Latest / Stuff You Should Know / The Legend of Betsy Ross
Transcript
- 0:01Speaker 1: Welcome to Stuff you Should Know from how Stuff Works
- 0:04Speaker 1: dot com. Yankee Doodle, Hello, and welcome to the podcast.
- 0:14Speaker 1: I'm Josh Clark, and there's Charles Um Spirit of seventies
- 0:18Speaker 1: six Bryant and Jerry Bicentennial Baby Roland. And I'm Josh.
- 0:25Speaker 1: Like I said, Jerry wishes she was a bicentennial baby. Yes,
- 0:29Speaker 1: she does, both of y'all. Do I know, man, i'd
- 0:32Speaker 1: be five years younger. That's exactly where I am, squarely
- 0:36Speaker 1: in the bi centennial baby year. Oh that's right. I
- 0:40Speaker 1: demand people refer to me as such when I'm out
- 0:42Speaker 1: in public. Dr bi Centennial Baby Clark. Ye. So how
- 0:49Speaker 1: are you feeling pretty good? Good man? We should probably
- 0:52Speaker 1: say thank you to all the people who came out
- 0:56Speaker 1: for our West Coast jaunt. Yeah, that's a good idea,
- 0:59Speaker 1: Chuck last week, so big thanks to Seattle, Portland in
- 1:02Speaker 1: San Francisco for Stuff you Should Know shows, and then
- 1:05Speaker 1: everyone who came out for movie Crushing Into the World Live. Yes,
- 1:10Speaker 1: thank you to everybody for all those jams we had.
- 1:12Speaker 1: We had like really good crowds and good responses everywhere
- 1:16Speaker 1: we went. How did you think go? I was drunk
- 1:18Speaker 1: in Wine Country? It went really well. I was tense
- 1:21Speaker 1: and on stage and Cafe do Nord. Actually it went
- 1:25Speaker 1: well when I went out, so it's like it includes
- 1:27Speaker 1: like a presentation, right, a visual audio visual thing. And
- 1:31Speaker 1: I could not get it to start working for a
- 1:33Speaker 1: good fifteen seconds, which which in my mind was a
- 1:37Speaker 1: good fifteen minutes, and I was like, if you've all
- 1:41Speaker 1: ever wanted to see someone die of fright on stage?
- 1:44Speaker 1: But I got it working and it went well from there.
- 1:46Speaker 1: But the thing that got me the most was they
- 1:48Speaker 1: sat around for thirty more minutes after the show asking questions,
- 1:53Speaker 1: so they were really into it and it meant a
- 1:54Speaker 1: lot to me. Thank you, and um we I haven't
- 1:57Speaker 1: been to Brooklyn yet, but this will come out after
- 1:59Speaker 1: the Brooklyn show, and I'm just going to know, actually
- 2:02Speaker 1: will come out probably the day of the Brooklyn show.
- 2:05Speaker 1: I'll hold my thanks for then we'll see how it
- 2:08Speaker 1: goes Brooklyn. Great, congratulations. How did yours go with Busy Phillips?
- 2:12Speaker 1: It was good. It was fun. She's super nice and uh,
- 2:14Speaker 1: I only made a couple of really terrible jokes and
- 2:18Speaker 1: I will cut those out. Oh you gotta leave them in.
- 2:21Speaker 1: Were they that bad? Now? Yeah, they were pretty bad. Okay,
- 2:23Speaker 1: like dad jokes are like super offensive jokes. So one
- 2:27Speaker 1: which evidently Emily said I said the wrong word, which
- 2:31Speaker 1: explains why it made no sense because she even asked
- 2:35Speaker 1: me a straight She was like, what was up with
- 2:37Speaker 1: that one joke? It's like what? And I told her
- 2:40Speaker 1: and she was like, no, no, no, that's not what
- 2:41Speaker 1: you said. I was like, oh, I don't, won't say
- 2:45Speaker 1: it here, but it it explained a lot. You gotta
- 2:49Speaker 1: tell me later. Okay, yeah, I'll totally tell you. Okay, cool,
- 2:52Speaker 1: But what about the other one? Was it a dad joke? Uh? No,
- 2:55Speaker 1: just dumb Okay, I gotta keep the image up. I
- 2:59Speaker 1: know it's mean, man, sure, but otherwise it'll be although
- 3:03Speaker 1: I don't I got the file today and like the
- 3:06Speaker 1: last twenty minutes of it aren't there. So I emailed
- 3:08Speaker 1: them and they're like, please tell me this is not all.
- 3:11Speaker 1: So it may be a truncated version. I don't know.
- 3:14Speaker 1: I don't know. We'll see the lost episode is what
- 3:16Speaker 1: they call. Um. Okay, well, good, good, congratulations. I'm glad.
- 3:22Speaker 1: Aside from the file snaffood and those two bad jokes,
- 3:26Speaker 1: otherwise it was great. Uh and we're gonna go back
- 3:30Speaker 1: out on the road sometimes soon. We decided this year, right, Yeah,
- 3:33Speaker 1: we're figuring it out. Hopefully another like nine is shows
- 3:37Speaker 1: maybe the course of this year. Sure, places we've never been,
- 3:40Speaker 1: places we have been. Who knows, we're gonna mix it up. Yeah, yeah,
- 3:43Speaker 1: so keep an ear out for that. We've learned. Now
- 3:45Speaker 1: we're just straight up going to put that in the
- 3:47Speaker 1: beginnings of episodes. No messing around anymore, no messing around. Okay,
- 3:52Speaker 1: So all of that, of course seguys quite nicely into
- 3:55Speaker 1: the story of Betsy Ross and the American flags origin
- 3:58Speaker 1: broad I don't know that's necessarily true. I don't think
- 4:03Speaker 1: that's the official historical stance, but I think a better
- 4:07Speaker 1: way to say it. Chuck is questioned, and hey, just
- 4:11Speaker 1: a great story for history. So who cares if it's true? Yeah,
- 4:15Speaker 1: Layoff puts no. No. The person who's like, you know,
- 4:22Speaker 1: said fraud. I guess. Uh. So let's well, I mean,
- 4:28Speaker 1: let's get into this because, uh, the first thing that
- 4:31Speaker 1: you will probably say, if you're a um Betsy Ross believer,
- 4:36Speaker 1: she was a real person, by the way, Yeah, I
- 4:38Speaker 1: think the first thing a lot of our listeners around
- 4:40Speaker 1: the world will say was is who is Betsy Ross? Sure,
- 4:43Speaker 1: well she is credited, which is where I was going
- 4:45Speaker 1: with the Uh the sort of creation, design and sewing
- 4:50Speaker 1: of the first flag thanks to a lot of things,
- 4:53Speaker 1: but certainly held up by a very famous painting called
- 4:57Speaker 1: the Birth of Our Nation's Flag by Charles is Weisberger.
- 5:01Speaker 1: Very famous painting. Yeah, but it's one of those paintings.
- 5:04Speaker 1: It's like super old timing where there's a lot of
- 5:06Speaker 1: written explanation painted into the painting. M hm. I just
- 5:11Speaker 1: find that's just there's nothing more old timey than that. Uh. Well, sure,
- 5:17Speaker 1: I wasn't expecting this, he says, something along the line
- 5:21Speaker 1: an award. Well, I don't have anything prepared, he said, Um,
- 5:28Speaker 1: this is uh. The national standard was made by Betsy
- 5:32Speaker 1: Ross in seventeen seventy six at two three Niner Art Street, Philadelphia,
- 5:37Speaker 1: in the room represented in this picture. That's a lot
- 5:39Speaker 1: of words, but it goes on still. The committee Robert
- 5:43Speaker 1: Morris and Honorable George Ross, accompanied by General George Washington,
- 5:48Speaker 1: called upon this celebrated woman, and together with her suggestions,
- 5:51Speaker 1: produced our beautiful emblem of Liberty. So what do you
- 5:55Speaker 1: guys do in this weekend? I was thinking about maybe
- 5:58Speaker 1: going roller skating, I know, it hasn't been invented yet
- 6:01Speaker 1: because it's only eighteen seventies something, and he actually wrote
- 6:06Speaker 1: out eighteen seventies something, and then he said, how about
- 6:10Speaker 1: this new country pretty neat? Huh, right, And that just
- 6:12Speaker 1: kind of trails off from there. It ends there. It's
- 6:15Speaker 1: a lot. It's a really wordy painting. Frankly, it is
- 6:18Speaker 1: very wordy, but that that helps sort of cement the
- 6:21Speaker 1: idea that Betsy Ross was in fact the designer and
- 6:25Speaker 1: creator and seamstress. I guess for the first flag. Well,
- 6:30Speaker 1: I'm going to take issue on behalf of some of
- 6:32Speaker 1: our more historically astute listeners and say, she I don't
- 6:37Speaker 1: think she's credited with designing the flag. I think that's
- 6:40Speaker 1: the one thing that everybody agrees on, is that she
- 6:42Speaker 1: is not given credit for designing it. She's she's given
- 6:46Speaker 1: credit for create, like physically creating the first flag and
- 6:49Speaker 1: then helping with some troubleshooting in the early design. Oh,
- 6:54Speaker 1: you should go to an elementary school. Why are they
- 6:58Speaker 1: teaching otherwise? Sure? Is that right? Yeah, it's all created
- 7:03Speaker 1: by Betsy Ross. Fraud. It's not true. What wait, which
- 7:09Speaker 1: part is not to the thing? You said? Her? The thing?
- 7:10Speaker 1: I just said neither one. Okay, but we should talk
- 7:14Speaker 1: about the real Betsy Ross because she was a real lady. Um,
- 7:17Speaker 1: she's not an apparition or a visage. Uh. She was
- 7:22Speaker 1: born in seventeen fifty two on New Year's Day. She's
- 7:25Speaker 1: a New Year's Day baby supposedly, Um, I think that's documented. Yeah. Probably.
- 7:32Speaker 1: Elizabeth Griscombe was her name. Born to Samuel and Rebecca
- 7:37Speaker 1: in Pennsylvania, and her great grand pappy Andrew Griscombe, was
- 7:41Speaker 1: a very notable Philadelphian. He was one of the first
- 7:44Speaker 1: settlers in a carpenter in like built apparently a lot
- 7:49Speaker 1: of Philadelphia's first buildings. Yeah, which is I mean that's
- 7:53Speaker 1: that's pretty prominent for um that that time, because I mean,
- 7:57Speaker 1: this is when the whole place is being settled, and
- 8:00Speaker 1: it's being settled by Quakers. So um, like Pennsylvania is
- 8:03Speaker 1: a Quaker settlement. And that's how Elizabeth Griscomb a k a.
- 8:07Speaker 1: Betsy Ross, Which makes you think like she she robbed
- 8:11Speaker 1: banks later in life and went on the lamb and
- 8:13Speaker 1: changed her name. Not true, you'll see it's it'll all
- 8:16Speaker 1: become a parent in a second. But she was raised
- 8:18Speaker 1: as a strict Quaker in Pennsylvania, right, one of nine
- 8:24Speaker 1: children who grew to adulthood, but her parents had seventeen kids. Dude,
- 8:28Speaker 1: that is so many kids. Man. Well, the Quakers take
- 8:32Speaker 1: like keeping their faith going by multiplying. Seriously. I mean,
- 8:37Speaker 1: that's like how a lot of religious groups are. Um,
- 8:40Speaker 1: they do it two fold. They reproduce a lot, and
- 8:44Speaker 1: they also try to make sure that they're they're members
- 8:48Speaker 1: who are born into their their groups marry other members
- 8:51Speaker 1: born in the group so that they will raise more
- 8:55Speaker 1: uh Quakers or what have you, and whatever the religious
- 8:58Speaker 1: group is. And actually Betsy ran a foul this later on,
- 9:02Speaker 1: as we'll see. She was a bit of a rebel. Yeah.
- 9:04Speaker 1: And also imagine Samuel as a Quaker was like, you know,
- 9:08Speaker 1: it's very fun procreation, and his wife was like, it's
- 9:13Speaker 1: not as fun for me. He's such a great like
- 9:18Speaker 1: eighteenth century Quaker impression maybe the best I've ever heard.
- 9:22Speaker 1: This is the one thing we're allowed to do that's good. Well.
- 9:25Speaker 1: They so the Quakers actually had a really really liberal society,
- 9:28Speaker 1: Like there was a lot of equality, there was a
- 9:30Speaker 1: lot of um. It was a very They were a
- 9:33Speaker 1: very peaceful group and still are their pacifists through and
- 9:36Speaker 1: through um. But they also were really strict morally, like
- 9:40Speaker 1: if you were in a play, you could be fine
- 9:43Speaker 1: twenty shillings and spend ten days ten days in jail
- 9:46Speaker 1: for being in a play because it was just kind
- 9:49Speaker 1: of frivolous and not very religious. But on the other hand, um,
- 9:53Speaker 1: they all drank like fish. Um, you just weren't allowed
- 9:56Speaker 1: to sell it to like the Native Americans, because they
- 9:58Speaker 1: equated that with corrupting them. Now of some Quakers, Oh yeah, sure, nice.
- 10:04Speaker 1: Do you I think we used to work with one,
- 10:07Speaker 1: didn't we? Yes, yes, so I think we know the
- 10:12Speaker 1: same Quakers probably, But now I'm wondering. First of all,
- 10:15Speaker 1: I was about to shout out the name. Then I
- 10:17Speaker 1: was like should I not? Then I was like, why wouldn't,
- 10:19Speaker 1: I said, the whole thing happened, Why would I Yeah, exactly,
- 10:23Speaker 1: And then you thought fraud. Well, some people like to
- 10:25Speaker 1: keep their stuff personal, so I'm just I'm not gonna
- 10:27Speaker 1: do that. Under the table Quaker is what that that is.
- 10:31Speaker 1: But they're they're also called the Society of Friends, I
- 10:34Speaker 1: think is the greatest name for any religious group of
- 10:36Speaker 1: all time, right founded by six year olds. Society Society
- 10:42Speaker 1: of Best Winds Um all right, so they're in Pennsylvania.
- 10:46Speaker 1: The one thing that we do know is that her
- 10:48Speaker 1: nickname was Betsy h And when she was about fifteen
- 10:52Speaker 1: she did learn to sew very well. She was an
- 10:55Speaker 1: apprentice to an upholster named John Webster, and this is
- 10:59Speaker 1: where she learned her craft. Right and um, when you
- 11:03Speaker 1: think of like you always hear of Betsy Ross being
- 11:06Speaker 1: a seamstress, right, she was not a seamstress. She was,
- 11:09Speaker 1: like you just said, an upholsterer, which involved a lot
- 11:12Speaker 1: more than say dressmaking. As a matter of fact, I'm
- 11:14Speaker 1: sure she did make clothes here there she knew how to,
- 11:17Speaker 1: but mostly her stuff was on like sewing curtains and
- 11:21Speaker 1: tablecloths and rugs and like other textiles, um, rather than
- 11:25Speaker 1: like actual clothing. So she was in upholsterer three and through.
- 11:29Speaker 1: So it seems stress specifically clothing. That's the impression I have. Interesting.
- 11:34Speaker 1: I feel like such a fraud because I didn't look
- 11:37Speaker 1: up the difference between the two. But that's that's my
- 11:39Speaker 1: take on it. I'm gonna find out also, chook umbrellas,
- 11:44Speaker 1: Venetian blinds and flags, that's something in a pholsterer would
- 11:48Speaker 1: have made back in the eighteenth century. Apparently a seamstress
- 11:51Speaker 1: is any woman who sews well. Then I wonder if
- 11:55Speaker 1: aupholsterer is a specialty of a seamstress then yeah, probably
- 11:59Speaker 1: so okay. And what is a man whoso is called
- 12:03Speaker 1: a seamster? Maybe never never thought about that. And if
- 12:09Speaker 1: he's in the union, he's a seamster teamster. Oh, Dad,
- 12:15Speaker 1: I know it's gotten really bad. Maybe we'll have Jerry
- 12:18Speaker 1: cut that out to keep my public inventory. Uh So,
- 12:21Speaker 1: while she was doing this work, she met a man
- 12:24Speaker 1: named John Ross, not the last name. And he was
- 12:28Speaker 1: also an apprentice, and he was good at it, and
- 12:30Speaker 1: he opened his own shop, and he was sort of
- 12:34Speaker 1: I mean, he came he came from a well connected family. Uh.
- 12:38Speaker 1: And that his actual uncle, George you might have recognized
- 12:42Speaker 1: from that painting, George Ross Jr. He was He signed
- 12:46Speaker 1: the Declaration of Independence, right, so that's legit. Oh yeah,
- 12:50Speaker 1: he was a he was big time. He was um
- 12:53Speaker 1: I think a representative for UM for Pennsylvania and the legislature,
- 13:00Speaker 1: either Pennsylvania or New Jersey, one of the two. He was.
- 13:02Speaker 1: He was a big wig. If he's hanging out with
- 13:04Speaker 1: George Washington and Betsy Ross's upholstery shop. Then he was
- 13:09Speaker 1: a big wig, that's right, a big powdered wig by
- 13:12Speaker 1: the way. So so this her marriage to John Ross.
- 13:17Speaker 1: It didn't last very long, um, although it was um
- 13:20Speaker 1: kind of marked by that like younger younger age radicalism
- 13:26Speaker 1: where she So John Ross was an Anglican, right, Yeah,
- 13:30Speaker 1: he wasn't a Quaker, which was bad, right, So they
- 13:33Speaker 1: fell in love. He was in a pholster as well,
- 13:35Speaker 1: and um, John Ross and Bets Betsy later Betsy Ross.
- 13:40Speaker 1: When they met and fell in love, they had to
- 13:42Speaker 1: elope to New Jersey, which everybody does, the Elope to
- 13:45Speaker 1: New Jersey, um, because her parents were like, you cannot
- 13:49Speaker 1: do that, and she said, well I'm doing it, and
- 13:51Speaker 1: they said, well then you're out. And she went off
- 13:53Speaker 1: and got married and she was, um, ex excommunicated is
- 13:57Speaker 1: not the way I think that's specifically Catholic. But she
- 13:59Speaker 1: was kicked out of the Quakers and her parents, her
- 14:02Speaker 1: family disowned her. So she definitely loved the guy went
- 14:05Speaker 1: off and followed her heart and they made sweet upholstery
- 14:09Speaker 1: together because he opened his own shop. Actually, yeah, it's
- 14:13Speaker 1: really sad though. I mean, it's great that they found
- 14:15Speaker 1: each other, but it's anytime someone's like expelled and disowned
- 14:19Speaker 1: by their family, it's just sort of of her religions
- 14:23Speaker 1: a sad thing, Yeah it is. Or yeah, for any
- 14:25Speaker 1: reason really, you know, like bringing shame or dishonner. It's
- 14:28Speaker 1: like it's your family that's supposed to They're supposed to
- 14:30Speaker 1: be there for you no matter what, but it doesn't
- 14:33Speaker 1: always work out that way. Which which was which Chuck
- 14:37Speaker 1: means that family is what you make of it. I
- 14:40Speaker 1: thought family, what was it? Never trust family, Never trust family,
- 14:43Speaker 1: but specifically blood family. Okay. Um, So the Revolutionary War
- 14:49Speaker 1: comes along and in Philadelphia, um, people were you know,
- 14:54Speaker 1: kind of getting together forming militias in order to you know,
- 14:58Speaker 1: defend the city in case in case things went down,
- 15:02Speaker 1: And no one knows for sure what was going on
- 15:04Speaker 1: with John and Betsy, but we do know that he died.
- 15:10Speaker 1: We just don't know quite how. Yeah. They think maybe
- 15:13Speaker 1: it was either an accident um or a death from
- 15:16Speaker 1: being in the militia, or there's there's supposedly, uh family
- 15:21Speaker 1: rumor that he may have suffered from mental illness and
- 15:24Speaker 1: may have died as a result of something some complication
- 15:27Speaker 1: from that. Yeah. It's really sad though, because that was
- 15:30Speaker 1: obviously her true love enough to to leave her family
- 15:33Speaker 1: in religion. And she was widowed in seventeen seventy six,
- 15:38Speaker 1: just what three years later after they got married. Yep,
- 15:44Speaker 1: so so it was just three years after, right, Yeah, okay,
- 15:47Speaker 1: So when she was a widow that that radicalism I
- 15:49Speaker 1: mentioned earlier started to kick in. She um went back
- 15:53Speaker 1: to Quakers. Um, if she ever left, I don't. I've
- 15:55Speaker 1: never seen that she began attending like Anglican mass or anything.
- 15:59Speaker 1: But she went back to the Quakers. But she joined
- 16:01Speaker 1: a group, a specific group of Quakers called the Free
- 16:05Speaker 1: Quakers or Fighting Quakers, who were like, yeah, we're Quakers,
- 16:08Speaker 1: but we also are not crazy into pacifism because well, yeah,
- 16:13Speaker 1: we will shoved me back, shoved me and see what happens. Um,
- 16:17Speaker 1: and uh that was what they wore on their on
- 16:20Speaker 1: their shirts. But um oh man. But um, the reason
- 16:26Speaker 1: that they were anti pacifists because they wanted to support
- 16:29Speaker 1: independence and then there was going to be a fight,
- 16:31Speaker 1: a struggle for independence, and you couldn't really side with
- 16:34Speaker 1: one side and and not and be a pacifist. Basically. Yeah,
- 16:39Speaker 1: remember our pacifism episode. That was a good one. Yeah,
- 16:42Speaker 1: that was a good one, so she uh was once
- 16:46Speaker 1: again unlucky in love. She got married again to a
- 16:49Speaker 1: man named Joseph ashburn He died in prison and in Britain,
- 16:55Speaker 1: and then she finally got married a third time to
- 16:58Speaker 1: a man named John Claypool will and she was married
- 17:01Speaker 1: to him until he died. But this was like twenty
- 17:04Speaker 1: years this time. You want you want to know how
- 17:06Speaker 1: She and John Claypool met at her second husband's funeral
- 17:12Speaker 1: almost okay, he showed up bar afterwards. John Claypool even
- 17:17Speaker 1: even more even sooner than that. John Claypool was imprisoned
- 17:21Speaker 1: with Joseph Ashburne over in Great Britain, and after he
- 17:24Speaker 1: got out, he made his way over to America. And
- 17:27Speaker 1: he's the one who brought Betsy Ross the news that
- 17:29Speaker 1: her husband had died. And then he, I guess he
- 17:32Speaker 1: was like, so you're doing all right? Can I Can
- 17:35Speaker 1: I be of any assistance for you? And rather than
- 17:38Speaker 1: just being there for her, he took away before her
- 17:43Speaker 1: and he was just there. I wonder if he was like,
- 17:47Speaker 1: by the way, your husband's last words were totally you
- 17:51Speaker 1: should go marry my wife. That's the that's what they
- 17:54Speaker 1: used to do back in the day. So she worked
- 17:58Speaker 1: as an upholster until she died at the age of
- 18:01Speaker 1: four and eighteen thirty six. She had five little girls,
- 18:05Speaker 1: which is kind of great. And aside from that, that's
- 18:09Speaker 1: kind of what we know about Betsy Ross. Um, as
- 18:12Speaker 1: far as the facts go, Yeah, that's about where they
- 18:16Speaker 1: run out. And you might say, listener, well guys, you
- 18:19Speaker 1: left out the most important one, the most important fact,
- 18:22Speaker 1: the story of her sewing the American flag. Well, well,
- 18:25Speaker 1: we're going to stick by what we just said and
- 18:27Speaker 1: say that we just ran out of facts, which means
- 18:30Speaker 1: it's pretty good time for a message break, don't you think.
- 18:32Speaker 1: Charles agreed, We'll be right back. Okay, So it's about
- 19:06Speaker 1: here that we should kind of go over the Betsy
- 19:08Speaker 1: Ross legend because what we just described as in eighteen
- 19:12Speaker 1: early nineteenth century American woman who was a Quaker and
- 19:17Speaker 1: an upholsterer, and her love life and her children, her offspring. Yes,
- 19:23Speaker 1: that's it, that's all we've got. Um. So the flag story,
- 19:28Speaker 1: for those of you who aren't familiar with this, is
- 19:31Speaker 1: that when Betsy Ross was hanging around her upholstery shop
- 19:34Speaker 1: one day in Philadelphia and I believe seventeen seventy six,
- 19:37Speaker 1: I think June seventeen seventy six when they say it happened.
- 19:41Speaker 1: Three men came in that trio, including George Washington, George Ross,
- 19:46Speaker 1: who was um remember her first husband's uncle, and then
- 19:51Speaker 1: a man named Robert Morris, who was a wealthy man
- 19:54Speaker 1: known as the financier of the Revolution and considered one
- 19:58Speaker 1: of the founders of the US financials system. These three
- 20:01Speaker 1: come in, very very important men, and as legend goes,
- 20:04Speaker 1: Betsy Ross recognized George Washington immediately and they said, Ms Ross,
- 20:09Speaker 1: we need your help. We we have to. We're part
- 20:13Speaker 1: of the Continental Congress's Flag Committee and we've been tasked
- 20:16Speaker 1: with coming up with the flag. Will you help us
- 20:18Speaker 1: create this flag? And she basically said, let me see
- 20:21Speaker 1: what you got. Yeah, she said, well, first of all,
- 20:24Speaker 1: my husband passed away six months ago, so why are
- 20:27Speaker 1: you bothering me of all people, right, And Uncle George
- 20:31Speaker 1: was like, I know, but you're still family. You still
- 20:33Speaker 1: got Ross on your name, and this will make for
- 20:36Speaker 1: a good story later, right. So she looks at the
- 20:40Speaker 1: design and she said, this is not bad, she said,
- 20:43Speaker 1: but you may want to change the proportions a bit.
- 20:46Speaker 1: And her real and and this is kind of the
- 20:48Speaker 1: one thing that I think most historians do agree on
- 20:52Speaker 1: is that her one big change design wise was changing
- 20:56Speaker 1: the star from a six pointer to a five pointer.
- 21:00Speaker 1: Right if you if you agree that that Betsy Ross
- 21:03Speaker 1: did have a hand in making the original flag, then yeah,
- 21:06Speaker 1: you would probably say that's probably correct. And apparently just
- 21:09Speaker 1: because it was easier on her to cut. Yeah, I
- 21:13Speaker 1: think though that they were saying, like, five pointed stars
- 21:15Speaker 1: would be harder than a six point star, and she
- 21:17Speaker 1: said no, no, and like whipped out her scissors and
- 21:19Speaker 1: cut up some either cloth or paper and showed them
- 21:22Speaker 1: how easy it wasn't They're like, oh, that's beautiful. And
- 21:25Speaker 1: George Westington was like, are we still talking about this?
- 21:28Speaker 1: Can we go? He's like, why am I in the
- 21:32Speaker 1: bulstry shop? Why am I in the story? It doesn't
- 21:37Speaker 1: even make sense that I would be here? Oh save that?
- 21:41Speaker 1: So um, they said, sure, that's fine. Easier to cut.
- 21:47Speaker 1: You've proved it, even though George Ross was over there
- 21:50Speaker 1: trying to cut the six and prove her wrong. The
- 21:53Speaker 1: sun went down, came back up, he was missing a fingertip,
- 21:58Speaker 1: and so they said that that that's fine, let's just
- 22:01Speaker 1: do it, and uh, they draw up the new sketch. Uh.
- 22:05Speaker 1: They incorporate her her new star, and they said, get
- 22:09Speaker 1: to it, kind lady, and she did, and it's a
- 22:12Speaker 1: It was a big flag. It wasn't like this was
- 22:15Speaker 1: when they were gonna fly, you know, out in public,
- 22:17Speaker 1: so it wasn't like a little tester flag. So it
- 22:20Speaker 1: took a while and what it would It took a
- 22:23Speaker 1: few days maybe, and she finally says, here's what I've
- 22:26Speaker 1: got and they say, this is great. Let's see how
- 22:28Speaker 1: it looks on a on the mast of a ship.
- 22:31Speaker 1: They hoisted it up a ship and they said, all right,
- 22:34Speaker 1: I think we're good to go here everyone. Basically, that's it.
- 22:38Speaker 1: You know, it's just occurred to me, Chuck, is how
- 22:41Speaker 1: closely our History episodes resemble Drunk History episode except for
- 22:46Speaker 1: sober right ish um? But the uh so the flag
- 22:52Speaker 1: is it's been proven on this mass of the ship.
- 22:55Speaker 1: It looks beautiful. And they go back to Betsy Ross
- 22:57Speaker 1: and they say, Betsy, we're gonna need a lot more
- 23:00Speaker 1: of these. And the implication is commerce takes over and
- 23:03Speaker 1: Betsy becomes wealthy and secures her her her place as
- 23:07Speaker 1: one of the the important figures of early American history.
- 23:12Speaker 1: That's right. Uh. Here's the thing though, is there is
- 23:16Speaker 1: no proof or evidence that this happened. This all comes
- 23:19Speaker 1: from a story that her grandson, William can be told
- 23:25Speaker 1: in eighteen seventies. So she's been passed away for uh
- 23:30Speaker 1: what thirty years more, almost close to forty, Yeah, between
- 23:33Speaker 1: thirty and forty. So she but but it wasn't like
- 23:36Speaker 1: she died a hundred and fifty years before when her
- 23:39Speaker 1: grandson wrote it down like he had known her in
- 23:41Speaker 1: his lifetime. Yeah, and he said that his aunt had
- 23:44Speaker 1: told him this ten years before and said, listen, she
- 23:47Speaker 1: told me this story. He you know, recounted it, probably
- 23:50Speaker 1: in a much nicer way than we just did. And uh,
- 23:55Speaker 1: he told this in a speech at the Pennsylvania Historical Society.
- 24:00Speaker 1: And this was, you know, eighteen seventy eighteen seventy six
- 24:04Speaker 1: is right around the corner, and everyone's getting all uh
- 24:08Speaker 1: all hot and bothered by the upcoming celebration. And I
- 24:12Speaker 1: think everyone just sort of well, we'll get to the
- 24:14Speaker 1: reasons why. But everyone definitely bought into this like this
- 24:17Speaker 1: is great, let's run with it, right, And so, um,
- 24:20Speaker 1: here's about where historians say, okay, all right, so William
- 24:24Speaker 1: can be Um produced this story in a speech to
- 24:28Speaker 1: the Historical Society. It took place a hundred years after
- 24:31Speaker 1: the thing happened, almost forty years after Betsy Ross died.
- 24:34Speaker 1: It's family lore, and apparently they got other people from
- 24:38Speaker 1: the family to come testify, like, yes, they've heard this
- 24:41Speaker 1: story multiple times in very similar iterations. It's like the
- 24:45Speaker 1: story of how our ancestor or grandmother Ann or whatever
- 24:49Speaker 1: she was to them, um sowed the first American flag.
- 24:53Speaker 1: And they say, Okay, we don't think that the Ross
- 24:56Speaker 1: and Claypool families are liars by any stretch. They're not like,
- 25:01Speaker 1: just didn't make it up, you know, right. That's that's
- 25:04Speaker 1: kind of the the the uh what's it called when
- 25:08Speaker 1: you give somebody the benefit of the down, just benefit
- 25:11Speaker 1: of the down. That's the benefit of the doubt that
- 25:13Speaker 1: historians tend to give the family so that they're they're
- 25:15Speaker 1: not just like liars who made this up? Um, But
- 25:19Speaker 1: but it is family laren So, historians kind of approach
- 25:21Speaker 1: it with a little bit of a grain of salt.
- 25:23Speaker 1: The thing is, there's no other family in the United
- 25:27Speaker 1: States who's saying, actually, it's it was our grandmother who
- 25:31Speaker 1: made the first American flag, or my grandfather was at
- 25:36Speaker 1: that meeting and he was the one who came up
- 25:38Speaker 1: with the stars. There's nothing like that. There's no other
- 25:40Speaker 1: competing stories to this one, to this family story. The
- 25:44Speaker 1: reason why historians take it with a grain of salts
- 25:47Speaker 1: because again, like you said, there's just no documentary evidence
- 25:50Speaker 1: whatsoever to show that it ever did take place. Yeah,
- 25:54Speaker 1: and there's like there are a few flags here, red
- 25:58Speaker 1: flags that is about out why this may not be true.
- 26:02Speaker 1: What I think is that it is a version of
- 26:04Speaker 1: the truth, and then history tells wraps a good story
- 26:08Speaker 1: around it. Um. There was no record of a flag
- 26:12Speaker 1: committee being formed. Um, the fact that George Washington was
- 26:15Speaker 1: there is just doubtful in and of itself. As a
- 26:20Speaker 1: huge superstar Army general and American hero, that he would
- 26:25Speaker 1: be like, we're kind of kidding around and when he's like,
- 26:27Speaker 1: why am I here? But why would he have been there?
- 26:31Speaker 1: Not only that this is um, this was recounted by
- 26:34Speaker 1: William Canby as a Congressional committee for the flag and
- 26:40Speaker 1: there's two problems with that one. George Washington wasn't a
- 26:43Speaker 1: member of Congress, so again, why would they send him
- 26:46Speaker 1: along with this committee? And then Secondly, Um, Congress never
- 26:52Speaker 1: in any way, shape or form on paper at least
- 26:54Speaker 1: took up a flag the details of the flag until
- 26:58Speaker 1: seventies seven, a full year after this story supposedly took place.
- 27:03Speaker 1: That's right. Uh, there are a few things working in
- 27:06Speaker 1: her favor here. Um. It is verified that she was
- 27:09Speaker 1: paid a pretty good sum of money um that same
- 27:12Speaker 1: year by the Pennsylvania State Navy Board. Okay, I saw
- 27:15Speaker 1: that she did make flags for the Pennsylvania Navy. Well,
- 27:19Speaker 1: this is where it gets all murky because there's another man,
- 27:23Speaker 1: which we'll get into. Uh. Let's let's put a pin
- 27:27Speaker 1: in that though of that guy for now. Okay, alright,
- 27:31Speaker 1: because we were getting pretty fast and furious eight there. Uh.
- 27:35Speaker 1: And there's also a painting supposedly dating to eighteen fifty one,
- 27:41Speaker 1: a different painting that shows her sewing an American flag. Um.
- 27:45Speaker 1: But I don't think they have like officially authenticated that
- 27:49Speaker 1: it's from eighteen fifty one. But here's what I don't understand.
- 27:56Speaker 1: If there was a painting in eighteen fifty one, I mean,
- 27:57Speaker 1: supposedly none of this happened until eighteen what seventy the
- 28:03Speaker 1: can be story? Yeah, like when the big meeting took place. Well,
- 28:07Speaker 1: I mean that's when that's when William can be told
- 28:10Speaker 1: that family story. But the fact that there's a painting
- 28:14Speaker 1: that predates his speech by nineteen years showing the same
- 28:17Speaker 1: thing that lends support to his story, for sure, But
- 28:21Speaker 1: it's still that's an eighteen fifty one painting depicting something
- 28:25Speaker 1: that happened seventy five years prior, right if uh oh, yeah, sorry,
- 28:30Speaker 1: my math was I forgot a hundred years. You forgot
- 28:33Speaker 1: to carry the one that did. But again, that that
- 28:36Speaker 1: painting is not I don't think fully authenticated. So who
- 28:39Speaker 1: knows if that's true or not. One of those dirty
- 28:42Speaker 1: lying Ross Claypool family members did it in like two twelve.
- 28:47Speaker 1: But he said less Claypool for a minute, and I
- 28:49Speaker 1: was about to run out of the room. Yeah, like
- 28:51Speaker 1: Less Claypool. Huh. I'm not a primus guy. Um so
- 28:56Speaker 1: I wouldn't call myself a primus guy either, But I
- 28:59Speaker 1: like some of their songs. Yeah. Um so, Chuck, you
- 29:03Speaker 1: want to take another message, break and then come back
- 29:06Speaker 1: and get to it. Get to the truth about the flag,
- 29:39Speaker 1: all right, Charles, So you said that there was another
- 29:42Speaker 1: guy who kind of muddles the issue a little bit,
- 29:45Speaker 1: and he does, but not fully because, um, if little
- 29:50Speaker 1: school kids are being taught that Betsy Ross did design
- 29:52Speaker 1: the flag, that is an issue because this guy named
- 29:55Speaker 1: Francis Hopkinson is given credit more than anybody else for
- 30:01Speaker 1: having a hand in designing the first American flag, if
- 30:05Speaker 1: not being the designer of the American flag. This this
- 30:09Speaker 1: sketch that this trio of the Congressional Committee brought in allegedly. Yeah,
- 30:15Speaker 1: so the story, the story I heard around the campfire
- 30:20Speaker 1: of old Hopkinson was that he he kind of was,
- 30:24Speaker 1: in fact the designer. He designed quite a few things,
- 30:27Speaker 1: uh back then for the United States. And the first
- 30:30Speaker 1: thing that he did was say I want payment of
- 30:33Speaker 1: a quarter cask of wine. But then he said, actually
- 30:37Speaker 1: I want pounds, which would be like half a million
- 30:41Speaker 1: pounds today. Wow. Um, Apparently it bureaucracy took over and
- 30:47Speaker 1: they batted it back and forth, and then we're like, well, no,
- 30:49Speaker 1: we're paying you as an it's sort of that like
- 30:52Speaker 1: working for a corporation and owning your own I P.
- 30:55Speaker 1: And they were like, no, we're paying you anyway, this
- 30:57Speaker 1: is ours. And when you look at what he filed
- 31:00Speaker 1: for and this is where the naval thing comes in.
- 31:03Speaker 1: It was for the naval flag of the United States,
- 31:05Speaker 1: is what he requested payment for. Right. Supposedly, the quarter
- 31:08Speaker 1: cask of public wine was for the American flag, and
- 31:13Speaker 1: the big old pound bill was for the naval flag.
- 31:18Speaker 1: And that's the only one that Congress responded to. They
- 31:21Speaker 1: just totally ignored the first one. I guess, yeah, but
- 31:24Speaker 1: this is where I just get a little confused, like
- 31:26Speaker 1: it was important. Uh. And that's the kind of one
- 31:30Speaker 1: of the keys here too, is that they needed a flag.
- 31:32Speaker 1: It wasn't just like I mean, there were practical reasons.
- 31:35Speaker 1: It's not like we just want to fly a flag
- 31:37Speaker 1: like in battle. Flags are very important, or they were
- 31:40Speaker 1: back then, because if you were a small navy and
- 31:43Speaker 1: you didn't have a flag that everyone knew, as you know,
- 31:47Speaker 1: the United States would be basically don't bomb me, right exactly,
- 31:51Speaker 1: don't shoot I'm I'm friendly with you. Which needed naval flag, right, So, um,
- 31:57Speaker 1: they had they There are a bunch of flags that
- 31:59Speaker 1: that you had find in revolutionary America at the time.
- 32:03Speaker 1: There were some very famous ones that you would recognize today. Um,
- 32:06Speaker 1: the Washington Squadron it is it's a white flag with
- 32:10Speaker 1: a green pine tree, right, Which is the point of
- 32:16Speaker 1: that is to say that, um, when you revolt, you're
- 32:19Speaker 1: you're going above the king's head because the king was
- 32:23Speaker 1: that had the divine right, like they ruled by, you know,
- 32:27Speaker 1: on behalf of heaven. So by revolting against the king,
- 32:30Speaker 1: you were going to heaven the king's boss and saying, hey,
- 32:33Speaker 1: we want to get rid of this guy. But the
- 32:36Speaker 1: pine tree there was actually a revolt that was that
- 32:38Speaker 1: took place a few years before the Boston Tea Party.
- 32:41Speaker 1: Even it was the first revolt in the in the
- 32:43Speaker 1: colonies against the king, the first actual revolt, and it
- 32:47Speaker 1: was because the king said, I own this pine tree,
- 32:49Speaker 1: I own that pine tree, I own this pine tree. Um.
- 32:52Speaker 1: And they were to make ships masts out of they
- 32:55Speaker 1: were very, very valuable, but the king was keeping all
- 32:57Speaker 1: the good ones, and so these mill owners just started
- 33:01Speaker 1: cutting up the king's ones as well. And the sheriff,
- 33:04Speaker 1: and I can't remember where it was, but came to
- 33:06Speaker 1: arrest a mill owner, and some other mill owners came
- 33:09Speaker 1: around and they beat the sheriff up and chased him off.
- 33:12Speaker 1: And that was the first actual act of rebellion in
- 33:15Speaker 1: the colonies. And that's why the pine tree became a
- 33:18Speaker 1: symbol of rebellion and revolution. Yeah, I didn't know that
- 33:22Speaker 1: until today. It's a symbol of a pain in my
- 33:25Speaker 1: butt if you're king, the king, the King of England.
- 33:29Speaker 1: But it's a pretty flag, that's all right. Okay, are
- 33:33Speaker 1: you a Gadsden flag person? Okay, not that thing, that's
- 33:36Speaker 1: too much controversy. That's the very famous don't tread on
- 33:40Speaker 1: Me flag, right, the rattlesnake coiled up saying don't mess
- 33:44Speaker 1: with Texas. Well not Texas, don't tread on me, that's
- 33:49Speaker 1: what it says. Uh yeah. And then there's of course
- 33:51Speaker 1: the Sons of Liberty flag. Nine vertical stripes, red and white. Um,
- 33:56Speaker 1: it's fine, and this, you know, and this one took different,
- 33:59Speaker 1: um different the the one we stuck with with the
- 34:03Speaker 1: thirteen stripes and thirteen stars over the blue field in
- 34:07Speaker 1: the upper left corner. Um. There were different designs for that,
- 34:10Speaker 1: including one that I think I might have liked better. Um. Well,
- 34:14Speaker 1: one time they had thirteen stars and forming a square.
- 34:19Speaker 1: But then they had one where they were in an
- 34:22Speaker 1: arch over seventy six, which I think would look kind
- 34:24Speaker 1: of cool. That's a boss flag. Yeah, yeah, I agreed
- 34:28Speaker 1: for a little while. They had the American flag, the
- 34:31Speaker 1: red and white stripes thirteen red and white stripes UM
- 34:35Speaker 1: as a field on the flag, and then the canton,
- 34:38Speaker 1: which is um a square in the upper left corner,
- 34:41Speaker 1: which can be up to a quarter of the size
- 34:43Speaker 1: of the flag, and it's still considered a canton. Um
- 34:46Speaker 1: was the Union jack the British flag, Yeah, it looks
- 34:50Speaker 1: real weird and um they apparently were running into trouble
- 34:54Speaker 1: flying that too because it was a little confusing, so
- 34:56Speaker 1: they abandoned that. And as legend has it, that flag
- 35:00Speaker 1: is what what what showed that they really needed an
- 35:03Speaker 1: official United States flag, and so that supposedly is what
- 35:07Speaker 1: led to that Betsy Ross flag, which was thirteen stars
- 35:10Speaker 1: in a circle on canton, a blue canton with the
- 35:14Speaker 1: thirteen alternating red and white stripes. Yeah. I would say
- 35:18Speaker 1: that at the very least, the Union, the Grand Union
- 35:21Speaker 1: Flag as it was known, with the Union Jack in
- 35:24Speaker 1: the corner, was highly confusing in battle. Right, So Congress,
- 35:29Speaker 1: it becomes clear to them that they that yes, they
- 35:31Speaker 1: need a flag, we need a national flag. But the
- 35:34Speaker 1: big distinction between what actually happened and this this story
- 35:39Speaker 1: of Betsy Ross, is that they didn't say anything about
- 35:42Speaker 1: the flag until June fourteen, seventy seven, when they passed
- 35:46Speaker 1: a flag resolution and they just basically said, yeah, these
- 35:50Speaker 1: are these are some things we want on the flag,
- 35:52Speaker 1: and that's it. And that's the first time there's any trail,
- 35:57Speaker 1: any paper trail, of the United States actually thinking and
- 36:02Speaker 1: talking about and discussing a flag. And we have every
- 36:04Speaker 1: other change from then up to I think nineteen fifty
- 36:08Speaker 1: nine or nineteen sixty, um. From seventies and seventies seven
- 36:11Speaker 1: onto the mid twentieth century, you know every change that
- 36:15Speaker 1: was made because they documented it. But this alleged first
- 36:18Speaker 1: Betsy Ross flag took place outside of that documented history. Well,
- 36:23Speaker 1: they may not have known at the time, you know
- 36:24Speaker 1: that this was something important, Yeah, I guess so. Um,
- 36:29Speaker 1: So you know why does this happen? Well, there's a
- 36:32Speaker 1: lot of reasons. Um. One reason was, even way back
- 36:36Speaker 1: in the eighteen seventies, there was a notion that uh,
- 36:40Speaker 1: women were doing some great things and being overlooked, and
- 36:43Speaker 1: they wanted to inspire young women and girls across the
- 36:47Speaker 1: country to do great things as well. So what better
- 36:50Speaker 1: way to do so than to um sort of gussie
- 36:53Speaker 1: up this Betsy Ross story, right. Um, there was also
- 36:57Speaker 1: like a desire for you kind of referenced it earlier
- 37:01Speaker 1: about um the centennial coming up in eighteen seventy six.
- 37:05Speaker 1: There was like a real hunger in the United States,
- 37:07Speaker 1: which was a relatively young country um to to to
- 37:12Speaker 1: have its own mythology. And so that's what some of
- 37:15Speaker 1: these stories that were being um kind of generated and
- 37:19Speaker 1: rehashed or put down on paper for maybe the first
- 37:21Speaker 1: time that that's what they provided, was this this shared
- 37:25Speaker 1: national history that that the United States citizens were kind
- 37:29Speaker 1: of like rallying behind. And that's that's a good example
- 37:34Speaker 1: of why that would have taken off and become cemented. Yeah.
- 37:37Speaker 1: The other thing that kind of cracks me up is
- 37:39Speaker 1: the fact that George Washington was in the story himself, right,
- 37:43Speaker 1: because apparently he was just such a legend at the time.
- 37:46Speaker 1: Uh and just you know, emblematic of of what this
- 37:50Speaker 1: country was and would be, is that he turned up
- 37:53Speaker 1: in a lot of stories that he was he was
- 37:55Speaker 1: never really at because I mean, this is a time
- 37:58Speaker 1: where people would just tell a story and be like,
- 38:00Speaker 1: and guess who else was there? Maybe if they're losing
- 38:03Speaker 1: the crowd, General George Washington himself, the crowds just gas
- 38:08Speaker 1: and sits up. That's great if they the crowd. Uh.
- 38:13Speaker 1: And then, of course the easiest explanation is that, you know,
- 38:16Speaker 1: it's a simple story and it's easy to tell, and uh,
- 38:20Speaker 1: it's pretty streamed. Line, has a nice beginning, middle, and end,
- 38:24Speaker 1: and it's much better than some weird, convoluted retelling that
- 38:28Speaker 1: no one would remember anyway. Right, So here's where Frances
- 38:32Speaker 1: Hopkinson comes in the story. Uh, it's a gonna get
- 38:36Speaker 1: a little money here, kid, but just the wine. But
- 38:39Speaker 1: then money. And then it was a naval flag, right. Uh,
- 38:45Speaker 1: let's see, I got a couple of things about the flag.
- 38:47Speaker 1: So you know, there's the study of flags, how they're made,
- 38:50Speaker 1: what they're what they symbolize, is called vel exology. I
- 38:53Speaker 1: thought it was flaggery. No. Um, that's where you're starting
- 38:57Speaker 1: to lose steam. Okay, vel exology. There's a great invisible
- 39:03Speaker 1: episode on flags. Heard that word it is? Um. So
- 39:09Speaker 1: the United States flag there's thirteen horizontal stripes, seven red,
- 39:13Speaker 1: six white. In case you ever want to win at trivia.
- 39:16Speaker 1: The stripes are the thirteen colonies, obviously, and the stars
- 39:19Speaker 1: of the fifty states of the Union. Um. The red
- 39:22Speaker 1: symbolizes hardiness and valor not blood. White symbolizes purity and innocence.
- 39:29Speaker 1: Blue represents vigilance, perseverance, and justice. And if you ever
- 39:34Speaker 1: want to see a heck of a flag, go to
- 39:36Speaker 1: the Smithsonian Museum of American History and you can see
- 39:39Speaker 1: the Star Spangled banner, the flag that was flying over
- 39:43Speaker 1: Fort McHenry in eighteen fourteen when Francis Scott Key looked
- 39:47Speaker 1: up in the dawn's light and saw that it was
- 39:49Speaker 1: still flying over there despite just a massive assault by
- 39:52Speaker 1: the British, and was inspired to write the Star Spangled Banner,
- 39:56Speaker 1: which became the national anthem. And thirty three I believe ye,
- 40:02Speaker 1: of course is what I meant. Amazing. So that's the flag,
- 40:06Speaker 1: and Betsy Ross go forth and tell the truth. Uh.
- 40:10Speaker 1: And if you want to know more about Betsy ROSSI
- 40:12Speaker 1: you can read this article, a fine one by Ed
- 40:14Speaker 1: Grabanowski actually on how Stuff Works dot com. Since I
- 40:17Speaker 1: said that it's time for listener mail, I'm gonna call
- 40:22Speaker 1: this really cool email from an Atari guy. This is thrilling.
- 40:26Speaker 1: I thought so too. Hey, guys, love the show. I
- 40:28Speaker 1: worked at Attari in the late seventies. I ran the
- 40:31Speaker 1: warehouse in nineteen seventy six, Warner Brothers purchased Attari from
- 40:35Speaker 1: its founder Nolan Bushnell. No One stayed on for a
- 40:39Speaker 1: couple of years after that, before departing in seventy eight.
- 40:43Speaker 1: Cartridges created to meet movie releases is probably one of
- 40:46Speaker 1: the reasons he left. When I first heard that the
- 40:48Speaker 1: ET cartridges had been buried, I laughed because I oversaw
- 40:53Speaker 1: the burying of leftover Superman cartridges for that first movie
- 40:58Speaker 1: and seventy eight at the Ebil, California landfill, which is
- 41:01Speaker 1: right across the street from the building. Iran, something you
- 41:05Speaker 1: would not be able to do today because of environmental restrictions.
- 41:08Speaker 1: Um like the ET cartridge, Superman would fly around, pick
- 41:11Speaker 1: up Lois Lane and rescue her from some villains. The
- 41:14Speaker 1: only problem Superman kept dropping her and she would plumme
- 41:17Speaker 1: it to the ground. That's a bug. It's so funny.
- 41:19Speaker 1: It's just so similar to eat. The cartridge was rushed
- 41:23Speaker 1: into production was a huge flop. I thought you might
- 41:27Speaker 1: find the Warner Brothers tie interesting. Sure that is from
- 41:31Speaker 1: Gordon Selig. Nice Thanks a lot, Gordon. That was a
- 41:36Speaker 1: good one. I think I see he runs his own
- 41:38Speaker 1: I T business now too. Yeah, man, that's that's what happens. Um.
- 41:42Speaker 1: So if you want to get in touch of this,
- 41:45Speaker 1: like Gordon did with a great story that kind of
- 41:47Speaker 1: rounds out something we were talking about. We love those things.
- 41:51Speaker 1: You can tweet to us at s Y s K podcast.
- 41:54Speaker 1: You can join us on Facebook dot com. It's slash
- 41:56Speaker 1: stuff you should know. You can hang out with the
- 41:59Speaker 1: Sun Insta Graham. I've got my own site that Josh
- 42:02Speaker 1: clark Way. And then, as always, you can send us
- 42:04Speaker 1: a nice email to Stuff Podcasts at how stuff works
- 42:08Speaker 1: dot com for moralness and thousands of other topics. Is
- 42:15Speaker 1: it how stuff works dot com m