Latest / Vanity Farah with Chris Farah / Love After Lockup: 711 "My Ex's Cellmate"

Transcript

Love After Lockup: 711 "My Ex's Cellmate" · Vanity Farah with Chris Farah

• 0:02
  Speaker 1: Hello, everyone, Welcome back to Vanaby Farah. My name is
• 0:05
  Speaker 1: Chris Farah, and I'm excited to talk to you about
• 0:08
  Speaker 1: Love after lock Up.
• 0:09
  Speaker 2: It's episode seven eleven.
• 0:11
  Speaker 1: Honey, just go and get some pizza rolls maybe after
• 0:15
  Speaker 1: Definitely a slushie. Definitely a slurpy, a red slurpy. Anyway,
• 0:21
  Speaker 1: I'm so excited to talk to you about Love after Lockup.
• 0:24
  Speaker 1: I'm enjoying the season so far. There's a lot of
• 0:26
  Speaker 1: hot people and that's what I want. Hot people.
• 0:29
  Speaker 2: And yeah, like I mean, jesus, I'm into some of
• 0:32
  Speaker 2: Michael's ho.
• 0:35
  Speaker 3: Ho ha, like I mean, come on, okay please honey, boooo.
• 0:49
  Speaker 2: Okay.
• 0:49
  Speaker 1: Anyways, I'm just going to massage my hands over and
• 0:52
  Speaker 1: over again, not because I'm talking about him, mostly because
• 0:54
  Speaker 1: I've decided I can make some sort of living being
• 0:56
  Speaker 1: a hand model if I can get these cuticles in control.
• 0:59
  Speaker 1: It's you know, it's a daily struggle. Let's start with well,
• 1:04
  Speaker 1: first of all, super excited to talk about them. Here
• 1:06
  Speaker 1: they are the cast of Love After lock Up. I'm
• 1:08
  Speaker 1: showing a picture. But let's move to our thropple of
• 1:13
  Speaker 1: this episode and this show, because of course, there's also
• 1:17
  Speaker 1: this is Polly and I bring that up because they
• 1:19
  Speaker 1: introduced us to Trent and Nita but also Cammi on
• 1:26
  Speaker 1: Love After Lock Up, and I think we're never going
• 1:29
  Speaker 1: to see him again. That was just to get a
• 1:30
  Speaker 1: little taste of them, and they of course holding down
• 1:35
  Speaker 1: This is Polly. If you're listening, uh, and to my
• 1:38
  Speaker 1: recaps or if you're watching, you should of course watch
• 1:40
  Speaker 1: the show because my recaps are not as funny if
• 1:42
  Speaker 1: you don't know what I'm talking about. But also I
• 1:45
  Speaker 1: don't know you do you? I will take money whatever
• 1:48
  Speaker 1: I can hand modeling you just listening to that, But
• 1:51
  Speaker 1: let's talk about it, because obviously I'm enjoying This is
• 1:54
  Speaker 1: Polly and we have a thrapple that really want to
• 1:58
  Speaker 1: be on that show.
• 1:59
  Speaker 2: And I mean at least a guy who really would
• 2:01
  Speaker 2: love to be. You know, let's say the other yahweh,
• 2:05
  Speaker 2: and the Yahweh of course is on This is Polly.
• 2:08
  Speaker 2: You know, because he wants multiple women. Demand wants Goddess
• 2:12
  Speaker 2: and Benita to hold down in a polycule and all
• 2:16
  Speaker 2: be happy about it and just be one big, happy family. Okay,
• 2:20
  Speaker 2: that's what he wants. And at some points you're like,
• 2:24
  Speaker 2: you know, I believe him and I feel like, is
• 2:27
  Speaker 2: that that bad? They want me to hate him. I don't.
• 2:31
  Speaker 2: I don't listen. I don't hate him.
• 2:33
  Speaker 1: I know that he's doing this thing that's wrong for women,
• 2:35
  Speaker 1: and I should be like, oh, he's not, you know,
• 2:36
  Speaker 1: doing it right.
• 2:37
  Speaker 2: But there's also a part of me that feels like,
• 2:39
  Speaker 2: I don't know. These women are gonna mind.
• 2:42
  Speaker 1: I mean, Bonita's gonna mind on the surface, but if
• 2:44
  Speaker 1: Bonita really thought about how much time it would be
• 2:46
  Speaker 1: off of her hands, because dealing with Dior, then she
• 2:49
  Speaker 1: gets to have demand when she wants, but also she
• 2:50
  Speaker 1: has time to like grow her steady business with Penis
• 2:53
  Speaker 1: Cakes Penis Waffles with the cream inside. Like she needs
• 2:56
  Speaker 1: time to do all that because she's doing quite well,
• 2:58
  Speaker 1: and maybe she'd be happy to just have like him
• 3:00
  Speaker 1: pay for everything, which he absolutely should, but also hold
• 3:02
  Speaker 1: down Goddess too, honey, I mean listen, and both of
• 3:04
  Speaker 1: them want.
• 3:05
  Speaker 2: A soft life.
• 3:06
  Speaker 1: Both ladies are like this, I want to not work,
• 3:08
  Speaker 1: and you better install TVs for me on the wall.
• 3:13
  Speaker 1: On the wall, we're back in Baltimore. Obviously, we had
• 3:17
  Speaker 1: met Goddess's mom in a previous episode, but as we
• 3:21
  Speaker 1: also know, let's go back to business. Demand has told
• 3:25
  Speaker 1: Gigi slash Goddess that he's.
• 3:27
  Speaker 2: Getting out han on Monday.
• 3:30
  Speaker 1: He's going to go pick her up from like the
• 3:33
  Speaker 1: actual release day of his like you know, years long since,
• 3:36
  Speaker 1: and then they're gonna have like, you know, one night
• 3:39
  Speaker 1: of just pure bliss where it's only him and her
• 3:42
  Speaker 1: and there's not any other sort of distraction, and the
• 3:46
  Speaker 1: distraction could be Benita, who.
• 3:48
  Speaker 2: He has a whole ass child with.
• 3:49
  Speaker 1: However, at the same time, you know, this is how
• 3:52
  Speaker 1: it has to go, because Benita been knowing him longer
• 3:54
  Speaker 1: and will know when he's up to no fucking good
• 3:56
  Speaker 1: or Unfortunately, Gigi slash Goddess is still underneath like the
• 4:00
  Speaker 1: false jail talk digmatization of who we only also.
• 4:05
  Speaker 2: Can call mumu. That's what we call them when we're
• 4:08
  Speaker 2: just Josh and with him.
• 4:10
  Speaker 1: Okay, So in Baltimore, as we know, uh, Gigi's mom,
• 4:15
  Speaker 1: Natise is like a horse woman. She fucking will ride
• 4:20
  Speaker 1: a horse, will teach you how to ride a horse, horses,
• 4:23
  Speaker 1: love her horses. You know, she's she does it well.
• 4:27
  Speaker 1: She like puts Bella Hadid to shame and all that,
• 4:30
  Speaker 1: all those generous all the equestrian bullshit like she is, honey,
• 4:34
  Speaker 1: I mean doing dressage because she like knows how to
• 4:36
  Speaker 1: ride a horse.
• 4:37
  Speaker 2: See what I'm saying when I'm putting down.
• 4:39
  Speaker 1: So obviously, as we know, Goddess has sped over to
• 4:43
  Speaker 1: pick Moo Moo up because even though that he told
• 4:46
  Speaker 1: her he was going to be out at one time,
• 4:47
  Speaker 1: she decided to, like wait the laddiest last minute. I
• 4:50
  Speaker 1: think it's because she either has ADHD and it's hard
• 4:52
  Speaker 1: for her to make transitions, or she got too high.
• 4:54
  Speaker 1: Both happened because she got nervous. Anyway, God bless, so
• 4:57
  Speaker 1: she does pick them up, and she's kind of late. However,
• 4:59
  Speaker 1: we also find out her has just been waiting there
• 5:01
  Speaker 1: being like where the fuck is this girl just on
• 5:02
  Speaker 1: a goddamn horse. So sorry, but at the same time hilarious.
• 5:06
  Speaker 1: So Gigi picks up, you know, demon and he has
• 5:09
  Speaker 1: that bag full of like pictures of both ladies and
• 5:11
  Speaker 1: he's like, you can't look in this bag. And then
• 5:13
  Speaker 1: he comes out in a man bun and she is
• 5:14
  Speaker 1: like all over him and her like two piece of
• 5:16
  Speaker 1: wed red sweatshirt.
• 5:17
  Speaker 2: She looks so cute.
• 5:18
  Speaker 1: She jumps on him, and then just as they're about
• 5:21
  Speaker 1: to like you know, he's grabbing her ask up. Blessed
• 5:23
  Speaker 1: Na Teas just comes charging in on that horse. I mean,
• 5:26
  Speaker 1: and that horse is like ice white with blue ass eyes,
• 5:30
  Speaker 1: you know, like it really does look like my little
• 5:32
  Speaker 1: pony without any sort of fun branding yet on it,
• 5:35
  Speaker 1: you know what I'm saying. So he also describes it
• 5:39
  Speaker 1: as turquoise unicorn, like a turquoise unicorn is looking all
• 5:42
  Speaker 1: crazy like he has something on his mind, which is
• 5:47
  Speaker 1: not entirely not accurate. He's white, but turquoise is hilarious
• 5:55
  Speaker 1: because there was a certain majestic quality of this horse. Also, yeah,
• 6:00
  Speaker 1: that horse had read the mom's mind and been like
• 6:06
  Speaker 1: this one. You want me to fuck up this one?
• 6:08
  Speaker 1: Whatever you want, queen lady writer, you know. So however,
• 6:17
  Speaker 1: we have to really just lean into the fact that
• 6:19
  Speaker 1: Natise also must see the natural charm of Mumoo immediately
• 6:23
  Speaker 1: because Mumou is charming hot, also has like, you know,
• 6:25
  Speaker 1: a lot of confidence, and he's hilarious.
• 6:29
  Speaker 2: He says, I.
• 6:30
  Speaker 1: Was looking up and this security detail horse came running up,
• 6:36
  Speaker 1: and then he says about the mom that she's doing
• 6:38
  Speaker 1: too much, she geeking And I'm bringing that up because
• 6:41
  Speaker 1: you know that's what the kids are saying.
• 6:43
  Speaker 2: Doing too much.
• 6:44
  Speaker 1: Someone's doing too much means they're being intense or they're like,
• 6:49
  Speaker 1: you know, going off the railing or overreacting to something,
• 6:56
  Speaker 1: or is too excited, like it could meet a bunch
• 6:59
  Speaker 1: of things anyway.
• 7:00
  Speaker 2: M hm. So at the same.
• 7:02
  Speaker 1: Time, he wants the mom to know that don't worry,
• 7:05
  Speaker 1: I'm gonna dick this woman down that you gave birth to,
• 7:08
  Speaker 1: because he's all up just like hands around Gigi, just
• 7:13
  Speaker 1: like you know, from behind, you know, like can't stop.
• 7:16
  Speaker 1: At one point, I'm like, is he just trying to
• 7:18
  Speaker 1: rub on her booty or is he still scared of
• 7:22
  Speaker 1: the horse and sort of trying to use her as
• 7:24
  Speaker 1: like a human shield.
• 7:29
  Speaker 2: I think it's a little from Colin Mae, a little
• 7:31
  Speaker 2: from Columby. Okay.
• 7:35
  Speaker 1: So at a point, you know it's he's gonna have
• 7:40
  Speaker 1: like a man bun. But I guess she's gonna do
• 7:41
  Speaker 1: his hair for him or whatever. And so her mom
• 7:44
  Speaker 1: is like, are you gonna sit between her legs? And
• 7:46
  Speaker 1: he I think is hearing that to be like, are
• 7:48
  Speaker 1: you gonna sit between someone else's legs? Like are you
• 7:50
  Speaker 1: with someone that a man that sits in between many legs,
• 7:52
  Speaker 1: and he's like, no, I'm gonna sit in between no
• 7:54
  Speaker 1: one's legs. And he just is like, I say whatever
• 8:00
  Speaker 1: I need to say to get this woman to accept
• 8:03
  Speaker 1: me right now, because I want that manage way.
• 8:06
  Speaker 2: Tra That's what he says. He's gonna make this manage
• 8:11
  Speaker 2: to all work. Then listen. Gigi's mom pulls her to
• 8:17
  Speaker 2: her and she's like, listen to this advice. If you
• 8:21
  Speaker 2: don't listen to any other thing I've told you, it's
• 8:24
  Speaker 2: if you want to know if a man's cheating on you,
• 8:28
  Speaker 2: you sleep with your leg around him so you can
• 8:31
  Speaker 2: feel when he gets out of bed to scurry in
• 8:37
  Speaker 2: the middle of the night like a little mouse to
• 8:42
  Speaker 2: another lady's bed. That's what she said to her daughter.
• 8:50
  Speaker 2: And I listen. I think it's smart. I always. I mean,
• 8:53
  Speaker 2: you know, I like to sleep with the leg around someone.
• 8:55
  Speaker 2: You know.
• 8:55
  Speaker 1: I think it's possessive. I don't mind it. I really
• 8:59
  Speaker 1: really don't. Okay, that's what she said. That's what mom said.
• 9:01
  Speaker 1: That's what I'm saying to you, you know, like women
• 9:03
  Speaker 1: a woman. That's what she says, Just so you know,
• 9:05
  Speaker 1: if you're not a woman, you can still use that.
• 9:08
  Speaker 1: It's gender. It's a genderless piece of advice. Okay, all right,
• 9:14
  Speaker 1: So now Beanita is dealing with her own drama because
• 9:21
  Speaker 1: what had happened was she ran into some money problems,
• 9:25
  Speaker 1: as one does when they're like baby daddy slash in
• 9:31
  Speaker 1: fiance slash old timey, you know, old time boyfriend who's
• 9:35
  Speaker 1: been with for a long time. If that person goes
• 9:37
  Speaker 1: to prison, there's a lot of finances that fall on
• 9:41
  Speaker 1: the woman's shoulders. And we see the many different ways
• 9:44
  Speaker 1: in which women on this season are dealing with that. Kaylee, Kayla,
• 9:49
  Speaker 1: but also Beanita. Benita just sold a bunch of his shit,
• 9:54
  Speaker 1: sold a bunch of his shit, his favorite shit. She
• 9:57
  Speaker 1: sold it our Moani jeans with you know, embroidery on them.
• 10:01
  Speaker 1: I don't know from when it was popular now, but
• 10:02
  Speaker 1: you know, God bless us back. At the same time,
• 10:05
  Speaker 1: she has to go link up with her connect to
• 10:07
  Speaker 1: replace his stuff, and we're like, are we listening to
• 10:10
  Speaker 1: what I'm thinking? We're listening, and yeah, we are listening
• 10:12
  Speaker 1: to that. So then Benita drops a bunch of other
• 10:14
  Speaker 1: information that we are so like, okay, really, here's the thing.
• 10:16
  Speaker 1: She says that she had to sell one hundred and
• 10:19
  Speaker 1: fifteen f thousand dollars worth of his stuff and basically
• 10:25
  Speaker 1: that I'll want to their daughter door.
• 10:27
  Speaker 2: That's an expensive baby. I'm gonna get it. Do you
• 10:31
  Speaker 2: or I get it? I mean with a name like Door,
• 10:35
  Speaker 2: I thinks you're like her diaper bags, a little baby
• 10:38
  Speaker 2: door lady deor baby lady door lady baby. Do you okay?
• 10:42
  Speaker 1: Benita's tired, okay because she had to sell that stuff
• 10:45
  Speaker 1: and now he knows that she's coming back, and she
• 10:47
  Speaker 1: had to do all this rigamaroll with this storage unit
• 10:49
  Speaker 1: to be like I took some stuff out, I'm putting
• 10:52
  Speaker 1: some back in.
• 10:53
  Speaker 2: It's kind of like you know, yeast. You know, like
• 10:58
  Speaker 2: if he takes some out, somehows to grow ha ha.
• 11:01
  Speaker 2: And then she also laments that she would like to
• 11:04
  Speaker 2: take six months off now that he's out. He owes
• 11:07
  Speaker 2: it just he has to pay for everything now.
• 11:09
  Speaker 1: So we see her fully buying merchandise from the trunk
• 11:14
  Speaker 1: of some guy with a censored face. That guy wouldn't
• 11:16
  Speaker 1: give his permission to see his face. While we know
• 11:19
  Speaker 1: is that he drives a gray Ultima. Don't come for me,
• 11:22
  Speaker 1: you saw that Denissan Ultima. And then she buys a
• 11:26
  Speaker 1: bunch of stuff, including like a white Armani shirt.
• 11:28
  Speaker 2: Okay.
• 11:29
  Speaker 1: So then we get this other situation where like Mumu's like, yeah,
• 11:33
  Speaker 1: I know something's up because I know that Benita tried
• 11:36
  Speaker 1: to have two locks on my storage facility at like
• 11:41
  Speaker 1: public storage, and my mom came by, and then I
• 11:43
  Speaker 1: told my mom fuck that. My mom was like, yeah,
• 11:45
  Speaker 1: I'll record myself getting a crowbar and cutting it off,
• 11:49
  Speaker 1: and were like, oh, okay, you know because like if
• 11:51
  Speaker 1: did Benita see that story?
• 11:53
  Speaker 2: I mean, was that a snapchat that Beanita saw? Okay?
• 11:55
  Speaker 1: Was wondering, and so the mom took a bunch of stuff.
• 11:59
  Speaker 1: We don't know what's still in there. He goes to
• 12:01
  Speaker 1: the storage facility, but of course he is still in prison,
• 12:05
  Speaker 1: but he decides to do this with Goddess. Now, I
• 12:09
  Speaker 1: think this is dumb to dumb, dumb, dumb. Why because
• 12:13
  Speaker 1: wouldn't you think that there's a possibility that Benita might
• 12:16
  Speaker 1: go there? What if you had had this whole hatch
• 12:22
  Speaker 1: a mamie plan, hatcha mamie I don't know about like
• 12:27
  Speaker 1: getting out, so you're gonna have some time with Gigi
• 12:29
  Speaker 1: and then like you know, telling Benita the next day.
• 12:31
  Speaker 1: But then the day before, Benita thinks she just sees
• 12:33
  Speaker 1: you at the storage facility. That didn't cross his mind,
• 12:37
  Speaker 1: and he thinks he's too smart to pull this off.
• 12:38
  Speaker 1: He thinks, says he's gonna pull us off. He's so smart.
• 12:40
  Speaker 2: Okay, God bless. Okay, he's hot, but okay.
• 12:44
  Speaker 1: So basically he's looking through a storage unit. He finds
• 12:49
  Speaker 1: like his Timblands. He feels good about that. He says
• 12:51
  Speaker 1: that Benita has a way of of he that they sorry,
• 12:55
  Speaker 1: she has a way that she manipulates.
• 12:57
  Speaker 2: And we're like, I love it you.
• 12:58
  Speaker 1: That's great. And we go back to Benita and she's
• 13:01
  Speaker 1: cooking dinner for her daughter Dior, and she's like, listen,
• 13:05
  Speaker 1: I did mumu a solid in my eyes, Like I
• 13:09
  Speaker 1: just pretended he's been at school this whole time.
• 13:13
  Speaker 2: Yeah.
• 13:13
  Speaker 1: When Dere's like where's daddy, I'm like school and she's
• 13:16
  Speaker 1: like studying what I said, Shakespeare. He's at Rata in England, London, Cambridge, England,
• 13:31
  Speaker 1: and that's where he is and you'll see when he
• 13:35
  Speaker 1: comes back, which is in a little bit from now,
• 13:37
  Speaker 1: because he's studying Shakespeare there and he's coming back and
• 13:41
  Speaker 1: God bless okay. So but let's go back to Benina. Now,
• 13:44
  Speaker 1: Banina knows her way around a bake baking sheet and
• 13:47
  Speaker 1: a pan, okay, and she's seasoning chicken with her daughter
• 13:49
  Speaker 1: and it looks like good chicken. I'm like happy for Beanita.
• 13:52
  Speaker 1: I do feel like Benita's a better cook than Gig.
• 13:54
  Speaker 1: But you know, okay, we go back to Gigi and
• 13:59
  Speaker 1: you know, listen, demon knows what he likes. Was just
• 14:02
  Speaker 1: smoke in a car, windows up, windows up, honey, hot
• 14:05
  Speaker 1: boxing a car.
• 14:06
  Speaker 2: Okay, We're like, who is he? Who's driving?
• 14:08
  Speaker 1: Because we realize both of them are in the back seat,
• 14:10
  Speaker 1: which is like, is this an uber that allows you
• 14:12
  Speaker 1: to smoke blunts without opening up the window or is
• 14:14
  Speaker 1: this like one of your friends. I need to know
• 14:16
  Speaker 1: the answer, tell me. So then he starts to say
• 14:20
  Speaker 1: some things because you know, now he's with Gigi Alon.
• 14:23
  Speaker 1: They're getting high, he got his tims and he's like,
• 14:25
  Speaker 1: you know, it's been so long, you know since I've
• 14:28
  Speaker 1: had sex with a woman. You know I would say that,
• 14:30
  Speaker 1: And then she's like me too, dick, though I haven't
• 14:33
  Speaker 1: like had sex and so long, and like she's horny
• 14:35
  Speaker 1: af and she's like over and out, like how hot.
• 14:37
  Speaker 1: He is like, I am so, and he's like, yeah,
• 14:40
  Speaker 1: you know, it's so crazy because I haven't had sex
• 14:42
  Speaker 1: and so long, like longer since I've been in prison,
• 14:44
  Speaker 1: because I was cell of it.
• 14:47
  Speaker 2: That's what he said. He made the or like right
• 14:50
  Speaker 2: before he went in person.
• 14:52
  Speaker 1: So so then you know that does it enough for her?
• 14:57
  Speaker 1: She's like, oh my god, you know, but she also
• 14:58
  Speaker 1: knows that he's going to just one minute man her, okay,
• 15:01
  Speaker 1: because like she understands that. But he does throw her
• 15:05
  Speaker 1: on the bed and then he says, I want to
• 15:07
  Speaker 1: see your ass. I want to see everything. And when
• 15:12
  Speaker 1: he says that, she just throws those knees behind her ears.
• 15:18
  Speaker 1: I mean she throws it. She's like she's just like
• 15:21
  Speaker 1: say less, say my mom is doing too much.
• 15:25
  Speaker 2: I'm doing this period.
• 15:29
  Speaker 1: I mean she really just is a flexible girl, hypermobile.
• 15:32
  Speaker 1: If the world I can do it too. I'm not
• 15:34
  Speaker 1: don't mean to like toot my own horn or you know,
• 15:38
  Speaker 1: toot my own duty. But at the same time, you know,
• 15:40
  Speaker 1: wouldn't listen. It's only too easy for us to bend back,
• 15:44
  Speaker 1: you know what I'm saying. And she is like yes,
• 15:45
  Speaker 1: and he really dives in, like he is into it.
• 15:48
  Speaker 1: He just is like, I, oh, you're already who look
• 15:51
  Speaker 1: at that? Already w et? And she's like, ah, yes, yeah, yeah, sure.
• 16:03
  Speaker 1: He says it, you know, poetically because he went to
• 16:05
  Speaker 1: Shakespeare camp. But at the same time, I I.
• 16:09
  Speaker 2: Listen, I'm not obviously I'm into it. I'm obviously into it.
• 16:11
  Speaker 1: Okay, let's go from you know, hot fell and a
• 16:14
  Speaker 1: hot fella and in a certain way, Brad Brady's not
• 16:16
  Speaker 1: my favorite, but Kirsten actually I think is pretty cute.
• 16:18
  Speaker 1: So let's move on to Kirsten and Brady. Now, of course,
• 16:24
  Speaker 1: she was pregnant and then walked over to the local
• 16:26
  Speaker 1: trap house to yell at him. And that was Brady.
• 16:28
  Speaker 1: And now you know, of course she isn't obsessed with him.
• 16:31
  Speaker 1: She gave birthfact baby. But at this moment in time,
• 16:35
  Speaker 1: she's mad because he has to be back at his
• 16:38
  Speaker 1: halfway house, like way too early for her, because she
• 16:39
  Speaker 1: actually go pick him up and drive like a banana
• 16:41
  Speaker 1: amount of hours to the halfway house. And she wants
• 16:44
  Speaker 1: to do the thing, literally, the thing she wants to
• 16:47
  Speaker 1: do him in between those events, and she needs a
• 16:52
  Speaker 1: place to do it, and she needs like a motel
• 16:54
  Speaker 1: and she's gotten one. Okay, So we see her prep
• 16:57
  Speaker 1: for her big day, even though she knows there's a
• 16:59
  Speaker 1: possible that they are going to be late if they
• 17:02
  Speaker 1: decide to beer. Off course, she's like, this is the
• 17:06
  Speaker 1: first time we've had sex since we've been married. Yeah,
• 17:09
  Speaker 1: because they got married by proxy. She says that sex
• 17:12
  Speaker 1: is a human need and he's been in for.
• 17:14
  Speaker 2: Six years and we want to be like, I'm sure
• 17:19
  Speaker 2: he kind of figured out.
• 17:22
  Speaker 1: Yeah, but she's figuring out right now. This lovely romantic scene.
• 17:29
  Speaker 1: She sets up candles and she puts rose petals on
• 17:33
  Speaker 1: the bed, and then she realizes she still has to
• 17:36
  Speaker 1: sleep over tonight. He's not coming till tomorrow, and now
• 17:39
  Speaker 1: she's just going to sleep on them.
• 17:40
  Speaker 2: Rose petal pill Like all sorry, rose petals all in
• 17:44
  Speaker 2: her pillows, rose petal pillows. Just stinky ass, red ass,
• 17:50
  Speaker 2: stained ass rose petal bedding. That's what always happens when
• 17:53
  Speaker 2: I see that. I know there could be fake ones,
• 17:55
  Speaker 2: but at the same time, it's like, what are you
• 17:56
  Speaker 2: gonna do you need?
• 17:58
  Speaker 1: Like this is what I would say, if you are
• 18:00
  Speaker 1: one of those hotels, you need to just invest in
• 18:03
  Speaker 1: some like tied die rose petaled duvet cover where like
• 18:08
  Speaker 1: it just always looks like neuros petals.
• 18:12
  Speaker 2: Okay, so uh.
• 18:16
  Speaker 1: The last thing that she decides to do, which really
• 18:19
  Speaker 1: is meaningful for them and their life, is that she
• 18:22
  Speaker 1: has like a galaxy light that she puts on and
• 18:25
  Speaker 1: she says it's because they always say they love each
• 18:28
  Speaker 1: other from the moon to the stars and beyond.
• 18:33
  Speaker 2: Like jail moon, the stars, the jails, the walls, the cells,
• 18:39
  Speaker 2: the bars, the street that we lived on. You know
• 18:46
  Speaker 2: what I'm saying. We just literally walked from home to home.
• 18:48
  Speaker 2: Like at one point, I walked from my home to
• 18:50
  Speaker 2: your home. That's how close, you know. So you know
• 18:53
  Speaker 2: this distance means a lot for them, you know, because
• 18:55
  Speaker 2: even though they met so close, it was, if you
• 18:58
  Speaker 2: think about it, a long distance relationship for a spell.
• 19:01
  Speaker 2: How interesting. I know, Chris.
• 19:03
  Speaker 1: So She's like, listen, he has goals and aspirations, and
• 19:07
  Speaker 1: that's what will keep him on the straight and narrow.
• 19:10
  Speaker 2: I know.
• 19:11
  Speaker 1: All it takes is for a man to come out
• 19:12
  Speaker 1: of prison and have a lot of responsibilities immediately and
• 19:17
  Speaker 1: pressure to attain his goals and aspirations, and that that
• 19:24
  Speaker 1: pressure and all the other stimuli he wasn't expecting will
• 19:28
  Speaker 1: keep him on the straight and narrow coupless. Now we
• 19:33
  Speaker 1: cut to him because you know, we felt some sort
• 19:35
  Speaker 1: of empathy, and then he's saying a bunch.
• 19:38
  Speaker 2: Of crazy shits.
• 19:39
  Speaker 1: So he's like, you know, I'm in a gender roles,
• 19:41
  Speaker 1: and you know, I wonder if she's going to be
• 19:43
  Speaker 1: able to actually submit to me, you know, because a
• 19:46
  Speaker 1: husband and a wife are treated differently, And I want
• 19:48
  Speaker 1: to be like, well, what does that mean in your mind?
• 19:50
  Speaker 2: Is it like a wife is not told anything and.
• 19:54
  Speaker 1: Just expected to suck the husband's dick and sometimes she
• 19:58
  Speaker 1: gets five dollars to go out with her friends and
• 20:04
  Speaker 1: cook and clean for me at all times? You know,
• 20:07
  Speaker 1: I mean, like what does that mean? And then she
• 20:08
  Speaker 1: never complains eggs never, She's so happy. Now the husband's
• 20:15
  Speaker 1: role is to do whatever the fuck the husband wants
• 20:16
  Speaker 1: to do, and how he's treated is like a king. Okay,
• 20:22
  Speaker 1: So he is obviously getting picked up by her. And
• 20:29
  Speaker 1: she wakes up in the morning in her galaxy light situation,
• 20:33
  Speaker 1: she got no sleep. She gets in her car and
• 20:35
  Speaker 1: she pulls up and starts waiting for him, and she's
• 20:37
  Speaker 1: like nervous.
• 20:38
  Speaker 2: He's nervous.
• 20:39
  Speaker 1: At one point, she thinks she's gonna throw up. She
• 20:40
  Speaker 1: gets out of the car. It's hot, it's cold, you
• 20:42
  Speaker 1: don't quite know. But she's also fiending for him. She
• 20:46
  Speaker 1: says she can't wait to smell his natural body scent.
• 20:51
  Speaker 1: She just can't wait.
• 20:56
  Speaker 2: A but she waits. I'll tell you, she does wait
• 20:59
  Speaker 2: for now, Like I mean, she gets so pissed.
• 21:03
  Speaker 1: She starts to be like, this is the biggest croc
• 21:05
  Speaker 1: of shit I've ever dealt with. And it's like, You've
• 21:07
  Speaker 1: had kids, you've gone through divorce, you married someone in prison,
• 21:12
  Speaker 1: and just this waiting, this one moment, This is the.
• 21:14
  Speaker 2: Biggest crock of shit. I doubt it, girl. I can
• 21:17
  Speaker 2: see it on you. Honey.
• 21:18
  Speaker 1: You've dealt with crocks of shit bigger than this, and
• 21:20
  Speaker 1: you will again.
• 21:22
  Speaker 2: Okay, So.
• 21:24
  Speaker 1: He comes out finally, and you know he's so excited.
• 21:26
  Speaker 1: He just keeps saying it's over, it's over. It's ob
• 21:28
  Speaker 1: which is sad. You know, he got into meth and
• 21:30
  Speaker 1: pills after he said he got his wisdom teeth pulled.
• 21:34
  Speaker 2: They give you what do they give you?
• 21:35
  Speaker 1: They give you crazy as drugs when you get your
• 21:37
  Speaker 1: wisdom teeth pulled, especially kids that age in that part
• 21:41
  Speaker 1: of town.
• 21:41
  Speaker 2: That doctor if that's true.
• 21:43
  Speaker 1: I mean, if that's true, fine, let's talk about the
• 21:45
  Speaker 1: fact that that doctor then nothing should be like jailed.
• 21:47
  Speaker 2: That's not smart.
• 21:50
  Speaker 1: Anyway, he doesn't open the car door for her, and
• 21:54
  Speaker 1: she's upset. She calls him ahoosier, like, oh my god,
• 21:58
  Speaker 1: where are we what part of life with part of
• 22:01
  Speaker 1: the time space spectrum are we on?
• 22:04
  Speaker 2: Are we back? Are we like in the nineteen eighties?
• 22:07
  Speaker 2: What's happening? That's such a weird okay? And she's just like,
• 22:10
  Speaker 2: you know, she held them down. You know. Here's the thing.
• 22:13
  Speaker 2: There's a lot and I understand this now, this.
• 22:16
  Speaker 1: Season has this idea, and so maybe it's right because
• 22:21
  Speaker 1: I'm not in the situation, especially from women, and I
• 22:26
  Speaker 1: guess that maybe it's the guys also perpetrating this. So
• 22:29
  Speaker 1: I'm not going to put a woman, but women usually
• 22:31
  Speaker 1: talk about it that they should be happy the men
• 22:34
  Speaker 1: if they're the ones getting out, because they can walk
• 22:37
  Speaker 1: into like an automatic family stability unit because there's kids involved. Now,
• 22:46
  Speaker 1: some of these kids are their kids, you know, and
• 22:48
  Speaker 1: some of these kids are not you know, I don't know,
• 22:49
  Speaker 1: so and some of them have kids that are not
• 22:52
  Speaker 1: in this household specifically, Brady has two twins, you know
• 22:57
  Speaker 1: that live with his sex that is.
• 22:59
  Speaker 2: Best with Kayla. It's so messy.
• 23:01
  Speaker 1: So anyway, all I'm saying is maybe there's a point
• 23:04
  Speaker 1: that that's true where it's like if you have that,
• 23:06
  Speaker 1: you know, like that's what guys should want because it
• 23:08
  Speaker 1: keeps them like grounded and stable and my cand is
• 23:10
  Speaker 1: beer running around. At the same time it awful, it
• 23:13
  Speaker 1: also can offer a lot of like pressure and you know,
• 23:17
  Speaker 1: trying to fill that automatic life gap with like a
• 23:20
  Speaker 1: built in checklist already shaded in kind of family unit
• 23:27
  Speaker 1: and work situation.
• 23:28
  Speaker 2: You know what I'm saying.
• 23:31
  Speaker 1: But let's move on because we got a new couple,
• 23:33
  Speaker 1: and the new couple is Dia and Cyrus.
• 23:36
  Speaker 2: Now Dia, I mean has a lot of.
• 23:41
  Speaker 1: Interests and they include the cellmates of one jail cell
• 23:49
  Speaker 1: ten years younger than her, Like she is that specific
• 23:53
  Speaker 1: kind of fetish fiend, like Dia is diabolicals. Say what
• 24:01
  Speaker 1: I did there in how bad her decision making is. Truly,
• 24:07
  Speaker 1: we start with her saying she's a very good driver,
• 24:09
  Speaker 1: and the producers like, ha ha haa, this means she's bad.
• 24:13
  Speaker 1: She describes herself as a master of chaos and anytime
• 24:16
  Speaker 1: any person like says that it's kind of cutesy, wootsy
• 24:21
  Speaker 1: or cool or like just crazy eccentric. If their life
• 24:25
  Speaker 1: is full of drama or full of chaos, it's because
• 24:28
  Speaker 1: they perpetrate it.
• 24:29
  Speaker 2: And they love it and they want it, so they.
• 24:34
  Speaker 1: Do it done, done, done, like you just like that
• 24:38
  Speaker 1: is that kind of person who just manufactures it and
• 24:41
  Speaker 1: then feeds the flame and the timbers that she's constantly
• 24:44
  Speaker 1: trying to reignite.
• 24:49
  Speaker 2: People don't want aggregation, that a word, no, she people
• 24:55
  Speaker 2: don't want People don't want turmoil in their life.
• 25:01
  Speaker 1: Most people have like lives, and in order to live
• 25:04
  Speaker 1: those really good lives, hopefully most of the time, are
• 25:07
  Speaker 1: the ones they try and seek joy from it. You know,
• 25:09
  Speaker 1: requires time space, It requires them to like sleep and
• 25:13
  Speaker 1: also like take care of themselves and also like cleaning
• 25:16
  Speaker 1: an apartment or cleaning a house and take caring of
• 25:18
  Speaker 1: this soul or taking care of that pet, or making
• 25:20
  Speaker 1: sure the bills are paid, you know, all of that.
• 25:22
  Speaker 1: So that has to happen, and usually people don't have
• 25:25
  Speaker 1: so much time to just Also, people scroll on the
• 25:28
  Speaker 1: internet like so many other options, like people reading, people pickleball.
• 25:33
  Speaker 1: You know what I'm saying, there's a lot of like peace,
• 25:35
  Speaker 1: but at the same time, people don't need to create
• 25:42
  Speaker 1: drama in their lives. Also hilarious that they think it's
• 25:47
  Speaker 1: cute or anyone in their life appreciates it, when very
• 25:50
  Speaker 1: specifically in DIA's life, from her mother and from her
• 25:54
  Speaker 1: own daughter who we see in this episode, they're stressed
• 26:01
  Speaker 1: the fuck out about her. They're not happy with DIA's
• 26:06
  Speaker 1: decision making, you know what I'm saying, like at all.
• 26:10
  Speaker 1: It's actually really hard to watch, but don't worry, y'all
• 26:12
  Speaker 1: talk about it with jokes. So as we know, she
• 26:15
  Speaker 1: is ten years older than her new boo Cyrus, Okay,
• 26:19
  Speaker 1: and then we get her information which she was married
• 26:22
  Speaker 1: for a long time, she says for twenty years, even
• 26:24
  Speaker 1: though she's thirty four. Us, we really don't understand what's happening.
• 26:26
  Speaker 1: She did have her first baby at sixteen, but like
• 26:27
  Speaker 1: you didn't get married at fourteen.
• 26:29
  Speaker 2: I was confusing.
• 26:30
  Speaker 1: But then we also realized that her other big story
• 26:32
  Speaker 1: is that she met Cyrus through Jaden, which was the
• 26:37
  Speaker 1: excelmate like I said, of Cyrus, and she like got
• 26:40
  Speaker 1: him out of prison and then he came out with
• 26:42
  Speaker 1: her and she had they had talked when they were
• 26:44
  Speaker 1: in prison, and then he ends up cheating on her
• 26:49
  Speaker 1: with this woman in town who I hope we meet,
• 26:53
  Speaker 1: who also cheated on her with her ex husband. This
• 27:00
  Speaker 1: woman has rolled the dick twice of Diya's people, which
• 27:07
  Speaker 1: begs so many questions, who is she? Why are we
• 27:09
  Speaker 1: talking to her? And like does she just seek them
• 27:14
  Speaker 1: out like hot like missiles?
• 27:15
  Speaker 2: You know, like just that? What does she is?
• 27:18
  Speaker 1: There just not that many people in town. And so
• 27:21
  Speaker 1: if there's a man that like shows himself under the
• 27:25
  Speaker 1: age of like forty, there's you know, a call to
• 27:28
  Speaker 1: action and it's her. Is it all at one bar
• 27:31
  Speaker 1: they're meeting at? I needed to, okay, I just because
• 27:35
  Speaker 1: it's not how do you give me like that piece
• 27:37
  Speaker 1: of information? Not give me like a bunch more. And
• 27:39
  Speaker 1: I would like to be able to say I could
• 27:41
  Speaker 1: research this, and I can't. I mean, should I be
• 27:42
  Speaker 1: able to? Should I try? I'd have to know more
• 27:45
  Speaker 1: exactly what town she's from.
• 27:47
  Speaker 2: It just feels like maybe it's small. She says it's small.
• 27:49
  Speaker 2: She says it's rule.
• 27:50
  Speaker 1: That's why she's a good driver, because she could like
• 27:51
  Speaker 1: drive fast. I'm like, yeah, I'm one lane girl. If
• 27:54
  Speaker 1: you can't listen. Don't tell me you're a good driver
• 27:56
  Speaker 1: unless you're like in La or in Rome or in
• 27:58
  Speaker 1: some part of like India. Before you tell me that
• 28:02
  Speaker 1: you're a good driver, you know, New York or something.
• 28:04
  Speaker 1: There's just you need to be able to like move
• 28:05
  Speaker 1: around cars and people and cars and people animals.
• 28:09
  Speaker 2: Okay, So we go to see Jaden.
• 28:12
  Speaker 1: Okay, because she does this thing that I love when
• 28:15
  Speaker 1: woman do is like when they go to some guy
• 28:18
  Speaker 1: that they think is still obsessed with them and they
• 28:23
  Speaker 1: go face to face to give them one last look
• 28:26
  Speaker 1: to be like stop wanting me. I have someone else
• 28:33
  Speaker 1: who just happens to be someone I met through you.
• 28:36
  Speaker 2: It's your exceelment, you know. She's like this. She goes
• 28:38
  Speaker 2: up to Braiden.
• 28:39
  Speaker 1: They get it's so funny but also like so toxic
• 28:41
  Speaker 1: because she likes Phidona like we always said. And he's
• 28:43
  Speaker 1: wearing one of those like electrical work masks that the
• 28:46
  Speaker 1: girl from Flash Dance is wearing when she's like, you know,
• 28:49
  Speaker 1: her other self when she's not the dancer. You know,
• 28:52
  Speaker 1: I'm talking about like one of those like oop very
• 28:54
  Speaker 1: you know, because there's like flames coming at you.
• 28:56
  Speaker 2: So again she goes to him and.
• 28:58
  Speaker 1: She's like, Jaden, I didn't know if you knew, so
• 29:03
  Speaker 1: I wanted to come tell you in person that Cyrus
• 29:06
  Speaker 1: is getting out of prison.
• 29:07
  Speaker 2: Yes, that's Cyrus and moving up here. And Jaden, who
• 29:12
  Speaker 2: is twenty fucking nothing, is like, yeah, I heard that,
• 29:19
  Speaker 2: and she's like good, So, Jaden, you're gonna have to
• 29:21
  Speaker 2: stop facebooking me. He's like, I stopped all that and
• 29:24
  Speaker 2: he's like, she's like, no, you didn't. He's like, well,
• 29:27
  Speaker 2: I love you. I know that you still love me,
• 29:30
  Speaker 2: but I need you to stop. Stop it. Don't do
• 29:36
  Speaker 2: it anymore. Don't stop it.
• 29:39
  Speaker 1: Mmm, no, okay, that's it first, you know what I'm saying.
• 29:45
  Speaker 2: You know what she's doing. So he's like, I just
• 29:48
  Speaker 2: can't help it, do you.
• 29:50
  Speaker 1: You were by addiction and I love shit to be
• 29:53
  Speaker 1: addicted to, so like, you know, it can't just give
• 29:56
  Speaker 1: you up or other things that anyone will be addicted to.
• 30:00
  Speaker 2: You know, you're like, god, bliss.
• 30:01
  Speaker 1: He's very passive, you know what I'm saying, but he's
• 30:03
  Speaker 1: doing his due diligence. In this scene, she's.
• 30:06
  Speaker 2: Like, I say, you know you're still in love and
• 30:10
  Speaker 2: he's like yeah, and.
• 30:13
  Speaker 1: She's like, well, just see. You know I was never
• 30:15
  Speaker 1: in love with you. He's like, you can't say that,
• 30:19
  Speaker 1: Come on now, Dia, And then she's like, well, I
• 30:22
  Speaker 1: didn't you just fucked the town whore who fucked my
• 30:25
  Speaker 1: ex husband after I gave you a starter pack at
• 30:29
  Speaker 1: life second time? Yeah, like you got to be at
• 30:34
  Speaker 1: twenty six and suddenly be able to be with a
• 30:38
  Speaker 1: full grown woman and her kids. Why didn't you get
• 30:41
  Speaker 1: on bended knee and thank me for this? I mean,
• 30:50
  Speaker 1: you know, to Jaden's benefit, he doesn't. He's just like, yeah,
• 30:52
  Speaker 1: I know, I fucked up, and now I get to
• 30:54
  Speaker 1: watch my ex best friend slash Seal might live my
• 30:58
  Speaker 1: preferred life. I'm just going to go behind this and
• 31:03
  Speaker 1: continue to weld wild. So he yeah, he says he
• 31:13
  Speaker 1: won't let her go, which we know to mean that
• 31:17
  Speaker 1: there's going to be a showdown. As we know they
• 31:20
  Speaker 1: were excealmates, and Cyrus is going to just step into
• 31:25
  Speaker 1: the tragedy that already existed because she was already with
• 31:28
  Speaker 1: a young ass jail person and it didn't go well,
• 31:32
  Speaker 1: and she's all those kids, So let's go home and
• 31:34
  Speaker 1: talk about it now. She doesn't want to talk about
• 31:36
  Speaker 1: it because it's the truth being absolutely reflected back to
• 31:39
  Speaker 1: her with a very sad, confused mom that somehow blames
• 31:44
  Speaker 1: other people and doesn't have the gumption to sit her
• 31:48
  Speaker 1: daughter down and be like, stop making stupid decisions. Stop it, okay,
• 31:56
  Speaker 1: But the daughter also wishes to because we get this
• 31:58
  Speaker 1: whole beautiful scene where the daughter's like, yeah, I sometimes
• 32:00
  Speaker 1: just feel like she brings these dudes home that are
• 32:03
  Speaker 1: closer in age to me, and then it's just like
• 32:05
  Speaker 1: another child, and then I have to be the one
• 32:08
  Speaker 1: that's taking care of my brothers and sisters and then
• 32:11
  Speaker 1: taking care of him, and also, like Loki, having to
• 32:14
  Speaker 1: deal with their drama which is never ending in a
• 32:17
  Speaker 1: nightmare because she's picking I don't know, guys that just
• 32:20
  Speaker 1: came out of jail that are ten years younger than her,
• 32:22
  Speaker 1: and I don't know why. I mean the young part,
• 32:24
  Speaker 1: I don't know, but I will tell you that at
• 32:26
  Speaker 1: one point, I know my.
• 32:27
  Speaker 2: Dad was a bad boy. So she has a type.
• 32:32
  Speaker 2: That's what she says.
• 32:35
  Speaker 1: So let's move on too. Kaylea, Kayla and Michael. Oh,
• 32:42
  Speaker 1: I don't know if her name is Kaylee or Kayla.
• 32:44
  Speaker 1: It's probably Kaylee.
• 32:45
  Speaker 2: Kaylee and Michael.
• 32:48
  Speaker 1: They wake up in bed, honey, and they've been you know,
• 32:51
  Speaker 1: absolutely banging, you know, so like they enjoy it, you know,
• 32:55
  Speaker 1: like they've been getting it in and he loves it,
• 33:00
  Speaker 1: and she's so excited. And the next morning he's like, Yeah,
• 33:04
  Speaker 1: I got to just stare at that tattoo that you
• 33:06
  Speaker 1: got that says property of Michael, and I.
• 33:09
  Speaker 2: Love just fucking you. And then just seeing that tattoo
• 33:11
  Speaker 2: and being like, yeah, as I'm fucking you, I'm taking
• 33:15
  Speaker 2: care of my business on my property, you know. Whatever
• 33:18
  Speaker 2: he's doing. Now, he also has some shitty ass tattoos.
• 33:23
  Speaker 2: He has a Mickey tattoo, like just a Mickey head
• 33:26
  Speaker 2: on his neck that you can tell is covering up
• 33:29
  Speaker 2: something else, and in the light you can almost see
• 33:31
  Speaker 2: that what it is what looks like some weird cartoon
• 33:36
  Speaker 2: character that was looking up with big eyes, like that's
• 33:38
  Speaker 2: all I can assume that what that was? Okay, But
• 33:41
  Speaker 2: in the next morning they have to go do some
• 33:43
  Speaker 2: of their errands, you know, and so she puts on
• 33:46
  Speaker 2: the tightest pair of pants I've ever seen. But at
• 33:48
  Speaker 2: the same time, she's been freshly fucked, so she like
• 33:50
  Speaker 2: wants that right now. At this point, after he's like
• 33:54
  Speaker 2: gotten his wits about him. They're driving her car. He's like,
• 33:56
  Speaker 2: you know, this is a really nice car. Is a
• 33:59
  Speaker 2: new car? You have a new car?
• 34:02
  Speaker 1: Or is this ren told She's like, now it's my
• 34:04
  Speaker 1: He's like, well you have the other car. She's like, yep,
• 34:06
  Speaker 1: two cars. This is my Yep, two cars. And then
• 34:10
  Speaker 1: this whole next scene, she's like basically smiling the whole time.
• 34:13
  Speaker 1: I mean, she loves this scene so much. So they
• 34:15
  Speaker 1: get to the butchery, you know, and he is excited
• 34:19
  Speaker 1: to buy a bunch of steak and he buys some
• 34:20
  Speaker 1: Rabbi's honey and the good kind because when they give
• 34:23
  Speaker 1: him the total, it's one hundred and eighty dollars, but
• 34:26
  Speaker 1: it's like one hundred and seventy nine dollars and eighteen cents. Now,
• 34:29
  Speaker 1: she had done this whole scheme where she's like, I
• 34:31
  Speaker 1: had to be a prison wife for six years, so
• 34:33
  Speaker 1: I deserve coffee every morning, and I brand new car.
• 34:36
  Speaker 1: And the way I got it was credit fraud. He
• 34:41
  Speaker 1: told me to open up credit cards and his name
• 34:43
  Speaker 1: so I could build him credit. And then he said
• 34:45
  Speaker 1: that I could just use them to pay for gas,
• 34:48
  Speaker 1: and then I had to pay for the gas, and I.
• 34:50
  Speaker 2: Was like, now I'm gonna buy out all the things.
• 34:55
  Speaker 2: She does.
• 34:56
  Speaker 1: So both cards get declined, and she's again smiling through it,
• 35:03
  Speaker 1: like you would think at this point, if you know
• 35:04
  Speaker 1: that these cards are going to be declined, you don't
• 35:06
  Speaker 1: want it to be a thing. Why don't you wait
• 35:07
  Speaker 1: until he's alone with the cards and have him try
• 35:10
  Speaker 1: and buy things and then just you know, if you
• 35:12
  Speaker 1: want to be nice, give him twenty bucks.
• 35:14
  Speaker 2: But at the same time, why don't you pay for
• 35:15
  Speaker 2: this right now? But you know, she's just like, oh,
• 35:18
  Speaker 2: here's here's your cards. Step the cards. You're probably not
• 35:21
  Speaker 2: going to work. Why would they work, you know, I've
• 35:24
  Speaker 2: spent so much money on them or not. I don't know.
• 35:25
  Speaker 2: Maybe I don't know. Maybe I did, maybe I didn't.
• 35:28
  Speaker 2: You know, you're just like, oh my god, this is
• 35:29
  Speaker 2: a nightmare. So of course they are both declined, and
• 35:32
  Speaker 2: then she has to give him, you know, her credit card,
• 35:34
  Speaker 2: and he's really upset and they have a discussion outside
• 35:37
  Speaker 2: and then he's like what happened and she's like I
• 35:39
  Speaker 2: got that credit cards? Like yeah, I know you did,
• 35:41
  Speaker 2: and she's like yeah, and I spent money on them.
• 35:44
  Speaker 2: He's like, well, you were supposed to pay them off.
• 35:46
  Speaker 2: She's like, no, because the credit cards are in your name.
• 35:48
  Speaker 2: He's like yeah, but you're the one spending much. She's like, right,
• 35:51
  Speaker 2: but that's not my name on them. And she's basically
• 35:54
  Speaker 2: like give. She's saying what you would say, what you
• 35:58
  Speaker 2: think a scammer would say if if a scammer took
• 36:00
  Speaker 2: your credit cards and didn't give one buck about you, Like,
• 36:05
  Speaker 2: what a horrible story.
• 36:05
  Speaker 1: I really hope this never happens to you or me,
• 36:07
  Speaker 1: But like if someone got your credit card and then
• 36:10
  Speaker 1: also like somehow also sent you a horrible voice, not
• 36:13
  Speaker 1: being like, hey, bitch, I got your credit cards and
• 36:17
  Speaker 1: I'm going to spend everything and you're gonna be on
• 36:20
  Speaker 1: the hook for it.
• 36:22
  Speaker 2: All.
• 36:23
  Speaker 1: Well, that's your problem for being you know, Chris Fair
• 36:26
  Speaker 1: or whatever. You just like say something horrible and then
• 36:28
  Speaker 1: that's what happened to You'd be so mad.
• 36:30
  Speaker 2: But that's what she does to the guy that is
• 36:32
  Speaker 2: her husband, I guess, also very hot.
• 36:37
  Speaker 1: Anyway, it feels like she's like sabotaging this. So but
• 36:41
  Speaker 1: because she also, like you know, has a Kate Spade wallet.
• 36:45
  Speaker 1: There's also a point where I think that she just
• 36:47
  Speaker 1: likes nice things that she can't afford them, and in
• 36:49
  Speaker 1: her mind, Kate spades real nice. So after that, we
• 36:56
  Speaker 1: go to her mom's house to pick up the kids,
• 37:00
  Speaker 1: and it's a situation where they're like, we can't talk
• 37:04
  Speaker 1: about this elephant in the room because we're gonna be
• 37:06
  Speaker 1: around kids and we can't like fight around the kids.
• 37:09
  Speaker 2: And he's like, you're right, shit, And he hangs.
• 37:15
  Speaker 1: Out with her mom a little bit and she's like
• 37:16
  Speaker 1: what's up and he's like just bullshit, like this angle
• 37:19
  Speaker 1: device and he's like, I doesn't want to spend time with
• 37:21
  Speaker 1: my kids. Okay, kids, we're gonna make the one thing
• 37:23
  Speaker 1: I want so bad, baked macaroni. And she's like yeah. Meanwhile,
• 37:28
  Speaker 1: Kaylee has to go upstairs and print out baked statements.
• 37:30
  Speaker 1: Her daughter's like what are you doing and she's like nothing.
• 37:36
  Speaker 1: Now his mom is coming and Laurie said that she's
• 37:39
  Speaker 1: a piece of work.
• 37:40
  Speaker 2: Laurie, of course, is Kaylee's mom.
• 37:42
  Speaker 1: And then we have like a flashback to what happened
• 37:43
  Speaker 1: when the moms got to get her, and it was
• 37:45
  Speaker 1: absolute confrontation, slash fisticuffs. They didn't like each other, and
• 37:54
  Speaker 1: he's like, well, is that gonna happen again?
• 37:55
  Speaker 2: And she's like, I know maybe yeah, I mean props magobs.
• 38:02
  Speaker 2: He's like, well, can can it not happen? Please? How
• 38:05
  Speaker 2: about if it doesn't happen, that'd be great. She's like, now, yeah,
• 38:15
  Speaker 2: so rich and Felicia. She says that she wants to
• 38:20
  Speaker 2: enjoy our day tomorrow and he has absolutely no plans.
• 38:23
  Speaker 2: While the DJ, the DJ, his friend DJ just sleeps
• 38:26
  Speaker 2: in the back. Now, she asks him a question and
• 38:29
  Speaker 2: he just like is zoning the fuck out. And sometimes
• 38:31
  Speaker 2: she's like, he does this thing where if I ask
• 38:35
  Speaker 2: him something, it's like an option whether he has to
• 38:38
  Speaker 2: answer or he could either not answer or not answers
• 38:42
  Speaker 2: the two options.
• 38:43
  Speaker 1: And sometimes he picks don't answer. He's wearing like a
• 38:46
  Speaker 1: white feather just outline and red on a gray sweatshirt.
• 38:49
  Speaker 1: He's just like, she's so gorgeous, you know, she is
• 38:51
  Speaker 1: as gorgeous. He had waited six years to go to Poundtown,
• 38:55
  Speaker 1: and she's also like, I waited six years to walk
• 38:58
  Speaker 1: on carpet Again. As they walk through the hotel, she's like,
• 39:00
  Speaker 1: I've walked on a fucking carbet. They check in, it's
• 39:04
  Speaker 1: like a five hundred dollars situation. We're like, okay, he
• 39:06
  Speaker 1: gets a nice room. It has like a seating era
• 39:08
  Speaker 1: area and it has the bed and she's like, great,
• 39:10
  Speaker 1: so you'll have that couch. He's like what, No, She's like, yep,
• 39:15
  Speaker 1: get on the fucking couch. She's like, she's like, it's
• 39:18
  Speaker 1: spent a long time and I want to like get
• 39:19
  Speaker 1: to know you, and like, you know, she doesn't. She
• 39:22
  Speaker 1: loves him, but she doesn't really know him. And she's
• 39:24
  Speaker 1: also like, you know, I have to like live at
• 39:26
  Speaker 1: the address that I get paroled too, because somehow he
• 39:28
  Speaker 1: thought that he was just going to like take her
• 39:30
  Speaker 1: back I guess to Houston. He doesn't know how a
• 39:31
  Speaker 1: person works. He had six years to figure that out.
• 39:35
  Speaker 1: She does let him like sleep on the bed, and
• 39:37
  Speaker 1: he goes to see the aunt that she's moving in
• 39:40
  Speaker 1: with Stephanie, and she talks to her cousin. Felicia and
• 39:46
  Speaker 1: her cousin are like bff best friends, just like Phonic
• 39:48
  Speaker 1: and I, and it has gotten more trouble than us.
• 39:51
  Speaker 1: And the cousin's like, we don't know him, so we
• 39:55
  Speaker 1: don't know what's happening. He said he's divorced, but is
• 39:57
  Speaker 1: he Stephanie the ant's like, what's happening you're here. He's like, yeah,
• 40:06
  Speaker 1: we're just going to spend the night at a hotel
• 40:08
  Speaker 1: in New Orleans. And then you know, she's like, no,
• 40:12
  Speaker 1: if she's supposed to spend the night, she's going to
• 40:13
  Speaker 1: spend the night here, just like you're not taking her away.
• 40:16
  Speaker 1: If you think that you're taking her away in six
• 40:18
  Speaker 1: months when her thing's up, you're not. I don't think
• 40:21
  Speaker 1: you understand that we haven't seen her in years. We're
• 40:23
  Speaker 1: her family. She's going to be around here and she's
• 40:25
  Speaker 1: nolins you move here, which I think is like low
• 40:28
  Speaker 1: key what happens. So you guys, I those are all
• 40:34
  Speaker 1: my notes for the show, But at the same time,
• 40:36
  Speaker 1: I cannot wait for more slash more.
• 40:39
  Speaker 2: We didn't really get any Carrington and.
• 40:41
  Speaker 1: Zay, but you know, we do know that her she
• 40:45
  Speaker 1: has a bad relationship with his sisters. We did get
• 40:48
  Speaker 1: Da though, and we're happy about that. And I'm going
• 40:51
  Speaker 1: to go on and talk about I Love Polly episode two,
• 40:54
  Speaker 1: so if you're watching that, make sure you listen to
• 40:57
  Speaker 1: my recap. At the same time time, I was gifted
• 41:02
  Speaker 1: a beautiful cherry pie by HBO for their new series,
• 41:08
  Speaker 1: which is a Larry David sketch show premiering Fred at
• 41:11
  Speaker 1: the twenty six. It's like Liberty Larry America, Larry Liberty America,
• 41:19
  Speaker 1: something like that. I'm so sorry I don't have a
• 41:22
  Speaker 1: good thing here, but I'm excited to watch it. And
• 41:26
  Speaker 1: also thank you so much for sending me a piece
• 41:27
  Speaker 1: of pie. And by piece, I mean a whole cherry pie.
• 41:30
  Speaker 1: I'm gonna only have a piece though, I have to,
• 41:31
  Speaker 1: let you know, maintain my figure.
• 41:34
  Speaker 2: I love you guys so much.
• 41:36
  Speaker 1: Let's go ahead and do all of the things like
• 41:38
  Speaker 1: a If you haven't yet, please follow me. I'm at
• 41:40
  Speaker 1: Chris el Fara on Instagram, on TikTok, I have Vanity Farah,
• 41:44
  Speaker 1: which is my Facebook group, and you can like my
• 41:46
  Speaker 1: page there. Of course, you can also give me five
• 41:48
  Speaker 1: dollars put it on my books at patreon dot com
• 41:51
  Speaker 1: slash Chris Farah, and you know, make sure you.
• 41:54
  Speaker 2: Engage with me on all the things. I appreciate it.
• 41:57
  Speaker 1: Uh yes, my babes, tchue breas and then we'll let
• 41:59
  Speaker 1: it go, get it all out, bring it all in twice,
• 42:03
  Speaker 1: and I love you and thank you for spending time
• 42:05
  Speaker 1: with me, and also give me five stars and a
• 42:07
  Speaker 1: helpful review wherever you listen to podcasts, Breathe in all right, babes,
• 42:33
  Speaker 1: take care of yourselves and one another. Stand up for
• 42:35
  Speaker 1: what you believe in.
• 42:36
  Speaker 2: Make art. Bye.