Latest / Table Read / THE UNDERSTUDY - Act Three
Transcript
- 0:02Speaker 1: Miss Natalie Primavera is still stuck on the body of
- 0:05Speaker 1: Miss Ava Ross, turning the poor girl's life upside down
- 0:08Speaker 1: with five AM runs and Instagram obsession. She breaks up
- 0:12Speaker 1: with a Trevor boy who serenades her dressed as naked
- 0:15Speaker 1: Miley Cyrus.
- 0:16Speaker 2: And starts flirting with Grayson.
- 0:18Speaker 1: God help us all when I give Jasmine the sugar
- 0:22Speaker 1: plump Ferry roll and pull Natalie, I mean Ava from
- 0:25Speaker 1: the show entirely. To put a stop to this madness,
- 0:28Speaker 1: she has a Prima Donna meldown in my office and
- 0:30Speaker 1: smashes the magic snow globe, releasing dark forces into the world.
- 0:35Speaker 2: Cares ensues.
- 0:36Speaker 1: Meanwhile, the real Ava wakes up trapped in Natalie's broken body.
- 0:40Speaker 2: The girls finally meet at the hospital, each wanting what
- 0:43Speaker 2: the other has. Tragic Eh.
- 0:46Speaker 1: Miss Kenzie, smart Girl, figures out the swap and hatches
- 0:49Speaker 1: a plant. Natalie must learn to be Ava to become
- 0:52Speaker 1: Natalie again. The natural order must be restored or we're
- 0:58Speaker 1: all doomed. Out of my office and listen to the finale.
- 1:01Speaker 1: I FOI will probably be the end for all of us.
- 1:05Speaker 3: Interior stage, Auditorium Day. Miss Miaco sitting in the center
- 1:09Speaker 3: of the audience. Dancers scattered throughout the seats while Jasmine
- 1:13Speaker 3: and Grayson dance the pare do on stage. As they
- 1:16Speaker 3: strike the final pose, Jasmine looks to the audience.
- 1:21Speaker 4: Has anyone seen Mister Constantine?
- 1:24Speaker 3: Interior stage wings continuous, Miss Lana clipboard in hand waves
- 1:29Speaker 3: Natalie over missus Primavera wants to make some adjustment Sonia
- 1:33Speaker 3: costum interior dressing room day. Zoe is seated on her
- 1:38Speaker 3: phone waiting for her turn as missus Primavera fits Natalie
- 1:41Speaker 3: with various costume pieces. Natalie notices her mother's touch, moving
- 1:46Speaker 3: away wisps of her hair to measure her.
- 1:48Speaker 5: Have I told you that you dance just like Natalie?
- 1:52Speaker 6: All ballet looks the same when it's done right now.
- 1:56Speaker 5: Ballet's personal. You and her. You have the same something
- 2:00Speaker 5: it's hard to explain.
- 2:02Speaker 3: Natalie stays silent. Life's so unfair.
- 2:06Speaker 7: Natalie can't play the sugar plum fairy and I'm spending
- 2:08Speaker 7: my senior year in core.
- 2:10Speaker 8: How aim is that Kensey worked her ass off for
- 2:12Speaker 8: that role on top of taking AP classes and college applications.
- 2:16Speaker 7: Some of us don't want to settle for college, do
- 2:19Speaker 7: you know how much work it is to become an influencer.
- 2:22Speaker 7: I just want one hundred thousand followers, Mary, Timothy Shallmy
- 2:24Speaker 7: and I is that really so much to ask for?
- 2:27Speaker 3: A smoky dancer wishes by the mirror behind Natalie. She turns.
- 2:31Speaker 3: There's nothing there. Lights flicker on and off. Zoe's phone
- 2:35Speaker 3: buzzes and she looks at it.
- 2:38Speaker 2: WHOA.
- 2:39Speaker 3: Zoe hurries off.
- 2:41Speaker 6: Timothy Sellon is following my Instagram.
- 2:43Speaker 7: I'm seriously figuring out right now.
- 2:45Speaker 3: I can't breathe. I can't breathe. Natalie checks her phone
- 2:49Speaker 3: and Zoe's page is at one hundred thousand followers. Zoe
- 2:53Speaker 3: pops into the room. Ave's all done and he talks
- 2:56Speaker 3: someone right now. Zoe bear hugs Natalie. Missus Primavera starts
- 3:02Speaker 3: taking Zoe's measurements. Zoe let's go of the hug, and Natalie, dazed,
- 3:06Speaker 3: exits the room.
- 3:07Speaker 7: Samothy Salomy just gave my last pig heart.
- 3:10Speaker 9: He's looking at my feet right now. I'm gonna post
- 3:12Speaker 9: keep your sht onside.
- 3:16Speaker 3: Interior stage, auditorium, Day Brock and Theo performed the Russian
- 3:20Speaker 3: Dance as a duet. Miss Miaco claps along to the
- 3:23Speaker 3: Russian music. Natalie approaches Miss Miaco lifts her fingers, still
- 3:27Speaker 3: watching the dance.
- 3:29Speaker 9: That looks great as a duet. It was their idea,
- 3:32Speaker 9: so neither would miss out on the roll.
- 3:34Speaker 3: Oh THEO and Brock finish, breathing heavily love it. Can
- 3:39Speaker 3: I help you?
- 3:40Speaker 2: Yeah?
- 3:40Speaker 6: I need to talk to mister Constantine.
- 3:42Speaker 9: Have you seen him?
- 3:43Speaker 4: He's been out on a family emergency. Completely unprofessional if
- 3:46Speaker 4: you ask me, But you didn't ask me, Just like
- 3:48Speaker 4: I wasn't asked to be interim artistic director. I wasn't
- 3:52Speaker 4: asked to do mister Constantine's job when he disappeared right
- 3:55Speaker 4: before opening, just like completely not okay, this is like
- 3:59Speaker 4: just I'm so stumped.
- 4:00Speaker 3: Just so. Natalie walks away regretfully, as Miss Miako continues
- 4:04Speaker 3: to ran to herself. Interior Ava's apartment night, Natalie walks in.
- 4:09Speaker 3: Miss Ross is waiting, arms crossed.
- 4:13Speaker 10: I just got off the phone with mister Hall. You're
- 4:16Speaker 10: failing chemistry. How is that possible?
- 4:18Speaker 9: I gotta be on the last test.
- 4:19Speaker 3: One test. Miss Ross pulls out the Royal Ballet audition packet.
- 4:24Speaker 10: And what the hell is this?
- 4:26Speaker 6: You don't think I can get in what am I
- 4:28Speaker 6: supposed to think?
- 4:29Speaker 10: Huh? You convince me to let you go to this school,
- 4:32Speaker 10: that it'll be so easy to graduate valedictorian and get
- 4:35Speaker 10: into Harvard, and today you want to skip college to
- 4:38Speaker 10: be a ballerina. It's out of nowhere.
- 4:40Speaker 8: Missus Primavera is at every rehearsal, ask her how good
- 4:43Speaker 8: I am?
- 4:44Speaker 6: And who is she there for?
- 4:45Speaker 10: Hau Her daughter is rodding away in a hospital bed
- 4:48Speaker 10: while she spends her days with other people's kids.
- 4:51Speaker 3: Natalie is gutted.
- 4:52Speaker 8: I'm auditioning for the Royal Ballet and I'll be out
- 4:55Speaker 8: of your life, just like your husband or dad whatever.
- 4:58Speaker 9: I won't be your problem anymore.
- 5:00Speaker 3: Who are you? Natalie Waivers? Should she tell her? Natalie
- 5:06Speaker 3: prima Vera, Bean's face peeks into the room, Go to.
- 5:10Speaker 7: Your room, Beans, Will you stop blowing her off if
- 5:13Speaker 7: you can't tell, she's dying for your attention and put.
- 5:16Speaker 3: A lock on your phone. She knows about dad and
- 5:18Speaker 3: the twenty four year old mis ross sits defeated.
- 5:21Speaker 10: When your dance career ends at what thirty thirty five,
- 5:25Speaker 10: that's thirty or forty more years of a career you'll.
- 5:28Speaker 3: Need after that?
- 5:29Speaker 10: You need to think about those years too, Ava.
- 5:32Speaker 3: I know, I know, I know.
- 5:33Speaker 8: Okay, every little doubt you have, I have tenfold.
- 5:37Speaker 9: It's constant.
- 5:38Speaker 8: At every audition and every day I'm killing myself to
- 5:41Speaker 8: get my grades up, work study, to get ready for
- 5:43Speaker 8: the show. I'm seventeen, and you want me to think
- 5:45Speaker 8: about when I'm forty. You want as you want a
- 5:48Speaker 8: social life. You want me to never make a single mistake.
- 5:51Speaker 8: I have the whole world to tell me I'm not
- 5:53Speaker 8: good enough, and my own mom is done with me
- 5:55Speaker 8: because I can't be what she wants.
- 5:58Speaker 3: Ms Ross envelops Natalie and a hug. Natalie struggles to
- 6:01Speaker 3: get out of it, but Miss Ross holds.
- 6:03Speaker 6: On, I am never done with you.
- 6:06Speaker 10: Never, Harvard Ballerina, Alaskan crab fishermen, whatever it is, I
- 6:13Speaker 10: just want you to be happy, and I am on
- 6:15Speaker 10: board one hundred percent.
- 6:18Speaker 9: Are you happy?
- 6:19Speaker 3: Natalie surrenders into Miss Ross's hug. Exterior Mister Constantine's House, Night,
- 6:26Speaker 3: Natalie rings the doorbell. A set of triplets, age five,
- 6:29Speaker 3: dressed in armor, answer the door is your dad? Home?
- 6:34Speaker 11: Five?
- 6:43Speaker 3: Interior Mister Constantine's House, living room, night. Natalie is sitting
- 6:47Speaker 3: there with Fritz across from her, holding his wooden sword,
- 6:51Speaker 3: staring solemnly. The triplets are playing with her hair. A
- 6:54Speaker 3: pair of twins age eleven are playing the piano. A
- 6:58Speaker 3: toddler colors a whole piece of paper. Black moving boxes
- 7:02Speaker 3: are everywhere. Missus Constantine walks in, very pregnant and with
- 7:06Speaker 3: a baby in her arms. She's carrying a tray with
- 7:10Speaker 3: drinks in her other arm.
- 7:12Speaker 6: You are really cute, kids.
- 7:13Speaker 5: Only Fritz is the.
- 7:14Speaker 9: Beauty, aren't you Fritz?
- 7:15Speaker 3: Yes, Mamma, Natalie looks at the other children who don't flinch.
- 7:25Speaker 5: Are you the best child?
- 7:27Speaker 12: Uh?
- 7:28Speaker 6: My sister is definitely the best right now? Wait, no,
- 7:31Speaker 6: I don't have a sister. It's complicated.
- 7:34Speaker 3: Mister Constantine walks in.
- 7:36Speaker 2: What are you doing here?
- 7:38Speaker 6: I need your help.
- 7:39Speaker 8: Weird stuff is happening, and I'm seeing those shadowy things.
- 7:41Speaker 6: From the globe and they're like everywhere.
- 7:43Speaker 3: Raise did you say?
- 7:45Speaker 9: Raids?
- 7:46Speaker 3: The twin song on the piano changes tone right on cue.
- 7:49Speaker 1: We're granting spirits from the old world. They only grant
- 7:53Speaker 1: the deepest wish there to be spoken out loud. My
- 7:56Speaker 1: ancestors captured them on the globe. It kept them on
- 7:59Speaker 1: the all one wish at a time.
- 8:02Speaker 3: Mister Constantine snaps his fingers. Fritz retrieves a shoebox and
- 8:06Speaker 3: hands it to his father. Natalie looks around at the
- 8:09Speaker 3: moving boxes everywhere.
- 8:11Speaker 9: What's going on? Are you moving?
- 8:13Speaker 2: We'll be returned into Romagna after this last nutcracker?
- 8:17Speaker 6: You mean the last of the school year. Uh sure,
- 8:23Speaker 6: mister Constantine. How can I fix this?
- 8:26Speaker 3: Mister Constantine pulls out a curved piece of the broken
- 8:29Speaker 3: glass from the shoe box.
- 8:31Speaker 1: In order for the race to be recaptured, the natural
- 8:34Speaker 1: order must be restored.
- 8:36Speaker 2: You need to return.
- 8:38Speaker 3: Natalie takes a deep breath, sad and nods.
- 8:43Speaker 6: I know I missed a babist life. I need to
- 8:46Speaker 6: make things right and then I have to go back.
- 8:50Speaker 8: What if we can't recapture them?
- 8:53Speaker 3: Hm?
- 8:55Speaker 1: In all my years as a keeper, no one has
- 8:57Speaker 1: ever been as careless as you. So this is uncharted territory.
- 9:04Speaker 3: Mister Constantine looks at the large mural behind him, a
- 9:07Speaker 3: scene from the Rapture of Wraiths disemboweling screaming people.
- 9:13Speaker 2: But I've heard it's very, very bad.
- 9:19Speaker 3: Interior mister Hall's house, living room night. Mister Hall watches
- 9:24Speaker 3: I Love Lucy, laughing with the laugh track. Although he
- 9:32Speaker 3: is surrounded by cats, he hears a distant meal that
- 9:36Speaker 3: catches his attention.
- 9:38Speaker 1: Oh, it sounds like someone is hungry for some food
- 9:42Speaker 1: and friendship.
- 9:44Speaker 2: Come on, friends, let's gonna say hi.
- 9:47Speaker 3: Mister Hall makes his way down the narrow corridor. His
- 9:50Speaker 3: house is designed to be a cat paradise. He passes
- 9:54Speaker 3: cat condos and nooks built for his friends. Interior ext
- 10:00Speaker 3: Mister Hall's house, kitchen, back door night. Mister Hall opens
- 10:04Speaker 3: the door, looks down, eyes widen interior stage stage Wings Day.
- 10:12Speaker 3: On stage, Kenzie and the mouse King perform the battle
- 10:15Speaker 3: scene in full costume. Bean runs on stage for her cue.
- 10:19Speaker 4: Come on, dancers, dress rehearsal, do it like the real thing?
- 10:23Speaker 4: Leave it all on the stage.
- 10:26Speaker 3: Mister Constantine watches the performance from the wings while Natalie
- 10:29Speaker 3: paces behind him. Miss Lana spots mister Constantine. Mister Constantine,
- 10:35Speaker 3: we weren't sure you are coming back? Are you in
- 10:37Speaker 3: the missus and trial separation?
- 10:40Speaker 1: No, you're a mouse.
- 10:42Speaker 2: I don't see a mouse.
- 10:43Speaker 11: I see a little girl pressing like a Bullsit princess.
- 10:47Speaker 2: I want to see a star.
- 10:51Speaker 3: Miss Lana jumps, scared and turns off mister Constantine glances
- 10:58Speaker 3: over to Fritz, who is huddled by the shelf next
- 11:00Speaker 3: to the wing back turned.
- 11:02Speaker 6: Is it almost ready?
- 11:04Speaker 12: Quite?
- 11:04Speaker 3: Divil? Natalie exits with a toss of her hands in
- 11:07Speaker 3: the air.
- 11:08Speaker 13: Okay, ah, what are you doing, freak?
- 11:10Speaker 9: I'm saving the vault? What are you doing? Basicing?
- 11:13Speaker 3: Got tiles of making fox sounds? The party boy farts
- 11:15Speaker 3: on Fritz and the party children went off laughing. Fritz
- 11:19Speaker 3: watches them and sighs, I wish I had the friend.
- 11:27Speaker 3: The lights flicker, A smoky dancer passes behind Fritz, and
- 11:31Speaker 3: the nutcracker doll on the prop table seems to blink.
- 11:35Speaker 2: Kenzie, you're killing me, killing me? He has seven heads.
- 11:41Speaker 1: When was the last time you saw a mouse with
- 11:43Speaker 1: seven heads?
- 11:44Speaker 2: Eh?
- 11:45Speaker 1: You were yourself?
- 11:47Speaker 3: Interior stage, Auditorium Day. Natalie takes a seat in the
- 11:51Speaker 3: audience next to Bean, Jasmine and Grayson in costume are
- 11:54Speaker 3: performing the partida. Mister Constantine watches from the foot of
- 11:58Speaker 3: the stage as the how did it finishes? Mister Constantine
- 12:02Speaker 3: jumps on the stage.
- 12:03Speaker 11: Dancers, I'm obligated to make a quick announcement that's relevant
- 12:08Speaker 11: if we manage to prevent their bucalypse. Missus Jasmine Kern
- 12:11Speaker 11: has been accepted as an apprentice for the next season's
- 12:15Speaker 11: Royal Ballet.
- 12:16Speaker 3: Natalie sits up. Dancers cheer and give Jasmine a hug.
- 12:20Speaker 3: She smiles like a beauty queen. Natalie watches stiff, heart
- 12:28Speaker 3: pounding and longing. Jasmine seems to move in slow motion.
- 12:33Speaker 3: Natalie's eyes well up, unblinking.
- 12:36Speaker 8: Okay, her eyes are leaking, watching all my dreams come
- 12:40Speaker 8: true for someone else.
- 12:41Speaker 3: Jasmine is wiping away happy tears. Fritz pops his head
- 12:46Speaker 3: from the wings, waving Natalie over father difficult.
- 12:50Speaker 11: Yes, okay, everyone keep congratulating Jasmine.
- 12:55Speaker 3: Natalie and mister Constantine walk toward the stage wings, where
- 12:58Speaker 3: Fritz is waiting for them. Interior stage wings continuous.
- 13:02Speaker 2: Is it ready?
- 13:03Speaker 3: Fritz reveals the snow globe with jagged pieces glued together,
- 13:07Speaker 3: the forest inside wilted. Natalie takes it.
- 13:10Speaker 8: That's it, you glued it is this thing gonna work.
- 13:14Speaker 3: Fritz cranks the knob and it plays the haunting Pottadieu
- 13:18Speaker 3: lex puffectly. Kenzie spots the commotion and rushes over, Oh.
- 13:22Speaker 6: My god, is this it?
- 13:23Speaker 7: The mcguffin is a perfect gruff prison though I'm sorry
- 13:27Speaker 7: did you say wreaths?
- 13:29Speaker 2: Are you ready? You need to one this more than
- 13:33Speaker 2: anything I know.
- 13:36Speaker 6: I'm ready.
- 13:37Speaker 3: Natalie hears squeals coming from the stage and glances over
- 13:40Speaker 3: to see missus Primavera giving Jasmine a long hug.
- 13:44Speaker 9: Thanks, miss Pee.
- 13:45Speaker 12: This is my happy place being here with all you
- 13:47Speaker 12: talented girls.
- 13:48Speaker 3: Missus Primavera points to Jasmine and her heart, mouthing you
- 13:52Speaker 3: are my heart. Jasmine reciprocates. Natalie nearly drops the snow
- 13:57Speaker 3: globe from her hands. Mister Constantine eyes her, concerned.
- 14:02Speaker 2: Miss Primavera.
- 14:03Speaker 3: Now Natalie swallows and shakes the snow globe, her eyes
- 14:08Speaker 3: well up. The globe plays its tiny padad.
- 14:12Speaker 6: I wish I was Natalie Primavera.
- 14:14Speaker 3: The lights flicker on and off. The music abroughly stops
- 14:17Speaker 3: playing from the globe. Silence, everyone frozen, anticipating. Did it work? Ava?
- 14:25Speaker 9: What's something only Ava would know is a hotdog?
- 14:28Speaker 5: A sandwich?
- 14:29Speaker 3: Natalie rushes to the dressing room. Interior dressing room continuous.
- 14:34Speaker 3: Natalie looks at the mirror, sees Ava's reflection. Mister Constantine, Bean,
- 14:40Speaker 3: Kenzie and Fritz follow her in. It didn't work.
- 14:42Speaker 2: What did you do wrong?
- 14:43Speaker 7: Nothing?
- 14:44Speaker 9: Look at it.
- 14:44Speaker 3: It's better than ever.
- 14:45Speaker 2: It's hot.
- 14:46Speaker 7: She must not.
- 14:48Speaker 3: The sad glued together snow globe springs a leak, unnoticed
- 14:52Speaker 3: by the bickering group. Jasmine stops at the edge of
- 14:54Speaker 3: the dressing room, listening.
- 14:58Speaker 6: What does this mean?
- 15:00Speaker 5: I want my sister back.
- 15:02Speaker 14: I've been telling you everyone something is wrong, and nobody
- 15:05Speaker 14: listens to me. I wish I was grown up so
- 15:08Speaker 14: people would hear me already.
- 15:11Speaker 3: The lights flicker and a smoky dancer rushes by. Natalie
- 15:15Speaker 3: slumps down by herself as the group argues. Mister Constantine
- 15:18Speaker 3: puts his hand on Natalie's shoulder.
- 15:22Speaker 2: It was worth a try.
- 15:23Speaker 9: Yes, what do we do now?
- 15:26Speaker 1: Everybody upstairs? This is a sinking ship, and we go
- 15:30Speaker 1: down doing what we'll love. Let's make it a great
- 15:32Speaker 1: last nutcracker before our demise.
- 15:34Speaker 2: What do they say?
- 15:35Speaker 5: Did you say demise?
- 15:37Speaker 2: My apologies? I meant to say that part in Romanian.
- 15:43Speaker 3: The group solemnly filters out, leaving Natalie alone. Interior stage,
- 15:48Speaker 3: Auditorium night. Everyone is gone. The stage is lit with
- 15:52Speaker 3: a ghost light. Natalie steps out onto the stage and
- 15:56Speaker 3: hums the body into a noise. Natalie pauses and looks
- 16:01Speaker 3: into the dark audience. Jasmine steps towards the stage.
- 16:06Speaker 15: You know, Natalie and I used to do this dance
- 16:09Speaker 15: the whole show the night before opening night. We'd sneak
- 16:12Speaker 15: out and dance until like two am.
- 16:15Speaker 3: Jasmine starts stepping through the dance with her.
- 16:18Speaker 9: We've always been that connect.
- 16:20Speaker 15: I landed my double pirouette and she landed a clean tripple.
- 16:24Speaker 15: She did twelve a tays in a row, and then
- 16:26Speaker 15: I did sixteen like the next day. I've oh, we've
- 16:31Speaker 15: always wanted to be the sugar plump Ferry.
- 16:34Speaker 3: Jasmine begins doing wet day turns and Natalie joins her.
- 16:38Speaker 3: They watch one another, turning and turning until Jasmine finally stops.
- 16:43Speaker 3: Natalie stops.
- 16:47Speaker 6: Why didn't you audition for the role if you wanted
- 16:49Speaker 6: it so badly?
- 16:51Speaker 15: Because I was scared it might have gone to me
- 16:54Speaker 15: and I didn't want to break my best friend's heart.
- 16:57Speaker 6: She's your best friend? Then why do you call her
- 16:59Speaker 6: Natalie Primadonna.
- 17:00Speaker 3: Jasmine raises her eyebrows, surprised, then shrugs.
- 17:05Speaker 9: We all talk too much shit sometimes.
- 17:09Speaker 6: Why aren't you going to visit her?
- 17:12Speaker 12: I have?
- 17:13Speaker 9: I've just always waited for her dad to be gone.
- 17:17Speaker 9: She's different.
- 17:17Speaker 5: Now you know.
- 17:19Speaker 3: Natalie is quiet?
- 17:21Speaker 6: Does she know you dance this roll perfectly?
- 17:26Speaker 9: Well, I'm glad you got to see it, because I
- 17:29Speaker 9: think I hurt my toe. Your toe, Yeah, it hurts.
- 17:33Speaker 15: I can't handle two rolls, so I'm just gonna dance
- 17:37Speaker 15: the snow Queen. I already talked to mister Constantine.
- 17:41Speaker 3: Jasmine begins walking off.
- 17:43Speaker 9: Wait, why is your bun today? Because you're the understudy.
- 17:50Speaker 3: Natalie watches Jasmine disappear, and she smiles. Interior, Mister Hall's
- 17:55Speaker 3: bedroom night. Mister Hall attempts to give Catastrophe a zombie
- 18:01Speaker 3: cat a saucer of milk. Catastrophe growls, one eye missing,
- 18:06Speaker 3: and soars, oozing from its skin. All the other cats
- 18:10Speaker 3: are huddled away, backs arched, hissing.
- 18:13Speaker 7: Now, now, friends get along, We're all friends.
- 18:18Speaker 2: We are all friends.
- 18:20Speaker 3: Catastrophe bites a bit of mister Hall's fingertips.
- 18:24Speaker 2: Ow eh, is that what you need? Little friend here?
- 18:33Speaker 2: Just a little okay?
- 18:38Speaker 3: Interior Avea's bedroom morning. Natalie wakes up. The wall calendar
- 18:43Speaker 3: reads opening Night. Natalie sighs and exits the room. Bean
- 18:49Speaker 3: stirs and uncovers herself. She's a grown teenager. She gets
- 18:53Speaker 3: out of bed, her kid pj's barely fitting her. Teenage
- 18:58Speaker 3: Bean looks down and Noice says, ample breasts in her
- 19:01Speaker 3: pjshirt that now fits like a crop top. Interior Ava's
- 19:05Speaker 3: Kitchen Day. Natalie eats root loops while Miss Ross drinks coffee.
- 19:10Speaker 3: A squeal comes from the other room. Natalie stands up,
- 19:13Speaker 3: I'll go check on her. Interior Ava's Bedroom Day. Natalie
- 19:17Speaker 3: rushes into the room. Teenage Beans stands there.
- 19:22Speaker 6: This is bad.
- 19:23Speaker 3: I wis kids too.
- 19:24Speaker 14: It looks so hot.
- 19:28Speaker 3: A knock on the door.
- 19:29Speaker 5: You girls, okay, everything's fine.
- 19:32Speaker 6: This is really really bad.
- 19:34Speaker 3: Exterior theater's sunset. The blue moon is high in the
- 19:38Speaker 3: sky as people of all ages file into the theater.
- 19:41Speaker 3: A marquee sign reads Wilburn Arts High School The Nutcracker
- 19:46Speaker 3: Opening Night, with a poster of the Nutcracker with Ava
- 19:49Speaker 3: as the sugar plum faery. By the door, a lima
- 19:53Speaker 3: pulls up and we see fancy black shoes walk back
- 19:56Speaker 3: to open the rear door. White converse sneakers step bap out.
- 20:00Speaker 3: Interior Stage Wings Night. Natalie and teenage Bean rushed to
- 20:05Speaker 3: mister Constantine.
- 20:07Speaker 2: What is it?
- 20:08Speaker 8: This has Bean?
- 20:09Speaker 5: She made us wish to be a teenager, and we.
- 20:11Speaker 2: Oh, this is bad, very very very bad.
- 20:15Speaker 6: What does this mean?
- 20:16Speaker 1: It means that full worldly cares is just around the corner.
- 20:20Speaker 1: The wraiths are loose, granting every twisted desire of the heart,
- 20:24Speaker 1: every whim for lost love, lottery tickets and revenge. The
- 20:30Speaker 1: heart is selfish. You of all people should know this, Fritz.
- 20:35Speaker 1: You'll be dancing with your iron short tonight. We might
- 20:38Speaker 1: have to kill something.
- 20:39Speaker 3: Party boy Holtz and looks at mister Constantine.
- 20:42Speaker 2: Did you mean to say that?
- 20:43Speaker 13: In a Romanian mister Constantine?
- 20:46Speaker 3: Interior stage auditorium night, The orchestra warms up as the
- 20:51Speaker 3: audience trickle to take their seats. Trevor looks a mess,
- 20:55Speaker 3: tie on sloppy and hair unbrushed. Mister Hall shows up
- 20:59Speaker 3: day with part of his cheek nibbled off. Principal Waters
- 21:04Speaker 3: takes notice, not mister.
- 21:06Speaker 2: Hall, or are you all right? He's gone?
- 21:11Speaker 12: I open the door and he let me My friend
- 21:14Speaker 12: is gone again, Walter, looker, he is a little man.
- 21:22Speaker 3: Mister Hall, still muttering, walks to his seat, climbing past
- 21:26Speaker 3: Miss Ross, seated with grocery store flowers in hand. Mister
- 21:30Speaker 3: and missus Primavera enter pushing Ava in a wheelchair down
- 21:33Speaker 3: the aisle. She is given a standing ovation as they
- 21:37Speaker 3: make their way to park. Ava upfront, Ava cranes to
- 21:41Speaker 3: see Miss Ross in her seat and Trevor in the pit,
- 21:45Speaker 3: neither notice her. Interior backstage Hallway night. Backstage is a
- 21:50Speaker 3: chaos of dancers in costume, most of them warming up, children,
- 21:55Speaker 3: laughing and chasing each other. Fritz swinging his sword. This
- 21:59Speaker 3: is interior dressing room night. Jasmine is in her snow
- 22:03Speaker 3: Queen costume and wearing warm up booties. Zoe as a Snowflake,
- 22:07Speaker 3: is on her phone. Natalie walks in with teenage Bean
- 22:11Speaker 3: and catches Jasmine's eye. Jasmine smiles. Missus Primavera scurries in
- 22:17Speaker 3: to approach teenage Bean.
- 22:19Speaker 5: Baby Mouse huh. Teenage Bean nods, what happened to Bean?
- 22:23Speaker 14: I'm not allowed to talk about that, okay.
- 22:30Speaker 3: Missus Primavera starts ripping fabric. Interior stage Auditorium night. Mister
- 22:36Speaker 3: Constantine walks out on stage. The full house collaps.
- 22:44Speaker 16: Reading Sparren's family friends of Wilborne Arts High Schools Christmas,
- 22:50Speaker 16: but they're not crack her. I won't make a lengthy speech,
- 22:55Speaker 16: But I want you all to think about this past
- 22:58Speaker 16: year and all you have lost and what you may
- 23:01Speaker 16: lose soon.
- 23:03Speaker 1: Christmas is the saddest season of them all.
- 23:07Speaker 2: I have never felt more heartbroken than I do now.
- 23:10Speaker 3: Trevor's chin trembles and he claps enthusiastically. The rest of
- 23:13Speaker 3: the audience is silent. The lights flicker.
- 23:28Speaker 2: Without further ado.
- 23:29Speaker 3: Mister Constantine motions to the orchestra. As he exits, they begin,
- 23:34Speaker 3: the curtains open, the street scene begins. Interiors stage Wings night,
- 23:40Speaker 3: Miss Miaco half jogging, hand on her earpiece. Do we
- 23:44Speaker 3: have any idea where the doll is? We need it now?
- 23:46Speaker 3: At Miss Miako's feet is catastrophe crawling unnoticed. Interior dressing
- 23:52Speaker 3: room night. Teenage Bean is in a makeshift mouse costume.
- 23:55Speaker 3: Missus Primavera puts on finishing touches.
- 23:58Speaker 5: There to do it?
- 24:00Speaker 14: Is it hard to dance with big boobs?
- 24:04Speaker 9: No talking?
- 24:04Speaker 5: Remember Ava, that's rude.
- 24:07Speaker 14: Yeah, Ava, people want to listen to what I have
- 24:11Speaker 14: to say. Now, maybe I'll never go back to being
- 24:14Speaker 14: a kid Bean.
- 24:15Speaker 6: I mean Bean's replacement. Of course you're going back.
- 24:20Speaker 14: There's nothing good about being a kid or a teenager.
- 24:23Speaker 14: Whatever I am.
- 24:24Speaker 12: Funny, how he's been our whole childhood looking ahead, and
- 24:26Speaker 12: our entire adulthood looking back.
- 24:28Speaker 3: An usher enters with a large bouquet of flowers.
- 24:32Speaker 2: Is Zoe here?
- 24:33Speaker 3: Zoe at her makeup station, waves her hand and the
- 24:36Speaker 3: usher puts Zoe's flowers down. Zoe looks at the card.
- 24:39Speaker 3: It reads Mayred Zoe, I can't wait to meet you,
- 24:43Speaker 3: Love Timothy. Interior stage, Auditorium night. The party scene March
- 24:49Speaker 3: is happening. Zoe's distant shriek echoes through the auditorium. The
- 24:55Speaker 3: dancers all look off stage, but continue. Interior backstage night.
- 25:00Speaker 3: Miss Lana sees the Nutcracker doll standing in a walking
- 25:02Speaker 3: pose near the exit door and snatches it.
- 25:05Speaker 2: Found it must have been some kid.
- 25:07Speaker 3: Miss Miaco meets Miss Lana with a box and they
- 25:10Speaker 3: stick the nutcracker inside. It blinks once before the lid
- 25:13Speaker 3: covers it. Mister Constantine, with an eyepatch dressed as Drosselmeier,
- 25:18Speaker 3: rushes by and grabs the box. Interior stage, Auditorium night.
- 25:22Speaker 3: Party scene is on stage. Mister Constantine pulls the Nutcracker
- 25:26Speaker 3: out of the box and hands it to Kenzie for
- 25:28Speaker 3: her solo Kenzie begins to dance. She nails her jumps perfectly.
- 25:33Speaker 3: Aba is watching the dance from her wheelchair. She catches
- 25:36Speaker 3: Kenzie's eye and flashes her a thumbs up. Kenzie smiles.
- 25:40Speaker 3: Kenzie is looking longingly at the Nutcracker doll. It blinks.
- 25:45Speaker 3: Kenzi does a double take. The nutcracker is alive. It
- 25:49Speaker 3: spots Fritz on the stage.
- 25:52Speaker 6: I don't think we cast a nutcracker.
- 25:57Speaker 12: My bad.
- 25:59Speaker 2: No, I didn't notice it either.
- 26:02Speaker 6: Who would be a fun nutcracker?
- 26:07Speaker 2: Brandon? Did you give us a demented nutcracker doll? Please? Yeah?
- 26:16Speaker 3: The audience gasps. Fritz grabs the doll, smashes it into
- 26:22Speaker 3: the stage, and takes his sword, striking it over and
- 26:25Speaker 3: over and over again. The Nutcracker's face off, looking at Fritz.
- 26:32Speaker 15: Yeh.
- 26:36Speaker 3: Fritz takes his sword and smashes its face. The audience
- 26:40Speaker 3: silently watches, horrified. Mister Constantine pulls Fritz off by the
- 26:44Speaker 3: collar of his Victorian shirt. Mister Constantine wrestles with the Nutcracker.
- 26:56Speaker 3: Mister Constantine wrestles with a Nutcracker doll until it looks
- 27:01Speaker 3: like a mummy and hands it to Kenzie, who's breathing heavily.
- 27:06Speaker 2: The show must go on.
- 27:09Speaker 3: Kenzie grabs it gingerly. She timidly continues to dance. Interior
- 27:14Speaker 3: Backstage Night. Mister Constantine, Fritz and Kenzie are rushing down
- 27:19Speaker 3: the backstage hall together. Kenzie is shaken up.
- 27:22Speaker 6: What's going on?
- 27:24Speaker 2: You made it wish if even needs a fen Papa.
- 27:27Speaker 3: Teenage Bean and the other mice run past costume James
- 27:31Speaker 3: Kenzie quickly. Kenzi is pulled into the dressing room by
- 27:34Speaker 3: Miss Lana. Is it dead?
- 27:36Speaker 9: Please tell me it's dead.
- 27:38Speaker 3: Interior Stage Auditorium Night. Teenage Bean trips over herself a
- 27:43Speaker 3: terrible dancer in her new body. Her leaves are sloppy
- 27:46Speaker 3: and barely make it off the ground. She trips, and
- 27:49Speaker 3: the other mice fumble behind her. Like Domino's, these boobs suck.
- 27:56Speaker 3: Miss Ross frantically flips through the program. On the stage.
- 28:02Speaker 3: The Grandfather clock shatters and Kenzie has red ribbon fake
- 28:06Speaker 3: blood coming from her arms. She falls asleep on the couch.
- 28:10Speaker 3: The audience murmurs and shock. Interior Stage Wings Night. Jasmine
- 28:16Speaker 3: enters the wings in her snow queen costume. Catastrophe is
- 28:20Speaker 3: at her ankles and wanders onto the stage. Interior on
- 28:24Speaker 3: stage Auditorium Night. Battle scene with toy soldiers and the
- 28:28Speaker 3: mouse King is on stage. Kenzie sees catastrophe and screams.
- 28:34Speaker 3: Mister Constantine is in the wings, gives her a thumbs up.
- 28:37Speaker 3: Kenzie throws her shoe, hitting Catastrophe in the face and
- 28:41Speaker 3: its other eyeball pops out. Kensie faints and hits the
- 28:45Speaker 3: stage floor. Hard Ava and the audience gasp.
- 28:50Speaker 2: It's catastrophe.
- 28:53Speaker 3: Interior stage stage Wings Night, the curtain closes, Mister Constantine
- 28:59Speaker 3: rushes on stage and grabs the zombie cat Interior stage,
- 29:02Speaker 3: Auditorium Night. The curtain opens to the snow scene. Jasmine
- 29:07Speaker 3: is on stage along with Zoe as one of the snowflakes.
- 29:10Speaker 3: Zoe spots Timothy challow May in the audience and gasps.
- 29:14Speaker 3: Timothy shallow May blows a kiss to Zoe and she
- 29:17Speaker 3: catches the kiss. Jasmine in midlift looks down at looks
- 29:21Speaker 3: oh fuck. Jasmine is in midlift looking down at Zoe
- 29:29Speaker 3: cutting out. Zoe excitedly jumps up and down as the
- 29:33Speaker 3: other snowflakes continue dancing around her. Interior backstage night.
- 29:39Speaker 11: Enter Misson Custom changes get Ready Done saves.
- 29:43Speaker 3: Mister Constantine has the zombie cat in his hand. Natalie,
- 29:47Speaker 3: heron makeup done but not yet in costume, sees the
- 29:50Speaker 3: cat and gasps.
- 29:51Speaker 2: Oh what is that?
- 29:53Speaker 5: Oh God, Catastrophe.
- 29:55Speaker 3: Catastrophe growls and chops the air toward the dancers. Comes
- 30:00Speaker 3: out of his dressing room and pauses.
- 30:02Speaker 13: Whoa, whoa, mister constantin, I think your cat is like
- 30:06Speaker 13: dying or something.
- 30:10Speaker 3: Mister Hall wanders backstage. Mister Constantine covers the cat up
- 30:14Speaker 3: with his cape. Have you seen catastrophe? Fritz points to
- 30:19Speaker 3: mister Hall with his sword.
- 30:20Speaker 14: Infiltrator, mister Hall, let's get you a drink.
- 30:24Speaker 3: Natalie grabs mister Hall by the arm. Interior lobby night
- 30:29Speaker 3: A bar is set up with a long line. Natalie
- 30:32Speaker 3: tows mister Hall straight to the bartender, cutting off Timothy Shaloman.
- 30:37Speaker 9: Excuse me, can you give him some alcohol?
- 30:39Speaker 3: Bartender pours a glass of white wine.
- 30:41Speaker 6: Do you have anything stronger?
- 30:43Speaker 2: We're at a high school production. What do you expect?
- 30:46Speaker 3: Mister Hall takes the glass of wine.
- 30:54Speaker 2: I doesn't really want Catastrophe back. I really miss.
- 30:57Speaker 6: Him, mister Hall, still have him? Adams never die, remember,
- 31:03Speaker 6: they just change.
- 31:04Speaker 9: Into something new.
- 31:06Speaker 6: Catastrophe is here now in your heart.
- 31:11Speaker 2: That's quite right. You've always been a great student, neighbor
- 31:16Speaker 2: I have.
- 31:17Speaker 6: Oh I'm gonna follow you on Instagram.
- 31:19Speaker 3: Up for gratuation.
- 31:20Speaker 10: Oh no, no, no, I'm not on Instagram.
- 31:23Speaker 6: Come on, hashtag cats of Instagram. You take to Instagram
- 31:27Speaker 6: like a free radical takes to an electrode.
- 31:30Speaker 3: Mister Hall laughs. Interior backstage night, Mister Constantine wrestles with
- 31:37Speaker 3: catastrophe in his hands. He's surrounded by scared dancers cheering
- 31:41Speaker 3: him on. Finally, mister Constantine tosses the cat in a
- 31:44Speaker 3: supply closet and turns to the dancers, adjusting his cape.
- 31:50Speaker 2: The show must go on.
- 31:53Speaker 3: Interior dressing room night. Natalie costume on applies makeup at
- 31:58Speaker 3: her station. Timothy enters and gives Zoe a romantic kiss.
- 32:03Speaker 3: No audience members allowed here.
- 32:05Speaker 2: I can't be stopped.
- 32:07Speaker 13: I'm in love. This is exhilarating. It's like I'm on
- 32:09Speaker 13: her spell. Will you marry me?
- 32:12Speaker 9: Ah much children moved to France.
- 32:14Speaker 8: Yes, yes, yes, fifty thousand followers marry Timothy and die.
- 32:20Speaker 9: That's what you said. Zoe stuck her much. She's totally
- 32:23Speaker 9: obsessed with me.
- 32:24Speaker 2: You can't have her.
- 32:25Speaker 3: Timothy gives Zoe another romantic kiss. Zoe pulls away.
- 32:29Speaker 11: Is it really me?
- 32:30Speaker 7: Or am I really making up with Timothy Shalloway?
- 32:32Speaker 9: Is this real?
- 32:33Speaker 7: Literally, all my jams are coming true.
- 32:35Speaker 3: A tiny sword missus Zoe's head. The Nutcracker doll charges
- 32:40Speaker 3: into the dressing room. Mister Constantine enters, snatches the doll
- 32:44Speaker 3: through the open door. Children are running and crying. Five
- 32:48Speaker 3: minutes Natalie looks up and nods. Missus Primavera enters, swiftly,
- 32:52Speaker 3: pulling Natalie up to stand. Let's give you one last
- 32:55Speaker 3: look over. Natalie watches Missus Primavera as she inspects the
- 32:59Speaker 3: cost doom, noticing her mother's hands trembling in dark circles
- 33:03Speaker 3: under her bloodshot eyes. Is your mother here? Natalie nods tensely.
- 33:11Speaker 6: I'm sorry about Natalie.
- 33:13Speaker 3: Missus Primavera is silent.
- 33:16Speaker 8: You must be sad for you that she can't dance again,
- 33:20Speaker 8: that you can't share your happy.
- 33:23Speaker 6: Place anymore, or like my hiding place, hiding place.
- 33:28Speaker 12: You're a five year old say they want to be
- 33:30Speaker 12: a ballerina, and you expect it to be a phase.
- 33:33Speaker 5: But not Natalie.
- 33:34Speaker 12: She had a dream and nothing could stop her. She
- 33:37Speaker 12: makes the impossible, possible, It's my fault.
- 33:40Speaker 5: After a first show, I called her a star, got
- 33:42Speaker 5: her a dog, yeah, cliche, and the rest is history.
- 33:47Speaker 12: She left a dance and I kept feeding it, moving
- 33:50Speaker 12: to the next level, getting her points.
- 33:52Speaker 5: She's the next roll of Royal Ballet.
- 33:54Speaker 12: I should have fed her other things, signed her up
- 33:57Speaker 12: for soccer and painting.
- 34:01Speaker 5: I had no idea that it would hold her prisoner,
- 34:03Speaker 5: all these goals, the social media. I didn't know it
- 34:07Speaker 5: would get cut short for her.
- 34:09Speaker 6: Nobody's a ballerina forever.
- 34:13Speaker 12: How can I tell my daughter the only thing that
- 34:15Speaker 12: she loves in life she can't do anymore.
- 34:22Speaker 8: I think you say to her that nothing is impossible,
- 34:28Speaker 8: even finding something new to love.
- 34:31Speaker 3: Natalie smiles as Missus Primavera pins a Tierra around her bun.
- 34:36Speaker 17: I got Natalie a Nutcracker doll for Christmas this year.
- 34:40Speaker 17: Do you think that's a stupid gift? No, she has
- 34:42Speaker 17: a million of those.
- 34:44Speaker 6: No, it's the perfect gift.
- 34:46Speaker 8: Clara's love brought the Nutcracker to life after he was broken.
- 34:50Speaker 5: Natalie's not broken, right, No, I mean her body.
- 34:54Speaker 17: No, She's perfect exactly how she is. There are a
- 35:00Speaker 17: million reasons to love Natalie, and not one of them
- 35:04Speaker 17: has to do with ballet.
- 35:07Speaker 3: Natalie stands still as Missus Primavera finishes up, both women
- 35:10Speaker 3: subtly wiping away tears. Natalie wraps her arms around her mother.
- 35:17Speaker 9: Thank you.
- 35:20Speaker 3: Interior stage, Auditorium night. Natalie sneaks over and grabs Ava's wheelchair,
- 35:25Speaker 3: wheeling her around the side. Hey, what are you doing?
- 35:30Speaker 3: Interior stage stage wings night. Russian duet is finishing up
- 35:34Speaker 3: on stage, with mister Constantine watching from the wings. Natalie
- 35:38Speaker 3: rolls Ava up to mister Constantine.
- 35:40Speaker 6: Mister Constantine, where's the globe?
- 35:42Speaker 2: Fritz? Good love you?
- 35:44Speaker 8: I know why the magic didn't work, like in chemistry,
- 35:47Speaker 8: and antioxidant can't shed an electron just because it needs
- 35:50Speaker 8: a willing participant like a free radical.
- 35:53Speaker 2: Yeah, ladies, you lost med chemistry.
- 35:57Speaker 3: I made a wish on top of the bridge silence.
- 36:00Speaker 4: You wished you were me?
- 36:03Speaker 6: No, I wished I wasn't me.
- 36:06Speaker 8: It's not enough for me to not want to be
- 36:08Speaker 8: Ava anymore. I have to want to be Natalie, broken
- 36:12Speaker 8: body and all. And I want to be Natalie Primavera
- 36:16Speaker 8: more than anything.
- 36:19Speaker 3: Fritz appears with the sad snow globe and Natalie takes it.
- 36:24Speaker 9: I wish I was. Naturally put your dance.
- 36:26Speaker 6: You're up next.
- 36:28Speaker 3: Rock and Theo finish on stage. Audience clap.
- 36:37Speaker 6: It's not my role.
- 36:38Speaker 3: Natalie shakes the snow globe. Ava touches the globe.
- 36:41Speaker 9: I wish I was.
- 36:44Speaker 3: The orchestra starts the music for the patre du and
- 36:47Speaker 3: the two girls wait anticipating. Then the walls rumble. The
- 36:53Speaker 3: snow machine over the stage rattles to a start. Lights flicker.
- 36:58Speaker 3: Mister Constantine smile as the faintly falling snowflakes dost the stage.
- 37:03Speaker 3: A faint green globe begins to illuminate the globe.
- 37:08Speaker 1: The globe is weak, but it's working. Looks like you
- 37:12Speaker 1: have time for one more dons.
- 37:14Speaker 3: Natalie looks to Ava and she nods in agreement. Natalie
- 37:18Speaker 3: turns to the stage and sees Grayson on the other side.
- 37:21Speaker 3: He throws his hands out as if to say, what
- 37:24Speaker 3: the fuck are we doing this? Natalie takes a deep
- 37:27Speaker 3: breath and nods. Mister Constantine takes the glinting snow globe
- 37:32Speaker 3: from Natalie.
- 37:34Speaker 2: God, I'm gonna miss this, I know, mister Primavera.
- 37:38Speaker 3: This song is so beautiful, heartbreaking, the music swells, Natalie
- 37:44Speaker 3: takes a step onto the stage. Interior stage, Auditorium Night.
- 37:51Speaker 3: Natalie and Grayson meet center stage and begin the Patti
- 37:54Speaker 3: de as the orchestra swells. Trevor plays viola with the
- 37:58Speaker 3: pit orchestra. His lip trembles as he watches Natalie and
- 38:02Speaker 3: Grayson on stage. The dancer's eyes are locked on each
- 38:05Speaker 3: other like there's no one else as they dance skillful
- 38:08Speaker 3: and emotional. Miss Ross's eyes glisten wide with wonder watching
- 38:13Speaker 3: Natalie for the first time, and leans forward in her seat.
- 38:18Speaker 3: Interior dressing room, continuous. Zoe and Timothy are lost in
- 38:22Speaker 3: a messy makeout session. The Nutcracker doll Army crawls toward them.
- 38:27Speaker 3: A light is hanging precariously over Zoe's head, and a
- 38:30Speaker 3: curling iron is causing a rack of tutus to smoke rumble.
- 38:36Speaker 3: The room blacks out for a moment. The hanging light
- 38:38Speaker 3: crashes into a rack of teutuos to fall away from
- 38:42Speaker 3: the iron. The Nutcracker doll goes limp. Interior stage, Auditorium continuous.
- 38:48Speaker 3: The two smoky dancers enter from the back of the
- 38:51Speaker 3: auditorium and dance their way down the aisle towards the stage.
- 38:54Speaker 3: They are invisible to all but Natalie and mister Constantine.
- 38:59Speaker 3: Interior stage hallway continuous. Teenage, Bean, Fritz and the children
- 39:04Speaker 3: are huddled as Catastrophe breaks through the closet door. Little
- 39:08Speaker 3: by little, all of the shining. Fritz clenches his sword.
- 39:13Speaker 3: Catastrophe finally breaks through the door and charges toward the children.
- 39:18Speaker 3: Fritz raises his sword just as Flicker the cat goes
- 39:22Speaker 3: limp dead. Fritz nudges the cat.
- 39:28Speaker 9: Zi Kats is dead.
- 39:30Speaker 3: The children cheer. Fritz turns to high five Bean, who
- 39:34Speaker 3: is now swimming in her costume.
- 39:37Speaker 8: I'm a kid again, No more boobs.
- 39:42Speaker 3: Bean hugs Fritz. Fritz beams Interior stage stage wings continuous.
- 39:48Speaker 3: The Smoky Dancers join Natalie and Grayson on stage, shadowing
- 39:52Speaker 3: their dance. Drawing ever closer, Miss Lana and Miss Miako
- 39:56Speaker 3: watch the duet, eyes fixed and in awe, clutching each
- 39:59Speaker 3: other other's hands. Grayson smiles at Natalie, and the two
- 40:03Speaker 3: kiss as though there were no audience. Trevor let's out
- 40:07Speaker 3: an audible sob no with the final lift. As the
- 40:13Speaker 3: song's crescendo peaks, the Smoky Dancers enter Natalie and exit
- 40:18Speaker 3: right before Ava's body drops into the final partner pose,
- 40:21Speaker 3: leaving behind Natalie's spirit with a puff. Interior stage stage
- 40:27Speaker 3: Wings Continuous. Natalie spirit quickly absorbs into her own body.
- 40:31Speaker 3: Eyes bulge as she sits up in her wheelchair with
- 40:34Speaker 3: a gasp. Interior stage Auditorium Continuous. The audience erupts in applause.
- 40:49Speaker 3: Interior stage Stage Wings Night. Mister Constantine has the snow
- 40:53Speaker 3: globe glow fizzles out, and both dark dancers are back
- 40:57Speaker 3: inside frozen. Ava runs off stage and gives Natalie a
- 41:01Speaker 3: huge hug.
- 41:02Speaker 9: Natalie, Yes, and you're you? Yeah?
- 41:07Speaker 2: Enough solo?
- 41:09Speaker 8: Now what no, no, no, no, no, no, I can't Ava,
- 41:14Speaker 8: You're the understudy.
- 41:16Speaker 6: This is how it was always supposed to be.
- 41:19Speaker 3: You can do this m Interior stage Auditorium Night. Ava
- 41:25Speaker 3: steps out begins her solo, her lips tight with concentration.
- 41:31Speaker 3: She begins with her fetes. She's nailing them. Her smile
- 41:35Speaker 3: spreads slowly and then wide with glee as the audience claps.
- 41:44Speaker 3: Ava breezes as she spots Trevor in the orchestra pit Trevor.
- 41:49Speaker 3: Trevor turns away from Ava angry nostrils flaring I.
- 41:54Speaker 8: Love you here you do I love you Ava.
- 41:59Speaker 3: Ava leaps off the stage into the orchestra pit, the
- 42:02Speaker 3: audience and Miss Ross gas oh. Ava and Trevor kiss
- 42:08Speaker 3: interior stage stage wings night. Grayson watches the scene, confused.
- 42:14Speaker 3: Miss Miaco and Miss Lana shake their heads. Worst nutcracker ever.
- 42:20Speaker 10: Next tear will be better when mister too sexy to
- 42:22Speaker 10: teach his hair anymore, I mean all semester.
- 42:24Speaker 6: I'm like, hush, shut up and kiss me already.
- 42:26Speaker 3: What No, Mister Constantine walks up, throwing his arms around
- 42:33Speaker 3: Miss Miaco and Miss Lana's shoulders.
- 42:35Speaker 1: How beautiful, How erotic and devastating.
- 42:40Speaker 3: A few feet away, Natalie tugs on Grayson's shirt.
- 42:44Speaker 13: Oh hey, how are you doing?
- 42:49Speaker 2: Sorry? Wait that stupid ask. You look good?
- 42:54Speaker 6: I thanks, I'm good.
- 42:57Speaker 8: So I was wondering if you wanted to grab coffee,
- 43:01Speaker 8: your food or.
- 43:03Speaker 6: Whatever or whatever. Whenever I'll get you to.
- 43:07Speaker 8: Hang out with me, let me congratulate you on Houston Ballet.
- 43:12Speaker 3: Grayson gives her a curious look. He glances back at
- 43:15Speaker 3: Ava one more time before turning back to Natalie and.
- 43:17Speaker 13: Smiles, Yeah, definitely, but I said no to Houston going
- 43:25Speaker 13: to Indiana.
- 43:25Speaker 2: You do you know that you can double major in
- 43:28Speaker 2: like ballet?
- 43:31Speaker 3: Interior Stage, Auditorium Night the finale, The whole cast dips
- 43:35Speaker 3: into a final bow and Pensi poses with a broken
- 43:38Speaker 3: nutcracker doll with a large smile. Mister Constantine steps out
- 43:42Speaker 3: and plunges into a dramatic fowl. No claps a call.
- 43:49Speaker 3: Trevor sets down his viola and claps enthusiastically.
- 43:52Speaker 13: Yeah.
- 43:54Speaker 3: Timothy is walking away down the center aisle. A moment
- 43:57Speaker 3: later we see Zoe tears streaks chasing him.
- 44:00Speaker 9: I love you to Missy Sealome, don't phollow me.
- 44:07Speaker 3: Interior Physical Therapy room. Morning. Natalie is looking at Ava's
- 44:12Speaker 3: Instagram page a picture of Ava, Miss Ross, Bean, and
- 44:16Speaker 3: Trevor around a Christmas tree captioned Christmas is the Season
- 44:20Speaker 3: of Magic. Natalie hearts the post. Natalie pops in earbuds,
- 44:26Speaker 3: her eyes closed, and her head sways slightly with the music.
- 44:30Speaker 3: Grayson Enters knocks on the door with a Christmas present.
- 44:33Speaker 3: Missus Primavera smiles and waves Grayson in as mister Primavera
- 44:37Speaker 3: SIPs his coffee, reading a paper.
- 44:40Speaker 2: Merry Christmas.
- 44:42Speaker 3: Natalie lifts up onto the parallel bars from her wheelchair.
- 44:46Speaker 3: She takes a step. Fada Hello