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Throw Back Thursday with Teddy Riley and more · The Breakfast Club

• 0:01
  Speaker 1: The Walmost Dangerous Morning Show, The Breakfast Club. Breakfast Club.
• 0:07
  Speaker 1: They put y'all together. Y'all are like a mega for us.
• 0:10
  Speaker 1: Y'all just took over him with your podcast. Is Chris Brown.
• 0:14
  Speaker 1: I've officially joined the Breakfast Club say Something. I'm with it,
• 0:18
  Speaker 1: Walmost Dangerous Morning Show, Breakfast Club Pies, Good Morning Usa,
• 0:34
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:35
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:37
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:39
  Speaker 1: yo yo yo yo yo yo yo yo, Good morning
• 0:41
  Speaker 1: angela Ye, good money. Charlomagne, the Guy, Piece of the planet.
• 0:45
  Speaker 1: It's Thursday. Yes, it's Thursday. It's throwback Thursday. Dropped on
• 0:51
  Speaker 1: the clue bombs now before we even enounce, who the
• 0:54
  Speaker 1: hell's coming the Icon Listen man, the Legend, a whole legend,
• 0:59
  Speaker 1: R one hundred percent grade A legend. Okay, it's my guy.
• 1:03
  Speaker 1: You know anything about me, then you know that I
• 1:06
  Speaker 1: am absolutely in heaven this morning. That's right, because if
• 1:09
  Speaker 1: it don't feel like Uptown Records in the nineties, I
• 1:11
  Speaker 1: don't want it. Well. Teddy Riley will be joining us
• 1:14
  Speaker 1: this morning. You know him from the legendary group Guy,
• 1:16
  Speaker 1: also from Rexton Effects. I don't know if we know
• 1:19
  Speaker 1: from Rexin Effects. He produced Guy Flast Street, Blast Street.
• 1:25
  Speaker 1: He produced numerous hits from Michael Jackson, Bobby Brown, Bobby Brown,
• 1:30
  Speaker 1: he produced for Jay Zduce, for so many people, so
• 1:34
  Speaker 1: many people. Yeah, he created a whole genre of music.
• 1:38
  Speaker 1: You gotta say, Teddy Riley is like top three greatest
• 1:42
  Speaker 1: producers of all time. How many producers can say they
• 1:45
  Speaker 1: created their own genre of music? Countless remixes for people
• 1:48
  Speaker 1: as well. There's only like two I probably put above him,
• 1:50
  Speaker 1: and I don't even know if I put above above.
• 1:53
  Speaker 1: I just think they're like cool. Of course, Jones and
• 1:55
  Speaker 1: Doctor Dre because Doctor Dre transcended so many errors. Quincy Jones,
• 2:00
  Speaker 1: Quincy Jones, Is you know Quincy Jones? Yeah? I don't.
• 2:04
  Speaker 1: Those Those are those are my three. Has anybody watch
• 2:06
  Speaker 1: this Quincy Jones documentary? No, I haven't gotten a chance
• 2:09
  Speaker 1: to watch it yet, right. I haven't turned no one
• 2:11
  Speaker 1: Netflix in a long time. I haven't even seen the
• 2:13
  Speaker 1: new season Oranges The New Black. I was just watching
• 2:16
  Speaker 1: that while I was aware. You know a lot of
• 2:17
  Speaker 1: hotels now have Netflix on the television. You can sign in. Yeah,
• 2:21
  Speaker 1: so the hotel I was at when I was in
• 2:23
  Speaker 1: San Francisco. The Netflix is on the television. You just
• 2:26
  Speaker 1: sign in and you can watch Netflix. Are you going
• 2:28
  Speaker 1: a problem with Netflix? This is the problem with Netflix.
• 2:30
  Speaker 1: That is there so it's no urgency to watch, to
• 2:34
  Speaker 1: watch in my mind, I'd be like, I watch The
• 2:37
  Speaker 1: New Black this weekend. I'll watch it this weekend, but
• 2:39
  Speaker 1: I never get around to it. You know what I'm saying.
• 2:41
  Speaker 1: I'm saying something to be said about appointment television. If
• 2:44
  Speaker 1: a show comes on at nine o'clock on the Thursday,
• 2:46
  Speaker 1: you want to catch that show because I'll be like,
• 2:49
  Speaker 1: I'll watch it later on Netflix. But that sometimes you're like,
• 2:51
  Speaker 1: this comes out Friday, Thursday night at midnight, and you
• 2:54
  Speaker 1: might want to watch the whole thing Friday, and that's
• 2:56
  Speaker 1: your whole thing what it was before before I was
• 2:58
  Speaker 1: like that with Netflix, I think because it's new. But
• 3:00
  Speaker 1: now I'm like, that's one I catch it on Monday,
• 3:03
  Speaker 1: I catch it on the weekend. If it ain't no
• 3:05
  Speaker 1: sense of urgency for me to watch. If I don't
• 3:07
  Speaker 1: feel like if I'm I don't feel like I'm missing
• 3:09
  Speaker 1: out by not watching it, I'm not in no rush.
• 3:11
  Speaker 1: But yesterday I had to host this Hustle in Brooklyn
• 3:14
  Speaker 1: premiere party. That show actually starts on Tuesday on BT.
• 3:17
  Speaker 1: Oh my homie. On that show, Little Ivy rivera yes,
• 3:20
  Speaker 1: and Danny deuce Is. There's a lot of people on
• 3:22
  Speaker 1: that show. It's all about hustlers, millennials in Brooklyn that
• 3:26
  Speaker 1: are trying to make it to the next level. Okay,
• 3:29
  Speaker 1: I got I got a question for you guys. Sorry
• 3:30
  Speaker 1: to go back to Teddy Raley, right, but I gotta
• 3:32
  Speaker 1: do a Teddy Raley mix. Talk to me, sir, Now,
• 3:34
  Speaker 1: I need to know your favorite Teddy Riley joint. Just
• 3:36
  Speaker 1: pick one already told you first of all, I mean,
• 3:39
  Speaker 1: I don't know if it's my favorite, but I try
• 3:40
  Speaker 1: to pick songs that are because I have a favorite
• 3:43
  Speaker 1: Guy song. I have a favorite Blackstreet song. Then of
• 3:46
  Speaker 1: course I love is It Good to You? That was
• 3:47
  Speaker 1: my song. I'm gonna tell you that I love Guy.
• 3:51
  Speaker 1: I like and the reason I love Guy like this
• 3:53
  Speaker 1: because I listened to Guy. No that's high five. Shut up.
• 3:57
  Speaker 1: They he produce that too. And now he's like, I like, yes,
• 4:01
  Speaker 1: I like are you sure? Yes? You positive? Yes? You
• 4:05
  Speaker 1: like both? Did the kissing game? Yes? Right there, says
• 4:08
  Speaker 1: the song was okay, the song was written by Teddy Riley.
• 4:11
  Speaker 1: Oh but no, Dave. Wait. Yeah, see that's the other
• 4:14
  Speaker 1: thing too. Teddy Riley was a hell of a writer.
• 4:16
  Speaker 1: You know what I'm saying. I mean, because you can
• 4:18
  Speaker 1: go to it's so many different you can go. Johnny
• 4:19
  Speaker 1: Kemp just got paid. And then I like piece of
• 4:23
  Speaker 1: my Love. I love piece of my love, them saying
• 4:29
  Speaker 1: Teddy's jam, I want Bobby Brown. Yeah, it's a life.
• 4:35
  Speaker 1: Let your aunties and uncles have day half daytime this morning.
• 4:39
  Speaker 1: Let your aunties and uncles have daytime this morning. Let
• 4:41
  Speaker 1: us enjoy this moment, okay, because we got to go.
• 4:43
  Speaker 1: Teddy Riley coming in here. I just feel bad, and
• 4:45
  Speaker 1: I'm gonna tell you why. Man, shut up, I'll tell
• 4:47
  Speaker 1: you why. I feel bad. Why Because it's our girl's
• 4:49
  Speaker 1: birthday and usday. I'll do our girls mix today. We're
• 4:52
  Speaker 1: gonna still rep for Cardi b how because I gotta
• 4:54
  Speaker 1: do it, Teddy Riley, because Cardi got records that playing
• 4:56
  Speaker 1: rotation every hour on Okay, Well, Cardi will be fine.
• 5:00
  Speaker 1: I mean show up some love on Social check still
• 5:01
  Speaker 1: Claire my Atlantic check of course Atlantic Baby. All right,
• 5:05
  Speaker 1: just make it sure, Barty ain't cutting the checks now
• 5:08
  Speaker 1: my body game from Barty game. Okay, all let's get
• 5:10
  Speaker 1: the show cracking front page news. What were talking about?
• 5:13
  Speaker 1: All right, we're gonna talk about the world's longest flight.
• 5:15
  Speaker 1: How long do you think that flight is? And where
• 5:17
  Speaker 1: do you think it's coming from? And headed to? That's
• 5:19
  Speaker 1: happening today? Actually, okay, all right, we'll get into all
• 5:22
  Speaker 1: that when we come back. Keep it locked. Just to
• 5:23
  Speaker 1: Breakfast Club come morning. They won't be expected when Keppel
• 5:27
  Speaker 1: go to side because I told him that morning. Everybody
• 5:33
  Speaker 1: is dj M v Angela yee, Charlomagne the guy. We
• 5:37
  Speaker 1: are the Breakfast Club. Let's getting some front page news
• 5:40
  Speaker 1: now tonight. It's Thursday night and put the New York
• 5:44
  Speaker 1: Giants take on the Philadelphia Eagles. Should be a win
• 5:47
  Speaker 1: for the Giants, but we'll see what happens tonight. Why
• 5:49
  Speaker 1: why would that be a win for the Giants in
• 5:50
  Speaker 1: philadeph Eagle to defend the Super Bowl champions? Why why
• 5:53
  Speaker 1: you think that's such an easy one. I mean, we
• 5:54
  Speaker 1: got we got Odell. You had in the past four
• 5:59
  Speaker 1: weeks the game. We had to get things together. You know,
• 6:02
  Speaker 1: sometimes when you're new on the team and take some
• 6:04
  Speaker 1: time to, you know, to get things together. Good, to
• 6:07
  Speaker 1: be able to work together home. If I'm a lot
• 6:08
  Speaker 1: man and I ain't throwing the ball nowhere, Neil though,
• 6:11
  Speaker 1: Well we freed you out. You want to talk spicy
• 6:13
  Speaker 1: this weekend? All right, watch this buddy, My goodness. All right, well,
• 6:16
  Speaker 1: let's talk about the hurricane. Yes, Hurricane Michael. They said
• 6:19
  Speaker 1: the death toll is at least two people at this
• 6:21
  Speaker 1: point in time because of the storm related incidents. More
• 6:25
  Speaker 1: than half a million customers don't have electricity in Alabama, Georgia,
• 6:28
  Speaker 1: and Florida. It is now headed to the Carolinas, but
• 6:32
  Speaker 1: it has downgraded from a powerful category for a hurricane
• 6:35
  Speaker 1: to a tropical storm. So all these people don't have power,
• 6:37
  Speaker 1: and at least two people have been killed as a
• 6:40
  Speaker 1: result of Hurricane Michael. They're telling people that if you're
• 6:43
  Speaker 1: trying to get back to your home, wait until they
• 6:44
  Speaker 1: tell you it's safe to go to. There's a lot
• 6:46
  Speaker 1: of debris in the road, a lot of places they
• 6:48
  Speaker 1: can't even go and see if people are safe yet.
• 6:50
  Speaker 1: Speedy recovery, yes, of course. Now the world's longest flight
• 6:54
  Speaker 1: is set to take off today now New York time.
• 6:57
  Speaker 1: That's gonna be on the East coast time, that's gonna
• 6:59
  Speaker 1: be a thirty five am, But in Singapore it's eleven
• 7:02
  Speaker 1: thirty five pm. That flight's going from Singapore to New York.
• 7:05
  Speaker 1: And they're saying it's a nineteen hour flight. So people
• 7:09
  Speaker 1: have done that before them. No, this is the longest.
• 7:11
  Speaker 1: It's the world's longest flight to Singapore from New York.
• 7:16
  Speaker 1: And they did have one before, but it was an
• 7:18
  Speaker 1: eighteen hour flight and then they stopped doing it, and
• 7:20
  Speaker 1: now this one's nineteen hours. People say they flowed nineteen
• 7:23
  Speaker 1: eighteen hours before going to like Japan or South Africa now,
• 7:26
  Speaker 1: but that's all that's connected. Nine The Maldis were about sixteen,
• 7:31
  Speaker 1: but you have to connect. It was no direct flight
• 7:33
  Speaker 1: to the world's longest direct flight nineteen hours. Cool on that.
• 7:38
  Speaker 1: AIN don't need for me to be in the sky
• 7:39
  Speaker 1: that long unless I'm a goddamn bird. When I took
• 7:41
  Speaker 1: that on the sixteen hour flight to Johannesburg, I actually
• 7:43
  Speaker 1: enjoyed myself. I thought, for eleven hours, I love it.
• 7:46
  Speaker 1: They give you a great food, you get to sleep
• 7:49
  Speaker 1: for eleven hours. I don't think I've ever done that.
• 7:51
  Speaker 1: I did that all the time in my life. I
• 7:52
  Speaker 1: mean moving back to South Africa November on a nineteen
• 7:55
  Speaker 1: hour flight. That's what I would need it though, regular,
• 7:57
  Speaker 1: like the bathrooms on any other flight. No, nothing special,
• 8:01
  Speaker 1: no shower nineteen I'm definitely I might have the poo.
• 8:04
  Speaker 1: What airline did you fly? You? Um? I flew on
• 8:07
  Speaker 1: parts with the airline you fly because somebody aligns absolutely
• 8:11
  Speaker 1: and I'm a very regular boular. Oh yeah, I didn't
• 8:14
  Speaker 1: have to do that all right. Now, let's talk about
• 8:15
  Speaker 1: a New York man. He's been charged with building a
• 8:18
  Speaker 1: two hundred pound bomb that he was allegedly planning to
• 8:20
  Speaker 1: detonate on Washington's National Mall on election day. Paul Rosenfeld,
• 8:25
  Speaker 1: fifty six years old. He was in court yesterday. They
• 8:28
  Speaker 1: found an explosive device in his basement. On Tuesday. They
• 8:31
  Speaker 1: pulled him over while he was driving. He admitted that
• 8:33
  Speaker 1: he bought black powder online and then took that to
• 8:36
  Speaker 1: his house in New York from New Jersey and started
• 8:38
  Speaker 1: building this explosive device. Why would you do that on
• 8:40
  Speaker 1: election day? Like? What if the person that you actually
• 8:42
  Speaker 1: voted for wins? Well, he was trying to, as he said,
• 8:45
  Speaker 1: bring attention to a political ideology called Sortitian. It means
• 8:49
  Speaker 1: a theory that advocates the random selection of government officials.
• 8:55
  Speaker 1: I know, don't defeat the whole purpose of voting. I
• 8:57
  Speaker 1: don't know what his da what? Yeah? Who are these
• 9:00
  Speaker 1: proud people that are randomly picking people? Listen? I haven't
• 9:03
  Speaker 1: even heard of sartician before. Sounds like something from Game
• 9:05
  Speaker 1: of Thrones. Clearly something's wrong with this man. Swartician is
• 9:08
  Speaker 1: the guy that makes your weapon. All right, that is
• 9:12
  Speaker 1: your front page news. All right, thank you, miss ye.
• 9:14
  Speaker 1: Now get it off your chests. Eight on drink five
• 9:16
  Speaker 1: eight five one o five one. If you need to
• 9:18
  Speaker 1: vent hit us up right now. Maybe you had a
• 9:20
  Speaker 1: bad night, bad morning. Maybe you just need to get
• 9:23
  Speaker 1: some things off your chest to have a better day.
• 9:25
  Speaker 1: To tell your aunts and uncles that Teddy Riley will
• 9:27
  Speaker 1: be here next hour, goddamn it. Or if you feel blessed,
• 9:29
  Speaker 1: you can spread some positivity as well. Daddy five eight
• 9:33
  Speaker 1: five one o five one and your aunties. Breakast club,
• 9:35
  Speaker 1: go morning the breakfast club. This is your time to
• 9:41
  Speaker 1: get it off your chest. Whether you're man from you
• 9:45
  Speaker 1: on the breakfast club. But you got something on your mind,
• 9:48
  Speaker 1: Let hello with this, Hello, this is a fleet flee.
• 9:53
  Speaker 1: What's up getting off your chests? Bro, Yo, I'm type
• 9:56
  Speaker 1: mad about that Mike Epps episode. Man like Mike was
• 10:00
  Speaker 1: talking about how he if he had five hundred billions, Like,
• 10:05
  Speaker 1: what is he gonna do either get a big house
• 10:07
  Speaker 1: off the car. I'm like, Yo, listens a hundred thousand
• 10:11
  Speaker 1: people that look just like him that are looking to
• 10:13
  Speaker 1: be comedians that he can actually set up an institute.
• 10:16
  Speaker 1: You know, that's the type of thing that Kevin Hart
• 10:17
  Speaker 1: is actually you know what I'm saying, trying to do.
• 10:20
  Speaker 1: So he needed to get off Kevin Harts and actually trying,
• 10:24
  Speaker 1: like you know, team up for Kevin to actually trying
• 10:26
  Speaker 1: to build something. You know what I'm saying, and shout
• 10:28
  Speaker 1: out to my bash see to God man. I appreciate
• 10:30
  Speaker 1: your help and the actually helping me prome up my
• 10:32
  Speaker 1: little short film perceiver. What calls you a streaming on
• 10:35
  Speaker 1: Amazon problem right now? Love betweet him didn't even know.
• 10:41
  Speaker 1: I don't care, you know what? That's what real help
• 10:44
  Speaker 1: is help. What I'm saying, when you're helping people, ain't
• 10:46
  Speaker 1: even looking for nothing to return or even know what
• 10:47
  Speaker 1: the hell you're doing. Hello, who's this? This is Casey
• 10:50
  Speaker 1: from Los Angeles. What's up, bro? Get it off her chess. Man.
• 10:53
  Speaker 1: I want to give a shout out to arresting peace
• 10:55
  Speaker 1: to my big brother Reggie. You passed over the Moroial
• 10:57
  Speaker 1: Day weekend this year. Man, I've been trying to call
• 10:59
  Speaker 1: stand but I've been finally abould to get through. It's
• 11:02
  Speaker 1: like three in the morning over here. Sorry to hate that,
• 11:04
  Speaker 1: my brothers. Yeah, man, thank you guys. Are listening to
• 11:08
  Speaker 1: you guys every morning. Man, you guys really be help.
• 11:10
  Speaker 1: Really helped me through to my breathing process. Man, you guys.
• 11:13
  Speaker 1: I love you guys. Love you too. My brother Ya Tom,
• 11:16
  Speaker 1: I brought up you love him? Huh Hello, who's this hey?
• 11:21
  Speaker 1: Breakfast club? This is justin? They justin just him, get
• 11:25
  Speaker 1: it off chests, justin. Oh. Man, don't you hate it
• 11:28
  Speaker 1: when you have an argument with somebody and you can't
• 11:31
  Speaker 1: remember what exactly to say or whatever. Then later on
• 11:33
  Speaker 1: you're just sitting there You're like, man, I should have
• 11:36
  Speaker 1: said this, that person that shut them down right away? Yeah, yeah, everybody,
• 11:40
  Speaker 1: just that. I'm sure you have that all the time.
• 11:42
  Speaker 1: When it comes to Charlotte and you sitting there talking
• 11:44
  Speaker 1: a little later on and you're like I shouldn't told
• 11:45
  Speaker 1: him this, I really don't. I just I don't think
• 11:48
  Speaker 1: we do that here you go to here, but more
• 11:50
  Speaker 1: at home like you with your wife, Black, I should
• 11:52
  Speaker 1: have said that, but yeah, it happens all the time,
• 11:54
  Speaker 1: and you shouldn't be arguing with your wife. I don't
• 11:55
  Speaker 1: do that. That's a losing battle. O all you remember
• 11:58
  Speaker 1: an argument? You gotta ask yourself, do you want to
• 12:00
  Speaker 1: be happier? Do you want to be ready? And that's
• 12:02
  Speaker 1: that's what I asked all the time. And that's why,
• 12:03
  Speaker 1: you know what, sometimes you just shut the f up.
• 12:05
  Speaker 1: Hey man, I'll always pick happiness because knowing I'm right
• 12:09
  Speaker 1: enough for me, I have to prove it to the
• 12:10
  Speaker 1: other person. Chavon, Hello, Hey, come on, chiv, Hey, come
• 12:14
  Speaker 1: onning guys, hey, get it off us. Yesterday was my birthday.
• 12:19
  Speaker 1: Happy lady birth don't tell her happy birthday yet. She
• 12:21
  Speaker 1: probably didn't get what you wanted. No, actually I did. Um.
• 12:26
  Speaker 1: I gotta say this year was a little bit of
• 12:28
  Speaker 1: a challenge. But for my birthday aboard a house. Oh
• 12:32
  Speaker 1: now that's a birthday President imaginations. That's huge. Yes, yes, yes,
• 12:38
  Speaker 1: so I'm definitely grateful for that. And you know, came
• 12:41
  Speaker 1: from humble beginnings, from the Bronx, from the projects. There
• 12:45
  Speaker 1: you go. It's definitely jo's good to accomplish that goal. Well,
• 12:49
  Speaker 1: you know, all the craziest people in America come from
• 12:51
  Speaker 1: the Bronx and all the Florida. So yes, you should
• 12:53
  Speaker 1: patch yourself on the back. Welcome to crazy. We're very
• 12:56
  Speaker 1: happy for you. The house that would you buy? That
• 12:58
  Speaker 1: such an accomplishment Connecticut. Okay, all right, well congratulations mama.
• 13:02
  Speaker 1: Don't you go bringing the property value down to that
• 13:04
  Speaker 1: neighborhood now and happy back there again. Enjoyed at home.
• 13:10
  Speaker 1: Get it off your chest eight hundred five eight five
• 13:12
  Speaker 1: one on five one. If you need to vent, hit
• 13:14
  Speaker 1: us now. It's the breakfast Club. Go morning. The Breakfast
• 13:17
  Speaker 1: Club can pick up the mother mother phone and down.
• 13:22
  Speaker 1: This is your time to get it off your chat nother.
• 13:24
  Speaker 1: You're manas we want to hear from you on the
• 13:28
  Speaker 1: Breakfast Club, so you better have the same energy. Hello,
• 13:31
  Speaker 1: who's this? This is God from Baggers, Louisia. You better
• 13:35
  Speaker 1: hurry your ass up to the hospital. Man, you're about
• 13:37
  Speaker 1: to have a baby. Your wife's about to have a baby,
• 13:39
  Speaker 1: and you're calling us. Man, I'm gonna work right now, Bro,
• 13:42
  Speaker 1: I'm hitting on to the stout and pick up my car.
• 13:45
  Speaker 1: Then I'm going to my baby b He's gonna have
• 13:47
  Speaker 1: a little balls on the side or out down a
• 13:50
  Speaker 1: niche show. All right, this is your first baby, No,
• 13:53
  Speaker 1: this is my third. Welcome to the three Kid Clubs,
• 13:56
  Speaker 1: sir man. Yeah, congratulations to you, Coch the man. I
• 14:00
  Speaker 1: got choe book. Bro, I'm waiting on that nick one.
• 14:02
  Speaker 1: Next one be out October twenty third Shook one anxiety
• 14:05
  Speaker 1: playing tricks on me. You can pre order now. How
• 14:07
  Speaker 1: old you bro? I'm twenty four. Man, I've been driving
• 14:10
  Speaker 1: Trump three years. Ka. Congratulations. I waited till I was
• 14:13
  Speaker 1: forty to have a third shot. Nah, man, I'm trying
• 14:16
  Speaker 1: to go on and get him out there earlier. Yeah,
• 14:17
  Speaker 1: going to get him what you needs to. How many
• 14:19
  Speaker 1: more are you gonna have? Na? This is it? I
• 14:20
  Speaker 1: ain't having no momola? How you know? How you know?
• 14:23
  Speaker 1: You for? How many baby mamas you got? I got
• 14:25
  Speaker 1: to I got two crazy baby mamas and a girlfriend
• 14:28
  Speaker 1: that's gonna have a baby. So you got three baby mamas? Yeah,
• 14:31
  Speaker 1: three baby mamas in a wife, well, a fiance. Three
• 14:35
  Speaker 1: baby mamas and a wife. You didn't name the headache
• 14:38
  Speaker 1: you get on a daily basis. Geez, thank you man.
• 14:41
  Speaker 1: Yeah yeah, yeah, he's having more big chocolate. You know,
• 14:45
  Speaker 1: what's up gang? How are we doing? Everything is good,
• 14:47
  Speaker 1: Big chocola, It's good. Two quick TV things. One don't
• 14:49
  Speaker 1: want to tell everybody in Brooklyn next week. Don't watch
• 14:52
  Speaker 1: Jimmy Kimmel show the Biggest Coming. He's still upset with
• 14:54
  Speaker 1: him for doing black face years ago. Don't support them
• 14:56
  Speaker 1: to kiss you black cass while you pass cass. What
• 14:58
  Speaker 1: big bigges? I mean, Jimmy Kimmel to Brooklyn next week.
• 15:02
  Speaker 1: Don't show at the Barclays right right right, he's the biggest.
• 15:06
  Speaker 1: Jimmy Kimmel is not a bigger. There were a lot
• 15:09
  Speaker 1: of white men on TV's that are biggest. Jimmy Kimmel's
• 15:11
  Speaker 1: not want to We talked about that. Good luck to you,
• 15:13
  Speaker 1: Charlotmagne brother on your HBO show. And if you need helpe,
• 15:16
  Speaker 1: I can helpe. I know for the first show. No
• 15:18
  Speaker 1: no no we no no no no no no no
• 15:22
  Speaker 1: no no no no no no no no big whatever
• 15:26
  Speaker 1: you know. No no no no no no no no
• 15:29
  Speaker 1: no no no no no no no no no no
• 15:32
  Speaker 1: no no oh wait, Jimmy Kimmels that bam, I'm ignoring
• 15:37
  Speaker 1: this now going Academy and music all right, big cholder chocolate,
• 15:41
  Speaker 1: suck a big choke whatever your name is, a big show.
• 15:46
  Speaker 1: Tram you, what's going on? Tramp on you without chat
• 15:53
  Speaker 1: with your fine ass. I've seen you on I've seen
• 15:56
  Speaker 1: you on the ground. Okay. Oh yeah, travel always gives
• 15:58
  Speaker 1: me nice positive you back on the grand okay truck.
• 16:01
  Speaker 1: If people people be hating on you on the Grand Year,
• 16:04
  Speaker 1: I know, and I don't understand why. What's got Charlotte Magne?
• 16:07
  Speaker 1: What upsis? What? You're fine as? Hey? You know how
• 16:12
  Speaker 1: to get me hype in the morning, right? What made
• 16:15
  Speaker 1: you just say that all of a sudden idea for
• 16:18
  Speaker 1: how to hype you up to? Oh okay, I thought
• 16:21
  Speaker 1: you saw a new some new video or something. You
• 16:25
  Speaker 1: know what I'm saying that saw thought you saw that
• 16:27
  Speaker 1: glow from these calonics. Listen, voluntary. We we we gotta
• 16:32
  Speaker 1: we we gotta put jabulst on ice until we figure
• 16:35
  Speaker 1: out what happened with him, I mean fabulist. Excuse me,
• 16:37
  Speaker 1: I ain't stopped. Leave him alone man now? And who
• 16:42
  Speaker 1: I know you got a song with him, but you listen,
• 16:44
  Speaker 1: I wanted support you. I wanted support your album. So
• 16:46
  Speaker 1: we gotta put him on ice and said we figure
• 16:48
  Speaker 1: out now he's been not gonna make jokes about this.
• 16:50
  Speaker 1: We're gonna hold on punches, no fabs. He gonna he
• 16:53
  Speaker 1: wanted to take this on the chain, shut out the
• 16:58
  Speaker 1: shot on thing. I gonna throw a little jabs at them.
• 17:00
  Speaker 1: But you think he got married, Um, that's that's the rumor.
• 17:04
  Speaker 1: And if he didn't get married, I think we all
• 17:05
  Speaker 1: know why now. But if they picked up the charges
• 17:08
  Speaker 1: for a reason, and we not only ignore it, not
• 17:10
  Speaker 1: unless your friend, but we cannot ignore. But I mean
• 17:12
  Speaker 1: him getting married. I'm trying to figure out why with
• 17:15
  Speaker 1: him getting married stopped to charges. I kept seeing people
• 17:17
  Speaker 1: say that, like, well, why why would that be? Because
• 17:19
  Speaker 1: Emily B has been wanting to getting married all this time.
• 17:22
  Speaker 1: He doesn't want he want short to say eight times
• 17:24
  Speaker 1: and allegedly allegedly, allegedly allegedly, Yeah, but this isn't Emily
• 17:28
  Speaker 1: president charges. Though the state picked up the charges, didn't
• 17:30
  Speaker 1: they Yeah, but the states people have the charges because
• 17:33
  Speaker 1: Emily first went down and and talked about what happened
• 17:37
  Speaker 1: to her, and then the state picked only picks of
• 17:38
  Speaker 1: the charges if they feel like they can win the case.
• 17:40
  Speaker 1: If they feel like they haven't, they don't need Emily
• 17:43
  Speaker 1: for That's what I'm saying. So I don't understand why
• 17:45
  Speaker 1: everybody's like, oh, he's married. Everybody don't a lot easier
• 17:50
  Speaker 1: on Some think that's why they stay picked up all.
• 17:52
  Speaker 1: I mean, I can tell you that. I mean, I've
• 17:55
  Speaker 1: had states to stay pick up charges on leave over
• 17:57
  Speaker 1: my ex and only reason to stay the stake preak
• 18:00
  Speaker 1: of the charge is the only reason they dropp the charges.
• 18:02
  Speaker 1: This because he didn't show up. Right. If they don't cooperate,
• 18:04
  Speaker 1: there's nothing they could really do about it. That's not
• 18:06
  Speaker 1: always the case, though they may have they may have
• 18:09
  Speaker 1: enough evidence, they may have a video, they may have
• 18:11
  Speaker 1: something that they can use against fat. They don't always
• 18:13
  Speaker 1: need to witness. Oh well, they might have pictures from
• 18:17
  Speaker 1: that night of Emily Wood bruises on their face. I
• 18:20
  Speaker 1: don't know. I'm just saying like, you don't always need
• 18:22
  Speaker 1: to witness health, all right, but we got for him
• 18:25
  Speaker 1: on ice. That's my guy too, who used to be
• 18:27
  Speaker 1: and can we figure out what happened? That is very true,
• 18:30
  Speaker 1: all right, y'all? Bye By chaff. We figure out what happened,
• 18:35
  Speaker 1: and he might not be good on it, so he
• 18:37
  Speaker 1: might be good for a feature too. It's not give
• 18:39
  Speaker 1: let's not give him his own record. Stop hitting and
• 18:41
  Speaker 1: get it off your chests. Eight hundred and five eight
• 18:43
  Speaker 1: five one on five one. You've got rooms on the way. Yes,
• 18:46
  Speaker 1: let's talk about an emotional breakdown. Find out what celebrities
• 18:49
  Speaker 1: in the hospital getting mental health treatment because of that. Okay,
• 18:52
  Speaker 1: we'll get into all that, and don't forget next hour,
• 18:55
  Speaker 1: Teddy Riley will be joining us. All right, it's the
• 18:57
  Speaker 1: Breakfast Club. Good morning, Breakfast Club Morning. Everybody is DJ Envy,
• 19:03
  Speaker 1: Angela Yee, Charlemagne the guy. We are to Breakfast Club
• 19:06
  Speaker 1: one day to the weekend. Man, my knees hurt? How
• 19:10
  Speaker 1: are you doing scratching? All right, let's get to these
• 19:13
  Speaker 1: rumors to talk Fabulous. It's about this report Angela Yee
• 19:24
  Speaker 1: on the Breakfast Club. Well, last week, Fabulous was indicted
• 19:29
  Speaker 1: for one count of domestic violence with significant bodily injury,
• 19:32
  Speaker 1: two counts of threatening to kill, and one count of
• 19:34
  Speaker 1: possession of a weapon, which was a pair of scissors.
• 19:37
  Speaker 1: You guys all saw this video where fab was brandishing
• 19:40
  Speaker 1: these scissors at Emily B and her father in the
• 19:44
  Speaker 1: dryway of their home in Inglewood, New Jersey. Now, all
• 19:47
  Speaker 1: four of those charges are for third degree crimes in
• 19:49
  Speaker 1: New Jersey. Each charge can bring up to five years
• 19:51
  Speaker 1: in prison. Now and Emily Emily not so the state
• 19:56
  Speaker 1: picked it up. Yeah, the state has picked it up.
• 19:58
  Speaker 1: So they say the state will still pursue because there's
• 20:01
  Speaker 1: other evidence like witness observations or prior statements from the
• 20:04
  Speaker 1: defending our alleged victim. Right. Absolutely, so. Uh, they are
• 20:08
  Speaker 1: still together though, so we'll see what happens and we'll
• 20:11
  Speaker 1: keep you guys updating. Oh and we gave some wrong
• 20:13
  Speaker 1: information during telling them why you're out there is spousal
• 20:15
  Speaker 1: privilege just applied in both federal and state courts, so
• 20:17
  Speaker 1: a wife can claim. Yeah, so that's when everybody's talking
• 20:21
  Speaker 1: about Fabie. I'm really getting married. I was like, why, why,
• 20:23
  Speaker 1: what did they got to do with anything? But she
• 20:24
  Speaker 1: doesn't have to testified. She could say she don't remember,
• 20:26
  Speaker 1: she could say whatever she wants to say. She doesn't
• 20:27
  Speaker 1: have to she doesn't have to cooperate, right, and if
• 20:29
  Speaker 1: anything did happen, we don't know, So we will keep
• 20:32
  Speaker 1: you updated now let's talk about the Title X Show
• 20:35
  Speaker 1: in Brooklyn. Title has announced their lineup for their fourth
• 20:38
  Speaker 1: annual Title X Show, and that's going to be happening
• 20:40
  Speaker 1: October twenty third, and performances include A Little Way in A,
• 20:44
  Speaker 1: Lauren Hill, Meek mil Adinson, Pack, Normany Kodak, Black Tiana Taylor,
• 20:49
  Speaker 1: Little Skies, Black Though, Queen Naja, The Locks of Big Mensa, Blackboy,
• 20:53
  Speaker 1: JB Danny Lay, That's my girl, Ja kritch Um. So
• 20:57
  Speaker 1: that's just some of the people performing properly cluded ball
• 20:59
  Speaker 1: of Lauren Hill. You know why I say that the
• 21:01
  Speaker 1: Lauren it will always finness her way the headline and show,
• 21:05
  Speaker 1: even though people know she maybe two hours late. His
• 21:08
  Speaker 1: education to Lauren Hill is that good and she's that
• 21:10
  Speaker 1: much of an icon that she's worth away, all right.
• 21:13
  Speaker 1: So those funds are going to support organizations that are
• 21:15
  Speaker 1: spearheaded by the artist, which includes Little Wayne, Social Way
• 21:18
  Speaker 1: for Change, Ta's Title X Money Talk, Education Challenge, and
• 21:22
  Speaker 1: also social justice initiatives from people like Asa Fert, The Locks,
• 21:26
  Speaker 1: Damian Marley and Moore. All right, now, let's do some
• 21:29
  Speaker 1: mean tweets. We all get these, right, and of course
• 21:32
  Speaker 1: I'm Jimmy Kim alive. That's where celebrities get to read
• 21:34
  Speaker 1: their mean tweets. But here was the music edition from
• 21:37
  Speaker 1: the American Music Awards Tiger Pants too tight hashtag. I
• 21:41
  Speaker 1: like some of Halsey songs, but my god, she sings
• 21:44
  Speaker 1: like a goat being in the ass. Jason Derulo sucks horse.
• 21:50
  Speaker 1: Pink is aging pretty well for a pig. Thank you,
• 21:55
  Speaker 1: shout out the schoolboy Q he ugly did them. The
• 22:00
  Speaker 1: show I Am geasy is like the American cheese of cheeses,
• 22:04
  Speaker 1: or like the boxed wine of wines or some other thing.
• 22:09
  Speaker 1: The tweets Jimy Kimmel does don't mean tweets a cute.
• 22:11
  Speaker 1: You can go a little bit more deeper, though. There's
• 22:13
  Speaker 1: some more of some very much harsher stuff being said. Well, yeah,
• 22:16
  Speaker 1: we don't want to kill people's spirits. We should. You
• 22:18
  Speaker 1: gotta pay it one day we go. We gotta see
• 22:20
  Speaker 1: the tweets anyway, Like if they're atting, you're gonna see
• 22:22
  Speaker 1: how many ways you might as well read them, regardless
• 22:24
  Speaker 1: of how harsh they are. All right now, Selena Gomez
• 22:27
  Speaker 1: has been hospitalized twice in the last two weeks, and
• 22:30
  Speaker 1: now they're saying she is suffering from an emotional breakdown.
• 22:32
  Speaker 1: So now she's had a mental health facility for treatment. See,
• 22:36
  Speaker 1: and this is what means tweets and negative comments can do,
• 22:38
  Speaker 1: because the last time she posted on her social media
• 22:40
  Speaker 1: on September twenty third, she said, just remember, negative comments
• 22:43
  Speaker 1: can hurt anybody's feelings. I be well. I keep telling
• 22:46
  Speaker 1: y'all that, you know, those these smartphones, these social media apps,
• 22:50
  Speaker 1: we're in abusive relationships with these things. Like it's like
• 22:52
  Speaker 1: going home every day and getting yelled at and curse
• 22:55
  Speaker 1: that you wouldn't stay in a relationship like that, people
• 22:57
  Speaker 1: telling you how terrible suck this and that? Why I
• 23:00
  Speaker 1: stay on social media? Now, well that's why she's off
• 23:02
  Speaker 1: right now. She did an Instagram live before she left
• 23:05
  Speaker 1: too and answering questions, and she said that depression had
• 23:08
  Speaker 1: consumed her life for five years. Now, what they are
• 23:11
  Speaker 1: saying is that she was admitted to the hospital. She
• 23:13
  Speaker 1: had first emergency because she had an alarmingly low white
• 23:17
  Speaker 1: blood cell count because of her kidney transplant that she had.
• 23:20
  Speaker 1: She was released, but then she had to be readmitted
• 23:22
  Speaker 1: because her low blood cell count persisted, and that's when
• 23:25
  Speaker 1: she went into a downward emotional spiral. They said she
• 23:27
  Speaker 1: wanted to leave the hospital. Doctor said she couldn't. She
• 23:30
  Speaker 1: had a meltdown. She freaked down and tried to rip
• 23:32
  Speaker 1: the ivy out of her arm, and they said that
• 23:34
  Speaker 1: was an emotional breakdown. Said they currently have her now
• 23:36
  Speaker 1: in an East Coast psychiatric facility where she's getting dialectical
• 23:40
  Speaker 1: behavior therapy. Well prayers up for her mental health is wealth,
• 23:43
  Speaker 1: you know what I'm saying, getting help absolutely. Once again,
• 23:45
  Speaker 1: I keep telling y'all, man, we're painting this unattainable picture
• 23:48
  Speaker 1: of perfection in America via social media and now that
• 23:51
  Speaker 1: virtual reality as teached you to our real live because
• 23:53
  Speaker 1: we forced to try to be perfect in real life too.
• 23:56
  Speaker 1: That's gonna cause a lot more emotional breakdown than the
• 23:58
  Speaker 1: future because it's just possible to attain that level of perfection.
• 24:02
  Speaker 1: It doesn't exist. Yeah, you know, it really feels good
• 24:04
  Speaker 1: when you're going around and you give people compliments just randomly.
• 24:07
  Speaker 1: And I do that five times a day on purpose,
• 24:09
  Speaker 1: and sometimes more if I feel so inclined. But I
• 24:12
  Speaker 1: make sure that I do that, like I pushed myself,
• 24:14
  Speaker 1: and it's not not genuine. It's not not genuine. You
• 24:17
  Speaker 1: ever got a Complimenteli enemy. I ain't never got no
• 24:20
  Speaker 1: god dam compliment. Maybe she doesn't feel that way about it.
• 24:22
  Speaker 1: Ever got one? Drum? Steve, you ever got one? I
• 24:25
  Speaker 1: work with this woman every day. It's a way of
• 24:26
  Speaker 1: these five. When do you start this? Maybe it's people
• 24:30
  Speaker 1: she liked, but no, I tried to give five compliments
• 24:33
  Speaker 1: a day. Who maybe people that deserve it day. Okay,
• 24:41
  Speaker 1: they have to be genuine. I'm not gonna make up
• 24:42
  Speaker 1: a compliment. Well, if you had to make up one,
• 24:45
  Speaker 1: make up one for m right now, Um, your hair
• 24:48
  Speaker 1: looks nice, by the way, that's exactly why I don't
• 24:52
  Speaker 1: bless Angelina when she sneezes. It's crazy, all right, all right,
• 25:02
  Speaker 1: well a man, and that's your rumor report. But it's
• 25:06
  Speaker 1: nice when you do it to people you don't know.
• 25:08
  Speaker 1: Also like strangers, because a lot of times we're not
• 25:10
  Speaker 1: nice to people that you see randomly on the street
• 25:12
  Speaker 1: and someone's looking at you, you're like, what the hell
• 25:14
  Speaker 1: they're looking at? But it's nice to be like, um,
• 25:16
  Speaker 1: you look really great today, or I like your hair
• 25:17
  Speaker 1: or whatever. Talk about you. Guys, don't try this too much.
• 25:20
  Speaker 1: Exactly for you. I like your head creep resources all right,
• 25:27
  Speaker 1: all right, all right, Well, let's clear this up now
• 25:29
  Speaker 1: when we come back. The Icon man, the legend, a
• 25:33
  Speaker 1: whole legend, one hundred percent pure grade, a legend, and
• 25:36
  Speaker 1: I have compliments for him today. Let your auntie and
• 25:38
  Speaker 1: your uncle's have this moment, all right, because one of
• 25:41
  Speaker 1: the greatest producers of all time to me, top three
• 25:43
  Speaker 1: greatest producers of all time. You know, if it don't
• 25:46
  Speaker 1: feel like Uptown Records in the nineties, I don't want it,
• 25:48
  Speaker 1: goddamn all right. Well, he's from Hallo, architect of the
• 25:51
  Speaker 1: New jack Swing era. Absolutely, he's from Hallom my Meta Mountain, Virginia.
• 25:55
  Speaker 1: When I was in Hampton. Of course he lived out
• 25:56
  Speaker 1: there for a while. First time I ever seen Michael
• 25:59
  Speaker 1: Jackson by was Teddy Riley bringing him to Virginia. So
• 26:02
  Speaker 1: we're gonna talk to him. When we come to talk
• 26:04
  Speaker 1: to Michael Jackson, I did not talk to him. I said,
• 26:06
  Speaker 1: I seen him walk by, So you didn't say anything. No, No,
• 26:10
  Speaker 1: I was out as a fan watching like everybody else.
• 26:13
  Speaker 1: Though he walked right past. You walked upon Michael and said, yo,
• 26:15
  Speaker 1: Bud is mine. That's all you could think of, Teddy Riley.
• 26:22
  Speaker 1: When we come back, it's the breakfast Club, Good Morning,
• 26:24
  Speaker 1: Church morning. Everybody is DJ Envy Angela Yee, Charloman the guy.
• 26:29
  Speaker 1: We are to Breakfast Club. We got a special guest
• 26:31
  Speaker 1: in the building. People like to throw that term whole
• 26:33
  Speaker 1: legend around, but here a whole here a legend legend. Yeah,
• 26:35
  Speaker 1: it ain't too many whole legend legends out here in
• 26:37
  Speaker 1: the street. Okay, Teddy Riley, Yes, welcome. So what's happening man?
• 26:42
  Speaker 1: How you have join that everything? Teddy? I don't even
• 26:44
  Speaker 1: know what to begin with you man, and you produced
• 26:46
  Speaker 1: everybody from Michael Jackson, Bobby Brown, keep Sweat Guy, just
• 26:49
  Speaker 1: the name of jay Z. You're the architect of New
• 26:51
  Speaker 1: jack swing. W Where do you want to start? It's
• 26:53
  Speaker 1: wherever y'all want to You're from Harlem, born and raised.
• 27:00
  Speaker 1: I just started producing. And how did you get into music?
• 27:02
  Speaker 1: I was always trying to do something with music when
• 27:06
  Speaker 1: my father introduced these instruments to me, trumpet, piano, guitar.
• 27:11
  Speaker 1: I started at three years old, went to the Apollo
• 27:15
  Speaker 1: at five. And what made me want to be in
• 27:18
  Speaker 1: show business was when Gladys Knight picked me up on
• 27:21
  Speaker 1: the stage singing. Neither one of us, my mom and
• 27:24
  Speaker 1: my dad used to play nothing but James Brown, our Green.
• 27:28
  Speaker 1: You know, they take us down south and just leave us.
• 27:30
  Speaker 1: They would say they're going to a club and they
• 27:32
  Speaker 1: go back to New York and leave us down south
• 27:34
  Speaker 1: for the summer, for the summer. So I had the
• 27:38
  Speaker 1: experience of being in the South. I realized that back
• 27:42
  Speaker 1: in the day when I wanted to get into music,
• 27:45
  Speaker 1: I was fifteen, fourteen, fifteen years old, nobody wasn't doing music.
• 27:49
  Speaker 1: Everybody was wrestling, playing football. It was just tough. Oh no, no, no,
• 27:53
  Speaker 1: back then it was not that. Am I right. All
• 27:58
  Speaker 1: the South change a lot, like they just got hooked
• 28:01
  Speaker 1: on too, like you know, the drugs, big time and eighties,
• 28:06
  Speaker 1: early nineties. And I was in the home of my
• 28:09
  Speaker 1: mom and my dad, and it was a lot of
• 28:11
  Speaker 1: domestic balance. And that's the reason why my mom is
• 28:15
  Speaker 1: with me today. She lives with me. I would never
• 28:17
  Speaker 1: leave out of my site because she supported me through everything.
• 28:21
  Speaker 1: You know. My father kind of fell out of it. Yeah,
• 28:23
  Speaker 1: I guess, because you know, he's a hustler. So when
• 28:27
  Speaker 1: it happened, I just kind of continue music. But I
• 28:29
  Speaker 1: was hustling as well. And when I did that, I
• 28:32
  Speaker 1: guess I wanted to get a confirmation from God to
• 28:35
  Speaker 1: know is this my place? And I got that confirmation.
• 28:40
  Speaker 1: I was at the twenty third prison sitting in a
• 28:43
  Speaker 1: chair explaining to a cop what I want to be
• 28:46
  Speaker 1: because he's like, you're fifteen, what are you doing here?
• 28:50
  Speaker 1: What is it that you want to be in life?
• 28:51
  Speaker 1: And I told him, I said I want to be
• 28:53
  Speaker 1: a star and he said, well, you're not going to
• 28:55
  Speaker 1: be a star in here because you're about to go
• 28:57
  Speaker 1: to Central booking or do you get picked up for it?
• 29:00
  Speaker 1: Drugs on you best a lot of substance. Actually I
• 29:03
  Speaker 1: had the chemicals to make it. Yeah, got you. I
• 29:08
  Speaker 1: was more of the guy who delivered Got you? And
• 29:11
  Speaker 1: are you saying you know how to cook crack teddy rgy?
• 29:13
  Speaker 1: No it's not crack? Yeah, ain't you de? I was
• 29:18
  Speaker 1: with a cool called shot Cool, and uh, they kind
• 29:21
  Speaker 1: of brought me up. You know, I didn't really have
• 29:23
  Speaker 1: like a father figure or my father left, but it
• 29:28
  Speaker 1: was before that. But who encouraged you to get into
• 29:29
  Speaker 1: music then? Because I mean you say it was fifteen,
• 29:31
  Speaker 1: he was running the streets and when I was small,
• 29:34
  Speaker 1: I was I wanted to be in music since I
• 29:36
  Speaker 1: was fine. B At what point is somebody grabb you
• 29:38
  Speaker 1: around the neck and say, no, you are going to
• 29:40
  Speaker 1: be a producer when you start taking taking a series.
• 29:43
  Speaker 1: I did it myself. I took it serious after my
• 29:45
  Speaker 1: bus so around fifteen sixty yeah, okay, and then I
• 29:49
  Speaker 1: joined the band and that band is called Total Climax,
• 29:52
  Speaker 1: and then we developed kids at Work. So when we
• 29:55
  Speaker 1: developed kids at work, we pretty much I was in
• 29:58
  Speaker 1: both bands, so I was That's been my thing since
• 30:01
  Speaker 1: I started, was being in different bands because I'm a
• 30:04
  Speaker 1: team player. Get money. Were you making money at that time? Oh? Yeah,
• 30:08
  Speaker 1: from the bank. We played like Celebrity Club. We played
• 30:13
  Speaker 1: under those We played Jock's plays and Trabaccas and we
• 30:17
  Speaker 1: were the local band. And it was another band, Keith
• 30:20
  Speaker 1: Sweatsman called Jamilla and then Chini Kimpspan called Kinky Fox.
• 30:25
  Speaker 1: We were rivalries, so they would hit the club, go
• 30:28
  Speaker 1: to another club. We would hit that club and that's
• 30:30
  Speaker 1: you know, we made them one hundred dollars was a
• 30:32
  Speaker 1: lot of money. It was a lot of about. It
• 30:34
  Speaker 1: was a lot. That was a lot of money. So
• 30:35
  Speaker 1: fresh fresh out of jail, you just started asking, telling asking,
• 30:39
  Speaker 1: I never went to jails. Yeah, you just went around hall.
• 30:42
  Speaker 1: I'm like, I want to join a band. Yeah, no,
• 30:44
  Speaker 1: I wanted a cassio. Okay, I'm a little cassio on
• 30:47
  Speaker 1: my hand, taking it everywhere, showing people out how to play.
• 30:50
  Speaker 1: And then I went down to this basement where it
• 30:53
  Speaker 1: was a band there and they were older, and I said, man,
• 30:56
  Speaker 1: I just want somebody to see, you know, check me
• 30:58
  Speaker 1: out and see if I can play. And I was
• 31:02
  Speaker 1: a guy by the name one my good talk player,
• 31:04
  Speaker 1: Jerome Dickens. He said, man, surely if you don't know
• 31:08
  Speaker 1: how to play, we're gonna take your cassio. So when
• 31:12
  Speaker 1: he said that, I just said, you know what, you
• 31:14
  Speaker 1: only live once, and this is the chance. So I
• 31:16
  Speaker 1: took the Hollom Boys chance and I said I'm gonna
• 31:20
  Speaker 1: play him with cassio. They were like, no, you're gonna
• 31:22
  Speaker 1: play this. And they had a Fender Rhodes which was
• 31:26
  Speaker 1: the heavy keys. So I'm this fifteen year old with
• 31:29
  Speaker 1: little fingers trying to play. So I just said, you
• 31:32
  Speaker 1: know what, I'm gonna play with two hands. And the
• 31:35
  Speaker 1: song was Reasons and they're top forty bands, so the
• 31:39
  Speaker 1: song was Reasons and yeah, understand. They started the song
• 31:48
  Speaker 1: and I actually played, and Jerome was the guy who said, yoh,
• 31:52
  Speaker 1: shuretty nice, And that's how I got to join the band.
• 31:54
  Speaker 1: Were yourself taught? Are you took lessons? You touch yourself?
• 31:58
  Speaker 1: You know how to play that ear? Wow? How did
• 32:01
  Speaker 1: you create the sound? Because you have a different sound
• 32:04
  Speaker 1: than was in the industry at that time, how did
• 32:07
  Speaker 1: you create that sound? Swing? Well? I used to have dreams,
• 32:12
  Speaker 1: and my dreams were how could I wanted to see
• 32:16
  Speaker 1: Michael Jackson and Prince together. I wanted to see James
• 32:19
  Speaker 1: Brown and our Greenmaker record. Just I wanted to mix
• 32:22
  Speaker 1: it up and being out, I couldn't get what I want.
• 32:25
  Speaker 1: I did it in the music. So I put gospel
• 32:27
  Speaker 1: with blues, with fusion with idiom and mix it all
• 32:32
  Speaker 1: up like gumbo. And I didn't have a name for it.
• 32:36
  Speaker 1: I just did it. You don't really have a name
• 32:38
  Speaker 1: until it becomes famous and then people name it for you. Yeah,
• 32:42
  Speaker 1: who was the first? Yeah? I feel like we're jumping
• 32:44
  Speaker 1: something though, like when did you first get into production? Though?
• 32:48
  Speaker 1: When I was with the band that was my mentor.
• 32:52
  Speaker 1: His name is Royal Band. He's the cousin of Cooling
• 32:54
  Speaker 1: the Game, and he used to always take me to
• 32:56
  Speaker 1: the studios to meet like Kashif m two Man, and
• 33:00
  Speaker 1: all of the producers of that time, Patrick Adams and
• 33:04
  Speaker 1: Fred mcfallin, who made somebody Else's Guy. These are all
• 33:07
  Speaker 1: producers that just embraced me and took me under their wings.
• 33:11
  Speaker 1: And that's how I kind of just watched everybody. And
• 33:14
  Speaker 1: I was an assistant in the studio and I was young,
• 33:17
  Speaker 1: so I just wanted to go give it, just to
• 33:19
  Speaker 1: know what all of those buttons do. I went to
• 33:22
  Speaker 1: the store, I got to tea. So I was the guy,
• 33:25
  Speaker 1: the one of them, you know, like, would your first
• 33:28
  Speaker 1: record be considered a new Jack swing record? Okay, so
• 33:32
  Speaker 1: who should get So I'm trying to figure out who
• 33:34
  Speaker 1: should get the proper credit for new Jack's when you
• 33:36
  Speaker 1: are Andrew Horrell. Wow, that's wow. I'm just asking the question. Well,
• 33:41
  Speaker 1: it should definitely be me, ok now, But Andrew Horwell,
• 33:45
  Speaker 1: it's a part of discovering me. So when you got
• 33:48
  Speaker 1: the person who discovered you, that makes him responsible. I'm
• 33:53
  Speaker 1: twenty four hours in the studio. I'm the one who
• 33:57
  Speaker 1: you know, he's the button pusher, He's the one of them.
• 33:59
  Speaker 1: That's how Andy's visionary. I can't take that away from him.
• 34:02
  Speaker 1: So you did wild wild West though, yes, sir, that
• 34:05
  Speaker 1: wasn't new jack swing. Though that was wild Well, it
• 34:09
  Speaker 1: wasn't new jack swing. You know why? Why new jack swing?
• 34:13
  Speaker 1: There's so many styles and ways of doing new jack swing.
• 34:16
  Speaker 1: If you have singing and rapping on a record, you're
• 34:20
  Speaker 1: doing new jack swing. This is music technology. So all
• 34:24
  Speaker 1: of the rappers that could singing on their records, they're
• 34:26
  Speaker 1: doing new jack swing whether they know it or not,
• 34:28
  Speaker 1: because we started it. So that's how you have to say.
• 34:31
  Speaker 1: Today new jack swing is in all the churches, all
• 34:36
  Speaker 1: of the musicians, all of Bruno Mars music. You can say, right,
• 34:41
  Speaker 1: you said that, you know, yes he did, he did,
• 34:46
  Speaker 1: he did, and he truly did. In fact, I protected
• 34:49
  Speaker 1: him because they tried to put me in a trick
• 34:51
  Speaker 1: bag with like they were like saying, he's a carving
• 34:53
  Speaker 1: copy and he's not. He's just doing new jack swing
• 34:56
  Speaker 1: his way. All right, we got more with Teddy Riley
• 34:58
  Speaker 1: when we come back, don't more. It's the Breakfast Club,
• 35:00
  Speaker 1: Good Morning, the Breakfast Club, DJ mvy Angela Yee, Charlomagne,
• 35:07
  Speaker 1: the guy. We all the breakfast clubs throw back Thursday
• 35:10
  Speaker 1: and today we have an icon Teddy Riley in the building.
• 35:13
  Speaker 1: We see the Bobby Brown story that was there any
• 35:15
  Speaker 1: truth to Bobby Brown hearing the music and was like,
• 35:18
  Speaker 1: I need to work with Teddy and him coming in
• 35:20
  Speaker 1: hall him to work with you and you're creating his sound.
• 35:22
  Speaker 1: It's so much more to the story. But I'm cool
• 35:25
  Speaker 1: with it because it happened. How so you need to
• 35:27
  Speaker 1: be told what happened with bobby relationship Bobby. Let me
• 35:31
  Speaker 1: just give you a scenario. Do you remember the scene
• 35:34
  Speaker 1: where he got off the bus. When he got off
• 35:37
  Speaker 1: the bus, he was thinking that everybody want to kill
• 35:39
  Speaker 1: him or he was paranoid. There ran into the house.
• 35:42
  Speaker 1: When he ran into the white guy house, he pulled
• 35:44
  Speaker 1: up the shop. Yeah, okay, that actually didn't happen Bobby
• 35:48
  Speaker 1: and I don't know if he could remember this. We
• 35:50
  Speaker 1: were in Chicago. Bobby took a cab from the bus,
• 35:55
  Speaker 1: met up with my band members, told my band members
• 35:59
  Speaker 1: that all right, I'm looking for Teddy. I need him
• 36:02
  Speaker 1: right now. He was paranoid. He had a knot, like
• 36:04
  Speaker 1: two knots in his pocket. All he wanted to do
• 36:08
  Speaker 1: was see me. Like Bobby and I we are close.
• 36:12
  Speaker 1: And just to show you, everybody knew how close we
• 36:15
  Speaker 1: were because when I hit him in my room and
• 36:19
  Speaker 1: let him sleep. Mind you, I used to sell the
• 36:22
  Speaker 1: stuff he took, so I knew how to get it
• 36:24
  Speaker 1: off of him. It's PCP. All you have to do
• 36:26
  Speaker 1: is drink milk. Bobby was on PCP. They're gonna cool.
• 36:30
  Speaker 1: It was on everything Okay. He came to me, he said, Yo,
• 36:36
  Speaker 1: give me a room. He started giving me my said,
• 36:38
  Speaker 1: now put you my sweet and you'll be there. You'll
• 36:41
  Speaker 1: be safe. We went to sound check and I get
• 36:43
  Speaker 1: a call from Sugar's brother, Sugar Knight's brother, and West said,
• 36:47
  Speaker 1: what's up? Little man? I hear um Bobby disappeared to
• 36:52
  Speaker 1: somebody close and the only person I know that's close
• 36:55
  Speaker 1: to him on this tour is you. I said, West,
• 37:00
  Speaker 1: come to the hotel. He came to the hotel and
• 37:03
  Speaker 1: I took all my guys. They took West to Bobby.
• 37:07
  Speaker 1: Bobby was sound asleep. By the time he got up.
• 37:09
  Speaker 1: He was ready to do the show because the milk help.
• 37:12
  Speaker 1: So that's the part he should have shown instead of
• 37:16
  Speaker 1: you know, certain things that I felt, like the Janet situation.
• 37:19
  Speaker 1: You know, that's like my little sister. I just felt
• 37:22
  Speaker 1: like that could have been taken out, you know, but
• 37:25
  Speaker 1: I heard yesterday from BT that a lot was taken out.
• 37:29
  Speaker 1: You looked in the movie, you look genuinely shocked when
• 37:32
  Speaker 1: you saw Bobby and Whitney together on the day. Did
• 37:34
  Speaker 1: that really happen? I was the one that tried to
• 37:37
  Speaker 1: talk Bobby out of the wedding. Really, yes, why I
• 37:41
  Speaker 1: don't dislike Whitney, She's a beautiful person. But I told him,
• 37:46
  Speaker 1: I said, man, you want me to work on the
• 37:48
  Speaker 1: second album. I got most of the songs, and you're
• 37:51
  Speaker 1: gonna get married. He's like, yeah, man, I think this
• 37:54
  Speaker 1: is the best thing for me. I said, I'm gonna
• 37:57
  Speaker 1: give you some anlogies, no disrespect to anybody saying And
• 38:00
  Speaker 1: I said, when Lena Richie got married, and it was
• 38:03
  Speaker 1: posted all over the place where his record salesman thank
• 38:07
  Speaker 1: you and then baby face after guilty when he got married,
• 38:12
  Speaker 1: So you gotta look at the stats and be liked,
• 38:14
  Speaker 1: Do I want to follow that? At the time, he
• 38:15
  Speaker 1: wanted to be a sex symbol, single sex symbolana and
• 38:19
  Speaker 1: all his his fans were mostly women. So I was
• 38:23
  Speaker 1: wanting to talk to him, try to talk him out
• 38:25
  Speaker 1: of it. And then he's like, nah, and you're gonna
• 38:27
  Speaker 1: be there too. That's how I'm gonna be there. I'm
• 38:29
  Speaker 1: gonna be there anyway. And I wound up getting getting
• 38:32
  Speaker 1: there and he wasn't a room. It wasn't a bathroom,
• 38:36
  Speaker 1: wouldn't come out, wouldn't come out? Was that your assistant?
• 38:39
  Speaker 1: Who was your girlfriend? Was that your girlfriend? Yeah? I
• 38:44
  Speaker 1: mean we were seeing each other. In fact, she's the
• 38:46
  Speaker 1: one that's on I'm shaker playing the saxophone. Do you
• 38:50
  Speaker 1: think the marriage hurt Bobby after giving him that advice?
• 38:53
  Speaker 1: Of course? Really? Yeah, I think that if they wouldn't
• 38:57
  Speaker 1: have got married. Do you think Whitney would still be here? Well,
• 39:00
  Speaker 1: according to the movie, whenn't he had the problem? Not
• 39:02
  Speaker 1: by but still yeah, yeah, we don't know whether she's
• 39:05
  Speaker 1: here or not. You know, that would have been her thing.
• 39:09
  Speaker 1: But Bobby would have been still doing his thing even
• 39:13
  Speaker 1: though he did. But he would have been even big.
• 39:16
  Speaker 1: The album would have sold more than two million copies copies.
• 39:20
  Speaker 1: Was he stuck in the bathroom and she got him out?
• 39:23
  Speaker 1: And yeah, in fact, I wasn't in that area where
• 39:27
  Speaker 1: he was at in the bathroom. I was actually in
• 39:29
  Speaker 1: the congregation and waiting for him to come and take
• 39:33
  Speaker 1: his spot, and when he did that. You know, my
• 39:37
  Speaker 1: whole thing was he's okay, why did Guy break up?
• 39:42
  Speaker 1: Guy broke up? Because my best friend was killed in
• 39:47
  Speaker 1: the situation we had with New Edition and Guy back
• 39:49
  Speaker 1: in nineteen eighty nine. It started in North Carolina and
• 39:54
  Speaker 1: it was a situation where um New Edition walked on
• 39:57
  Speaker 1: our stage while we were singing Piece of My Life.
• 40:00
  Speaker 1: You mean just walked on, like just went on. We
• 40:02
  Speaker 1: didn't know what was going on, right. All we heard
• 40:04
  Speaker 1: was like, Yo, don't hold me back, Yo, what's up here? Now?
• 40:08
  Speaker 1: When now that happened started from there and then went
• 40:11
  Speaker 1: to Pittsburgh. It was no real beef with the actual principles.
• 40:15
  Speaker 1: It was the back line. One of my guys kicked
• 40:19
  Speaker 1: their tech guy kicked them ten feet off the stage.
• 40:23
  Speaker 1: And why he did it because that particular day, New
• 40:27
  Speaker 1: Addition was supposed to go on before us, but they
• 40:30
  Speaker 1: were late, and when they showed up late, they wanted
• 40:34
  Speaker 1: to get dressed and you know, do their thing, and
• 40:36
  Speaker 1: they had to take well Al Hayman and Gene you
• 40:40
  Speaker 1: know kind of decided like certain cities, New Audition go first,
• 40:43
  Speaker 1: Certain cities, Guy go first. Right, So that was the
• 40:46
  Speaker 1: day that New Adition was supposed to go first. When
• 40:49
  Speaker 1: all this happened, it continued in Pittsburgh. When we drove
• 40:52
  Speaker 1: into Pittchburgh with my bus, it was all on the
• 40:54
  Speaker 1: news by name Anthony B. From New York's you know Harlem,
• 40:58
  Speaker 1: New York. You got shot in the revolving door of
• 41:01
  Speaker 1: the Marryott Hotel and the guy that shot him was
• 41:06
  Speaker 1: a pro because he didn't miss. And this guy my
• 41:12
  Speaker 1: best friend. I went to the funeral, nobody came to
• 41:15
  Speaker 1: the funeral, and Michael Jackson call every day. Happened at
• 41:19
  Speaker 1: the same time Michael Jackson calls. So I asked que tip,
• 41:23
  Speaker 1: could I use this food to make music for Michael.
• 41:26
  Speaker 1: I didn't tell Michael I was quitting the group. We
• 41:27
  Speaker 1: had a show at Madison Square Garden and that was
• 41:30
  Speaker 1: my last show with Guy nineteen ninety And when I quit,
• 41:34
  Speaker 1: I left the next day to go work with Michael.
• 41:36
  Speaker 1: So you quit because you felt like they weren't there
• 41:38
  Speaker 1: for your man, for him, They weren't there for me yea,
• 41:42
  Speaker 1: and they knew how much he meant to you. Wow.
• 41:45
  Speaker 1: So new addition, guy beef flooding to somebody getting killed,
• 41:47
  Speaker 1: it wasn't really a beef with us though, but it
• 41:49
  Speaker 1: was the organization. So yeah, So before we get into Michael,
• 41:53
  Speaker 1: how did you reconcile with the rest the guy? This
• 41:55
  Speaker 1: is like a love hate relationship. You know, I really
• 41:58
  Speaker 1: really loved those guys and I'm I'm really trying to
• 42:01
  Speaker 1: work it out because I feel it's important that people
• 42:05
  Speaker 1: see Guy. And I'm saying this nationally because I'm tired
• 42:10
  Speaker 1: of being hated on in my home. Camp is because
• 42:12
  Speaker 1: they're brothers or they kind of team up on you
• 42:14
  Speaker 1: a little bit. It's a majority rue thing. So every
• 42:17
  Speaker 1: time it's time to vote, it's two verse one always right.
• 42:20
  Speaker 1: You're never gonna win that one. And I didn't mean
• 42:23
  Speaker 1: to come here talk about that because, like I said,
• 42:25
  Speaker 1: I have strong love for these guys, Like I'm the
• 42:27
  Speaker 1: one that came back and really build it back on
• 42:31
  Speaker 1: tour with Guy again. When you guys link back up
• 42:33
  Speaker 1: and just we're performing together. How did that go? It
• 42:36
  Speaker 1: was amazing some days some day. The other days you
• 42:40
  Speaker 1: were being hated on. No, it wasn't that. It was
• 42:43
  Speaker 1: just I lived this. So when I get on that stage,
• 42:47
  Speaker 1: I'm gonna be everything and I'm gonna give my all.
• 42:50
  Speaker 1: And it's been certain days where we didn't get We
• 42:53
  Speaker 1: didn't give all as a collective team because if one
• 42:56
  Speaker 1: mess up, it's everybody. So we didn't give out all,
• 43:01
  Speaker 1: especially when we was here. I don't know if y'all
• 43:03
  Speaker 1: saw it. We got here, started out programmed a show,
• 43:06
  Speaker 1: and we started and got to a certain song and
• 43:10
  Speaker 1: people didn't They didn't like it. What song was it?
• 43:13
  Speaker 1: It was Aaron's song and we started out, no, you
• 43:19
  Speaker 1: just said it. When that happened, I was like, wow,
• 43:22
  Speaker 1: I gotta figure it out. Stop the song, go to
• 43:25
  Speaker 1: the jams. And everybody after the show said I saved
• 43:30
  Speaker 1: the show. I don't like that. I wanted to be
• 43:33
  Speaker 1: about guy, not about me. But it's about me for
• 43:36
  Speaker 1: a certain reason, because they went out by themselves without me.
• 43:41
  Speaker 1: In fact, we did shows and they didn't want me
• 43:44
  Speaker 1: to perform those shows with them, and I said, cool,
• 43:47
  Speaker 1: I'll just perform a black Street and do what I
• 43:50
  Speaker 1: do friendly competition. And I did what I did and
• 43:53
  Speaker 1: you can read about it all right. We got more
• 43:55
  Speaker 1: with Teddy Riley when we come back. Don't move. It's
• 43:57
  Speaker 1: the Breakfast Club, good morning pointing. Everybody is DJ, Envy,
• 44:01
  Speaker 1: Angela Yee, Charlomagne, the guy. We all the Breakfast Club,
• 44:04
  Speaker 1: the Icon, Teddy Riley's in the building, Charlemagne. So Michael Jackson,
• 44:07
  Speaker 1: what was What was Michael Jackson really like? Amazing? A
• 44:11
  Speaker 1: big brother, a teacher, mentor It was just everything for
• 44:15
  Speaker 1: me because I wanted to know everything about what he
• 44:19
  Speaker 1: do and how he records. I want to I wanted
• 44:21
  Speaker 1: to go back to the traditional days of recording, and
• 44:24
  Speaker 1: he showed me that and I kind of stuck with him.
• 44:29
  Speaker 1: You know, every album he would call me. For the
• 44:31
  Speaker 1: History album, I came and did what I had to
• 44:33
  Speaker 1: do and go back and anytime he called and be like, uh,
• 44:38
  Speaker 1: I don't know if this is it, can you redo
• 44:40
  Speaker 1: this part? Or It was hard for six months, you know,
• 44:44
  Speaker 1: um until he just kind of pulled my coat and said, listen,
• 44:48
  Speaker 1: if I'm singing off key, I want you to tell me.
• 44:50
  Speaker 1: I want you to not be afraid to tell me
• 44:52
  Speaker 1: I suck. And when he did that, you know, it
• 44:57
  Speaker 1: gave me confidence. And then one time he pulled my
• 45:00
  Speaker 1: coat and said, you know why you don't talk about us,
• 45:02
  Speaker 1: talk about us? I said, well, you had this big
• 45:05
  Speaker 1: contract non disclosure hundred two hundred pages. I said, I'm
• 45:11
  Speaker 1: not talking about you, and he said he started laughing
• 45:16
  Speaker 1: and he said, you can. I want you to. I said, well,
• 45:19
  Speaker 1: I don't even know if I'm gonna make the album.
• 45:21
  Speaker 1: He said, let me show you something, and he started
• 45:23
  Speaker 1: laughing again. Let me show you something. He showed me
• 45:26
  Speaker 1: the Master BOYD. But all the songs, he said, the
• 45:30
  Speaker 1: closest ones to the top are the ones that will
• 45:33
  Speaker 1: make the album, all the ones that I love. And
• 45:35
  Speaker 1: it was remember at the time, keep it in the closet,
• 45:38
  Speaker 1: black and white, she drives me while all these songs
• 45:42
  Speaker 1: of mine. I couldn't wait to go and call my
• 45:45
  Speaker 1: brother didn't remember. I couldn't wait all my brother and say, yo,
• 45:50
  Speaker 1: we made it. What made you close up shop in Virginia?
• 45:53
  Speaker 1: Because I mean, you had a huge studio down there.
• 45:56
  Speaker 1: The first time I've ever seen a plasma television was
• 45:59
  Speaker 1: on your wall. And at the time when they were
• 46:00
  Speaker 1: like forty thousand a plasma, you had a huge tour
• 46:04
  Speaker 1: bus that every artist from every genre pop country wanted
• 46:07
  Speaker 1: to rent out. And this was all stationed in Virginia
• 46:10
  Speaker 1: and then it was just like you just close shot.
• 46:11
  Speaker 1: The reason why I left, it's because I was hated
• 46:14
  Speaker 1: on by the officials, not the people I love. The
• 46:17
  Speaker 1: people I go to Virginia. I still have a spot
• 46:19
  Speaker 1: in Virginia where I can go and lay my head.
• 46:22
  Speaker 1: I feel like I was used. You know, a lot
• 46:25
  Speaker 1: of the officials, you know, basically just wanted to utilize
• 46:29
  Speaker 1: my likeness and not me as an official person in Virginia.
• 46:33
  Speaker 1: So I felt like this is not the place for me.
• 46:36
  Speaker 1: So I left. And I was also, how would I say,
• 46:40
  Speaker 1: I was in a situation where someone you know, shy
• 46:43
  Speaker 1: stood me, Chauncey and a lot of people in Virginia
• 46:47
  Speaker 1: over fifty million dollars. I don't know if anybody's seeing
• 46:50
  Speaker 1: American greed, but I'm on American greed because there was
• 46:53
  Speaker 1: a gentleman who actually took a lot from us, a
• 46:56
  Speaker 1: lot of money from people, you know, retirement funds and
• 46:59
  Speaker 1: all of that stuff. And he's in jail. He's doing
• 47:02
  Speaker 1: about thirty three years. Congratulations now, and congratulations to me
• 47:06
  Speaker 1: because I ain't give the money back about him? Yeah,
• 47:11
  Speaker 1: well for me, Shoot, this guy was doing fake deeds
• 47:16
  Speaker 1: and selling them to people. Wow. Meanwhile, I'm not making
• 47:20
  Speaker 1: any of it because I wasn't a part of it.
• 47:22
  Speaker 1: And when I found out that he was doing that,
• 47:25
  Speaker 1: I lost my house because he was supposed to take
• 47:28
  Speaker 1: care of like the deep, but he was selling my
• 47:30
  Speaker 1: house over and over and over again, and people were
• 47:33
  Speaker 1: buying them and then then looking at Teddy Llley, not
• 47:36
  Speaker 1: the guy who actually schist at them. So I had
• 47:40
  Speaker 1: law suits against me. I said, you know what, I'm
• 47:42
  Speaker 1: going to tell the truth, and so that's why I left.
• 47:45
  Speaker 1: I just said, you know what, it's time for change.
• 47:47
  Speaker 1: You know, hate how much was you making per beat?
• 47:50
  Speaker 1: Because he was counting your pocket before you walked in,
• 47:51
  Speaker 1: and we was trying to figure out how much did
• 47:54
  Speaker 1: Teddy Teddy have. At one point, I'm sure you we
• 47:56
  Speaker 1: were arguing between him and Scott somebody, Scott Storch, and
• 48:00
  Speaker 1: I said, Teddy rally, my opinion, had more hits, way
• 48:04
  Speaker 1: more than Scott Storch. And then we started naming that's
• 48:07
  Speaker 1: not we know that. Money wise. Money wise, I gave
• 48:12
  Speaker 1: it all away when I left Gene. I think I
• 48:15
  Speaker 1: left about maybe twenty to thirty million dollars on the
• 48:18
  Speaker 1: table because I just wanted to be away from him.
• 48:22
  Speaker 1: Because when I found out from his right hand who
• 48:25
  Speaker 1: left him and came back and showed me all the
• 48:29
  Speaker 1: paperwork of money, is that I really made? I didn't
• 48:34
  Speaker 1: even know that I was getting two hundred thousand dollars
• 48:36
  Speaker 1: to two hundred and fifty thousand dollars a song. That's
• 48:39
  Speaker 1: all he did was give me ten thousand dollars a
• 48:41
  Speaker 1: song or remix Jesus Christ. And I didn't control the
• 48:46
  Speaker 1: bank accounts. He controlled them all. So when I came
• 48:51
  Speaker 1: to New York to let my crew Guy Abstract, Tammy Lucas, Redhead,
• 48:56
  Speaker 1: Kingpin Rex, in effect, everybody I came up to New
• 48:59
  Speaker 1: York to to know that I have to leave g
• 49:03
  Speaker 1: It's like, what about us? I said, well, I am
• 49:05
  Speaker 1: a partner. I could release you off from your contracts
• 49:08
  Speaker 1: because I'm the one who gave you your deals. They
• 49:10
  Speaker 1: were like, well release me, and I release everybody. Gave
• 49:13
  Speaker 1: everybody releases and I went back to Atlanta and I
• 49:18
  Speaker 1: was stuck at the airport twenty dollars in my pocket.
• 49:22
  Speaker 1: He cut off all the credit cards and bank cards,
• 49:26
  Speaker 1: so I couldn't get a flight to go home because
• 49:28
  Speaker 1: I don't carry cash, I carry cards. So I stuck
• 49:31
  Speaker 1: at the airport. And I have to tell a story
• 49:34
  Speaker 1: because the girl who helped me was a part of Abstract,
• 49:38
  Speaker 1: and she saved me. Marshall mcfuckin, and she gave me
• 49:43
  Speaker 1: a credit card because she was a part of She
• 49:45
  Speaker 1: was like, I think the vice president of a bank.
• 49:49
  Speaker 1: And she gave me a platinum American Express And I said,
• 49:54
  Speaker 1: we're just giving me this. This is a plastic card.
• 49:56
  Speaker 1: What we could do with this? How much? You know?
• 49:58
  Speaker 1: She was like, you're gonna eat it. This was eight
• 50:01
  Speaker 1: months before I left Jane. Now that's the time where
• 50:04
  Speaker 1: people could say, you know, because it's been a lot
• 50:05
  Speaker 1: of stuff, Teddy Raley broke. That was the time I
• 50:08
  Speaker 1: was actually broke, but the news came later. So when
• 50:12
  Speaker 1: it happened, um, she said, she said, give it to
• 50:15
  Speaker 1: the clerk. I gave it to the clerk, and the
• 50:17
  Speaker 1: clerk said, you have your first class seat, mister Raley.
• 50:20
  Speaker 1: That's how I got on the plane to get my
• 50:22
  Speaker 1: family out of Atlanta and we moved back to the projects.
• 50:26
  Speaker 1: And then after all the hits, after all that, you
• 50:29
  Speaker 1: were back to the project and then Keith Sweat, Harvey Austin,
• 50:35
  Speaker 1: Benny Medina, Quincy Jones, and Clarence Sayvron gave me a
• 50:39
  Speaker 1: whole new life. No later and no longer than two weeks,
• 50:42
  Speaker 1: I was back rolling. Wow, I got my first job
• 50:46
  Speaker 1: from Keith Sweat. Keith was like, YO, gives remix and
• 50:50
  Speaker 1: pay you fifteen thousand. That's more than ten thousand dollars,
• 50:54
  Speaker 1: right Wow. Then I get a call from Benny Medina.
• 50:57
  Speaker 1: I got a call from al Teller. We need you
• 50:59
  Speaker 1: to come out to La. So I'll go out to La.
• 51:02
  Speaker 1: Benny Medina called me, told me to come. I need
• 51:05
  Speaker 1: you to remix this record. I'm in a hotel looking
• 51:07
  Speaker 1: at the video on MTV. I don't want to fall
• 51:10
  Speaker 1: in love the rock Way and I said, man, if
• 51:13
  Speaker 1: I had this song, I would kill this record. That
• 51:16
  Speaker 1: was just my mind, even though I ain't had no money.
• 51:19
  Speaker 1: And Jane Child came. Bennie Medina got me that job.
• 51:23
  Speaker 1: I thought I was getting ten thousand dollars for the remix.
• 51:25
  Speaker 1: Bennie Madina, he said, I'm I'm gonna send a check
• 51:28
  Speaker 1: over to you. You know what I'm paying you. I said, nah,
• 51:31
  Speaker 1: I don't know. I'm giving you seventy five thousand dollars.
• 51:35
  Speaker 1: I need this remix in five days. I said, you
• 51:39
  Speaker 1: got it. I went back to New York, but I
• 51:42
  Speaker 1: had a meeting with I'll Taylor for future records. They
• 51:45
  Speaker 1: gave me my old label and they said, you know
• 51:49
  Speaker 1: who you want to sign, and I signed Rex and
• 51:51
  Speaker 1: Effect for us or we did Rump Shaker. It was
• 51:55
  Speaker 1: one person that gave me the confidence and confirmed that
• 51:59
  Speaker 1: I needed to put this record out. And and that's
• 52:02
  Speaker 1: my son's mom, Madeline Nelson. Then she's the one that
• 52:05
  Speaker 1: said this record is done. And when she did that,
• 52:10
  Speaker 1: I immediately hired her and we was inceptable. We made
• 52:15
  Speaker 1: so much money together. And she was the one that
• 52:18
  Speaker 1: encouraged me to go to Jack the Rapper and showcase
• 52:21
  Speaker 1: I'm Shaker and not worry about MCA or anybody because
• 52:25
  Speaker 1: we gotta we gotta control our own destination. You gotta
• 52:28
  Speaker 1: do a book, man, because she got a book. And
• 52:31
  Speaker 1: then we got to do the movie. Because I don't know.
• 52:35
  Speaker 1: We've been talking to and I could literally for another hour.
• 52:39
  Speaker 1: We didn't even talk about the Michael Jack the phone call.
• 52:41
  Speaker 1: We didn't even get into VD we did, weren't even
• 52:43
  Speaker 1: get in the Black Street. I just I'll come back.
• 52:47
  Speaker 1: I don't even know. The one thing is I get
• 52:51
  Speaker 1: my star on. I think we we had life together
• 53:01
  Speaker 1: and I really want y'all to be there as my guests.
• 53:03
  Speaker 1: Love you got you gotta do the story man, and
• 53:07
  Speaker 1: I have to be on TV. That's why I always
• 53:09
  Speaker 1: celebrate you, and that's why I want to give your
• 53:10
  Speaker 1: flowers while you're here. I just want to say I
• 53:12
  Speaker 1: appreciate y'all so much because you don't have to, you know,
• 53:17
  Speaker 1: but y'all do because and I guess you know I have.
• 53:21
  Speaker 1: Like I said, I have no hate you for anybody,
• 53:23
  Speaker 1: so or anything I'll do. I'll watch your show a lot,
• 53:25
  Speaker 1: you know, every chance that I get, because I want
• 53:27
  Speaker 1: to know what's going on, what's happening, and to me,
• 53:31
  Speaker 1: y'all have your hands on the pulse of things that's
• 53:34
  Speaker 1: going on. You know, we appreciate you for joining us.
• 53:37
  Speaker 1: Teddy Riley, y'all go Google. Thank thank thank you your
• 53:41
  Speaker 1: own information on Teddy after this interviews a lot. It's
• 53:44
  Speaker 1: Teddy Riley. It's the Breakfast Club. Good morning, the Breakfast Club.
• 53:47
  Speaker 1: It's very very very very big, very very very big.
• 53:50
  Speaker 1: Paul's Tea. This is the Rumor Report with Angela Yee
• 53:58
  Speaker 1: on the Breakfast Club. All right, well, we told you
• 54:02
  Speaker 1: about Terrence Jay and this car accident that happened. According
• 54:05
  Speaker 1: to witnesses, they said that the car a woman was driving.
• 54:09
  Speaker 1: They thought it was Terrence Jay's longtime girlfriend, Jasmine Sanders,
• 54:13
  Speaker 1: crashed into a parking meter and then slid into a
• 54:16
  Speaker 1: tree early Tuesday morning, and then the two of them
• 54:18
  Speaker 1: jumped out of the car and ran. It was a
• 54:20
  Speaker 1: two hundred thousand dollar black McLaren and now three hundred
• 54:24
  Speaker 1: thousand dollars. By the way, well they're reporting it as
• 54:26
  Speaker 1: a two hundred thousand dollar one. I don't know. I
• 54:28
  Speaker 1: probably had the kid. We don't know. Did they come
• 54:29
  Speaker 1: with kids. I don't guess that. I don't know anything
• 54:31
  Speaker 1: about them. Expriensive bast call Now Jasmine Sanders took to
• 54:35
  Speaker 1: her page on Instagram and said, I don't know where
• 54:37
  Speaker 1: to begin. Despite what you guys may have heard, I
• 54:39
  Speaker 1: was not involved in a car accident yesterday. I genuinely
• 54:42
  Speaker 1: enjoy sharing my life with you all via social media. However,
• 54:46
  Speaker 1: it is very difficult to see such false portrayal about
• 54:48
  Speaker 1: myself in the media. I really appreciate everyone who has
• 54:51
  Speaker 1: reached out for your concern and support. I'm going to
• 54:53
  Speaker 1: take a few days off of social media while I'll
• 54:55
  Speaker 1: continue to work and stay focused. I love you, guys.
• 54:58
  Speaker 1: So it wasn't her. We don't know who it was
• 55:00
  Speaker 1: but I guess she's trying to say that because her
• 55:02
  Speaker 1: comments were in shambles. I went to her page just
• 55:04
  Speaker 1: to see if she was even in the United States
• 55:07
  Speaker 1: at the time that it happened or in town. So
• 55:09
  Speaker 1: who was the woman? We don't know? Was it back
• 55:11
  Speaker 1: he with a good hair? Huh that got hit causing problem?
• 55:15
  Speaker 1: I'll stop it. I don't know, but you know, her
• 55:18
  Speaker 1: repsite already said it wasn't her in the car, and
• 55:20
  Speaker 1: she has now said that it was not her. So
• 55:23
  Speaker 1: I'm sure whatever issues are going on, the two of
• 55:25
  Speaker 1: them are going to have to deal with that. But
• 55:27
  Speaker 1: fortunately everybody's okay because it did look like an awful accident.
• 55:31
  Speaker 1: I ain't got no airbags, ain't no airbags deployed in
• 55:33
  Speaker 1: that car definitely has an airbags. I ain't seen un
• 55:35
  Speaker 1: deployed in that picture. How could you even see that?
• 55:37
  Speaker 1: You mean, I'm looking right at the picture. You can't
• 55:38
  Speaker 1: see it would be a big as airbag in the
• 55:40
  Speaker 1: front window. I can't tell from that if that's the case.
• 55:43
  Speaker 1: And he has a great lawsuit, all right, Takashi six nine,
• 55:48
  Speaker 1: he is possibly about to get locked up. You know
• 55:50
  Speaker 1: why he was doing court yesterday and did not show up.
• 55:53
  Speaker 1: He was supposed to be in court, failed to appear
• 55:55
  Speaker 1: at the judge told his attorney counselor, if your client
• 55:57
  Speaker 1: is not here on Tuesday, there will be a bench warren.
• 56:00
  Speaker 1: So they're saying that he was in Dubai, the Netherlands
• 56:02
  Speaker 1: and that he was trying to come back, but I
• 56:04
  Speaker 1: guess he just didn't make it back. Yeah, but you
• 56:07
  Speaker 1: can't just miss court. Now come on now, Mike Will
• 56:10
  Speaker 1: made it is going to be executive producing the Creed
• 56:12
  Speaker 1: two soundtrack, So that's huge congratulations to him for that.
• 56:16
  Speaker 1: He said, won't deliver anything but a classic. Who do
• 56:18
  Speaker 1: y'all want to hear on the soundtrack? Leave comments below?
• 56:21
  Speaker 1: They gotta make sure they' I'm gonna watch Creed two
• 56:25
  Speaker 1: because I really enjoyed Creed one, but I don't have
• 56:28
  Speaker 1: high hopes for Creed Too because Ryan Coogler didn't do
• 56:30
  Speaker 1: it and they did the most predictable plot, which is
• 56:33
  Speaker 1: him fighting the Russian. Okay, who would you want to
• 56:35
  Speaker 1: hear on this soundtrack? Because Mike Will wants some suggestions?
• 56:38
  Speaker 1: I don't know on a Creed Too soundtrack? Okay, Meek
• 56:45
  Speaker 1: mails good? I think future with a lot of energy,
• 56:48
  Speaker 1: I even think Takashi six nine a lot of energy.
• 56:50
  Speaker 1: Kurt Frankova. Kurt Franklin was definitely who I would want
• 56:54
  Speaker 1: on this album. Casting Kurt Franklin, Mary Mary, That's who
• 56:58
  Speaker 1: I want on this album right now. Kyle Walker, let's
• 57:01
  Speaker 1: talk about Push the Tea. He did an interview and
• 57:04
  Speaker 1: he was talking about, you know, everything that went down
• 57:08
  Speaker 1: with him doing his album that only has seven songs
• 57:11
  Speaker 1: in it that Kanye pushed him to do. Here's what
• 57:13
  Speaker 1: he had to say about that. Well, really sold me
• 57:15
  Speaker 1: because he knows I'm so anti like the idea of
• 57:19
  Speaker 1: everybody putting like twenty five tracks on an album, like
• 57:23
  Speaker 1: to get the streams up in all of that's like
• 57:26
  Speaker 1: it's such a poverty poverty way of like cheating to me.
• 57:31
  Speaker 1: So I was like, you know what, You're right, we
• 57:33
  Speaker 1: need to be totally against everything and we need to
• 57:37
  Speaker 1: do just have a whole a nother mantra in regard
• 57:41
  Speaker 1: to what we're doing in this in this wave, and
• 57:44
  Speaker 1: he sold me on it. I mean, we're acting like
• 57:46
  Speaker 1: Lesson's More hasn't always been the best way though. I
• 57:48
  Speaker 1: Mean you think of some of the most classic albums
• 57:50
  Speaker 1: of it, it's like nine ten songs. Nah's illmatic, you
• 57:53
  Speaker 1: know Michael Jackson's first two albums, Off the Wall and Thriller,
• 57:55
  Speaker 1: like the short of the Better, right, And he's also
• 57:58
  Speaker 1: saying that people are doing that just to get more straight,
• 58:00
  Speaker 1: and he said twenty five songs. In particular, Scorpion had
• 58:02
  Speaker 1: twenty five songs in it, which is Drake's album. I
• 58:04
  Speaker 1: can't think of too many songs albums that had twenty
• 58:06
  Speaker 1: five songs that were actually really good albums from top
• 58:08
  Speaker 1: to bottom. Notorious, Big Life, that's the death album. What
• 58:13
  Speaker 1: about Tupac? No, not all not not not all of them. No,
• 58:18
  Speaker 1: you're talking about all Eyes on Me? Yeah, you don't
• 58:20
  Speaker 1: think that was good? It was good? Talk about every
• 58:23
  Speaker 1: song top of I don't think any album period. I
• 58:26
  Speaker 1: can't think of many albums that every song top time.
• 58:28
  Speaker 1: I can't think that that album. I gotta be a
• 58:35
  Speaker 1: couple of songs that you're like, this is my FA
• 58:37
  Speaker 1: I love every song on that on that album. It
• 58:39
  Speaker 1: gives me different moves, all right. Now. He also goes
• 58:42
  Speaker 1: on to talk about Drake and how he doesn't think
• 58:45
  Speaker 1: that Drake is built for rap beef. It's funny because
• 58:49
  Speaker 1: people will they'll play with the whole battle notion. In
• 58:54
  Speaker 1: their raps, they'll say slick things, they'll do this, they'll
• 58:58
  Speaker 1: see this, they'll see that. But then when it comes
• 59:01
  Speaker 1: it's always too far. Oh you can't do this. I'm
• 59:06
  Speaker 1: gonna write a whole dissertation about why just wasn't supposed
• 59:10
  Speaker 1: to be. It's not even fun at this point. I
• 59:13
  Speaker 1: think you have to be really careful. He's right, He's
• 59:17
  Speaker 1: one hundred percent right, because were supposed to be battle rapping,
• 59:19
  Speaker 1: and then it's just like in a fight, right, you
• 59:20
  Speaker 1: know what I'm saying. You slap me and then I
• 59:23
  Speaker 1: dragged you all up and down the street, and everybody
• 59:24
  Speaker 1: say I did too much? Like, no, agree, that's it's
• 59:28
  Speaker 1: a battle battle rap. Can you really go too far
• 59:30
  Speaker 1: battle rap? No? I mean you can, But I mean
• 59:32
  Speaker 1: it's back around supposed to not when this battle about
• 59:37
  Speaker 1: people's kids. I don't think you should be. But if
• 59:39
  Speaker 1: you into that room, if you into that room, you
• 59:41
  Speaker 1: gotta know what to expect. That's it. You gotta deal
• 59:43
  Speaker 1: with all the consequences that coming those outs. I do
• 59:45
  Speaker 1: think it's too far. But if you jump into that
• 59:47
  Speaker 1: that Remember when jay Z had to apologize for what
• 59:49
  Speaker 1: he said about nas yep, because it was a little
• 59:51
  Speaker 1: too far. All right, Well, I'm angel Lay and that
• 59:54
  Speaker 1: is your rumor report. All right, thank you, miss s
• 59:56
  Speaker 1: Shola mich So you give it that. Don't listen man,
• 59:59
  Speaker 1: this down kids come from my home state of South Carolina,
• 1:00:02
  Speaker 1: speaking of going too far? When the last time you
• 1:00:05
  Speaker 1: shot somebody? And what did you shoot him over? Huh?
• 1:00:07
  Speaker 1: I never have. We'll talk about it. Four after the hour. Goodness,
• 1:00:10
  Speaker 1: all right, it's the breakfast club. Good Morning's time for
• 1:00:16
  Speaker 1: Donkey of the Day. I'm a Democrat, so being Dunkey
• 1:00:20
  Speaker 1: of the day a little bit of a mix, so
• 1:00:23
  Speaker 1: like a do other day. Now, I've been called a
• 1:00:30
  Speaker 1: lot of my twenty three years, but Donkey of the
• 1:00:32
  Speaker 1: Day is a new wife. Yes, Donkey to Day. For Thursday,
• 1:00:35
  Speaker 1: October eleven, go to a nineteen year old young man
• 1:00:38
  Speaker 1: named Ryan Langdale. Ryan is from my home, the great
• 1:00:41
  Speaker 1: state of South Carolina. Dropping a clues box for South Carolina.
• 1:00:43
  Speaker 1: Danna all right now. Ryan is facing charges of attempted murder,
• 1:00:47
  Speaker 1: using a firearm, the violent crime, and obstructing justice in
• 1:00:50
  Speaker 1: the critical wounding of his seventeen year old cousin. Ryan
• 1:00:54
  Speaker 1: nineteen years old, clapped his seventeen year old cousin. Now,
• 1:00:56
  Speaker 1: I want to explain the obstruction of justice charge. First see,
• 1:01:00
  Speaker 1: Ryan first told deputies that his cousin had accidentally shot
• 1:01:03
  Speaker 1: himself by dropping a hunting rifle while cleaning it. Now,
• 1:01:06
  Speaker 1: the cousin confirmed it in a brief statement after being
• 1:01:10
  Speaker 1: rushed in the life saving surgery, but the deputies didn't
• 1:01:13
  Speaker 1: think the evidence lined up to their story. Now sheriff
• 1:01:17
  Speaker 1: deputy said they knew from the beginning that something wasn't right.
• 1:01:20
  Speaker 1: They said, the pathway the bullet had taken through the
• 1:01:22
  Speaker 1: victim's chest was impossible if the victim had mistakenly shot himself.
• 1:01:26
  Speaker 1: And guess what, the professionals in this situation AKAA to
• 1:01:30
  Speaker 1: police were absolutely correct. Would you like to know what
• 1:01:34
  Speaker 1: happened to Ryan's cousin for real? Well, when Ryan's cousin
• 1:01:38
  Speaker 1: woke up a week later after being critically wounded, he
• 1:01:42
  Speaker 1: told investigators Potato chips or at the center of a
• 1:01:46
  Speaker 1: dispute that prompted Ryan to purposefully shoot him. Now, I'm
• 1:01:50
  Speaker 1: gonna get there. Now, I know what you're thinking. I
• 1:01:52
  Speaker 1: know that's that is what matters. I know that's what
• 1:01:54
  Speaker 1: everybody's thinking. Ryan shot his cousin over some potato chips.
• 1:01:57
  Speaker 1: All right, before we jumped to any judgments, before we
• 1:02:00
  Speaker 1: rushed to any jigs, we have to find out what
• 1:02:02
  Speaker 1: kind of chips they were. Okay, original las, Nah, nobody, Yeah,
• 1:02:07
  Speaker 1: nobodys gonna shot you over? No classic, original las. What
• 1:02:09
  Speaker 1: about barbecue? No, I love barbecue, thought, I understand you
• 1:02:12
  Speaker 1: can get clapped over some barbecue depending on your taste.
• 1:02:17
  Speaker 1: Chatted in sour cream, you think decent? Decent, I'll shoot
• 1:02:22
  Speaker 1: you over with some halapano ones, though, I love how
• 1:02:24
  Speaker 1: lapen your chest spicy? What about salton vinegar? Yeah, I
• 1:02:28
  Speaker 1: gets the mouth of watering ding ding ding ding ding
• 1:02:30
  Speaker 1: ding ding saltan ving a good chips with my favorite
• 1:02:33
  Speaker 1: potato chip. Okay, not even close. But never in my
• 1:02:36
  Speaker 1: life have I seen a shortage of salton vinegar chips. Okay, Ryan,
• 1:02:39
  Speaker 1: all you had to do is go to the stout,
• 1:02:40
  Speaker 1: all right. If you got money for bullets to shoot
• 1:02:42
  Speaker 1: your cousin, then you got a few coins to buy
• 1:02:44
  Speaker 1: some salton vinegar potato chips. Now, when Ryan came clean
• 1:02:47
  Speaker 1: and told the real story, he said he told his cousin,
• 1:02:50
  Speaker 1: do not touch my chips or I'll shoot you. Ryan
• 1:02:54
  Speaker 1: went into his back room and fetch this rifle. You know,
• 1:02:57
  Speaker 1: in South Carolina, a white man not going to get
• 1:02:58
  Speaker 1: his gun. He's gonna fetch you is gun, all right?
• 1:03:01
  Speaker 1: The next thing Ryan knew, the rifle went off and
• 1:03:03
  Speaker 1: his cousin was critically wounded over some salton vinegar potato chips.
• 1:03:07
  Speaker 1: True story. Now, I know this sounds like crackhead behavior.
• 1:03:10
  Speaker 1: If this sounds like somebody addicted to drugs, it's a
• 1:03:13
  Speaker 1: reason for that. I was recently talking to our guy,
• 1:03:16
  Speaker 1: doctor Oz, and for whatever reason, we started talking about
• 1:03:18
  Speaker 1: salton vinegar potato chips, and Doctor Oz had this to say,
• 1:03:21
  Speaker 1: let's throw to that combo. I love salton vinegar potato chips. Well,
• 1:03:24
  Speaker 1: that's that is a mouth field that they create for you,
• 1:03:27
  Speaker 1: So that that is chemically designed to get you, Charlomagne,
• 1:03:30
  Speaker 1: to absolutely adore and fall in love with those chips
• 1:03:32
  Speaker 1: like you did that dummy earlier. But there's a reason
• 1:03:34
  Speaker 1: you love it. It's chemically designed to addict you and
• 1:03:37
  Speaker 1: hit your brain. Some of these foods that crack cocaine.
• 1:03:40
  Speaker 1: So basically Ryan is a crackhead. What dummy did you
• 1:03:42
  Speaker 1: fall in love with? What's his name? Story for another story,
• 1:03:50
  Speaker 1: for another day. But basically Ryan is a crackhead, which
• 1:03:53
  Speaker 1: explains this crackish behavior. Okay, now it is a lot
• 1:03:56
  Speaker 1: of things someone should be shot over, but never in
• 1:03:58
  Speaker 1: the history of anyone's life until now has somebody been
• 1:04:01
  Speaker 1: shot over some potato chips. Now, Carus warn't the legend
• 1:04:04
  Speaker 1: once said that people are steady packing a gat as
• 1:04:06
  Speaker 1: if something's gonna happen, but it doesn't, they wind up
• 1:04:08
  Speaker 1: shooting their cousin. They bugging. Yes, Ryan was bucking, and
• 1:04:12
  Speaker 1: bugging is actually an understatement because when Ryan is sitting
• 1:04:14
  Speaker 1: in prison after being sinister about ten to fifteen, at
• 1:04:17
  Speaker 1: nineteen years old, at some point he's gonna have an
• 1:04:20
  Speaker 1: emotional breakdow and he's gonna have an emotional mental breakdown
• 1:04:23
  Speaker 1: because it's gonna be when he goes to the commissary
• 1:04:26
  Speaker 1: to buy some salt and viniggle potato chips and he
• 1:04:28
  Speaker 1: bites into one and starts crying because he realized that
• 1:04:31
  Speaker 1: he made a permanent decision based off temporary feelings. In
• 1:04:34
  Speaker 1: this case, he made a permanent decision based off temporary cravings.
• 1:04:38
  Speaker 1: Please let Remy mad get Ryan Lanyondale the biggest. He
• 1:04:40
  Speaker 1: hall he haw, he haw You stupid motherfu are you dumb?
• 1:04:47
  Speaker 1: All right? Well, thank you for that, dog kid. Today
• 1:04:49
  Speaker 1: up next is ask and before we get into that,
• 1:04:53
  Speaker 1: if you want to see the dummy, who's Charlottagne fell
• 1:04:54
  Speaker 1: in love with? I did just post a picture of
• 1:04:56
  Speaker 1: the two of them looking very much in love together. Really,
• 1:04:59
  Speaker 1: what's his name? You gotta see? Okay if you go
• 1:05:02
  Speaker 1: to my instagram? All right, well eight hundred five eight
• 1:05:04
  Speaker 1: five one oh five one. Ask Ye is next? Call
• 1:05:07
  Speaker 1: us now it's the Breakfast Club. Good morning morning. Everybody
• 1:05:10
  Speaker 1: is DJ mvy Angela yee, Charlomagne the guy we are
• 1:05:13
  Speaker 1: the Breakfast Club? Is time for ask Ye? Hello? Who's this?
• 1:05:17
  Speaker 1: What else? This is Lawrence from Detroit? What I'm doe?
• 1:05:21
  Speaker 1: What's your question for you? Brother? All right? So I've
• 1:05:25
  Speaker 1: been miss bout therapy and everything. You know, I've been
• 1:05:27
  Speaker 1: with my girl for about two years, right huh? And
• 1:05:31
  Speaker 1: you know a little my girl and everything, but I
• 1:05:34
  Speaker 1: kind of missed being a little old. I'm not gonna
• 1:05:37
  Speaker 1: think a lot for you, you miss howe? Okay? Well,
• 1:05:41
  Speaker 1: I love her. You feel me at the career path
• 1:05:44
  Speaker 1: that I'm choosing, It's like making it like hand time
• 1:05:47
  Speaker 1: carter for me. Because when I um, when I you know,
• 1:05:50
  Speaker 1: I hand out my card and everything, you know I got,
• 1:05:52
  Speaker 1: I got tattooed, you know, face tattooed. Seriously, Brod, that's
• 1:05:55
  Speaker 1: a little good, you know, you know, the nice little body,
• 1:05:58
  Speaker 1: you know what I'm saying. And when you don't hand
• 1:06:01
  Speaker 1: on my car, you know, it's like and then it
• 1:06:04
  Speaker 1: got it got my number on there, my personal number.
• 1:06:07
  Speaker 1: So girls be trying to highl at you. They'd be
• 1:06:09
  Speaker 1: trying to throwing it, like throwing it on it and
• 1:06:12
  Speaker 1: like some tin. You know, it's all you know. Of course,
• 1:06:16
  Speaker 1: it's hard being in a relationship, if you know, and
• 1:06:18
  Speaker 1: I'm sure it's hard for her too, because I'm sure
• 1:06:20
  Speaker 1: man is throwing their penis at her as well. Yeah. Ye,
• 1:06:23
  Speaker 1: So being in a relationship is always a sacrifice. And
• 1:06:26
  Speaker 1: guess what, whenever you're in a relationship, at times you
• 1:06:28
  Speaker 1: wonder what it's like to be single. And when you're single,
• 1:06:30
  Speaker 1: at times you wish you were in a relationship. The
• 1:06:31
  Speaker 1: grass is always greener on the other side. But what
• 1:06:34
  Speaker 1: you have to weigh out is the pros and cons.
• 1:06:36
  Speaker 1: Imagine if you did something, would you mind if you
• 1:06:39
  Speaker 1: had to risk losing your relationship over somebody else. Bon
• 1:06:43
  Speaker 1: fis want to think about it. It's like I would
• 1:06:45
  Speaker 1: minding the relationship because you know, because I'm you know,
• 1:06:49
  Speaker 1: I'm a veteran. I can tell you from the you know,
• 1:06:51
  Speaker 1: from the military and stuff like that. Bone finds I
• 1:06:54
  Speaker 1: be feeling like, you know, more money for me, you know,
• 1:06:56
  Speaker 1: I know, I find of self anything. It's al's like
• 1:07:00
  Speaker 1: it's all very selfish. But you know that's like, that's
• 1:07:02
  Speaker 1: like how I feel. You know, I'm awful a phrase
• 1:07:04
  Speaker 1: to have children because that's like more money out of
• 1:07:08
  Speaker 1: my pocket. You know, honestly, I'm a selfish thing. I
• 1:07:11
  Speaker 1: know I have to see like that's how I don't
• 1:07:14
  Speaker 1: you feel, but I want her to death to death
• 1:07:17
  Speaker 1: and that you know, I'm fair. Yeah, but it sounds
• 1:07:20
  Speaker 1: like there's some fair that you have about losing your
• 1:07:23
  Speaker 1: money and investing in other things, because when you're in
• 1:07:26
  Speaker 1: a relationship, it's an investment on both ends, and you
• 1:07:28
  Speaker 1: guys should both be bringing something to the table. Because
• 1:07:31
  Speaker 1: when you're with somebody is supposed to make you better. Also,
• 1:07:34
  Speaker 1: she works only works like two days about and guess
• 1:07:39
  Speaker 1: what you know what else too, not being in a
• 1:07:42
  Speaker 1: relationship is probably more expensive when you have to spend
• 1:07:44
  Speaker 1: money dating and doing all those things, so you're just
• 1:07:48
  Speaker 1: gonna sleep with people. I mean, listen, if you're feeling
• 1:07:53
  Speaker 1: so strongly about this, I don't. I just want to
• 1:07:56
  Speaker 1: make sure that you're fair to her. If you really
• 1:07:57
  Speaker 1: feel like you don't want to be in a relationship
• 1:07:59
  Speaker 1: and you're gonna sleeping somebody else, then you need to
• 1:08:01
  Speaker 1: let her know. Yeah. That's kind of the hard part
• 1:08:05
  Speaker 1: because I don't. I just don't want to break her
• 1:08:07
  Speaker 1: heart because she's us adrenful and like loving preacher and
• 1:08:11
  Speaker 1: like I cheat it before and I told her about it,
• 1:08:14
  Speaker 1: and she stuck by my side. You know. Yeah, but
• 1:08:17
  Speaker 1: guess what's gonna break her heart even more when you
• 1:08:19
  Speaker 1: cheat on her and she finds out that you did
• 1:08:20
  Speaker 1: it again. You give up on media because it's something
• 1:08:23
  Speaker 1: you caught from somebody else. These conversations. Your honesty is worth,
• 1:08:27
  Speaker 1: you know, having a conversation with it. If you really
• 1:08:29
  Speaker 1: care about her and love her, don't string her along.
• 1:08:33
  Speaker 1: I'll appreciate it. You should be Angela, got it all right?
• 1:08:36
  Speaker 1: Take care of good luck man. Just be honest. Man,
• 1:08:39
  Speaker 1: that's the big biggest thing that you could do in
• 1:08:40
  Speaker 1: a relationship. Okay, you're welcome. Why is the whole laugh
• 1:08:45
  Speaker 1: soul universal? Soon as you catch your man in a
• 1:08:47
  Speaker 1: situation where he knows he would more than one girl,
• 1:08:49
  Speaker 1: he always go it's always three chuckles. That whole laugh
• 1:08:54
  Speaker 1: is soul universal. I heard you do it? See you
• 1:08:58
  Speaker 1: know hit me do that asking ye? Yeah, that was
• 1:09:03
  Speaker 1: the super whole laugh. He just didn't. That's the guy
• 1:09:06
  Speaker 1: rea laugh. I ain't never gonna five eight five would five?
• 1:09:11
  Speaker 1: Would ask yet? Everybody dj Envy Angela, yee, Charlomagne, the
• 1:09:16
  Speaker 1: guy we all the breakfast club in the middle of
• 1:09:18
  Speaker 1: ask ye. Now before we go to the phone lines,
• 1:09:21
  Speaker 1: you got an update of a Cola that called a
• 1:09:23
  Speaker 1: couple of months ago. Yes, I don't think it was
• 1:09:24
  Speaker 1: that long ago. It was actually last month, okay. And
• 1:09:27
  Speaker 1: she called in because her sister needed some advice. Here's
• 1:09:30
  Speaker 1: what she had to say. My sister she actually has
• 1:09:34
  Speaker 1: two year old twins, and then she got pregnant right
• 1:09:36
  Speaker 1: after she had the twins. Um so she has a
• 1:09:39
  Speaker 1: one year old too. In a nutshell, her husband left her.
• 1:09:43
  Speaker 1: He took the car and you know, stranded her. But
• 1:09:46
  Speaker 1: before that he was just a terrible human being. So
• 1:09:48
  Speaker 1: it's a good thing that he laughs. Right, But now
• 1:09:51
  Speaker 1: she's been struggling. She's already you know, um, she already
• 1:09:55
  Speaker 1: put in her application for you know, like food stamps
• 1:09:57
  Speaker 1: and stuff because she's living with my grandma. She can't
• 1:09:59
  Speaker 1: afford care because she's a lot three yeah under two. Right.
• 1:10:03
  Speaker 1: But then she finally got a job offer because she
• 1:10:06
  Speaker 1: has a criminal justice degree, but she's still on the
• 1:10:09
  Speaker 1: waiting list for childcare resources. So they asked, could she start,
• 1:10:13
  Speaker 1: you know, within the next week or so. But now
• 1:10:15
  Speaker 1: she has to turn down the first job offer that
• 1:10:17
  Speaker 1: she thought. So she feels like she can never get
• 1:10:20
  Speaker 1: a leg up and I can't afford, you know, to
• 1:10:23
  Speaker 1: put them through childcare or we don't have anyone that can. Well.
• 1:10:27
  Speaker 1: I did follow up with her and her sister after that,
• 1:10:30
  Speaker 1: and I sent them a lot of information that our
• 1:10:32
  Speaker 1: listeners ask you guys were sending in that have been
• 1:10:34
  Speaker 1: in similar situations or were in positions to help. Now
• 1:10:38
  Speaker 1: her sister has responded and say, hey, I just want
• 1:10:40
  Speaker 1: to give you an update on my sister. She was
• 1:10:42
  Speaker 1: able to start her job and get her kids in
• 1:10:44
  Speaker 1: childcare for the time being. She also was benefiting from
• 1:10:47
  Speaker 1: some of the people who reached out after hearing her
• 1:10:49
  Speaker 1: story on your show. The hard part is still not
• 1:10:52
  Speaker 1: over and we have a long way to go, but
• 1:10:53
  Speaker 1: we are definitely celebrating a victory here. Thanks so much
• 1:10:56
  Speaker 1: for your advice, and if you can, please thank everyone
• 1:10:58
  Speaker 1: who reached out to help. It was really amazing. It
• 1:11:01
  Speaker 1: really does take a village, So thank you to everybody
• 1:11:03
  Speaker 1: who hit me up. I passed your messages on to her,
• 1:11:06
  Speaker 1: and I know she took a lot of advice that
• 1:11:07
  Speaker 1: she got, so that's very fortunate. Again, it's something like
• 1:11:11
  Speaker 1: that that can help her actually provide for her kids,
• 1:11:14
  Speaker 1: be able to work and keep this battle going so
• 1:11:17
  Speaker 1: she can make sure that she's the best mom she
• 1:11:18
  Speaker 1: can be. All Right, now, let's go to the phone
• 1:11:20
  Speaker 1: lines eight hundred five, five one or five one if
• 1:11:23
  Speaker 1: you need relationship advice. Hello, who's this? Good morning? How
• 1:11:25
  Speaker 1: y'all doing good man? What's your question for you? All right? So, basically,
• 1:11:29
  Speaker 1: my wife and I have been together for like four
• 1:11:32
  Speaker 1: or five years, okay, Mary, and she doesn't work anything.
• 1:11:36
  Speaker 1: I'll take care of everything. But she's been saying like
• 1:11:39
  Speaker 1: she feels bad because she can't get me moping for
• 1:11:41
  Speaker 1: Christmas and all this other stuff. But she doesn't work.
• 1:11:44
  Speaker 1: So how can I come up with some creative way
• 1:11:47
  Speaker 1: to like get her some money without her thinking like,
• 1:11:49
  Speaker 1: all right, you can just take this. But she does work, right,
• 1:11:52
  Speaker 1: she works in the house. She does then she holds
• 1:11:54
  Speaker 1: it down. Oh yeah, of course, and she chakes care
• 1:11:56
  Speaker 1: of my daughter and you know all of that which
• 1:11:58
  Speaker 1: in her pocket. Yeah, which is work. Do you guys
• 1:12:01
  Speaker 1: have a joint bank account? Yes, okay, So can she
• 1:12:04
  Speaker 1: take from that account to get you whatever it is
• 1:12:07
  Speaker 1: and what I would suggest you do because she does work,
• 1:12:10
  Speaker 1: maybe there's some she has her own separate account as
• 1:12:12
  Speaker 1: well that you deposit money into. Because she is working,
• 1:12:15
  Speaker 1: she's taking care of your daughter, she's taking care of
• 1:12:16
  Speaker 1: the house. It's just not a go out and have
• 1:12:19
  Speaker 1: a job outside of the home type of thing. But
• 1:12:21
  Speaker 1: she is working. I would never do it. You would
• 1:12:24
  Speaker 1: never give her money, Nay, stay at home all day
• 1:12:26
  Speaker 1: And I can't do it. It's too hard. Well, you
• 1:12:28
  Speaker 1: wouldn't give her money to stay. He wouldn't. He wouldn't
• 1:12:31
  Speaker 1: stay at home and work. It's too hard for him. Right,
• 1:12:33
  Speaker 1: So yeah, no, I rather, I can't. I can't take
• 1:12:36
  Speaker 1: care of the baby all this. It's a lot of work.
• 1:12:39
  Speaker 1: And so maybe that's a discussion that you have with her,
• 1:12:41
  Speaker 1: like a kind of a you know what, you stay home,
• 1:12:43
  Speaker 1: you take care of our daughter, You take care of
• 1:12:45
  Speaker 1: the household. You should be getting paid for that because
• 1:12:47
  Speaker 1: that is a job, okay, so that she can always
• 1:12:49
  Speaker 1: feel good about having her own money and then making
• 1:12:51
  Speaker 1: her own money to spend that she doesn't have to
• 1:12:52
  Speaker 1: ask you for it. Yeah, I mean she got money
• 1:12:55
  Speaker 1: in that account. It's just that I guess she feels
• 1:12:58
  Speaker 1: weird about like just using it or me. She feels
• 1:13:03
  Speaker 1: like it's your money. Listen, it's both of your money together,
• 1:13:05
  Speaker 1: and that's money that she earned too, and you need
• 1:13:07
  Speaker 1: to let her know that all the money that you
• 1:13:09
  Speaker 1: earn is half hers because you couldn't do what you
• 1:13:10
  Speaker 1: do without her. So your money is half her, like
• 1:13:14
  Speaker 1: both of y'all that your money is your money together.
• 1:13:17
  Speaker 1: I got you, all right, appreciate it, all right? No problem?
• 1:13:20
  Speaker 1: All right e, great advice. Now we got rumors on
• 1:13:22
  Speaker 1: the way. Yes, let's talk about Yo Gotti, his road
• 1:13:25
  Speaker 1: manager and vice president of his collective music group, has
• 1:13:28
  Speaker 1: just been sentenced. Will tell you what that's for and
• 1:13:31
  Speaker 1: how long he has to go to jail? Four? All right,
• 1:13:33
  Speaker 1: we'll get into all that when we come back, keep
• 1:13:35
  Speaker 1: a lock. This to Breakfast Club. Good morning stej Mvy Angela, Yee,
• 1:13:39
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. Let's get
• 1:13:41
  Speaker 1: to these rumors. Let's talk. Yo gotta listen. It's just say,
• 1:13:46
  Speaker 1: oh gosh, GOSU report got Angela, Angela, it's the rumor
• 1:13:51
  Speaker 1: report Breakfast Club. Well, according to reports, Yo Gotti's road
• 1:13:56
  Speaker 1: manager and vice president of Collective Music Group, Howard kean Right,
• 1:14:00
  Speaker 1: has reportedly pleaded guilty to multiple charges. And that's from
• 1:14:03
  Speaker 1: that twenty sixteen shooting that happened in Charlotte, North Carolina
• 1:14:06
  Speaker 1: during CI double a weekend that also involved Young Dolf. Now,
• 1:14:11
  Speaker 1: kean Right admitted he sprayed a sprinter van at SGB
• 1:14:13
  Speaker 1: in a Hyatt Hotel lobby with bullets and was possibly
• 1:14:16
  Speaker 1: targeting Young Dolf, who was in town that weekend for
• 1:14:19
  Speaker 1: a concerto. I have no idea. I have absolutely no idea.
• 1:14:26
  Speaker 1: But he has been sentenced to ten to fourteen years.
• 1:14:29
  Speaker 1: That's why now he's currently in custody at a county jail.
• 1:14:32
  Speaker 1: He was supposed to start his trial along with two
• 1:14:34
  Speaker 1: co defendants this week, but instead he took the guilty plea.
• 1:14:38
  Speaker 1: Kevin Thompson also copped to several gun charges, and Derek
• 1:14:41
  Speaker 1: Bolton took his case to trial and was found not guilty. Really.
• 1:14:45
  Speaker 1: According to the DA's office, Howard Keion pleaded guilty to
• 1:14:48
  Speaker 1: five counts of discharging a firearm and to occupied property,
• 1:14:52
  Speaker 1: discharging a firearm in to an occupied vehicle in operation,
• 1:14:55
  Speaker 1: conspiracy to discharge a firearm in to an occupied dwelling,
• 1:14:58
  Speaker 1: eight counts of charging a firearm into an occupied dwelling,
• 1:15:02
  Speaker 1: and a misdemeanor carrying a concealed gun. One of his
• 1:15:04
  Speaker 1: man's beat didn't wonder why you feel like he couldn't
• 1:15:06
  Speaker 1: beat it. I don't know. It's interesting. Yeah, I have
• 1:15:09
  Speaker 1: no idea, but he's currently in custody at a county jail.
• 1:15:12
  Speaker 1: If we do what ten to fourteen you might have
• 1:15:14
  Speaker 1: to do with five years, maybe he didn't feel like
• 1:15:17
  Speaker 1: he could beat it if years from ten to fourteen,
• 1:15:20
  Speaker 1: but usually if it's the minimal that us do half
• 1:15:22
  Speaker 1: of your timer for behavior. I don't know that much
• 1:15:25
  Speaker 1: about this. I'm not gonna lie all right. Quality control
• 1:15:30
  Speaker 1: somebody had stolen a car that their engineer actually had
• 1:15:35
  Speaker 1: two hard drives in the car, so They didn't really
• 1:15:37
  Speaker 1: care about getting the car back, but they wanted to
• 1:15:39
  Speaker 1: make sure they got the two stolen hard drives back right,
• 1:15:41
  Speaker 1: so the ceop actually went online. He said, attention Atlanta,
• 1:15:45
  Speaker 1: whoever just jumped in the Dodge Journey and stole the
• 1:15:48
  Speaker 1: car at the Chevron on North Side Drive. That was
• 1:15:51
  Speaker 1: my engineer's car with an important hard drive in it.
• 1:15:53
  Speaker 1: I know you're just doing what you do. I'm not
• 1:15:55
  Speaker 1: knocking your hustle because I used to steal cars in
• 1:15:57
  Speaker 1: the nineties. I have twenty k cast money for the
• 1:16:00
  Speaker 1: hard drive back, and guess what they got the hard
• 1:16:03
  Speaker 1: drives back. A solid person p is man drop on
• 1:16:06
  Speaker 1: the clues bomb for pe because he's not judging the
• 1:16:09
  Speaker 1: individual because he used to do right, you know what
• 1:16:11
  Speaker 1: I'm saying. So he's like, look, I know this guy's
• 1:16:13
  Speaker 1: probably not a bad person. He's just trying to eat
• 1:16:15
  Speaker 1: man of fact. You can keep the car. Just give
• 1:16:17
  Speaker 1: me the hard drive back and I'm gonna give you
• 1:16:18
  Speaker 1: twenty dollars. You got a car and twenty K I gott.
• 1:16:24
  Speaker 1: He let him keep the card, though, but either way,
• 1:16:26
  Speaker 1: he still I don't care about the car. He still
• 1:16:28
  Speaker 1: put a reward off for the hard drive. But that
• 1:16:30
  Speaker 1: just shows what type of person he is because he
• 1:16:32
  Speaker 1: used to do the same thing. So he didn't cast
• 1:16:33
  Speaker 1: any judgment. He just said, look, I just need just
• 1:16:34
  Speaker 1: back the hard drive back. That's all all right, I
• 1:16:37
  Speaker 1: get it, and he got it back, so that's the
• 1:16:39
  Speaker 1: most important thing. I guess they had some unreleased tracks
• 1:16:41
  Speaker 1: from like Little Yahti on their Little Baby. Who knows
• 1:16:44
  Speaker 1: what was on there? All right, Lebron, he says, And
• 1:16:47
  Speaker 1: I believe that he was joking, but some people think
• 1:16:49
  Speaker 1: maybe he was serious. I don't know, but he says
• 1:16:52
  Speaker 1: his sons are so mature that he actually will let
• 1:16:54
  Speaker 1: them drink wine. Check it out. No, not really the
• 1:16:57
  Speaker 1: same thing that they listened to, the same thing my
• 1:16:59
  Speaker 1: fourteen year old listen. So I get it all at
• 1:17:01
  Speaker 1: home with my fourteen and my eleven year old. So
• 1:17:03
  Speaker 1: what does that say about that? That doesn't say anything.
• 1:17:06
  Speaker 1: It's just the time, that's all. I got very mature
• 1:17:10
  Speaker 1: fourteen and eleven year old, My fourteen eleven ye olds
• 1:17:13
  Speaker 1: drink one that saw mature they are they'd be driving
• 1:17:15
  Speaker 1: next week toom Wait a minute, serious now. The reason
• 1:17:22
  Speaker 1: he was answering that question is because they were talking
• 1:17:24
  Speaker 1: about the cultural divide what music they listened to in
• 1:17:26
  Speaker 1: the locker room, and he was saying his teammates listened
• 1:17:28
  Speaker 1: to the same music that his kids listened to. I
• 1:17:30
  Speaker 1: saw a headline yesterday and that mad put out saying
• 1:17:34
  Speaker 1: that there we need to talk about underaged drinking because
• 1:17:36
  Speaker 1: of Lebron's comments. He was clearly joking. I don't know
• 1:17:40
  Speaker 1: who he was. He was clearly being sadcasting out a statement. Yes,
• 1:17:46
  Speaker 1: I saw it yesterday because I was I didn't read
• 1:17:48
  Speaker 1: the article, but I was just like, I just saw that.
• 1:17:49
  Speaker 1: I saw a mad put out a statement. I'm like,
• 1:17:51
  Speaker 1: they're clearly reaching for He was clearly joking just now.
• 1:17:56
  Speaker 1: But yeah, I see that on USA today. I mean,
• 1:17:58
  Speaker 1: my father didn't let me see. We still have a
• 1:18:00
  Speaker 1: long way to go to educate parents about the dangers
• 1:18:02
  Speaker 1: of underage drinking. I'm sure that most parents let you
• 1:18:05
  Speaker 1: just take a little sick, I said, tied to him.
• 1:18:07
  Speaker 1: My father would let me drink at He let me
• 1:18:08
  Speaker 1: get a sip of bud wash. My parents let me
• 1:18:10
  Speaker 1: drink Homemgarritas' how about your mom and dad didn't They
• 1:18:15
  Speaker 1: didn't take her to Disney World, so they gotta keep her.
• 1:18:17
  Speaker 1: The TA the ain't love you. Amaretto sours all right,
• 1:18:20
  Speaker 1: I'm angela. That's your I got alcohol in it. Amados.
• 1:18:24
  Speaker 1: Don't think virgin marg Yeah, I didn't have virgin wind stuff.
• 1:18:27
  Speaker 1: Oh you like eight? Oh they don't love you now, Katy,
• 1:18:31
  Speaker 1: I was a little Get some charges on them right now,
• 1:18:34
  Speaker 1: the way they're pulling up retroactive charges. Now, get poppy
• 1:18:37
  Speaker 1: for contributing to the linacy of the money. All right, well,
• 1:18:39
  Speaker 1: shout to revote. We'll see you guys tomorrow. Everybody else's time.
• 1:18:42
  Speaker 1: Let's do it. Teddy Riley time. Teddy Riley was here earlier. Now,
• 1:18:46
  Speaker 1: let me know your favorite Teddy Riley joined. Something he produced,
• 1:18:49
  Speaker 1: he wrote. He sang on, let's get into it right now,
• 1:18:53
  Speaker 1: new Jack swing Baby. One of the greatest errors in
• 1:18:55
  Speaker 1: music history. Let's do it at dj MB. Let's go