Latest / Buddhistisches Tor Berlin Podcast / Entering the Forest of the Heart
Transcript
- 0:08So I thought in this second-half I would speak in terms of, well,
- 0:15I'm going to tell a story, so I will tell a story.
- 0:18And do you get to listen to a story?
- 0:22It's interesting just noticing people's reactions to me saying
- 0:27that. So I definitely got a few smiles
- 0:29there. I don't think that will be the
- 0:32whole story. So maybe some of you are
- 0:34thinking not a story, that's not what I've come for.
- 0:38I don't know. So we can have mixed responses
- 0:43and relationships to story. So maybe to begin with, I would
- 0:46just say a little bit about why I'm choosing to speak in this
- 0:51way this morning and why I've chosen to tell a story because
- 0:55there's lots of ways. There are lots of ways of
- 0:57sitting here and communicating to you something about what
- 1:01Buddhism is or what Buddhism is pointing to.
- 1:05And, and story is just one way. But the reason I've I've chosen
- 1:10to speak this morning in terms of story, partly, partly it's
- 1:16just subjective preference. So I have to kind of admit that.
- 1:21But also I think, I think there can be a view that story is
- 1:25somehow more basic or less important than other ways of
- 1:30communicating. Yeah.
- 1:32So in a retreat 2 weeks ago, I was also telling a story.
- 1:38People enjoyed it, I think. And we laid down before hand and
- 1:44somebody said, oh, it was just like being at kindergarten and
- 1:47having a story read. So it can have that association,
- 1:52can't it, That we are just kind of children.
- 1:56It takes us back in some ways to childhood when we might have
- 1:59heard more stories than perhaps we do now in a certain kind of
- 2:03way. So that can form the impression
- 2:06that it's somehow not as grown up or not as important in some
- 2:13kind of way. But reflecting on the subject
- 2:16this week, I was, I was just remembering all the different
- 2:19stories, not all of them, but many of the different stories
- 2:24that I've heard in my life and the impact that they've had on
- 2:27me and the change that they have initiated.
- 2:32And I would say that some of the the key turning points in my
- 2:35life have come through actually hearing stories.
- 2:40Actually, whether that's reading a story or somebody telling a
- 2:44story, they do have the power to Transformers.
- 2:49Maybe this is an obvious point, but I think it's worth saying
- 2:53that stories do have the the power to Transformers.
- 3:00I think that the Buddha knew that.
- 3:02So I think I think Buddhism has a tradition of of storytelling
- 3:07because sometimes the most powerful way of delivering a
- 3:11truth or revealing a certain beauty about the real nature of
- 3:17life is through story. Yes.
- 3:20So sometimes the Buddha would tell the story of his own life.
- 3:24For example, he would tell groups of people what he'd done,
- 3:29what had happened to him, and that had a powerful effect on
- 3:32them. He also told stories about other
- 3:37Buddhas. Yeah, how he knew them, I'm not
- 3:41sure. But he would tell stories about
- 3:43Buddhas countless aeons ago, in the past and their lives, and
- 3:50that also affected people in a certain kind of way.
- 3:53He told stories about himself and other people when they were
- 3:58in previous lives as animals and the things that they used to get
- 4:02up to in the jungle, his friends and his enemies and how there
- 4:07are different types of animals and how they all interacted.
- 4:10And then at the end he says, and I was the elephant and my friend
- 4:14Arnander here was the tiger. And he explains who was who.
- 4:20So all these, all these are ways in which the Buddha would use
- 4:24story to try to communicate a truth to people, to communicate
- 4:29to them what he had seen or experienced.
- 4:33And that's carried on throughout the history of Buddhism.
- 4:36So I remember reading a book about Thai forest monks, and it
- 4:42was describing how their approach to communicate in the
- 4:46Dharma to other people was primarily through stories.
- 4:50So every so often you'd have this village in Thailand just
- 4:54going about his business, and suddenly someone would come out
- 4:58of the forest in a robe carrying a bowl, and he would stay for a
- 5:04couple of days and just tell stories, maybe the same stories
- 5:08about the Buddha and the animals.
- 5:11And then he would just disappear again into the forest and people
- 5:16would be left with the stories. So that was the the way in which
- 5:22these things were passed on. It was only later in the, I
- 5:27think, the late 19th century, when the Bangkok government was
- 5:31reforming and things were becoming more rational and more
- 5:34scientific, that some monks got sent out to tell the
- 5:39storytelling forest monks to stop telling stories and to
- 5:44communicate the teaching in a different kind of way.
- 5:48And I'm not judging that, because that different kind of
- 5:50way is also effective. But the storytelling tradition
- 5:56certainly tailed off. Maybe it's still alive
- 6:00somewhere. So throughout the history of
- 6:04Buddhism, stories have been told throughout our own cultural
- 6:07tradition. In the West as well, stories
- 6:10have been told and passed on. Just in the last couple of days,
- 6:15I've started reading The Odyssey again by Homer, and it's it's
- 6:19the foundational story of basically every story that has
- 6:24come since. It's fantastic.
- 6:26And that was also kept alive through people just telling it.
- 6:32So there we go. That's why I've chosen a story,
- 6:35because there's this rich history of storytelling in our
- 6:39culture, in the Western world and within Buddhist culture, and
- 6:44hopefully it will affect you in some way.
- 6:47Hopefully the story will have an effect.
- 6:53I just throw in one of the preliminary point, which is that
- 7:00last week I was not here present in the Saturday class because I
- 7:05was at the cinema with Tara Paleta and we were there all day
- 7:10from 10:00 in the morning till 10 at night, watching the three
- 7:13Lord of the Rings films back-to-back.
- 7:18The directors cuts with 220 minute breaks in between.
- 7:23So it was quite an extreme day. And all week, all week, I've
- 7:29been existentially challenged and troubled by the impact of
- 7:35the story. Because it's, if you know, Lord
- 7:38of the Rings, it's, it's quite a story, isn't it?
- 7:41And all these interwoven themes of power and corruption and
- 7:47friendship and honour and nature and industrialization, life,
- 7:54death. It's such a, a rich story.
- 7:57And it's been in my mind. And actually Tolkien, who wrote
- 8:01The Lord of the Rings, he had an interesting thing to say about
- 8:05stories. He said, well, people would
- 8:09criticize him and say that his fantasy novels were just
- 8:12escapism, You know, people were just escaping from the real
- 8:16world. And he said, well, yeah.
- 8:19He said, if you were in prison, it would be quite natural that
- 8:24you would want to escape. So the point he was making was
- 8:28that life without stories and without imagination, it's very
- 8:34imprisoning. You know, we narrow ourselves if
- 8:37we're not imaginatively alive and open to stories.
- 8:41We narrow and contain ourselves in a certain kind of way.
- 8:44So he was saying that the novels were one way in which we free
- 8:48ourselves. So it'd be quite strange,
- 8:51wouldn't it, if Buddhism is all about freeing ourselves and
- 8:56liberating ourselves from a limited state of consciousness,
- 9:01a limited state of being, a limited imagination, if we were
- 9:06to strip it of its stories, that would be a shame because of the
- 9:12power they have to help us become free, let's say, from the
- 9:17prison of the suffering of ordinary life.
- 9:24OK, enough introductory stuff. That was my way of just
- 9:29preparing the ground. So I'm going to, I'm going to
- 9:32read you a story. I have to admit it's an
- 9:40adaptation of the traditional Buddhist story.
- 9:44So if you want the original, you have to go and look at the
- 9:48Parameter Jyotika, Volume 1 to be specific, which is a
- 9:53commentary to a collection of texts called the Sotinipata,
- 9:58which is one of the earliest collections of the Buddhist
- 10:01teaching. So we have those collected
- 10:04teachings. The parameter Jyotika is a
- 10:07commentary on those teachings written at a later date.
- 10:12And the story we will hear comes from that commentarial
- 10:16tradition. And you could, you could just
- 10:20read the commentaries in the translation.
- 10:23I've adapted it because I'm, I'm trying to do what storytellers
- 10:31have done over the years, which is bring the story to life for
- 10:34myself. Yeah.
- 10:36So to imagine myself into the story and how, how can I
- 10:40communicate it to you in a way that's alive, but also it might
- 10:45communicate better to you. But you can be the judge of
- 10:48that. And if you want the original, if
- 10:51you want the pure thing, then there you go.
- 10:57Come and ask me for the reference at the end.
- 10:59Yeah. So before I read it, an
- 11:03invitation to just get comfortable.
- 11:06So you can maybe you're comfortable already, but just
- 11:10sit comfortably. If there's space and you want to
- 11:13lay down, then you can do that too.
- 11:26I wonder partly if the power of stories come come sometimes just
- 11:30from the fact that we tend to relax before we read them or we
- 11:35experience them as a form of relaxation.
- 11:39Yeah, it's not very long, just a few minutes.
- 12:07Maybe close your eyes just so that you can give your
- 12:12imagination a free freedom. A long time ago, when the Buddha
- 12:28still walked the dusty roads, a group of monks asked him for a
- 12:35quiet place to meditate during the rainy season.
- 12:42He sent them to a deep forest at the foot of a mountain, a place
- 12:49where silence would gather like water in a still pond.
- 12:56The monks arrived, spread out their robes beneath tall ancient
- 13:02trees, and began their meditation practice.
- 13:09But it wasn't long before they discovered that the trees were
- 13:15not empty. In their branches lived the
- 13:21forest spirits, ancient beings, including mothers preparing to
- 13:28bring new spirits into life. For a while the spirits waited,
- 13:38but as the days went by they became restless.
- 13:44Who were these monks who'd come to their homes?
- 13:49And didn't they realise that their presence was stopping the
- 13:53mother tree spirits giving birth to baby tree spirits?
- 14:00So the spirits did what spirits often do when they feel unseen.
- 14:07They began to create disturbances, Flickers in the
- 14:15darkness, the sound of footsteps which leave no tracks, cold
- 14:24breath on the skin of the monks, the kind that makes the hair
- 14:30rise on the back of the neck. Fear began to grow in the monks,
- 14:39like a small drum beating inside the chest.
- 14:46Then the moment came when they couldn't take it any longer, and
- 14:51they fled back to the Buddha. They told him everything, the
- 14:56shapes, the shadows, the shivering nights.
- 15:03And the Buddha listened quiet, like a stone or a rock listening
- 15:10to a river. Then he said, monks, you don't
- 15:19need to find a different forest, you need to find a different
- 15:26heart. So he taught them about loving
- 15:33kindness, meta, a force stronger than fear, a light that doesn't
- 15:42burn but blesses. He said that they should
- 15:48meditate like this. May all beings be happy and
- 15:53secure. He said they should think of
- 15:57every living thing without exception, the weak and the
- 16:03strong, the small and the large, the seen and the unseen, those
- 16:11living now and those yet to be born.
- 16:16May all beings become happy. He said they should love others
- 16:24like a mother loves her only child.
- 16:30He said they should develop an unlimited heart for the entire
- 16:33universe, sending Metta above, below, and all around.
- 16:42And then finally, he told them, go back.
- 16:49Go back to the forest and radiate kindness to those very
- 16:54beings who frightened you. And so they went back that same
- 17:03night, and they sat beneath the same trees, closed their eyes,
- 17:10and let kindness rise in them like a small flame in the
- 17:15darkness. May you be well, may you be
- 17:21happy, may you be free from suffering, they said.
- 17:28You who live in these branches, you who watch from the unseen
- 17:33places, may you be free from fear.
- 17:40Their words drifted upward through the leaves, and the
- 17:44forest spirits felt them, soft as warm rain on the skin.
- 17:54The fear melted, The disturbances stopped.
- 18:01A quiet joy spread among the trees, and in that peace, that
- 18:07shared kindness, the monks hearts opened like flowers
- 18:13blooming in the night. The End.
- 18:40So if you laid down, you could sit back up.
- 18:47So ideally, if we had the all day, ideally we would now just
- 18:53pause and people would have an opportunity to share just their
- 18:59responses to that, to that story.
- 19:02We can't do that unfortunately. So here I am.
- 19:06I'll just share my own responses to the story and pick out some
- 19:10themes. I think one of the one of the
- 19:24strongest images for me from the story is the fact that it takes
- 19:28place in a forest. Stories always have a context,
- 19:31don't they? They don't take place in a
- 19:34vacuum. There's always a location and a
- 19:37context. And in this story we have the
- 19:40context of the forest. Yeah.
- 19:44So let's just be with that image for a moment.
- 19:48So forest. I say the word and something is
- 19:52evoked. So forest, What does forest do
- 19:56for you? What does forest say?
- 19:59How does it affect you? So we know that forests are.
- 20:07Groups of trees, I guess. I haven't looked it up in the
- 20:09dictionary, but let's just say it's a group of trees.
- 20:14But they feel more like that, They feel to be more than that,
- 20:18don't they? If we go for a walk in a forest,
- 20:21they also have a particular atmosphere.
- 20:24And that might depend on where the forest is, the time of year,
- 20:31the time of day, the types of trees, the types of creatures
- 20:36that live in that particular forest.
- 20:39So you could say each each forest that we go into has its
- 20:43own unique quality or atmosphere.
- 20:47Yeah. Or environment ambience.
- 20:51I can't help but bring in Lord of the Rings because of
- 20:55yesterday and its influence on me.
- 20:57But I was struck in watching the films how many different types
- 21:00of forests are entered into. You've got the what's it called
- 21:08there? Any big fans here?
- 21:09Because I might get something wrong.
- 21:12Loflaurean is the elves forest, isn't it?
- 21:15And that's the kind of magical, wonderful kind of place.
- 21:21And then you get the other forests that are much more,
- 21:26well, a bit more fear inducing, like the monks here experience.
- 21:30Merkwood is the the really bad one in Lord of the Rings.
- 21:34Sauron has kind of poisoned the the trees.
- 21:37The trees are sick. So so we go into different
- 21:41forests and they've got different kind of feelings,
- 21:43haven't they, or evoke different kind of feelings for us.
- 21:48The other thing I was thinking about forests is how I like, I'm
- 21:53assuming none of us live in a forest.
- 21:56Yeah, we probably all live in the city.
- 21:58Maybe you live on the outskirts, but I don't think any of us
- 22:02probably live in forests, although you may have done at
- 22:04some time in your life. But for most of us in the modern
- 22:08world, the forest is not somewhere we stay.
- 22:12So it's somewhere we might go to and enter into.
- 22:16Once we've entered the forest, we have to move through it.
- 22:21But at some point we also come out.
- 22:24Yeah, so. So the forest is a temporary
- 22:29atmosphere that we might experience.
- 22:33And the more I thought about that during the week, the more I
- 22:36realized that actually this metaphor of the forest, it's
- 22:40kind of a metaphor for all experience.
- 22:46So for example, everyone here this morning entered through the
- 22:52door. You could say that we entered
- 22:54the forest of the Buddhist centre like an hour ago or an
- 22:58hour and a half ago, and we're moving through it.
- 23:02And at some point we will leave. Yeah.
- 23:05And this place has its own particular atmosphere.
- 23:09Depending on the time of day, depending on the people who show
- 23:12up, a certain atmosphere gets created.
- 23:15Yeah, me, Me giving this talk because I've opened my mouth at
- 23:23the beginning and started to speak.
- 23:25We've entered something. I've entered into something by
- 23:29starting to talk and you have entered into something by
- 23:33listening and we're currently navigating that.
- 23:37I might get a bit lost sometimes, you might get a bit
- 23:40lost sometimes, but at some point it will end you.
- 23:47You will all applaud and then we'll all leave out the door as
- 23:54well. So just just anything we're
- 23:58doing, there's this movement into a certain type or quality
- 24:03of experience. We have the experience and then
- 24:07we move into another one. Yeah, I was thinking it might be
- 24:15relevant to use that metaphor, particularly in terms of
- 24:18meditation. So a lot of you will have come
- 24:21here to, to learn about Buddhism generally and and probably
- 24:25specifically about meditation. It's kind of a big, a big draw
- 24:29for people to Buddhism. But we could use the metaphor of
- 24:33the forest in relation to meditation.
- 24:36So we've all, I think most of us have, have done it this morning.
- 24:40And if not, you will have done it anyway at some point for the
- 24:44experience of meditation. We sit down, don't we?
- 24:48And we enter into something that is not our usual way of being in
- 24:53the world. And we step into something and
- 24:57then for however long we do it, whether it's 10 minutes or half
- 25:01an hour, an hour, we're in something, we're in a particular
- 25:06environment. And then the bell goes or
- 25:11whatever happens and we stop and we leave it.
- 25:16But meditation is quite a curious forest to enter into.
- 25:20It's more like there are multiple forests or different
- 25:23regions of the forest. So when we sit down to meditate,
- 25:27one of the things we might enter into more fully than we are
- 25:32ordinarily experiencing is our own body.
- 25:38Yeah, so it's a bit strange because we actually stop moving,
- 25:43but maybe it's in the stopping moving that we turn towards our
- 25:47actual physical experience, whatever that might be.
- 25:51Whether we notice we've got pain in the body or lightness in the
- 25:57body or restlessness, itching, we start to notice things, don't
- 26:03we, that we might miss when we're just on EU barn or doing
- 26:08whatever we're doing in our usual routine.
- 26:13So there's an entry into that forest that we call the body.
- 26:18There's also the entry into the forest of, let's say, the mind
- 26:22and thought. We start to see, don't we, the
- 26:27the different thoughts that are coming through our mind.
- 26:32Easy to get lost in that forest, isn't it?
- 26:36Or I'm going around in circles with the different thoughts.
- 26:42There's also, I would say the the entry into what we might
- 26:46describe as the forest of the heart.
- 26:49So when we sit to meditate, yeah, we, we might experience
- 26:54the body, we'll experience what's happening in the mind and
- 26:57our thoughts. But probably we also start to
- 27:00notice what's, what's moving in the heart, to put it poetically,
- 27:05or what our emotional experience is.
- 27:09Yeah. So we come into contact with
- 27:12emotion, yeah. And that is going to be a well,
- 27:22a different experience on a different day, a different hour
- 27:26of the day. But also for different people,
- 27:30we have different relationships. So the quality of our connection
- 27:34with our emotional life will be different for different people.
- 27:39For me, the whole area of emotion has been quite elusive,
- 27:46and actually coming into a relationship to it takes some
- 27:50work because all this stuff can be going on kind of down here in
- 27:56the depths, the emotional churnings away.
- 27:59But I don't always notice that, to be honest.
- 28:05I love this poem by Charles Bukowski, quoted in the WhatsApp
- 28:09group The Bluebird. Let me see if I can remember it
- 28:14and I will share it with you. There's a Bluebird in my heart
- 28:22that wants to get out, but I'm too tough for him.
- 28:28I say stay in there. I'm not going to let anybody see
- 28:33you. There's a Bluebird in my heart
- 28:37that wants to get out, but I pour whiskey on him and inhale
- 28:43cigarette smoke, and the whores and the bartenders and the
- 28:47grocery clerks never know that he's in there.
- 28:53There's a Bluebird in my heart that wants to get out, but I'm
- 28:57too tough for him. I say stay down.
- 29:01Do you want to mess me up? You want to screw up the works?
- 29:06You want to blow my book sales in Europe?
- 29:11There's a Bluebird in my heart that wants to get out, but I'm
- 29:15too clever. I only let him out at night.
- 29:19Sometimes when everyone's asleep.
- 29:22I say, I know you're in there, so don't be sad.
- 29:31And then I put him back in, but he's singing a little in there.
- 29:37I haven't quite let him die. And so we sleep together like
- 29:43that with our secret pact, and it's nice enough to make a man
- 29:49weep, but I don't weep, do you? Whenever I do that, off the top
- 30:03of my head, my Bluebird starts thumping.
- 30:13But it's strong, isn't it? Strong stuff.
- 30:18So maybe you relate to that kind of disconnection from what's
- 30:23going on down there, what's chirping away, trying to get our
- 30:28attention and the difficulty that we can experience in
- 30:32allowing that to come out. Maybe you can also experience
- 30:39emotion quite vividly and actually overwhelming kind of
- 30:43emotion, which would be a different, would require a
- 30:46different poem. You know, I think the, the point
- 30:54I wanted to make in, in talking in that way and, and referring
- 31:00to the poem is that when we sit to meditate and we come into
- 31:04contact with our emotions and what's really going on there,
- 31:09we're coming into a closer relationship to it.
- 31:12And there can be all kinds of things.
- 31:16And often if we experience what we might describe as disturbing
- 31:19emotion or emotion that we might not want to find in meditation,
- 31:25we can assume that we're getting it wrong.
- 31:28Yeah. That we're doing something wrong
- 31:30or that the meditation doesn't work or that we're not good
- 31:35enough at it. But I don't think it's like
- 31:40that. I think that's what meditation
- 31:44is, is an entry into the forest of the heart and coming into
- 31:49contact with our real emotional experience and emotional life.
- 31:55And, and we don't have to be scared of that.
- 31:59In a way, the meditations that we're doing, they open that up.
- 32:04They open that up. So the whole range of our
- 32:06experience. And it's not just disturbing
- 32:09emotion that we encounter or disturbances in the body or
- 32:12disturbances in the mind, We also experience lightness in the
- 32:18body, joy in the body, clarity in the mind, great thoughts,
- 32:24like really good thoughts and ideas and clarifications and
- 32:29really strong positive emotions as well.
- 32:33So, so through meditation, through Buddhism, we're opening
- 32:36up to the whole range of what it is to be human, the whole
- 32:41possibility of, of human experience.
- 32:45So we're not getting anything wrong if that happens.
- 32:49And the meditations are giving us, particularly the metabavna,
- 32:53it's giving us a container in which all that can be
- 32:57experienced a bit more fully and worked with creatively and
- 33:03positively. Not to say we might not need
- 33:07other forms of help with some of that, but the metabarvner and
- 33:13and meditation in general is, is helping us come into
- 33:16relationship more fully with who we are and what we experience.
- 33:27So the monks in our story, their predominant experience in the
- 33:31meditation and in the forest, there was fear, and when they
- 33:39experienced the fear, just kind of Fair enough, isn't it?
- 33:42Like, I was thinking about my own experiences on solitary
- 33:47retreats, where usually you're out in the middle of nowhere in
- 33:52a little Hut on your own, not necessarily in the forest, but
- 33:57away from other people. And yeah, you can get scared.
- 34:06The worst time for me is the first night when the sun goes
- 34:11down and you have to go outside to pee.
- 34:16So there's never toilets in solitary retreat cabins.
- 34:19They're always outside. Or you just pee anywhere.
- 34:23And it's fine in the day, isn't it?
- 34:25But then as soon, as soon as the sun goes down and it's dark out
- 34:28there, I start holding it. But then there's nothing to be
- 34:38afraid of, I discover. But just night.
- 34:43Night carries a certain fear with it, doesn't it?
- 34:46We've probably got these deep primal fears and, and presumably
- 34:49that's what's getting triggered for these monks.
- 34:53And it's interesting, their response is to leave.
- 34:57And sometimes we can experience fear so strongly that we just
- 35:01have to get out of the situation.
- 35:03So I'm not saying under all circumstances, whenever we
- 35:06experience fear, we should just be there and experience it.
- 35:13But what I'm interested in is how quickly they leave according
- 35:16to the story. So they've gone there with the
- 35:20intention of doing a rainy season retreat which would be 3
- 35:24months, and presumably this happens fairly soon in the story
- 35:28that the the forest spirits can't start creating the
- 35:32disturbances and the the monks leave.
- 35:36So the the actual commentary doesn't say this, but I wonder
- 35:41what was their motivation like? They obviously had the
- 35:45enthusiasm. They asked the Buddha to tell
- 35:47them where to go, but then they leave quite soon.
- 35:53So either it was just really overwhelming and scary and if if
- 35:58there were tree spirits, I'm sure they can create a lot of
- 36:02mischief, or maybe they were just not so into it.
- 36:10It's hard to hard to say, isn't it?
- 36:13But in any case, it's like that. I don't think they're fully in
- 36:16touch. Maybe this is unfair and I'll
- 36:19come back to it. Maybe they're not fully in touch
- 36:21with their deepest motivation. Yeah.
- 36:25The first sign of trouble. It's like, Oh yeah, I'll go
- 36:29somewhere else. So.
- 36:33So again, when when we ourselves exploring Buddhism experience
- 36:38things that we might not expect. One thing that I think is really
- 36:42useful is to be in touch with why we're here in the 1st place.
- 36:47Because all of us here, we'll have some deeper motivation for
- 36:53being here than just to have a good time.
- 36:57Yeah, assuming you are having a good time.
- 37:00But there'll be a deeper motivation for why you've
- 37:03decided to come here this morning.
- 37:05There are millions of things you could have done this morning,
- 37:08but you're not doing them, you're doing this.
- 37:12So why? Again?
- 37:15It's listening to the Bluebird, isn't it?
- 37:17But why? Why do we find ourselves on this
- 37:20day in a Buddhist centre listening to Padmasagra
- 37:24speaking? And can we keep in touch with
- 37:28that, that deeper motivation, whatever it might be?
- 37:32Probably if we asked ourselves what that motivation is, it's
- 37:39not so easy to to kind of put into words.
- 37:43Maybe you'll get a word or two or an image or just a feeling
- 37:49that that being here is a value. But then if you ask again, maybe
- 37:55you get a further clarification. We were doing this on Monday
- 37:59night in the meditation course, asking what's our heart's
- 38:02deepest wish? And it felt like we really,
- 38:06people really touched into a deeper place, which was not
- 38:11always comfortable, by the way. But just asking that question,
- 38:16what do I really want? What do I want?
- 38:18What do I really desire? Yeah, it's quite strong stuff.
- 38:29But I would imagine for all of us, if we asked that question
- 38:31enough and get deeply down enough, we find that there's
- 38:36some real richness there and strength there and courage
- 38:40there. And probably the reason is not
- 38:44just to do with us and our life, but has broader, bigger
- 38:49implications. Another Lord of the Rings
- 38:55moment. It's quite striking.
- 38:58When you watch the three films back-to-back, one of the things
- 39:02we both noticed was how much of A burden carrying the Ring
- 39:07becomes for Frodo. Yeah, you really see that
- 39:11unfolding. He's got the wound from the
- 39:16sword, but also his neck is just becoming more and more red.
- 39:23And yeah, he's just becoming more and more weighed down by
- 39:25the weight of the burden. But also you see his
- 39:31determination throughout just getting stronger and stronger.
- 39:37Like he's a reluctant hero, isn't he?
- 39:39In the the film, there's a moment where he's with Galadriel
- 39:45and she shows him in the water pool, the Shire on fire and
- 39:52being destroyed. And he says, after seeing that
- 39:56vision, he says, then I know what I have to do.
- 39:59He has to destroy the ring. So it's not just about him.
- 40:05And in fact, he begins to see that he's not going to get back.
- 40:10It's a a deeper motivation to surrender himself for something
- 40:17greater. And Sam as well, he does the
- 40:21same, doesn't he? It's just his devotion towards
- 40:25his friend. He's just going to risk
- 40:28everything. And there's there's this moment
- 40:31where he he's giving out the bread.
- 40:37I'm saying it as if we all watched it last week and maybe
- 40:42some of you don't even know the story.
- 40:44Anyway, there's, there's this ring, right?
- 40:52Let's let's not go into anyway, Sam, Sam's dishing out the
- 40:56bread. And he says to Frodo, oh,
- 40:59there's enough. And Frodo says, enough for what?
- 41:01And he says for the journey home as well.
- 41:04Then later in the film, there's another moment like that.
- 41:08And Frodo says something like, what about the journey home?
- 41:12And he says, well, I'm starting to think there's not going to be
- 41:15a journey home, but he's not stopping.
- 41:18They're still going to destroy the Ring, save the world.
- 41:26So what there is in the end, yeah, without wanting to spoil
- 41:33it. So I think all of us are in
- 41:42touch with something of that. There's a deeper current in all
- 41:47of our lives. So let's move on a bit.
- 41:59And I just want to pick up on what the Buddha says in the
- 42:02story as well, because again, I think there's some interesting
- 42:08points for us. It sounds so UN poetic.
- 42:12Does it? Anyway, the Buddha tells them to
- 42:17go back. They don't need a different.
- 42:22This was my own playing around with it.
- 42:25You don't need a different forest.
- 42:26You need a different heart or a different quality of heart.
- 42:30It's not about changing where you are.
- 42:32It's about changing how you see things, how you relate to
- 42:35things, is what he says to them. And I think that's really
- 42:41interesting that the Buddha is essentially saying just be
- 42:44there. Can you go back and can you just
- 42:47be there and experience what you experience?
- 42:52And in a way, I think Buddhism begins there with us just
- 42:56stopping and just starting to notice.
- 43:01It's so easy, isn't it, to get caught up in life and busyness
- 43:06and routine and habit. So can we just find ways of
- 43:11breaking that, stopping and just noticing?
- 43:18That's kind of the first step in a way you could say the monks
- 43:21have not. They weren't really in the
- 43:23forest to to project, to project my own habits onto them.
- 43:31Maybe they were just going there with this good idea that they
- 43:35were going to do this long retreat and have some great
- 43:39experiences and become enlightened like the Buddha.
- 43:44Maybe they were never really in the forest, they were just in
- 43:47their own idea of what was there.
- 43:49And when the disturbances start happening, they also project
- 43:53certain ideas onto what's happening.
- 43:57So the Buddha's saying just just be there and really notice
- 44:00what's going on. Just stop.
- 44:10I'll throw in another poem. I don't know this one by heart.
- 44:16We also had this on the recent retreat.
- 44:22This is Pablo Neruda. Now we will count to 12, and we
- 44:30will all keep still. For once, on the face of the
- 44:34earth, let's not speak in any language.
- 44:37Let's stop for a second and not move our arms so much.
- 44:43It would be an exotic moment. Without rush, without engines,
- 44:50we would all be together in a sudden strangeness.
- 44:55Fishermen in the cold sea would not harm whales, and the man
- 44:59gathering salt would look at his hurt hands.
- 45:04Those who prepare green wars, wars with gas, wars with fire,
- 45:09victories with no survivors would put on clean clothes and
- 45:15walk about with their brothers in the shade doing nothing.
- 45:21What I want should not be confused with total inactivity.
- 45:25Life is what it is about. I want no truck with death.
- 45:32If we were not so single minded about keeping our lives moving
- 45:36and for once could do nothing, perhaps a huge silence might
- 45:42interrupt this sadness of never understanding ourselves and of
- 45:47threatening ourselves with death.
- 45:51Perhaps the earth can teach us as when everything seems dead
- 45:56and later proves to be alive. Now I'll count to 12 and you
- 46:02keep quiet and I will go. I really love that poem and this
- 46:21idea of just being still, keeping quiet, just noticing.
- 46:26And the images he gives us, they're so sensory, aren't they?
- 46:31So the man looking at his hands, really feeling the experience of
- 46:37the pain that has come through gathering salt, the the
- 46:44fishermen in the cold sea killing whales, noticing a whale
- 46:49is the biggest mammal in the world, isn't it?
- 46:51The blue whale? Maybe, maybe just
- 46:56metaphorically, we don't see when we are doing damage to the
- 47:00biggest thing. It's kind of an incredible
- 47:04image, this idea of not being so single minded, keeping our lives
- 47:10moving and for once just just stopping and doing nothing.
- 47:18Yeah. So just stopping and noticing
- 47:23and really seeing what's going on, coming into our senses that
- 47:28that can have quite an effect. I think maybe things are not
- 47:33what they appear to be when we when we learn to do that more
- 47:37and more. But the Buddha doesn't just say
- 47:42go back and just be there. He does it.
- 47:46He teaches them the meta barvner in a sense.
- 47:49He teaches them meta and to radiate meta in all the
- 47:54different directions, to care for others as a mother would
- 48:01care for her only child. So there's this lovely interplay
- 48:06between stopping and noticing and actually being there, but
- 48:11also the creative, imaginative act of opening, opening to
- 48:17others. For me, that teaching the Buddha
- 48:26gives on Mehta, It's a call to imagine.
- 48:30It's an invitation to imagine really, really deeply.
- 48:35He's giving it to a group of monks, isn't he?
- 48:37So a group of guys. And he says it's just like a
- 48:40mother's love for her only child, which they can't know
- 48:45from direct experience it it's asking them to imagine.
- 48:52He's saying send meta in all the directions, up, down, in all
- 48:58sides to all sides. So, so when we think like that,
- 49:02our imagination immediately starts projecting different
- 49:06directions, doesn't it? So we're, we're stretching our
- 49:10sense of ourselves. So Mehta, when we're doing those
- 49:14phrases, it's, it's an instruction or an invitation to
- 49:18really imagine into the lives of others.
- 49:23And if we've stopped and if we've come to our senses and
- 49:27noticed what is really going on and how life is affecting us,
- 49:33and then we open up to how that's happening to other
- 49:36people, they are very powerful basis of, like Tolkien said,
- 49:45escaping the narrowness of 1's own subjectivity.
- 49:50We don't want that really, do we?
- 49:53I don't want to just be me and this.
- 49:56I want to feel the connection with something beyond and the
- 49:59relationship with that which is beyond.
- 50:05So the Meta Barn is helping us to do that.
- 50:07We can do it in meditation, but you can do it all the time.
- 50:11So can we just notice what it's like for others?
- 50:18Do it now. Like, what do you think it's
- 50:20like for me to be sat here looking?
- 50:25I don't know how many people are in here.
- 50:27Probably about 80 or something. 100 OK And what what do you
- 50:34think it's like that will be different?
- 50:41Some of you will be like, gosh, terrifying.
- 50:45Others will be like, yeah, I'd quite like to do that.
- 50:51And I can think, well, what's it like for you to be sat there
- 50:55kind of anonymous in the crowd, but then I can pick you out
- 51:02instead of me. I like to do this thing when I'm
- 51:09walking around in the streets, particularly in winter when
- 51:14everyone's got their winter coats on and their hats and
- 51:17their scarves and their bags. Just imagining, like, what was
- 51:20it like on the day when that person bought that bag?
- 51:24And they're sort of imagining them looking in the mirror, like
- 51:28here. Or they opened the present, they
- 51:35took the wrapping paper off and they're like, ah, yeah, it's a
- 51:38nice present from somebody. You could say, well, that's just
- 51:41fantasy because you don't know and you're just speculating.
- 51:46But the act of doing that, the act of imagining, has an effect
- 51:51on me. Doesn't matter if it's true or
- 51:55not. What matters is that I'm seeing
- 51:57this is another person just like me, and in connecting in that
- 52:02way, then something has changed in my experience of myself and
- 52:06my experience of life. So it's a very, it's a powerful
- 52:12teaching, the Buddha's teaching on Meta, but it's also a
- 52:16wonderful invitation to to have an invitation to imagine more
- 52:23creatively. That is like gold, isn't it?
- 52:29How many times in your life have you been told to stop
- 52:32fantasizing and get real? Well, now I'm saying unleash the
- 52:43imagination. Really imagined, but not in the
- 52:48way that we might ordinarily do, which is to get lost in the
- 52:52forest. Or if you want to get lost in
- 52:55the forest, be creative with it and think of others.
- 53:00Do it with an open heart, with a metaphor heart.
- 53:06There's more to say. There's more I could say.
- 53:09I think the story's a bit too tidy at the end for me that he
- 53:13gives the teaching, they go back and then everything's fine.
- 53:16The fears stop, the disturbances stop.
- 53:20Maybe it was like that for the monks because they got the
- 53:23teaching directly from the Buddha.
- 53:26For me, it's more complicated than that.
- 53:28There's this constant coming and going and yeah, but, but I don't
- 53:34have time to tell that story, so that we'll have to wait for
- 53:39another occasion. So we're just about there.
- 53:45And like I said, we entered a forest together this morning.
- 53:51We've been moving through it and we're about to leave it and move
- 53:55on. But like any any great story,
- 54:00when we turn the last page, we're left with something.
- 54:04Maybe we're left with more than one thing, but many things to
- 54:09take forward and to carry out with us and to to go on the next
- 54:13stage of the journey. So hopefully there have been a
- 54:15few of those things in this little exploration of this
- 54:19story, particularly this thing around the heart.
- 54:25The hearts wish our deeper motivation, the invitation to
- 54:30stop, to notice, come to our senses, and then to imagine and
- 54:34to imagine intensely and to imagine from the heart into
- 54:40relationship more and more fully with ourselves and with other
- 54:44people. So go into the forest of
- 54:49Kreutzberg and see what happens next.
- 54:53But thank you.