Latest / Stuff Mom Never Told You / Book Club: Undead Girl Gang
Transcript
- 0:05Speaker 1: Hey, this is Annie and Samantha.
- 0:06Speaker 2: I hope my stuff. I never told you production of iHeartRadio.
- 0:18Speaker 2: Quick content warning. We are going to be talking about death, suicide,
- 0:22Speaker 2: and the grief that surrounds that. Nothing is too explicit,
- 0:26Speaker 2: but it is at the foundation of the book we're
- 0:30Speaker 2: talking about, so just keep that in mind. And today
- 0:36Speaker 2: we are talking about a relatively newish book, So spoilers,
- 0:39Speaker 2: go get it. I recommend it highly. But yes, we
- 0:43Speaker 2: are digging into the twenty eighteen novel Undead Girl Gang
- 0:47Speaker 2: by Lily Anderson. It's a dark horror ish comedy ish
- 0:53Speaker 2: mystery that is told from the point of view of
- 0:56Speaker 2: Mila Flores, an angry, fat Mexican American teen witch who
- 0:59Speaker 2: decides it's to take matters into her own hands after
- 1:02Speaker 2: her friend Riley's mysterious death is dismissed as suicide, despite
- 1:07Speaker 2: the recent deaths of two popular students Dayton in June
- 1:11Speaker 2: whose deaths are also ruled a suicide. So a lot
- 1:14Speaker 2: of kind of loosen's. One of the things is her
- 1:18Speaker 2: friend Riley like to dye her hair.
- 1:21Speaker 3: There were just a lot of reasons why Miela was like,
- 1:23Speaker 3: this is not this is not what happened. This is
- 1:25Speaker 3: not what happened.
- 1:27Speaker 2: So Mila uses her powers and she raises these girls
- 1:31Speaker 2: from the dead and together if they get to the
- 1:34Speaker 2: bottom of what happened. So, I mean, if that plot
- 1:39Speaker 2: alone hasn't pulled you in, I don't know what thinking.
- 1:42Speaker 1: This needs to be like a CW series.
- 1:45Speaker 3: Yeah, it's so good.
- 1:46Speaker 1: I'm like, Yeah, who hasn't who's not a bought the
- 1:48Speaker 1: rice to this? Because this needs to be a series asap.
- 1:52Speaker 3: Yeah, I saw.
- 1:53Speaker 2: I saw some rumors that it was going to be
- 1:56Speaker 2: adapted live action, but I didn't. I don't know if
- 2:00Speaker 2: it went beyond like someone should do this, but I
- 2:03Speaker 2: did see some talk that it might happen, which would
- 2:07Speaker 2: be cool.
- 2:08Speaker 3: It would be really cool.
- 2:09Speaker 2: All right, So let us break down the plot. But again,
- 2:12Speaker 2: if you don't want to be spoiled, this is a
- 2:13Speaker 2: really fun one, go go read it, come back, Okay.
- 2:18Speaker 2: So Mila Flores is a witch, largely through the influence
- 2:21Speaker 2: of her best friend Riley, who lives above a funeral home.
- 2:25Speaker 2: They live in a small town called Cross Creek, and
- 2:28Speaker 2: they go to school together. Both are picked on by
- 2:31Speaker 2: popular kids Dayton and June. Meela has a crush on Xander,
- 2:35Speaker 2: Riley's brother. Seemingly without any morning signs, Dayton and June
- 2:40Speaker 2: are found hanging from their necks in what is deemed
- 2:43Speaker 2: a suicide pact. Soon after, Riley's discovered drowned and her
- 2:47Speaker 2: death is labeled as a suicide too. Meela is furious
- 2:51Speaker 2: if she feels that the deaths might be connected and
- 2:54Speaker 2: that they might instead be murders. Of course, no one
- 2:58Speaker 2: believes her, so she sets about gathering ingredients for a
- 3:01Speaker 2: spell that will resurrect Riley for seven days, a spell
- 3:04Speaker 2: she discovered in a grimoire mysteriously delivered to the abandoned
- 3:08Speaker 2: Yarrow house that she and Riley used to practice spell
- 3:11Speaker 2: work in. She also steals an ingredient from a local witch,
- 3:15Speaker 2: a white woman named Toby, to complete the spell. Toby
- 3:18Speaker 2: is wary of any spell that would bring back the dead,
- 3:20Speaker 2: believing that it must be dark and dangerous in nature,
- 3:23Speaker 2: so she does not approve of this whole venture. Meela
- 3:26Speaker 2: performs the spell and it works, bringing Riley back to
- 3:29Speaker 2: zombified life, but it also brings back their vulleys Dayton
- 3:34Speaker 2: in June.
- 3:35Speaker 3: Due to the.
- 3:35Speaker 2: Wording of the spell, they soon discover that not only
- 3:39Speaker 2: do the undead girls not remember all of the events
- 3:41Speaker 2: leading up to their death, although all of them are
- 3:44Speaker 2: confident that their death warrant suicide. They also can't go
- 3:48Speaker 2: far from Mela without the decomposition and wombs of their
- 3:52Speaker 2: dead bodies manifesting on their skin, so they have to
- 3:54Speaker 2: stay kind of close. They start going through suspects and
- 3:58Speaker 2: decide that school in se Well and recently dumped Caleb
- 4:02Speaker 2: is at the top of their list, especially because all
- 4:05Speaker 2: of them were competing for the same scholarship, so the
- 4:08Speaker 2: scholarship becomes a big factor in who they're considering. This
- 4:12Speaker 2: is where we get a lot of growing pains and
- 4:14Speaker 2: mishaps as the group grapples with their past relationships to
- 4:17Speaker 2: each other and to other people. They hash out some
- 4:20Speaker 2: of those issues while learning more about each other. On
- 4:23Speaker 2: top of this, Mila grows closer and closer to Xander,
- 4:26Speaker 2: who is also warning the death of Riley. They go
- 4:29Speaker 2: on a kind of date. They start flirting over text.
- 4:32Speaker 3: The next day.
- 4:34Speaker 2: Oh and on top of all this, Anaya, the school journalist,
- 4:37Speaker 2: the person behind the school paper, is sniffing around Mila
- 4:40Speaker 2: trying to figure out what is going on, but time
- 4:45Speaker 2: is running out. Soon the spell will be over. Mila
- 4:48Speaker 2: has the spell to reveal the rot within and then
- 4:51Speaker 2: lures Caleb to the house. Mela gives him a truth
- 4:55Speaker 2: potion and he confesses that he didn't do it and
- 4:58Speaker 2: was in fact in love with June. He'd been wearing
- 5:01Speaker 2: her necklace. They'd assumed it was like a creepy trophy thing,
- 5:04Speaker 2: but he'd been doing it because he apparently was in
- 5:07Speaker 2: love with her. June and Caleb talk, Toby shows up
- 5:12Speaker 2: on a motorcycle with her covin and a shotgun. The
- 5:16Speaker 2: girls in Caleb make a run for it, holing up
- 5:18Speaker 2: in Caleb's house while they figure things out. Mila goes
- 5:22Speaker 2: to Xander for help and the pair ended up making out,
- 5:24Speaker 2: but as Mila is kind of feeling him up, she
- 5:26Speaker 2: realizes he has mushrooms on his back, the rot within.
- 5:31Speaker 2: Xander claims that he thinks Mila just messed up the
- 5:35Speaker 2: spell and he's not mad about it. Mela flees, running
- 5:38Speaker 2: into Riley on the way. Riley desperately pleads that it
- 5:41Speaker 2: isn't true that Xander didn't kill her, and Riley confirms
- 5:45Speaker 2: that he didn't, but she has more to tell. She
- 5:49Speaker 2: remembered that her father the funeral director claimed that Dayton
- 5:52Speaker 2: in June's death weren't consistent with hanging. Later, Riley found
- 5:57Speaker 2: June's shoe in Xander's room and started to freak out,
- 6:00Speaker 2: wondering if he had in fact killed her. She decided
- 6:03Speaker 2: that just because he had the shoe didn't mean he
- 6:05Speaker 2: killed her and went to throw it in the creek,
- 6:08Speaker 2: but enduring so slipped, fell in and died. The two
- 6:12Speaker 2: friends fight. Riley calls Mila a bad witch. Mela calls
- 6:18Speaker 2: the police to anonymously report that Xander was in the
- 6:20Speaker 2: park the same night that June and Dayton died. June
- 6:24Speaker 2: remembers that she secretly was dating Caleb while she was
- 6:27Speaker 2: still with Xander. Then Mela learns that not only is
- 6:31Speaker 2: Xander missing, but she's got some messages from Anayah warning
- 6:35Speaker 2: her away from him and his family. She arranges a
- 6:39Speaker 2: meeting at Yarrow House, and Mila doesn't have time to
- 6:41Speaker 2: stop her from going, so she and the girls rush
- 6:43Speaker 2: over and Anya is there and she believes their whole
- 6:46Speaker 2: story miraculously. Soon, Xander shows up with a ceremonial knife.
- 6:54Speaker 2: He knocks Anaya out and continues to assert that Mila
- 6:57Speaker 2: made a mistake while yelling at the dead girls. He
- 7:01Speaker 2: sets the house on fire, yelling at Mela to escape.
- 7:04Speaker 2: He starts winging on about how June and Dyon were
- 7:07Speaker 2: mean to Riley and that the competitiveness of the scholarship
- 7:10Speaker 2: was killing Riley. June distracts him while Anea escapes, and
- 7:14Speaker 2: he screams at her about how she cheated on him
- 7:17Speaker 2: and alienated his family by making fun of the funeral home,
- 7:20Speaker 2: and that he wished he could have given her the
- 7:22Speaker 2: death he believes she deserved. June punches him, and Riley
- 7:27Speaker 2: jumps on his back. As Mila and June make their
- 7:30Speaker 2: way to the one escape route. The undead girls escape,
- 7:33Speaker 2: but Xander grabs Mela and pulls her back. She strokes
- 7:37Speaker 2: his hair and lulls him into thinking that she stayed
- 7:39Speaker 2: for him, while she grabs his knife and kills him.
- 7:43Speaker 2: She wakes up at home and is informed by her
- 7:45Speaker 2: mom that there was an accident, but she's more concerned
- 7:48Speaker 2: with the fact that this is the last day that
- 7:50Speaker 2: the undad Girls will be resurrected. She men's fences with
- 7:54Speaker 2: Toby and her coven, and they agree to be there
- 7:57Speaker 2: to make sure that everything goes smoothly. The girl girls
- 8:00Speaker 2: meet up at Caleb's and have a party to celebrate
- 8:02Speaker 2: their last night. They dance and they eat pizza, They
- 8:05Speaker 2: watch movies. When it's time, they return to the cemetery
- 8:09Speaker 2: and say goodbye. Xander's death is ruled an accident, and
- 8:13Speaker 2: Naya and me the strike up a friendship. Yeah, yep,
- 8:20Speaker 2: it's a lot more that happens, but yeah.
- 8:23Speaker 1: You got that's it.
- 8:25Speaker 3: Yeah, it's it's it's a really fun read. It is.
- 8:30Speaker 1: I was like, I think when I think about books
- 8:32Speaker 1: like this, and I think about like some of that
- 8:35Speaker 1: pass like why novels, like there's something so reminiscent and
- 8:39Speaker 1: wanting to have something brand new. You know. I love
- 8:43Speaker 1: this because, like I think that's why so many of
- 8:46Speaker 1: some of the biggest hits that's happening on like Broadway
- 8:49Speaker 1: and on like TVs like original concepts, and this is
- 8:52Speaker 1: one of those original concepts. I'm like, yes, it's juicy,
- 8:56Speaker 1: has got a mystery. You and I did talk about
- 8:58Speaker 1: whether or not you figured it out pretty quickly, were
- 9:01Speaker 1: like had it, but like there were some plots and
- 9:03Speaker 1: twists that I was like, yeah, nice, nice, unexpected, unexpected.
- 9:06Speaker 1: Of course, it's sad to have to say a body
- 9:08Speaker 1: of us, Like that's still in the back of my mind.
- 9:11Speaker 1: I was like, oh no, there's still gone though there's
- 9:13Speaker 1: no way.
- 9:14Speaker 3: To keep anyway.
- 9:15Speaker 1: Great book, Great book A plus.
- 9:18Speaker 3: Yeah it was.
- 9:19Speaker 2: It was very sad that that part was a real
- 9:22Speaker 2: down but you know, they got to they got to
- 9:26Speaker 2: have like that, They got to have that kind of
- 9:30Speaker 2: last send off that they actually wanted, right, which is
- 9:34Speaker 2: how the book opens, is that they didn't get anything
- 9:36Speaker 2: like that. So that brings us to our first theme
- 9:40Speaker 2: is death is a big theme. Surprisingly undead Girl getg
- 9:46Speaker 2: But that's how the book opens is Mila is at
- 9:50Speaker 2: Riley's funeral and she's just getting angrier and angrier because
- 9:55Speaker 2: it feels so performative, none of this is about Riley,
- 9:58Speaker 2: and she's can't take it, like she storms out right.
- 10:02Speaker 2: So I have a quote. Oh and so the he
- 10:05Speaker 2: in question here is Xander. So Xander gives this speech
- 10:09Speaker 2: at Riley's the like eulogy at Riley's funeral, And so
- 10:12Speaker 2: she's thinking about that quote because now he isn't just
- 10:16Speaker 2: a hot guy with a dead girlfriend. He's walking talking
- 10:19Speaker 2: tragedy porn. People will call their way toward him the
- 10:22Speaker 2: same way they watch Lifetime movies or read Nicholas Spark's
- 10:25Speaker 2: novels and raptured with the pain clouding his formally perfect life.
- 10:29Speaker 2: No one who sent these flowers cares about Riley at all. Yeah, yeah,
- 10:35Speaker 2: and she's just That's part of what leads her on
- 10:39Speaker 2: this whole thing is she's like, no one here cares
- 10:41Speaker 2: to learn the truth, because she immediately is like, no,
- 10:43Speaker 2: I know this isn't right. I know this isn't right,
- 10:46Speaker 2: but everybody is so quick to accept that. And she
- 10:49Speaker 2: even has a oh okay, I'll just go into this
- 10:52Speaker 2: X quote from fictional hangover. Unfortunately, the school choir, which
- 10:56Speaker 2: Riley didn't give a shit about, stands up to sing
- 10:59Speaker 2: I'm always chasing Rainbows, which they just sang at the
- 11:02Speaker 2: other funeral. Uh, they must be competing with it. Meila
- 11:06Speaker 2: flicks through the program and notices the Christian quote, which
- 11:09Speaker 2: is ridiculous because Riley was pagan poetry written by another student,
- 11:13Speaker 2: and a picture of Riley her final selfie taken in
- 11:15Speaker 2: the bathroom. Mela can't stand this first one more second
- 11:18Speaker 2: and gets up to leave, telling Anniah Dorsey on the
- 11:21Speaker 2: way out that her poem fings sung.
- 11:24Speaker 1: There's so many things so that the selfie, which Riley
- 11:27Speaker 1: does talk about because she ends up seeing the memorials.
- 11:30Speaker 1: She's like, really, you let them use this photo? How
- 11:33Speaker 1: dare you? Essentially? But yeah, like out of all of
- 11:38Speaker 1: the many of the many funerals that I think I
- 11:41Speaker 1: have attendant, and unfortunately he has been too many. Like
- 11:44Speaker 1: I often think that, well, especially with people that I like,
- 11:47Speaker 1: I know weren't religious or I know, we're like to
- 11:50Speaker 1: have this because the other people, like her parents specifically
- 11:54Speaker 1: wanted this instead of not doing it for her. It's
- 11:58Speaker 1: so obvious that it's kind of like this person has
- 12:00Speaker 1: no idea who she is. Why are you writing a poem?
- 12:02Speaker 1: Why are you pretending? And the like popular girls trying
- 12:05Speaker 1: to be more popular are girls who think that this
- 12:07Speaker 1: may be their time? Yeah, in the spotlight by saying
- 12:10Speaker 1: we were so close and they barely talk to her.
- 12:13Speaker 3: Yeah, let her perform a song. We know she doesn't, like, she.
- 12:16Speaker 1: Had no idea what the song is about. Like also
- 12:19Speaker 1: like sometimes when you, yeah, you hear a song like this,
- 12:21Speaker 1: is this definite? Is this even a song about death?
- 12:24Speaker 1: Or like in memory of this sounds like just like
- 12:27Speaker 1: you just made something up?
- 12:29Speaker 3: Yeah?
- 12:30Speaker 2: Yeah, well I mean and in this context, it felt
- 12:34Speaker 2: like very much they were using it as a like
- 12:37Speaker 2: almost an audition, like see how talented I am.
- 12:42Speaker 1: I also find it funny though, and I'd like, I'd
- 12:44Speaker 1: rather people will do this than not. But like taking
- 12:46Speaker 1: someone's favorite song and slowing it down when it's like
- 12:50Speaker 1: I think I've heard it, like it was a joke.
- 12:53Speaker 1: I think it's a come thing where they take things
- 12:54Speaker 1: like thong song or something. Yeah, oh yeah, does it
- 12:58Speaker 1: make it like slow to make it Sarah? But it's like,
- 13:01Speaker 1: this does not make sense. But you know what, I
- 13:04Speaker 1: appreciate that because at least they knew that was their
- 13:06Speaker 1: favorite song.
- 13:07Speaker 3: At least you with what they like, you know what,
- 13:10Speaker 3: I could get on board with that.
- 13:13Speaker 2: Yes. Another theme is that there's a scene where they're
- 13:28Speaker 2: kind of talking about how some of the other students
- 13:31Speaker 2: are profited, yeah, off of these deaths. So here's another
- 13:35Speaker 2: quote from fictional hangover. There is a horribly ironic bake
- 13:38Speaker 2: sale fundraising to plant a memorial tree for Dayton. It
- 13:41Speaker 2: seems the fundraisers for god Dayton and June were found
- 13:44Speaker 2: hanged from a tree. In addition to the bake sale,
- 13:48Speaker 2: the swim team is asking people to sign Dayton's framed
- 13:51Speaker 2: swim cap. There's a station for a yearbook tribute called Gone,
- 13:55Speaker 2: but first let me take a selfie. There's a raffle
- 13:57Speaker 2: for a Starbucks gift card to the person who can
- 14:00Speaker 2: list June's favorite things. And my little pony face painting booths.
- 14:05Speaker 1: Yeah, there's so many things that I'm like, you know,
- 14:09Speaker 1: it is funny, but I didn't laugh out loud because
- 14:11Speaker 1: it's too real.
- 14:13Speaker 3: Yeah, it's too real. Yeah, and you know, like this
- 14:18Speaker 3: is a heightened.
- 14:22Speaker 2: It is played for kind of that dark comedy example.
- 14:27Speaker 2: I mean, and at this point, the Undead Girl Gang
- 14:32Speaker 2: is with me and they're seeing this and like, oh no.
- 14:37Speaker 1: But it's interesting. Is like Dayton's like, okay, cool, I'm
- 14:40Speaker 1: glad you remember me, as where like June is thinking
- 14:44Speaker 1: what is happening because you're not fully taking advantage of
- 14:48Speaker 1: the fact that I should be mourned, you should be screaming, crying,
- 14:51Speaker 1: And then Riley's like what.
- 14:55Speaker 3: You're like?
- 14:55Speaker 1: The reactions are mixed, But I say Dayton herself, who
- 14:59Speaker 1: ends up being such a lovable character even though she
- 15:01Speaker 1: is horrible, but like it's one of those things that
- 15:05Speaker 1: she just was like cool. The only part is that
- 15:08Speaker 1: she didn't get to be a part of it before
- 15:09Speaker 1: she died.
- 15:10Speaker 3: Mm hmmm, it's strange. I don't know. Oh gosh, it's
- 15:16Speaker 3: such such a sad thing.
- 15:18Speaker 2: But we we had death at our school and they
- 15:21Speaker 2: would do it wasn't like this necessarily, but you know,
- 15:26Speaker 2: they would have the.
- 15:29Speaker 3: Vigils and the like.
- 15:31Speaker 2: Bring all this and people would speak and all of that,
- 15:34Speaker 2: and it just felt kind of strange, especially if you
- 15:36Speaker 2: didn't know the person, because it was sort of expected
- 15:41Speaker 2: that you would show up.
- 15:42Speaker 3: And do it.
- 15:44Speaker 2: I just remember kind of being like, I didn't know
- 15:46Speaker 2: this person at all, so I feel strange being here.
- 15:49Speaker 3: I would feel strange not being here.
- 15:51Speaker 1: It was both those things. Yeah, I felt that way,
- 15:54Speaker 1: and like knowing when people die that you knew or mean,
- 16:00Speaker 1: you know what I mean. And I came back with like,
- 16:02Speaker 1: but I don't celebrate them. What I remember is they
- 16:04Speaker 1: were bullies and death does not exempt them from their
- 16:08Speaker 1: past actions in their life and the people that they affected. Again,
- 16:12Speaker 1: June and Dayton are those exact people people were, like,
- 16:15Speaker 1: I don't they were not nice people. They were I
- 16:18Speaker 1: don't want to celebrate their life because their life was
- 16:21Speaker 1: to me miserable, you know, there's so many moments of
- 16:24Speaker 1: that that you were like, what do you do with those?
- 16:26Speaker 1: I don't want to see this lovely place turned into
- 16:28Speaker 1: that name that's going to haunt me forever for the
- 16:30Speaker 1: memories that I remember being bullied.
- 16:34Speaker 2: There is And that was kind of the one of
- 16:37Speaker 2: the most interesting aspects of this book, which I think,
- 16:40Speaker 2: which we're going to talk about at the end. But
- 16:44Speaker 2: you know, these girls are dead and they only have
- 16:46Speaker 2: seven days, and right, you do see them get to
- 16:50Speaker 2: know each other more and hash some of that stuff out,
- 16:54Speaker 2: and they still fight and they're still hurt, and but
- 16:57Speaker 2: they discuss it more and talk about it more. And yeah,
- 17:02Speaker 2: we'll talk about that more at the end. But I
- 17:03Speaker 2: did think that was really interesting. I mean, another part
- 17:06Speaker 2: of this is, as you said, there was mixed reactions
- 17:09Speaker 2: to seeing this whole thing. But June, June, it's really angry.
- 17:16Speaker 2: And she also goes through she gets into a walker,
- 17:19Speaker 2: and she finds all those notes of what people say,
- 17:20Speaker 2: and some of them were.
- 17:21Speaker 3: Like, nah, I hated you.
- 17:25Speaker 2: But she finds out like what people really thought of
- 17:28Speaker 2: her because she's not around anymore, so people weren't feeling
- 17:30Speaker 2: like they had the necessarily.
- 17:32Speaker 3: A whole book.
- 17:33Speaker 1: I will say one of the things that she was
- 17:34Speaker 1: mad about ended up being true.
- 17:36Speaker 2: Yes, Yeah, she was very like she wanted to know
- 17:46Speaker 2: because Mila was very convinced it had to be one
- 17:49Speaker 2: of their friends. That's what statistically is correct. So she
- 17:54Speaker 2: was going through their friend group and June was like,
- 17:56Speaker 2: I want to know who that was.
- 17:58Speaker 3: I don't want to know yep, and she did find out.
- 18:06Speaker 2: I also wanted to add in here it was kind
- 18:08Speaker 2: of a poignant thing. But that whole idea of that
- 18:13Speaker 2: they explore in the book. It's like wanting to look
- 18:16Speaker 2: nice or two last things. So Dayton goes to see
- 18:18Speaker 2: her family, she kind of disappears and can't find her
- 18:21Speaker 2: get a certain drink for Data's gatorade even in death,
- 18:25Speaker 2: and like that. Really I thought it was a really
- 18:27Speaker 2: sweet moment when Mela helps Riley dye her hair because
- 18:31Speaker 2: that was so important to her. But just having those
- 18:35Speaker 2: moments of these were the things that were important to me. Yeah,
- 18:40Speaker 2: and I want to rectify it or experience it one
- 18:45Speaker 2: more time.
- 18:46Speaker 3: Yeah.
- 18:48Speaker 2: Another thing, of course, is yeah, people not believing Mela.
- 18:53Speaker 2: People thinking that she's lost her mind or that she's
- 18:56Speaker 2: traumatized and stressed, and can't see anything.
- 19:00Speaker 3: And she she recognizes that pretty early on. She she's
- 19:02Speaker 3: pretty quick to be like, I got to.
- 19:04Speaker 2: Take matters into my own hands here, no one's no
- 19:07Speaker 2: one's gonna listen to me, right Yeah. And then yeah,
- 19:13Speaker 2: getting these secrets from the dead, seeing these different sides.
- 19:18Speaker 3: Of Dayton and June, and like even.
- 19:21Speaker 2: Living people like Caleb, Uh, people contain multitudes. I feel
- 19:28Speaker 2: like I really appreciated that, even though, yes, if people
- 19:30Speaker 2: did bad things, I don't think you should excuse us
- 19:32Speaker 2: forget those things. But it was I liked that. It
- 19:34Speaker 2: was they were painted out their flesh right right. Yeah,
- 19:39Speaker 2: here's a quote from rich in color. But perhaps the
- 19:42Speaker 2: thing I appreciated most about the four girls was that
- 19:44Speaker 2: Mila was able to acknowledge the terrible things June and
- 19:47Speaker 2: Dayton had done while simultaneously refusing to victim blame them.
- 19:51Speaker 3: For their deaths. Yeah. I really appreciated that too.
- 19:56Speaker 1: I mean, if she was super hyper focused on Riley
- 19:59Speaker 1: at the beginning, it had to do like, oh you doo,
- 20:04Speaker 1: Like when she brought them back to the life, You're like,
- 20:06Speaker 1: oh my bad, Yeah, I guess you do.
- 20:08Speaker 2: Yeah, because I guess really think it was them the
- 20:11Speaker 2: problem with the spell was she worded it in a
- 20:14Speaker 2: way that was like bring back someone who had died
- 20:17Speaker 2: incorrectly or something, and so she wasn't expecting them to
- 20:21Speaker 2: come back.
- 20:22Speaker 1: Also, she had she had buried June's flip gloss.
- 20:26Speaker 3: Yeah that's right, that's right.
- 20:28Speaker 1: Yeah, and so that also helped with bringing them back
- 20:31Speaker 1: because it had their DNA essentially right. She didn't know
- 20:34Speaker 1: the slips yeah, yeah, yeah, yeah, Like I think it
- 20:37Speaker 1: is very interesting, Like she did do a good job
- 20:39Speaker 1: in understanding that they were victims too. Mm hm, but
- 20:42Speaker 1: she was really hyper focused on Riley, which ended up
- 20:45Speaker 1: being flipped because it wasn't who was wrong wronged necessarily
- 20:50Speaker 1: as much as June and Dayton was. But yeah, it
- 20:54Speaker 1: is I think said they did a good job, especially
- 20:56Speaker 1: like an understanding that there was a lot to their personalities,
- 21:02Speaker 1: but they also had still things to learn, Like June
- 21:05Speaker 1: learning is that she's racist, and she's like, no, I'm
- 21:07Speaker 1: just saying what is everybody's thinking to have a conversation,
- 21:09Speaker 1: but then coming around and be like, Okay, that was
- 21:10Speaker 1: a nice but I'm not saying I'm wrong, Like she
- 21:13Speaker 1: still ends up being that way. However, she does slowly
- 21:16Speaker 1: come to see like, Okay, maybe not that any of
- 21:20Speaker 1: these things are her fault, but I could have been
- 21:23Speaker 1: a better person alive.
- 21:25Speaker 2: Yeah, yeah, I think, And you kind of get to
- 21:28Speaker 2: see that happen and.
- 21:31Speaker 3: I really appreciated it.
- 21:32Speaker 2: Oh yeah, this is the thing that I know I've
- 21:35Speaker 2: discussed on the show.
- 21:37Speaker 3: I think about this a lot. But I think about the.
- 21:38Speaker 2: Last post, so the last text, so the whatever is
- 21:41Speaker 2: that you send and the people look up after you died,
- 21:45Speaker 2: and that's the thing that will come up. I think
- 21:47Speaker 2: about that all the time. And they have a quote,
- 21:50Speaker 2: there's a quote from the book about this, when you
- 21:53Speaker 2: brought us back. I thought that getting revenge on Kleb
- 21:55Speaker 2: was our unfinished business. But it's more complicated than that.
- 21:59Speaker 2: Everything is on finished, our whole lives. There's no amount
- 22:02Speaker 2: of catching up we could do in seven days to
- 22:04Speaker 2: make that better. Today I heard my mom's voice and
- 22:06Speaker 2: it wasn't enough to last me forever. Everything we ever
- 22:09Speaker 2: did together was the last time. There's the wet section
- 22:13Speaker 2: and slap of spandex stretching and snapping. I'm not going
- 22:16Speaker 2: to stop missing them.
- 22:19Speaker 3: Oh, she just wanted to be near them.
- 22:22Speaker 1: That was the saddest.
- 22:24Speaker 3: Yeah, that was Dayton. Yeah.
- 22:28Speaker 1: So yeah, it had turned out that Dayton had gone
- 22:32Speaker 1: to her house just to be quote unquote closer to them,
- 22:36Speaker 1: but every day was not enough.
- 22:39Speaker 3: Yeah.
- 22:41Speaker 2: And the reason I kind of think about that with
- 22:42Speaker 2: the last post is I feel like you are always thinking,
- 22:46Speaker 2: You're never.
- 22:46Speaker 3: Thinking, usually I'm going to die tomorrow.
- 22:49Speaker 2: I can send this very silly text and it'll be
- 22:53Speaker 2: totally fine and not the last thing someone has in me.
- 22:57Speaker 3: But I thought that was really.
- 23:00Speaker 2: Is also really good in doing that where it's kind
- 23:01Speaker 2: of a lot of times comical and you know, over
- 23:06Speaker 2: the top, but it has these moments of like, no,
- 23:09Speaker 2: these girls died, yeah, and they're not gonna get to
- 23:12Speaker 2: live their lives, right, really reminding you of that.
- 23:18Speaker 3: M m mmmm.
- 23:21Speaker 2: Another theme, I would say a big theme fat shaming
- 23:24Speaker 2: and shaming in general. So here's a quote from Mela
- 23:28Speaker 2: and for's sake, stop using normal as code for white.
- 23:31Speaker 2: I snap, your life isn't the ruler that the rest
- 23:34Speaker 2: of the world gets measured against. I never said that,
- 23:36Speaker 2: it was, June says stiffly. My face goes hot as
- 23:39Speaker 2: I think of all the reasons that June has ever
- 23:41Speaker 2: made fun of me. I'm brown and she's not I'm
- 23:44Speaker 2: fat and she's not. I'm wicking, shorter than her, live
- 23:48Speaker 2: on a different side of town, drive an older car,
- 23:50Speaker 2: prefer cocover pepsi, and on any given day when she
- 23:53Speaker 2: was alive, she found a way to make me feel
- 23:56Speaker 2: ashamed of that. Yep, and here's another quote. It's kind
- 24:04Speaker 2: of cool to talk to someone who gets how absolutely
- 24:06Speaker 2: tragically white this town is, and someone else who self
- 24:09Speaker 2: identifies as fat, who isn't using fat as a code
- 24:12Speaker 2: for ugly or you I ate a big meal. Even
- 24:15Speaker 2: Riley has only ever called me kurvy, no matter how
- 24:17Speaker 2: many times I correct her. So at the end of
- 24:20Speaker 2: the book, when she befriends Anaya, who is a fat
- 24:25Speaker 2: black girl, they have these commonalities and things that they
- 24:30Speaker 2: can bond over. Another thing is identity and language. So
- 24:37Speaker 2: Miila has a whole scene about not being able. She
- 24:39Speaker 2: doesn't feel confident in speaking Spanish, which I thought because
- 24:45Speaker 2: she's her family situation is very interesting because it kind
- 24:52Speaker 2: of felt like they were not around much.
- 24:56Speaker 1: They were definitely controlling in like they yeah, did not
- 25:00Speaker 1: understand her and wish she was different. And a part
- 25:03Speaker 1: of that is religion, Like she wasn't wicked until much later,
- 25:07Speaker 1: but like they were very horrified, just kind of like
- 25:10Speaker 1: Riley's parents that that idea existed in their kids, which
- 25:14Speaker 1: you know, I think that happens especially as millennials who
- 25:19Speaker 1: if you went through any type phase, whether that was
- 25:21Speaker 1: emo or whatever whatnot, the parents got very concerned.
- 25:24Speaker 3: Yeah, okay said this might.
- 25:26Speaker 1: Be on that note, But I do find it interesting
- 25:29Speaker 1: with the language part specifically too, because as where Mila
- 25:34Speaker 1: never practiced, and it was kind of a shame thing
- 25:36Speaker 1: once again because she was being made fun of for
- 25:37Speaker 1: all the differences and her being brown, her being Latina
- 25:41Speaker 1: was one of those differences that got made fun of.
- 25:43Speaker 1: Then she has white girl June who studies Spanish to
- 25:46Speaker 1: speak it pretty well, and she's like, you know, the
- 25:49Speaker 1: difference in reality is that a white person who learns
- 25:51Speaker 1: a language is praised. They're like, oh my god, it's
- 25:54Speaker 1: so great, Like there may but if you're a person
- 25:56Speaker 1: of color who was from that ethnicity and you do it,
- 26:00Speaker 1: there's so much racist connotations latched onto you. So I
- 26:04Speaker 1: did find that interesting in that level because I know
- 26:06Speaker 1: a lot of first generation, second generation kids, refugees and
- 26:10Speaker 1: immigrants don't learn their languages because whether it's their parents
- 26:14Speaker 1: telling them not to because they need to speak English
- 26:17Speaker 1: and learn English and adapt, or whether it's their self
- 26:21Speaker 1: hating or even just laziness, I mean, or just because
- 26:24Speaker 1: it's not something that was important at that point. Like
- 26:27Speaker 1: I've seen that as a thing as well. So I
- 26:30Speaker 1: feel like, even though it's a very big, small blip,
- 26:33Speaker 1: it felt like that difference was there for a reason,
- 26:35Speaker 1: you know, especially in this moment, because she's bringing them
- 26:37Speaker 1: into her world, her side of the literally her side
- 26:41Speaker 1: of the you know, train tracks like this is the
- 26:43Speaker 1: grocery stores that I know of, and this is where
- 26:45Speaker 1: it's available, and then let me take you to the
- 26:47Speaker 1: restaurant that I love. And when you know, she was like,
- 26:49Speaker 1: we've already had burritos. She's like, nah, no, that's not
- 26:54Speaker 1: what you were eating here. You know, this is authentic,
- 26:56Speaker 1: and they're like, oh damn, it's good.
- 26:57Speaker 3: Like that.
- 26:58Speaker 1: That was very much that scene that I love to
- 27:00Speaker 1: see because I feel like any person of ethnicity they
- 27:03Speaker 1: know this level of like being shamed into welcoming them
- 27:08Speaker 1: and also the comparisons.
- 27:11Speaker 3: Yeah yeah, oh absolutely.
- 27:15Speaker 2: Okay, so this is the point where yeah, you and
- 27:19Speaker 2: I discussed we did, guess it was Xander yeah, yeah,
- 27:25Speaker 2: I I've told you. I was like, I think it.
- 27:30Speaker 2: I was completely confident with him, but I was almost
- 27:32Speaker 2: like so common. I was like, is it gonna Yeah? Yeah,
- 27:36Speaker 2: I read that in a lot of reviews I saw,
- 27:39Speaker 2: but they weren't negative.
- 27:41Speaker 3: They were just like edge.
- 27:42Speaker 2: Yeah, it kind of felt like that part was obvious,
- 27:43Speaker 2: like the rest was really good.
- 27:45Speaker 3: But yeah, So we've got this theme of revenge.
- 27:49Speaker 2: And also I would say like the nice guy, because
- 27:50Speaker 2: Xander is painted as a very He's nice, he really
- 27:55Speaker 2: misses his sister, he wants to get to know me.
- 27:58Speaker 3: A little better.
- 28:00Speaker 2: He's presented as this nice guy persona which we have
- 28:03Speaker 2: learned to be warriy of.
- 28:05Speaker 3: To be wary. Yes, so I like this quote from him.
- 28:13Speaker 2: So this is at the very end, when the house
- 28:15Speaker 2: is burning. Miela has come back and he thinks that
- 28:18Speaker 2: she's gonna stay with him as the house burns. I
- 28:22Speaker 2: love you, he sniffles, I've always loved you. I would
- 28:25Speaker 2: kill for you. And the awful thing is that he
- 28:28Speaker 2: means it literally. He could fix my life the way
- 28:31Speaker 2: he fixed his and Riley's. He would stab or strangle
- 28:34Speaker 2: or poison anyone who hurt me. Toby Doctor Miller the
- 28:38Speaker 2: nouns my parents, my sisters, then you can die for me,
- 28:43Speaker 2: and that's when she kills him. I love that because
- 28:48Speaker 2: I've talked about this before. I totally get it.
- 28:51Speaker 3: But one of my.
- 28:51Speaker 2: Pet peeve tropes is romanticizing of this of the guy
- 28:58Speaker 2: being like, I'll kill anyone you and you're like.
- 29:01Speaker 3: I don't so much.
- 29:03Speaker 1: I mean, she would also kill me, so I'm a little.
- 29:07Speaker 3: But again, I get it.
- 29:10Speaker 2: It bothers me in a lot of context, but I
- 29:13Speaker 2: do get that.
- 29:14Speaker 3: But I liked that here it was kind of addressed.
- 29:16Speaker 3: It's like, ah, that's kind of a problem.
- 29:19Speaker 1: Right, You're you're sociopath the psychopathe Okay, but I think
- 29:24Speaker 1: that's where we get The difference is with Riley being
- 29:27Speaker 1: the one, like she ended up ultimately dying trying to
- 29:30Speaker 1: get those answers and trying to excuse Xander and then
- 29:34Speaker 1: even hiding things after the fact that she figured everything
- 29:37Speaker 1: out again and she really was trying to use that excuse,
- 29:41Speaker 1: hiding him, lying for him because she hoped that that
- 29:45Speaker 1: was it. But in understanding she started to figure out, no,
- 29:47Speaker 1: but that doesn't end. He's gonna keep killing if it
- 29:51Speaker 1: means he feels threatened. Yeah, yeah, which is why she
- 29:55Speaker 1: was okay with.
- 29:58Speaker 3: Brother on his He's got to go.
- 30:01Speaker 2: That's where we're at, which I do appreciate too, because
- 30:04Speaker 2: you can tell she was struggling with it. But then
- 30:06Speaker 2: I will ultimately was you know what, I want to
- 30:11Speaker 2: save my friend. I got my undead friends. He's got
- 30:16Speaker 2: to go.
- 30:16Speaker 1: Yeah.
- 30:18Speaker 2: I also wanted to point out because one of my
- 30:22Speaker 2: favorite books we've ever done on book Club is Mexican
- 30:25Speaker 2: Gothic that also featured mushrooms as a horror element, and
- 30:31Speaker 2: this one did too.
- 30:33Speaker 1: I was like, hey, yeah, I still love him. Oh,
- 30:38Speaker 1: but I wouldn't eat him from the woods. I'm not
- 30:40Speaker 1: smart enough to figure out what's not poisons or what is.
- 30:42Speaker 1: So I just brought to me in a bag.
- 30:46Speaker 2: I was walking along today and I saw this huge
- 30:49Speaker 2: thing of mushrooms and they looked like in of the wood.
- 30:52Speaker 3: I would never eat him, don't do it. No, never.
- 30:55Speaker 2: But I had a moment of like, I should take
- 30:57Speaker 2: a picture of this and see if someone could identify.
- 31:00Speaker 3: By it for me, because it was a lot of money.
- 31:15Speaker 1: Well.
- 31:16Speaker 2: Another theme paganism and witches and religion. There is a
- 31:20Speaker 2: lot of discussion around this. One of the things that's
- 31:24Speaker 2: reiterated throughout the book is gratefulness. So Riley and Mila
- 31:28Speaker 2: always say being a witches about gratefulness, that you're kind
- 31:32Speaker 2: of grateful for what you can get out of the universe.
- 31:37Speaker 2: It's not something you kind of expect, you're grateful. Here's
- 31:41Speaker 2: a quote, Wika doesn't mind if you work in metaphor.
- 31:44Speaker 2: Wicka never minded that Riley and I didn't really know
- 31:47Speaker 2: what we were doing. The only eventful deity in witchcraft
- 31:50Speaker 2: is yourself. Do badge get badge, do good? Get good?
- 31:55Speaker 2: Or be like me and Riley and do almost nothing
- 31:57Speaker 2: but giggle over in SnSe and get perfumed smoke in
- 31:59Speaker 2: your nose in return. And here's another one. Spells are
- 32:04Speaker 2: just prayers with more steps and a name that scares people.
- 32:07Speaker 2: Toby's voice floats through my head. Any book that purports
- 32:10Speaker 2: to have the answer to death isn't Wicca. I'll tell
- 32:13Speaker 2: you that much. This is some dark I wonder if
- 32:18Speaker 2: she'll ever do a sequel because I was curious about
- 32:23Speaker 2: I was curious about that they kind of explained the grim.
- 32:26Speaker 3: War and where it came from.
- 32:27Speaker 1: But right, not really, but I don't like how did
- 32:31Speaker 1: Riley find it? Did I miss that part?
- 32:35Speaker 3: I thought.
- 32:38Speaker 2: I thought Xanderson it to her, but I don't know clearly.
- 32:44Speaker 2: I would like some more answers about where this.
- 32:47Speaker 1: I guess I missed that part because I was like,
- 32:49Speaker 1: how did it get there?
- 32:52Speaker 2: Yeah, it might have been. I think you're right. I
- 32:55Speaker 2: think it was Riley. Maybe I just had a suspicion
- 32:57Speaker 2: it was Xander, and I was.
- 32:59Speaker 1: Yeah, because I know, like the whole explanation of her
- 33:02Speaker 1: aliases using fictional witch characters, and it was a fictional
- 33:06Speaker 1: witch character that had or historical one of the two.
- 33:09Speaker 1: So that's how it came. But I was trying to
- 33:11Speaker 1: figure out where Riley found it even and.
- 33:14Speaker 3: Why she found it.
- 33:15Speaker 2: I would be into a sequel. Oh yes, speaking of
- 33:22Speaker 2: that's another theme older versus younger generations in here. So
- 33:25Speaker 2: you have Toby and kind of her coven and how
- 33:28Speaker 2: they go about things and how they think things should work, and.
- 33:32Speaker 3: Then you have Mila and Riley and.
- 33:35Speaker 2: Just seeing those differences and then at the end having
- 33:38Speaker 2: them kind of form an alliance or at least, you know,
- 33:44Speaker 2: not be all out fighting on there.
- 33:46Speaker 1: I love that the other older coven bent, but people
- 33:49Speaker 1: were telling on each other, like you've made mistakes too.
- 33:52Speaker 1: Maybe it wasn't raising the dead, but but you know,
- 33:58Speaker 1: but you know what you did quiet so like it
- 34:02Speaker 1: is something.
- 34:04Speaker 3: I liked that too.
- 34:05Speaker 2: I liked that too, and I always kind of I'm
- 34:08Speaker 2: happy when stories include that of the younger versus older
- 34:12Speaker 2: generations and how it's changed.
- 34:15Speaker 3: And then lastly, obviously friendship.
- 34:18Speaker 2: Major theme impetus for this whole story is Mila wanting
- 34:23Speaker 2: to do right by her best friend Riley and wanting
- 34:28Speaker 2: to belong. All of them really want to belong, and
- 34:31Speaker 2: it is you know, reading it, I did have flashbacks
- 34:34Speaker 2: of being in high school and all those kind of
- 34:37Speaker 2: cliques and the drama and having that best friend or
- 34:42Speaker 2: having that person that you you could get away from
- 34:45Speaker 2: that with. So it was really well written in that
- 34:50Speaker 2: regard to of I remember that, and I remember being
- 34:53Speaker 2: assigned the partner in anatomy that you're like, why did
- 34:56Speaker 2: you put me with him?
- 35:01Speaker 3: Everything?
- 35:01Speaker 1: I think that we all chose our own partners. It
- 35:04Speaker 1: was never a thing.
- 35:06Speaker 2: I got to sign my legitimate bully. Yes, yeah, unfortunately
- 35:12Speaker 2: for him.
- 35:13Speaker 3: Unfortunately for him, uh.
- 35:15Speaker 2: He well, he was in my he was on my turf.
- 35:19Speaker 2: Then he bullied me in another class where I was
- 35:23Speaker 2: in his turf. I was the oldest in the whole class.
- 35:25Speaker 2: He was younger than me, but in this class, he
- 35:27Speaker 2: was the youngest in the whole class. So everybody else
- 35:30Speaker 2: in there was my friends and he didn't have any friends.
- 35:32Speaker 2: And he looked at me and there was fear in
- 35:34Speaker 2: his eyes, Samantha, and I was like, it's fine, let's
- 35:38Speaker 2: leave him be. So I had.
- 35:40Speaker 1: Mercy change his attitude with you in that class, Yeah,
- 35:46Speaker 1: he had like alid well by then.
- 35:50Speaker 3: Oh my gosh, I would love to tell this whole story.
- 35:53Speaker 2: By then, I had kind of I had gotten out
- 35:57Speaker 2: of that class where he was bullied me. And then
- 36:00Speaker 2: I won, like I'll say, I won pretty much every
- 36:04Speaker 2: award that year, and he was just shamed. He lost
- 36:07Speaker 2: everything to me.
- 36:07Speaker 3: So I was like.
- 36:11Speaker 2: Nope, yeah, and his sister came up and apologized me.
- 36:19Speaker 3: It was a whole thing.
- 36:20Speaker 2: Wow, But anyway, No, he didn't know and he lived
- 36:29Speaker 2: in my neighborhood. To conclude this, the drama, the drama,
- 36:37Speaker 2: but I did not I did not pick on him,
- 36:39Speaker 2: but I had a moment there was a silence when
- 36:41Speaker 2: he was looking at me. I was like, hmm, but
- 36:45Speaker 2: I didn't want to be his partner in anatomy.
- 36:48Speaker 1: That's fair.
- 36:49Speaker 3: That's fair.
- 36:51Speaker 1: I think, uh, I think there's so many things when
- 36:53Speaker 1: we talk about this fiship because also we got to
- 36:55Speaker 1: see a click with the dead versus the undead. There
- 36:58Speaker 1: was a moment where Mela's feeling some type of way
- 37:01Speaker 1: because she seems like that Riley's walking away from her.
- 37:05Speaker 1: But a little bit of that is like Riley being
- 37:07Speaker 1: upset that she died, that.
- 37:11Speaker 3: That Mila was able to do the spell.
- 37:14Speaker 1: Yeah, she dies, there's a little jealousy in that. And
- 37:18Speaker 1: then also like realizing that her death wasn't murder, but
- 37:23Speaker 1: like it was an accident as well as by that
- 37:25Speaker 1: as her brother. But so many things that they had
- 37:27Speaker 1: to work out in seven days as well as have
- 37:31Speaker 1: some kind of closure and death. There was a lot
- 37:35Speaker 1: even in that small moment.
- 37:37Speaker 2: It was and it's not that long of a book,
- 37:39Speaker 2: and it packs in it did it packs in quite
- 37:42Speaker 2: a bit. I want to end on this final quote.
- 37:47Speaker 2: The four of us take one last moment together, The
- 37:50Speaker 2: urge to rip the grimoar out of Riley's arms and
- 37:52Speaker 2: find the recipe for putting off this goodbye is almost
- 37:54Speaker 2: too much to bear. But our past are diverging, and
- 37:57Speaker 2: all I can do is be grateful that we have
- 38:00Speaker 2: this week, that it extorted from the universe.
- 38:02Speaker 3: I'm a witch. I'm always grateful. It was. It was
- 38:08Speaker 3: really moving, It was really moving.
- 38:10Speaker 1: I also gave the dead closure because they were like
- 38:13Speaker 1: they were like ready to go since they couldn't return.
- 38:18Speaker 2: Yeah, and like like we said, they had that they
- 38:21Speaker 2: saw what their dance led to this, like profiting these
- 38:25Speaker 2: bad poems.
- 38:26Speaker 3: It's bad singing Dayton sings the song yeah.
- 38:31Speaker 2: Yeah, so they have like the goodbye that Yeah, what
- 38:35Speaker 2: they actually what they could do.
- 38:37Speaker 1: Yeah, and what they could do as well in that moment.
- 38:40Speaker 3: But it was bitter. So it was. It was.
- 38:47Speaker 2: But I highly I highly recommend it. It's a great
- 38:49Speaker 2: read for as we're moving in to Fall. Yeah, absolutely fantastic.
- 38:54Speaker 1: Zombies, Zombies which class zombies.
- 38:58Speaker 3: And marked high school.
- 39:01Speaker 1: Mystery. Hello, yeah it's fall.
- 39:04Speaker 2: Yeah Yeah, so go check it out. I think it's
- 39:08Speaker 2: I think it's really fun. In the meantime, if you
- 39:11Speaker 2: have any other suggestions for this segment or any thoughts
- 39:14Speaker 2: about this book, please let us know. You can email
- 39:16Speaker 2: us at Hello at stuff. I neever told you dot
- 39:18Speaker 2: Com you've had us on Blue Skype mom Stuff podcast
- 39:20Speaker 2: or on Instagram and TikTok at stuff I Never Told
- 39:22Speaker 2: You for us on YouTube. We have new merchandise at
- 39:25Speaker 2: Cotton Bureau and we have a book you can get
- 39:28Speaker 2: wherever you get your books. Thanks, It's always to a
- 39:30Speaker 2: super produced Christina executive producer, my intercontruder Joey, Thank you
- 39:33Speaker 2: and thanks to you for listening Stuff I Never Told
- 39:35Speaker 2: Yous Friction by heart Radio. For more podcasts from my
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