Latest / I Am All In with Scott Patterson / In Fact, Everyone’s Coffee is on the House Today (S2 E4, "The Road Trip to Harvard")

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In Fact, Everyone’s Coffee is on the House Today (S2 E4, "The Road Trip to Harvard") · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in. Oh, let's just you. I am
• 0:17
  Speaker 1: all in? What Scott Patterson and I Heart Radio podcast?
• 0:22
  Speaker 1: All right, hey, everybody, Scott Patterson here and this is
• 0:25
  Speaker 1: the I Am All In Podcast. I Heart Radio one
• 0:27
  Speaker 1: eleven Productions. We've got two really special guests coming on
• 0:31
  Speaker 1: at the same time. My old buddy James Pettitt from
• 0:34
  Speaker 1: Warner Brothers. He's ahead of marketing and also he's bringing
• 0:38
  Speaker 1: with him um a wonderful actor named Carl Wright who
• 0:43
  Speaker 1: played the Harvard professor in this episode, and I think
• 0:46
  Speaker 1: in one other episode. And uh so, guys, let's let's
• 0:49
  Speaker 1: get into this episode a little bit. What do you think?
• 0:52
  Speaker 1: H Yes, I love this episode. Did you already recap
• 0:55
  Speaker 1: it at the beginning? Did I miss anything? No? No,
• 0:58
  Speaker 1: you're your first up, buddy, You're you guys are first up.
• 1:02
  Speaker 1: So I think I actually wrote this brief synopsis back
• 1:07
  Speaker 1: when I was at the w B network, so I
• 1:10
  Speaker 1: will read it quickly. With the wedding canceled, Laura Lai
• 1:14
  Speaker 1: is eager to escape the sympathies of everyone in Stars Hollow,
• 1:19
  Speaker 1: so she and Rory take off on a road trip
• 1:21
  Speaker 1: that ultimately leads to Harvard University. While Rory confronts her
• 1:26
  Speaker 1: dreams of college life. Laura Lia ponders what might have been.
• 1:31
  Speaker 1: But there's more. There's this whole thing where she hasn't
• 1:35
  Speaker 1: told you Luke about not getting married. Right. You know,
• 1:42
  Speaker 1: I thought the episode started. I thought the episode started off. Okay,
• 1:50
  Speaker 1: I did uh bristle a bit on the lauralized criticisms
• 1:55
  Speaker 1: of country music, and you know, I didn't. And I
• 1:59
  Speaker 1: was like, oh, I know. But it's like, as a
• 2:03
  Speaker 1: you know, the producer in me, I was saying, why
• 2:06
  Speaker 1: are you alienating the most uh popular form of music
• 2:09
  Speaker 1: in the world right now or or or you know,
• 2:13
  Speaker 1: I didn't get that, and I think that's the iconoclastic
• 2:16
  Speaker 1: nature of the creator. Um. But it's like as a producer,
• 2:22
  Speaker 1: and I think this is where the studio may have
• 2:24
  Speaker 1: pushed back on her and said, listen, why are we
• 2:27
  Speaker 1: alienating half the world here? We want people to watch
• 2:30
  Speaker 1: the show. We don't want to lead character to trash
• 2:33
  Speaker 1: country music because I mean there's a lot of great
• 2:36
  Speaker 1: country music. I mean, there's a lot of great rock music.
• 2:38
  Speaker 1: There's a lot of right in every genre. There's like,
• 2:42
  Speaker 1: you know, the bad part of it, there's a good
• 2:43
  Speaker 1: part of it. But Um, I had no idea that
• 2:47
  Speaker 1: Jodie and the Blowfish with country music because that's what
• 2:49
  Speaker 1: they know. It wasn't what didn't start out that way.
• 2:52
  Speaker 1: It had maybe a flavor because I think he's from there,
• 2:55
  Speaker 1: from North Carolina or something. But it was more it
• 2:58
  Speaker 1: was more kind of rock, kind of country is rock
• 3:02
  Speaker 1: sort of a little bit um but like Dave Matthews
• 3:05
  Speaker 1: kind of stuff. But but he became a country star.
• 3:08
  Speaker 1: Darius Rucker became a country star, you know the last
• 3:12
  Speaker 1: yeah yeah, um, but anyway, and he's great as they
• 3:18
  Speaker 1: also they also said a C. D C. Highway to
• 3:21
  Speaker 1: Hell was their song, and I was like, yes, I
• 3:24
  Speaker 1: get that question. For a road trip, that is a
• 3:27
  Speaker 1: good song. But don't you think that that's you know,
• 3:29
  Speaker 1: just the characters. I mean, they wouldn't like where they were,
• 3:32
  Speaker 1: they would they wouldn't like, you know, country music. I
• 3:35
  Speaker 1: think it reveals a Northeastern elitism, snobbishness that is a
• 3:41
  Speaker 1: turn off to a lot of people, which can masquerade
• 3:46
  Speaker 1: as somehow appealing. It's like appealing in some way. Oh yeah,
• 3:52
  Speaker 1: they're like snooty Northeasterners who hate country music. Well you know,
• 3:56
  Speaker 1: well that's so appealing some yeah, and some form. That's
• 4:01
  Speaker 1: funny because okay, watch Gilba Girls on Wednesday nights on
• 4:05
  Speaker 1: the w B and then watch Reba on Thursday. So
• 4:11
  Speaker 1: I think, you know, probably Lou and Bob remember, remember
• 4:16
  Speaker 1: they probably had something. They probably had something to say
• 4:18
  Speaker 1: about it. But it's like, you know, try to get
• 4:20
  Speaker 1: Amy to change dialogue. It's like, guys, you know, do
• 4:23
  Speaker 1: we want to cut out half the country here? It's
• 4:26
  Speaker 1: like click, Well, but the engagement was off. Now that's
• 4:32
  Speaker 1: the point of the whole episode, that engagement. Max. Are
• 4:35
  Speaker 1: you trying to get me off the subject? Chamee I am.
• 4:38
  Speaker 1: I'm like, you're done with country? There he goes. James
• 4:41
  Speaker 1: is directing them. That's what he does so well, I
• 4:45
  Speaker 1: want to get to your super pivotal scene. It's like
• 4:48
  Speaker 1: almost a character change for you. Like I was like,
• 4:51
  Speaker 1: who is this nice person? But we'll get to that.
• 4:54
  Speaker 1: I'll get there. But anyway, So so the thing that
• 4:56
  Speaker 1: that really stuck out to me other than why are
• 5:01
  Speaker 1: you trashing country music because I'm a fan of country music?
• 5:03
  Speaker 1: Um is it was hard. I think they won. They won,
• 5:12
  Speaker 1: They won the war with just the two of them together.
• 5:15
  Speaker 1: It's like I kept thinking, are they going to be
• 5:17
  Speaker 1: able to carry the episode because nobody else is in
• 5:20
  Speaker 1: the episode. We're not in stars Hollow, this is unfamiliar territory.
• 5:25
  Speaker 1: So how how is this going to be rectified? I mean,
• 5:28
  Speaker 1: this better be some pretty great stuff if we're just
• 5:31
  Speaker 1: going to be spending time with those two. And another
• 5:33
  Speaker 1: thing that I felt, um and and they did at
• 5:37
  Speaker 1: in places and I was pretty satisfied most of the way.
• 5:40
  Speaker 1: But another thing that I felt, I thought that fight
• 5:42
  Speaker 1: in the in the bed and breakfast between mother and
• 5:45
  Speaker 1: daughter was a little forced. I mean, it just can't
• 5:48
  Speaker 1: kind of came out of nowhere, you know. So for me,
• 5:51
  Speaker 1: it felt like it was like, oh, we need them
• 5:53
  Speaker 1: to have some conflict here, and they just kind of
• 5:55
  Speaker 1: forced it on us because it just happened so fast.
• 5:58
  Speaker 1: I mean, Laurel, I went from being and I get it.
• 6:00
  Speaker 1: You know, they're hungry, they haven't eaten, They're gonna be snappy.
• 6:03
  Speaker 1: But I mean that was that was a that was
• 6:05
  Speaker 1: a brutal fight. What did you think? Did you? Did
• 6:09
  Speaker 1: you have any kind of opinion on that? No? I
• 6:12
  Speaker 1: was actually intrigued by their relationship in it. I'm like
• 6:16
  Speaker 1: the SERTs were a nice throwback for me. That she
• 6:19
  Speaker 1: hadn't her purse, that she was gonna feed Rory, and
• 6:22
  Speaker 1: that they had like hair or something fuzzy on them. Um.
• 6:26
  Speaker 1: And so the whole like wacky Ben and Breakfast person
• 6:31
  Speaker 1: that had that cheshire cat was the name of the place,
• 6:34
  Speaker 1: and um, the Annabelle dolls in the background, you know,
• 6:38
  Speaker 1: those spooky dolls. I just felt like that wacky character
• 6:42
  Speaker 1: could have been out of Stars Hollow and it fits so.
• 6:45
  Speaker 1: And we had never met that person before. Her name
• 6:48
  Speaker 1: was like La Dawn or something like that. And I
• 6:51
  Speaker 1: felt like, you know, the relationship was snarky, as it
• 6:56
  Speaker 1: usually is, because you know, they got into the Bed
• 6:58
  Speaker 1: and Breakfast, they checked in to their room and it
• 7:00
  Speaker 1: was like all these flowers like Laura Ashley threw up everywhere,
• 7:04
  Speaker 1: and they made fun of it, and I get it,
• 7:07
  Speaker 1: and I wouldn't make fun of it too, but they,
• 7:10
  Speaker 1: you know, they didn't want to sleep there first, and
• 7:12
  Speaker 1: so the fight was like, I didn't seem that forced.
• 7:16
  Speaker 1: It just seemed like to me, it was it was good,
• 7:19
  Speaker 1: it was fine. I know you thought it was felt.
• 7:23
  Speaker 1: I felt it was a little forced. Yeah, it was
• 7:26
  Speaker 1: like and Rory had a good point. I mean, it's
• 7:29
  Speaker 1: like you're my best friend and we can talk about anything,
• 7:31
  Speaker 1: and all of a sudden, I want to talk about something,
• 7:33
  Speaker 1: you snap out on me and you know, just turn
• 7:36
  Speaker 1: your back on me and go to bed and scream
• 7:37
  Speaker 1: at me. And it's like Jesus, that's like, well, that
• 7:43
  Speaker 1: happens sometimes in relationships. Yeah. I think you find out
• 7:48
  Speaker 1: a lot about people and they act a little bit
• 7:49
  Speaker 1: different when you travel with people. I mean sometimes you
• 7:52
  Speaker 1: can go places and not you know, you're friends with
• 7:55
  Speaker 1: somebody all the time, but then when you're with them
• 7:58
  Speaker 1: all day, all night, and you realize, oh, I don't
• 8:02
  Speaker 1: I don't. I don't want to go see everything every
• 8:05
  Speaker 1: every few minutes. I want to do something a little
• 8:07
  Speaker 1: bit differently. It kind of brings out different aspects of
• 8:11
  Speaker 1: your relationship that you examine differently, you know. Yeah, all right, Scott,
• 8:17
  Speaker 1: that's how I That's how I felt about you when
• 8:19
  Speaker 1: I traveled with you. But and then I was like,
• 8:28
  Speaker 1: I want to do this again. I want to do
• 8:29
  Speaker 1: this again. Let's go, let's go Atlanta, let's go through.
• 8:33
  Speaker 1: Let's go meet your old coach at Atlanta. Yeah. Yeah,
• 8:38
  Speaker 1: by the way, yeah, they won the World Series, James
• 8:41
  Speaker 1: is like what they want what the World series ended.
• 8:45
  Speaker 1: Since they haven't had a World series, right, why didn't
• 8:50
  Speaker 1: we go to that? We should have went to that game.
• 8:52
  Speaker 1: Like I take you to the games that are not important.
• 8:55
  Speaker 1: I guess I don't think you can get a ticket
• 9:00
  Speaker 1: to the good games. They're all good games down there.
• 9:05
  Speaker 1: We had a great time down there. Anyway, Congrats to
• 9:08
  Speaker 1: Brian Snitker, the Atlanta Braves, the entire organization, Rest in peace.
• 9:11
  Speaker 1: Hank Karon Um, Yeah, you know, these were these were
• 9:15
  Speaker 1: people that I signed with originally, uh in and back.
• 9:21
  Speaker 1: I came up through their system before they traded me.
• 9:24
  Speaker 1: Oh my god, I will never get rid of I
• 9:26
  Speaker 1: will never get rid of your baseball card. It's the
• 9:28
  Speaker 1: cutest thing ever. Okay, but anyway, back to the episode.
• 9:32
  Speaker 1: Uh you also try to find Scott's baseball card. It's amazing.
• 9:38
  Speaker 1: What's it worth right now? Do you know, Scotty? Okay,
• 9:48
  Speaker 1: back to the episode. So Melissa McCarthy I love is
• 9:51
  Speaker 1: in this episode two because there's a pivotal moment about her.
• 9:54
  Speaker 1: Now she's making this this wedding cake that moral I says, oh,
• 9:59
  Speaker 1: don't worry about the cake, and she's like okay, and
• 10:02
  Speaker 1: she's actually making it and it's like four tiers high
• 10:05
  Speaker 1: and she names it Clyde and then she's like, you
• 10:09
  Speaker 1: need to tell um, you need to tell Luke for me.
• 10:13
  Speaker 1: So she goes to the cafe. Suki goes to the
• 10:17
  Speaker 1: cafe and she has to tell you the news. Now
• 10:23
  Speaker 1: you remember what the news was. It was Max and
• 10:25
  Speaker 1: the weddings off. But what did you do? You remember
• 10:28
  Speaker 1: that scene in the in the cafe at all? I don't.
• 10:32
  Speaker 1: I don't remember it. But um, I was relieved to
• 10:37
  Speaker 1: be back and Stars Hollow as a fan of the show.
• 10:41
  Speaker 1: Now that I'm seeing, okay, get me back to Stars Hollow,
• 10:46
  Speaker 1: I like being I like being with these two. Um.
• 10:51
  Speaker 1: You know, they don't want to mix with the bed
• 10:52
  Speaker 1: and breakfast crowd ha ha. But they were perfectly nice people,
• 10:56
  Speaker 1: and Rory was trapped by the young and the young
• 10:59
  Speaker 1: the older couple sitting down grilling her about her boyfriend
• 11:03
  Speaker 1: and what she's where She's going to call the whole thing.
• 11:06
  Speaker 1: And they were wonderful actors. They were hysterically funny. Um.
• 11:10
  Speaker 1: But again, this kind of elitism was is washing over
• 11:13
  Speaker 1: them where they're I don't know, they're too good to
• 11:16
  Speaker 1: talk to normal people. And it's like, how is that appealing?
• 11:19
  Speaker 1: And that's kind of through the lens. I was looking
• 11:22
  Speaker 1: at a throw and I know they wanted to get
• 11:24
  Speaker 1: out and they wanted to you know, they didn't want
• 11:26
  Speaker 1: to get trapped by a group of people. Would be
• 11:28
  Speaker 1: but it wasn't that big of a deal. You just,
• 11:30
  Speaker 1: you know, just be nice to people. I guess I'm
• 11:32
  Speaker 1: getting preachy. I totally get it. But so anyway, so
• 11:39
  Speaker 1: they so, so let's go, We're back and starts hollow.
• 11:42
  Speaker 1: But I like but I like the road trip part
• 11:44
  Speaker 1: of it. It got better for me the closer they
• 11:47
  Speaker 1: get to Harvard. When they finally get to Harvard, that's
• 11:48
  Speaker 1: when the episode started kicking in for me, because now
• 11:52
  Speaker 1: we're seeing all the dreams and the aspirations and all that.
• 11:55
  Speaker 1: So what I'm doing is the set up to all
• 11:58
  Speaker 1: that for me was problematic, and I would have had
• 12:01
  Speaker 1: I been a studio executive or I had been an editor,
• 12:05
  Speaker 1: I would have maybe said, look, can we dial back
• 12:08
  Speaker 1: on this, or can we edit this out or something,
• 12:10
  Speaker 1: because it's to protect the characters anyway, that's not my job.
• 12:15
  Speaker 1: But now I can voice my opinion. I am. I'm
• 12:17
  Speaker 1: gonna get a lot of emails about this. They're not
• 12:19
  Speaker 1: going to be terribly friendly, but that's just how I
• 12:21
  Speaker 1: feel about it. But I really thought that the setup
• 12:24
  Speaker 1: was a little bit clumsy, entertaining and funny. Sure, beautifully acted. Yeah,
• 12:30
  Speaker 1: but now we get to Harvard finally, right, and it's like,
• 12:33
  Speaker 1: now it kicks in. All the dreams and aspirations of
• 12:36
  Speaker 1: Rory's future are being breathed with all this fraction, with
• 12:41
  Speaker 1: all this fresh Harvard oxygen, and then all of of
• 12:45
  Speaker 1: lauralized potential from the past has dried up and it's
• 12:49
  Speaker 1: presented to her in those photos of Valde, the Valdive, Valive,
• 12:54
  Speaker 1: valid Valdive, Victorian ey for me to say, and those
• 12:59
  Speaker 1: moments she has looking off like what could have been?
• 13:01
  Speaker 1: And I'm smart, and I'm you know, I'm very bright,
• 13:04
  Speaker 1: and I could have done this, but now I want
• 13:06
  Speaker 1: this for my daughter. So those those were very compelling
• 13:09
  Speaker 1: moments and a lot of a lot of great moments
• 13:11
  Speaker 1: with you know, the moment when Rory went into the
• 13:14
  Speaker 1: class and started discussing stoicism with Carl What was that like?
• 13:19
  Speaker 1: Tell us about that, Carl Um, Well, what I will
• 13:23
  Speaker 1: tell you is that I think I was shooting this
• 13:25
  Speaker 1: on my birthday um, so that was kind of cool. Um.
• 13:29
  Speaker 1: But I do remember I was up there doing that
• 13:34
  Speaker 1: speech all day, like for every single take, every single shot.
• 13:40
  Speaker 1: They needed me to give that speech over and over
• 13:43
  Speaker 1: and over again. At least a hundred times I did
• 13:46
  Speaker 1: that speech. UM, so I knew it by heart. And
• 13:50
  Speaker 1: there was a really nice lady who was a makeup woman.
• 13:53
  Speaker 1: I don't remember what her name was. She had like
• 13:55
  Speaker 1: brown hair, she's kind of tall. She came up and
• 13:58
  Speaker 1: she said, you're so good, you should have your own show.
• 14:00
  Speaker 1: When I said thanks, but they never got my my
• 14:07
  Speaker 1: close up. I'm like waiting, I'm like giving up this.
• 14:09
  Speaker 1: By the way, Carl, you know I agree with her. Yes,
• 14:13
  Speaker 1: But they used to tell that to everybody, so they
• 14:15
  Speaker 1: wouldn't call that exactly if we had a director that
• 14:24
  Speaker 1: wouldn't stop doing takes, you know, they'd see if start
• 14:27
  Speaker 1: fading and they come up and say, you know what,
• 14:29
  Speaker 1: you're so good you should have your own show. You'd
• 14:33
  Speaker 1: perk up a little like, isn't she great? I'm kidding
• 14:36
  Speaker 1: you should? You should know. It worked. It worked, though,
• 14:39
  Speaker 1: Keep me going, keep me going. So um. But there's
• 14:43
  Speaker 1: an interesting thing in this this episode that I remember
• 14:46
  Speaker 1: that the other student that she's talking to the Asian
• 14:51
  Speaker 1: MASSI okas like it's Massy Coca from Heroes, right, So
• 14:58
  Speaker 1: like we had kind of be into each other because
• 15:00
  Speaker 1: you know, when your guest cast, the guest cast hangs out,
• 15:03
  Speaker 1: the main cast hangs out. So we talked and we'd
• 15:06
  Speaker 1: hang out. And then fast forward three four years. He
• 15:10
  Speaker 1: does Heroes and I do Heroes, and I'm like, wow,
• 15:14
  Speaker 1: he went from being like the last person on the
• 15:16
  Speaker 1: call list to like the biggest part of the whole show.
• 15:21
  Speaker 1: And um, but he was such a really nice guy
• 15:24
  Speaker 1: and really funny and um. You know that that scene
• 15:29
  Speaker 1: was really interesting to watch Alexis do because it was
• 15:33
  Speaker 1: really all her, you know, And I remember that day
• 15:37
  Speaker 1: like people were kind of like giving her space. They
• 15:41
  Speaker 1: were like, don't don't bother her because she kind of
• 15:44
  Speaker 1: had to do a lot. And um, but she was
• 15:48
  Speaker 1: really really nice. It wasn't that big of a scene.
• 15:51
  Speaker 1: She had a couple of lines of dialogue. It wasn't
• 15:53
  Speaker 1: that big of a but he did a lot of
• 15:55
  Speaker 1: stuff other than that within the campus because we were
• 15:58
  Speaker 1: at U c. L A. You know, that's where that was.
• 16:02
  Speaker 1: Obviously it wasn't Harvard. It was too sunny, yeah exactly,
• 16:07
  Speaker 1: and they didn't have the old you know, gothic uh
• 16:10
  Speaker 1: buildings around Yeah. Yeah, but but yeah, they shot a
• 16:14
  Speaker 1: lot of stuff that day. So because we're moving around
• 16:16
  Speaker 1: and I'm sure you had this all the time, you
• 16:19
  Speaker 1: gotta shoot it right, get it right. And I do
• 16:23
  Speaker 1: remember when I auditioned for this, Um, Jamie Rodowski, who
• 16:27
  Speaker 1: I'm actually taking classes with, she told me to said hello,
• 16:31
  Speaker 1: he said, h yeah, I definitely will. I remember when
• 16:35
  Speaker 1: I went in. Just before I went in, she stopped me.
• 16:37
  Speaker 1: She said, just talk as fast as you can. Say
• 16:40
  Speaker 1: as fast as you can said okay, exactly, the perfect note,
• 16:46
  Speaker 1: and like, great, you got it. Yeah, that's what they do. Yeah,
• 16:52
  Speaker 1: because it's that's different than any other show. You don't
• 16:55
  Speaker 1: they don't want you to say it as fast as
• 16:56
  Speaker 1: you can. So um, and that's part of the humor
• 17:00
  Speaker 1: of the show that just works. It's it's so cool. Well,
• 17:03
  Speaker 1: they've got eighty pages of black ink, which is all
• 17:07
  Speaker 1: dialogue to fit into what forty minutes, James, you're doing
• 17:12
  Speaker 1: twenty minutes of commercials right, Oh yes, yeah, so that's
• 17:16
  Speaker 1: forty minutes. You gotta get any pages? Yeah, yeah, so
• 17:19
  Speaker 1: you gotta talk twice as fast as anybody else on
• 17:22
  Speaker 1: any other show. And hey, James, has it changed in syndication.
• 17:26
  Speaker 1: They still have the same amount of time, same amount. Yeah,
• 17:30
  Speaker 1: it's not longer or shorter. Same Yes, And it's on
• 17:34
  Speaker 1: up TV, America's cable network. So anyway, so they so
• 17:41
  Speaker 1: they go to Harvard. They have all those great moments, right,
• 17:44
  Speaker 1: and we now see that Rory is capable of handling
• 17:49
  Speaker 1: IVY League um uh an IVY league education. She's what
• 17:57
  Speaker 1: she's junior now at this point, she's a soft more jr.
• 18:01
  Speaker 1: She's a junior? Is she a junior? We're gonna get
• 18:04
  Speaker 1: fact checked on this, Like, I'm pretty sure because that
• 18:08
  Speaker 1: one lane set off sent off to Korea and she
• 18:11
  Speaker 1: comes back in this episode. Yes, so is that? Is
• 18:14
  Speaker 1: she a sophomore? I think it was really early. I
• 18:18
  Speaker 1: think she was. I think she had two more years.
• 18:20
  Speaker 1: I think she's a sophomore. She's got two more year.
• 18:23
  Speaker 1: So there she is, as a sophomore at a in
• 18:26
  Speaker 1: a Harvard class, you know, discussing It was a philosophy
• 18:29
  Speaker 1: class discussing stoicism, Yeah, which I had never heard of before,
• 18:35
  Speaker 1: and being corrected by you, you corrected her, I did,
• 18:42
  Speaker 1: and and I had to, I will just say this
• 18:44
  Speaker 1: real quickly. I looked, I did. I researched that that
• 18:48
  Speaker 1: what that is. I wrote out the script so I
• 18:50
  Speaker 1: knew it back and forth. I knew who this character was,
• 18:53
  Speaker 1: this this man I can't even think of his name
• 18:55
  Speaker 1: right now, um, but back then I knew it backwards
• 18:59
  Speaker 1: and words. And I could have said even more if
• 19:01
  Speaker 1: I had to, just in case, because this was like
• 19:04
  Speaker 1: big deals, right, just in case you had to improv,
• 19:07
  Speaker 1: which was never gonna happen on that show, right exactly,
• 19:12
  Speaker 1: but it has happened on others. We were we had
• 19:15
  Speaker 1: a kid. We had a kid come in the diner
• 19:16
  Speaker 1: at one line, just some young kid. He's energetic, nice kid,
• 19:21
  Speaker 1: good actor, came in and he started doing a whole monologue.
• 19:23
  Speaker 1: He thought it was this big chance, and he did
• 19:25
  Speaker 1: this in rehearsal, and I tried to warn him. I said, listen,
• 19:30
  Speaker 1: you're you're a nice kid and everything, but don't do that, okay,
• 19:33
  Speaker 1: because they're just gonna cut it and then they're gonna
• 19:36
  Speaker 1: not hire you again. And it's like, don't just come
• 19:39
  Speaker 1: say the line, do that, And then the first take came,
• 19:41
  Speaker 1: he did his whole monologue again he really just you know,
• 19:44
  Speaker 1: he was so busting out with energy and I just said, guy,
• 19:47
  Speaker 1: he can't do. That's wasting time, which wastes money on set,
• 19:53
  Speaker 1: which we didn't have. We didn't have huge amounts of
• 19:56
  Speaker 1: money and we didn't have huge amounts of time. We
• 19:58
  Speaker 1: had time, but you know, the time was expensive, you know,
• 20:02
  Speaker 1: I mean that was when it was still filmed. Yeah, right,
• 20:06
  Speaker 1: working on the lot point, working on the Warner Brothers lot.
• 20:09
  Speaker 1: Gilmore Girls was the very last show, always to wrap
• 20:13
  Speaker 1: every night, like we would be doing Friends episodes that
• 20:17
  Speaker 1: sometimes went to like ten eleven PM and then drive
• 20:22
  Speaker 1: out like leave and you all still had camera setup
• 20:25
  Speaker 1: still going. Every night. Every Batman would leave, you know,
• 20:30
  Speaker 1: the films with the Oceans eleven would leave, we would
• 20:33
  Speaker 1: still be there. It's like we'd wave good bye to
• 20:36
  Speaker 1: Brad pet bye. We're gonna be here for another couple
• 20:38
  Speaker 1: of hours. Scott. Can I ask you, like what it
• 20:42
  Speaker 1: was like to have all that copy? I mean you
• 20:45
  Speaker 1: didn't start did you start off as an actor? What
• 20:48
  Speaker 1: do you mean? Did I start off? When when you
• 20:50
  Speaker 1: came from baseball? Did you did you always like I
• 20:55
  Speaker 1: want to be an actor? Oh? No, no, for me,
• 20:58
  Speaker 1: it was always writing. And then after baseball, I got
• 21:01
  Speaker 1: I got into I Want. I moved to New York
• 21:03
  Speaker 1: and studied, studies, studied and at a theater company and
• 21:05
  Speaker 1: the whole thing. So I was prepared, you know, I
• 21:08
  Speaker 1: knew how, I knew what I was doing. I was
• 21:09
  Speaker 1: trained and uh, somewhat professional, i'd like to say, But
• 21:16
  Speaker 1: the but the die, you know, the dialogue wasn't daunting
• 21:18
  Speaker 1: to me because I've been doing Shakespeare for several years,
• 21:22
  Speaker 1: and you know, if you can tackle that, you can
• 21:26
  Speaker 1: pretty much do anything. And that's what I always recommend
• 21:29
  Speaker 1: young actress to do, and actresses is getting naily Shakespeare
• 21:33
  Speaker 1: because if if you can do that, there's nothing more challenging.
• 21:37
  Speaker 1: Actually it's it's not even terribly challenging once you understand
• 21:41
  Speaker 1: the story, because there's such an emotional logic to the
• 21:45
  Speaker 1: dialogue Shakespeare's dialogue that it's easy to remember. It sticks
• 21:48
  Speaker 1: with you. Um, of course you have to do it
• 21:50
  Speaker 1: over and over and over again. But I mean, once
• 21:52
  Speaker 1: you've got it, you've got it. I mean, you know,
• 21:55
  Speaker 1: I can still recite some of those long speeches from Hamlet. Um,
• 22:00
  Speaker 1: it's been twenty years since I even thought about it.
• 22:02
  Speaker 1: So um, yeah, so yeah, that that wasn't the problem.
• 22:06
  Speaker 1: I think that's probably how I got the job. Yeah,
• 22:09
  Speaker 1: it is a facility with the dialogue. Because I went
• 22:11
  Speaker 1: in there and just sort of nailed nailed, nailed, nailed.
• 22:13
  Speaker 1: It was not a big deal. I think other actors
• 22:15
  Speaker 1: went in and they maybe struggled a little bit with
• 22:17
  Speaker 1: the pace and the whole thing. So for me, it
• 22:19
  Speaker 1: was just it wasn't that hard, you know. Anyway. Um, anyway,
• 22:25
  Speaker 1: so so we're back. So where are we in the episode? Now? Okay,
• 22:29
  Speaker 1: so we're we're at campus. Laura Lae is like living
• 22:33
  Speaker 1: her what could have been moment and she gets hit
• 22:37
  Speaker 1: on by like a college Oh that was hysterical. Did
• 22:41
  Speaker 1: you not love that? God? I thought that that was
• 22:45
  Speaker 1: so pithy. See that's that's Lauren Graham at her best.
• 22:51
  Speaker 1: You know, it's like she did that happened for her.
• 22:54
  Speaker 1: A couple of those scenes happened, like with the girls
• 22:57
  Speaker 1: in the hallway, you know, she did that stick, which
• 23:00
  Speaker 1: she was like, and then that's Laura at her best.
• 23:05
  Speaker 1: Rory says, mom, your your college gab comes from happy
• 23:09
  Speaker 1: days and Valley girls so funny, and those girls could
• 23:18
  Speaker 1: not like leave her fast. Enough. They were like, you're
• 23:22
  Speaker 1: just a weirdo. And then and then they go in
• 23:25
  Speaker 1: invade the girls empty room and say, not going there
• 23:27
  Speaker 1: to I want to take a picture. You're like studying
• 23:29
  Speaker 1: at Harvard. And she's like, she's like a robot that
• 23:31
  Speaker 1: won't stop. And it's just hysterical. And and and then
• 23:35
  Speaker 1: Rory puts her pencil up for the pictures. She goes,
• 23:37
  Speaker 1: what you're writing on air? You do you do in
• 23:39
  Speaker 1: the air? Oh, my gosh, I loved it. It was great. Okay,
• 23:45
  Speaker 1: so but meanwhile, back at Stars Hollow, Scott is serving coffee, uh,
• 23:51
  Speaker 1: Lucas serving coffee to our our little Sean Gunn. And
• 23:56
  Speaker 1: he is, uh having eight refills. I think it was
• 24:00
  Speaker 1: eight refills. And you were very upset about this. You know,
• 24:03
  Speaker 1: I'm in a bad mood, right, I lost my woman.
• 24:09
  Speaker 1: You're taking it out on poor Shawn Gunn, who's actually
• 24:13
  Speaker 1: giving me a lot of business. But wait a minute,
• 24:15
  Speaker 1: these are free refills, right. I don't think he's paying
• 24:18
  Speaker 1: for him. No, he's not. And news has not got
• 24:23
  Speaker 1: to you yet. The weddings off. The whole town knows,
• 24:26
  Speaker 1: but you don't know. I do not know. Yeah, they
• 24:28
  Speaker 1: rolled back in and you know, people were sort of
• 24:31
  Speaker 1: waving their hankies at him, and Sean says, do you
• 24:33
  Speaker 1: need to hug the whole deal? And then you had
• 24:35
  Speaker 1: your pivotal moment at least in my mind, where we
• 24:38
  Speaker 1: got to see a different side of you, and you
• 24:40
  Speaker 1: sparked up and you were like Swede and not grumpy
• 24:44
  Speaker 1: and just really happy his hat. Yeah, like oh my gosh,
• 24:50
  Speaker 1: and you gave him as many three cups of coffee
• 24:52
  Speaker 1: as he wanted. It was really nice scene. You just
• 24:57
  Speaker 1: like totally changed. I loved it. Like then I wanted
• 25:02
  Speaker 1: you with her, Like I was like, I'm all in
• 25:05
  Speaker 1: for her, and that's what I'm all about because I was.
• 25:10
  Speaker 1: I was a Max fan, you know, I was. You know,
• 25:13
  Speaker 1: I wanted her to have love. We all want we
• 25:15
  Speaker 1: all want love, and I wanted her to have it.
• 25:17
  Speaker 1: Had I known that at the time, James, when we
• 25:20
  Speaker 1: were traveling together, I think we would have had a problem.
• 25:23
  Speaker 1: Oh well, I bet we'll have a little problem after this,
• 25:27
  Speaker 1: but that's it's okay. Come on, you gotta love love.
• 25:37
  Speaker 1: Come on, Scottie boyd. Yeah, I do. I do. Scott
• 25:43
  Speaker 1: You seem like when he's giving you these compliments, you
• 25:45
  Speaker 1: seem just the slightest bit uncomfortable. How did you feel
• 25:48
  Speaker 1: about that scene? Well, there's another scene. There's another scene
• 25:52
  Speaker 1: that he's very important, and it's the hoopa on the
• 25:55
  Speaker 1: lawn that you build for them. And it's a beautiful wood.
• 26:00
  Speaker 1: Are I say it? You said hoopa? Oh again? Thank you,
• 26:12
  Speaker 1: thank you, Carl, professor um. Yes, So you build this
• 26:17
  Speaker 1: and you carve it and there's like goats on it
• 26:19
  Speaker 1: and like weird little ribbons that you carved into the
• 26:23
  Speaker 1: wood and it's beautiful. Well you didn't really do it,
• 26:26
  Speaker 1: but here's the thing. It's a beautiful, beautiful gesture. And
• 26:31
  Speaker 1: she comes back to tell you what. Remember, she's not
• 26:35
  Speaker 1: gonna like get rid of it. She's gonna keep it, right,
• 26:38
  Speaker 1: she'll because I said, all come in the morning and
• 26:40
  Speaker 1: move it, or I'll move it now, I'll get it
• 26:42
  Speaker 1: out of the yard. And yeah, I didn't move it,
• 26:44
  Speaker 1: and I hit myself in the head, like, oh, I'm
• 26:46
  Speaker 1: sorry you had to come back and see that, and
• 26:48
  Speaker 1: the reminder of what could have been with Max and
• 26:51
  Speaker 1: the whole thing. So he's being very self deprecating, I
• 26:55
  Speaker 1: guess at that point. So sweet, good job. Yeah, yeah,
• 26:59
  Speaker 1: it was you know, it's good writing. What can you say?
• 27:02
  Speaker 1: I don't know. So we just were just trying not
• 27:04
  Speaker 1: to screw up the lines and and not run into
• 27:07
  Speaker 1: the furniture, right, that's her job. Now, do you remember?
• 27:09
  Speaker 1: The other pivotal moment in this episode is where Lorelei
• 27:13
  Speaker 1: calls Suki after she makes that giant cake she names
• 27:16
  Speaker 1: Clyde and she and she I think she asked you, like,
• 27:20
  Speaker 1: how do you get a business loan? Right? She comes in. Yeah,
• 27:24
  Speaker 1: she finally comes in and there's that scene. Yeah, it's
• 27:26
  Speaker 1: very nice. Uh, yeah, it was. It was a nice Uh,
• 27:31
  Speaker 1: it was a nice tender scene between those two where
• 27:34
  Speaker 1: you know, the feelings are very raw and he's very
• 27:38
  Speaker 1: relieved and he's feeling like he's feeling lucky. You know,
• 27:44
  Speaker 1: I don't think he feels lucky a lot like he dodged.
• 27:49
  Speaker 1: I think it's one of those moments where he, you know,
• 27:52
  Speaker 1: he was he he didn't want to admit to himself
• 27:55
  Speaker 1: how devastated he was. But once she's back on the
• 27:59
  Speaker 1: mark it he's like so happy, so relieved because he's
• 28:03
  Speaker 1: got maybe another shot. Well, yeah, and now can you
• 28:07
  Speaker 1: please make a move? Thank you? I know it's in
• 28:13
  Speaker 1: the writing it's supposed to go for episodes and episodes. Well,
• 28:17
  Speaker 1: now that you put it that way, I think I will.
• 28:19
  Speaker 1: I think I will. For you, I go back and
• 28:23
  Speaker 1: then you get to watch them all differently. Now we'll
• 28:26
  Speaker 1: go back and then it'll have changed. I don't even
• 28:34
  Speaker 1: remember filming these saints. I do not remember filming this stuff.
• 28:38
  Speaker 1: It's like you work, you know, you work so often,
• 28:43
  Speaker 1: and you're working your short term memory, right, and because
• 28:47
  Speaker 1: you have to write, you got to clear out the
• 28:49
  Speaker 1: junk to be able to retain the new stuff the
• 28:51
  Speaker 1: next day that you don't I don't remember any of
• 28:55
  Speaker 1: this shooting, any of this stuff, and I'm watching it like,
• 28:57
  Speaker 1: is that really me? I? So it's it's an odd experience.
• 29:03
  Speaker 1: I mean it's it's kind of kind of great because
• 29:06
  Speaker 1: it's so far removed from what it happened that I'm
• 29:08
  Speaker 1: not sort of you know, I'm not so hyper critical
• 29:11
  Speaker 1: of it as I normally would be, but but thank
• 29:14
  Speaker 1: you for your kind words. It's uh, they were, you know,
• 29:18
  Speaker 1: there were all nice scenes to shoot with Lauren. They
• 29:20
  Speaker 1: were all tender and nice and you know, fraught with
• 29:23
  Speaker 1: tension and fraught with love, and it's very nice, very nice, experience. Yeah, um,
• 29:29
  Speaker 1: and then we how do we wrap up the episode here? Well,
• 29:34
  Speaker 1: she goes home and Mom is like, oh, oh god,
• 29:38
  Speaker 1: what do you have to tell me? You're showing me
• 29:41
  Speaker 1: all these photos on a projector I hate projector I'd
• 29:45
  Speaker 1: rather have him in a pile of photos or whatever
• 29:47
  Speaker 1: Mom was saying. And then she has to tell her
• 29:50
  Speaker 1: mom that the wedding's off finally too, and Mom gets
• 29:53
  Speaker 1: upset and Morla I only wants to know what the
• 29:57
  Speaker 1: gift is that Mom got her, So she's like, what
• 30:00
  Speaker 1: did you get me? Did you get me iced teaspoons?
• 30:02
  Speaker 1: Because teaspoons and nice teaspoons like that that fun dialogue
• 30:07
  Speaker 1: that always happens on the show. And I don't think
• 30:10
  Speaker 1: we find out what that gift is. We do not,
• 30:14
  Speaker 1: and I don't think we will. Well maybe we will,
• 30:16
  Speaker 1: but very funny scene between those two. It kept going
• 30:20
  Speaker 1: off camera too. It was supposed to be over and
• 30:24
  Speaker 1: then they kept going. It was great. Yeah, So Carl,
• 30:31
  Speaker 1: tell us about your experience, um, working on the show
• 30:37
  Speaker 1: and compared to other shows that you did. Tell Well,
• 30:41
  Speaker 1: I mean, I know you've you you've you've touched on
• 30:43
  Speaker 1: it lightly, but go go into it a little more
• 30:45
  Speaker 1: about the guilt being gilmour ized. Well, I will say
• 30:49
  Speaker 1: that this was probably my first big role, um being
• 30:54
  Speaker 1: on Gilmore Girls. And it was also the first time
• 30:57
  Speaker 1: I got to play a teacher. Yeah, because I came
• 31:00
  Speaker 1: from a family teacher, so it's like a big deal
• 31:03
  Speaker 1: that I got to actually play a teacher finally. Um.
• 31:06
  Speaker 1: But it was definitely one of those jobs where I
• 31:11
  Speaker 1: felt like, this is a step up because there is
• 31:16
  Speaker 1: a rhythm to this show. You've got to match what
• 31:18
  Speaker 1: they do. It's not just you come in and you
• 31:20
  Speaker 1: say you're your plot points. But this was actually a
• 31:24
  Speaker 1: dynamic working with other people and I was leaving the scene.
• 31:28
  Speaker 1: I got to leave the scene, and that was it
• 31:32
  Speaker 1: was really exciting for me. Um to get to do that.
• 31:37
  Speaker 1: And they said one I left, well, you know, she's
• 31:40
  Speaker 1: got to go to college, and maybe you'll get to
• 31:41
  Speaker 1: come back. Maybe you get to come back and lo
• 31:45
  Speaker 1: and behold. Two years later they did call me, so, Um,
• 31:49
  Speaker 1: I did get to go back. But that's another show
• 31:52
  Speaker 1: because they they said I ended up working for a
• 31:57
  Speaker 1: different college. Um. I was her professor and at Yale
• 32:02
  Speaker 1: as well. And itsbelievable you could have you know, maybe
• 32:07
  Speaker 1: they didn't tenure you at Harvard. Yeah, differybody said that
• 32:10
  Speaker 1: I really wouldn't happen. You wouldn't go from Harvard to Yale.
• 32:12
  Speaker 1: It wouldn't happen. That's what people told me. Really wouldn't happen.
• 32:20
  Speaker 1: But I was I was just glad that they even
• 32:23
  Speaker 1: thought to bring me back and do it. And um,
• 32:27
  Speaker 1: you know, it was It definitely felt like kind of
• 32:30
  Speaker 1: a family thing to be in that community of the
• 32:35
  Speaker 1: show because you guys are just working so tightly together
• 32:39
  Speaker 1: and it's got to work so fast. Um. It was
• 32:42
  Speaker 1: very cool. It was. It was really cool. Alright, alright, guys,
• 32:46
  Speaker 1: you're ready to play? Uh rapid Fire? Oh my god,
• 32:50
  Speaker 1: it's the game. I love games. Do you want to
• 32:53
  Speaker 1: sing a country? So? First? I love my My wedding
• 33:00
  Speaker 1: was a game show? Showed up in boots. I actually
• 33:04
  Speaker 1: did I've written a country song? I did. I did
• 33:07
  Speaker 1: write a country song. Thank you. That's what I want
• 33:10
  Speaker 1: to hear thinking to men. I know. Sorry, anyway, Rob
• 33:48
  Speaker 1: forgot the word. It's a new one. Maybe we should
• 33:51
  Speaker 1: put that song at the top of the show. No,
• 33:53
  Speaker 1: never mind, already have I already have a song that
• 33:56
  Speaker 1: I wrote and recorded as a theme song to the
• 33:58
  Speaker 1: podcast always producing. Oh I love that pop that that
• 34:01
  Speaker 1: theme song on this show, on my show, Yeah, on
• 34:06
  Speaker 1: this on this podcast. I love it. Yeah, that's my song.
• 34:10
  Speaker 1: Oh is that you singing? Yes, I didn't know you've
• 34:15
  Speaker 1: had like a tenor voice. That's I didn't wow out, Louise. Okay,
• 34:31
  Speaker 1: give me some rapid fire. What's the rapid fire? Yeah?
• 34:35
  Speaker 1: Give me something? Are you ready? All right? You guys,
• 34:38
  Speaker 1: you guys. We're gonna have to do this together with
• 34:39
  Speaker 1: both of you, right, so you both have answer at
• 34:43
  Speaker 1: the same time. Is it about this episode or just
• 34:45
  Speaker 1: in general? I'm not telling you anything cooking about baseball? No, no, no,
• 34:51
  Speaker 1: it's not about baseball. Are you ready a rabid fire?
• 34:55
  Speaker 1: You have to answer these questions as fast as you
• 34:57
  Speaker 1: possibly can. Ready, here we go. How do you take
• 34:59
  Speaker 1: your coffee? Oh green? Can you smell snow? I say no,
• 35:06
  Speaker 1: I can smell, not spellin. I can't hear smell snow snow?
• 35:22
  Speaker 1: Are you team Logan? Jesser Deane quickly? Quickly, Jess, Jess, Jess,
• 35:29
  Speaker 1: Jess Kevin best, who's the daddy you are? Best memory
• 35:41
  Speaker 1: of Gilmore girls. I'll go with that question. I'll go
• 35:44
  Speaker 1: with that answer too, you have an adorable son and
• 35:46
  Speaker 1: he liked the Olivia the Pig? Am I wrong? The
• 35:53
  Speaker 1: best memory of Gilmore Girls? Best memory of Gilmore Girls?
• 35:57
  Speaker 1: I do have an adorable son who's who like and
• 36:02
  Speaker 1: he likes Olivia the Pig. Who's Olivia of the Pig? Oh,
• 36:06
  Speaker 1: that's a. It's a. It's a. It's a book with
• 36:09
  Speaker 1: the little girl who is the little girl pig? And
• 36:11
  Speaker 1: she likes to sing. He reads like three books a day. Now.
• 36:15
  Speaker 1: Well he's just like, it's like, what's yeah, he's yeah,
• 36:20
  Speaker 1: he's got that in his collection. He does. I told
• 36:24
  Speaker 1: him he wants to go to m I T So.
• 36:26
  Speaker 1: I said, he's seven. You can't go to m I
• 36:30
  Speaker 1: T at seven? Is a young Sheldon or something? Another
• 36:35
  Speaker 1: WB plug There, ladies, what's your best memory? If gil
• 36:40
  Speaker 1: More Girls A time traveling with you? Mine mine too?
• 36:46
  Speaker 1: With you with you? Go ahead? Uh? My best memory
• 36:52
  Speaker 1: is watching those two work together. Watch Jing Alexis and
• 36:56
  Speaker 1: Laura went together. It really felt like my daughter. It's
• 37:02
  Speaker 1: it's impressive. Yeah. Yeah. In fact, that's that's when I
• 37:06
  Speaker 1: first got to Toronto to film my stuff for the pilot.
• 37:09
  Speaker 1: Um I got. I got to the set a little
• 37:11
  Speaker 1: early and I've said this before, but I'll say it
• 37:13
  Speaker 1: to you. I saw those two rehearsing a scene in
• 37:17
  Speaker 1: the diner before I went into hair and makeup, and
• 37:19
  Speaker 1: I thought, boy, this is gonna work. This is where
• 37:22
  Speaker 1: this show is really gonna work. If these if these
• 37:25
  Speaker 1: two were carrying it, Yes, this is gonna work. Um,
• 37:28
  Speaker 1: and Alexis was so young at the time, right, she
• 37:30
  Speaker 1: was just like, yeah she was. She was a freshman
• 37:36
  Speaker 1: at n y U. I'm sorry, yeah she was. She
• 37:39
  Speaker 1: a freshman at Tish School. I think she was in
• 37:42
  Speaker 1: film school or something. I don't know. Um, show you're
• 37:46
  Speaker 1: binge watching right now, murders and the murders in the
• 37:50
  Speaker 1: how murders in the building. Okay, I'm succession. Oh Brian Cox, Yeah, yeah,
• 37:57
  Speaker 1: I'm enjoying the banter between the family. An old friend,
• 38:01
  Speaker 1: Brian brilliant actor. He was. There's a film he did
• 38:04
  Speaker 1: a long time ago, Scottish film called hid an Agenda
• 38:07
  Speaker 1: where he was just marvelous. Um, he's good and everything. Uh.
• 38:12
  Speaker 1: Cast member you texted most recently from Gilmore Girls cast
• 38:18
  Speaker 1: member Yes, kick again. Yeah. I had to text her
• 38:24
  Speaker 1: because she's hosting with Um Todd r The up TV
• 38:31
  Speaker 1: Gilmore than Mary or Binja thon again, I'm out of
• 38:35
  Speaker 1: a job. No, you did it for three years and
• 38:39
  Speaker 1: you'll be back again, you know. Bill. Bill just texted
• 38:46
  Speaker 1: me up TV. Yeah, but he's not there anymore. Yeah.
• 38:52
  Speaker 1: I worked with a new crew, but I enjoyed them
• 38:55
  Speaker 1: very much. Yeah, there's great people there anyway. Um, they
• 38:59
  Speaker 1: love your show. By the way, they are Gilmore Girls
• 39:03
  Speaker 1: all the way. You know. They air four episode tonight.
• 39:06
  Speaker 1: Is that all just four? Four? That's back to back,
• 39:09
  Speaker 1: right four. Well, maybe we'll maybe we'll do a podcast
• 39:16
  Speaker 1: with him, you know, maybe we should do a podcast.
• 39:18
  Speaker 1: You might do a whole thing, all right. Um, I
• 39:21
  Speaker 1: was gonna say my text. I texted Jamie. She's a
• 39:24
  Speaker 1: casting Jami Rodowski. Yeah, yeah, okay, Jamie. Jamie came on
• 39:30
  Speaker 1: with Mara to cast the show two on. Yeah. One
• 39:35
  Speaker 1: word to describe Gilmore Girls uplifting, clever, clever and uplifting.
• 39:41
  Speaker 1: There you go. Are you familiar with the creepy clown pillow?
• 39:44
  Speaker 1: Am I familiar with a creepy clown? Obviously neither of you,
• 39:48
  Speaker 1: two gentlemen, you too fine gentlemen, or not familiar with
• 39:51
  Speaker 1: the creepy clown pillow? Nor was I and I don't
• 39:55
  Speaker 1: know if I want to be familiar with it. It's
• 39:58
  Speaker 1: just a thing. And what is lauryalized house? In the couch,
• 40:02
  Speaker 1: there's a clown pillow that they keep moving around and
• 40:05
  Speaker 1: it's you know, the fans get a kick out of
• 40:07
  Speaker 1: spotting it. And now we're kind of finding it in
• 40:09
  Speaker 1: a lot of episodes and it's in different positions and
• 40:11
  Speaker 1: it's kind of a fun. Yeah, I was, I was
• 40:14
  Speaker 1: at Harvard. I don't know. I don't know of such
• 40:17
  Speaker 1: silly pillow games. I don't remember the like you individuals.
• 40:25
  Speaker 1: I did go with Penny Wise for Halloween. Oh did
• 40:28
  Speaker 1: you Yeah, they hit clown? Where did you go? Did
• 40:31
  Speaker 1: you go to a Warner Brothers party? No? No, no,
• 40:33
  Speaker 1: the children come to the house and you scared them.
• 40:36
  Speaker 1: Oh you were doing that whole bit. Yeah, they want
• 40:39
  Speaker 1: the candy. They come, they come to the porch, and
• 40:41
  Speaker 1: you give them the candy as right. I understand the ritual.
• 40:44
  Speaker 1: I did it too. Halloween. Oh it's the Halloween Halloween
• 40:52
  Speaker 1: die hand out turkey legs. On Thanksgiving, I'm sitting there
• 40:55
  Speaker 1: waiting like an idiot. Um nobody comes. No, Like I was,
• 41:00
  Speaker 1: I was Morpheus from h and I had a white
• 41:05
  Speaker 1: bag that had a blue pillow on the front or
• 41:08
  Speaker 1: a red pill They had to pick which bag they
• 41:10
  Speaker 1: wanted to candy from. Oh my gosh for the movie Yeah, um,
• 41:16
  Speaker 1: what did your son come at scott for Halloween? Uh? Nick?
• 41:19
  Speaker 1: When as the ghost from Scream, he had a regular
• 41:24
  Speaker 1: ghost mask and he had a mask, the same ghost
• 41:27
  Speaker 1: mask that you could make bleed oh in the face,
• 41:33
  Speaker 1: like in the face. It had a tube and a
• 41:36
  Speaker 1: bladder for fake blood, and he squeezed it. And so
• 41:41
  Speaker 1: you know, I was Johnny food poisoning at that point.
• 41:46
  Speaker 1: And and what happened here on the screen there's the
• 41:49
  Speaker 1: clown pillow. That's the clown East that is creepy. That
• 41:56
  Speaker 1: Penny okay, you're Amy Sugarman is showing picture with a
• 42:02
  Speaker 1: clown pillow in the background, and it looks like Pennywise, Yes,
• 42:07
  Speaker 1: like Pennywise being cute, not Runnywise being core. But anyway,
• 42:13
  Speaker 1: so I was I was left home alone with my
• 42:15
  Speaker 1: recovering from from my food poisoning and answering the door
• 42:18
  Speaker 1: and giving people candy, Like how did you get food
• 42:21
  Speaker 1: poisoning or did you already talk about that on a
• 42:23
  Speaker 1: different episode? Bad? I had a bad head inexpired turkey slice.
• 42:29
  Speaker 1: Oh long, it's not good. Yeah, it wasn't good. Uh.
• 42:33
  Speaker 1: And then and so Nick one, uh, who got scariest
• 42:38
  Speaker 1: costume at the you know, they went and trick or treated,
• 42:43
  Speaker 1: and that they had had this big stage set up
• 42:45
  Speaker 1: and an auditorium and they had contests and the whole
• 42:48
  Speaker 1: thing after the trick or treat is a big event.
• 42:51
  Speaker 1: And so my wife's sending me this video of Nick
• 42:53
  Speaker 1: going up on stage and talking and being scary and
• 42:56
  Speaker 1: his costume and other kids going up doing stuff and saying,
• 42:58
  Speaker 1: what's going on with us? Anyone trick or treating? And uh?
• 43:02
  Speaker 1: And then she sent another video where he's like receiving
• 43:04
  Speaker 1: a golden statue. He's like, they've got this huge trophy
• 43:07
  Speaker 1: for scariest costume and everybody applauding him. He came out,
• 43:11
  Speaker 1: he wouldn't let go of it, and he went to
• 43:12
  Speaker 1: sleep with it. So, yeah, the scream costume with blood
• 43:15
  Speaker 1: dripping on a seven year old is pretty dark scared exactly.
• 43:19
  Speaker 1: So I was gonna say, seven years old and you
• 43:20
  Speaker 1: got you got the animatronics or you got moving things.
• 43:25
  Speaker 1: But he really owned it. He like, he went up
• 43:26
  Speaker 1: on stage during the competition and he was like he
• 43:28
  Speaker 1: got into a scary position. He it's like like a
• 43:32
  Speaker 1: ghost with scream right, all right, so he won. Uh
• 43:37
  Speaker 1: but he hasn't seen it, right, he's never seen No, no, no, no,
• 43:42
  Speaker 1: not yet. I mean it is coming out in theaters
• 43:45
  Speaker 1: another version to do what they're gonna do a reboot. Yeah, yeah, God,
• 43:49
  Speaker 1: nobody's doing that. It's amazing. They they're the first ones.
• 43:53
  Speaker 1: I forgot to mention. My penny Wise was a Pennywise
• 43:57
  Speaker 1: and drag, so she had long her six inch heels.
• 44:02
  Speaker 1: He was crazy, so the children were a little confused.
• 44:12
  Speaker 1: You you've won your share of Halloween costumes in the
• 44:17
  Speaker 1: past at Warner Brothers. Yes, there's a Halloween party and
• 44:20
  Speaker 1: I like to participate. So I like to dress up
• 44:23
  Speaker 1: different every year, and it's usually a Warner Brothers character
• 44:27
  Speaker 1: that you go as. Oh, I should have win as Luke.
• 44:29
  Speaker 1: One year. I saw a lot of people on your Instagram,
• 44:32
  Speaker 1: h Scott like went as you and that was awesome.
• 44:35
  Speaker 1: We have a contest every year, so it's they're dressing
• 44:39
  Speaker 1: up their dogs, their little kids. It's very cute and
• 44:42
  Speaker 1: a lot of people participate. We give them free coffee.
• 44:45
  Speaker 1: But you know, we picked ten winners and send him
• 44:48
  Speaker 1: some free coffee. It's it's really scotty, some Scotty peas,
• 44:51
  Speaker 1: big mon Scott, big coffee buddy, Yes, which I get
• 44:55
  Speaker 1: from my daughter, but you got her fifteen and she's
• 44:57
  Speaker 1: all into coffee. Right now, I think we'll go. We're
• 44:59
  Speaker 1: gonna probably send you a bag because you're you're on
• 45:03
  Speaker 1: the show of that. James, how many bags I sent
• 45:06
  Speaker 1: you with the whole lineup, didn't I yeah, we didn't.
• 45:09
  Speaker 1: You get a whole boatload. You got a whole boatload. Yes.
• 45:12
  Speaker 1: And then remember, like after the first year, we changed
• 45:14
  Speaker 1: it and added that that ingredient that helps you go
• 45:17
  Speaker 1: potty better what you told me that we were at
• 45:24
  Speaker 1: the secret that was a secret. You're saying, what are
• 45:31
  Speaker 1: you talking about? No, it doesn't help you go potty better.
• 45:37
  Speaker 1: The cascara, Yeah, that's it. Yes, I'm telling you it
• 45:45
  Speaker 1: helps you. Got it does? Yes? Well, I mean it's
• 45:49
  Speaker 1: it's fiber. Yeah, I mean, it's like it's nutrients and fiber.
• 45:53
  Speaker 1: It's it's it's the it's the the fruit that grows
• 45:57
  Speaker 1: around the coffee bean on the tree that you really
• 46:00
  Speaker 1: discarded and we grind it up and added to breakfast
• 46:04
  Speaker 1: plen and house plot and it's full of nutrients and
• 46:06
  Speaker 1: iron and great stuff fiber. The phrasing was, it was funny.
• 46:19
  Speaker 1: Didn't you add that stuff to it that makes you
• 46:21
  Speaker 1: go potty? The name of it. I knew I was
• 46:30
  Speaker 1: going to have fun today. Oh good, we had a
• 46:34
  Speaker 1: lot of fun too. Thank you for inviting us. That
• 46:36
  Speaker 1: was so nice of you. And Amy Sugarman. Huh don't
• 46:40
  Speaker 1: you love her? God? What a ball club? Yeah, she
• 46:44
  Speaker 1: lit up. She lit up like a Christmas tree when
• 46:46
  Speaker 1: I when I mentioned your name, by the way she did. Yeah. Well,
• 46:51
  Speaker 1: Amy Sugarman and I go back to our Gilmore days
• 46:54
  Speaker 1: because she was around um working on radio, and I
• 46:59
  Speaker 1: would have to call her to get you booked on
• 47:03
  Speaker 1: Ryan Secrest show. So that's how the marketing all works.
• 47:11
  Speaker 1: We're still good friends and and anything that she wants
• 47:15
  Speaker 1: we will will always do for you. You're the best, buddy,
• 47:20
  Speaker 1: You're absolutely the best. Um. Anyway, guys, thank you so much.
• 47:25
  Speaker 1: Pleasure meeting you. Carl, Thank you, see you guys, see
• 47:28
  Speaker 1: you by bye, Carl, Bye James. Yeah, okay, everybody, we're back.
• 47:37
  Speaker 1: Wasn't that fun? James and Carl fantastic conversation with those
• 47:42
  Speaker 1: two gentlemen. Uh, and we're gonna we're gonna chop it
• 47:45
  Speaker 1: up a little more with the ladies here, Daniel Romo,
• 47:49
  Speaker 1: Riley Pelucis, Amy Sugarman, who I believe a little bit up.
• 47:56
  Speaker 1: She's very fired up. I think she's got some hair
• 47:59
  Speaker 1: treatment going on or something. My camera. I don't know
• 48:02
  Speaker 1: my camera on because I have hair color in hair,
• 48:04
  Speaker 1: but there's hair color. I love James. I love James Pettitt.
• 48:08
  Speaker 1: I've known him as long as you have, like over
• 48:11
  Speaker 1: twenty years. But I disagree, Scott. I agree with you
• 48:17
  Speaker 1: that I thought the Rory lor Life fight in the
• 48:22
  Speaker 1: Flowery bed and Breakfast bedroom was random. It was so aggressive,
• 48:29
  Speaker 1: and I get it because loora Lie is upset and
• 48:32
  Speaker 1: doesn't want to talk about it, but it was almost
• 48:34
  Speaker 1: like she was mad at Rory. It was like, so
• 48:38
  Speaker 1: I wanted to have a little bit of a conversation.
• 48:40
  Speaker 1: I understand why James liked it because it was a
• 48:45
  Speaker 1: fun sort of scene to watch, but it was really aggressive,
• 48:50
  Speaker 1: like Lorlie was so mad at Rory, and when she
• 48:52
  Speaker 1: could have just said I'm still having such a hard
• 48:55
  Speaker 1: time with this, I don't want to talk about it,
• 48:57
  Speaker 1: but she was so angry. I think you make a
• 49:02
  Speaker 1: choice as an actor, right you. You you live the
• 49:05
  Speaker 1: given circumstances of the piece of the material that's handed
• 49:08
  Speaker 1: to you, and you analyze it and you make your
• 49:12
  Speaker 1: choices based on that. And I think I think that's
• 49:15
  Speaker 1: a situation where maybe Laurence said if she wasn't given
• 49:20
  Speaker 1: the direction to do that, And I think I think
• 49:22
  Speaker 1: there's also another reason. Okay, there's a couple of reasons.
• 49:25
  Speaker 1: Maybe Laurence said, Okay, we haven't eaten. Uh. That can
• 49:29
  Speaker 1: have adverse effects on personality and temper that kind of thing.
• 49:34
  Speaker 1: So yeah, I'm going to justify the snap. Okay. So okay,
• 49:39
  Speaker 1: so that's one category. Okay, that can happen, and it's
• 49:44
  Speaker 1: happened to me when I'm starving, man, And you know,
• 49:46
  Speaker 1: when you when you get angry, that might be angry
• 49:49
  Speaker 1: right there. Okay, that might be a clearly beautifully portrayed
• 49:55
  Speaker 1: uh angry alone. It just flips on you in an instant.
• 50:02
  Speaker 1: You don't want to talk about it and turn out
• 50:03
  Speaker 1: damn light. I'm going to bed by um. It also
• 50:06
  Speaker 1: could be a hangry thing, an a tired thing for
• 50:12
  Speaker 1: Lauren in the moment when there's too many takes being
• 50:15
  Speaker 1: asked to do. It's repeat, repeat, repeat, repeat, repeat, and
• 50:18
  Speaker 1: then you can get frustrated. And I've been there too,
• 50:22
  Speaker 1: um and I think I've made some choices based on that,
• 50:25
  Speaker 1: and it's sort of you try not to let it
• 50:27
  Speaker 1: influence you, but you you know, if you start feeling
• 50:30
  Speaker 1: manipulated by the director and it's like too many takes
• 50:32
  Speaker 1: and it's like, yes, okay, what do you need, and
• 50:34
  Speaker 1: it's like I've kind of given you everything I have.
• 50:36
  Speaker 1: And maybe she was in a situation where she the
• 50:39
  Speaker 1: director was asking too much of her, asking her to
• 50:41
  Speaker 1: repeat herself too many times, and she just got pissed.
• 50:45
  Speaker 1: It's possible. I don't know. I don't know. Writing was aggressive,
• 50:49
  Speaker 1: so it was like it was meant for her to
• 50:51
  Speaker 1: be kind of mad. You can interpret that's interesting. You
• 50:58
  Speaker 1: can interpret that any way you want. You could interpret
• 51:01
  Speaker 1: it with with loving, gentle care, quiet, you can pop
• 51:05
  Speaker 1: at it, you can go you know wild, there's million
• 51:08
  Speaker 1: different directions you can go with it. If if the
• 51:10
  Speaker 1: director wants a fight, they're going to have to give
• 51:12
  Speaker 1: him a fight, you know what I mean. If if
• 51:13
  Speaker 1: that's the direction, So I don't know, you know, it's
• 51:16
  Speaker 1: it's like Yeah, Rory stayed calm. She was much relaxed
• 51:22
  Speaker 1: or loving or calm about it, and really was seemed
• 51:25
  Speaker 1: to be coming from a place of like, this is
• 51:28
  Speaker 1: a huge thing, and I think we should talk about it,
• 51:32
  Speaker 1: like you're just ignoring it or pretending it didn't happen,
• 51:36
  Speaker 1: or like, I agree that the scene was important, but
• 51:43
  Speaker 1: it was weird, like it was like but I remember
• 51:48
  Speaker 1: just watching it and writing down WHOA that was like
• 51:51
  Speaker 1: their biggest fight ever and Rory didn't even do anything.
• 51:55
  Speaker 1: I don't think it needed the anger. Yeah, I agree
• 51:59
  Speaker 1: to get the point of the seeing You get she's devastated.
• 52:02
  Speaker 1: You get that she's in a in a confused place.
• 52:05
  Speaker 1: She that she's conflicted about walking away from Max and
• 52:09
  Speaker 1: all that more life's going to go and that kind
• 52:11
  Speaker 1: of a thing. But I know, loreal Ize seemed less
• 52:14
  Speaker 1: angry at r Rory when she fell asleep at Miss
• 52:17
  Speaker 1: Patty's with Dean and didn't come home. She was so
• 52:20
  Speaker 1: mad at her when it was like all she's trying
• 52:22
  Speaker 1: to do is sort of talk to you. And then
• 52:25
  Speaker 1: the next morning, I think Rory says something like hey
• 52:27
  Speaker 1: about last night, and loyal lies like we're good, and
• 52:31
  Speaker 1: I remember going we're not good. Yeah, why it's like,
• 52:38
  Speaker 1: you know, there needs to be an apology there. Yes,
• 52:41
  Speaker 1: I thought so too. I was like, whoa. So I
• 52:44
  Speaker 1: just thought that was interesting, not that I didn't like it,
• 52:48
  Speaker 1: but I agreed with you, like, it's interesting to see
• 52:51
  Speaker 1: how James was watching it and it didn't he just
• 52:53
  Speaker 1: kind of enjoy that as a part of it. Well,
• 52:57
  Speaker 1: he does work at Warner Brothers. He's a tough dude.
• 53:00
  Speaker 1: He's got a thicker skin than we do. Maybe we're
• 53:02
  Speaker 1: just too sensitive for this type of work. Who knows.
• 53:06
  Speaker 1: I have been accused of that before. I liked the
• 53:09
  Speaker 1: antics of the Bed and Breakfast and how weird it was,
• 53:12
  Speaker 1: and that was the amazing Susan Ruttan playing the older
• 53:18
  Speaker 1: lady talking to Rory, who I love from l A Law.
• 53:21
  Speaker 1: So I liked all that and you know, just the
• 53:24
  Speaker 1: weird like bed and Breakfast lady. But I agree that
• 53:27
  Speaker 1: scene in the bedroom was oddly crazy. I thought you
• 53:33
  Speaker 1: got it right. Yeah, if it wasn't this, I mean,
• 53:40
  Speaker 1: if I'm directing that episode, I'm taking that scene in
• 53:42
  Speaker 1: a different direction. I agree. I was like, whoa. Now
• 53:46
  Speaker 1: I wasn't as bothered by I love country music I
• 53:49
  Speaker 1: wasn't as bothered by them kind of mocking country music.
• 53:52
  Speaker 1: But James made a great point that they're supposed to
• 53:54
  Speaker 1: be listening to this radio station only as country music
• 53:57
  Speaker 1: and then they're playing Hoodie in the Blowfish Like that
• 53:59
  Speaker 1: was always a little like random, But I agree. I
• 54:03
  Speaker 1: totally got what you were saying. It's like, why did
• 54:05
  Speaker 1: they just rip on country music? Yeah, I don't understand.
• 54:09
  Speaker 1: I mean it was like, I think you kind of
• 54:10
  Speaker 1: nailed it, like they're from this East Coast town. But
• 54:14
  Speaker 1: that's that's the mentality, you know, that's people rip on
• 54:17
  Speaker 1: country music in the Northeast. Now not so much because
• 54:21
  Speaker 1: it's you know, it's it's really it's really become you know,
• 54:26
  Speaker 1: it's changed. Three. I didn't know if we were looking
• 54:30
  Speaker 1: at it through the lens of today, whereas opposed to
• 54:32
  Speaker 1: twenty years ago, people would more make fun of country music.
• 54:35
  Speaker 1: I mean more like thirty years ago, I would say
• 54:37
  Speaker 1: four years ago, where it was like I lost my
• 54:39
  Speaker 1: girlfriend and my dog, ate my whatever, you know what
• 54:42
  Speaker 1: I mean. But it's not like that everybody you know,
• 54:45
  Speaker 1: living in the big cities making fun of country folks,
• 54:48
  Speaker 1: and now everybody in the big cities are pouring into
• 54:50
  Speaker 1: the country desperate to get out of the big cities.
• 54:54
  Speaker 1: I guess they're not making fun of them anymore. Yeah,
• 54:59
  Speaker 1: and I do think, you know, I know, we have
• 55:01
  Speaker 1: to we've got to get to pop culture. But I
• 55:03
  Speaker 1: do think that scene between you and Lauren was so
• 55:09
  Speaker 1: I loved it, Like you, you were amazing. They really
• 55:12
  Speaker 1: are bonding, and it was the first time maybe not
• 55:16
  Speaker 1: the first time, but one of the times where Luke
• 55:19
  Speaker 1: really is the boyfriend. You go to the boyfriend to
• 55:23
  Speaker 1: ask about his advice about opening your own business and
• 55:27
  Speaker 1: wanting his support, and you were really there to help her,
• 55:29
  Speaker 1: and you're like, hey, let's find some time and we'll
• 55:31
  Speaker 1: really talk about this. And it was like such the
• 55:34
  Speaker 1: conversation that a married couple would happen, and you were
• 55:39
  Speaker 1: like wow. And again, I guess the best way to
• 55:41
  Speaker 1: say it is like Luke is always taking care of her.
• 55:44
  Speaker 1: He's always there for her, and she allows it, unlike Max,
• 55:49
  Speaker 1: who she was like you have no role here, Like
• 55:52
  Speaker 1: Luke has a role. Yeah. I'm now beginning to see
• 55:57
  Speaker 1: the scope of this relationship in the and the and
• 56:00
  Speaker 1: the and the importance it has in the show. Even
• 56:04
  Speaker 1: though you don't see me a lot. Um, it's it's
• 56:09
  Speaker 1: it's one of the pillars. I would say, um um,
• 56:14
  Speaker 1: I'm I don't know. I just I just feel really
• 56:19
  Speaker 1: lucky to have gotten that role. And the more the
• 56:21
  Speaker 1: more episodes I watched on the point, did I get
• 56:23
  Speaker 1: lucky this role? You know? I know I fell in,
• 56:29
  Speaker 1: I really fell into something. Yeah, Okay, everybody, it's Scott Patter.
• 56:40
  Speaker 1: They know who I am at this point, so I
• 56:41
  Speaker 1: don't have to keep saying that throughout the whole thing.
• 56:44
  Speaker 1: We did. We did get the memo from the fans like,
• 56:47
  Speaker 1: shut up, I'm not gonna say it every like I
• 56:52
  Speaker 1: say like eight times that Scott please stop doing that editing.
• 56:58
  Speaker 1: We're not editing. M so good. They know what they're doing.
• 57:05
  Speaker 1: The fans know. We try to get the fans what
• 57:07
  Speaker 1: they want. I was about to launch into that. I
• 57:10
  Speaker 1: just need to do it once, that's what. No, just
• 57:13
  Speaker 1: at the top of the show and the show. I
• 57:15
  Speaker 1: don't need to do it eight times in between. We
• 57:17
  Speaker 1: got the memo thank you fans, we love you. You
• 57:19
  Speaker 1: barely need to do it once because they clicked on
• 57:23
  Speaker 1: the podcast so they know. But but but but it's
• 57:26
  Speaker 1: I like doing it. It's fine. It's just like it's
• 57:31
  Speaker 1: fun to do it. You can remind people. I feel
• 57:34
  Speaker 1: like Ed McMahon and Johnny carsonal rolled into the one
• 57:37
  Speaker 1: and here's Johnny. You know this kind of thing. I
• 57:40
  Speaker 1: don't know. It's fine, do it again, right now, do it.
• 57:43
  Speaker 1: I'm not gonna do it. I'm not gonna do it.
• 57:49
  Speaker 1: I'm not doing it. Are you going to introduce Ley
• 57:52
  Speaker 1: Scott Patterson? This is the Aisland. I can't even say
• 57:57
  Speaker 1: it anyway. You know who I'm channeling for that Seacrest
• 58:07
  Speaker 1: channeling Seacrest with his American idol trumpeting, and this is
• 58:14
  Speaker 1: your American idol, this kind of thing. He always is
• 58:18
  Speaker 1: so good. He always made it very exciting to watch,
• 58:20
  Speaker 1: even more exciting to watch the show. Anyway. This is
• 58:23
  Speaker 1: so off the point, very smooth, very smooth, very smooth.
• 58:25
  Speaker 1: Cat Alright, So, Riley, you're gonna bring us into pop culture.
• 58:29
  Speaker 1: I am, and I Riley has. She's becoming so big now.
• 58:36
  Speaker 1: She's like really blowing up and achieving the superstar status
• 58:41
  Speaker 1: that we have nurtured her for. And let me tell
• 58:44
  Speaker 1: you something. We we scouted her years ago, we brought
• 58:48
  Speaker 1: her up through our farm system, and she's really performing
• 58:53
  Speaker 1: at the big league level. She's just dropping knowledge, dropping knowledge.
• 58:56
  Speaker 1: It's amazing. That's who was watching me. Oh yeah, that's
• 59:01
  Speaker 1: what's watching the whole what No, all all the physicians
• 59:05
  Speaker 1: were wrong. You're alright, good people, Let's do it. The
• 59:12
  Speaker 1: people are waiting, you know, no, they're waiting. We're going
• 59:14
  Speaker 1: to do it. Riley, you're on Hello, I'm going off
• 59:17
  Speaker 1: with Scott's Q. I'm Riley, and this is your pop
• 59:20
  Speaker 1: culture First. We have Laura, Lee and Rory are driving
• 59:25
  Speaker 1: and Lorea Lie needs her tunes. Lor Lie says, never
• 59:28
  Speaker 1: been in this car for any extended period of time
• 59:30
  Speaker 1: without playing A C d C. I need my Highway
• 59:33
  Speaker 1: to Hell Radio says, coming up a three way song
• 59:36
  Speaker 1: super set from Hoodie and the Blowfish. A C d
• 59:39
  Speaker 1: C is an Australian rock band formed in Sydney by
• 59:43
  Speaker 1: Scottish born brothers Malcolm and Angus Young. In November two
• 59:47
  Speaker 1: thousand nine, A c d C were announced as the
• 59:49
  Speaker 1: Business Review weekly top Australian earner and entertainment. They ranked
• 59:53
  Speaker 1: raked in a Sweet a hundred and five million for
• 59:56
  Speaker 1: the financial year and knocked The Wiggles from their number
• 59:59
  Speaker 1: one spot. You imagine get your voice that high that no,
• 1:00:03
  Speaker 1: but are you more of a highway to Hell or
• 1:00:05
  Speaker 1: a back in black? All of it? All of it?
• 1:00:09
  Speaker 1: I mean, see, just like you can't get enough of it?
• 1:00:11
  Speaker 1: But then I'm not gonna what body in the Blowfish?
• 1:00:19
  Speaker 1: I'm more Hooty and the Blowfish, not gonna lie. Okay,
• 1:00:22
  Speaker 1: go ahead, Riley, go ahead. Hooty and the Blowfish and
• 1:00:25
  Speaker 1: his American rock band that was formed in Columbia, South Carolina.
• 1:00:28
  Speaker 1: Six The band went on hiatus in two thousand until
• 1:00:31
  Speaker 1: the announced plans for a full reunion tour in two
• 1:00:33
  Speaker 1: thousand nineteen. Lead singer Darius Rucker. I love Darius Rucker
• 1:00:37
  Speaker 1: is a very successful solo country artist with hits like
• 1:00:40
  Speaker 1: wagon Wheel and Alright. Very successful, very successful country artist.
• 1:00:45
  Speaker 1: Country music rules. It is the biggest. It's the biggest category,
• 1:00:51
  Speaker 1: has the biggest listener base of all categories in music. Huge.
• 1:00:56
  Speaker 1: You guys, remember in Jerry McGuire when Cuba getting Junior
• 1:01:02
  Speaker 1: is walking through the airport and the kid says, are
• 1:01:05
  Speaker 1: you Hooty? You're too young for Jerry McGuire, Do you
• 1:01:15
  Speaker 1: guys not know Jerry McGuire pounds? Wait, yes, you guys, dude,
• 1:01:22
  Speaker 1: go watch Jerry McGuire, Are you hooty? Is Jerry mcguiree
• 1:01:27
  Speaker 1: where you had me at Yes? You had me at Hello?
• 1:01:31
  Speaker 1: Is that the one? And then show me the money?
• 1:01:34
  Speaker 1: Show me the money? And you had me at Hello? Yeah?
• 1:01:36
  Speaker 1: I saw that you had me at Hello? Is really
• 1:01:39
  Speaker 1: the I am all in of Jerry McGuire? Do you
• 1:01:45
  Speaker 1: see do you feel me? There? On the on the
• 1:01:47
  Speaker 1: on the romantic side, see it had it had a
• 1:01:49
  Speaker 1: line for the men, and had a line for the women.
• 1:01:51
  Speaker 1: Show me the money is for the guys. You had
• 1:01:53
  Speaker 1: me at was for the women. Show me do you
• 1:01:59
  Speaker 1: do it? Girl? You man? You did that? Sorry? Sorry,
• 1:02:02
  Speaker 1: so sorry. I wake up and say the same thing
• 1:02:05
  Speaker 1: every morning. So it's fine. You had me at Hello?
• 1:02:08
  Speaker 1: No showing me? Who says it's the Beaches delivery guy.
• 1:02:12
  Speaker 1: You had me at Hello? Laura Lie and Rory stopped
• 1:02:17
  Speaker 1: to get food while on the road. Laura I says
• 1:02:19
  Speaker 1: she would make her imaginary tour bus at Hayden stop
• 1:02:22
  Speaker 1: at Hayden's nuthouse every time. Rory says, wow, you're behind
• 1:02:25
  Speaker 1: the music is going to be really wild. Behind the
• 1:02:27
  Speaker 1: Music is a documentary television series on v h one.
• 1:02:31
  Speaker 1: Each episode profiles and interviews of popular music group and
• 1:02:34
  Speaker 1: on the series, mc hammer famously detailed how he squandered
• 1:02:38
  Speaker 1: his fortune on bad investments and overspending, leaving the rapper
• 1:02:42
  Speaker 1: bankrupt and abandoned by his so called friends. Too many
• 1:02:46
  Speaker 1: houses and too many, too much of an entourage. Oh god,
• 1:02:51
  Speaker 1: what are they actually They actually pay those people, They
• 1:02:56
  Speaker 1: put them all on the payroll. You start putting your
• 1:02:59
  Speaker 1: friends like you'll be my security, you will be my driver,
• 1:03:02
  Speaker 1: you'll be my list. And then all of a sudden
• 1:03:04
  Speaker 1: you're broke because they, because they count, say you got
• 1:03:07
  Speaker 1: to create deduction, So bring your friends on. Pay them.
• 1:03:10
  Speaker 1: We can deduct everything. But then it becomes like too much.
• 1:03:12
  Speaker 1: Then you try to fire people counting or much as
• 1:03:15
  Speaker 1: the friends saying like hey to legit, to quit, give me,
• 1:03:20
  Speaker 1: give me a job. And they're doing such a good
• 1:03:23
  Speaker 1: job because he's you know, want to help your friends.
• 1:03:26
  Speaker 1: You want to help your friends, then you can get
• 1:03:30
  Speaker 1: you know, how you help your friends, You teach them
• 1:03:32
  Speaker 1: how to help themselves. You teach them how to fish.
• 1:03:33
  Speaker 1: You don't give them a fish, you know what I mean?
• 1:03:38
  Speaker 1: Flora I says she knows someone that owns up being
• 1:03:41
  Speaker 1: being portsmouth. Rory says a cool B and B Loora.
• 1:03:43
  Speaker 1: I says yes. Rory says, that's like saying an understated
• 1:03:47
  Speaker 1: Nicholas Cage movie. Nicolas Cage an American actor and filmmaker.
• 1:03:51
  Speaker 1: Nicholas has been in movies from Fast Times, Original High,
• 1:03:54
  Speaker 1: Gone in Sixty Seconds, Match, Thick Men, and National Treasure
• 1:03:57
  Speaker 1: and all are over the top, Riley, Riley, I'm sorry
• 1:04:01
  Speaker 1: to interrupt, but you've missed the best Nicholas Cage movies.
• 1:04:05
  Speaker 1: The Rock Han Air, like I don't even the Rock.
• 1:04:09
  Speaker 1: He was hysterical and that was it was hysterical he was.
• 1:04:14
  Speaker 1: And Honeymoon in Vegas. Did you mention honeymoon in Vegas? Huh? Hello?
• 1:04:19
  Speaker 1: Can we get Riley? Come on, I just focus on
• 1:04:24
  Speaker 1: National Trader in Vegas? Is not his oscar? He got No,
• 1:04:29
  Speaker 1: he got it for leaving Las Vegas. No, is that
• 1:04:32
  Speaker 1: I was called is an alcoholic? Yeah, Elizabeth Shoe right,
• 1:04:38
  Speaker 1: so much Vegas. He didn't that he didn't have to act.
• 1:04:42
  Speaker 1: It's like I'll be here on a lounger by the pool, hungover,
• 1:04:46
  Speaker 1: just filmed me. Cage shared with the reporters that he
• 1:04:51
  Speaker 1: once was victimized by someone who had broken into his
• 1:04:53
  Speaker 1: Orange County home. He says, I opened my eyes and
• 1:04:57
  Speaker 1: there was a naked man wearing my leather jacket eating
• 1:05:00
  Speaker 1: a flegetacle at the front of my bed. Very well,
• 1:05:05
  Speaker 1: you know, I have an alibi for that night. You
• 1:05:09
  Speaker 1: know a lot of people say I look like him,
• 1:05:10
  Speaker 1: like thirty years ago. Thirty years ago, people flowed I
• 1:05:14
  Speaker 1: was him all the time. Yeah, yeah, it was either
• 1:05:19
  Speaker 1: it was NICKI I got Nick Cage all the time,
• 1:05:21
  Speaker 1: all the time. Not while we maybe we were kind
• 1:05:26
  Speaker 1: of the same profile Rock. I can't do with Sean Connery.
• 1:05:30
  Speaker 1: Can you do with Sean Connery? Riley, Welcome to Sean Connery,
• 1:05:34
  Speaker 1: Welcome to the Rock. The Laurea Lion Rary and the
• 1:05:40
  Speaker 1: flower filled room at the BnB and Laurel I says, okay,
• 1:05:43
  Speaker 1: I think we just found the first room in the
• 1:05:44
  Speaker 1: history of the world that would have made Liberati say,
• 1:05:46
  Speaker 1: whoa step back? No, one's that game. Well, the flowers
• 1:05:51
  Speaker 1: were moving with the tinfoil. Liberaci was an American pianist, singer,
• 1:05:55
  Speaker 1: and actor. Liberaci's house had a music theme, musical notes
• 1:05:58
  Speaker 1: on the iron fence, musical staff above the front door,
• 1:06:01
  Speaker 1: and his famed piano shape swimming pool. During a Pittsburgh
• 1:06:04
  Speaker 1: show in the late nineteen sixty three, Liberacci was rushed
• 1:06:08
  Speaker 1: the emergency room from after collapsing his costume, which he
• 1:06:11
  Speaker 1: had cleaned himself with carbon tetra chloride prior to the show,
• 1:06:15
  Speaker 1: leached the chemicals into his skins. I know and Michael
• 1:06:20
  Speaker 1: Douglas portrayed Liberacci at Night and in two thousand thirteen
• 1:06:23
  Speaker 1: Behind the Candelabra, also starring Matt Damon and I missed
• 1:06:28
  Speaker 1: that one didn't is excellent, It's really good. Laura Line
• 1:06:34
  Speaker 1: Rory are fighting about the engagement, and Laura Lie says, Rory,
• 1:06:37
  Speaker 1: stop it. We're not going to have this fight in
• 1:06:39
  Speaker 1: a flowery bedroom with denticy Gypsy's, tramps and thieves in
• 1:06:42
  Speaker 1: the background. It's to David Lynch. David Keith Lynch is
• 1:06:45
  Speaker 1: an American filmmaker, painter, visual artist, musician and writer. He
• 1:06:49
  Speaker 1: always buttons the top button of shirt because he feels
• 1:06:52
  Speaker 1: too vulnerable with the top button open. He had lunch
• 1:06:55
  Speaker 1: every day at Bob's Big Boy in Los Angeles for
• 1:06:57
  Speaker 1: seven years, ordering a chocolate milkshake and up to seven
• 1:07:00
  Speaker 1: cups of coffee with sugar. Wasn't there a Bob's Big Boy, right?
• 1:07:04
  Speaker 1: Near where you shot Gilmore Girls. Yes, Danielle, isn't that
• 1:07:09
  Speaker 1: a Bob's big Yeah? Yeah, with a sweet drive through.
• 1:07:15
  Speaker 1: It's sort of like a drive up. It's pretty rad.
• 1:07:20
  Speaker 1: Lorela has just gone on and on pretending to be
• 1:07:22
  Speaker 1: a fellow student in the campus hallways of Harvard. Rory says,
• 1:07:25
  Speaker 1: you do realize that all of your college kids. Jargon
• 1:07:27
  Speaker 1: comes from Happy Days. Happy Days in American sitcom television
• 1:07:31
  Speaker 1: series that aired on the ABC Network spanning eleven seasons.
• 1:07:35
  Speaker 1: We had the iconic Marion Ross on this podcast. Marian
• 1:07:38
  Speaker 1: played Marion Cunningham on Happy Days and tricks on Gilmore Girls,
• 1:07:42
  Speaker 1: and currently Henry Winkler's auctioning off his iconic Fawn's charity
• 1:07:46
  Speaker 1: jacket for charity. Not easy for me to say, apparently
• 1:07:52
  Speaker 1: an impression of the fawns A nice. That's good because
• 1:08:01
  Speaker 1: I didn't know. I didn't know how to do it.
• 1:08:03
  Speaker 1: That was good. Hey, you gotta pump it up a
• 1:08:08
  Speaker 1: little bit. That's why I didn't get the job. Hey,
• 1:08:18
  Speaker 1: it's not an old guy in Coney Island. What's wrong
• 1:08:20
  Speaker 1: with you? That's not Riley. Don't forget Johnny loves Joni
• 1:08:26
  Speaker 1: loves Chogy Laurel I is reading the famous people who
• 1:08:34
  Speaker 1: have attended Harvard, and Laurel I says, oh cool. Fred
• 1:08:37
  Speaker 1: Gwynn Roy says, who Laura says Herman Munster. Now I'm impressed.
• 1:08:41
  Speaker 1: Fred was American actor, artist, and author. He was best
• 1:08:44
  Speaker 1: known for his roles in the nineteen sixties television sitcom
• 1:08:47
  Speaker 1: Car fifty four, Where Are You as Francis Muldoon and
• 1:08:50
  Speaker 1: as Herman Munster and the Munsters. The Munsters first air
• 1:08:54
  Speaker 1: nineteen sixty four. It was produced by the creators of
• 1:08:56
  Speaker 1: Leave It to Beaver. The series was a satire of
• 1:08:59
  Speaker 1: American slipper been life, and Fred's Herman Munster costume was
• 1:09:03
  Speaker 1: brutally hot. It was essential to keep him cool, not
• 1:09:06
  Speaker 1: only for his health, but to keep his makeup from
• 1:09:08
  Speaker 1: melting town meetings. Huh So he had a town meeting
• 1:09:12
  Speaker 1: every day at work? That guy inside his costume. Wait
• 1:09:17
  Speaker 1: a minute, that could be misconstrued. I didn't you know anyway. No,
• 1:09:20
  Speaker 1: I'm just saying he must have been really hot. Yes,
• 1:09:22
  Speaker 1: thank you, Lane explains she was in the Lane explained
• 1:09:27
  Speaker 1: she was in bootleg, Heaven and Korea. Lane says, well,
• 1:09:30
  Speaker 1: I strapped into my body like in midnight Express. Midnight
• 1:09:33
  Speaker 1: Express is a ninety eight prison drama film directed by
• 1:09:36
  Speaker 1: Alan Parker. The cast includes stars John Hurt and Randy Quaid.
• 1:09:40
  Speaker 1: This is This was Sir John Hurt's only movie that
• 1:09:43
  Speaker 1: he did without first reading the script, and Randy Quaid
• 1:09:46
  Speaker 1: went a little astray and was charged in two thousand
• 1:09:49
  Speaker 1: nine for allegedly defrauding and keeper in Santa Barbara. Oh Random,
• 1:09:53
  Speaker 1: I didn't know Randy Quade was in Midnight Express. I
• 1:09:58
  Speaker 1: love him an Independence Day but and Laura Li said
• 1:10:04
  Speaker 1: she's going out. While Rory sits in Normald Blexture at Harvard,
• 1:10:07
  Speaker 1: Laura Li says, Hey, I'm gonna go find the ladies room,
• 1:10:09
  Speaker 1: you know, sneak of smoke, see if anybody slipped in
• 1:10:11
  Speaker 1: aspirin and my coke. Rory says, Okay, Rizzo, I'd like
• 1:10:15
  Speaker 1: to stay here and listen a little bit more. This
• 1:10:19
  Speaker 1: is referring to Rizzo from Greece. Grease nineteen seventy American
• 1:10:22
  Speaker 1: musical romantic comy film based in nineteen seventy one musical.
• 1:10:25
  Speaker 1: The title Grease was away for the creators to pay
• 1:10:27
  Speaker 1: homage to the nineteen fifties and the air greasy hair,
• 1:10:30
  Speaker 1: Greasy Engines and greasy food. The character Rizzo is played
• 1:10:34
  Speaker 1: by Stockard Channing, and instead of using makeup, Jeff Conaway
• 1:10:37
  Speaker 1: Knicky insisted on giving Stalkard Channing Rizzo real hickies. And
• 1:10:42
  Speaker 1: he did remember a hickey from KNICKI is like a
• 1:10:45
  Speaker 1: Hallmark card. Will Smith just professed his love for Stalkard.
• 1:10:50
  Speaker 1: He fell in love with her on the set of
• 1:10:53
  Speaker 1: Six Degrees of Separation. Yes, and I was gonna say,
• 1:10:56
  Speaker 1: can you name Stockard Channing's iconic character on The West Wing?
• 1:11:01
  Speaker 1: We name the character name? I mean, or just who
• 1:11:05
  Speaker 1: she played? The first Lady. She was the first lady.
• 1:11:10
  Speaker 1: She was so amazing, first lady doing what married to
• 1:11:14
  Speaker 1: Martin Sheen's President party. You've never seen The West Wing.
• 1:11:20
  Speaker 1: I'm not a big consumer of television. You would love
• 1:11:23
  Speaker 1: The West Wing. I don't like a watch. Watch give
• 1:11:26
  Speaker 1: The West Wing a try because it's like a movie
• 1:11:28
  Speaker 1: a week. It's so good. You would love it. I'm
• 1:11:31
  Speaker 1: gonna check it out for you. I'm gonna check it out,
• 1:11:34
  Speaker 1: watch the pilot and get back to me because it's
• 1:11:37
  Speaker 1: like probably the best television show in the history of
• 1:11:41
  Speaker 1: its time, really top ten for sure, better than Billions. Yep.
• 1:11:50
  Speaker 1: It is. I can't say that it's better than Gilmore Girls,
• 1:11:54
  Speaker 1: but it is top ten, can't be it is watching Wow.
• 1:12:00
  Speaker 1: Where can I get it? Where? Where can I get it?
• 1:12:02
  Speaker 1: To my local grocery store? Yeah, or anywhere you stream television.
• 1:12:07
  Speaker 1: I think it's Netflix. It's on Netflix. Rummage around some
• 1:12:13
  Speaker 1: discount bins, see if I can pick up a couple
• 1:12:16
  Speaker 1: of episodes. I think it's also a Warner Brother's show,
• 1:12:18
  Speaker 1: just like you More Girls. They must have being it
• 1:12:20
  Speaker 1: right near you. Maybe your local blockbuster. Yeah, go to blockbust,
• 1:12:25
  Speaker 1: Go to Blockbuster, you get something. Dan, you're very silent today.
• 1:12:32
  Speaker 1: What's up? You're just you're over there because like Riley's reading,
• 1:12:39
  Speaker 1: you're playing guitar, and I'm just here, are you losing
• 1:12:41
  Speaker 1: your mind? You're losing your mind? It's so it's so good,
• 1:12:45
  Speaker 1: but I can't. I feel like I'm like I don't
• 1:12:47
  Speaker 1: even know where I entered. It's like a okay, so
• 1:12:50
  Speaker 1: like it's like a band freestyle and it's like some
• 1:12:54
  Speaker 1: Riley's Miles Davis and we're like, you know, I'm a
• 1:12:57
  Speaker 1: trumpet player, name he's a bassoon and or on whatever.
• 1:13:01
  Speaker 1: I'm not sure it's as good as that Scott, but
• 1:13:08
  Speaker 1: I don't know ya. Come on, they play the spoone
• 1:13:13
  Speaker 1: or something. You can play the spone speaking French, speaking
• 1:13:18
  Speaker 1: of French accent in place the spoone ahead, Riley, could
• 1:13:24
  Speaker 1: you give us a John Trable to impression? I think
• 1:13:27
  Speaker 1: I can, Sandy Sun nice. You're nail and stuff, just
• 1:13:40
  Speaker 1: nail and stuff. You know, some people are given talents, yes,
• 1:13:47
  Speaker 1: some people are. Some people aren't. Some people are robbed
• 1:13:51
  Speaker 1: of their talents and they're given to other people like Riley,
• 1:13:56
  Speaker 1: and some people robbed of their voice on certain days,
• 1:13:59
  Speaker 1: like Danielle, what's going on? Danielle? Say something? Say something?
• 1:14:03
  Speaker 1: Interject Danielle, do you have a Grease impression? You could do?
• 1:14:10
  Speaker 1: Come on something screeching car, tire something you give a
• 1:14:17
  Speaker 1: falzy impression? Something dead? Air is not good? All right,
• 1:14:21
  Speaker 1: we'll come back to you. You do talk about it
• 1:14:24
  Speaker 1: stead is that that's the nice? Tell me about it,
• 1:14:27
  Speaker 1: tell me about yeah, but can you do it for real?
• 1:14:31
  Speaker 1: Tell me about it's dead? Oh? I got the thumbs
• 1:14:37
  Speaker 1: up from Riley. I didn't think up. Go watch Grease.
• 1:14:41
  Speaker 1: Try it again. You have to like, slow it down,
• 1:14:44
  Speaker 1: tell me about it, stud tell me about it. Stuff.
• 1:14:51
  Speaker 1: There's no, tell me abo, tell me about it. That's
• 1:15:03
  Speaker 1: it for pop culture. Yeah. So my favorite line was
• 1:15:11
  Speaker 1: from Ladawn, the Cookie bed and breakfast owner, and she
• 1:15:14
  Speaker 1: says the whole thing with the bell just cracked me up.
• 1:15:16
  Speaker 1: I'm not usually sitting here when guests arrived, so people
• 1:15:19
  Speaker 1: ring the bell, and they loved to ring the bell.
• 1:15:20
  Speaker 1: And you didn't get to ring the bell. I like,
• 1:15:25
  Speaker 1: I am a grown woman. This was actually during the fight,
• 1:15:28
  Speaker 1: says the woman with a Hello kitty waffle iron Um.
• 1:15:37
  Speaker 1: I guess there's a lot of them, but it was
• 1:15:40
  Speaker 1: for me. It was just one word that Laurel I
• 1:15:42
  Speaker 1: said to the college student that was hitting on her.
• 1:15:45
  Speaker 1: The very last thing she said to him was getchi
• 1:15:48
  Speaker 1: or gichi and that is a term what is that
• 1:15:51
  Speaker 1: a term from the fifties or something like. That's a
• 1:15:53
  Speaker 1: term from happy days And it was so out of
• 1:15:58
  Speaker 1: whack with to the back then even uh with two thousand,
• 1:16:03
  Speaker 1: two thousand one. It was just I got a good
• 1:16:06
  Speaker 1: chuckolate that one. Okay. And my favorite line is from
• 1:16:09
  Speaker 1: Suki yet again, and it was when she said you
• 1:16:12
  Speaker 1: were a good cake, Clyde. I never should have named
• 1:16:15
  Speaker 1: you the poor cake was so beautiful. Cake she just
• 1:16:21
  Speaker 1: gave the piece away. It was so sad. She started
• 1:16:23
  Speaker 1: chopping from the bottom, and I was worried it was
• 1:16:26
  Speaker 1: the whole thing was going to topple over. I there
• 1:16:28
  Speaker 1: was anxiety created there because I thought, just cut from
• 1:16:32
  Speaker 1: the top, take a slice from well, what do I know.
• 1:16:35
  Speaker 1: I don't know anything about building wedding cakes. It's dressed
• 1:16:39
  Speaker 1: me out too. But then I was like, the probably
• 1:16:41
  Speaker 1: every other layer's fake. So she had to cut the bottom.
• 1:16:44
  Speaker 1: Oh that is an excellent point. Is that what they
• 1:16:46
  Speaker 1: do well on wedding cakes? The ones that are really
• 1:16:49
  Speaker 1: tall sometimes, like the very top ones are just like styrofoam. Yeah.
• 1:16:53
  Speaker 1: Can you imagine paying a thousand bucks for a cake
• 1:16:56
  Speaker 1: and you bite into star in controversy. No Michelle in
• 1:17:03
  Speaker 1: this episode, right, Oh yeah, that's so weird. It was
• 1:17:06
  Speaker 1: missing a Michelle. It was miss missing Michelle comedy. Great
• 1:17:12
  Speaker 1: episode though, great episode, I mean it had it. It
• 1:17:16
  Speaker 1: had its moments for me where I wasn't so thrilled.
• 1:17:19
  Speaker 1: But I kept saying to myself in the beginning, Man,
• 1:17:22
  Speaker 1: you cannot take this show out of stars hollow. This
• 1:17:25
  Speaker 1: is gonna be a tough sledding here. If it's just
• 1:17:28
  Speaker 1: going to be these two carrying this. But that did
• 1:17:30
  Speaker 1: not bother me as bothered you. But no in the beginning.
• 1:17:35
  Speaker 1: But I thought they did very well. They brought it
• 1:17:36
  Speaker 1: around and it turned out to be great. You know, Yeah,
• 1:17:40
  Speaker 1: you didn't mind Harvard. No. I loved all the Harvard stuff,
• 1:17:43
  Speaker 1: loved it all, loved it all. I loved it all.
• 1:17:47
  Speaker 1: Other than I will I'm very curious what everyone listening
• 1:17:50
  Speaker 1: thinks if we got it right about that argument, or
• 1:17:55
  Speaker 1: if James got it right. So that's really interesting. They're gonna,
• 1:17:58
  Speaker 1: they're gonna, they're just gonna pilary us. They're gonna gonna,
• 1:18:01
  Speaker 1: We're gonna get We're gonna get lamb based in for this.
• 1:18:06
  Speaker 1: We're gonna all get on our sleds and sled away here. Uh.
• 1:18:10
  Speaker 1: Thanks everybody for download and you're the best fans of
• 1:18:12
  Speaker 1: the world. We love you, we need you, we need
• 1:18:15
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• 1:18:18
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• 1:18:20
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• 1:18:53
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• 1:18:57
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• 1:19:02
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• 1:19:13
  Speaker 1: one Specialty Coffee. Yeah.