Latest / We Got Motion / We Got Motion Podcast With P-Dub & CalWood Episode 40 w/ Special Guest King Malachi

Transcript

We Got Motion Podcast With P-Dub & CalWood Episode 40 w/ Special Guest King Malachi · We Got Motion

• 0:02
  SPEAKER_00: We got motion, man.
• 0:03
  SPEAKER_00: We live right now.
• 0:03
  SPEAKER_00: You feel me?
• 0:04
  SPEAKER_00: We got for sure, my boy Cal Woods.
• 0:06
  SPEAKER_00: You already know us what we do.
• 0:07
  SPEAKER_00: We cohorts.
• 0:08
  SPEAKER_00: King Malachi, you feel me?
• 0:10
  SPEAKER_00: At the screen below, this is what we do.
• 0:11
  SPEAKER_00: Yeah, I'm saying we're gonna introduce self see what he do.
• 0:14
  SPEAKER_00: We're gonna give a straight uh a shout out to my Gammy.
• 0:17
  SPEAKER_00: Rest in peace.
• 0:18
  SPEAKER_00: Came from the uh came from the funeral today.
• 0:21
  SPEAKER_00: I am a raider, but I do got the 49 of Gorbone today for rest in peace, Gammy.
• 0:27
  SPEAKER_02: You already know what to do.
• 0:29
  SPEAKER_02: Hold on.
• 0:29
  SPEAKER_02: Definitely rest in peace to the queen, man.
• 0:30
  SPEAKER_02: It's your boy Cowboys, man.
• 0:32
  SPEAKER_02: One half of Frequency 99, Frequency 99 is the umbrella.
• 0:35
  SPEAKER_02: Other half of we got motion podcast from my boy Doug, man, Detroit to Oakland.
• 0:40
  SPEAKER_02: And we have a special, special, special guest.
• 0:44
  SPEAKER_02: Long overdo it, man.
• 0:45
  SPEAKER_02: Introduce yourself, man.
• 0:47
  SPEAKER_02: Who you are to everybody to the world.
• 0:49
  SPEAKER_01: You already know what it is.
• 0:50
  SPEAKER_01: It's King Malachi, the sheriff, man, the underground king in Atlanta, Georgia.
• 0:54
  SPEAKER_01: You know what I'm saying?
• 0:55
  SPEAKER_01: Make it a do what it do originally for Orange Burst, South Carolina, and Marion, South Carolina.
• 1:00
  SPEAKER_01: You know, and I'm here to kick it with my peoples out there in California.
• 1:03
  SPEAKER_01: What are we doing, Callie?
• 1:07
  SPEAKER_02: Okay.
• 1:08
  SPEAKER_02: That sounds good, man.
• 1:09
  SPEAKER_02: That's good.
• 1:10
  SPEAKER_02: So we're gonna start this off real quick.
• 1:14
  SPEAKER_02: A quick, like an introduction of yourself, like who you are.
• 1:18
  SPEAKER_02: I know a lot of people.
• 1:20
  SPEAKER_02: I've been looking you up.
• 1:22
  SPEAKER_02: I don't call you Underground Legend.
• 1:24
  SPEAKER_02: Let us know why you why they're saying that, what you about, and what you've been doing for these past these years, like what you do.
• 1:32
  SPEAKER_01: You ready?
• 1:35
  SPEAKER_01: Sound like a lot of feedback.
• 1:36
  SPEAKER_01: Oh, it's a lot of echo, Doug.
• 1:40
  SPEAKER_00: It's a lot of echo.
• 1:42
  SPEAKER_00: Yeah, it's echo.
• 1:42
  SPEAKER_00: It's a lot of echo right now, though.
• 1:44
  SPEAKER_00: Yeah, it is.
• 1:46
  SPEAKER_01: Only coming from his side.
• 1:48
  SPEAKER_02: Yes, on yes, yes on you, Doug.
• 1:58
  SPEAKER_02: Yeah, anyway, so tell us a little bit about yourself, man.
• 2:01
  SPEAKER_02: What's going on?
• 2:02
  SPEAKER_02: What you?
• 2:03
  SPEAKER_01: Oh man, you know, been in the game over 30 years.
• 2:07
  SPEAKER_01: Okay.
• 2:08
  SPEAKER_01: Um, I'm like, you know, what they would call a benchmark artist in Atlanta.
• 2:12
  SPEAKER_01: You know, Atlanta, the black mecca music.
• 2:15
  SPEAKER_01: Um, you know, um, I it was a time where I probably was like the most famous person in the city who wasn't on radio.
• 2:22
  SPEAKER_01: You know what I'm saying?
• 2:23
  SPEAKER_01: Everybody know my songs.
• 2:26
  SPEAKER_01: You know, um, I made over$100,000 out of my hand selling CDs over the years, man.
• 2:32
  SPEAKER_02: You know, I just old days with the CDs all this CDs, brother.
• 2:36
  SPEAKER_01: I was the first, I was one of the first artists to have ringtones, all of that.
• 2:40
  SPEAKER_01: I was one of the first artists in the city to have my own website.
• 2:44
  SPEAKER_01: I'm one of them.
• 2:45
  SPEAKER_01: You know what I'm saying?
• 2:46
  SPEAKER_01: Like a lot of artists look to me, you know what I'm saying, on what they needed to do next.
• 2:50
  SPEAKER_01: I was always cutting edge.
• 2:52
  SPEAKER_01: You know what I mean?
• 2:53
  SPEAKER_01: So uh basically the blueprint, the blueprint of what a lot of these artists do, man.
• 2:57
  SPEAKER_02: And again, I miss streaming is cool, but I miss them CDs, man.
• 3:03
  SPEAKER_01: Yeah, for sure.
• 3:04
  SPEAKER_01: When I was married, when I was married, for 11 years, my ex-wife didn't work off my hustle.
• 3:12
  SPEAKER_01: Yeah, yeah, yeah.
• 3:14
  SPEAKER_01: So, you know, that's what I'm saying.
• 3:15
  SPEAKER_01: Like, everybody know I'm the truth, man.
• 3:17
  SPEAKER_01: For real, for real.
• 3:19
  SPEAKER_01: Um, it wasn't too many people who sold more CDs than me in the city.
• 3:24
  SPEAKER_01: Um I won underground artists of the year, artists of the year in the city, consecutively too many times.
• 3:33
  SPEAKER_01: I won, and that's for singing and rapping.
• 3:35
  SPEAKER_01: I won best uh in 2012, I won the best hip hop artists in the state of Georgia.
• 3:41
  SPEAKER_01: Um man, it's just a blessing.
• 3:44
  SPEAKER_01: Man, I was a part of the dungeon family.
• 3:46
  SPEAKER_01: It was a time where me and Future was together on a day daily basis.
• 3:49
  SPEAKER_01: We did promo tour all in Florida.
• 3:51
  SPEAKER_01: We was on the same label called 848, R.I.P.
• 3:55
  SPEAKER_01: Charles Willis, uh Rico Wade bring me into the dungeon family.
• 3:59
  SPEAKER_01: Um R.O.
• 4:00
  SPEAKER_01: R.I.P.
• 4:01
  SPEAKER_01: Rico Wade.
• 4:01
  SPEAKER_01: Rico Wade is who discovered Outcast, Andre 3000 and Goody Mob and CeeLo Green, etc.
• 4:08
  SPEAKER_01: So, you know, I come from that cloth.
• 4:10
  SPEAKER_01: I come from that cloth.
• 4:12
  SPEAKER_02: Jeez, you was a uh remember the the dungeon.
• 4:15
  SPEAKER_02: See, I I didn't know this.
• 4:16
  SPEAKER_02: See, I thought you just was a singer.
• 4:19
  SPEAKER_02: I didn't know you even rapped.
• 4:20
  SPEAKER_01: Yeah, so I'm the first artist probably in music history that had the that had Tupac Outlaws and um Dungeon Family in one video together, backing me.
• 4:31
  SPEAKER_01: You know what I'm saying?
• 4:32
  SPEAKER_01: It's a song called Grimy World.
• 4:33
  SPEAKER_01: The video is out.
• 4:34
  SPEAKER_01: You get a chance, go online, check out King Malachi Grimy World.
• 4:38
  SPEAKER_00: No, but when you think about Dungeon Family, though, you gotta be an OG.
• 4:41
  SPEAKER_00: Motherfuckers don't even know who was in the Dungeon Family, like the Dungeon Family.
• 4:45
  SPEAKER_00: Let's go back.
• 4:46
  SPEAKER_01: Well, well, well, we'll just start here.
• 4:48
  SPEAKER_01: We'll just start here, right?
• 4:50
  SPEAKER_01: Arguably the best hip-hop artist in the history of hip-hop, one of the most, you know, revered artists, Andre 3000.
• 5:00
  SPEAKER_01: Up top is from Dungeon Family.
• 5:02
  SPEAKER_01: You understand what I'm saying?
• 5:03
  SPEAKER_01: You know, um, Outcast is arguably the biggest hip-hop group in the history of hip-hop selling diamond consecutively.
• 5:12
  SPEAKER_01: I mean, it's crazy.
• 5:14
  SPEAKER_01: Then we got CeeLo Green.
• 5:15
  SPEAKER_01: So, you know, you know, it's crazy over there.
• 5:19
  SPEAKER_01: And those, I would I name those, you know, the dungeon is deep, but you got big.
• 5:23
  SPEAKER_01: You got big is one of my favorite dudes.
• 5:26
  SPEAKER_01: Gip is my guy, you know what I'm saying?
• 5:28
  SPEAKER_00: So now my favorite dudes, yeah, yeah, Gip, my guy.
• 5:31
  SPEAKER_01: Honestly, to keep it real, image-wise, Gip is the first outcast.
• 5:37
  SPEAKER_01: So, like, Gip has always been cutting edge with his fashion.
• 5:43
  SPEAKER_01: No, I know what you mean.
• 5:44
  SPEAKER_01: You know what I'm saying?
• 5:45
  SPEAKER_01: So before Andre got like that, Gip was already that, but he was like what I would call cool weird, right?
• 5:54
  SPEAKER_01: He's like a cool weirdo.
• 5:56
  SPEAKER_00: I agree, you know what I'm saying?
• 5:58
  SPEAKER_00: Like a real I I didn't caught him on certain panels, he be spitting that ism too.
• 6:03
  SPEAKER_00: Oh, he most definitely got the ism.
• 6:05
  SPEAKER_01: I mean, but uh you gotta know, Goody Mob is very conscious, so you know, that whole squad got the ism.
• 6:11
  SPEAKER_01: You know what I mean?
• 6:12
  SPEAKER_01: So you know, I remember one time I was sitting in the back of um Rico Wade Mansion on Adams Street on in Southwest Atlanta at um the second dungeon, right?
• 6:24
  SPEAKER_01: In the bottom of his mansion.
• 6:26
  SPEAKER_01: And um, one day he was talking to me, right?
• 6:29
  SPEAKER_01: And I don't tell people this a lot, but one day he was talking to me, he said um that LA Reed told him that one day an artist would come along that was gonna personify the whole dungeon family.
• 6:43
  SPEAKER_01: He said, and that artist is you, Malachi.
• 6:46
  SPEAKER_02: Okay, oh wow, that's you shout out to LA Reed, man, for doing the doing the vision.
• 6:50
  SPEAKER_01: LA Reed Legend executive, yeah, yeah, super, super legend executive, right?
• 6:58
  SPEAKER_00: Super, so you know I mean what you what you feel about I would like to kind of go up.
• 7:02
  SPEAKER_00: What you feel about A ball and MJG?
• 7:04
  SPEAKER_00: I feel like that was kind of that same era, right?
• 7:07
  SPEAKER_00: And I feel like A ball and MJG kind of didn't really get what they were supposed to get in a sense of like accolades.
• 7:13
  SPEAKER_01: Well, you gotta realize A ball and MJG didn't make huge records, they made right real fly street records.
• 7:22
  SPEAKER_01: You feel what I'm saying?
• 7:23
  SPEAKER_00: But I feel like they made records for me, yeah.
• 7:25
  SPEAKER_01: So so the reason why they don't get the super accolades because they didn't have super records, right?
• 7:31
  SPEAKER_01: See, outcast transcended with the records, right?
• 7:35
  SPEAKER_01: You know, they they went out of this world with the records, you know what I mean.
• 7:40
  SPEAKER_00: What the fuck is this?
• 7:41
  SPEAKER_00: I have shit, but it was so it was above me, yeah.
• 7:45
  SPEAKER_00: Like I didn't get it, like you feel what I'm saying?
• 7:47
  SPEAKER_00: Yeah, but now I get it.
• 7:49
  SPEAKER_02: Yeah, no, definitely.
• 7:50
  SPEAKER_02: Outcast is definitely like uh the first time I was able to go to Stank Only Studios, I was just geeked to just do that.
• 7:58
  SPEAKER_02: So I I so I never met them guys or wish I had been able to meet these guys.
• 8:03
  SPEAKER_02: Hopefully, one day I can catch three stacks of New York, man, because he'd be in every everybody that's seen three stacks of New York except me.
• 8:09
  SPEAKER_02: So I gotta go to New York, man, see three stacks, man, play the play the flute, man.
• 8:13
  SPEAKER_02: Cause they just he'd he'll just walk by.
• 8:15
  SPEAKER_02: You'd be like, you know, three three stacks.
• 8:17
  SPEAKER_02: Huh, real man.
• 8:18
  SPEAKER_02: So that's crazy.
• 8:19
  SPEAKER_02: So as far as the music, your music, the question I have is now that I know that you rap and I just sing, how many albums and projects have you created, and what was your last project you created?
• 8:31
  SPEAKER_01: I have thousands of songs.
• 8:33
  SPEAKER_01: Um, like I said, man, you know, um, I mean, bro, my my discography is crazy because you gotta realize my first check I got in the game was from Naughty by Nature.
• 8:44
  SPEAKER_00: So what era of Naughty by Nature though?
• 8:48
  SPEAKER_00: What era?
• 8:49
  SPEAKER_00: The 90s.
• 8:50
  SPEAKER_00: Okay.
• 8:52
  SPEAKER_01: You talking about the OPP or the OP by the Nature's Fury album, I wrote three choruses on that album.
• 8:59
  SPEAKER_01: One of those songs had Master P and Silk the Shaka.
• 9:02
  SPEAKER_01: Out of three of the choruses that I wrote for them, two of them had major videos.
• 9:05
  SPEAKER_01: Matter of fact, we came to Universal Studios in Cali and shot both videos.
• 9:11
  SPEAKER_01: Okay.
• 9:12
  SPEAKER_01: And I did a song.
• 9:13
  SPEAKER_01: Matter of fact, me, Jaheem, L V from Gangsters Paradise, uh, the singing group next, and my group that I was in called Finesse, all of us sang on the Tupac tribute that Tresh did called Mourn You Till I Join You.
• 9:27
  SPEAKER_01: And we shot that video in Central Park and in Williamsburg, Brooklyn.
• 9:32
  SPEAKER_00: What was the what was the two video the two videos you said you did finally?
• 9:36
  SPEAKER_00: What were the two songs?
• 9:36
  SPEAKER_01: The first the uh the song was called Liver Die.
• 9:39
  SPEAKER_01: It went like, I thought I told you, have my money, you got into sunrise, a little send that anymore.
• 9:49
  SPEAKER_01: I don't remember that song.
• 9:52
  SPEAKER_01: And then there was another song they had called Um, but but my partner who passed away, his voice was the main one in the forefront of that record.
• 10:00
  SPEAKER_01: But it was another song called Holiday.
• 10:03
  SPEAKER_01: It went like, We came here to party, join together, everybody.
• 10:07
  SPEAKER_01: Let's celebrate.
• 10:09
  SPEAKER_01: Uh it's holiday, and it's like it was a huge video.
• 10:12
  SPEAKER_01: Everybody, they mama, aliyah, new edition.
• 10:17
  SPEAKER_01: Everybody you could think of was in that video.
• 10:19
  SPEAKER_01: It was crazy.
• 10:20
  SPEAKER_00: It was crazy.
• 10:21
  SPEAKER_00: No, okay.
• 10:22
  SPEAKER_00: Look, look, let us know that you got like some of them.
• 10:25
  SPEAKER_00: Look, I ain't gonna lie, we might have been sleeping on you.
• 10:27
  SPEAKER_00: We might have been sleeping on you, bro.
• 10:29
  SPEAKER_00: I I was sleeping on you, King.
• 10:30
  SPEAKER_00: I ain't gonna I was sleeping on you.
• 10:31
  SPEAKER_00: I would say let's keep shit real then.
• 10:32
  SPEAKER_00: Nah, because your cribs don't read like that.
• 10:35
  SPEAKER_00: I damn near I was I was telling my my nigga Carol Wood earlier.
• 10:38
  SPEAKER_00: I feel like you had tapped in with us about six months ago.
• 10:42
  SPEAKER_00: We was kind of like doing what we was doing, but I really don't know, right?
• 10:45
  SPEAKER_00: But I feel like your cribs, like I would love for you right now.
• 10:48
  SPEAKER_00: Let's like let's let's get it let's get it uh organized about your cradge.
• 10:55
  SPEAKER_00: You've been rocking since what year, all the way to right now.
• 10:58
  SPEAKER_00: Let's let's like let's name some of your cribs from from 90 to now.
• 11:02
  SPEAKER_01: I've been in the game, I've been in the game 36 years.
• 11:05
  SPEAKER_01: I was in the studio where Biggie was making his first album.
• 11:08
  SPEAKER_01: I was in the studio with Jodie C when they was making Diary of a Mad Band, and nobody knew who Timberland was, nobody knew who Missy was.
• 11:16
  SPEAKER_01: I was in this man, it's it's it's I I I've been in the studio and recorded with George Clinton.
• 11:20
  SPEAKER_01: The song I did with George Clinton was probably the wackest song I did in my life.
• 11:24
  SPEAKER_01: That shit sounded horrible.
• 11:25
  SPEAKER_01: But um, we and we recorded that at Dallas Austin Studio in Atlanta.
• 11:30
  SPEAKER_01: Um, my little homie Malik, who used to dance with me on some hip-hop shit before he got on, he used to be he was a little kid dancing around me, right?
• 11:40
  SPEAKER_01: And he got on with Queen Latifah.
• 11:42
  SPEAKER_01: Next thing I know, he was with trenching them.
• 11:44
  SPEAKER_01: Next thing I know, he on Snoop Dogg's first album.
• 11:48
  SPEAKER_01: So on a song, uh Snoop first Snoop's biggest and best album he ever put out, he had a song called Pump Pump.
• 11:55
  SPEAKER_01: And my little dude from Holly Hills, South Carolina, named Lil Malik, who was in a group called Illegal.
• 12:00
  SPEAKER_01: That was my little home.
• 12:01
  SPEAKER_00: I know Illegal, that was like the ride for the immature.
• 12:04
  SPEAKER_00: Yeah, yeah.
• 12:05
  SPEAKER_00: I ain't mixed.
• 12:06
  SPEAKER_00: I ain't mixing illegal was like contemporaries.
• 12:09
  SPEAKER_01: Yeah, yeah, yeah, yeah, yeah.
• 12:11
  SPEAKER_01: So, no, all that man, I just been in this thing forever, man.
• 12:14
  SPEAKER_01: It's like I got so much dope shit I did, I forgot, bro.
• 12:17
  SPEAKER_01: Like, I'm talking about I was in the studio with Q Tip when they was making We On the World Tour with my Hama, my man.
• 12:23
  SPEAKER_01: When they came out with the um, I was in the studio with Q-tip when the graphic artist brought those graphics where everybody with the headphones on the back of the CD, I was there.
• 12:35
  SPEAKER_01: I saw that artwork before it dropped.
• 12:37
  SPEAKER_01: Um, I mean, man, it's just it's just real.
• 12:40
  SPEAKER_01: You got real history for real.
• 12:41
  SPEAKER_01: Hold on, hold on, hold on, hold on.
• 12:42
  SPEAKER_01: When I was the king of Atlanta earlier in my career, future was with me on a daily basis.
• 12:49
  SPEAKER_01: His name was Meathead.
• 12:50
  SPEAKER_01: He wasn't nobody in the city yet.
• 12:53
  SPEAKER_01: I helped influence his style.
• 12:55
  SPEAKER_01: I was one of the first.
• 12:57
  SPEAKER_00: I was a I wanted to ask you that.
• 12:59
  SPEAKER_00: Look, based on something like that, right?
• 13:01
  SPEAKER_00: Do you feel like right now you had a place where you want to be, like in a sense of like the game?
• 13:06
  SPEAKER_00: The game has changed from analog art era.
• 13:09
  SPEAKER_00: You said since 90, that was an analog era, that was a recognition tape out the trunk, like kind of like physical copy.
• 13:17
  SPEAKER_00: We in a whole different era now, right?
• 13:19
  SPEAKER_00: To where you might be just as important as you were back then now, but because the terrain is different, your importance don't really it kind of gets glossed over, right?
• 13:30
  SPEAKER_01: No, well, well, it ain't got nothing to do with that part you just mentioned.
• 13:34
  SPEAKER_01: Um, certain things get glossed over because all right, I'll give an example.
• 13:38
  SPEAKER_01: What is diamonds to what is diamonds to us if all of us got diamonds in our backyard?
• 13:44
  SPEAKER_01: Right?
• 13:45
  SPEAKER_01: So regular.
• 13:47
  SPEAKER_01: Right.
• 13:47
  SPEAKER_01: So so now we live in an era where everybody's an artist.
• 13:52
  SPEAKER_01: Right.
• 13:54
  SPEAKER_00: But they're all dope, and they might not understand that the niggas that like say like this, you wrote some shit, you was in the studio.
• 14:03
  SPEAKER_00: Say you was in the studio, you inspired a hook that you didn't get no credit for, but the hook was what made the song legendary.
• 14:11
  SPEAKER_00: Right?
• 14:12
  SPEAKER_00: Only only the niggas in the studio know that.
• 14:15
  SPEAKER_00: Right now, you can tell me about it, and I can know from what you're saying that you're telling the truth, right?
• 14:21
  SPEAKER_00: But I'm saying that how does that make you feel right now that I don't know if you care about accolades.
• 14:26
  SPEAKER_00: I don't know if you're wanting it for the money, the art, the accolades, whatever.
• 14:30
  SPEAKER_00: In this era of music right now, I don't know what what you stand on or whatever, right?
• 14:34
  SPEAKER_00: How does that make you feel that I can look at you like, nigga, everything you just said was legendary, right?
• 14:40
  SPEAKER_00: But this generation, the streaming generation, might not even give, like that, the needle might not move on that.
• 14:47
  SPEAKER_00: How do you do you give a fuck about that?
• 14:49
  SPEAKER_01: Right?
• 14:51
  SPEAKER_01: See, the thing, the thing is, bro, just like in the Bible, right?
• 14:55
  SPEAKER_01: King David was already anointed the king, but Saul was still the figurehead sitting in the chair for years before David actually sat on the throne.
• 15:09
  SPEAKER_01: So I'm not mad that the most high had me sitting in the pot marinating, because my time is here.
• 15:15
  SPEAKER_01: I'm about to come and do what I do.
• 15:16
  SPEAKER_01: I just went viral on the 85 South show with Carlos the DC Young Fly, where they was bragging about my um my legendary song Hustlin' boy, and it just did crazy views, and now they want me to come perform it live on their show.
• 15:31
  SPEAKER_01: They got almost three million subscribers.
• 15:33
  SPEAKER_01: When I go on that show, it's about to be a different tomorrow.
• 15:38
  SPEAKER_01: Thank you.
• 15:38
  SPEAKER_01: Right.
• 15:39
  SPEAKER_00: That's what's up.
• 15:39
  SPEAKER_00: That's what that's what's up, man.
• 15:41
  SPEAKER_00: Real tough, man.
• 15:42
  SPEAKER_00: No, no, no, no, look.
• 15:43
  SPEAKER_00: You what I'll be saying to you all the time.
• 15:45
  SPEAKER_00: It's a renaissance for the OGs.
• 15:48
  SPEAKER_00: It is.
• 15:48
  SPEAKER_00: I don't know what 2026 has been, but like, if you are old, and I don't like no disrespect.
• 15:54
  SPEAKER_00: I to me, hip hop, put it to me, look, RB, RB and every other music don't got no age out.
• 16:02
  SPEAKER_00: You can rock.
• 16:03
  SPEAKER_00: I don't give a fuck if you're on tour, if it's old shit, new shit, whatever.
• 16:07
  SPEAKER_00: And and rap, hip-hop, it's an age out.
• 16:10
  SPEAKER_00: Guess what?
• 16:10
  SPEAKER_00: We I might not feel like that.
• 16:13
  SPEAKER_00: You might not feel like that, but it's kind of like young niggas, it's almost like uh Willie Lynch.
• 16:18
  SPEAKER_00: Check out the young niggas gets the old.
• 16:20
  SPEAKER_00: Right.
• 16:20
  SPEAKER_01: So let me give you some gang.
• 16:22
  SPEAKER_01: Go ahead, go ahead, go ahead.
• 16:23
  SPEAKER_01: Let me give you some game.
• 16:25
  SPEAKER_01: Hip hop is not have an age no more.
• 16:28
  SPEAKER_01: Hip hop had an age when hip-hop was young.
• 16:31
  SPEAKER_01: Hip hop is 50 something years old now.
• 16:34
  SPEAKER_01: So now you got niggas 60 years old who love hip-hop.
• 16:38
  SPEAKER_01: See, when hip hop was new and fresh, it was only for young motherfuckers.
• 16:43
  SPEAKER_01: You see what I'm saying?
• 16:44
  SPEAKER_01: Now you got granddaddy niggas who like, oh, I like this artist, I like this artist, I like that artist.
• 16:50
  SPEAKER_01: So now it's a different game.
• 16:52
  SPEAKER_01: Now, 30 years ago, hip-hop was 20 years old.
• 16:58
  SPEAKER_01: 23 years old.
• 16:59
  SPEAKER_01: So it was just for young niggas because hip-hop was only so old.
• 17:04
  SPEAKER_01: But now that hip-hop is the age of a grandfather, it's a different world.
• 17:10
  SPEAKER_01: So now you can make adult hip-hop and sell directly to those people who like damn, who done grew up, matured.
• 17:19
  SPEAKER_01: Now you just gotta, you know, make lyrics and songs that go with your age group.
• 17:26
  SPEAKER_01: Because now, see, the thing is, labels used to say, we only signing you if you're this age, blah, blah, blah.
• 17:33
  SPEAKER_01: But this shit ain't, we we we don't care about the labels no more.
• 17:36
  SPEAKER_01: Because think about it, we really don't even give a fuck about SEO.
• 17:41
  SPEAKER_01: Because now you can go to YouTube and everything and program yourself exactly what you like.
• 17:47
  SPEAKER_00: My thing is that kills everybody.
• 17:50
  SPEAKER_00: On some OG shit, I I I like the the drill music, the the game music, it just because I I'm a I'm a I'm an ex-criminal.
• 17:59
  SPEAKER_00: So a lot of the murder music still resonate with me, but I still do like my generation.
• 18:05
  SPEAKER_00: If you popping, I want to hear that shit.
• 18:08
  SPEAKER_00: Right, definitely.
• 18:09
  SPEAKER_00: I love I love it.
• 18:10
  SPEAKER_00: I want to hear the substance.
• 18:11
  SPEAKER_02: Right, I want to hear the substance.
• 18:12
  SPEAKER_02: Yeah, I love the the the older, the older the uh artists, you know, rappers and singers too are just killing it, man.
• 18:19
  SPEAKER_02: We got Jay Z still doing it at a high level.
• 18:21
  SPEAKER_02: We got Nives, we got Pete Rock, uh Wu Tang, man, I didn't even bro, I didn't even know that Method Man was 55.
• 18:31
  SPEAKER_02: And he's killing it.
• 18:32
  SPEAKER_02: But he just spent like 48 bucks.
• 18:34
  SPEAKER_02: I said he's like, yeah, this nigga 55.
• 18:36
  SPEAKER_02: I said, Damn, you 55, Method.
• 18:38
  SPEAKER_02: I'm just like, so I love that, and it's crazy.
• 18:41
  SPEAKER_02: It's gonna be of course you're supposed to get better in your craft because it's just like everybody, it seemed like every artist that's like 35 and up is killing every artist that's 34 and down.
• 18:53
  SPEAKER_02: They got more, they got more life.
• 18:56
  SPEAKER_02: Yeah, they they killing the man.
• 18:57
  SPEAKER_02: So they got more life, man.
• 18:59
  SPEAKER_01: Life mean life means more to them at that moment.
• 19:02
  SPEAKER_01: They know what they know more what life is about.
• 19:05
  SPEAKER_01: So now, because they was a super young dude before, and they who they are now.
• 19:11
  SPEAKER_01: The thing is, I got the young see the thing about doing music and being an artist, long as you stay in the game, you're gonna always keep up with what's current.
• 19:20
  SPEAKER_01: Just like you don't start really getting old mentally until you just like detach yourself from the game.
• 19:26
  SPEAKER_01: That's why you over, that's why you over there were like, Yeah, I'm an OG and I'm an ex-criminal, so I still like drill, even though you might be right 40.
• 19:37
  SPEAKER_01: See what I'm saying?
• 19:38
  SPEAKER_00: I'm elevated, I'm elevated above it, but you get the culture that the culture I come from is like nigga, I kill you or I rob you, like you feel me, but I don't condone it.
• 19:48
  SPEAKER_00: I pay taxes now, I'm a different man.
• 19:51
  SPEAKER_00: But but even like even you, see, like when we're talking about you right now, right?
• 19:55
  SPEAKER_00: Like just in my world, right?
• 19:58
  SPEAKER_00: Because I respect hip hop and music from where it came from, even the shit that got stolen from us, right?
• 20:04
  SPEAKER_00: When you saying all these crads, it's it's it's really like for real, bruh.
• 20:09
  SPEAKER_00: It's like a thousand men like you that did shit in studios.
• 20:13
  SPEAKER_00: Yeah, I'd have been in a studio where somebody in the studio, I'd have been a nigga in the studio.
• 20:17
  SPEAKER_00: I'm not even an artist, but I did some in the studio to make that shit pop.
• 20:21
  SPEAKER_00: You feel me, I'm saying, right?
• 20:23
  SPEAKER_00: And I'm looking at you, it's like you've given so much to the game that nobody probably stepped back and went, hey, by the way, King Malachi.
• 20:31
  SPEAKER_00: You feel me?
• 20:33
  SPEAKER_01: But see, but see, that's what just happened.
• 20:35
  SPEAKER_01: Like I said, God, everything is when the most high is ready.
• 20:39
  SPEAKER_01: We are always where we supposed to be at all times, right?
• 20:43
  SPEAKER_01: So now, out of nowhere, somebody called me on the phone, like, yo, uh, uh DC Young Fly and Carlos Nim talking about you on a podcast, boom, boom, boom, boom, boom, boom.
• 20:54
  SPEAKER_01: So now it's like just them mentioning me on such a huge platform, it's just like all kind of it's like lifting up a brick and all kind of roaches coming from up under it.
• 21:06
  SPEAKER_01: So now all people who know my legend, go read under them comments.
• 21:11
  SPEAKER_01: They like, yo, this nigga being a legend.
• 21:13
  SPEAKER_01: Oh, that's one of my favorite songs.
• 21:15
  SPEAKER_01: You nigga, you been king, nigga.
• 21:18
  SPEAKER_01: Because the work been the work been done, so but you gotta be patient and let the most high elevate you.
• 21:25
  SPEAKER_01: Now, check this out.
• 21:26
  SPEAKER_01: I'm gonna take it back scripturally, right?
• 21:28
  SPEAKER_01: With King David, right?
• 21:31
  SPEAKER_01: Saul was trying to kill David, and David already knew that that Samuel came to his house and anointed him.
• 21:39
  SPEAKER_01: So he know officially by spirit, he the king of Israel.
• 21:43
  SPEAKER_01: But the king who's sitting in the chair that everybody's still thinking is the figure, trying to fucking with him, he's trying to knock his head off, right?
• 21:52
  SPEAKER_01: Guess what?
• 21:53
  SPEAKER_01: David could have been killed Saul, but he took his time and let God got Saul out the way.
• 22:00
  SPEAKER_01: In his own time.
• 22:01
  SPEAKER_01: It's a lesson in that.
• 22:03
  SPEAKER_01: The lesson is nobody can take from you what's for you.
• 22:07
  SPEAKER_01: And I'm going to tell you the secret, right?
• 22:09
  SPEAKER_01: I just moved back here.
• 22:10
  SPEAKER_01: I was just staying in Marcy Project, right?
• 22:13
  SPEAKER_01: Because I was in a relationship and I moved up to New York for a second.
• 22:16
  SPEAKER_01: And I was living really directly.
• 22:19
  SPEAKER_01: Marcy Project is huge, but God put me in the building right next door to Jay-Z building he grew up in, right?
• 22:27
  SPEAKER_01: So it's crazy, bruh, how Life Flow 360.
• 22:32
  SPEAKER_01: So I'm sitting in New York and I couldn't see light at the end of the tunnel.
• 22:36
  SPEAKER_01: I wasn't really doing no shows.
• 22:38
  SPEAKER_01: I was going to work.
• 22:39
  SPEAKER_01: I was like Superman being Clark Kent for a second, right?
• 22:43
  SPEAKER_01: So I'm in my Clark Kent regular nigga mode, right?
• 22:45
  SPEAKER_01: Just going to work, coming home.
• 22:46
  SPEAKER_01: And I was like, man, fuck music.
• 22:48
  SPEAKER_01: I ain't even tripping.
• 22:49
  SPEAKER_01: I don't want to hear shit about no music.
• 22:51
  SPEAKER_01: Bro, soon as I got like that, man, God kicked my ass out of New York.
• 22:55
  SPEAKER_01: Bro, so check.
• 22:56
  SPEAKER_01: Soon as I came back to Atlanta, the shit was on.
• 23:00
  SPEAKER_01: Two o'clock in the afternoon.
• 23:02
  SPEAKER_01: I was working um a Jewish meat packing company up there, right?
• 23:06
  SPEAKER_01: So we start on Sundays at two o'clock.
• 23:08
  SPEAKER_01: Bro, me and my girl got an argument.
• 23:11
  SPEAKER_01: I left.
• 23:12
  SPEAKER_01: I got on the bus Saturday.
• 23:13
  SPEAKER_01: I came and I touched down in Atlanta at 10 o'clock in the morning.
• 23:17
  SPEAKER_01: By two o'clock, the time I was supposed to be at work in New York, I was at a fucking video shoe.
• 23:24
  SPEAKER_01: That night I was at an award show taking pictures.
• 23:28
  SPEAKER_01: The first day I got back.
• 23:30
  SPEAKER_02: Right.
• 23:32
  SPEAKER_02: That was good.
• 23:33
  SPEAKER_02: That also admit that Atlanta's where you need to be at, man.
• 23:36
  SPEAKER_02: Atlanta's where you know that that's just the Mecca is where you need to be.
• 23:40
  SPEAKER_02: And where you the only time you go out to New York is what you're doing the show, man.
• 23:44
  SPEAKER_02: You can be in Atlanta.
• 23:46
  SPEAKER_02: That's that's that's you covered with all the people who know who you are, the people who know your legend, the people who recognize you, respect you.
• 23:53
  SPEAKER_02: And of course, you're gonna get as many opportunities as ever.
• 23:57
  SPEAKER_02: So before we get into the first topic, because we've been we've been talking, before we get to the first topic, Doug, my last question for you right now, King, is to ask you because this resurgence of you, because you just went viral and you're about to go viral again when you're going to perform, are you dropping a new project?
• 24:15
  SPEAKER_02: And if you are, when is it?
• 24:17
  SPEAKER_02: Nah, guess what I'm about to do?
• 24:27
  unknown: Let's go, nigga.
• 24:28
  SPEAKER_01: Let's go, let's go, let's go.
• 24:30
  SPEAKER_01: Guess what I'm about to do.
• 24:31
  SPEAKER_01: What you about to do?
• 24:32
  SPEAKER_01: Now I'm about to go back to my old shit that they know me and love me for.
• 24:39
  SPEAKER_01: Carlos done woke it up.
• 24:41
  SPEAKER_01: So now I'm about to re I'm getting that song reproduced.
• 24:44
  SPEAKER_01: I'm about to sing it over, have it updated, and I'm about to try that bitch again, but and it's about to be over because now my old fans are gonna be going crazy, they're gonna be sharing the shit out of it because they're gonna be like, nigga, this the nigga I've been telling you about.
• 24:59
  SPEAKER_01: Nigga, this my nigga.
• 25:00
  SPEAKER_01: I've been trying to tell you no, let me get this for you.
• 25:06
  SPEAKER_00: Let me get this.
• 25:07
  SPEAKER_00: Let me let me let me let me be your producer.
• 25:09
  SPEAKER_00: Listen, for motherfuckers that ain't heard the old shit, it's new to them right now.
• 25:14
  SPEAKER_00: Already know what that is.
• 25:15
  SPEAKER_00: Listen, bro.
• 25:16
  SPEAKER_00: You don't understand with me and Carol Wood, we do this music marketing, all this.
• 25:20
  SPEAKER_00: This is what we do.
• 25:22
  SPEAKER_00: So listening to you right now, you are OG.
• 25:24
  SPEAKER_00: So I know you listen, you done found your algorithm.
• 25:27
  SPEAKER_00: That's what it is.
• 25:28
  SPEAKER_00: You define listen, shout out to Carlos Miller.
• 25:30
  SPEAKER_00: That nigga came to Oakland.
• 25:32
  SPEAKER_00: He came to Oakland and acted like an Oakland nigga in his jokes and everything.
• 25:36
  SPEAKER_00: He was on a DeMarcus Cousins, right?
• 25:39
  SPEAKER_00: He did a little comedy special in Oakland.
• 25:41
  SPEAKER_00: That nigga embodied town niggas.
• 25:43
  SPEAKER_00: I fuck with Carlos, I fuck with him like tough.
• 25:46
  SPEAKER_00: He one of my favorite comedians, like on some like kind of like not mainstream shit.
• 25:51
  SPEAKER_00: So when I seen that, you don't even know that when your your people, your nigga hit me, and I seen that, I was like, oh 85 South, I fuck with them.
• 26:00
  SPEAKER_00: They don't even know me, but I fuck with them.
• 26:02
  SPEAKER_00: But I'm telling you, bro, no, listen, the algorithm that you trying to, you already in the algorithm.
• 26:08
  SPEAKER_00: The algorithm that you getting traction in, rocket.
• 26:11
  SPEAKER_00: I'm all about the matrix.
• 26:13
  SPEAKER_00: I'm all about the matrix, bro.
• 26:15
  SPEAKER_00: Right?
• 26:16
  SPEAKER_00: And the OGs, like the niggas that didn't get their due with the bread or the recognition, right now, if you can find your algorithm, float in it.
• 26:26
  SPEAKER_00: Set your foot and write it.
• 26:28
  SPEAKER_01: That's what I'm all.
• 26:28
  SPEAKER_01: That's what I'm on.
• 26:29
  SPEAKER_01: See, the thing is, it's a uh it's an old school song from way back in the days.
• 26:34
  SPEAKER_01: Got to give the people, give the people what they want.
• 26:38
  SPEAKER_01: So I'm about to give the people what they want.
• 26:40
  SPEAKER_01: Carlos, see, the thing is sometimes this is the funny thing about life.
• 26:45
  SPEAKER_01: You we make all these new songs, we make all this stuff, we do, we travel all over the world, and sometimes you be looking for something that's already in your backyard.
• 26:54
  SPEAKER_02: Right, yeah, yeah, you're right.
• 26:57
  SPEAKER_02: Because me, me, you know, get just to get a little personal.
• 27:00
  SPEAKER_02: Me and me and Dub was talking about our artists today, you know, shout out to uh W and I Mies, man.
• 27:06
  SPEAKER_02: And we was talking about having different promotional strategies, and we was talking about basically kind of what you're talking about, like taking a song and just and letting it breathe longer, you know, because it's so much fast food music, and just this, this, this.
• 27:21
  SPEAKER_02: Like, no, we're gonna take these body, this body of work, and we're gonna rock this out.
• 27:25
  SPEAKER_02: Well, wait, wait, sorry.
• 27:26
  SPEAKER_02: Wait, wait, wait, back up.
• 27:27
  SPEAKER_02: Fast food music.
• 27:28
  SPEAKER_02: What does that mean?
• 27:29
  SPEAKER_02: Fast food music, man.
• 27:30
  SPEAKER_02: Here today going tomorrow because so many people are just, you know, like, or not even just that.
• 27:36
  SPEAKER_02: Let me take that back.
• 27:38
  SPEAKER_02: I miss spoke.
• 27:39
  SPEAKER_02: People are putting out so much music because they just feeling like I gotta just give them 50 mixtapes in one year.
• 27:45
  SPEAKER_02: And what's what's going on is you're diluting your brand by doing that.
• 27:49
  SPEAKER_02: Number one, just give them some of your best body of work and just promote, promote, promote, promote, promote.
• 27:55
  SPEAKER_02: Don't mixtape on the don't give them 12 mixtapes in a year.
• 27:59
  SPEAKER_02: And then you're wondering why five years after that, you're so burnt out as an artist that now the music sounds whack.
• 28:06
  SPEAKER_02: And what they saying, man, his old shit was fired five years ago, but you gave them you gave him 12 mixtapes in a year, and each mixtape had 40 tracks on it.
• 28:15
  SPEAKER_01: You want me to tell you something I would hate right now to be an artist starting brand new from scratch right now, because now you lumped in with these.
• 28:26
  SPEAKER_01: You gotta realize they said on average from a night from 90 to 100,000 songs are being uploaded every day.
• 28:34
  SPEAKER_01: That means every 10 days, this day there are a million songs coming out, right?
• 28:39
  SPEAKER_00: What exactly?
• 28:41
  SPEAKER_00: Go ahead, right?
• 28:42
  SPEAKER_01: Like trying to find a needle and a haystack for the new for the new best thing.
• 28:45
  SPEAKER_01: So let me give you some gang.
• 28:50
  SPEAKER_01: Let me give you some gang.
• 28:52
  SPEAKER_01: So guess what?
• 28:53
  SPEAKER_01: Music, your music gotta be better, it gotta be deeper than just it's hot right now.
• 28:58
  SPEAKER_01: So that's why I'm going back into my old catalog because those songs got eggs.
• 29:04
  SPEAKER_01: People got memories with those songs.
• 29:07
  SPEAKER_01: That's not just another hot song uploaded.
• 29:09
  SPEAKER_01: Nigga, like nigga, out.
• 29:11
  SPEAKER_01: I was I was in college on that record, I was in elementary school, I was dating so-and-so.
• 29:16
  SPEAKER_01: I used to sneak out the house to go to the club on that song.
• 29:19
  SPEAKER_01: You feel what I'm saying?
• 29:20
  SPEAKER_01: That's what they're about to buy to.
• 29:22
  SPEAKER_01: Because see, a song could be hot, but that don't mean they're gonna get up off their ass and pay$50 to come see you.
• 29:30
  SPEAKER_00: So when I go back into my No, no, no, no, not with that, not only that, bro.
• 29:35
  SPEAKER_00: We in an age right now, I ain't gonna lie to you.
• 29:38
  SPEAKER_00: Like, listen to me, King.
• 29:39
  SPEAKER_00: If I was your manager, listen, we in an age almost of like throwback analog because we don't own nothing.
• 29:49
  SPEAKER_00: Everything is streaming and nothing is tangible.
• 29:52
  SPEAKER_00: But right now, we in a phase.
• 29:53
  SPEAKER_00: Ask Cal Wood.
• 29:54
  SPEAKER_00: You can stream as much as you want and be like, nigga, they love me.
• 29:58
  SPEAKER_00: But when it's payday time, the streaming services own everything, they own a button and go, we ain't gonna pay you right now because we detected this or we got a problem with that.
• 30:09
  SPEAKER_00: And they'll cut your shit off, you ain't get your check.
• 30:12
  SPEAKER_00: But you've been doing your job.
• 30:14
  SPEAKER_01: But guess what's the difference?
• 30:15
  SPEAKER_01: Guess what's the difference, though?
• 30:16
  SPEAKER_01: I already gave you the game.
• 30:18
  SPEAKER_01: The game is I'm going retro, period.
• 30:21
  SPEAKER_01: Right, that's why I said I'm going C's analog.
• 30:25
  SPEAKER_01: Yes, bro.
• 30:26
  SPEAKER_01: I'm going CD's vinyl, I'm going all everything I used to do before.
• 30:31
  SPEAKER_01: People went, period, bro.
• 30:33
  SPEAKER_01: I'm going, I'm going all the way back.
• 30:37
  SPEAKER_00: And it used to click, you go to you, and you gotta go to all them other channels with the antenna on the top.
• 30:42
  SPEAKER_00: Right, we're gonna remember, but in it was an age, bro.
• 30:46
  SPEAKER_00: Look, it was a rotary phone era.
• 30:48
  SPEAKER_00: We had the rollary phone, it's it's everything come back to analog, bro.
• 30:52
  SPEAKER_00: Everything, yeah.
• 30:53
  SPEAKER_02: So no, so that's good.
• 30:54
  SPEAKER_02: So at the end of the day, and what's what's dope about what you're talking about with this, with the songs about the you're about to redo, it's not even just about the music, like you were saying, it's about the feeling, and people are gonna buy it.
• 31:08
  SPEAKER_02: So you you double dip it because you bind, they bind it to the music, but they bind into the feeling.
• 31:13
  SPEAKER_02: And when they buy into the feeling, they're gonna pay, they're gonna they're gonna buy them tickets.
• 31:18
  SPEAKER_01: Let me let me let me let me let me let me be a little more meticulous.
• 31:22
  SPEAKER_01: I let me be a little more meticulous.
• 31:25
  SPEAKER_01: I'm adding on to what you're saying, but I'm gonna just really really get more meticulous.
• 31:30
  SPEAKER_01: Yeah, they're buying the feeling, but guess what?
• 31:32
  SPEAKER_01: They're really buying the memory, the memories, yeah.
• 31:41
  SPEAKER_01: That's why people go to old school shows.
• 31:44
  SPEAKER_01: I'm going to see kidding play right now because when them niggas do that kick dance, when they doing the yeah, you you yeah, no, no, you're right.
• 31:52
  SPEAKER_00: Nostalgia is a part of it, you're right.
• 31:54
  SPEAKER_00: That's everything, that's everything, bro.
• 31:57
  SPEAKER_00: Because now I'm saying right now, we from two different regions.
• 32:00
  SPEAKER_00: But if you start talking about some shit that I used to feel, you my friend.
• 32:04
  SPEAKER_00: Right.
• 32:05
  SPEAKER_01: But but but but look at where I'm going with it.
• 32:07
  SPEAKER_01: See, the thing is, everything has to start from some type of bass, right?
• 32:13
  SPEAKER_01: So when I go get a song that got a 25-year clientele, redo it, make sure it's perfect, sounding crazy, new engineering, the the sound, same song, but higher, but it's elevated, like how brute Bruno Mars and them take them old school songs and they date it, and it's like everybody going crazy.
• 32:37
  SPEAKER_01: The reason why Bruno Mars is killing them because he's taking an old field, modernizing it where young people can fuck with it, but then the old school people they knew the original where it came from, right?
• 32:50
  SPEAKER_01: So it's a homage, it's homage, and that's why they're coming out with new shows like Different World.
• 32:55
  SPEAKER_01: Those shows do gonna do great because now they got the new kids who play in certain roles and the older heads.
• 33:03
  SPEAKER_01: So now they're getting two demographics, they're getting the people who was stuck on the original, and they're gonna get the new people, right?
• 33:10
  SPEAKER_01: So this is where I'm going.
• 33:12
  SPEAKER_01: My fan base, when I go service them correctly for real, with the shit that they already been loving for me for over the over the years, they're gonna get all these new people excited because they're gonna create a power wave.
• 33:26
  SPEAKER_01: So when that big ass title wave comes through, people are gonna be like, Oh shit, who is this guy making noise about?
• 33:33
  SPEAKER_01: And that's when I'm gonna eat.
• 33:35
  SPEAKER_01: That's what I mean.
• 33:37
  SPEAKER_02: And like and one more thing about go about it, go ahead, go ahead.
• 33:41
  SPEAKER_02: And one more thing about the about the about the memory.
• 33:44
  SPEAKER_02: You definitely write about that, King Man, because I was wondering why everybody was buying them six thousand dollar Stevie Wonder tickets.
• 33:56
  SPEAKER_02: Cause the damn memory, it gotta be the memory, because six thousand dollars is crazy.
• 34:00
  SPEAKER_02: And shout out to Stevie Wonder, man.
• 34:02
  SPEAKER_00: Okay, I'm gonna tell you this what no what?
• 34:04
  SPEAKER_00: I was just in a car, we was driving, I we was talking yesterday, and I'm like, we was listening to Curtis Mayfield and the IZ brothers, right?
• 34:15
  SPEAKER_00: And when you listen to like just the songs that ran to play on Spotify, ain't nothing ain't been sampled.
• 34:24
  SPEAKER_00: Not nothing, right?
• 34:25
  SPEAKER_00: So when I look at this generation of music, like a lot of niggas in our generation be like, man, them niggas biting off this, or they oh bro, hip hop was made on samples.
• 34:37
  SPEAKER_00: Everything was about born, but you hope to do it so the person you bought it from would go, okay, I respect you.
• 34:45
  SPEAKER_00: That was dope.
• 34:46
  SPEAKER_00: I love that, right?
• 34:47
  SPEAKER_00: That's what it's on.
• 34:49
  SPEAKER_00: So when I look at everything, like everything, bro, like when you're trying to be transcended, you can't be original.
• 34:54
  SPEAKER_00: There's only a few originals, though, like Prince, Michael Jackson, uh Elvis went original, just so we know Elvis took that from somebody else.
• 35:01
  SPEAKER_00: James Brown, like it's a few uh Jimi Hendricks, it's a few originals.
• 35:07
  SPEAKER_00: You feel me?
• 35:08
  SPEAKER_00: You know what I'm saying?
• 35:09
  SPEAKER_00: And it's a lot of other originals we never heard of because them niggas was in the background giving the mainstream niggas they whole go, and we didn't even know it.
• 35:16
  SPEAKER_00: You feel me?
• 35:17
  SPEAKER_00: We didn't even know it.
• 35:18
  SPEAKER_00: We didn't know that.
• 35:19
  SPEAKER_00: That's why when I'm talking to King Malachi, I'm like, you know what?
• 35:23
  SPEAKER_00: The nigga might have been an original in the background the whole time.
• 35:26
  SPEAKER_00: Some of the mainstream niggas we know about, but he was the original in the background.
• 35:30
  SPEAKER_02: No, definitely, and that does, and then and then Kingman.
• 35:33
  SPEAKER_02: I'm gonna say this, man, because I love I love breaking the fifth wall, man, and being a little a little, you know, saying things I might have said behind the scenes, man, publicly.
• 35:43
  SPEAKER_02: I underestimated you, man.
• 35:45
  SPEAKER_02: I listen, I underestimated you, bro.
• 35:48
  SPEAKER_02: I'm dead enough.
• 35:49
  SPEAKER_01: You want me to tell you I love it, bro.
• 35:51
  SPEAKER_01: Um I I rather somebody underestimate me.
• 35:55
  SPEAKER_01: It's just like how I do oversell they sell to a female.
• 35:58
  SPEAKER_01: I'd rather a female sleep on me and give me the draws and I knock her ass out the motherfucking park than I talk all that shit and under deliver.
• 36:07
  SPEAKER_02: Right, yeah, yeah.
• 36:09
  SPEAKER_02: No, no, deliver.
• 36:11
  SPEAKER_02: You hear me say under deliver.
• 36:13
  SPEAKER_02: You know what I'm saying?
• 36:14
  SPEAKER_02: No, I feel you.
• 36:15
  SPEAKER_02: No, I feel you, man.
• 36:16
  SPEAKER_02: Like when you came out and talked about that video, had Pac in the background.
• 36:21
  SPEAKER_02: I said, Oh man, you brought up certain keywords, you brought up Dungeon Family.
• 36:25
  SPEAKER_02: I started I and I was talking about Dungeon Family last episode because I'm about to have this music battle.
• 36:30
  SPEAKER_02: One of our artists, man, shout out to Peter uh Evelyn Evelyn, and I brought up the song Black Ice.
• 36:38
  SPEAKER_02: He didn't even know what Black Ice was.
• 36:39
  SPEAKER_02: Yeah, he might say he know what it was, but he didn't react to it because he tried to know, you didn't know.
• 36:45
  SPEAKER_01: He didn't know he didn't know about black ice.
• 36:47
  SPEAKER_01: That's my joint, bro.
• 36:48
  SPEAKER_00: Classic.
• 36:49
  SPEAKER_00: Now he didn't know.
• 36:50
  SPEAKER_00: No, I'm gonna tell you something, bro.
• 36:51
  SPEAKER_00: Like dungeon family itself, though.
• 36:54
  SPEAKER_00: You gotta understand when you say dungeon family.
• 36:56
  SPEAKER_00: You don't you gotta know all the code?
• 36:58
  SPEAKER_00: Look, they was like Wu Tang South to me.
• 37:03
  SPEAKER_00: Yeah, it was like Wu Tang South.
• 37:05
  SPEAKER_01: You got back, you got backbone, witch doctor, the goodie mob, outcat, uh organized noise, rico way, sleepy brown, ray murray.
• 37:15
  SPEAKER_01: I mean Mr.
• 37:16
  SPEAKER_01: DJ.
• 37:18
  SPEAKER_00: You name it cruise within the crew.
• 37:19
  SPEAKER_00: See in Wu Tang, it was like niggas within the crew.
• 37:22
  SPEAKER_00: You name it cruise within the crew, though.
• 37:25
  SPEAKER_02: All of that make all of that make dungeon.
• 37:29
  SPEAKER_02: We ain't seen Dan.
• 37:31
  SPEAKER_02: I don't think about it with Cruz within the crew, like you said, dub.
• 37:34
  SPEAKER_02: I haven't besides goody mob, I haven't seen that again.
• 37:39
  SPEAKER_02: That dominance is probably Rockefeller.
• 37:43
  SPEAKER_01: What's that?
• 37:44
  SPEAKER_02: How how goody mob was within the crew?
• 37:49
  SPEAKER_02: Yeah, that's it's yeah, it's like Rockefeller got that from Goody Mob in a sense, you know what I'm saying?
• 37:57
  SPEAKER_02: Because they was like that too, but that was you know, well, you really to be honest like that.
• 38:02
  SPEAKER_01: But to be but to be honest, to be honest, it's not even no comp it's not even a close comparison.
• 38:07
  SPEAKER_01: Them niggas was put together to a different way.
• 38:11
  SPEAKER_01: These dudes slept on the floor recording all the family.
• 38:15
  SPEAKER_01: They they went to school and all kind of shit together, bruh.
• 38:18
  SPEAKER_01: Them niggas really like like I was an outsider, like it was it.
• 38:23
  SPEAKER_01: You almost never seen nobody from outside of them in the dungeon, right?
• 38:31
  SPEAKER_02: I for real, they said that.
• 38:32
  SPEAKER_01: You know what I'm saying?
• 38:33
  SPEAKER_00: So you're saying is nigga, you said the dungeon family was really a family.
• 38:37
  SPEAKER_00: Some of these other motherfuckers is manufactured, yes, yes, right.
• 38:42
  SPEAKER_01: Yeah, a lot of the them different ones of them, different ones of them in um in in the whole dungeon went to school together and all of that.
• 38:51
  SPEAKER_01: You know, big boy and drain them went to school together, got their uh um um some of the members in Goody Mob and shit.
• 38:57
  SPEAKER_01: Them boys went to school, high school and shit like that.
• 39:00
  SPEAKER_01: Like, they really know each other.
• 39:01
  SPEAKER_01: They're not some dudes from Philly, some dudes over here from Harlem, and we only cool right now because we signed to Rockefeller, right?
• 39:11
  SPEAKER_01: You're right, look, you're right, and we and we not that kind of cool.
• 39:15
  SPEAKER_01: We just we straight.
• 39:17
  SPEAKER_01: Right.
• 39:18
  SPEAKER_01: We alright, you know what I'm saying?
• 39:20
  SPEAKER_01: Like, really, really, we don't fuck with y'all like that, nigga.
• 39:25
  SPEAKER_00: I'm gonna tell you something funny, what you just said, though.
• 39:28
  SPEAKER_00: Look, on the West Coast, on the West Coast, right?
• 39:31
  SPEAKER_00: Like, when it comes to music, like, even studio-wise, we kind of really don't fuck with it on camaraderie.
• 39:39
  SPEAKER_00: Like, you know what I'm saying?
• 39:40
  SPEAKER_00: Like, I don't really know, like, you know, the legends that I used to hear is that when you in Atlanta, he could really be a major label nigga in a booth.
• 39:48
  SPEAKER_00: And if you doing your thing, like you rocking your wave, he might jump in your booth.
• 39:53
  SPEAKER_00: Where we from, bro, niggas don't really like I ain't gonna look in a Bay Area, it seemed like it's more hate than love.
• 40:01
  SPEAKER_00: When you start getting love, niggas that hated on you act like it was love.
• 40:05
  SPEAKER_01: You feel like bro, that's black culture, period.
• 40:10
  SPEAKER_01: You just feel like that, you just feel like that because you're from there.
• 40:13
  SPEAKER_01: Trust me, that's the story of my life.
• 40:16
  SPEAKER_02: But that's true.
• 40:17
  SPEAKER_02: But the thing, but the thing with Atlanta was Atlanta was out of all the coasts, Atlanta was able to keep it together.
• 40:22
  SPEAKER_02: It because I knew that because even if it was beef, they still kept it together to keep it together for the sake of the music and the sake of the money and opportunities.
• 40:30
  SPEAKER_01: See, well, well, you gotta think shit.
• 40:32
  SPEAKER_01: Defro was doing that, Crips and Blood niggas, shit, Dazzling them niggas is grips.
• 40:38
  SPEAKER_00: Def row was only doing that for LA niggas.
• 40:40
  SPEAKER_00: I'm from the Bay, I'm from East Oakland, they weren't doing it for California.
• 40:43
  SPEAKER_00: See, no, no, no.
• 40:44
  SPEAKER_00: I was just I was just giving an example of how on the west coast, like Atlanta, if like Atlanta was Atlanta, you didn't have to be from Atlanta, but if you went out there, you was from Atlanta.
• 40:57
  SPEAKER_01: Well, the thing is, if you really think about it, if you wasn't from Atlanta, somebody like me, you had to been here like me for years.
• 41:09
  SPEAKER_01: They wasn't just fucking with every nah, bro.
• 41:12
  SPEAKER_01: This is nah, don't you got it up?
• 41:14
  SPEAKER_00: No, but it's it is it's not it's it's it's not no they got put on in Atlanta that's not from Atlanta, yeah.
• 41:22
  SPEAKER_01: But they've been here forever.
• 41:25
  SPEAKER_00: They brought it neighbor no no no disagree at no where I'm from, bro.
• 41:33
  SPEAKER_00: If you from there, you might not get put on by the niggas that's from there.
• 41:37
  SPEAKER_00: If you're not from there, nigga, you ain't got a chance.
• 41:39
  SPEAKER_01: Yeah, but I'm waiting I'm waiting on you to tell me what rap niggas ain't from Atlanta.
• 41:44
  SPEAKER_01: I'm about to tell you, thank you.
• 41:47
  SPEAKER_02: I forgot.
• 41:47
  SPEAKER_02: I you know how many times I forgot the bow I was from Ohio.
• 41:50
  SPEAKER_02: I thought you were from Atlanta.
• 41:51
  SPEAKER_02: He they he got so much left in Atlanta.
• 41:53
  SPEAKER_01: Listen, listen, but see, now you're going back to what I said.
• 41:56
  SPEAKER_01: The nigga grew up here, he's been here forever.
• 42:00
  SPEAKER_00: It don't matter.
• 42:01
  SPEAKER_00: We talking about from there.
• 42:02
  SPEAKER_00: You you can he's the honorary.
• 42:04
  SPEAKER_00: No, no, but see, but but what no look maybe it's different out there where I'm from.
• 42:09
  SPEAKER_00: If you ain't born and raised, niggas check your background.
• 42:12
  SPEAKER_00: Yeah, but what in Detroit, in Detroit, niggas check your background in Oakland, niggas check your background.
• 42:18
  SPEAKER_00: That's cool.
• 42:19
  SPEAKER_00: We fuck with blood on that, but you ain't born and raised in Atlanta.
• 42:23
  SPEAKER_00: If you don't know there's some niggas that ain't from Atlanta, they got put on in Atlanta.
• 42:28
  SPEAKER_00: I don't know.
• 42:29
  SPEAKER_00: I feel like we babied to differ.
• 42:31
  SPEAKER_01: Nah, but what I'm trying to tell you is Bow Wild came through Jermaine Depree didn't work his way through the streets and got on for real.
• 42:38
  SPEAKER_01: That nigga came in with a nigga who was already a boss.
• 42:42
  SPEAKER_01: Okay, okay.
• 42:43
  SPEAKER_01: That's a completely different situation.
• 42:46
  SPEAKER_01: Okay, I got another one for you to be able to do it.
• 42:47
  SPEAKER_01: But I'm saying, I'm saying, name a nigga who ain't from Atlanta, got on with Atlanta.
• 42:54
  SPEAKER_02: Well, get it ludicrous.
• 42:56
  SPEAKER_02: He from Chicago, he's been here forever.
• 42:58
  SPEAKER_02: Okay, okay, hold on.
• 43:00
  SPEAKER_02: Soldier boy, he's from Mississippi, been here from since a kid.
• 43:04
  SPEAKER_02: Ah, okay, okay.
• 43:05
  SPEAKER_01: Hold on.
• 43:06
  SPEAKER_00: This nigga makes for everybody.
• 43:11
  SPEAKER_01: I know, bro.
• 43:12
  SPEAKER_01: Listen, listen, this is my city, bro.
• 43:15
  SPEAKER_01: Trust me.
• 43:16
  SPEAKER_01: Trust me.
• 43:17
  SPEAKER_01: I got no more right now, but that's all I have right now.
• 43:19
  SPEAKER_01: That's all I have.
• 43:20
  SPEAKER_01: I mean, the Gucci man originally from Alabama, but he's been here forever.
• 43:25
  SPEAKER_01: So it's like it's Alabama.
• 43:28
  SPEAKER_01: So it's like, so, so it's like who Lil Baby.
• 43:32
  SPEAKER_01: Lil' Baby from the West Side.
• 43:34
  SPEAKER_01: He's from Atlanta.
• 43:36
  SPEAKER_01: He originally from London, but the nigga been here since a kid.
• 43:42
  SPEAKER_01: Okay.
• 43:43
  SPEAKER_01: So he done went to school.
• 43:44
  SPEAKER_01: He went to school.
• 43:46
  SPEAKER_00: He said, bro, if you're a child moving to a city, that's totally different.
• 43:50
  SPEAKER_01: Yeah, so it's like, you know, your implant is different.
• 43:53
  SPEAKER_01: Me, I've been in, I've been in Atlanta since on and off, pretty much since Mala had a baby in every fucking hospital.
• 44:00
  SPEAKER_01: In the city.
• 44:02
  SPEAKER_01: Okay, hold on.
• 44:04
  SPEAKER_01: Real quick.
• 44:04
  SPEAKER_02: Okay, I got to do that.
• 44:05
  SPEAKER_02: I've been in Atlanta longer than where I'm from.
• 44:07
  SPEAKER_02: Okay, hold on.
• 44:08
  SPEAKER_02: I asked you a question about Atlanta.
• 44:10
  SPEAKER_02: And it's been with 21.
• 44:12
  SPEAKER_02: Did everybody know 21 was from the UK?
• 44:16
  SPEAKER_02: No.
• 44:20
  SPEAKER_01: Nope.
• 44:21
  SPEAKER_01: Nope.
• 44:21
  SPEAKER_01: That shit didn't come out till that nigga came out.
• 44:24
  SPEAKER_01: And then, you know, when you get hot and the light is on you, the magnifying glass, now everybody digging through your shit.
• 44:30
  SPEAKER_01: You know what I'm saying?
• 44:31
  SPEAKER_01: Okay.
• 44:31
  SPEAKER_01: Okay.
• 44:31
  SPEAKER_01: Yeah, but niggas thought he was from right here.
• 44:35
  SPEAKER_01: They thought he was from huh?
• 44:36
  SPEAKER_00: No, no, no, real quick, real quick.
• 44:38
  SPEAKER_00: The Malachi, the reason why we saying that, I'ma tell you why I'm saying it.
• 44:42
  SPEAKER_00: I'm a former artist.
• 44:43
  SPEAKER_00: I got multiple artists under my under my employee, right?
• 44:48
  SPEAKER_00: To us, when we talk about Atlanta, when I'm in my city, I go, nigga, them Atlanta niggas support each other.
• 44:57
  SPEAKER_00: Right?
• 44:58
  SPEAKER_00: Them Atlanta niggas support each other, nigga.
• 45:01
  SPEAKER_00: Out here, we don't.
• 45:03
  SPEAKER_00: So when we speaking on it, we like we I well, you just said earlier that every nigga feel like that.
• 45:10
  SPEAKER_00: But it seemed like in Atlanta, it's niggas in Atlanta that's not from Atlanta, born and raised, but because they've been out there, they get this.
• 45:18
  SPEAKER_00: I'm from Oakland.
• 45:21
  SPEAKER_01: Atlanta kind of used to be like what you saying to me, right?
• 45:25
  SPEAKER_01: Until we got like y'all.
• 45:28
  SPEAKER_01: See, once they niggas start really trying to be bloods and crips, then the shit went low.
• 45:33
  SPEAKER_00: Right.
• 45:34
  SPEAKER_00: Okay.
• 45:34
  SPEAKER_01: Okay.
• 45:35
  SPEAKER_00: Okay.
• 45:36
  SPEAKER_00: No, see, you make as soon as we y'all shit is y'all said, no, that you got your thinking cap on that cowboy hat.
• 45:45
  SPEAKER_00: You got your motherfucking thinking cap on right now, nigga.
• 45:48
  SPEAKER_00: Listen, you got your thinking cap on.
• 45:50
  SPEAKER_00: That's what see.
• 45:51
  SPEAKER_00: Look, I've been trying to figure it out because you know, you said something real.
• 45:55
  SPEAKER_00: Everybody feels like where they from when you doing your thing, your people don't love you.
• 46:00
  SPEAKER_01: Right.
• 46:01
  SPEAKER_00: Because it's even like that's the nature of nigga.
• 46:05
  SPEAKER_01: Right.
• 46:06
  SPEAKER_01: Facts.
• 46:07
  SPEAKER_00: Because we go everywhere else and look like everybody loving each other.
• 46:10
  SPEAKER_00: So our North Star is look at Atlanta.
• 46:14
  SPEAKER_00: You ain't even got a beat from there.
• 46:15
  SPEAKER_00: If you out there, nigga, they gonna love you.
• 46:17
  SPEAKER_00: That's the Mecca.
• 46:19
  SPEAKER_01: Yo, you want me to tell you something?
• 46:20
  SPEAKER_01: If you notice right now, like check this out, bro.
• 46:23
  SPEAKER_01: Before we really really that, you know, it was a bro, you know, they had the little gang shit, but it didn't get like how it was till really like the young thug era and all that future.
• 46:36
  SPEAKER_01: And then when they first came out, you ain't saw them niggas rapping like we bloods, we cripping and all that shit.
• 46:41
  SPEAKER_01: We no, you know what I'm saying?
• 46:43
  SPEAKER_01: Like, you know, Atlanta really wasn't on that like that.
• 46:46
  SPEAKER_01: It ain't like you're gonna be in the I'm from the street, bro.
• 46:49
  SPEAKER_01: I done hustled in these streets, got money in the streets, all that here.
• 46:52
  SPEAKER_01: Listen, you wasn't seeing niggas flag the fuck out down here, bro.
• 46:57
  SPEAKER_02: Only only people I see, the only people I seen flagged out was Jeezy and Gucci.
• 47:02
  SPEAKER_01: Check this out.
• 47:03
  SPEAKER_01: Jeezy ran with BMF.
• 47:05
  SPEAKER_01: So Blue Da Vinci and them niggas was cripping, right?
• 47:09
  SPEAKER_01: So that's how he got in the mix with that shit like that.
• 47:12
  SPEAKER_01: That nigga from Jessup, Georgia.
• 47:14
  SPEAKER_01: Them niggas wasn't on it like that down there, like that.
• 47:16
  SPEAKER_01: Like he got he was affiliated with a with a power crew, and a lot of them niggas over there was cripping on some Cali shit, whatever the fuck, you know, because you got bull, you got Rudavinchy, all them niggas.
• 47:28
  SPEAKER_01: You feel me?
• 47:29
  SPEAKER_01: But anyway, right?
• 47:31
  SPEAKER_01: If you notice, the gang shit fucked Atlanta up.
• 47:35
  SPEAKER_01: We ain't really got nobody on the Atlanta.
• 47:38
  SPEAKER_01: Ain't popping right now, like really just got like man, it was a time where we had I don't know.
• 47:43
  SPEAKER_00: I hear you, I understand what you mean, but Atlanta never ain't going nowhere.
• 47:48
  SPEAKER_01: No, no, but listen, no, no, but listen what I'm about to break it down for you, God.
• 47:51
  SPEAKER_01: Listen, you're talking to a real, real one on this motherfucker right now.
• 47:55
  SPEAKER_01: I do this, dude.
• 47:56
  SPEAKER_01: Listen, right now, it was a time where Atlanta had six, seven, eight niggas dominating radio at one time.
• 48:05
  SPEAKER_01: That's true.
• 48:06
  SPEAKER_01: Who the fuck out right now?
• 48:09
  SPEAKER_02: I think the only I said now that you say it, I think the only person who probably dominate now, one person we know, we know both these people, but one person we respect, the other person is kind of odd.
• 48:22
  SPEAKER_02: And I think the only two people that's dominating in Atlanta is future, future, uh, and gunner, man.
• 48:28
  SPEAKER_01: Hey Gunner, check this out, check this out.
• 48:31
  SPEAKER_01: So check this out.
• 48:33
  SPEAKER_01: Future been out forever, right?
• 48:35
  SPEAKER_01: And he's not dominating, he's he's just existing because he's he's still relevant.
• 48:42
  SPEAKER_01: He's relevant, he's he's not dominating, he's relevant because he's such a superstar and he still makes good music, right?
• 48:49
  SPEAKER_01: But it ain't like he got right now.
• 48:51
  SPEAKER_01: The streets is on belly gang cush.
• 48:55
  SPEAKER_01: You feel me?
• 48:56
  SPEAKER_01: That's the new hot nigga right now.
• 48:58
  SPEAKER_01: That everybody playing that nigga right now, right?
• 49:01
  SPEAKER_01: But listen where I'm going, right?
• 49:03
  SPEAKER_01: It was a time, it was a time where you got Gucci Man, Jeezy, T I, Future, the Migos, goddamn.
• 49:13
  SPEAKER_00: Hold on, let's give TI his flowers.
• 49:15
  SPEAKER_00: He didn't transition to the speaking realm, but musically his kids and all that shit.
• 49:21
  SPEAKER_00: I I like TI where you're at right now.
• 49:23
  SPEAKER_01: No, I love it.
• 49:25
  SPEAKER_01: I'm just saying there was a time where all of it was on the radio and everybody killing the club at the same time.
• 49:33
  SPEAKER_01: Right.
• 49:33
  SPEAKER_01: No, you're right.
• 49:34
  SPEAKER_01: It ain't like that no more.
• 49:35
  SPEAKER_00: You're right.
• 49:36
  SPEAKER_00: No, but that's why we loved what it was in the sense of bro.
• 49:39
  SPEAKER_00: I'm telling you, in my region, as an admin, I always been an exec, even when I was a nigga, even when I wasn't a boss, I just knew I was a boss.
• 49:47
  SPEAKER_00: I felt like when I looked at it, the support.
• 49:51
  SPEAKER_00: See, like you might know insider that the support ain't what you think it is, but what we at, you could be popping until you support us, say Malachi and Atlanta supporting us.
• 50:04
  SPEAKER_00: My city is supporting me what you do.
• 50:08
  SPEAKER_01: Once that young thug and them era came, because they really was about that blood shit and all that for real.
• 50:13
  SPEAKER_01: That shit starts slowly doing this.
• 50:17
  SPEAKER_02: Dang thug and thug, man.
• 50:20
  SPEAKER_02: Look at you, man.
• 50:21
  SPEAKER_01: Ah no, because when thug and them came out, they was going extra hard, flagging and shit.
• 50:26
  SPEAKER_01: Now, now they really like we blooding nigga.
• 50:29
  SPEAKER_01: Like, we we really some Atlanta bloods.
• 50:31
  SPEAKER_01: It was bro.
• 50:32
  SPEAKER_01: Geez and them niggas wasn't going hard.
• 50:34
  SPEAKER_01: They they might have repped.
• 50:40
  SPEAKER_00: The gang culture went, but just know them.
• 50:42
  SPEAKER_00: When you talking to me, I'm from Oakland, the northern Kelly.
• 50:45
  SPEAKER_00: We don't we we not gang culture.
• 50:48
  SPEAKER_00: We player, we player pimp, black panther, uh George Floyd.
• 50:52
  SPEAKER_00: I mean, George uh uh uh excuse me, George, uh uh George uh George Jackson era, like shit.
• 50:59
  SPEAKER_00: We more like revolutionary, right?
• 51:02
  SPEAKER_00: Like in LA, they crit blood that came from the Black King, yeah.
• 51:07
  SPEAKER_00: In the Bay Area, we a different breed.
• 51:10
  SPEAKER_00: Like now, this generation is like gangbang, but what we spawned from, like the two shorts, like what you were probably not two shorts of the era, shit like that.
• 51:22
  SPEAKER_00: We don't really be on crit blood shit in Oakland.
• 51:25
  SPEAKER_00: There is no such thing as cripping blood.
• 51:29
  SPEAKER_00: I'm just saying, like ain't no nigga came from another region, they didn't try and bang the set where we from without getting lifted up out of there.
• 51:40
  SPEAKER_00: Right, right, right in Sacramento, Stockton, all that shit.
• 51:45
  SPEAKER_00: Like, even if they banging crippling blood and it came from LA, they style is us.
• 51:52
  SPEAKER_00: You feel me?
• 51:53
  SPEAKER_00: So I'm saying that when I be speaking on it, I'm not speaking on it like an LA nigga.
• 51:58
  SPEAKER_00: They ain't no disrespect to none of them.
• 52:00
  SPEAKER_00: When I'm speaking on, I'm like a more of a nigga, like where you from and where I'm from, and even where Cal from Detroit, it's a revolutionary set.
• 52:15
  SPEAKER_00: And music, whatever it was on, that's cool.
• 52:18
  SPEAKER_00: But even that was probably on some like nigga, we trying to free the slaves.
• 52:22
  SPEAKER_02: No, for real, because even in Detroit, we we didn't have Crips and Bloods, and it's weird.
• 52:27
  SPEAKER_02: I think it was maybe 2013.
• 52:31
  SPEAKER_02: I seen the first person remain nameless.
• 52:35
  SPEAKER_02: Talking about, I'm Aladdin King.
• 52:36
  SPEAKER_02: That's not Aladdin King.
• 52:38
  SPEAKER_02: You live on Seven Mile.
• 52:39
  SPEAKER_02: Ain't no Latin Kings on Seven Mile.
• 52:41
  SPEAKER_01: Hey, you want me to tell you something though, bro?
• 52:43
  SPEAKER_01: Detroit, want me to tell you something?
• 52:46
  SPEAKER_01: I bet you I know about them street lords.
• 52:49
  SPEAKER_02: Come come, man.
• 52:50
  SPEAKER_02: Street lords, cheddar boys.
• 52:53
  SPEAKER_01: I bet you I know about them street lords and them cheddar boys.
• 52:56
  SPEAKER_01: I know about the street lords and cheddar boys.
• 52:58
  SPEAKER_01: I bet you I know about the street lords and them cheddar boys.
• 53:01
  SPEAKER_01: Now, check this out.
• 53:02
  SPEAKER_01: You know, ain't no any motherfucker gonna jump on here and mention them because you gotta really know the culture to know about cheddar boys and street lords.
• 53:10
  SPEAKER_01: You do, you do.
• 53:11
  SPEAKER_02: All right, okay, you do anybody know about blade ice wood?
• 53:16
  SPEAKER_02: You know what I'm saying?
• 53:17
  SPEAKER_02: Anybody know when street lords did that song with Benny single?
• 53:21
  SPEAKER_02: Any yeah, man, that that's that's just real.
• 53:27
  SPEAKER_00: Outside his pocket, he my friend.
• 53:30
  SPEAKER_00: Like LA seemed like it's the dominant culture in California, but it's two different cultures, you know.
• 53:38
  SPEAKER_00: Like you could you could be a Muslim or you could be a Christian, but your culture makes you rock it different.
• 53:44
  SPEAKER_00: You feel me?
• 53:46
  SPEAKER_00: So in California, it's literally for real, two different mind frames, even to the gangbang, it's two different mind frames in California and the bay.
• 53:56
  SPEAKER_00: We don't do none of that shit.
• 53:57
  SPEAKER_00: That don't mean that we ain't still banging a block of turf and none of that shit for no money, but we ain't doing it for a red, uh, uh uh crip work of color, no, yeah.
• 54:08
  SPEAKER_00: Bang bang, no as an older nigga telling you what it is now, but it just don't look like that, right?
• 54:16
  SPEAKER_00: We know pimps, players, and hustlers where I'm from.
• 54:19
  SPEAKER_00: We started that and revolutionary.
• 54:21
  SPEAKER_00: We started like the the the breakfast program and the police and the right to bear arms and nigga read and write to get your game, like we were like it may it may it make sense that pot came up out of there, yes, exactly.
• 54:42
  SPEAKER_00: So so real.
• 54:48
  SPEAKER_00: That don't mean that we still doing that because we dumb, because we all niggas, but uh it's like a couple of five percenters here and there that's like look, nigga, fuck the establishment, the the slaves is what they own.
• 55:01
  SPEAKER_00: Let's absorb you.
• 55:03
  SPEAKER_02: Feel me?
• 55:03
  SPEAKER_02: All right, so so so kid, let me ask you also another question, man.
• 55:06
  SPEAKER_02: I know we've been going on almost an hour, almost an hour, but I have a question for you.
• 55:11
  SPEAKER_02: Do you can you give us?
• 55:13
  SPEAKER_02: I don't know if you can, but can you give us any inside information on any dates when you're gonna do the performance?
• 55:21
  SPEAKER_02: Oh, yeah.
• 55:24
  SPEAKER_01: Any inside dates on shows I got going on?
• 55:27
  SPEAKER_02: As far as like I wasn't sure if you said this.
• 55:29
  SPEAKER_02: I think I thought you said you were gonna perform 85 South.
• 55:31
  SPEAKER_02: I'm not sure you said that.
• 55:32
  SPEAKER_01: No, no, I don't have the date yet.
• 55:34
  SPEAKER_01: I don't have the date, but as soon as I do, I'll inform y'all, let y'all know.
• 55:37
  SPEAKER_01: And right now, right now, I'm glad they're taking their time because I'm getting that song that they bring up.
• 55:42
  SPEAKER_01: I'm getting it done over right now.
• 55:44
  SPEAKER_01: So I don't even want to go on there because I want to make sure I fully capitalize.
• 55:49
  SPEAKER_01: So when I go on there and perform it and everybody go looking for that song, I want the new up-to-date version, it is banging, it's right.
• 55:56
  SPEAKER_00: Where you at right now?
• 55:57
  SPEAKER_00: Where you at right now?
• 55:58
  SPEAKER_00: You where you at right now, though?
• 56:00
  SPEAKER_00: Where are you sitting right now?
• 56:01
  SPEAKER_01: I'm in Orange Burke, South Carolina for homecoming, and I'm about to go ahead and watch the um hip-hop group.
• 56:07
  SPEAKER_01: I'm about to go see um Kidden play.
• 56:09
  SPEAKER_01: I'm about to see Tisha Campbell and all some of the people from the um movie um House Party House Party.
• 56:16
  SPEAKER_02: Shout out to Tisha Campbell, and then DJ Shaq.
• 56:20
  SPEAKER_01: Who what you doing tomorrow?
• 56:23
  SPEAKER_01: Tomorrow I'm performing at um in Santee, South Carolina for the all black affair.
• 56:30
  SPEAKER_01: Me and actor uh Maurice Lee, he's originally from um Utahville, but he's out there in LA right now doing his thing.
• 56:38
  SPEAKER_01: But he's coming home and I'm coming out here to perform.
• 56:41
  SPEAKER_01: It's not far from Orange Burg, right here where I'm at.
• 56:44
  SPEAKER_01: So um it's an all-black affair.
• 56:47
  SPEAKER_01: Um, it's a grown folk event, 30 and up.
• 56:50
  SPEAKER_01: And I'm gonna be in there really hitting them with yeah, yeah, I'm gonna be in there hitting them with that real soul music, man.
• 56:55
  SPEAKER_01: I'm gonna give them the business tomorrow night.
• 56:56
  SPEAKER_01: I'm gonna be line dancing, all of that, man.
• 56:58
  SPEAKER_01: I'm gonna give them the business, man.
• 56:59
  SPEAKER_00: I'm not even doing no line dancing, bro.
• 57:02
  SPEAKER_00: You ain't got the boots on, but you don't like dancing.
• 57:05
  SPEAKER_02: I seen, listen, I seen them, yeah, and I said, you know what?
• 57:10
  SPEAKER_02: I've been I've done doing the Texas thing for a minute.
• 57:14
  SPEAKER_02: I'm like, I gotta battle them, man.
• 57:17
  SPEAKER_01: When lose a draw, I gotta battle him.
• 57:22
  SPEAKER_01: I need to come up to Detroit to perform too, man.
• 57:24
  SPEAKER_01: And I need to get my ass out there to open.
• 57:29
  SPEAKER_02: Yeah, man.
• 57:30
  SPEAKER_02: Yeah, you do.
• 57:31
  SPEAKER_02: No, definitely.
• 57:32
  SPEAKER_02: Because, like that genre, I don't it's it.
• 57:34
  SPEAKER_02: I don't know if it's called Soul Southern Music.
• 57:36
  SPEAKER_02: I'm not sure that's the genre.
• 57:37
  SPEAKER_02: I don't want to disrespect the art form.
• 57:39
  SPEAKER_01: It's called Southern Soul, and another portion of it is called Trail Ride.
• 57:43
  SPEAKER_01: Trail ride?
• 57:44
  SPEAKER_01: That's trail ride.
• 57:45
  SPEAKER_01: Yeah, the line dance portion is called Trail Ride.
• 57:48
  SPEAKER_01: That's what they're doing at all the field party where all these people, you know, um people like um songs like uh they don't like it.
• 57:58
  SPEAKER_01: Um, but I'm a key points.
• 57:59
  SPEAKER_01: That's uh Mike Clark Jr.
• 58:01
  SPEAKER_01: He's pretty big, you know.
• 58:02
  SPEAKER_01: And so you'll see a lot of people dancing his stuff, whatever, whatever.
• 58:06
  SPEAKER_01: But who do they like Marcellus or something?
• 58:08
  SPEAKER_01: Marcellus the senior or something.
• 58:10
  SPEAKER_01: Let me take y'all to the country real quick.
• 58:11
  SPEAKER_01: Let me take y'all down.
• 58:12
  SPEAKER_01: Let me take y'all down.
• 58:13
  SPEAKER_01: I'm the I'm the first grandchild of a 250-acre property in Marin, South Carolina, right?
• 58:18
  SPEAKER_01: Check this out.
• 58:20
  SPEAKER_01: Take it easy on that moonshine.
• 58:23
  SPEAKER_01: It's time to line dance.
• 58:25
  SPEAKER_01: We pull up with pickup truck, hop out of the line dance, bonfire in the dirt, you can wheel is in the dirt, train riding, horse riding, women in the things they do.
• 58:44
  SPEAKER_01: Look at my belt, fucker.
• 58:46
  SPEAKER_01: I got it from my hooker.
• 58:48
  SPEAKER_01: I'm from the car, yeah, yeah.
• 58:51
  SPEAKER_01: Let's hit the flow.
• 58:53
  SPEAKER_01: Let's go some more, yeah.
• 58:55
  SPEAKER_01: We're gonna get lit, yeah.
• 58:59
  SPEAKER_01: Let's hit the flow, yeah.
• 59:02
  SPEAKER_01: We're gonna get lit today.
• 59:07
  SPEAKER_02: Okay, okay.
• 59:10
  SPEAKER_02: See now now now, dub you gonna be you're gonna be doing a lot of traveling soon.
• 59:18
  SPEAKER_02: And what you have to experience is this trail ride thing they be doing.
• 59:24
  SPEAKER_02: Yes, listen.
• 59:26
  SPEAKER_00: Let's break down the trail ride for one thing, because I might be sleep.
• 59:30
  SPEAKER_01: Listen, Daisy dupes, yeah, everybody dancing, no fights, kids, old people, young people, everybody.
• 59:40
  SPEAKER_01: It's like a black family, it's like a black family reunion, bro.
• 59:43
  SPEAKER_00: No fights.
• 59:44
  SPEAKER_00: You said no fights.
• 59:45
  SPEAKER_00: What does that mean?
• 59:46
  SPEAKER_00: Nobody fighting, they dancing all day.
• 59:50
  SPEAKER_02: And and think about this.
• 59:52
  SPEAKER_02: Imagine imagine this, imagine this, and this is I'm gonna say this.
• 59:57
  SPEAKER_02: I know you've been the bigger ones, uh, King, but just imagine this, duh.
• 1:00:01
  SPEAKER_02: 600 women, 275 dudes with guns, nobody get hurt, everybody happy, everybody drinking, everybody riding horses, everybody dancing, everybody eating.
• 1:00:16
  SPEAKER_00: My uncle told me, he said, nigga.
• 1:00:17
  SPEAKER_00: Hey, bruh, just know that everybody's trapped.
• 1:00:21
  SPEAKER_01: Yo, but bruh, they be so occupied dancing and having a good time.
• 1:00:26
  SPEAKER_00: But he said that a gun don't mean nothing.
• 1:00:28
  SPEAKER_00: He said, If you put if you whip out, use it.
• 1:00:32
  SPEAKER_01: Yeah, but bro, it ain't it ain't even that type of mentality, bro.
• 1:00:36
  SPEAKER_00: But his point was ain't nobody on that, but if you do whip out, you better use it because everybody on, right?
• 1:00:43
  SPEAKER_01: Yeah, yeah, yeah, yeah.
• 1:00:44
  SPEAKER_01: It's like, bro, we talking about niggas grandmoms and little kids and shit.
• 1:00:49
  SPEAKER_01: That shit is like, bro, this is a black experience.
• 1:00:52
  SPEAKER_01: No boy said horses and four-wheelers, all of that, ATVs, the whole shit, Daisy Dukes, thick ass black women, dancing, cowgirl boots on, cowboy hats on.
• 1:01:05
  SPEAKER_01: Yeah, bro, it's real.
• 1:01:07
  SPEAKER_01: Motherfuckers out there got dirt on their boots.
• 1:01:10
  SPEAKER_00: Look, Malikon, look, look, we about to head out because it's like an hour, right?
• 1:01:14
  SPEAKER_00: I want to ask you something, right?
• 1:01:15
  SPEAKER_00: Because you just said some real shit.
• 1:01:17
  SPEAKER_00: Listen, who do you feel like got motion?
• 1:01:19
  SPEAKER_00: We just went on a whole bunch of different topics.
• 1:01:22
  SPEAKER_00: Who do you feel like got motion?
• 1:01:25
  SPEAKER_00: Like, whether it's music, whether it's politics, whether it's where you from or whatever, right?
• 1:01:31
  SPEAKER_00: Who do you feel like got motion right now?
• 1:01:32
  SPEAKER_00: You know, you on We Got Motion Podcast.
• 1:01:35
  SPEAKER_00: Who do you feel like got motion right now?
• 1:01:38
  SPEAKER_01: From what aspect again?
• 1:01:40
  SPEAKER_00: Whatever aspect that you want.
• 1:01:41
  SPEAKER_00: Any aspect.
• 1:01:44
  SPEAKER_01: Who got motion?
• 1:01:46
  SPEAKER_01: It'll be you, whatever you think.
• 1:01:48
  SPEAKER_01: I definitely got motion.
• 1:01:50
  SPEAKER_01: Shit.
• 1:01:50
  SPEAKER_01: I'm I'm constantly on the move, and you know what I'm saying?
• 1:01:53
  SPEAKER_01: Like, I'm heavily sought after.
• 1:01:55
  SPEAKER_01: I'm out here moving, and I'm really having my return, my comeback right now, bro.
• 1:02:00
  SPEAKER_01: So it's like, man, it's a blessing right now to be King Malachi.
• 1:02:03
  SPEAKER_01: I'm so thankful.
• 1:02:04
  SPEAKER_01: I just want to say, man, salute to all my fans out there who've been holding me down forever.
• 1:02:09
  SPEAKER_01: You know, salute to Carlos.
• 1:02:11
  SPEAKER_01: Thank you for bringing me up on your podcast, bro.
• 1:02:13
  SPEAKER_01: You and DC Young Fly Man for real, because it's really opened up and just reignited a whole new fire.
• 1:02:20
  SPEAKER_01: And it's like, man, it's about to be my year 2027.
• 1:02:23
  SPEAKER_01: Man, I'm gonna be extra lit.
• 1:02:26
  SPEAKER_01: Okay.
• 1:02:27
  SPEAKER_00: Okay.
• 1:02:29
  SPEAKER_00: Who got motion, Doug?
• 1:02:31
  SPEAKER_00: King Malachi.
• 1:02:33
  SPEAKER_00: Because no matter what I thought a motherfucker was on, the niggas showed up and he started talking about history.
• 1:02:38
  SPEAKER_00: That I ain't gonna lie to you, that I'm I'm a buff.
• 1:02:41
  SPEAKER_00: So I'm in I'm in school right now, I'm in college, right?
• 1:02:44
  SPEAKER_00: I mean, I'm in college right now, and they still lying to niggas in college about history and all that shit.
• 1:02:49
  SPEAKER_00: So when I'm talking to somebody historically about the hip-hop, I'm I'm I'm 48.
• 1:02:55
  SPEAKER_00: So when hip hop was born, I'm a hip-hop baby.
• 1:02:59
  SPEAKER_00: Right.
• 1:03:00
  SPEAKER_00: Right in the 80s, when it was like I was born in 78.
• 1:03:05
  SPEAKER_00: So even though it was a little hip-hop rocking in, but by 84, when I could my cognitive faculties was upon me, I remember all of that.
• 1:03:16
  SPEAKER_00: Right.
• 1:03:17
  SPEAKER_00: So uh a young nigga wouldn't understand what I'm about to say right now, but understanding hip hop and where it came from, the evolution and what it said it was gonna be, and seeing what it's right now, and talking to you, you gotta have motion.
• 1:03:31
  SPEAKER_00: As an OG, I'm hoping that my old shit got motion.
• 1:03:34
  SPEAKER_00: So right now, King Malachi got motion on the We Got Motion podcast.
• 1:03:38
  SPEAKER_02: Okay, okay, okay.
• 1:03:40
  SPEAKER_02: Well, for me this week, uh man, I think uh dub you got motion, brother.
• 1:03:47
  SPEAKER_02: And I'm gonna tell you why.
• 1:03:49
  SPEAKER_00: Okay.
• 1:03:52
  SPEAKER_02: You lost your grandmother.
• 1:03:54
  SPEAKER_00: Rest in peace.
• 1:03:55
  SPEAKER_00: Rest in peace, gammy.
• 1:03:57
  SPEAKER_02: And the fact that you still showed up, because you already know your brother would have done this by, you know what I'm saying, solo.
• 1:04:03
  unknown: Right.
• 1:04:03
  SPEAKER_00: But the fact that you still married her today, which you just well, Fener was like literally three hours ago.
• 1:04:08
  SPEAKER_00: Go ahead, though.
• 1:04:09
  SPEAKER_02: Yeah, so the fact that you were able to do this and deal what you've been dealing with for two weeks, all the way up till now.
• 1:04:16
  SPEAKER_02: I'm gonna say you got motion because nigga, I couldn't do it.
• 1:04:18
  SPEAKER_02: And you would have been doing this with King Malachi by yourself.
• 1:04:22
  SPEAKER_02: So you got motion this week, man.
• 1:04:24
  SPEAKER_02: RP Magic Granny, man, and this was amazing, amazing episode, man.
• 1:04:29
  SPEAKER_02: And King, I'm gonna put you on the spot.
• 1:04:31
  SPEAKER_02: We need you to come back.
• 1:04:32
  SPEAKER_01: Let's get it.
• 1:04:33
  SPEAKER_01: Let's get it.
• 1:04:35
  SPEAKER_02: All right, man.
• 1:04:36
  SPEAKER_02: That's that's that's good, man.
• 1:04:39
  SPEAKER_02: Send us out, man.
• 1:04:43
  SPEAKER_00: East Oakland, California, man, all the way to Detroit.
• 1:04:46
  SPEAKER_00: We got my nigga King Malachi.
• 1:04:47
  SPEAKER_00: We're talking about Atlanta, Peter Evelyn from Atlanta.
• 1:04:51
  SPEAKER_00: We was gonna tap in.
• 1:04:52
  SPEAKER_00: He never did, but I would have oh look, look, watch this.
• 1:04:54
  SPEAKER_00: Hold on, watch this before we go.
• 1:04:55
  SPEAKER_00: Look at look at Pete.
• 1:04:57
  SPEAKER_00: Look at this.
• 1:04:57
  SPEAKER_00: Look, look at Pete.
• 1:04:58
  SPEAKER_00: Just tap in.
• 1:05:00
  SPEAKER_03: I just was talking about you.
• 1:05:02
  SPEAKER_03: Atlanta's Atlanta.
• 1:05:03
  SPEAKER_03: Shout out to Malachi.
• 1:05:04
  SPEAKER_03: Shout out to King Malachi, shout out to Boots on the ground, man.
• 1:05:06
  SPEAKER_01: Much love, bro.
• 1:05:07
  SPEAKER_01: Oh, shout out to P with a Pete.
• 1:05:09
  SPEAKER_01: Much love, bro.
• 1:05:10
  SPEAKER_01: What's going on?
• 1:05:10
  SPEAKER_03: Hey, keep copy your shit, my name.
• 1:05:12
  SPEAKER_01: Yes, sir.
• 1:05:13
  SPEAKER_01: Man, much love and salute.
• 1:05:14
  SPEAKER_01: Hey, make sure to follow me on Instagram at King Malachi One.
• 1:05:20
  SPEAKER_01: Tap in with me.
• 1:05:21
  SPEAKER_01: Fuck with me.
• 1:05:22
  SPEAKER_00: And Pete, just so you know, Pete was um uh he was a Atlanta era of the G Z era, right?
• 1:05:32
  SPEAKER_00: The G the USDA era, yeah, really from Atlanta by way of Jamaica, blah blah blah, right?
• 1:05:38
  SPEAKER_00: But he really Atlanta when you was talking that shit, he was in the comments saying a lot of shit.
• 1:05:43
  SPEAKER_00: So before we go, I'll let for Pete to drop some of that ism of what you was on on the Atlanta scene and like kind of what we feel.
• 1:05:51
  SPEAKER_03: Yeah, so I'm from Man, I'm from Etheridge.
• 1:05:54
  SPEAKER_03: Okay, you know what I mean.
• 1:05:56
  SPEAKER_03: So when you were talking about Atlanta, your city.
• 1:06:00
  SPEAKER_03: I don't know.
• 1:06:01
  SPEAKER_03: You know what I'm saying?
• 1:06:02
  SPEAKER_03: We I fuck with you, you know what I'm saying?
• 1:06:08
  SPEAKER_03: We I ain't never heard of you besides today.
• 1:06:12
  SPEAKER_01: Hey, how long you been in?
• 1:06:13
  SPEAKER_03: I'm just saying.
• 1:06:14
  SPEAKER_01: No, no, it's all it's you gotta realize, bro.
• 1:06:17
  SPEAKER_01: Um you gotta realize that I'm not on the radio, right?
• 1:06:24
  SPEAKER_01: But that's why I said go on my page and look.
• 1:06:27
  SPEAKER_01: Go on my page.
• 1:06:28
  SPEAKER_01: When you go on my page and you start looking through, you'll be like, oh, okay, you see a vouching.
• 1:06:34
  SPEAKER_01: You see them vouching.
• 1:06:36
  SPEAKER_01: So you from South Carolina?
• 1:06:38
  SPEAKER_01: Yeah, I'm from South Carolina, but I've been in Atlanta damn near 30 years.
• 1:06:42
  SPEAKER_03: So what was the uh what was the New York accent?
• 1:06:45
  SPEAKER_03: Where'd that come from?
• 1:06:46
  SPEAKER_01: Because I come from an era in South Carolina where we wanted to be from New York.
• 1:06:51
  SPEAKER_03: Oh shit, not the wannabes.
• 1:06:53
  SPEAKER_03: I'm just saying, bro.
• 1:06:56
  SPEAKER_01: No, no, no, no, but on some real shit to keep it real.
• 1:06:59
  SPEAKER_01: We didn't really have it wasn't cool to be country at that time.
• 1:07:02
  SPEAKER_01: So we was hip-hop heads.
• 1:07:04
  SPEAKER_01: And so, and and on some street, and on some street shit, you either was getting work from New York or Miami.
• 1:07:12
  SPEAKER_01: So we had a split.
• 1:07:14
  SPEAKER_01: We had just like how he was talking about LA and talking about um Oakland, you had us, you had half of us who was on the New York wave, the other half of us was fucking with Florida.
• 1:07:25
  SPEAKER_03: No, I get that.
• 1:07:26
  SPEAKER_03: My pops was is from Jamaica.
• 1:07:28
  SPEAKER_03: Um when he came to the States, he was he went straight to the Bronx, Bronx, New York.
• 1:07:32
  SPEAKER_03: So I got family from from White Plains, the co-op, right?
• 1:07:36
  SPEAKER_03: But I'm from I'm I'm I'm born in Atlanta, right?
• 1:07:39
  SPEAKER_01: So how long you been?
• 1:07:40
  SPEAKER_01: How long how old are you?
• 1:07:42
  SPEAKER_03: I'm 40.
• 1:07:44
  SPEAKER_01: Okay, cool.
• 1:07:45
  SPEAKER_01: So take it back.
• 1:07:46
  SPEAKER_03: It was always cool where I'm from to be country.
• 1:07:49
  SPEAKER_03: We stood on that.
• 1:07:50
  SPEAKER_03: We we city country.
• 1:07:51
  SPEAKER_01: Hey, what you know about club, what what you know about club crucial?
• 1:07:55
  SPEAKER_03: Come on, man.
• 1:07:56
  SPEAKER_03: That's what I'm saying.
• 1:07:59
  SPEAKER_01: I used to run Club Crucial.
• 1:08:01
  SPEAKER_01: Hold up, what you know about what you know about Pool Palace?
• 1:08:04
  unknown: Come on, man.
• 1:08:05
  SPEAKER_01: I used to run Pool Palace.
• 1:08:07
  SPEAKER_01: Hold on, what you know about saying you ain't I ain't never hold on hold on, slow down, slow down.
• 1:08:14
  SPEAKER_01: What you know about Club Rich.
• 1:08:16
  SPEAKER_01: I used to run that bitch on Monday nights.
• 1:08:18
  SPEAKER_01: What you know about 559?
• 1:08:20
  SPEAKER_01: Man, listen.
• 1:08:21
  SPEAKER_01: First of all, I stayed on oak and holding this 559 was right around the blood from me, bruh.
• 1:08:27
  SPEAKER_01: Right across the street from motherfucking Q Time Restaurant.
• 1:08:31
  SPEAKER_01: Oh man, man.
• 1:08:34
  SPEAKER_01: Period.
• 1:08:35
  SPEAKER_01: Period, period.
• 1:08:37
  SPEAKER_01: Hold on, hold on.
• 1:08:38
  SPEAKER_01: When five five nine when five nine five five nine was about to close, that's the master p era.
• 1:08:46
  SPEAKER_01: That's the hot boys era when that bitch about to shut down.
• 1:08:49
  SPEAKER_03: Uh-huh.
• 1:08:52
  SPEAKER_00: We can just seem like you came over to the talk to me, talk to me, talk to me.
• 1:08:56
  SPEAKER_00: Talk to me now, bro.
• 1:08:57
  SPEAKER_00: Hold up, bro.
• 1:08:57
  SPEAKER_00: Hold up.
• 1:08:59
  SPEAKER_00: Let me get let me sit out, man.
• 1:09:00
  unknown: Hold on.
• 1:09:01
  SPEAKER_01: Let me let me hold on.
• 1:09:02
  SPEAKER_01: Let me say, let me share something with you.
• 1:09:03
  SPEAKER_01: It's almost no venue in the city.
• 1:09:06
  SPEAKER_01: I ain't touched.
• 1:09:08
  SPEAKER_00: Hey, Malachi, just so you know, we wasn't on no gotcha shit or none of that.
• 1:09:12
  SPEAKER_00: Pete came on to some Atlanta shit banging.
• 1:09:15
  SPEAKER_00: So I'm saying, is the shit real or not, Pete?
• 1:09:18
  SPEAKER_00: You came on here banging.
• 1:09:19
  SPEAKER_00: What's in it?
• 1:09:21
  SPEAKER_00: Hell yeah.
• 1:09:21
  SPEAKER_01: Let me let me let me let me let me let me tell let me let me tell you something, right?
• 1:09:26
  SPEAKER_01: Let me tell you something.
• 1:09:28
  SPEAKER_01: You couldn't have been out, you couldn't have been out the house like you said you was out the house if you didn't hear about the King Malachi in the streets.
• 1:09:42
  SPEAKER_01: Hold on, hold on, hold on, hold on, hold on.
• 1:09:44
  SPEAKER_01: Well, since you never seen me, right?
• 1:09:46
  SPEAKER_01: I need you to go ask Future, ask 3000, ask Ti, as Gucci Man, as big hold up, hold up, hold up, hold up, hold up, hold up, hold up.
• 1:09:55
  SPEAKER_01: Go to fourth as slick pulling them niggas.
• 1:09:58
  SPEAKER_01: Uh everybody who slick I got I can call slick right now.
• 1:10:03
  SPEAKER_01: Call slick right.
• 1:10:09
  SPEAKER_01: No, no, call slick right now.
• 1:10:12
  SPEAKER_03: You from Fort Ward?
• 1:10:13
  SPEAKER_01: I'm from Fourth War, Great Pierre Ernest Street.
• 1:10:16
  SPEAKER_03: I thought you were from South Carolina.
• 1:10:18
  SPEAKER_01: Nah, see, that's why you gotta listen up, bro.
• 1:10:20
  SPEAKER_01: I've been here, damn.
• 1:10:21
  SPEAKER_01: I've been here 30 years.
• 1:10:24
  SPEAKER_03: Okay.
• 1:10:25
  SPEAKER_01: No, no, listen, listen, listen.
• 1:10:26
  SPEAKER_01: No, no, no, no, no, no, no, no.
• 1:10:29
  SPEAKER_01: You need to come.
• 1:10:30
  SPEAKER_01: Hold up, listen.
• 1:10:32
  SPEAKER_01: Hold up.
• 1:10:33
  SPEAKER_01: Listen, I got when you go on video, right?
• 1:10:36
  SPEAKER_01: Oh I got something for you.
• 1:10:38
  SPEAKER_01: I got something for you.
• 1:10:40
  SPEAKER_01: I need you to go online and look at King Malachi Grimy World video.
• 1:10:45
  SPEAKER_03: Okay.
• 1:10:45
  SPEAKER_01: That's Erin and Gripe Street.
• 1:10:48
  SPEAKER_01: That's Henderson Place apartments.
• 1:10:51
  SPEAKER_01: It don't even exist no more.
• 1:10:53
  SPEAKER_03: You know, you know who you know Hood Rich.
• 1:10:56
  SPEAKER_01: Ass hood rich about me.
• 1:10:58
  SPEAKER_03: You know Hood?
• 1:10:59
  SPEAKER_01: Ass hood rich about me.
• 1:11:02
  SPEAKER_01: Hold up, hold up, hold up, hold up.
• 1:11:04
  SPEAKER_01: Right there, hold up, hold up.
• 1:11:05
  SPEAKER_01: Right there on Grape Urban Street, right?
• 1:11:07
  SPEAKER_01: Where everybody hold up, right there, Grape and Urban Street, where everybody used to hang out, right?
• 1:11:12
  SPEAKER_01: I used to cut hair in that Bobby Tot sell weed and sell my music out there, motherfucker.
• 1:11:17
  SPEAKER_01: Where the pizza, where the pizza shop at the pizza shop, right now, Edgewood.
• 1:11:22
  SPEAKER_03: That's a fact.
• 1:11:22
  SPEAKER_03: You know, Bob.
• 1:11:24
  SPEAKER_01: Bro, I know Africa and all them niggas.
• 1:11:26
  SPEAKER_01: They no Africa.
• 1:11:27
  SPEAKER_01: No, no, no, no, listen, listen.
• 1:11:29
  SPEAKER_01: You know, Dollar?
• 1:11:30
  SPEAKER_01: No, what's most important is they know me.
• 1:11:33
  SPEAKER_01: African is valid.
• 1:11:35
  SPEAKER_01: No, what?
• 1:11:36
  SPEAKER_01: Hold on, hold on.
• 1:11:37
  SPEAKER_01: Ask that nigga Africa about me.
• 1:11:43
  SPEAKER_01: Hold on, hold on, hold on.
• 1:11:44
  SPEAKER_01: Let me help you out.
• 1:11:44
  SPEAKER_01: Let me help you out.
• 1:11:46
  SPEAKER_01: Hold on, let me help you out.
• 1:11:48
  SPEAKER_01: Hold on, let me help you out.
• 1:11:49
  SPEAKER_01: Hold on.
• 1:11:50
  SPEAKER_01: Africa is Enian.
• 1:11:53
  SPEAKER_03: Eretrian.
• 1:11:55
  SPEAKER_01: Listen, bro.
• 1:11:57
  SPEAKER_01: Him and his brother.
• 1:11:58
  SPEAKER_03: Uh-huh.
• 1:11:58
  SPEAKER_03: You know that you know, you know, uh they had a studio.
• 1:12:01
  SPEAKER_01: Hold up.
• 1:12:02
  SPEAKER_01: They had a studio upstairs from the pizza shop.
• 1:12:04
  SPEAKER_03: I used to sleep in that studio for sure.
• 1:12:06
  SPEAKER_03: I used to record in that motherfucker.
• 1:12:08
  SPEAKER_03: I've never seen you.
• 1:12:10
  SPEAKER_01: Hold up, hold up.
• 1:12:11
  SPEAKER_01: How do I know about it?
• 1:12:13
  SPEAKER_01: How do I know about it?
• 1:12:14
  SPEAKER_01: How do I know about it?
• 1:12:16
  SPEAKER_03: Because you've been there a couple times.
• 1:12:18
  SPEAKER_01: A lot of times.
• 1:12:20
  SPEAKER_01: A lot of times.
• 1:12:25
  SPEAKER_02: Man, I appreciate everybody, man.
• 1:12:29
  SPEAKER_01: Let him run.
• 1:12:30
  SPEAKER_01: Here's some Atlanta shit.
• 1:12:33
  SPEAKER_01: But look, I'm so glad.
• 1:12:35
  SPEAKER_01: I'm gonna validate you.
• 1:12:36
  SPEAKER_03: I'm gonna validate you.
• 1:12:37
  SPEAKER_01: Hey, look, I'm so glad.
• 1:12:39
  SPEAKER_01: I'm so glad you pulled my card though.
• 1:12:41
  SPEAKER_01: It's all good.
• 1:12:42
  SPEAKER_01: I have I love it.
• 1:12:43
  SPEAKER_01: I love it.
• 1:12:45
  SPEAKER_03: I'm really from that.
• 1:12:46
  SPEAKER_03: I'm really from that city, bro.
• 1:12:48
  SPEAKER_03: Yeah.
• 1:12:52
  SPEAKER_01: And I used to trap in Vine City right there, Magno your apartment.
• 1:12:58
  SPEAKER_01: Hold up, hold up, hold up, hold up, hold up.
• 1:12:59
  SPEAKER_01: Curtis Snow who made it.
• 1:13:01
  SPEAKER_01: Curtis Snow who made snow on the bluffs.
• 1:13:04
  SPEAKER_01: Stay on the other side of the fence for me.
• 1:13:10
  SPEAKER_00: Let me chime in.
• 1:13:11
  SPEAKER_00: Y'all even know Pete is Government Entertainment.
• 1:13:13
  SPEAKER_00: That nigga is a part of our unit, but he really is our Atlanta resident.
• 1:13:18
  SPEAKER_00: Real shit, right?
• 1:13:19
  SPEAKER_00: Stand in.
• 1:13:20
  SPEAKER_00: When he owned this, look, when he owned this, that's why I ain't say nothing.
• 1:13:23
  SPEAKER_00: Because I'm from California.
• 1:13:24
  SPEAKER_00: Look, look, look, my nigga went from Detroit.
• 1:13:27
  SPEAKER_00: We if he played, we don't know.
• 1:13:29
  SPEAKER_00: So that's why we look around like what the fuck.
• 1:13:31
  SPEAKER_02: Hey look, look, look.
• 1:13:32
  SPEAKER_02: I'm a Detroit nigga.
• 1:13:33
  SPEAKER_02: All I know is nigga, the compound club in Peace Street, nigga.
• 1:13:36
  SPEAKER_02: That's all I know.
• 1:13:38
  SPEAKER_01: Hey, hey, look, bro.
• 1:13:40
  SPEAKER_01: Hey, look, bro.
• 1:13:41
  SPEAKER_01: I had a big I had a baby in almost every hospital in Atlanta.
• 1:13:45
  SPEAKER_03: I heard you say that earlier in the what's the name, bro.
• 1:13:48
  SPEAKER_01: That was that was cool.
• 1:13:49
  SPEAKER_01: Yeah, hold up, hold up, hold up.
• 1:13:51
  SPEAKER_01: Remember Atlanta Medical right there on Boulevard.
• 1:13:53
  SPEAKER_01: It ain't there no more.
• 1:13:57
  SPEAKER_00: He went.
• 1:13:58
  SPEAKER_00: Look, Pete is my friend.
• 1:14:00
  SPEAKER_00: I know kids and regular things.
• 1:14:02
  SPEAKER_00: So it said one nigga hitting you.
• 1:14:04
  SPEAKER_00: I'm trying to just be a business nigga.
• 1:14:06
  SPEAKER_00: But the content is pure.
• 1:14:07
  SPEAKER_03: Hey, my boy said my boy said it twice that he had every in every hospital he had, but he had to say that two times.
• 1:14:14
  SPEAKER_03: I got eight kids.
• 1:14:16
  SPEAKER_00: I got eight name some shit.
• 1:14:18
  SPEAKER_00: Pete was the nigga was he naming shit that matters for Atlanta.
• 1:14:22
  SPEAKER_00: Let us know for the culture.
• 1:14:24
  SPEAKER_03: Yes.
• 1:14:25
  SPEAKER_03: All right.
• 1:14:26
  SPEAKER_03: All right.
• 1:14:27
  SPEAKER_03: As soon as he said, as soon as he said, as soon as he knew about the pizza shop African and the studio above the pizza shop, that's valid, right there.
• 1:14:36
  SPEAKER_02: Because anybody don't know about the studio up there.
• 1:14:38
  SPEAKER_03: That's valid.
• 1:14:38
  SPEAKER_03: Because I used to speak in that I recorded one of my first songs in my lifetime.
• 1:14:43
  SPEAKER_03: My one of my first songs I ever recorded was in that studio.
• 1:14:46
  SPEAKER_03: That's valid.
• 1:14:48
  SPEAKER_03: It just showed it just your head.
• 1:14:50
  SPEAKER_00: Listen, just your shit.
• 1:14:52
  SPEAKER_00: This wasn't when he is really a part of our whole shit.
• 1:14:56
  SPEAKER_00: And because you start popping Atlanta, I text him like he popping on Atlanta.
• 1:15:02
  SPEAKER_00: Well, nigga, what you mean it's your region.
• 1:15:04
  SPEAKER_00: So I but look, it ain't no, it ain't no hate or no.
• 1:15:08
  SPEAKER_00: Nah, it's all love, bro.
• 1:15:09
  SPEAKER_01: Nah, it's all love.
• 1:15:10
  SPEAKER_01: It's all love.
• 1:15:13
  SPEAKER_03: Hey, I'm gonna hey I'm gonna catch up with you on that uh on that country soul shit, bro.
• 1:15:17
  SPEAKER_03: I'm gonna catch up with you with that shit, bro.
• 1:15:19
  SPEAKER_03: Let's get it.
• 1:15:21
  SPEAKER_00: Let's get it.
• 1:15:28
  SPEAKER_00: Aka Pistola Singer Man.
• 1:15:30
  SPEAKER_00: That nigga got a whole album out right now.
• 1:15:32
  SPEAKER_00: He really got vocals.
• 1:15:33
  SPEAKER_00: Like for real.
• 1:15:34
  SPEAKER_00: I'm gonna send you something.
• 1:15:35
  SPEAKER_00: Like he on the mob, we fuck with it.
• 1:15:38
  SPEAKER_00: It's just funny that when I'm here, because I ain't gonna lie to you, like as a gangster, I'm funny, right?
• 1:15:47
  SPEAKER_00: And the shit get validated, right?
• 1:15:49
  SPEAKER_00: That's why Kevin, like, let's just get out of here.
• 1:15:51
  SPEAKER_00: Fuck all that.
• 1:15:52
  SPEAKER_00: Yeah, we're I saw the segue.
• 1:15:54
  SPEAKER_03: I saw the segue coming.
• 1:15:55
  SPEAKER_03: I had to get on here, man, and put on for the city, man.
• 1:15:58
  SPEAKER_01: You know, hey yo, check hey, check this out, bro.
• 1:16:01
  SPEAKER_01: I I I done bought so many blunts out of Texaco on Boulevard and Urban Street.
• 1:16:07
  SPEAKER_01: I used to be over there with Goddard Jeezy used to come through with the lime green Lambeau.
• 1:16:12
  SPEAKER_03: What's the best?
• 1:16:12
  SPEAKER_03: What's the best shoe spot in the city?
• 1:16:14
  SPEAKER_01: Walters.
• 1:16:15
  SPEAKER_03: Okay, that's valid.
• 1:16:18
  SPEAKER_02: Hey, you can't no more questions.
• 1:16:20
  SPEAKER_02: She got it.
• 1:16:20
  SPEAKER_03: She got it.
• 1:16:22
  SPEAKER_03: Hey, hold on.
• 1:16:23
  SPEAKER_03: One more question.
• 1:16:23
  SPEAKER_03: Did you get your hat from Walters?
• 1:16:26
  SPEAKER_01: Nah, nah, nah, nah, nah.
• 1:16:28
  SPEAKER_03: Where we get the hat from, but I gotta know, bro.
• 1:16:30
  SPEAKER_01: I nah, man.
• 1:16:31
  SPEAKER_01: I you uh you know what?
• 1:16:32
  SPEAKER_01: I can I'll plug you in.
• 1:16:34
  SPEAKER_01: Send me a DM King Malachi one, and I got a home.
• 1:16:38
  SPEAKER_01: I got a homie down in um Atlanta.
• 1:16:40
  SPEAKER_01: He sell them independently.
• 1:16:42
  SPEAKER_00: I bet appreciate you should put him up there so we can clip this.
• 1:16:48
  SPEAKER_01: I don't know it off my head.
• 1:16:49
  SPEAKER_01: I gotta go dig in my phone, and that's gonna cut you off for right here.
• 1:16:53
  SPEAKER_01: That's why I got you though, bro.
• 1:16:57
  SPEAKER_00: Just so you know, you can show up whenever Pete.
• 1:16:59
  SPEAKER_00: If you want to do something, just you and Pete on some Atlanta shit.
• 1:17:02
  SPEAKER_00: Yeah, we can make that happen, whatever it is, bro.
• 1:17:05
  SPEAKER_00: Frequency 99.
• 1:17:06
  SPEAKER_03: I'm gonna call slick too, bro.
• 1:17:07
  SPEAKER_03: When we get off this phone, I'm gonna call slick, bro.
• 1:17:10
  SPEAKER_00: Say say slick while we go through the video while we was on King Malachi King Malachi from Erwin Street.
• 1:17:20
  SPEAKER_03: All right, yeah, it's a it's a lot of big, it's a lot of big hitters from Irving from Isg, bro.
• 1:17:25
  SPEAKER_03: It's a lot of big hold on, hold on, hold on, hold on.
• 1:17:28
  SPEAKER_01: The whole isg know me, Erwin Street Gorillas.
• 1:17:34
  SPEAKER_03: Yeah, that's what it means.
• 1:17:36
  SPEAKER_01: Okay, all right.
• 1:17:37
  SPEAKER_02: Hey, hey, well look, we're gonna see this has been an amazing Atlanta, Detroit, Oakland, South Carolina, version of we got motion.
• 1:17:51
  SPEAKER_02: We got motion, man.
• 1:17:52
  SPEAKER_00: Look, see who got motion, we got motion global mafia entertainment.
• 1:17:58
  SPEAKER_03: Got motion, man.
• 1:17:59
  SPEAKER_03: Pistola the same thing got motion.
• 1:18:01
  SPEAKER_03: P time Peter Evelyn got motion.
• 1:18:03
  SPEAKER_03: You know what I mean?
• 1:18:04
  SPEAKER_03: King Malachi got motion.
• 1:18:05
  SPEAKER_01: Let's get it.
• 1:18:09
  SPEAKER_00: Remember my nigga Pete.
• 1:18:10
  SPEAKER_00: I'm gonna send you some shit.
• 1:18:12
  SPEAKER_00: I'm gonna send you a link straight to your text message.
• 1:18:14
  SPEAKER_00: Pete is linked to sending no album.
• 1:18:18
  SPEAKER_00: I'm gonna go.
• 1:18:21
  SPEAKER_03: I need a hat.
• 1:18:21
  SPEAKER_01: Hey yo, hey yo, check this out, bro.
• 1:18:24
  SPEAKER_01: Um, let's link up because um I got a project coming called OG music.
• 1:18:31
  SPEAKER_01: I'm talking about all that shit I did on Irwin Street.
• 1:18:34
  SPEAKER_03: Let's get it.
• 1:18:35
  SPEAKER_01: Yeah, I'm on bro.
• 1:18:37
  SPEAKER_03: I'm on, I'm on, I'm on slick, all damn near all slick's mictake, bro.
• 1:18:41
  SPEAKER_01: Hey, I'm glad you didn't know.
• 1:18:43
  SPEAKER_01: I've been trying, I've been trying to get at slick, so definitely get at slick and tell that motherfucker I'm looking for him.
• 1:18:49
  SPEAKER_00: All right, we'll do all right.
• 1:18:50
  SPEAKER_00: All right, let's take a happen.
• 1:18:51
  SPEAKER_00: Look, hey, we got motion, you know what you do.
• 1:18:53
  SPEAKER_00: We bring people together.
• 1:18:54
  SPEAKER_00: That's what we do.
• 1:18:56
  SPEAKER_00: That's right, that's right.
• 1:18:57
  SPEAKER_01: Let's do it, baby.
• 1:18:58
  SPEAKER_00: Yes, that's what we do, man.
• 1:19:00
  SPEAKER_00: Listen, get it.
• 1:19:00
  SPEAKER_00: Everybody get ourselves a final shout out, would Pete Malachi.
• 1:19:06
  SPEAKER_00: Give yourself a final shout out.
• 1:19:07
  SPEAKER_00: We're gonna get up out of here.
• 1:19:08
  SPEAKER_02: Man, look, man, it's Kyle Woodman.
• 1:19:10
  SPEAKER_02: One half for the frequency nine nine, and we got motion podcasts.
• 1:19:13
  SPEAKER_02: Man, this was a great episode.
• 1:19:15
  SPEAKER_02: I didn't think I was gonna like this episode as much as I did, but I did.
• 1:19:20
  SPEAKER_02: It was amazing.
• 1:19:21
  SPEAKER_02: Uh, King came with the heat, Pete came with the heat, Doug came with the heat, man.
• 1:19:26
  SPEAKER_02: It and and dub has done a lot with all his shit.
• 1:19:28
  SPEAKER_02: So all people are green again, man.
• 1:19:29
  SPEAKER_02: We got motion podcasts, man.
• 1:19:34
  SPEAKER_01: King Malachi in the building, man.
• 1:19:36
  SPEAKER_01: You already know what it is.
• 1:19:37
  SPEAKER_01: South Carolina, Atlanta, Georgia legend.
• 1:19:39
  SPEAKER_01: You know what I'm saying?
• 1:19:40
  SPEAKER_01: I love y'all.
• 1:19:41
  SPEAKER_01: I appreciate y'all.
• 1:19:42
  SPEAKER_01: We family now.
• 1:19:43
  SPEAKER_01: We're gonna go up, up, up, baby.
• 1:19:45
  SPEAKER_01: I appreciate y'all.
• 1:19:46
  SPEAKER_01: Make sure that y'all follow me out there at King Malachi One.
• 1:19:50
  SPEAKER_01: That's K-I-N-G-M-A-L-A-C-H-I number one on Instagram.
• 1:19:55
  SPEAKER_01: Let go.
• 1:19:57
  SPEAKER_03: Yeah, man.
• 1:19:57
  SPEAKER_03: It's your boy Pete, man.
• 1:20:00
  SPEAKER_03: Pistola the singer, man, for the OGs from the city, man.
• 1:20:03
  SPEAKER_03: Peter Evelyn for my family and loved ones who know me.
• 1:20:06
  SPEAKER_03: GME Global Mafia Entertainment.
• 1:20:08
  SPEAKER_03: Shout out, Dove, shout out Cowwood.
• 1:20:10
  SPEAKER_03: It's the mob, man.
• 1:20:10
  SPEAKER_03: Get with this shit and get on, man.
• 1:20:13
  SPEAKER_00: We don't know what to do.
• 1:20:14
  SPEAKER_00: Oh, we're gonna send you out.
• 1:20:16
  SPEAKER_00: We're gonna send you out.