Latest / Michelle Explains Anime, Poorly / 86 [Eighty-Six] Ep. 8- Let's Go

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86 [Eighty-Six] Ep. 8- Let's Go · Michelle Explains Anime, Poorly

0:00
Speaker 1: Hey, it's your person. I guess, Michelle. I think I
0:04
Speaker 1: don't know. I've been trying to record this for like
0:07
Speaker 1: a full day, and every time I i'm about too
0:09
Speaker 1: something happens and I'm getting really stressed because somehow like
0:15
Speaker 1: happens every season. I started recording like way out into
0:19
Speaker 1: the future and being like way ahead, and now I'm
0:22
Speaker 1: like down to the wire. It's Monday, so it's not terrible.
0:26
Speaker 1: I still have some time, but now all of a sudden,
0:29
Speaker 1: I have an inspection tonight, just like literally out of nowhere.
0:32
Speaker 1: And I hate inspections that pop up on the same
0:34
Speaker 1: day because usually the people are not the most reliable.
0:38
Speaker 1: So I'm all stressed out about that. But I gotta
0:41
Speaker 1: get this done because I have to figure out sometime
0:43
Speaker 1: that I can edit it after I do this, and
0:44
Speaker 1: I'm like kind of freaking out about that because I
0:46
Speaker 1: guess that's Wednesday, which is the day before it comes out,
0:49
Speaker 1: which is kind of scary because sometimes theyse take a
0:51
Speaker 1: long time to edit because I just constantly say stupid
0:54
Speaker 1: things and I gotta edit them out. So yeah, I'm
0:57
Speaker 1: really stressed out right now. Yay, let's talk about episode
1:01
Speaker 1: eight of eighty six. I have so much to say
1:05
Speaker 1: about this episode that I'm scared because again, don't have
1:09
Speaker 1: a lot of time really stressed out. So we're just
1:12
Speaker 1: gonna see how this goes. I might have a section
1:15
Speaker 1: at the end that's got to do with like real
1:18
Speaker 1: world stuff that's kind of like the stuff in this
1:20
Speaker 1: episode that I can't tell you about yet, but I'm
1:23
Speaker 1: not sure because it's really upsetting. So we'll see, right,
1:26
Speaker 1: I don't know whatever, So let's just do it. Episode
1:31
Speaker 1: eight is called Let's Go. And I don't know if
1:34
Speaker 1: you figure this out by now, but every episode title
1:37
Speaker 1: is a line that someone has said during the show,
1:39
Speaker 1: so I'll point them out going forward when we get
1:42
Speaker 1: to them. I should have been doing that the whole time,
1:44
Speaker 1: but I didn't because I'm a bad person anyway. If
1:47
Speaker 1: you remember, at the end of the last episode, a
1:50
Speaker 1: big fucking legion thing blew up somebody in one of
1:55
Speaker 1: the other combat zones, I guess, And right before that,
1:59
Speaker 1: the big Legion thing with the gun had just killed
2:03
Speaker 1: like three or four of the Spearhead squadron and they
2:06
Speaker 1: were like hiding in that dugout and they told Lena
2:08
Speaker 1: that like this is basically their execution grounds, yeah, so
2:14
Speaker 1: we're kind of over there. So we start the episode
2:18
Speaker 1: looking at that dummy that's on the bench, you know,
2:21
Speaker 1: at like Spearheads Barracks that has a big sign that
2:23
Speaker 1: says pig around its neck, and it is August twenty seven,
2:27
Speaker 1: twenty one forty eight, so I think this is like
2:31
Speaker 1: pretty much right after that battle and the dugout scene
2:34
Speaker 1: and everything. It's nights. We hear Shin say all right,
2:38
Speaker 1: if we have to, thanks, and then we hear the
2:41
Speaker 1: noise of the paraide cutting out. Ryden is walking down
2:45
Speaker 1: kind of this exterior hallway and he looks over and
2:48
Speaker 1: stops and says, was that Kenos group. Shin walks over
2:51
Speaker 1: to him and says, yeah. He's holding like a bunch
2:54
Speaker 1: of little metal pieces with insignias on them, which is
2:57
Speaker 1: just fucking wonderful. And he says they looked hard, but
3:01
Speaker 1: they said they couldn't find She says drug or not right,
3:04
Speaker 1: AND's like, not even a piece of it. Huh. Well,
3:07
Speaker 1: I mean after that artillery blast. We cut to Fido
3:11
Speaker 1: who's walking around, and Shin says, yeah, right, AND's like,
3:15
Speaker 1: I'm sure it's not bothering you, but I'm gonna say
3:18
Speaker 1: it anyway, it's not your fault. Shin looks a little
3:21
Speaker 1: surprised at this, and then he smiles. We cut to Anji,
3:25
Speaker 1: who's also sitting outside, and she is with the cat,
3:28
Speaker 1: who is eating from a bowl on the ground as
3:30
Speaker 1: it does, and she just looks super fucking blank. And
3:35
Speaker 1: Ryan says, I thought they'd come after our base next,
3:38
Speaker 1: but they haven't. We see Karina, who is sitting on
3:40
Speaker 1: her bed hugging a pillow, and Shin says today's attack
3:44
Speaker 1: had a secondary goal of testing the new weapon. We
3:46
Speaker 1: cut to one of the boys that we don't know
3:48
Speaker 1: his name taking a shower totally solemnly, and then another
3:52
Speaker 1: of them brushing their teeth, and then to THEO who
3:54
Speaker 1: is resting his head on his hands, staring blankly in
3:57
Speaker 1: the common room. He has his sketch and pencil out
4:00
Speaker 1: in front of him, but he's not drawing right and says,
4:04
Speaker 1: we lost four to his secondary goal. Huh, we see
4:07
Speaker 1: how to to throwing darts. Shin's like, if it's completed,
4:12
Speaker 1: we'll lose more than four. There's another guy that we
4:14
Speaker 1: don't know sitting next to how Toute, just looking sad.
4:17
Speaker 1: Shin continues the Republic will fall. We finally cut back
4:21
Speaker 1: to Rydon and Chin, so I don't have to keep
4:23
Speaker 1: interspersing things because it's annoying. And Rydon is sitting on
4:27
Speaker 1: a bench now and Sin is standing next to him,
4:29
Speaker 1: and Shin says, I know that doesn't matter to us,
4:32
Speaker 1: but I doubt the major's gould agree. Righton smirks, hmmm.
4:36
Speaker 1: Shin's like what righton, crosses his arms and he's still
4:40
Speaker 1: kind of smirking, and he's like nothing. Chin says, either way,
4:45
Speaker 1: the new one's still silent for now, right and says,
4:48
Speaker 1: you can tell Shin's like I memorized its voice. He
4:53
Speaker 1: turns away and I doubt the enemy commander. I'll let
4:56
Speaker 1: them use it, right, And it's like hmm. We cut
4:59
Speaker 1: to like a really interesting shot of Shin's face. Mostly
5:02
Speaker 1: it's just one of his eyes and the moon and
5:05
Speaker 1: the sky are behind it, kind of like he's looking
5:08
Speaker 1: down and we're below him. It's pretty nice. And his
5:11
Speaker 1: eye narrows and he says, I found him. Right In,
5:14
Speaker 1: stands your brother. We cut away from that really cool
5:18
Speaker 1: shot of Shin and now we're just kind of seeing
5:21
Speaker 1: only the neck and the top of his chest, and
5:23
Speaker 1: ride In is behind him. We can kind of see
5:26
Speaker 1: more of him, but we're really not seeing much of
5:28
Speaker 1: Shin's face anyway. Shin adjusts his bandana and he says,
5:34
Speaker 1: he found me too, I'll come for me next. That's
5:37
Speaker 1: good luck for me, but not for you, guys. He
5:40
Speaker 1: turns slightly towards Ryding. What'll you do? Right in gasps.
5:44
Speaker 1: The camera is kind of shaking a bit now, and
5:46
Speaker 1: Shin continues, hang yourself tonight before you die tomorrow, right,
5:50
Speaker 1: and Shot kind of melts into a determined smile because
5:54
Speaker 1: I mean, he's the one who was just saying that
5:56
Speaker 1: to Lena, so yeah, and he says, not a chance
6:00
Speaker 1: in hell, but he's sweating, will follow you to the end, reaper.
6:05
Speaker 1: At this we finally see Shinn's face and it is
6:08
Speaker 1: like heavily inked and shadowed, and he's smiling. I guess
6:14
Speaker 1: he looks like really determined, but like one of his
6:16
Speaker 1: eyes is more closed than the other, like it's in
6:18
Speaker 1: mid twitch. And I wrote, this is not the face
6:21
Speaker 1: of a sane person, Shin. And then we are the opening. Yay.
6:25
Speaker 1: I'll mention now that there are fifteen people standing in
6:28
Speaker 1: that red field of spider lilies. Now Yay, that's a
6:32
Speaker 1: lot of them. Awesome. Anyway, back from the opening, we
6:38
Speaker 1: got to a box. It's like a file type box
6:41
Speaker 1: that says first UTV Squadron spearhead and it says rev
6:47
Speaker 1: dots ten through and one, but we can't see the
6:50
Speaker 1: rest of it, so it's ten through something. It's on
6:53
Speaker 1: a table and there are some like folders or books
6:56
Speaker 1: next to it, and I think we're in a library
6:59
Speaker 1: because there's like and stuff in the background, and we
7:02
Speaker 1: see Lena's hands setting a bunch of books on top
7:05
Speaker 1: of that, and they all say first UTV Squadron spearhead
7:08
Speaker 1: and they all have different rev numbers, like eighteen thirteen.
7:11
Speaker 1: You know, like there's been a lot of versions of
7:14
Speaker 1: this squadron is what we're trying to show you. Yeah, Anyway,
7:19
Speaker 1: she starts to sit down, and then we cut to
7:21
Speaker 1: her sitting in the control room and we hear sh'dn't
7:23
Speaker 1: say we're going to be wiped out. She is listening,
7:28
Speaker 1: wide eyed in shock. She continues, this unit is an
7:32
Speaker 1: execution ground. Lena gasps, and then we cut back to
7:35
Speaker 1: the library. One of the files is open in front
7:38
Speaker 1: of her, and I took a screenshot of it. I'm
7:41
Speaker 1: so fucking pissed off because my new computer and Chrome
7:46
Speaker 1: and the side I was watching this on all decided
7:49
Speaker 1: that they didn't want to let me screenshot anymore. So
7:52
Speaker 1: when I screenshot it, I just get a black image.
7:55
Speaker 1: And I didn't realize until I was about to try
7:57
Speaker 1: to record this yesterday, so I took a picture sure
8:00
Speaker 1: of it on my phone so that I can tell
8:02
Speaker 1: you what the file says. But it's really blurry, so
8:04
Speaker 1: it's going to be hard. So it says Republic of
8:09
Speaker 1: San Magnolia Armed Forces, June nineteenth, twenty one forty three,
8:14
Speaker 1: so this was a while ago. It's from Headquarter of
8:18
Speaker 1: first Division, first UTV Army Corps, Eastern Army two, first
8:23
Speaker 1: UTV Squadron spearhead rev one dot zero dot oh like
8:29
Speaker 1: V three, it's hard to tell. And then it says something,
8:32
Speaker 1: then a word that I can't read, Extended reconnaissance mission
8:37
Speaker 1: to the something part oh to the deepest part of
8:40
Speaker 1: Legion Hell territory. Then there's one and it says reconnaissance
8:45
Speaker 1: target for this possible point within combat District one. Mission
8:51
Speaker 1: duration unlimited. Any retreat will be treated as desertion synchronization target.
8:58
Speaker 1: And then I can't read it because there's a big
9:00
Speaker 1: thing that says completed over it. But under the completed
9:03
Speaker 1: I can read a little more, and it says, your
9:06
Speaker 1: unit is to ensure that it carries approximately one month's
9:09
Speaker 1: worth of supplies. No support from HQ or other units
9:13
Speaker 1: will be allowed for this mission. Yeah, so they're not
9:18
Speaker 1: allowed to go home. It's just like you just go,
9:21
Speaker 1: just go, and we'll give you like a month's worth
9:23
Speaker 1: of food and then hopefully you don't die. But I
9:25
Speaker 1: guess you're gonna die because you can't come back, or
9:28
Speaker 1: we'll kill you. Great, great, great anyway, so that's what
9:32
Speaker 1: it says. Anyway. Lena, who's looking at it, says special
9:36
Speaker 1: orders target deepest part of Legion Health Territory. Mission duration unlimited,
9:44
Speaker 1: no support. She gasps, immediate execution in the event of retreat.
9:50
Speaker 1: She has like tons of these folders open and they
9:52
Speaker 1: all have similar orders, and they're all marked with a
9:55
Speaker 1: big red stamp that says complete. So all these people
9:58
Speaker 1: are dead. Not that we didn't you know that we
10:01
Speaker 1: hear R. I didn't say. The point is to make
10:03
Speaker 1: the soldiers fight until they die. We'll all die here.
10:07
Speaker 1: Lena is looking down and her hair's over her eyes
10:11
Speaker 1: and so we can't like really see them, but her
10:14
Speaker 1: fists are like really tight and shaking. She takes a
10:17
Speaker 1: breath and she kind of lowers her head. It looks
10:20
Speaker 1: like she's about to bash her head into the table,
10:23
Speaker 1: and we cut away. We cut to a net opening
10:26
Speaker 1: the door some door, not the normal office door, like
10:29
Speaker 1: a house door, I guess, and we can see on
10:32
Speaker 1: the other side of the door there's someone who's obscured.
10:35
Speaker 1: We can kind of see their shoulder and it's definitely Lena
10:37
Speaker 1: standing there, and Annette says, what's wrong, Lena. Lena has
10:42
Speaker 1: her hand over her face and her eyes are closed
10:44
Speaker 1: and it's nights and yeah, I think we're like at
10:46
Speaker 1: Anett's house or something. And Lena takes her hand down
10:49
Speaker 1: from her face and she just looks so incredibly sadly
10:52
Speaker 1: in a net. She is holding her cap in her
10:55
Speaker 1: right hand and it's shaking, and a net kind of size.
11:00
Speaker 1: August twenty eighth, twenty one forty eight. So the next
11:02
Speaker 1: day we got to a plate of cookies and a
11:06
Speaker 1: hot beverage sitting on a chair. We're kind of like
11:08
Speaker 1: behind the chair, so it's obscured by like the backrest
11:11
Speaker 1: area there where we go, and Annette says it's final
11:15
Speaker 1: mission with a survival rate of zero percent. Huh. She
11:18
Speaker 1: sets down another mug and takes a cookie. They're sitting
11:22
Speaker 1: like on a net's bed, and they just have this
11:24
Speaker 1: chair pulled up to the bed that they're using as
11:26
Speaker 1: a table. So I don't know where Anette lives that
11:29
Speaker 1: she like. I guess that she probably lives with her
11:32
Speaker 1: parents too or something, because otherwise they would probably sit
11:35
Speaker 1: at a table, not on her bed in her room.
11:37
Speaker 1: But whatever, I don't really know anyway, A net continues,
11:41
Speaker 1: I guess that sounds like this country. Lena turns towards
11:44
Speaker 1: her and says, please help me. I need to do something.
11:48
Speaker 1: A Net's like, do something, do what specifically, go on
11:53
Speaker 1: TV and give a speech, find someone important, look them.
11:57
Speaker 1: Fuck if that had changed their minds, would it never
12:00
Speaker 1: happen in the first place. She takes a bite of
12:02
Speaker 1: the cookie. Lena looks down like she's super ashamed and
12:06
Speaker 1: like maybe she's gonna cry, and a net continues, give
12:10
Speaker 1: it up, we can't fix this, Lena winces. A net continues,
12:14
Speaker 1: nothing we do matter, so just and Lena cuts her off.
12:17
Speaker 1: Stop it. She pauses for a second. Stop pretending to
12:22
Speaker 1: be a bad person just so you have an excuse
12:23
Speaker 1: to do nothing. Annette stands, drop the cookie and it breaks.
12:27
Speaker 1: She looks fucking pissed off, and she says, you're the
12:31
Speaker 1: one that needs to stop. Lena gasps a net continues stop.
12:37
Speaker 1: She puts her hand over her face. I mean it,
12:39
Speaker 1: there's nothing we can do. We can't do a thing
12:42
Speaker 1: to save them. She kind of throws her hand down
12:44
Speaker 1: and turns away from Lena and then walks over to
12:46
Speaker 1: the window. Lena says Annette. Annette points at the house
12:52
Speaker 1: next door because she's out like looking out a side window,
12:55
Speaker 1: so she's seeing the side window of the next doorhouse
12:58
Speaker 1: because they're close together. You know that works, And she says,
13:01
Speaker 1: our next door neighbors were scientists on my dad's research team.
13:04
Speaker 1: Our families were close, but that all changed when the
13:07
Speaker 1: war started. Lana gasps again. Annett's face warps into a
13:11
Speaker 1: smile and kind of like Shin's, one eye has opened
13:14
Speaker 1: slightly more than the other eye. It doesn't look super good,
13:17
Speaker 1: and she continues, they were eighty six. Lana gasps again,
13:21
Speaker 1: but this time it's a bigger gasp and Anette continues.
13:24
Speaker 1: Two boys. The older brother was like way older, but
13:28
Speaker 1: the younger brother was my age. We went to the
13:30
Speaker 1: same school and we played a lot. We were friends.
13:33
Speaker 1: Lena makes a really small gasp. She gasps so much.
13:37
Speaker 1: Annette continues, But the next thing I knew all the
13:40
Speaker 1: eighties six stopped coming to school, and my classmates were
13:43
Speaker 1: bullying me. They said I was friends with a filthy
13:45
Speaker 1: colored Lena looks away. Annette makes a fist. She's still
13:49
Speaker 1: staring at the window. She continues, It hurt, but there
13:53
Speaker 1: wasn't anything I could do. He didn't know anything about it,
13:55
Speaker 1: and he still wanted to play. I turned him down
13:58
Speaker 1: and we got into a fight. We see a discarded
14:01
Speaker 1: ball and bike laying in the grass outside, and then
14:04
Speaker 1: we get kind of an orange shot of I guess
14:07
Speaker 1: the past, where a small, dark haired boy is standing
14:12
Speaker 1: in that same area of the yard holding a ball,
14:15
Speaker 1: looking up at a net's window. We can't really see
14:18
Speaker 1: all of his face though, but it's, you know, definitely
14:20
Speaker 1: a young boy. And then that continues and I said it.
14:25
Speaker 1: We see a tiny neet looking out the window who
14:27
Speaker 1: looks exactly the same as she does now, except younger,
14:30
Speaker 1: but like perfectly the same, like, the same haircut and everything,
14:34
Speaker 1: and small, Annette says, you filthy colored. The kid lowers
14:39
Speaker 1: the ball slightly like oh. And Annette looks terrified by
14:47
Speaker 1: her own words. And we cut back to the now
14:50
Speaker 1: a net looking out the window. It's the same shot,
14:53
Speaker 1: and she's considerably taller now, so we don't see her face,
14:56
Speaker 1: just her body. And she says, I was scared. I
15:00
Speaker 1: was scared of myself for being capable of saying that.
15:04
Speaker 1: So when my dad was thinking about taking them in
15:06
Speaker 1: despite the danger, she sits down at the bottom of
15:09
Speaker 1: the bed, kind of as far away from Lene as
15:10
Speaker 1: she can be. I said I didn't want to. I
15:14
Speaker 1: said he wasn't my friend. I said I wouldn't put
15:17
Speaker 1: myself in danger for him. Oh my god, a Nette.
15:22
Speaker 1: We cut to the broken cookie on the floor. I
15:25
Speaker 1: think my dad wanted my support, but I gave him
15:28
Speaker 1: a way out. Yeah, Lena looks super upset right now,
15:33
Speaker 1: and yeah, Lena, me too. Annette continues, there were sons
15:38
Speaker 1: of the camps the next day. All I could do
15:40
Speaker 1: was tell myself I couldn't do anything, that there was
15:43
Speaker 1: never a chance. That's where it's coming from. She is
15:48
Speaker 1: gripping her scalp with her hands. She says, but you
15:52
Speaker 1: you always. We can see her face now, but not
15:56
Speaker 1: her eyes because her glasses are like opaque for some reason.
16:00
Speaker 1: And she like half laughs and says, listen, Lena, you
16:04
Speaker 1: may act like a saint, but you're just as guilty
16:07
Speaker 1: as me, okay, And she is smiling like fucking crazy person.
16:13
Speaker 1: Lena looks super freaked out again. Understandablelena, she looks terrifying.
16:20
Speaker 1: At this point, Annette is putting a key into a
16:23
Speaker 1: door lock and she opens the door and they walk
16:26
Speaker 1: into this dark room with like a lot of books
16:29
Speaker 1: and bookshelves and boxes and shit. And Lena says, what
16:33
Speaker 1: is this place? And that's like the kids next door
16:36
Speaker 1: and their mother had this strange power. They could tell
16:39
Speaker 1: what each other felt without even speaking. Hmm. We see
16:44
Speaker 1: like a corkboard on the wall and there's a kids
16:47
Speaker 1: drawing of like three kids, and one of them is
16:51
Speaker 1: definitely a net, like a young tiny Anette, and one
16:53
Speaker 1: of them is that dark haired boy right, and then
16:57
Speaker 1: there is an older one with red hair and glasses. Guys.
17:04
Speaker 1: Also on the board is picture of a net with
17:06
Speaker 1: her dad like holding her and next to them is
17:10
Speaker 1: a dark haired adult man, and we see that dark
17:14
Speaker 1: haired boy, but he's got his back to the camera,
17:16
Speaker 1: so again we can't see his face. But the dark
17:20
Speaker 1: haired adult kind of looks a little like Shin. Yeah.
17:26
Speaker 1: And then also there's just a note on the board
17:28
Speaker 1: that we can't read because literally it's scribbles, like I
17:31
Speaker 1: zoomed in and it scribbles. So anyway, and Ned continues,
17:36
Speaker 1: my dad took interest in that power. She pulls back
17:40
Speaker 1: a curtain and we see what is a closet that
17:43
Speaker 1: for some reason doesn't have a door, which just has
17:44
Speaker 1: a curtain. In the closet is just filled with like
17:47
Speaker 1: boxes and like weird contraptions in the boxes and stuff
17:50
Speaker 1: like some of them look normal, like headphones, but some
17:53
Speaker 1: of them are like, I don't know what this is
17:54
Speaker 1: supposed to be anyway, and Ned continues. First, first they'd
17:58
Speaker 1: put on these little toy like devices and they try
18:01
Speaker 1: to guess what their mom was thinking behind the curtain.
18:04
Speaker 1: The experiments were like a game. But when the military
18:06
Speaker 1: found out that there was this new kind of communication
18:09
Speaker 1: that could replace wireless, they ordered my dad to perfect it,
18:13
Speaker 1: no matter what the cost and the result. She turns
18:16
Speaker 1: back to Lena was the raid device you're wearing. Fuck.
18:21
Speaker 1: Lena looks down and she is holding her hat to
18:24
Speaker 1: her chest again, and Annette says, how many eighty six
18:29
Speaker 1: do you think died to make that? What? And Lena says,
18:35
Speaker 1: what I mean? That's exactly right, Lena, That's exactly what
18:38
Speaker 1: I said. A net continues, It shares words so like
18:43
Speaker 1: you can't use animals, right. She walks over to Lena.
18:47
Speaker 1: Lena says, you don't mean. Annette's eyes like super wide,
18:54
Speaker 1: and she says, that's right, human experimentation, even though they
18:59
Speaker 1: said the eighty six aren't human convenient right. Lena looks stressed.
19:04
Speaker 1: A net continues. All the test subjects were children. Results first, safety, last,
19:09
Speaker 1: they all died suffering. I go back to that picture
19:13
Speaker 1: of a net and her dad on the board. She continues,
19:16
Speaker 1: my dad couldn't take it. He committed suicide, honestly. Good good.
19:22
Speaker 1: Lana gasps, it wasn't an accident, and that says, you
19:26
Speaker 1: think my dad, of all people, would screw up the
19:28
Speaker 1: settings on the power aid. We see a calendar now
19:31
Speaker 1: that's open to August and September, and all the days
19:34
Speaker 1: are xed out up to September fourteenth, and I assume
19:37
Speaker 1: that's when he killed himself. Anyway, A net continues. He
19:41
Speaker 1: always told me that he'd abandon his friends and caused
19:43
Speaker 1: so many deaths he deserved to suffer and die more
19:46
Speaker 1: than anyone, which means I'm just as guilty for abandoning
19:49
Speaker 1: my friend. Right what, she is smiling by the way,
19:54
Speaker 1: I took over the research that my dad did victims
19:57
Speaker 1: and all, okay, maybe you'd do deserve die. I don't know, Annette,
20:02
Speaker 1: She pauses, undertaker, was it? Lana gasps, and that continues.
20:08
Speaker 1: We got the request to investigate because of the dead handlers.
20:10
Speaker 1: Remember Lena's like yeah, And that says if I had
20:15
Speaker 1: them bring the processor that was the cause. I might
20:17
Speaker 1: have been able to save him nobody else. But that's
20:21
Speaker 1: just hypocrisy. I'm glad those shit heads at transport refused.
20:25
Speaker 1: See nothing we can do. I can't save anyone. But
20:30
Speaker 1: you're no different. Lena's eyes widen. You're even worse. You
20:35
Speaker 1: interfered and you kept them alive, and now they're being
20:38
Speaker 1: ordered to die. We cut to Lena's feet as she
20:41
Speaker 1: takes a step back and also drops her hat and
20:44
Speaker 1: bag to the floor, and that continues. If you just
20:46
Speaker 1: slacked off and let them die. They wouldn't have gotten
20:49
Speaker 1: that order, and now they will thanks to you. She
20:53
Speaker 1: points towards Lena. Lena's mouth is just hanging open at
20:56
Speaker 1: this point, and there's kind of a pause in a
20:58
Speaker 1: Net's speech, like she's not sure where she's going from here,
21:01
Speaker 1: and she pulls down her hand and places it on
21:04
Speaker 1: her chest and says, I hate you, Lena. We cut
21:09
Speaker 1: to Lena. I guess she's just left Annette's house and
21:13
Speaker 1: she's walking away, kind of obscured by the railing, and
21:16
Speaker 1: we hear Annette say I don't ever want to see
21:19
Speaker 1: you again. Okay, that's the end of the scene, so
21:24
Speaker 1: we should stop there and just talk about like a
21:26
Speaker 1: ton of things. First of all, what the fucking Net?
21:29
Speaker 1: And that is actually a really bad person, because I
21:32
Speaker 1: thought maybe she's just playing it up. No, you can't
21:35
Speaker 1: do research on children like horrible experiments and be an
21:40
Speaker 1: okay person. And I'm glad her dad killed himself. Maybe
21:43
Speaker 1: she should kill herself too. I'm sorry. I know that
21:45
Speaker 1: that's mean, and Annette could have some redemption and maybe
21:49
Speaker 1: she will, but right now I hate her, and I
21:52
Speaker 1: know that she also hates herself. And the thing where
21:56
Speaker 1: she's rationalizing it by saying that Lena's just as bad
21:59
Speaker 1: because she let them get to the point where they
22:02
Speaker 1: were gonna die the spirit squadron like doesn't make any
22:04
Speaker 1: sense at all because it's the same outcome either way.
22:07
Speaker 1: Either she was helping them so they didn't die as quickly,
22:10
Speaker 1: or she didn't help them so they died faster but
22:13
Speaker 1: didn't get the order to die like, it's the same
22:16
Speaker 1: thing in net like, you can say that Lena didn't
22:19
Speaker 1: make a difference absolutely if they die either way, maybe
22:24
Speaker 1: she didn't, especially if it's just, you know, several weeks
22:27
Speaker 1: or something. But she's not torturing children. She does care, Annette,
22:34
Speaker 1: So I don't think you can say that she is
22:36
Speaker 1: worse or as bad as you because she's not. And
22:39
Speaker 1: I know that Annette hates Lena because Lena cares, because
22:44
Speaker 1: Lena is trying to get her to care. And that's
22:47
Speaker 1: really scary because if Annette cares, that means she's a
22:51
Speaker 1: fucking monster. If she doesn't care, she still is. But
22:56
Speaker 1: maybe she can separate herself. But if she's like, oh,
22:58
Speaker 1: these are people, they deserve not to be tortured and killed,
23:03
Speaker 1: then she has to look at herself as fucking terrible,
23:09
Speaker 1: deplorable human filth. Right, So it just gotta suck to
23:15
Speaker 1: be around Lena, always trying to save the eighty six,
23:17
Speaker 1: all this stuff, hanging out with Annette who's doing experiments
23:21
Speaker 1: on them and killing them. Yeah, it sucks. I would
23:24
Speaker 1: probably hate being around Lena too if I was fucking
23:27
Speaker 1: murdering children. I don't know. So yeah, so, I mean
23:35
Speaker 1: I get it. I don't know. But it was a
23:38
Speaker 1: really cool scene. And I definitely didn't communicate how strong
23:42
Speaker 1: of a scene it was, and I really really tried.
23:44
Speaker 1: I recorded this several times, So whatever version you get
23:47
Speaker 1: is the best I could do. I'm sorry because I
23:50
Speaker 1: thought it should be better. Still, but a Netta's piece
23:53
Speaker 1: of shit is what I'm trying to say. And so
23:55
Speaker 1: was her dad. And yeah, but I mean, so like
24:01
Speaker 1: that kid looked like Shin, then that drawing looks like
24:04
Speaker 1: Ray and Shin, so there might be a connection there.
24:08
Speaker 1: Let's go back to the story. We got to the
24:11
Speaker 1: view from Lana's window to the middle of the day,
24:14
Speaker 1: the sky is blue, and then we see her standing
24:17
Speaker 1: back of that bus stop that she's always standing at
24:19
Speaker 1: with all those people looking like real dour, and then
24:23
Speaker 1: we do this kind of quick cut back to her
24:26
Speaker 1: standing at the Revolution Party festival thing, looking like super
24:29
Speaker 1: determined that she's gonna like help them and stuff. Remember,
24:32
Speaker 1: And then we see a time lapse of the flowers
24:35
Speaker 1: on her window sill just dying, and we get like
24:38
Speaker 1: a Lena voiceover that says, I won't let them die.
24:41
Speaker 1: We see her at the bus stop again, then we
24:43
Speaker 1: see an empty vase. Then we see new flowers in
24:47
Speaker 1: the vase and the time laps of them dying, and
24:50
Speaker 1: we hear Lena say, I won't let anyone else die. Yeah,
24:55
Speaker 1: back to the bus stop, back to the flowers. We
24:58
Speaker 1: see her at her desk, bent over with their hands
25:00
Speaker 1: on her head. It's night. She silently banks her fists
25:04
Speaker 1: on the desk, and then we see the control room
25:07
Speaker 1: she walks in and she's taking off her hat and
25:11
Speaker 1: she gets to her desk and just gasps. Laying on
25:14
Speaker 1: her desk is a red file with the government seal
25:17
Speaker 1: on it. Next we see her pushing a door open
25:21
Speaker 1: and walking through it like super determined, and it is
25:24
Speaker 1: September tenth, twenty one forty eight, so it's been several days.
25:30
Speaker 1: Lena walks into the room, which we can't really see
25:34
Speaker 1: where she is because we're just seeing her walk through
25:36
Speaker 1: the door. But I was like, I'm pretty sure this
25:38
Speaker 1: is a church because it has like church pews like
25:40
Speaker 1: a church does. And the lighte from outside is like
25:44
Speaker 1: very very orange, like it's either sunrise or sunset, but
25:48
Speaker 1: inside is very dimly lit. And Carl Stahl is standing
25:53
Speaker 1: at the front of this room and he's looking at
25:56
Speaker 1: something and kind of light is falling on him and
26:00
Speaker 1: he sighs. We get a better view of the area now,
26:03
Speaker 1: and it's very much a church. And there's a big
26:06
Speaker 1: statue of that woman that's like everywhere with the sword
26:09
Speaker 1: in the front, and Carl Stahl is standing by it
26:12
Speaker 1: and looking directly at it, and it's kind of bathed
26:14
Speaker 1: in light. And I don't know if the light is
26:16
Speaker 1: coming from a light above it or like a window,
26:21
Speaker 1: maybe like a skylight or something. We can't see it.
26:24
Speaker 1: But also if it was coming from a skylight, it
26:26
Speaker 1: should be orange because the outside light is orange, so
26:28
Speaker 1: maybe it's coming from a big light. I don't know. Anyway,
26:31
Speaker 1: he says, what do you want? He's not facing her,
26:35
Speaker 1: by the way. Lena raises the file and she says,
26:39
Speaker 1: let me cancel the special reconn orders given to Spearhead.
26:42
Speaker 1: We get a good look at the special recon orders,
26:46
Speaker 1: and I screenshotted this and then found out that it
26:48
Speaker 1: was also black and I didn't find it when I
26:50
Speaker 1: was scrubbing through really quick. But it's basically the same
26:52
Speaker 1: as all of the other recon orders that you know
26:55
Speaker 1: we read earlier. So that again Carl stall folds his
26:59
Speaker 1: hands behind his back and he says, I told you
27:01
Speaker 1: not to get involved. Lena's like, this is insane. Must
27:06
Speaker 1: we keep marching them into enemy territory till they're dead
27:09
Speaker 1: for no reason? She had stopped walking at one point,
27:12
Speaker 1: so she starts to walk towards him again, and Carl
27:14
Speaker 1: Staal says all of the eighty six needs to die.
27:18
Speaker 1: What Lena stops walking in and gasps. Carlstak continues, that's
27:23
Speaker 1: what's best for the country according to the government, and
27:26
Speaker 1: indirectly it's people. He finally glances back at her. That's
27:30
Speaker 1: the will of the nation. Lena gasps, like a really
27:34
Speaker 1: big gasp. Carl Stak continues, if what we've done to
27:39
Speaker 1: the eighty six gets out at the end of the war,
27:42
Speaker 1: the Republic will be known as a pariah state and
27:44
Speaker 1: will be remembered forever as oppressors. And to prevent that
27:48
Speaker 1: from happening, Lena, who looks super fucking pissed off, says,
27:51
Speaker 1: and that's why you forbid them from recovering and burying
27:53
Speaker 1: their dead. Carlstall's like, when they're all dead, they'll cease
27:57
Speaker 1: to have existed. Lena gasps again. Carlstok continues, and thus
28:03
Speaker 1: the Republic will have done nothing wrong. Oh God, no,
28:08
Speaker 1: Lena closes her eyes. Carlstall says, a very small number
28:13
Speaker 1: know the exact truth, but the vast majority who look
28:16
Speaker 1: the other way or just don't care, are supporters of this.
28:19
Speaker 1: He walks towards Lena and then stops next to her.
28:22
Speaker 1: And our job as the army, Lena, is to follow
28:24
Speaker 1: the people's wishes. He walks past her. Lena turns towards
28:28
Speaker 1: him and says, the eighty six are part of the
28:31
Speaker 1: Republic as well. The Republican ideals that sand Magnolia expounded
28:35
Speaker 1: should protect them too. If they can't, then how can
28:38
Speaker 1: that be the will of the Republic. Carl Stahl turns
28:42
Speaker 1: back and he looks really pissed off, and Lena flinches,
28:46
Speaker 1: and he says, this country is full of fools and
28:49
Speaker 1: villains who executed sand Magnolia for the sake of their
28:52
Speaker 1: own wealth and greed. What can you expect of them?
28:56
Speaker 1: Lena gasps. Carlstaal says humans are not ready to have
29:00
Speaker 1: freedom in equality, and I don't think we ever will be.
29:03
Speaker 1: Lena's like, you're just saying that to justify your despair.
29:07
Speaker 1: It's wrong to sit back and let this happen. Carlstall's like,
29:11
Speaker 1: you're free to speak of your hopes and ideals, but
29:13
Speaker 1: that's not gonna persuade anyone. He starts to walk again.
29:17
Speaker 1: That's why you came to me, right Lena looks shocked,
29:20
Speaker 1: but that is why she came to him. Carlstall says,
29:23
Speaker 1: hope in despair are the same thing. Lena scoffs. Carlsta continues,
29:27
Speaker 1: you want something and you can't have it. It's just
29:30
Speaker 1: two different names for two sides of the same thing.
29:33
Speaker 1: Lena winces, and she holds the folder like tightly to
29:37
Speaker 1: her chest, and we hear the door open and then shut,
29:40
Speaker 1: and she's alone. She just kind of collapses to the floor.
29:46
Speaker 1: We hear say, Captain Nosen, I have a set of
29:49
Speaker 1: special recon orders. We hear shouldn't say I've received them.
29:55
Speaker 1: There's this kind of like weird background sound that we're hearing,
30:00
Speaker 1: and Lena says, I'm so sorry. I couldn't do anything.
30:07
Speaker 1: We finally cut to the scene that this is from,
30:09
Speaker 1: and it's rain. She is sitting at her desk. It's
30:14
Speaker 1: night and it's raining like super hard outside, and we're
30:17
Speaker 1: kind of watching her from outside the window, so we're
30:20
Speaker 1: seeing like car lights like reflected in the window too,
30:24
Speaker 1: like as cars drive past. It's pretty nice anyway. She says,
30:28
Speaker 1: there's no need to obey these ridiculous orders. Run Away,
30:33
Speaker 1: Sin says, to where Lena kind of gasps, kind of
30:38
Speaker 1: like chokes on her breath, and she continues, everyone dies someday.
30:44
Speaker 1: You can't blame someone just because that day came a
30:46
Speaker 1: little early. I think it's a lot early, but okay,
30:50
Speaker 1: Lena's like, why do you always just accept it? You're
30:54
Speaker 1: losing your future, your wishes, even your life. Why don't
30:58
Speaker 1: you hate us? How is that possible? She puts her
31:02
Speaker 1: hands on her head and she's like bent over the desk,
31:04
Speaker 1: and Sen says, major, We're not going to die, liar
31:10
Speaker 1: Lena sits up. Shin continues, We're finally following the path
31:14
Speaker 1: we wanted to follow to the place we wanted to go.
31:17
Speaker 1: We can finally be free. Lena's just shaking her head.
31:20
Speaker 1: No the whole time, Shin continues, I prefer you didn't
31:23
Speaker 1: disparage that. Lena folds her hands like she's praying and says, then,
31:29
Speaker 1: at least don't fight anymore. Shin says, I have to.
31:34
Speaker 1: We need to fight to go forward. We hear this
31:37
Speaker 1: like weird ting sound, and Lena's eyes widened, and she remembers,
31:41
Speaker 1: like the gravestone at that like cemetery memorial place when
31:45
Speaker 1: she was talking h In, where like the moonlight reflected
31:48
Speaker 1: on it really quickly. I guess it was interesting visual
31:52
Speaker 1: cue to show that she was remembering their conversation, I think,
31:56
Speaker 1: and Shin says, we've known from the start. Lena is
31:59
Speaker 1: now looking at the tiny Shin face on her board.
32:03
Speaker 1: She thinks for a second and says, to kill your
32:05
Speaker 1: brother right. Shin clears his throat and size, why'd you
32:10
Speaker 1: have to realize that? Lena's like, I can tell you're sad,
32:16
Speaker 1: but you still laugh coldly when you talk about your brother.
32:18
Speaker 1: Oh my god, I was wrong. She totally hets it.
32:21
Speaker 1: Don't fight please, even if he's part of the Legion,
32:24
Speaker 1: you can't fight your brother. She's looking out the window
32:27
Speaker 1: and the clouds are starting to part and you can
32:29
Speaker 1: see like a crescent moon off in the sky. And
32:32
Speaker 1: Shin says, my brother is a shepherd. I can't go
32:36
Speaker 1: anywhere without killing him. Lena's like, Captain, Shin says, Major
32:41
Speaker 1: Lena's eyes widen. Shin continues, there's no need to monitor
32:45
Speaker 1: us anymore. Lena stands quickly, like so quickly that she
32:49
Speaker 1: knocks over her chair, and she says, does that mean
32:52
Speaker 1: Shin cuts her off and says, I don't want you
32:55
Speaker 1: to hear my brother's last words, so please don't contact
32:58
Speaker 1: us again. Fuck. Lena sits back down, but like on
33:03
Speaker 1: the floor because her chair's knocked over, and she just
33:06
Speaker 1: like slumps over, like destroyed. And Shin says, go past
33:11
Speaker 1: the Eastern border, and you'll no longer hear the Legion's voices.
33:14
Speaker 1: If anyone's left alive, that might be where you can
33:17
Speaker 1: get help. Lena's like what Shin continues. When a shepherd dies,
33:22
Speaker 1: it throws the Legion into chaos for a while. We
33:25
Speaker 1: can buy you that much time, so Lena says Captain Nosen.
33:31
Speaker 1: Shin continues survive until then Lena gasps and stands, and
33:36
Speaker 1: the light on her paroid fades and she's just standing
33:39
Speaker 1: there in silence. The rain is just super loud on
33:43
Speaker 1: her window, and tears are starting to form in her
33:46
Speaker 1: eyes and they kind of widen, and then she closes them,
33:49
Speaker 1: and as she does, we go to black and the
33:52
Speaker 1: title card Episode eight. Let's go, Okay, so let's pause
33:57
Speaker 1: there because I kind of want to talk about this
33:58
Speaker 1: a little bit. So I think Shin was saying that
34:02
Speaker 1: Lena may need to escape, right and giving her directions
34:07
Speaker 1: on where to go to get help. I think that
34:09
Speaker 1: it was a little bit unclear to me. But yeah,
34:14
Speaker 1: so that's all bad. And like I kind of mentioned
34:18
Speaker 1: a couple of minutes ago, I guess Lena does kind
34:21
Speaker 1: of get it that there's some weird thing between Shin
34:26
Speaker 1: and his brother, you know, so it's nice to know
34:29
Speaker 1: that she is paying a little bit of attention to him. Yeah,
34:33
Speaker 1: all right, So back from the title card, we see
34:38
Speaker 1: what is probably that hangar. There's like some metal like above,
34:43
Speaker 1: like maybe it's a doorframe or something, because there's nothing
34:46
Speaker 1: below it, so like a doorframe, and the sky is gray,
34:52
Speaker 1: and we see that it is September twenty seventh, twenty
34:56
Speaker 1: one forty eight, so seventeen days later. So anyway, the
35:00
Speaker 1: sky is gray and it's raining, and there is like
35:02
Speaker 1: maybe a blimp in the distance or something, and we
35:05
Speaker 1: see Shin walking kind of past this area. So it's
35:09
Speaker 1: definitely the entrance to the hangar, and there are juggernauts
35:12
Speaker 1: inside and supplies and stuff, and everything is quiet except
35:16
Speaker 1: for the rain. We panned to Aldrich, that guy that
35:20
Speaker 1: does kind of the mechanic stuff that we haven't seen
35:24
Speaker 1: in a while, and he says, provisions, fuel, AMMO, and
35:27
Speaker 1: spare parts are all packed. I also packed some extra
35:30
Speaker 1: spare legs for a certain idiot commander. Sin's like, thank you.
35:35
Speaker 1: Aldrich says, you can do simple repairs yourself, right. Shin's like, yeah,
35:40
Speaker 1: I break them a lot. Aldrich says, at least act
35:44
Speaker 1: a little ashamed bratt. Don't fight like you usually do.
35:48
Speaker 1: Shinn says, I can't promise that. Aldrich is like, it's
35:52
Speaker 1: the last time, so just lying agree with me. Shin says,
35:56
Speaker 1: I'm sorry. Aldrich says, geez kind of puts his on
36:00
Speaker 1: the bridge of his nose. You really are, He pats
36:03
Speaker 1: him on the shoulder. We cut to that board that
36:07
Speaker 1: Kujo wrote one hundred and twenty nine days to land
36:10
Speaker 1: my service fucking Glory to the Spearhite Squadron, which is
36:14
Speaker 1: particularly upsetting now that we know that he was just
36:16
Speaker 1: counting down the days till he died, so it wasn't
36:20
Speaker 1: like a hopeful thing. It was just kind of a joke.
36:22
Speaker 1: I kind of like that though, So fucking glory to
36:25
Speaker 1: the Spearhead Squadron. Anyway, it's partially erase, but it's still visible.
36:31
Speaker 1: We see various juggernauts, you know, in the place getting ready.
36:36
Speaker 1: They have faded insignias. So we see like Shins laughing Fox,
36:40
Speaker 1: We see gun Slinger, and then we see that box
36:44
Speaker 1: love scrap Metal with everyone's names on it open and
36:47
Speaker 1: Shin is holding one that says hot a toe on it.
36:51
Speaker 1: Fuck They off screened him, and Riding is standing next
36:55
Speaker 1: to him and he says, I feel bad for hot
36:58
Speaker 1: to Toe me too. If he just lasted a little longer,
37:01
Speaker 1: he could have gone on a fun hike. Shin puts
37:05
Speaker 1: Hotwitoe's name in the box and says, yeah, At this point,
37:08
Speaker 1: THEO and AJUW walk over, and THEO says, think the
37:12
Speaker 1: rainal stop. Karina is walking into and AJUW says it'd
37:16
Speaker 1: be nice to have clear skies at least for the
37:18
Speaker 1: first day. Karina is like, I know a trick Kaye
37:23
Speaker 1: used to do it. Shin shuts the box and we
37:26
Speaker 1: hear Aldrich say, hey, kids, come over here. He's standing
37:30
Speaker 1: by the entrance, and they all look over and kind
37:32
Speaker 1: of like sigh or smile or chuckle. And then I
37:36
Speaker 1: realized that that's all of them. It's just five of them.
37:40
Speaker 1: Shin Ride and THEO, Karina, and AJUW, which is super sad. Anyway,
37:49
Speaker 1: Ryding says now that it's the last time, I realize
37:52
Speaker 1: I'm gonna miss the old guy's lectures. And everyone's like,
37:55
Speaker 1: for real and they laugh. We cut too. I guess
38:00
Speaker 1: flower pots just filled with rain water and it's raining, obviously,
38:04
Speaker 1: and the cat is sitting by it's like empty bowls
38:07
Speaker 1: in that kind of kitchen area, and Andrew picks it
38:10
Speaker 1: up and smiles. Karina is cleaning a window in her
38:14
Speaker 1: bedroom and she looks out smiling, and then we see
38:19
Speaker 1: like these ghosties. I don't know if you know what
38:22
Speaker 1: ghosties are. It's like a like a piece of white fabric,
38:25
Speaker 1: and then you get like like a little head made
38:28
Speaker 1: out of styrofoam, like a little white ball, styrofoam ball.
38:32
Speaker 1: And then you put the fabric on the styrophone ball
38:35
Speaker 1: and you like tie it so it looks like a
38:36
Speaker 1: little ghost like because you know, it's got like a head,
38:40
Speaker 1: and then the fabric just hangs down like a ghost
38:42
Speaker 1: or like a sheet over you know, like a ghost
38:45
Speaker 1: or something. So they made these little ghosties that all
38:48
Speaker 1: have their little faces on them, all five of them.
38:51
Speaker 1: So we see those, and then we see Theo painting
38:55
Speaker 1: something in the hangar, and then we realize that it's
38:57
Speaker 1: his insignia. He's fixing it. Ryde In throws a rock
39:01
Speaker 1: at the mural of Saint Magnolia and gets her right
39:05
Speaker 1: in the forehead, and he like pumps his fist and excitement.
39:09
Speaker 1: Then we see Shin in that common room that's just
39:12
Speaker 1: totally empty now and he puts something in the desk
39:15
Speaker 1: drawer and shots it. He stares at the room and
39:18
Speaker 1: then smiles and walks out. We get an outside shot
39:23
Speaker 1: of the barracks. Now it's night, and we see the
39:26
Speaker 1: last light turn off, and the scene fades to black.
39:30
Speaker 1: Back from black, we have a low shot of those
39:33
Speaker 1: train tracks and the sun is coming up and we
39:36
Speaker 1: see a table with like lots of trays of food
39:39
Speaker 1: on it. So there's like coffee and bread and beans
39:41
Speaker 1: and fruits that I couldn't figure out what they were,
39:44
Speaker 1: but also apples and corn, potatoes, a stew or soup
39:47
Speaker 1: of some kind, fried eggs, and broccoli and carrots. So
39:51
Speaker 1: it's like a really nice last meal, I guess. And
39:56
Speaker 1: everyone says eat the taki masu, which means like it's
40:01
Speaker 1: just the thing that you say before you eat, and
40:02
Speaker 1: it's translated to like, let's eat or something. It is
40:06
Speaker 1: September twenty eighth, twenty one forty eight, so the next day,
40:10
Speaker 1: and they are all sitting at a table in the
40:13
Speaker 1: dining area, surrounded by other tables, lots of them that
40:18
Speaker 1: are all totally empty now, and Karina says, weather here
40:22
Speaker 1: on the first day, right, Theo's like, you mean the
40:25
Speaker 1: day we were all assigned here, Karina says, yep. Riding's
40:29
Speaker 1: like yeah, we all swore to each other again. At
40:32
Speaker 1: this the scene kind of changes and we see all
40:35
Speaker 1: of the dead members of spearhead squadron. They kind of
40:38
Speaker 1: like fade back into their places in the dining area,
40:43
Speaker 1: so around them. So if the dining area is full now,
40:46
Speaker 1: and Andrew says, no matter who calls us pigs, we'll
40:50
Speaker 1: never let ourselves become them. And Karina is like, even
40:53
Speaker 1: if we're the last one, we'll fight until the last day. Right,
40:57
Speaker 1: and says, and all five of us are not bad.
41:01
Speaker 1: We got to a pile of empty trays and mugs
41:05
Speaker 1: that have been washed, sitting out on the counter to dry,
41:08
Speaker 1: and THEO says, the major never did call back. What
41:11
Speaker 1: the fuck, Lena, It's been like weeks and you haven't
41:15
Speaker 1: called them. What the fuck? I know that Chin said
41:18
Speaker 1: not to call anymore, but you should have still called. Anyway.
41:23
Speaker 1: They're walking down the hall and ride And says, what
41:26
Speaker 1: you miss her? THEO says, not at all. He puts
41:29
Speaker 1: his hands on the back of his neck. I guess
41:31
Speaker 1: it does kind of bug me though, and Auji's like,
41:35
Speaker 1: after all the time we spent together, she could have
41:38
Speaker 1: said goodbye, Yeah, Lena, what are you doing. Theo's like, yeah,
41:42
Speaker 1: like that exactly. Carna says, we told her a million
41:47
Speaker 1: times to leave us alone, and she finally got the messages. All.
41:50
Speaker 1: They're walking out of the barracks now and it is
41:52
Speaker 1: a like beautiful day. The ground is soaked from the rain,
41:56
Speaker 1: but the skies are clear and I think the sun's
41:58
Speaker 1: coming up. And Karina is like clear skies, and are
42:03
Speaker 1: says the trick worked. Huh. Right In's like it's a
42:06
Speaker 1: good omen. Karna looks to the side and gasps and
42:09
Speaker 1: points and she's like, look, look, they're all shiny. The
42:13
Speaker 1: juggernauts are all lined up outside and they're sparkly clean,
42:17
Speaker 1: which is super nice. I guess it's good to have
42:20
Speaker 1: clean robots when you go die, I guess. And THEO says,
42:25
Speaker 1: I fixed up the marks too, Oh we did. Everyone's right.
42:29
Speaker 1: In looks over at Fido and says, you're all nice
42:31
Speaker 1: and clean too. Fido beeps and nods, and Andrew's like
42:35
Speaker 1: how cool. And Fido beeps again and nods, and Theo's
42:39
Speaker 1: like he's happy. Fido makes like a different beep now
42:43
Speaker 1: that I don't know what that means, and Carna says
42:45
Speaker 1: he was filthy. Fido beeps different again and lowers his
42:50
Speaker 1: head in shame, and Shin is like, I'm happy for you. Fido,
42:54
Speaker 1: immediately looks over, and then he and the other robots,
42:57
Speaker 1: because there's other robots, they all do this. It's like
43:00
Speaker 1: weird little dance with their legs like they're excited because
43:03
Speaker 1: he was happy that Shin was happy for him, which
43:07
Speaker 1: is very cute and confusing. The cat is also there
43:11
Speaker 1: and at meows at Fido, and Fido waves to it,
43:14
Speaker 1: because Fido is sentient, apparently, And then we cut to
43:18
Speaker 1: boxes of candy on all the seats of the Juggernauts
43:21
Speaker 1: and everyone's looking and right and it's like, what's this
43:25
Speaker 1: and Karina says snacks. An Theo's like is this And
43:29
Speaker 1: they look over and they see that the crew that
43:31
Speaker 1: works on the Juggernauts and everything he is like standing
43:34
Speaker 1: like a little ways away and kind of waving to them.
43:37
Speaker 1: Ride In sighs and he's like he treated us like
43:40
Speaker 1: kids till the end, and they all wave back to them,
43:43
Speaker 1: except for Shin. At this point, they're all in their
43:45
Speaker 1: cockpits and they close and the Juggernauts start to get
43:49
Speaker 1: up and write and says, no one forgot anything, right,
43:53
Speaker 1: Karina and Theo and Anju all say no and rite
43:56
Speaker 1: and says Shin. Shin is quiet for a second, and
43:59
Speaker 1: he says, let's go, and there's a title drop. Yay,
44:03
Speaker 1: I remembered. At this point, they move out and Fido
44:08
Speaker 1: and some of the other robot things are coming, and
44:09
Speaker 1: the other robot things like kind of look like big
44:12
Speaker 1: metal boxes with feet. They're kind of the same size
44:14
Speaker 1: as Fido, but they don't really look like him because
44:16
Speaker 1: they're not all orange. Anyway, As they are moving out,
44:20
Speaker 1: we cut to the bench that Chin used to read on,
44:23
Speaker 1: and then we fade to his empty room and then
44:25
Speaker 1: to the hallway, then to the empty dining area and
44:28
Speaker 1: the empty common space. Then we see those ghosties which
44:32
Speaker 1: they've hung over the doorframe, and we cut to the
44:35
Speaker 1: train tracks. The Juggernauts are just barely visible walking off
44:40
Speaker 1: into the distance. At this point, the ending theme starts playing,
44:44
Speaker 1: which is hands up to the sky, so it's the
44:46
Speaker 1: special ending theme, and we cut to the one hundred
44:51
Speaker 1: and twenty nine days Till I End my service board,
44:53
Speaker 1: which is now completely cleaned off, and then we go
44:56
Speaker 1: to the ending theme, which we just started anyway, which
44:58
Speaker 1: is at board insane with this little pinpoint of red
45:03
Speaker 1: shining light off in the top right corner of it,
45:06
Speaker 1: back from the ed. We cut to a black screen
45:09
Speaker 1: with a little red circle at the bottom right corner.
45:13
Speaker 1: It's kind of like pulsing. That's like a circle around
45:16
Speaker 1: the circle that's moving, if that makes sense, almost like
45:19
Speaker 1: it's loading. And then we see hands raised up to
45:22
Speaker 1: the sky first person perspective. The sky is gray and
45:27
Speaker 1: it's snowing, and the hands are just covered in blood.
45:31
Speaker 1: We hear our voice that is sort of robotic but
45:34
Speaker 1: not completely say I wanted to protect you. The focus
45:39
Speaker 1: of the person staring at their bloody hands is kind
45:43
Speaker 1: of fading in and out, like they might be about
45:46
Speaker 1: to lose consciousness. And we come out of first person
45:49
Speaker 1: perspective and the person with his bloody hands raised is Ray,
45:53
Speaker 1: sitting in his cockpit. His face is covered in blood too,
45:57
Speaker 1: and he totally has a head even though I'm pretty
45:59
Speaker 1: sure this is where Shin found him. He's looking longingly
46:03
Speaker 1: at the sky and his arms still outstretched or shaking,
46:09
Speaker 1: and we hear him say that's how it was supposed
46:11
Speaker 1: to be, but Shin. We cut back to first person
46:16
Speaker 1: perspective and he's in that same position with his hands outstretched,
46:20
Speaker 1: but now he's holding Shin up as a child. Shin
46:23
Speaker 1: is smiling back at him, and the sky is bright blue.
46:26
Speaker 1: Then we cut to black. Okay, So before I continue
46:29
Speaker 1: with this part, I just want to say, at some
46:31
Speaker 1: point it's going to be Ray talking and then also
46:34
Speaker 1: Ray talking, but one of them is taking place in
46:38
Speaker 1: this flashback, and the other one is him thinking about
46:41
Speaker 1: what he should have done differently. So I'm just going
46:43
Speaker 1: to try to portray them differently so that you know,
46:46
Speaker 1: because if I keep saying back and forth and then
46:48
Speaker 1: he said this, but then the thing, it's gonna sound
46:50
Speaker 1: really weird, if that makes sense. So I hope that
46:53
Speaker 1: you understand what I'm doing. And if you didn't, just
46:55
Speaker 1: understand what I said, I don't know how to fix it.
46:57
Speaker 1: Help help help. Anyway, continue The next thing we see
47:02
Speaker 1: is a bedroom, maybe bathed in red, and it looks
47:07
Speaker 1: like maybe they're in an attic because the scene is
47:09
Speaker 1: split in half by I don't know, like a rafter
47:12
Speaker 1: or something, and you'd think that the characters would be
47:15
Speaker 1: split onto either side of the rafter, but they're actually not.
47:18
Speaker 1: They're contained on one side. So it's just a really
47:20
Speaker 1: interesting artistic choice. So anyway, Ray is sitting on the bed.
47:25
Speaker 1: He's staring at some papers, and Shin is standing in
47:28
Speaker 1: front of him as a child, obviously, and we can't
47:31
Speaker 1: see Ray's eyes. But I don't think this is a
47:34
Speaker 1: good thing, And Shen says, brother, are mom and dad
47:38
Speaker 1: not coming back? Why he's kind of nudging Ray. It's
47:43
Speaker 1: kind of making Ray kind of like sway back and forth,
47:46
Speaker 1: but like he's not present in the moment, like he's
47:49
Speaker 1: not paying attention to what Chin's doing at all. And
47:54
Speaker 1: Shinn says, I can't hear mom's voice. Fuck, Okay, that
47:59
Speaker 1: was definitely Shin as a kid with the experiments and stuff. Anyway,
48:02
Speaker 1: we hear Ray say I could barely keep myself together
48:06
Speaker 1: back Then we cut to the paper and says requisition order.
48:11
Speaker 1: The following items are to be requisitioned for use by
48:13
Speaker 1: the Republic Armed Forces, remain on standby in your current state.
48:17
Speaker 1: I don't get this order at all. I was gonna
48:20
Speaker 1: like look it up in the light novel, but I
48:22
Speaker 1: forgot too. So maybe I'll put that in here, or
48:24
Speaker 1: maybe I won't when I check, because I'm pretty sure
48:27
Speaker 1: this is them telling him he's going off to die,
48:30
Speaker 1: and it's future me checking in just to tell you that, yes,
48:32
Speaker 1: I was right, he's being conscripted into the army bye,
48:36
Speaker 1: and Shin is still nudging him by the way as
48:39
Speaker 1: he's looking at his basically death order, and he says, hey, brother,
48:44
Speaker 1: why mom die? And also Shin is like, doesn't sound sad,
48:49
Speaker 1: He's just curious this whole time. And at this point,
48:52
Speaker 1: Ray just fucking snaps and like instinctively just thrusts his
48:57
Speaker 1: hands around Shin's neck and like throws him to the floor.
49:00
Speaker 1: And Shit is like desperately trying to pull Ray's hands
49:03
Speaker 1: off of him. But Ray is almost an adult and
49:06
Speaker 1: Shit is a tiny child. And Ray says, it's all
49:08
Speaker 1: your fault. That's not true. Mom with the fight because
49:12
Speaker 1: of you. The papers have fallen to the floor now
49:16
Speaker 1: and we see that one of them says casualty notification
49:20
Speaker 1: E zero two to two DASH two three zero seven
49:24
Speaker 1: seven destroyed, Like it just says destroyed. And it doesn't
49:27
Speaker 1: have her name, it just has this number. What the
49:29
Speaker 1: fuck anyway, Ray says that's not true. Shin is whimpering
49:35
Speaker 1: and Spit is like beginning to run down his face,
49:37
Speaker 1: and Ray says, you killed her. Stop it. It's your fault.
49:42
Speaker 1: That's not true. It's all your fault. It's not your fault.
49:48
Speaker 1: Shin's face is contorting at this point because he's still
49:51
Speaker 1: being strangled and he like can't breathe, and Ray continues
49:54
Speaker 1: that mom and dad died, the fact that I'm about
49:56
Speaker 1: to die, tears are running down Shin's face, it's all
50:00
Speaker 1: your fault, Shin. Shin is still struggling to remove the
50:04
Speaker 1: hands from around his neck, and we cut to Ray's face,
50:09
Speaker 1: which is just twisted with hatred, and honestly, we've seen
50:13
Speaker 1: this before a couple episodes ago. This is that same
50:15
Speaker 1: kind of clip that we got from Shin's perspective, and
50:20
Speaker 1: we're flashing back and forth between Ray and his hatred
50:24
Speaker 1: and Shin dying and Ray holding happy Shin, just kind
50:27
Speaker 1: of back and forth. It's really fucked up, and Ray says, I.
50:32
Speaker 1: At this point, Ray is slammed back against maybe like
50:35
Speaker 1: a little dresser or night table or something, and he's
50:38
Speaker 1: kind of out of it for a second, and he
50:39
Speaker 1: opens his eyes and he sees this old dude like
50:42
Speaker 1: kneeling over Shin and like pointing at him and saying something,
50:46
Speaker 1: yelling something, But we don't have audio. Maybe it's too
50:50
Speaker 1: much for him. Maybe he's still out of it from
50:52
Speaker 1: being knocked around. Maybe he can't process what's happening. I
50:55
Speaker 1: don't know, And we hear Ray think I couldn't handle
50:59
Speaker 1: the hate and rage. I felt it my own powerlessness.
51:02
Speaker 1: We see Ray looking at what's happening, just with so
51:07
Speaker 1: much shock on his face, and he thinks, and I
51:12
Speaker 1: took it out on you. The old guy is like
51:15
Speaker 1: trying to do CPR on Shin at this point what
51:18
Speaker 1: looks like he's probably dead, and we see that his
51:21
Speaker 1: neck is very, very bruised, and Ray continues the person
51:26
Speaker 1: I was supposed to protect. Ray's eyes widen as I
51:30
Speaker 1: think he finally understands what's happening and what he's done.
51:34
Speaker 1: He just looks in abject horror at the situation, and
51:38
Speaker 1: he stares down at his hands shaking, and there's a
51:41
Speaker 1: book on the floor near him called The Skull Night, Oh,
51:46
Speaker 1: and it's fading in and out of focus, and he
51:49
Speaker 1: just starts to scream, like a long, horrible, intense scream
51:55
Speaker 1: that gets kind of more hysterical as it continues, like
51:58
Speaker 1: he doesn't need to breathe, He's just constantly screaming. And
52:01
Speaker 1: as this is happening, we flash to a drawing on
52:04
Speaker 1: the wall like a crayon drawing of like Ray with
52:08
Speaker 1: like a sword in the cap saving Shin from like ghosts. Fuck,
52:12
Speaker 1: and Ray thinks I couldn't protect you. We cut out
52:16
Speaker 1: of the ridiculous flashback to his headless nightmark on his
52:22
Speaker 1: Juggernaut in the snow, and Ray continues. But at this
52:26
Speaker 1: point a Legion is upon his juggernauts and the Legion
52:32
Speaker 1: thing raises its arm over Ray and he starts to
52:35
Speaker 1: cry and he thinks shin and it just comes down
52:40
Speaker 1: and be cut to black. When the image comes back,
52:46
Speaker 1: we see a screen looking out at a group of
52:49
Speaker 1: Legion and there's like data on the screen and stuff,
52:52
Speaker 1: and we hear Ray say, now we'll be together forever.
52:56
Speaker 1: What A little screen pops up on the big screen
53:01
Speaker 1: and it has the positions of the five remaining Spearhead Juggernauts. Great,
53:05
Speaker 1: and the blue lights come on the Legion guys like
53:08
Speaker 1: they're getting ready to go, and we hear Ray say,
53:12
Speaker 1: I'm coming for you without my fragile human body. We
53:18
Speaker 1: see Legion Ray, which is this big shiny guy with
53:22
Speaker 1: a big gun, and he thinks, this time, your brother
53:26
Speaker 1: will protect you forever. What the fuck? Ray? We got
53:31
Speaker 1: back to his view again and he's zooming in twelve
53:33
Speaker 1: times to see the Juggernauts approaching. He continues, so we
53:38
Speaker 1: get this really quick flash of Shin as a happy child.
53:42
Speaker 1: Come see me, Shin. Thenely cut to I don't even
53:45
Speaker 1: know how to describe it. It's like his head, like
53:48
Speaker 1: a shot of his head on a blue background, like
53:50
Speaker 1: made up of screens, like I think there's like maybe
53:52
Speaker 1: twenty eight screens making up his kind of face and
53:56
Speaker 1: the blue behind him, and it's like very much his face,
54:00
Speaker 1: but like the screens don't move together, so some parts
54:02
Speaker 1: of his face look really angry and some parts don't
54:04
Speaker 1: look angry, and he's like talking but he's not really talking,
54:07
Speaker 1: and it's you know, I don't really know how to
54:09
Speaker 1: explain it. But it was scary, I think. And then
54:12
Speaker 1: we go to the next episode title card, goodbye No,
54:16
Speaker 1: and that's the end of the episode. Yay. Closing thoughts
54:21
Speaker 1: that felt like a mess. This show is really hard
54:24
Speaker 1: to narry like this because all of the shots are difficult.
54:29
Speaker 1: Like it's nice, it's very creatively done, but it's done
54:34
Speaker 1: in a way that it's just really hard to explain verbally,
54:37
Speaker 1: at least for me. Maybe not for everyone else, but
54:41
Speaker 1: definitely for me. So I hope that this was good enough.
54:44
Speaker 1: I'm very scared that I'm gonna have to record this
54:47
Speaker 1: again on Wednesday and then like somehow get it out
54:51
Speaker 1: to you in time. So I hope this was good enough,
54:53
Speaker 1: but I actually don't think it was, so I'm kind
54:54
Speaker 1: of freaked out. But anyway, I like this episode. There's
54:59
Speaker 1: so much much to unpack here, But I guess the
55:04
Speaker 1: most important thing since we just did it was the
55:07
Speaker 1: fuck that's going on with Ray or Ray's head, I guess.
55:12
Speaker 1: So first of all, we know that the voices of
55:15
Speaker 1: the Legion that Shin hears are basically their last thoughts,
55:20
Speaker 1: and we know that what Shin heard from his brother
55:24
Speaker 1: was him telling him it was all his fault and
55:27
Speaker 1: screaming Shin and stuff. So I think I understand what's
55:31
Speaker 1: going on. We saw those last seconds of Ray's life,
55:35
Speaker 1: and what was he doing then. He was thinking about
55:38
Speaker 1: how he almost killed Shin and thinking about how wrong
55:42
Speaker 1: he was. So we're getting like the loud parts of
55:47
Speaker 1: his thoughts, which is him screaming at Shin that it's
55:51
Speaker 1: all his fault while he's thinking about how it's not
55:54
Speaker 1: really Shinn's fault because it doesn't make sense that it
55:56
Speaker 1: would be. But all Shin is getting is that it's
55:58
Speaker 1: all your fault. She's got to be so fucking scary
56:02
Speaker 1: for him to just have your brother telling you that
56:05
Speaker 1: it's your fault that your mom died and your dad
56:08
Speaker 1: died and he's going to die over and over again.
56:11
Speaker 1: And because Shin was super young, I'm sure he believed
56:15
Speaker 1: it and internalized that somehow this is his fault, which
56:18
Speaker 1: is scary. Like, if Shin really believes that it is
56:23
Speaker 1: his fault that his mom and dad and everyone died,
56:27
Speaker 1: I don't know how we're gonna help him, because like
56:29
Speaker 1: someone's just got to go up to him and like
56:31
Speaker 1: tell him it's not his fault until he cries or something,
56:33
Speaker 1: because like that shit fucks you up. When someone you
56:38
Speaker 1: love tells you that you are the cause of everyone
56:41
Speaker 1: else's pain, you know, and then strangles you, and then
56:44
Speaker 1: you still think that they hate you even after they're dead.
56:47
Speaker 1: It's not good stuff. It's really not good stuff. No.
56:51
Speaker 1: I mean, I would never strangle someone that I loved,
56:54
Speaker 1: but I get like the amount of despair that Ray
56:59
Speaker 1: was in that situation where he strangled Shin where he
57:04
Speaker 1: just felt so like he had nothing constructive that he
57:09
Speaker 1: could put that anger towards, and Shin was just there
57:12
Speaker 1: being an annoying kid, saying I can't hear my mom
57:15
Speaker 1: anymore in my head, and he just snapped, Yeah, I
57:22
Speaker 1: don't know. It's a bad situation though, Like I mean,
57:25
Speaker 1: these people are being genocided. Yeah. I guess he had
57:30
Speaker 1: a bad reaction to knowing that he was next, you know,
57:34
Speaker 1: I get it, So Ray is remorseful. Shin doesn't know that.
57:37
Speaker 1: But also Ray's not really a person anymore, so he's
57:40
Speaker 1: not really thinking the way a person would think. And
57:42
Speaker 1: he thinks, oh, I'm going to kill you now, Shin,
57:44
Speaker 1: so you can become a legion and then we'll be
57:46
Speaker 1: happy together. Like what the fuck? Ray, That's not a
57:49
Speaker 1: good plan, I don't think, unless maybe it's really fun
57:52
Speaker 1: to be a legion. We don't know that, but I
57:55
Speaker 1: kind of don't think it is, because he's just ahead,
57:57
Speaker 1: and he's ahead that is made up of little screens
58:00
Speaker 1: that'll I'll go at the same time, and it's really
58:02
Speaker 1: really freaky. So yeah, I guess the other thing I
58:08
Speaker 1: wanted to talk about because I talked about a lot
58:10
Speaker 1: of things during the episode, thank god. And this is
58:14
Speaker 1: something that's bothered me forever since I watched this for
58:17
Speaker 1: the first time. And it's probably not going to bother you,
58:20
Speaker 1: and that's totally fine, but this is like the hill
58:22
Speaker 1: I will die on. I guess. I love this show.
58:26
Speaker 1: I especially like the second half, and I think when
58:28
Speaker 1: we get there, you'll kind of understand why, I hope.
58:31
Speaker 1: But the one thing that really bothers me is Shin's
58:35
Speaker 1: scar because like now we've seen exactly the scenario where
58:40
Speaker 1: Shin almost died and what the scar is from. You
58:45
Speaker 1: can't get a scar from being strangled like that, like
58:49
Speaker 1: if his brother had like clawed at his neck too, maybe,
58:53
Speaker 1: but there was no bleeding. It was just bruises. So
58:56
Speaker 1: it doesn't work like that. It's not physically possible. And
59:00
Speaker 1: trust me, I tried to make it possible. Like I
59:04
Speaker 1: looked into it so hard when I was first watching
59:07
Speaker 1: it because I was like, I want this to be
59:09
Speaker 1: true because I don't want to have to hate this
59:11
Speaker 1: element of the show, and I couldn't. It's just not
59:15
Speaker 1: a thing. I mean, horrible things can happen to you
59:18
Speaker 1: from being strangled. I mean, you can die after being strangled.
59:21
Speaker 1: Even if you didn't like die then because it's super
59:24
Speaker 1: dangerous to strangle someone, don't do it. Oh and I've
59:27
Speaker 1: also researched it for my own comic. But like, you
59:31
Speaker 1: can't get a giant scar from being strangled. It's not
59:34
Speaker 1: a thing. And that's always going to really hurt the
59:38
Speaker 1: way that I feel about the way Shin's character looks,
59:42
Speaker 1: I guess, and I had kind of touched on this
59:45
Speaker 1: in the Banana Fish season when I talked about ash
59:48
Speaker 1: not having scars and how I really like scars, but
59:52
Speaker 1: they have to make sense, and I definitely talked about
59:55
Speaker 1: Shin and how a scar doesn't make sense. Oh and
59:59
Speaker 1: also this this isn't a creative decision on the animator's
1:00:02
Speaker 1: part or the director's part. This scar was there in
1:00:05
Speaker 1: the manga, it was there in the late novel, so
1:00:08
Speaker 1: it's just part of this story, which sucks. Honestly, just
1:00:14
Speaker 1: doesn't make sense. But I would have loved, and I've
1:00:18
Speaker 1: thought about this a lot if he didn't have a scar,
1:00:21
Speaker 1: but he was still wearing a bandana and protecting his
1:00:24
Speaker 1: neck because he was just really sensitive about his neck, now,
1:00:28
Speaker 1: which would make sense, and he, you know, just felt
1:00:30
Speaker 1: like he didn't want to have it exposed because he
1:00:32
Speaker 1: didn't want the possibility of being heard again, or he
1:00:35
Speaker 1: was ashamed. I think that would have been so cool
1:00:38
Speaker 1: if that's what we found out, but that there wasn't
1:00:40
Speaker 1: an actual scar. It was just all like a mental
1:00:44
Speaker 1: like hang up, you know, and you know for a
1:00:47
Speaker 1: while there he would have had like ligature marks or bruises.
1:00:50
Speaker 1: So yeah, it's just I guess it would be cool
1:00:54
Speaker 1: if looking at his neck, just looking at a normal
1:00:56
Speaker 1: neck was upsetting to him, But it's it's a scar,
1:01:01
Speaker 1: and a scar doesn't make sense because you can't get
1:01:04
Speaker 1: scars from being strangled. So there nothing else bothers me,
1:01:09
Speaker 1: just that. That's how you know that I'm insane. Oh god,
1:01:15
Speaker 1: but that was pretty much all I wanted to talk about.
1:01:18
Speaker 1: And I guess I have to go do this inspection now,
1:01:20
Speaker 1: and I'm freaked out about it because I don't know
1:01:23
Speaker 1: it's a good thing, but for some reason, everything feels
1:01:26
Speaker 1: really bad even though it's totally fine. So I gotta
1:01:29
Speaker 1: get through that or whatever the fuck. So anyway, I
1:01:33
Speaker 1: hope that you thought this was okay. If you didn't,
1:01:36
Speaker 1: I'm sorry that I'm disappointing you. And I will tell
1:01:39
Speaker 1: you please stick around, but you don't have to. You
1:01:41
Speaker 1: can always leave and go on to bigger and better things.
1:01:46
Speaker 1: I know it's okay, but if you come back, I mean,
1:01:50
Speaker 1: I'll see you next time. And I hope you have
1:01:52
Speaker 1: like a really great whatever, like the best one possible.
1:01:57
Speaker 1: Yeah later, weeps