Latest / Fake Doctors, Real Friends with Zach and Donald / 805: My ABCs

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805: My ABCs · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Hey, there he is.
• 0:03
  Speaker 2: Bye.
• 0:05
  Speaker 3: Babe.
• 0:10
  Speaker 4: Well, what's up? Guys who listen to you?
• 0:15
  Speaker 1: Oh, Halsey, that's what that is?
• 0:17
  Speaker 3: This song that that song is like eight years old.
• 0:21
  Speaker 4: And I don't always find things like everyone else does.
• 0:24
  Speaker 3: Donald, I would tell you it's fire. Listen, you don't
• 0:27
  Speaker 3: think that song is fire.
• 0:29
  Speaker 4: I'm late to the Halsey party.
• 0:32
  Speaker 3: Like seven years ago.
• 0:33
  Speaker 4: It's better late than never to the Halsey party. Donald,
• 0:36
  Speaker 4: there you go.
• 0:37
  Speaker 3: Why are you yelling?
• 0:37
  Speaker 4: Man?
• 0:38
  Speaker 3: Calm down.
• 0:38
  Speaker 4: I know I'm taking on. I'm taking I'm so rusty
• 0:41
  Speaker 4: with this podcast. I'm being you. I become you. I
• 0:44
  Speaker 4: am so excited to see you guys and to talk
• 0:47
  Speaker 4: to our audience that I've become Donald Faison and I'm
• 0:50
  Speaker 4: screaming off the top.
• 0:52
  Speaker 3: Speaking of fire records, you know it's fires that scissor
• 0:55
  Speaker 3: record man. Yeah, from front to and it's old too.
• 1:00
  Speaker 3: You guys can clown me if you want to.
• 1:02
  Speaker 4: I only I only know the song I just killed
• 1:05
  Speaker 4: Kill Bill is a great song.
• 1:07
  Speaker 3: There's so many great ones on that album.
• 1:10
  Speaker 4: Not the best idea.
• 1:13
  Speaker 3: There's a song called special. Oh my gosh, I missed
• 1:17
  Speaker 3: you guys.
• 1:18
  Speaker 4: I miss you too, bro, I really really missed you.
• 1:21
  Speaker 3: Did you see Guardians at the Galaxy?
• 1:24
  Speaker 4: No, but I'm told that people are crying. Bill Lawrence
• 1:27
  Speaker 4: even told me he shed a tear.
• 1:30
  Speaker 3: It's very hard not to cry in this movie. You
• 1:34
  Speaker 3: have to have a you have to have a heart
• 1:36
  Speaker 3: of stone and hate.
• 1:39
  Speaker 4: Well, I don't have a heart of stone or hate.
• 1:41
  Speaker 4: I will guess I'll cry too. Oh, I'm gonna go.
• 1:45
  Speaker 4: I'm gonna go, Joelle, did you love it?
• 1:48
  Speaker 5: I did really enjoy it. It's it was a really
• 1:51
  Speaker 5: fun ride. It was a wonderful Like if you go
• 1:54
  Speaker 5: back and watch the first two Guardians, you're like, man,
• 1:56
  Speaker 5: this story for Rocket really pays off.
• 1:58
  Speaker 3: It's okay, I'm I mean, everybody's story kind of pays
• 2:01
  Speaker 3: off at the right.
• 2:03
  Speaker 5: I have that underground story where you were kind of like, oh,
• 2:05
  Speaker 5: I know a little bit about his past but not
• 2:07
  Speaker 5: a lot, and what's really going on? And then this
• 2:09
  Speaker 5: whole beautiful arch about like where he came from and
• 2:11
  Speaker 5: how he came to be the guy, you know, and
• 2:13
  Speaker 5: then such redemption and it's really good.
• 2:15
  Speaker 3: It's so great. It was. It was a lot of fun,
• 2:18
  Speaker 3: and it was hard not to cry. And I tried
• 2:20
  Speaker 3: my hardest. I tried my hardest.
• 2:21
  Speaker 4: Why do I tried not to cry? I don't understand
• 2:23
  Speaker 4: this like this, I know.
• 2:25
  Speaker 3: Because it makes it feel better. It feels better when
• 2:27
  Speaker 3: you try.
• 2:28
  Speaker 4: It's like edging. You're edging.
• 2:29
  Speaker 3: Yeah, you know what I mean. It's like it's like
• 2:32
  Speaker 3: it's like right when you go, you know, like, Okay,
• 2:35
  Speaker 3: So I got my colonoscopy a couple of years ago,
• 2:38
  Speaker 3: and I remember.
• 2:39
  Speaker 4: Did you come?
• 2:40
  Speaker 1: What a transition?
• 2:41
  Speaker 3: So hard?
• 2:45
  Speaker 4: But don't be afraid. Don't be afraid of what happens.
• 2:48
  Speaker 4: Happens in the doctor's office. He can't tell the one
• 2:50
  Speaker 4: he's not tell anybody.
• 2:52
  Speaker 3: Well, let's just put it this way. I said to
• 2:56
  Speaker 3: the doctor. I said, listen, because somebody told me a
• 2:59
  Speaker 3: friend of mine who who unfortunately has cancer and had
• 3:03
  Speaker 3: it for a really long time, it has to get
• 3:05
  Speaker 3: colonoscopies a lot. It was like when they give you
• 3:09
  Speaker 3: the sedative, the thing to knock you out, tell them
• 3:13
  Speaker 3: to tell you before you get it, so you know,
• 3:17
  Speaker 3: and you can feel the difference.
• 3:19
  Speaker 4: Oh okay, and then oh so you tried to hold
• 3:24
  Speaker 4: onto it so you can enjoy the drugs.
• 3:26
  Speaker 3: Exactly. Yes, So it's the exact same thing.
• 3:29
  Speaker 4: I just had to have a prostate exam. I guess
• 3:31
  Speaker 4: that's what I meant, because I guess you can't really
• 3:33
  Speaker 4: have those feelings unless you're awake. And it didn't It
• 3:37
  Speaker 4: wasn't really for me.
• 3:39
  Speaker 3: You didn't like them.
• 3:41
  Speaker 4: No, I'm glad to have it done to make sure
• 3:44
  Speaker 4: my prostate is correct. But while it was happening, I
• 3:48
  Speaker 4: wasn't like, this is awesome.
• 3:55
  Speaker 1: Oh god, So no, comm then that's.
• 4:00
  Speaker 4: Checked that on his chart. He was like, did you come,
• 4:01
  Speaker 4: I said, not checked it on his chart? All right, Sorry,
• 4:07
  Speaker 4: We've already made Joelle cover her face twice and we
• 4:09
  Speaker 4: just started. I really did miss you, guys. It's been
• 4:12
  Speaker 4: too long an audience. I'm so sorry it took us
• 4:14
  Speaker 4: so long. Donald was making a new what's soon to
• 4:17
  Speaker 4: be I'm sure a giant comedic hit.
• 4:20
  Speaker 3: I totally hope. So we were in the middle of
• 4:23
  Speaker 3: we were in the middle of an episode when things
• 4:26
  Speaker 3: changed in Hollywood.
• 4:27
  Speaker 4: Yes, we are in a strike. For those who don't know,
• 4:30
  Speaker 4: the Writer's Guild has put their pencils, their figurative pencils
• 4:34
  Speaker 4: down until they get a fair deal from the studios,
• 4:38
  Speaker 4: and so nothing new can be written. People are still
• 4:42
  Speaker 4: doing shooting things that have been written, but that may
• 4:46
  Speaker 4: come to a halt if the Director's Guild goes on strike,
• 4:49
  Speaker 4: which will know eminently and then he need any moment,
• 4:52
  Speaker 4: right joelletly.
• 4:54
  Speaker 3: You guys, there isn't the negotiations is up today? Is
• 4:57
  Speaker 3: it today?
• 4:58
  Speaker 4: I don't know when it's up. I think they're at
• 5:00
  Speaker 4: the table now. What's interesting is that the writers aren't
• 5:03
  Speaker 4: even talking to the A m TP. Is that it
• 5:07
  Speaker 4: too well a belief whatever it is the Producers Association
• 5:11
  Speaker 4: of all the studios, it's not a producer associating, it's
• 5:13
  Speaker 4: all the studios collectively, because the writers aren't are on
• 5:17
  Speaker 4: strike and they're not even negotiating with with with this
• 5:21
  Speaker 4: with the streamers and the studios because they're now trying
• 5:24
  Speaker 4: to negotiate with the directors. And by the way, whether
• 5:26
  Speaker 4: directors get a deal or they don't sag. The Screen
• 5:29
  Speaker 4: Actors Guild is up in June.
• 5:32
  Speaker 3: Yep.
• 5:32
  Speaker 4: So this is going to be a waterfall.
• 5:34
  Speaker 3: And uh it is like the perfect storm, dude.
• 5:37
  Speaker 4: It's in the worst, in the worst, in the worst scenario.
• 5:40
  Speaker 4: Nothing's getting made this year. That's that's that involves Union Writers,
• 5:46
  Speaker 4: Directors and Actors d g.
• 5:49
  Speaker 5: A is at the table right now the d GA.
• 5:53
  Speaker 4: It'll really be interesting to see what happens with the
• 5:55
  Speaker 4: d G a UH. That will be a bell weather
• 5:58
  Speaker 4: for things to come, because you can still continue to
• 6:01
  Speaker 4: film things now if they're if they've been written. But
• 6:04
  Speaker 4: if the directors go on strike, you can't make anything right.
• 6:07
  Speaker 3: Well, didn't they what about the UH like Grips and
• 6:11
  Speaker 3: Electric and all of them, didn't they go?
• 6:13
  Speaker 4: They're not.
• 6:16
  Speaker 3: Isn't their contract up to their's.
• 6:18
  Speaker 5: Is coming up shortly and they're marching. A lot of
• 6:21
  Speaker 5: them are marching with the writers right now.
• 6:23
  Speaker 4: So I went that.
• 6:24
  Speaker 3: I went.
• 6:24
  Speaker 4: I went in and walk the picket line around Disney
• 6:29
  Speaker 4: with Brett Goldstein and Bill Lawrence and the and the
• 6:31
  Speaker 4: shrinking UH writing team. It was really cool. And by
• 6:36
  Speaker 4: the way, if you want to support people, you don't
• 6:38
  Speaker 4: need to be in these guilds to go march with
• 6:41
  Speaker 4: them and strike with them. There's no requirement if you
• 6:44
  Speaker 4: just want to be I saw someone posted something like, Hey,
• 6:46
  Speaker 4: I'm a writer, I'm an aspiring writer, but I'm not
• 6:48
  Speaker 4: in the guild yet. Am I allowed to? Of course,
• 6:50
  Speaker 4: you're everyone is welcome. They want to make as much
• 6:52
  Speaker 4: of a I should keep saying, Hey, I'm in the
• 6:55
  Speaker 4: Writers Guild. We want to make as much a ruckus
• 6:57
  Speaker 4: as as possible. And if you're confused about what this
• 7:00
  Speaker 4: is all about, I really want it in the shortest form.
• 7:03
  Speaker 4: I just wanted to say that obviously everything has changed
• 7:05
  Speaker 4: in the industry, but the way that writers are paid
• 7:08
  Speaker 4: has not been changed at all. And I wanted to
• 7:10
  Speaker 4: mention that this.
• 7:11
  Speaker 3: Actually, it's actually been it's actually it's actually gotten harder
• 7:15
  Speaker 3: for writers to get paid because of the way the
• 7:18
  Speaker 3: format has changed so rapidly. Actually within the last ten
• 7:22
  Speaker 3: to fifteen years.
• 7:24
  Speaker 4: The last writer's startup since the launch of Netflix, making
• 7:27
  Speaker 4: content that wasn't just sending out DVDs was really the
• 7:30
  Speaker 4: first big.
• 7:31
  Speaker 3: Right, But that if you remember, the last writers strike
• 7:34
  Speaker 3: was about DVDs actually and getting residuals on DVDs. What's
• 7:40
  Speaker 3: interesting to me is this, And I'm not trying to
• 7:44
  Speaker 3: be political, I'm not trying to to start up.
• 7:47
  Speaker 4: Speak your mind, friend, this is your podcast.
• 7:50
  Speaker 3: But look, okay, So when the DVD thing was coming up,
• 7:56
  Speaker 3: the studios knew that in a few years the DVD
• 8:01
  Speaker 3: would be the way of the DODO and nobody would
• 8:04
  Speaker 3: be using DVDs anymore, right, But they still held out
• 8:08
  Speaker 3: for ninety days, dude, for ninety days.
• 8:12
  Speaker 4: Well, in a lot of ways, you know, the cynics
• 8:15
  Speaker 4: would say, in a lot of ways, they have nothing
• 8:16
  Speaker 4: to lose, They have plenty of content. They can just
• 8:20
  Speaker 4: you know, force the writers to wait it out. And
• 8:26
  Speaker 4: I don't know, it's really a big mess. It's not
• 8:27
  Speaker 4: an easy solft. I wanted to recommend a podcast that
• 8:30
  Speaker 4: really explains it very well if you're curious. It's the
• 8:33
  Speaker 4: New York Times podcast The Daily, which is just a
• 8:37
  Speaker 4: wonderful podcast. But I even I, who know a lot,
• 8:42
  Speaker 4: because basically, Bill, who's mister know Everything, explained it to
• 8:46
  Speaker 4: me very well. But even this was clear than Bill.
• 8:50
  Speaker 4: It's the title. It was six days ago on The Daily.
• 8:52
  Speaker 4: It's called how Streaming Hurt Hollywood Writers, And it really
• 8:56
  Speaker 4: breaks down the whole strike and the whole conundrum and
• 8:59
  Speaker 4: quagmire of it all if you're curious as to what's
• 9:02
  Speaker 4: going on. And also I want to just say, don't
• 9:04
  Speaker 4: conflate this strike when you think of celebrity, famous writers
• 9:08
  Speaker 4: like Bill and Shonda Rhymes and JJ Abrams. This is
• 9:11
  Speaker 4: not about those people. This is about the young people
• 9:14
  Speaker 4: coming up and people who live check to check on
• 9:17
  Speaker 4: being a writer, and it certainly it's certainly about the
• 9:21
  Speaker 4: next wave of writers and whether this will be a
• 9:24
  Speaker 4: viable career path where someone can make a decent living
• 9:28
  Speaker 4: wage doing it, you know, And let you know, Bill
• 9:31
  Speaker 4: said it in a really good way. He goes, unless
• 9:33
  Speaker 4: you've got rich parents, they're going to help you out,
• 9:36
  Speaker 4: this won't be a viable career path for young writers
• 9:38
  Speaker 4: at all. Right, And I think you got to think
• 9:41
  Speaker 4: of it like that, right, Joelle.
• 9:43
  Speaker 5: One hundred percent. I mean, we've already seen this sort
• 9:45
  Speaker 5: of happen in the entertainment writing space. So if you
• 9:49
  Speaker 5: give your magazine or newspapers, et cetera, if you look
• 9:52
  Speaker 5: into a lot of the people who are working and
• 9:54
  Speaker 5: have made a career, a lot of them either had
• 9:56
  Speaker 5: partners who were willing to support them through lean time
• 9:59
  Speaker 5: so they can sue a career, or were born into
• 10:02
  Speaker 5: wealth and had enough money that you know, they could
• 10:04
  Speaker 5: pursue their passion. And it really sucks if you're born
• 10:07
  Speaker 5: outside of that circle and this is your passion and
• 10:09
  Speaker 5: your drive, and you have the talent and you just
• 10:11
  Speaker 5: can't do enough to make you know, it's expensive to
• 10:14
  Speaker 5: live in la And I think a lot of people
• 10:16
  Speaker 5: when they see the numbers, they're like, oh, that's so
• 10:18
  Speaker 5: much money. I could you know, live very well off that.
• 10:20
  Speaker 5: And you have to got to look at real estate
• 10:22
  Speaker 5: out here, got to look at what groceries cost.
• 10:25
  Speaker 4: It's it's also just like being just like being an actor,
• 10:28
  Speaker 4: a starting out actor, not someone's who's been successful. Everything
• 10:32
  Speaker 4: is in fits and spurts. So you might make a
• 10:34
  Speaker 4: you might make a big check because you sold a script,
• 10:37
  Speaker 4: but then that's gonna last. That's gonna last to you
• 10:39
  Speaker 4: a year.
• 10:41
  Speaker 3: And so well, what was great about the old days
• 10:44
  Speaker 3: was if you did have a show on the air.
• 10:46
  Speaker 3: Let's say you had a show that ran for two
• 10:49
  Speaker 3: years or three years and it's sold into syndication, you
• 10:52
  Speaker 3: would get residuals on the show. Now, because of streaming,
• 10:56
  Speaker 3: there's no such thing as resi. So you you get
• 11:00
  Speaker 3: paid up front, and so whatever it is that you
• 11:04
  Speaker 3: get paid upfront has to last after the show is gone,
• 11:09
  Speaker 3: when you're swimming back out into the ocean trying to
• 11:12
  Speaker 3: catch that next wave.
• 11:13
  Speaker 4: We were when we were coming up on Scrubs, the
• 11:16
  Speaker 4: television show. It would then when you had a hit show,
• 11:20
  Speaker 4: like we were lucky enough to be a part of it.
• 11:21
  Speaker 4: You would then get syndicated. So when you saw it
• 11:24
  Speaker 4: in reruns, remember reruns on like actual television, that was
• 11:29
  Speaker 4: that was extra residual money for for the cast. That
• 11:33
  Speaker 4: doesn't exist anymore for writers or actors.
• 11:38
  Speaker 3: So what if you only had one show ever in
• 11:40
  Speaker 3: your life, one show, and it was a span of
• 11:43
  Speaker 3: three years, and let's say you didn't see the incoming
• 11:47
  Speaker 3: you know what I mean, that at least helped out. Okay,
• 11:51
  Speaker 3: all right, look next year when the show runs for
• 11:54
  Speaker 3: wherever it is on w p i X in New York,
• 11:58
  Speaker 3: I know, I got a little bit of money coming
• 11:59
  Speaker 3: my way while I hustle and try to make it
• 12:01
  Speaker 3: to the next thing. Right now, it's like, once the
• 12:04
  Speaker 3: show is over, you have to get another job in
• 12:08
  Speaker 3: order to sustain whatever it is your living space is,
• 12:11
  Speaker 3: however it is you're living.
• 12:12
  Speaker 1: Yeah.
• 12:13
  Speaker 4: The other problem on the studio side is that it's
• 12:15
  Speaker 4: not really I mean, both Daniel and Joel please correct
• 12:19
  Speaker 4: me if you know more about this than I do.
• 12:21
  Speaker 4: The streamers seem to be out of humans. I mean
• 12:24
  Speaker 4: they anyone who's going to sign up for their product
• 12:28
  Speaker 4: has kind of signed up.
• 12:30
  Speaker 3: Yeah.
• 12:30
  Speaker 5: My understanding is that a couple of things have happened.
• 12:34
  Speaker 5: So one, everybody has a streaming service now and so
• 12:37
  Speaker 5: it's no longer the like, you know, oh I have
• 12:39
  Speaker 5: Netflix in Hulu and that was enough and I'll pay
• 12:41
  Speaker 5: my like twenty bucks a month or whatever. And so
• 12:43
  Speaker 5: there's been a lot of like people dropping out of
• 12:46
  Speaker 5: one to join the other, or they're only coming on
• 12:47
  Speaker 5: to watch that one show they really love and then leaving,
• 12:50
  Speaker 5: and so it definitely seems like they've sort of there's
• 12:53
  Speaker 5: not much more to offer. He knows exactly what you're
• 12:56
  Speaker 5: getting out of streaming service. You know what shows, you
• 12:58
  Speaker 5: know what their brand is, and so yeah, there's and
• 13:01
  Speaker 5: you know, they didn't build in a revenue source to
• 13:04
  Speaker 5: keep growing, unfortunately, and so that's been a real struggle
• 13:07
  Speaker 5: for them. And while why you'll definitely see more ads
• 13:09
  Speaker 5: coming in, Like I think, yeah.
• 13:10
  Speaker 4: Someone told me that Wholo's showing ads even if you
• 13:13
  Speaker 4: have a subscription. Someone told me, yeah, you got I
• 13:18
  Speaker 4: have like what I do too. But this person must
• 13:21
  Speaker 4: have had had a plan, were they.
• 13:23
  Speaker 5: Yeah, there's like a third one in between, and I
• 13:24
  Speaker 5: know Hulu and Disney just announced they're going to go
• 13:27
  Speaker 5: into one one service by the emerging Yeah, what.
• 13:30
  Speaker 4: About HBO MAX calling themselves Max is like the great brand?
• 13:36
  Speaker 4: Why do you ship that out of the title?
• 13:37
  Speaker 3: I don't want to Max and Max is associated with Cinemax,
• 13:41
  Speaker 3: which is associated with Skinemax, which is also like Max.
• 13:45
  Speaker 3: Come on, like for real, HBO was straight up like
• 13:50
  Speaker 3: that was forever, that was forever Home Box Office, yo'
• 13:56
  Speaker 3: they have.
• 13:58
  Speaker 4: I heard the reason I heard the grapevine was that
• 14:02
  Speaker 4: they want to expand and be for all ages and
• 14:05
  Speaker 4: that John Q. Citizen thinks of HBO as an adult brand.
• 14:11
  Speaker 5: Right, which is fair. I mean, they got Harry Potter,
• 14:13
  Speaker 5: they have Sesame Street. I still think it's foolish. If
• 14:17
  Speaker 5: you had wanted to find a space, you have Discovery
• 14:20
  Speaker 5: right there. Yeah, Discovery Kids, which is a channel A
• 14:22
  Speaker 5: lot of children are familiar with it. If they're not,
• 14:24
  Speaker 5: you can absolutely branch it out.
• 14:25
  Speaker 3: Aren't those all Disney products? Now?
• 14:27
  Speaker 4: They're Warner Brothers. Warner Brothers.
• 14:29
  Speaker 5: Oh wow, yeah, so it's Warner Brother's Discovery now, and
• 14:32
  Speaker 5: so they have like Geral Discovery right everything. You have
• 14:35
  Speaker 5: an endless like space, and you could have left the
• 14:37
  Speaker 5: thing that was working well because as a person who
• 14:40
  Speaker 5: likes HBO, you know there's many of us. It's weird
• 14:42
  Speaker 5: to be like, okay and now they'll be kids. Content
• 14:44
  Speaker 5: makes me that's a confusing landscape to try to navigate
• 14:47
  Speaker 5: when you already have something clean that was working.
• 14:49
  Speaker 4: That they have all the testing and they have all
• 14:51
  Speaker 4: the data. But to me, it's like you losing your
• 14:55
  Speaker 4: like legacy amazing.
• 14:56
  Speaker 3: Yeah, but you got to go after all of the money, man,
• 14:58
  Speaker 3: I mean, let's let's keep it one high. It really is.
• 15:01
  Speaker 3: At the end of the day, it is all about
• 15:03
  Speaker 3: the money. The reason why they're picketing outside of Disney,
• 15:05
  Speaker 3: the reason why you got on that line. It's all
• 15:07
  Speaker 3: about the money. And the only way you can make
• 15:10
  Speaker 3: more money is if you can find more subscribers, and
• 15:12
  Speaker 3: so you gotta Now.
• 15:14
  Speaker 4: I get it, Like I said, this is this decision
• 15:17
  Speaker 4: wasn't made outside of nine thousand test audiences. I'm sure,
• 15:23
  Speaker 4: I just think. But I'm sure you thought, why would
• 15:25
  Speaker 4: you get rid of the name we all grew up on?
• 15:27
  Speaker 3: Like I thought that was crazy too, But I get
• 15:29
  Speaker 3: I mean, I totally get it, but I thought I couldn't.
• 15:32
  Speaker 3: I just couldn't believe they chose Max, Like, isn't there
• 15:35
  Speaker 3: another version of HBO that could you know what I
• 15:37
  Speaker 3: mean like there was HBO Go, there was HBO Max, there.
• 15:42
  Speaker 1: Was h went Away, HBO Go, HBO Gone.
• 15:48
  Speaker 4: I'm the HBO Gone. That's funny.
• 15:50
  Speaker 3: Yah.
• 15:52
  Speaker 4: I like the HBO brand. I think he's a great brand.
• 15:55
  Speaker 4: I love their shows. I think they make great shows.
• 16:00
  Speaker 3: Yeah, if you really think about it, if you really
• 16:02
  Speaker 3: think about it, in order to launch a successful streaming service,
• 16:07
  Speaker 3: you have to have a good show. You know, Disney
• 16:10
  Speaker 3: had the Mandalorian. I don't know what HBOS was. Uh.
• 16:14
  Speaker 5: If you're the back half of Dragons to launch games
• 16:18
  Speaker 5: right right?
• 16:21
  Speaker 3: Apple Plus had all of those shows that signed Oprah. Right,
• 16:25
  Speaker 3: you have to have something great?
• 16:27
  Speaker 4: Yeah, Apple take.
• 16:29
  Speaker 3: Off right now that you change your name to Max,
• 16:32
  Speaker 3: what is your launching what's your launching platform? Now? What's
• 16:36
  Speaker 3: it gonna be?
• 16:37
  Speaker 5: Series?
• 16:37
  Speaker 4: They they'll have everything. I mean it's Warner Brothers and
• 16:41
  Speaker 4: I mean they're gonna have extraordinary stuff. I just don't
• 16:43
  Speaker 4: understand the name change, but I think we understand it
• 16:45
  Speaker 4: on paper. It's just we grew up with HBO.
• 16:48
  Speaker 3: Yeah, man, I remember the music did it?
• 17:02
  Speaker 4: Sometimes?
• 17:03
  Speaker 3: The long opening was it?
• 17:06
  Speaker 4: You never knew when they were going to drop the
• 17:07
  Speaker 4: long open open, right, But the long.
• 17:09
  Speaker 3: Opening was stop motion animation, too amazing, dropped through the
• 17:13
  Speaker 3: freaking whole Nabors.
• 17:14
  Speaker 4: For those of you listening who are who are too young,
• 17:16
  Speaker 4: go I'm sure it's on YouTube. Go up, look the law.
• 17:19
  Speaker 4: I don't know what it would be under, like the
• 17:20
  Speaker 4: old school long HBO opening, and you never knew when
• 17:25
  Speaker 4: you chose something. You just you didn't actually didn't choose.
• 17:27
  Speaker 4: It was just on. When it was on, you didn't
• 17:29
  Speaker 4: know if you were gonna get short or long. But
• 17:31
  Speaker 4: when it was long, like, oh, this must be good,
• 17:33
  Speaker 4: this must be a banger.
• 17:34
  Speaker 3: This is gonna.
• 17:37
  Speaker 4: They chose.
• 17:39
  Speaker 3: Long open. It's the premiere.
• 17:40
  Speaker 4: It's the premiere premiere.
• 17:43
  Speaker 3: It's premiere in the night on HBO.
• 17:46
  Speaker 4: You guys watching Succession.
• 17:48
  Speaker 3: My wife loves it.
• 17:50
  Speaker 1: We just started. Stephanie and I are fire.
• 17:53
  Speaker 3: That opening, that opening is fire. That fire is.
• 18:00
  Speaker 4: Mitchell's who wrote the theme? Mm that theme is It's
• 18:03
  Speaker 4: so good. I want to I want to listen to
• 18:06
  Speaker 4: on a remix with like.
• 18:08
  Speaker 3: I was sitting there just go like this yo, yeah,
• 18:14
  Speaker 3: nig us kick it like all day long.
• 18:16
  Speaker 4: I really think that someone needs to put a beat
• 18:19
  Speaker 4: on that on that theme song because it's fire.
• 18:22
  Speaker 3: I think.
• 18:25
  Speaker 1: That that's out there on that's go on TikTok hip
• 18:28
  Speaker 1: hop Succession.
• 18:29
  Speaker 4: Oh really, I'm sure, but.
• 18:31
  Speaker 5: You know, fans, if you want to send us your
• 18:33
  Speaker 5: remix versions.
• 18:34
  Speaker 4: Fans, please send us your Succession theme song remixes. I
• 18:39
  Speaker 4: don't go to the clurb, but if I was at
• 18:41
  Speaker 4: the clurb and that came on, I'd scream with you
• 18:44
  Speaker 4: DONALDA check you.
• 18:45
  Speaker 5: Off before we go too far off the strike. Can
• 18:50
  Speaker 5: I just drop? Uh? There's something called the Entertainment Community
• 18:53
  Speaker 5: Fund used to be known as the Actors Fund. If
• 18:57
  Speaker 5: you want to support writers that are striking, but you
• 19:00
  Speaker 5: don't live in LA and can't join the picket line,
• 19:02
  Speaker 5: you can donate money here. Just go drop down TV
• 19:05
  Speaker 5: and film. They help out of work folks, help folks
• 19:07
  Speaker 5: buy groceries. Is a really beautiful organization. And also drop
• 19:10
  Speaker 5: the link in the show notes.
• 19:14
  Speaker 4: That's great.
• 19:14
  Speaker 3: Yeah, but you know, before you say what you're gonna say, Zach,
• 19:17
  Speaker 3: I just want to say real quick, I'm sorry to
• 19:19
  Speaker 3: cut you off. First of all, sorry, very sorry for that,
• 19:22
  Speaker 3: but you're absolutely right, Joelle. You know, people see actors
• 19:26
  Speaker 3: on television and it's a very glamorous job, and it
• 19:28
  Speaker 3: seems like it should pay the bills and pay for
• 19:32
  Speaker 3: everyone to live. But at the end of the day,
• 19:35
  Speaker 3: there are a lot of actors that are on your
• 19:36
  Speaker 3: favorite shows that still kind of live. Check to check,
• 19:41
  Speaker 3: you understand, and so and and and and it's I
• 19:45
  Speaker 3: know it's hard to imagine that, and I know it's
• 19:47
  Speaker 3: hard to to it's hard to fathom and understand that.
• 19:51
  Speaker 3: But this isn't This is a reality. And it's the
• 19:54
  Speaker 3: same thing with writers, and it's the same thing with directors.
• 19:58
  Speaker 4: There's a guy on I'm gonna interrupt you back. There
• 20:01
  Speaker 4: was a guy who's a writer on The Bear and
• 20:02
  Speaker 4: he wrote a tweet thread that was like, I was
• 20:06
  Speaker 4: nominated for writing The Bear and I was applying and
• 20:13
  Speaker 4: rejected from a job at Target.
• 20:15
  Speaker 5: That's real, child, man, this is negative account balance. When
• 20:20
  Speaker 5: he accepted his.
• 20:20
  Speaker 4: Award, yeah that's what he said.
• 20:23
  Speaker 3: Yeah, that's real talk. This is but people don't know
• 20:26
  Speaker 3: this because you look at television and you think that's
• 20:29
  Speaker 3: it's glamorous. You know, there's lights.
• 20:31
  Speaker 4: I think what you're trying to say, and I agree with,
• 20:34
  Speaker 4: is that please don't conflate the stars you know, and
• 20:37
  Speaker 4: the super successful people you know with these people who
• 20:40
  Speaker 4: are striking even though everyone's in the same guild. This
• 20:44
  Speaker 4: is about the future of these professions being a viable
• 20:47
  Speaker 4: option for creative people. And also if you live in
• 20:51
  Speaker 4: places where they shoot, you go join. You can go
• 20:54
  Speaker 4: support these people, even if you want to bring them
• 20:56
  Speaker 4: some pizzas or you want to go join the picket line.
• 20:59
  Speaker 4: You might even be your future partner. Obviously, New York
• 21:03
  Speaker 4: l A. Atlanta is where most of it's happening.
• 21:07
  Speaker 1: Bottled water is a big one because they can bring
• 21:09
  Speaker 1: it water next day, bring bottled water. It's hot out there,
• 21:11
  Speaker 1: people are walking. They need that obviously, haunt your horns
• 21:14
  Speaker 1: and support.
• 21:17
  Speaker 3: I want where you're going, where you go. I'm going
• 21:19
  Speaker 3: to the picket line for.
• 21:20
  Speaker 4: What they did a singles one by the way.
• 21:22
  Speaker 3: Zack told me I might, I might meet my.
• 21:25
  Speaker 4: Yeah by the way by the way. And if you
• 21:26
  Speaker 4: go there, you tell them that Zach and Donald's and
• 21:28
  Speaker 4: Joel and Daniell sent you. By the way they did.
• 21:30
  Speaker 4: They did. This is how they're trying to make sure
• 21:32
  Speaker 4: everyone goes. You suppose you're required to go, but they
• 21:34
  Speaker 4: try and give you incentives. So they said there's a
• 21:37
  Speaker 4: singles one at Universal Studios, and it's like it's like
• 21:41
  Speaker 4: a singles picket line.
• 21:44
  Speaker 1: Walk around all day? Great first date.
• 21:47
  Speaker 4: No, I just thought it was a funny concept, like
• 21:50
  Speaker 4: they're just trying to make to make everyone turn up.
• 21:52
  Speaker 4: They're like, okay, Wednesday at noon at Universal Lot is
• 21:56
  Speaker 4: the singles picket line.
• 21:58
  Speaker 3: If you if you listen, man, if you're a writer
• 22:02
  Speaker 3: and you're just in the room all day.
• 22:04
  Speaker 4: No, if you're gonna be, if you're gonna be, if
• 22:06
  Speaker 4: you're gonna be strolling around in front of gates trying
• 22:09
  Speaker 4: to stop trucks from going in, you might as well
• 22:11
  Speaker 4: meet the love of your life.
• 22:13
  Speaker 3: Or the love of the night. WU tak forever night.
• 22:17
  Speaker 4: I never heard you make that up.
• 22:19
  Speaker 3: Just now, baby, that's fun.
• 22:23
  Speaker 4: That's good, that's funny. Donald, that's a good lyric for
• 22:26
  Speaker 4: a song. You want to be the love of my life,
• 22:28
  Speaker 4: but the love of the night.
• 22:30
  Speaker 3: Bars.
• 22:31
  Speaker 4: I'm so happy to be back on my computer. I
• 22:35
  Speaker 4: have to thank Daniel who told me I had to
• 22:38
  Speaker 4: put my computer down. I'm sorry you guys. Do you
• 22:43
  Speaker 4: guys feel this with it? Your computer? You're so loyal
• 22:45
  Speaker 4: to it, Like so much has happened, so much life
• 22:47
  Speaker 4: is happening. I wrote a good person on it. I've
• 22:50
  Speaker 4: written so many other things on it. I've done the
• 22:53
  Speaker 4: entire podcast on it. And my assistant told me that
• 22:56
  Speaker 4: the computer repairment and said that it has to go.
• 22:58
  Speaker 4: And I was like, no, I'm asking Daniel. Daniel knows
• 23:02
  Speaker 4: everything about computers, and I'm gonna call Daniel. We are
• 23:05
  Speaker 4: not putting this down. And my assistant inamed Daniel talks
• 23:09
  Speaker 4: and he gave them all the all the information, and
• 23:10
  Speaker 4: Daniel texts me he's like, yo, dude, that computer from
• 23:13
  Speaker 4: twenty fifteen, it's gotta go.
• 23:16
  Speaker 3: Long ago.
• 23:17
  Speaker 1: No, yes, in computer years.
• 23:21
  Speaker 3: Unfortunately it is okay, but this is what I don't understand.
• 23:24
  Speaker 4: Don't got to put it down. Computers.
• 23:26
  Speaker 3: I've seen people with older laptops, older laptops that's newer.
• 23:31
  Speaker 4: No, but I can't get Daniel, I can't get the
• 23:34
  Speaker 4: latest operating system because they won't.
• 23:37
  Speaker 1: It goes like this, As your software gets newer, its
• 23:40
  Speaker 1: ability to run on old hardware gets worse. So it's
• 23:44
  Speaker 1: like it demands more and your computer has less, and
• 23:46
  Speaker 1: it just like becomes this thing where it's like it's like, yeah,
• 23:49
  Speaker 1: upgrade to the new operating system and it's just making
• 23:51
  Speaker 1: your computer run slower. Okay, So these are my last
• 23:55
  Speaker 1: three computers right here. I keep them forever, never getting
• 23:58
  Speaker 1: rid of the data he's got, by the way, audience.
• 24:00
  Speaker 4: He's holding like drives that are the size of playing cards.
• 24:03
  Speaker 4: I don't know how to do that, Danel, So I
• 24:05
  Speaker 4: just keep the whole computer.
• 24:06
  Speaker 3: Somewhere same here. Yes, can you please come over and
• 24:12
  Speaker 3: pull them out of all of my laptops.
• 24:14
  Speaker 4: I feel like I feel like it's like remember short
• 24:18
  Speaker 4: Circuit Donald. I feel like it's number five and I'm
• 24:20
  Speaker 4: trying to live. Yeah, I feel like I'm trying to
• 24:22
  Speaker 4: kill number five.
• 24:23
  Speaker 3: Johnny five is a lie.
• 24:26
  Speaker 4: Five is a lie.
• 24:28
  Speaker 3: Johnny five is a line? Is a lie? It's like,
• 24:35
  Speaker 3: that's like the it was the freaking roboty t.
• 24:38
  Speaker 4: Yeah, it was roboty T. Hey guys were guys and gals.
• 24:42
  Speaker 4: We're doing our our very first live show in Seattle
• 24:46
  Speaker 4: on the one almost exactly a month. It's almost sold out.
• 24:52
  Speaker 4: I mean all of the I think all of the
• 24:55
  Speaker 4: assigned seats whatever they call it, are sold out already.
• 24:58
  Speaker 4: There is a general admission area that still has some
• 25:01
  Speaker 4: tickets left, so please come if you're there.
• 25:04
  Speaker 3: Ain't no party like a general admission party. That's where
• 25:07
  Speaker 3: the real stuff happens. Yeah, that's where they be cooking
• 25:10
  Speaker 3: the sausage.
• 25:11
  Speaker 4: Yeah, that's where you can you could probably you could
• 25:13
  Speaker 4: probably work on someone in the general mission.
• 25:17
  Speaker 3: Okay, not only not only not only that, you could barbecue.
• 25:23
  Speaker 4: And we don't want you. We don't want you.
• 25:25
  Speaker 1: We don't think the thrilling. It's not a tailgate, it's
• 25:29
  Speaker 1: not no we forgiveness than as week.
• 25:32
  Speaker 4: Yeah, well we don't want you. We don't want people.
• 25:34
  Speaker 4: Bring a habachies please. It's it is a show.
• 25:36
  Speaker 3: It's get hungry.
• 25:38
  Speaker 4: It's going to be a really good show. The four
• 25:41
  Speaker 4: of us are going to be there. There's lots of
• 25:42
  Speaker 4: surprises planned.
• 25:44
  Speaker 3: There are. I'm surprised that you said there are.
• 25:47
  Speaker 4: Well I'm gonna tell you what some of the surprises, Daniel.
• 25:49
  Speaker 4: You can bleep them.
• 25:50
  Speaker 5: I will.
• 25:51
  Speaker 1: I'm curious to we all want to know.
• 25:53
  Speaker 4: All right, Well, Dan will bleep this. The first surprise
• 25:55
  Speaker 4: is that.
• 25:58
  Speaker 3: Just how are you going to bleep that Outnel? Leave
• 26:03
  Speaker 3: that out? Daniel?
• 26:03
  Speaker 4: One long, deep, one long beep.
• 26:07
  Speaker 3: The first one is.
• 26:12
  Speaker 5: The second one.
• 26:13
  Speaker 4: The second one isn't confirmed. Do you want me to
• 26:17
  Speaker 4: tell you? But Daniel, I have to keep it of course.
• 26:20
  Speaker 3: Is that?
• 26:20
  Speaker 5: Uh, Oh my god, what a wonderful thing that could
• 26:28
  Speaker 5: happen as surprise.
• 26:30
  Speaker 4: I need to know this is all just potential, So
• 26:33
  Speaker 4: don't get too excited.
• 26:34
  Speaker 5: Oh okay, I'm gonna tamper it down.
• 26:37
  Speaker 4: And then.
• 26:40
  Speaker 5: Right now I'm excited and I wanted to happen.
• 26:47
  Speaker 3: If that happens, this would be oh my gosh.
• 26:50
  Speaker 5: Oh my god.
• 26:51
  Speaker 4: Anyway, the point is audience, it's gonna be fun. And obviously,
• 26:54
  Speaker 4: if this works and we feel like we did a
• 26:56
  Speaker 4: good job and the audience is happy, we're brainstorming about
• 27:00
  Speaker 4: doing more of them. Right, we're brainstorming.
• 27:02
  Speaker 3: How about this? We're brainstorming about the possibilities of what
• 27:06
  Speaker 3: would come next? How about that?
• 27:08
  Speaker 4: Where do you want to go?
• 27:12
  Speaker 3: I have always wanted to take the podcast to Australia.
• 27:15
  Speaker 4: I know we haven't in Australia.
• 27:18
  Speaker 3: Yeah, I've always wanted to do that ever since always
• 27:22
  Speaker 3: dream Boy went on that television show with the with
• 27:26
  Speaker 3: the fake doctor's real friends Onesie with the bald head.
• 27:31
  Speaker 3: Oh Mitch, yeah, when Mitch, Yeah, Life's of Mitchy Mitch.
• 27:38
  Speaker 3: I knew they'n and there. We need to go to Australia.
• 27:40
  Speaker 4: It could be a lot of fun. But we'll start
• 27:42
  Speaker 4: with the United States of America because that's easiest. I
• 27:44
  Speaker 4: don't think the tour bus with our faces on the
• 27:46
  Speaker 4: side is going to be doable.
• 27:49
  Speaker 3: But what about the UK? Can? Can?
• 27:53
  Speaker 4: That's all possible because you know what.
• 27:55
  Speaker 3: My favorite cities are. I have two favorite cities. London, Yeah, hm,
• 28:00
  Speaker 3: it's great city. Toronto, that's one of my favorite cities. Donald,
• 28:06
  Speaker 3: We'll meet some Toronto.
• 28:08
  Speaker 4: The truth is is that we elarny know it's a
• 28:11
  Speaker 4: draw because it's close to being sold out and we're
• 28:14
  Speaker 4: a month and we're a month out, and hopefully people
• 28:18
  Speaker 4: in Seattle hearing that there's still a few tickets left
• 28:20
  Speaker 4: will sell it out when they hear this on Tuesday.
• 28:22
  Speaker 3: But what if you live in New York, would you
• 28:24
  Speaker 3: travel all the way to Seattle to see it?
• 28:26
  Speaker 4: There are people traveling. I've seen people right on my
• 28:28
  Speaker 4: socials people that are traveling.
• 28:30
  Speaker 1: I've gotten some Instagram dms.
• 28:32
  Speaker 3: Have you gotten anybody from like the UK that was like, yo,
• 28:35
  Speaker 3: fuck it, I'm.
• 28:35
  Speaker 4: Going No, But I had no.
• 28:40
  Speaker 3: Imagine what are you getting your visa for? I need
• 28:42
  Speaker 3: to go see.
• 28:44
  Speaker 5: A question we asked during the shows, like who figure
• 28:46
  Speaker 5: out who came from furthest away that.
• 28:48
  Speaker 4: Would be how we should do that. By the way
• 28:50
  Speaker 4: we're doing it, We're gonna do a Q and A
• 28:52
  Speaker 4: as part of it. So uh, those of you who
• 28:54
  Speaker 4: are coming, think of good questions. It's gonna be fun
• 28:58
  Speaker 4: and it will always be fun because it's our first
• 29:00
  Speaker 4: time doing this, and I just think it's gonna We're
• 29:03
  Speaker 4: gonna have a blast. Donald and I. I've never done
• 29:06
  Speaker 4: stand up and doing this show is kind of like
• 29:09
  Speaker 4: our chance to do our own. It's the closest thing
• 29:13
  Speaker 4: Donald and I are going to get to being a
• 29:15
  Speaker 4: stand up comedian. And we're doing the musical episode. Some
• 29:19
  Speaker 4: of you asked, why do it again, because we don't
• 29:21
  Speaker 4: want to invite eighteen hundred people to a theater and
• 29:25
  Speaker 4: and uh and do like just whatever episode happens to
• 29:28
  Speaker 4: come up. We want to do one of the great episodes,
• 29:30
  Speaker 4: which we both love. And also there's a chance we
• 29:34
  Speaker 4: might sing a tune or two that you can be unbelieved.
• 29:38
  Speaker 3: Donald, Yeah, there's a there's a there's a there's a
• 29:40
  Speaker 3: chance that what Zach said could happen.
• 29:45
  Speaker 4: The facts about.
• 29:46
  Speaker 3: No, no, you can't do it now, I'm just I'm
• 29:50
  Speaker 3: just warming up. You can't do it now?
• 29:52
  Speaker 4: All right, let's get into the show. Let's I'll kind of.
• 29:54
  Speaker 6: Say we made about a bunch of said he's a stormy.
• 30:10
  Speaker 3: So ya.
• 30:13
  Speaker 4: Ya.
• 30:19
  Speaker 1: It's so good to be back. You honored me.
• 30:23
  Speaker 4: I really just missed you, guys.
• 30:25
  Speaker 3: It's been a long time.
• 30:26
  Speaker 4: It has been so long Donald you were doing your show.
• 30:30
  Speaker 3: Do you know how long it's been.
• 30:31
  Speaker 4: We did two shows without you. You probably didn't listen
• 30:33
  Speaker 4: to them, but we did two shows without you.
• 30:36
  Speaker 3: About a good person.
• 30:37
  Speaker 4: Yeah. We did a one with Florence Pugh, the legendary actress,
• 30:41
  Speaker 4: and we did one with my therapist, doctor Fader, who.
• 30:43
  Speaker 3: Was, uh holy you got episodes.
• 30:46
  Speaker 4: Yeah, that was a good one. They were both.
• 30:48
  Speaker 1: Doctor Fader was a legend.
• 30:49
  Speaker 4: Doctor Fader was great. Right, we should have him back Florence.
• 30:52
  Speaker 3: Of course he's not the Penis doctor though, right.
• 30:54
  Speaker 4: No, I do need doctor Penis back, though, Joelle, can
• 30:57
  Speaker 4: you book him? I have some penis questions?
• 31:00
  Speaker 5: Have Penis?
• 31:00
  Speaker 3: Really?
• 31:00
  Speaker 4: I have prostate questions because uh, just get an expert
• 31:04
  Speaker 4: on his book, Doctor Penis, and say, just mentioned to
• 31:07
  Speaker 4: doctor Penis that the area is going to be well,
• 31:10
  Speaker 4: all areas, but but the prostate. We're going to focus
• 31:13
  Speaker 4: on the prostate.
• 31:14
  Speaker 1: Focusing on the prostate, an area that he made not
• 31:17
  Speaker 1: be expert.
• 31:18
  Speaker 4: You know, he is urologists. That's the prostates, their thing,
• 31:22
  Speaker 4: is it?
• 31:23
  Speaker 3: I thought it was only the shaft that was their thing.
• 31:25
  Speaker 4: No, you think their job stops at the shaft?
• 31:28
  Speaker 3: I thought, doctor, I thought, just right, that's right. I thought.
• 31:32
  Speaker 3: I thought there was a young doctor, and then there
• 31:34
  Speaker 3: was a tip doctor. Then there was a big ball.
• 31:39
  Speaker 1: A cubist mons doctor, my job, My job was a doctor.
• 31:43
  Speaker 4: All I do is I just do tank. That would
• 31:46
  Speaker 4: be a boring job. It's not enough taints enough work.
• 31:52
  Speaker 1: Wow.
• 31:53
  Speaker 4: The doctor was just all I do is shaft. When
• 31:56
  Speaker 4: second you get to pubist mons balls, I'm out.
• 32:00
  Speaker 3: What about tip? No, just shaft.
• 32:03
  Speaker 4: I once had to have a camera. Did I say,
• 32:05
  Speaker 4: this stuck up my down my shaft?
• 32:08
  Speaker 1: How was that?
• 32:09
  Speaker 4: And the door? The doctor said? The doctor said, I
• 32:12
  Speaker 4: know the tip. I was like, what about the rest?
• 32:16
  Speaker 4: It's horrible, And I'm like, oh my gosh, I don't
• 32:20
  Speaker 4: recommend it. It's horrible. Imagine a camera, and this is
• 32:23
  Speaker 4: not a small camera. This was like a VHS camcord.
• 32:32
  Speaker 1: It's like they're filming a nineties music video.
• 32:35
  Speaker 4: Say still talking about your willis Sorr.
• 32:37
  Speaker 3: It's like a whole group of people that are like,
• 32:39
  Speaker 3: what the fuck is a VHS?
• 32:42
  Speaker 4: VHS is so large? He said, I don't know our
• 32:44
  Speaker 4: audience is that they.
• 32:46
  Speaker 3: Know there are people that don't know what a fucking
• 32:48
  Speaker 3: floppy disc is.
• 32:49
  Speaker 4: I know these two didn't these two all right?
• 32:52
  Speaker 3: All right?
• 32:53
  Speaker 1: I really got dragged for that on Twitter because I
• 32:55
  Speaker 1: posted a picture. They're like, Daniel, you didn't know what
• 32:57
  Speaker 1: that was.
• 32:57
  Speaker 4: I was like, your mister computer guy, bro, I know
• 33:02
  Speaker 4: what it is.
• 33:02
  Speaker 1: I just never used them alas, I'll take my dragging.
• 33:06
  Speaker 1: That's fine, all right, take it.
• 33:08
  Speaker 4: You can drag down when the Techi computer guy doesn't
• 33:10
  Speaker 4: know what a floppy all right? This was written and
• 33:22
  Speaker 4: directed by Bill Lawrence, and it's called my ABC's and
• 33:26
  Speaker 4: it's the It's the Sesame Street episode of Scrubs.
• 33:30
  Speaker 5: So good.
• 33:32
  Speaker 3: Now I have a question I didn't get a chance
• 33:34
  Speaker 3: to open.
• 33:34
  Speaker 4: I didn't even open Scrubs Wiki, so I gotta open it.
• 33:37
  Speaker 3: Are there are two versions of this? Is there? The
• 33:39
  Speaker 3: Sesame Street and then the Muppet version? Did we have
• 33:42
  Speaker 3: one where Piggy and Kermit and Fozzy were on the show? Also?
• 33:48
  Speaker 4: I think that was a special we did. I think
• 33:50
  Speaker 4: we did, like as we did a Muppets movie. We
• 33:53
  Speaker 4: did cameos in a Muppets movie. Is that right?
• 33:57
  Speaker 3: What it was? I wasn't in that.
• 33:59
  Speaker 4: Yeah, you were.
• 34:00
  Speaker 3: All of you guys were except for me.
• 34:01
  Speaker 4: Why didn't you do it? You don't like them?
• 34:03
  Speaker 3: Now? I think I was doing a movie at the
• 34:05
  Speaker 3: time or some shit.
• 34:06
  Speaker 4: Oh. I think we got asked to do it and
• 34:08
  Speaker 4: it was, you know, an ABC sort of crossover thing. Maybe.
• 34:12
  Speaker 3: Okay, so this is but this is the Sesame Street episode.
• 34:16
  Speaker 4: Yes here, I'm pulling up scrubs wikie for some from data.
• 34:18
  Speaker 4: This is episode five of season eight. It aired on
• 34:23
  Speaker 4: January twenty seventh, two thousand and nine, and it has
• 34:30
  Speaker 4: all the interns. Azz plays a very big part in
• 34:33
  Speaker 4: this episode. Oh, Josh Rayden sings the acoustic can you
• 34:39
  Speaker 4: tell me how to get to Sesame Street?
• 34:41
  Speaker 3: He sings the melancholic version of it will kick you
• 34:45
  Speaker 3: in your heart?
• 34:45
  Speaker 5: Oh my god, it was.
• 34:48
  Speaker 3: It's like I lost old ass motherfucker who wants to
• 34:53
  Speaker 3: just be a kid again. Yes, can tell me how again?
• 35:00
  Speaker 4: Okay? Here it is Donald in two thousand and two
• 35:04
  Speaker 4: most most but not Donald Faison of the main Scrubs
• 35:08
  Speaker 4: cast appeared as their Scrubs characters in quote, it's a
• 35:11
  Speaker 4: very merry Muppet Christmas movie.
• 35:16
  Speaker 3: How come THEYDA and asked Black Scrubs to be in that?
• 35:18
  Speaker 4: Oh my yuess, well it sounds like you were doing
• 35:20
  Speaker 4: a movie.
• 35:22
  Speaker 3: Oh, we'll see two thousand and what two thousand and two? Yeah,
• 35:26
  Speaker 3: let me look that up.
• 35:27
  Speaker 4: Zach Braff and Donald Faison appeared in episodes of Sesame Street.
• 35:31
  Speaker 4: Faison held a recurring role in the early nineties I did,
• 35:36
  Speaker 4: and Braff appeared in a twenty fifteen episode explaining the
• 35:40
  Speaker 4: word anxiety. It's very funny. If you haven't seen it,
• 35:43
  Speaker 4: go on the youtubes and look up my name Anxiety
• 35:47
  Speaker 4: and Sesame Street.
• 35:49
  Speaker 3: This episode was It had some moments. I don't think
• 35:53
  Speaker 3: anyone has ever seen the Muppets this way before. Yeah,
• 35:59
  Speaker 3: we want they were one well other than Oscar to
• 36:03
  Speaker 3: Grouch who was in the trash. Can I mean that
• 36:06
  Speaker 3: joke about I know what's wrong? I think I figured
• 36:08
  Speaker 3: out what's wrong with you. Give it to me straight, Doc,
• 36:12
  Speaker 3: you gotta hand up you.
• 36:14
  Speaker 4: Go inside of you. Well, this makes sense. This bit
• 36:19
  Speaker 4: of trivia makes sense because I was confused about the
• 36:22
  Speaker 4: story sequencing because this felt like it was going back
• 36:28
  Speaker 4: a little bit, and.
• 36:29
  Speaker 3: This felt like it was the first episode as.
• 36:31
  Speaker 4: It does Donald. And also there's a pun in the
• 36:34
  Speaker 4: my ABC's because this is the first year we were
• 36:36
  Speaker 4: on ABC, so that was my ABC's, but also the
• 36:41
  Speaker 4: pun being its sesame street. But here we go. This
• 36:44
  Speaker 4: episode was originally planned to be the first episode of
• 36:47
  Speaker 4: season eight, which explains some inconsistencies in the story, such
• 36:51
  Speaker 4: as JD being surprised that Denise's abrupt bedside manner or
• 36:55
  Speaker 4: her being or her being surprised at being called Joe
• 36:59
  Speaker 4: despite that nickname already having been used, and everyone in
• 37:02
  Speaker 4: the hospital commenting on JD's new beard. In addition, JD.
• 37:08
  Speaker 3: A through story through the whole episode.
• 37:10
  Speaker 4: Yeah chicks digging his beard making more sense as he's
• 37:13
  Speaker 4: meant to be dating Elliott again at this point. That
• 37:16
  Speaker 4: was I was confused by all that, But this is
• 37:18
  Speaker 4: this is.
• 37:19
  Speaker 3: It's it's well, it's not out of order. It's the
• 37:22
  Speaker 3: order that they decided to air the show. You know,
• 37:25
  Speaker 3: that really fucks up the show sometimes, you know what
• 37:27
  Speaker 3: I mean? I know that I know that Bill was
• 37:29
  Speaker 3: saying that Scrubs. He tried to make it So Scrubs
• 37:34
  Speaker 3: was one of those shows where you could tune in
• 37:36
  Speaker 3: whenever you wanted to, and it didn't you didn't have
• 37:39
  Speaker 3: to follow any storyline. If you tuned in, you could
• 37:43
  Speaker 3: easily be caught up in it right because there was
• 37:45
  Speaker 3: no linear story line through the whole thing. And I
• 37:49
  Speaker 3: feel like with certain seasons, especially like this season and
• 37:54
  Speaker 3: you know, the season that Keith and Elliott break up
• 37:57
  Speaker 3: and everything like that, when it was out of order,
• 37:59
  Speaker 3: it kind of fox up the rhythm of how you want,
• 38:02
  Speaker 3: you know what I mean? And so this definitely felt
• 38:05
  Speaker 3: really weird. It was like, why is everybody so caught
• 38:08
  Speaker 3: up on his beard? I just remember the whole Joe
• 38:11
  Speaker 3: sequence coming this way, starting this way, and then us
• 38:14
  Speaker 3: going into Yeah, it's weird.
• 38:16
  Speaker 4: Because it's already been discussed, like we've seen we've seen
• 38:19
  Speaker 4: this Joe is Cold thing before. It's weird.
• 38:22
  Speaker 3: Yeah.
• 38:23
  Speaker 4: Wait, did you hit record on your quick Time? Donald?
• 38:27
  Speaker 3: No?
• 38:28
  Speaker 4: Did you hit record?
• 38:29
  Speaker 3: No?
• 38:30
  Speaker 1: You said you've been recording. Wait, yeah, because he records
• 38:33
  Speaker 1: on the zoom, he's not using quick Time?
• 38:35
  Speaker 4: Did you record on your zoom?
• 38:36
  Speaker 3: Yeah?
• 38:37
  Speaker 4: I fucked up, Daniel. I got so excited to see
• 38:43
  Speaker 4: you guys. I didn't hit it, hit it before you
• 38:46
  Speaker 4: hit it.
• 38:46
  Speaker 1: Is the quality set too high or maximum?
• 38:49
  Speaker 4: I'm so disappointed, dude, I'm rusty. I got so excited.
• 38:54
  Speaker 1: If you want my changing it to maximum, that would
• 38:55
  Speaker 1: be great.
• 38:57
  Speaker 4: Daniel, I really let us down.
• 38:58
  Speaker 3: It's okay, you totally let everybody down. America so mad
• 39:02
  Speaker 3: at you right now?
• 39:03
  Speaker 4: No, but Daniel, I feel sad about this.
• 39:05
  Speaker 3: I know what they're really upset. They're upset in Australia.
• 39:08
  Speaker 3: Australia is like this.
• 39:09
  Speaker 4: Listen, audience, audience, you're gonna notice that my sound quality
• 39:13
  Speaker 4: is going to get good.
• 39:14
  Speaker 3: Right the UK is pissed, audience.
• 39:17
  Speaker 4: My sound quality is gonna get good right now. I'm sorry.
• 39:21
  Speaker 4: I was so excited to see these guys like a
• 39:23
  Speaker 4: little fucking kid that either faces their face.
• 39:28
  Speaker 3: Got no kids, like a little fucking.
• 39:31
  Speaker 1: Kids, like someone who does have kids.
• 39:34
  Speaker 4: And when I saw them, I was bouncing and I
• 39:37
  Speaker 4: didn't hit record on my quick time down. I feel
• 39:39
  Speaker 4: like I let you down. I let the audience down.
• 39:41
  Speaker 4: But audience, don't sound much better now?
• 39:43
  Speaker 1: You sound great, silky smooth.
• 39:44
  Speaker 4: Now, Dann, will my sound effects have come through or not?
• 39:47
  Speaker 3: Yes?
• 39:50
  Speaker 4: Okay, good? Yes, all the show all right, so Kelso
• 39:55
  Speaker 4: doesn't work again. This is reintroducing something we already know
• 39:58
  Speaker 4: because guess what it was supposed to be the premiere episode.
• 40:01
  Speaker 4: Kelso gets muffins every day at the hospital and doesn't
• 40:05
  Speaker 4: um it doesn't He gets free muffins for life and
• 40:10
  Speaker 4: hangs out every day at.
• 40:12
  Speaker 3: The coffee Bucks. Yeah, coffee Bucks. And and he's still
• 40:17
  Speaker 3: he still is a mean person.
• 40:21
  Speaker 4: He's not. This is what we know about Kelso. He's
• 40:23
  Speaker 4: still mean. He has no life outside of the hospital. Still,
• 40:28
  Speaker 4: he gets free muffins from a guy named Donnie, and
• 40:33
  Speaker 4: that's his existence. At the beginning of season eight.
• 40:37
  Speaker 3: We learned that Cox hates Deal or No Deal. Yes, wow,
• 40:42
  Speaker 3: now I have no clue. I'm just he starts the
• 40:45
  Speaker 3: episode off Dealer No Deal in turns raise their hands,
• 40:52
  Speaker 3: get the fuck out of here.
• 40:54
  Speaker 4: I assume it's because the show must have been very
• 40:57
  Speaker 4: hot at the moment, and I don't think Cox likes
• 40:59
  Speaker 4: things that are culturally very zeitgeisty. I think he hates that.
• 41:03
  Speaker 3: Why does he hate Hugh Jackman.
• 41:05
  Speaker 4: I think he hates Hugh Jackman because Hugh Jackman at
• 41:08
  Speaker 4: the time and obviously still was such a popular movie
• 41:12
  Speaker 4: star and he was good at everything, that that Cox
• 41:16
  Speaker 4: is an alpha male, was jealous of the fact that
• 41:18
  Speaker 4: Hugh Jackman could do anything and everything. He could be
• 41:21
  Speaker 4: the star of a musical, he could be a tough
• 41:24
  Speaker 4: guy in the movies.
• 41:25
  Speaker 3: And do you think Hugh Jackman took offense to any
• 41:28
  Speaker 3: of this?
• 41:29
  Speaker 4: Well, I'm sure he didn't love it. Who the hell
• 41:31
  Speaker 4: wants to have a joke on the show be like
• 41:33
  Speaker 4: I hate that person?
• 41:34
  Speaker 5: Yeah, right, except everybody on the show was like, you're
• 41:37
  Speaker 5: crazy for that opinion.
• 41:39
  Speaker 4: Yes, right, but I still think you're not, like, yay, yay,
• 41:44
  Speaker 4: the character on a TV show that's popular hates me.
• 41:47
  Speaker 1: Look, nobody likes catching strays on TV.
• 41:49
  Speaker 3: It's just like, yes, you know what, we all know
• 41:53
  Speaker 3: this for a fact.
• 41:54
  Speaker 1: That's just true.
• 41:57
  Speaker 4: We called it straight. I was watching the Emmys and
• 41:59
  Speaker 4: Family do we talk about this? The Family Guy characters
• 42:02
  Speaker 4: were hosting the Emmys. They were doing the opening monologue.
• 42:05
  Speaker 4: Obviously it was a it was an animation video. But
• 42:09
  Speaker 4: I'm like Donald and I like tune in, like time
• 42:11
  Speaker 4: for the Emmys. Here we go and they're singing a
• 42:14
  Speaker 4: song and and the lyric was one of the It
• 42:18
  Speaker 4: was dissing. It was like a roast, but it was, Yeah,
• 42:21
  Speaker 4: it was dissing me. The song was. And on NBC
• 42:24
  Speaker 4: we have the lovable Zach Braff who reminds us that
• 42:28
  Speaker 4: a sitcom doesn't have to make us laugh. Come on.
• 42:32
  Speaker 4: I was like, I was like, I just sat down
• 42:34
  Speaker 4: to watch the Emmys.
• 42:35
  Speaker 3: That is like straight up shot.
• 42:39
  Speaker 4: And I remember, like, WHOA do I watch the rest
• 42:43
  Speaker 4: of the Emmys.
• 42:47
  Speaker 3: God, yeah, he wasn't a fan. Ude.
• 42:49
  Speaker 4: Yeah, McFarlane wasn't a fan. I mean he he did
• 42:52
  Speaker 4: that whole white Scrubs, black Scrubs thing.
• 42:55
  Speaker 3: It's got some great He's cool outside, it's cool outside.
• 42:59
  Speaker 1: But he was so nice.
• 43:00
  Speaker 3: It's so nice when I'm.
• 43:02
  Speaker 4: Well, I think, I don't know that he ever even
• 43:05
  Speaker 4: watched the show. I just knew that we were popular
• 43:08
  Speaker 4: and he loved taking digs at us.
• 43:11
  Speaker 3: That's all right.
• 43:12
  Speaker 5: You caught a positive stray on The Great North, which
• 43:16
  Speaker 5: is a new Fox animated like family sitcom style show,
• 43:20
  Speaker 5: where one of the characters was describing something they were like,
• 43:24
  Speaker 5: I can't remember the exact quote, was like it's luminescent.
• 43:26
  Speaker 5: They're like, like, Zach brast smile. I was like, that's.
• 43:28
  Speaker 3: So so sweet.
• 43:31
  Speaker 4: Second, another positive stray I caught was on thirty Rock,
• 43:35
  Speaker 4: which at its height, which I loved, And Kenneth sneaks
• 43:40
  Speaker 4: on to Conan's set and pretends and when no one's there,
• 43:45
  Speaker 4: and he's sitting on the couch like he's and he's
• 43:47
  Speaker 4: imagining he's a guest, and he does this whole thing
• 43:50
  Speaker 4: about why, yes, Conan, my career has taken off. My
• 43:54
  Speaker 4: roommate Zach Braff and I love Ta da da Da
• 43:56
  Speaker 4: da da. And this fantasy was that we were roommates. Amazing, amazing,
• 44:07
  Speaker 4: all right, So a these this, this is Azas is
• 44:10
  Speaker 4: big introduction I think into the show, or I know
• 44:13
  Speaker 4: he's has he appeared another one. I forgot.
• 44:16
  Speaker 3: He has appeared in other ones, but this is the
• 44:18
  Speaker 3: this was meant to be meant.
• 44:19
  Speaker 4: To be his introduction. Yeah, and he says wah, which
• 44:22
  Speaker 4: I don't really get, but that's like he's saying.
• 44:24
  Speaker 7: Wah when whenever, Yeah, whenever an intern because the intern
• 44:32
  Speaker 7: got because Katie got roasted by doctor Cox.
• 44:36
  Speaker 3: He swah because he was sick of her being the
• 44:40
  Speaker 3: know it all in turn.
• 44:42
  Speaker 4: Right, I didn't think it was did you think it
• 44:44
  Speaker 4: was funny?
• 44:45
  Speaker 3: Well, it's to pay off for the end of the
• 44:46
  Speaker 3: it's to pay off for the end of the show.
• 44:48
  Speaker 4: So when I know, but I think, don't get me wrong,
• 44:51
  Speaker 4: I think he's is funny. I just didn't think, whoa
• 44:54
  Speaker 4: it was funny.
• 44:55
  Speaker 3: I don't know, man, I mean Cox was pretty hard
• 44:59
  Speaker 3: up on you Stone.
• 45:01
  Speaker 4: Were you high when you watched it?
• 45:02
  Speaker 3: I mean, come on, bro.
• 45:04
  Speaker 4: I thought you'd take a weed break. I don't know.
• 45:07
  Speaker 3: Nigga were on strike? You forever? Forever?
• 45:17
  Speaker 4: You ran to that fucking men's store, isn't he?
• 45:21
  Speaker 3: There was like we strike and I was like, we striking?
• 45:24
  Speaker 4: Did Donald? Donald ran past seven picking lines to get
• 45:27
  Speaker 4: to the weed.
• 45:27
  Speaker 3: Store, walked right up and well, were on strike?
• 45:33
  Speaker 4: Sorry, honey, we're on strike.
• 45:36
  Speaker 3: She's like, what you're doing today? Striking?
• 45:40
  Speaker 4: All right? Maybe is funny if you're baked. I wasn't baked.
• 45:43
  Speaker 4: So we're all assigned interns. No, we're gonna sign. We're
• 45:48
  Speaker 4: taking one under our wings.
• 45:50
  Speaker 3: Yes, you're you're you're choosing of the from the bunch
• 45:53
  Speaker 3: of interns. You're choosing one to mentor so uh uh.
• 45:59
  Speaker 3: Elliott chooses Katie, Cox chooses Ed, and j D chooses
• 46:06
  Speaker 3: Denise better known as Joe.
• 46:10
  Speaker 4: He calls her Joe, which is for some reason, he
• 46:13
  Speaker 4: thinks she reminds him of Joe from Facts of Life because.
• 46:17
  Speaker 3: She because she's kind of like tough and a.
• 46:19
  Speaker 4: Tomboy, a tomboy butchy tomboy.
• 46:22
  Speaker 3: And she says, you know, she goes, you called me Joe,
• 46:26
  Speaker 3: and he said, I thought you might like it from
• 46:27
  Speaker 3: the Facts of Life. She goes, yeah, it's kind of butchy,
• 46:30
  Speaker 3: which is weird because you know, I like banging dudes.
• 46:34
  Speaker 4: Yeah, she talks like that and she has no I
• 46:37
  Speaker 4: mean almost to a cartoonish level. It bothered me a
• 46:39
  Speaker 4: little bit, like is she even a human being? I
• 46:42
  Speaker 4: mean she she had absolutely no I'm talking about bedside matter.
• 46:48
  Speaker 4: She had negative bedside manners.
• 46:50
  Speaker 3: Zero.
• 46:51
  Speaker 4: She rudely admonished someone.
• 46:54
  Speaker 3: Wouldn't that have been a lawsuit to talk to someone
• 46:57
  Speaker 3: that way?
• 46:57
  Speaker 4: And I don't know if you're allowed to sue. I'm
• 46:59
  Speaker 4: sure that any logic person would have complained, And I
• 47:03
  Speaker 4: mean it was It was upsetting to watch. I know
• 47:06
  Speaker 4: that that's the reaction Bill wanted from the audience, and
• 47:08
  Speaker 4: it worked, but it also felt like whoa Like what
• 47:12
  Speaker 4: a fucking bitch?
• 47:13
  Speaker 3: Like?
• 47:14
  Speaker 4: Who is say that?
• 47:15
  Speaker 5: As how she's going to be redeemable at the end
• 47:19
  Speaker 5: of the episode, because I was like, I don't like, obviously,
• 47:22
  Speaker 5: Denise is a fun character and we enjoy.
• 47:24
  Speaker 1: Her as a show goes on, but like Eliza.
• 47:25
  Speaker 5: Cooper, yeah, at the end of this year, like I
• 47:28
  Speaker 5: really don't want to see this woman again.
• 47:29
  Speaker 3: That's so mean.
• 47:30
  Speaker 5: This one's losing her husband.
• 47:32
  Speaker 3: But that was that actually turned into her character trait
• 47:37
  Speaker 3: that lasted all the way up until season nine. I
• 47:41
  Speaker 3: don't think she's that way in season nine, but for
• 47:45
  Speaker 3: all of season eight.
• 47:48
  Speaker 4: But this was like, this was like so, I granted,
• 47:51
  Speaker 4: I understand that Bill is setting her up to have
• 47:54
  Speaker 4: an arc of redemption and everything, so you got to
• 47:56
  Speaker 4: start off at like a really low point to give
• 47:59
  Speaker 4: her an arc. But I was more shocked than JD was.
• 48:04
  Speaker 4: I was like, who would ever telling a patient to
• 48:07
  Speaker 4: turn someone off life support like that? It just felt like,
• 48:10
  Speaker 4: I don't know, bizarre.
• 48:13
  Speaker 3: Yeah, when it happened, it was like that's not realistic.
• 48:18
  Speaker 3: Thought automatically, I was like.
• 48:19
  Speaker 4: No, no, it's like it's like, yeah, to me, it
• 48:21
  Speaker 4: felt like one step too far, like yeah, make her
• 48:23
  Speaker 4: make her cold, but she was like mean, yeah, yeah,
• 48:28
  Speaker 4: So the janitor pushes in Oscar the groud.
• 48:31
  Speaker 3: Wait wish it right. Let's start having We're going back
• 48:33
  Speaker 3: to the beginning.
• 48:34
  Speaker 4: Okay, cool Janitor pushes in Oscar the Grouche, which begins
• 48:38
  Speaker 4: the the the sort of template, if you will, that
• 48:42
  Speaker 4: that the Sesame Street characters are going to be worked
• 48:44
  Speaker 4: into JD's fantasies in this particular episode. And j D says,
• 48:49
  Speaker 4: I grew up on the street, not the hood, the
• 48:53
  Speaker 4: Sesame He.
• 48:55
  Speaker 3: Goes, no, not the hood.
• 48:58
  Speaker 4: How about how I walk into the how about I
• 49:00
  Speaker 4: walk into the breakroom and I'm like, oh, is he's here?
• 49:06
  Speaker 4: I wanted to watch? And then I see that you're
• 49:08
  Speaker 4: watching Sesame Street. I'm like, oh, yes, like that's what
• 49:10
  Speaker 4: JD plans to watch. And then Turk goes, it's a
• 49:14
  Speaker 4: good one. The letter's J No a curly or a
• 49:21
  Speaker 4: letter J.
• 49:22
  Speaker 3: You know, I'm gonna be honest with you. So when
• 49:24
  Speaker 3: I was on Sesame Street, I actually did watch Sesame Street.
• 49:28
  Speaker 3: I don't know why, but Sesame Street worked for a
• 49:31
  Speaker 3: really long time. Maybe it was the music. Maybe I
• 49:35
  Speaker 3: want to say it was the music, and also the
• 49:37
  Speaker 3: comedy of the Muppets. If you watch the Muppets, or
• 49:41
  Speaker 3: if you watch Sesame Street as a parent and have
• 49:46
  Speaker 3: to sit with your child. The jokes that they do
• 49:49
  Speaker 3: on the show fly over the kid's head and hit
• 49:52
  Speaker 3: you right in the face, you know what I mean.
• 49:55
  Speaker 3: And it's so good and it's and it's so clever,
• 49:58
  Speaker 3: and I wish, you know, there's some footage out there,
• 50:03
  Speaker 3: but I wish you could see what it would like
• 50:07
  Speaker 3: working on the set with characters from these shows being
• 50:12
  Speaker 3: on Sesame Street, just in between takes, when the actors
• 50:17
  Speaker 3: were waiting for you know, whatever it was for sound
• 50:20
  Speaker 3: to catch up, or for the lighting, the lights to
• 50:23
  Speaker 3: be shifted, whatever it was. The entertainment was the puppet,
• 50:27
  Speaker 3: the puppeteers and the puppets, and they would make you
• 50:31
  Speaker 3: laugh so hard and would never break character until they
• 50:36
  Speaker 3: left from under you know, until the curtain was pulled
• 50:39
  Speaker 3: back and they left from under it. And that used
• 50:42
  Speaker 3: to be so much fun to be a part. So
• 50:45
  Speaker 3: when we did this and everyone got to experience that,
• 50:49
  Speaker 3: it was really cool. And it was also good to
• 50:50
  Speaker 3: see Carol, who's recently who passed away a few years ago.
• 50:54
  Speaker 3: But Carol played Oscar the Grouch and Big Bird, and
• 50:58
  Speaker 3: a lot of the stuff that I did on Sesame
• 51:00
  Speaker 3: Street was with him, and so it was great to
• 51:02
  Speaker 3: see him.
• 51:03
  Speaker 4: I agree with what you said, Donald, It was so
• 51:05
  Speaker 4: fun to watch these amazing puppeteers. And they they stay
• 51:09
  Speaker 4: in character as the puppet once once and even when
• 51:11
  Speaker 4: like yeah, but in between takes, they just keep chatting
• 51:15
  Speaker 4: away in the voice and the style of the character,
• 51:18
  Speaker 4: and you kind of forget sometimes you're just sitting there,
• 51:20
  Speaker 4: like during downtime and just like having a conversation with Grover, like,
• 51:25
  Speaker 4: wait a second, I'm talking about puppet.
• 51:27
  Speaker 3: But that's what happens, man, It's so amazing. It's so amazing.
• 51:31
  Speaker 3: And we had Grover on the show. We had Oscar
• 51:34
  Speaker 3: and we had Grover, and.
• 51:36
  Speaker 4: We had Elmo, and we had and I don't know
• 51:39
  Speaker 4: who the oh the woman, well the woman, the puppet,
• 51:42
  Speaker 4: the puppet that has the hand inside her.
• 51:44
  Speaker 5: I don't I think she was just a Their name
• 51:46
  Speaker 5: is x ray, which I thought was hilarious. I had
• 51:49
  Speaker 5: to look it up because I didn't know them up either,
• 51:51
  Speaker 5: But it's x ex space ray R A y amazing funny.
• 51:55
  Speaker 4: That's that's a really funny joke. I'm so Jad mentions
• 52:01
  Speaker 4: Neil and Garrett, who who are two who are two
• 52:06
  Speaker 4: interns that are always inviting him to go rollerblading.
• 52:10
  Speaker 3: And one of them is Kip Kroger. Yeah, I don't
• 52:13
  Speaker 3: know if you guys know this. Kip Kroger started off,
• 52:16
  Speaker 3: You guys definitely don't notice. He started off in the
• 52:18
  Speaker 3: editing department in Scrubs.
• 52:20
  Speaker 4: As like a PA. Now one of Bill's main producers.
• 52:23
  Speaker 3: Yeah, freak. He jumps up on stage at the freaking
• 52:27
  Speaker 3: Golden Globes with everybody and at the end, yeah you
• 52:30
  Speaker 3: see his head, his bald ass had and this he
• 52:32
  Speaker 3: freaking uh lair for last.
• 52:36
  Speaker 4: For last and tricking. He's he's Bill's company. He's like
• 52:39
  Speaker 4: one of the top producers that a douser, and he
• 52:42
  Speaker 4: started with with Bill when he was a PA. And
• 52:44
  Speaker 4: now but anyway, this is his cameo. He plays one
• 52:47
  Speaker 4: of the roller blading maybe gay.
• 52:49
  Speaker 3: Interns, maybe gay interns, maybe.
• 52:53
  Speaker 4: Get that's you what they're called, the maybe gay interns.
• 52:56
  Speaker 5: His name is Neil and his writing partner right because
• 52:58
  Speaker 5: one of them was Neil.
• 52:59
  Speaker 4: Yeah. Part of it, sorry, there's a second part of
• 53:01
  Speaker 4: it in that there was a writing duo who wrote
• 53:04
  Speaker 4: some of our best episodes and they were Neil and
• 53:07
  Speaker 4: Garrett and.
• 53:08
  Speaker 3: Going on to do I mean, Neil is going on
• 53:11
  Speaker 3: to do.
• 53:11
  Speaker 4: Neil is one of the head writers of Shrinking with
• 53:14
  Speaker 4: Bill and I was on the picket line with him.
• 53:18
  Speaker 4: Neil Goldman, very very funny man. I think he occasionally
• 53:21
  Speaker 4: listens to the podcast, do you think so? Yeah, he talks.
• 53:25
  Speaker 3: He's gonna love that shout out you just gave him.
• 53:27
  Speaker 4: Yeah, Neil, you are so funny and talented, and Shrinking
• 53:31
  Speaker 4: is very funny, and a lot of it is due
• 53:34
  Speaker 4: to your genius brain.
• 53:36
  Speaker 3: Neil. I've been saying this to you for a really
• 53:38
  Speaker 3: long time. If the script stars, if our stars ever collide,
• 53:43
  Speaker 3: I would love to make a show with you. Bro.
• 53:46
  Speaker 4: He's already taken. He's the head writer of.
• 53:48
  Speaker 3: Shut the fuck Up. I'm shooting my shot. Let shoot
• 53:51
  Speaker 3: my shot, well shot.
• 53:53
  Speaker 4: The scripts for Shrinking have been written already, Donald. So
• 53:56
  Speaker 4: you're not going to be in season two?
• 53:59
  Speaker 3: Why not? Why you saying ain't no black people and
• 54:02
  Speaker 3: Shrinking too, ain't no guests black people?
• 54:06
  Speaker 4: People who are the stars of the show. You should
• 54:08
  Speaker 4: watch it. It's good tell you telling me.
• 54:09
  Speaker 3: You're telling me, you're telling me that there ain't gonna
• 54:11
  Speaker 3: be nobody else coming in.
• 54:13
  Speaker 4: Do you know which one of your scrubs cast members
• 54:15
  Speaker 4: did a cameo on the show.
• 54:18
  Speaker 3: Yeah, of course, who Bob clandessin.
• 54:22
  Speaker 4: First of all, it's Bob clintnnon and no, Neil Flynn
• 54:26
  Speaker 4: does it. Neil Flynn plays one of Harrison Ford's patients.
• 54:29
  Speaker 3: And oh I saw that. Yeah, I did see that.
• 54:31
  Speaker 4: All right, We're gonna take a break because I have
• 54:33
  Speaker 4: to pee. Donald thinks that a urologist is only in
• 54:37
  Speaker 4: charge of the shaft. Yeah, he thinks it's a different
• 54:40
  Speaker 4: doctor when it switches to the.
• 54:41
  Speaker 3: Balls and the tip and the tip.
• 54:45
  Speaker 4: Oh between you think between balls and tip is is
• 54:49
  Speaker 4: eurologists and the tip has its own specialty.
• 54:51
  Speaker 3: Yeah, the tip doctor, the shaft doctor, and the balls doctor.
• 54:55
  Speaker 4: Listen, if you ever have to get a camera put there,
• 54:59
  Speaker 4: if you make sure he numbs more than just the
• 55:01
  Speaker 4: tim because I can tell you it was horrible. We'll
• 55:03
  Speaker 4: be right back.
• 55:03
  Speaker 3: That's what I'm talking about.
• 55:11
  Speaker 4: And we're back.
• 55:14
  Speaker 1: Zach and Donald newlyweds in house arrest.
• 55:19
  Speaker 4: I love that guy. So it says Elliott and jd
• 55:23
  Speaker 4: are dating again? Is I lost track? Are they dating again?
• 55:26
  Speaker 3: Not in this episode? Yeah?
• 55:29
  Speaker 5: No, because to me the first episode they were back
• 55:32
  Speaker 5: together at the top of the season briefly, remember you
• 55:36
  Speaker 5: all started dating for a little bit and then get
• 55:38
  Speaker 5: that whole right.
• 55:40
  Speaker 3: No, No, they just was saying they were going to
• 55:42
  Speaker 3: hang out. They were going to hang out more.
• 55:44
  Speaker 4: I know. But there's a line in this episode where
• 55:46
  Speaker 4: someone we or someone says Elliott and JD are dating.
• 55:49
  Speaker 3: Yeah, I don't know.
• 55:51
  Speaker 4: I was confused. It's hard to keep track, especially when
• 55:53
  Speaker 4: they're out of order. All right, And now now a
• 55:55
  Speaker 4: Zesu's character, Ed says syphilis, syphilis when.
• 56:00
  Speaker 3: He does the turntable spin.
• 56:02
  Speaker 4: He used to be a DJ.
• 56:03
  Speaker 3: Yeah, yeah, he does a simplest simpling and then does
• 56:06
  Speaker 3: the spin, simple and simplest. That ship was fucking dude.
• 56:10
  Speaker 4: See I wasn't high, so I was kind of like
• 56:12
  Speaker 4: not getting it. But it was meant for stoners. I think.
• 56:17
  Speaker 3: You don't think of Jesus comedy is meant for stoners.
• 56:20
  Speaker 4: No, I'm saying the exact thing I'm saying. I thought
• 56:23
  Speaker 4: these Ed slashes, these jokes were very stonery.
• 56:26
  Speaker 3: And man, come on, you ever see a DJ doist thing?
• 56:30
  Speaker 4: Yeah, I've seen a DJ do their thing right.
• 56:34
  Speaker 3: It's like this, fuck your sepuck yourself right, But you
• 56:38
  Speaker 3: ever see them try to throw flares? In there. He
• 56:41
  Speaker 3: threw the flare and with the spin simplest, simplest, simplest simple,
• 56:45
  Speaker 3: and then he did the spin around and everything. That
• 56:47
  Speaker 3: was hilarious.
• 56:48
  Speaker 4: Dude, all right, little beat juggle, A beat juggle. Daniel
• 56:51
  Speaker 4: knows the lingo because he's a DJ.
• 56:52
  Speaker 1: I have to DJ Danel that simply must.
• 56:55
  Speaker 4: What are your twitch in these days? Daniel? Uh?
• 56:58
  Speaker 1: Well, by the time that this comes out, I'll be
• 56:59
  Speaker 1: twiching the new Zelda Tears of the Kingdom.
• 57:01
  Speaker 4: Yeah, when is that cut?
• 57:03
  Speaker 3: When does it drop?
• 57:04
  Speaker 1: It comes out Friday, May twelfth, but it releases nine
• 57:08
  Speaker 1: pm on Thursday, May eleventh, which is today. Oh shoot, when.
• 57:15
  Speaker 3: We're recording mine, Rocco's about to lose his.
• 57:18
  Speaker 4: Are you playing the Star Wars game? Donald?
• 57:20
  Speaker 3: Hell? Yeah, I'm playing jediur.
• 57:22
  Speaker 4: You said you weren't going to play, and then I
• 57:24
  Speaker 4: saw Billboard and I brought it up to you and
• 57:25
  Speaker 4: you're like, I'm not playing. And then my nephew, who's
• 57:28
  Speaker 4: a video game slash Star Wars fanatics, said it's off
• 57:31
  Speaker 4: the hook, and I said, Donald, apparently the game is
• 57:34
  Speaker 4: off the hook, and now you love it.
• 57:36
  Speaker 3: No, So what happened was in between the time and
• 57:40
  Speaker 3: that I had said that, and now I had started
• 57:42
  Speaker 3: playing Jedi Fallen Order.
• 57:45
  Speaker 4: You hadn't been the first game.
• 57:47
  Speaker 3: I hadn't played the first game, and so you know,
• 57:51
  Speaker 3: Jedi Fallen Order is a lot of fun.
• 57:53
  Speaker 1: It's real good.
• 57:54
  Speaker 3: It's actually really good. The one thing that I disagree
• 58:01
  Speaker 3: with with all of it is is that you're blocking
• 58:05
  Speaker 3: should be able to last for really long. It shouldn't
• 58:09
  Speaker 3: be something that's depleted. And so if you've got it
• 58:12
  Speaker 3: on slide, yeah, yeah, but if somebody's attacking you with
• 58:16
  Speaker 3: like major combos and stuff like that, as these characters,
• 58:19
  Speaker 3: as the bosses do in the game, you know, it's tough. Tough. Yeah,
• 58:25
  Speaker 3: it gets between blocking and dodging. It makes it really Difficult's.
• 58:30
  Speaker 4: Grid to the show because no one cares about this
• 58:31
  Speaker 4: except video game You good the one that brought it up.
• 58:35
  Speaker 4: Please don't call me fu face. And I just want
• 58:36
  Speaker 4: to say that I think with the video game talk,
• 58:39
  Speaker 4: everyone likes it, doesn't mind a little sprinkle like salt Bay.
• 58:42
  Speaker 4: But then when y'all go deep.
• 58:44
  Speaker 3: Doesn't put a little salt on that motherfucker salt a
• 58:49
  Speaker 3: fistful of salt.
• 58:51
  Speaker 4: Listen. The way I feel about video games with our
• 58:53
  Speaker 4: audience is that there's definitely a percentage that loved the chat.
• 58:57
  Speaker 4: But we got to just do a sprinkle sprinkle of
• 58:59
  Speaker 4: Salt Bay get out. Well, look and all five of
• 59:02
  Speaker 4: them are going to come say hi to me.
• 59:04
  Speaker 3: Let's get this ship out the way. We didn't talk
• 59:06
  Speaker 3: about the Mandalorian yet, whole seasons off the series.
• 59:12
  Speaker 4: I couldn't watch it out. I couldn't watch it. And
• 59:15
  Speaker 4: Or ruined everything.
• 59:15
  Speaker 3: For me, and Or ruined a lot for a lot
• 59:17
  Speaker 3: of people.
• 59:18
  Speaker 4: I got to say, and Or was like, oh, it's
• 59:22
  Speaker 4: like that, and then I went back and I tried,
• 59:24
  Speaker 4: and it wasn't for me. I'm sorry.
• 59:27
  Speaker 3: I disagree with you wholeheartedly, Joelle.
• 59:30
  Speaker 4: Do you disagree with me? You're another Star Wars megafan.
• 59:33
  Speaker 5: I don't disagree with you that and Or has set
• 59:35
  Speaker 5: a new bar.
• 59:37
  Speaker 3: Certainly, thank you for Star Wars. I was different.
• 59:39
  Speaker 5: But I do think that the Mandalorian is a very
• 59:42
  Speaker 5: man If you watch The Mandalorian like you would watch
• 59:44
  Speaker 5: say Gun Smoke Children, that is an old Western show
• 59:49
  Speaker 5: that was meant to go on forever. The story didn't
• 59:51
  Speaker 5: really connect to much else. It was just like, here
• 59:53
  Speaker 5: are these characters. They don't grow Revolve. They face similar
• 59:56
  Speaker 5: challenges every episode. But you love that ship because it's
• 59:58
  Speaker 5: a Western get into it. That's Mandalorian, and that has
• 1:00:02
  Speaker 5: made it more enjoyable for me to watch.
• 1:00:04
  Speaker 3: But once you geta once you get passed. Once you
• 1:00:07
  Speaker 3: get past that, and Or is a special type of
• 1:00:10
  Speaker 3: Star Wars and that, uh, it could alms. It could
• 1:00:15
  Speaker 3: almost be construed as else World's you know what I mean,
• 1:00:18
  Speaker 3: because of there's cursing, there's a bunch of things in it. Anyway,
• 1:00:23
  Speaker 3: once you get past all of that, Star Wars is
• 1:00:25
  Speaker 3: still enjoyable. It will always be enjoyable from from for kids,
• 1:00:30
  Speaker 3: from kids to adults. I just always be able to find.
• 1:00:33
  Speaker 4: I'm not saying it's not quality, and there's tons of talent, obviously,
• 1:00:37
  Speaker 4: I'm just saying it just felt way more aimed at
• 1:00:39
  Speaker 4: children to me after consuming and Or.
• 1:00:43
  Speaker 3: Yeah, okay, that's fine to say. I'll agree with that.
• 1:00:49
  Speaker 4: I don't have any of them kids style. My dog
• 1:00:51
  Speaker 4: Billy doesn't want to watch.
• 1:00:54
  Speaker 3: I'm telling you need to put it on that. Billy
• 1:00:56
  Speaker 3: like that ship, all.
• 1:00:57
  Speaker 4: Right, I'll give it. You guys are so passionate. I'll
• 1:00:59
  Speaker 4: give it another chance. When Joe says, I like banging dudes.
• 1:01:03
  Speaker 4: JD says, I've heard that's nice. He's heard, he's heard
• 1:01:09
  Speaker 4: through the grapevine that that's a nice thing. Chicks dig
• 1:01:13
  Speaker 4: the extra fuzz regarding his beard, which is we now
• 1:01:17
  Speaker 4: know meant to be a new thing, this glorious beard.
• 1:01:21
  Speaker 4: And Grover appears and says, tell me about it, and uh.
• 1:01:25
  Speaker 3: And it's four paws, four hands up.
• 1:01:28
  Speaker 4: Yeah, and he says that's only two percent of your body.
• 1:01:31
  Speaker 4: And then what happens. Grover gets oh oh, then he
• 1:01:33
  Speaker 4: asks for a hive four, a high four and todd
• 1:01:37
  Speaker 4: high foursm across the ICU.
• 1:01:40
  Speaker 3: Now, this is a play on This is a play
• 1:01:44
  Speaker 3: on Grover doing Hey Froggy Baby and running up on
• 1:01:51
  Speaker 3: Kermit the frog and hitting him in the back and
• 1:01:54
  Speaker 3: Kermit falling off the wall. Do you remember that?
• 1:01:56
  Speaker 4: No, what's that from?
• 1:01:58
  Speaker 3: It's also a play on Super grow Over where Grover
• 1:02:01
  Speaker 3: would fly and always crash land. So back in the day,
• 1:02:06
  Speaker 3: in early sesame street days, there were there was Kermit
• 1:02:10
  Speaker 3: and Grover always had like a segment together and it
• 1:02:14
  Speaker 3: always would start off with Kermit sitting on the wall
• 1:02:17
  Speaker 3: and Grover would come running from behind, Hey Froggy Baby
• 1:02:21
  Speaker 3: and run and smack Kermit in the back, and Kermit
• 1:02:25
  Speaker 3: would fall off the wall and they'd have to climb
• 1:02:27
  Speaker 3: back up right. So it's a part of a play
• 1:02:30
  Speaker 3: on that, and it's part of the play on super Grover,
• 1:02:33
  Speaker 3: who later on in light they created this character super
• 1:02:36
  Speaker 3: Grover who wore a freaking spartan helmet.
• 1:02:42
  Speaker 4: I don't remember that.
• 1:02:43
  Speaker 3: You don't remember super Grover with the gold helmet, and
• 1:02:46
  Speaker 3: the helmet would fall over his eyes sometimes. Anyway, so
• 1:02:49
  Speaker 3: they create the stick.
• 1:02:50
  Speaker 4: He's my favorite. Grover is my favorite.
• 1:02:52
  Speaker 3: And when he would land, he could never land on
• 1:02:55
  Speaker 3: his feet. He would always crash, like the greatest American hero.
• 1:02:58
  Speaker 3: So that's funny. And so that was a play on
• 1:03:02
  Speaker 3: both of the things, one from his long run and
• 1:03:05
  Speaker 3: then him crashing from.
• 1:03:06
  Speaker 4: The Remember Grover's book the monster at the end of
• 1:03:10
  Speaker 4: the book where the story.
• 1:03:13
  Speaker 3: No, you remember that kid's book where here's the monster
• 1:03:15
  Speaker 3: at the end of the story.
• 1:03:17
  Speaker 4: Yeah, he's like, it's a great kids book. He's like,
• 1:03:19
  Speaker 4: he's like so afraid that there's a monster at the
• 1:03:21
  Speaker 4: end of the book. He's like, stop turning the pages,
• 1:03:23
  Speaker 4: are you crazy? There's a monster at the end of
• 1:03:25
  Speaker 4: this book. And obviously the kids laughing and turning the pages,
• 1:03:29
  Speaker 4: and he's like, are you out of your mind? I'm
• 1:03:32
  Speaker 4: telling you, Nasa, it's really cute.
• 1:03:34
  Speaker 1: That's really cute.
• 1:03:35
  Speaker 3: Well, and then yeah, go ahead. At the end of
• 1:03:38
  Speaker 3: the book, the Monster's Grover.
• 1:03:40
  Speaker 4: Spoilers, donal spoilers. Okay, so is He's first Pooh in
• 1:03:49
  Speaker 4: the potty? We all have flip phones, which is which
• 1:03:52
  Speaker 4: is just funny to see. But uh, Turk gets a
• 1:03:57
  Speaker 4: text of Isy's first Pooh in the potty and he
• 1:04:01
  Speaker 4: hands it to j D, and j D says, I
• 1:04:03
  Speaker 4: can't take my eyes off of it. It's gorgeous, and
• 1:04:07
  Speaker 4: he accidentally hit sends, which is confusing because who is
• 1:04:11
  Speaker 4: on this text chain? Because when he hit the whole hospital,
• 1:04:14
  Speaker 4: the whole hospital gets this Pooh. The janitor sees it
• 1:04:20
  Speaker 4: and he says they're back, yeah, meaning the he thinks
• 1:04:25
  Speaker 4: that is he's poo is an invading species.
• 1:04:29
  Speaker 3: I guess so it looks like.
• 1:04:33
  Speaker 4: And Ed says my new screensaver.
• 1:04:36
  Speaker 3: Yes, okay. So Elliott has a great story about someone
• 1:04:41
  Speaker 3: named Gina who gets watched taking a whiz through a hole.
• 1:04:48
  Speaker 4: Yeah, yeah, do.
• 1:04:50
  Speaker 3: You remember the movie Porky's Back in the Day, saw Porky.
• 1:04:53
  Speaker 3: You can never. Yeah, it could never. It could never
• 1:04:56
  Speaker 3: come out now, but no.
• 1:04:57
  Speaker 4: I know, but I remember, I remember, like I was
• 1:04:59
  Speaker 4: too young at the time, and then I just never
• 1:05:00
  Speaker 4: got around to it.
• 1:05:02
  Speaker 3: So this it's a movie. There's three of them. It's
• 1:05:06
  Speaker 3: a movie about a bunch of kids who want to
• 1:05:08
  Speaker 3: go party at the adult bar across the river, Porky's,
• 1:05:14
  Speaker 3: but along the way. The most famous part of the
• 1:05:17
  Speaker 3: movie is them looking through being freaking a bunch of
• 1:05:20
  Speaker 3: peeping toms and checking out girls in the shower at
• 1:05:24
  Speaker 3: school through a peephole, right, So that was the poster.
• 1:05:28
  Speaker 3: It was their eye.
• 1:05:29
  Speaker 4: Crazy, it's crazy. That was the poster.
• 1:05:32
  Speaker 3: That was the poster. Yeah, their eye looking through the hole, right.
• 1:05:35
  Speaker 3: So that's where all the nudity comes in. But at
• 1:05:38
  Speaker 3: the end of the day they go to so they
• 1:05:39
  Speaker 3: go to Porky's and it doesn't go well for them.
• 1:05:43
  Speaker 3: As a matter of fact, Porky comes out and fucks
• 1:05:45
  Speaker 3: up their car and all of this stuff and then
• 1:05:47
  Speaker 3: sends them on their way. The cops are involved with it,
• 1:05:50
  Speaker 3: and they plan their revenge on Porky and that's the that's.
• 1:05:54
  Speaker 4: The of these three of them. Are there any known
• 1:05:59
  Speaker 4: now actors whose names we know they're in them.
• 1:06:02
  Speaker 3: I mean there's a couple of them. Some of them
• 1:06:04
  Speaker 3: are in like movies like The Wanderers, and like there's
• 1:06:06
  Speaker 3: a bunch of people. You know.
• 1:06:08
  Speaker 4: It's Porky's has escaped me. But I think I'll skip it.
• 1:06:12
  Speaker 4: I think I'll skip it, all right, what else, Donald,
• 1:06:19
  Speaker 4: we spoke about the hand that's inside of you joke.
• 1:06:23
  Speaker 4: So again, mister Fremont is my patient that is dying
• 1:06:26
  Speaker 4: of cancer. He has an eight year old son. Jad
• 1:06:29
  Speaker 4: gets the scans back and it does not look good
• 1:06:32
  Speaker 4: at all, and and he thinks that this is going
• 1:06:37
  Speaker 4: to be a lesson for Denise slash Joe, to teach
• 1:06:40
  Speaker 4: her about bedside manner, to teach her about giving bad news.
• 1:06:43
  Speaker 4: And that turns out not to be the case at all,
• 1:06:47
  Speaker 4: because she is very rude and disrespectful, disrespectful to this
• 1:06:54
  Speaker 4: woman's telling her that she needs to take her husband
• 1:06:59
  Speaker 4: off life support.
• 1:07:00
  Speaker 3: Immediately because she's going to wind up doing it anyway.
• 1:07:03
  Speaker 4: Yes, and so that's meant to Meanwhile, JD has tears
• 1:07:07
  Speaker 4: in his eyes because he's just such an empathetic, loving
• 1:07:12
  Speaker 4: doctor with the giant, giant heart.
• 1:07:15
  Speaker 3: Well, all of all the three of you guys have dilemmas.
• 1:07:17
  Speaker 3: So Elliott is trying to get Katie into Turk's intern program.
• 1:07:23
  Speaker 4: It's certainly I think you're writing, you're writing a paper
• 1:07:25
  Speaker 4: or something, and she's trying to help. She's trying to
• 1:07:28
  Speaker 4: help her be the one chosen to help you.
• 1:07:30
  Speaker 3: And then, uh, Cox can't figure out why he hates
• 1:07:34
  Speaker 3: Ed so much.
• 1:07:36
  Speaker 4: Somebody Ed makes it obvious he's not a very likable guy.
• 1:07:40
  Speaker 3: No, well, you know, he's joking and stuff like that.
• 1:07:42
  Speaker 3: But all of that's acceptable if you're a good doctor,
• 1:07:45
  Speaker 3: you know what I mean. Like JD was clingy. J
• 1:07:48
  Speaker 3: D was always trying to get a hug out of
• 1:07:51
  Speaker 3: But you don't think that's annoying.
• 1:07:53
  Speaker 4: I think I think Ed as an audience member, I'm
• 1:07:57
  Speaker 4: going this guy's annoying. I mean, at rounds he's listening
• 1:08:02
  Speaker 4: to the Da Vinci Code Book on tape.
• 1:08:04
  Speaker 3: Oh it was that guy.
• 1:08:14
  Speaker 4: All right, Look, it was that guy. Some people love it,
• 1:08:19
  Speaker 4: some people don't. I don't know. I I guess I
• 1:08:22
  Speaker 4: felt annoyed by him. I was like, he's not taking
• 1:08:25
  Speaker 4: this seriously at all. This is such a huge opportunity
• 1:08:28
  Speaker 4: and he just seems so you know, checked out like,
• 1:08:32
  Speaker 4: aren't you excited to be a doctor. You're finally you're
• 1:08:35
  Speaker 4: finally in a hospital working, and he's just so vacant absent.
• 1:08:41
  Speaker 3: Well, it turns out that's that's his character flaw. That's
• 1:08:44
  Speaker 3: his At the end of the episode, we learned each
• 1:08:47
  Speaker 3: intern's character flaw. You know. Uh, Denise's is when you know,
• 1:08:52
  Speaker 3: straight up, when somebody tells you who they are, you
• 1:08:54
  Speaker 3: need to believe that shit right away. And she told
• 1:08:56
  Speaker 3: you straight up who she was, and you try and
• 1:08:59
  Speaker 3: I mean she told JD straight up who she was,
• 1:09:01
  Speaker 3: and JD tried to fix it and it's all for
• 1:09:05
  Speaker 3: not at the and when it all comes down to it. Uh,
• 1:09:08
  Speaker 3: same thing with Cox. Cox finds out that Ed is lazy,
• 1:09:13
  Speaker 3: and Ed's question is, well, you know, am I doing
• 1:09:16
  Speaker 3: a bad job? And Cox is like, you're better than most,
• 1:09:23
  Speaker 3: but you nailed it. He wasn't there, He's not there
• 1:09:25
  Speaker 3: for Yeah.
• 1:09:26
  Speaker 4: Well, I think Cox sees like, hey, you're you're actually
• 1:09:29
  Speaker 4: a really smart guy. Why aren't you showing up? What
• 1:09:33
  Speaker 4: the fuck is this? You're like half You're like half here.
• 1:09:35
  Speaker 4: You got to be present and you have talent, you
• 1:09:37
  Speaker 4: have skill. Why aren't you Why aren't why are you
• 1:09:41
  Speaker 4: phoning it in? You just started?
• 1:09:43
  Speaker 3: And he's like, well, is me phoning it in? Is
• 1:09:46
  Speaker 3: it a bad am? I doing a bad job? I
• 1:09:49
  Speaker 3: mean that sucks. I mean that that that's that's one
• 1:09:53
  Speaker 3: a gift and it's a curse. You know, if you
• 1:09:55
  Speaker 3: get easy for him, Yeah, if everything is easy, you're
• 1:09:59
  Speaker 3: never going to get the same satisfactory that you that
• 1:10:02
  Speaker 3: you're searching for. If I remember kids, is too easy.
• 1:10:05
  Speaker 4: I remember kids at Northwestern that would party like crazy,
• 1:10:08
  Speaker 4: and they were pre med and they would drink like
• 1:10:11
  Speaker 4: ship faced every night and they were just getting fucking
• 1:10:13
  Speaker 4: straight a's and meds in pre med. They're just it
• 1:10:16
  Speaker 4: was it was easy for them.
• 1:10:17
  Speaker 3: It comes to that. It's you know, look at acting
• 1:10:21
  Speaker 3: for look at acting for us, you know what I mean,
• 1:10:22
  Speaker 3: look at look at directing and writing for you know,
• 1:10:26
  Speaker 3: it might be difficult for you, but it looks easy
• 1:10:29
  Speaker 3: to you make it what it looks easy. You make
• 1:10:32
  Speaker 3: it look easy to everyone else.
• 1:10:34
  Speaker 4: None of it's easy for me. Maybe it's easy for you.
• 1:10:37
  Speaker 4: I'm not. I don't think in regards to.
• 1:10:42
  Speaker 3: Yeah, I don't think any of this ship is easy.
• 1:10:45
  Speaker 3: I don't think any of it is easy. But I'm saying, dude,
• 1:10:49
  Speaker 3: you've been working for a very long time. You've been
• 1:10:51
  Speaker 3: lucky enough to have a job for a very long time.
• 1:10:54
  Speaker 3: There are people that look at that and think of
• 1:10:57
  Speaker 3: it as it's something that come came naturally to you.
• 1:11:03
  Speaker 3: They don't. There aren't a lot of people, you know,
• 1:11:05
  Speaker 3: there are. I'm sure there are a lot of people
• 1:11:06
  Speaker 3: that are like, oh, he worked really hard for it.
• 1:11:08
  Speaker 3: But for the most part, the world America believes acting
• 1:11:13
  Speaker 3: is an easy job that anyone can do, you know
• 1:11:16
  Speaker 3: what I mean. But it's only because the greats make
• 1:11:19
  Speaker 3: it look easy, you know what I'm saying.
• 1:11:23
  Speaker 4: No, No, I'm just trying to follow your train of
• 1:11:25
  Speaker 4: thought with regards to Ed, because.
• 1:11:27
  Speaker 3: So Ed is one of those cats who, you know,
• 1:11:32
  Speaker 3: I'm sure he had to do some type of study
• 1:11:34
  Speaker 3: and to get to the level that he's at right now.
• 1:11:36
  Speaker 3: So he did. He definitely studied and he retained a lot.
• 1:11:39
  Speaker 3: But now he's on the he's on the other side
• 1:11:43
  Speaker 3: of it where he's like, well, I know what I
• 1:11:45
  Speaker 3: got to do to succeed. I know what has to
• 1:11:47
  Speaker 3: be done to be successful in this career. It's show up,
• 1:11:51
  Speaker 3: do my job, and that's it. I don't need to
• 1:11:53
  Speaker 3: go the extra mile.
• 1:11:55
  Speaker 4: Well, we'll see it with any of these interns evolve.
• 1:11:57
  Speaker 4: Because I don't honestly remember what there are.
• 1:12:00
  Speaker 3: I can tell you everything that happens, well.
• 1:12:03
  Speaker 4: I don't even remember, but don't spoil it for me,
• 1:12:05
  Speaker 4: because I'm gonna watch it fresh because I have no
• 1:12:08
  Speaker 4: memory of the season. It's very and I'm not even
• 1:12:12
  Speaker 4: in season nine barely, So I'm really gonna.
• 1:12:14
  Speaker 3: If you're like in half a season nine, shut the
• 1:12:16
  Speaker 3: fuck up and half of it.
• 1:12:18
  Speaker 4: I never watched a single episode of season nine. I
• 1:12:20
  Speaker 4: will be genuinely watching that for the first time, Zach.
• 1:12:22
  Speaker 3: I've only watched like five episodes of Scrubs until this.
• 1:12:29
  Speaker 4: No, but nine is gonna be surreal for me because I,
• 1:12:33
  Speaker 4: at least these I vaguely. Of course, I remember big moments.
• 1:12:37
  Speaker 4: I remember the obviously, I remember Sesame Street characters being there,
• 1:12:40
  Speaker 4: but I don't remember so much of it. Which is
• 1:12:43
  Speaker 4: this particularly surreal exercise for you and I because we
• 1:12:46
  Speaker 4: we we we are these characters, but this many years later,
• 1:12:49
  Speaker 4: we get to watch back and and see ourselves doing
• 1:12:52
  Speaker 4: things we barely remember.
• 1:12:54
  Speaker 3: You know, I yeah, it's it's you know, maybe because
• 1:13:01
  Speaker 3: we had this break and I went away and I
• 1:13:03
  Speaker 3: did something else that this is the crazy thing. Okay,
• 1:13:07
  Speaker 3: so we had this break, I went away and did
• 1:13:08
  Speaker 3: something else in a couple of years. I'm not going
• 1:13:11
  Speaker 3: to remember that I did that unless the show's the success.
• 1:13:15
  Speaker 4: Yeah, it might be a big hit and you'll still
• 1:13:16
  Speaker 4: on it.
• 1:13:17
  Speaker 3: That'd be from your mouth. That'd be a wonderful thing. Right.
• 1:13:21
  Speaker 4: Did you enjoy doing it?
• 1:13:22
  Speaker 3: I had a great time. I had such a great
• 1:13:24
  Speaker 3: time working with John Cryer, Abigail Spencer, michael'malley. So when
• 1:13:30
  Speaker 3: you're doing it, Clark came in.
• 1:13:31
  Speaker 4: When you're doing it, yeah, you're you're having a blast.
• 1:13:34
  Speaker 4: Did you have a live audience because it's a traditional
• 1:13:37
  Speaker 4: sitcom and from an audience, right, yes, we had.
• 1:13:39
  Speaker 3: A live audience. It was a you know, it's it's
• 1:13:44
  Speaker 3: really interesting because I did a show before where we
• 1:13:46
  Speaker 3: had a live audience, and with a live audience, that
• 1:13:49
  Speaker 3: would be the day that you turn up, you know
• 1:13:51
  Speaker 3: what I mean. If you were at A five on
• 1:13:53
  Speaker 3: Monday when the show's when the showtime, in front of
• 1:13:56
  Speaker 3: a live audience on Friday, you're out of twenty five,
• 1:13:59
  Speaker 3: you know, I mean twenty five out of ten. And
• 1:14:04
  Speaker 3: this one they were like don't lean into the audience.
• 1:14:06
  Speaker 3: The audience is there to be the you know, to
• 1:14:10
  Speaker 3: help with the timing and to help with the you know,
• 1:14:14
  Speaker 3: to help move the story along.
• 1:14:16
  Speaker 4: But don't don't milk it.
• 1:14:18
  Speaker 3: Don't try and get laughs just to try, you know
• 1:14:20
  Speaker 3: what I mean?
• 1:14:20
  Speaker 4: Like that, I would be so bad at that, seem such.
• 1:14:23
  Speaker 3: Because I'm such a laugh whore. Well you're such a
• 1:14:25
  Speaker 3: laugh whore.
• 1:14:26
  Speaker 4: You're a clown, and I'm a clown. And when you
• 1:14:29
  Speaker 4: have all those people laughing at shit you're doing, it's
• 1:14:31
  Speaker 4: hard not to lean into it.
• 1:14:33
  Speaker 3: It's really hard.
• 1:14:35
  Speaker 4: It's I remember remember doing your show the Exes and
• 1:14:39
  Speaker 4: in between Donald's and the audience like singing, dancing, like yeah, man,
• 1:14:43
  Speaker 4: Donald Donald's putting on a whole show in the audience.
• 1:14:47
  Speaker 4: Did you do that this time?
• 1:14:48
  Speaker 5: No?
• 1:14:49
  Speaker 3: I never went into the audience, but I definitely talked
• 1:14:51
  Speaker 3: to the audience quite a bit. Right.
• 1:14:53
  Speaker 4: They must have loved that.
• 1:14:54
  Speaker 3: They did. They do. It's interaction, you know what I mean.
• 1:14:57
  Speaker 4: So you had what you're saying is is an actor
• 1:15:00
  Speaker 4: got direction to be like, hey, this in this show,
• 1:15:04
  Speaker 4: just don't.
• 1:15:05
  Speaker 3: Don't play for the laugh, you know what I mean.
• 1:15:07
  Speaker 3: Don't play for the audience's laugh. The joke is fun,
• 1:15:10
  Speaker 3: you know, it's like scrubs. We didn't play in for
• 1:15:12
  Speaker 3: the audience laugh because there was no there was no
• 1:15:15
  Speaker 3: studio audience there to laugh at our jokes.
• 1:15:18
  Speaker 4: We would try, we try to make each other laugh,
• 1:15:21
  Speaker 4: and we tried the crew laugh.
• 1:15:23
  Speaker 3: Right, but they couldn't laugh during the take. That would
• 1:15:26
  Speaker 3: be that would suck up the take, right, So you
• 1:15:27
  Speaker 3: try to. So you do that in rehearsal, and then
• 1:15:30
  Speaker 3: when you're shooting it, it all of a sudden became grounded,
• 1:15:34
  Speaker 3: you know. And so in doing this show, and uh,
• 1:15:37
  Speaker 3: they were like, listen, let's try and keep this grounded.
• 1:15:40
  Speaker 3: When we did the exes that we went.
• 1:15:42
  Speaker 4: Off the rail, off the rail. That was a much
• 1:15:46
  Speaker 4: that was a much broader comedy right way broad I
• 1:15:49
  Speaker 4: remember being on what I remember being on what's his
• 1:15:52
  Speaker 4: Name's back? What's his name?
• 1:15:54
  Speaker 3: David Allen Base.
• 1:15:55
  Speaker 4: David Allen Base, he's very funny. I remember being on
• 1:15:57
  Speaker 4: his back, supposedly giving him a massage, just milking the
• 1:16:01
  Speaker 4: fuck out of it.
• 1:16:02
  Speaker 3: It was milking it, milking the moment, milking the moment.
• 1:16:07
  Speaker 4: They must they have to cut the audience down because
• 1:16:09
  Speaker 4: otherwise the show will be an hour long because the
• 1:16:11
  Speaker 4: audience is laughing so fucking hard.
• 1:16:13
  Speaker 3: Well, you know who did it the best was Married
• 1:16:15
  Speaker 3: with Children? Married with the audience was a part of
• 1:16:17
  Speaker 3: the show. Was married with children, you know what I mean?
• 1:16:19
  Speaker 3: Like they would you would kiss on married with children
• 1:16:21
  Speaker 3: and the audience?
• 1:16:24
  Speaker 4: Don't they do that on ever? Reason? Come? They?
• 1:16:25
  Speaker 3: Oh? It was just well, like if they're doing it
• 1:16:29
  Speaker 3: on your sitcom.
• 1:16:31
  Speaker 4: You're doing something wrong. Yeah. If then you kiss, the
• 1:16:35
  Speaker 4: audience goes, oh right, or it might not be on
• 1:16:39
  Speaker 4: the right show.
• 1:16:40
  Speaker 3: Right. You got to earn that. You got to earn that.
• 1:16:44
  Speaker 3: Like when it happened on Friends, it was earned. It
• 1:16:47
  Speaker 3: took time.
• 1:16:48
  Speaker 4: Oh did they do it on Friends? Oh?
• 1:16:50
  Speaker 3: Everybody and their mama went nuts when Ross and Rachel
• 1:16:53
  Speaker 3: kiss for the first time. The freaking if there was
• 1:16:55
  Speaker 3: a studio audience that remember that, didn't.
• 1:16:58
  Speaker 5: It sounds like the sanding of like it's very loud.
• 1:17:02
  Speaker 5: Really yeah, for sure?
• 1:17:04
  Speaker 4: Uh, because they'd edge the audience for so many years.
• 1:17:13
  Speaker 3: Imagine you're shitting, Imagine you're sitting at home, right, sounds
• 1:17:17
  Speaker 3: that sounds like a standing ovation. They got to.
• 1:17:23
  Speaker 4: It's a standing ovation. That's so funny. That's so funny.
• 1:17:27
  Speaker 4: People are invested.
• 1:17:29
  Speaker 3: We all were.
• 1:17:30
  Speaker 4: Come on, man, I didn't watch it. I didn't watch it.
• 1:17:32
  Speaker 3: I didn't watch frends either. But I've seen it, and
• 1:17:35
  Speaker 3: I want to watch it.
• 1:17:35
  Speaker 4: I want to watch.
• 1:17:36
  Speaker 3: Watched it so much that it's look, I don't I
• 1:17:40
  Speaker 3: don't watch Succession, Succession. I don't watch any of these shows.
• 1:17:44
  Speaker 4: You watch anything if it doesn't say Star Wars.
• 1:17:47
  Speaker 3: Pretty much or some type of super you watch.
• 1:17:50
  Speaker 4: You watch a bachelorette, Bachelor.
• 1:17:53
  Speaker 3: Oh you know what I just got into. Oh my god,
• 1:17:55
  Speaker 3: Vander Palmer Dance Moms Dance.
• 1:18:01
  Speaker 4: Because your little girl wants to dance. Your wife's gonna
• 1:18:04
  Speaker 4: become a dance mom.
• 1:18:06
  Speaker 3: Oh my god. That show is the funniest ship. It
• 1:18:09
  Speaker 3: is a wild life. Look. First of all, First of all,
• 1:18:12
  Speaker 3: these kids are all grown now, so I can talk
• 1:18:14
  Speaker 3: shit on the parents and stuff. But holy well, I
• 1:18:19
  Speaker 3: don't know if it well, yeah, I guess it is.
• 1:18:21
  Speaker 3: I mean. The lady who was the star of the
• 1:18:25
  Speaker 3: show was in jail for a bit. She just got
• 1:18:27
  Speaker 3: financial troubles.
• 1:18:29
  Speaker 5: She stopped paying studios like dance studios where she was
• 1:18:32
  Speaker 5: practicing and holding events, and that got.
• 1:18:34
  Speaker 3: Up to it. She listened man at first when I
• 1:18:37
  Speaker 3: first watched the show, I was like, man, who does
• 1:18:39
  Speaker 3: this woman think she is talking to these mothers like that?
• 1:18:42
  Speaker 3: But then as you watch the show, you realize, oh,
• 1:18:45
  Speaker 3: she knows what she's talking about, and these mothers, yeah,
• 1:18:48
  Speaker 3: these mothers are crazy. And then when that switch happens,
• 1:18:53
  Speaker 3: When that switch happens, the show becomes the best show
• 1:18:56
  Speaker 3: on the planet. Like it's like they find reasons just
• 1:19:02
  Speaker 3: to like, they'll win, They'll win first place. I've never
• 1:19:04
  Speaker 3: seen anything like this before in my life except for
• 1:19:07
  Speaker 3: one time. And I don't want it. It's a long story,
• 1:19:09
  Speaker 3: but don't tell I'm gonna tell it anyway. They'll they'll win,
• 1:19:13
  Speaker 3: They'll win first place, and then start arguing about how
• 1:19:19
  Speaker 3: they won first place, like you just won this ship,
• 1:19:23
  Speaker 3: you won the whole thing. And they're like, but you know,
• 1:19:26
  Speaker 3: next time, I think Missy needs to dance solos in
• 1:19:29
  Speaker 3: the motherfucker. You know, they go in. I played basketball
• 1:19:34
  Speaker 3: with this kid. We won a game. We won a game.
• 1:19:37
  Speaker 3: He scored twenty five points, had nine rebounds. We're all
• 1:19:40
  Speaker 3: in the locker room, right, We're all in the locker
• 1:19:43
  Speaker 3: room after cheering and going around and circle, like you know,
• 1:19:46
  Speaker 3: it's the playoffs. We're talking about what needs to be
• 1:19:48
  Speaker 3: done for the next game. This motherfucker says, next game,
• 1:19:52
  Speaker 3: y'all need to pass me the ball more Oh shit,
• 1:19:57
  Speaker 3: And we were like, what you'd had twenty something points
• 1:20:01
  Speaker 3: in nine read like you did your thing. That's what
• 1:20:03
  Speaker 3: you want to say to all of us, Pat, give
• 1:20:06
  Speaker 3: you the ball more granted? Yeah, sure, dude, whatever, Dude,
• 1:20:10
  Speaker 3: you got it. You you got the neck. But that's
• 1:20:14
  Speaker 3: what you want to say. And that's what it feels
• 1:20:15
  Speaker 3: like when you watch Dance Moms. It doesn't matter if
• 1:20:17
  Speaker 3: you want to lose. There's a complaint behind it. And
• 1:20:20
  Speaker 3: I think that's great teller.
• 1:20:21
  Speaker 4: I think Zach. I think Zach and Donald's this new
• 1:20:23
  Speaker 4: show should be a rewatch of Dance Moms.
• 1:20:25
  Speaker 3: Oh my god, please please, please please.
• 1:20:34
  Speaker 4: All were take a quick break and when we come back,
• 1:20:36
  Speaker 4: we will finish the show. We love you. Let's hear
• 1:20:39
  Speaker 4: what this button does.
• 1:20:40
  Speaker 2: Everybody likes little as you know, and we're bad.
• 1:20:51
  Speaker 3: Speaking of being back Chico artist, dude.
• 1:20:55
  Speaker 4: Yeah, we would put her out of a job. She
• 1:20:57
  Speaker 4: hasn't been producing.
• 1:20:58
  Speaker 3: In a while, been putting a bunch of stuff.
• 1:21:01
  Speaker 4: Oh really, she's not tagging me, Come on, cheek, artists.
• 1:21:03
  Speaker 4: I need to see that ship on my Insta tags.
• 1:21:06
  Speaker 4: What she what she do?
• 1:21:07
  Speaker 3: She she's just putting like a bunch of behind the scenes.
• 1:21:10
  Speaker 4: Now she's doing shorts. Now she's doing short.
• 1:21:15
  Speaker 3: But you know what, you know what her famous one,
• 1:21:17
  Speaker 3: one of her favorite ones is what to do is
• 1:21:20
  Speaker 3: whether it be a poop?
• 1:21:21
  Speaker 4: Yeah, a finger?
• 1:21:23
  Speaker 3: Yeah?
• 1:21:24
  Speaker 4: I love cheeko artists. She's so funny. All right, let's
• 1:21:28
  Speaker 4: finish up the show for the audience, guys. So none
• 1:21:31
  Speaker 4: of these interns are really that that that nice because
• 1:21:34
  Speaker 4: we find out that not only is Denise so cold,
• 1:21:39
  Speaker 4: but she's playing.
• 1:21:41
  Speaker 3: She's playing.
• 1:21:43
  Speaker 4: Katie is playing Elliott. Turns out that Katie used Elliott
• 1:21:49
  Speaker 4: to get Turk to pick her to use her for
• 1:21:52
  Speaker 4: the research paper. Yeah, and we find that out because
• 1:21:57
  Speaker 4: we learned that Katie was the very first person to
• 1:21:59
  Speaker 4: say meanwhile, she told Elliott, I don't have the courage
• 1:22:03
  Speaker 4: to sign up. And we know that Ed signed up
• 1:22:06
  Speaker 4: solely because he had one of those pens that you
• 1:22:09
  Speaker 4: can click down three different colors and he wanted to
• 1:22:11
  Speaker 4: use it.
• 1:22:12
  Speaker 3: And that's why Turk wanted to pick them.
• 1:22:13
  Speaker 4: And picked him because he thought that was cool too.
• 1:22:16
  Speaker 3: So this is so these are this is something else.
• 1:22:19
  Speaker 3: There's an undertone in here that's very misogynistic as far
• 1:22:24
  Speaker 3: as the way Turk uh. The reason why Turk doesn't
• 1:22:28
  Speaker 3: pick Katie is because you know, the surgical department is
• 1:22:32
  Speaker 3: the surgery department is a boys club. The reason why
• 1:22:37
  Speaker 3: uh uh? At least this is what I got. I
• 1:22:43
  Speaker 3: thought that, and then it changed up, and then it
• 1:22:46
  Speaker 3: changed up on me. But I thought that the reason
• 1:22:48
  Speaker 3: why j D was chose a girl was because he
• 1:22:54
  Speaker 3: could find someone who would be more in touch with
• 1:22:57
  Speaker 3: their feelings than a boy would. And I thought, that's
• 1:23:01
  Speaker 3: why JD chose a girl, which is a little massage
• 1:23:04
  Speaker 3: andistic also you know what I mean in some way,
• 1:23:08
  Speaker 3: just to assume that that would be the way. And
• 1:23:10
  Speaker 3: so the great lesson in the episode was don't judge
• 1:23:15
  Speaker 3: a book by its cover, because he chooses Denise, and
• 1:23:18
  Speaker 3: Denise turns out to be completely opposite.
• 1:23:21
  Speaker 4: A sociopath.
• 1:23:25
  Speaker 3: That's exactly what she is.
• 1:23:27
  Speaker 4: She has no conscience, no emotions, she's cold as ice.
• 1:23:31
  Speaker 5: Yeah, And Elliot chooses her intern because she looks like
• 1:23:35
  Speaker 5: her yeah yeah.
• 1:23:37
  Speaker 4: And Elliot's always dying for female friends. So she's like,
• 1:23:41
  Speaker 4: she's like, you know, the vibe is like, oh, I'm
• 1:23:42
  Speaker 4: also going to have a cute new buddy.
• 1:23:45
  Speaker 3: I just thought that was very interesting. I thought that
• 1:23:47
  Speaker 3: And at the end of it nothing gets resolved either.
• 1:23:52
  Speaker 3: That was also something that I thought was, you know,
• 1:23:56
  Speaker 3: really usually at the end of every episode, you know,
• 1:24:00
  Speaker 3: at the end of the day, you know.
• 1:24:02
  Speaker 4: Right, But I think this again, this was meant to
• 1:24:05
  Speaker 4: be the premiere of season eight, so it's setting up
• 1:24:07
  Speaker 4: the you know, these main lead interns who are going
• 1:24:09
  Speaker 4: to be the interns for the season, thought.
• 1:24:11
  Speaker 3: Dot dot, you know, right, And then Elliot, you really
• 1:24:14
  Speaker 3: don't like the interns at the end of this episode.
• 1:24:17
  Speaker 4: You know, I don't like any of them.
• 1:24:21
  Speaker 3: They're a bunch of little shits. And and I get
• 1:24:24
  Speaker 3: that that's supposed to be like, you know, hindsight being
• 1:24:27
  Speaker 3: twenty twenty, so were j D. Elliott and Turk when
• 1:24:30
  Speaker 3: they were interns and stuff like that, But we like
• 1:24:32
  Speaker 3: but the story, Yeah, but the story is told so different.
• 1:24:35
  Speaker 3: You know, they're they're they're they're uh.
• 1:24:38
  Speaker 4: Oh, I see what you're saying. I think I get
• 1:24:39
  Speaker 4: what you're saying. You're saying, we're now seeing it from
• 1:24:42
  Speaker 4: a different perspective. We're seeing it from the doctor's perspective.
• 1:24:46
  Speaker 4: When when when Scrubs audiences first met our characters in
• 1:24:50
  Speaker 4: one on one, they were seeing it from the interns perspective.
• 1:24:54
  Speaker 4: Perhaps Bill specifically made them annoyings because we're experiencing them
• 1:24:59
  Speaker 4: from the now jaded doctor's perspective. I don't know, well,
• 1:25:04
  Speaker 4: I did get goosebumps in the end as Josh Raden
• 1:25:07
  Speaker 4: sings the Sesame Street song and JD says, always play nice,
• 1:25:12
  Speaker 4: always try your hardest, and it's okay to cry.
• 1:25:17
  Speaker 5: This is such a classic Bill episode, like, oh my God,
• 1:25:20
  Speaker 5: like I didn't check to see he wrote and directed
• 1:25:23
  Speaker 5: it first, so whoever wrote this is a genius. But
• 1:25:26
  Speaker 5: all the set up was so great and it gets
• 1:25:28
  Speaker 5: like the heart of Bill Lawrence, which is always like
• 1:25:30
  Speaker 5: past your torch of knowledge, because I feel like the
• 1:25:33
  Speaker 5: through line of all of his work is about like,
• 1:25:35
  Speaker 5: how do you pass like love and knowledge down to
• 1:25:38
  Speaker 5: the next generation and what does that trouble look like?
• 1:25:41
  Speaker 3: This the number one lesson, Joah tells Luke Skywalker before
• 1:25:46
  Speaker 3: he passes away, pass on what you've learned. That is
• 1:25:51
  Speaker 3: why we are here.
• 1:25:55
  Speaker 5: Gospel m m.
• 1:25:58
  Speaker 4: Mm feeling well, I miss you guys, an audience, We
• 1:26:04
  Speaker 4: are back. We are going to be doing this now
• 1:26:06
  Speaker 4: because our town is on strike, so we certainly don't well,
• 1:26:11
  Speaker 4: we'll not have jobs for the foreseeable future. What are
• 1:26:14
  Speaker 4: some announcements. If you're going to be in the Seattle
• 1:26:17
  Speaker 4: area on June tenth, please buy a ticket. You get
• 1:26:19
  Speaker 4: them on ticket Master by putting in fake doctors, it'll
• 1:26:21
  Speaker 4: come up. There's a few seats left, and hopefully if
• 1:26:25
  Speaker 4: that goes well and we don't totally embarrass ourselves, we'll
• 1:26:30
  Speaker 4: do more of them. Thank you all. I just want
• 1:26:33
  Speaker 4: to say about a good Person. Thank you all for
• 1:26:36
  Speaker 4: who've watched so far and for all the love. I
• 1:26:38
  Speaker 4: really really really appreciate you. You can rent it on
• 1:26:42
  Speaker 4: iTunes or Amazon or any place you rent movies. And
• 1:26:46
  Speaker 4: two important dates that are coming up May sixteenth, which
• 1:26:50
  Speaker 4: is when is this episode air? Joel, this is air?
• 1:26:54
  Speaker 5: Stay May sixteenth.
• 1:26:55
  Speaker 4: Oh well, guys, guess what today you can buy? You
• 1:27:00
  Speaker 4: can officially buy a Good Person if you want to
• 1:27:04
  Speaker 4: own it on iTunes or Amazon or any place you
• 1:27:07
  Speaker 4: buy movies. And then the next important date is May thirtieth,
• 1:27:11
  Speaker 4: when the rental price will come down to whatever the
• 1:27:14
  Speaker 4: low normal rental price is. I realized the rental price
• 1:27:17
  Speaker 4: is still high. It goes without saying I don't control
• 1:27:20
  Speaker 4: any of this, but I just want everyone to know
• 1:27:21
  Speaker 4: the dates. May sixteen so you can own it, which
• 1:27:23
  Speaker 4: is today, and May thirtieth is not only a rental
• 1:27:27
  Speaker 4: ble day where the rent officially drops to the lower
• 1:27:31
  Speaker 4: probably five dollars price, I'm not sure what it is.
• 1:27:34
  Speaker 4: Also on May thirtieth, if you're someone who likes to
• 1:27:35
  Speaker 4: buy physical discs, that's when they officially go on sale.
• 1:27:39
  Speaker 4: The blu ray of a good person, so those are
• 1:27:43
  Speaker 4: a good person.
• 1:27:44
  Speaker 3: There's another date that we didn't talk about. We did
• 1:27:48
  Speaker 3: talk about it, but it doesn't have to do with
• 1:27:50
  Speaker 3: a good person. But on June tenth, I don't want
• 1:27:52
  Speaker 3: you all to forget we're going to be in Seattle.
• 1:27:54
  Speaker 3: Y'all need to come out and see us. Yeah, we
• 1:27:57
  Speaker 3: got you the tickets left. There's only a few left.
• 1:28:00
  Speaker 4: Talking about that, you know, and you know about it
• 1:28:02
  Speaker 4: in the beginning.
• 1:28:03
  Speaker 3: We talked about it in the beginning. I'm just reiterating
• 1:28:05
  Speaker 3: everyone they were.
• 1:28:06
  Speaker 4: Did you do a bong hit? Did you do a
• 1:28:08
  Speaker 4: bong hit? Below the screens because within these end announcements
• 1:28:11
  Speaker 4: I mentioned probably less than two minutes ago yes, literally, guys,
• 1:28:15
  Speaker 4: weed not even once.
• 1:28:18
  Speaker 3: Listen, guys, yeah, if you want everything to always be
• 1:28:23
  Speaker 3: like brand new, like you just like yo, live like Memento.
• 1:28:30
  Speaker 4: We don't know that a good advertisement. Would you like
• 1:28:34
  Speaker 4: to live like the movie in the Mento? That's how
• 1:28:37
  Speaker 4: Donald loves all right? Five fucking five fucking six seven
• 1:28:44
  Speaker 4: are here's some stories I'm.
• 1:28:46
  Speaker 6: Not sure we made about a bunch of talks and
• 1:28:50
  Speaker 6: nurses and.
• 1:28:53
  Speaker 3: He said he's a story net.
• 1:28:56
  Speaker 6: No, soa around you here, hobby yead around you here, hobbit.
• 1:29:03
  Speaker 1: Suppose we watch rubies and no, mm hmmm