speaker 1: This is a collection of what were originally pretty sound recordings I made mangled through the darker, deeper recesses of Reason's Sonic Arsenal.
• 34:13
  Speaker 1: This is a collection of what were originally pretty sound recordings I made mangled through the darker, deeper recesses of Reason's Sonic Arsenal.
• 34:22
  Speaker 1: This is a collection of what were originally pretty sound recordings I made mangled through the darker, deeper recesses of Reason's Sonic Arsenal.
• 34:34
  Speaker 1: This is a collection of what were originally pretty sound recordings I made mangled through the darker, deeper recesses of Reason's Sonic Arsenal.
• 34:47
  Speaker 2: This is a collection of what were originally pretty sound recordings I made mangled through the darker, deeper recesses of Reason's Sonic Arsenal.
• 34:58
  Speaker 2: This is a collection of what were originally pretty sound recordings I made mangled through the darker, deeper recesses of Reason's Sonic Arsenal.
• 35:19
  Speaker 2: This is a collection of what were originally pretty sound recordings I made mangled through the darker, deeper recesses of Reason's Sonic Arsenal.
• 35:36
  Speaker 1: This is a collection of what were originally pretty sound recordings I made mangled through the darker, deeper recesses of Reason's Sonic Arsenal.
• 35:50
  Speaker 1: This is a collection of what were originally pretty sound recordings I made mangled through the darker, deeper recesses of Reason's Sonic Arsenal.
• 36:02
  Speaker 1: This is a collection of what were originally pretty sound recordings I made mangled through the darker, deeper recesses of Reason's Sonic Arsenal.
• 36:13
  Speaker 1: This is a collection piece and used all the tracks I was developing, so I think it fits in the creative category.
• 36:22
  Speaker 1: But I'm not the judge.
• 36:24
  Speaker 1: No, you are the judge.
• 36:43
  Speaker 3: Welcome to Friday Night.
• 36:44
  Speaker 3: Did you go?
• 36:45
  Speaker 3: Sound design, orchestral or comedy, four or three?
• 36:56
  Speaker 3: I mean sound design is pretty cool.
• 37:15
  Speaker 2: Hello.
• 37:18
  Speaker 3: Of course some people find that a bit scary and go orchestral or keep it fun with comedy.
• 37:31
  Speaker 3: I'm looking forward to a funny evening of the tracks and to make this comedy 30.
• 37:49
  Speaker 3: So it's an entry.
• 37:50
  Speaker 3: I suppose I could just put some echo and reverb on an audio track.
• 38:02
  Speaker 1: That was 52 Ghouls from Dex.
• 38:05
  Speaker 1: Oh man, dex, I appreciate you, my man.
• 38:08
  Speaker 1: Yeah, it's been really great hanging with Dex.
• 38:13
  Speaker 1: It was in the mastermind this past.
• 38:15
  Speaker 1: Yeah, enrico wants to know where.
• 38:19
  Speaker 1: Why isn't there a six?
• 38:20
  Speaker 1: Really appreciate you, dex.
• 38:23
  Speaker 1: Thank you so much.
• 38:23
  Speaker 1: All right now, finally, we have Mike Sene with Catechisms, questions and Answers, calls and Response from the Beyond.
• 38:34
  Speaker 1: A bit of old school and a bunch of new Ghoul.
• 38:38
  Speaker 1: Happy Halloween.
• 38:40
  Speaker 1: This is Catechisms.
• 38:42
  Speaker 1: All right, that was Catechisms from Mike.
• 40:31
  Speaker 1: Mike, really, really appreciate you, man.
• 40:34
  Speaker 1: Linda, jason X meets the Exorcist.
• 40:37
  Speaker 1: Yeah, and Mike, is that in the wrong category?
• 40:40
  Speaker 1: If you will reach out to Shannon, if that's in the wrong category, but it was submitted during that.
• 40:45
  Speaker 1: Yeah, I was not.
• 40:48
  Speaker 1: I'm worried, guys, I'm worried, I'm straight up worried.
• 40:50
  Speaker 1: But why don't you head over and vote?
• 40:55
  Speaker 1: Vote for the Q and again, you're not voting for the best on a grade of one to five and these are anonymous, right?
• 41:03
  Speaker 1: A grade of one of five, five being yes, this was 100%, loved it.
• 41:08
  Speaker 1: Yes, yes, yes, one being not a fan or whatever.
• 41:11
  Speaker 1: You don't owe anybody an explanation.
• 41:13
  Speaker 1: This is how you feel.
• 41:13
  Speaker 1: It's all good.
• 41:14
  Speaker 1: It's not first past the post, it is ranked choice, and so that's what we are doing here today Ranked choice voting.
• 41:26
  Speaker 1: So next up we have I hope I'm worried.
• 41:29
  Speaker 1: I'm not going to lie y'all.
• 41:31
  Speaker 1: I am worried about this because now playtime is over, playtime is over and now we're into the really scary stuff.
• 41:40
  Speaker 1: Scary stuff, tension and horror.
• 41:44
  Speaker 1: I might have to turn on the lights.
• 41:49
  Speaker 1: First up we have Alan.
• 41:51
  Speaker 1: Alan says this is a pulsing tension type cue that seems appropriate for Halloween.
• 41:55
  Speaker 1: Initially it was a taxi rejection but following lots of help from the 52Q's community, it got several forwards.
• 42:02
  Speaker 1: Yay.
• 42:03
  Speaker 1: I struggled with the notion of what makes a contemporary synth sound.
• 42:06
  Speaker 1: Synths used on the track are Yuhi, zebra, zebra, native instruments, straylight, omnisphere and some Spitfire audio stuff.
• 42:13
  Speaker 1: In the end, taxi liked the development and the dark synth sounds.
• 42:19
  Speaker 1: So here is no Angel by Alan Moore.
• 42:22
  Speaker 1: All right, that was no angel from Alan.
• 44:25
  Speaker 1: Thank you so much for sending that along.
• 44:27
  Speaker 1: I gotta tell you I was a little worried, but I'm doing all right.
• 44:30
  Speaker 1: I'm doing all right, I'm okay.
• 44:32
  Speaker 1: So really, really, really nice job there, all right.
• 44:36
  Speaker 1: Next up we have Gunn Britt.
• 44:38
  Speaker 1: Gunn Britt, I hope that you are doing well.
• 44:41
  Speaker 1: She says my inspiration was actually the Caramelite Sisters Fate in the Opera by Francis Polanc.
• 44:48
  Speaker 1: Don't know why it just came.
• 44:51
  Speaker 1: So here is Last Sisters ["Pomp and Circumstance"].
• 45:24
  Speaker 2: ["pomp and Circumstance"].
• 45:37
  Speaker 2: ["pomp and Circumstance"].
• 46:07
  Speaker 2: ["pomp and Circumstance"].
• 46:54
  Speaker 1: That was Last Sister from Gunn Britt.
• 46:57
  Speaker 1: Thank you so much for sending that along Again.
• 47:01
  Speaker 1: I did okay, I did all right.
• 47:02
  Speaker 1: That was less Jason Exorcist and more like the Sixth Sense, which I'm okay with, even though that's kind of my threshold of scary.
• 47:13
  Speaker 1: I really am a big chicken.
• 47:15
  Speaker 1: I'm a little worried about this one.
• 47:17
  Speaker 1: This next one is from the Donnie Wayne Smith.
• 47:21
  Speaker 1: This is Rosemary Clooney's Baby.
• 47:23
  Speaker 1: Donnie says I wanted to write an opening title sequence for a horror movie.
• 47:29
  Speaker 1: Still learning Cubase, midi and BBCSO, I now know exactly what my Mac limits are.
• 47:36
  Speaker 1: What you hear is all my Mac would allow me to do without rendering.
• 47:40
  Speaker 1: I heard more in my head but figured I needed to stop somewhere.
• 47:43
  Speaker 1: Also, I decided not to write to a click.
• 47:46
  Speaker 1: Ooh, bold move.
• 47:47
  Speaker 1: Cotton.
• 47:47
  Speaker 1: I wanted it to be more free-flowing was more of a headache than I anticipated.
• 47:52
  Speaker 1: Yep, yep.
• 47:53
  Speaker 1: This is Rosemary Clooney's Baby coveted music.
• 49:51
  Speaker 1: That was Rosemary Clooney's baby from Donnie Wayne Smith Donnie, thank you so much for sending that along.
• 49:57
  Speaker 1: Really, man, I have some really stellar programming in there.
• 50:00
  Speaker 1: Appreciate you sending that along.
• 50:02
  Speaker 1: Next up, we have Wicked Riots from Omar.
• 50:08
  Speaker 1: Omar says this is a Halloween hybrid orchestral hip hop.
• 50:12
  Speaker 1: All right, this is Wicked Riots.
• 50:15
  Speaker 1: All right, I wasn't expecting you to go that hard.
• 52:15
  Speaker 1: Omar gets Dave's WTF award of the night Dang.
• 52:21
  Speaker 1: Of course, the night isn't over yet.
• 52:23
  Speaker 1: Omar, that was stellar.
• 52:24
  Speaker 1: Really, really do appreciate me.
• 52:26
  Speaker 1: You got me stink-facing man, involuntary stink-face.
• 52:30
  Speaker 1: Really, really nice work.
• 52:33
  Speaker 1: Next up, we have a horror zombie tension cue from Ilya Ilya.
• 52:39
  Speaker 1: What's good.
• 52:39
  Speaker 1: My man Hope you're doing well.
• 52:41
  Speaker 1: He says just don't get bit.
• 52:43
  Speaker 1: That was just don't get bit from Ilya Ilya.
• 54:21
  Speaker 1: Thank you so much for sending that along, man, really really appreciate you.
• 54:24
  Speaker 1: I don't know how you guys are gonna vote.
• 54:26
  Speaker 1: Maybe, shannon, maybe we might have a 19-way tie.
• 54:30
  Speaker 1: These are all absolutely stellar.
• 54:34
  Speaker 1: Absolutely, absolutely stellar.
• 54:37
  Speaker 1: Yeah, I'm getting, I'm getting worried.
• 54:39
  Speaker 1: Donnie is in the house.
• 54:40
  Speaker 1: Really good to see you.
• 54:41
  Speaker 1: Really good to see you See.
• 54:43
  Speaker 1: Did I miss anybody else that came in the chat?
• 54:45
  Speaker 1: Lisa, really good to see you as well.
• 54:49
  Speaker 1: Thank you so much for joining us.
• 54:51
  Speaker 1: Next up we have Jerome, who I think was in the chat.
• 54:54
  Speaker 1: Dex says the bitey thing is behind me.
• 54:57
  Speaker 1: I'm worried, I'm worried, I'm not gonna lie, I'm worried, although I've been better than I thought.
• 55:02
  Speaker 1: I've been in some, some feedback sessions and, like during the mastermind I'm looking at you, george, if you're watching this, and Mike man, some things that really just messed with my head, like legitimately, like hair on the back of my neck.
• 55:18
  Speaker 1: Yes, I have hair on the back of my neck Standing up, yep.
• 55:23
  Speaker 1: But next up we have unseen dangers from Jerome, a dark, atmospheric, orchestral hybrid soundscape featuring strings, synthesizers, percussion and Effects.
• 55:36
  Speaker 1: This is unseen dangers.
• 55:38
  Speaker 1: Oh, oh, oh, oh, oh, oh, oh man, that one, that one got me, that one got me.
• 57:36
  Speaker 1: It's, it's the, it's the banshee screaming that and because I'm in headphones, it's like right there, right there, the ghosts are right there in my ear.
• 57:44
  Speaker 1: Your cup, really appreciate you, jerome man, really, that way, that one got me, that one got me.
• 57:50
  Speaker 1: Good, all right.
• 57:52
  Speaker 1: Next up we have, oh, eerie whispers within.
• 57:55
  Speaker 1: This is Enrico.
• 57:57
  Speaker 1: Enrico says Dave, if you're playing this, you are scraping the bottom of the barrel.
• 58:01
  Speaker 1: But hey, I'm happy, scared, tense.
• 58:04
  Speaker 1: Oh, I'm worried, man, I'm worried.
• 58:07
  Speaker 1: Oh, oh, oh, oh, oh, oh, oh.
• 59:15
  Speaker 1: That was eerie whispers within from Enrico.
• 59:38
  Speaker 1: Enrico, thank you so much.
• 59:39
  Speaker 1: Oh, these are getting me, man, thank you.
• 59:46
  Speaker 1: I, these last couple have got me.
• 59:48
  Speaker 1: It's, it's the sound design stuff.
• 59:52
  Speaker 1: That's really super close, you know, yeah, yeah, you guys got me All right next up, and I think this is our last one.
• 1:00:00
  Speaker 1: I can't believe this is our last one.
• 1:00:02
  Speaker 1: This is, yeah, mad about nothing.
• 1:00:05
  Speaker 1: Says he hates the marble, yeah, that omnisphere kind of dripping marble thing and it's like it's right there, it's like right in my ear.
• 1:00:11
  Speaker 1: So freaking creepy man, so freaking creepy.
• 1:00:14
  Speaker 1: But I think, I think Omar is gonna is gonna round up the night, round off the night, with Haunted pumpkin waltz.
• 1:00:24
  Speaker 1: He says this is a fantasy orchestra Halloween queue.
• 1:00:28
  Speaker 1: So here is haunted pumpkin waltz.
• 1:00:56
  Speaker 2: Oh, oh, oh.
• 1:02:27
  Speaker 1: Oh, omar, omar with the vocals.
• 1:02:46
  Speaker 1: Omar, hit me up, hit me up in the chat over on 52 cues.
• 1:02:50
  Speaker 1: I would love to know what, what a vocal, what vocal library, or is that an actual human being?
• 1:02:56
  Speaker 1: Because that was absolutely stellar.
• 1:02:59
  Speaker 1: So voting is open.
• 1:03:02
  Speaker 1: Please head over to bitly slash 52, see Fright Night, and voting.
• 1:03:09
  Speaker 1: It is not.
• 1:03:11
  Speaker 1: It's not vote for the best, just just give each one the stars.
• 1:03:15
  Speaker 1: So, so, one star being Not really crazy about it, five stars being, yes, all right, and and that's it's.
• 1:03:24
  Speaker 1: That scale is entirely up to you.
• 1:03:26
  Speaker 1: You can vote on the comedic tension, on the creative sound design or the horror and Tension.
• 1:03:32
  Speaker 1: So, but that was absolutely stellar.
• 1:03:34
  Speaker 1: Really, really do appreciate everybody for sending everything along.
• 1:03:39
  Speaker 1: And and If you enjoyed all of this and if you like what we got going on here at 52 cues, we would love to have you join us.
• 1:03:50
  Speaker 1: You can join the community for free.
• 1:03:51
  Speaker 1: If you're watching this on YouTube, hello YouTube folks We'd love to have you join us.
• 1:03:56
  Speaker 1: It's free to join, but if you're really ready to start pushing into your Actual career in production and the library music, then why don't you join this?
• 1:04:05
  Speaker 1: You can join, starting at just five bucks a month all the way up to to steady, consistent weekly zoom feedback sessions and everything in between.
• 1:04:16
  Speaker 1: Head over to 52 cues comm for more information.
• 1:04:21
  Speaker 1: We would love to have you also.
• 1:04:24
  Speaker 1: Whoops, that is the wrong one.
• 1:04:26
  Speaker 1: Also, keep in mind for our family and friends, membership subscribers we have our cue review session foot with Dean Cropane.
• 1:04:39
  Speaker 1: Yes, that, dean Cropane, the guy whose book you probably have on your Kindle or in your bookshelf.
• 1:04:45
  Speaker 1: Dean is gonna be joining us this Monday, coming up to answer your questions.
• 1:04:49
  Speaker 1: He is the taxi whisperer and would absolutely love love to have you with us, but that is going to do it for me.
• 1:04:57
  Speaker 1: Thank you so much.
• 1:04:58
  Speaker 1: Thanks to everybody in the chat.
• 1:05:01
  Speaker 1: Oh, omar is in the chat and he says that is the Voxos library.
• 1:05:06
  Speaker 3: Yep.
• 1:05:08
  Speaker 1: In Rico says I can't find the button for 12 For 12.
• 1:05:14
  Speaker 1: Thank you guys so much.
• 1:05:16
  Speaker 1: Really really do appreciate you, but that is going to do it for me.
• 1:05:19
  Speaker 1: Thank you so much, and more More composer quests are on the way.
• 1:05:25
  Speaker 1: Yes, if you have an idea for a composer quest, let us know, but we're gonna keep doing this.
• 1:05:30
  Speaker 1: It's a really good idea.
• 1:05:31
  Speaker 1: And a huge, huge shout out to Mrs 52 queues.
• 1:05:35
  Speaker 1: All this artwork, this, this lovely artwork, that that's her.
• 1:05:38
  Speaker 1: That is myth, mrs 52 queues.
• 1:05:41
  Speaker 1: She's the one who does all, if you like the logos and everything that is.
• 1:05:45
  Speaker 1: That's her man.
• 1:05:46
  Speaker 1: That all that business.
• 1:05:47
  Speaker 1: That is straight up, mrs 52 queues, and she is my absolute better half.
• 1:05:54
  Speaker 1: So thank you so much and thanks to everybody who submitted, and we will be announcing prizes next week, and so that's gonna do it for me.
• 1:06:02
  Speaker 1: Until next time, remember, friends, that the universe has amazing plans just for you.
• 1:06:09
  Speaker 1: Until next time, peace.
• 1:06:11
  Speaker 1: The 52 queues podcast is copyright 2023 at 18 studios.
• 1:06:16
  Speaker 1: All rights reserved.
• 1:06:17
  Speaker 1: The music played on the podcast is copyrighted their respective owners and is used with permission and for educational purposes only.
• 1:06:23
  Speaker 1: For more information and including joining the community and submitting your queue for Consideration on the podcast.
• 1:06:28
  Speaker 1: Head over to 52 queues comm.