Latest / I Said No Gifts! A comedy interview podcast with Bridger Winegar / Vagabon Disobeys Bridger
Transcript
- 0:08Speaker 1: Well, I invited you. Hear, I thought, I made myself
- 0:14Speaker 1: perfectly clear. When you're a guess to my home, you
- 0:21Speaker 1: gotta come to me empty. And I said, no, guess,
- 0:27Speaker 1: your presences presence enough. I already had too much stuff,
- 0:35Speaker 1: So how do you dare to surbey?
- 0:38Speaker 2: Mean?
- 0:48Speaker 3: I'm alone in my kitchen. I need to tell you something.
- 0:52Speaker 3: I'm recording a little special thing to tell you that
- 0:55Speaker 3: we will be having a second live show. The first
- 0:58Speaker 3: one in LA went beautifully, so wonderfully, better than I
- 1:02Speaker 3: could have possibly imagined. So I thought, why not do
- 1:04Speaker 3: a second live show, But let's do this one in
- 1:06Speaker 3: New York. We're doing one in New York. New York
- 1:09Speaker 3: is home to the Circuit City in Union Square that
- 1:13Speaker 3: closed in two thousand and nine. But I believe the
- 1:17Speaker 3: city has other things to offer. And I was at
- 1:19Speaker 3: that liquidation sale. You were, You know, you could get CDs, DVDs,
- 1:23Speaker 3: Blu rays for the markdowns were ridiculous. It was a
- 1:26Speaker 3: memorable sale that you know that Circuit City is no
- 1:29Speaker 3: longer there. They closed down nationally, so don't try to
- 1:33Speaker 3: go to any circuit City. But what we really need
- 1:36Speaker 3: to talk about here is the live show. It's at
- 1:38Speaker 3: the Bellhouse the Bellhouse on October thirteenth at seven thirty pm.
- 1:44Speaker 3: Now this takes place in Brooklyn, New York. So that's exciting,
- 1:47Speaker 3: and it's going to be the fall, and it's going
- 1:49Speaker 3: to be I mean, is there a better time to
- 1:51Speaker 3: be in New York. Absolutely not. This is the prime
- 1:54Speaker 3: time to be in New York. So whether you're already
- 1:57Speaker 3: living there or you're looking for a little chance to
- 2:00Speaker 3: go on a trip, this is the time to do it.
- 2:03Speaker 3: And you should probably buy a ticket very soon. Because
- 2:06Speaker 3: the LA tickets went quickly, they sold out, and then
- 2:09Speaker 3: people were freaking out about not having a ticket. Well
- 2:12Speaker 3: that's not my fault. You know, there are only so
- 2:14Speaker 3: many seats in a house, and there are fire codes,
- 2:16Speaker 3: et cetera. You know, they a lot a certain amount
- 2:19Speaker 3: of tickets to audience members. This is how ticket sales work.
- 2:23Speaker 3: I'm explaining ticket sales to you. You've got to buy
- 2:26Speaker 3: a ticket quickly because New York you're competing not just
- 2:29Speaker 3: with your city. You've got you know, people pouring in
- 2:32Speaker 3: from New Jersey, You've got Philly people, people from Washington,
- 2:37Speaker 3: d c. Are probably already on the train headed towards
- 2:39Speaker 3: the venue. Boston. I mean that whole mess of the
- 2:42Speaker 3: East Coast. Everyone is going to be vuying for a ticket,
- 2:46Speaker 3: so get one quickly, don't lose out. We only have
- 2:50Speaker 3: one life to live. But basically you have to go
- 2:53Speaker 3: to the Bell houseeny dot com, the Bellhouse NY dot
- 2:58Speaker 3: com to get a ticket. Now, let me just refresh everyone.
- 3:03Speaker 3: That's October thirteenth, seven thirty pm the Bellhouse. I said,
- 3:08Speaker 3: No Gifts Live the second show. It's gonna be spectacular.
- 3:11Speaker 3: We're going to have an absolute ball. We always have
- 3:14Speaker 3: a ball. This will be no different. Come join me,
- 3:17Speaker 3: Come join my wonderful guests, and let's get onto the episode.
- 3:23Speaker 3: Welcome to I said no Gifts, I Bridger Wineger. We're
- 3:28Speaker 3: in the backyard. I mean, there's just been an earthquake.
- 3:33Speaker 3: There's just been an enormous earthquake, the biggest one I've
- 3:36Speaker 3: ever been through. I'm safe. I'm alive. If you're hearing this,
- 3:42Speaker 3: so that's some news for you. I think we released
- 3:45Speaker 3: this episode in like two weeks, so if you really cared,
- 3:48Speaker 3: you would have reached out sooner. But you know, you
- 3:51Speaker 3: do your thing. I don't care. I survived, I made
- 3:55Speaker 3: it through, and thank god I did because I adore
- 3:58Speaker 3: today's guest. I absolutely thinks she's wonderful. It's vagabond. Welcome
- 4:03Speaker 3: to I said, no gifts. How are you doing?
- 4:05Speaker 4: I am doing? Wow, I am shaken up.
- 4:07Speaker 3: I'm so thrown as you can tell.
- 4:09Speaker 4: I am very, very thrown all around.
- 4:13Speaker 3: We were talking about this right before we began recording.
- 4:15Speaker 3: But what do you do during an earthquake? I was
- 4:17Speaker 3: darting around and then I of course looked it up
- 4:20Speaker 3: after and the earthquake. People don't say anything about darting around.
- 4:24Speaker 5: Okay, wow, you're once up ahead of me for looking
- 4:26Speaker 5: it up. I just cried it, just started crying immediately.
- 4:32Speaker 3: But we both survived, so we proved earthquake HQ wrong.
- 4:37Speaker 3: Analise mentioned Onalise's dad is an expert, and apparently you're
- 4:41Speaker 3: supposed to get on the ground and maybe drag yourself
- 4:45Speaker 3: under a table or something, some sort of sturdy piece
- 4:47Speaker 3: of furniture. Okay, gotta remember this, but in the moment,
- 4:51Speaker 3: oh no, Onalise.
- 4:52Speaker 4: Sorry, one more thing.
- 4:53Speaker 6: It's very important hook your arm around the table leg
- 4:56Speaker 6: because if it moves. If the table moves, you want.
- 4:58Speaker 4: To move with it.
- 5:00Speaker 6: Whole idea is that if something falls down that it
- 5:03Speaker 6: protects your head. Oh, so you put your armor on
- 5:06Speaker 6: the leg of the table so that if the table
- 5:08Speaker 6: moves in the shaking, it's still above you.
- 5:11Speaker 4: It doesn't like move somewhere else in the room.
- 5:13Speaker 3: Okay, So if I have to rearrange my furniture, I
- 5:16Speaker 3: don't want to survive. Forget it.
- 5:19Speaker 4: Just let me go.
- 5:20Speaker 3: Just so, is this the biggest one you've experienced?
- 5:23Speaker 2: It is?
- 5:24Speaker 4: Yeah, it's only my second one.
- 5:26Speaker 3: It's only your second earth question.
- 5:27Speaker 4: In life, and the biggest one by far.
- 5:29Speaker 3: What was the first one?
- 5:31Speaker 5: The first one was July fourth, and I thought it
- 5:34Speaker 5: was just a huge firework because I grew up not
- 5:39Speaker 5: anywhere near earthquakes, right, I was confused about what was happening.
- 5:44Speaker 5: But it was so mild. They just kind of felt
- 5:46Speaker 5: like you were on drugs.
- 5:48Speaker 4: Maybe.
- 5:48Speaker 3: Yeah, it's one of those small ones happen. You're like, Oh,
- 5:50Speaker 3: I might just have imagined, or maybe I have vertigo
- 5:53Speaker 3: or something. Yeah. I hadn't experienced one in a few years,
- 5:57Speaker 3: but this was the biggest one I think I've ever felt,
- 6:00Speaker 3: outside of the first one I ever felt was in
- 6:02Speaker 3: first grade and I was in the shower with my brother.
- 6:05Speaker 3: Oh wow, And so that's a very vivid memory of
- 6:09Speaker 3: me just being naked with my brother in the shower.
- 6:12Speaker 3: My mom's screaming.
- 6:15Speaker 5: Well, the thing is that when that happens, the first
- 6:17Speaker 5: thing I want to do is like ask everyone if
- 6:20Speaker 5: they felt it. It's like I'm suddenly like going through
- 6:23Speaker 5: my phone like who should I text? Like who's here?
- 6:25Speaker 5: Who's who felt that? We're just like wait, process which.
- 6:29Speaker 3: Is well, you just want yeah, what what are we
- 6:32Speaker 3: trying to get from that? That's not going to help anything.
- 6:35Speaker 3: I guess. It's just like, well, I just want to
- 6:36Speaker 3: prove that this was a real thing that's happened.
- 6:38Speaker 4: It's like to validate your experience.
- 6:39Speaker 3: What if you heard all knows from everyone?
- 6:42Speaker 4: Then I would probably commit myself.
- 6:44Speaker 3: Really start questioning what's happening. Oh yeah, I mean we
- 6:50Speaker 3: might get an aftershock during this podcast. That's my hope
- 6:54Speaker 3: for us all to go through this together. So we'll
- 6:56Speaker 3: grip the under the stable here, right, This feel like
- 7:00Speaker 3: a sturdy table, Yeah, I feel like and the only
- 7:02Speaker 3: thing above it, well that could this entire structure could collapse,
- 7:06Speaker 3: of course, but that feels like it's aluminum or something,
- 7:09Speaker 3: so I think it would be okay. And it would
- 7:11Speaker 3: be something to talk about for years to come.
- 7:13Speaker 4: It's true.
- 7:13Speaker 3: I love a good story. Yeah, I love a good
- 7:16Speaker 3: tell a good story. Have you been through any other
- 7:18Speaker 3: sorts of natural disasters?
- 7:21Speaker 4: No, okay, I mean does like Hurricane Sandy count Oh yeah?
- 7:25Speaker 3: Oh then yes, because you live in New York, you've
- 7:30Speaker 3: experienced hurricanes.
- 7:31Speaker 4: Oh yeah.
- 7:32Speaker 5: And a tree actually fell on top of my car.
- 7:35Speaker 5: Oh during Hurricane Sandy. And I was driving like a
- 7:40Speaker 5: ninety eight Honda, a cord that I saved all my
- 7:42Speaker 5: money to.
- 7:43Speaker 4: It was devastating.
- 7:44Speaker 3: That's horrible. A cord could last one hundred years exactly.
- 7:48Speaker 4: Its life was cut short.
- 7:49Speaker 3: Oh no, did the insurance cover anything?
- 7:51Speaker 4: No?
- 7:52Speaker 5: I mean, you know, if if I bought it up
- 7:54Speaker 5: at a police auction, okay, which is how you get cheap.
- 7:58Speaker 3: Cars, it is a great time.
- 8:01Speaker 5: But I didn't have money to fix it. And if
- 8:05Speaker 5: I don't have money to if I'm buying a car
- 8:07Speaker 5: to police auction, I probably don't have the best car insurance,
- 8:09Speaker 5: you know, like I have the lowest lowest amount of
- 8:13Speaker 5: car joins.
- 8:14Speaker 4: You can have.
- 8:15Speaker 3: So did you just have it towed away?
- 8:17Speaker 5: It just kind of sat there. It just sat there
- 8:20Speaker 5: for long enough for me to save up the money
- 8:22Speaker 5: to fix.
- 8:23Speaker 3: The lost fantastic. Are you still driving?
- 8:26Speaker 4: I am still driving. I drive a minivan.
- 8:28Speaker 3: To have a car in New York, I know what
- 8:30Speaker 3: a luxury.
- 8:31Speaker 5: I've actually never not had a car in New York,
- 8:35Speaker 5: which I just came back from a month in New York.
- 8:38Speaker 5: And that experience of just the train as a New Yorker,
- 8:43Speaker 5: I hate the train.
- 8:45Speaker 4: You don't like to take it. I would rather not
- 8:47Speaker 4: go out.
- 8:48Speaker 3: I I mean, I'm right there with you. It's a
- 8:51Speaker 3: very bad feel that.
- 8:52Speaker 4: Yeah, it's not.
- 8:52Speaker 3: Especially during extreme weather. Yes, just being packed in with
- 8:56Speaker 3: I mean, I'm not saying anything. They were here, but
- 8:59Speaker 3: it's not for me, and I like to I mean
- 9:02Speaker 3: the number one thing for me is I like to
- 9:03Speaker 3: be able to listen to music at a loud volume.
- 9:05Speaker 3: Oh and so a car that is the idea of
- 9:08Speaker 3: space for that. That's my little private listening booth.
- 9:11Speaker 5: What's your favorite thing to listen to right now? What
- 9:13Speaker 5: are you rinsing?
- 9:14Speaker 3: Oh that's a great question. Do you know what a
- 9:16Speaker 3: song that I'm just listening to. It's an Australian band
- 9:20Speaker 3: called pop Filter. Okay, and there's a song called Fragile
- 9:23Speaker 3: that's got this kind of like and the song the
- 9:26Speaker 3: title Fragile is a very tough title to say aloud.
- 9:29Speaker 3: That sounds like a terrible song is going to happen.
- 9:31Speaker 3: It's not. It's like kind of this rolling bass and drums.
- 9:35Speaker 3: It's amazing. It's really really cool.
- 9:37Speaker 4: Okay Australia.
- 9:40Speaker 3: Yeah, I've been listening to that a lot recently. What
- 9:42Speaker 3: about you?
- 9:43Speaker 4: Pop filter is a great it's a great band name.
- 9:45Speaker 3: It's a great band name, but also very difficult to google.
- 9:47Speaker 3: If you're trying to find.
- 9:49Speaker 4: Music, you just find pop filters.
- 9:50Speaker 3: Yeah, exactly, just equipment.
- 9:54Speaker 4: What have I been listening to?
- 9:55Speaker 5: I've been listening to this shoegaze band from Detroit. They
- 10:00Speaker 5: just I think it's from the nineties, like they just
- 10:02Speaker 5: got a reissue. I don't think they're very popular in
- 10:06Speaker 5: their time or got very popular. But their name is
- 10:09Speaker 5: Majesty Crush.
- 10:10Speaker 3: Majesty Crush. I haven't heard of them.
- 10:12Speaker 4: Yeah, oh yeah you. This is amazing.
- 10:14Speaker 5: And they have a song called brand okay that I've
- 10:17Speaker 5: been rinsing and it's all about I think him being
- 10:21Speaker 5: like addicted to beer or something.
- 10:22Speaker 4: But it has so much emotion right right, It's really good.
- 10:26Speaker 3: And this is kind of in the my bloody Valentine
- 10:29Speaker 3: veins less washy. Okay, that makes sense right, it's more meary.
- 10:33Speaker 4: Yeah, it's one of the like the edgy, like harder sounds.
- 10:37Speaker 3: This sounds good to me. I like a nice just
- 10:40Speaker 3: my boyfriend frequently says what I like to listen to
- 10:42Speaker 3: sounds like he's in an MRI. He's getting a catskin.
- 10:47Speaker 5: Why do I understand exactly what them?
- 10:51Speaker 3: My music taste kind of fluctuates between that and like music,
- 10:54Speaker 3: you can roller skate too.
- 10:55Speaker 5: I love music, you can roller skate too. I like
- 10:58Speaker 5: making music you can rollers.
- 11:00Speaker 3: But see and you kind of your music kind of
- 11:02Speaker 3: fluctuates between all of That's why you're on this podcast.
- 11:06Speaker 3: You do kind of everything. I need someone to do music.
- 11:08Speaker 4: Yeah, it's confusing for some I am having a good time.
- 11:13Speaker 3: People want someone to do the exact same thing for
- 11:15Speaker 3: their entire career and die.
- 11:17Speaker 5: Yes, I'm going to struggle with that. People are very rare.
- 11:20Speaker 3: They have a hard time.
- 11:21Speaker 4: Yeah, it's I have a lot of interests.
- 11:25Speaker 3: Yeah, you should be able to express their different interests.
- 11:27Speaker 4: Exactly or else what's the fun?
- 11:28Speaker 3: And I think what's confusing is you express all of them. Well,
- 11:31Speaker 3: so people are like, they're confused. Yeah, they don't hear like,
- 11:34Speaker 3: well pick one because you can do all of them.
- 11:36Speaker 3: It's not like, oh, she can only do one thing.
- 11:38Speaker 4: Well, well, thank you for saying. I hope that's true.
- 11:42Speaker 3: What if I was just making some complete psycho now
- 11:46Speaker 3: I would be really impressed with myself, with my lying. Yeah,
- 11:49Speaker 3: I would be scared of myself at this.
- 11:51Speaker 4: Point because I believed you.
- 11:57Speaker 3: You were just playing at the Skirball Center, right, How
- 12:00Speaker 3: was that?
- 12:00Speaker 4: That was amazing.
- 12:02Speaker 5: We haven't played much this year because last year was
- 12:04Speaker 5: a huge tour, so it's nice to I love playing
- 12:07Speaker 5: a museum. I love so tasteful, very classy. They put
- 12:12Speaker 5: you in a conference room, it's air conditioned, you get dinner.
- 12:16Speaker 5: You know, musicians were treated horribly, of course, so so
- 12:20Speaker 5: a museum they really know how to.
- 12:22Speaker 3: Treat it's because they don't know they can treat.
- 12:24Speaker 4: You like exactly exactly. It's really really good. We want
- 12:27Speaker 4: to uphold that.
- 12:29Speaker 5: I was telling I was telling my manager, I would
- 12:31Speaker 5: like to just do a museum circuit.
- 12:34Speaker 3: That's a great idea, and it feels like enough of
- 12:37Speaker 3: a gimmick that you could get it off the ground.
- 12:40Speaker 5: I've played enough that they are singularly like they treat
- 12:44Speaker 5: musicians like human beings. So so Scarball was really it
- 12:48Speaker 5: was really it was really fun, like under the night sky.
- 12:50Speaker 3: Oh, I'm sure it was beautiful. Oh, I would have
- 12:53Speaker 3: loved to go. I had tonsilidis at the time. What
- 12:55Speaker 3: last week? I had tonsilidis.
- 12:57Speaker 4: That's insane.
- 12:58Speaker 3: Which all started with twenty four hours of thinking of'm
- 13:01Speaker 3: my f cancer?
- 13:02Speaker 5: Oh wow? Is that usually your first thought?
- 13:05Speaker 3: Well, what happened? Yeah, it was kind of. I woke
- 13:08Speaker 3: up in the middle of the night last I guess
- 13:11Speaker 3: ten days ago or eleven days ago now, and there
- 13:13Speaker 3: was like it was like, my throat feels a little swollen.
- 13:15Speaker 3: That's weird. And it was the middle of the night,
- 13:17Speaker 3: so it's of course like the worst possible thought.
- 13:19Speaker 4: Yeap.
- 13:19Speaker 3: And it was a Sunday, so I was like, well,
- 13:21Speaker 3: I can go to the urgent care. I go to
- 13:22Speaker 3: the urgent care and the doctor like feels my neck
- 13:26Speaker 3: and it was just on one side, and she was like, okay,
- 13:31Speaker 3: this is interesting. Maybe we could do some imaging. And
- 13:34Speaker 3: then she's like, do you have any family history of
- 13:36Speaker 3: lymphoma or cancer? And immediately like there's tears in my eyes.
- 13:41Speaker 3: I'm not sure. I'm not sure. She's like, well, we
- 13:42Speaker 3: should do some blood work. So the next thing, we're
- 13:45Speaker 3: doing blood work and she's sending me home. Keep in
- 13:48Speaker 3: mind she never looked in my throat.
- 13:51Speaker 4: Oh no, he just went straight to.
- 13:54Speaker 3: It, and yeah, the absolute worst thing. So for twenty
- 13:56Speaker 3: four hours, I'm like waiting these results. But of course,
- 14:00Speaker 3: by the time the twenty four hours are up, I
- 14:01Speaker 3: have a fever and my throat is completely swollen. So
- 14:03Speaker 3: I'm like, okay, well maybe, yeah, but you think someone
- 14:06Speaker 3: would want to check the throat before hopping to blood work.
- 14:10Speaker 4: Yes.
- 14:11Speaker 3: I don't want to say what urgent care it was,
- 14:13Speaker 3: but I will say, if you want to get a
- 14:16Speaker 3: delicious but expensive breakfast and lost feelus. It's really you'll
- 14:20Speaker 3: be able to get one very quickly.
- 14:22Speaker 4: After this, oh exactly.
- 14:25Speaker 3: But I think I'm ready to soothe the entire concept
- 14:29Speaker 3: of urgent care.
- 14:30Speaker 1: Yeah.
- 14:30Speaker 3: I don't know that it's actually worth anybody's time.
- 14:32Speaker 4: I don't think so.
- 14:33Speaker 3: I mean, God bless everyone who works at urgent care,
- 14:35Speaker 3: but I've had some rough experiences.
- 14:37Speaker 5: I mean, you go there in a panic, stay full panic,
- 14:40Speaker 5: and they don't often help with the anxiety aspect of it.
- 14:45Speaker 3: No, no, no, no, just ramping it up. Yeah, might
- 14:48Speaker 3: give you some antibiotics. This time they gave me nothing.
- 14:51Speaker 5: Oh well, when I had COVID for the first time,
- 14:54Speaker 5: I went to urgent care because I thought I was dying.
- 14:58Speaker 5: Of course I don't have a history of getting very sick.
- 15:01Speaker 5: And I couldn't speak, and my voice is all I have.
- 15:05Speaker 3: Of course that's not so terrifying. He's like, now my
- 15:07Speaker 3: career is.
- 15:08Speaker 5: Exactly like, well, great, who am I if I can't speak?
- 15:12Speaker 4: Exactly have no other skills.
- 15:15Speaker 5: And I couldn't speak, so I couldn't communicate, and they
- 15:20Speaker 5: told me I had a throat infection due to the COVID.
- 15:24Speaker 5: And it was the scariest anxiety I've I've ever had,
- 15:28Speaker 5: because it's like it's kind of like, you know, you
- 15:30Speaker 5: know that film where the drummer loses his hearing sound
- 15:35Speaker 5: of metal? Yes, yes, that is like my biggest fear.
- 15:40Speaker 5: So the thought that I couldn't sing was just I
- 15:44Speaker 5: was in shambles for days.
- 15:45Speaker 3: But of course, though had the worst happened, you would
- 15:48Speaker 3: have become some sort of inspiration in another.
- 15:51Speaker 5: Way, exactly Hopefully I should call you every time I'm
- 15:55Speaker 5: in crisis. I need this restructure.
- 15:58Speaker 3: Yeah, I want to become like a crisis manager, just
- 16:01Speaker 3: like but I forced the person to become sort of
- 16:03Speaker 3: a new inspiration. We don't change their image.
- 16:06Speaker 4: They inspire if we don't specify what exactly.
- 16:10Speaker 3: But you're going to overcome and you're going to inspire.
- 16:15Speaker 3: What was the last time you were sick? Have you
- 16:17Speaker 3: been sick this year?
- 16:18Speaker 4: I have not?
- 16:19Speaker 5: Okay, well, actually that's not does food poisoning count, of course? Okay,
- 16:24Speaker 5: then yes I've been sick.
- 16:25Speaker 3: Who food poisoned you?
- 16:27Speaker 4: Well, the city of Lisbon?
- 16:29Speaker 3: Oh, Lisbon?
- 16:30Speaker 4: Yeah, Lisbon in general? Was it fish? Oysters?
- 16:35Speaker 3: Oh? I mean oysters. You can't go anywhere with them.
- 16:39Speaker 4: Yeah, I don't think i'll ever I ever will again.
- 16:44Speaker 3: Yeah, that's a tough one to get over.
- 16:46Speaker 4: Yeah, that's uh.
- 16:48Speaker 3: And oysters, I just I don't think that they're worth
- 16:50Speaker 3: the price of admission. Yeah, I think that they're Every
- 16:53Speaker 3: time I have one, I was like that was fine.
- 16:55Speaker 3: It's never a magical experience. Or I'm like I'm glad
- 16:58Speaker 3: I risked horrible food poisoning for Yeah, that is true. Wow,
- 17:02Speaker 3: how long were you sick for?
- 17:03Speaker 5: I was sick for forty eight hours. Okay, like violently
- 17:08Speaker 5: for forty eight hours. And I thought I would be
- 17:10Speaker 5: okay because I see the water, like I think, like,
- 17:15Speaker 5: you know, I would never have an oyster in New York,
- 17:18Speaker 5: you know, So I thought I was being pretty savvy
- 17:20Speaker 5: about it.
- 17:21Speaker 3: I was wrong to be sick with an ocean view.
- 17:26Speaker 4: It's cruel.
- 17:27Speaker 3: Were you on tour or on vacation.
- 17:29Speaker 4: I was doing an artist residency.
- 17:31Speaker 5: Oh I know, I know it was, and it's a
- 17:37Speaker 5: place I really love. I considered moving there, but every
- 17:40Speaker 5: time I'm somewhere, I'm like, I could just leave it
- 17:43Speaker 5: all behind.
- 17:45Speaker 3: So it does kind of feel that way. If I'm
- 17:47Speaker 3: like in a nice place and I've had one cup
- 17:49Speaker 3: of coffee, I'm like, I'm ready to start my life here.
- 17:52Speaker 4: I don't need anything but the items in the suitcase.
- 17:55Speaker 3: Exactly what this residency where you stay in like a
- 18:00Speaker 3: convent or what was the situation?
- 18:03Speaker 5: Well, I fortunately got to choose my own housing. So
- 18:06Speaker 5: I found this beautiful place in the historic neighborhood where
- 18:11Speaker 5: no cars were allowed. I mean I had to fly,
- 18:13Speaker 5: I had to like take so many stairs every day
- 18:16Speaker 5: to come in and out. But it was gorgeous and beautiful,
- 18:21Speaker 5: and the place where I was working on a piano
- 18:25Speaker 5: album that hasn't come out. This is an exclusive, an exclusive,
- 18:30Speaker 5: and the space where I was working was just a
- 18:32Speaker 5: five minute walk, so it kind of felt like campus.
- 18:35Speaker 3: Oh that sounds really nice.
- 18:37Speaker 5: Just walking home for lunch and then walking back to
- 18:40Speaker 5: the right to the studio.
- 18:42Speaker 3: Now, did you have to go up and down the
- 18:43Speaker 3: stairs when you had food poisoning?
- 18:46Speaker 4: Yes?
- 18:46Speaker 5: Oh, because of course I don't speak Portuguese. You don't
- 18:52Speaker 5: realize how truly alone you are until you are sick
- 18:56Speaker 5: in a country that you don't live in. That all
- 19:01Speaker 5: was I was rethinking everything. I don't know how to
- 19:05Speaker 5: get around. Is there a target?
- 19:07Speaker 3: Right? Of course, not.
- 19:08Speaker 5: Not to sound overly American, I'm only like a little
- 19:11Speaker 5: bit American, but I just didn't know where to get anything.
- 19:15Speaker 3: Was there like did you have to go to a pharmacy?
- 19:17Speaker 3: What was the deal?
- 19:18Speaker 4: Yes.
- 19:18Speaker 5: I reached out to the people, the people that was
- 19:21Speaker 5: hosting my residency and it's like, I'm really sick, and
- 19:23Speaker 5: they they were like, here's.
- 19:25Speaker 4: A hospital, how do I get there?
- 19:31Speaker 1: Yeah?
- 19:31Speaker 5: It was I think that makes it worse, being sick
- 19:33Speaker 5: and not knowing what to do about it.
- 19:36Speaker 3: Oh, ye, and you're like, when you're sick, you're so emotional,
- 19:40Speaker 3: you're just hanging by a thread, thinking it's never going
- 19:43Speaker 3: to end, and then to have stairs to deal with.
- 19:47Speaker 5: I mean, I cried at the earthquake, so you could
- 19:49Speaker 5: imagine like what was going on for me emotionally.
- 19:55Speaker 3: How did you find the Portuguese healthcare?
- 19:58Speaker 5: I think in general it's pretty accessible coming from here,
- 20:03Speaker 5: certainly even for foreigner. It's also really cheap, not so
- 20:09Speaker 5: consumerist but up selling everything. It's just kind of bare bones.
- 20:16Speaker 5: But if you know what's wrong with you, they'll get
- 20:18Speaker 5: it done.
- 20:19Speaker 4: They'll get it done, and you'll be out of there
- 20:21Speaker 4: with a you know, lovely Euros absolutely love you.
- 20:25Speaker 3: Yeah. My one experience with out of country health care
- 20:29Speaker 3: was in Venezuela, okay, and I've probably talked about this
- 20:32Speaker 3: on this podcast, but it was from a sunburn and
- 20:34Speaker 3: an allergic reaction and I thought, truly felt my skin
- 20:37Speaker 3: was going to leave my body and I ended up
- 20:41Speaker 3: in an emergency room and they just hydrated me. The
- 20:44Speaker 3: nurse was wearing a leather jacket, I will say that,
- 20:47Speaker 3: so that was an interesting vibe. But they took care
- 20:50Speaker 3: of me and I didn't have to pay a dime.
- 20:52Speaker 4: Oh that's incredible.
- 20:53Speaker 3: Yes, this was I believe this was under Hugo Chaves
- 20:57Speaker 3: w Rain. But you know they took care of me.
- 21:00Speaker 4: Did you speak Spanish?
- 21:01Speaker 3: No, I friended, Thank god. Otherwise I would have died.
- 21:04Speaker 4: In the street.
- 21:05Speaker 3: That would have been would watched my skin crawl away
- 21:09Speaker 3: and my skeleton and whatever's left just sink into the
- 21:14Speaker 3: great of the street. But yeah, I've had a perfectly
- 21:17Speaker 3: fine time. Portugal, though, feels like a lovely place. It
- 21:20Speaker 3: feels like they're trying to lure all of us there.
- 21:23Speaker 4: I am with that, with that agenda.
- 21:26Speaker 3: Yes, I've heard that it's like kind of easy for
- 21:29Speaker 3: American expats.
- 21:30Speaker 4: To go there. Yeah, it's I would move there.
- 21:34Speaker 2: What is it?
- 21:35Speaker 3: What's happening there? You know?
- 21:37Speaker 4: Every time I've gone, which is a lot, like five times.
- 21:40Speaker 3: Oh wow, your hooks.
- 21:41Speaker 5: Yeah, I'm addicted to it and Porto Lisbon, all of it.
- 21:46Speaker 5: Every experience has been different. But it feels like reinvent
- 21:50Speaker 5: It feels like you can reinvent yourself there. Oh but
- 21:53Speaker 5: actually in a way that's sustainable and masting right, you know,
- 21:57Speaker 5: not in that fleeting way that being on vacation will get.
- 22:00Speaker 3: You that sounds like enough for me. Yeah, and then
- 22:03Speaker 3: I'll just avoid the oysters. You should visit they probably
- 22:06Speaker 3: have other good seafood. Definitely, I'm with it. I can
- 22:09Speaker 3: get into that. You are, well, I think we should
- 22:12Speaker 3: get into something else that I need to talk to
- 22:15Speaker 3: you about. Unfortunately, I'm not thrilled. I'm obviously I was
- 22:20Speaker 3: excited to have you here on the podcast today. I thought,
- 22:22Speaker 3: I'm already a fan of Vagabont's music. What could possibly
- 22:27Speaker 3: go wrong? We'll have a nice chat and then we'll
- 22:30Speaker 3: move on with our lives. And then, of course we
- 22:32Speaker 3: had this kind of important doom earlier with the earthquake.
- 22:36Speaker 3: That should have been the first sign that something was
- 22:38Speaker 3: going to go wrong. But then the big thing happened,
- 22:42Speaker 3: which was you showed up holding what couldn't be more
- 22:45Speaker 3: clearly a gift.
- 22:47Speaker 4: That is correct?
- 22:49Speaker 3: This is this a gift for me?
- 22:50Speaker 4: It definitely is.
- 22:52Speaker 3: Okay, the podcast is called I said no gifts.
- 22:55Speaker 4: I'm sorry. I was raised with manners.
- 22:58Speaker 3: Oh what are you trying to say about me?
- 23:01Speaker 4: Well?
- 23:02Speaker 3: Nothing, okay, Well we'll just put that aside for now.
- 23:09Speaker 3: Should I open it here on the podcast?
- 23:11Speaker 4: Yes? Please?
- 23:15Speaker 3: Now, this is interesting because I'm looking at this bag,
- 23:18Speaker 3: which I will say matches my shirt perfectly. But it's
- 23:22Speaker 3: this Portugal on it. Yes, it is Ceramica's now Lena.
- 23:26Speaker 3: As you can tell, I speak Portuguese perfect accent, and
- 23:30Speaker 3: then Portugal and then des Day twenty eleven, which I
- 23:35Speaker 3: established I speak Portuguese. I'll get this ribbon here. Now
- 23:43Speaker 3: did we get into Portugal just naturally?
- 23:47Speaker 4: Sick sickness?
- 23:49Speaker 3: Interesting for this to be the bag.
- 23:52Speaker 4: I know.
- 23:52Speaker 3: This podcast brings everything together. This is the center of
- 23:55Speaker 3: the universe. Okay, there are two things in here? Should I?
- 24:00Speaker 4: Yes? There are many things, a lot of first yes, okay.
- 24:04Speaker 3: There's an inner brown bag. Setting this aside. I feel
- 24:09Speaker 3: like we haven't gotten a lot of creak. It's been
- 24:13Speaker 3: missing from a podcast.
- 24:15Speaker 5: A lot of this packaging is crink blue.
- 24:19Speaker 3: Oh, and now we've got more tissue the listener. Finally,
- 24:21Speaker 3: this is a noise renaissance for the podcast. Oh okay,
- 24:29Speaker 3: I forgot I'm wow. Okay, So the first thing I'm
- 24:32Speaker 3: looking at, Okay, there's a soap, smelling pine cone, soap
- 24:38Speaker 3: something like.
- 24:39Speaker 4: I can't read it. It's in Portuguese.
- 24:41Speaker 3: It seems I have a pine cone on it. That's
- 24:42Speaker 3: the assumption and then there's a some sort of voucher. Yes,
- 24:46Speaker 3: what's happening here?
- 24:47Speaker 5: A book of vouchers, A book of vouchers. Yes, that
- 24:50Speaker 5: is potentially half used.
- 24:53Speaker 3: Oh, I'd like a half used anything.
- 24:55Speaker 5: It's I found it in this in this Portuguese store
- 25:00Speaker 5: called Vita Portuguesa, and I found it in the kids section,
- 25:05Speaker 5: and I thought it was really cute because it's it's
- 25:07Speaker 5: love vouchers.
- 25:09Speaker 3: Yeah, it's all sorts of helicopter is so nearby earthquake check.
- 25:16Speaker 3: Get out of here, everyone who can mind your own business, perverts. Okay,
- 25:22Speaker 3: So it's a bunch of vouchers. For example, a voucher
- 25:24Speaker 3: for a week without housekeeping, Yes, a voucher for at
- 25:28Speaker 3: breakfast in bed. Oh, you've give you've used what you've
- 25:32Speaker 3: used too here? God knows what. Oh, let's say. Oh,
- 25:37Speaker 3: a voucher for turning our home into a spa. And
- 25:41Speaker 3: an erotic surprise. So I assume those are what's in
- 25:45Speaker 3: the rest of the bag. A voucher for an apology,
- 25:49Speaker 3: a voucher for an unforgettable dinner about No, wait, I'm
- 25:53Speaker 3: back here. Get us was in the kids section. It
- 25:55Speaker 3: was the erotic surprise.
- 25:57Speaker 5: It was in the kids section. I don't know, maybe
- 26:03Speaker 5: it was misplaced, but I like to tell the story.
- 26:05Speaker 5: That's where I found it.
- 26:08Speaker 3: Okay, Yeah, this is sort a voucher for either a
- 26:12Speaker 3: sunset or a starry night that feels like God's work.
- 26:15Speaker 3: A voucher for an outdoor activity. Now that's more child
- 26:20Speaker 3: friendly lazy weekend. Okay, and oh there's one more at
- 26:25Speaker 3: the end here for whatever love demands.
- 26:30Speaker 4: Okay, Okay, Okay, now we're talking.
- 26:38Speaker 5: I think it's I mean, hey, that can be used
- 26:40Speaker 5: in friendship.
- 26:41Speaker 3: Friendship could be used in partnership, Erotic friendship, could be used.
- 26:45Speaker 4: In parental an apology.
- 26:48Speaker 3: How many of us are parental apology?
- 26:50Speaker 4: Exactly?
- 26:52Speaker 3: These are all life moments exactly. I love this. Then
- 26:57Speaker 3: I don't have to actually write one down, and I couldn't.
- 27:00Speaker 3: I feel like I should give you and Analie one
- 27:02Speaker 3: right now. That's appropriate. So I'm not sexually harassing people
- 27:05Speaker 3: on the podcast. I'm a quickly pick.
- 27:09Speaker 5: I'm so intrigued. Okay, we have a surprise analyse.
- 27:17Speaker 2: I'm so excited. There's one I'm really hoping for. Really, yeah,
- 27:22Speaker 2: I won't reveal what that is till after.
- 27:24Speaker 3: Okay, Tis, I'm giving you a voucher for an apology.
- 27:31Speaker 3: You can use that on this podcast or later and onalise.
- 27:35Speaker 3: There are only a few that were free and didn't
- 27:37Speaker 3: require any work. This is a voucher for either a
- 27:39Speaker 3: sunset or a starry night. So you let me know
- 27:41Speaker 3: when you want one of those.
- 27:43Speaker 4: I'll take that.
- 27:43Speaker 3: I'll take it, and I'll get to work.
- 27:45Speaker 4: It's not the apology that I wanted.
- 27:48Speaker 3: You wanted the apology. You will never get an apology
- 27:51Speaker 3: from Oh dare you? There's only one person present that
- 27:55Speaker 3: will get an apology.
- 27:56Speaker 4: I will apologize.
- 27:58Speaker 3: You're going to apologize to me.
- 27:59Speaker 4: By the end of this podcast.
- 28:02Speaker 3: No, you're going to get an apology for me, and
- 28:04Speaker 3: you can ask for any apology you want. I will
- 28:08Speaker 3: give you the most heartfelt apology you can imagine. Okay, So,
- 28:11Speaker 3: just when you're ready to spring it on me, say
- 28:13Speaker 3: I need an apology, perfect for Blank Perfect. Now I've
- 28:18Speaker 3: got Should we keep talking about these vouchers? Have you
- 28:20Speaker 3: did you ever make these when you were a kid?
- 28:21Speaker 4: I did not.
- 28:23Speaker 3: I feel like we would make them for our parents, really,
- 28:25Speaker 3: or it would be like a voucher for the car
- 28:29Speaker 3: getting washed or the lawn getting moted. Things basically they
- 28:32Speaker 3: would already want us to do anyway.
- 28:35Speaker 5: That's interesting. I only moved to America when I was twelve.
- 28:39Speaker 4: Oh so yeah, I feel like we make a lot
- 28:41Speaker 4: of the Yeah.
- 28:43Speaker 3: Yeah, I feel like it past twelve, you're not making
- 28:45Speaker 3: parents exactly.
- 28:47Speaker 4: I would have really liked it. I think it's really
- 28:49Speaker 4: are you are you going to use it?
- 28:50Speaker 3: Of course already I put it into work, that's true,
- 28:53Speaker 3: and I might mail these without a return address. People
- 28:57Speaker 3: will be so scared.
- 29:00Speaker 4: I'm glad. I think it's a really great it's a
- 29:03Speaker 4: good thing.
- 29:03Speaker 3: This is a great thing. I like. I feel like
- 29:05Speaker 3: as a kid, when you make them, nobody ever cashes
- 29:08Speaker 3: in on them. They're like, well, it's a kid, I'm
- 29:09Speaker 3: not going to make them do it. But as an adult,
- 29:11Speaker 3: if I give this to someone, they're going to demand
- 29:13Speaker 3: that I do it.
- 29:13Speaker 2: Yeah.
- 29:14Speaker 4: I think it's I think it's romantic.
- 29:16Speaker 3: Yeah, I think it's lovely. I'm going to make use
- 29:22Speaker 3: of these, and the people that get them are going
- 29:24Speaker 3: to I hope they're grateful.
- 29:25Speaker 4: Yeah.
- 29:26Speaker 3: Did you ever make your parents any sort of gifts
- 29:28Speaker 3: as a kid?
- 29:30Speaker 4: No? Wow, not at all.
- 29:33Speaker 3: Rude kid, rude, never painted.
- 29:37Speaker 5: A picture, never painted a picture. My parents didn't really.
- 29:41Speaker 5: I don't think they really had much affinity for the arts.
- 29:44Speaker 5: Oh okay, I would make them breakfast.
- 29:47Speaker 3: Oh that's nice. Okay, what are you making for breakfast?
- 29:51Speaker 3: These days are back then, back then, and these days
- 29:54Speaker 3: back then?
- 29:54Speaker 4: I would make an omelet.
- 29:56Speaker 3: Okay, what's happening in this omelet?
- 29:58Speaker 4: Everything? Like everything?
- 30:01Speaker 5: Bell peppers Okay, great, I think they're disgusting, but put
- 30:08Speaker 5: them in there.
- 30:08Speaker 4: Bell peppers, onions, onions. That works, that's it.
- 30:13Speaker 3: Okay, Okay, you lost to our definitions of everything are.
- 30:19Speaker 5: Yes, and you know we would we would always have
- 30:22Speaker 5: like a fresh bagette every morning.
- 30:23Speaker 3: Oh well, I mean the omeline can be absolute garbage
- 30:26Speaker 3: if the bagets.
- 30:27Speaker 4: Girl, Yes, it's all about the fresh bag.
- 30:28Speaker 3: At right, right? Oh, to have fresh bag attes.
- 30:32Speaker 4: And I mean what wheat? That was what my parents
- 30:35Speaker 4: would have. What we would have. My favorite breakfast was
- 30:38Speaker 4: warm milk and corn flakes.
- 30:40Speaker 3: Oh the milk in the corn flakes. Oh yeah, so
- 30:43Speaker 3: it kind of turns to a mush.
- 30:45Speaker 5: Yeah, like porridge exactly, but it's like it's warm. Also,
- 30:49Speaker 5: corn flakes taste significantly better everywhere outside.
- 30:53Speaker 4: Of the U.
- 30:54Speaker 3: Yes, I wonder why that is taste different. What are
- 30:56Speaker 3: they putting them on them? Hair?
- 30:58Speaker 4: No clue, no clue.
- 31:00Speaker 5: But to this day, when I get to France or wherever,
- 31:03Speaker 5: it's like my nostalgic breakfast, I'll go.
- 31:06Speaker 4: Get corn flakes. Corn flakes.
- 31:08Speaker 3: I wonder if it's a more pure corn.
- 31:10Speaker 4: I think so. I think so, And it doesn't get like,
- 31:13Speaker 4: it doesn't disintegrate as easy. I can talk about this
- 31:16Speaker 4: for a week.
- 31:17Speaker 3: They truly in America, absolutely van I mean, they just
- 31:22Speaker 3: do not make any sense within a liquid. They make
- 31:25Speaker 3: the liquid worse, and the liquid makes them worse. I lose,
- 31:29Speaker 3: lose for everybody. The idea of adding warm milk and
- 31:31Speaker 3: turning into more of a porridge makes sense, delicious, like
- 31:34Speaker 3: oh it should be saut. Yes, cornflakes are not eating
- 31:37Speaker 3: them otherwise exactly. And you don't like a bell pepper,
- 31:42Speaker 3: no even.
- 31:44Speaker 4: Raw, especially raw?
- 31:46Speaker 3: What color are we talking about?
- 31:48Speaker 4: Green? Yellow?
- 31:50Speaker 3: For people?
- 31:52Speaker 4: Which one's there?
- 31:53Speaker 3: I would say red and yellow, or they're a little sweeter.
- 31:56Speaker 4: I had a friend who ate them like apples.
- 31:58Speaker 3: I would, well, I have to have a slice stuff.
- 32:01Speaker 4: Okay, at least that's a little bit to.
- 32:03Speaker 3: Just bite into something that's not an apple. What are
- 32:06Speaker 3: we doing?
- 32:07Speaker 4: Yeah, I just don't know.
- 32:09Speaker 3: No, people do that with onions. Yeah, I feel like
- 32:12Speaker 3: they're just trying to prove something.
- 32:14Speaker 5: I have pretty weird taste buds as well, so I
- 32:16Speaker 5: guess I can't jud prove. But well, I'm a little
- 32:20Speaker 5: as fraid to say. Well, I ate paper for a
- 32:23Speaker 5: while when I was a kid. Oh wow, how much
- 32:25Speaker 5: paper like a good A good amount?
- 32:30Speaker 3: Like daily? You're reading paper, well.
- 32:34Speaker 4: A couple times a week?
- 32:35Speaker 3: And was it like a secret snack?
- 32:37Speaker 4: I should have been more discreete.
- 32:40Speaker 5: I should have been more discreete, But I, in fact
- 32:43Speaker 5: did it in front of whoever.
- 32:45Speaker 4: I thought that the I liked the tape, The like
- 32:48Speaker 4: the bland, right, you just like the chewing, Yes, I
- 32:51Speaker 4: like the chewing.
- 32:52Speaker 3: That's kind of what twizzlers are for me.
- 32:55Speaker 4: You used to love twizzlers.
- 32:56Speaker 3: I love that chew. Yes, slavor, I could take relief
- 33:00Speaker 3: that texture, right, they should just have that as a
- 33:02Speaker 3: plain thing that I can just now.
- 33:04Speaker 4: Exactly, rice cakes, Oh, rice cakes, it kind of does
- 33:08Speaker 4: the same thing. Tastes like nothing.
- 33:10Speaker 3: Kind of these bland chewy it's more of a toy
- 33:13Speaker 3: than a food, yes, exactly. But paper was doing that?
- 33:15Speaker 3: And were your parents like you need to stop it.
- 33:18Speaker 5: Yes, yes they were concerned. I was very very young,
- 33:21Speaker 5: but they were like that that's going to hurt you.
- 33:27Speaker 3: Was it a habit that had to be broken or
- 33:28Speaker 3: was it just like okay, now it's over.
- 33:30Speaker 4: It was now it's over.
- 33:31Speaker 3: Oh okay.
- 33:32Speaker 4: Maybe I wanted attention. I don't know. I know exactly
- 33:35Speaker 4: was going on.
- 33:35Speaker 3: It wasn't my strange addictions choice, no couestionately, now the
- 33:40Speaker 3: soap here? Are you a bar soap person?
- 33:43Speaker 1: I'm not.
- 33:43Speaker 3: You're a shower gel person.
- 33:45Speaker 5: Yes, I am a shower cherison. It's it's hard to try.
- 33:48Speaker 5: I travel a lot. How do you transport a bar
- 33:51Speaker 5: of soap bar?
- 33:52Speaker 3: I never even thought about that.
- 33:53Speaker 5: And it feels wasteful. There'd just be a bunch of
- 33:56Speaker 5: bars of soak. You never really get it all down
- 33:58Speaker 5: to the little which is why I gave you that.
- 34:00Speaker 3: I won't want to kind of push the blame off
- 34:04Speaker 3: on me.
- 34:05Speaker 4: It's yours on.
- 34:07Speaker 3: This is more of a hand soap so I guess
- 34:09Speaker 3: I could put it next to the sink exactly, or
- 34:12Speaker 3: just keep it in its paper for years to come.
- 34:14Speaker 4: It's pretty beautiful, right.
- 34:16Speaker 3: Yeah, I'm more of a shower gel person. Myself. Yeah,
- 34:19Speaker 3: just a dab. But that's all you need. You can
- 34:22Speaker 3: transport it. Actually, it's oh, that's also kind of hard
- 34:24Speaker 3: to transport though, unless you have a three ounce bottle.
- 34:27Speaker 4: Well, are you a strictly carry on person?
- 34:30Speaker 3: I am. Oh, I've gone real psycho with carry on.
- 34:33Speaker 4: Oh wow, I need tips. I cannot.
- 34:36Speaker 5: I mean, I'm at the point where my check bag
- 34:38Speaker 5: is like seventy pounds. It's like, I mean, I cannot
- 34:44Speaker 5: travel light A wow.
- 34:47Speaker 3: I can't stand next to a luggage carousel ever. Again. Really,
- 34:50Speaker 3: it's oh, at the end of a flight, to be
- 34:52Speaker 3: standing there, I just want to die.
- 34:55Speaker 4: Yeah.
- 34:56Speaker 3: So I will pack almost nothing. I will have one
- 34:58Speaker 3: outfit for a four week vacation. If that's what it takes.
- 35:02Speaker 4: I'm impressed.
- 35:03Speaker 3: I mean, it's very impressive.
- 35:05Speaker 5: I am so overloaded at the airport, Like people are concerned.
- 35:11Speaker 4: Options like I take.
- 35:14Speaker 5: I think because I tour so much and have toured
- 35:18Speaker 5: so much for the last seven years. I take a candle,
- 35:21Speaker 5: a candle like one that will, you know, take me
- 35:25Speaker 5: through the entire tour.
- 35:26Speaker 3: That's kind of a nice little tradition.
- 35:28Speaker 5: Right, because hotel rooms everything smells weird. So if I
- 35:32Speaker 5: take a candle I burn.
- 35:33Speaker 4: In my house.
- 35:34Speaker 5: It kind of gets me smart, a nice experience of
- 35:38Speaker 5: maybe I'm home or this smells like home.
- 35:40Speaker 3: Oh I like that.
- 35:41Speaker 4: I do these things add up.
- 35:42Speaker 2: You know.
- 35:43Speaker 4: I take my own pillowcases, my own sheets.
- 35:45Speaker 3: Okay, wow, so you are You're just moving yeah.
- 35:50Speaker 5: Constantly, which is probably why I feel like I could
- 35:53Speaker 5: just leave everything behind.
- 35:58Speaker 3: Yeah, you're paying a lot of check bag.
- 36:00Speaker 4: Well I have I have status on Delton.
- 36:02Speaker 3: Oh right, because you are touring out, so you're getting
- 36:04Speaker 3: the points.
- 36:05Speaker 4: Yeah, so they're enabling me.
- 36:06Speaker 3: Okay, they you know, just keep upping it up. Eventually
- 36:10Speaker 3: they're going to pull the rug from underneath you and
- 36:11Speaker 3: you're going to say, how do I what do you do?
- 36:14Speaker 4: I mean to be fair.
- 36:15Speaker 5: I also carry a lot of equipment around, right, which
- 36:18Speaker 5: is very heavy.
- 36:20Speaker 4: So it's not all personals.
- 36:22Speaker 5: Yeah.
- 36:23Speaker 3: Now, going back to this piano album, we don't have
- 36:25Speaker 3: to talk about it if you don't want to. But
- 36:27Speaker 3: when the time comes that that gets released, what how
- 36:31Speaker 3: does that work? Touring? Do venues just have a piano
- 36:34Speaker 3: for you or do you take a big keyboard?
- 36:36Speaker 5: Well, I I would like it to be strictly piano.
- 36:39Speaker 5: Some venues have them, but you can also request them
- 36:42Speaker 5: to be right for the night and tuned.
- 36:45Speaker 3: Yeah, but you want a real analog piano.
- 36:48Speaker 4: Yes, real, that's a great piano.
- 36:50Speaker 3: Oh yeah, how are you on a piano?
- 36:52Speaker 4: Decent?
- 36:53Speaker 3: Okay, that's all you need.
- 36:54Speaker 5: I mean, I am self taught in all of the instruments,
- 36:58Speaker 5: but I am a student, so I think I'm okay, okay,
- 37:03Speaker 5: but I have a point of view with my.
- 37:06Speaker 3: Pay kind of all it takes forms some chords exactly.
- 37:10Speaker 4: Yeah, you don't need to really know what's going on.
- 37:13Speaker 3: Does doing it all on piano feel like a giant
- 37:16Speaker 3: departure for you?
- 37:17Speaker 4: Yes?
- 37:18Speaker 3: Yeah, is it scary?
- 37:20Speaker 4: It is scary.
- 37:20Speaker 5: I wanted to do it on an instrument, I know
- 37:23Speaker 5: the least, which is maybe insane, but as a way
- 37:27Speaker 5: to get me to be more proficient instrument and I've
- 37:33Speaker 5: always liked working with like orchestral instruments. The album before
- 37:37Speaker 5: this most recent one, I would use a lot of streams,
- 37:41Speaker 5: and I kind of wanted to go back to a
- 37:43Speaker 5: more analogue.
- 37:48Speaker 4: Orchestral. Yeah. For the art Museum's circuit.
- 37:52Speaker 3: Yeah, of course, this is all lining up. Let me
- 37:54Speaker 3: run an idea by you. I may have run this
- 37:56Speaker 3: by somebody else. On this podcast before. But I think
- 38:00Speaker 3: musicians when there's a stylistic shift for the new album. Yeah,
- 38:03Speaker 3: this is my pitch to musicians everywhere. They pick a
- 38:06Speaker 3: song from the last album, cover it in the new
- 38:09Speaker 3: style on the album.
- 38:11Speaker 4: I love that idea.
- 38:12Speaker 3: It feels like an interesting introduction to the as the
- 38:15Speaker 3: listeners like, oh, I love the song the last album. Oh,
- 38:17Speaker 3: it's so interesting here.
- 38:18Speaker 4: I love that.
- 38:19Speaker 3: Why am I not producing music?
- 38:21Speaker 4: You really should be a producer.
- 38:22Speaker 3: I've got to be behind boards. You gonna get me
- 38:25Speaker 3: behind the board.
- 38:25Speaker 4: Someone get in a room with knobs on a board.
- 38:32Speaker 3: Just tanking careers right and the left. They call them
- 38:35Speaker 3: the grim Reaper huff the music industry.
- 38:38Speaker 4: I think that's a I think that's a brilliant idea.
- 38:40Speaker 5: I love I love recording music, but I love performance
- 38:45Speaker 5: and I like to reimagine music for the stage.
- 38:50Speaker 3: I love to hear this so it's.
- 38:52Speaker 5: So fun like and it offers something if you come
- 38:56Speaker 5: to see the show. Yes, a new That's why I
- 38:59Speaker 5: like to see shows.
- 39:00Speaker 3: You are absolutely speaking my language. I'm always so frustrated
- 39:03Speaker 3: when people are like they sound just like the recording, Like,
- 39:06Speaker 3: well then I should have stayed home. Yes, Yeah, show
- 39:08Speaker 3: me something else that's gone. I mean, I'm glad to
- 39:10Speaker 3: see you standing on a stage playing the instruments, but
- 39:12Speaker 3: it's fun to even rough it up a bit exactly.
- 39:15Speaker 4: Oh my god. Yeah.
- 39:17Speaker 5: So anytime anyone has heard me saying just a little
- 39:19Speaker 5: bit off the pitch, I'm doing it on purpose, just
- 39:21Speaker 5: switching things out.
- 39:23Speaker 3: That's why you go see something live to see a
- 39:25Speaker 3: slightly less perpose. True, it's true because the album version
- 39:29Speaker 3: they've done a hundred times to make sure it was interestine. Yeah,
- 39:32Speaker 3: which is fine.
- 39:33Speaker 4: Yeah.
- 39:34Speaker 5: I mean in my current show, I have live saxophone
- 39:36Speaker 5: on eighty percent of the show and my album has
- 39:39Speaker 5: maybe twenty percent.
- 39:40Speaker 4: That's so great saxophone. But it's like, it's it's fun.
- 39:44Speaker 4: It's course just for exciting. Yeah, it exists in that moment.
- 39:48Speaker 3: Right, It's something you don't get to take home with.
- 39:50Speaker 4: You just for the evening exactly.
- 39:52Speaker 3: Which for me can then later be frustrating where I'm like,
- 39:54Speaker 3: I should have recorded that on my phone. I'm desperate
- 39:56Speaker 3: to hear that again.
- 39:57Speaker 4: And then you go to the next show.
- 39:58Speaker 3: Yeah, you're hooked, and that's how you get that.
- 40:01Speaker 4: I guess that's how you sell out the ship.
- 40:03Speaker 3: Have you ever had a huge mistake on stage?
- 40:06Speaker 4: Yes, definitely, Can we talk about it? Definitely?
- 40:09Speaker 5: I mean I think the more electronics are involved in
- 40:14Speaker 5: a live show, the more room for.
- 40:15Speaker 3: Error, that seems. So that's surprising to me.
- 40:20Speaker 4: Right because it should be some level of a shirt
- 40:23Speaker 4: and it.
- 40:24Speaker 3: So cold and ready to go.
- 40:26Speaker 5: Yeah. No, one time, I've just with this most recent show,
- 40:29Speaker 5: I've just started using a click in my ear. In
- 40:33Speaker 5: my ear because there are songs that flux, you know,
- 40:38Speaker 5: and on stage you're just you're plugged into an adrenaline
- 40:42Speaker 5: machine and you can't always trust your personal sense of timing,
- 40:47Speaker 5: and when other people rely on it, like your band,
- 40:50Speaker 5: you kind of need to have some exact So one
- 40:55Speaker 5: time I was in Europe and the click, the metronome
- 41:01Speaker 5: for a song that is steady at you know, one
- 41:03Speaker 5: hundred and three or something, kept getting faster as I.
- 41:08Speaker 4: Was playing the song.
- 41:10Speaker 3: Oh boy, and oh this is a panic.
- 41:12Speaker 5: Oh yeah, I didn't know what to do. I couldn't
- 41:15Speaker 5: adjust my personal timing. I couldn't adjust. It was just
- 41:20Speaker 5: the computer failed me. It completely failed me, and it
- 41:24Speaker 5: was bad. But you know, everyone, you know, everyone does
- 41:27Speaker 5: that thing. Where I stopped, looked confused. Everyone does that
- 41:31Speaker 5: thing where they're like.
- 41:32Speaker 4: Whoa one person is like clap performance. Yeah, that was
- 41:39Speaker 4: really embarrassing that.
- 41:40Speaker 3: Have you ever played Tetris? No, when you lose Tetris
- 41:43Speaker 3: towards the end of it, it gets into this moment where
- 41:46Speaker 3: the music starts speeding up and you go into a
- 41:48Speaker 3: real panic. That's as close as I can get to
- 41:50Speaker 3: that feeling.
- 41:51Speaker 4: It's awful, it's awful.
- 41:54Speaker 3: Wow. You can't trust a machine anywhere? No, you simply can't.
- 41:57Speaker 4: Can trust them.
- 41:58Speaker 3: Wow. Wow wow. Okay, well, we still have other things
- 42:02Speaker 3: to open here. Yes, I'm just dilly dallying. That's okay,
- 42:07Speaker 3: we're pulling out then, is this okay to open the
- 42:09Speaker 3: next one?
- 42:09Speaker 4: Yes?
- 42:10Speaker 3: Okay, pulling this out more noise? Oh oh oh, so
- 42:19Speaker 3: it's first, it's your seat. It's fascinatingly your CD, yes,
- 42:23Speaker 3: which I mean is now it's such an interesting thing
- 42:25Speaker 3: to own of your last album. Everybody should listen to it. Sorry,
- 42:28Speaker 3: I haven't called this phenomenal listener if you haven't heard
- 42:32Speaker 3: it yet with the program Pull Yourself Together. And then
- 42:35Speaker 3: there's the vinyl for Red, White and Royal Blue, which
- 42:37Speaker 3: you have a song on.
- 42:38Speaker 5: Yes, exactly, now I brought you the CD because you bought,
- 42:44Speaker 5: I brought.
- 42:45Speaker 3: Oh brought. I was gonna say, if you paid money
- 42:47Speaker 3: for your own CD, something's wrong had an effect on you.
- 42:51Speaker 4: I went to the Star, I went to I think
- 42:56Speaker 4: CDs are are back.
- 42:58Speaker 3: They probably. I think it's the we're in this where
- 43:00Speaker 3: CDs should be coming.
- 43:01Speaker 5: Backs are back, And I think that you should start
- 43:05Speaker 5: your collection if you don't already have.
- 43:07Speaker 3: I have a large one still at my parents' house.
- 43:09Speaker 4: Oh that's wonderful.
- 43:10Speaker 3: One of those people catalog.
- 43:12Speaker 4: Oh yeah, that's why we worth so much money.
- 43:15Speaker 3: Physical media. Yes, I mean we won't name names as
- 43:18Speaker 3: far as streaming services go, but someday, the big earthquakes
- 43:22Speaker 3: in the common, we're all going to want some sort
- 43:24Speaker 3: of physical meeting. What what about CDs coming back? Like,
- 43:28Speaker 3: what makes you think they're coming back?
- 43:30Speaker 5: Well, I've been lucky enough to operate in a physical
- 43:33Speaker 5: media space of my music.
- 43:36Speaker 3: Right.
- 43:36Speaker 5: The people who listen to my music will buy records,
- 43:39Speaker 5: they buy vinyl, they buy CDs.
- 43:41Speaker 4: People in Europe buy a lot of CDs.
- 43:43Speaker 3: Oh interesting, I didn't know that, buy.
- 43:45Speaker 5: A lot more than in the US. Touring in Europe,
- 43:49Speaker 5: It's like, I'm just like we need to double up,
- 43:52Speaker 5: triple up.
- 43:53Speaker 4: On the CDs they love interesting, But.
- 43:56Speaker 5: I think because vinyl is now Beyonce has Final right
- 44:02Speaker 5: and Adele has Finyl, you know, not to sound like
- 44:06Speaker 5: a but you know, when we were playing our basement shows,
- 44:08Speaker 5: we had we made because.
- 44:09Speaker 3: Of course I remember the cassette revive.
- 44:11Speaker 5: Yeah, and and like you know, I'm not like sixty seven,
- 44:15Speaker 5: but like we were making cassettes because we needed something
- 44:18Speaker 5: to sell, right, the merch table of these small shows.
- 44:21Speaker 5: So I think that there are a lot of people
- 44:24Speaker 5: who really like to own. Oh it feels physical medium.
- 44:29Speaker 5: But CDs are now just really affordable.
- 44:32Speaker 3: How much does a CD run this these days?
- 44:35Speaker 4: Ten twelve?
- 44:36Speaker 3: See, that's a nice regular price for music.
- 44:38Speaker 5: Yes, and you can you can still play them in
- 44:40Speaker 5: your car. People are carrying CD players around now more,
- 44:44Speaker 5: and they like the krackle well.
- 44:46Speaker 3: And this is the other thing I love about anything
- 44:49Speaker 3: that's not streaming. And when I'm streaming, I just do
- 44:51Speaker 3: this manually, is turn it on so it loops. Yes,
- 44:54Speaker 3: so I can listen to an album over and over
- 44:56Speaker 3: and over that which makes me, I'm sure sound like
- 44:58Speaker 3: I'm a billion years old. But I love to appreciate
- 45:02Speaker 3: just an album and get to know what and remember
- 45:04Speaker 3: the lyrics exactly it's like, and then it like you
- 45:08Speaker 3: can really tie it to moments in time, and then
- 45:10Speaker 3: it becomes part of your general life exactly so. And
- 45:15Speaker 3: with the CD, if you're out with the CD, well
- 45:17Speaker 3: what do we even call that a disc?
- 45:18Speaker 5: One?
- 45:19Speaker 3: Yeah, with that and you're one CD, that's all you're
- 45:22Speaker 3: going to be listening.
- 45:23Speaker 5: That's all you're listening to, and you really get to
- 45:25Speaker 5: I really care about the sequence of my albums.
- 45:29Speaker 4: Spend a lot of time on them.
- 45:31Speaker 3: The shuffle button should be sent into oblivion. Yes, anytime
- 45:36Speaker 3: someone has the shuffle button on on an album, I
- 45:38Speaker 3: just I don't trust their taste.
- 45:39Speaker 4: No, on an album, this is what you do. That's
- 45:45Speaker 4: like reading a book from.
- 45:47Speaker 3: Different trying to put it together.
- 45:50Speaker 4: It makes its wild.
- 45:52Speaker 3: Yeah. I get very snobby when it comes to this
- 45:54Speaker 3: sort of thing, but it's because I'm right. Yeah, everyone,
- 45:58Speaker 3: most people are wrong. Most people need to pull it
- 46:01Speaker 3: together and actually figure out how to listen to music.
- 46:04Speaker 4: Yes, it's like you can have your favorites.
- 46:07Speaker 5: Of course you click in and out of, but at
- 46:10Speaker 5: least give it a full listen a few times.
- 46:12Speaker 3: The favorites are kind of the entry points sometimes and
- 46:15Speaker 3: then then they're kind of the tent poles, and then yes,
- 46:18Speaker 3: they allow you to let the other ones become.
- 46:20Speaker 5: Favorites exactly, because also when you're choosing singles or highlight tracks,
- 46:25Speaker 5: you're also reserving some really good ones for like album
- 46:29Speaker 5: songs like this is to be discovered.
- 46:31Speaker 4: You can't just give it all.
- 46:33Speaker 3: No, no, no, no no. That's a deep cut. Yeah, that's
- 46:35Speaker 3: a deeply Do you have a favorite album in life?
- 46:39Speaker 3: I know that's a big question.
- 46:40Speaker 5: Oh, a favorite album maybe the Miseducation of Lauren Hill.
- 46:46Speaker 4: If I had to choose one. It's so good that
- 46:49Speaker 4: I can listen to that forever.
- 46:50Speaker 3: They just canceled their whole tour.
- 46:51Speaker 4: I know.
- 46:52Speaker 3: It's it's a shame, I know what, an absolutely shame. Yeah,
- 46:56Speaker 3: that's a very very good choice. Yeah, favorite song on
- 47:00Speaker 3: that album of all time.
- 47:01Speaker 4: Favorite song of all time, Young Hearts Run Free.
- 47:06Speaker 3: Oh that's a great song. Yeah, I really it's a
- 47:09Speaker 3: really wonderful song.
- 47:10Speaker 4: I really like that.
- 47:11Speaker 3: I adore that song.
- 47:12Speaker 4: That's just what I could go.
- 47:13Speaker 3: I haven't listened to that in a long time. Yeah,
- 47:15Speaker 3: that's a real rock solid pick. Yes, least favorite.
- 47:18Speaker 4: Song, least fit. What would you just.
- 47:21Speaker 3: Say is the worst song ever made? This is a
- 47:23Speaker 3: question I love to ask.
- 47:25Speaker 4: Oh man, a worst song? The worst song ever made?
- 47:29Speaker 3: I have a whole playlist, if you'd like some suggestions.
- 47:31Speaker 4: I would love some suggestions.
- 47:33Speaker 3: Okay, well I'll tell you My least favorite song ever
- 47:36Speaker 3: is Red red Wine by Ub forty. It's a cover
- 47:39Speaker 3: of Red red Wine. Have you heard this?
- 47:40Speaker 5: No?
- 47:41Speaker 3: I hope you never have to hear this piece of music.
- 47:43Speaker 3: It is excruciating agony, Red red Wine, absolute agony. To
- 47:48Speaker 3: listen to. Life is a highway.
- 47:51Speaker 4: Oh, that is really bad.
- 47:52Speaker 3: That one's rough to hear.
- 47:53Speaker 4: That is really bad.
- 47:54Speaker 3: Let's see how do I find this? It's in my Spotify?
- 47:57Speaker 3: Was I made it a long time ago?
- 47:59Speaker 4: Isn't Life is a highway? Kind of like funny?
- 48:03Speaker 3: No, it just sucks. Here's some others, Jack and Diane.
- 48:08Speaker 3: You know this song by John Mellencamp. Oh, yes, that
- 48:13Speaker 3: is any song where it's kind of like phony Americana.
- 48:17Speaker 3: I can't get into it. Are You Gonna Be My Girl?
- 48:19Speaker 3: By Jet?
- 48:20Speaker 2: Oh?
- 48:20Speaker 4: You hate that?
- 48:21Speaker 3: That is an old Navy commercial. Bad to the bone.
- 48:25Speaker 3: No one has ever liked that song. Taken care of business,
- 48:29Speaker 3: hate it. Who's that by Bachman Turner Overdrive?
- 48:33Speaker 2: Oh?
- 48:33Speaker 4: I don't know that one.
- 48:33Speaker 3: I'm not gonna sing it. I'm not going to subject anybody.
- 48:36Speaker 3: Even if I could sing, well, I wouldn't subject anybody
- 48:38Speaker 3: that song. Imagine Dragon's Believer. Oh, hate it, Born to
- 48:43Speaker 3: be Wild, hate it old time rock and roll, hate it? Wow, Hotel, California.
- 48:50Speaker 3: I'm so sorry you hate that one. Hate it? I mean,
- 48:55Speaker 3: this is eighty five songs long. Wow. So those are
- 48:58Speaker 3: a few. Anyone can look this up. It's called the
- 49:01Speaker 3: absolute worst songs on Spotify Uptown Funk. Of course that's
- 49:04Speaker 3: an easy target. Now have I been able to Is
- 49:10Speaker 3: your mind working here with the worst music ever? I
- 49:13Speaker 3: would yes, yes, okay, And what would you say?
- 49:17Speaker 5: I feel like there are a couple of one Republic songs.
- 49:21Speaker 3: Oh, I mean, let's just say that whole catalog, that
- 49:24Speaker 3: whole Republic don't reach out.
- 49:26Speaker 4: Yeah, I.
- 49:29Speaker 5: Really don't like that one. There are a few songs
- 49:32Speaker 5: on the radio that I but I can't.
- 49:35Speaker 4: I don't know. I never invest the time to know
- 49:37Speaker 4: who who sings them.
- 49:39Speaker 3: You know, I will say, at least as far as
- 49:43Speaker 3: songs on the radio goes, songs by men are overwhelmingly
- 49:47Speaker 3: worse than the ones sung by women. Yes, pop music
- 49:50Speaker 3: sung by men is almost always uniformly terrible, but women
- 49:55Speaker 3: are able to do good pop music. Yes, I'm like,
- 49:58Speaker 3: what's a pop singer? Aren't male pop singer? Who's good?
- 50:02Speaker 3: Can we name one we might be able to Yeah,
- 50:07Speaker 3: we're all drawing a blank. Yeah, simply nobody comes to mind.
- 50:11Speaker 4: I'm not getting any.
- 50:13Speaker 3: Yeah, so I think I've made my point. But the
- 50:15Speaker 3: other I was going through this list, I was thinking,
- 50:18Speaker 3: this is just like a radio station.
- 50:19Speaker 4: This is jack fam exactly.
- 50:21Speaker 3: This is something someone would put on in an a
- 50:22Speaker 3: dentist's office, yeah, and be like this is this will do?
- 50:26Speaker 5: Yeah, I feel like i've do you remember that band
- 50:29Speaker 5: the Lumineers.
- 50:31Speaker 3: Do I know that band the Lumineers. How about ho
- 50:34Speaker 3: Hey by the Lumineers. That's right, yeah, Oh that's a
- 50:37Speaker 3: whole sound. Yeah, that's a whole sound. And there are
- 50:40Speaker 3: other bands. I mean, people get really sensitive about their
- 50:43Speaker 3: favorite types of music when they get mad when I'm
- 50:44Speaker 3: talking about how horrible it is, But the Luminaers are awful.
- 50:47Speaker 4: It's just not There was like.
- 50:48Speaker 3: From twenty ten to fourteen, there was the Big O
- 50:55Speaker 3: music with.
- 50:55Speaker 5: Band boards and yeah, oh killing instrument which is like.
- 51:00Speaker 5: As a lover of folk slash, I even love like
- 51:04Speaker 5: honky Tonk. There are so many good kinds of that stuff.
- 51:09Speaker 3: This is the awful verse.
- 51:11Speaker 4: This is like And of course that was popular.
- 51:13Speaker 3: Oh yes, you know it was inescapable for a while. Yeah,
- 51:17Speaker 3: the Lumineers. There was the British guys at the band sho.
- 51:20Speaker 3: I can never remember their name, uh.
- 51:23Speaker 4: Not Mumford and Son.
- 51:24Speaker 3: Mumford and Son.
- 51:25Speaker 4: That's the one.
- 51:26Speaker 3: Yeah, yeah, look, everyone's got their thing. But it's horrible,
- 51:31Speaker 3: it's absolutely awful. At least you have a least favorite song.
- 51:34Speaker 2: Serre. When you were listing all of those songs in
- 51:38Speaker 2: that playlist, huh, I agreed with every single one except
- 51:43Speaker 2: for the Jet song.
- 51:44Speaker 4: I will get behind that because that's catchy. Okay, it
- 51:46Speaker 4: is catchy fun.
- 51:47Speaker 2: Also, I have memories of Kate Winslet dancing to it
- 51:50Speaker 2: in The Holiday, which is the favorite Nancy Meyers film.
- 51:54Speaker 4: But Holiday, Yeah, that's my favorite.
- 51:57Speaker 3: Oh I haven't even seen the movie. Maybe this will
- 51:59Speaker 3: change my mind on Jet. It won't, but.
- 52:04Speaker 4: The Holidays of great movie.
- 52:06Speaker 3: Jet was one of those bands that came at the
- 52:07Speaker 3: end of that period of like the garage rock revival
- 52:11Speaker 3: of good music. And then they were like, we're getting
- 52:13Speaker 3: on this, We're gonna make it horrible. Yeah, let's go boys,
- 52:16Speaker 3: and they ruined it. They really killed Yeah. But I
- 52:20Speaker 3: could talk about my least favorite music all day and
- 52:23Speaker 3: just alienate every person on earth. People get so mad
- 52:27Speaker 3: about music. But let's just name him three more American
- 52:31Speaker 3: Pie by Don McLean, that song, Oh, let's see here
- 52:35Speaker 3: my humps of course, black Eyed.
- 52:37Speaker 4: Peace, Oh my god, you don't like that song.
- 52:42Speaker 3: And then let's go with let's see here. Oh boy,
- 52:48Speaker 3: there's so many bad songs in the world. Let's see here,
- 52:52Speaker 3: Youth of the Nation pod. Do you know this song?
- 52:54Speaker 2: I do.
- 52:56Speaker 3: That's a bad one. That's a that's an early thousands
- 52:59Speaker 3: like new metal song, which I in my opinion, the
- 53:04Speaker 3: early thousands are the absolute bottoming out of music. When
- 53:08Speaker 3: that sort of song was able to be top of
- 53:10Speaker 3: the charts.
- 53:11Speaker 4: Wow, it was.
- 53:13Speaker 3: It was like that Woodstock ninety nine, just the worst
- 53:16Speaker 3: of the worst. What are we doing? Culture? And we
- 53:19Speaker 3: made it out.
- 53:20Speaker 4: I'm so glad we did.
- 53:22Speaker 3: But I occasionally see people towing the line with nostalgia
- 53:24Speaker 3: for that, and I think don't go back.
- 53:26Speaker 5: Yeah, I'm cute. I'm cue is Nickelback on there?
- 53:30Speaker 3: I'm sure they are.
- 53:31Speaker 5: I'm sure there's a New Yorker piece about why everyone
- 53:36Speaker 5: hates Nickelback so much.
- 53:37Speaker 3: There must be, right, But I don't mind them.
- 53:42Speaker 5: I don't mind them all that much. They weren't as
- 53:45Speaker 5: offensive as interesting as the lore.
- 53:49Speaker 3: I wonder. I don't think they're as excruciating as some
- 53:53Speaker 3: of the stuff here. I think that probably at the time,
- 53:55Speaker 3: they were played so much and it was so just
- 53:57Speaker 3: generic pearl Jam ripoffs sort of thing that people are
- 54:02Speaker 3: just like, what is this trash? And they were right
- 54:06Speaker 3: there with Creed, so it was like a double you
- 54:09Speaker 3: know attack. I feel like we were just talking about
- 54:11Speaker 3: them on this podcast, maybe with Joe Castle Baker. Yeah,
- 54:16Speaker 3: was he talking about liking Nickelback or are you talking
- 54:19Speaker 3: about liking Creed?
- 54:20Speaker 2: Oh?
- 54:21Speaker 4: Wow?
- 54:21Speaker 5: Okay, well I can't. For the record, I am not
- 54:24Speaker 5: a Nickelback fan. I am simply a curious.
- 54:27Speaker 3: You're doing a full covers album, could you imagine? I
- 54:32Speaker 3: mean I think that there. I think that things really
- 54:34Speaker 3: turned around for the worst for them. Everyone turned when
- 54:37Speaker 3: they did the look at this photograph and like the
- 54:39Speaker 3: music video is literally him showing a photograph and people
- 54:42Speaker 3: were like, well, this is okay, it is stupid, we
- 54:44Speaker 3: get it.
- 54:45Speaker 4: It's not artful.
- 54:47Speaker 3: It's no longer artful. Nickelback is no longer tasteful. Okay,
- 54:52Speaker 3: should we talk about either of these anymore?
- 54:54Speaker 4: I mean we've seen it.
- 54:56Speaker 3: Everybody seek out Vagabond's music. I'm telling you you're in
- 55:00Speaker 3: for a treat. Okay. Now we're pulling out the final item.
- 55:03Speaker 3: Oh and this is a new sound that I don't
- 55:05Speaker 3: think we've right. This could almost be a limit.
- 55:08Speaker 4: It's a lot of texture.
- 55:09Speaker 3: Okay. Oh oh, I am thrilled about this. It's a
- 55:18Speaker 3: dye kit. Just yesterday I went to take a two
- 55:22Speaker 3: pieces of clothing to be dyed at this community die
- 55:25Speaker 3: bath called Sway, and I was thinking, on the way,
- 55:28Speaker 3: I should look up how to dye things. I bet
- 55:29Speaker 3: it's not that difficult.
- 55:31Speaker 4: Oh my god, Well that's perfect.
- 55:33Speaker 3: What is happening?
- 55:34Speaker 4: This is great?
- 55:35Speaker 5: I mean you should, I mean continue to support the
- 55:38Speaker 5: local place. I mean you could dye candles.
- 55:42Speaker 3: You can dye candles.
- 55:43Speaker 4: Oh, how does that work? Like beeswax candles?
- 55:46Speaker 2: You just.
- 55:48Speaker 3: I don't even understand.
- 55:49Speaker 5: Yeah, you can create like a gradient almost like this
- 55:52Speaker 5: and like die them.
- 55:53Speaker 4: Oh that sounds great. Yeah?
- 55:55Speaker 3: And is this is this a tide kit or is
- 55:57Speaker 3: it multiple colors?
- 55:58Speaker 4: It's a it's a dye kit.
- 56:00Speaker 3: It okay, yeah, see here, I'm not open it because
- 56:02Speaker 3: I want to see do easy open? Oh I'm this
- 56:08Speaker 3: is the color gold and yellow that I was going
- 56:10Speaker 3: to do my shirts. Oh my god, and I'm gonna
- 56:14Speaker 3: I feel like, what do I do? I just get
- 56:16Speaker 3: a bucket of water, basically dump the sin in the backyard. Yes,
- 56:20Speaker 3: not to wear I would ruin my house. And then
- 56:23Speaker 3: how long do I have to put the piece of
- 56:24Speaker 3: clothing in there?
- 56:25Speaker 4: That is a really good question.
- 56:27Speaker 5: I kind of just eyeball it and I get it wrong,
- 56:30Speaker 5: But that's kind of the fun of it, right, that's
- 56:33Speaker 5: the perfection of exactly no precision, right, except don't get
- 56:37Speaker 5: it everywhere?
- 56:37Speaker 3: And I should put some gloves on.
- 56:39Speaker 4: Put gloves on.
- 56:41Speaker 3: And how long total would this little project take me?
- 56:45Speaker 5: Well, including the waiting, yes, probably twenty four hours?
- 56:49Speaker 3: Twenty four hours. And now here's a question. I have
- 56:52Speaker 3: a lot of raccoons coming through the yard, Okay, So
- 56:55Speaker 3: should I put it in the bucket and then put
- 56:56Speaker 3: it in a secure place.
- 56:58Speaker 4: I feel like they would be the church. The smells.
- 57:00Speaker 3: Oh no, no, no, no, okay, I these raccoons. If
- 57:04Speaker 3: anything that they will bring straws.
- 57:07Speaker 4: Maybe you get one of those buckets that have lids.
- 57:10Speaker 3: Oh, that's a bucket with a lid. Yeah, now this
- 57:15Speaker 3: is something I haven't considered. And maybe I'll look into that.
- 57:18Speaker 3: Or I think I'm just going to find a secure
- 57:20Speaker 3: place away from the raccoons and they won't be able
- 57:24Speaker 3: to get to it. Yeah, this is going to change
- 57:26Speaker 3: my life.
- 57:27Speaker 4: I can't wait to see what you make.
- 57:28Speaker 3: I've got so many shirts and clothing that require dyeing,
- 57:31Speaker 3: and these are all colors that work with my complexion. Yes,
- 57:35Speaker 3: if you had brought a red I would have had
- 57:36Speaker 3: to say, this isn't going to work for me. It
- 57:38Speaker 3: makes me look sick.
- 57:39Speaker 4: Do you die? Do you dye them all different colors
- 57:42Speaker 4: or just one?
- 57:42Speaker 3: I usually like a nice, solid one colory.
- 57:46Speaker 4: So how come you don't purchase the thing and the
- 57:48Speaker 4: color you desire?
- 57:49Speaker 3: Well, because usually what I like to do is I'll
- 57:52Speaker 3: have a shirt and I'm like, well, I love the
- 57:54Speaker 3: shirt so much, but it's time as this color is over,
- 57:57Speaker 3: and you know I'm trying. Yeah, most of the time.
- 58:00Speaker 3: But to you know, reuse clothing. Yes, and so if
- 58:04Speaker 3: I have a shirt that I really liked and it
- 58:06Speaker 3: feels just tired or whatever, I'm like, it's time for
- 58:08Speaker 3: you to be resurrected. That's great, It's great. This dye
- 58:12Speaker 3: place has completely changed everything.
- 58:14Speaker 4: I'm not considered that and now I'm.
- 58:16Speaker 3: Basically pirrating from them. They're not going to see another
- 58:20Speaker 3: sent for me.
- 58:20Speaker 4: They won't be They'll be like, wow, it's been a while.
- 58:24Speaker 3: Now everybody s u a Y go to Sway Die Shop.
- 58:27Speaker 3: They're great. They should give me a discount. They should
- 58:30Speaker 3: reach out to.
- 58:30Speaker 4: Me because now I want to go there. You should.
- 58:33Speaker 3: And they also make really cool clothes. See all out
- 58:35Speaker 3: of recycled clothing. Wow, phenomenal.
- 58:38Speaker 4: I love that.
- 58:40Speaker 3: But you just so explain why you brought this.
- 58:44Speaker 4: The everything, the dye kit.
- 58:46Speaker 5: Well, I had an extra one, and I just think
- 58:50Speaker 5: crafting is a good way to spend time. You know,
- 58:55Speaker 5: I hadn't really tapped into like my sense of play
- 58:58Speaker 5: or doing any thing besides music.
- 59:03Speaker 3: I know how you feel. I didn't even have music.
- 59:05Speaker 5: It's I mean, I really it's like, I was like, Okay,
- 59:08Speaker 5: this can't be my entire identity, Like, I need to
- 59:11Speaker 5: have other things that I do and.
- 59:13Speaker 4: Get excited about.
- 59:14Speaker 5: And so I tried a few different things, and dying
- 59:18Speaker 5: was something I got really into.
- 59:19Speaker 3: What have you been dying?
- 59:20Speaker 4: Candles?
- 59:21Speaker 3: Strictly candles, no clothing.
- 59:22Speaker 5: Yeah, I've done like kitchen napkins before, which is nice
- 59:28Speaker 5: and nice gift. I will buy like linen, kitchen napkins
- 59:33Speaker 5: or something and then die though, and that feels really special.
- 59:37Speaker 3: Right, very custom.
- 59:38Speaker 5: Yeah, I haven't done like clothing, mostly like tablecloths and
- 59:45Speaker 5: and yeah, exactly, I'm doing strictly clothing. Yeah, well that's
- 59:49Speaker 5: that's I think that's probably it's intended.
- 59:53Speaker 3: I mean, who do you have any pictures of the candles?
- 59:56Speaker 4: Oh? I don't? Okay, really should that you've done it?
- 1:00:00Speaker 4: It's true, it's true. How could anyone know?
- 1:00:05Speaker 3: Finally we get to the bottom of this. You being
- 1:00:07Speaker 3: a huge liar. I've exposed you fraud. Well, I'm thrilled
- 1:00:12Speaker 3: about this. The listener will have to keep an eye
- 1:00:14Speaker 3: out for some dyeed clothing. Everybody look at Instagram. My
- 1:00:17Speaker 3: clothes are gonna be all sorts of colors. Anytime something
- 1:00:20Speaker 3: looks bad on me from now on, that'll probably be
- 1:00:22Speaker 3: something I made, so keep an eye out for that.
- 1:00:25Speaker 3: But I'm going to do a yellow first, probably maybe
- 1:00:28Speaker 3: even today. Just get into it.
- 1:00:30Speaker 4: Do you keep all of all of the things you.
- 1:00:33Speaker 3: Oh giving away? Yeah, none of them until just recently
- 1:00:40Speaker 3: we did our first live show and I gave away
- 1:00:42Speaker 3: some of the gifts.
- 1:00:43Speaker 4: Nice.
- 1:00:44Speaker 3: And we're doing this live show in New York October
- 1:00:47Speaker 3: thirteenth at the Bellhouse. Everybody buy tickets where we'll be
- 1:00:52Speaker 3: giving away some more gifts. I'm trying to slowly get
- 1:00:54Speaker 3: rid of stuff.
- 1:00:55Speaker 4: Yeah, I can imagine you need. A lot of Your
- 1:00:57Speaker 4: house is just full.
- 1:00:59Speaker 3: It's so much of it is worthless. So much of
- 1:01:02Speaker 3: it is I mean, no apologies to anyone, it's crap.
- 1:01:07Speaker 3: There are a few meaningful items, a few useful items,
- 1:01:10Speaker 3: and then my home is just you know, you just
- 1:01:12Speaker 3: picture a landfill, a dump. That's my house at this point.
- 1:01:16Speaker 4: You live amongst it all.
- 1:01:18Speaker 3: Yes, I'm just crawling over seas of garbage. But none
- 1:01:22Speaker 3: of this qualifies for that You've given a very thoughtful,
- 1:01:25Speaker 3: thoughtful gift. Oh, I think it's time to play a game.
- 1:01:29Speaker 4: Let's do it.
- 1:01:29Speaker 3: Let's play gift or a curse. Okay, I need a
- 1:01:32Speaker 3: number from one or ten from you? What did I say?
- 1:01:35Speaker 3: I need a number between I need a number between
- 1:01:38Speaker 3: one and ten from you.
- 1:01:40Speaker 4: I will choose five.
- 1:01:43Speaker 3: Okay, I have to do some light calculating. So right
- 1:01:45Speaker 3: now you can recommend, promote, do whatever you want.
- 1:01:48Speaker 4: I'll be right back. Okay.
- 1:01:50Speaker 5: Recommending, I definitely recommend you listen to Majesty Crush, and
- 1:01:55Speaker 5: I recommend the All Time Cookbook if you like cooking.
- 1:02:00Speaker 5: I recommend my third album, Sorry I Haven't Called, which
- 1:02:05Speaker 5: is out now on none such records, and you can
- 1:02:10Speaker 5: listen to that. You can listen to the previous two albums,
- 1:02:13Speaker 5: because I have three in the singles world. I am
- 1:02:17Speaker 5: on my third album.
- 1:02:18Speaker 3: Okay, that's it, beautiful again, everyone go listen to vagabon
- 1:02:23Speaker 3: full albums.
- 1:02:24Speaker 4: Full albums.
- 1:02:26Speaker 3: Start with the most recent albums. Listen all the way
- 1:02:30Speaker 3: through multiple times, and then you'll be ready to go
- 1:02:32Speaker 3: on to a new album.
- 1:02:33Speaker 4: Perfect.
- 1:02:34Speaker 3: Train yourself to have some level of paying attention. Yes,
- 1:02:40Speaker 3: let's have an attention span for ten minutes. This is
- 1:02:43Speaker 3: how we play gift or a curse. Okay, I'm gonna
- 1:02:45Speaker 3: name three things. You're gonna tell me if there are
- 1:02:47Speaker 3: a gift or a curse and why, and then I'll
- 1:02:50Speaker 3: tell you if you're right or wrong, because there are
- 1:02:51Speaker 3: correct answers. Am I perfectly clear?
- 1:02:54Speaker 4: You are okay?
- 1:02:56Speaker 3: This first one is from a listener named Kylie. Kylie
- 1:02:58Speaker 3: suggested curse hosting a dinner party and all the guests
- 1:03:03Speaker 3: leave their leftovers with you?
- 1:03:06Speaker 5: What curse? What all of the guests leave their leftovers?
- 1:03:13Speaker 5: That is a curse. I don't have the fridge space
- 1:03:18Speaker 5: I don't want. I love leftovers, but I don't want
- 1:03:24Speaker 5: the influx of leftovers and my fridge. Then I have
- 1:03:27Speaker 5: to get rid of them because I can only eat
- 1:03:29Speaker 5: so much. I don't even understand why anyone would do that.
- 1:03:34Speaker 5: I'm going to go with curse.
- 1:03:35Speaker 3: Final answer, Oh, it's a curse. You're right. You know,
- 1:03:42Speaker 3: while you're talking, I thought, is this a gift? It's not.
- 1:03:45Speaker 3: It's a horrible feeling to yes. I mean, we've just
- 1:03:48Speaker 3: talked about my home being a dump, but it's all
- 1:03:50Speaker 3: the lengths of my home being a dump can only
- 1:03:53Speaker 3: go so far. Do not leave your disgusting food at
- 1:03:55Speaker 3: my house?
- 1:03:56Speaker 4: Why would that?
- 1:03:57Speaker 3: I can't eat through this avalanche of weird to hodgepodge
- 1:04:00Speaker 3: your foods? No, you didn't want them? Exactly put them
- 1:04:04Speaker 3: in your dish and take them home or throw them away,
- 1:04:07Speaker 3: or take them and give them away. But I don't
- 1:04:10Speaker 3: want them growing mold in my fridge.
- 1:04:12Speaker 4: And why would anyone do that.
- 1:04:14Speaker 3: I think it happens more often than we like to think.
- 1:04:16Speaker 4: Really, that is inconsiderate.
- 1:04:19Speaker 3: Yeah, it's an epidemic and people have got to stop
- 1:04:21Speaker 3: doing it. It's inconsiderate. So it's an absolute curse. Okay.
- 1:04:26Speaker 3: Number two, This is from a listener names Shannon. Gift
- 1:04:30Speaker 3: to a curse doctor's office. Is texting slash emailing you
- 1:04:34Speaker 3: on your birthday?
- 1:04:35Speaker 5: Oh okay, Wow. This requires a bit of thought. This
- 1:04:43Speaker 5: because I've had some really rough birthdays where you know
- 1:04:48Speaker 5: that email coming in felt really good, but really really
- 1:04:57Speaker 5: good to be thought of. No, I think that it is.
- 1:05:01Speaker 5: I think it's a curse. Ultimately, I don't need another text.
- 1:05:07Speaker 5: I am one of those people with like two hundred
- 1:05:09Speaker 5: text messages. I don't need another text. I probably haven't
- 1:05:14Speaker 5: seen that doctor in a long time. I know they
- 1:05:16Speaker 5: don't really care about me, and it just crowds up everything.
- 1:05:20Speaker 5: So I'm gonna go with I'm gonna go with a curse.
- 1:05:23Speaker 3: Oh wrong, wrong, wrong, wrong, it's a gift.
- 1:05:28Speaker 4: I blew it.
- 1:05:28Speaker 3: I mean, I haven't received one from my newest dentist,
- 1:05:31Speaker 3: doctor Gamboa, so I can't speak to that. That'll be
- 1:05:35Speaker 3: coming up soon and we'll see if she even sends
- 1:05:37Speaker 3: me one. But I love to hear from the team
- 1:05:40Speaker 3: at the doctor's office. I love to get They usually
- 1:05:43Speaker 3: send some sort of terrible emoji, or if you're really lucky,
- 1:05:48Speaker 3: a bit moji wow that you know they found in
- 1:05:52Speaker 3: twenty fourteen and are still kind of recycling. I love
- 1:05:56Speaker 3: to hear from doctor's offices. I love to hear from
- 1:05:58Speaker 3: the dermatologist. Everybody really make me the king of the day.
- 1:06:03Speaker 3: Send me emails, send me text I don't care who's
- 1:06:05Speaker 3: wishing me a happy birthday as long as I'm getting attention. Wow,
- 1:06:09Speaker 3: it's a gift.
- 1:06:09Speaker 4: Should have gone for my first handswer.
- 1:06:11Speaker 3: I know you had a I mean a sad reason
- 1:06:13Speaker 3: into it. I mean, if the only person you hear
- 1:06:16Speaker 3: from on your birthday is or doctor, it sounds like
- 1:06:19Speaker 3: you're maybe you're doing something to the people in your life.
- 1:06:22Speaker 4: Yeah, something's wrong.
- 1:06:23Speaker 3: But then maybe make a friend with your doctor. It
- 1:06:27Speaker 3: checks back, Thank you so much. Can we get dinner?
- 1:06:30Speaker 4: But then do you delete them? Do you answer?
- 1:06:33Speaker 3: Well, that remains to be seen. Okay, so you've gotten
- 1:06:37Speaker 3: one out of two so far. Final one is from
- 1:06:40Speaker 3: someone named Amanda Gift or a curse fast food places
- 1:06:43Speaker 3: that ask for your name when you order and use
- 1:06:46Speaker 3: it when they hand you your food.
- 1:06:51Speaker 5: I am gonna go with curse on that one. I'm
- 1:06:56Speaker 5: actually pretty firm on this being a curse. My I'm
- 1:06:59Speaker 5: curious how you feel.
- 1:07:00Speaker 4: My name is.
- 1:07:01Speaker 5: Letitia, and it so often mispronounced and in just atrocious
- 1:07:07Speaker 5: ways that make me question my whole identity. And sometimes
- 1:07:11Speaker 5: I give like a fake name, but then that makes
- 1:07:13Speaker 5: me feel like I'm not being myself. And so I'm
- 1:07:16Speaker 5: gonna go with curse. I rather have a number than
- 1:07:18Speaker 5: a name.
- 1:07:20Speaker 3: You're right, thank God, And we do need to have
- 1:07:22Speaker 3: a discussion about this because I have questions for you.
- 1:07:25Speaker 2: Uh.
- 1:07:25Speaker 3: It's a curse coming from someone who worked at a
- 1:07:29Speaker 3: cafe bakery where they demanded that we take everyone's name,
- 1:07:32Speaker 3: and then you would have to go out into the
- 1:07:33Speaker 3: place yelling the person's name, and no one ever responded
- 1:07:36Speaker 3: to the name. People respond to a number. That's what
- 1:07:38Speaker 3: they want to hear. Names get lost in the noise.
- 1:07:42Speaker 3: I don't want to hear a stranger yelling my name.
- 1:07:44Speaker 3: Mind your own business. Yeah, and then again we get
- 1:07:48Speaker 3: to our names being difficult. I give a fake name too, Yeah,
- 1:07:52Speaker 3: what are what's the fake name you give?
- 1:07:54Speaker 4: I give L?
- 1:07:55Speaker 3: Okay, I give Eric?
- 1:07:57Speaker 4: Wow?
- 1:07:57Speaker 3: What you get for L? What?
- 1:07:59Speaker 1: I like?
- 1:07:59Speaker 3: Do you ever to where they're like? Say that again?
- 1:08:01Speaker 3: And you're like, okay, well now I don't know what
- 1:08:03Speaker 3: to tell you.
- 1:08:04Speaker 4: Yes, exactly, they're onto me.
- 1:08:07Speaker 5: They know God, but I but I ended when they
- 1:08:10Speaker 5: say say it again, I actually spell E L L
- 1:08:12Speaker 5: E what I really mean? It's just the letter out right,
- 1:08:16Speaker 5: but it works out. There aren't a lot of people
- 1:08:19Speaker 5: named L of course, right, they're not shouting out L
- 1:08:22Speaker 5: a lot. But why did you choose Eric?
- 1:08:24Speaker 3: It's my middle name? Okay, but I again, I'll say
- 1:08:27Speaker 3: Eric and I run into other problems. Erin is that
- 1:08:29Speaker 3: with a? K? Is that with them? I'm lying to you,
- 1:08:33Speaker 3: it's not my don't direct me further into this web
- 1:08:36Speaker 3: of flies.
- 1:08:37Speaker 5: Uh?
- 1:08:38Speaker 3: So I I met a complete lose lose. I think
- 1:08:41Speaker 3: I just need to think of the what's a name
- 1:08:43Speaker 3: that people cannot miss? Matt?
- 1:08:46Speaker 4: But then there are so many.
- 1:08:48Speaker 3: Yeah, but at least the person i'm telling will know
- 1:08:50Speaker 3: that's true, Tammy.
- 1:08:53Speaker 5: I don't know if they'll believe that one.
- 1:09:01Speaker 3: Well, I'm going to give it a shot.
- 1:09:02Speaker 4: You should.
- 1:09:03Speaker 3: You're not going to stop me.
- 1:09:04Speaker 5: I think generally it's not nice to hear my name
- 1:09:07Speaker 5: being shouted.
- 1:09:08Speaker 3: Yeah, it feels like you're in trouble.
- 1:09:11Speaker 4: Like something weird, a weird physical place.
- 1:09:14Speaker 3: Yeah, it's and I think every one of these places there,
- 1:09:17Speaker 3: I'm sure the manager psychology is. It's like it gives
- 1:09:19Speaker 3: a personal touch, you know, it doesn't. It just bothers everybody.
- 1:09:22Speaker 4: Some of us want to be anonymous.
- 1:09:24Speaker 3: We all want a little bit of privacy.
- 1:09:26Speaker 5: Yeah, I don't don't even I don't even want to
- 1:09:29Speaker 5: talk at the register. So I would prefer to communicating
- 1:09:34Speaker 5: in a silent way.
- 1:09:38Speaker 3: Yeah, don't ask for my name. You're not getting it.
- 1:09:40Speaker 3: You're getting Tammy. Well, you got two out of three.
- 1:09:44Speaker 4: That's not bad noting that.
- 1:09:47Speaker 3: Okay, this is the final segment of the podcast. It's
- 1:09:50Speaker 3: called I said no emails. People write into I said
- 1:09:52Speaker 3: no gifts at gmail dot com begging for answers. Will
- 1:09:57Speaker 3: you help me answer a question? Yes, all right, let's
- 1:09:59Speaker 3: get any here, let's do it. This is dearest gracious host. Okay,
- 1:10:03Speaker 3: layoff and ungrateful guest. My friend's son is my godson. Okay,
- 1:10:08Speaker 3: we're already dealing with family math here. My friend's son
- 1:10:12Speaker 3: is my godson, but her nephew is the same age,
- 1:10:15Speaker 3: and so they have joint birthday parties. I want to
- 1:10:18Speaker 3: spoil my godson because he's my favorite, but I always
- 1:10:22Speaker 3: feel I have to get something of equal coolness for
- 1:10:24Speaker 3: his cousin as well. For example, I got my godson
- 1:10:28Speaker 3: a Leapfrog electronic book, the old school kind and a
- 1:10:31Speaker 3: Constellation projector because he loves space. I really don't want
- 1:10:35Speaker 3: to spend a ton on his cousin, but need ideas
- 1:10:38Speaker 3: of what to get him. They're both turning three and
- 1:10:40Speaker 3: enjoy building, toy stories, swimming, and gummy bears. Also, how
- 1:10:45Speaker 3: long do I have to keep this up? For my
- 1:10:46Speaker 3: friend just had a second boy, and I'm going to
- 1:10:48Speaker 3: go broke trying to make everything even. Please help me, Rebecca.
- 1:10:53Speaker 3: What does Rebecca do with? She has some amount of
- 1:10:56Speaker 3: boys in her life. I can't tell exactly, sons and
- 1:11:00Speaker 3: sons and nephews and cousins. And there's at least two boys,
- 1:11:04Speaker 3: and there's one that has to be given a gift
- 1:11:06Speaker 3: that she doesn't care about.
- 1:11:07Speaker 5: Right right, there's one that neat that has a lower
- 1:11:11Speaker 5: right okay, okay.
- 1:11:12Speaker 3: Get him a potato be you don't care about him.
- 1:11:18Speaker 4: And arrusted potato.
- 1:11:20Speaker 3: Yeah, potato, just something you know it's from the bottom
- 1:11:24Speaker 3: of that bag, and get slightly green. Some rocks, rocks
- 1:11:28Speaker 3: a turn up.
- 1:11:29Speaker 4: They could build something with rocks.
- 1:11:31Speaker 3: Something you found on the grass outside their house walking
- 1:11:34Speaker 3: in there. So that's just immediately off the top of
- 1:11:38Speaker 3: our heads. Yeah, a three year old would love any
- 1:11:40Speaker 3: of those gifts.
- 1:11:41Speaker 4: Yeah, I hm, I'm curious about why.
- 1:11:46Speaker 3: I am too. Who cares about this three year old's
- 1:11:49Speaker 3: opinion of you? Tell him to get lost? I mean,
- 1:11:54Speaker 3: just spoil the other kid. I mean, really, the feeling
- 1:11:57Speaker 3: she should be gunning for here is making the cousin
- 1:12:01Speaker 3: mad at her or jealous. That's a more exciting feeling
- 1:12:04Speaker 3: to have somebody feel about you with them, they're kind
- 1:12:07Speaker 3: of happy.
- 1:12:07Speaker 4: Why would the godson? There are a lot of.
- 1:12:12Speaker 3: Uh I'm not wrong, am I? That there are so
- 1:12:15Speaker 3: many sons and godsons and cousins and nephews.
- 1:12:17Speaker 5: Yeah, I'm unclear about what position each holds. But but
- 1:12:22Speaker 5: I but I think that they should both have this
- 1:12:26Speaker 5: equally cool gifts.
- 1:12:29Speaker 3: Oh okay, so now you're wrong. No, no, no, She
- 1:12:33Speaker 3: the godson, who I believe is the favorite of hers,
- 1:12:36Speaker 3: should be given god the favorite thousands of dollars worth
- 1:12:39Speaker 3: of gifts. And then the other one opens a bag
- 1:12:41Speaker 3: to some sort of rotting vegetable.
- 1:12:43Speaker 4: Rocks or rocks that can taint that three year old.
- 1:12:48Speaker 3: Right, but we don't care. We don't care, we don't care.
- 1:12:51Speaker 3: I have no investment in either of these. I mean
- 1:12:54Speaker 3: these hundreds of three year old's lives. It's Rebecca that's
- 1:12:57Speaker 3: in the mud here. She's got to figure out what
- 1:13:00Speaker 3: to do with all of this. And I say, just
- 1:13:04Speaker 3: spoil and offend. Yes, that's a good strategy going to
- 1:13:08Speaker 3: a bad day party.
- 1:13:08Speaker 4: It's not bad, I think is cool rocks?
- 1:13:11Speaker 3: Yeah, he like, it's kind of a nothing gift. But
- 1:13:13Speaker 3: he if he has an imagination, he's worth anything. And
- 1:13:17Speaker 3: he's three, like, he'll make something he can make a.
- 1:13:20Speaker 4: Weapon to use against her.
- 1:13:22Speaker 3: Against her, She walks out in her windshields busted.
- 1:13:30Speaker 4: She's created a monster.
- 1:13:33Speaker 3: And don't we all at the end of the day,
- 1:13:34Speaker 3: I want to create a monster true to be able
- 1:13:36Speaker 3: to say I created a monster.
- 1:13:38Speaker 5: It's a pretty powerful position, beaudiful, it's a very powerful
- 1:13:42Speaker 5: what a legacy?
- 1:13:43Speaker 4: Yeah, I I is that your real advice?
- 1:13:46Speaker 3: That is my real advice.
- 1:13:48Speaker 4: Oh my god.
- 1:13:51Speaker 3: And now it's my real goal in twenty twenty five,
- 1:13:52Speaker 3: I'm going to create a monster. I don't know who
- 1:13:56Speaker 3: or how.
- 1:13:57Speaker 4: We don't have enough.
- 1:13:57Speaker 3: I'm going to find someone to mold into an absolute months.
- 1:14:02Speaker 5: Well, I think I think it's okay to spoil the favorite,
- 1:14:06Speaker 5: but the not favorite.
- 1:14:10Speaker 4: You just give them something that they think is cool.
- 1:14:13Speaker 3: You trick them, right, and a three that's very easy.
- 1:14:16Speaker 4: It's very very easy. You have a few years left.
- 1:14:18Speaker 3: Of that right where they're kind of impressed by nearly
- 1:14:21Speaker 3: any anything, anything, a lollipop you got at the bank, exactly,
- 1:14:25Speaker 3: free pen. Yeah, they really if they open as gift
- 1:14:30Speaker 3: and there's something scissors, if they open the gift there's
- 1:14:34Speaker 3: something in there, they'll be impressed, exactly. Or I mean
- 1:14:36Speaker 3: that's the other thing. With a three year old, you
- 1:14:38Speaker 3: could get them something cool and they won't be impressed.
- 1:14:40Speaker 3: So it's such a gamble anyway, Yeah, don't go broke
- 1:14:43Speaker 3: doing do not invest in a child for a three
- 1:14:46Speaker 3: year old. That's my advice, don't invite, don't invest.
- 1:14:49Speaker 4: In children, they won't remember.
- 1:14:53Speaker 3: They're a waste. Well, I think we answered this perfectly, Rebecca.
- 1:14:59Speaker 3: If you don't taken my advice, there's going to be
- 1:15:02Speaker 3: a huge problem for all kinds of uncounted people. You know, countless,
- 1:15:08Speaker 3: countless people. So please heed my words, heed Latitia's words. Yes,
- 1:15:15Speaker 3: I think she was stronger about ruining the child than
- 1:15:18Speaker 3: I was. So don't write back in Oh, I've had
- 1:15:25Speaker 3: such a wonderful time with you, and to my whole
- 1:15:28Speaker 3: wardrobe is going to change.
- 1:15:30Speaker 4: I'm so excited for you, and I am such a
- 1:15:32Speaker 4: fan of your podcast.
- 1:15:34Speaker 3: Reached out. I was, I was through the roof. I thought, oh,
- 1:15:37Speaker 3: somebody who I actually like. I mean, that's not what
- 1:15:41Speaker 3: I mean. I love all of my guests, but it's
- 1:15:44Speaker 3: fun when a musician who I respect and appreciate wants
- 1:15:48Speaker 3: to be involved.
- 1:15:48Speaker 4: Oh, thank you, I listen. I am a true fan.
- 1:15:51Speaker 3: That's very sorry, that's very sorry. If the lumineers reached out,
- 1:15:56Speaker 3: they're not getting on the podcast. Sorry, imagine dragons, you're
- 1:16:01Speaker 3: not getting on the podcast. I don't care how many
- 1:16:04Speaker 3: emails you sent. Thank you for being here.
- 1:16:08Speaker 4: Thank you, and thanks for having me in your beautiful home.
- 1:16:11Speaker 3: Anytime back here, any post earthquake time. You're safe here.
- 1:16:15Speaker 4: It's nice to be coming down from the earthquake.
- 1:16:17Speaker 3: Yeah, this is a nice earthquake come down.
- 1:16:19Speaker 4: Yeah.
- 1:16:19Speaker 3: I feel at ease too. Listener. I hope you're not
- 1:16:24Speaker 3: currently in the middle of an earthquake and freaking out
- 1:16:26Speaker 3: and screaming and looking for a table. That would be horrible.
- 1:16:30Speaker 3: But if you are, the podcast is over, so now
- 1:16:32Speaker 3: you can get under the table. I love you, goodbye,
- 1:16:40Speaker 3: I said, No Gifts is an exactly right production. It's
- 1:16:43Speaker 3: produced by our dear friend Analise Nilson, and it's beautifully
- 1:16:47Speaker 3: mixed by Ben Holliday. And we couldn't do it without
- 1:16:50Speaker 3: our guest booker, Patrick Kottner. The theme song, of course,
- 1:16:54Speaker 3: could only come from miracle worker Amy Man. You must
- 1:16:58Speaker 3: follow the show on instae Graham at I said, no Gifts.
- 1:17:01Speaker 3: I don't want to hear any excuses. That's where you
- 1:17:03Speaker 3: get to see pictures of all these gorgeous gifts I'm getting,
- 1:17:06Speaker 3: And don't you want to see pictures of the gifts?
- 1:17:10Speaker 4: But I invited you hear.
- 1:17:14Speaker 1: Thought. I made myself perfectly clear. When you're a guest
- 1:17:19Speaker 1: to my home. You gotta come to me empty, And
- 1:17:26Speaker 1: I said, no gifts, You're o presences, presents enough. I
- 1:17:33Speaker 1: already had too much stuff.
- 1:17:36Speaker 4: So how do you dare to surbey me?