Latest / Lux Radio Theater | Old Time Radio / Lux Radio Theatre - "How Green Was My Valley" (Old Time Radio, 1942)
Transcript
- 0:00Speaker 1: Five principal performers from the 1941 film return for tonight's
- 0:04Speaker 1: Lux Radio Theater. Walter Pigeon as Mr. Gruffydd, Donald Crisp
- 0:09Speaker 1: as Gwilym Morgan, Maureen O'Hara as Ang Harrod, Roddy McDowell
- 0:14Speaker 1: as Hugh, and Sarah Allgood as Beth Morgan. First broadcast
- 0:19Speaker 1: on CBS, September 21st, 1942. This is episode 362, How
- 0:21Speaker 1: Green Was My Valley, produced by Cecil B.
- 0:23Speaker 2: DeMille.
- 0:30Speaker 1: In a Welsh coal mining valley, Hugh Morgan recalls the
- 0:34Speaker 1: family and village of his childhood as wage cuts and
- 0:37Speaker 1: changing conditions unsettled the colliery community. The Morgan household confronts
- 0:43Speaker 1: the pull of tradition, work, and a younger generation's aspirations
- 0:48Speaker 1: with the village minister, Mr. Gruffydd, close at hand. Now,
- 0:53Speaker 1: back to the golden age of radio.
- 0:56Speaker 3: Lux presents Hollywood. The Lux Radio Theater brings you Walter Pigeon,
- 1:13Speaker 3: Donald Crisp.
- 1:14Speaker 2: Maureen O'Hara, Roddy McDowell, and Sarah Allgood in How Green
- 1:19Speaker 2: Was My Valley.
- 1:20Speaker 3: Ladies and gentlemen, your producer, Mr. Cecil B. DeMille.
- 1:30Speaker 4: Greetings from Hollywood, ladies and gentlemen. When our curtain rises tonight,
- 1:35Speaker 4: it will disclose a scene far removed from the battle-scarred
- 1:38Speaker 4: world we live in now. A scene out of yesterday's world.
- 1:42Speaker 4: And like the little girl who stepped through the looking glass,
- 1:45Speaker 4: you're invited to cross the footlights and spend an hour
- 1:48Speaker 4: with the sturdy people of How Green Was My Valley.
- 1:52Speaker 4: From the original cast of this Academy Award picture, we
- 1:55Speaker 4: have Walter Pigeon, now starring in Metro-Goldwyn-Mayer's White Cargo. and
- 1:59Speaker 4: Donald Crisp, Maureen O'Hara, Roddy McDowell, Sarah Allgood, and a
- 2:04Speaker 4: chorus of Welsh singers. Besides the award won by this
- 2:09Speaker 4: 20th Century Fox production, How Green Was My Valley brought
- 2:12Speaker 4: another Academy Award to Donald Crisp for the finest performance
- 2:16Speaker 4: of the year by a supporting actor. And then the
- 2:18Speaker 4: Academy made it a triple play by presenting John Ford
- 2:22Speaker 4: with the award for directing. And before any of this happened,
- 2:25Speaker 4: Richard Llewellyn's novel had been a bestseller. So tonight's play
- 2:30Speaker 4: comes well recommended. It's a story of a little Welsh
- 2:33Speaker 4: coal mining community, a place where life, love, and drama
- 2:37Speaker 4: go hand in hand, because every descent into the depths
- 2:40Speaker 4: of the earth must always be a perilous adventure for
- 2:44Speaker 4: the men who dig out its wealth. From soldier and stenographer,
- 2:48Speaker 4: from farmer and factory worker, have come letter after letter
- 2:52Speaker 4: suggesting how green was my valley for this theater. So many,
- 2:55Speaker 4: in fact, they stopped being suggestions and became a command.
- 2:59Speaker 4: So this is a command performance for all the friends
- 3:01Speaker 4: of Lux Toilet Soap. Lux Soap has always been a
- 3:05Speaker 4: favorite with beauty. But nowadays you'll find beauty at work
- 3:08Speaker 4: on the farm and in the factory. And unless the
- 3:11Speaker 4: papers deceive me, in the army too. Hard for an
- 3:14Speaker 4: old line sergeant to understand, probably. But in this war,
- 3:18Speaker 4: woman power is just as important as man power. And
- 3:21Speaker 4: wherever woman power goes to work, Lux Toilet Soap is
- 3:25Speaker 4: right there helping to keep up the morale. Here's the
- 3:29Speaker 4: opening curtain now on the first act of How Green
- 3:31Speaker 4: Was My Valley, starring Walter Pigeon as Griffith, Donald Crisp
- 3:36Speaker 4: as Mr. Morgan, Maureen O'Hara as Anne Harrod, Roddy McDowell
- 3:40Speaker 4: as Hugh, and Sarah Allgood as Beth Morgan.
- 3:43Speaker 5: © BF-WATCH TV 2021.
- 3:55Speaker 3: I am packing my belongings in the shawl my mother
- 3:57Speaker 3: used to wear when she went to market, and I'm
- 4:00Speaker 3: going from my valet. And this time, I shall never return.
- 4:12Speaker 4: So begins the story of Hugh Morgan, a man who
- 4:15Speaker 4: looks back through 60 years of memories and finds them
- 4:18Speaker 4: clear and bright as yesterday. His birthplace and his home
- 4:22Speaker 4: is a small Welsh coal valet Once a place of.
- 4:25Speaker 3: Beauty, now ugly and dirty.
- 4:28Speaker 4: Towering heaps of slag and belching smoke decks have made
- 4:32Speaker 4: his valley so.
- 4:33Speaker 6: But old Hugh Morgan is oblivious to all that.
- 4:37Speaker 3: I close my eyes on my valley as it is today,
- 4:41Speaker 3: and I see it as it was when I was
- 4:42Speaker 3: a boy. Green it was, and possessed of the plenty
- 4:46Speaker 3: of the earth. In all Wales there was none so beautiful.
- 4:50Speaker 3: For in those days the black slag of the coal
- 4:52Speaker 3: pits had not yet marred the countryside... nor blackened the
- 4:55Speaker 3: beauty of our village. Coal miners were my father and
- 4:59Speaker 3: all my brothers, and proud of their trade. Saturday was
- 5:02Speaker 3: payday at the mine, and my father and all my
- 5:05Speaker 3: brothers would stand in line to receive their wages for
- 5:08Speaker 3: a week of honest work. Willard Morgan, £ 3.
- 5:11Speaker 7: 70.
- 5:11Speaker 8: Thank you, sir.
- 5:12Speaker 9: Ivo Morgan, £ 3.
- 5:12Speaker 8: 70.
- 5:12Speaker 4: Thank you, sir.
- 5:13Speaker 1: Jorgen Morgan, £ 3.
- 5:14Speaker 3: 70. Thank you.
- 5:15Speaker 9: Darby Morgan, £ 2.
- 5:16Speaker 3: 50.
- 5:16Speaker 6: Yes, sir.
- 5:16Speaker 1: Owen Morgan, £ 2.
- 5:17Speaker 3: 50.
- 5:17Speaker 5: Thank you, sir.
- 5:22Speaker 1: John William Morgan, one pound ten.
- 5:24Speaker 6: Thank you, sir.
- 5:25Speaker 1: Nine never, three pounds six.
- 5:27Speaker 6: See, father, one pound ten this week.
- 5:29Speaker 3: Good boy.
- 5:30Speaker 6: Now home, all of you, to your mother.
- 5:36Speaker 5: Someone then would strike up a song, and the valley
- 5:38Speaker 5: would ring with the sound of many voices. For singing
- 5:41Speaker 5: is in my people as sight is in the eye.
- 5:45Speaker 5: At home, my mother would be sitting at the door.
- 5:47Speaker 5: My father and all my brothers would drop their hard-earned
- 5:50Speaker 5: sovereigns into her apron.
- 5:52Speaker 6: There you are, girl.
- 5:53Speaker 10: A fine hard worker it is.
- 5:55Speaker 6: Ivor next.
- 5:56Speaker 9: Your mother.
- 5:57Speaker 10: Ivor.
- 5:59Speaker 8: Yanto. Debbie.
- 6:01Speaker 11: Owen.
- 6:01Speaker 6: Young William.
- 6:07Speaker 3: It was happy we were at that time. And happier
- 6:09Speaker 3: still on the day my brother Ivor was married. I
- 6:14Speaker 3: will never forget the party after the wedding. And the
- 6:17Speaker 3: wedding cake, it took two men to lift. And my father.
- 6:20Speaker 6: Oh, here's a man won't get drunk, can't get drunk,
- 6:23Speaker 6: can't get drunk.
- 6:24Speaker 3: It was then that Mr. Griffith came to the door. Mr.
- 6:27Speaker 6: Griffith, the new minister from.
- 6:28Speaker 3: The University of Cardiff. I ran to tell my father.
- 6:32Speaker 7: Dada, dada, the minister is here. Mr.
- 6:35Speaker 6: Griffith.
- 6:36Speaker 9: Dada, it's the minister.
- 6:40Speaker 6: Hey, what boy?
- 6:40Speaker 8: The minister.
- 6:42Speaker 6: Oh, oh, oh, the new minister. Put away the beer.
- 6:45Speaker 11: Put away the beer.
- 6:46Speaker 3: Good evening, Mr. Morgan.
- 6:49Speaker 6: Good evening, sir. Some cup of tea, is it, Mr.
- 6:52Speaker 10: Griffith?
- 6:53Speaker 6: Girl, Beth, brew a cup of tea.
- 6:55Speaker 3: Oh, no, don't bother, please. What are you having, Mr.
- 6:57Speaker 7: Morgan?
- 6:58Speaker 6: We, oh, we, sir, beer, sir.
- 7:01Speaker 3: Beer it is, then, if you please. Beer? Uh-huh.
- 7:04Speaker 11: Beer.
- 7:05Speaker 6: A pint of beer. Hurry.
- 7:12Speaker 3: We found then that Mr. Griffith could sing as well
- 7:15Speaker 3: as preach. But my sister Angharad could not sing at
- 7:18Speaker 3: all for watching me. My sister Angharad brought in something
- 7:22Speaker 3: to eat. And there was a great shyness in her
- 7:24Speaker 3: as she spoke to him.
- 7:25Speaker 7: Mr.
- 7:25Speaker 8: Griffith.
- 7:26Speaker 3: Good evening.
- 7:27Speaker 12: I have brought you something.
- 7:28Speaker 8: Thank you.
- 7:30Speaker 12: I am Ivor's sister.
- 7:31Speaker 8: Ivor's sister.
- 7:32Speaker 3: Then you must be Angharad.
- 7:34Speaker 13: Yes, Angharad.
- 7:38Speaker 3: All around, the valley echoed with our joy. Happy then,
- 7:41Speaker 3: all of us. But soon, very soon, there would be
- 7:45Speaker 3: trouble at the colliery.
- 7:50Speaker 4: Notice, beginning August 3rd, the scale of wages in this
- 7:53Speaker 4: mine will be reduced.
- 7:54Speaker 3: One shilling tuppence. That night, my father stayed late at
- 7:57Speaker 3: the mine to talk to the owners. When he came home,
- 8:00Speaker 3: my brothers were waiting for him at the table.
- 8:03Speaker 6: Sit down, Yanto. Sit down, all of you. Supper.
- 8:06Speaker 3: We were waiting for you, father. We want to know
- 8:08Speaker 3: what happened.
- 8:09Speaker 6: The cut is only a few shillings. There will still
- 8:11Speaker 6: be plenty for all of us.
- 8:12Speaker 3: Why should there be any wage cut, Father?
- 8:14Speaker 8: Why, Darby?
- 8:15Speaker 6: It is because they are not getting the old price
- 8:17Speaker 6: for coal. Come, eat your supper.
- 8:19Speaker 3: May we speak first?
- 8:20Speaker 8: Well, Yanto.
- 8:21Speaker 3: The owners have not given you the real reason for
- 8:23Speaker 3: this cut.
- 8:24Speaker 2: Huh?
- 8:24Speaker 5: Ever since the ironworks at Dallas have closed down, the
- 8:27Speaker 5: men from there have come to the colliery willing to
- 8:29Speaker 5: work for any wage.
- 8:30Speaker 6: So ours come down. And this is only the beginning. Nonsense, Yanto.
- 8:34Speaker 6: A good worker is worth good wages, and he will
- 8:37Speaker 6: get them. Why should the owners pay more if the
- 8:38Speaker 6: men are willing to work for less? Because they are
- 8:40Speaker 6: not savages. They are men, too, like us. Men, yes,
- 8:44Speaker 6: but not like us.
- 8:46Speaker 3: Would they deal with you tonight?
- 8:48Speaker 8: No.
- 8:48Speaker 6: That is because they have power and we have none.
- 8:51Speaker 6: How will we get power, then? From the air?
- 8:53Speaker 2: No.
- 8:53Speaker 9: From a union of all the men.
- 8:55Speaker 6: Union, is it? I had no thought I would ever
- 8:57Speaker 6: hear my own sons talking socialist nonsense. What is sense?
- 9:01Speaker 3: Unless we stand together. Silence!
- 9:03Speaker 6: I'll hear no more about it.
- 9:04Speaker 9: This matter is too important for silence.
- 9:06Speaker 6: It is not more important than good manners.
- 9:09Speaker 9: They will punish you for acting as our spokesman, Father.
- 9:11Speaker 9: We must do something about it.
- 9:12Speaker 6: Let us all stand together and see how they will
- 9:14Speaker 6: act then.
- 9:15Speaker 3: Right.
- 9:16Speaker 6: The men will come out if we say the word. Quillen,
- 9:19Speaker 6: I will not be a plank for your politics. I
- 9:22Speaker 6: will not be the excuse for any strike. But, Father.
- 9:25Speaker 3: Enough now. It is not enough.
- 9:26Speaker 8: Owen.
- 9:27Speaker 3: I am sorry, sir, but.
- 9:28Speaker 6: Hold your tongue until I have given you permission to speak.
- 9:31Speaker 3: I will speak against injustice anywhere.
- 9:34Speaker 12: With permission or without?
- 9:35Speaker 6: Not in this house.
- 9:37Speaker 3: In this house and outside. Leave the room.
- 9:39Speaker 5: I will also leave the house. I, too, will leave.
- 9:43Speaker 6: I'm with you. We can find lodgings in the village.
- 9:47Speaker 6: All of you, then. For the last time, come sit down.
- 9:50Speaker 6: Finish your supper. I will say no more. We are
- 9:53Speaker 6: not questioning your authority, sir.
- 9:55Speaker 5: But if manners prevent our speaking the truth, we will
- 9:58Speaker 5: be without manners.
- 10:01Speaker 6: Get your clothes and go.
- 10:02Speaker 14: Dada.
- 10:09Speaker 3: Dada.
- 10:11Speaker 7: Yes, Hugh.
- 10:19Speaker 8: Yes, my son.
- 10:22Speaker 6: I know you are still there.
- 10:31Speaker 3: Twenty-two weeks the men were out as the strike moved
- 10:34Speaker 3: into winter. Any man who was not their friend became
- 10:37Speaker 3: their enemy. They knew that my father had opposed the strike,
- 10:41Speaker 3: and now it was they opposed him. One night there
- 10:44Speaker 3: was a meeting in the hills. My mother made me
- 10:46Speaker 3: take her. She stood before the men in the snow
- 10:49Speaker 3: and faced them with fury in her eyes.
- 10:52Speaker 6: Wait!
- 10:54Speaker 3: Wait!
- 10:55Speaker 14: Wait till you have heard me! I am Bess Morgan,
- 10:59Speaker 14: as you all know. I have come up here to
- 11:03Speaker 14: tell you what I think of you all, because you
- 11:06Speaker 14: are talking against my husband. You are a lot of
- 11:09Speaker 14: cowards to go against him. He has done nothing against you,
- 11:12Speaker 14: and he never would, and.
- 11:14Speaker 10: You know it well.
- 11:15Speaker 14: To say he is with the owners is not only nonsense,
- 11:18Speaker 14: but downright wickedness.
- 11:19Speaker 10: There is one thing more.
- 11:22Speaker 14: I've got to say, and it is this. If harm
- 11:25Speaker 14: comes to my Gwilym, I will find out the men,
- 11:29Speaker 14: and I will kill them with my hands.
- 11:32Speaker 9: And this I swear by God Almighty.
- 11:45Speaker 3: With my mother holding firmly to my arm, we turned
- 11:47Speaker 3: and passed through the ranks of strangely silent men and
- 11:50Speaker 3: into the bitter wind. For hours, it seemed, we stumbled
- 11:54Speaker 3: through the snow toward home. Then on the low wooden
- 11:57Speaker 3: bridge over the river, blinded by the storm, we slipped
- 12:00Speaker 3: and fell into the icy water. On a rocky ledge,
- 12:02Speaker 3: I found support and held my mother clear. How long
- 12:06Speaker 3: it was we were there, I cannot tell. But when
- 12:08Speaker 3: they found us, it was to carry us home, near
- 12:11Speaker 3: to death. For weeks I lay in my bed. And
- 12:18Speaker 3: then one day I heard Mr. Griffith speaking to the
- 12:20Speaker 3: doctor outside my door. Well, doctor, how long for the
- 12:26Speaker 3: little one?
- 12:26Speaker 9: It's hard to tell, Mr.
- 12:28Speaker 3: Griffith. His legs were frozen to the bone. A year,
- 12:31Speaker 3: two years, quiet like that.
- 12:34Speaker 6: But I can't promise that he will ever walk again.
- 12:37Speaker 3: Nature must take our course, Mr.
- 12:38Speaker 6: Griffith.
- 12:39Speaker 12: Don't mind your tongue. I think he heard you.
- 12:40Speaker 7: Well, I.
- 12:41Speaker 12: Let me go to him.
- 12:46Speaker 3: Good morning, Hugh.
- 12:47Speaker 7: Good morning, sir.
- 12:49Speaker 3: Now, now, where is the light I thought to see
- 12:52Speaker 3: in your eye? Are you afraid, boy? I.
- 12:54Speaker 7: I.
- 12:56Speaker 3: You heard what the doctor said, huh?
- 12:58Speaker 12: Yes, sir.
- 12:59Speaker 3: And you believed it? You want to walk again, don't you?
- 13:03Speaker 7: Yes, sir.
- 13:04Speaker 3: Then you must have faith. And if you have, you
- 13:06Speaker 3: will walk, no matter what all the doctors say.
- 13:09Speaker 7: But he said nature must take her course.
- 13:12Speaker 3: Nature is the handmaiden of the Lord. I remember one
- 13:15Speaker 3: or two occasions when she was given orders to change
- 13:18Speaker 3: her course. You know your scripture, boy.
- 13:20Speaker 8: Yes, sir.
- 13:21Speaker 3: Then you know what's been done before can be done
- 13:24Speaker 3: again for you. Do you believe me, Hugh?
- 13:27Speaker 8: Yes, sir. Good.
- 13:29Speaker 3: You shall see the first daffodil out on the mountain
- 13:31Speaker 3: in the spring.
- 13:32Speaker 8: Will you?
- 13:33Speaker 7: Indeed I will, sir.
- 13:35Speaker 3: Then you will. Now, here is the book I have
- 13:39Speaker 3: brought you.
- 13:40Speaker 7: Treasure Island.
- 13:41Speaker 3: Uh-huh. I could almost wish that I were lying there
- 13:44Speaker 3: in your place. If it meant reading this book again
- 13:47Speaker 3: for the first time, read it, boy. And I will
- 13:50Speaker 3: come back and see you soon again.
- 13:52Speaker 7: Thank you, sir.
- 13:58Speaker 15: Mr.
- 13:59Speaker 3: Griffith? Yes, Aunt Harriet.
- 14:00Speaker 12: I couldn't let you go without thanking you for giving
- 14:02Speaker 12: comfort to my brother.
- 14:04Speaker 3: It was only my duty, girl.
- 14:05Speaker 12: Oh, no, it was more than duty.
- 14:07Speaker 3: Yes, Hugh is a fine boy. And you are a
- 14:10Speaker 3: fine family. Will you.
- 14:13Speaker 12: Will you be coming to supper soon, Mr. Griffith?
- 14:16Speaker 3: Later, perhaps, when you are finished with doctors and such.
- 14:18Speaker 12: I will hurry them away then.
- 14:20Speaker 3: Good. For many months I lay there and my mother upstairs.
- 14:33Speaker 3: And we could talk to each other with tappings on
- 14:35Speaker 3: the wall. It was a great day when she came
- 14:37Speaker 3: down into her house. On my father's arm, she came
- 14:40Speaker 3: to my bed and stood watching me with diamonds in
- 14:43Speaker 3: her eyes, her hand to her mouth.
- 14:46Speaker 10: You, you, my son, my son.
- 14:50Speaker 7: Mama, your hair, it's all white.
- 14:56Speaker 10: It's the old snow got into.
- 14:57Speaker 15: It, boy.
- 14:59Speaker 3: Then she touched my cheek and kissed me fiercely. My
- 15:02Speaker 3: father tiptoed to the door and beckoned for my brothers
- 15:04Speaker 3: to come in. for they had returned to the house
- 15:07Speaker 3: to live. We have come back, mother.
- 15:09Speaker 7: Oh.
- 15:10Speaker 3: In an instant, my mother was in their arms, not
- 15:12Speaker 3: knowing whether to laugh or cry.
- 15:14Speaker 16: Yanto.
- 15:16Speaker 3: Daddy.
- 15:17Speaker 8: Owen. Come, girl, come.
- 15:20Speaker 3: Then outside we heard the voices, the men of the
- 15:22Speaker 3: mine coming to sing for my mother. Willem.
- 15:26Speaker 6: Will you come to the door, girl?
- 15:28Speaker 16: But what is it?
- 15:30Speaker 3: It is for you, girl.
- 15:32Speaker 6: Come along now.
- 15:33Speaker 8: Easy, young.
- 15:35Speaker 10: Willem.
- 15:38Speaker 17: For me?
- 15:53Speaker 6: Well, come, say something, girl.
- 15:55Speaker 8: Say something!
- 15:57Speaker 10: What can I say?
- 15:58Speaker 6: You found plenty to say the last time you spoke.
- 16:01Speaker 6: It should be easier now with friends.
- 16:04Speaker 16: Well, well.
- 16:06Speaker 10: Come and eat, everyone.
- 16:14Speaker 3: It was a gay time. We laughed and sang fit
- 16:17Speaker 3: to burst our lungs. Even old Mr. Parry, the doerest
- 16:20Speaker 3: of the elders in our church.
- 16:22Speaker 6: Good evening, Yanto Morgan.
- 16:24Speaker 3: Good evening, Mr. Parry. Yanto, I haven't seen you in
- 16:28Speaker 3: chapel lately.
- 16:29Speaker 6: I've been too busy. What business, may I ask? Mine?
- 16:34Speaker 11: Huh?
- 16:34Speaker 4: Only asking a civil question, I was.
- 16:37Speaker 3: And having a civil answer, Mr.
- 16:38Speaker 7: Parry.
- 16:39Speaker 9: I have been busy with the union.
- 16:40Speaker 3: The union. Ah.
- 16:43Speaker 6: Unions are the work of the devil.
- 16:44Speaker 3: You will come to.
- 16:45Speaker 6: No good end, Deontay Morgan. At least I am doing something.
- 16:48Speaker 3: Not talking a.
- 16:49Speaker 6: Lot of rubbish in chapel.
- 16:50Speaker 17: Deontay.
- 16:53Speaker 8: Deontay.
- 16:54Speaker 3: Why do you think we of the chapel talk rubbish?
- 16:57Speaker 3: My remark was not aimed at you, Mr. Griffith. Then
- 16:59Speaker 3: aim it. Aim it, my boy.
- 17:01Speaker 4: Very well.
- 17:03Speaker 5: Because you make yourselves out to be shepherds of the flock,
- 17:06Speaker 5: and yet you allow your sheep to live in filth
- 17:08Speaker 5: and poverty. And if they try to raise their voices
- 17:11Speaker 5: against it, you calm them by saying their suffering is the.
- 17:13Speaker 3: Will of God.
- 17:14Speaker 6: Deanto. Enough now.
- 17:16Speaker 3: Mr. Morgan. Deanto. I have not expressed my views here
- 17:20Speaker 3: because I have no wish to interfere with a family disagreement.
- 17:24Speaker 6: You have my permission to speak, Mr.
- 17:26Speaker 8: Gritty.
- 17:27Speaker 3: Well then, here is what I think. Have your union.
- 17:31Speaker 8: Alone you are weak.
- 17:33Speaker 3: Together you are strong. But remember that with strength goes
- 17:37Speaker 3: responsibilities to others and to yourselves. For you cannot conquer
- 17:42Speaker 3: injustice with more injustice. Only with justice and with the
- 17:46Speaker 3: help of God.
- 17:47Speaker 1: Mr.
- 17:47Speaker 3: Griffith, are you coming outside your position in life?
- 17:51Speaker 6: Your business is spiritual.
- 17:52Speaker 8: My business, Mr.
- 17:53Speaker 3: Parry, is anything that comes between man and the.
- 17:56Speaker 8: Spirit of God.
- 17:57Speaker 6: The deacons shall hear that you've been preaching socialism.
- 18:00Speaker 4: Mr.
- 18:00Speaker 8: Parry!
- 18:00Speaker 9: Use the old devil's teeth for it.
- 18:02Speaker 3: Yonto, Gwilym!
- 18:03Speaker 6: He is our guest. Now, enough. Beth, girl, give Mr.
- 18:08Speaker 6: Parry a pint of home-brewed and put his pipe back
- 18:11Speaker 6: into his mouth.
- 18:12Speaker 10: I will give him a good clout with the frying pan.
- 18:13Speaker 6: Oh, no, no, no.
- 18:16Speaker 3: Come.
- 18:17Speaker 6: A bit of singing, is it? A song or a.
- 18:20Speaker 3: Come.
- 18:20Speaker 9: Come down the field, my son.
- 18:22Speaker 1: When, oh, when, when, oh, when.
- 18:25Speaker 8: Oh, fun we found before.
- 18:27Speaker 11: When, oh, when.
- 18:28Speaker 17: Here comes the.
- 18:37Speaker 3: I'm hurried. In the kitchen again?
- 18:39Speaker 12: Oh, it is hungry they are.
- 18:40Speaker 3: Here, let me help you with the fire.
- 18:42Speaker 6: Mr.
- 18:43Speaker 12: Griffith, will we always be in your debt? Now you
- 18:45Speaker 12: have made us a family again.
- 18:47Speaker 3: Ah, there's enough coal, I think.
- 18:49Speaker 12: Oh, look at your hands. They'll need cleaning.
- 18:51Speaker 3: Here, let me see.
- 18:52Speaker 6: Oh.
- 18:53Speaker 8: Why, what is it?
- 18:55Speaker 12: Why, your hands. They are like my father's and my brother's.
- 18:59Speaker 12: Have you been down the mines?
- 19:00Speaker 3: Ten years, while I was studying.
- 19:02Speaker 12: Ten years?
- 19:03Speaker 7: Mm-hmm.
- 19:04Speaker 12: Oh, here, now, a bit of soap.
- 19:05Speaker 3: Oh, no, no, please don't bother. I'll get it.
- 19:07Speaker 6: Now, look, you.
- 19:08Speaker 12: You are king in the chapel, but I will be
- 19:10Speaker 12: queen in my own kitchen. Now, the hands, please.
- 19:14Speaker 3: You will be queen wherever you walk.
- 19:18Speaker 12: What does that mean? I.
- 19:20Speaker 3: I should not have said it.
- 19:22Speaker 12: Why not?
- 19:23Speaker 3: I have no right to speak to you so.
- 19:25Speaker 12: If the right is mine to give, you have it.
- 19:33Speaker 17: In just a few moments, Mr.
- 19:39Speaker 18: DeMille and our stars, Walter Pigeon, Donald Crisp, Maureen O'Hara,
- 19:51Speaker 18: Roddy McDowell, and Sarah Allgood will bring us act two
- 19:55Speaker 18: of How Green Was My Valley.
- 19:58Speaker 3: Now, here's a young business girl greeting her roommate a
- 20:01Speaker 3: bit enviously. Hi, Mary.
- 20:04Speaker 12: Oh, lucky you to get home early. Phew, what a
- 20:06Speaker 12: day we had. Supper's nearly ready, Jane.
- 20:07Speaker 7: Oh, wonderful. I'm certainly for a cozy evening right here
- 20:11Speaker 7: at home.
- 20:12Speaker 16: Um, darling, now don't get mad, but... I promised we'd
- 20:15Speaker 16: both be at the USO dance at nine. They needed
- 20:18Speaker 16: more girls. Mary Lou Davis, if you think that... Oh, now, Janie,
- 20:21Speaker 16: be an angel. There's plenty of warm water in the bathroom, and...
- 20:25Speaker 16: And look, here's a nice new cake of Lux soap. Oh,
- 20:28Speaker 16: you'll feel lots different after your beauty bath. I know
- 20:31Speaker 16: you will.
- 20:33Speaker 3: And later.
- 20:33Speaker 16: Oh, to think I might have missed this party.
- 20:41Speaker 6: Gosh, it's wonderful dancing with you, Janie.
- 20:43Speaker 3: You're mighty sweet, you know.
- 20:47Speaker 2: Score one for Jane's smart little roommate. She knew what
- 20:51Speaker 2: a wonderful beauty pickup a luxe toilet soap bath can be.
- 20:56Speaker 2: Try it next time you're tired and have a date
- 20:58Speaker 2: to keep. Cover yourself all over with the rich, creamy
- 21:02Speaker 2: luxe soap lather. Active lather that carries away perspiration, every
- 21:07Speaker 2: trace of dust and dirt in a twinkling moment. Relax
- 21:11Speaker 2: a few moments in this fragrant, delightful bath. When you
- 21:15Speaker 2: step out, how soft and smooth your skin feels. And
- 21:18Speaker 2: most important of all, it's exquisitely fresh. You're sure of daintiness.
- 21:24Speaker 2: Sure of skin that's sweet. Hollywood screen stars use their
- 21:29Speaker 2: gentle complexion soap as a daily bath soap, too. They
- 21:32Speaker 2: love the delicate perfume luxe soap has. A flower-like fragrance
- 21:36Speaker 2: that clings lightly to the skin. you'll find this satin
- 21:40Speaker 2: smooth white soap makes a truly luxurious bath. Get three
- 21:45Speaker 2: cakes of Lux Toilet Soap tomorrow.
- 21:48Speaker 3: Now, our producer, Mr.
- 21:51Speaker 8: DeMille.
- 21:51Speaker 4: Act two of How Green Was My Valley. Darling Walter
- 21:54Speaker 4: Pigeon as Griffith, Donald Crisp as Mr. Morgan, Maureen O'Hara
- 21:59Speaker 4: as Ann Harrod, Roddy McDowell as Hugh, and Sarah Allgood
- 22:04Speaker 4: as Beth Morgan.
- 22:16Speaker 3: While I lay in the wall bed, recovering from my hurt,
- 22:19Speaker 3: the strike was settled and the men returned to the mine.
- 22:23Speaker 3: Always through that time I kept my faith that I
- 22:26Speaker 3: would walk again. Then one bright windy day in early spring, Mr.
- 22:31Speaker 3: Griffith came for me as he had promised. He carried
- 22:34Speaker 3: me to the top of the hill above our village.
- 22:38Speaker 3: Now then, boy. Down you go.
- 22:41Speaker 8: There.
- 22:43Speaker 3: Now, put your feet apart and stand on them.
- 22:46Speaker 12: Yes, sir.
- 22:48Speaker 3: Now, you can walk, Hugh, if you try.
- 22:51Speaker 8: Come, lad.
- 22:53Speaker 3: Walk to me.
- 22:54Speaker 7: Can I, sir?
- 22:56Speaker 8: Walk over here. One step. One step. Oh.
- 23:01Speaker 6: And now another.
- 23:03Speaker 3: Come on. See?
- 23:04Speaker 10: I'm walking.
- 23:06Speaker 7: He's walking, I am, sir.
- 23:08Speaker 3: There's a good lad. There's a good old man you are. Now,
- 23:13Speaker 3: rest a bit, eh?
- 23:14Speaker 7: Mr.
- 23:15Speaker 10: Griffith, I have walked.
- 23:16Speaker 3: Of course you have. And you have been lucky, Hugh.
- 23:20Speaker 3: Lucky to suffer and lucky to spend these weary months
- 23:24Speaker 3: in your bed. For so God has given you the
- 23:26Speaker 3: chance to make spirit within yourself. And as your father
- 23:30Speaker 3: cleans his lamp to have good light, so keep clean
- 23:33Speaker 3: your spirits.
- 23:34Speaker 7: How, sir?
- 23:35Speaker 3: By prayer, boy. And I don't mean shouting and mumbling
- 23:39Speaker 3: and wallowing in religious sentiment. Prayer is only another name
- 23:43Speaker 3: for good, clean, direct thinking. When you pray, think. Think
- 23:48Speaker 3: well what you are saying and make your thoughts into
- 23:51Speaker 3: things that are solid. In that manner, your prayer will
- 23:54Speaker 3: have strength, and that strength shall become a part of you, mind, body,
- 24:00Speaker 3: and spirit.
- 24:01Speaker 7: Yes, sir.
- 24:02Speaker 6: Now then, up on my shoulders, boy. And remember, the.
- 24:06Speaker 3: First duty of these new legs is to get you
- 24:08Speaker 3: to chapel on Sunday.
- 24:09Speaker 7: Oh, they will, sir. They will.
- 24:19Speaker 3: My new legs carried me to chapel, and home again, too.
- 24:23Speaker 3: And it was on that Sunday that Mr. Evans came
- 24:26Speaker 3: to call on my father.
- 24:27Speaker 6: Mr. Evans, the owner of the mine.
- 24:31Speaker 9: Yes, yes, yes.
- 24:34Speaker 6: Come in, come in. What under the blaze?
- 24:37Speaker 12: Who is it?
- 24:38Speaker 15: Good morning, Morgan.
- 24:41Speaker 3: Oh, Mr. Evans.
- 24:43Speaker 6: Good morning, Mr.
- 24:43Speaker 3: Evans.
- 24:45Speaker 6: Sit down, sir.
- 24:46Speaker 3: Thank you, Morgan. Oh, your pardon.
- 24:50Speaker 6: A pail of water, sir. I've been soaking my poor.
- 24:53Speaker 8: Feet, sir.
- 24:54Speaker 3: Beth, my boots, my boots.
- 24:58Speaker 9: Now, Morgan, to business.
- 25:00Speaker 7: Yes, sir.
- 25:01Speaker 6: I've come here on a very delicate mission, Morgan. No
- 25:04Speaker 6: trouble at the mine, sir?
- 25:05Speaker 3: No, no, no, no trouble, but it worries me. Yes, sir.
- 25:09Speaker 13: I'm here to get your permission, and that my son, Yestin,
- 25:13Speaker 13: may have permission.
- 25:16Speaker 9: Bless you, Morgan.
- 25:17Speaker 3: Thank you, sir. Now, where was I?
- 25:20Speaker 7: Uh.
- 25:21Speaker 6: Permission.
- 25:22Speaker 8: Oh, yes, yes.
- 25:23Speaker 4: Permission.
- 25:24Speaker 13: That my son, Yestin, may have permission... with your daughter,
- 25:28Speaker 13: Anne Harrod's permission... to call upon her.
- 25:31Speaker 5: There we are.
- 25:33Speaker 6: Your son and my.
- 25:36Speaker 6: Oh-ho.
- 25:39Speaker 8: Well, Morgan?
- 25:42Speaker 9: We are a very proud family, Mr.
- 25:44Speaker 8: Evans.
- 25:46Speaker 6: But you have my permission, Mr.
- 25:48Speaker 3: Evans.
- 25:49Speaker 6: to give your son permission... to speak to Angharad with
- 25:53Speaker 6: her permission.
- 25:53Speaker 3: Thank you, thank you, Morgan. I'm very much obliged to you.
- 25:57Speaker 3: He's just outside. I'll tell him. I'm much obliged.
- 26:00Speaker 9: Good day, sir. Good day.
- 26:01Speaker 8: Yes, sir.
- 26:02Speaker 3: Yes, sir.
- 26:02Speaker 9: Good day.
- 26:04Speaker 11: Beth!
- 26:05Speaker 3: My boots!
- 26:06Speaker 9: My boots, girl!
- 26:15Speaker 3: And so it was that wealthy Yeston Evans came to
- 26:18Speaker 3: ask for Angharad in marriage. And Mr. Griffiths knew of
- 26:21Speaker 3: it and stayed away from our house. For a whole week,
- 26:24Speaker 3: we never saw his face. Until at last, Angharad could
- 26:27Speaker 3: wait no longer.
- 26:30Speaker 8: Who is it?
- 26:31Speaker 3: One moment. Angharad, you shouldn't be here.
- 26:37Speaker 12: I couldn't spend another night without knowing. What has happened?
- 26:40Speaker 11: What is wrong?
- 26:41Speaker 3: Wrong?
- 26:42Speaker 12: Oh, you know what I mean. Why have you changed
- 26:44Speaker 12: towards me? Why am I a stranger now? What have
- 26:46Speaker 12: I done?
- 26:47Speaker 8: No.
- 26:49Speaker 3: You've done nothing. The blame is mine. Your mother spoke
- 26:52Speaker 3: to me after chapel. She is happy to think you
- 26:55Speaker 3: will be having plenty all your days.
- 26:56Speaker 12: Well, yes, and Ivan.
- 26:57Speaker 3: You could do no better.
- 26:59Speaker 12: I don't want him.
- 27:00Speaker 3: I want you. Angharad, I too have spent nights trying
- 27:05Speaker 3: to think this thing out. When I took up this work,
- 27:08Speaker 3: I knew what it meant. It meant devotion and sacrifice.
- 27:12Speaker 3: That I was perfectly willing to do. But to share
- 27:16Speaker 3: it with another, do you think I'll have you going...
- 27:19Speaker 3: threadbare all your life, depending on the charity of others
- 27:22Speaker 3: for your good meals, our children growing up in cast-off clothing,
- 27:27Speaker 3: and ourselves thanking God for parenthood in a house full
- 27:30Speaker 3: of bits?
- 27:30Speaker 12: It could make no difference.
- 27:31Speaker 3: No. I can bear with such a life for the
- 27:34Speaker 3: sake of my work. But I think I would start
- 27:37Speaker 3: to kill if I saw the white come to your
- 27:41Speaker 3: hair 20 years before its time.
- 27:43Speaker 12: Why? Why would you start to kill?
- 27:47Speaker 3: Look at me.
- 27:48Speaker 12: Are you a man or a saint?
- 27:50Speaker 3: I am no saint, but I have a duty towards you.
- 27:54Speaker 3: Let me do it. Go back to your house, Angharad.
- 27:58Speaker 8: It is late.
- 28:10Speaker 3: My sister and Yeston Evans were married at the chapel
- 28:13Speaker 3: by Mr.
- 28:13Speaker 8: Griffith.
- 28:14Speaker 3: My sister left our village then to live in Cape Town...
- 28:18Speaker 3: My brothers, Willem and Owen, left too for America. And
- 28:21Speaker 3: our house was lonely without them.
- 28:24Speaker 6: Mr.
- 28:24Speaker 3: Griffith used to come of an evening to tutor me
- 28:26Speaker 3: for school. Many problems he gave us, me and my father,
- 28:30Speaker 3: sitting in the kitchen.
- 28:31Speaker 8: By the stove.
- 28:33Speaker 3: Now then, the bathtub holds 100 gallons. A, fills it
- 28:39Speaker 3: at the rate of 20 gallons a minute. And B,
- 28:43Speaker 3: at the rate of 10 gallons a minute.
- 28:45Speaker 8: Got that, Mr.
- 28:45Speaker 19: Morgan?
- 28:46Speaker 6: Twenty and ten gallons. Yes, sir.
- 28:49Speaker 3: Now then, C is a hole that empties it at
- 28:53Speaker 3: the rate of five gallons a minute. How long to
- 28:55Speaker 3: fill the tub?
- 28:57Speaker 9: Oh, that is silly.
- 28:58Speaker 10: Trying to fill a bathtub full of holes, indeed.
- 29:02Speaker 6: A sum it is, girl, a sum. A problem for
- 29:04Speaker 6: the mind. For Hugh's examination into school next month.
- 29:07Speaker 14: That old national school. It's silly they are with their sums.
- 29:11Speaker 14: Who would pour water in a bathtub full of holes?
- 29:14Speaker 10: Who would think of it only a madman?
- 29:16Speaker 6: It is to see if the boy can calculate girl.
- 29:20Speaker 3: Figures, nothing else.
- 29:21Speaker 6: How many gallons and how long?
- 29:23Speaker 10: In a bathtub full of holes.
- 29:26Speaker 6: Now I know why I have such a tribe of sons.
- 29:29Speaker 3: It is you, Beth Morgan, is the cause.
- 29:32Speaker 6: Look you, Mr. Griffith, have you something else?
- 29:35Speaker 3: Ah, the decimal point.
- 29:37Speaker 6: The decimal?
- 29:38Speaker 3: Yeah. The decimal point, then.
- 29:41Speaker 6: And peace to my house.
- 29:42Speaker 10: Oh, go and scratch.
- 29:53Speaker 3: I went to the national school. On the first day,
- 29:56Speaker 3: I returned in tatters with my face bruised and bleeding.
- 29:59Speaker 3: It had been a fight in the yard with a
- 30:01Speaker 3: school bully.
- 30:02Speaker 9: What happened, Hugh?
- 30:03Speaker 6: What is it, lad?
- 30:04Speaker 9: Speak up. I.
- 30:06Speaker 7: I fell on the mountain.
- 30:07Speaker 3: Fell indeed.
- 30:08Speaker 16: Look at him.
- 30:10Speaker 8: Ah, Hugh.
- 30:11Speaker 6: Did you win, boy? No. Yanto, fetch Daibando, the fighter.
- 30:17Speaker 6: Bring him here.
- 30:17Speaker 9: Daibando it is.
- 30:18Speaker 3: Willem!
- 30:19Speaker 11: Quiet, girl.
- 30:21Speaker 6: Hugh, are you willing to go to school tomorrow?
- 30:23Speaker 7: Yes, sir.
- 30:24Speaker 3: Good.
- 30:26Speaker 6: From tonight, you shall get a penny for every mark
- 30:28Speaker 6: on your face sixpence for a bloody nose, a shilling
- 30:32Speaker 6: for a black eye, and two shillings for a broken nose.
- 30:35Speaker 10: William, stop it.
- 30:37Speaker 14: Fight again, Hugh, and when you come home, not another
- 30:40Speaker 14: look will you get from me, not another word.
- 30:42Speaker 10: Break your old nose, then. Break your mother's heart every
- 30:44Speaker 10: time you go out of the house.
- 30:46Speaker 6: A boy must fight, Beth.
- 30:47Speaker 3: Fight?
- 30:48Speaker 2: Fight, is it?
- 30:49Speaker 10: Another beating like that, and he'll walk home dead?
- 30:53Speaker 1: Beating?
- 30:53Speaker 6: Beating, is it? He's had no beating. A hiding, yes,
- 30:57Speaker 6: but no beating. Give the boy time. And it will
- 31:00Speaker 6: be he that's giving the beating, is it?
- 31:02Speaker 8: Mr.
- 31:02Speaker 3: Morgan.
- 31:03Speaker 11: Ah, Daibando.
- 31:04Speaker 6: Come into the house.
- 31:06Speaker 3: Good evening. Good evening, Mrs.
- 31:07Speaker 9: Morgan.
- 31:08Speaker 10: Leave off your hat.
- 31:09Speaker 9: Yes, Mrs.
- 31:09Speaker 3: Morgan.
- 31:10Speaker 6: Is Cafata coming?
- 31:11Speaker 19: He's here.
- 31:13Speaker 3: Cafata?
- 31:14Speaker 2: A match, is it?
- 31:15Speaker 6: He'll make no match without his trainer, Mr. Morgan.
- 31:17Speaker 3: Oh, it's not a match.
- 31:19Speaker 6: I want you to teach my son how to box.
- 31:20Speaker 9: No, no, to fight first. Too many call themselves boxers
- 31:25Speaker 9: who are not even fighters. Boxing is an art, is it?
- 31:28Speaker 6: It is, it is.
- 31:30Speaker 7: An art.
- 31:30Speaker 10: Bloody heads, an art.
- 31:32Speaker 6: Oh, go along with your girl. A cup of tea
- 31:35Speaker 6: for the men, is it?
- 31:36Speaker 3: Tea?
- 31:36Speaker 11: No tea, Mrs.
- 31:37Speaker 7: Morgan.
- 31:37Speaker 10: No, in training we are.
- 31:39Speaker 9: A glass of beer, if you please.
- 31:41Speaker 10: That tub's full of holes. And now price, by all means.
- 31:44Speaker 9: Now, boy, to work. Your hands like this.
- 31:48Speaker 7: Go.
- 31:48Speaker 3: Yes, sir. Your feet apart.
- 31:50Speaker 7: Yes, sir.
- 31:51Speaker 9: Now, mind your guard. And when your man rushes, you.
- 31:54Speaker 8: Do so and so.
- 31:56Speaker 5: Right up, right up now.
- 32:02Speaker 9: Hit him, you.
- 32:03Speaker 8: Go on, go on.
- 32:04Speaker 6: You've got him now.
- 32:05Speaker 7: Hit him, you.
- 32:06Speaker 3: Stop it.
- 32:07Speaker 6: Stop it, I say.
- 32:08Speaker 7: Mr. Jonas, mind you.
- 32:12Speaker 3: So, our little coal mining friend has been indulging in
- 32:16Speaker 3: his favorite.
- 32:16Speaker 6: Sport again, eh?
- 32:18Speaker 7: I was fighting, Mr.
- 32:19Speaker 4: Jonas.
- 32:19Speaker 16: But it is not my favorite sport, sir.
- 32:21Speaker 3: Come here.
- 32:23Speaker 9: You see this sick?
- 32:24Speaker 6: You know what it is for?
- 32:25Speaker 7: Yes, sir.
- 32:26Speaker 12: Good.
- 32:27Speaker 3: Fight, will you?
- 32:28Speaker 8: Fight, eh?
- 32:29Speaker 6: I'll teach you to fight, you dirty little sweep.
- 32:32Speaker 3: I'll teach you to fight.
- 32:41Speaker 9: Well, I will go to my death.
- 32:43Speaker 3: He's cut to the bone.
- 32:44Speaker 9: Did you get that in school, Hugh? I.
- 32:47Speaker 7: I was fighting.
- 32:47Speaker 8: Who was it?
- 32:48Speaker 3: Mr. Jonas, is it?
- 32:50Speaker 9: We'll have a word with Mr.
- 32:50Speaker 3: Jonas. No.
- 32:52Speaker 6: And why not?
- 32:52Speaker 7: I broke the rule when I fought.
- 32:54Speaker 9: There is no rule for that.
- 32:56Speaker 7: But he warned me.
- 32:56Speaker 8: Rubbish, boy.
- 32:57Speaker 3: Wait, Davy. This is Hugh's affair.
- 32:59Speaker 6: He shall decide. Say the word, lad, and we'll have
- 33:02Speaker 6: the bones hot from his flesh.
- 33:04Speaker 7: No.
- 33:04Speaker 12: Leave him alone.
- 33:06Speaker 3: Carry him into the house.
- 33:07Speaker 8: Carry him in.
- 33:08Speaker 18: Easy, lad.
- 33:09Speaker 5: Easy.
- 33:11Speaker 3: Cavarfa. Well, Davando? The lad is hurt bad.
- 33:15Speaker 1: He is?
- 33:17Speaker 3: I think there is work for us, is it?
- 33:20Speaker 4: There is.
- 33:32Speaker 6: This class will come to order.
- 33:36Speaker 19: Yesterday, all of you brilliant children made some progress, a
- 33:40Speaker 19: very small progress, in the matter.
- 33:43Speaker 6: Of linear measurements. We will now begin.
- 33:46Speaker 9: Good morning.
- 33:49Speaker 7: Yes?
- 33:50Speaker 6: What is it?
- 33:51Speaker 10: Good morning, Mr.
- 33:53Speaker 6: Jonas is my name.
- 33:54Speaker 3: Ah, Jonas.
- 33:55Speaker 9: We have come to the right place indeed, Cavartha.
- 33:58Speaker 7: Mr.
- 33:59Speaker 9: Jonas, I am Daibando.
- 34:02Speaker 3: What can I do for you?
- 34:03Speaker 9: A man is never too old to learn, is it, Mr.
- 34:05Speaker 8: Jonas? No.
- 34:07Speaker 9: I was in school myself once, but no great one
- 34:10Speaker 9: for knowledge.
- 34:12Speaker 3: Look here, what do you want?
- 34:13Speaker 9: Knowledge, Mr.
- 34:14Speaker 3: Jonas.
- 34:15Speaker 9: How would you go about taking the measurement.
- 34:18Speaker 12: Of a stick?
- 34:19Speaker 3: By length, of course.
- 34:20Speaker 9: And how would you measure a man who would use
- 34:23Speaker 9: a stick on a boy one-third his size?
- 34:25Speaker 2: Yes, how?
- 34:27Speaker 3: I don't understand.
- 34:28Speaker 9: Now, you are good in the use of a stick, Mr.
- 34:30Speaker 3: Jonas.
- 34:31Speaker 9: But boxing is my subject, according to the rules laid
- 34:35Speaker 9: down by the good Marquis of Queensberry.
- 34:37Speaker 3: Heaven rest his soul.
- 34:38Speaker 9: And happy I am to pass on my knowledge to you.
- 34:42Speaker 6: What do you want, then?
- 34:43Speaker 9: Get him into position now, Cavartha.
- 34:46Speaker 3: Yes.
- 34:46Speaker 9: Put up your fist, Mr.
- 34:48Speaker 16: Jonas.
- 34:48Speaker 3: Stop it!
- 34:48Speaker 6: Stop it!
- 34:49Speaker 9: Now look. To make a good boxer, you must have
- 34:52Speaker 9: a good right hand like this, Mr. Jonas. You see?
- 34:58Speaker 9: Stand him up, Cavartha.
- 35:01Speaker 7: Up it is.
- 35:02Speaker 3: Up, Mr.
- 35:03Speaker 9: Jonas. And this, Mr. Jonas, is how you will punish
- 35:07Speaker 9: a man with your left. And put your soul into it. Oh, no, no, stop!
- 35:13Speaker 11: Here, here, here, Mr.
- 35:14Speaker 3: Jonas.
- 35:15Speaker 9: No sleeping now.
- 35:16Speaker 10: Why, the gentleman's talking to you.
- 35:18Speaker 9: Raise him up.
- 35:20Speaker 3: On your feet, Mr.
- 35:21Speaker 6: Jonas.
- 35:21Speaker 9: Why, the lesson's only beginning. Boys and girls, could I
- 35:24Speaker 9: have your attention, please? I am not accustomed to speaking
- 35:28Speaker 9: in public.
- 35:28Speaker 3: Only public houses.
- 35:29Speaker 19: But this blow, never you. It's against the rules. Break
- 35:35Speaker 19: a man's nose. But this one is there.
- 35:40Speaker 10: Help him.
- 35:40Speaker 4: He's asleep again.
- 35:41Speaker 9: Asleep, is it? I'm afraid he will never make a boxer.
- 35:46Speaker 9: No aptitude for knowledge. Good morning, Mr.
- 35:49Speaker 8: Jonas.
- 35:58Speaker 3: I stayed on at the National School and Mr. Jonas left.
- 36:02Speaker 3: And then one evening as I returned home, I heard
- 36:04Speaker 3: the whistle at the mine. The whistle that meant only
- 36:09Speaker 3: one thing to us. Tragedy.
- 36:11Speaker 8: An accident.
- 36:13Speaker 3: Someone in that black pit had died.
- 36:14Speaker 7: Mr.
- 36:15Speaker 17: Griffiths!
- 36:18Speaker 3: Mr. Griffiths!
- 36:18Speaker 19: You!
- 36:19Speaker 3: Come here!
- 36:20Speaker 17: Someone hurt!
- 36:20Speaker 7: Who is it?
- 36:21Speaker 8: Quiet, lad.
- 36:22Speaker 3: We'll know in a moment. They are bringing up the cage.
- 36:24Speaker 8: Stand back!
- 36:25Speaker 9: Here's the cage!
- 36:27Speaker 7: Tell her who it is!
- 36:29Speaker 6: Quiet, girl, quiet.
- 36:30Speaker 17: Mr.
- 36:31Speaker 3: Griffith.
- 36:31Speaker 8: Well, Ianto, who is it?
- 36:33Speaker 6: It's Ivo. He fell under a tram on the lower level.
- 36:36Speaker 3: He's been killed. And so Ivo was gone. Ivo, the eldest,
- 36:50Speaker 3: the solid and dependable one. And our grief was nameless.
- 36:58Speaker 3: There came a time later when I returned from school
- 37:01Speaker 3: with my certificate of graduation. My father's eyes were pride-filled
- 37:05Speaker 3: when I placed it in his hand.
- 37:08Speaker 6: That is a good paper. With honors, then.
- 37:11Speaker 3: Our son is a.
- 37:12Speaker 6: Scholar, girl.
- 37:13Speaker 12: What is it, you?
- 37:14Speaker 10: I can't make sense with it.
- 37:16Speaker 6: Latin it is.
- 37:17Speaker 7: It is written in Latin, Mama?
- 37:19Speaker 14: Latin is it.
- 37:20Speaker 10: Why not good Welsh? Or even English?
- 37:23Speaker 6: It is the fashion, girl.
- 37:24Speaker 3: Fashion.
- 37:26Speaker 10: Decimal point. and bathtubs full of holes. Oh, my poor Hugh.
- 37:31Speaker 10: They've stuffed your head with Latin, then.
- 37:33Speaker 6: Beth, my old beauty, you.
- 37:36Speaker 9: A black eye, is it?
- 37:37Speaker 10: Latin.
- 37:39Speaker 6: Now then, Hugh, what will it be? To Cardiff to school?
- 37:43Speaker 6: Then the university to be a lawyer, is it? Or
- 37:46Speaker 6: a doctor?
- 37:47Speaker 3: Dr.
- 37:47Speaker 10: Hugh Morgan.
- 37:48Speaker 14: That'll be something special. With a lovely horse and trap,
- 37:51Speaker 14: and a good black suit and a shirt with starch.
- 37:53Speaker 10: Oh, that is good, my little one.
- 37:55Speaker 6: Well, Hugh, What will it be?
- 37:59Speaker 7: I will go down the colliery with you, sir.
- 38:01Speaker 8: The colliery?
- 38:03Speaker 6: Have sense, boy. The colliery is no place for you.
- 38:06Speaker 6: Why not try for a respectable job?
- 38:09Speaker 10: Respectable? Are you and his brothers a lot of old.
- 38:11Speaker 9: Jailbirds, then?
- 38:12Speaker 6: Oh, leave it now, Beth. I only want the best
- 38:16Speaker 6: for the boy.
- 38:17Speaker 10: If he is as good a man as you and
- 38:18Speaker 10: his brothers, I will rest happy.
- 38:21Speaker 6: I'm thinking of the boy's future. Hugh is a scholar.
- 38:25Speaker 6: Why take brains down a coal mine?
- 38:26Speaker 7: I would rather, sir.
- 38:28Speaker 3: All right.
- 38:29Speaker 6: Decide for yourself, but blame yourself if you are wrong now.
- 38:33Speaker 7: The colliery, sir.
- 38:35Speaker 6: All right, the colliery it is. Good night.
- 38:38Speaker 10: Where are you going?
- 38:39Speaker 6: To get drunk.
- 38:47Speaker 3: It was to work, then. Work to earn bread for
- 38:50Speaker 3: those one loves. But I felt a man in truth.
- 38:53Speaker 3: to be coming up the colliery cage with my father,
- 38:56Speaker 3: sharing his tiredness, blacked by the same dust. And I
- 38:59Speaker 3: was happy. Then in time, my sister Angharad came back,
- 39:04Speaker 3: but alone, without her husband. She did not come to
- 39:08Speaker 3: our house, but stayed at the big Ivan's house, her house,
- 39:13Speaker 3: on the top of the hill. Who is it?
- 39:19Speaker 7: To see Mrs. Evans, please.
- 39:20Speaker 6: And who are you?
- 39:21Speaker 12: I am Hugh Morgan.
- 39:22Speaker 6: Oh, her brother.
- 39:23Speaker 10: Her brother, is it, Enid?
- 39:25Speaker 16: Yes, Mrs.
- 39:25Speaker 10: Nicholas. Hugh Morgan.
- 39:27Speaker 3: This way, please.
- 39:30Speaker 12: Is that someone for me, Mrs.
- 39:32Speaker 15: Nicholas?
- 39:32Speaker 7: It's your brother, Mrs.
- 39:33Speaker 3: Evans.
- 39:34Speaker 7: Hugh.
- 39:35Speaker 3: Oh, Hugh.
- 39:35Speaker 7: You didn't come to see us, Anne Harrod.
- 39:37Speaker 6: Hugh.
- 39:39Speaker 3: Mrs.
- 39:39Speaker 12: Nicholas, will you bring some tea, please?
- 39:41Speaker 7: Tea?
- 39:42Speaker 2: Yes, Mrs.
- 39:43Speaker 3: Evans.
- 39:44Speaker 12: Sit down, Hugh. Oh, there is grown you are and changed.
- 39:48Speaker 7: You, too.
- 39:49Speaker 12: Oh, I look ill and ought to take care of myself.
- 39:52Speaker 12: Everyone coming in the house says so. So you say it, too,
- 39:54Speaker 12: and let us finish with it. But tell me all
- 39:57Speaker 12: the news.
- 39:57Speaker 4: How is.
- 39:59Speaker 12: How are all the boys and girls we used to know?
- 40:01Speaker 7: Well, the Jenkins girls are married.
- 40:04Speaker 10: Maudwin Hughes is going.
- 40:05Speaker 7: To be a doctor. Reese Howells is in a solicitor's office.
- 40:09Speaker 7: And Mr. Griffith is still first up and last to bed.
- 40:14Speaker 12: Hugh, how is he?
- 40:16Speaker 7: Not as he was.
- 40:18Speaker 12: Is he ill?
- 40:19Speaker 7: Inside. In his eyes and in his voice. Like you.
- 40:23Speaker 12: Please go home, you. Go home at once.
- 40:25Speaker 6: I'm sorry.
- 40:26Speaker 10: Now then, Mrs. Evans, tea is it.
- 40:28Speaker 9: Here you are.
- 40:29Speaker 12: Leave it, Mrs.
- 40:30Speaker 6: Nicholas.
- 40:30Speaker 3: I will pour.
- 40:31Speaker 10: Well, I always did the pouring for Mr. Yeston's poor mother.
- 40:35Speaker 12: I will pour, I said.
- 40:36Speaker 6: Yes, Mrs.
- 40:37Speaker 3: Evans.
- 40:38Speaker 10: A new mistress is like new sheets.
- 40:40Speaker 7: A little bit stiff, but washing's to come.
- 40:45Speaker 12: Why do you have her here? Oh, 37 years with
- 40:48Speaker 12: the family. Or so she tells me 60 times a day.
- 40:51Speaker 12: Have some tea, Hugh.
- 40:53Speaker 7: You don't want me to go? No, Hugh.
- 40:56Speaker 12: I'm sorry for being nasty. Please stay.
- 41:00Speaker 6: Oh, Hugh.
- 41:01Speaker 3: I tried to tell Mother.
- 41:03Speaker 12: I tried to write.
- 41:04Speaker 7: Oh, Hugh.
- 41:08Speaker 12: It's lonely, I am.
- 41:09Speaker 3: Oh. Below in the kitchen, the tongues began to wag. Mrs.
- 41:23Speaker 3: Nicholas and the women of the neighborhood.
- 41:26Speaker 10: Not for me to say. Only the housekeeper I am.
- 41:29Speaker 10: Thirty-seven years in the family and living to curse the day. Why,
- 41:32Speaker 10: what is it, Mrs.
- 41:33Speaker 3: Nicholas?
- 41:33Speaker 17: Divorce.
- 41:34Speaker 3: Divorce?
- 41:35Speaker 8: No.
- 41:36Speaker 10: Saying nothing I am, but that is what is in
- 41:38Speaker 10: her mind. She's here without her husband, is it? And why?
- 41:42Speaker 10: It is because she's in love with this preacher.
- 41:44Speaker 12: Preacher?
- 41:45Speaker 10: Preacher, I said, Mr.
- 41:46Speaker 9: Griffith, it is.
- 41:47Speaker 3: But Mr.
- 41:48Speaker 12: Griffith has not been near the house.
- 41:49Speaker 10: What difference is that, girl? Not a word now. We
- 41:52Speaker 10: will not say a word, Mrs.
- 41:53Speaker 7: Nicholas.
- 41:55Speaker 12: No, indeed, not a word.
- 42:03Speaker 3: Divorce.
- 42:03Speaker 10: Mr.
- 42:04Speaker 9: Griffith it is.
- 42:04Speaker 10: The preacher and Mrs.
- 42:06Speaker 12: Evans. Don't say I told you.
- 42:08Speaker 3: Divorce.
- 42:09Speaker 18: Divorce.
- 42:12Speaker 3: The knives that can be hidden in idle tongues. For
- 42:16Speaker 3: generations the Morgans had lived in this valley.
- 42:18Speaker 7: Mr. Griffith and Mrs.
- 42:19Speaker 8: Evans.
- 42:20Speaker 3: And now our name was touched with slander.
- 42:23Speaker 8: Divorce.
- 42:24Speaker 3: Our house looked strange to me. And then I knew why.
- 42:28Speaker 3: For the first time I could remember... Our front door
- 42:32Speaker 3: was shut tight in the daytime.
- 42:47Speaker 2: We pause now for station identification. This is the Columbia
- 42:51Speaker 2: Broadcasting System. After a brief intermission, Mr. DeMille presents Walter Pigeon,
- 43:17Speaker 2: Donald Crisp, Maureen O'Hara, Roddy McDowell, and Sarah Allgood, who
- 43:22Speaker 2: will bring us Act Three of How Green Was My Valley. Well,
- 43:26Speaker 2: here's Sally, looking very excited.
- 43:29Speaker 15: It's the special news we've got tonight.
- 43:30Speaker 12: Let's hurry up and tell people.
- 43:32Speaker 3: It's our good news for flower lovers.
- 43:33Speaker 15: Yes, our news about flowers everyone can grow, whether they
- 43:37Speaker 15: have gardens or live in city apartments.
- 43:39Speaker 2: No one will want to miss our rainbow garden offer
- 43:42Speaker 2: of choice tulip bulbs. These gorgeous tulips can be grown
- 43:46Speaker 2: outdoors for May flowering or made to bloom indoors in
- 43:49Speaker 2: time for Easter. And remember, now is the time to
- 43:52Speaker 2: plant tulip bulbs. Sally, won't you tell our audience how
- 43:55Speaker 2: to get them?
- 43:55Speaker 9: It's so easy.
- 43:56Speaker 15: To get ten of these full-size, first-quality tulip bulbs, send
- 44:00Speaker 15: the wrapper from one cake of Luxe toilet soap or
- 44:03Speaker 15: the opening tab from a box of Luxe flakes with
- 44:06Speaker 15: 25 cents in coin to Luxe Rainbow Garden, Box 1,
- 44:10Speaker 15: New York City. Be sure to include your name and address.
- 44:14Speaker 3: Thanks, Sally.
- 44:15Speaker 2: I hope our listeners are writing that down. Luxe Rainbow Garden,
- 44:18Speaker 2: Box 1, New York City. I want to urge flower
- 44:22Speaker 2: lovers everywhere not to miss this wonderful luxe and luxe
- 44:25Speaker 2: toilet soap offer. These bulbs are not ordinary. Only the
- 44:29Speaker 2: finest varieties are included in this offer. There are stately darwins,
- 44:34Speaker 2: clear bright cottage blooms, and breeder tulips of rare, rich coloring.
- 44:38Speaker 2: They come in wonderful shades of scarlet and cerise, clear yellows,
- 44:42Speaker 2: and rich glowing pinks and oranges.
- 44:44Speaker 15: Just think, so soon after winter to have these glorious
- 44:48Speaker 15: rainbow colors in your garden. By planting them in pots,
- 44:51Speaker 15: You can even make them bloom indoors in time for Easter.
- 44:54Speaker 2: An illustrated leaflet with exact planting directions for indoors or
- 44:58Speaker 2: outdoors comes with each set of bulbs. These same bulbs
- 45:01Speaker 2: will flower again year after year. To get this choice
- 45:05Speaker 2: collection of ten fine bulbs, just send 25 cents in coin,
- 45:09Speaker 2: no stamps please, with a wrapper from a cake of
- 45:11Speaker 2: Lux toilet soap or opening tab from a box of Lux.
- 45:15Speaker 2: together with your name and address, to Lux Rainbow Garden,
- 45:19Speaker 2: Box 1, New York City. Please allow at least two
- 45:23Speaker 2: weeks for your tulip bulbs to reach you. Send for
- 45:26Speaker 2: as many sets as you like, enclosing 25 cents and
- 45:29Speaker 2: Lux Soap Wrapper or Lux Tab for each additional set.
- 45:33Speaker 2: If you prefer, you can get handy order blanks from
- 45:35Speaker 2: your dealer. Don't delay, because fall is the time for planting.
- 45:40Speaker 2: This offer is good only in the United States.
- 45:43Speaker 8: Now.
- 45:44Speaker 3: Mr. DeMille returns to the microphone.
- 45:46Speaker 4: The curtain rises on the third act of How Green
- 45:48Speaker 4: Was My Valley, starring Walter Pigeon, Donald Crisp, Maureen O'Hara,
- 45:53Speaker 4: Roddy McDowell, and Sarah Allgood.
- 46:06Speaker 3: As the slag had spread over my valley, so now
- 46:09Speaker 3: a blackness spread over the minds of its people. My
- 46:13Speaker 3: sister and the preacher. Each day I heard their names together.
- 46:17Speaker 3: And as many times did I fight in the streets.
- 46:22Speaker 7: Dada?
- 46:23Speaker 6: Fighting again, Hugh? More trouble with the Philistines, is it?
- 46:27Speaker 7: Yes, Dada.
- 46:28Speaker 3: Hugh?
- 46:28Speaker 10: What is it now? Look at your face. Even John.
- 46:32Speaker 7: He... He said things about Angharad and Mr. Griffith.
- 46:36Speaker 3: Children, too.
- 46:38Speaker 6: You were right, my son.
- 46:40Speaker 3: You were right to fight.
- 46:42Speaker 6: My coat, girl. I'm going to the mine.
- 46:44Speaker 9: You will be back? I will be back for breakfast.
- 46:46Speaker 10: You will not go to chapel then?
- 46:48Speaker 8: No.
- 46:50Speaker 6: And if they do this thing, I will never set
- 46:52Speaker 6: foot in the chapel again as long as I live.
- 46:55Speaker 10: I will have the sheets warm on your bed.
- 46:57Speaker 6: There's an old beauty you are.
- 47:00Speaker 10: Go and scratch, boy.
- 47:04Speaker 7: Mother, what is this about the chapel?
- 47:07Speaker 10: Tonight, after the service. A deacon's meeting over Angharad.
- 47:11Speaker 7: Angharad? But she has done nothing.
- 47:14Speaker 10: Nothing is enough for people who have minds like theirs.
- 47:17Speaker 14: Oh, Hugh, my little one, I hope when you're grown,
- 47:20Speaker 14: their tongues will be slower to hurt.
- 47:23Speaker 7: But will Angharad be at the meeting?
- 47:24Speaker 10: No, none of us will be there. For the disgrace
- 47:27Speaker 10: will not stay away.
- 47:29Speaker 3: I will go, Mother. Mr. Griffith spoke that night in
- 47:40Speaker 3: the chapel. Pale and looking very old, he descended from
- 47:44Speaker 3: the pulpit and faced the deacons. This is the last
- 47:49Speaker 3: time I will talk in this chapel. I am leaving
- 47:53Speaker 3: the valley with regret toward those who have helped me
- 47:56Speaker 3: here and who have let me help them.
- 47:59Speaker 8: But for the rest of.
- 48:00Speaker 3: You, those of you who have only proved that I
- 48:03Speaker 3: have wasted my time among you, I have only this
- 48:07Speaker 3: to say. There is not one among you who has
- 48:10Speaker 3: had the courage to come to me... and accuse me
- 48:13Speaker 3: of wrongdoing. And yet, by any standard, if there has
- 48:16Speaker 3: been a sin... I am the one who should be
- 48:18Speaker 3: branded the sinner. Will anyone raise his voice here now
- 48:22Speaker 3: to accuse me? No. You're cowards too, as well as hypocrites.
- 48:29Speaker 3: But I don't blame you. The fault is mine as
- 48:31Speaker 3: much as yours. The idle tongues. The poverty of mind
- 48:37Speaker 3: which you have shown... mean that I have failed to
- 48:39Speaker 3: reach most of you with the lesson I was given
- 48:42Speaker 3: to teach. I thought when I was a young man
- 48:46Speaker 3: that I would conquer the world with truth, with the
- 48:48Speaker 3: golden sound of the word. But only a few of
- 48:52Speaker 3: you heard. Only a few of you understood. The rest
- 48:56Speaker 3: of you put on black and sat in chapel. Why
- 48:59Speaker 3: do you come here? Why do you dress your hypocrisy
- 49:03Speaker 3: in black and parade it before your God on Sunday?
- 49:06Speaker 3: From love? No, for you've shown that your hearts are
- 49:09Speaker 3: too withered to receive the love of your divine father.
- 49:12Speaker 8: I know why you've come.
- 49:14Speaker 3: I've seen it in your faces Sunday after Sunday as
- 49:17Speaker 3: I've stood here before you.
- 49:19Speaker 8: Fear has brought me here.
- 49:20Speaker 3: You here. Horrible, superstitious fear. Fear of divine retribution. A
- 49:26Speaker 3: bolt of fire from the skies. The vengeance of the
- 49:29Speaker 3: Lord and the justice of God. But you have forgotten
- 49:34Speaker 3: the love of Jesus. You disregard his sacrifice. Death, fear, flames, horror,
- 49:43Speaker 3: and black clothes. Hold your meeting then, but know if
- 49:47Speaker 3: you do this in the name of God and in
- 49:49Speaker 3: the house of God, you blaspheme against him and his word.
- 49:56Speaker 3: My dear Angharad, I am leaving the valley. I am
- 50:17Speaker 3: leaving tonight, and... Mr. Griffith? Well, Hugh, I'm glad you've come.
- 50:28Speaker 7: Thank you, sir. Is there anything I can do?
- 50:32Speaker 3: Indeed there is. You can do me a great service.
- 50:36Speaker 3: This watch, my father gave it to me when I
- 50:40Speaker 3: entered the ministry. It's marked time we both love.
- 50:45Speaker 8: Take it.
- 50:46Speaker 3: Oh, no, sir. A service, I said you'd.
- 50:48Speaker 8: Be doing me.
- 50:50Speaker 3: No need for us to shake hands, Hugh. We will
- 50:53Speaker 3: live in the minds of each other.
- 50:54Speaker 12: Mr.
- 50:54Speaker 7: Griffin, won't you see Angharad before you go? She wants
- 50:59Speaker 7: you to.
- 51:00Speaker 8: No.
- 51:01Speaker 3: If I were to see her again, Hugh, I couldn't
- 51:04Speaker 3: find the strength to leave her.
- 51:07Speaker 8: Goodbye, boy.
- 51:09Speaker 3: And there's a good old man you are. Listen.
- 51:12Speaker 8: It's the mine.
- 51:13Speaker 16: Something's happened at the mine.
- 51:14Speaker 3: Come along, lad.
- 51:15Speaker 7: Mr. Griffiths, Daddy is there.
- 51:17Speaker 1: Daddy is there.
- 51:18Speaker 12: Come along.
- 51:24Speaker 9: A cave-in, it was. A cave-in on the lower level.
- 51:28Speaker 19: My man is there.
- 51:29Speaker 6: Let me through.
- 51:30Speaker 9: My man is there. A cave-in and 30 men beneath it.
- 51:34Speaker 9: There's another cage coming up. Stand back, you men.
- 51:36Speaker 8: Stand back.
- 51:37Speaker 3: Those women with relatives, let them to the pit.
- 51:40Speaker 9: There they are, the second cave.
- 51:42Speaker 6: Oh, Ingrid. Ingrid.
- 51:45Speaker 3: Mr.
- 51:45Speaker 9: Griffith, why don't she gather?
- 51:46Speaker 3: Guy, is Gwilym Morgan up?
- 51:48Speaker 9: Not yet, sir. Gwilym Morgan.
- 51:49Speaker 10: Gwilym Morgan.
- 51:50Speaker 12: Has anyone seen Gwilym Morgan?
- 51:51Speaker 3: Ung Horrid. My father.
- 51:53Speaker 8: He is still there.
- 51:55Speaker 12: Oh, still there.
- 51:56Speaker 7: Mama.
- 51:57Speaker 3: Willem. Men. Men, listen to me. Who is for Willem
- 52:02Speaker 3: Morgan and the others? Who will come down with me?
- 52:05Speaker 9: I for one. He is the blood of my heart.
- 52:08Speaker 3: Come along, then.
- 52:09Speaker 9: On the cage, you men.
- 52:12Speaker 8: We're going down.
- 52:13Speaker 12: I am going with you, sir.
- 52:14Speaker 3: I'm going to find Dada.
- 52:15Speaker 8: If you wish, lad. Ready now.
- 52:17Speaker 12: Wait, wait, Mr.
- 52:17Speaker 3: Griffith. Yes, Aunt Harriet.
- 52:19Speaker 12: You will come back. You must come back.
- 52:22Speaker 3: I said tonight, if I were to see you again,
- 52:25Speaker 3: I couldn't find the strength to leave you.
- 52:27Speaker 12: Oh, you will come back then.
- 52:29Speaker 3: I know. Ready then.
- 52:31Speaker 8: Send the cage down.
- 52:45Speaker 19: Dada!
- 52:47Speaker 8: Dada, where are you?
- 52:49Speaker 7: Dada!
- 52:49Speaker 3: Dada!
- 52:50Speaker 8: Dada! The water is up to our knees here and
- 52:53Speaker 8: getting deeper, sir. They will have the pump started soon. Morgan!
- 52:56Speaker 8: Will and Morgan!
- 52:57Speaker 19: Dada!
- 52:59Speaker 8: Dada! They were working in this tunnel, you're sure? They
- 53:01Speaker 8: were here and the one beyond, but the traps have
- 53:03Speaker 8: all given way. We cannot go much farther, sir. We
- 53:05Speaker 8: will go on.
- 53:06Speaker 18: Dada!
- 53:08Speaker 8: Will and Morgan! Dada, where are you?
- 53:11Speaker 3: You!
- 53:13Speaker 12: Wait!
- 53:14Speaker 3: I heard him!
- 53:15Speaker 8: Quiet, everyone. Call again, you.
- 53:22Speaker 6: He's over there.
- 53:25Speaker 8: We're coming, Dada. We're coming. Watch your foot here. It's deeper.
- 53:32Speaker 3: There he is. There.
- 53:33Speaker 8: Easy, man.
- 53:35Speaker 3: Mr.
- 53:36Speaker 8: Griffith. He's caught beneath the rock. We'll never get him
- 53:39Speaker 8: out alive.
- 53:40Speaker 7: Never.
- 53:40Speaker 5: Dada.
- 53:42Speaker 7: Oh, Dada.
- 53:44Speaker 8: Hugh, lad. Hugh, my son.
- 53:47Speaker 7: We're going to take you out, Dada. No. No.
- 53:51Speaker 8: The rock.
- 53:53Speaker 6: Do not dig.
- 53:55Speaker 8: It will fall.
- 53:56Speaker 7: We are going to take you out.
- 53:59Speaker 8: You, my lad.
- 54:01Speaker 6: There's a good old man you are.
- 54:04Speaker 3: A good old man.
- 54:06Speaker 7: Dada.
- 54:07Speaker 3: Oh, Dada.
- 54:08Speaker 8: Come, you.
- 54:09Speaker 3: Here comes the cage.
- 54:21Speaker 5: Oh, the cage, Mama.
- 54:21Speaker 12: They are bringing him up.
- 54:22Speaker 3: Gwilym.
- 54:24Speaker 10: Gwilym is dead.
- 54:25Speaker 6: Oh, no, Mama.
- 54:26Speaker 8: He will be alive.
- 54:27Speaker 10: Gwilym is dead. I know he is dead. He came
- 54:31Speaker 10: to me just now as I stood here. Ivor was
- 54:35Speaker 10: with him. He spoke to me and told me of
- 54:39Speaker 10: the glory he had seen.
- 54:57Speaker 3: My father was no more. But men like him can
- 55:01Speaker 3: never die. They are with us still. Real in memory
- 55:06Speaker 3: as they were real in flesh. Loving and beloved forever.
- 55:12Speaker 3: How green was my valley then. And the valley of
- 55:17Speaker 3: them that have gone.
- 55:30Speaker 4: Your applause calls back five stars who gave five brilliant
- 55:35Speaker 4: performances tonight. Walter Pigeon, Donald Crisp, Maureen O'Hara, Roddy McDowell,
- 55:41Speaker 4: and Sarah Allgood.
- 55:42Speaker 3: Thank you, CB. The five of us spent a number
- 55:45Speaker 3: of weeks together making the picture, and, well, speaking for myself,
- 55:49Speaker 3: this little reunion is a very great pleasure.
- 55:51Speaker 6: And for all of us, Walter, you have rather a
- 55:54Speaker 6: special feature in this cast tonight, CB. Two players from
- 55:57Speaker 6: the world-famous Abbey Theatre of Dublin, Sarah Allgood and Marina O'Hara.
- 56:03Speaker 12: Well, I spent only a few years there, Mr. Crisp,
- 56:05Speaker 12: but that was long enough to appreciate the tradition established
- 56:09Speaker 12: by many fine artists like Miss Allgood. Thank you, Maureen, dear.
- 56:12Speaker 10: That's very nice of you.
- 56:13Speaker 4: Nothing gives a producer more satisfaction than a cast of
- 56:16Speaker 4: real troopers, whether they've had years of experience or take
- 56:20Speaker 4: to acting as young as Roddy McDowell.
- 56:22Speaker 7: If I can stay in the theater as long as
- 56:24Speaker 7: you have, sir, I'll be very happy. What have I
- 56:27Speaker 7: got to go about 40 years?
- 56:29Speaker 3: Ha, ha, ha, ha.
- 56:30Speaker 4: You'll have at least that if you keep up the
- 56:32Speaker 4: kind of work you've been doing, Roddy.
- 56:35Speaker 3: And tonight we're.
- 56:35Speaker 4: Delighted to welcome you and Sarah Allgood and Maureen O'Hara
- 56:39Speaker 4: to this stage for the first time.
- 56:41Speaker 12: I've enjoyed being here, Mr. DeMille, but I don't really
- 56:44Speaker 12: feel like a stranger. I've heard the Lux Radio Theater
- 56:46Speaker 12: so much, and of course I used Lux soap ever
- 56:49Speaker 12: since I came to Hollywood. I hardly think I could
- 56:51Speaker 12: get along without it. You see, complexion care is so
- 56:54Speaker 12: easy when you have Lux soap.
- 56:55Speaker 4: And even now it's easy to get Lux soap anywhere. Uh, C.B.,
- 57:00Speaker 4: we're all anxious to hear about your next play. Well,
- 57:03Speaker 4: next Monday we have a comedy, Walter. One of the
- 57:06Speaker 4: screen's recent laugh hits from 20th Century Fox. It's called
- 57:11Speaker 4: The Magnificent Dope. And our stars are the same three
- 57:16Speaker 4: players who are making a hit in the picture. Don Amici,
- 57:19Speaker 4: Henry Fonda, and Lynn Barry. Don plays a kind of
- 57:24Speaker 4: human dynamo who thinks he can make a success out
- 57:26Speaker 4: of anyone... until he tackles Mr. Thaddeus Page, played by
- 57:30Speaker 4: Henry Fonda. At any rate, it makes a great show
- 57:33Speaker 4: for us next Monday night.
- 57:34Speaker 3: I've heard a lot about the picture, C.B., and I
- 57:36Speaker 3: want to hear it. Good night.
- 57:38Speaker 7: Good night.
- 57:39Speaker 4: Good night. We won the Academy Award all over again tonight.
- 57:52Speaker 4: Our sponsors, the makers of Lux Toilet Soap, join me
- 57:55Speaker 4: in inviting you to be with us again next Monday
- 57:57Speaker 4: night when the Lux Radio Theater presents Don Amici, Henry Fonda,
- 58:02Speaker 4: and Lynn Barry in The Magnificent Dope. This is Cecil B.
- 58:07Speaker 4: DeMille saying goodnight to you from Hollywood.
- 58:17Speaker 2: Here's a question for the ladies. Have you been throwing
- 58:20Speaker 2: away explosives we need to win the war? Well, if
- 58:23Speaker 2: you still throw away waste fats, you're doing that very thing.
- 58:26Speaker 2: Keep all used frying fats, meat drippings, and bacon grease,
- 58:30Speaker 2: and strain them into a clean, wide-top can. Your meat
- 58:32Speaker 2: dealer will pay you for them. So save waste kitchen
- 58:35Speaker 2: fats to make explosives. Donald Crisp will soon be seen
- 58:39Speaker 2: in the Warner Brothers picture, The Adventures of Mark Twain.
- 58:42Speaker 2: Maureen O'Hara, Roddy McDowell, and Sarah Allgood appeared by courtesy
- 58:45Speaker 2: of 20th Century Fox. Miss O'Hara will be seen in
- 58:48Speaker 2: The Black Swan, Miss Allgood in Life Begins at 8.30,
- 58:52Speaker 2: and Roddy McDowell.
- 58:52Speaker 3: Is currently on the screen in The Pied Piper.
- 58:55Speaker 2: Heard in tonight's play were Gail Gordon as narrator, Stuart
- 58:58Speaker 2: Robertson as Daibondo, Joseph Kearns as Capartha, Paul Langton as Yanto,
- 59:03Speaker 2: Kemble Cooper as Mr. Jonas, Gloria Gordon as Mrs. Nicholas,
- 59:07Speaker 2: Frederick Warlock as Mr. Evans, and Estimation. Herbert Evans, Fred McKay,
- 59:12Speaker 2: Claire Vedera, Norman Field, and Stephen Muller. Tune in next
- 59:15Speaker 2: Monday night to hear Donna Michi, Henry Fonda, and Lynn
- 59:18Speaker 2: Barry in The Magnificent Dope.
- 59:20Speaker 3: Our music was directed by Louis Silvers, and your announcer
- 59:23Speaker 3: has been John M.
- 59:24Speaker 19: Kennedy.
- 59:27Speaker 11: Feeling tired, nervous, vitamin starved? Get that VIMS feeling. See
- 59:33Speaker 11: your druggist right away. Ask about that special trial offer
- 59:36Speaker 11: of VIMS, the new low-cost vitamin mineral tablets. Buy the
- 59:39Speaker 11: large $ 1. 69 package. Get the regular 50-cent size absolutely free. V-I-M-M-S, VIMS, F-R-E-E, free.
- 59:48Speaker 11: This is the Columbia Broadcasting System.
- 59:51Speaker 1: We leave the Morgan family and Lux Radio Theater's How
- 59:54Speaker 1: Green Was My Valley. Follow Lux Radio Theater for more
- 59:58Speaker 1: classic broadcasts.