Latest / The Hauraki Big Show / UNHEARD: Beach Perv

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UNHEARD: Beach Perv · The Hauraki Big Show

• 0:00
  Speaker 1: The whole Aching Big Show with Jason, Mike and Keyzy.
• 0:03
  Speaker 1: Tune in week days at four on Radio Hodal.
• 0:06
  Speaker 2: Talking Heads Here on the radio.
• 0:08
  Speaker 3: Hold Anky Big Show this Wednesday evening, and I believe
• 0:11
  Speaker 3: it's time to give out some advice. Sixteen in touch
• 0:22
  Speaker 3: with Fels.
• 0:24
  Speaker 4: Can we can we stop? Maybe we just play this
• 0:28
  Speaker 4: thing and don't talk over the top of it.
• 0:30
  Speaker 2: It's just it's just one of those things that you
• 0:32
  Speaker 2: just have to sing along to give.
• 0:33
  Speaker 4: If we're not seeing any more, Moggi's going.
• 0:38
  Speaker 3: Yeah, I know what's going on with Moggie, but I'm
• 0:40
  Speaker 3: singing a beautifully.
• 0:42
  Speaker 4: Totally Meet Patty Nips sixty nine at gmail dot com.
• 0:45
  Speaker 4: It is a real email address. Do get in touch
• 0:47
  Speaker 4: if you need advice. One hundred percent anonymous, and you
• 0:49
  Speaker 4: can get yourself a fifty dollars reburg about you?
• 0:51
  Speaker 2: How good?
• 0:53
  Speaker 4: Get a feelers. This is from anonymous.
• 0:55
  Speaker 5: Yeah, your dirty laundry on here. You'll give you a
• 0:57
  Speaker 5: fifty dollars reburg about you.
• 0:59
  Speaker 4: You do laundry, We'll give you burgers.
• 1:04
  Speaker 5: Take less in your gob and shout it.
• 1:05
  Speaker 4: This is from anonymous. Get a Fiella's and Jason, I
• 1:10
  Speaker 4: don't know why separated you. Yeah, that's that's weird.
• 1:13
  Speaker 2: Well I am pretty special.
• 1:15
  Speaker 4: That's true. My wife says that I find myself in
• 1:19
  Speaker 4: a work conundrum Recently. They've been working into the absolute backbone,
• 1:23
  Speaker 4: and I'm at the point of physical exhaustion. I considered
• 1:26
  Speaker 4: calling in Sect tomorrow to extend out my weekend, but
• 1:29
  Speaker 4: felt the tug of the moral compass and was concerned
• 1:32
  Speaker 4: about work being done. A meeting today then concluded that
• 1:35
  Speaker 4: there wasn't actually much for me to do tomorrow anyway.
• 1:38
  Speaker 4: So now it seems like I have been given an
• 1:39
  Speaker 4: absolute setter on the moral compass front.
• 1:42
  Speaker 2: Yeah.
• 1:42
  Speaker 4: Do I take a seci knowing work will be fine?
• 1:45
  Speaker 4: Or do I just shut up and get on with it?
• 1:49
  Speaker 4: Cheer is anonymous and this like physical exhaustion man?
• 1:52
  Speaker 2: Yeah? Absolutely?
• 1:57
  Speaker 4: Or do you be upfront with it honest?
• 1:58
  Speaker 5: No, We've got a certain amountind of sick days available
• 2:02
  Speaker 5: to you, I imagine, Yes, exactly right, and so they
• 2:04
  Speaker 5: are there to be used. You feel physically exhausted fair enough? Yeah,
• 2:09
  Speaker 5: I mean by all means, I mean there will let
• 2:11
  Speaker 5: down your workmates, you know, right when they need you,
• 2:14
  Speaker 5: right when you at the finish line.
• 2:16
  Speaker 4: Bag of then turn up.
• 2:18
  Speaker 5: At work even though there's nothing for you to do tomorrow.
• 2:22
  Speaker 5: You can turn up and do nothing and get paid
• 2:24
  Speaker 5: for it and just be there to support your mate.
• 2:26
  Speaker 4: But all good, Well, hang on because it sounds like
• 2:28
  Speaker 4: they've been really pushing them hard.
• 2:30
  Speaker 5: You know, the work mats or the bosses. This is
• 2:32
  Speaker 5: the thing you're going to punish your workmates for the
• 2:34
  Speaker 5: position the.
• 2:35
  Speaker 2: Boss rates sod the workmates?
• 2:38
  Speaker 5: What's sode?
• 2:38
  Speaker 2: Short for sod the workmates?
• 2:41
  Speaker 4: Hang on?
• 2:42
  Speaker 2: I just go and short for it's about what he
• 2:45
  Speaker 2: wants to do.
• 2:48
  Speaker 4: I don't think you can do that and don out
• 2:50
  Speaker 4: their permission.
• 2:51
  Speaker 2: Just go for it, man, life's short.
• 2:53
  Speaker 3: The biggest regret that people have when they done before
• 2:56
  Speaker 3: they die is the biggest regret that they have is
• 2:59
  Speaker 3: that they work to him and I agree with that.
• 3:03
  Speaker 2: Yeah, they didn't take time out and take take time
• 3:06
  Speaker 2: to enjoy life.
• 3:07
  Speaker 4: You're not worried that you work too much? Are you?
• 3:10
  Speaker 2: Oh? Hell?
• 3:11
  Speaker 4: No?
• 3:11
  Speaker 5: Okay, good, You've got an unquenchable thirst for work.
• 3:16
  Speaker 2: I do, I do. And but just like the moral
• 3:19
  Speaker 2: compass though you.
• 3:21
  Speaker 3: Know, it's a legit thing where you go, oh god,
• 3:24
  Speaker 3: my daughters are like that too. Oh dad, I'm not
• 3:26
  Speaker 3: feeling great, but I feel bad about leaving work and
• 3:28
  Speaker 3: I'm like, no, just leave, just do it.
• 3:31
  Speaker 4: So you're the guy that's been like, sod your moral values, yes,
• 3:34
  Speaker 4: and just do what's best for you.
• 3:36
  Speaker 2: Yeah, totally man, and sod your workmates.
• 3:40
  Speaker 1: The Hierarchy Big Show weekdays from four on Radio Hdarchy.
• 3:44
  Speaker 3: Faith No More There on the Radio Holarkey Big Show.
• 3:48
  Speaker 2: This Monday afternoon.
• 3:49
  Speaker 3: Now fellas made a lovely weekend with my wife and
• 3:54
  Speaker 3: yesterday we decided to go to the beach and.
• 3:59
  Speaker 2: And the tide was right.
• 4:02
  Speaker 3: It was about midday and it was a high tide,
• 4:06
  Speaker 3: which means that we could go for a swim. And
• 4:07
  Speaker 3: I said to my wife, let's go for a swim.
• 4:10
  Speaker 3: And so we went to our little local beach which
• 4:12
  Speaker 3: is very picturesque. I'm not going to name it because
• 4:15
  Speaker 3: I don't want other filth going there and annoying me.
• 4:19
  Speaker 3: But things turned very sexy very quickly. Picture if you will,
• 4:29
  Speaker 3: Hoidy Jane his beach shorts. Nothing else on fields, just.
• 4:35
  Speaker 4: That your togs.
• 4:36
  Speaker 3: Yeah, and my wife went, whoa, you already got a
• 4:41
  Speaker 3: golf tan going on there?
• 4:44
  Speaker 4: What was she wearing?
• 4:46
  Speaker 3: So my pendulous white breasts juxtaposed against my bronze Marbley
• 4:53
  Speaker 3: arms and withered pins. Anyway, we went for a swim
• 4:59
  Speaker 3: and it was very nice, very nice.
• 5:01
  Speaker 2: A few cold currants underneath. Got out, was dripping wet.
• 5:06
  Speaker 2: Toweled myself off and I laid down. To my left.
• 5:13
  Speaker 3: A young couple, very cool, very sort of pugs and
• 5:19
  Speaker 3: kind of age and similarly, well, I was going to say,
• 5:26
  Speaker 3: similarly with weird crazy tad action going on, and I went, God,
• 5:31
  Speaker 3: pugs would love these people.
• 5:33
  Speaker 4: How far away were they?
• 5:34
  Speaker 2: They are probably about.
• 5:38
  Speaker 3: And they had a little shelter out like a shade,
• 5:40
  Speaker 3: but it was open on both sides, so I could
• 5:42
  Speaker 3: see right in there. And I've got to say things
• 5:47
  Speaker 3: got very sexy between the two of them, very quick.
• 5:49
  Speaker 3: And I'm not joking. They broke out the old baby
• 5:53
  Speaker 3: oil and she was giving him a real good rub down.
• 5:57
  Speaker 4: I don't think it was suntan lotion.
• 5:59
  Speaker 2: No, it wasn't some ten lotion.
• 6:00
  Speaker 4: It was oil, and she was rubbing him down.
• 6:02
  Speaker 3: She was rubbing him down, and it was getting I
• 6:05
  Speaker 3: had to look away, right.
• 6:07
  Speaker 4: Because because your wife was watching you.
• 6:11
  Speaker 3: On the other side, there was a woman about my age,
• 6:17
  Speaker 3: thirty nine, thirty.
• 6:18
  Speaker 2: Nine, i'd say, about thirty thirty forties.
• 6:23
  Speaker 3: Who was sunbathing topless, right, And can I say no,
• 6:30
  Speaker 3: I can't.
• 6:32
  Speaker 2: But let's just say no, I can't say that.
• 6:36
  Speaker 4: He's going to say she had large busies, she.
• 6:39
  Speaker 3: Hit a heavy buzzy yeah, m but to her credit,
• 6:45
  Speaker 3: she was and she looked like the sort of person.
• 6:46
  Speaker 2: That tanned all the time, had a dark, darkn holiday.
• 6:51
  Speaker 2: But she was lying on his stomach, and so that.
• 6:53
  Speaker 5: Was I'm furious, absolutely seething, were you?
• 6:58
  Speaker 3: And so occasionally though, she would sort of say that,
• 7:01
  Speaker 3: and I'd be just inadvertently looking that way, sure, and
• 7:05
  Speaker 3: I'd be like, god, gere's a heavy bosom, and then
• 7:08
  Speaker 3: I look away, saying that no, she she was unaware
• 7:13
  Speaker 3: of these things going on.
• 7:14
  Speaker 2: And then so I'd look away, and then my shop
• 7:17
  Speaker 2: turned to my list. Yes, just in time, just in
• 7:20
  Speaker 2: time to see the young couple getting even more into it,
• 7:24
  Speaker 2: you know, the oil, like she was.
• 7:26
  Speaker 3: Squirting it on the oil, the oil. You know, let's
• 7:31
  Speaker 3: not have another one of those. And it got to
• 7:34
  Speaker 3: the point where I didn't know it a lock fell.
• 7:36
  Speaker 3: I mean, I know there's a bit of a joke
• 7:38
  Speaker 3: that floats around the place that old Hoidy j is
• 7:40
  Speaker 3: a bit of a PERV couldn't be further from the truth.
• 7:44
  Speaker 5: You sort of bag it up because were they both
• 7:45
  Speaker 5: there when you arrived. They were both there, and you
• 7:48
  Speaker 5: bagging it up by sitting in the middle. Because now
• 7:51
  Speaker 5: you're looking left and right like you're a You're at Wimbledon,
• 7:54
  Speaker 5: aren't you? Like I should have done was just said
• 7:56
  Speaker 5: on one side or the other, so you could just
• 7:58
  Speaker 5: look at this and then look past the other one,
• 8:00
  Speaker 5: back and forth and back and forth. But you're not
• 8:03
  Speaker 5: moving your head around of making things obvious.
• 8:06
  Speaker 2: Well, what ended up.
• 8:06
  Speaker 3: Happening is I'd have to just stare straight out to sea, right.
• 8:11
  Speaker 6: Ah.
• 8:11
  Speaker 7: You've always struggled with those to the front because, as
• 8:15
  Speaker 7: I say, to my right was a heavy bosom, yeah,
• 8:18
  Speaker 7: and to my left heavy pitting, heavy pitting, yeah, disgraceful,
• 8:23
  Speaker 7: heavy pitting.
• 8:24
  Speaker 4: So you chose this beach, right?
• 8:26
  Speaker 2: I chose this?
• 8:28
  Speaker 4: Is it because it's close to your house? Or is
• 8:30
  Speaker 4: it because of all the stuff that goes on there?
• 8:33
  Speaker 3: Why?
• 8:33
  Speaker 4: How far away from your house is it?
• 8:35
  Speaker 5: Why?
• 8:35
  Speaker 2: Twenty minutes? Yeah. I had to go and have a
• 8:40
  Speaker 2: swim in the end, just to cool off, if you
• 8:41
  Speaker 2: know what I mean.
• 8:42
  Speaker 5: Ah.
• 8:43
  Speaker 2: Yeah, And then I.
• 8:44
  Speaker 3: Was in the beat was in the water, and I
• 8:46
  Speaker 3: could see both of them from the water.
• 8:48
  Speaker 2: Yeah, so I couldn't leave the water. You know what
• 8:52
  Speaker 2: I mean?
• 8:52
  Speaker 5: Was that Jase?
• 8:57
  Speaker 2: Well, I could see both of them. Mode.
• 8:59
  Speaker 4: Why can't you leave water? Why did you have to
• 9:00
  Speaker 4: stay under the water?
• 9:01
  Speaker 5: I just oh, hang on a minute day.
• 9:06
  Speaker 1: The hold Aching Big Show with Jason, Mike and Kezy.
• 9:09
  Speaker 1: Tune in weekdays at four on Radio Hodarkey Faith.
• 9:12
  Speaker 3: No More There on the Radio Hot Archy Big Show
• 9:15
  Speaker 3: this Thursday evening. By the way, send you texts in
• 9:18
  Speaker 3: on three four eight three for what's on the dinner
• 9:22
  Speaker 3: with me? Kee?
• 9:23
  Speaker 4: It's we do now on Tuesday and Thursday.
• 9:25
  Speaker 2: What do you mean a mogie Tuesdays and Thursdays?
• 9:29
  Speaker 3: Everyone that sends in a text on three four eight
• 9:31
  Speaker 3: three for what's on the dinner with me? Kezy goes
• 9:34
  Speaker 3: in the draw, by the way for a fifty dollars
• 9:37
  Speaker 3: reburg about you.
• 9:38
  Speaker 4: We've got to start discussing when we're going to plug
• 9:41
  Speaker 4: what's on the dinner. Because I didn't know this was
• 9:42
  Speaker 4: going to happen. I have not prepped for the sea.
• 9:44
  Speaker 2: I gotta pray you don't have to be people seeing
• 9:46
  Speaker 2: in this stuff. And then you read it.
• 9:48
  Speaker 4: It's not that easy, Jason. I wish it was that easy. God,
• 9:51
  Speaker 4: I do it every day. What I was going to
• 9:54
  Speaker 4: talk about here was went to that theater show on
• 9:58
  Speaker 4: Tuesday night. Yes, Christmas, Carol, very good show. It's on
• 10:01
  Speaker 4: for another few days. Really didn't understand a few things.
• 10:05
  Speaker 4: The main one was at the end of the show,
• 10:09
  Speaker 4: the cast are all there, and then they come out
• 10:11
  Speaker 4: together and they each bow one by one and sort
• 10:14
  Speaker 4: of gesture to one another, and then they all hold
• 10:17
  Speaker 4: hands bow together the ensemble, the ensemble at the theater,
• 10:23
  Speaker 4: and then they walk off stage, and then five seconds
• 10:28
  Speaker 4: later they walk back out on stage and then bow again.
• 10:33
  Speaker 4: But sort of like, what what is that? Like a tradition?
• 10:35
  Speaker 4: What is that?
• 10:37
  Speaker 3: Well, it is a tradition, and it's also often depending
• 10:40
  Speaker 3: on what kind of reaction they've got.
• 10:42
  Speaker 4: Yes, that was a great reaction, everyone loved it.
• 10:43
  Speaker 2: Well, then there you go.
• 10:45
  Speaker 3: Generally, if you if you had a shitter and there
• 10:47
  Speaker 3: was a few splattering, sort of claps, spit of coughing,
• 10:51
  Speaker 3: you wouldn't come back on for a second encore.
• 10:54
  Speaker 5: The sound of cheers scraping the ground. Yeah, yeah, Well,
• 10:58
  Speaker 5: there's a couple of things geez. The one is well,
• 11:01
  Speaker 5: first of all, when you tell somebody to break a leg,
• 11:04
  Speaker 5: what that means is at the end when you bow.
• 11:07
  Speaker 5: That is when you're breaking your leg, when you're bending
• 11:09
  Speaker 5: your knee. So the idea is that you hope that
• 11:12
  Speaker 5: the show is so good that you get an opportunity
• 11:14
  Speaker 5: to bow at.
• 11:15
  Speaker 4: The end, right, okay.
• 11:16
  Speaker 5: So there's two things going on. One is the audience
• 11:19
  Speaker 5: gets an opportunity to say thank you to the performers,
• 11:22
  Speaker 5: but also the performers with the bow giving up. It's
• 11:24
  Speaker 5: them saying thank you to the audience for sharing their attention,
• 11:29
  Speaker 5: being present and and just turning up for the show.
• 11:31
  Speaker 4: Yeah right, okay. And they also gestured to up to
• 11:34
  Speaker 4: the back of the doing the light.
• 11:36
  Speaker 2: Yes, yeah right technicians.
• 11:37
  Speaker 4: Yeah, yeah, because that was really interesting. I was, I
• 11:39
  Speaker 4: just did so that was That's the theater version of
• 11:41
  Speaker 4: an encore.
• 11:42
  Speaker 2: Yes.
• 11:42
  Speaker 4: The other thing too, was in quite a few sand
• 11:45
  Speaker 4: like stage shows. It's very mellow, dramatic. The acting is
• 11:48
  Speaker 4: over the top because you might be sitting miles away.
• 11:50
  Speaker 4: You need to be able to see what they're doing. Yes,
• 11:53
  Speaker 4: a lot of the sort of character. There was about
• 11:55
  Speaker 4: seven actors that played all different characters and so you
• 11:59
  Speaker 4: got are used to the same actors but in different
• 12:01
  Speaker 4: outfits and stuff, but quite often they'd be in the
• 12:03
  Speaker 4: background pretending to have conversations with one another. Yeah, is
• 12:07
  Speaker 4: because I know that there's a rumor that people say watermelon, watermelon,
• 12:09
  Speaker 4: watermelon because it looks like you're saying something. Yeah, but like,
• 12:13
  Speaker 4: have you ever done a role like that where you've
• 12:15
  Speaker 4: had to like pretend to have a conversation with people.
• 12:17
  Speaker 5: I've only ever been in the lead.
• 12:19
  Speaker 4: Yeah, okay, I mean you've never talked to anyone there.
• 12:27
  Speaker 5: I mean, I can tell you that watermelon automaton watermelon
• 12:30
  Speaker 5: is for cameras, so it doesn't apply to theater, right,
• 12:33
  Speaker 5: But oftentimes it's just people sort of making plans about
• 12:36
  Speaker 5: what they're going to do that evening, cetera, et cetera.
• 12:39
  Speaker 3: If I was ever in that scenario, I can tell
• 12:41
  Speaker 3: you what I was talking about is what I was
• 12:42
  Speaker 3: going to eat next, right, Okay, you know it's just you,
• 12:46
  Speaker 3: And often when you're doing a theater production, you're involved
• 12:49
  Speaker 3: in a passionate affair as well. So you might be
• 12:52
  Speaker 3: talking to that person saying, so, we are we going
• 12:53
  Speaker 3: to meet up afterwards?
• 12:54
  Speaker 2: And did you know.
• 12:57
  Speaker 4: Yeah, okay, cool, because I didn't think about that, because
• 12:59
  Speaker 4: you know, you've got to do stage shows to get
• 13:00
  Speaker 4: quite often the kissing. There's romance, and it must be
• 13:03
  Speaker 4: so many affairs.
• 13:04
  Speaker 2: Oh yes, actually, my wife's just signed up to do
• 13:07
  Speaker 2: a show. Oh really, yeah, yeah, what's it called? Lady Chattels.
• 13:15
  Speaker 1: The Darchy Big Show weekdays from four on Radio hod I.
• 13:19
  Speaker 3: Flipper there on the Radio Hodarchy Big Show this Friday afternoon.
• 13:23
  Speaker 2: Pugs is back with us again.
• 13:26
  Speaker 5: It's gone on.
• 13:35
  Speaker 4: The reason Pugs is it is because we earlier in
• 13:37
  Speaker 4: the show I talked about we chose our top four
• 13:41
  Speaker 4: most played songs for the year for each of us.
• 13:44
  Speaker 4: Our number one was The Throbber. YadA, YadA, YadA. Pugs,
• 13:46
  Speaker 4: on the other hand, has very different tastes of music
• 13:48
  Speaker 4: to all of us, and he's got a very interesting
• 13:51
  Speaker 4: Spotify wrapped. His top four songs are very interesting. Apo.
• 13:55
  Speaker 6: Yeah, there's quite there's sort of a diverse range there.
• 13:58
  Speaker 6: I generally I tend to listen to more of music,
• 14:00
  Speaker 6: not a hell of a lot of classics.
• 14:01
  Speaker 5: You listen to two songs at once, Yeah, a lot.
• 14:03
  Speaker 2: Of the time.
• 14:04
  Speaker 8: A lot of the songs I listen to sound like
• 14:05
  Speaker 8: two songs at once.
• 14:06
  Speaker 4: They do off rhythm, and my brain can't compute the Yeah,
• 14:10
  Speaker 4: come on, guys, he's like, listen to the thing. He's
• 14:13
  Speaker 4: trying to tap his foot along to it.
• 14:14
  Speaker 8: It's like Chris has seen that happen.
• 14:16
  Speaker 5: It's really hard that I've seen that can actually dance
• 14:19
  Speaker 5: to it. As the content director, Toddy.
• 14:21
  Speaker 8: Yeah, and I'm playing my songs for Toddy.
• 14:24
  Speaker 2: All of the time.
• 14:24
  Speaker 4: It's weird.
• 14:25
  Speaker 2: Yeah, it's like it's offbeat. That's what it is.
• 14:29
  Speaker 3: It's offbeat, and that's actually a very highly sophisticated rhythm.
• 14:33
  Speaker 4: But the thing with being off me and being sophisticated
• 14:35
  Speaker 4: is people that know about music, so it's sophisticated, and
• 14:38
  Speaker 4: then people that listen to music. Though this just sounds weird.
• 14:40
  Speaker 6: A lot of these songs in this top four you'll
• 14:42
  Speaker 6: find it are pretty easy to find the beat.
• 14:44
  Speaker 4: Okay, well, here's here's number four.
• 14:47
  Speaker 8: To go, number four. This is this is a song
• 14:48
  Speaker 8: called a Little Bit More.
• 14:49
  Speaker 6: It's a closing song on I second to closing song
• 14:52
  Speaker 6: off my favorite album from last year, McGee.
• 15:04
  Speaker 4: It sounds like a guy taking the past what is
• 15:06
  Speaker 4: his name?
• 15:06
  Speaker 5: Mcguin?
• 15:09
  Speaker 8: It does though, great album chill. I quite like it,
• 15:14
  Speaker 8: very chill, very chill. He draws a lot from the police.
• 15:17
  Speaker 4: Number three, so he's a sketch artist for the police.
• 15:20
  Speaker 4: Yeah what.
• 15:22
  Speaker 6: No.
• 15:24
  Speaker 8: Number four was a guy called Mike. He's a rapper, right, okay,
• 15:27
  Speaker 8: this is called Burning Desire.
• 15:28
  Speaker 4: There's number three? You mean three? What did I say?
• 15:39
  Speaker 4: I don't mind that as well?
• 15:40
  Speaker 8: Mike yea, his name is Mike in Capital Leaders.
• 15:42
  Speaker 3: Can I just say, fellows, that song was playing when
• 15:44
  Speaker 3: I walked in on Punk Sam kissing his girlfriend today
• 15:47
  Speaker 3: in the studios.
• 15:50
  Speaker 6: Far We're going to take a little bit of a
• 15:53
  Speaker 6: pivot here for number two. This is a song by
• 15:56
  Speaker 6: Scrillicks and Space Laces.
• 16:06
  Speaker 4: Oh god, Oh that's hot garbage, isn't it?
• 16:11
  Speaker 2: Yeah?
• 16:11
  Speaker 5: Get the skip from me.
• 16:12
  Speaker 4: That's someber It sounds like I've walked into a factory
• 16:15
  Speaker 4: or something, and the.
• 16:16
  Speaker 2: Singing sounded like one of your rebooger characters.
• 16:19
  Speaker 6: Yeah, let's why I get the inspiration from scrillic songs. Now,
• 16:22
  Speaker 6: Number one I got massively stitched up.
• 16:24
  Speaker 4: Basically, we just play it.
• 16:26
  Speaker 2: Oh you want me to?
• 16:26
  Speaker 8: Can I give the context now?
• 16:28
  Speaker 2: After? Okay?
• 16:30
  Speaker 4: All right, Here is Pugs's number one one most played song.
• 16:33
  Speaker 4: Of twenty twenty five, and I had.
• 16:35
  Speaker 2: Laugh, dam damning.
• 16:47
  Speaker 5: Can I just say song number one hens love?
• 16:54
  Speaker 3: It feels more like a Keysy kind of tune, but yeah,
• 16:58
  Speaker 3: good on you bugs.
• 16:59
  Speaker 4: Listen.
• 16:59
  Speaker 6: I'm not going to deny the musical telling of Elvis Prisley,
• 17:02
  Speaker 6: but I got stitched up there. I was leaving a
• 17:04
  Speaker 6: bar and I got into my car and I was
• 17:06
  Speaker 6: sober driving my partner and her friend home, who's an
• 17:09
  Speaker 6: ex musical theater student who's obsessed with the karaoke song,
• 17:12
  Speaker 6: which was Joe House Rock. She sang it three times
• 17:14
  Speaker 6: in the car in a row, and then I ended
• 17:17
  Speaker 6: up in my on repeat playlist, right shuffle, Bloody Jailhouse
• 17:22
  Speaker 6: Rock comes on and then it's.
• 17:23
  Speaker 5: My number one song, but you can turn it off?
• 17:26
  Speaker 2: How to do that? Come on, I'll help you after this.
• 17:30
  Speaker 4: Yeah, my Spotify, that'd be great.
• 17:33
  Speaker 2: No worries. What's your re are you reading? Age the hold?
• 17:42
  Speaker 8: Aching?
• 17:43
  Speaker 1: Big Show with Mike and Tune in week days and
• 17:46
  Speaker 1: four on Radio Hodaki