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Lanterns Episode 7 and The Drop Ep 3 · The Bald Brothers Podcast

• 0:00
  Speaker 1: What up, y'all? It's your boy Kev on stage.
• 0:01
  Speaker 2: Tony Baker. Welcome to the Bald.
• 0:03
  Speaker 3: Brothers, a podcast where me and Tony cover whatever the
• 0:06
  Speaker 3: hell we want to. And right now we're talking Lanterns
• 0:09
  Speaker 3: Episode 7 and The Drop Episode 3. Let's jump right in, Tone.
• 0:16
  Speaker 3: How you feeling about Episode 7 of them Lanterns?
• 0:19
  Speaker 4: It was weird.
• 0:20
  Speaker 1: What you mean weird?
• 0:21
  Speaker 4: It was just a weird episode.
• 0:23
  Speaker 2: It started off cool. Then when they went to the
• 0:26
  Speaker 2: other world dimension planet thing.
• 0:30
  Speaker 4: In the time space, it would look like the Salton Sea.
• 0:34
  Speaker 2: And it was just desert and skeletons in the ground.
• 0:36
  Speaker 1: The Salton Sea?
• 0:37
  Speaker 2: The Salton Sea. I've been to the Salton Sea before.
• 0:41
  Speaker 2: And I was out there during the fish die off. Wait,
• 0:43
  Speaker 2: what's the Salton Sea?
• 0:44
  Speaker 1: I don't know.
• 0:44
  Speaker 2: The Salton Sea is in California. It's kind of by Barstool. Oh,
• 0:47
  Speaker 2: I thought you were just being funny. No, no. It's
• 0:49
  Speaker 2: like a, they used to have like a little salt
• 0:53
  Speaker 2: lake there. And then it ended up drying up. So
• 0:56
  Speaker 2: they built all kind of communities around there. And then
• 0:59
  Speaker 2: once the stuff started drying up and stuff was getting polluted,
• 1:03
  Speaker 2: it's like a little ghost town now in a sense.
• 1:05
  Speaker 1: Really?
• 1:06
  Speaker 2: And so we were driving back from Vegas one time
• 1:09
  Speaker 2: and we.
• 1:09
  Speaker 4: Was just like, yo, pull over, man. We just pulled
• 1:11
  Speaker 4: over because it looked weird around there.
• 1:13
  Speaker 2: And then when we got out, it was millions of
• 1:15
  Speaker 2: dead fish out there. Where is this? Bakersfield?
• 1:20
  Speaker 4: No, no, it's not that way.
• 1:21
  Speaker 2: It's like if you were going to Vegas, like Barstow.
• 1:25
  Speaker 4: Kind of in that area.
• 1:26
  Speaker 1: I've never heard of this in my life.
• 1:28
  Speaker 4: Yeah, the Salton Sea.
• 1:29
  Speaker 2: So that scene reminded me of it. And then when
• 1:31
  Speaker 2: I watched the little behind the scenes after the episode,
• 1:34
  Speaker 2: it was like the Salton Sea.
• 1:35
  Speaker 1: I was like, Oh, so it was that place.
• 1:37
  Speaker 2: Yeah, it was like, I don't know if they actually
• 1:39
  Speaker 2: shot there or if that was the inspiration for it.
• 1:41
  Speaker 1: Gotcha. They mentioned it on the scene. Skeleton heads and stuff.
• 1:45
  Speaker 2: Yeah. Because it was crazy. We was just like, yo,
• 1:48
  Speaker 2: why are all these fish dead? And it smelled.
• 1:50
  Speaker 4: It was crazy.
• 1:51
  Speaker 1: Was it like Heathcliff fish?
• 1:53
  Speaker 2: Damn near. But some were more recently dead. So they
• 1:57
  Speaker 2: still had flesh on them, too.
• 1:59
  Speaker 1: Are you walking on the ground?
• 2:00
  Speaker 4: Yeah, we was tiptoeing. I was like, yo, this is crazy.
• 2:03
  Speaker 4: I ain't never seen nothing like this.
• 2:05
  Speaker 2: Y'all pray? Huh?
• 2:06
  Speaker 1: Did y'all pray?
• 2:08
  Speaker 2: No, I didn't think it was the end of the world,
• 2:09
  Speaker 2: but I was just like, why is there so many
• 2:12
  Speaker 2: dead fish out here?
• 2:13
  Speaker 1: That would have freaked me out a little bit.
• 2:14
  Speaker 2: Yeah, it was crazy.
• 2:16
  Speaker 4: But that scene reminded me of that in Lanterns.
• 2:18
  Speaker 1: So what was the upside down city?
• 2:20
  Speaker 2: What was going on?
• 2:21
  Speaker 1: Is that a comic book thing or that's just the show?
• 2:24
  Speaker 4: I don't know.
• 2:24
  Speaker 2: Because I'm not really hip to the Lantern lore. I
• 2:29
  Speaker 2: used to occasionally read the comic books because my brother
• 2:31
  Speaker 2: had the The Green Lantern Corps.
• 2:34
  Speaker 4: And I used to think everybody was weird.
• 2:36
  Speaker 2: I thought everybody was weird looking because it was like
• 2:38
  Speaker 2: a squirrel had.
• 2:39
  Speaker 4: A ring, a one-eyed glob had a ring.
• 2:44
  Speaker 1: I don't know nothing about this.
• 2:45
  Speaker 2: What the hell is it? Because it's universal. Oh, that's right.
• 2:48
  Speaker 3: Each sector has a Green Lantern. So it's representative of
• 2:51
  Speaker 3: who lives there.
• 2:52
  Speaker 2: Yeah. So it's all kind of alien beings are Lantern Corps.
• 2:57
  Speaker 1: So somebody's Green Lantern lost there.
• 3:00
  Speaker 2: You said what?
• 3:01
  Speaker 1: Somebody's Green Lantern lost the fight there.
• 3:03
  Speaker 2: That's what I'm assuming.
• 3:04
  Speaker 1: Because that was the Manhunter vision.
• 3:06
  Speaker 3: Phrygian said this is Anton City. Yeah, that's what Jon
• 3:09
  Speaker 3: Stewart said.
• 3:10
  Speaker 5: Remember, because that's the vision that he got was that
• 3:12
  Speaker 5: city and what the Manhunter.
• 3:13
  Speaker 2: That's right, when they plugged him into the thing.
• 3:15
  Speaker 1: To the Matrix. And the Manhunter cooked everybody there.
• 3:17
  Speaker 2: Right.
• 3:18
  Speaker 1: But I thought it was the gas, though.
• 3:20
  Speaker 3: The fear gas where they start killing each other, right?
• 3:22
  Speaker 1: Yeah, but so the Manhunter didn't kill him then.
• 3:25
  Speaker 2: It wasn't the Manhunter. It was the gas. They just
• 3:27
  Speaker 2: set off fear, a fear gas. Yeah. And then, because
• 3:31
  Speaker 2: that's what I was like, because everything was getting weird.
• 3:34
  Speaker 2: Because I know they were trying to use the fear
• 3:36
  Speaker 2: against him. Yeah.
• 3:37
  Speaker 4: You know what I'm saying?
• 3:38
  Speaker 1: Parallax. He also, who was, do we know who the
• 3:41
  Speaker 1: old boy was in the cloak? Sinestro?
• 3:43
  Speaker 4: That's Sinestro.
• 3:44
  Speaker 1: Oh, I didn't see his face.
• 3:45
  Speaker 2: Yeah, that's Sinestro.
• 3:46
  Speaker 1: It was out of glare on my TV. I was
• 3:47
  Speaker 1: watching it during the day, man.
• 3:48
  Speaker 2: Because Sinestro, he kind of looks.
• 3:51
  Speaker 1: It's hard, man. Really, that's why I'm laughing.
• 3:53
  Speaker 2: His color is not that pronounced. It looks like he
• 3:55
  Speaker 2: just got a bad suntan.
• 3:56
  Speaker 1: But he's usually way more.
• 3:58
  Speaker 4: He's usually way more colorful than that in the face.
• 4:00
  Speaker 1: I just saw the cloak.
• 4:01
  Speaker 4: I didn't see who it was. Yeah, when he pieced him,
• 4:05
  Speaker 4: Sinestro was like, He was laying there in the cloak.
• 4:08
  Speaker 1: That was a very Looney Tunes way to get him.
• 4:10
  Speaker 2: Oh, yeah.
• 4:11
  Speaker 1: He was like, take the cloak off.
• 4:13
  Speaker 4: Ah, you got me.
• 4:14
  Speaker 1: Like, so that show, you ain't see that coming, man.
• 4:17
  Speaker 2: Right.
• 4:18
  Speaker 1: A regular sock out.
• 4:19
  Speaker 2: He was like. Regular sock out.
• 4:20
  Speaker 1: Ah.
• 4:21
  Speaker 4: Because he didn't know he had a surgery on the
• 4:23
  Speaker 4: hostage tip.
• 4:24
  Speaker 1: Yeah. Like, does he not feel human?
• 4:27
  Speaker 2: He's like, yeah, what you going to do now? He's
• 4:29
  Speaker 2: just this.
• 4:29
  Speaker 1: Oh. So you don't see the boat coming in the
• 4:32
  Speaker 1: middle of the night?
• 4:32
  Speaker 2: Right.
• 4:33
  Speaker 1: Right.
• 4:34
  Speaker 4: I was just like, he should have known that was
• 4:35
  Speaker 4: a century.
• 4:36
  Speaker 1: That was a cool scene, though. Yeah. When they was
• 4:38
  Speaker 1: going through the boat, and then it was like all
• 4:40
  Speaker 1: them apples in there. J.
• 4:42
  Speaker 3: Alphonse Nicholson plays intensity so well.
• 4:46
  Speaker 1: He was good when he hopped in that boat.
• 4:47
  Speaker 2: I was scared a little bit.
• 4:48
  Speaker 3: When he hopped in that, I was like, ha ha,
• 4:51
  Speaker 3: I don't like this.
• 4:52
  Speaker 1: You scared, soldier? I was like, I'm scared at home,
• 4:56
  Speaker 1: and I'm in my undies watching this.
• 4:58
  Speaker 2: He got in there quick, man. Hey, tone it down, man.
• 5:00
  Speaker 2: He was into the boat.
• 5:02
  Speaker 3: But he had the poncho. But he didn't, but John
• 5:05
  Speaker 3: didn't put it on. He put it in the little suitcase.
• 5:08
  Speaker 3: I mean, the little space thing. But let's back up
• 5:11
  Speaker 3: to the- Back up, yeah.
• 5:12
  Speaker 2: We shot it here.
• 5:12
  Speaker 1: We jumped to the end.
• 5:13
  Speaker 4: We shot it here.
• 5:14
  Speaker 1: Let's back up to the thing.
• 5:15
  Speaker 3: A lot of people are like, yo, why John feel
• 5:18
  Speaker 3: like he got to pay the white girl?
• 5:19
  Speaker 2: Because he don't want, I feel like he doesn't want
• 5:24
  Speaker 2: the distraction of- Small town white justice. But 300 bands, Tone?
• 5:30
  Speaker 2: That's a lot.
• 5:31
  Speaker 4: Apparently they got it, though.
• 5:32
  Speaker 2: He got the Richard Mille on his wrist. He look breaded.
• 5:35
  Speaker 1: Also, if I give you the watch, you got to
• 5:37
  Speaker 1: come up off the 300 bands.
• 5:38
  Speaker 2: Yeah.
• 5:39
  Speaker 1: I'm not giving you the watch and then... No, I'm
• 5:41
  Speaker 1: not giving you 300 on the top and the watch.
• 5:42
  Speaker 4: And the watch. How much is that watch?
• 5:44
  Speaker 1: Them Richard Mille's be A.
• 5:47
  Speaker 2: What we looking at on low end for a watch
• 5:50
  Speaker 2: like that?
• 5:50
  Speaker 1: I wouldn't be surprised if it was north of 150. Okay.
• 5:53
  Speaker 1: That's what I thought.
• 5:54
  Speaker 3: Cause James, he didn't watch his go start at 80 grand.
• 5:58
  Speaker 3: They go from 80 grand to 3 million. So let's
• 5:59
  Speaker 3: just say that's the lowest end.
• 6:02
  Speaker 2: So 80 bands, 80 bands got to come above that
• 6:05
  Speaker 2: three 15.
• 6:05
  Speaker 1: Yeah.
• 6:06
  Speaker 2: It should.
• 6:07
  Speaker 1: Yeah.
• 6:07
  Speaker 2: I'm deducted. I'm in my head. Like, yo, I gave
• 6:10
  Speaker 2: you that watch. You took it and skipped off. But
• 6:13
  Speaker 2: also I still.
• 6:14
  Speaker 1: Don't believe that blackmail. Like I'm not pressing like, Oh girl,
• 6:18
  Speaker 1: who's going to believe you?
• 6:20
  Speaker 2: Yeah, like the blackmail to me is inconsequential to everything
• 6:24
  Speaker 2: that's going on. Like every time she pops up, I'm
• 6:26
  Speaker 2: just like, it doesn't carry any gravity for me. No.
• 6:30
  Speaker 1: I agree. It's not moving the story for me. It's
• 6:33
  Speaker 1: not moving the.
• 6:35
  Speaker 5: I really feel pressed that the entire operation is going
• 6:38
  Speaker 5: to come crashing down when she tells the sheriff.
• 6:40
  Speaker 4: There's no stakes there for me.
• 6:42
  Speaker 3: No, I'd be like, girl... I'd be wanting him to
• 6:44
  Speaker 3: be like, girl, move. Stop coming by my car. I'm
• 6:48
  Speaker 3: not paying you nothing. She's going to go tell the sheriff.
• 6:50
  Speaker 1: The sheriff.
• 6:51
  Speaker 3: I'm telling you like I told you. The sheriff killed
• 6:53
  Speaker 3: Hal or the baby killed Hal.
• 6:56
  Speaker 1: Century Hal thinks she did. That's what I'm saying. I
• 6:59
  Speaker 1: think my working theory... Noah is a manhunter.
• 7:04
  Speaker 3: Just like that manhunter Zoe had to kill Abin Sur.
• 7:09
  Speaker 2: Abin Sur, yeah.
• 7:10
  Speaker 1: She just was like, I had to. So Abin Sur
• 7:12
  Speaker 1: was a manhunter?
• 7:13
  Speaker 2: No, he was a Green Lantern.
• 7:15
  Speaker 4: That's where Hal got the ring from.
• 7:17
  Speaker 3: Abin Sur. So I feel like either Noah killed... My
• 7:24
  Speaker 3: working theory is Noah killed Hal Jordan and the sheriff,
• 7:28
  Speaker 3: as his mom, is protecting him. Because otherwise... Noah be
• 7:33
  Speaker 3: in the show too much. for him not to be
• 7:36
  Speaker 3: nothing but a high school. Otherwise, who cares about his
• 7:38
  Speaker 3: high school thing? The linemen don't even have linemen numbers.
• 7:42
  Speaker 1: They look like me, you, and Josh.
• 7:43
  Speaker 3: They were like, give it up for the linemen. I'm like,
• 7:45
  Speaker 3: these look like receivers. The linemen was wearing number 21. Like,
• 7:48
  Speaker 3: where are the fat people at? You need a Billy Bob.
• 7:52
  Speaker 3: You need a hog. You need fat people.
• 7:55
  Speaker 1: You know they're corn fed out in Rushville. That's the
• 7:58
  Speaker 1: whole point. Nebraska corn huskers in two counties. Where the
• 8:03
  Speaker 1: fat whites at? I need Billy Bob. Remember Billy Bob
• 8:06
  Speaker 1: from Varsity Blues?
• 8:07
  Speaker 2: Yes.
• 8:08
  Speaker 1: You need at least one. It's not one fat lineman.
• 8:11
  Speaker 1: These are all walk-ons, man. None of them kids going
• 8:13
  Speaker 1: to Nebraska.
• 8:14
  Speaker 2: I'm going to tell you that.
• 8:15
  Speaker 3: None of them kids going D1. Ain't no NIL money
• 8:18
  Speaker 3: in Rushville. But yeah, he had the little thing. I'm like,
• 8:21
  Speaker 3: they're having entirely too much time from the beginning.
• 8:25
  Speaker 1: They remember the camera when he was.
• 8:26
  Speaker 2: Like, throw the football.
• 8:27
  Speaker 1: No, I was like, who the hell is this kid?
• 8:29
  Speaker 1: Why do they keep showing this kid?
• 8:31
  Speaker 4: Because he's the manhunter.
• 8:33
  Speaker 3: He's the miracle. He's the manhunter. Zoe had a thing
• 8:36
  Speaker 3: on everybody. It's the only thing that makes sense. The sheriff,
• 8:40
  Speaker 3: I can't see her killing how they have in the
• 8:41
  Speaker 3: relationship unless it's to protect her son.
• 8:43
  Speaker 2: She'd be getting mad emotional. And then when the sheriff
• 8:47
  Speaker 2: met met up with the Sentry and she was dealing
• 8:50
  Speaker 2: with those emotions. I was just like, is she emotional
• 8:53
  Speaker 2: because she killed him and know that this is the Sentry?
• 8:56
  Speaker 2: Is she worried that the Sentry knows that she in
• 8:59
  Speaker 2: fact killed him? Or is this real?
• 9:02
  Speaker 3: Because they saying that the Sentry has some of Hal's consciousness,
• 9:06
  Speaker 3: some of the ring's sentience.
• 9:09
  Speaker 1: So he was wearing the ring when he got killed.
• 9:12
  Speaker 1: He wasn't wearing it when he got killed.
• 9:13
  Speaker 3: No.
• 9:14
  Speaker 1: Oh, I thought they took it off.
• 9:15
  Speaker 4: Because remember, the ring was.
• 9:17
  Speaker 1: Oh, it was back upstairs. I mean, in space. Basketball
• 9:20
  Speaker 1: was upstairs.
• 9:21
  Speaker 4: It was upstairs.
• 9:22
  Speaker 1: Also, maybe the century doesn't know then.
• 9:24
  Speaker 2: Right.
• 9:24
  Speaker 1: The hologram. But she knows. Oh, but she knows.
• 9:27
  Speaker 4: You know what I'm saying? But she played that well, though,
• 9:29
  Speaker 4: that emotion.
• 9:30
  Speaker 1: But not well enough.
• 9:31
  Speaker 4: From the acting tip.
• 9:33
  Speaker 1: Not well enough, because Hal was like.
• 9:35
  Speaker 2: Oh, yeah.
• 9:35
  Speaker 4: Hal was like, she killed me.
• 9:37
  Speaker 1: Yeah. I don't know nothing but.
• 9:39
  Speaker 2: But I would think that, too, if I was the century.
• 9:41
  Speaker 2: I'd be like, man, she killed me, man. You saying,
• 9:44
  Speaker 2: you know what I'm saying, we got something going on?
• 9:45
  Speaker 4: Nah, man.
• 9:46
  Speaker 2: Because it's always the one closest to you. I watch
• 9:48
  Speaker 2: forensic files. It's always the husband.
• 9:50
  Speaker 1: And Century House is not blinded by love.
• 9:52
  Speaker 3: No.
• 9:52
  Speaker 2: It sure ain't. He don't have that connection. So he
• 9:55
  Speaker 2: just like, nah, man. It's always a significant other in
• 9:58
  Speaker 2: these murder cases.
• 10:00
  Speaker 3: And that's the only thing that makes sense. Noah makes
• 10:06
  Speaker 3: more sense to me.
• 10:07
  Speaker 2: Yeah, I think it's Noah.
• 10:08
  Speaker 1: Noah makes more sense.
• 10:09
  Speaker 4: I'm still sitting there.
• 10:10
  Speaker 3: But I still don't, I guess I don't know the world.
• 10:13
  Speaker 3: I thought Manhunters were created by Guardians. Somehow she passed
• 10:17
  Speaker 3: the gene along to Noah. That's the part I don't understand.
• 10:21
  Speaker 3: Are they born? That's why I don't know. And I
• 10:23
  Speaker 3: don't want to research it because I actually don't know.
• 10:26
  Speaker 3: And I feel like they only got one episode.
• 10:29
  Speaker 4: Yeah, one left.
• 10:30
  Speaker 1: They got to tell us.
• 10:31
  Speaker 2: I like doing my research sometimes after everything's all said
• 10:34
  Speaker 2: and done.
• 10:34
  Speaker 1: Oh, then I'm fully nervous. Yeah, yeah. You think there's
• 10:37
  Speaker 1: a world where they don't tell us, though? Who killed
• 10:39
  Speaker 1: Hal in this?
• 10:40
  Speaker 2: No way. Really?
• 10:42
  Speaker 3: I think it's far too risky. You start off the
• 10:44
  Speaker 3: season with Hal Jordan's dead. You at least have to
• 10:48
  Speaker 3: do that bookend of who shot Hal.
• 10:50
  Speaker 1: Otherwise, I'm going to be furious.
• 10:52
  Speaker 2: Or it could be like an old school Dallas situation
• 10:55
  Speaker 2: where it's like, who shot JR?
• 10:57
  Speaker 1: But wasn't that at the end of the season?
• 10:58
  Speaker 2: Yeah, but we had to wait until next season to
• 11:00
  Speaker 2: figure out who shot JR.
• 11:02
  Speaker 1: See, I feel like, but JR didn't get shot up top.
• 11:07
  Speaker 2: No.
• 11:08
  Speaker 3: I think because if Hal just died, then maybe.
• 11:12
  Speaker 1: We found out Hal died at the end of episode one.
• 11:14
  Speaker 3: At the end of episode one, you realize he's dead
• 11:18
  Speaker 3: in the pilot. You got to check that box off
• 11:20
  Speaker 3: to me.
• 11:21
  Speaker 2: To complete season one. You can't let that linger into
• 11:24
  Speaker 2: the next season.
• 11:25
  Speaker 1: They'll be right in the streets. I don't know, man.
• 11:28
  Speaker 1: They be breaking rules left and right now.
• 11:30
  Speaker 2: Have they ever done that, though, with a show? You
• 11:34
  Speaker 2: take a show like Twin Peaks, for example. where the
• 11:37
  Speaker 2: murder of a certain character is the whole reason for
• 11:40
  Speaker 2: the season, didn't they close that off? Okay, what about,
• 11:49
  Speaker 2: what's that other show?
• 11:49
  Speaker 1: That's like True Detective not finding out the thing at
• 11:52
  Speaker 1: the end of the season.
• 11:53
  Speaker 2: You got to. Yeah, they will close that up. You
• 11:55
  Speaker 2: have to.
• 11:56
  Speaker 4: But that's an anthology kind of.
• 11:58
  Speaker 2: I was going to say.
• 11:58
  Speaker 1: That's true.
• 11:59
  Speaker 5: But what's the compromise for the ending, though, to go
• 12:01
  Speaker 5: into season two? We find out who kills how. We
• 12:05
  Speaker 5: might find out who the Manhunter is, but they go
• 12:07
  Speaker 5: on a terror and then.
• 12:08
  Speaker 1: Disappear, maybe? That's... This is a good point. Because I'm
• 12:14
  Speaker 1: trying to figure out how this ends... that doesn't just
• 12:17
  Speaker 1: feel like what you said.
• 12:18
  Speaker 3: If we don't find out who shot, how, and if
• 12:21
  Speaker 3: that baby, I feel like you could tell me that
• 12:23
  Speaker 3: who shot, how, and not say where the nose of Manhunter,
• 12:26
  Speaker 3: because that could be that going.
• 12:27
  Speaker 2: You can keep that. They don't keep something going into
• 12:30
  Speaker 2: the next. It's probably going to be Sinestro base.
• 12:33
  Speaker 1: Yes.
• 12:34
  Speaker 4: What they're going to keep into the next.
• 12:35
  Speaker 2: He's probably going to be the big, bad, heavy for
• 12:37
  Speaker 2: season two, but they got to close up who shot, how,
• 12:43
  Speaker 2: and as far as your guardian question, uh, Darrell or
• 12:47
  Speaker 2: Darrell said the Guardians did create the Manhunter, but remember
• 12:50
  Speaker 2: the Manhunter brought a lot of technology to that town,
• 12:54
  Speaker 2: like the machine that generated John's skin.
• 12:58
  Speaker 4: So they were well-engraved.
• 12:59
  Speaker 2: And remember that machine where the cow came in and
• 13:03
  Speaker 2: then they slaughtered the cow up? Yeah. Laser key?
• 13:06
  Speaker 1: Yeah.
• 13:07
  Speaker 2: Yeah.
• 13:07
  Speaker 4: I feel bad for that cow, man.
• 13:10
  Speaker 1: That cow had no idea what was happening.
• 13:11
  Speaker 2: Man, dog. Come on, man.
• 13:13
  Speaker 1: This got zipped up.
• 13:15
  Speaker 4: I didn't like that scene, man.
• 13:17
  Speaker 2: That guy was like, move.
• 13:18
  Speaker 1: Because who's moving all.
• 13:23
  Speaker 3: The.
• 13:23
  Speaker 5: Noah's got to be moving the plot forward with whatever Zoe.
• 13:28
  Speaker 1: Zoe?
• 13:29
  Speaker 2: Yeah.
• 13:30
  Speaker 1: Zoe told him, remember everything I told you. That's what
• 13:34
  Speaker 1: I'm saying.
• 13:34
  Speaker 3: Jay Friedan's saying Noah's to keep the Manhunter line going.
• 13:43
  Speaker 4: Is he the last one left?
• 13:45
  Speaker 1: He has to be. Or he has to do something
• 13:48
  Speaker 1: to be able to keep it moving forward. That's why
• 13:50
  Speaker 1: they said he killed Hal.
• 13:51
  Speaker 3: Apparently, the Manhunter got to kill a Green Lantern like
• 13:53
  Speaker 3: she killed Abin Sur.
• 13:54
  Speaker 1: She's like, my bad. Was he still a Green Lantern, though?
• 13:57
  Speaker 1: Abin Sur was a Green Lantern when he got killed.
• 13:59
  Speaker 3: No, no, no, no.
• 13:59
  Speaker 1: Hal wasn't still Green Lantern, though.
• 14:02
  Speaker 2: When?
• 14:03
  Speaker 1: When he died.
• 14:05
  Speaker 2: No, he wasn't. Oh, no, you're right. Remember, he got
• 14:08
  Speaker 2: that ring snatched from John, and John turned it in.
• 14:11
  Speaker 4: So he was just regular.
• 14:14
  Speaker 1: Oh, then that theory doesn't hold up. I didn't think
• 14:17
  Speaker 1: about that.
• 14:18
  Speaker 5: Well, it could still, but there's still one more missing link.
• 14:22
  Speaker 5: Maybe Zoe really thought that Jon Stewart was going to
• 14:27
  Speaker 5: take the ring and move on.
• 14:29
  Speaker 2: For sure.
• 14:30
  Speaker 4: Everybody thought that.
• 14:31
  Speaker 2: That's what threw the ripple in.
• 14:33
  Speaker 1: I don't know, man.
• 14:36
  Speaker 4: I'm sure Jon created some kind of rift.
• 14:38
  Speaker 1: Or she knew that Jon was going to come back
• 14:40
  Speaker 1: by killing Hal, get the ring.
• 14:44
  Speaker 1: And maybe they're setting that up to try and kill
• 14:46
  Speaker 1: John in this last episode. Well, they know they ain't
• 14:49
  Speaker 1: going to kill that nigga, man.
• 14:50
  Speaker 4: Oh, no, they can't.
• 14:52
  Speaker 2: Nah.
• 14:52
  Speaker 1: Did you believe him when he was rapping OutKast?
• 14:54
  Speaker 2: No.
• 14:55
  Speaker 1: No, I didn't believe him.
• 14:56
  Speaker 2: Nobody seems to. I was saying, this is what I
• 14:58
  Speaker 2: was saying during my watch party. I was like, when
• 15:00
  Speaker 2: people sing along to songs or rap songs a lot
• 15:04
  Speaker 2: of times in movies and TV, they never really.
• 15:08
  Speaker 4: Sound on rhythm.
• 15:09
  Speaker 2: Yeah unless the song is actually playing within the scene
• 15:13
  Speaker 2: usually sometimes they can sync up but a lot of
• 15:15
  Speaker 2: times so every time he would start rapping the outcast
• 15:18
  Speaker 2: joint it never sounded.
• 15:19
  Speaker 5: Right it it always sounded like um not a stipulation
• 15:24
  Speaker 5: but like a different variation of the.
• 15:26
  Speaker 2: Song yeah it didn't sound like what he was listening
• 15:30
  Speaker 2: to at all and i was just like what are
• 15:32
  Speaker 2: What is he doing?
• 15:33
  Speaker 3: Sound like he might have been just rapping it with
• 15:35
  Speaker 3: no music underneath and they tried to put the song under.
• 15:37
  Speaker 2: That's what I feel like in post.
• 15:39
  Speaker 1: Yeah, you can't hear it. It never sounds.
• 15:41
  Speaker 4: I don't think he could hear.
• 15:42
  Speaker 2: I don't think he could hear the song as it
• 15:45
  Speaker 2: was playing. Yeah.
• 15:46
  Speaker 4: Because it didn't sound.
• 15:47
  Speaker 2: But it wasn't because he was British. I wouldn't take
• 15:50
  Speaker 2: it as because he was British. And then when he
• 15:51
  Speaker 2: was in the boat, it didn't sound right again.
• 15:55
  Speaker 1: It also sounded like he didn't really know the song
• 15:57
  Speaker 1: like that either.
• 15:58
  Speaker 3: Yeah.
• 15:59
  Speaker 1: That's what made it more disbelievable for me. Yeah. It
• 16:01
  Speaker 1: was like, Like he just learned it for that scene.
• 16:03
  Speaker 1: He read it in the script and kind of made
• 16:05
  Speaker 1: his own version of it.
• 16:07
  Speaker 2: But some people really can't pitch songs correctly.
• 16:09
  Speaker 4: That's how Chaz is.
• 16:12
  Speaker 2: Every time Chaz would sing a song, I was just like,
• 16:14
  Speaker 2: you never sound right when you're singing the song when
• 16:17
  Speaker 2: you're on the court.
• 16:18
  Speaker 1: Something's off about this.
• 16:19
  Speaker 4: You know what I'm saying? I'm like, why are you
• 16:21
  Speaker 4: saying it like that?
• 16:23
  Speaker 3: The thing is, you got to have a... There's an
• 16:25
  Speaker 3: OutKast song that I know. The common denominator, the nigga numerator.
• 16:31
  Speaker 3: I never know who the hated nigga catered to your ego.
• 16:33
  Speaker 1: That OutKast song?
• 16:35
  Speaker 2: Yeah.
• 16:35
  Speaker 3: I'm sorry like a dog who's a cousin to Calico.
• 16:37
  Speaker 3: Vision Puerto Rico, be on the street like Chico. The
• 16:39
  Speaker 3: bar she lodged and got a lock in the garage.
• 16:40
  Speaker 3: You got to be like, oh nigga, you know that.
• 16:42
  Speaker 2: Yeah, for sure.
• 16:43
  Speaker 1: It didn't feel like you.
• 16:45
  Speaker 3: When we was listening to OutKast, it was like Walkman
• 16:48
  Speaker 3: walking around.
• 16:49
  Speaker 1: I just keep listening to this OutKast song.
• 16:51
  Speaker 2: Right.
• 16:52
  Speaker 1: I feel like.
• 16:53
  Speaker 3: there's a song all of us know, and maybe not OutKast,
• 16:57
  Speaker 3: that you don't have, if you play that.
• 17:00
  Speaker 1: Song, it locks in your mind.
• 17:01
  Speaker 2: Immediately lock in.
• 17:02
  Speaker 1: And there is a club too close to fool.
• 17:05
  Speaker 3: I was like, you ain't know it like common denominator,
• 17:08
  Speaker 3: nigga numerator, never know who the head of nigga carry
• 17:10
  Speaker 3: to your ego.
• 17:11
  Speaker 2: Especially when he was singing, it wasn't like lyrically dense.
• 17:14
  Speaker 2: So it was like the easiest.
• 17:15
  Speaker 4: Song to nail.
• 17:16
  Speaker 2: Yeah. I was still just like, It wasn't like he
• 17:20
  Speaker 2: had to do Equimini when Andre closed it out. It
• 17:24
  Speaker 2: was just like, hmm.
• 17:27
  Speaker 4: This don't sound right.
• 17:29
  Speaker 3: Now, here's what I didn't expect out of this show
• 17:32
  Speaker 3: that I thought was good. We've been told basically how
• 17:37
  Speaker 3: Jordan's dad died, and that's why he has no fear,
• 17:40
  Speaker 3: because he has nobody to lose. I thought Hal Jordan's
• 17:43
  Speaker 3: dad died in a plane crash.
• 17:45
  Speaker 4: Me too.
• 17:46
  Speaker 3: His dad had suicidal tendencies, suicidal ideation, committed suicide.
• 17:51
  Speaker 1: Yeah. Second in the family at least.
• 17:53
  Speaker 4: That's crazy.
• 17:54
  Speaker 1: And basically walked Hal down the line of suicide. That's
• 17:59
  Speaker 1: a total... If you look at Hal Jordan from that lens.
• 18:02
  Speaker 2: Yeah.
• 18:02
  Speaker 1: Remember the alien.
• 18:03
  Speaker 3: From episode one or two was like, I feel like
• 18:07
  Speaker 3: you want to die, Hal Jordan.
• 18:08
  Speaker 1: Remember he was interviewing the alien? Yeah. Yeah.
• 18:11
  Speaker 3: So, it was just really interesting, and somebody online was
• 18:17
  Speaker 3: saying that baseball, him not letting the baseball go, was
• 18:21
  Speaker 3: a metaphor for him being different than his dad.
• 18:23
  Speaker 1: Yeah. Remember, his dad was just like... Come on, let
• 18:25
  Speaker 1: it go, man. Subtext, subtext, man. Kill yourself.
• 18:29
  Speaker 2: Right.
• 18:29
  Speaker 1: That's why I like this show.
• 18:30
  Speaker 3: If you're not paying attention, you just think he's talking
• 18:33
  Speaker 3: about right now.
• 18:34
  Speaker 2: In my head, I'm like.
• 18:36
  Speaker 3: Wait a second, his dad telling him he finna commit suicide?
• 18:39
  Speaker 3: And you could kill yourself too?
• 18:41
  Speaker 2: You too could do it, man.
• 18:43
  Speaker 3: Just let it go. It's like, we ain't talking about
• 18:46
  Speaker 3: baseball no more. His dad was like, hey man, kill yourself, man.
• 18:51
  Speaker 1: It's cool. My daddy did it. I'm finna do it.
• 18:54
  Speaker 4: All the kids are doing it.
• 18:55
  Speaker 2: It's the coolest.
• 18:57
  Speaker 4: Remember that one?
• 18:59
  Speaker 2: And Billy Madison, when he peed on his cell just
• 19:02
  Speaker 2: to save his friend. We're all peeing on ourselves. This
• 19:05
  Speaker 2: is the coolest. And he was like, yeah. All the
• 19:09
  Speaker 2: kids with themselves.
• 19:10
  Speaker 1: Yeah.
• 19:11
  Speaker 2: Yeah, because I was shocked to find that out. I
• 19:13
  Speaker 2: was like, oh, he killed himself.
• 19:14
  Speaker 3: Well, he told us he died. The whole time, dad
• 19:16
  Speaker 3: died in a playing class. Like, all the other characters
• 19:19
  Speaker 3: are telling us that.
• 19:20
  Speaker 2: Right.
• 19:20
  Speaker 1: It never dawned on me that we don't know if
• 19:22
  Speaker 1: that's true.
• 19:23
  Speaker 2: Right.
• 19:24
  Speaker 1: Everybody just believes it, so we think it's true.
• 19:26
  Speaker 4: Face value, man.
• 19:27
  Speaker 1: Face value, McGee. I believed you. And his dad.
• 19:31
  Speaker 3: So now, Hal being like, because I was like, when
• 19:34
  Speaker 3: I was watching, I was like, why won't he put
• 19:35
  Speaker 3: this baseball down?
• 19:36
  Speaker 1: Right, right.
• 19:37
  Speaker 3: And then that's also a great metaphor for him not
• 19:39
  Speaker 3: wanting to give up and let the lanterns come, let
• 19:42
  Speaker 3: John take the lantern thing.
• 19:42
  Speaker 1: He's like, as a kid.
• 19:44
  Speaker 4: That's how I was taking it.
• 19:45
  Speaker 1: For sure.
• 19:46
  Speaker 3: Yeah.
• 19:47
  Speaker 1: And I love when shows don't, they don't overload you
• 19:49
  Speaker 1: up to, Right.
• 19:50
  Speaker 3: We get that Hal don't want John Stewart to replace him,
• 19:55
  Speaker 3: but they don't have to be like, here's why. When
• 19:56
  Speaker 3: Hal Jordan was 80, played the baseball.
• 19:59
  Speaker 4: Tyler Perry.
• 20:00
  Speaker 2: Come on, man. I'm trying to meet him.
• 20:04
  Speaker 4: That's how Tyler Perry would do it.
• 20:07
  Speaker 3: I don't care about my political aspirations and ambitions.
• 20:12
  Speaker 2: He would give you all the character, motivations, and inspirations
• 20:16
  Speaker 2: in the first 10 minutes. He doing this because of this.
• 20:21
  Speaker 2: They doing this because of this. Right off the top.
• 20:24
  Speaker 2: We still got nine episodes left, Tyler Perry. I want
• 20:26
  Speaker 2: everybody to know off the top. They're getting back together
• 20:30
  Speaker 2: because he got the new job down there at the plant.
• 20:33
  Speaker 2: He opened up a new law firm. He cheated, but
• 20:35
  Speaker 2: he came back and he got back together. That's what's
• 20:37
  Speaker 2: going on right now. The only thing I ain't going
• 20:40
  Speaker 2: to tell y'all is why a person is so evil.
• 20:43
  Speaker 2: That's just who they are. Oh, my God.
• 20:47
  Speaker 1: That's it.
• 20:51
  Speaker 4: You can still meet Tyler Perry, man.
• 20:53
  Speaker 2: We got notes on the writing.
• 20:56
  Speaker 3: I feel like if we met, you'd be like, man,
• 20:57
  Speaker 3: nice to meet you. Why everybody got to be evil
• 20:59
  Speaker 3: straight up?
• 21:00
  Speaker 1: I'm bringing it up. In the party? I want to
• 21:04
  Speaker 1: take a quick break from the show to talk about
• 21:05
  Speaker 1: one of our sponsors.
• 21:06
  Speaker 3: I need to tell you about this new sports trading
• 21:09
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• 21:13
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• 21:15
  Speaker 3: You put some money in and if your team was
• 21:17
  Speaker 3: doing well and you wanted to cash out, they'd lock
• 21:20
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• 21:23
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• 21:26
  Speaker 3: in and selling out on your terms. When your team
• 21:29
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• 21:31
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• 21:34
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• 21:36
  Speaker 3: the best prediction market.
• 21:38
  Speaker 1: Better than DraftKings, FanDuel, Couchy, you name it.
• 21:42
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• 21:47
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• 21:49
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• 21:50
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• 21:53
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• 21:57
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• 22:00
  Speaker 3: code BALDBROS to get $ 50 free after you trade just $ 10.
• 22:04
  Speaker 1: And now back to the show. In the party.
• 22:09
  Speaker 2: I'm Tyler Perry. Let's meet.
• 22:10
  Speaker 1: I'm going to be like, hey, this is Tyler Perry.
• 22:12
  Speaker 2: Hey.
• 22:12
  Speaker 1: Tyler Perry.
• 22:13
  Speaker 4: Tyler Perry, man.
• 22:14
  Speaker 1: Nice to meet you, man. Tyler.
• 22:15
  Speaker 4: Props on everything you've done.
• 22:17
  Speaker 1: Thank you, brother.
• 22:21
  Speaker 2: So wait. In this meeting. I'm Tyler at a party. Okay.
• 22:25
  Speaker 2: So we chilling.
• 22:26
  Speaker 1: We chilling.
• 22:27
  Speaker 4: Tyler Perry, man.
• 22:28
  Speaker 3: Hey, man.
• 22:28
  Speaker 1: What's up, man?
• 22:28
  Speaker 2: How come you never tell us why your characters are
• 22:31
  Speaker 2: so evil? What you mean, man?
• 22:33
  Speaker 4: You never really write that in. None of your characters
• 22:35
  Speaker 4: are great.
• 22:37
  Speaker 1: No, I just feel like they're great.
• 22:40
  Speaker 4: No, no.
• 22:42
  Speaker 2: When I look at the husband in that movie, what
• 22:44
  Speaker 2: was the movie where Megan Good was married to?
• 22:48
  Speaker 1: Acrimony?
• 22:49
  Speaker 4: No, not Acrimony.
• 22:51
  Speaker 1: Oh, married to Corey Hardick?
• 22:53
  Speaker 2: Corey Hardick.
• 22:53
  Speaker 4: And Corey Hardick was just a jerk. I've done so
• 22:58
  Speaker 4: many movies. Well, let's take it back to Daddy's Little Girls.
• 23:00
  Speaker 1: Divorce in Black?
• 23:01
  Speaker 2: Huh?
• 23:01
  Speaker 1: Was it Divorce in Black?
• 23:03
  Speaker 2: Something in Black, I think. And he was just a jerk,
• 23:08
  Speaker 2: and it was just like, where's the gray? Where's the
• 23:12
  Speaker 2: gray for him? Show us why she would even latch
• 23:16
  Speaker 2: on to him. Tasha Smith, just evil and daddy's little girl.
• 23:20
  Speaker 2: What if Tyler's just.
• 23:21
  Speaker 1: Like, man, I don't care what y'all think. Nice to
• 23:23
  Speaker 1: meet you.
• 23:23
  Speaker 4: We know, though.
• 23:25
  Speaker 2: You still gonna say that? Yeah, man. I know you
• 23:28
  Speaker 2: don't care. If it's working, it's working. But you can
• 23:32
  Speaker 2: just elevate even more because now you can get us
• 23:34
  Speaker 2: blacks that want the gray.
• 23:35
  Speaker 4: Now you can get us blacks that's like, man, watch
• 23:37
  Speaker 4: out Tyler Perry. You can get us as well. Then
• 23:40
  Speaker 4: you can be worth $ 10 billion.
• 23:41
  Speaker 1: I made it in four days, man. It's over, Tyler.
• 23:43
  Speaker 2: That's the problem, man. You're making it too quick. Take
• 23:46
  Speaker 2: your time, man. You know why we love Ryan Coogler's stuff?
• 23:50
  Speaker 2: and why it grosses 300 million instead of the usual
• 23:54
  Speaker 2: tap outs that you have. Because you tap out at
• 23:56
  Speaker 2: the box office at like 80, 90 million.
• 23:58
  Speaker 3: I ain't even been in the box office in 10 years.
• 24:00
  Speaker 3: I've been with Netflix and Amazon. That box office is old.
• 24:03
  Speaker 3: I be number one every time.
• 24:04
  Speaker 1: What you got to say about that? It's going to
• 24:05
  Speaker 1: be quick numbers, then the fade off. I'm number one
• 24:07
  Speaker 1: every time. But you could be.
• 24:08
  Speaker 4: Number one with staying power and cultural footprint.
• 24:11
  Speaker 1: I don't care about nothing but number one. Stay in
• 24:13
  Speaker 1: power with these balls, nigga. I'm taller.
• 24:16
  Speaker 4: Hey, man.
• 24:16
  Speaker 2: You going to take off in a jet pack?
• 24:20
  Speaker 1: How'd you get that? Have fun walking up on the 405, nigga.
• 24:29
  Speaker 2: You know what else I noticed?
• 24:30
  Speaker 1: He just puts his hands out like Iron Man. Like,
• 24:32
  Speaker 1: how'd you get that? From number one on Netflix for
• 24:34
  Speaker 1: nearest broke boy.
• 24:35
  Speaker 2: His dress shoes got thrusters at the bottom.
• 24:39
  Speaker 4: And then.
• 24:43
  Speaker 2: That's why you broke like Teddy Riley called you broke
• 24:45
  Speaker 2: that time. Oh, he going to call me broke for sure.
• 24:47
  Speaker 1: Teddy Riley called you broke.
• 24:48
  Speaker 2: That's why you broke now because you over here overthinking, Mr.
• 24:50
  Speaker 3: Gray.
• 24:51
  Speaker 2: You gray and broke.
• 24:53
  Speaker 1: Oh, my God.
• 24:54
  Speaker 4: I'd be like, but, you know, as a consumer.
• 24:57
  Speaker 2: But so I noticed, too, with Tyler Perry, like when
• 25:02
  Speaker 2: there's a hot guy. He gonna scoop that man up immediately.
• 25:07
  Speaker 1: Your boy from a different world.
• 25:09
  Speaker 2: As soon as the women be like, ooh, Tyler Perry
• 25:13
  Speaker 2: be like, let.
• 25:15
  Speaker 4: Me get you in here.
• 25:16
  Speaker 2: That's why he ain't get me.
• 25:18
  Speaker 4: You could be the nice guy or you could be the.
• 25:20
  Speaker 2: Evil, abusive boyfriend.
• 25:23
  Speaker 3: People be like, why you ain't work with Tyler? I'm
• 25:24
  Speaker 3: just regular looking. I'm not like, oh my God, Kev.
• 25:30
  Speaker 3: I'm just Toyota Camry.
• 25:33
  Speaker 1: And I know that.
• 25:36
  Speaker 2: That's when you're the Camry.
• 25:37
  Speaker 1: Maybe S.E. was hitting the window. You don't know there's
• 25:42
  Speaker 1: a Camry.
• 25:42
  Speaker 2: Yeah. A Lamborghini? Oh, my God. Lamborghini Urus. Camry?
• 25:47
  Speaker 4: So Tyler Perry has a certain visual aesthetic.
• 25:51
  Speaker 1: What?
• 25:52
  Speaker 4: When it comes to the men.
• 25:53
  Speaker 2: Yes.
• 25:55
  Speaker 1: For sure.
• 25:56
  Speaker 4: Regular men can't get up in there.
• 25:58
  Speaker 1: You think they're going to... Regular bank teller guy, this
• 26:03
  Speaker 1: beautiful nigga in the world.
• 26:04
  Speaker 2: Muscles, muscles. Tall.
• 26:08
  Speaker 1: Small.
• 26:09
  Speaker 2: Muscles.
• 26:10
  Speaker 1: If you want me to lead, Muscles McGee.
• 26:13
  Speaker 4: He don't even do the regular sidekicks, does he?
• 26:16
  Speaker 1: Everybody's beautiful, man.
• 26:17
  Speaker 2: I'm thinking about the cast of Why Did I Get
• 26:20
  Speaker 2: Married 3.
• 26:21
  Speaker 4: Michael Jai White is a leading man.
• 26:24
  Speaker 2: Yes. Jill Scott's husband now is like a Handsome, leading man,
• 26:31
  Speaker 2: dude with the gray. Lamar Rucker.
• 26:33
  Speaker 1: Yeah. Lemon love Lamar Rucker.
• 26:34
  Speaker 4: Exactly.
• 26:35
  Speaker 1: Even with the gray. They love him when he was black.
• 26:37
  Speaker 2: They love him with the gray.
• 26:38
  Speaker 1: Silver Fox.
• 26:39
  Speaker 2: He got the silver coochie hair the women have. All
• 26:42
  Speaker 2: the young dudes in there. Oh, my God. Kids everywhere.
• 26:46
  Speaker 2: The young dude Taraji was dating. It's a certain visual aesthetic.
• 26:50
  Speaker 3: I mean, but for the most part, not everybody, but
• 26:54
  Speaker 3: a lot of people in Hollywood are good looking.
• 26:56
  Speaker 1: Yeah. Especially women. Men, you can be ugly.
• 27:01
  Speaker 2: Yeah, because it's a lot of regular looking dudes in Hollywood. Regular.
• 27:05
  Speaker 1: Killing. Fat, ugly.
• 27:07
  Speaker 4: Oscar nominated, salaried up.
• 27:09
  Speaker 2: Be in there. Regular.
• 27:11
  Speaker 1: Women, you don't see ugly women.
• 27:15
  Speaker 2: I feel like they starting to spread out a little
• 27:19
  Speaker 2: bit more. I don't want to put certain women on
• 27:21
  Speaker 2: blast by name. Don't you dare say a word. Text
• 27:23
  Speaker 2: me separate. Text me who's ugly.
• 27:26
  Speaker 3: But if you're funny, they'll let you be a little hefty.
• 27:29
  Speaker 2: Yeah.
• 27:30
  Speaker 3: But if you want to be the lead of a drama,
• 27:32
  Speaker 3: for the most part, not horror.
• 27:33
  Speaker 1: I'm like, drama, you got to be.
• 27:36
  Speaker 2: Involving romance.
• 27:38
  Speaker 3: I think a lot, to me, that's why Gal Gadot
• 27:40
  Speaker 3: be working.
• 27:41
  Speaker 1: Because it clearly ain't the acting.
• 27:43
  Speaker 2: No. Not at all.
• 27:44
  Speaker 1: It clearly ain't the acting. Kal-El, no! Get up, champagne
• 27:50
  Speaker 1: for the Nile! They like, forget the acting. But man,
• 27:53
  Speaker 1: gorgeous face.
• 27:54
  Speaker 2: Get her in there.
• 27:54
  Speaker 3: Who cares how she says the line? Because she start talking,
• 27:58
  Speaker 3: I be like, oh man, just cut it off.
• 28:02
  Speaker 1: If she's in the movie, I'm out. I can't. But
• 28:04
  Speaker 1: I was in Wonder Woman, like, man, shut up. You
• 28:07
  Speaker 1: didn't like the first one? I don't like when she
• 28:09
  Speaker 1: says words. I don't, I ain't believe the word y'all know.
• 28:13
  Speaker 2: I let it slide because I could imagine Wonder Woman
• 28:19
  Speaker 2: talking differently than us.
• 28:23
  Speaker 1: As much as Gal Gadot does.
• 28:24
  Speaker 2: Yeah. Like I could have met, cause she's not, she's
• 28:27
  Speaker 2: not of America. She's not going to come out sounding British.
• 28:30
  Speaker 2: She's not going to come out sounding American.
• 28:31
  Speaker 1: It ain't even the accent.
• 28:32
  Speaker 2: So I was giving, I was still giving a little
• 28:34
  Speaker 2: grace on the way she was talking. Steve Trevor and
• 28:37
  Speaker 2: like talking like that.
• 28:38
  Speaker 4: And I was like, all right, that's how the Amazonians,
• 28:41
  Speaker 4: you know what I'm saying?
• 28:41
  Speaker 1: But the other Amazonians didn't talk like that.
• 28:44
  Speaker 4: No, they, they was just like.
• 28:45
  Speaker 1: They was like, man, we, we regular, I don't know
• 28:48
  Speaker 1: what she is. Galal, get to the top now. Oh,
• 28:52
  Speaker 1: Even Arnold Schwarzenegger, who is axing it up, I still
• 28:55
  Speaker 1: believe him.
• 28:56
  Speaker 4: For sure.
• 28:57
  Speaker 1: Get to the chopper.
• 28:58
  Speaker 2: I couldn't get another Arnold back in the day.
• 29:00
  Speaker 1: I was like, sign me up and get to the chopper.
• 29:02
  Speaker 2: I'll be back. He leaned in to say that.
• 29:05
  Speaker 4: I'll be back. I was like, yeah.
• 29:07
  Speaker 1: Yeah.
• 29:08
  Speaker 2: He coming back, y'all.
• 29:09
  Speaker 1: Enough champagne to fill the now.
• 29:11
  Speaker 2: Cut.
• 29:12
  Speaker 1: Kevin, you're at home.
• 29:13
  Speaker 2: Cut.
• 29:14
  Speaker 3: Let's take it again, y'all. I'm just directing this now. Yeah,
• 29:19
  Speaker 3: can you just say enough champagne.
• 29:20
  Speaker 2: To fill the Nile regular?
• 29:22
  Speaker 1: Enough champagne to fill the Nile.
• 29:23
  Speaker 3: Cut! Hey, man, just give me Tasha Smith, y'all. If
• 29:28
  Speaker 3: it were up to me, Tasha Smith would have been
• 29:30
  Speaker 3: Wonder Woman.
• 29:30
  Speaker 4: Let me tell you something, man. Tasha Smith is somebody.
• 29:34
  Speaker 2: That don't miss.
• 29:35
  Speaker 1: She was my favorite part of that movie. She was
• 29:38
  Speaker 1: so funny. Did you watch The Corner?
• 29:42
  Speaker 2: Yes.
• 29:43
  Speaker 1: Tasha Smith can't do wrong to me. Tasha Smith was
• 29:45
  Speaker 1: in there? Yeah!
• 29:54
  Speaker 2: Was she the main lady?
• 29:55
  Speaker 1: Let me see. Hold on.
• 29:58
  Speaker 2: Am I tripping?
• 30:05
  Speaker 4: No, that's, what's her name?
• 30:08
  Speaker 1: Candy Alexander.
• 30:08
  Speaker 4: That's Candy Alexander.
• 30:09
  Speaker 1: Nah, Tasha Smith in there.
• 30:11
  Speaker 4: Oh, but Candy was the main.
• 30:13
  Speaker 2: Oh, yeah, yeah, yeah. Yeah, Candy was the main. Yeah, yeah, yeah.
• 30:15
  Speaker 1: She played Ronnie.
• 30:16
  Speaker 4: I don't remember her in the corner like that.
• 30:18
  Speaker 1: Yeah, I don't think she was main, main. Yeah. But
• 30:21
  Speaker 1: I feel like I wish Tasha Smith had more stuff
• 30:23
  Speaker 1: to do.
• 30:24
  Speaker 2: She's one of them ones, like every time I see her,
• 30:26
  Speaker 2: she delivers. The first time I really took her in
• 30:29
  Speaker 2: was ATL. She was the mother of them twins, and
• 30:32
  Speaker 2: she was funny.
• 30:33
  Speaker 1: And I was just like.
• 30:34
  Speaker 4: Who was that? And she's a hell of a director.
• 30:38
  Speaker 1: Yeah, and she gave me money personally to start an
• 30:40
  Speaker 1: acting class.
• 30:41
  Speaker 4: That's amazing.
• 30:43
  Speaker 1: And I was unemployed. Tasha Smith held me down.
• 30:47
  Speaker 4: Man.
• 30:47
  Speaker 3: Me, Jay, and Ant flew to New York to do
• 30:49
  Speaker 3: her acting class with no money. We went straight from
• 30:51
  Speaker 3: the plane to her acting class.
• 30:52
  Speaker 2: Oh, that's amazing.
• 30:53
  Speaker 1: Fell asleep. She was so nice. Her and Sidra are amazing.
• 30:58
  Speaker 4: That's amazing.
• 30:58
  Speaker 1: But anyway, back to Lanterns.
• 31:01
  Speaker 2: I think....
• 31:03
  Speaker 3: It feels like, and I hope they don't do this,
• 31:05
  Speaker 3: it feels like they're trying to make a way that
• 31:07
  Speaker 3: Hal gonna be in season two. And I feel like
• 31:09
  Speaker 3: you can't make the choice to kill him and continue him.
• 31:13
  Speaker 3: People are like, maybe he didn't even really die. I'm like, nah,
• 31:15
  Speaker 3: he died, y'all. And the ring is out of charge.
• 31:20
  Speaker 3: By the way, I need to make this point real
• 31:21
  Speaker 3: quick while you're thinking of this. Apple.
• 31:24
  Speaker 4: Apple.
• 31:25
  Speaker 1: You see how long that ring is going on 5%?
• 31:27
  Speaker 2: I was saying that too.
• 31:29
  Speaker 3: Get with them Green Lantern people because I know the.
• 31:32
  Speaker 1: Ring is an Android.
• 31:33
  Speaker 2: He was on 5%.
• 31:35
  Speaker 1: If the ring was an Apple product, that ring would
• 31:38
  Speaker 1: have been dead. Ain't no hologram.
• 31:40
  Speaker 4: It would have been dead as a cemetery.
• 31:41
  Speaker 1: Bingong.
• 31:42
  Speaker 4: As soon as he said, oh, the century. Man, what
• 31:44
  Speaker 4: the hell is going on? It would have been that quick.
• 31:49
  Speaker 4: The century would have been like, wait a minute.
• 31:50
  Speaker 1: Am I? Fuck. Fuck.
• 31:56
  Speaker 2: This has been the longest 5% I've ever seen.
• 31:58
  Speaker 3: The ring is an android. Both on the alien tip
• 32:04
  Speaker 3: and the operating system. Ain't no way Steve Jobs didn't
• 32:06
  Speaker 3: have nothing to do with that.
• 32:07
  Speaker 1: Man.
• 32:08
  Speaker 3: That 5% for three. The ring ain't never been fully charged.
• 32:11
  Speaker 3: That's the only thing Apple about it. It ain't never
• 32:13
  Speaker 3: been fully charged. They done plugged it in episode four.
• 32:16
  Speaker 3: Next time you got it.
• 32:19
  Speaker 2: Low charge. They could have sent three texts. The ring's
• 32:22
  Speaker 2: back to low.
• 32:24
  Speaker 4: That ring been hanging on, though.
• 32:27
  Speaker 2: Man.
• 32:27
  Speaker 4: Because I've noticed that, too. I'm like, yo, this ring's
• 32:29
  Speaker 4: still going strong.
• 32:30
  Speaker 1: Yes.
• 32:32
  Speaker 4: Is that partially because... They.
• 32:34
  Speaker 1: Need it for the plot, man.
• 32:36
  Speaker 4: Well, it's definitely a plot device.
• 32:38
  Speaker 2: But also, too, they incorporated that in because John can
• 32:41
  Speaker 2: keep stuff going with minimal ring use.
• 32:44
  Speaker 1: Yeah.
• 32:45
  Speaker 4: And so that allows it to.
• 32:47
  Speaker 1: Well, remember they said that.
• 32:51
  Speaker 1: John was keeping the hologram going with no ring at all.
• 32:54
  Speaker 2: Hologram.
• 32:55
  Speaker 4: Nice.
• 32:56
  Speaker 2: Hologram. The way that he had the bird going. Yeah.
• 32:59
  Speaker 1: Now he's just keeping... He's just conjuring this.
• 33:01
  Speaker 2: That's why you're getting more battery life.
• 33:04
  Speaker 1: Yeah, because he.
• 33:05
  Speaker 2: John is just... It'd be like if I could text
• 33:07
  Speaker 2: you without using my phone.
• 33:09
  Speaker 1: Yeah, he's just like.
• 33:10
  Speaker 4: Kev, I.
• 33:11
  Speaker 2: Take my turn at the pool.
• 33:13
  Speaker 1: Thought your phone was dead.
• 33:14
  Speaker 4: Nah, man, I'm doing this.
• 33:15
  Speaker 1: Kev, I'm on the way.
• 33:16
  Speaker 4: Yeah, on the way. I could just... Send that while
• 33:20
  Speaker 4: I'm driving.
• 33:21
  Speaker 1: Oh, my God.
• 33:23
  Speaker 3: But, yeah, I think there's some fan theories that John's
• 33:27
  Speaker 3: going to get the yellow ring from Sinestro and have
• 33:30
  Speaker 3: so much willpower that it go from yellow to green.
• 33:32
  Speaker 3: I don't even know if that's how rings work.
• 33:34
  Speaker 4: I don't know if they got time for that, though.
• 33:36
  Speaker 2: Well, they can't do it.
• 33:37
  Speaker 1: What's the compromise, man? I think they go close one
• 33:41
  Speaker 1: door and probably open two.
• 33:43
  Speaker 4: Because they got to open the Sinestro door fully.
• 33:46
  Speaker 3: Got to open up the Sinestro door. Because there really was,
• 33:49
  Speaker 3: I guess, honestly, Zoe was the villain for season one.
• 33:53
  Speaker 3: We didn't know that early, but we knew we was
• 33:55
  Speaker 3: looking for who shot how. And I guess that's the
• 33:57
  Speaker 3: second villain, so to speak. And then Sinestro broke out
• 34:01
  Speaker 3: of prison. He's on Oa, or wherever that planet was,
• 34:05
  Speaker 3: seeing Salty. So- I think they opened the door for Sinestro,
• 34:10
  Speaker 3: and he's like, come with me.
• 34:12
  Speaker 5: Or what if we find out that Hal let Sinestro out?
• 34:16
  Speaker 1: I think he did. That's what I'm saying, because you're
• 34:18
  Speaker 1: not breaking out of there, man. No. That's space command.
• 34:22
  Speaker 1: That's space command.
• 34:22
  Speaker 2: What's he been saying? He broke him out, didn't he?
• 34:25
  Speaker 1: Guy or Hal? Guy. Guy said Hal broke him out?
• 34:29
  Speaker 4: I thought that's what it was saying.
• 34:32
  Speaker 2: But then I was thinking, because I was like, yo,
• 34:35
  Speaker 2: if Hal broke him out, how did Hal get there?
• 34:37
  Speaker 4: With no ring.
• 34:40
  Speaker 2: Because remember, Hal didn't have the ring. Unless he broke
• 34:45
  Speaker 2: them out before him and John fought.
• 34:47
  Speaker 3: John socked him out. When Hal was in the rubble,
• 34:49
  Speaker 3: John took the ring. Hal never got it back.
• 34:52
  Speaker 4: To my knowledge, no.
• 34:53
  Speaker 1: He did 10 years in prison.
• 34:54
  Speaker 4: Because remember, he had to have Guy go get it.
• 34:58
  Speaker 1: He left it with the Guardian. Yeah. What about that
• 35:03
  Speaker 1: little black thing?
• 35:04
  Speaker 3: Maybe he used that little dark matter thing.
• 35:08
  Speaker 1: Maybe he just put that in the GPS. The Looney Tunes,
• 35:11
  Speaker 1: the Looney Tunes hole.
• 35:14
  Speaker 3: Maybe you can tell that hole where you want to go.
• 35:17
  Speaker 1: Like, hey man, take me to Spasska band. Because we
• 35:19
  Speaker 1: don't know how that works. Take me inside the... The cell. Yeah,
• 35:25
  Speaker 1: if you.
• 35:25
  Speaker 2: Could just travel around with the little Looney Tunes hold,
• 35:28
  Speaker 2: then the sky's the limit.
• 35:29
  Speaker 1: You know how convenient that would be?
• 35:30
  Speaker 2: Oh, my God.
• 35:32
  Speaker 1: Oh, my God.
• 35:33
  Speaker 4: I got to get something from the crib.
• 35:34
  Speaker 3: There you go.
• 35:39
  Speaker 4: I forgot my lip.
• 35:40
  Speaker 1: And I would be opening it up and putting my
• 35:42
  Speaker 1: hand in New Orleans.
• 35:43
  Speaker 2: Give me a shrimp parboil. Grabbing grits whole.
• 35:48
  Speaker 1: Listen. Let me go get a cat's deli sandwich real quick.
• 35:52
  Speaker 2: Hey, Kev, you're supposed to save the world with that. Yeah,
• 35:55
  Speaker 2: hold on, man. I got this cat's deli sandwich.
• 35:59
  Speaker 1: Have you tried this sandwich?
• 36:00
  Speaker 2: Hold on, hold on.
• 36:01
  Speaker 1: To die for. I mean, not, you know.
• 36:03
  Speaker 2: You know what I'm saying? I love Miami Cubans, man.
• 36:06
  Speaker 2: Cuban sandwich in Miami?
• 36:07
  Speaker 4: These are great.
• 36:09
  Speaker 1: The portal's only got 5% charge.
• 36:10
  Speaker 2: Yeah, hold on.
• 36:11
  Speaker 1: You got to try this piece of pizza out in Chicago.
• 36:13
  Speaker 1: It's called Italian Fiesta. What?
• 36:15
  Speaker 2: What? Get the Italian beef from Portillo. Quit. Not paying
• 36:21
  Speaker 2: for nothing. Just reaching in, grabbing at all people's plates.
• 36:25
  Speaker 3: I'm opening it, getting a scoop full of sangria from Spain.
• 36:29
  Speaker 3: You see a black hand in your restaurant.
• 36:32
  Speaker 2: What's that, man?
• 36:33
  Speaker 3: This is restaurant we went to in Spain one time.
• 36:36
  Speaker 3: I ain't got the points to get over that.
• 36:38
  Speaker 2: I'm coming here two-handed for the two-hand scoop.
• 36:41
  Speaker 3: Man.
• 36:43
  Speaker 1: You can get the crispy edge pancakes from Cracker Barrel.
• 36:45
  Speaker 4: I get it from anywhere.
• 36:46
  Speaker 3: The South Cracker Barrel. I firmly believe if your Cracker
• 36:49
  Speaker 3: Barrel ain't based in a racist county, the food ain't good.
• 36:53
  Speaker 3: That's why the Cracker Barrel's out here. There's not enough
• 36:56
  Speaker 3: racism in the soil.
• 36:57
  Speaker 4: Yeah, they're not as good this way. Arizona, though, is solid.
• 37:02
  Speaker 3: The more racist the state is, the better the.
• 37:07
  Speaker 2: Cracker Barrel tastes.
• 37:08
  Speaker 1: Big build the wall over there.
• 37:09
  Speaker 2: Yeah.
• 37:10
  Speaker 1: That's Maricopa County in Phoenix.
• 37:12
  Speaker 4: That's facts.
• 37:12
  Speaker 1: You got to have the crispy edges. It's what makes
• 37:14
  Speaker 1: the pancakes crispy. Yeah, that's their wall. Seasoned in racism. Absolutely.
• 37:19
  Speaker 4: The bigotry biscuits. The bigotry biscuits, though.
• 37:23
  Speaker 2: All right, man.
• 37:25
  Speaker 1: Let's move over.
• 37:27
  Speaker 4: The drop.
• 37:28
  Speaker 1: To the drop.
• 37:29
  Speaker 4: Episode three of the drop, man.
• 37:31
  Speaker 1: Episode three of the drop. Go ahead, Cole, kick us off.
• 37:33
  Speaker 4: So, Wanda's cousin, what's his name?
• 37:40
  Speaker 2: Lamar? Lamar. Yeah.
• 37:41
  Speaker 1: Right. So.
• 37:43
  Speaker 5: More.
• 37:44
  Speaker 3: More.
• 37:44
  Speaker 2: He liked the little beat he made, and his partner sidekick,
• 37:47
  Speaker 2: his Chad Hugo, was just like, yeah, man, you know
• 37:51
  Speaker 2: what I'm saying? We got him on this song. So
• 37:54
  Speaker 2: they trying to push that song to be the first
• 37:55
  Speaker 2: single for the record label. The record label is like, yo,
• 37:58
  Speaker 2: this is the one. Let's get it going. But he's
• 38:01
  Speaker 2: in his artistry bag. Ambitions of a rider. I want
• 38:06
  Speaker 2: to give him a different beat. So he trying to
• 38:09
  Speaker 2: sabotage the whole liftoff.
• 38:13
  Speaker 4: For the single. He's like, I don't want that to
• 38:15
  Speaker 4: be the lead single. We don't care.
• 38:17
  Speaker 2: This is how we getting the record deal. You can
• 38:20
  Speaker 2: make more beats. Let's just get our foot in the door.
• 38:23
  Speaker 2: Get this going. Your name is going to be out there.
• 38:25
  Speaker 2: We can get more beats.
• 38:26
  Speaker 4: I don't know why he is hell bent on, nah, man,
• 38:30
  Speaker 4: that can't be the lead single.
• 38:32
  Speaker 1: I am with you.
• 38:33
  Speaker 4: You're sabotaging the whole operation.
• 38:36
  Speaker 1: We ain't even got out the hood yet.
• 38:38
  Speaker 4: We ain't got nowhere.
• 38:40
  Speaker 2: You barely, you can't even live in your house because
• 38:43
  Speaker 2: your mom don't even want you doing music.
• 38:45
  Speaker 4: Just give me the goddamn beat. Let us get up
• 38:47
  Speaker 4: in here.
• 38:48
  Speaker 2: Tony's about to go on the TV.
• 38:49
  Speaker 4: Man, I'm just like, he was pissing me off.
• 38:52
  Speaker 1: To reach in the portal.
• 38:53
  Speaker 2: Especially everything they had to.
• 38:55
  Speaker 4: Do to get it going and they're definitely just pressing it.
• 38:57
  Speaker 2: What's his name? What's the rapper's name?
• 39:00
  Speaker 1: Artillery.
• 39:01
  Speaker 2: Artillery.
• 39:02
  Speaker 4: The cops are literally trying to kill this man.
• 39:04
  Speaker 1: Literally.
• 39:05
  Speaker 4: He is running for his life every episode.
• 39:07
  Speaker 1: And he ain't healed up. Get the damn song out, man.
• 39:11
  Speaker 4: He can't even get his wounds healed properly.
• 39:12
  Speaker 1: He won't even go to the photo shoot.
• 39:14
  Speaker 4: Every time he rapped, he started bleeding externally.
• 39:17
  Speaker 2: He'd be like, yeah, man. Oh, shit.
• 39:20
  Speaker 1: Head bobbing.
• 39:20
  Speaker 2: My shirt.
• 39:21
  Speaker 4: He'd been in the same dirty jacket. I don't even
• 39:23
  Speaker 4: know if he's bathed.
• 39:24
  Speaker 2: I don't know.
• 39:25
  Speaker 1: He'd been ducked off to the side.
• 39:28
  Speaker 2: He'd been running from the law.
• 39:30
  Speaker 4: Literally. They trying to take him out.
• 39:33
  Speaker 2: He's hopping fences.
• 39:34
  Speaker 3: I know that wound on his stomach opened up.
• 39:37
  Speaker 4: It's infected.
• 39:38
  Speaker 1: They hopped barbed wire. Everybody did.
• 39:41
  Speaker 4: He hopped that barbed wire smooth.
• 39:42
  Speaker 1: Him and the police. Nobody got caught.
• 39:44
  Speaker 2: Nobody shredded up. That was some fake barbed wire. Oh, yeah.
• 39:48
  Speaker 1: They jumped over that clean.
• 39:49
  Speaker 2: Yeah, it was clean.
• 39:50
  Speaker 1: No one shirt grabbed or nothing. No shred.
• 39:53
  Speaker 2: My whole hand was a still been on that fence.
• 39:55
  Speaker 2: I would have been handless in my rap videos, just nubs.
• 39:59
  Speaker 4: Give it up for nubs on Rap City, y'all. Yeah,
• 40:02
  Speaker 4: you know what I'm saying?
• 40:03
  Speaker 2: I can't even throw up my set in the hood.
• 40:05
  Speaker 1: It's the two nub commandment.
• 40:06
  Speaker 2: Man, throw your set up. Y'all know I'm nubbed out.
• 40:11
  Speaker 4: I'm just all arms. I gotta use my arms to
• 40:14
  Speaker 4: really write the letters.
• 40:15
  Speaker 1: Y'all know I'm nubbed out.
• 40:17
  Speaker 2: Y'all know I'm nubbed out, man. Come on, man. Stalk
• 40:20
  Speaker 2: me out.
• 40:20
  Speaker 1: Come on, you know.
• 40:22
  Speaker 2: Who I am. Throw your set up. I can't.
• 40:27
  Speaker 4: Now I gotta use my feet.
• 40:28
  Speaker 2: I can't.
• 40:30
  Speaker 4: I gotta take my chucks off.
• 40:32
  Speaker 2: But, so now... And what's his name? You know, he
• 40:38
  Speaker 2: kind of cooled off a little bit, but I know
• 40:39
  Speaker 2: he's still plotting on getting his revenge when they stomp
• 40:43
  Speaker 2: him out in his drawers.
• 40:43
  Speaker 1: He not letting that go.
• 40:45
  Speaker 3: And they, whoever he introduced as like the henchman of that,
• 40:48
  Speaker 3: they already introduced him.
• 40:49
  Speaker 1: He got to do something.
• 40:50
  Speaker 2: Oh, he's doing something.
• 40:51
  Speaker 3: You can't, Chekhov's gun implies that you cannot introduce somebody
• 40:56
  Speaker 3: who's known to do this stuff. And then he just,
• 40:59
  Speaker 3: you can't just forget about him. That show's too well-written
• 41:02
  Speaker 3: for them to be like.
• 41:03
  Speaker 1: You talking about Problems' character?
• 41:04
  Speaker 2: No, no, no. The dude who.
• 41:07
  Speaker 1: Remember the white lawyer was like.
• 41:09
  Speaker 4: He from Snowfall that Leon beat up.
• 41:10
  Speaker 2: Big up.
• 41:11
  Speaker 1: Oh, yeah, yeah. Oh, I remember that episode. Yeah.
• 41:14
  Speaker 2: Well, he was like... Lying, man.
• 41:16
  Speaker 3: He was like, man, big Dion. You shouldn't be doing that.
• 41:19
  Speaker 3: My client will help you. And he came in like,
• 41:20
  Speaker 3: what's good?
• 41:21
  Speaker 1: Yeah. And DG was like, yeah, I got a perm.
• 41:24
  Speaker 4: Yeah, because he's still going to get that gift back.
• 41:27
  Speaker 1: For sure.
• 41:28
  Speaker 4: He's still going to get that gift back.
• 41:29
  Speaker 1: Because that hood is in you.
• 41:31
  Speaker 4: It's in you, man.
• 41:32
  Speaker 2: And what's the name that... artillery's manager, Lighthouse.
• 41:37
  Speaker 1: Dara.
• 41:38
  Speaker 2: She be getting on my nerves, but I like her
• 41:40
  Speaker 2: at the same time.
• 41:41
  Speaker 1: Yeah, I feel like she's just out of her comfort zone.
• 41:44
  Speaker 4: Yeah, she out of the comfort zone.
• 41:45
  Speaker 2: She's still trying to figure everything out, but she's got
• 41:47
  Speaker 2: some integrity on the back end.
• 41:50
  Speaker 4: When Lamar came in there... trying to sidestep Wanda.
• 41:54
  Speaker 1: She redirected him right back.
• 41:56
  Speaker 2: She called her anyway, just to be on the up
• 41:58
  Speaker 2: and up. And I thought that was solid. He's over
• 42:00
  Speaker 2: there in the blue apartment.
• 42:01
  Speaker 1: Yeah. You know, and Wanda, I mean, Lamar's.
• 42:03
  Speaker 2: Like, no, no, no, no, no. She's like, I ain't
• 42:05
  Speaker 2: trying to hear you.
• 42:06
  Speaker 1: No.
• 42:06
  Speaker 4: I'm telling Wanda.
• 42:07
  Speaker 1: Let me tell you what I love about this show.
• 42:09
  Speaker 2: It's women-led. Yes.
• 42:11
  Speaker 1: Wanda is the lead.
• 42:13
  Speaker 3: Dara leads the Bloods, and the record label exec, even
• 42:17
  Speaker 3: though she's undermined, she is actually in charge.
• 42:20
  Speaker 1: She's the face. She's the face. You don't really get
• 42:22
  Speaker 1: shows that are women-led like that.
• 42:24
  Speaker 3: And then they are well aware of the problems that
• 42:26
  Speaker 3: come from, because DG just choked Wanda out.
• 42:29
  Speaker 1: Right.
• 42:30
  Speaker 2: Like, the violence is there.
• 42:31
  Speaker 1: For sure.
• 42:32
  Speaker 2: The record label people are undermining her.
• 42:35
  Speaker 3: Dara, she ain't really, she hasn't been in control of
• 42:39
  Speaker 3: her stuff yet. I haven't seen a way where she's like,
• 42:43
  Speaker 3: The Bloods respect her tough. They like, remember Buddy was,
• 42:46
  Speaker 3: I mean not Buddy, Artillery was like, nah, wait for Dara.
• 42:49
  Speaker 3: And she's the one that, like let them do the stomping.
• 42:52
  Speaker 3: I think that's really interesting for a show based on
• 42:55
  Speaker 3: what this is based off to like, we're going to
• 42:57
  Speaker 3: focus on these women and how their POV is. Cause
• 43:01
  Speaker 3: Leon was, was almost co-lead of Snowfall for a good.
• 43:06
  Speaker 1: Amount of it.
• 43:07
  Speaker 2: Right.
• 43:07
  Speaker 4: I feel like he kind of took a backseat to
• 43:09
  Speaker 4: Jerome and them.
• 43:10
  Speaker 2: Yeah. He was more prominent in the beginning. And even now,
• 43:13
  Speaker 2: like he, he steps in when he has to.
• 43:17
  Speaker 4: You know what I'm saying?
• 43:17
  Speaker 2: Like when Wanda needs him or he needs to smooth
• 43:19
  Speaker 2: something over, it's just like, So his presence is still there.
• 43:24
  Speaker 4: But, and then, you know, I really like James a lot.
• 43:28
  Speaker 2: Love James. James is probably my favorite character right now
• 43:33
  Speaker 2: because he just looking out for his little brother. He's
• 43:35
  Speaker 2: trying to do the right thing with Big Daddy or
• 43:38
  Speaker 2: what's his name?
• 43:39
  Speaker 1: Big Daddy, yeah. McElty Williamson, man.
• 43:40
  Speaker 4: Yeah, and he always brings it too.
• 43:42
  Speaker 2: He always, him?
• 43:45
  Speaker 3: Bokeem Woodbine, they gonna give it to you. Whatever you
• 43:49
  Speaker 3: need them to do, McKenzie Williamson, from Bubba to this,
• 43:53
  Speaker 3: you wouldn't even think.
• 43:53
  Speaker 1: That's the same actor.
• 43:54
  Speaker 2: Right, for sure.
• 43:55
  Speaker 3: He's so believable as this. That's what I like about James.
• 44:00
  Speaker 3: He's the only one that called Lamar out. He's like, man,
• 44:02
  Speaker 3: this dude is a narcissist.
• 44:04
  Speaker 2: He's ambitious.
• 44:05
  Speaker 1: Y'all let all that stuff go.
• 44:07
  Speaker 3: He knows exactly what he's doing. And his character, if
• 44:10
  Speaker 3: you think about it from what James said, he only
• 44:12
  Speaker 3: cares about him. He don't care what it costs Dara.
• 44:16
  Speaker 3: And honestly, he don't care about himself. That's why he
• 44:18
  Speaker 3: got socked out. That's why I was happy too.
• 44:20
  Speaker 2: I was so happy he got socked out by that
• 44:23
  Speaker 2: Jerry Curl dude.
• 44:25
  Speaker 1: Jason Martin socked him out.
• 44:26
  Speaker 2: I was like, you can't just roll up in the
• 44:28
  Speaker 2: spot and cut the music off.
• 44:30
  Speaker 1: It worked last time. This time he was lucky.
• 44:33
  Speaker 2: He got lucky that one time where he was like,
• 44:35
  Speaker 2: I can do this any time. He thought he was
• 44:37
  Speaker 2: going to relive the magic.
• 44:39
  Speaker 1: What?
• 44:40
  Speaker 4: Hell no. And he was like, hey, man, yeah, I
• 44:44
  Speaker 4: socked him. Nigga, no.
• 44:47
  Speaker 3: Hey, which one of y'all morgues hit my brother?
• 44:50
  Speaker 1: Me, nigga. It was so bad.
• 44:54
  Speaker 2: I did. What's happening, dude? I was like. I don't
• 44:58
  Speaker 2: need that.
• 44:59
  Speaker 5: Tony.
• 45:00
  Speaker 2: I need that.
• 45:01
  Speaker 3: Boy, I thank God I grew up on a military basis. Because, man,
• 45:06
  Speaker 3: can you imagine a nigga say, I need that. I
• 45:08
  Speaker 3: got to fight now.
• 45:10
  Speaker 4: You got to, though.
• 45:10
  Speaker 1: And he got slapped. And the nigga was like, y'all
• 45:13
  Speaker 1: go wake y'all homie up.
• 45:16
  Speaker 4: He was in there like.
• 45:18
  Speaker 3: Remember in the Turtles, you get knocked out, they have
• 45:21
  Speaker 3: the birds. Everybody in the house knows you got knocked out.
• 45:26
  Speaker 2: The cops that raided the crib had to wake him up.
• 45:31
  Speaker 4: Like, man, it's a raid.
• 45:32
  Speaker 2: It's a raid, huh? It's a raid, huh? Put your
• 45:36
  Speaker 2: hands behind your back. Wait, what year is it? Imagine
• 45:39
  Speaker 2: getting knocked out and you wake up to the fans.
• 45:41
  Speaker 2: You had a terrible night.
• 45:44
  Speaker 1: You woke up in handcuffs because of Lamar. Because Lamar turned.
• 45:48
  Speaker 2: The music off. And that's what I'm talking about. He's
• 45:51
  Speaker 2: going to end up getting his brother killed, man. Because
• 45:54
  Speaker 2: he's a solid big bro.
• 45:57
  Speaker 4: You know what I'm saying?
• 45:57
  Speaker 2: He just wants to take over the family business, make
• 46:00
  Speaker 2: this cat that looked out for him and his brother proud.
• 46:03
  Speaker 2: I like that dynamic right there. Lamar's just getting on
• 46:05
  Speaker 2: my goddamn nerves. Because you're just too soft to just
• 46:08
  Speaker 2: be moving like you're moving. I get your artistic integrity,
• 46:12
  Speaker 2: but you also got to respect the lane that you're in.
• 46:16
  Speaker 1: And they reminded him this is a violent world.
• 46:18
  Speaker 4: Yes.
• 46:19
  Speaker 1: And niggas don't care about your music, bro. They also
• 46:21
  Speaker 1: got out too quick for my liking. What you mean?
• 46:24
  Speaker 5: They got processed and bailed out way too quick.
• 46:27
  Speaker 2: Me too.
• 46:28
  Speaker 1: I thought James was finna be in. Yes. Like, I
• 46:31
  Speaker 1: thought that was like, oh, this is Ramar's cross the bear.
• 46:34
  Speaker 4: I know somebody had to connect. Leon had to connect.
• 46:37
  Speaker 4: Leon had to connect.
• 46:38
  Speaker 2: Leon pulled some strings.
• 46:39
  Speaker 1: Didn't the lawyer come? Yeah, Leon, one of the ones
• 46:42
  Speaker 1: he was talking to earlier.
• 46:43
  Speaker 2: Yeah, he's plugged into that because, you know, he's been
• 46:45
  Speaker 2: trying to make a difference in the community.
• 46:47
  Speaker 1: How much bread Leon got right now?
• 46:48
  Speaker 4: Well, he had three million at the end of Snowfall.
• 46:52
  Speaker 3: And this is 90-something bread.
• 46:53
  Speaker 2: Because Franklin was like, give me the money. And Leon
• 46:57
  Speaker 2: was like, I got about three million. Let me get that.
• 47:00
  Speaker 2: And he denied him. He gave him like 750 or
• 47:02
  Speaker 2: he might even gave him.
• 47:06
  Speaker 4: He gave him like some cash, but he wasn't giving
• 47:08
  Speaker 4: all he had.
• 47:09
  Speaker 2: Not the three.
• 47:09
  Speaker 1: Let me get that. He wasn't getting the full three.
• 47:11
  Speaker 1: And three million, even two million in- I.
• 47:13
  Speaker 2: Would have gave you one.
• 47:15
  Speaker 1: One of the three?
• 47:16
  Speaker 2: I would have gave Franklin one million. Based on everything-
• 47:20
  Speaker 2: If I had three, knowing how he was moving, I
• 47:24
  Speaker 2: can't give you all of them.
• 47:25
  Speaker 1: No, because I'm never going to see it again.
• 47:26
  Speaker 4: But given that I have this because of you, I'm
• 47:28
  Speaker 4: giving you one million.
• 47:29
  Speaker 1: For sure.
• 47:30
  Speaker 4: Not because- Not because, oh, I'm up now.
• 47:33
  Speaker 2: Fuck you. It's just I know.
• 47:34
  Speaker 1: I'm never getting that bread back.
• 47:36
  Speaker 4: This ain't going to end well.
• 47:37
  Speaker 1: And in order to get it back.
• 47:38
  Speaker 4: And I'd be a fool to give you the whole three.
• 47:41
  Speaker 1: Everything that happened to me, I deserve if I hand
• 47:43
  Speaker 1: you over $ 3 million.
• 47:44
  Speaker 2: Right.
• 47:45
  Speaker 1: That I know I can't give back. Leon can't go
• 47:46
  Speaker 1: work at Tam's Burgers, can he?
• 47:47
  Speaker 2: Hell no. So he had some bread tucked away. And
• 47:53
  Speaker 2: I'm not sure what kind of earnings that he had
• 47:56
  Speaker 2: since then. But he ain't broke. Nah, he ain't broke.
• 48:00
  Speaker 4: He got that nice apartment.
• 48:01
  Speaker 1: He's good.
• 48:02
  Speaker 4: Yeah, he's good. But I really like, I'm.
• 48:05
  Speaker 2: Interested to see the James dynamic play out. But his brother,
• 48:11
  Speaker 2: he better not get on my nerves in episode four.
• 48:13
  Speaker 2: Turn the masters in, little nigga.
• 48:15
  Speaker 4: Turn it in, man.
• 48:16
  Speaker 2: DG was like. I'm glad DG went in there and
• 48:18
  Speaker 2: was like, give me the goddamn masters, dog.
• 48:20
  Speaker 1: What the hell you think you.
• 48:22
  Speaker 4: Talking about, man?
• 48:23
  Speaker 2: He like, man, you told him where I had to hit.
• 48:25
  Speaker 2: If I was one, I was like, yeah! Yeah, I
• 48:28
  Speaker 2: told them where you had the masters hidden, man.
• 48:30
  Speaker 1: Sam Jackson. I've been like, I'll do it again.
• 48:33
  Speaker 2: I'll do it again.
• 48:34
  Speaker 4: You were silly with it, man.
• 48:35
  Speaker 1: Yeah, you were.
• 48:36
  Speaker 4: We're trying to get our foot in the door at
• 48:37
  Speaker 4: this label. They don't believe in me. Sure.
• 48:40
  Speaker 2: This woman up here got my, but you don't know
• 48:41
  Speaker 2: what we be doing behind the scenes.
• 48:44
  Speaker 3: Literally.
• 48:44
  Speaker 2: Why are you cooking up the beat?
• 48:46
  Speaker 3: And all you're doing is making the beat, man. Artillery
• 48:50
  Speaker 3: not coming to the photo shoot. The radio, like, we
• 48:53
  Speaker 3: got one shot, nigga, and you playing. You talking about
• 48:55
  Speaker 3: your dreams in the mix. Man, watch out, man.
• 48:59
  Speaker 2: Just make us another mix. You do know albums are
• 49:04
  Speaker 2: made up of various songs, right?
• 49:07
  Speaker 1: Absolutely.
• 49:09
  Speaker 2: You can have that song on there and this other
• 49:12
  Speaker 2: one that you dying to make.
• 49:13
  Speaker 4: That can be tracked too, dummy.
• 49:15
  Speaker 3: But I love that though because I think Lamar is
• 49:20
  Speaker 3: written to make us uncomfortable because he... I think he's
• 49:25
  Speaker 3: written like that to show how hard it is to
• 49:28
  Speaker 3: be artistic in that world of the gang world and
• 49:32
  Speaker 3: also in the record label world. They about money too.
• 49:36
  Speaker 3: They not caring about the artistry. How many artists we
• 49:39
  Speaker 3: follow who are mad at their agent, mad at their manager,
• 49:41
  Speaker 3: you put the wrong song on. Like, they real mercurial
• 49:45
  Speaker 3: about their stuff. He is the same. And so is Artillery.
• 49:49
  Speaker 3: You know, he didn't go to the photo shoot because
• 49:50
  Speaker 3: he was like, this is going to be whack. I
• 49:52
  Speaker 3: assume they didn't really say why he didn't go. But
• 49:54
  Speaker 3: I think he's written to show how annoying artists can
• 49:58
  Speaker 3: be that are very particular about stuff. And he's just like.
• 50:02
  Speaker 3: I think he has written for us to be happy
• 50:04
  Speaker 3: that he got socked out. Because when he got socked,
• 50:06
  Speaker 3: I was like.
• 50:07
  Speaker 2: But it's too early.
• 50:08
  Speaker 4: He didn't even get played yet.
• 50:10
  Speaker 2: I know.
• 50:10
  Speaker 1: That's what I'm saying.
• 50:11
  Speaker 4: You know what I'm saying?
• 50:13
  Speaker 2: He was able to cook up a beat, and they
• 50:14
  Speaker 2: played it in the blood house, and everything clicked. Yeah.
• 50:17
  Speaker 2: And I've been like, all right, let that click a
• 50:19
  Speaker 2: little bit more. I got something else on the back end.
• 50:22
  Speaker 2: When that single gets put out and it dries.
• 50:25
  Speaker 4: Out, this.
• 50:27
  Speaker 1: Okay, but what about this?
• 50:29
  Speaker 3: You telling a joke you don't really feel and they
• 50:31
  Speaker 3: loving it. What's that joke for the Ball Brothers that
• 50:33
  Speaker 3: went viral and you was like, uh, black church, white church,
• 50:39
  Speaker 3: black church dude went crazy viral.
• 50:44
  Speaker 2: Oh, yeah, the stuff that was going viral. The stuff
• 50:46
  Speaker 2: that was going.
• 50:46
  Speaker 3: Viral was never the stuff that we thought was funny.
• 50:49
  Speaker 3: So imagine the record label was like, yo, we putting
• 50:51
  Speaker 3: this joke on Netflix. And we're like, nah, man, I
• 50:54
  Speaker 3: got all these other jokes. They was like, nah, the
• 50:56
  Speaker 3: one that you didn't put no work into, it was
• 50:58
  Speaker 3: just great for the algorithm.
• 51:00
  Speaker 2: That's Lamar.
• 51:02
  Speaker 4: But he put work into that beat.
• 51:04
  Speaker 1: No, I know that. You could say we put work
• 51:06
  Speaker 1: into the Ball Brothers.
• 51:07
  Speaker 2: But it was just in the moment. It was just like, yeah,
• 51:10
  Speaker 2: that was just something I threw. I guess he's looking
• 51:13
  Speaker 2: at it like, that's something I just threw together or just.
• 51:15
  Speaker 3: Said on the whim. And that's going viral. Your real material,
• 51:20
  Speaker 3: the stuff you done tried and true.
• 51:22
  Speaker 4: Can be included in the Netflix special.
• 51:24
  Speaker 1: No, this is it. You don't know you're getting no album.
• 51:29
  Speaker 1: Right now, Lamar, no, he don't know. He don't know.
• 51:32
  Speaker 1: He might think this.
• 51:32
  Speaker 3: Because remember, it's all riding on this. If this is whack,
• 51:36
  Speaker 3: you don't get another chance. So he's thinking this all
• 51:40
  Speaker 3: I ever be known for is the equivalent to you
• 51:42
  Speaker 3: and I being known for a joke we don't even
• 51:44
  Speaker 3: care about.
• 51:45
  Speaker 2: So he's thinking of it like, all right, if they
• 51:49
  Speaker 2: put out the ambitions of a rider, I assume that's
• 51:53
  Speaker 2: the name of that first song. Yeah, yeah, yeah.
• 51:55
  Speaker 4: Then, as a producer, he's going to get stuck in that.
• 51:58
  Speaker 2: Bingo.
• 51:58
  Speaker 4: He don't want to get stuck in that.
• 51:59
  Speaker 3: So imagine if you feel like everything that goes viral
• 52:02
  Speaker 3: is going to always be that same thing that you
• 52:04
  Speaker 3: note on.
• 52:04
  Speaker 2: Ambitions of a writer, man. Ambitions of a writer.
• 52:07
  Speaker 4: Nah, I got other stuff.
• 52:08
  Speaker 1: Nah, man.
• 52:09
  Speaker 2: Ambitions of a writer.
• 52:10
  Speaker 1: That's how he feels. Because it's like, I love stand-up.
• 52:17
  Speaker 3: If it was just like, man, we want you to do,
• 52:19
  Speaker 3: I saw this on the internet, on Netflix, just exactly
• 52:21
  Speaker 3: how you do it on your phone.
• 52:22
  Speaker 1: I'm like, no, I want to make movies.
• 52:23
  Speaker 3: Let me do the buddy comedy with Tone. Nah, man, nigga,
• 52:26
  Speaker 3: I said I saw this on the internet. Pull the tweet,
• 52:29
  Speaker 3: little nigga. Then I'd be like, nah, come on, man.
• 52:33
  Speaker 3: I got so much more. I feel like that's how
• 52:35
  Speaker 3: Lamar is. And when you're in your mind like that,
• 52:39
  Speaker 3: you can't.
• 52:40
  Speaker 2: You can't get it out.
• 52:42
  Speaker 4: I can see that now.
• 52:43
  Speaker 1: And you are annoying everybody.
• 52:45
  Speaker 2: Oh, he's big annoying. Because it is a good song.
• 52:47
  Speaker 2: And you just loved it two episodes. He was just
• 52:49
  Speaker 2: proud of it. That's what's pissing me off, though. He
• 52:52
  Speaker 2: was just proud of that damn song. He put it on.
• 52:55
  Speaker 2: He saw the bloods in there.
• 52:56
  Speaker 4: He was like, oh, this is it, y'all.
• 52:59
  Speaker 2: Yeah.
• 52:59
  Speaker 1: I love how DG was like, nigga, you're not using
• 53:01
  Speaker 1: this stuff.
• 53:02
  Speaker 2: You don't turn that stuff in.
• 53:02
  Speaker 1: What you think this is? Yeah. He was in it
• 53:04
  Speaker 1: like all the boards and stuff. Hell no, man.
• 53:06
  Speaker 3: I love that.
• 53:07
  Speaker 1: No.
• 53:07
  Speaker 2: He getting too comfortable too quick. This is work, man.
• 53:10
  Speaker 1: Yeah. Yep. All right.
• 53:12
  Speaker 3: So next week, the finale of Lanterns. What the hell
• 53:15
  Speaker 3: we going to do if we only got one thing
• 53:16
  Speaker 3: to cover?
• 53:17
  Speaker 4: Well, the lanterns is going to go away. We still
• 53:19
  Speaker 4: got the drop.
• 53:20
  Speaker 3: Yeah.
• 53:21
  Speaker 1: Well, drop will be good. We can move to first position.
• 53:23
  Speaker 1: But what are we going to do for the back half?
• 53:25
  Speaker 4: Do we do a different world? I'm not really interested
• 53:28
  Speaker 4: in that show.
• 53:30
  Speaker 2: Damn. Did you watch any of it?
• 53:33
  Speaker 4: I don't be rolling up on remakes, man. I still
• 53:36
  Speaker 4: haven't seen Bel-Air.
• 53:38
  Speaker 2: Really?
• 53:39
  Speaker 4: I never pulled up.
• 53:41
  Speaker 2: That don't feel like a remake.
• 53:44
  Speaker 4: It feels like its own thing.
• 53:45
  Speaker 1: It feels like its own thing.
• 53:46
  Speaker 4: I never pulled up, man.
• 53:47
  Speaker 1: Really? Not even season one?
• 53:49
  Speaker 4: I ain't seen nothing.
• 53:51
  Speaker 1: Dang. Well, the Chris Bobby Pats movie's out.
• 53:57
  Speaker 2: Oh, Robert Pattinson?
• 53:58
  Speaker 1: The Chris Hansen movie.
• 53:59
  Speaker 2: Primetime.
• 54:01
  Speaker 1: Primetime, Average Joe. Average Joe's a lot of episodes though.
• 54:04
  Speaker 4: Average Joe. I did start watching Average Joe. Mobland is back.
• 54:08
  Speaker 1: When?
• 54:09
  Speaker 4: It's back already.
• 54:10
  Speaker 1: It just started.
• 54:10
  Speaker 4: So I think the second episode should be up now.
• 54:13
  Speaker 1: Oh!
• 54:13
  Speaker 2: Let's watch that one.
• 54:14
  Speaker 4: So Mobland is back. I didn't know Mobland was back.
• 54:16
  Speaker 1: I'm in it at this point.
• 54:17
  Speaker 2: We can do Mobland.
• 54:18
  Speaker 1: When did Mobland come back?
• 54:20
  Speaker 2: Like recently. Yeah, like last week.
• 54:22
  Speaker 1: Tom Hardy. We talking about Tom Hardy.
• 54:23
  Speaker 4: Tom Hardy, Helen Mirren, Pierce Brosnan, they all back.
• 54:26
  Speaker 1: Man, that was my show.
• 54:27
  Speaker 4: Yeah, that's back.
• 54:29
  Speaker 1: Okay. Wait, are we TV? Are we TV now?
• 54:34
  Speaker 2: I mean... There's more TV than movies. Yeah, movies are.
• 54:37
  Speaker 1: Movies are not coming out like that.
• 54:39
  Speaker 2: Play it out.
• 54:40
  Speaker 1: What do you mean? This is a great year for movies. No, no,
• 54:42
  Speaker 1: I mean.
• 54:43
  Speaker 4: They're coming out. Like, this weekend, it was Avengers Endgame
• 54:46
  Speaker 4: got re-released.
• 54:47
  Speaker 2: Primetime. Primetime, yeah.
• 54:49
  Speaker 1: You don't watch Endgame?
• 54:50
  Speaker 2: The movie with Brad Pitt and his dog.
• 54:52
  Speaker 1: Ugh.
• 54:53
  Speaker 2: I have no desire. What was that, Beast of Dog
• 54:56
  Speaker 2: or whatever? Beast of Bird or whatever.
• 54:57
  Speaker 1: Oh, yeah, I'm good. I said, man, what?
• 54:58
  Speaker 2: That's out.
• 54:59
  Speaker 1: I feel like I saw that movie already, and I
• 55:01
  Speaker 1: haven't seen that. Yeah. As soon as I saw the
• 55:03
  Speaker 1: poster and the trailer, I was like, man.
• 55:05
  Speaker 3: Move, man.
• 55:06
  Speaker 2: That's one of them good, feel-good white man and his
• 55:08
  Speaker 2: dog movies.
• 55:08
  Speaker 1: Man, watch out.
• 55:10
  Speaker 3: I don't care about that. I do want to see
• 55:12
  Speaker 3: the Anne Hathaway scary movie, though.
• 55:15
  Speaker 1: That's coming out this weekend. Okay, and we go after
• 55:17
  Speaker 1: Bobby Pats.
• 55:19
  Speaker 2: Robert Pattinson's movie is out. That made about $ 19 million
• 55:22
  Speaker 2: over the weekend.
• 55:23
  Speaker 1: Really? Yeah.
• 55:24
  Speaker 2: The Dog movie made about $ 20. The Herb movie didn't
• 55:27
  Speaker 2: do good. The Avengers Endgame was $ 26.
• 55:28
  Speaker 3: Huh?
• 55:28
  Speaker 1: The movie with Herb didn't do good. It's not Endgame.
• 55:30
  Speaker 1: What's it called?
• 55:31
  Speaker 2: Encore. Encore. Avengers Encore. What is it?
• 55:34
  Speaker 1: Avengers with some extra scenes?
• 55:35
  Speaker 4: They got like four minutes of extra stuff.
• 55:37
  Speaker 2: What the hell?
• 55:38
  Speaker 1: Why did I think of that? Why did I think
• 55:40
  Speaker 1: it was Doomsday? Is that next year? No, no, that's Christmas.
• 55:44
  Speaker 2: Oh. Yeah, it's Christmas.
• 55:45
  Speaker 1: That's what I thought we were talking about.
• 55:47
  Speaker 2: So they re-released it for that.
• 55:49
  Speaker 4: They did 26 million this weekend.
• 55:51
  Speaker 1: With four minutes in it? Yeah.
• 55:53
  Speaker 4: Because people want to see that again in theaters, though.
• 55:56
  Speaker 1: Wow.
• 55:57
  Speaker 2: Because that was still one of the best movie experiences
• 56:00
  Speaker 2: I've ever had.
• 56:01
  Speaker 4: Oh, all time. Was going to see Endgame.
• 56:04
  Speaker 3: 26 million on something that you already made?
• 56:07
  Speaker 2: That's just domestically. So it's just adding to the total
• 56:10
  Speaker 2: box office that they were already sitting on. But the
• 56:14
  Speaker 2: top five were, I took a pick because I was
• 56:16
  Speaker 2: going to do it. Because I haven't done the videos
• 56:18
  Speaker 2: in a while. Box office nerd. Box office nerd here.
• 56:22
  Speaker 2: Box office nerd here. 26 million Avengers Endgame. Resident Evil
• 56:26
  Speaker 2: was number two with 23.3.
• 56:28
  Speaker 1: Beast.
• 56:29
  Speaker 4: The Heart of the Beast with Brad Pitt. There it goes.
• 56:31
  Speaker 2: It's 20 million. I said the Beast of the Dome.
• 56:33
  Speaker 2: It's something Beast is burning. Whatever. Primetime with Robert Pattinson, 19.1,
• 56:38
  Speaker 2: and Forgotten Island is 12.8.
• 56:39
  Speaker 4: That's the one.
• 56:41
  Speaker 1: That was $ 80 million budget.
• 56:42
  Speaker 4: Yeah, they taking the L.
• 56:43
  Speaker 2: The reviews have been great, but what do you think
• 56:47
  Speaker 2: is happening? It's just animated. Animated is not an easy
• 56:51
  Speaker 2: sell like it used to be.
• 56:53
  Speaker 1: Yeah, I feel like there was a time where you was.
• 56:55
  Speaker 3: Animated Pixar, DreamWorks, How to Train a Dragon.
• 56:59
  Speaker 2: It was like... Whatever you have.
• 57:02
  Speaker 1: We was going.
• 57:03
  Speaker 2: Now for a new piece of animation that's not a sequel?
• 57:08
  Speaker 4: They be like, I don't know, man, I don't know.
• 57:10
  Speaker 2: Then they gotta just gradually, because the reviews have been great.
• 57:15
  Speaker 4: And it's Filipino-based. And the promo was crazy.
• 57:18
  Speaker 2: When I went to AMC to see Your Mother, Your Mother,
• 57:21
  Speaker 2: they had the promo for Forgotten Island all over the
• 57:24
  Speaker 2: elevator and the parking structure. They was like, promo, promo.
• 57:28
  Speaker 4: But 12.8 million. They're going to be like, even that
• 57:33
  Speaker 4: Brad Pitt movie is $ 80 million.
• 57:35
  Speaker 2: Budget?
• 57:36
  Speaker 3: Yeah.
• 57:36
  Speaker 1: And you said it had how much?
• 57:37
  Speaker 4: It made $ 20 domestically.
• 57:40
  Speaker 1: How much did he take from that?
• 57:42
  Speaker 4: Brad Pitt probably got $ 20.
• 57:43
  Speaker 1: Golly, man.
• 57:45
  Speaker 2: And I don't know if it's under his plan B
• 57:48
  Speaker 2: production company or not, so he could also be a producer,
• 57:52
  Speaker 2: but I'm not sure.
• 57:53
  Speaker 3: You want Coming of Age? Never Have I Ever on Netflix.
• 57:57
  Speaker 3: You were absolutely right about it.
• 57:58
  Speaker 2: Coming of Age.
• 58:00
  Speaker 1: Coming of Age with brown girls as the leads.
• 58:04
  Speaker 2: That's a real movie?
• 58:05
  Speaker 1: Yeah. No, it was called Best of the Best. The
• 58:08
  Speaker 1: girl from Never Have I Ever was the lead.
• 58:10
  Speaker 4: On the verge.
• 58:11
  Speaker 1: Yeah, I watched it. Hasan Minhaj is in it.
• 58:13
  Speaker 2: Coming of Age?
• 58:14
  Speaker 1: Coming of Age. You said it was good, Kev. Yeah,
• 58:16
  Speaker 1: it was solid. It was like Pitch Perfect meets.
• 58:21
  Speaker 1: Indian and Pakistani communities.
• 58:23
  Speaker 2: Oh, okay.
• 58:24
  Speaker 3: Yeah. It was like Bollywood fusion dance. It was funnier
• 58:27
  Speaker 3: than I thought.
• 58:28
  Speaker 4: Okay.
• 58:29
  Speaker 1: I was like, oh, this is funny.
• 58:30
  Speaker 2: Yeah.
• 58:32
  Speaker 1: They got some jokes off in there.
• 58:33
  Speaker 3: Okay.
• 58:33
  Speaker 2: Yeah, it was solid.
• 58:35
  Speaker 1: Bad day.
• 58:35
  Speaker 3: All right.
• 58:37
  Speaker 1: Ball Brothers, Eddie Murphy next up. God bless you.
• 58:39
  Speaker 4: Eddie Murphy deep dive.
• 58:41
  Speaker 2: Eddie Murphy deep dive.