Latest / Suspense | Old Time Radio / Suspense - "Dame Fortune" (Old Time Radio, 1946)
Transcript
- 0:00Speaker 1: October 2nd, 1946 brings us to Suspense, Episode 4, Dame Fortune.
- 0:07Speaker 1: Susan Hayward stars as Jean Nicholson, a popular singer whose
- 0:12Speaker 1: life with her wealthy husband, Frank, is interrupted by a
- 0:15Speaker 1: telephone call from Charlie Prescott, a man from her past.
- 0:20Speaker 1: As Prescott's return places Gene under pressure, Frank Nicholson is
- 0:25Speaker 1: drawn into a blackmail scheme. Hans Conrad appears as Prescott,
- 0:30Speaker 1: with Wally Maher as Frank. Kay Thompson supplies Hayward's singing
- 0:34Speaker 1: voice for part of Cole Porter's I've Got You Under
- 0:37Speaker 1: My Skin. This edition of Suspense was heard on CBS
- 0:41Speaker 1: under the sponsorship of Roma Wines. The script is credited
- 0:45Speaker 1: to Max Wilk and Ed Merkland and William Spear directed.
- 0:50Speaker 1: We now take you back to the original broadcast.
- 0:53Speaker 2: And now, Roma Wines, R-O-M-A, made in.
- 0:58Speaker 3: California for enjoyment throughout the world, Roma Wines presents.
- 1:03Speaker 4: Suspense.
- 1:08Speaker 5: Tonight, Roma Wines bring you Miss Susan Hayward as star
- 1:12Speaker 5: of Dame Fortune, a suspense play produced, edited, and directed
- 1:16Speaker 5: for Roma Wines by William Spears.
- 1:23Speaker 3: Suspense, radio's outstanding theater of thrills, is presented for your
- 1:27Speaker 3: enjoyment by Roma Wines. That's R-O-M-A, Roma Wines, those excellent
- 1:33Speaker 3: California wines that can add so much pleasantness to the
- 1:36Speaker 3: way you live, to your happiness in entertaining guests, to
- 1:40Speaker 3: your enjoyment of everyday meals. Yes, right now, a glass
- 1:44Speaker 3: full would be very pleasant, as Roma Wines bring you
- 1:48Speaker 3: Susan Hayward in a remarkable tale of Suspense.
- 1:56Speaker 6: Nobody's believed this so far, but maybe someday somebody will.
- 2:01Speaker 7: Not that it really matters.
- 2:03Speaker 6: It's just something to do to pass the time while
- 2:05Speaker 6: I'm waiting. It was our fifth anniversary and we were
- 2:09Speaker 6: having a party. And as usual, partly because a ham
- 2:13Speaker 6: is always a ham no matter how long they've been
- 2:15Speaker 6: out of the business, and partly because it's really easier
- 2:18Speaker 6: to go ahead and do it than to spend your
- 2:19Speaker 6: whole evening refusing.
- 2:21Speaker 7: I was supplying the entertainment. But each time.
- 2:24Speaker 8: I do, just the thought of you makes me stop.
- 2:29Speaker 9: Before I begin, cause I've got you. Under my skin
- 2:43Speaker 9: Cause I've got you Under my skin.
- 2:54Speaker 3: It's not every party you go to where the hostess
- 2:56Speaker 3: can entertain, is it?
- 2:56Speaker 2: Well, certainly, certainly.
- 2:57Speaker 4: Why do you think I married her? Broadway's loss was
- 3:00Speaker 4: Nicholson's gain.
- 3:01Speaker 7: Oh, darling, for someone.
- 3:02Speaker 6: Who's been married to me for five whole years, you
- 3:04Speaker 6: still say some awfully nice things.
- 3:06Speaker 4: Well, why not, darling?
- 3:07Speaker 5: Say, Jean, seeing you'll be so nice to come home to,
- 3:10Speaker 5: were you in that show?
- 3:11Speaker 4: What was the name of it?
- 3:12Speaker 10: Oh, no, dear.
- 3:13Speaker 7: Frank had already snatched me from my career by that time.
- 3:16Speaker 4: Excuse me. Jean, darling, you want it on the phone? Phone?
- 3:19Speaker 7: This hour?
- 3:20Speaker 6: Who is it?
- 3:21Speaker 4: I don't know, dear. It's a man, probably one of
- 3:23Speaker 4: your old admirers.
- 3:24Speaker 7: Oh, don't be silly. All my old admirers gave up
- 3:27Speaker 7: ages ago.
- 3:28Speaker 4: All right, I'll take your word for it, my sweet.
- 3:30Speaker 4: But now you'd better go see who it is.
- 3:32Speaker 10: All right.
- 3:33Speaker 7: Don't anybody go away. I'll be right back.
- 3:35Speaker 4: All right, now, I'll buy you a drink.
- 3:41Speaker 7: Hello?
- 3:42Speaker 10: Hello, Jane.
- 3:44Speaker 7: Who's this?
- 3:45Speaker 10: Perhaps I should say Mrs. Nicholson. You're not Jean Marley anymore.
- 3:50Speaker 4: Are you?
- 3:50Speaker 7: Who is this? Is there something I can do for you?
- 3:54Speaker 7: I'm rather busy right now.
- 3:55Speaker 10: I was afraid you might forget me. I've been away
- 3:57Speaker 10: such a long time. This is Charlie.
- 4:01Speaker 7: Charlie?
- 4:02Speaker 11: Charlie Prescott of the San Quentin Prescotts. You remember now,
- 4:07Speaker 11: don't you? You're still there, aren't you, Jean?
- 4:11Speaker 7: Yes, I'm still here.
- 4:13Speaker 10: You surprised?
- 4:14Speaker 7: So you're back.
- 4:15Speaker 10: Out is what we call it, sweetheart. Only yesterday. And
- 4:19Speaker 10: I want to see you.
- 4:20Speaker 7: Oh, no, Charlie. That's all over.
- 4:21Speaker 10: You mean you don't want to see me?
- 4:23Speaker 7: Save it, Charlie. I suppose I knew all along this
- 4:26Speaker 7: would happen someday. When will it be?
- 4:29Speaker 10: Oh, the sooner the better. How about tomorrow?
- 4:31Speaker 7: I can't tomorrow. Make it Wednesday in the afternoon.
- 4:34Speaker 10: Say three o'clock? Same old place?
- 4:36Speaker 7: No, not there.
- 4:37Speaker 10: All right. What about the Shangri-La?
- 4:41Speaker 7: All right.
- 4:42Speaker 11: You'll be sure and be there, won't you, sweetheart? Because
- 4:45Speaker 11: if you're not, I'm going to feel very bad.
- 4:48Speaker 7: I'll be there.
- 4:49Speaker 10: Three o'clock then, sweetheart.
- 4:50Speaker 7: Three o'clock. Oh, there's me. Hey, where have you been?
- 4:59Speaker 7: Come on, sing another song.
- 5:00Speaker 2: Who was it, darling?
- 5:01Speaker 8: Anyone I know?
- 5:02Speaker 7: No, just an old friend.
- 5:03Speaker 4: Oh, why didn't you ask him over?
- 5:05Speaker 6: Oh, he was just passing through town and wanted to
- 5:07Speaker 6: say hello, that's all.
- 5:08Speaker 4: Well, maybe some other time.
- 5:09Speaker 7: Yes, some other time. Don't let anybody tell you that
- 5:19Speaker 7: prison doesn't change people. It does. And Charlie had seven
- 5:24Speaker 7: years of it.
- 5:25Speaker 6: It's not just the prison pallor they always tell you
- 5:27Speaker 6: about or extra dividends and gray hair.
- 5:31Speaker 7: It's something else. An expression in the eyes. And more
- 5:35Speaker 7: than that, something I didn't figure out until quite a
- 5:38Speaker 7: while later.
- 5:39Speaker 12: I'll say you're looking great, sweetheart.
- 5:41Speaker 7: Let's cut out the compliments, Charlie. You don't mean them
- 5:43Speaker 7: and neither do I.
- 5:44Speaker 11: Now, wait a minute, sweetheart. Don't get me wrong. You
- 5:48Speaker 11: don't think I'm sore about anything? Like, say, because you're married?
- 5:51Speaker 11: You don't think that now, do you?
- 5:52Speaker 7: Why, should you be?
- 5:54Speaker 6: You knew I wasn't going to wait around for you.
- 5:56Speaker 6: It was never that serious between us.
- 5:57Speaker 12: That's what I'm saying.
- 5:59Speaker 11: Why, I'm tickled pink you married the guy. Particularly since
- 6:03Speaker 11: I hear he's really in the dough, huh?
- 6:05Speaker 12: But good.
- 6:06Speaker 7: The trouble with you blackmailers is.
- 6:07Speaker 12: Oh, that's a nasty word, sweetheart.
- 6:09Speaker 6: The trouble with you blackmailers is that you think all
- 6:12Speaker 6: a woman with a wealthy husband has to do is
- 6:14Speaker 6: just run down to the cellar and bring up a
- 6:16Speaker 6: basket full anytime she wants to.
- 6:18Speaker 7: Well, it's not like that. He spends the money. I don't.
- 6:21Speaker 12: No joint bank account?
- 6:22Speaker 4: Oh, sure.
- 6:23Speaker 2: What do you think.
- 6:24Speaker 7: Happens when all of a sudden two or three hundred
- 6:26Speaker 7: a month just starts disappearing?
- 6:28Speaker 12: I wasn't thinking of hundreds, sweetheart.
- 6:31Speaker 7: Oh, of course not. And the bigger you think, the
- 6:34Speaker 7: hotter it gets. Don't you see that?
- 6:37Speaker 12: Well, he's got a will, hasn't he?
- 6:40Speaker 7: I suppose so.
- 6:41Speaker 4: Don't stall, sweetheart.
- 6:42Speaker 12: You know he has. You know what's in it. It
- 6:44Speaker 12: all goes to you, doesn't it?
- 6:45Speaker 4: Yes.
- 6:46Speaker 7: I guess it does.
- 6:47Speaker 12: You know it does.
- 6:49Speaker 7: And you want a cut.
- 6:50Speaker 12: I want half.
- 6:54Speaker 7: Before taxes are deducted or after?
- 6:56Speaker 13: Don't get wise. I did a lot of figuring where
- 7:00Speaker 13: I was, and I figured you owed me something, sweetheart.
- 7:02Speaker 12: I figured you owed me plenty.
- 7:03Speaker 7: Well, you're going to have a long time to wait
- 7:05Speaker 7: for it, darling.
- 7:06Speaker 6: I'd say about 30 years, because he's healthy.
- 7:09Speaker 7: As a horse.
- 7:10Speaker 12: Who said anything about waiting?
- 7:14Speaker 7: You do have big ideas, don't you?
- 7:17Speaker 12: You like it?
- 7:19Speaker 6: You don't really think I'm going to become a party
- 7:21Speaker 6: to the murder of my own husband, do you?
- 7:22Speaker 12: Sweetheart, you mustn't use those words.
- 7:24Speaker 7: You must have gone a little crazy up there, Charlie.
- 7:27Speaker 12: Who said anything about your being a party to her?
- 7:31Speaker 7: Oh, you handle it. I just wait. Is that it?
- 7:34Speaker 11: Well, I know it's not as big a part of
- 7:36Speaker 11: the job as you handled the last time, but that's
- 7:39Speaker 11: a general idea.
- 7:40Speaker 13: What do you say?
- 7:42Speaker 7: What do you think?
- 7:44Speaker 13: Sweetheart, did you ever stop to figure out what they'd
- 7:47Speaker 13: give you? If they found out?
- 7:50Speaker 12: I don't know. I do. The same as they give me.
- 7:54Speaker 12: Maybe worse.
- 7:55Speaker 7: Listen, Charlie. Suppose I told you I love him.
- 7:58Speaker 4: You?
- 7:59Speaker 12: I wouldn't believe you.
- 8:01Speaker 11: I wouldn't believe it if he combined the best features
- 8:04Speaker 11: of John D. Rockefeller, Albert Einstein, and Clark Gable.
- 8:08Speaker 7: No, I suppose you wouldn't.
- 8:11Speaker 13: Well, that's the way it is, sweetheart. That way or
- 8:15Speaker 13: the other.
- 8:16Speaker 12: Make up your mind.
- 8:19Speaker 7: Well, it would have to be an accident.
- 8:22Speaker 12: That's okay. It could be an accident.
- 8:26Speaker 7: All right, Charlie. You win. There's only one way that
- 8:37Speaker 7: I know of to deal with blackmail.
- 8:40Speaker 6: Agree to the terms first and find it out afterwards.
- 8:43Speaker 7: And that's how I'd plan to play it.
- 8:45Speaker 6: I will confess that the murder of my husband for
- 8:47Speaker 6: his estate was a little stiffer price than I'd been
- 8:49Speaker 6: prepared for.
- 8:51Speaker 7: But by the time I left, I knew how I
- 8:53Speaker 7: was going to play that tool. Charlie had never been
- 8:56Speaker 7: quite as smart as he thought he was.
- 8:59Speaker 6: That's one reason why he went to prison, and I didn't.
- 9:03Speaker 6: That evening after dinner, I went in to see my
- 9:05Speaker 6: husband in his study.
- 9:08Speaker 4: Oh, hello, darling.
- 9:10Speaker 7: Frank, there's something I have to tell you.
- 9:13Speaker 4: Well, what is it, darling?
- 9:15Speaker 7: It's pretty serious.
- 9:17Speaker 4: Well, all right. What is it?
- 9:19Speaker 7: Frank, I'm being blackmailed.
- 9:21Speaker 10: What?
- 9:22Speaker 4: Blackmailed?
- 9:23Speaker 7: This is going to hurt you, darling. Afterwards, you can
- 9:26Speaker 7: do anything you like. But I know that the only
- 9:28Speaker 7: sensible thing and the only decent thing is to tell
- 9:31Speaker 7: you the whole story.
- 9:32Speaker 4: Jean, no matter what it is, no matter what, I
- 9:36Speaker 4: love you, darling. That's all that really matters. Do you
- 9:40Speaker 4: understand that?
- 9:41Speaker 12: Yes, I do, darling.
- 9:44Speaker 7: Frank, a number of years ago, before I knew you,
- 9:47Speaker 7: I had some trouble. Bad trouble.
- 9:50Speaker 6: I was just a kid, and, well, I got mixed
- 9:52Speaker 6: up with the wrong man. His name was Charles Prescott.
- 9:57Speaker 6: I didn't know how wrong he was until someone got killed.
- 10:01Speaker 6: Charlie managed to convince the jury, more or less, that
- 10:03Speaker 6: it was an accident. His sentence was from 10 to
- 10:07Speaker 6: 20 years. He got three years off for good behavior.
- 10:11Speaker 7: Frankie's out of prison now and he has evidence that
- 10:13Speaker 7: I was involved. I was involved much more than ever
- 10:17Speaker 7: came out in the trial and Well, that's the story.
- 10:23Speaker 4: Well, that's not so bad, darling. What's his price?
- 10:27Speaker 7: His price is.
- 10:29Speaker 7: Oh, Frank.
- 10:30Speaker 4: Oh, there, there, darling. It's all right.
- 10:32Speaker 12: It's all right.
- 10:33Speaker 4: Now, come on. Tell me the whole thing.
- 10:35Speaker 6: His price is that he plans to murder you and
- 10:37Speaker 6: make me give him half of what I inherit.
- 10:40Speaker 4: Good Lord, Jean, the man must be crazy.
- 10:42Speaker 7: That's just it. He is. He's just crazy enough to
- 10:45Speaker 7: try it. He's planning some sort of an accident. Oh, Frank,
- 10:48Speaker 7: I'm frightened.
- 10:49Speaker 4: Now, darling, don't you worry a bit. I know just
- 10:51Speaker 4: how to handle this.
- 10:52Speaker 7: Oh, Frank, not the police.
- 10:54Speaker 4: No, darling, no. Not the police.
- 11:03Speaker 6: Early the next morning, we were visited by a chunky
- 11:06Speaker 6: little man named Sparks from the Continental Detective Agency. I
- 11:10Speaker 6: told him the story, or most of it. And all
- 11:14Speaker 6: the time I was talking, he kept watching my husband.
- 11:17Speaker 6: I got the impression he might be a little difficult
- 11:19Speaker 6: to deal with. As it turned out, I wasn't far wrong.
- 11:23Speaker 4: It's a good story, Mr. Nicholson. But it's not right.
- 11:28Speaker 2: Not right?
- 11:28Speaker 4: What do you mean?
- 11:29Speaker 8: Well, for instance, why don't you go to the police?
- 11:32Speaker 4: I've told you it's a case of blackmail. But it's
- 11:35Speaker 4: not just a case of blackmail. Hmm?
- 11:38Speaker 8: According to your wife, here's an ex-con with 13 years
- 11:42Speaker 8: still hanging over him out on parole, and he's threatening
- 11:45Speaker 8: your life.
- 11:46Speaker 4: We can throw him back in the can just like that.
- 11:49Speaker 10: Look, Mr.
- 11:49Speaker 8: Sparks, you don't have to know all my family affairs
- 11:53Speaker 8: to handle this case to you.
- 11:55Speaker 4: No, but it would help.
- 11:57Speaker 8: Suffice it to say that it's a delicate matter. We
- 12:01Speaker 8: can't go to the police. Then perhaps you better tell
- 12:03Speaker 8: me just what you do want me to handle. I
- 12:06Speaker 8: want you to locate him and then follow him day
- 12:08Speaker 8: and night. Never let him out of your sight.
- 12:12Speaker 4: Eventually, I suppose, he'll try to kill you.
- 12:15Speaker 7: Oh, Frank.
- 12:15Speaker 8: Now, Jean, darling, remember you were going to let me
- 12:17Speaker 8: handle this.
- 12:18Speaker 2: I know, but.
- 12:18Speaker 8: But don't you see, dear, if we actually catch him
- 12:21Speaker 8: in the act, attempted murder, then we can send him
- 12:23Speaker 8: back to prison and nobody would ever believe anything he said.
- 12:26Speaker 4: Must be a very delicate matter.
- 12:29Speaker 8: It, um.
- 12:31Speaker 4: It is, Mr. Sparks.
- 12:33Speaker 10: Well.
- 12:34Speaker 4: You'll hear from me.
- 12:35Speaker 8: Mr.
- 12:35Speaker 7: Sparks, suppose he should try to contact me.
- 12:39Speaker 8: You mean you think he'll try to shake you down
- 12:41Speaker 8: beforehand anyway, just for love?
- 12:43Speaker 7: Well, you see, he thinks I've agreed with his plan.
- 12:46Speaker 7: The accident.
- 12:47Speaker 6: Hmm.
- 12:49Speaker 4: The way we're handling it, there's only one thing to do.
- 12:52Speaker 4: Play him along. I see.
- 12:54Speaker 7: Well, is that all the information you need, Mr. Sparks?
- 12:59Speaker 4: If that's all you'll give me, that's all I need.
- 13:08Speaker 6: By Friday night, they'd located Charlie. By Monday morning, they
- 13:12Speaker 6: knew more about him than his own mother. Frank took
- 13:16Speaker 6: the train for San Francisco that night. He wasn't due
- 13:18Speaker 6: back until Wednesday morning. Tuesday afternoon, Charlie called me as
- 13:22Speaker 6: I told him to.
- 13:23Speaker 10: Hello?
- 13:26Speaker 7: Hello, Charlie.
- 13:27Speaker 10: Oh, hello, sweetheart. Everything in order?
- 13:31Speaker 2: Yes.
- 13:32Speaker 10: You get that, what you said you'd get for me?
- 13:35Speaker 7: Yes, I got it.
- 13:36Speaker 10: I hope you got enough, because what I mean, what
- 13:39Speaker 10: is going to be, what expenses?
- 13:41Speaker 7: Expenses?
- 13:42Speaker 11: Yes, I got to make contacts. You know, I don't
- 13:45Speaker 11: let anybody else in, but I'm going to need a
- 13:47Speaker 11: little outside help on one or two things.
- 13:49Speaker 7: Oh, I see.
- 13:51Speaker 10: These things take time, maybe quite a while. I'm not stalling,
- 13:55Speaker 10: you understand, but you can't expect action on a thing
- 13:57Speaker 10: like this right away.
- 13:58Speaker 7: I think I understand.
- 14:00Speaker 10: Maybe two, three weeks, even more. It's got to be
- 14:04Speaker 10: laid out right, you know what I mean?
- 14:05Speaker 4: Mm-hmm.
- 14:06Speaker 10: Well, where can I pick it up? The stuff you
- 14:09Speaker 10: got for me.
- 14:10Speaker 7: You can come out here.
- 14:11Speaker 10: Out there?
- 14:12Speaker 7: Yes, this evening about 10. There'll be no one here.
- 14:15Speaker 10: Listen, I don't think that's so good.
- 14:17Speaker 7: You're not afraid, are you, Charlie?
- 14:18Speaker 10: No, no.
- 14:20Speaker 7: Besides, you ought to see the layout of things. It
- 14:22Speaker 7: might give you some angles.
- 14:23Speaker 10: Well, yeah, but.
- 14:24Speaker 7: You remember what we said? How it had to be done?
- 14:27Speaker 10: You mean accident?
- 14:29Speaker 7: That's right.
- 14:31Speaker 10: Sure, sure.
- 14:32Speaker 6: Well, you'll be here at 10, Charlie. I'll have everything
- 14:35Speaker 6: ready for you. I knew then what prison had done
- 14:44Speaker 6: to Charlie. He'd lost his nerve.
- 14:47Speaker 7: Now that he faced it, murder was too much for him.
- 14:50Speaker 7: He'd never go through with it.
- 14:51Speaker 6: It would all come down to one petty shakedown after another,
- 14:54Speaker 6: year after year. It was even more obvious now that
- 14:57Speaker 6: I'd have to do what I'd counted.
- 14:58Speaker 7: On from the beginning. If my husband was to be murdered,
- 15:02Speaker 7: he'd have to be murdered by me.
- 15:18Speaker 5: For suspense, Roma Wines are bringing you Susan Hayward in
- 15:23Speaker 5: Dame Fortune.
- 15:24Speaker 2: By Max Wilk and E.R.
- 15:26Speaker 4: Merklin.
- 15:27Speaker 5: Roma Wines' presentation tonight in radio's outstanding theater of thrills, Suspense.
- 15:40Speaker 3: Between the acts of suspense, this is Ken Niles for
- 15:44Speaker 3: Roma Wines. Next Thursday, ghosts and goblins will haunt your street.
- 15:49Speaker 3: It's Halloween, a good night for grown-ups to remain safely inside,
- 15:53Speaker 3: entertaining a few trusted friends. A good night to serve
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- 16:24Speaker 3: because Roma starts with California's choicest grapes. Second, because Roma,
- 16:29Speaker 3: with America's finest winemaking resources, guides this luscious grape treasure.
- 16:34Speaker 2: Unhurriedly to tempting taste perfection.
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- 16:53Speaker 10: R-O-M-A.
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- 17:00Speaker 5: And now, Roma Wines bring back to our Hollywood soundstage
- 17:03Speaker 5: Susan Hayward in Dame Fortune. A tale well calculated to
- 17:08Speaker 5: keep you in suspense.
- 17:23Speaker 6: Charlie arrived that evening in a rented car, right on time.
- 17:28Speaker 6: As I opened the door to him, I noticed another
- 17:30Speaker 6: car just putting out its headlights about a quarter of
- 17:32Speaker 6: a mile down the hill from our driveway.
- 17:34Speaker 7: That would be Mr. Sparks.
- 17:37Speaker 6: Charlie had never seen the house before, and he was impressed,
- 17:40Speaker 6: but a little nervous. I took him into the drawing room.
- 17:43Speaker 13: Hey, quite a layout you got here, sweetheart.
- 17:46Speaker 7: Frank likes to have the best of everything, and he
- 17:48Speaker 7: can afford it. Sit down.
- 17:50Speaker 12: Well, uh, You know I can't stay but a minute
- 17:52Speaker 12: or two.
- 17:53Speaker 7: What's the matter with you, Charlie? You seem jumpy.
- 17:55Speaker 12: Oh, me? Why should I be jumpy?
- 17:58Speaker 7: I don't know. I'll tell you.
- 17:59Speaker 12: Something, though. How's the clock?
- 18:03Speaker 13: I have had the funny idea that somebody was following me.
- 18:05Speaker 12: The last couple of days.
- 18:06Speaker 7: Who'd want to follow you?
- 18:08Speaker 11: That's what I can't figure. I'm clean with the local dicks.
- 18:11Speaker 11: And they don't tell you unless they think you're working
- 18:13Speaker 11: on a job. Nobody else would want to tell me.
- 18:18Speaker 12: Unless I've been double-crossed by somebody. Like you, sweetheart.
- 18:23Speaker 10: But if I.
- 18:23Speaker 7: Double-crossed you, you'd see that I was sent to the penitentiary,
- 18:26Speaker 7: wouldn't you, Charlie?
- 18:27Speaker 12: I would devote my entire time to it, sweetheart.
- 18:30Speaker 7: And that's why I wouldn't double-cross you, isn't it, Charlie?
- 18:33Speaker 13: Yeah, I guess you're smart enough to see that, all right.
- 18:37Speaker 4: You got the dough?
- 18:37Speaker 7: Yes, I've got it.
- 18:39Speaker 12: How much?
- 18:40Speaker 7: A thousand dollars.
- 18:41Speaker 10: Well, uh.
- 18:42Speaker 6: Oh, I know you'll be around shaking me down for
- 18:44Speaker 6: more before you get to business.
- 18:46Speaker 7: But that will hold you for.
- 18:47Speaker 12: A while, won't it? Sure, sure. Well, I'd better be moving.
- 18:52Speaker 12: Where's the dough?
- 18:53Speaker 7: I don't have it here.
- 18:54Speaker 12: You don't have it?
- 18:55Speaker 6: No, it's in the car. Frank was home for a
- 18:57Speaker 6: while and I didn't want to bring it into the house.
- 18:59Speaker 6: He's inclined to be a little snoopy sometimes.
- 19:01Speaker 12: Well, let's get it.
- 19:02Speaker 7: You can get it on the way out. It's in
- 19:04Speaker 7: the glove compartment.
- 19:05Speaker 12: No, no, wait a minute. I'm not sure I like this.
- 19:07Speaker 7: Oh, don't be silly.
- 19:08Speaker 6: The car's in the garage and nobody's around. It's chilly
- 19:11Speaker 6: and I just don't want to go out, that's all.
- 19:14Speaker 6: It's in the Cadillac convertible.
- 19:16Speaker 4: Yeah.
- 19:17Speaker 7: Yeah.
- 19:18Speaker 13: I guess you're in no spot to pull any fast
- 19:19Speaker 13: ones at that, are you, sweetheart?
- 19:22Speaker 4: Okay.
- 19:23Speaker 12: You'll be hearing from me.
- 19:25Speaker 7: Yes, Charlie, I'm sure I will.
- 19:32Speaker 6: Through the glass panel by the door I watched him
- 19:34Speaker 6: head for the garage. Somewhere out there in the darkness,
- 19:37Speaker 6: I knew that Mr. Sparks would be watching him, too.
- 19:41Speaker 6: Then I buzzed the house phone for Olsen, the chauffeur.
- 19:44Speaker 7: He lived over the garage.
- 19:48Speaker 10: Olsen speaking.
- 19:49Speaker 7: This is Mrs.
- 19:50Speaker 12: Nicholson.
- 19:50Speaker 6: I'm sorry to disturb you, Olsen, but I happened to
- 19:53Speaker 6: glance out of the window just now and I thought
- 19:54Speaker 6: I saw a man prowling around the garage.
- 19:57Speaker 4: A man?
- 19:57Speaker 10: Yes.
- 19:58Speaker 6: I suppose it's silly, but would you mind looking out
- 20:01Speaker 6: your window and see if you notice anything?
- 20:03Speaker 10: Sure, sure, Mrs. Nicholson. Say, Mrs. Nicholson, that's right. I
- 20:08Speaker 10: seen him. He was running away. You want me to
- 20:10Speaker 10: go after him?
- 20:11Speaker 7: He was running away?
- 20:12Speaker 10: Sure, he's running plenty, but maybe I can catch him.
- 20:15Speaker 7: Oh, no, that's all right.
- 20:16Speaker 6: If he was running away, I'm sure he won't come back.
- 20:18Speaker 6: There's nothing he could take out there anyway.
- 20:20Speaker 10: If you want, I'd be glad to. Oh, no.
- 20:22Speaker 7: No, that's all right. I'm sorry I bothered you, Olsen.
- 20:25Speaker 7: Good night.
- 20:35Speaker 6: I waited almost two hours until I was sure Olsen
- 20:38Speaker 6: would be asleep. Then I went out to the garage myself.
- 20:42Speaker 6: I'd taken a course in automobile mechanics during the war.
- 20:46Speaker 6: I hadn't learned much, but I'd learned enough to know
- 20:49Speaker 6: what would make a steering knuckle fall apart after about
- 20:51Speaker 6: an hour or two of hard driving. And Frank was
- 20:54Speaker 6: driving down to San Diego the next morning as soon
- 20:57Speaker 6: as he got back from San Francisco. And Frank was
- 21:00Speaker 6: a hard driver. Frank left the next morning on schedule.
- 21:11Speaker 6: I won't say it was pleasant waiting. I paced the
- 21:14Speaker 6: living room in the hall for almost an hour, but
- 21:16Speaker 6: never more than ten steps from the telephone.
- 21:18Speaker 4: Hello?
- 21:21Speaker 10: Jean? This is Charlie. I gotta talk to you.
- 21:25Speaker 7: I can't talk to you now.
- 21:26Speaker 10: Listen, Jean, I gotta tell you something.
- 21:27Speaker 7: I can talk to you now. I began my pacing again.
- 21:34Speaker 6: The phone rang three more times in the next 15 minutes,
- 21:37Speaker 6: but I didn't answer it.
- 21:40Speaker 7: Then it stopped. Almost three hours went by.
- 21:44Speaker 6: I'd begun to be afraid that one of those other
- 21:46Speaker 6: calls had been the one I was expecting.
- 21:49Speaker 7: And then it rang again. Hello?
- 21:54Speaker 10: I'd like to speak to Mrs. Frank Nicholson, please.
- 21:56Speaker 7: This is she?
- 21:57Speaker 6: Mrs.
- 21:57Speaker 10: Nicholson, this is Dr.
- 21:58Speaker 5: Whitty of the La Jolla General Hospital. I'm sorry to
- 22:02Speaker 5: have to tell you this, Mrs. Nicholson, but there's been
- 22:03Speaker 5: an accident.
- 22:05Speaker 10: Your husband.
- 22:05Speaker 7: My husband? Oh, is he?
- 22:07Speaker 10: Well, it's hard to tell just yet, Mrs. Nicholson, but
- 22:10Speaker 10: I think you'd better come down here.
- 22:22Speaker 6: I got out the sedan and started for La Jolla.
- 22:25Speaker 6: I was terribly nervous and depressed. I crept along at
- 22:28Speaker 6: no more than 40 miles an hour. But somehow I
- 22:31Speaker 6: got there. They showed me directly to Frank's room.
- 22:35Speaker 7: He was all covered with bandages, but he was sitting
- 22:37Speaker 7: up in bed. And with him was Mr. Sparks.
- 22:41Speaker 4: Hello, Jean.
- 22:42Speaker 7: Frank, are you.
- 22:44Speaker 4: Oh, not too bad.
- 22:45Speaker 12: Oh, darling.
- 22:46Speaker 8: A couple of ribs and an arm. They thought I
- 22:48Speaker 8: had a fractured skull for a while, but I... I
- 22:51Speaker 8: guess I have a pretty hard head.
- 22:52Speaker 7: Well, what happened?
- 22:53Speaker 8: Well, something went wrong with the car, Jean. I was
- 22:56Speaker 8: going pretty fast. I'm lucky to be alive, I guess.
- 22:59Speaker 10: Charles!
- 23:00Speaker 7: Prescott! Frank, I saw a man prowling around the garage
- 23:03Speaker 7: last night. Olsen saw him, too.
- 23:05Speaker 4: You think Prescott might have tampered with the car?
- 23:08Speaker 7: Oh, Frank, I told you not to go through with
- 23:10Speaker 7: this thing.
- 23:11Speaker 11: Well.
- 23:13Speaker 4: I don't know. What do you think of that theory, Mr.
- 23:15Speaker 2: Sparks?
- 23:16Speaker 4: Oh, you remember Mr. Sparks, don't you, Jean?
- 23:18Speaker 7: Of course.
- 23:18Speaker 4: It couldn't have been Prescott, Mr. Nicholson. He never got
- 23:22Speaker 4: into the garage. I was right behind him and I
- 23:25Speaker 4: guess maybe he heard me. Anyway, he beat it. I
- 23:29Speaker 4: understand you were in the garage last night, Jean. Isn't
- 23:31Speaker 4: that correct, Mr. Sparks? We had another man posted on
- 23:34Speaker 4: the grounds. That's what he reports.
- 23:37Speaker 7: Of course I was. There was a book in the
- 23:39Speaker 7: car that I wanted.
- 23:40Speaker 4: There was a thousand dollars in currency in the glove compartment, too.
- 23:43Speaker 7: Yes, I know. I didn't have time to tell you
- 23:45Speaker 7: this morning, but he wanted money. I talked him out
- 23:48Speaker 7: of it. Mr. Sparks knew he was at the house.
- 23:50Speaker 7: You told me to see him if.
- 23:53Speaker 7: Frank, you don't think that I.
- 23:56Speaker 4: I don't want to think so, Jean.
- 23:57Speaker 7: Oh, how could you?
- 24:00Speaker 2: How could you?
- 24:01Speaker 8: Well, it's just that steering knuckles don't usually come loose
- 24:03Speaker 8: by themselves.
- 24:05Speaker 4: That and all the rest of it.
- 24:06Speaker 7: Then it must have been an accident, a real accident.
- 24:08Speaker 7: Don't you see that? Oh, Frank, how could you believe
- 24:12Speaker 7: that I'd do a thing like that? I love you.
- 24:14Speaker 4: Oh, I know. I've thought and thought and thought everything Mr.
- 24:17Speaker 4: Sparks has told me and I... Oh, I can't believe it, Jean. Mr.
- 24:22Speaker 7: Sparks, you don't think I could have done anything like that.
- 24:25Speaker 7: You can't.
- 24:27Speaker 4: It's just a matter of your beliefs, I guess.
- 24:29Speaker 7: Beliefs?
- 24:30Speaker 4: What you want to believe and who you want to
- 24:33Speaker 4: believe in. My office will send you a bill, Mr. Nicholson.
- 24:37Speaker 4: Good day.
- 24:40Speaker 7: Oh, Frank. Frank, darling.
- 24:42Speaker 4: Oh, I'm sorry, Jean. I'm horribly sorry, darling. It's just that, well,
- 24:45Speaker 4: it looks so bad and... Oh, I wanted so much to.
- 24:49Speaker 12: Hear you say you didn't.
- 24:50Speaker 7: Oh, I didn't. I didn't. You know I didn't.
- 24:52Speaker 4: Of course I do. Of course I do. Look, darling, look.
- 24:55Speaker 4: Cheer up. Cheer up. I've got a plan.
- 24:58Speaker 7: A plan?
- 24:58Speaker 4: Yes, yes. We need a vacation.
- 25:00Speaker 8: I'll be out of here in a week or so,
- 25:01Speaker 8: and then we'll go away. We'll just drive around the country,
- 25:04Speaker 8: do a little hunting and fishing, whatever we like.
- 25:05Speaker 4: You always used to love those trips.
- 25:07Speaker 7: Oh, yes, Frank.
- 25:08Speaker 4: Let's.
- 25:09Speaker 10: Sure.
- 25:10Speaker 4: Sure, we'll just go off and take it easy for
- 25:12Speaker 4: a while and forget the whole thing.
- 25:13Speaker 2: Yes, let's.
- 25:14Speaker 7: And forget the whole thing.
- 25:22Speaker 6: That's what we did. And I almost did forget the
- 25:25Speaker 6: whole thing. It seemed like a nightmare that I'd dreamed
- 25:28Speaker 6: a long, long time ago. I couldn't believe that I'd
- 25:31Speaker 6: really done what I'd done.
- 25:33Speaker 7: And I knew I'd never do it again.
- 25:37Speaker 6: As though by mutual consent, we never spoke another word
- 25:39Speaker 6: about it. But I was at peace for the first
- 25:42Speaker 6: time since I could remember. And I knew that even
- 25:45Speaker 6: Charlie could be dealt with somehow when we got home.
- 25:49Speaker 7: We drove all.
- 25:50Speaker 6: Over the state for almost three weeks.
- 25:52Speaker 7: And on the way back, we stopped over at Little
- 25:55Speaker 7: Lake in the Sierras.
- 25:56Speaker 6: One day we rode across it and had a picnic
- 25:58Speaker 6: lunch on the other side.
- 25:59Speaker 7: Oh, it was beautiful and so peaceful.
- 26:03Speaker 6: There wasn't another soul around for miles. Frank still had
- 26:07Speaker 6: the cast on his left arm. It made him a
- 26:09Speaker 6: little clumsy. Getting back into the boat again, he stumbled
- 26:13Speaker 6: over the shotgun, tilted up against the seat.
- 26:17Speaker 7: I knew he was dead even before I got to him.
- 26:28Speaker 7: At police headquarters.
- 26:30Speaker 6: They questioned me a little while and then they left
- 26:32Speaker 6: me in the room alone. But a few minutes later
- 26:37Speaker 6: the door opened and somebody came in.
- 26:39Speaker 12: It was Mr.
- 26:40Speaker 7: Sparks.
- 26:41Speaker 4: Well, so you finally did it.
- 26:44Speaker 1: Oh, no.
- 26:46Speaker 7: No!
- 26:46Speaker 8: The trouble with you amateurs is you don't know your
- 26:48Speaker 8: case history as That hunting accident gag is too old, Mrs.
- 26:53Speaker 4: Nicholson. Much too old.
- 26:54Speaker 7: But I didn't. I swear. I swear to you I didn't.
- 26:58Speaker 8: Well, you've got the money now anyway. At least you
- 27:01Speaker 8: can hire yourself a flock of good lawyers.
- 27:03Speaker 12: Please.
- 27:04Speaker 7: Please don't. I can't bear it. I didn't do what
- 27:08Speaker 7: I tell you. You can ask Charlie. Charlie Prescott.
- 27:10Speaker 8: Charles Prescott killed himself this morning when the police arrived
- 27:14Speaker 8: to question him.
- 27:16Speaker 4: Look, Mrs.
- 27:16Speaker 10: Nicholson.
- 27:18Speaker 8: I'm in this thing up to my neck, unfortunately. I'm
- 27:21Speaker 8: going to have to tell what I know. And I
- 27:23Speaker 8: know somebody tampered with the steering knuckle on that car.
- 27:27Speaker 8: And it wasn't Prescott. I know you tried to kill
- 27:31Speaker 8: your husband and put it on Prescott. It just doesn't
- 27:35Speaker 8: add up any other way.
- 27:36Speaker 7: All right. Yes, I did. But I didn't do the other.
- 27:41Speaker 7: You've got to believe me. I didn't.
- 27:44Speaker 4: You didn't shoot him, eh?
- 27:46Speaker 7: By all that's sacred in the world, I swear I didn't.
- 27:49Speaker 12: Hmm.
- 27:51Speaker 4: Could be.
- 27:52Speaker 7: You do believe me. Say that you believe me.
- 27:56Speaker 4: What's the difference? Nobody else will.
- 28:06Speaker 7: That's all. Except my execution will be on the 31st,
- 28:11Speaker 7: one week from today.
- 28:12Speaker 1: The End.
- 28:26Speaker 4: Suspense.
- 28:28Speaker 2: Presented by Roma Wines.
- 28:30Speaker 4: R-O-M-A.
- 28:32Speaker 3: Made in California for enjoyment throughout the world. And now
- 28:37Speaker 3: this is Ken Niles returning for the curtain call with
- 28:39Speaker 3: the lovely star of tonight's suspense play, Miss Susan Hayward.
- 28:43Speaker 2: Susan, we think you were wonderful.
- 28:45Speaker 7: Well, it was a wonderful part, Ken.
- 28:47Speaker 3: For your grand performance, Susan, here's a gift basket of
- 28:50Speaker 3: Roma Wines with Roma's compliments.
- 28:53Speaker 7: Thank you very much.
- 28:55Speaker 12: Ken.
- 28:56Speaker 7: Will you grant me one tiny little favor?
- 28:58Speaker 4: Why, certainly. Just name it.
- 29:00Speaker 7: I'm simply fascinated by the way your narrator says suspense.
- 29:04Speaker 7: Ask him to say it again, huh? Just for me.
- 29:07Speaker 3: For you, Susan, he'd probably say it in Technicolor.
- 29:10Speaker 4: Joe? Suspense!
- 29:13Speaker 3: And Susan, you needn't be in suspense about what to
- 29:16Speaker 3: serve when friends drop in. For the Roma California Sherry
- 29:20Speaker 3: in your gift basket is the favorite of millions for
- 29:23Speaker 3: afternoon or evening entertaining. And Roma Sherry is the perfect
- 29:27Speaker 3: first call for dinner.
- 29:29Speaker 7: Roma Sherry. I'll remember, Kim.
- 29:31Speaker 3: And when you serve Roma Sherry, Susan, your guests will
- 29:34Speaker 3: remember its finer taste. For to make Roma Sherry better tasting,
- 29:38Speaker 3: Roma Vintners select counterfeits.
- 29:40Speaker 4: Choicest grapes.
- 29:42Speaker 3: Then, with America's finest winemaking resources, Roma guides this grape
- 29:47Speaker 3: treasure to tempting taste richness. Later, Roma selects from this
- 29:52Speaker 3: world's greatest reserve of.
- 29:53Speaker 2: Fine wines for your pleasure.
- 29:56Speaker 3: No wonder more Americans enjoy Roma than any other wine.
- 30:01Speaker 6: That's a real recommendation, Ken. Now tell me who's on
- 30:05Speaker 6: suspense next week.
- 30:06Speaker 3: Well, next week it's Brian Donlevy in a suspense play
- 30:09Speaker 3: about a man upon whom a freak of nature.
- 30:11Speaker 2: Confers a terrifying attribute. He is a human lie detector.
- 30:16Speaker 3: It's impossible for him to hear a falsehood without instantly
- 30:19Speaker 3: knowing it and revealing the deception.
- 30:22Speaker 6: Terrifying is right. I'll certainly be listening. And that's no lie.
- 30:27Speaker 4: Thanks, Susan.
- 30:28Speaker 3: And we're looking forward to seeing you in the Walter
- 30:30Speaker 3: Wanger production, Smash Up.
- 30:31Speaker 10: Thanks, Ken.
- 30:32Speaker 7: Good night, everybody.
- 30:33Speaker 5: Next Thursday, same time, you will hear Mr. Brian Donlevy
- 30:37Speaker 5: as star of Suspense.
- 30:41Speaker 3: Produced and directed by William Spear for the Roma Wine
- 30:45Speaker 3: Company of Fresno, California. This is CBS, the Columbia Broadcasting System.
- 31:08Speaker 1: We conclude with Suspense, Dame Fortune, first heard in 1946.
- 31:12Speaker 1: Follow Suspense for more classic broadcasts.