Latest / Frightmares / Ep. 151 - The Sacrament (2013)

Transcript

Ep. 151 - The Sacrament (2013) · Frightmares

• 0:00
  Speaker 1: Yeah, well, welcome and see behind the scenes of how
• 0:48
  Speaker 1: I'm never prepared for podcasts and have no idea why
• 0:51
  Speaker 1: I run one.
• 0:52
  Speaker 2: I just had to send the year.
• 0:53
  Speaker 1: You're not prepared. I'm late. It's all the things. At
• 0:57
  Speaker 1: least the right of sheet was done, because what I've
• 0:59
  Speaker 1: been doing is I've been doing them all for like
• 1:01
  Speaker 1: a month at a time, so that way, it's not
• 1:03
  Speaker 1: day of and I'm like, oh shit, I forgot to
• 1:05
  Speaker 1: do the write up sheet, so let me just go
• 1:07
  Speaker 1: to my email and pull that shit up.
• 1:09
  Speaker 2: Yeah, you get to see this happen live.
• 1:12
  Speaker 1: This happens usually every time I start to show I'm
• 1:15
  Speaker 1: not prepared or I forgot what fucking episode it is.
• 1:17
  Speaker 2: But I moved the coffin so.
• 1:19
  Speaker 1: You can actually see it, I know, because so it's
• 1:21
  Speaker 1: not facing me. I did that more for the guests,
• 1:23
  Speaker 1: so I'm like, just so you guys know, so I
• 1:24
  Speaker 1: can ask you. So I moved that over there. I
• 1:26
  Speaker 1: got some like gothic looking shit over here. I got
• 1:28
  Speaker 1: some skulls and Awija born these bloody candles because spooky
• 1:32
  Speaker 1: season is happening.
• 1:33
  Speaker 2: There's the rite up sheet. I can do it.
• 1:34
  Speaker 1: I'm a grown adult, so yes, Hello, and welcome to
• 1:39
  Speaker 1: you episode one fifty one of Frightmar'es. I'm your host,
• 1:41
  Speaker 1: Austin Proctor and joining me across the table as my
• 1:44
  Speaker 1: co host, Corey Johnson. Heo, heo, Hey, what the fuck.
• 1:48
  Speaker 1: Oh that's a gift that keeps on giving. I love
• 1:51
  Speaker 1: that so much. If you frequent the show a lot,
• 1:55
  Speaker 1: you know that. Corey says, hey o in all sorts
• 1:57
  Speaker 1: of different ways. If this is your first I'm ever
• 2:00
  Speaker 1: hearing this because you're on the stream, cool beans, check
• 2:02
  Speaker 1: us out. We're all over the place, Apple Podcasts, Google
• 2:06
  Speaker 1: Play is that what it is? Or Google podcast? I
• 2:09
  Speaker 1: think it's Google podcast.
• 2:10
  Speaker 3: We're on Spotify, We're on iHeartRadio everywhere.
• 2:15
  Speaker 1: We're everywhere everywhere you can stream podcast pretty much or
• 2:18
  Speaker 1: at least all the major ones. So go check us
• 2:19
  Speaker 1: out there. You said you had a movie you wanted
• 2:22
  Speaker 1: to talk about. Yeah, and I have got to know
• 2:25
  Speaker 1: what it is.
• 2:25
  Speaker 3: So Spanish horror movie, but like Spanish Europe, not Spanish Mexico.
• 2:32
  Speaker 1: Yeah, it's called sleep Tight, Okay. It's about this guy
• 2:38
  Speaker 1: that works as like.
• 2:39
  Speaker 3: The concierge slash handyman in a fairly upscale hotel. Yeah,
• 2:44
  Speaker 3: slash like apartment building. It's I don't even want to
• 2:48
  Speaker 3: give like too much detail because this movie is literally
• 2:52
  Speaker 3: all about the actions that take place, okay, because there's
• 2:57
  Speaker 3: not a whole lot of like story or that up
• 3:00
  Speaker 3: as to why this happens.
• 3:03
  Speaker 1: It's just kind of a okay, this is a snippet
• 3:06
  Speaker 1: of this fucked up shit that's happening all right in
• 3:10
  Speaker 1: this area of the world right now. It's it's very.
• 3:14
  Speaker 3: Interesting, it's fantastically.
• 3:20
  Speaker 1: Violent when it is violent, and it's very cerebral too.
• 3:26
  Speaker 3: It's also strange because the the main actor looks like
• 3:30
  Speaker 3: a young David Cross.
• 3:31
  Speaker 1: Yeah, I'm looking at Uh, I'm looking at is it
• 3:34
  Speaker 1: from twenty eleven? Oh?
• 3:36
  Speaker 2: Yes, sleep Tight or me Interests Duermus, directed.
• 3:39
  Speaker 1: By It's a long Name. Yeah, I I'm a balaguero.
• 3:46
  Speaker 1: Oh no shit, Uh what the fuck? He's the DIREC
• 3:49
  Speaker 1: Films dude. Yeah, Reck one, Re two, Reck three. Uh, okay,
• 3:55
  Speaker 1: all right, then he's Surpriseddent recognized that name. What he's
• 3:59
  Speaker 1: got a lot of He's got a lot of baggage
• 4:01
  Speaker 1: with hotels, Yeah apparently. Oh yeah, I was thinking okay,
• 4:05
  Speaker 1: I was thinking Paco Plaza. He's the other director of
• 4:07
  Speaker 1: reg that's right. It was Poco Plaza and II MA
• 4:10
  Speaker 1: about like where, Oh that's crazy. Okay, twenty eleven. It's
• 4:12
  Speaker 1: got a three point five on Letterbox. I gave it.
• 4:16
  Speaker 2: Okay, it's it's good.
• 4:19
  Speaker 3: There's some some parts that kind of meander just a
• 4:22
  Speaker 3: little bit, but overall it was really good. There was
• 4:27
  Speaker 3: never a point where I was There were a couple
• 4:29
  Speaker 3: of points where I was like, oh, is it over
• 4:31
  Speaker 3: Like you would get to like some antithesis action and
• 4:34
  Speaker 3: then it would be like, oh, the movie keeps going.
• 4:36
  Speaker 1: I was like, oh, alright, alright, then I like that,
• 4:40
  Speaker 1: Uh is that streaming anywhere? Yeah? It was on Amazon
• 4:44
  Speaker 1: or Shutter.
• 4:44
  Speaker 2: I can't, I can't. That's right.
• 4:45
  Speaker 1: You remember the line is blurred because yeah, it looks
• 4:49
  Speaker 1: to be on shutter according to I am or sorry Letterbox,
• 4:54
  Speaker 1: I'm gonna put that on my list. It's a it's
• 4:56
  Speaker 1: a it's a minutes too, like that doesn't doesn't doesn't overstay,
• 5:00
  Speaker 1: it's welcome.
• 5:01
  Speaker 3: Which was the other weird confusing thing when you're at
• 5:03
  Speaker 3: like fifty minutes and you're like, wait.
• 5:05
  Speaker 1: Is it is this action the ending of the movie.
• 5:08
  Speaker 1: Is there forty minutes of Is there forty more minutes?
• 5:11
  Speaker 1: What uh oh of credits? Oh good god? Like it
• 5:15
  Speaker 1: just goes there that quick, like some of it, some
• 5:17
  Speaker 1: of the actions are like, okay, like how much further
• 5:20
  Speaker 1: can you take the story after? I love those movies, though,
• 5:23
  Speaker 1: you're just like, I don't understand how you're gonna fill
• 5:25
  Speaker 1: another forty minutes?
• 5:26
  Speaker 2: So what's going on?
• 5:27
  Speaker 3: And what's great is the actions, Like you get to
• 5:31
  Speaker 3: watch the actions ramp up too, Like it's not just
• 5:35
  Speaker 3: from it's not zero to one hundred. You get to
• 5:39
  Speaker 3: watch him go to like twenty oh and then forty
• 5:43
  Speaker 3: and then sixty and then shit starts going out of hand,
• 5:46
  Speaker 3: and then nothing happens interesting, and then he gets and
• 5:48
  Speaker 3: then he gets confidence.
• 5:49
  Speaker 2: Again and again is it found footage?
• 5:51
  Speaker 1: It is not? Okay, some nice camera angles though, Okay,
• 5:56
  Speaker 1: let's see. So plot of this one is, says are
• 6:00
  Speaker 1: and unhappy. Concierge maintains a pollicular relationship with the very
• 6:04
  Speaker 1: diverse inhabitants of the upper class apartment building where he
• 6:07
  Speaker 1: works in Barcelona. So that sounds pretty cool. It gave
• 6:12
  Speaker 1: me very like new school Hitchcock vibes.
• 6:15
  Speaker 3: Really yeah, okay, just the way that the story was
• 6:19
  Speaker 3: kind of being told and I was like, I can
• 6:21
  Speaker 3: get behind.
• 6:21
  Speaker 1: This, So let's put this in perspective here, because I
• 6:25
  Speaker 1: love the REC movies. This one was twenty eleven, so
• 6:29
  Speaker 1: we got rec in two thousand and seven. REC Two
• 6:32
  Speaker 1: two thousand and nine, REC Three twenty fourteen. Okay, so
• 6:36
  Speaker 1: this is in between like REC two or Regg. Yeah,
• 6:38
  Speaker 1: Reck two and three he doesn't have anything to do
• 6:40
  Speaker 1: with the fourth one. That one definitely was the most
• 6:43
  Speaker 1: bizarre Wreck. I'll go ahead and say, because I always
• 6:47
  Speaker 1: thought it was weird that in three they do found
• 6:49
  Speaker 1: footage for a little bit and then abandon it into
• 6:52
  Speaker 1: regular like movie making, which I thought was kind of
• 6:55
  Speaker 1: cool because they explained it. But I was like, but like,
• 6:57
  Speaker 1: that's the scary part of Reck. Yeah, is the found aspect.
• 7:01
  Speaker 3: Wreck as a franchise is very bizarre to begin with.
• 7:05
  Speaker 2: Yeah, first two are great.
• 7:06
  Speaker 1: Three and four year Like, I don't know what happened here,
• 7:08
  Speaker 1: but I mean they're not like terrible. We've reviewed them. Yeah,
• 7:11
  Speaker 1: they've talked about it. But yeah, it's just such a
• 7:14
  Speaker 1: complete tonal shift, and if you're caught lacking on any
• 7:18
  Speaker 1: of it, like it just completely falls apart.
• 7:21
  Speaker 2: It does.
• 7:22
  Speaker 1: And it's funny that we're talking about wreck because the
• 7:24
  Speaker 1: movie we're doing today is found Footage, and uh, if
• 7:27
  Speaker 1: you're a longtime listener or you know, have listened to
• 7:29
  Speaker 1: episodes with me and Corey, you know that Found footage
• 7:31
  Speaker 1: is like our bread and butter. That is what we
• 7:34
  Speaker 1: love to watch. So it was fitting today that we
• 7:37
  Speaker 1: would do the Sacrament by Tyle West. This is so
• 7:40
  Speaker 1: our theme today with this episode is Tyle West. One
• 7:43
  Speaker 1: of these days we'll probably do X. But I feel
• 7:46
  Speaker 1: like we need to talk about the Sacrament for any
• 7:48
  Speaker 1: number of his other movies. I mean literally any other
• 7:51
  Speaker 1: movie House of the Devil Innkeepers. I know he didn't
• 7:57
  Speaker 1: do the Blair Witch that was wind Guard.
• 7:59
  Speaker 2: What to ty West do? He did a.
• 8:01
  Speaker 1: Segment and I mean, we're gonna get into it because
• 8:03
  Speaker 1: I'm going to talk about the director. So let's just
• 8:05
  Speaker 1: wait till we get there. Yeah, we'll just do it then.
• 8:09
  Speaker 1: But yeah, Tye West is a is an awesome director,
• 8:11
  Speaker 1: and I can't wait to see Have you seen the
• 8:14
  Speaker 1: trailer for Pearl yet? You saw X?
• 8:18
  Speaker 2: Right?
• 8:18
  Speaker 1: I have not seen X yet?
• 8:20
  Speaker 2: You have not seen X?
• 8:21
  Speaker 1: Oh? Okay, I've been lacking. I worked. I work two
• 8:25
  Speaker 1: jobs now. No, no, no, I'm not mad. I was
• 8:29
  Speaker 1: just I was kind of surprised because it came out
• 8:31
  Speaker 1: like March, so it's been five months or so.
• 8:34
  Speaker 2: Life life shit.
• 8:36
  Speaker 1: Okay, well, you got to watch X because it's very
• 8:38
  Speaker 1: reminiscent of like Texas Chainsaw Massacre. Okay, little you know,
• 8:42
  Speaker 1: there's got some good blood and gore and it's kind
• 8:44
  Speaker 1: of like a slow Burn. Also has that like you know,
• 8:46
  Speaker 1: seventies eighty like seventies aesthetic too, So yeah, if you
• 8:50
  Speaker 1: like Tya West movies, you got to check out X, dude.
• 8:53
  Speaker 2: But anyways, per oh, yeah.
• 8:55
  Speaker 1: Maybe do it. I don't know if it's it's probably
• 8:58
  Speaker 1: streaming somewhere for like five bucks. But Pearl is the
• 9:01
  Speaker 1: prequel to X, and it's done by ty West as well.
• 9:04
  Speaker 2: He mentioned doing a.
• 9:06
  Speaker 1: Trilogy of all of like the Pearl X and something else,
• 9:09
  Speaker 1: but right now he's doing Pearl. It's already shot and done.
• 9:12
  Speaker 1: It's coming out like in September. So we're getting two
• 9:14
  Speaker 1: movies from ty West this year. Hell yeah, which is
• 9:16
  Speaker 1: crazy because the last horror movie he did, I'm pretty
• 9:19
  Speaker 1: sure was The Sacrament from twenty thirteen. So to see
• 9:25
  Speaker 1: him do two horror movies in the years just makes
• 9:27
  Speaker 1: me very happy, especially with how good X was. There
• 9:29
  Speaker 1: was a lot of good kills. That's definitely gonna come
• 9:31
  Speaker 1: back up in the top ten of the year later
• 9:34
  Speaker 1: this year. But yeah, ty Wes good director. If you've
• 9:37
  Speaker 1: seen a House of the Devil, that's like his like
• 9:40
  Speaker 1: first like that was like what really put him on
• 9:42
  Speaker 1: the map?
• 9:42
  Speaker 3: Was I want to say that I have, but bro,
• 9:46
  Speaker 3: like we watched so many like like I sometimes I'll
• 9:51
  Speaker 3: be like thirty minutes into a movie and be like, oh, yeah,
• 9:54
  Speaker 3: I've seen this.
• 9:55
  Speaker 1: That happens to me all the time where you get
• 9:56
  Speaker 1: like that deja vu feeling. You're like I feel like
• 9:58
  Speaker 1: I've seen this, but and then something happens at triggers
• 10:01
  Speaker 1: and you're like, okay, yeah, I remember this off, let's
• 10:03
  Speaker 1: go find something else. Yeah, well, yeah, House of the
• 10:07
  Speaker 1: Devil was a really good one that he did. And
• 10:09
  Speaker 1: also The Innkeepers that was a little a little bit slower.
• 10:12
  Speaker 1: There's actually something at the end. You have to be
• 10:14
  Speaker 1: very very watchful for it to appreciate it fully. But yeah,
• 10:18
  Speaker 1: he's a great director, and that's why I wanted to
• 10:20
  Speaker 1: do this today. Trying to think, have you watched anything
• 10:22
  Speaker 1: else recently? Anything else going on. No, well, let's see,
• 10:28
  Speaker 1: let me go back through my uh letterbox, because I'm
• 10:32
  Speaker 1: sure sure there's something right, maybe definitely something maybe not horror.
• 10:38
  Speaker 1: I'll tell you what I watched today that wasn't necessarily horror. Actually,
• 10:41
  Speaker 1: I mean, I don't know, there was definitely some horror elements.
• 10:43
  Speaker 1: I watched Bullet Train today, that brand new joint with
• 10:46
  Speaker 1: Brad Pitt.
• 10:47
  Speaker 2: He's on a bullet train and yeah, yeah, okay.
• 10:52
  Speaker 1: I just went in with like mediocre expectations like this
• 10:55
  Speaker 1: will probably be fun, you know. Nonetheless, dude, it was
• 10:58
  Speaker 1: so fantastic. There was so much blood and gold in
• 11:02
  Speaker 1: that movie. People being like cut in half, katanas arms
• 11:05
  Speaker 1: like a right, it was, and there was like a
• 11:07
  Speaker 1: lot going to it, like Brad Pitt's doing something, you know,
• 11:09
  Speaker 1: he's trying to get to someone someone else. It's a
• 11:11
  Speaker 1: whole like convoluted plot. That's I'll take a Brad pit renaissance, please, dude.
• 11:15
  Speaker 1: It was surprisingly good. I'm sitting there in theaters and
• 11:17
  Speaker 1: it was like, it's like a two hour, seven minute movie,
• 11:19
  Speaker 1: and that's usually like my cap for theaters because I'm like,
• 11:22
  Speaker 1: you know, twenty minutes of credit or trailers. Then you
• 11:24
  Speaker 1: got Nicole Kidman coming and saying her bullshit, you got
• 11:26
  Speaker 1: the Dolby presentation. But uh, I looked at my phone
• 11:29
  Speaker 1: for the first time like an hour and twenty en
• 11:31
  Speaker 1: and I was like, oh shit, there's like maybe thirty
• 11:33
  Speaker 1: minutes left, so for a two hour movie to go
• 11:35
  Speaker 1: buy that quickly, like I would recommend it. And it
• 11:37
  Speaker 1: was just so much fun. It's got like a three
• 11:39
  Speaker 1: seven on letterbox as well. So if you haven't seen that,
• 11:43
  Speaker 1: catch it at Regal, maybe go see it.
• 11:45
  Speaker 2: Oh my god.
• 11:45
  Speaker 1: I couldn't imagine that in forty X. That would probably
• 11:48
  Speaker 1: be too intense because that's where like the seats move
• 11:50
  Speaker 1: and shit like that. Right it rains Now, I would
• 11:52
  Speaker 1: not want to spend two hours. Have you done that before?
• 11:55
  Speaker 1: I have not.
• 11:56
  Speaker 2: Oh I thought you had.
• 11:57
  Speaker 1: No, I could have sworn you had a story. No,
• 12:00
  Speaker 1: so well, so the closest thing I have to that is, uh,
• 12:04
  Speaker 1: back when before it was Stitches Encounter and now it's like.
• 12:08
  Speaker 2: Oh it was alien.
• 12:09
  Speaker 1: Yeah.
• 12:10
  Speaker 3: That was my first experience with that as like a
• 12:13
  Speaker 3: six year old child.
• 12:14
  Speaker 2: Oh yeah, that's horrifying.
• 12:15
  Speaker 3: Oh yeah, no, that's I I think that is my true,
• 12:18
  Speaker 3: deep seated fear of why I don't go to Halloween
• 12:21
  Speaker 3: horrornites like I think. I think it traumatized me so
• 12:26
  Speaker 3: bad that like I cannot do horror and theme parks
• 12:30
  Speaker 3: at the same I think it's just something broken.
• 12:32
  Speaker 1: Man. Yeah, I mean you're not You're not wrong. I
• 12:34
  Speaker 1: can remember. I remember like going to Disney all the
• 12:37
  Speaker 1: time and knowing what it was. But I was a kid.
• 12:39
  Speaker 1: I was like, I don't know, and I thought I
• 12:41
  Speaker 1: was old enough for it and went in there and
• 12:42
  Speaker 1: I was I was not prepared for that ship. So yeah,
• 12:44
  Speaker 1: I can rush you on the cat. Oh, get the
• 12:48
  Speaker 1: out of here. I could barely stand for like that
• 12:51
  Speaker 1: Bugs Life show that they did when the bees sting
• 12:53
  Speaker 1: you in the back and then the creepy crawleys go
• 12:55
  Speaker 1: across the floor, Like I comparely do that as a kid?
• 12:58
  Speaker 1: What the bugs I ever did? What is it?
• 13:01
  Speaker 2: Like?
• 13:01
  Speaker 1: Fucking it's the three D thing with flick from a
• 13:04
  Speaker 1: bugs like, Yeah, it's I don't go okay, it's like
• 13:07
  Speaker 1: in the fucking Tree of Life or whatever.
• 13:10
  Speaker 3: Fuck that goddamn hot pot place. It's so it's built
• 13:15
  Speaker 3: on an artificial ring river.
• 13:17
  Speaker 1: To simulate the humidity of where where all these animals live.
• 13:22
  Speaker 1: So it's like artificially extra stupid.
• 13:26
  Speaker 2: Human when yeah, and that's kind of unnecessary.
• 13:29
  Speaker 1: It sucks. It's like being in a rice cooker. It's
• 13:31
  Speaker 1: just pressure deep. I did not know that that factoid.
• 13:37
  Speaker 1: That's pretty interesting. Always coming in with the knowledge of
• 13:40
  Speaker 1: this random ship.
• 13:41
  Speaker 2: I love it.
• 13:41
  Speaker 3: I almost had a random fact for this movie, but
• 13:44
  Speaker 3: I disproved myself.
• 13:47
  Speaker 1: Oh so so tell so for there's for for this movie,
• 13:53
  Speaker 1: which it's it's a religious horror movie.
• 13:56
  Speaker 3: There's very little actual Bible quoting. He makes four quotes
• 14:02
  Speaker 3: through the entire movie.
• 14:04
  Speaker 2: Yes, that's it.
• 14:05
  Speaker 1: That's it.
• 14:05
  Speaker 2: Holy shit, it felt like a lot more.
• 14:07
  Speaker 3: No or eighty only directly quotes the Bible, using chapter
• 14:14
  Speaker 3: and verse number four times. The first two, which is
• 14:19
  Speaker 3: where I was going with this theory, are from Romans,
• 14:22
  Speaker 3: and Romans is the book that specifically describes like why
• 14:27
  Speaker 3: it's shitty to be a human because we're so sinful,
• 14:30
  Speaker 3: and why you should turn so the whole aspect of
• 14:34
  Speaker 3: leaving a sinful life to blah blah blah, move on.
• 14:38
  Speaker 3: I was like, all right, I'm starting to think I
• 14:40
  Speaker 3: see a pattern, and then the next two lines he
• 14:43
  Speaker 3: uses are not from Romans at all.
• 14:44
  Speaker 1: Oh God, damn it.
• 14:46
  Speaker 2: I thought I was onto something.
• 14:48
  Speaker 1: I was like, I'm gonna pit, I'm on the trail,
• 14:50
  Speaker 1: and the trail went nowhere. I was hoping that it
• 14:53
  Speaker 1: would be because you always notice like small stuff like
• 14:56
  Speaker 1: that and bring it to the table and I'm like, yeah,
• 14:58
  Speaker 1: and I think I think this was like my third
• 15:00
  Speaker 1: watch through, so I was watched like four or five.
• 15:02
  Speaker 3: So I was trying to like, and it's free right
• 15:04
  Speaker 3: now on is it free Amazon?
• 15:07
  Speaker 2: Yeah?
• 15:08
  Speaker 1: Yeah, oh okay, totally free right now?
• 15:11
  Speaker 2: All right.
• 15:12
  Speaker 1: It's also free on Pluto TV if you care. But yeah, no,
• 15:19
  Speaker 1: this is it's a very like clean movie.
• 15:23
  Speaker 3: There's not a whole lot to like actively notice. But
• 15:26
  Speaker 3: that's something that ty West does is he's very like, yo,
• 15:30
  Speaker 3: here's the story, here's the action.
• 15:33
  Speaker 2: Go. Yeah, he's very good at that. Man. I really
• 15:37
  Speaker 2: wish that.
• 15:37
  Speaker 1: So you couldn't You couldn't find any other sort of
• 15:40
  Speaker 1: train of thought with what he was doing. Nah, I mean,
• 15:43
  Speaker 1: if you were onto something and you're like continue, I mean,
• 15:47
  Speaker 1: if I want to, if I want to go down
• 15:49
  Speaker 1: the route of like cherry picking, I'm sure I could
• 15:53
  Speaker 1: find something, some.
• 15:55
  Speaker 3: Bullshit connection that leads me down a road. But I
• 15:59
  Speaker 3: thought that there was like an actual intent behind him
• 16:04
  Speaker 3: using romans the first two times, and that it was
• 16:07
  Speaker 3: going to continue.
• 16:09
  Speaker 1: Because I was looking for it and it just never
• 16:11
  Speaker 1: panned out. Damn. That would have been amazing if it was,
• 16:13
  Speaker 1: because like you know, I don't notice stuff like that,
• 16:15
  Speaker 1: but you're always good at picking up, like find details
• 16:17
  Speaker 1: of movies sometimes that I'm not. I'm just not paying
• 16:19
  Speaker 1: attention to. You just are able to nab them so
• 16:21
  Speaker 1: quickly and blow my mind.
• 16:23
  Speaker 3: And as we go, I will also relay because I
• 16:27
  Speaker 3: don't wanna. I don't wanna blow my my comparison.
• 16:31
  Speaker 2: Yeah, like right off the bat.
• 16:33
  Speaker 3: So as we're going, I'll I'll give you what I'm
• 16:36
  Speaker 3: what I'm gonna say.
• 16:36
  Speaker 1: All right, all right, let me see here. I don't
• 16:38
  Speaker 1: think there's anything else.
• 16:39
  Speaker 2: I watched horror Wise.
• 16:41
  Speaker 1: Uh oh I mean oh oh oh wait, yes, I did.
• 16:45
  Speaker 1: I take that back. I watch actually, me and Gabby
• 16:48
  Speaker 1: watch it. I'm sure we'll talk about it next week
• 16:49
  Speaker 1: a little bit, but I'll bring it up now. I
• 16:51
  Speaker 1: watched that new They Them movie on Peacock and I
• 16:56
  Speaker 1: heard about it. Yeah yeah, yeah, yeah, got you the
• 17:01
  Speaker 1: same less Well, No, I know the direct I know
• 17:04
  Speaker 1: people involved were part of you know, lgd lg BTQ
• 17:08
  Speaker 1: plus I'm sorry LGBT community.
• 17:11
  Speaker 2: I'll just say that, it's just I can never remember
• 17:13
  Speaker 2: the letters. I'm sorry.
• 17:14
  Speaker 1: Uh So, I know it had good intentions behind it,
• 17:17
  Speaker 1: but the execution, unfortunately, you have to just see it
• 17:21
  Speaker 1: to understand, so I can. I can like talking about it,
• 17:23
  Speaker 1: but I was like, are you you had it too? Bet,
• 17:27
  Speaker 1: I'm not getting Peacock TV again.
• 17:28
  Speaker 2: What do you mean what happened?
• 17:29
  Speaker 1: Oh? No, I got the free trial, Like there's not
• 17:32
  Speaker 1: on here. Yeah, I mean I have it for the
• 17:34
  Speaker 1: office and that's pretty much it. But yeah, they had
• 17:37
  Speaker 1: a good intention and like they tried, but at the end,
• 17:40
  Speaker 1: I was like, yeah, didn't really, No, he didn't didn't
• 17:44
  Speaker 1: nail it. So if you watch it and me and
• 17:47
  Speaker 1: me and Gabby will be talking about it next week
• 17:49
  Speaker 1: because she's seen it and she can articulate better than
• 17:52
  Speaker 1: I can about it.
• 17:52
  Speaker 2: But yeah, it was just it kind of missed the mark.
• 17:54
  Speaker 2: Not that great.
• 17:55
  Speaker 1: Kevin Bacon was a fantastic, uh villainy type guy.
• 17:59
  Speaker 2: Though he was he was great.
• 18:01
  Speaker 1: He does play a good villain and there was a
• 18:03
  Speaker 1: lot of the cast that I liked in the cast,
• 18:05
  Speaker 1: like almost every character. I could connect with some them
• 18:09
  Speaker 1: in some way, but then it's it's just more the
• 18:10
  Speaker 1: execution and the twist.
• 18:12
  Speaker 2: Of the movie.
• 18:13
  Speaker 1: I was like, I saw that coming, and also no,
• 18:17
  Speaker 1: it's you're not representing this correctly. So but yeah, I
• 18:21
  Speaker 1: saw that, And then we're gonna watch Pray tonight. That
• 18:25
  Speaker 1: new Predator joint. Dude, it's been getting insane reviews. Yeah,
• 18:28
  Speaker 1: I heard that it was good.
• 18:33
  Speaker 3: If you're like going for just the fun, yeah, of
• 18:38
  Speaker 3: you know Predator. But if you're like a die hard,
• 18:41
  Speaker 3: like you read the comics.
• 18:42
  Speaker 1: And ship, you're gonna be oh, okay, that's decent.
• 18:45
  Speaker 2: Yeah.
• 18:46
  Speaker 1: Nobody said it's like outright bad.
• 18:48
  Speaker 2: Yeah, but some.
• 18:49
  Speaker 1: People are just like yeah, all right, Yeah, I mean
• 18:51
  Speaker 1: it's got it's got like a three eight on letter box.
• 18:53
  Speaker 1: So I'm excited and I'm just surprised these movies are
• 18:55
  Speaker 1: going straight to streaming, like they them straight to Peacock
• 18:58
  Speaker 1: Pray straight to Hulu. Uh, Evil Dead Rise, Uh straight
• 19:02
  Speaker 1: to HBO Max. But I think they might be doing
• 19:05
  Speaker 1: the theatrical because apparently the screen test like went through
• 19:09
  Speaker 1: the roof and tested Potts so great, so they might
• 19:10
  Speaker 1: give it a theatrical, which is funny because I fucking
• 19:13
  Speaker 1: thought it was a show. I thought Evil Dead Rise
• 19:15
  Speaker 1: was a new show. It's a movie. I had no idea. Yeah,
• 19:19
  Speaker 1: so I thought it was a show, like like a
• 19:20
  Speaker 1: little mini series or something kind of to compliment as
• 19:23
  Speaker 1: versus Evil Dead. But that's not joint. Though I know
• 19:28
  Speaker 1: Bruce Campbell's involved, I can't remember exactly. Well, if Bruce
• 19:33
  Speaker 1: Campbell's involved, I mean, let me see Evil Dead Rise.
• 19:36
  Speaker 3: I'll give it. I'll give it a workaround past. But
• 19:39
  Speaker 3: if it's not Ramie, it's not Evil Dead.
• 19:41
  Speaker 1: Um, he's credited as creator, but he is not doesn't
• 19:46
  Speaker 1: look like he's directing. Lee Cronan is directing, and yeah,
• 19:52
  Speaker 1: it just says so writing credits Sam Raimi created by
• 19:56
  Speaker 1: So I don't think. I mean, I'm sure he's a
• 19:59
  Speaker 1: producer or like, I don't think, Yeah, let me see, Okay,
• 20:02
  Speaker 1: Bruce Campbell is producer in Sam Raimi or at least
• 20:05
  Speaker 1: they're so they're producing. So yeah, so they're at least
• 20:08
  Speaker 1: overseeing things. You probably have a very very you know,
• 20:11
  Speaker 1: heavy influence on what's actually going on. Uh So I'll
• 20:15
  Speaker 1: take that at least. But yeah, that's supposed to be
• 20:18
  Speaker 1: out later this year. We do. This month is crazy
• 20:20
  Speaker 1: for releases because we've already had two and the next week,
• 20:23
  Speaker 1: next week we have Fall and Bodies Bodies Bodies, and
• 20:27
  Speaker 1: then like, don't worry, Darling is coming out in September,
• 20:30
  Speaker 1: Halloween in October. I think, Evil Dead rises September. Oh,
• 20:34
  Speaker 1: that new Final Destination as well is going straight to HBO,
• 20:38
  Speaker 1: I think or something like that. So like this the
• 20:39
  Speaker 1: rest of the year, and that's like the soft reboot.
• 20:44
  Speaker 2: It's supposed to be like Evil Dead too.
• 20:46
  Speaker 1: It's like it's like a like a like a repeat
• 20:48
  Speaker 1: or you know, but it's like new, but it's continuing
• 20:51
  Speaker 1: the storyline. So it's like it's like it's like a requel,
• 20:54
  Speaker 1: you know. But I'm excited something.
• 20:59
  Speaker 2: Yeah.
• 21:00
  Speaker 1: Yeah, it's really funny to watch all this stuff come out.
• 21:03
  Speaker 1: It's like COVID, COVID, COVID, COVID, COVID horror movie.
• 21:06
  Speaker 2: Oh my god, I know, so many horror movies for
• 21:09
  Speaker 2: the rest of.
• 21:09
  Speaker 1: The dream got unclogged and now it's like, okay, we
• 21:13
  Speaker 1: have there's too much coming out all at once, like damn,
• 21:16
  Speaker 1: like space, I don't want to spend a paycheck at
• 21:21
  Speaker 1: the movie theater or renting ship on Amazon because you know,
• 21:24
  Speaker 1: I got to get the popcorn. I gotta get the drink. Yeah,
• 21:26
  Speaker 1: you gotta get the popcorn and soda, maybe candy if
• 21:28
  Speaker 1: I'm feeling candy, or bring your own candy. What was
• 21:33
  Speaker 1: I gonna say, all this ship that's coming out? Yeah,
• 21:36
  Speaker 1: I just can't. I can't believe how much stuff is
• 21:37
  Speaker 1: coming out. Have you seen Hatching yet? I have not.
• 21:41
  Speaker 1: It is on Hulu for free. Weirdest fucking movie you'll
• 21:44
  Speaker 1: see besides Men this year so far doesn't have commercials.
• 21:48
  Speaker 1: Uh do you pay for luout commercials?
• 21:50
  Speaker 2: I pay for Hulu without commercials.
• 21:52
  Speaker 1: I do not. I'm broke.
• 21:54
  Speaker 2: No. I mean, hey, it's it's like a five or
• 21:56
  Speaker 2: six dollars difference. I get it. But yeah, I mean
• 21:59
  Speaker 2: if you.
• 22:00
  Speaker 3: Because you can find some stuff on Hulu that has
• 22:03
  Speaker 3: no commercials and that's the way to go.
• 22:05
  Speaker 2: Hmmm, I don't know.
• 22:06
  Speaker 1: I guess I would have to see the version that
• 22:08
  Speaker 1: does that has commercials, because I don't know if it
• 22:10
  Speaker 1: does or not. But if if it doesn't, i'd say
• 22:12
  Speaker 1: check that out because that's wild and I really need
• 22:14
  Speaker 1: your opinion on that one, gotcha? So that's another one.
• 22:17
  Speaker 1: But uh, yeah, I guess we can start. I'm sure
• 22:20
  Speaker 1: you as I have a lot to say about this
• 22:23
  Speaker 1: movie and really tear it apart in a good way.
• 22:25
  Speaker 1: In a good way, oh for sure, in a good way.
• 22:28
  Speaker 1: So let me get my notes up here. We'll go
• 22:30
  Speaker 1: into this movie. I'm super excited for this one, right so,
• 22:34
  Speaker 1: as I said at the beginning of the show, and
• 22:36
  Speaker 1: throughout the show, we're doing The Sacrament from twenty thirteen,
• 22:39
  Speaker 1: released on May one, twenty fourteen, to the Internet in
• 22:43
  Speaker 1: the US, because this is one of those ones that
• 22:45
  Speaker 1: went to festivals and didn't actually come out and you know,
• 22:48
  Speaker 1: for like another year to us like the public rated
• 22:51
  Speaker 1: R for no sex and nudity, moderate violence and gore,
• 22:55
  Speaker 1: moderate profanity, a few fucks, moderate alcohol, drugs and smoking,
• 22:59
  Speaker 1: and severe frightening ten scenes. Runtime of an hour and
• 23:02
  Speaker 1: thirty nine minutes, listed as a horror thriller. Directed by
• 23:06
  Speaker 1: Ty West. He has twenty seven seven directing credits and
• 23:09
  Speaker 1: has also done The House of the Devil, The Innkeepers.
• 23:12
  Speaker 1: He did the second Honeymoon short for VHS in a
• 23:16
  Speaker 1: Valley of Violence and X that's the one I need
• 23:18
  Speaker 1: to see still in a Valley of Violence. Yeah, I don't.
• 23:21
  Speaker 1: I don't remember hearing about that one. Yeah, that was
• 23:23
  Speaker 1: one from like twenty sixteen. I think it's supposed to
• 23:26
  Speaker 1: be pretty damn good. Also remind me of the second
• 23:28
  Speaker 1: Honeymoon short. So the second Honeymoon short from VHS was
• 23:32
  Speaker 1: the one where it's this couple and they're on it's
• 23:36
  Speaker 1: I guess, I guess it's a second honeymoon, but they're
• 23:38
  Speaker 1: like going through the desert and they stop at that
• 23:41
  Speaker 1: hotel of that little motel and someone knocks on the
• 23:43
  Speaker 1: door and it's this weird girl. Okay, yeah, yeah, yeah,
• 23:46
  Speaker 1: it's a good short. So that's the one he did
• 23:49
  Speaker 1: for the first VHS. Oh and speaking of which, on
• 23:52
  Speaker 1: the subject real quick, did you see that they're doing
• 23:54
  Speaker 1: v Yeah, yeah, VHS. I can't believe that ninety nine. Yeah,
• 23:57
  Speaker 1: it's supposed to come out in October. And I'm like,
• 23:59
  Speaker 1: why are we we just had one? Uh? Was it
• 24:02
  Speaker 1: last year?
• 24:03
  Speaker 2: This year?
• 24:03
  Speaker 1: No?
• 24:03
  Speaker 2: It was last year.
• 24:04
  Speaker 1: Yeah, So I think the reason being what So here's
• 24:08
  Speaker 1: here's what I think happened.
• 24:09
  Speaker 3: I think they got a shitloaded directors together for the
• 24:14
  Speaker 3: last one, okay, and then they said, shit, we we
• 24:19
  Speaker 3: have too much, we have too many, So what we
• 24:22
  Speaker 3: need to do is we need to take some of
• 24:25
  Speaker 3: these and ask these guys to come in and retool
• 24:29
  Speaker 3: like one or two details, and then we're gonna release
• 24:33
  Speaker 3: these in a whole different story. We got them already, Yeah,
• 24:38
  Speaker 3: we have them, so why not we paid the money?
• 24:42
  Speaker 1: Yeah, that makes sense because I was wondering. I'm like, Okay,
• 24:45
  Speaker 1: they're doing ninety nine. They did ninety four. I didn't
• 24:47
  Speaker 1: really get nineties vibes from ninety four, so I'm hoping
• 24:51
  Speaker 1: they lean into that more with this one. But I
• 24:53
  Speaker 1: was like, okay, we're getting another one. They're probably gonna
• 24:56
  Speaker 1: lean into the Y two K.
• 24:58
  Speaker 2: Well, yeah, I saw it.
• 25:00
  Speaker 1: One of the stills I saw was a grandma with
• 25:01
  Speaker 1: like glasses that say two thousand, which would be cool,
• 25:04
  Speaker 1: Like that's like a specific point in time that I
• 25:06
  Speaker 1: lived through, so that would be cool to see that
• 25:08
  Speaker 1: on screen.
• 25:08
  Speaker 2: Like, all right, I.
• 25:09
  Speaker 1: Knew somebody that we called Y two Wayne.
• 25:12
  Speaker 2: Why to Wayne?
• 25:13
  Speaker 1: Yeah? Why?
• 25:15
  Speaker 3: So he worked for IBM and he was super afraid
• 25:18
  Speaker 3: of He was super afraid of Y two K, sold
• 25:22
  Speaker 3: like half his property off, sold like all of his house,
• 25:26
  Speaker 3: and then built, uh like what built like a gymnasium
• 25:31
  Speaker 3: sized bunker into a mountain on his property and moved
• 25:34
  Speaker 3: his entire family in there.
• 25:35
  Speaker 2: Oh my god, that's crazy.
• 25:38
  Speaker 1: Yeah, so everybody called him y two Wayne.
• 25:39
  Speaker 2: People took that shit seriously, holy cow.
• 25:42
  Speaker 3: Well, and it was also scared because like he he
• 25:44
  Speaker 3: worked for IBM. He was like a computer sign in
• 25:47
  Speaker 3: the know. So we were like hmm. But then we
• 25:49
  Speaker 3: were like not now, we're good.
• 25:51
  Speaker 1: It's Wayne.
• 25:54
  Speaker 2: Oh that's insane.
• 25:56
  Speaker 1: Wow, Okay, so maybe they'll maybe we'll see something to
• 25:58
  Speaker 1: do with that or like a whole version of what
• 26:01
  Speaker 1: could have happened if everything stopped it night dude, that
• 26:04
  Speaker 1: would be so cool, Holy shit thinking about that. So
• 26:07
  Speaker 1: it's written by ty West as well. He pretty much
• 26:09
  Speaker 1: writes everything he directs. Composed by Tyler Bates. This man
• 26:14
  Speaker 1: has done done some things and stuff one hundred and
• 26:17
  Speaker 1: twenty four composing credits. Also did Donn of the Dead
• 26:20
  Speaker 1: two thousand and four, The Devil's Reject, Slither, Halloween two
• 26:24
  Speaker 1: thousand and seven, Halloween two two thousand and nine, The
• 26:27
  Speaker 1: Belco Experiment, John Wick one through three, Guardians of the
• 26:31
  Speaker 1: Galaxy one and two X, and then Upcoming Pearl from
• 26:35
  Speaker 1: ty West.
• 26:36
  Speaker 2: So like he has done some fucking oh.
• 26:40
  Speaker 1: Very important Films cinematography by Eric Robbins. He has Cinema
• 26:45
  Speaker 1: fourteen cinematographer credits. Also did in A Valley of Violence
• 26:50
  Speaker 1: starring Joe Swanberg as Jake Williams fifty three acting credits.
• 26:54
  Speaker 1: Also in Your Next as Drake VHS and Second Honeymoon
• 26:58
  Speaker 1: which is ty West thing we just talked about out
• 27:00
  Speaker 1: as Sam. And then Off Season, which is a new
• 27:03
  Speaker 1: movie for this year as George Darrow either this year
• 27:06
  Speaker 1: or last year. Then we have a J. Bowen as
• 27:09
  Speaker 1: Sam Turner forty eight acting credits. Also also in The
• 27:15
  Speaker 1: Signal as Lewis Denton, which is a super awesome movie.
• 27:19
  Speaker 1: I believe that's David Bruckner. Hatchet Toe is late in
• 27:22
  Speaker 1: Your Next as Crispian, So both of these guys were
• 27:25
  Speaker 1: in Your Nex which is also another great slasher. He's
• 27:28
  Speaker 1: also in The Guest as Austin weirdly Enough, and I
• 27:31
  Speaker 1: Trapped the Devil as Matt. You would recognize him if
• 27:34
  Speaker 1: you've seen if you saw his face like most people don't.
• 27:37
  Speaker 1: Most people like don't know his name, and you're like,
• 27:38
  Speaker 1: I know that guy, I've seen you in good movies.
• 27:41
  Speaker 1: Then we have Kentucky Adler as Patrick thirty nine acting credits.
• 27:46
  Speaker 1: Also in VHS as in the tape fifty six segment
• 27:50
  Speaker 1: as Roy, which is the wrap around segment of VHS
• 27:53
  Speaker 1: with all the guys in the house. Also, Yes, that
• 27:57
  Speaker 1: better not be your stage name. What fucking Kentucky Adler?
• 28:02
  Speaker 2: No?
• 28:02
  Speaker 3: You that either needs to be your god given name
• 28:05
  Speaker 3: or you're crazy?
• 28:07
  Speaker 2: What's that? What is that? Is that some reference to something? No?
• 28:09
  Speaker 1: Like who goes by? Who wants to go by the
• 28:11
  Speaker 1: name of a state? I don't know know it's it's Kentucker. Oh, Kentucker,
• 28:15
  Speaker 1: that's what That's what I wrote down. Oh, I thought
• 28:17
  Speaker 1: I thought you said it was Kentucky adlerk Oh, I
• 28:20
  Speaker 1: said that backwards. Okay, Kentucker Kentucker. Oddly sorry, I have dyslexia.
• 28:25
  Speaker 1: Apparently I said that completely backwards. Either way, it's still
• 28:28
  Speaker 1: a weird name.
• 28:29
  Speaker 3: Yeah, it's it's a very weird name. Speaking of weird names,
• 28:32
  Speaker 3: you've hit me. I I learned something the other day
• 28:34
  Speaker 3: that for summer.
• 28:35
  Speaker 1: I should have known this. I don't know why I didn't.
• 28:37
  Speaker 1: You saw Tenant, right, Yeah, you know John John David Washington.
• 28:42
  Speaker 1: That's Denzel's kid. That makes sense, That makes sense. I
• 28:47
  Speaker 1: didn't know that.
• 28:47
  Speaker 2: I was like, that makes sense.
• 28:49
  Speaker 3: He's also apparently a professional football player too, really yeah?
• 28:53
  Speaker 1: Interesting? Yeah, No, that totally makes sense. I don't know
• 28:55
  Speaker 1: why I never picked up on that. It makes him
• 28:56
  Speaker 1: fit the character way better.
• 28:58
  Speaker 2: Yeah, I know, right, I need a watch that again.
• 29:00
  Speaker 2: That's a movie I'll never understand. HBO. Oh is it? Yeah?
• 29:03
  Speaker 2: Got HBO fucking goat man?
• 29:06
  Speaker 1: Oh my god, I know I'm rewatching the wire right now.
• 29:08
  Speaker 1: Oh is that whole series on there?
• 29:10
  Speaker 2: Yep?
• 29:11
  Speaker 1: Oh shit, okay it's an HBO original. Oh is it really? Yeah? Oh?
• 29:15
  Speaker 2: I had no idea. Yeah, I know.
• 29:17
  Speaker 1: I think you might have mentioned that to me, and
• 29:19
  Speaker 1: I definitely need to watch that at some point. Best
• 29:21
  Speaker 1: show ever written, ever written? Yeah, all right, I like it.
• 29:25
  Speaker 1: I have to check that out. How many seasons are there? Five?
• 29:28
  Speaker 2: Okay, so that's like low commitment too.
• 29:29
  Speaker 1: Are they hour long episodes or hour long episodes? Forty
• 29:34
  Speaker 1: two episodes of season? No? I think the shortest season
• 29:39
  Speaker 1: is season three with nine episodes. Oh wow, okay, that's
• 29:44
  Speaker 1: that's doable. But the season finale of every episode is
• 29:46
  Speaker 1: like at minimum an hour twenty oh okay, so we're
• 29:50
  Speaker 1: going almost Stranger Thing style, except that was two hours
• 29:52
  Speaker 1: and like ten minutes.
• 29:53
  Speaker 2: God, okay, I can Tucker Audley.
• 29:56
  Speaker 1: It's Patrick gene Jones as Father forty two acting credit.
• 30:00
  Speaker 1: Also in Dementia's George Lockhart and The Hateful Eight as
• 30:03
  Speaker 1: Sweet Dave and Last but Night Leads we have Amy Simetz.
• 30:06
  Speaker 1: It's Caroline seventy eight acting credits. Also in Your Next
• 30:09
  Speaker 1: as Amy, Alien Covenant as Ferris, three episodes of Stranger
• 30:13
  Speaker 1: Things as Becky Ives.
• 30:16
  Speaker 2: I can't remember her.
• 30:17
  Speaker 1: I think she was one of the lifeguards. Maybe yes,
• 30:20
  Speaker 1: it's episodes from she was one episode and episodes or
• 30:23
  Speaker 1: in season one and two episodes in season two, So yeah,
• 30:26
  Speaker 1: Becky ives. And then she was also in Pets Cemetery
• 30:29
  Speaker 1: the remake as Rachel. Budget of four million, worldwide gross
• 30:33
  Speaker 1: of nine k because indie film, you know, didn't really
• 30:36
  Speaker 1: get a not only indie film, indie film about religionage.
• 30:42
  Speaker 1: And it was produced by Eli Roth, which is awesome.
• 30:45
  Speaker 1: He likes to do movies in the jungle apparently, which is.
• 30:49
  Speaker 3: Hilarious because if you actually look at like the scenery
• 30:53
  Speaker 3: that was definitely shot somewhere in like fucking Georgia.
• 30:55
  Speaker 2: Yeah it was. I think I think I think it
• 30:57
  Speaker 2: was Georgia.
• 30:58
  Speaker 1: Well, well, we're about to find out. But I was like,
• 31:00
  Speaker 1: those woods are American.
• 31:02
  Speaker 2: Those are definitely American woods. Yeah.
• 31:04
  Speaker 1: Uh they built all that shit for the movie too. Yeah,
• 31:06
  Speaker 1: it's awesome. So let's see here. Oh yeah, right here.
• 31:11
  Speaker 1: That was the next thing. This movie was filmed in Savannah, Georgia. Oh,
• 31:15
  Speaker 1: there we go, there you go. You can watch this
• 31:18
  Speaker 1: on Amazon. Apparently it's free. That may maybe that change
• 31:21
  Speaker 1: because when I looked at it and I did this review,
• 31:23
  Speaker 1: it was not free, so maybe they added it free.
• 31:25
  Speaker 2: That happens all the time. You can purchase it.
• 31:27
  Speaker 1: For twelve twelve ninety nine, or get the Blu ray
• 31:29
  Speaker 1: for sixteen ninety nine, which is what I have.
• 31:32
  Speaker 2: I had to buy.
• 31:32
  Speaker 1: I saw that at like f y you know, I
• 31:34
  Speaker 1: was like, I'm taking this was a place, this is
• 31:37
  Speaker 1: there's an fyu. The Alta Ma Mam Brother was still there.
• 31:39
  Speaker 1: Oh it's still there. I go there all the time.
• 31:41
  Speaker 1: They're all the time movies that came out around the
• 31:44
  Speaker 1: same time. We're gonna go by the May twenty fourteen
• 31:47
  Speaker 1: release date. We've got Alien Abduction, which is another fucking
• 31:51
  Speaker 1: awesome found footage movie about an alien abduction.
• 31:55
  Speaker 2: Clearly is what the title says.
• 31:56
  Speaker 1: Then we have Oculus, The Amazing Spider Man two, The
• 32:00
  Speaker 1: Babba Duke, Edge of Tomorrow, Molificent, and A Million Ways
• 32:03
  Speaker 1: to Die in the West. Is that the seth oh,
• 32:06
  Speaker 1: not Green, not Rogan McFarlane. Yes, is that that one?
• 32:09
  Speaker 1: It is?
• 32:10
  Speaker 2: Okay, I don't know, like.
• 32:11
  Speaker 3: It's and it's it's very niche, hilarious, Like some people
• 32:18
  Speaker 3: will find it really funny.
• 32:19
  Speaker 1: Other people will be like this is stupid. I remember
• 32:22
  Speaker 1: seeing it when it first came out and being like,
• 32:24
  Speaker 1: this is great. But that was also when I was
• 32:25
  Speaker 1: like super in a Family Guy, and now I'm just
• 32:28
  Speaker 1: not because it's just it's just hasn't been that great.
• 32:31
  Speaker 1: There was like three seasons where they time traveled, that's
• 32:33
  Speaker 1: all they did, And I'm like, ah, I hate this.
• 32:35
  Speaker 3: I've never been a huge fan of Family Guy. I'm
• 32:37
  Speaker 3: American dad all day long.
• 32:39
  Speaker 1: See, I've never never got into that one. Fuck cutaways,
• 32:43
  Speaker 1: That's what the entire show is built on. They don't
• 32:45
  Speaker 1: do that at all in American not a single one.
• 32:47
  Speaker 1: Never interesting. Okay, Wow, is that streaming anyway? Yeah, it's
• 32:51
  Speaker 1: on Hulu. I think, God damn all these streaming services
• 32:54
  Speaker 1: are the best. Uh, we literally have moved back where
• 32:59
  Speaker 1: its because I used to have cable and like Netflix
• 33:02
  Speaker 1: and then got rid of cable just use Netflix, then
• 33:05
  Speaker 1: added Hulu, then Prime, then Shutter, then Peacock, then Paramount,
• 33:09
  Speaker 1: and I'm like, this is just cable with extra steps
• 33:12
  Speaker 1: and different payments to different places.
• 33:15
  Speaker 2: It's a scam. I hate it.
• 33:17
  Speaker 1: Yeah. Oh and they're all different. This one can't have
• 33:20
  Speaker 1: any exclamation points. This one's required. This one requires twenty
• 33:23
  Speaker 1: seven fucking numbers.
• 33:25
  Speaker 2: Oh, I hate it. They're all different passwords.
• 33:29
  Speaker 1: Did you have any specific horror momentos in this, because
• 33:33
  Speaker 1: I mean, I think my specific horror moment is and
• 33:43
  Speaker 1: it's it's not really necessarily even a horror moment per se,
• 33:47
  Speaker 1: but yeah, it kind of sets the tone for what
• 33:50
  Speaker 1: the fuck is gonna go on. When they're walking to
• 33:54
  Speaker 1: their cabin originally and like, oh hey, how's it going?
• 33:57
  Speaker 1: Oh hey hi, and most people are just like looking
• 34:01
  Speaker 1: at the ground. It gives you that all right, shit's
• 34:06
  Speaker 1: not gonna go well. And that's after they were like
• 34:08
  Speaker 1: introduced and like everyone you know in Caroline's like this
• 34:11
  Speaker 1: place is amazing, Look all this stuff we built. And
• 34:14
  Speaker 1: then yeah, they're walking around people are like shunning them
• 34:17
  Speaker 1: because they're outsiders, and the people that are willing to
• 34:19
  Speaker 1: talk are like, oh no, this is the greatest place ever.
• 34:21
  Speaker 1: Fuck you, I'd never leave. I'd die for this place.
• 34:24
  Speaker 1: I'll do anything for this place. I'll sell all my
• 34:26
  Speaker 1: shit to help pay for this place.
• 34:28
  Speaker 4: Uh.
• 34:29
  Speaker 1: Specific horror moment. I can't say who win or where,
• 34:31
  Speaker 1: but someone at some point gets set on fire and
• 34:34
  Speaker 1: it's fucking awesome. Oh yeah, that would be my horror moment.
• 34:38
  Speaker 1: Favorite kill. I mean, there's like a whole bunch of them.
• 34:41
  Speaker 1: But also, how far are we going with this? I
• 34:43
  Speaker 1: don't know, what do you think? I would say we
• 34:47
  Speaker 1: go because if we're not gonna spoil it, and then
• 34:50
  Speaker 1: I have a perfect place to stop. I would say
• 34:52
  Speaker 1: we we go up to the party.
• 34:56
  Speaker 2: Oh that's it.
• 34:58
  Speaker 1: Well, the rest of it is like the outcome of
• 35:01
  Speaker 1: the movie let me see, let me see where my
• 35:04
  Speaker 1: because I had a specific spot in my notes where
• 35:06
  Speaker 1: I said we should stop because after there. Oh yeah, okay,
• 35:13
  Speaker 1: all right, yeah I don't. I don't I'm not going
• 35:17
  Speaker 1: much past that, but okay, yeah, because there's a certain
• 35:20
  Speaker 1: pivotal point where once once, like once you stop there,
• 35:24
  Speaker 1: then yeah, everything just goes fucking downhill real quick. Do
• 35:27
  Speaker 1: you have a favorite, like I said's a favorite killed
• 35:29
  Speaker 1: at all?
• 35:31
  Speaker 3: Yes, my favorite kill is Savannah Savanna.
• 35:36
  Speaker 1: Oh geez, that's so messed up, I know, Oh my god.
• 35:41
  Speaker 4: Oh no, that's why it's my favorite killing, just because, like,
• 35:47
  Speaker 4: for no other reason than to say, hey, heart strings rip.
• 35:52
  Speaker 1: Yeah, that's true. Yeah, okay, yeah, that's a good one.
• 35:55
  Speaker 1: And I'm not even gonna say how just it's it's
• 35:59
  Speaker 1: so yep okay. Mine is a kind of kind of
• 36:03
  Speaker 1: a spoiler. But at some point sometimes someone gets shot
• 36:08
  Speaker 1: in the face and you see all of it and
• 36:09
  Speaker 1: you're just like, holy shit, yeah crazy. So that's definitely
• 36:13
  Speaker 1: my favorite kill of the of the movie. Didn't really
• 36:16
  Speaker 1: have a favorite line. It was pretty much anytime Father
• 36:19
  Speaker 1: said anything, I'm like, this man's gotta got away with words.
• 36:22
  Speaker 2: Man.
• 36:23
  Speaker 1: Everything he says definitely had those Southern like Baptist church vibes.
• 36:29
  Speaker 1: So I didn't really necessarily have a favorite line because
• 36:31
  Speaker 1: they're you know, usually favorite lines like something quippi somebody
• 36:34
  Speaker 1: says and passing.
• 36:35
  Speaker 2: But you do you have one? I do?
• 36:38
  Speaker 1: Oh shit, yeah, and only because of the way it
• 36:41
  Speaker 1: was delivered, because it's one of the most cliche lines
• 36:44
  Speaker 1: in found footage ever, Okay, when Sam and Jake are
• 36:53
  Speaker 1: leaving the party after.
• 36:58
  Speaker 3: Savannah gives them the note, and Sam is just just
• 37:03
  Speaker 3: fast walking back to the cabin and uh, Jake asked
• 37:08
  Speaker 3: him something. He goes, dude, fuck it, I don't know
• 37:10
  Speaker 3: what's going on anymore. And I was just the way
• 37:12
  Speaker 3: it was delivered. I was like, you know what, that
• 37:15
  Speaker 3: one was believable.
• 37:18
  Speaker 1: Yeah at that point, Yeah, you really get a bomb
• 37:20
  Speaker 1: dropped on you.
• 37:21
  Speaker 2: We'll talk about that.
• 37:22
  Speaker 1: So, yeah, I didn't really have a favorite line for
• 37:24
  Speaker 1: me favorite character.
• 37:26
  Speaker 2: Did you have one of those?
• 37:28
  Speaker 1: Uh? Probably father, These answers are astounding. He's just so
• 37:35
  Speaker 1: fucking sinister. Yeah, without even without most people even realizing it.
• 37:41
  Speaker 1: My favorite character. I believe it was Jake the cameraman,
• 37:45
  Speaker 1: just because I was like, that's me. If I'm anybody,
• 37:48
  Speaker 1: it's him. Like, we have to pack our shit. We're
• 37:51
  Speaker 1: getting out of here in the morning. We can't, you know,
• 37:53
  Speaker 1: we can't take anybody with us.
• 37:54
  Speaker 2: Fuck that.
• 37:55
  Speaker 1: Uh. He definitely seemed to be the most logical one
• 37:57
  Speaker 1: because aj even was or not Ajent, Well that's a
• 37:59
  Speaker 1: guy name in real life. Sam was kind of getting
• 38:02
  Speaker 1: a little hung up on his you know, with his
• 38:04
  Speaker 1: emotions and trying to help the people, and it's like, dude,
• 38:07
  Speaker 1: you're here to do a job.
• 38:08
  Speaker 2: Unfortunately, this is not your problem.
• 38:10
  Speaker 3: And see, like if I was in that situation in
• 38:13
  Speaker 3: that party, I like after the party, I would have
• 38:15
  Speaker 3: packed my shit and been like, you know what, I'm
• 38:17
  Speaker 3: gonna walk down this.
• 38:18
  Speaker 1: Road because it's a road I can follow it. I'm
• 38:22
  Speaker 1: not staying here. Nope, I'm gonna walk down the road.
• 38:24
  Speaker 1: I will wait for the helicopter to get me the
• 38:26
  Speaker 1: hell out of here. I will sleep in the bugs
• 38:28
  Speaker 1: in the jungle. I don't fuck it. I'm not staying here.
• 38:32
  Speaker 2: Yeah.
• 38:34
  Speaker 1: Uh. Least favorite character probably Caroline, honestly, just because of
• 38:39
  Speaker 1: what she did drink, you know, dragging her brother and
• 38:42
  Speaker 1: what she did, like does to her brother, you know,
• 38:44
  Speaker 1: like I don't want to say because it's a spoiler,
• 38:46
  Speaker 1: but like what she eventually does, You're like, what fuck you? Like,
• 38:49
  Speaker 1: what what the hell?
• 38:50
  Speaker 2: That was such a weird character choice for her. I didn't.
• 38:53
  Speaker 1: I did not like that at all. And you least
• 38:57
  Speaker 1: favorite character the doctor the duc oh, like the nurse
• 39:02
  Speaker 1: lady or whatever.
• 39:02
  Speaker 2: Yeah, why because.
• 39:06
  Speaker 3: Fuck you for practicing medicine in a cult.
• 39:13
  Speaker 1: Medicine is science. You are not allowed to bring religion
• 39:18
  Speaker 1: into it. I'm sorry, man out of here.
• 39:21
  Speaker 3: You have a duty as a medical professional to report
• 39:25
  Speaker 3: every goddamn bad thing that happen.
• 39:27
  Speaker 2: That's true.
• 39:28
  Speaker 3: Yeah, and she deserved the death she got.
• 39:33
  Speaker 1: I like it. You're just coming out swinging to that.
• 39:34
  Speaker 1: I like it, no holding back. I'm telling you have opinions. Yeah,
• 39:38
  Speaker 1: oh yeah, I've got so many good opinions on this.
• 39:41
  Speaker 1: All right, So I AMDB summerree A news team, excuse me,
• 39:47
  Speaker 1: let me birth. A news team trails a man as
• 39:49
  Speaker 1: he travels into the world of Eden Parish to find
• 39:51
  Speaker 1: his missing sister, where it becomes a parent that the
• 39:54
  Speaker 1: paradise may not be as it seems. Let me read
• 39:58
  Speaker 1: off some things real quick, because you're caught up with
• 40:01
  Speaker 1: what's going on through a series of texts on screen.
• 40:04
  Speaker 1: And it basically says that Vice, which is a real company.
• 40:06
  Speaker 1: So I don't know how they got involved with this,
• 40:09
  Speaker 1: but like Vice is a real I think so, like
• 40:12
  Speaker 1: was it just like plugging their shit?
• 40:14
  Speaker 2: You know what I mean?
• 40:15
  Speaker 1: Like, I mean, it's possible, but here's a plug you
• 40:17
  Speaker 1: can also claim any like we could make a movie
• 40:23
  Speaker 1: and say, oh, we're reporters for Fox News, Like yeah,
• 40:26
  Speaker 1: it's you don't have to necessarily. I mean they're they're
• 40:30
  Speaker 1: using their logo and stuff like that. You gotta get
• 40:32
  Speaker 1: there's yeah, you gotta get permissions. But I mean, so, here's.
• 40:35
  Speaker 3: The thing is, in that realm of news media, they
• 40:40
  Speaker 3: are much more likely to be in contact with people
• 40:42
  Speaker 3: in the horror community.
• 40:44
  Speaker 1: Yes, I guarantee you. Ty West knows somebody Advice and
• 40:47
  Speaker 1: he was like, Yo, run this up the chain for me,
• 40:49
  Speaker 1: and Vice is like, fuck, yes.
• 40:51
  Speaker 2: We'll be in everything.
• 40:53
  Speaker 1: Uh so, yeah, just essentially explains what Vice is. It's
• 40:55
  Speaker 1: a New York based multimedia company available in over thirty
• 40:59
  Speaker 1: six countries. They bring new age type journalism blah blah blah.
• 41:03
  Speaker 1: And then it goes on to say, because Patrick is
• 41:05
  Speaker 1: the guy, So Caroline and Patrick their brother and sister,
• 41:08
  Speaker 1: and Sam is the one talking to Patrick, and we
• 41:11
  Speaker 1: find out that Patrick had a sister had drug addiction.
• 41:15
  Speaker 1: She joined this sober living community in rural Mississippi. His
• 41:20
  Speaker 1: concerns for her well being he grew, He grew even
• 41:24
  Speaker 1: more weary, like when he got a mysterious letter in
• 41:26
  Speaker 1: the mail. It had a phone number in there. That
• 41:29
  Speaker 1: phone number led let him led Patrick to a man
• 41:31
  Speaker 1: who explained that his sister moved out of the country
• 41:33
  Speaker 1: with the rest of the community. No exact location was given,
• 41:37
  Speaker 1: only instructions on where to fly into and that helicopter
• 41:40
  Speaker 1: would be waiting to take him the rest of the way.
• 41:42
  Speaker 1: Sam convinced Patrick to let him and another member of Vice,
• 41:45
  Speaker 1: which is Jake, tag along to be a part of
• 41:48
  Speaker 1: the bizarre documentary trip. So that's the setup for this movie.
• 41:51
  Speaker 1: Is Patrick going to find his sister in this place
• 41:53
  Speaker 1: called Eden Parish. And once you get all the details,
• 41:57
  Speaker 1: like I said, it's just text on screen, and I
• 41:59
  Speaker 1: like how they did that. It was just a very
• 42:01
  Speaker 1: easy way to bring up to speeds with what's going on.
• 42:03
  Speaker 1: I'll put you in the situation. And what's funny is
• 42:05
  Speaker 1: if you if you watch any Avice's content, that's how
• 42:09
  Speaker 1: they right give story about what is what you are
• 42:13
  Speaker 1: about to see on screen. So it's really cool and
• 42:15
  Speaker 1: it gives you really a sense of realism because this
• 42:17
  Speaker 1: is a mockumentary slash found footage style kind of a
• 42:20
  Speaker 1: mix of both. So I really like just how they
• 42:23
  Speaker 1: did that and just how like this movie just feels
• 42:26
  Speaker 1: so authentic and real. It's it's uncanny, how just believable
• 42:30
  Speaker 1: this feels.
• 42:30
  Speaker 3: And the only reason it's not one of those movies
• 42:35
  Speaker 3: where I can go is really happening like so with
• 42:38
  Speaker 3: like descend into darkness, my European nightmare.
• 42:41
  Speaker 1: Like that, that is that happening.
• 42:44
  Speaker 3: That that is a movie where it is so hard
• 42:46
  Speaker 3: to see, where the line of reality and fiction is
• 42:52
  Speaker 3: the only reason that this line in the Sacrament.
• 42:55
  Speaker 1: Is so bold and is so easy to see is because.
• 43:01
  Speaker 3: That it is damn near a one to one recreation
• 43:07
  Speaker 3: of a real life tragedy exactly.
• 43:10
  Speaker 1: Yeah, like yeah, almost to the t of what happened.
• 43:16
  Speaker 1: So it's it's one of the very heavily inspired. But
• 43:20
  Speaker 1: I don't know if we should give it away because
• 43:21
  Speaker 1: I kind of not yet. Okay yet not yet. I mean, So,
• 43:25
  Speaker 1: here's the thing. It's when it comes to religious cult
• 43:29
  Speaker 1: horror movies, you only get one of two outcomes. So people, yeah,
• 43:33
  Speaker 1: people know what's gonna happen, you know the other. Yeah,
• 43:37
  Speaker 1: that's true, that's very true. So yeah, So they go
• 43:41
  Speaker 1: to find Caroline and immediately upon being helicoptered down, they're
• 43:46
  Speaker 1: stopped by the security guards, who obviously have an issue
• 43:49
  Speaker 1: because they were told there was only gonna be one person.
• 43:52
  Speaker 1: Now there's three. They've got cameras. They're not happy about it.
• 43:54
  Speaker 1: So they have to security has as, yeah, like just
• 43:57
  Speaker 1: huge guns, and they're the're kind of thrown off by
• 44:00
  Speaker 1: that because they're supposed to be like a pacifist community.
• 44:03
  Speaker 1: So they're kind of on guard because they didn't realize
• 44:07
  Speaker 1: that it was gonna be this serious.
• 44:09
  Speaker 2: And the only way to.
• 44:10
  Speaker 1: Get into the community is a two kilo two kilometer
• 44:13
  Speaker 1: road is just about one point two miles and it's
• 44:16
  Speaker 1: the only way enter out.
• 44:17
  Speaker 2: And they're you know in this.
• 44:18
  Speaker 1: Like like what would you call like a large like
• 44:20
  Speaker 1: utility convoy vehicle. Yeah, it's a big truck with it
• 44:23
  Speaker 1: like an open bed.
• 44:24
  Speaker 3: It's like army So imagine every electrical truck that doesn't.
• 44:30
  Speaker 1: Have a bucket on it.
• 44:31
  Speaker 2: Yeah, exactly. Yeah, it's just a big ass truck.
• 44:34
  Speaker 1: Uh. So they get there and uh Sister finds Patrick
• 44:39
  Speaker 1: lets them know that everything's okay, and it's funny because
• 44:41
  Speaker 1: the guards ask them for their passports and yeah, Sam
• 44:44
  Speaker 1: and Sam and Jake are like, fucking taking my passport.
• 44:46
  Speaker 2: That's that is not happening.
• 44:48
  Speaker 1: So they she welcomes them in and they say hi
• 44:51
  Speaker 1: to everyone, they go about the community, and then you know,
• 44:54
  Speaker 1: they question her like so, what's with the guns, Like
• 44:56
  Speaker 1: what's that about? And she's like, you know, those are
• 44:57
  Speaker 1: just like for show. They're just very protective. You know,
• 45:00
  Speaker 1: it doesn't represent how we are into the community. And
• 45:02
  Speaker 1: I'm like, bullshit, red flag number one. So yeah, and
• 45:07
  Speaker 1: then there's talk, you know, there's talking about father, and
• 45:10
  Speaker 1: you know, she mentions how Father did all this and
• 45:12
  Speaker 1: it wouldn't be possible without him, and you hear a
• 45:14
  Speaker 1: voice come over the loud speaker, and of course it's
• 45:16
  Speaker 1: Father saying that they have guests and all that stuff,
• 45:19
  Speaker 1: and uh, it's pretty it. It's pretty crazy because you know,
• 45:22
  Speaker 1: they all all these people quit their jobs, sold all
• 45:25
  Speaker 1: their shit, moved down to what is apparently I think
• 45:27
  Speaker 1: it's supposed to be South America. Yeah, it's supposed to
• 45:29
  Speaker 1: mirror so.
• 45:30
  Speaker 2: Supposed to be.
• 45:31
  Speaker 1: And they donated all their money to the church, and
• 45:34
  Speaker 1: they built all these cabins in a pavilion, in a
• 45:36
  Speaker 1: house for father and.
• 45:37
  Speaker 2: All that stuff.
• 45:38
  Speaker 1: So it's actually quite impressive that all these people did this.
• 45:41
  Speaker 1: You know, they want to live off the grid, they
• 45:43
  Speaker 1: want to live off the land. They don't want to
• 45:44
  Speaker 1: have material possessions. And I can get behind that list stuff.
• 45:47
  Speaker 1: That's something you want to do. Fucking that sounds amazing.
• 45:50
  Speaker 3: Just don't let any one single person make up yeah exactly.
• 45:54
  Speaker 1: Don't follow one ring leader down there and think everything's
• 45:57
  Speaker 1: gonna be okay.
• 45:57
  Speaker 3: Put everything to a vote, yeah, and that vote gets
• 46:02
  Speaker 3: followed through with Yeah, that's the only way communes.
• 46:06
  Speaker 2: Work, Yeah, exactly.
• 46:08
  Speaker 1: Uh uh. And it's funny because I noticed right away
• 46:12
  Speaker 1: from meeting Caroline, within like the first two minutes, I
• 46:14
  Speaker 1: was like, you can kind of tell she's just kind
• 46:17
  Speaker 1: of seems a little brainwashed, you know, just how they
• 46:20
  Speaker 1: talk about five. Yeah, just like he you know, he's amazing.
• 46:24
  Speaker 2: It wouldn't be possible about him.
• 46:25
  Speaker 1: And you're like, all right, you you're you're worshiping this
• 46:27
  Speaker 1: man a little too much because apparently you guys did
• 46:30
  Speaker 1: all the work. He just kind of kind of sits
• 46:32
  Speaker 1: there and doesn't do anything, just delegates. But you also
• 46:35
  Speaker 1: come to understand why she specifically is so brainwashed. Later,
• 46:40
  Speaker 1: Oh yeah, that goes down a whole slippery slope. Caroline
• 46:45
  Speaker 1: also mentions, you know, they have to be careful about
• 46:47
  Speaker 1: media exposure. They know that there are people out there
• 46:51
  Speaker 1: that want to stop what they're doing, so they have
• 46:53
  Speaker 1: to be very careful about how they, you know, they
• 46:55
  Speaker 1: spin the story. They're very worried about them talking negatively
• 46:59
  Speaker 1: about the commune, and of course that's not what they
• 47:01
  Speaker 1: you know, Sam says like, that's not what we're here for.
• 47:03
  Speaker 1: We're taking an objective, you know, third party perspective opinion
• 47:07
  Speaker 1: and writing about it honestly.
• 47:08
  Speaker 2: Yeah, which is really cool.
• 47:11
  Speaker 1: So then they bring them to this little cabin and
• 47:13
  Speaker 1: they unpack their shit and the cabin's got like six
• 47:16
  Speaker 1: beds in it, you know, like bunk bed style stuff.
• 47:19
  Speaker 1: And then that's when they go around it and this
• 47:20
  Speaker 1: is what you were talking about. They go around and
• 47:22
  Speaker 1: start talking. They try to talk to some of the members,
• 47:24
  Speaker 1: but they're kind of shunned. Someone says they're not a
• 47:27
  Speaker 1: fan of outsiders, and that's kind of what they're.
• 47:29
  Speaker 2: She was like, did they just call us like outsiders?
• 47:31
  Speaker 2: Like what does that mean?
• 47:32
  Speaker 1: But then they get they get Lorraine Davis, that old set,
• 47:35
  Speaker 1: like that seventy five year old lady with the hat
• 47:37
  Speaker 1: doing the you know, her little gardening and stuff like that,
• 47:39
  Speaker 1: and she mentions how she got involved and how Father
• 47:42
  Speaker 1: chose her because apparently it's not anybody that goes, you know,
• 47:47
  Speaker 1: Father chooses. There's still a collective of this church in
• 47:50
  Speaker 1: the States.
• 47:51
  Speaker 2: Yeah, we're doing.
• 47:53
  Speaker 1: Something, doing something, but these people were chosen. And she says,
• 47:57
  Speaker 1: you know, when I saw him do this sermon before
• 47:59
  Speaker 1: it was over, he was like, I knew I was
• 48:01
  Speaker 1: ready to go. Is like, he's got away with words,
• 48:03
  Speaker 1: and my fuck does he is very charismatic. It's honestly
• 48:07
  Speaker 1: such a solid performance that it really does. It makes
• 48:11
  Speaker 1: it so believable how good Jeene Jones is well.
• 48:15
  Speaker 3: And honestly, if Jeene Jones was smart, he probably listened
• 48:24
  Speaker 3: to the recordings of the man that his character is.
• 48:27
  Speaker 1: Based off of which he shares a last name with too. Yeah. Yeah,
• 48:32
  Speaker 1: I thought that was crazy. It was like, oh my god, yes,
• 48:35
  Speaker 1: so he probably all you gotta do is listen to
• 48:39
  Speaker 1: that Last Day tape man.
• 48:40
  Speaker 3: Yeah, and you can get everything you need to understand
• 48:45
  Speaker 3: how to be that character. That's true, Yeah, because even
• 48:48
  Speaker 3: in that Last Day tape, that charisma still is just
• 48:52
  Speaker 3: like brute force its way through.
• 48:54
  Speaker 1: It never stops. Yeah, it never stops. So then they
• 48:58
  Speaker 1: go talk to the other people another girl, Sarah White,
• 49:00
  Speaker 1: she is twenty three from Australia, and you know, she's like,
• 49:03
  Speaker 1: father has given me everything I could have ever wanted.
• 49:07
  Speaker 1: And you know, he's like, well, what about your family
• 49:09
  Speaker 1: and she says, these are my family now.
• 49:10
  Speaker 2: And Lorraine also she.
• 49:12
  Speaker 1: Was you know, because they asked her like, what what
• 49:13
  Speaker 1: about you leaving and she said, oh, well, you know,
• 49:15
  Speaker 1: after my husband passed, I've kind of not been doing much.
• 49:18
  Speaker 1: So there's a theme going along here that most of
• 49:21
  Speaker 1: the people that are down here don't have anybody, or
• 49:25
  Speaker 1: if they do, their whole family is there.
• 49:27
  Speaker 3: It's like it's almost like cults prey upon people going
• 49:30
  Speaker 3: through trauma exact nobody else around them.
• 49:32
  Speaker 1: Oh yeah, weaker kind of people. Yeah, so yeah. And
• 49:37
  Speaker 1: then we get to Wendy Johnson, for she's the nurse
• 49:40
  Speaker 1: of the parish, gives them a rundown on the place,
• 49:42
  Speaker 1: and she's the one that informs them that everyone sold
• 49:46
  Speaker 1: everything to donate their money to the church. And you know,
• 49:49
  Speaker 1: Sam and Jake are kind of just like, that's kind
• 49:52
  Speaker 1: of weird. You can I just sell everything and just
• 49:54
  Speaker 1: donate it and like we can and we did, Yeah,
• 49:57
  Speaker 1: we can, and we did and we do it. Again,
• 49:58
  Speaker 1: I'm like, I mean, are what more power to you?
• 50:01
  Speaker 1: I can't tell you how to live your life. It's
• 50:03
  Speaker 1: just this is a bit weird. It's at this point too,
• 50:05
  Speaker 1: we find out Sam's wife is pregnant, which is uh
• 50:10
  Speaker 1: a reason why he kind of gets the lets his
• 50:13
  Speaker 1: emotions get the better of him because he's, you know,
• 50:15
  Speaker 1: he's constantly worrying about his wife, which obviously understandable. But
• 50:18
  Speaker 1: then he sympathizes with Savannah because he knows he's about
• 50:22
  Speaker 1: to be a father, so he's sympathizing with the one
• 50:25
  Speaker 1: of the kids there that is really going through it.
• 50:29
  Speaker 1: So it does play a vital part in this whole movie,
• 50:33
  Speaker 1: especially when even father brings it up to him and
• 50:36
  Speaker 1: catches Sam off guard and he's like, how'd you know
• 50:38
  Speaker 1: about that? And he's like, I did a little research.
• 50:40
  Speaker 1: It isn't fun being in the like the opposite chair
• 50:42
  Speaker 1: or whatever. So yeah, and then they tad the last
• 50:46
  Speaker 1: people they talked to you or are the two guys
• 50:47
  Speaker 1: in the basketball court, Robert Andre and there they would
• 50:49
  Speaker 1: literally say they would rather die than go back to America,
• 50:52
  Speaker 1: and I'm.
• 50:53
  Speaker 3: Like, boy, it's like, man, yeah, it's really dark in
• 50:56
  Speaker 3: that foreshadowing, right, it is.
• 50:59
  Speaker 1: Wow, it's it's on. It's like it's almost like you're
• 51:01
  Speaker 1: laying all the puzzle pieces down. You're just handing me
• 51:04
  Speaker 1: a done puzzle. I know, yeah, this is Oh this
• 51:07
  Speaker 1: is done. Okay, great, thanks thanks for that. I know
• 51:08
  Speaker 1: I know it's going to happen. So yeah, at this point,
• 51:13
  Speaker 1: you know, Sam is under the idea that everyone at
• 51:16
  Speaker 1: the parish is the happiest they've ever been. They've only
• 51:18
  Speaker 1: talked to people that I've had positive experiences. Everyone is
• 51:22
  Speaker 1: living literally their best life, and everything seems peachy. And
• 51:26
  Speaker 1: of course me when you know, the first time I've
• 51:28
  Speaker 1: always seen this four or five times, maybe even six,
• 51:30
  Speaker 1: first time I'm watched this, I'm like, this is a
• 51:32
  Speaker 1: load of horseship. Yeah, there's so many red flags. It's
• 51:35
  Speaker 1: all gonna unravel. And I didn't know it was based
• 51:37
  Speaker 1: off of that whole thing until obviously I stall the
• 51:39
  Speaker 1: ending and it was like, oh shit, that's a cool
• 51:41
  Speaker 1: tie in. So yeah, that's that's that's essentially what's going on.
• 51:44
  Speaker 1: Everything is just peachy, keen here, no problems, everyone is
• 51:48
  Speaker 1: living the best life they possibly could. And then that's
• 51:51
  Speaker 1: when they meet Savannah and her mom, she's the one
• 51:54
  Speaker 1: that calls them outsiders, and they don't really like to
• 51:57
  Speaker 1: talk to outsiders about what goes on in the parish.
• 52:00
  Speaker 1: And it's like we are not allowed to talk. Oh sorry, sorry, correct, yes, correct.
• 52:05
  Speaker 1: And she also mentioned how you only talk to the
• 52:07
  Speaker 1: people that they wanted you to talk to and that's
• 52:10
  Speaker 1: why all the reviews are, you know, five stars. So
• 52:14
  Speaker 1: then you kind of get a different side right there. That. Okay,
• 52:17
  Speaker 1: Savannah and her mom, I'm getting a weird vibe from them.
• 52:20
  Speaker 1: They obviously feel kind of maybe not imprisoned, but they
• 52:24
  Speaker 1: feel like they have a strict set of rules they
• 52:25
  Speaker 1: have to follow or else bad things are going to happen,
• 52:29
  Speaker 1: which they're not wrong.
• 52:32
  Speaker 2: So yeah, then Caroline gives them a piece of paper.
• 52:34
  Speaker 1: About what the parish is about, and it's just some
• 52:38
  Speaker 1: like some crazy shit on there. It's very like eccentric
• 52:42
  Speaker 1: and bold and stuff like that. And father does agree
• 52:46
  Speaker 1: to the interview. And I want to talk about this
• 52:48
  Speaker 1: interview because it's just I needed twenty five. Yeah that
• 52:53
  Speaker 1: it was captivating watching aj Bowen and Jean Jones just
• 52:58
  Speaker 1: pair up and go through this interview. Because Sam has
• 53:02
  Speaker 1: a lot of questions. He has like a notebook full
• 53:04
  Speaker 1: of questions and he gets through maybe a couple before
• 53:07
  Speaker 1: Father has just drowned them all and I feel crazy speaking,
• 53:11
  Speaker 1: And I feel.
• 53:11
  Speaker 3: Like this was one of those moments where the director said, hey, Aj,
• 53:20
  Speaker 3: here are your lines, and then a day later he
• 53:24
  Speaker 3: went to Gene and said, hey, Jay, here's your lines.
• 53:27
  Speaker 3: But they don't know what each other's lines are, right,
• 53:30
  Speaker 3: because it gave you just that good enough play to
• 53:33
  Speaker 3: where like one person would say one thing and then
• 53:36
  Speaker 3: the response would happen, and it truly looked like both
• 53:42
  Speaker 3: parties had no idea what was going to happen back
• 53:44
  Speaker 3: and forth.
• 53:45
  Speaker 1: That would be a very smart play and it wouldn't
• 53:47
  Speaker 1: surprise me if that's exactly what happened, because yeah, Aj
• 53:50
  Speaker 1: Bowen's reaction to what Father is saying is is just
• 53:55
  Speaker 1: it's just it's too good, Like it's so good. It's
• 53:58
  Speaker 1: such a natural reaction and it comes off very authentic.
• 54:01
  Speaker 1: But yeah, that whole interview between them, because they got
• 54:05
  Speaker 1: two camera angles. They've got Jake on one camera and
• 54:08
  Speaker 1: then Patrick has like a DSLR that he's using to
• 54:11
  Speaker 1: help film, so they got a couple of different camera
• 54:13
  Speaker 1: Are you are you good over there?
• 54:14
  Speaker 2: Yeah?
• 54:14
  Speaker 1: I dude, I don't know why I'm yawning so much,
• 54:17
  Speaker 1: but like, no, it's just my body is, like you
• 54:21
  Speaker 1: need more air.
• 54:23
  Speaker 2: Yeah, that's true. We do, we do. We do talk
• 54:25
  Speaker 2: a lot.
• 54:26
  Speaker 1: So yeah, just that whole performance was it's so like
• 54:29
  Speaker 1: that even just not even that, the whole movie is
• 54:31
  Speaker 1: just very believable, but that scenes specifically, especially because since
• 54:35
  Speaker 1: this is mockumentary, there is a little bit of score
• 54:37
  Speaker 1: that goes with it, which you know, you can get
• 54:39
  Speaker 1: away with it doing that because it's you know, it's
• 54:41
  Speaker 1: it's more mockumentary than found footage. I will I will
• 54:44
  Speaker 1: say though, in this this movie in particular, I feel
• 54:50
  Speaker 1: like if they would have just let the silence happen,
• 54:53
  Speaker 1: you would have gotten much more anxiety and much less stress. Yeah,
• 54:59
  Speaker 1: because like the thing about it, Yeah, the reason this
• 55:01
  Speaker 1: movie works so well is it stresses you out. It
• 55:05
  Speaker 1: doesn't give you that I don't know what's gonna happen.
• 55:07
  Speaker 1: I'm anxious. It's given you that I am watching this happen.
• 55:12
  Speaker 1: Fucking don't open that door. Yeah, type shit.
• 55:16
  Speaker 3: Yeah, it's a stress because you're like, dude, you shouldn't
• 55:18
  Speaker 3: even fucking be here in the first place.
• 55:20
  Speaker 1: Oh, I know when they're like, oh, let's bring some
• 55:22
  Speaker 1: people and go do this. Nah, Pastrick's got a DSL
• 55:25
  Speaker 1: Are you let him film in report back? Yeah, let
• 55:28
  Speaker 1: him do all He's already going there, don't don't go. So, yeah,
• 55:31
  Speaker 1: I understand what you're saying, because like, sometimes, yes, silence
• 55:34
  Speaker 1: is is you know, because most most fund footage movies,
• 55:37
  Speaker 1: you know, they don't have score, so they build that
• 55:38
  Speaker 1: tension with the silence. But this was to me, it
• 55:41
  Speaker 1: was at least subtle enough to where it wasn't overpowering,
• 55:43
  Speaker 1: and it kind of added uh, you know, pretty decently
• 55:45
  Speaker 1: to it. But yeah, I would be curious to see
• 55:48
  Speaker 1: how the vibes would be if it was just completely silent,
• 55:50
  Speaker 1: because I'm sure that would change the tone entirely. Yeah,
• 55:53
  Speaker 1: it would be much more menacing.
• 55:55
  Speaker 2: Yeah, I was thinking sinister.
• 55:56
  Speaker 3: So yeahs the score up and hill it changes to
• 56:01
  Speaker 3: just like violent drum beats. Yeah, the score gives it
• 56:05
  Speaker 3: a much more settling feeling. Yeah, which is probably the
• 56:10
  Speaker 3: point it's supposed to like lull you in, just like
• 56:13
  Speaker 3: our three main characters got lulled into the community.
• 56:18
  Speaker 1: When it's so subtle too, you don't even I didn't
• 56:20
  Speaker 1: even realize that half the time, and I was like, oh,
• 56:21
  Speaker 1: their score happening right now, you know, like, well, and
• 56:23
  Speaker 1: see it's so perfect, we'll see And I notice it
• 56:26
  Speaker 1: like immediately because I'm like, all right, it's found footage, truly, Yeah,
• 56:29
  Speaker 1: give me silence, give me win noises. That's that's about
• 56:32
  Speaker 1: all you're allowed to Sometimes I just I just miss it.
• 56:35
  Speaker 1: And then then I'm like, halfway through the scene, I'm like, oh,
• 56:37
  Speaker 1: there's a score. Oh shit, I didn't that's fair. I
• 56:39
  Speaker 1: didn't even realize. But yeah, no, I totally I totally
• 56:42
  Speaker 1: agree with you. I'm more of a fan of silence.
• 56:44
  Speaker 1: But at least in this instinct, I did feel it
• 56:46
  Speaker 1: worked because sometimes when they have a score in a
• 56:50
  Speaker 1: found footage movie, I'm like, but this was found for
• 56:52
  Speaker 1: like literal someone picked this camera up.
• 56:54
  Speaker 2: You couldn't add a score to that.
• 56:55
  Speaker 1: Yeah, that doesn't make sense, but you know, you have
• 56:57
  Speaker 1: to let it slide because you're like, it's a movie
• 56:58
  Speaker 1: at the end of the day.
• 57:01
  Speaker 2: Let's see here.
• 57:02
  Speaker 1: So after the interview, uh, and oh, by the way,
• 57:05
  Speaker 1: I didn't even mention this. The interview was in front
• 57:08
  Speaker 1: of the entire fucking community, and he's like, you know,
• 57:10
  Speaker 1: leaching on to the crowd because they love him, and
• 57:13
  Speaker 1: he's looking at them kind of riling them up, and
• 57:16
  Speaker 1: you know, Sam's getting a little bit more uneasy because
• 57:18
  Speaker 1: he's never had an interview go like that. So after that,
• 57:22
  Speaker 1: they start cleaning up, setting up for like this party
• 57:24
  Speaker 1: they're gonna have, and Jake and Sam are talking and
• 57:27
  Speaker 1: you know, a Sam's like, yeah, I feel like that
• 57:30
  Speaker 1: was a bad interview because he just kind of messed
• 57:32
  Speaker 1: me up with all his questions. But I was like,
• 57:34
  Speaker 1: that was a great interview. I mean, you got a
• 57:36
  Speaker 1: lot out of him without saying much. And both Jake
• 57:39
  Speaker 1: and Patrick are both like, no, we got some great stuff. Yeah,
• 57:42
  Speaker 1: like we this is gonna this is gonna be good.
• 57:44
  Speaker 2: This is gonna be way good. But that is when.
• 57:48
  Speaker 1: Uh brings the note.
• 57:51
  Speaker 3: Yes, So I don't even want to like give out
• 57:54
  Speaker 3: what's on the note because that's that's kind of like
• 57:57
  Speaker 3: where the movie goes from, like all right, we're going
• 58:00
  Speaker 3: and we're going, we're going, we're going.
• 58:02
  Speaker 1: Turn Okay, then I won't mention what's on the note.
• 58:07
  Speaker 1: But then there is like a couple more things I
• 58:10
  Speaker 1: want to say, Oh yeah, for sure, So I won't
• 58:12
  Speaker 1: mention what's on the note, but she brings them a
• 58:14
  Speaker 1: note it says something uh. And this is when Patrick
• 58:18
  Speaker 1: and Carolina. So Jake and Sam they go to find
• 58:20
  Speaker 1: Patrick and Caroline, but can't they go into that main
• 58:23
  Speaker 1: office area because they say father literally said, you know,
• 58:26
  Speaker 1: feel free to go in there, look around, get yourself acquainted.
• 58:29
  Speaker 1: But they come across an open safe with everyone's passports
• 58:32
  Speaker 1: in there, and that is a box. The box, so
• 58:36
  Speaker 1: they's box of passports. So the first thing that like
• 58:39
  Speaker 1: the inciting incident is the note, and then you see
• 58:41
  Speaker 1: the passports. And then they run into Caroline, who's like,
• 58:45
  Speaker 1: what are you guys doing in there? Oh, we're looking
• 58:47
  Speaker 1: for Patrick and she's like, oh yeah, they're right this way.
• 58:50
  Speaker 1: And then they get to Patrick's like door and she's like, oh,
• 58:52
  Speaker 1: I forgot she he's with two chicks. And Sam's like,
• 58:57
  Speaker 1: I didn't think like us aren't very christs, are very Christian.
• 59:01
  Speaker 1: She's like, we all have to send a little bit,
• 59:02
  Speaker 1: and I'm like, red flag. This is like the fourth
• 59:04
  Speaker 1: red flag in thirty seconds. So Patrick's off, I guess,
• 59:08
  Speaker 1: getting laid with two chicks, and then Caroline two is
• 59:13
  Speaker 1: she wants him to stay as well. I forgot about
• 59:15
  Speaker 1: that she wants. She's like, they're trying to show him
• 59:17
  Speaker 1: a good time, so he'll stay. We also need money,
• 59:19
  Speaker 1: and Sam's like, oh, so that's why he's here.
• 59:21
  Speaker 2: You need money. You're running out of cash flow.
• 59:24
  Speaker 1: And she I got the vibe she was on something,
• 59:30
  Speaker 1: you know, she like kind of falls back in trips,
• 59:31
  Speaker 1: but she doesn't seem drunk. She seems like she's on
• 59:34
  Speaker 1: some sort of class A schedule, a drug or something.
• 59:37
  Speaker 2: Yep.
• 59:38
  Speaker 1: And then that's when father shows about the door, saying
• 59:41
  Speaker 1: the most bizarre things like uh, winding up in a
• 59:45
  Speaker 1: place you don't want to be, or sticking your hand
• 59:47
  Speaker 1: in the dog's bowl. Yeah, dogs bull, you might get bit.
• 59:50
  Speaker 1: And they're like, well, what does that mean? Will soon
• 59:54
  Speaker 1: if you go stick in your hand in the dog's bowl,
• 59:57
  Speaker 1: don't don't be surprised when you It's like, what does
• 1:00:01
  Speaker 1: that mean that it's that deep southern? Yeah, it's just
• 1:00:07
  Speaker 1: a phrase, friend, just a phrase. You're like, that's not
• 1:00:10
  Speaker 1: just a phrase, it's just a right. So that's a
• 1:00:16
  Speaker 1: that's the movie remakes I Need Matthew McConaughey. So yeah,
• 1:00:22
  Speaker 1: at this point you are obviously getting that she's brainwashed.
• 1:00:26
  Speaker 1: She's on some sort of drugs. Fathers. Obviously they're obviously
• 1:00:30
  Speaker 1: doing something because she even went in and kind of
• 1:00:32
  Speaker 1: like hugged him and put his.
• 1:00:34
  Speaker 2: Arm around him.
• 1:00:34
  Speaker 1: I'm like, they're doing weird things. And that's when they
• 1:00:38
  Speaker 1: packed their ship to go in the morning. And when
• 1:00:40
  Speaker 1: they wake up in the morning, there's a huge commotion
• 1:00:42
  Speaker 1: to people outside, like ready to leave because they know, yeah,
• 1:00:47
  Speaker 1: trying to leave because they're like they know they've had
• 1:00:49
  Speaker 1: a helicopter coming. They won on the helicopter. Caroline's like,
• 1:00:53
  Speaker 1: everything's fine, you know, we haven't had people come in
• 1:00:55
  Speaker 1: a while, so they're just kind of freaking out and
• 1:00:56
  Speaker 1: they're like, they can leave, right.
• 1:00:59
  Speaker 2: She's like no.
• 1:01:00
  Speaker 3: So before they even say they can leave, right, she goes,
• 1:01:04
  Speaker 3: they can't leave their entire family and everything.
• 1:01:07
  Speaker 2: Oh that's right, Yeah, yeah, they have to stay.
• 1:01:09
  Speaker 1: And then she goes, oh, no, it's just you know,
• 1:01:11
  Speaker 1: first time somebody's been here in a year.
• 1:01:13
  Speaker 3: They're just o't really stressed. And then Sam goes, they
• 1:01:15
  Speaker 3: can leave, right, and she goes, yeah, but that's that's
• 1:01:18
  Speaker 3: not even what this is.
• 1:01:19
  Speaker 1: Yeah, that's what it's about. You're like, yeah, You're like,
• 1:01:22
  Speaker 1: I'm sorry, all right, you line bitch, like, fucking come on,
• 1:01:26
  Speaker 1: come on, you're putting the puzzle. It's a finished puzzle
• 1:01:30
  Speaker 1: right here. So yeah, but this is where and then
• 1:01:33
  Speaker 1: and this is where Sam's emotions come in, because he's like, okay, okay, okay, Jack,
• 1:01:37
  Speaker 1: you're gonna run to the helicopter. You're gonna ask the
• 1:01:39
  Speaker 1: guy how many people this plane can hold or this
• 1:01:41
  Speaker 1: a helicopter can hold. I'm gonna stay here with Savannah
• 1:01:44
  Speaker 1: and then you come back and we'll take as many
• 1:01:47
  Speaker 1: people as we can.
• 1:01:49
  Speaker 2: And then that's that's where I'll end it.
• 1:01:51
  Speaker 1: But Caroline does say to them, like, father was right
• 1:01:55
  Speaker 1: about you. You shouldn't have come here. You're not my family.
• 1:01:58
  Speaker 1: To Patrick, like to Patrick filming Harry, She's like, you're
• 1:02:01
  Speaker 1: not my family. And I'm like, oh shit. And then
• 1:02:04
  Speaker 1: that is where the absolute insanity happens.
• 1:02:07
  Speaker 3: Yeah, a father comes on the loud speaker and asks
• 1:02:10
  Speaker 3: everybody to come to the pavilion.
• 1:02:12
  Speaker 1: Yeah, like, everybody, come on down, and the rest is history.
• 1:02:15
  Speaker 1: But yeah, it's uh, it's it's really cool because this
• 1:02:20
  Speaker 1: starts off so slow, not and not in a bad way.
• 1:02:23
  Speaker 1: It just starts off in a very mysterious kind of
• 1:02:26
  Speaker 1: slow burn way. And then it just literally spirals into chaos,
• 1:02:30
  Speaker 1: and it's like a it's like a sharp turn into
• 1:02:32
  Speaker 1: that spiral. Once you get the note, it just goes
• 1:02:35
  Speaker 1: downhill from there. And then the ending, the resolution just
• 1:02:38
  Speaker 1: like holy shit. So it is such an but that's
• 1:02:41
  Speaker 1: that's what Ty West does. You know A House of
• 1:02:43
  Speaker 1: the Devil Innkeeper's X. They're all pretty slow burned to start,
• 1:02:47
  Speaker 1: and they and then they just yeah, it descend into madness.
• 1:02:51
  Speaker 1: So yeah, this is a this is a huge favorite
• 1:02:54
  Speaker 1: of mine. You said you'd seen this prior.
• 1:02:56
  Speaker 2: Correct.
• 1:02:57
  Speaker 1: Yeah, okay, this is this was on my thirty one
• 1:02:59
  Speaker 1: days of last year.
• 1:03:01
  Speaker 2: That's right.
• 1:03:01
  Speaker 1: Okay, we got oh speaking of that real quick, do
• 1:03:03
  Speaker 1: you got it? What's your theme this year?
• 1:03:05
  Speaker 2: What was it?
• 1:03:06
  Speaker 1: I wrote it down? I think I'm doing all Blumhouse movies. Yes,
• 1:03:09
  Speaker 1: you're doing all bloom House.
• 1:03:11
  Speaker 3: Get I'm getting lazy with it, bro, That's fine. I'm
• 1:03:13
  Speaker 3: doing big next year. I'm not even gonna do a theme.
• 1:03:16
  Speaker 1: Just chaos. I like it. I'm just I'm just gonna
• 1:03:19
  Speaker 1: pick thirty one random movie. I'm gonna go on Wikipedia
• 1:03:22
  Speaker 1: and type in every horror movie ever made, and then
• 1:03:24
  Speaker 1: it's gonna give me that list, and I'm just gonna
• 1:03:26
  Speaker 1: pick shit. Oh my god, you said, all right, I
• 1:03:30
  Speaker 1: like it. I'm doing. I'm doing all screen factory editions,
• 1:03:33
  Speaker 1: all the ones behind you. I'm gonna pick thirty one
• 1:03:35
  Speaker 1: of them. And that's what I'm gonna do this year.
• 1:03:37
  Speaker 1: Gotta justify going through them.
• 1:03:39
  Speaker 2: I really do, I really do.
• 1:03:41
  Speaker 1: You're not wrong. Let me go my notes here and
• 1:03:45
  Speaker 1: my fucking email. Oh did I delete it because I'm dumb?
• 1:03:49
  Speaker 2: Yeah? I did.
• 1:03:50
  Speaker 1: Uh So what did you rate that movie? Good fucking question.
• 1:03:58
  Speaker 1: I don't remember.
• 1:04:00
  Speaker 2: What did you rate it at all? Sir?
• 1:04:04
  Speaker 1: I'm pretty sure it did.
• 1:04:05
  Speaker 2: Maybe it's possible.
• 1:04:08
  Speaker 1: I gave it a four. That's an easy four star
• 1:04:11
  Speaker 1: movie for me. It's just it's just fantastic, especially if
• 1:04:15
  Speaker 1: you like found footage, you know what I mean. Like
• 1:04:17
  Speaker 1: if you if you like found footage and you like
• 1:04:19
  Speaker 1: religious culty found footage, Yeah, this is right up your
• 1:04:22
  Speaker 1: alley boom, look at that. We haven't had a same
• 1:04:27
  Speaker 1: rating in a while. I like, yeah, yeah, this is
• 1:04:29
  Speaker 1: just a it's just an overall solid movie. It's it's
• 1:04:32
  Speaker 1: it's utterly fantastic. And like Cory said, it is apparently
• 1:04:35
  Speaker 1: streaming for free on Amazon, so check that out.
• 1:04:37
  Speaker 3: And the best part about this found footage movie is
• 1:04:39
  Speaker 3: it's it gives you just enough information without being overly dense. Yeah,
• 1:04:45
  Speaker 3: because like, so, okay, so Butterfly Kisses. Love that movie,
• 1:04:51
  Speaker 3: the one with the tunnel.
• 1:04:53
  Speaker 2: Was that Butterfly Kisses.
• 1:04:54
  Speaker 1: Yeah, that was Butterfly Kisses.
• 1:04:55
  Speaker 2: I don't know why I thought that.
• 1:04:56
  Speaker 1: Yeah, no, that's dude, but this is so good. But
• 1:04:59
  Speaker 1: the amount of information they throw at you to make
• 1:05:04
  Speaker 1: the story make sense, like, well, yeah, the problem is
• 1:05:07
  Speaker 1: is it's about a documentary filmmaker making a documentary of
• 1:05:10
  Speaker 1: a documentary. It's like it's like documentary reception. Yeah, because
• 1:05:13
  Speaker 1: they're like showing you footage of an old documentary that
• 1:05:16
  Speaker 1: a documentary did and this one's read. Yeah it's this Yeah,
• 1:05:19
  Speaker 1: a lot of levels, but that's I love the lore
• 1:05:21
  Speaker 1: behind that.
• 1:05:23
  Speaker 2: There is good.
• 1:05:24
  Speaker 1: The lore is great, but it sometimes it's it's frustrating.
• 1:05:28
  Speaker 2: Oh yeah, it can be frustrating.
• 1:05:29
  Speaker 1: It's a little dense, and because of the medium of
• 1:05:32
  Speaker 1: found footage, it doesn't it gives you carte blanche to say, hey,
• 1:05:38
  Speaker 1: I'm gonna tell this story, but it very much punishes
• 1:05:42
  Speaker 1: you if you have too much story.
• 1:05:43
  Speaker 2: Yeah, that's true. That's fair.
• 1:05:45
  Speaker 1: That's very it's very well put, honestly, and like I said,
• 1:05:47
  Speaker 1: it's so good, but you're right at times it is
• 1:05:49
  Speaker 1: a little dense.
• 1:05:50
  Speaker 2: There's a lot to follow.
• 1:05:51
  Speaker 1: Did you did you ever watch Redwoods?
• 1:05:53
  Speaker 2: Redwoods? No?
• 1:05:55
  Speaker 3: Okay, So it was a movie about this group of
• 1:05:58
  Speaker 3: a like explorers that like go into like mountain ranges
• 1:06:05
  Speaker 3: and find an old abandoned houses and shit, and they
• 1:06:08
  Speaker 3: they have all this setup for what happens, and half
• 1:06:11
  Speaker 3: of the setup, like, they have this whole side story
• 1:06:14
  Speaker 3: involving like federal police and shit. And I'm like, I
• 1:06:17
  Speaker 3: you didn't need that entire storyline to get me to
• 1:06:22
  Speaker 3: the peak of the movie of why what's happening is?
• 1:06:25
  Speaker 3: You could have just very well given me the reveal
• 1:06:29
  Speaker 3: because the reveal is important because of the two other
• 1:06:32
  Speaker 3: main characters. The Feds have nothing to do with it,
• 1:06:35
  Speaker 3: but the Feds are there because of this person and
• 1:06:37
  Speaker 3: it's is.
• 1:06:38
  Speaker 2: It this one right here?
• 1:06:39
  Speaker 1: Yes? Okay, just for a reference so you people can
• 1:06:42
  Speaker 1: see this one Redwoods. Oh yeah, we can fucking do
• 1:06:45
  Speaker 1: that now. Yeah, that's right here. Okay, it's such a
• 1:06:49
  Speaker 1: delay on this.
• 1:06:50
  Speaker 2: There we go, Redwoods.
• 1:06:53
  Speaker 1: Okay, that was That was twenty twenty one.
• 1:06:54
  Speaker 2: That was last year. That's a fresh one.
• 1:06:56
  Speaker 1: Yeah, Okay, it's Urbic's enthusiast travels with the back went
• 1:07:00
  Speaker 1: to the Appellation to catcher footage of abandoned houses.
• 1:07:03
  Speaker 3: Okay, it's a it's a little blair witchy, little teeny
• 1:07:07
  Speaker 3: tiny bit built blair witchy.
• 1:07:10
  Speaker 2: Guess what. Guess who? Guess who raided.
• 1:07:13
  Speaker 1: And reviewed it? Our boy, Eric Cloud. I know, I
• 1:07:18
  Speaker 1: think he hated it too. Everything needed to make a
• 1:07:20
  Speaker 1: very successful found footage is here. Quality filming, good sized
• 1:07:24
  Speaker 1: budget on display, unique spin, and basic found footage tropes,
• 1:07:27
  Speaker 1: But over and over again it consistently mishandled.
• 1:07:30
  Speaker 2: Bummer.
• 1:07:33
  Speaker 1: Eric Cloud is just like our unofficial mascot of the show.
• 1:07:37
  Speaker 2: Oh my god, that's so funny.
• 1:07:39
  Speaker 1: And he's got a fucking evil dead drawing in his yah,
• 1:07:43
  Speaker 1: I love it.
• 1:07:44
  Speaker 2: Quality review, quality reviewer right there. He is. Definitely.
• 1:07:47
  Speaker 1: If I see like a new found footage movie on
• 1:07:49
  Speaker 1: letter box, I'm like, where's Eric's review? Because he's usually
• 1:07:51
  Speaker 1: spot on with that shit every time. All right, let's
• 1:07:55
  Speaker 1: see here taglines for the movie We Got Live is One?
• 1:07:58
  Speaker 1: Die is one trivia. Jeane Jones nailed his big interview
• 1:08:02
  Speaker 1: scene in a single seventeen minute take, which is fucking amazing.
• 1:08:06
  Speaker 1: This film was shot in chronological order, which kind of
• 1:08:08
  Speaker 1: makes sense.
• 1:08:09
  Speaker 2: It's on one location.
• 1:08:10
  Speaker 1: Yeah, it's the only way to do it. No need
• 1:08:13
  Speaker 1: to skip around. Do we want to say what it's
• 1:08:16
  Speaker 1: based off of? Oh? Yeah for sure. Okay, So the
• 1:08:19
  Speaker 1: film is clearly based off the real life drama of
• 1:08:21
  Speaker 1: the Jonestown Maskers suicide and Guyana in.
• 1:08:24
  Speaker 2: Nineteen seventy eight.
• 1:08:25
  Speaker 1: Uh, and you if you don't know about that, maybe
• 1:08:28
  Speaker 1: watch the movie first and then dive into the Jaws
• 1:08:31
  Speaker 1: and I will I will tell you specifically, watching like
• 1:08:36
  Speaker 1: content and documentaries and stuff about the Jonestown oscar is
• 1:08:40
  Speaker 1: one thing if you want to really like get into
• 1:08:44
  Speaker 1: it and really disturb your soul.
• 1:08:48
  Speaker 3: Oh god, about like what happened? The entire day is
• 1:08:54
  Speaker 3: recorded on tape? Oh sh Like there's audio of the
• 1:08:57
  Speaker 3: Jonestown mascar Holy acly happening?
• 1:09:00
  Speaker 2: What is it? Like the Faces of Death or something
• 1:09:01
  Speaker 2: like that? Dot com?
• 1:09:02
  Speaker 3: No, No, it's you can find it on YouTube. It's
• 1:09:04
  Speaker 3: just but it's just audio. Okay, interesting, but you can
• 1:09:08
  Speaker 3: hear like the entire sermon and up to like people
• 1:09:13
  Speaker 3: drinking the flavor.
• 1:09:14
  Speaker 2: Holy shit, and it.
• 1:09:15
  Speaker 3: It is fucking disturbing, but you can very well understand,
• 1:09:20
  Speaker 3: Like if you have been following this dude for four
• 1:09:23
  Speaker 3: or five years, I could totally understand how he persuaded Yeah,
• 1:09:27
  Speaker 3: thousands of people to do this.
• 1:09:28
  Speaker 2: Yeah, it's insane.
• 1:09:29
  Speaker 1: So, like I said, when I first saw this, I
• 1:09:31
  Speaker 1: had no idea that it was based off you know,
• 1:09:33
  Speaker 1: loosely based off that, or you know, inspired by or
• 1:09:35
  Speaker 1: whatever you want to call it. So that was a
• 1:09:37
  Speaker 1: really interesting and ending to that. I didn't either until
• 1:09:43
  Speaker 1: until the helicopter landed and they got driven in. I
• 1:09:47
  Speaker 1: was like, Oh, this fucking jonestown, like like one hundred
• 1:09:51
  Speaker 1: percent within the first five minutes of the movie. Watching
• 1:09:53
  Speaker 1: it the first time, I was like, this is fucking Jonestown.
• 1:09:55
  Speaker 2: Interesting, okay uh.
• 1:09:57
  Speaker 1: Two retired members of the Harlem Globetrotders played back ground
• 1:10:00
  Speaker 1: roles for this movie. Film was financed and without a
• 1:10:03
  Speaker 1: finished scripts. All cabins and the Eden Parish were built
• 1:10:06
  Speaker 1: for this movie. Like we said, Vice is a real
• 1:10:09
  Speaker 1: news media company out of Williamsburg, Brooklyn, New York. This
• 1:10:13
  Speaker 1: is the second movie about the jungle. Elia Roth has
• 1:10:15
  Speaker 1: been involved involved with, the first one being Green Inferno,
• 1:10:18
  Speaker 1: which he directed in the film Caroline is Father's right
• 1:10:22
  Speaker 1: hand and seeming love affair. Coincidentally, Jim Jones had a
• 1:10:25
  Speaker 1: mistress named Caroline Gene Jones who plays Father, the cult
• 1:10:30
  Speaker 1: leader based on Jim Jones coincidentally shares the same last
• 1:10:34
  Speaker 1: name as the leader, which is kind of weirdly interesting. So,
• 1:10:38
  Speaker 1: and if you want to get into even more like
• 1:10:42
  Speaker 1: coincidence things, so Patrick and Caroline are the children of
• 1:10:47
  Speaker 1: very well off yeah apparent, Yeah, for sure, for sure.
• 1:10:52
  Speaker 3: So if you want to draw a very very thin connection.
• 1:10:56
  Speaker 3: So one of the reasons that they wanted in Jonestown
• 1:11:01
  Speaker 3: to keep the US senator that they had to kill
• 1:11:04
  Speaker 3: so they could use him for ransom, and when he
• 1:11:07
  Speaker 3: got away to his plane, that's where they shot him.
• 1:11:11
  Speaker 3: So you draw a weird correlation.
• 1:11:14
  Speaker 1: With Now it's not a US senator. Now it's a
• 1:11:17
  Speaker 1: news team and maybe the sun of the US because
• 1:11:22
  Speaker 1: he's that well off that they get fund a commune.
• 1:11:25
  Speaker 1: So you get all these little tiny So it's not
• 1:11:28
  Speaker 1: a plane, it's a helicopter, it's not a jeep, it's
• 1:11:31
  Speaker 1: a utility view, it's not shotguns, it's a k's So
• 1:11:36
  Speaker 1: they changed just enough. But literally it is so.
• 1:11:42
  Speaker 3: The Senator shows up, he tries to get away, gets murdered,
• 1:11:46
  Speaker 3: and then the Jonestown massacre happens the next day. So
• 1:11:51
  Speaker 3: literally helicopter shows up with the senator quote unquote, they
• 1:11:55
  Speaker 3: try and escape.
• 1:11:58
  Speaker 2: Shit in the movie happens.
• 1:11:59
  Speaker 1: It is almost a one to one retelling of this day.
• 1:12:05
  Speaker 1: It's so cool too, because it's just like I gues said,
• 1:12:08
  Speaker 1: I just I mean not cool that it's you know
• 1:12:10
  Speaker 1: what I mean. Yeah, I'm saying it's cool, that's interesting.
• 1:12:12
  Speaker 1: It's yeah, it's sorry, it's interesting to do that because
• 1:12:15
  Speaker 1: like they don't outright say this is what's happening, but
• 1:12:18
  Speaker 1: you go through it and you're like, this is what's happening.
• 1:12:21
  Speaker 1: So yeah, it's it's it's I enjoy stuff that is
• 1:12:25
  Speaker 1: inspired by true events, based on real events, especially for
• 1:12:29
  Speaker 1: a found footage movie, because it just makes it just
• 1:12:32
  Speaker 1: gets more realism, you know what I mean. Not only that,
• 1:12:35
  Speaker 1: but when they don't run away with the plot. Yeah,
• 1:12:39
  Speaker 1: Like there have been plenty of found footage movies that
• 1:12:41
  Speaker 1: are based on real events that have they just dial
• 1:12:45
  Speaker 1: it up. Well it's like, okay, based on this real event,
• 1:12:48
  Speaker 1: but only one person that you ever mentioned actually existed.
• 1:12:52
  Speaker 1: And the rest of this is just pure fancy. You're
• 1:12:56
  Speaker 1: using the event to drive a story, not driving a
• 1:13:00
  Speaker 1: story to get to the events exactly. You take one
• 1:13:02
  Speaker 1: little snippet of something that's true and then do everything else.
• 1:13:05
  Speaker 2: Yeah, just a different way.
• 1:13:07
  Speaker 1: So yeah, there's just so many, so many layers that
• 1:13:09
  Speaker 1: I like about this, And that's why I find it
• 1:13:12
  Speaker 1: interesting to not only do a movie based on this,
• 1:13:15
  Speaker 1: but do it in the style that makes the most sense,
• 1:13:17
  Speaker 1: you know what I mean, like actually experiencing it rather
• 1:13:20
  Speaker 1: than kind of having a third party perspective.
• 1:13:22
  Speaker 3: Yeah, and I don't think this is a type of
• 1:13:25
  Speaker 3: movie that would have worked any other way except for yeah,
• 1:13:29
  Speaker 3: like now, sure you get like something like Apostle that
• 1:13:32
  Speaker 3: came out on Netflix, but that's much more.
• 1:13:35
  Speaker 1: Like hooky spooky.
• 1:13:36
  Speaker 3: There there's an extra level of supernatural going on, right,
• 1:13:41
  Speaker 3: and it works in uh Midsummer because it's a completely
• 1:13:47
  Speaker 3: different like the cult's not trying to like.
• 1:13:51
  Speaker 1: Yeah, kill you, Yeah, I mean they are, but they're
• 1:13:53
  Speaker 1: you know, like they're trying to kill you because you
• 1:13:56
  Speaker 1: fucked up, not because they want to actively kill you.
• 1:13:59
  Speaker 2: Right.
• 1:14:01
  Speaker 1: Yeah, So this is it's just it's a good one.
• 1:14:03
  Speaker 1: It's one that is I feel like it's not talked
• 1:14:05
  Speaker 1: about enough. I feel like it deserves more more love.
• 1:14:08
  Speaker 1: I mean, it does have a three point zero letterbox
• 1:14:10
  Speaker 1: and a six point out of ten on IMDb, so
• 1:14:13
  Speaker 1: those are solid ratings for found footage, and that's a
• 1:14:16
  Speaker 1: solid rating. And the other really nice thing is it's
• 1:14:18
  Speaker 1: a horror movie, but it's not like truly like horrific. Yeah,
• 1:14:24
  Speaker 1: it's like it's it's Yes, it's scary in the sense of, oh,
• 1:14:27
  Speaker 1: this is shit that has like happened and probably will
• 1:14:30
  Speaker 1: happen again. Yeah, oh for sure, it's it's it's scary
• 1:14:34
  Speaker 1: in the sense that, oh, this is just straight up
• 1:14:37
  Speaker 1: human violence. Yeah, but it's not scary as in a
• 1:14:40
  Speaker 1: oh this is gonna keep you awake at night because
• 1:14:41
  Speaker 1: the demon's gonna take myney. Yeah, exactly. No, it's not
• 1:14:45
  Speaker 1: that kind of scary. It's more it's more just psychological
• 1:14:47
  Speaker 1: in my opinion. But nonetheless is still fantastic. So that
• 1:14:50
  Speaker 1: is definitely gonna be a Frightenmar's certified slap boom. That's
• 1:14:55
  Speaker 1: gonna be one. You gotta go check out. Check it
• 1:14:56
  Speaker 1: out on Amazon. Uh, let's see here. Fall us on
• 1:15:00
  Speaker 1: the Facebook at fright Mayor's I mean, if you're watching
• 1:15:04
  Speaker 1: this right now, then you probably already follow us for you.
• 1:15:06
  Speaker 2: Yeah, good for you, guys.
• 1:15:07
  Speaker 1: Uh, follow us on slash wrapp and Instagram at Frightmar's
• 1:15:10
  Speaker 1: podcast What I Say, slash RAPPNF Instagram, Twitter, at Fright
• 1:15:16
  Speaker 1: Mayor's Underscore pod. Stay Spooky A outlook dot com is
• 1:15:18
  Speaker 1: our email. Me and Gabby will be back next week
• 1:15:22
  Speaker 1: doing some vampire another another vampire movie, even though we
• 1:15:26
  Speaker 1: just had a vampire triple feature. Uh so I guess
• 1:15:29
  Speaker 1: this month is just vampires for some reason and then
• 1:15:32
  Speaker 1: Colts nailed it. Um so yeah, anything else you want
• 1:15:36
  Speaker 1: to say to end the show? Sir? Off letterbox? Oh
• 1:15:40
  Speaker 1: yes that's right, doctor Proctor on Letterbox and Fright Corey
• 1:15:45
  Speaker 1: on letters Cory. So yeah, guys, tune in next week
• 1:15:48
  Speaker 1: for me and Gabby doing more vampires, and until then,
• 1:15:51
  Speaker 1: stay tuned and stay spooky. Oh with the flick off.
• 1:15:55
  Speaker 2: I love it