Latest / I Am All In with Scott Patterson / Maybe I'll Meet A Nice Girl at your Parents Wedding (S5 E12 "Come Home”)

Transcript

Maybe I'll Meet A Nice Girl at your Parents Wedding (S5 E12 "Come Home”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I Am all in. Oh, I.
• 0:17
  Speaker 2: Am all in with Scott Patterson an iHeartRadio podcast.
• 0:21
  Speaker 1: Everybody Scott Patterson, I Am all In podcast one eleven
• 0:24
  Speaker 1: productions iHeart Radio. I am joined by the Intrepid Crew,
• 0:28
  Speaker 1: all two thirds of the Intrepid Crew, Amy Sugarman, Danielle Romeo.
• 0:31
  Speaker 3: Have you been drinking Scotty Peas coffee? Because you seem
• 0:34
  Speaker 3: a little happinated.
• 0:36
  Speaker 1: Do I feel a little energized because I went to
• 0:40
  Speaker 1: the gym, I took a shower, I shaved, I ate
• 0:42
  Speaker 1: food all in the space of about forty five minutes
• 0:46
  Speaker 1: just to get to the podcast. And I did it.
• 0:49
  Speaker 1: And I'm very proud of myself and I'm energized. We're
• 0:52
  Speaker 1: ready to review season five, episodes twelve, Come Home and Boy,
• 0:58
  Speaker 1: after this episode, did I want to go home?
• 1:01
  Speaker 3: Okay?
• 1:02
  Speaker 1: Because it made me feel so nostalgic for home.
• 1:06
  Speaker 3: So there's a.
• 1:07
  Speaker 1: Lot, a lot, there's so many pieces of luggage here.
• 1:13
  Speaker 3: Yeah, because there's a lot of questions.
• 1:15
  Speaker 1: It's like, we need to check a lot of these bags.
• 1:18
  Speaker 4: Yeah.
• 1:18
  Speaker 1: They wouldn't let us on the plane with all these bags.
• 1:20
  Speaker 1: They said, you gotta check them.
• 1:23
  Speaker 3: I think we go in order we have to yeah,
• 1:27
  Speaker 3: because there's some major questions I have.
• 1:29
  Speaker 1: This This episode covered a lot of ground, so we better.
• 1:35
  Speaker 3: Yeah, let's go in order people's motivations. That's what that's
• 1:39
  Speaker 3: the tease I'll give, like I want to dig into
• 1:41
  Speaker 3: everyone's motivations. And yeah, I have to take a deep breath.
• 1:50
  Speaker 1: Let's all take it to come on, let's take a
• 1:53
  Speaker 1: breath ready.
• 1:59
  Speaker 3: I think everyone listening needs to take a deep breath.
• 2:01
  Speaker 1: To everybody to take a deep breath because we're about
• 2:03
  Speaker 1: to embark on a journey of a million steps here.
• 2:07
  Speaker 3: Could it could get rough? There's rough road ahead.
• 2:09
  Speaker 4: I think.
• 2:11
  Speaker 5: All right, this is season five, episode twelve, coming.
• 2:13
  Speaker 1: And spa Danielle Romo. It's going to take us on
• 2:16
  Speaker 1: the first part of the journey up the Mountain.
• 2:19
  Speaker 5: Air date February first, two thousand and five. Michelle is
• 2:23
  Speaker 5: upset that someone is sneaking into the guest rooms after
• 2:26
  Speaker 5: his room checks. Very offers to help Logan with his
• 2:30
  Speaker 5: article for the Yale Daily Newspaper. Richard learns of Emily's
• 2:35
  Speaker 5: date with Simon and Kim Wan's lane to attend her
• 2:40
  Speaker 5: lunar New Year party.
• 2:42
  Speaker 4: Was a pretty unpacked episode totally.
• 2:45
  Speaker 1: It was like it was like the one oh one
• 2:47
  Speaker 1: at rush hour. It was just it was amazing.
• 2:51
  Speaker 3: Before we start going through it, I want to ask
• 2:54
  Speaker 3: the three of you three questions right now. Give me
• 3:01
  Speaker 3: one word to describe how you feel about Logan.
• 3:06
  Speaker 1: I want to say, gifted, schmoozy.
• 3:15
  Speaker 3: Mine is three words.
• 3:17
  Speaker 5: You gave us one and you have to pick one.
• 3:20
  Speaker 3: It's playing the game, playing the game.
• 3:23
  Speaker 1: How she operates, see how she what she does.
• 3:26
  Speaker 3: Playing the game. So we'll dig into that. Now, give
• 3:30
  Speaker 3: me one word to describe your feelings right now about Emily.
• 3:35
  Speaker 1: Oh days of our Lives.
• 3:41
  Speaker 4: It was a little soap operating at the end. Now
• 3:44
  Speaker 4: you say it, I'm like, no, let me see it.
• 3:46
  Speaker 1: Yeah, a little bit.
• 3:48
  Speaker 3: I just got that wasn't my vibe, but I get
• 3:51
  Speaker 3: where you guys are coming from. For me, it was
• 3:52
  Speaker 3: just like, oh.
• 3:55
  Speaker 5: No, yeah, I don't have a word. It's literally, oh no,
• 3:59
  Speaker 5: Like that's no.
• 4:00
  Speaker 1: You know what the word is for that last scene
• 4:03
  Speaker 1: is arch. It was two arch.
• 4:08
  Speaker 3: I don't think I know that word.
• 4:10
  Speaker 1: Bringing getting Christopher involved, plotting, plotting to bring.
• 4:15
  Speaker 3: We'll get into it. We'll get into it, okay, So
• 4:19
  Speaker 3: let's start with the cutest scene in the bed with
• 4:23
  Speaker 3: Luke and Lorlai. They're so they're so in love, they're
• 4:25
  Speaker 3: so comfortable, they're so together.
• 4:27
  Speaker 5: Right here wearing their flannels. Cute.
• 4:30
  Speaker 3: Yeah, his bed is cute. I feel like he's got
• 4:34
  Speaker 3: like these cute sheets now and like more pillows and
• 4:37
  Speaker 3: like a cute comforter. They're going to bed at the
• 4:40
  Speaker 3: very early hour, can I tell you not? Really?
• 4:44
  Speaker 5: Nine thirty is not early for a four am wake up.
• 4:47
  Speaker 1: That's not early at all, Like Luke's on.
• 4:49
  Speaker 5: My schedule, nine thirty lights out, call it a day.
• 4:53
  Speaker 1: I wish I could get to bed at nine thirty.
• 4:55
  Speaker 1: I can't. I go upstairs at nine thirty, but I
• 4:57
  Speaker 1: don't go to bed.
• 4:58
  Speaker 3: I go to bed like two. Wait, what were you
• 4:59
  Speaker 3: gonna say? Two? Yeah, I'm like a vampire. But Scott,
• 5:03
  Speaker 3: you tell me what you're gonna say.
• 5:04
  Speaker 1: I want to hear you really look forward to those
• 5:06
  Speaker 1: scenes when you're just you're just laying in bed. So great.
• 5:10
  Speaker 1: Those are good days, man. When you get to do
• 5:12
  Speaker 1: a scene just laying in bed, you don't have to
• 5:15
  Speaker 1: move around, you don't have to block it. You just
• 5:18
  Speaker 1: get in the sheets.
• 5:20
  Speaker 5: Do you have to block like being in bed because
• 5:23
  Speaker 5: you know in the diner you're like, oh, here's the coffee,
• 5:25
  Speaker 5: here's the toast whatever, Like is it like, here's the sheet.
• 5:29
  Speaker 1: Well, you just sort of have to check. You have
• 5:32
  Speaker 1: to check positions right and that. But it's easy. It's
• 5:35
  Speaker 1: a very quick rehearsal.
• 5:37
  Speaker 3: And she does that move a lot coming out of
• 5:39
  Speaker 3: that bathroom in the shirt, Like I've seen that move
• 5:42
  Speaker 3: like four times now and in the shirt.
• 5:47
  Speaker 1: I love those bed scenes.
• 5:49
  Speaker 3: Love it you guys have on On just said it
• 5:51
  Speaker 3: so quiet? Doesn't e Wan have a pin? I want
• 5:54
  Speaker 3: to hear it drop? So good. Now here's my question
• 6:00
  Speaker 3: es Logistically, he lives three minutes from her, right, like,
• 6:07
  Speaker 3: what's the walk five minutes maybe? Mmmm?
• 6:12
  Speaker 1: Well, in real I mean the way the back lot.
• 6:16
  Speaker 3: Of sense Up said yeah, because let's pretend that's real.
• 6:19
  Speaker 1: Uh well, okay, so her house, Yeah, her house is
• 6:23
  Speaker 1: right across the town square, so it's like she can
• 6:28
  Speaker 1: be on her front stoop and see my diner.
• 6:32
  Speaker 3: Right. So here's what I would do. I would get
• 6:35
  Speaker 3: in bed with you fall asleep, I'd go across back
• 6:40
  Speaker 3: to my house, watch TV for a few hours, do
• 6:43
  Speaker 3: my pitdling around, my emails, my ironing, whatever I want
• 6:47
  Speaker 3: to do, and then come back. Nobody likes that. What
• 6:53
  Speaker 3: instead of trying to fall asleep at nine when she can't, you.
• 6:58
  Speaker 1: Have a chance to get in bed with Luke Dane.
• 7:01
  Speaker 1: And you're saying, I don't want to be in bed
• 7:03
  Speaker 1: with Luke Dane's I want to go do ironing.
• 7:05
  Speaker 3: Correct, She's gonna lay there while you fall asleep. You
• 7:09
  Speaker 3: have your like cuddling time, and then when you're snoring,
• 7:14
  Speaker 3: she gets up. She goes back to her house, watches
• 7:16
  Speaker 3: her shows, eats her popcorn, does her thing, and then
• 7:19
  Speaker 3: at midnight or whatever, she just walks back over. That
• 7:22
  Speaker 3: seems like so much work, really seems so logistically like.
• 7:27
  Speaker 1: That's you, that's Amy Sugarman.
• 7:30
  Speaker 3: I have used that time wise.
• 7:33
  Speaker 1: This week, Amy Sugarman will be playing the role of
• 7:35
  Speaker 1: Laurel I, and she won't be in bed. She'll be
• 7:37
  Speaker 1: doing a million different.
• 7:38
  Speaker 3: Because there's nothing worse for me than trying to fall
• 7:41
  Speaker 3: asleep early when I am not tired and cannot fall asleep.
• 7:46
  Speaker 3: That would be so terrible.
• 7:49
  Speaker 4: Do you guys sleep with the TV on or all?
• 7:54
  Speaker 1: Who? Luke and Laurel I?
• 7:56
  Speaker 4: Yeah, say you guys, we don't have.
• 7:59
  Speaker 1: A TV in the bedroom.
• 8:00
  Speaker 3: Oh that's a good question. Wait, Danielle, do you guys?
• 8:05
  Speaker 5: Well, my husband is always up later than I am,
• 8:09
  Speaker 5: so he always has the TV on. So technically I
• 8:11
  Speaker 5: do fall asleep with the TV on. But if it's
• 8:13
  Speaker 5: just me, that thing come turns off and I fall asleep.
• 8:17
  Speaker 4: Tara, I have a TV in my room, but I
• 8:20
  Speaker 4: turn it off before I go to bed, so I
• 8:22
  Speaker 4: never fall asleep with it on.
• 8:23
  Speaker 3: Same but I love I mean, look, let's just get
• 8:26
  Speaker 3: to the ending part. The fact that he got a
• 8:28
  Speaker 3: TV for her is.
• 8:29
  Speaker 1: Just no.
• 8:31
  Speaker 5: Very old old TV. That thing is only playing black
• 8:34
  Speaker 5: and white like cartoons, like that's all you got on.
• 8:38
  Speaker 3: Like a VCR. He's playing a VCR. She could watch
• 8:44
  Speaker 3: Back to the Future on v But okay, so we
• 8:49
  Speaker 3: all feel great about the opening, right.
• 8:52
  Speaker 1: Oh sure, yeah, seeing these two kids, take these crazy
• 8:55
  Speaker 1: kids together.
• 8:56
  Speaker 3: Then we bebop over to Yale and we're in the
• 8:58
  Speaker 3: newsroom and we learn that Mitcham has come.
• 9:02
  Speaker 1: By, and that was a funny scene.
• 9:06
  Speaker 3: Doyle's in a real dither like.
• 9:09
  Speaker 1: And what I loved about that scene is we found
• 9:11
  Speaker 1: out what I always suspected, that Logan is gifted, yeah,
• 9:16
  Speaker 1: and that he's a hell of a writer and he
• 9:17
  Speaker 1: doesn't even try, and he's you know, God gave him
• 9:20
  Speaker 1: everything with both hands, money and looks and talent and
• 9:24
  Speaker 1: brains and the whole thing, and he don't even care.
• 9:28
  Speaker 1: And it's just it's yay.
• 9:30
  Speaker 3: Right, he deserves to be at Yelle. He's super smart.
• 9:33
  Speaker 3: She's just that guy.
• 9:34
  Speaker 1: Can I just say, I just I love. I love
• 9:39
  Speaker 1: Matt Sugre's portrayal of this character because he's throwing everything
• 9:43
  Speaker 1: away and it's always about how he feels about Rory,
• 9:47
  Speaker 1: and it's always how he feels about something. He doesn't
• 9:50
  Speaker 1: make it about the dialogue. He just throws it away.
• 9:53
  Speaker 1: It's just like he clips it, clips and clips, and
• 9:55
  Speaker 1: he's he's got such an ease and he breeze and
• 9:57
  Speaker 1: that's perfect for that character.
• 9:59
  Speaker 3: Yeah, I love watching him.
• 10:02
  Speaker 1: I was waiting the entire episode just for Logan scenes.
• 10:06
  Speaker 1: There weren't enough. I was not happy. Where are they?
• 10:10
  Speaker 1: Let's you know, come on now?
• 10:12
  Speaker 3: So I get that Logan is a polarizing guy, right,
• 10:16
  Speaker 3: like people, they dislike Logan, But I think one of
• 10:21
  Speaker 3: the reasons I love him is Scott what you're saying,
• 10:24
  Speaker 3: I love probably love Matt Zuker's portrayal of this guy. Right,
• 10:30
  Speaker 3: he makes him so likable and cool, so like, I'm
• 10:34
  Speaker 3: not analyzing him like is this the greatest guy on
• 10:36
  Speaker 3: the planet. I'm analyzing it, like I freaking love watching this.
• 10:40
  Speaker 1: Guy because he's so present in those scenes. He's there
• 10:45
  Speaker 1: and he's with her, and he's paying looking at her,
• 10:50
  Speaker 1: and it's about her. He simplifies, He simplifies everything to
• 10:57
  Speaker 1: the point where it's down to its basic roots, and
• 11:00
  Speaker 1: it's really fascinating to watch.
• 11:03
  Speaker 3: I agree, because now Rory is just giddy, giddy two shoe,
• 11:09
  Speaker 3: like she can't deal anymore with how much she likes him.
• 11:13
  Speaker 1: Well, he threw in a Seymour hersh and she all
• 11:15
  Speaker 1: lit up, which I all of a sudden, she's getting
• 11:18
  Speaker 1: all giddy, and I'm just like, is that a good
• 11:21
  Speaker 1: look for Rory?
• 11:22
  Speaker 4: You know?
• 11:23
  Speaker 1: Is that it's like, all of a sudden, now she's
• 11:25
  Speaker 1: interested in a real sense.
• 11:28
  Speaker 3: So okay, that's a great question.
• 11:29
  Speaker 1: Right, how did you guys feel about that?
• 11:32
  Speaker 3: I like having someone have the upper hand over her
• 11:35
  Speaker 3: for once, because even with Jess, she's even though Jess
• 11:39
  Speaker 3: was kind of, you know, broody and like mysterious, She's
• 11:43
  Speaker 3: still always kind of had the upper hand or at
• 11:45
  Speaker 3: least it was really equal in this case. Now Logan
• 11:50
  Speaker 3: has the upper hand. They were sort of equal a
• 11:52
  Speaker 3: couple of weeks ago. But I think he's controlling this relationship.
• 11:55
  Speaker 1: Now, Okay, you you you, Here's here's a question for
• 11:59
  Speaker 1: each one. I'm gonna take a page out of Amy's book,
• 12:01
  Speaker 1: and I'm going to take over the podcast right now.
• 12:03
  Speaker 1: I'm gonna start asking people questions. I'm going to do.
• 12:06
  Speaker 1: Here we go, Ready, Ready? Would you watch the Logan
• 12:11
  Speaker 1: Rory Mitcham Yale review spin off?
• 12:17
  Speaker 4: I would?
• 12:19
  Speaker 1: That's a show. Why you're you're not a Logan fan, right, y'all.
• 12:26
  Speaker 3: Hasn't really met Mitcham yet either, that's true, and she
• 12:30
  Speaker 3: doesn't know Logan well enough.
• 12:31
  Speaker 5: Like I would watch, to be completely honest with everyone
• 12:35
  Speaker 5: on this podcast, the Yale Daily Newspaper scenes aren't it
• 12:41
  Speaker 5: for me? Okay, it's just a spin off of that.
• 12:46
  Speaker 5: It just always feels like filler to me.
• 12:49
  Speaker 3: I do like Doyle, really.
• 12:52
  Speaker 1: That's interesting where we're going? That is so interesting? That
• 12:56
  Speaker 1: feels like filler to you. For me, it's the main attraction.
• 12:59
  Speaker 1: It's like all the all the Korean stuff feels like
• 13:02
  Speaker 1: filler to oh.
• 13:03
  Speaker 5: That is definitely a filler, but.
• 13:08
  Speaker 3: Like, I disagree with you all so much because I
• 13:12
  Speaker 3: love everything at the Kims and we'll talk about why.
• 13:15
  Speaker 1: I got a lot of laughs out of it. But
• 13:16
  Speaker 1: it's like I'm not waiting for it, you know.
• 13:20
  Speaker 3: I'm waiting for Logan and Rory, and I'm waiting for
• 13:23
  Speaker 3: Lougan Lorli and I'm waiting for Emily and Richard. That's
• 13:26
  Speaker 3: like I like.
• 13:27
  Speaker 5: Rriyan Logan, you know, doing the secret society stuff and
• 13:31
  Speaker 5: you know the the Yale you know, the Yale stuff outside,
• 13:35
  Speaker 5: just like the newspaper room. Just like I'm always like, well.
• 13:38
  Speaker 3: What about the pub scenes the bar?
• 13:41
  Speaker 5: I love all that, okay, just like the newspaper stuff,
• 13:44
  Speaker 5: So I wouldn't watch it.
• 13:45
  Speaker 4: You know. It's kind of like they just needed to
• 13:48
  Speaker 4: be sitting in a classroom during school, but that's where
• 13:51
  Speaker 4: they can socialize, like you can't talk and like no.
• 13:54
  Speaker 3: But they need the newsroom because that's where we learn
• 13:57
  Speaker 3: that Mitch has come by, Doyle's freaking out, and Rory's like, oh,
• 14:00
  Speaker 3: help them, help.
• 14:01
  Speaker 4: Them, like what for Danielle. It's kind of like it's
• 14:06
  Speaker 4: the base of like what's to come, Like that's why
• 14:08
  Speaker 4: they meet at the pub or that's why they did
• 14:11
  Speaker 4: the you know, society. So I get what you're saying.
• 14:15
  Speaker 3: So what do you think of the inn scenes? So
• 14:18
  Speaker 3: after we leave the newsroom and we know that Rory's
• 14:21
  Speaker 3: definitely got a big old crush, we go to the
• 14:24
  Speaker 3: inn and we're having the staff meeting.
• 14:27
  Speaker 4: Oh my god, I love that Kirk is now getting
• 14:29
  Speaker 4: into hospitality.
• 14:34
  Speaker 6: That he also is like I want to get into it,
• 14:36
  Speaker 6: like like is he didn't just show up for no reason?
• 14:38
  Speaker 4: He's like I want to learn?
• 14:40
  Speaker 3: Oh god, what do you mean?
• 14:41
  Speaker 5: What do you think When Michelle says that someone is
• 14:44
  Speaker 5: stealing the chocolate? I was like, a wild guess who
• 14:49
  Speaker 5: is stealing the chocolate?
• 14:50
  Speaker 3: Did you know right away it was Suki?
• 14:52
  Speaker 5: Oh. I mean if it had to be anybody there,
• 14:54
  Speaker 5: it's going to be the pregnant lady for sure. He
• 14:59
  Speaker 5: was like too, yeah, like that would be me.
• 15:02
  Speaker 3: I love that it's to guys. So, Scott, what do
• 15:06
  Speaker 3: you think of like the sort of going to the end.
• 15:10
  Speaker 3: Does that feel like filler to you? Or that feels
• 15:12
  Speaker 3: like good content.
• 15:16
  Speaker 1: Filler ish?
• 15:18
  Speaker 3: Yeah? Yeah, you know to me it's the most filler ish.
• 15:22
  Speaker 3: I don't mind it.
• 15:23
  Speaker 1: When when how do I say this? It was like
• 15:34
  Speaker 1: almost like they're introducing a completely new It's like they
• 15:39
  Speaker 1: didn't really have a narrative to go with at the end.
• 15:43
  Speaker 1: It was just sort of hey, wacky funny stuff at
• 15:47
  Speaker 1: the end, and let's go touch on that stuff. But
• 15:49
  Speaker 1: it's there was no like real uh, it wasn't really
• 15:53
  Speaker 1: adding to the tension or the drama of.
• 15:56
  Speaker 3: I really as a whole.
• 15:58
  Speaker 1: It was just kind of funny Gilmoury. Yes, you know,
• 16:04
  Speaker 1: a chance for Michelle to shine what she always does,
• 16:07
  Speaker 1: a chance for Sewan Gun to shine what she always does. Ye,
• 16:10
  Speaker 1: you know that kind of thing. So it was a
• 16:12
  Speaker 1: nice It was a nice place to breathe and relax
• 16:15
  Speaker 1: and just sort of take it in and enjoy it,
• 16:17
  Speaker 1: you know.
• 16:17
  Speaker 3: Valid because I think there's parallels as well as connection
• 16:23
  Speaker 3: between Luke and Laura Lai, Emily and Richard Logan and Rory. Right,
• 16:27
  Speaker 3: we can like dissect it for days, the kim House
• 16:31
  Speaker 3: stuff which we can talk about, and the In stuff
• 16:33
  Speaker 3: is kind of like isolated, it's not totally connected. So
• 16:37
  Speaker 3: it is technically is filler. That's not even a criticism,
• 16:41
  Speaker 3: That's what it is.
• 16:44
  Speaker 1: Yeah, it's like another show almost.
• 16:46
  Speaker 3: Yeah, And I mean I enjoy it. I find myself
• 16:49
  Speaker 3: at the inn scenes just really looking at the decor of.
• 16:52
  Speaker 1: The inn, right good, didn't it?
• 16:53
  Speaker 4: The twall and the crazy It's.
• 16:56
  Speaker 3: Insane that that where they are all having their eating
• 17:00
  Speaker 3: and the tables and the detail and just all the
• 17:03
  Speaker 3: like blue and white decor and the chotchkey stuff everywhere.
• 17:07
  Speaker 3: And then when you're in the hotel room, the in room,
• 17:10
  Speaker 3: whatever you call it, it's just designed so detailed.
• 17:15
  Speaker 1: The one, the one knock I have about why wasn't
• 17:22
  Speaker 1: Sean I mean Sean, Why wasn't Kirk given a job
• 17:26
  Speaker 1: at the end? He's so useful. I mean, just to
• 17:29
  Speaker 1: hire the guy. Then he can be around more, He
• 17:32
  Speaker 1: can be in more scenes. Why can't he help out
• 17:35
  Speaker 1: in the kitchen?
• 17:36
  Speaker 4: Time for him to get to the end.
• 17:38
  Speaker 5: Didn't he have a job in the beginning?
• 17:40
  Speaker 1: But he's got a million jobs. He's always inventing. He's
• 17:44
  Speaker 1: always inventing a job for himself.
• 17:46
  Speaker 5: You mean, like a sturdy job at the Why not?
• 17:48
  Speaker 1: I mean he's a jack of all trades. You could
• 17:50
  Speaker 1: plug him into any situation. He could always enhance the comedy.
• 17:55
  Speaker 1: I mean Michelle's bringing the heat or Laurlize bring in
• 17:59
  Speaker 1: the heat. Suki's bringing the heat. You got another comedy
• 18:02
  Speaker 1: master there and showing gunn get him in the end,
• 18:05
  Speaker 1: get them in more scenes.
• 18:07
  Speaker 5: Let's go.
• 18:07
  Speaker 1: Don't don't like you know, Suki Like now I'll get
• 18:10
  Speaker 1: out of here. I'm not hiring you. Yes, hire them,
• 18:14
  Speaker 1: So we go from this.
• 18:16
  Speaker 3: I agree, we go from the end to the diner. Now,
• 18:19
  Speaker 3: I personally loved this scene. I love the scenes with
• 18:24
  Speaker 3: Lane and is it Kim? Does Suzanne play Kim? I
• 18:28
  Speaker 3: know her real name is Suzanne? What is the exchange
• 18:32
  Speaker 3: students for the Exchange?
• 18:35
  Speaker 4: Oh? Kay on.
• 18:37
  Speaker 3: Okay? So I love their banter and that she's bringing
• 18:42
  Speaker 3: the scoop because she wants the Monte Cristo sandwich. I'm
• 18:46
  Speaker 3: just like a fricking genius. Then I sort of did
• 18:49
  Speaker 3: like the interaction of the band looking at their photos
• 18:52
  Speaker 3: and Lane doesn't like how she looks right. Relatable, Yes,
• 19:01
  Speaker 3: it was relatable. It was like all relatable and funny
• 19:05
  Speaker 3: and just totally amusing, and I liked the whole thing.
• 19:09
  Speaker 4: I actually like the interaction here with Kaion compared to
• 19:13
  Speaker 4: the last time when we were like none of us
• 19:15
  Speaker 4: were really into that storyline, because I think now she
• 19:20
  Speaker 4: she's kind of in this world where she gets why
• 19:22
  Speaker 4: Lane left. Yeah, and so we're seeing that and Lane's
• 19:25
  Speaker 4: kind of helping her guide her like she's like I've
• 19:27
  Speaker 4: been through this, Like I'll sandwich she with Blane a bit. Yeah.
• 19:34
  Speaker 4: I thought it was a nice scene me too, And.
• 19:37
  Speaker 3: I actually am totally enjoying Brian and Zach. I think
• 19:41
  Speaker 3: they're bringing something. It's never going to be, you know,
• 19:47
  Speaker 3: what's his doozy Dave Bragowski, but it's bringing something. I
• 19:52
  Speaker 3: kept wanting, what is Adam's last name? Why isn't Adam
• 19:55
  Speaker 3: Adam Brody Adam Brody? Look, I'm old it went right
• 19:58
  Speaker 3: out of my head. So so Scott, like, where do
• 20:01
  Speaker 3: you stand on that filler or content?
• 20:07
  Speaker 1: If you have Sebastian Bach in a scene, I don't
• 20:11
  Speaker 1: know how you call it filler?
• 20:13
  Speaker 5: Right?
• 20:14
  Speaker 1: You know, he's he's a rock star for a reason
• 20:18
  Speaker 1: because he's got he's got that real presence. I agree.
• 20:22
  Speaker 3: I think he steals every scene he's in.
• 20:24
  Speaker 1: I don't know if he's ever going to be nominated
• 20:27
  Speaker 1: for an Emmy, right, but he's doing a solid job,
• 20:31
  Speaker 1: and he's got that screen presence, and he's got that delivery,
• 20:36
  Speaker 1: and he's gil he's he's Gil, He's he's one hundred
• 20:40
  Speaker 1: percent that character. He's that guy, and he's playing a
• 20:44
  Speaker 1: sort of a Korean loot like thing and he going
• 20:46
  Speaker 1: that ross, you know, and it's like who else can
• 20:50
  Speaker 1: do that?
• 20:51
  Speaker 3: Yeah? He levels up all those scenes. He wasn't in
• 20:53
  Speaker 3: this particular diner scene, but I know we're talking broad
• 20:55
  Speaker 3: strokes about the band, and it's like he does even
• 20:59
  Speaker 3: when they're at the door work and he's knocking, like
• 21:01
  Speaker 3: it's just like everything he does is when he has
• 21:06
  Speaker 3: the kid, can I get up?
• 21:08
  Speaker 1: But he's but he's used to, you know what, thirty
• 21:10
  Speaker 1: years now of being a charismatic frontman for a platinum
• 21:15
  Speaker 1: selling band. Yeah, and now you realize, well, that takes
• 21:20
  Speaker 1: a very charismatic individual.
• 21:23
  Speaker 3: That's such a great point because he has so much
• 21:25
  Speaker 3: stage presence, right, So you'd see that in his scenes.
• 21:29
  Speaker 1: And you either have that or you do not, and
• 21:32
  Speaker 1: there are not a lot of people that have that,
• 21:34
  Speaker 1: which is why frontmen are so vital. And now you
• 21:38
  Speaker 1: put him in a grape and you put him in
• 21:40
  Speaker 1: a TV show, right, and he's kind of rocking it.
• 21:45
  Speaker 3: He's totally rocketed. But whose hair was worse? Zach's weird mullet.
• 21:49
  Speaker 3: This is when I'm jumping ahead to the Kims or
• 21:52
  Speaker 3: Sebastian box, just like Crazy.
• 21:54
  Speaker 4: Maine, but I feel like that's Sebastian, like he has.
• 22:00
  Speaker 1: Yeah.
• 22:01
  Speaker 3: So okay. So we go from the diner scene where
• 22:04
  Speaker 3: they're looking at the photos to Richard and Emily and
• 22:07
  Speaker 3: we see them for the first time in this episode.
• 22:12
  Speaker 3: Just you knew, you knew they were falling back in
• 22:15
  Speaker 3: love because they're they're having they're so civil discussing, you know,
• 22:20
  Speaker 3: talking about the Mercedes leases up and oh you should
• 22:22
  Speaker 3: buy it, but your hair looks perfect, and it's just like, oh,
• 22:26
  Speaker 3: man cute.
• 22:29
  Speaker 5: And that they should go both go to the event together.
• 22:32
  Speaker 3: Yeah, so I was so I'm so happy they're on
• 22:38
  Speaker 3: the road to recovery.
• 22:40
  Speaker 1: Yeah, that's nice. It's nice to see it.
• 22:42
  Speaker 3: So then my favorite scene, we go to the bar,
• 22:45
  Speaker 3: the pub whatever, I don't know the name of that.
• 22:47
  Speaker 3: It probably has a name and people are gonna yell
• 22:49
  Speaker 3: at me, but the ro the Yale Pub. Hey, Ace, oh, Logan,
• 22:54
  Speaker 3: I didn't see you.
• 22:55
  Speaker 5: And she she is in a tizzy like she control herself.
• 23:03
  Speaker 2: I just love how all of her notes are like,
• 23:05
  Speaker 2: like who takes that much notes to the pub like research,
• 23:10
  Speaker 2: like like I was like, you could have picked anywhere else,
• 23:12
  Speaker 2: or like it so obvious.
• 23:15
  Speaker 7: She's so squirrely good good good, so good, so good,
• 23:18
  Speaker 7: so good, Like it's just oh my god, my notes
• 23:25
  Speaker 7: just say she loves him.
• 23:27
  Speaker 5: Yeah, she's definitely definitely has a crush for sure.
• 23:32
  Speaker 3: Also, I love the scarves. The scars are back and
• 23:35
  Speaker 3: tells us that Swinter the scars.
• 23:36
  Speaker 4: Are you last I was like, it's always like thrown back,
• 23:40
  Speaker 4: like it's never like like down on the side. It's
• 23:43
  Speaker 4: always like wrapped around. I'm like, oh, it's.
• 23:45
  Speaker 3: Coold, Scott. I do not want to critique the wardrobe
• 23:48
  Speaker 3: person on Gilmore Girls, but literally scarf is just like
• 23:53
  Speaker 3: indicates it's cold. Oh my god, speaking up, did you
• 23:57
  Speaker 3: guys hear Melissa McCarthy just said in an interview her
• 24:01
  Speaker 3: one did you see it? Scott?
• 24:03
  Speaker 1: Yeah, I just was with talking to a friend on
• 24:05
  Speaker 1: the phone and it popped up, So it' Scott.
• 24:06
  Speaker 3: You tell her. One criticism of Gilmore Girls was that.
• 24:10
  Speaker 1: You know, it's winter and everybody's wearing coats and hats
• 24:13
  Speaker 1: and scarves, and Colt's one hundred and twelve degrees in
• 24:16
  Speaker 1: Burbank and it's just sweating your badoobies off.
• 24:20
  Speaker 6: Okay, there was a comment on our instagram like how
• 24:23
  Speaker 6: did they make this ice drink in the middle of
• 24:25
  Speaker 6: Los Angeles?
• 24:26
  Speaker 4: Like I was actually like, oh, you're in a good point.
• 24:28
  Speaker 1: Well it's not nice. It's it's as sort of a
• 24:30
  Speaker 1: plasticy substance that you can skate on top of. It's
• 24:35
  Speaker 1: not realized. Yeah, it's like a fiberglass thing kind of you.
• 24:40
  Speaker 3: Know what's funny? I interject of our breakdown in that, like,
• 24:44
  Speaker 3: think about this, you, Lauren, Melissa, Matt, Milo, chat everybody
• 24:53
  Speaker 3: right who's still working and doing things is always twenty
• 24:58
  Speaker 3: years later, asked about Gilmer, I mean, think of all
• 25:01
  Speaker 3: the things Melissa's done, and it still goes back to
• 25:03
  Speaker 3: Gilmore Girls, and like the things they say that get
• 25:06
  Speaker 3: press and I know I'm getting in the weeds. Here
• 25:09
  Speaker 3: is always about Gilmore Girls, Like when you're reading about Milow,
• 25:12
  Speaker 3: it's always like he's team Jess, you know or whatever,
• 25:15
  Speaker 3: Like it's always goes back. So anyway, I digress, No,
• 25:18
  Speaker 3: but I mean, just to.
• 25:22
  Speaker 1: Comment further, Yes, we were sweating profusely all day in
• 25:31
  Speaker 1: those winter scenes fall scene.
• 25:33
  Speaker 3: Maybe that's why the skinny scar It's never.
• 25:36
  Speaker 1: It's never below ninety degrees in Burbank. Never, it never
• 25:42
  Speaker 1: has been and it never will be. So you're going
• 25:47
  Speaker 1: to work in August July? Actually no, no, no, no,
• 25:53
  Speaker 1: you're not, but you are going when is our hate
• 25:58
  Speaker 1: this beginning July?
• 26:00
  Speaker 3: We were back by August.
• 26:01
  Speaker 1: Where we black by, but we were sweating our beans off.
• 26:04
  Speaker 3: Well, and you know, it's funny like that. There's not
• 26:06
  Speaker 3: a lot of trees kind of overhanging on that set.
• 26:11
  Speaker 3: It's pretty out there, so it'd be sweating.
• 26:14
  Speaker 1: I don't think there's anything more draining. And I know,
• 26:17
  Speaker 1: you know, and I've worked a lot of jobs in
• 26:20
  Speaker 1: my life, construction in the summers and all kinds of jobs,
• 26:23
  Speaker 1: and there's just nothing draine you faster than working in the.
• 26:26
  Speaker 3: Heat in a wool coat.
• 26:28
  Speaker 1: Well, I mean even like, you know, when I was
• 26:31
  Speaker 1: doing construction, it was in a T shirt obviously in
• 26:33
  Speaker 1: the same time. But man, yeah, you're wrapped in scarves
• 26:39
  Speaker 1: and wool gloves and hats, and oh god, it's hard.
• 26:43
  Speaker 1: It's hard, and it causes so many delays because the
• 26:47
  Speaker 1: makeup department in the hair department are losing their minds
• 26:51
  Speaker 1: because their jobs are so hard. At that point because
• 26:54
  Speaker 1: they have to everything's got a match. So it's like
• 26:57
  Speaker 1: they go to the director and say, we got to
• 27:00
  Speaker 1: go in and help Laurence hair and they have to
• 27:03
  Speaker 1: do it. I mean, it's like it just falls, it
• 27:06
  Speaker 1: gets flat, and they've got up fluff it up, and
• 27:07
  Speaker 1: it takes time to do it right, and poor Lauren
• 27:10
  Speaker 1: has to stand there and she's still sweating. So she's
• 27:13
  Speaker 1: got five assistants or PA's standing around her with these
• 27:18
  Speaker 1: mini fans, you know, those tiny little fans and just
• 27:23
  Speaker 1: like bombing her with those fans to try to cool
• 27:25
  Speaker 1: her down. And then they got to do her makeup again,
• 27:28
  Speaker 1: and it's just like it takes forever. Then you just
• 27:33
  Speaker 1: it just gets hotter and hotter and hotter, and they
• 27:36
  Speaker 1: try to pipe in some air conditioning in the tube
• 27:40
  Speaker 1: and sometimes it works and sometimes it doesn't. But they
• 27:42
  Speaker 1: can't play it during the scene because it makes too
• 27:44
  Speaker 1: much noise, and sound department says, hey, turn that off,
• 27:46
  Speaker 1: you know, and then Laurence starts sweating when they turn
• 27:49
  Speaker 1: it off and said, hey, turn the thing. Oh Laurence sweating.
• 27:51
  Speaker 1: It's like who's on first? Kind of a thing. I
• 27:54
  Speaker 1: took three changes of underwear to work per day. I
• 28:00
  Speaker 1: just want to say, you sweat, you sweat through your knickers.
• 28:07
  Speaker 4: Is your showers in your trailer?
• 28:08
  Speaker 1: Yes?
• 28:09
  Speaker 3: Oh good question.
• 28:10
  Speaker 1: Well once once we got larger trailers.
• 28:13
  Speaker 8: Yeah, got it, that would yeah, and they were used. Yeah, yeah,
• 28:21
  Speaker 8: turn on the cold water and just get in and yeah.
• 28:25
  Speaker 1: Yes.
• 28:30
  Speaker 3: So Logan says, how can I never see you around?
• 28:33
  Speaker 3: Which I kind of like because she's like, you know,
• 28:35
  Speaker 3: they just live such different lives at Yale.
• 28:39
  Speaker 4: And then she her whole freshman year, she didn't go anywhere, right,
• 28:42
  Speaker 4: and she still doesn't do much. Wouldn't go anywhere.
• 28:45
  Speaker 3: No, she's at the library and the coffee cart and
• 28:47
  Speaker 3: maybe the froyo. Oh my god. Shout out to everyone
• 28:51
  Speaker 3: who commented when for the guest we had last week,
• 28:54
  Speaker 3: you know who was the student that came to visit
• 28:56
  Speaker 3: from children And everyone's like, yeah, that girl's some froyo anyway,
• 29:04
  Speaker 3: So obviously, yes, as Scott mentioned, Rory is so like
• 29:07
  Speaker 3: excited about Seymour hirsh and how lucky Logan is that
• 29:10
  Speaker 3: he gets to go to this party and you do
• 29:13
  Speaker 3: think he's gonna ask her to go.
• 29:16
  Speaker 4: I was like on the edge of my seat.
• 29:18
  Speaker 1: I was like, here's the question, do you think he
• 29:20
  Speaker 1: knew that she wanted and was just playing with her.
• 29:27
  Speaker 3: Because he's like, I can't. He likes her too, right,
• 29:30
  Speaker 3: but he's not like gonna, you don't go from zero
• 29:32
  Speaker 3: to one hundred. He's like pace this, pace this anymore.
• 29:36
  Speaker 5: I think anything. He is playing games, that's what he's doing.
• 29:40
  Speaker 5: He's like, I know she wants to go. I like her,
• 29:43
  Speaker 5: but I'm not gonna invite her, you know.
• 29:46
  Speaker 4: Like he's got to watch her scorb want.
• 29:49
  Speaker 3: Yeah, but it was still so cute though. Did you
• 29:52
  Speaker 3: like the scene or did you not like that Logan
• 29:54
  Speaker 3: didn't ask her?
• 29:55
  Speaker 4: No, I liked it because I think Rory always with
• 29:58
  Speaker 4: previous guys, she kind of gets her way.
• 30:00
  Speaker 5: Yeah, I do agree with that. It was nice to
• 30:02
  Speaker 5: see her squirm, you know, like usually she's not the
• 30:05
  Speaker 5: one doing that.
• 30:06
  Speaker 3: Yeah, yeah, Scott, do you think Logan should have asked
• 30:09
  Speaker 3: her to go to the party.
• 30:13
  Speaker 4: Too much?
• 30:13
  Speaker 3: Too much? You can't just suddenly like they haven't even
• 30:15
  Speaker 3: been on a date and he's gonna.
• 30:17
  Speaker 1: He's playing. He's playing. He's playing a mean game of chess. Yeah,
• 30:22
  Speaker 1: he's a very patient player.
• 30:24
  Speaker 4: Also, like I think with inviting her, it's he has
• 30:27
  Speaker 4: to remember that, like his parents know the Gilmour's right,
• 30:31
  Speaker 4: So it kind of opens more of a can of worms.
• 30:33
  Speaker 5: And this is writing off of the prank that Richard
• 30:36
  Speaker 5: laid on him. He's up the wedding, you know, like right,
• 30:41
  Speaker 5: so I can I can understand why he's you know,
• 30:45
  Speaker 5: keeping a little bit of a distance.
• 30:46
  Speaker 3: But yeah, so we go back to the diner and
• 30:50
  Speaker 3: we see Lane without glasses. First of all, what does
• 30:53
  Speaker 3: everybody think of Lane without glasses?
• 30:56
  Speaker 5: She looks the same.
• 31:00
  Speaker 4: Totally.
• 31:01
  Speaker 1: I didn't. I didn't know what they were talking about.
• 31:04
  Speaker 1: I had no idea what she was. I was like,
• 31:06
  Speaker 1: what is the what is beautiful?
• 31:08
  Speaker 5: Either way? But I'm like, it's the same, it's still late.
• 31:13
  Speaker 3: I love that Zach loves the glasses. There is something
• 31:15
  Speaker 3: really cute about that, and he wants her to meet
• 31:18
  Speaker 3: with the glasses and he likes her how she is
• 31:20
  Speaker 3: and that she's smart and all the things a smart girl.
• 31:26
  Speaker 1: You know.
• 31:27
  Speaker 5: What it reminded me of is during COVID when everyone
• 31:29
  Speaker 5: wore a mask and you saw them without a mask
• 31:31
  Speaker 5: for the first.
• 31:32
  Speaker 4: Time and you were like, whoa about what I thought?
• 31:35
  Speaker 4: You looked like, Yeah, that's so true.
• 31:42
  Speaker 3: Just like everyone's like smiling under the you know, like
• 31:45
  Speaker 3: when someone you can't even smile under the mask, you
• 31:48
  Speaker 3: just don't even know what's happening in your eyes, like comparison.
• 31:53
  Speaker 3: So it is a little unrealistic that Lurlai read the
• 31:56
  Speaker 3: Oven Manual, but yet it was a funny bit. It
• 31:59
  Speaker 3: was like, okay, funny, funny bit.
• 32:03
  Speaker 5: But also like that's Luke's thing, you know, like he
• 32:08
  Speaker 5: knows everything. He would haven and like you know, like
• 32:12
  Speaker 5: he's not getting pointers from Lurlie, like he knows the manual,
• 32:16
  Speaker 5: you know.
• 32:16
  Speaker 3: Like I kind of was like, agree, he would have
• 32:19
  Speaker 3: known how to do it. Are so okay. So still
• 32:25
  Speaker 3: in that scene, I do like all the lane Zach
• 32:28
  Speaker 3: stuff there, and we got that whole thing. Then we
• 32:33
  Speaker 3: go to Richard's office and it felt random at first,
• 32:38
  Speaker 3: and then you realize, oh, leap, she's got the two guys.
• 32:43
  Speaker 3: They're hav an office talk. He's got his nice office
• 32:46
  Speaker 3: and they bring up Simon McLean and it's just.
• 32:48
  Speaker 2: Oh no.
• 32:50
  Speaker 1: I gotta say that was one of the best acting
• 32:53
  Speaker 1: jobs that I that the episode possesses. When he took
• 33:01
  Speaker 1: that hit, you could, you know, you could barely. It
• 33:04
  Speaker 1: didn't register. He wasn't gonna show his cards and man,
• 33:09
  Speaker 1: and then he he just did one of those. Yeah,
• 33:13
  Speaker 1: and he just don't know what a hit he took, man,
• 33:16
  Speaker 1: and he just he just toughed it out and got
• 33:19
  Speaker 1: through it. And great, great acting job. See if he
• 33:24
  Speaker 1: doesn't have to he has to feel it, but he
• 33:26
  Speaker 1: doesn't have to show it so that we can feel
• 33:28
  Speaker 1: it so much. Yeah, great job.
• 33:30
  Speaker 3: Great analyzing because I love how you're saying it because
• 33:33
  Speaker 3: I kind of wrote my notes like Richard rebounds because
• 33:36
  Speaker 3: it's like he did he acted it all and it
• 33:39
  Speaker 3: was quick, but you saw him go like, but.
• 33:44
  Speaker 1: It doesn't take much. It's like, let us feel it.
• 33:46
  Speaker 1: If you're feeling it too much, then we don't have
• 33:48
  Speaker 1: to feel it.
• 33:50
  Speaker 5: Should Emily felt him, m Should Emily have told him?
• 33:55
  Speaker 1: No?
• 33:56
  Speaker 4: I think that gets sticky with the whole penal and
• 33:59
  Speaker 4: lock situation.
• 34:00
  Speaker 5: But if he's doing if Richard's doing business with this
• 34:02
  Speaker 5: guy on like a regular.
• 34:03
  Speaker 3: Basis, do you think that she knew, Well, they know
• 34:06
  Speaker 3: each other from the club obviously, so it's a little
• 34:09
  Speaker 3: close to home, but yet I don't know, they're just
• 34:12
  Speaker 3: trying to I don't think she did anything wrong by
• 34:15
  Speaker 3: not telling him.
• 34:16
  Speaker 4: She also like I don't think they like kissed or anything,
• 34:18
  Speaker 4: so it could have been just like a dinner how
• 34:21
  Speaker 4: she would word it, even though it wasn't visidered a date.
• 34:25
  Speaker 1: But the Penal and Lot defense was lame because I
• 34:28
  Speaker 1: thought it was point taking, no, no, because she had
• 34:31
  Speaker 1: one dinner with that lawyer and there wasn't a separated
• 34:35
  Speaker 1: and they were separated, and there was not a second dinner,
• 34:40
  Speaker 1: and she broke down crying after after she okay, and
• 34:44
  Speaker 1: then and then Richard. But I thought Richard was seeing
• 34:48
  Speaker 1: Pendal and Lot every year, every year, once a year
• 34:52
  Speaker 1: to have lunch, and that is far worse in my opinion.
• 34:56
  Speaker 3: I agree with you. I agree with you guys.
• 34:58
  Speaker 1: So it wasn't a it wasn't an apt comparison, and
• 35:02
  Speaker 1: I thought, you go sorry, No, I thought I thought
• 35:06
  Speaker 1: Emily could have countered with something much stronger to illuminate
• 35:12
  Speaker 1: that fact. And she did not.
• 35:14
  Speaker 3: Such great points she could have. But I think she
• 35:17
  Speaker 3: she I think she knew like, oh this is I
• 35:21
  Speaker 3: want him to freak out, we're getting back together. But
• 35:25
  Speaker 3: I think Scott, you make a good point too, is
• 35:27
  Speaker 3: that Emily didn't do anything wrong by going on the
• 35:31
  Speaker 3: date they're separated, whereas Richard was betraying, not not physically.
• 35:36
  Speaker 3: He wasn't having an affair, but they were fully married
• 35:39
  Speaker 3: and he never said like I'm going to have lunch
• 35:41
  Speaker 3: with Penalin.
• 35:41
  Speaker 1: But it was having an emotional affair. Yeah, yeah, you
• 35:46
  Speaker 1: tall you once a year, you take a trip down
• 35:48
  Speaker 1: memory lane. You're having an emotional affair once a year.
• 35:50
  Speaker 4: And you have to lie because like, where was he
• 35:52
  Speaker 4: telling Emily that every time?
• 35:55
  Speaker 1: How many times did he lie to her every year?
• 35:58
  Speaker 3: Once the estalgic her? I don't think he was having
• 36:01
  Speaker 3: an emotional affair, but we do debate that. Yeah, it's fair.
• 36:06
  Speaker 1: Was it really explained to us what Penal and lot
• 36:11
  Speaker 1: it turned out to be and how she's still connected
• 36:13
  Speaker 1: in his life and maybe she's in the insurance business
• 36:16
  Speaker 1: or something, and it was required nothing like that was explained.
• 36:19
  Speaker 1: But it's a far more agree I mean, Emily didn't
• 36:23
  Speaker 1: do anything wrong, She just went on a date. She
• 36:26
  Speaker 1: did nothing wrong, and she suffered, and she suffered for it.
• 36:30
  Speaker 5: She showed her her pump rules of Emily though, because
• 36:33
  Speaker 5: she is dating within the pool. You know, like you
• 36:37
  Speaker 5: don't like and you're gonna even though you're separated, and
• 36:41
  Speaker 5: you you know, I understand they're separated, but like he
• 36:45
  Speaker 5: Simon is very much in Richard's pool, so right, so
• 36:48
  Speaker 5: it's kind of like, maybe give him the heads up.
• 36:53
  Speaker 3: I don't know, but who she supposed to meet, she
• 36:55
  Speaker 3: only knows who she knows from the country.
• 36:57
  Speaker 1: Club, because she wasn't trying to manipulate him. She told
• 37:01
  Speaker 1: she didn't tell him because she was really trying to
• 37:03
  Speaker 1: Maybe she's confused. She wants to break away, she thinks,
• 37:06
  Speaker 1: and then she realizes after going through that dinner that
• 37:08
  Speaker 1: it's she's her heart is with Richard and hers.
• 37:11
  Speaker 3: Although she seemed excited to see Simon at the car, but.
• 37:14
  Speaker 1: I thought she should look. I thought she showed a
• 37:16
  Speaker 1: great deal of strength going on that date and then
• 37:21
  Speaker 1: breaking down after the date was over. So it was
• 37:23
  Speaker 1: for me, it was just all strength, playing against strength
• 37:27
  Speaker 1: and trying to be strong and trying to move on.
• 37:29
  Speaker 1: And it was courageous. And I think what Richard did
• 37:31
  Speaker 1: was very cowardly. Having yes, I thought that whole thing was.
• 37:36
  Speaker 1: And I thought that line to her in the car
• 37:38
  Speaker 1: after he like weirdly like psychotically rams the back of
• 37:42
  Speaker 1: her car, What the hell was that?
• 37:46
  Speaker 5: Very psychotic?
• 37:47
  Speaker 1: But very psychotic, I mean it's like, you know, she
• 37:51
  Speaker 1: could have had whiplash and broken her neck or hurt
• 37:53
  Speaker 1: her neck. He he really hit it hard.
• 37:56
  Speaker 3: He couldn't take it.
• 37:57
  Speaker 1: It was like, wow, that was just way too much,
• 38:00
  Speaker 1: you cycle, he could have been arrested for attempted murder.
• 38:04
  Speaker 3: He was totally unhinged.
• 38:08
  Speaker 1: He whammed his own wife's car and then like like
• 38:11
  Speaker 1: starts yelling at her. Everybody knows you're supposed to get
• 38:15
  Speaker 1: out of the car after your foul a, And well
• 38:16
  Speaker 1: I was waiting for the man in the red coat.
• 38:19
  Speaker 1: He gotten out of the car. I mean, he was
• 38:20
  Speaker 1: just out of his.
• 38:23
  Speaker 3: Simon he's all, we don't need you, Simon.
• 38:25
  Speaker 1: No, you will not run into Simon's car. Run into Simon.
• 38:30
  Speaker 1: Don't run into your own wife. She's an elderly woman.
• 38:34
  Speaker 4: And I'm kill like not not Lisa or not buying
• 38:37
  Speaker 4: the car at the end, like I know, he's always.
• 38:39
  Speaker 3: Shouldn't put it.
• 38:40
  Speaker 1: I mean, she could have been if she was turned
• 38:41
  Speaker 1: facing the other way, she could have been bouncing her
• 38:44
  Speaker 1: head could have been bouncing around inside that dashboard like
• 38:47
  Speaker 1: a pinball machine.
• 38:48
  Speaker 4: So it is really quick. I do want to say
• 38:51
  Speaker 4: Scott brought something up that was really interesting. That made
• 38:53
  Speaker 4: me think, like this pedaling lot thing, like we brought
• 38:56
  Speaker 4: a pedal a lot more than like I know a lot,
• 39:00
  Speaker 4: and there's barely any information that we've gotten. Like I mean,
• 39:03
  Speaker 4: maybe the characters know and the audience doesn't, but like
• 39:06
  Speaker 4: with the amount of times we talk about her, we
• 39:08
  Speaker 4: really don't know exactly what happened.
• 39:10
  Speaker 3: And she's in the show one time, but she's one
• 39:13
  Speaker 3: of the most talked about characters and she only makes
• 39:16
  Speaker 3: one appearance. It's like, yeah, but I mean it was
• 39:21
  Speaker 3: what he did was brutal.
• 39:24
  Speaker 4: Yeah, we don't like Scott, so we just don't know
• 39:26
  Speaker 4: the details.
• 39:28
  Speaker 1: Yeah, I mean I think I obviously they had a
• 39:31
  Speaker 1: realist of it.
• 39:33
  Speaker 4: Yeah, but we just don't know.
• 39:35
  Speaker 3: That's interesting. That really makes me think because each of us,
• 39:39
  Speaker 3: because we know so little Tara, like you're saying, we
• 39:43
  Speaker 3: each take away from it what our perspective is. So
• 39:47
  Speaker 3: that's why maybe we're having this sort of like little
• 39:49
  Speaker 3: discussion about it, because like, I think, it's perfect perfectly
• 39:53
  Speaker 3: harmless what he did with Penal and law.
• 39:56
  Speaker 1: I get it, relationship, it's really damaging. You know, we're
• 40:00
  Speaker 1: talking about Panna Lot. She's not she's you know, is
• 40:03
  Speaker 1: that Richard's Camilla Parker bowls.
• 40:06
  Speaker 4: Well, I like you.
• 40:09
  Speaker 3: I don't know, I don't think so. But what I
• 40:12
  Speaker 3: like what you're saying is that you're taking it that
• 40:15
  Speaker 3: way where I'm like, this is his old friend from college,
• 40:18
  Speaker 3: his girlfriend and they meet once a year. What I
• 40:20
  Speaker 3: think is he should have told Emily, this is what
• 40:22
  Speaker 3: you like Christopher too, because I have terrible taste.
• 40:26
  Speaker 9: I saw the poop emojis. There's so many, everyone's like
• 40:38
  Speaker 9: my favorite, like, maybe I also have poop tastes.
• 40:43
  Speaker 3: I think I also have poop taste.
• 40:46
  Speaker 1: Fans are bringing the hate man and then they bring
• 40:48
  Speaker 1: the poop, right, they'll fling pop at you.
• 40:51
  Speaker 3: Speaking of the only okay this is I have to
• 40:56
  Speaker 3: bring it upcause it made me cringe so hard, and
• 40:59
  Speaker 3: I don't okay. I want to see what you guys think,
• 41:02
  Speaker 3: because I actually think they should have removed this joke
• 41:05
  Speaker 3: from the show, which I get that they can't. But
• 41:09
  Speaker 3: so we go back to the inn and Michelle's kind
• 41:12
  Speaker 3: of like the bed was must and someone's you know,
• 41:15
  Speaker 3: eating the toblerone and maybe it's so and so they're
• 41:18
  Speaker 3: having an affair and somebody goes, maybe it was a
• 41:20
  Speaker 3: ghost and then there is a Patrick swayzey joke that
• 41:24
  Speaker 3: literally like broke my heart because they're like Patrick Swayze
• 41:28
  Speaker 3: trying to find his career. And I was like, oh oh,
• 41:32
  Speaker 3: and I get it. At the time when they wrote it,
• 41:34
  Speaker 3: it was funny, but for me, it's like, oh my god,
• 41:38
  Speaker 3: I'm sure we'll talk about it in pop culture, but
• 41:40
  Speaker 3: it was like, oh, Patrick's sweezy.
• 41:42
  Speaker 1: Like I really think the Palladinos are not shy about,
• 41:51
  Speaker 1: you know, revealing who they find ridiculous in pop culture.
• 41:56
  Speaker 1: They've never been shy about it. They always reveal, you know,
• 42:00
  Speaker 1: they're always mocking somebody, right, and if we I'm sure
• 42:05
  Speaker 1: the fans know better than we do. They make a
• 42:08
  Speaker 1: list and let us know which fan which celebrities get
• 42:11
  Speaker 1: trashed that don't quite cut it with the Palladinos, you
• 42:16
  Speaker 1: know what I mean. So they're just sort of always
• 42:17
  Speaker 1: borrowing from pop culture and right, right, right.
• 42:20
  Speaker 3: And I get it was sort of a funny, amusing
• 42:22
  Speaker 3: joke at the time, but now it's.
• 42:23
  Speaker 1: Like in hindsight, you know, yeah, right, it does obviously what.
• 42:27
  Speaker 3: Happened, and he did get his career and he started
• 42:30
  Speaker 3: working again. It's just like and he's so I love
• 42:32
  Speaker 3: him so much and like his movies are so iconic,
• 42:35
  Speaker 3: and I got.
• 42:37
  Speaker 1: To work with him and he's the loveliest, the loveliest
• 42:40
  Speaker 1: guy you ever want to be around.
• 42:42
  Speaker 3: What did you work with him on?
• 42:44
  Speaker 1: A movie with Martha Coolidge, film called Three Wishes.
• 42:48
  Speaker 3: Yeah. So it's just like for me that joke, I
• 42:50
  Speaker 3: was like, oh and.
• 42:51
  Speaker 1: He was he was everything and more.
• 42:56
  Speaker 4: I mean this.
• 42:57
  Speaker 1: You know, stars don't have lunch with little pity actors
• 43:00
  Speaker 1: that just got a little bit of a break. They
• 43:02
  Speaker 1: don't sit down and have lunch with them. He did,
• 43:05
  Speaker 1: and he gave me all kinds of advice and he
• 43:07
  Speaker 1: was always very warm and friendly and just a very
• 43:11
  Speaker 1: loving soul. Yeah, and it was it was just like, gosh, man, yeah,
• 43:17
  Speaker 1: that was that was painful. I was going to bring
• 43:19
  Speaker 1: that up to It was.
• 43:21
  Speaker 3: A painful joke, and I get it. It's twenty years
• 43:23
  Speaker 3: and I'm looking at it with a different perspective.
• 43:26
  Speaker 1: It was like, oh then, and you know, it reminds
• 43:29
  Speaker 1: me of uh, you know, Treat Williams just passed. It's
• 43:32
  Speaker 1: just such a shocking tragic.
• 43:37
  Speaker 3: For me, Like, I don't know, Danielle and tar If,
• 43:39
  Speaker 3: you guys watched Everwood, But like I love Treat Williams,
• 43:42
  Speaker 3: He's oh Everwood. You guys have to watch everyone.
• 43:45
  Speaker 1: It's just such a such a top notch talent.
• 43:48
  Speaker 3: That made me so sad.
• 43:49
  Speaker 1: That's just that's the thing about him. He was one
• 43:51
  Speaker 1: of these guys that didn't seek publicity and he wasn't
• 43:54
  Speaker 1: all into the glitz of it. He lived in Vermont,
• 43:57
  Speaker 1: and he had his property, and he had his acres,
• 43:59
  Speaker 1: and he had his family and and he cared about
• 44:01
  Speaker 1: the work all the time. But he cares about the
• 44:04
  Speaker 1: work so deeply. He wants to He wants everybody to
• 44:07
  Speaker 1: do really deep and great work. And that's all he
• 44:10
  Speaker 1: cared about.
• 44:10
  Speaker 3: He was a great And I'm glad you mentioned that
• 44:12
  Speaker 3: because I've literally been thinking about it and I don't
• 44:15
  Speaker 3: know him at all. A couple times I don't know
• 44:18
  Speaker 3: him at all, and it like really bummed me out,
• 44:21
  Speaker 3: Like that was so tragic. It's so tragic.
• 44:25
  Speaker 1: Anyway, I wonder if he did anything to get on
• 44:27
  Speaker 1: the Palladino's hit list, you know, hope not, because I mean,
• 44:32
  Speaker 1: we're talking about two gems.
• 44:35
  Speaker 3: And I think at the time, I think the Patrick
• 44:37
  Speaker 3: Swayzey joke was probably funny but now it's just like okay.
• 44:46
  Speaker 3: So we go back and now Laura lies on the
• 44:49
  Speaker 3: phone with Rory and she does have a funny line
• 44:52
  Speaker 3: like there's maybe a ghost. Well that's better than rats.
• 44:54
  Speaker 3: And then Rory says I might have a thing on Friday,
• 44:58
  Speaker 3: and it's just like, oh, I hope you have a thing,
• 45:01
  Speaker 3: but you're not gonna have a thing, and oh.
• 45:03
  Speaker 5: No, you definitely don't have a thing.
• 45:06
  Speaker 1: You don't have a thing.
• 45:09
  Speaker 3: So anyway, then we go to band practice and did
• 45:13
  Speaker 3: you guys know immediately that knock was missus Kim. I'm like,
• 45:16
  Speaker 3: that's a missus Kim. Oh you didn't, Scott, Oh my god,
• 45:20
  Speaker 3: that was such a Misski. Okay, so you guys talk
• 45:24
  Speaker 3: about that like the band and the lunar New Year,
• 45:27
  Speaker 3: and she's suddenly Zach's invited, the whole bands invited, Like
• 45:30
  Speaker 3: what are you What were you thinking?
• 45:32
  Speaker 4: Well?
• 45:32
  Speaker 5: I thought it was pretty ballsy of Lane to be like, well,
• 45:36
  Speaker 5: you know, you have to invite these guys. You know,
• 45:39
  Speaker 5: Like I kind of love that she did that, you know,
• 45:42
  Speaker 5: because you know, missus Kim didn't want them there. But
• 45:45
  Speaker 5: she's like, if you're gonna get me, you're gonna get
• 45:47
  Speaker 5: these guys, and I was like, you know what, good
• 45:50
  Speaker 5: job Lane, I'm I'm standing up to her mom.
• 45:54
  Speaker 1: Yep, yeah yeah, gaining strength and winning.
• 45:59
  Speaker 4: Yeah.
• 46:00
  Speaker 1: I really liked seeing it. It's a nice progression for
• 46:03
  Speaker 1: her character.
• 46:05
  Speaker 3: And I love and Scott, you tell me this is
• 46:07
  Speaker 3: like a thing. I assume it is, like it breaks
• 46:09
  Speaker 3: the tension because they're having this heated thing and then
• 46:12
  Speaker 3: she comes in, we're all invited to a party.
• 46:18
  Speaker 5: It's as if they couldn't hear.
• 46:21
  Speaker 3: And then we immediately go to the party, so we
• 46:23
  Speaker 3: didn't go anywhere else. We like fast forward immediately and
• 46:26
  Speaker 3: we're at the party, and literally I thought the front
• 46:29
  Speaker 3: porch scene was hilarious. Gil knocking and Zach's hiding behind
• 46:33
  Speaker 3: and like the whole thing.
• 46:36
  Speaker 5: I mean, we understand why missus Kim just gave him
• 46:40
  Speaker 5: a mouthful episode.
• 46:43
  Speaker 3: Happy New Year, I guess. So then, I mean, this
• 46:50
  Speaker 3: show is jam packed, like we've still got a long
• 46:53
  Speaker 3: way to go. So Laura's looking all jumps into Jackson
• 46:56
  Speaker 3: and she realizes what like he's saying, Suki's working all
• 47:00
  Speaker 3: these late nights, and she's just like.
• 47:04
  Speaker 5: Right, So I thought it was gonna be something worse though,
• 47:07
  Speaker 5: I will say.
• 47:08
  Speaker 3: I was like, oh no, what is what?
• 47:10
  Speaker 5: Like, why is Suki lying to Jackson? Why is everybody
• 47:13
  Speaker 5: lying to each other?
• 47:17
  Speaker 1: With Michelle?
• 47:19
  Speaker 3: Okay, there is a lot of lying in Gilmour. Girl's
• 47:21
  Speaker 3: good point. They lie a lot this season.
• 47:27
  Speaker 1: Or she's having an affair with Sean Gunn.
• 47:30
  Speaker 5: I didn't think it was like a fair satisfied. I
• 47:32
  Speaker 5: thought she was like, I don't know. I thought it
• 47:34
  Speaker 5: was something she was just wanting to escape her life,
• 47:37
  Speaker 5: which I guess she was, but like I thought it
• 47:39
  Speaker 5: was gonna be more drastic than just wanting to watch
• 47:42
  Speaker 5: her TV show with chocolate?
• 47:44
  Speaker 3: Can we also talk about so we go back to there.
• 47:46
  Speaker 1: She didn't put the chocolate down on the bed, though,
• 47:49
  Speaker 1: Oh I do.
• 47:49
  Speaker 3: That was toon, by the way, the fact that she
• 47:54
  Speaker 3: actually was eating the tobolone. I zoomed in and was like, oh, yeah.
• 47:58
  Speaker 1: She just dropped just dropped it speaking of it like
• 48:01
  Speaker 1: that's going to cause us, that's gonna they're gonna have
• 48:03
  Speaker 1: to wash that.
• 48:05
  Speaker 3: It's true, it's not fair for the guest to crawl
• 48:07
  Speaker 3: into that. The Lunar Noon Year party food looked amazing.
• 48:12
  Speaker 3: I don't know if I was starving when I watched this.
• 48:14
  Speaker 3: I was just like, you know, they're like, it's slimy food.
• 48:17
  Speaker 1: It goes oh god, the minute they started saying slimy
• 48:19
  Speaker 1: and it goes down real easy, and then it comes
• 48:21
  Speaker 1: out the other round. I was like, you know what,
• 48:23
  Speaker 1: I don't think I lost. I see that's the guy
• 48:26
  Speaker 1: at the dinner table that I shush. It's like, don't
• 48:30
  Speaker 1: talk that way.
• 48:31
  Speaker 3: I wanted to eat everything.
• 48:32
  Speaker 1: We don't want to talk about bowel movements while we're eating.
• 48:35
  Speaker 3: I can talk about I don't mind it. I don't
• 48:38
  Speaker 3: mind it.
• 48:38
  Speaker 1: Oh no, no, no, no, no no, you talk about that.
• 48:41
  Speaker 1: It's a dinner table sometimes, Oh Amy, I'm sorry.
• 48:45
  Speaker 3: Sometimes it's funny.
• 48:46
  Speaker 1: You know.
• 48:46
  Speaker 3: I think diarrhea is so funny.
• 48:50
  Speaker 1: At the dinner table.
• 48:52
  Speaker 3: Not usually at the dinner table, but not usually.
• 48:54
  Speaker 1: It's just a couple of times a week.
• 48:58
  Speaker 3: It's general.
• 49:00
  Speaker 1: It actually goes the other way, it goes out.
• 49:02
  Speaker 3: I can have a conversation like, if you guys need
• 49:04
  Speaker 3: to talk about diaria, totally call me poop Emoji's okay.
• 49:09
  Speaker 3: So I thought that kid was hysterical. That was like
• 49:16
  Speaker 3: the dude on like that little guy was so good.
• 49:21
  Speaker 1: And then Brian ileitimate child.
• 49:25
  Speaker 3: Yeah, Brian flirting with Keon. I thought was like, this
• 49:29
  Speaker 3: is so great. The whole thing was great. That was cute.
• 49:32
  Speaker 5: I did like that Brian and Keon were like, you know,
• 49:35
  Speaker 5: being a flirty me too.
• 49:38
  Speaker 3: And then he's dancing later in the scene when they
• 49:40
  Speaker 3: come back and he's dancing as they're all having the
• 49:42
  Speaker 3: jam session, and he's just totally into it. I think
• 49:44
  Speaker 3: they're having a great time. So we go back to
• 49:48
  Speaker 3: the bar and now we're Logan and Morior are back
• 49:51
  Speaker 3: at the bar again. They've met up again, and he
• 49:55
  Speaker 3: just ooh, he's just like, this has been fun. Head
• 49:59
  Speaker 3: to New York, have a good weekend. Don't be stranger.
• 50:01
  Speaker 5: Don't be a stranger.
• 50:03
  Speaker 1: Was just the.
• 50:06
  Speaker 5: Right, Like that's when you're just like.
• 50:11
  Speaker 4: Like I felt so uncomfortable for her, so she is,
• 50:20
  Speaker 4: But that's what that's what I was saying. I enjoyed
• 50:22
  Speaker 4: it because like in her head, she's like, I have
• 50:24
  Speaker 4: a date tonight, I'm going to be going to this party.
• 50:26
  Speaker 4: But it's like you always get your way, Rory, you know.
• 50:28
  Speaker 3: Right right, Yeah, Okay, so we've kind of talked about it.
• 50:35
  Speaker 3: I'll move a little quicker that Suki's at the in
• 50:38
  Speaker 3: and lor Lion Suki have the talk about what she's doing,
• 50:42
  Speaker 3: and Laurai gets in bed with her and they watch
• 50:44
  Speaker 3: their show. So then my favorite the valet at the event,
• 50:49
  Speaker 3: which we've kind of started to touch on. We are
• 50:52
  Speaker 3: at the event. Simon comes up to the car and
• 50:56
  Speaker 3: he's all kinds of charming and she's kind of into.
• 51:00
  Speaker 1: It, and then just bam, just the weirdest thing. I mean,
• 51:06
  Speaker 1: he really rocked the back of that car. I was
• 51:10
  Speaker 1: so strange. I said to myself, is this Gilmore girls?
• 51:15
  Speaker 4: Is this really?
• 51:18
  Speaker 3: He's unhinged. He can't take it. He's done, he wants
• 51:21
  Speaker 3: her back, he loves her. We're all happy about it.
• 51:23
  Speaker 1: So he rams his wife's car.
• 51:26
  Speaker 3: It was a strange mood.
• 51:27
  Speaker 1: In front of their all of those people. I know
• 51:31
  Speaker 1: he couldn't he could have been arrested.
• 51:34
  Speaker 5: If Simon wasn't there, he wouldn't have rammed the car.
• 51:37
  Speaker 1: I understood, But why is he ramming her car?
• 51:43
  Speaker 3: Had to break them up, he had to stop it.
• 51:45
  Speaker 1: So he tries to kill his own wife.
• 51:50
  Speaker 5: It's bad.
• 51:52
  Speaker 1: That was literally there were two of the most bizarre
• 51:56
  Speaker 1: moments in Gilmore history.
• 52:00
  Speaker 6: In one episode, my wife away from this Van's ram
• 52:06
  Speaker 6: into her car, her.
• 52:07
  Speaker 3: Car, Guys, it is so funny when she gets in
• 52:11
  Speaker 3: the car and he goes, do you need to go
• 52:13
  Speaker 3: to the hospital, and she's like, who needs a trip
• 52:15
  Speaker 3: to the hospital.
• 52:19
  Speaker 1: He needed he needed a trip to the jail. Cell.
• 52:22
  Speaker 1: He needed a trip to jail, and he needed a
• 52:24
  Speaker 1: trip in front of a judge, just straighten his you
• 52:27
  Speaker 1: know what.
• 52:29
  Speaker 3: I know you dated him, and she's like, nothing happened.
• 52:31
  Speaker 3: And then all of a sudden you're like, oh, they're
• 52:34
  Speaker 3: in love again. It's all good. This craziness has just
• 52:39
  Speaker 3: brought us back.
• 52:40
  Speaker 5: They're in love again. But it was also like, is
• 52:42
  Speaker 5: this five steps backwards? Oh? No, like you know, like
• 52:44
  Speaker 5: you get nervous.
• 52:47
  Speaker 1: Guys, how would you feel if you're estranged husband rammed
• 52:54
  Speaker 1: the back of your car.
• 52:56
  Speaker 3: Possibly, I'm gonna go on a live here and say possibly.
• 52:59
  Speaker 3: All like you would.
• 53:04
  Speaker 5: Love me so much.
• 53:05
  Speaker 1: It was like the slowed up your motion.
• 53:11
  Speaker 3: It was crazy, I admit it, But it was like
• 53:13
  Speaker 3: the grand gesture. It was like so awesome.
• 53:17
  Speaker 1: Wow.
• 53:18
  Speaker 4: I think after they would laugh, like, how we're laughing now?
• 53:21
  Speaker 4: I would laugh after the fact.
• 53:23
  Speaker 5: Oh, it's really bad. I'd rather keep my car intact.
• 53:27
  Speaker 1: It's really bad.
• 53:28
  Speaker 4: It is to take care of the car.
• 53:31
  Speaker 5: It is bad for TV.
• 53:33
  Speaker 1: Purposes, to the to the the woman that man.
• 53:40
  Speaker 3: I get that, it's crazy, but I kind of love it.
• 53:42
  Speaker 5: I feel you in that, Skuy, I get it.
• 53:44
  Speaker 1: I have such a problem with that. So I know
• 53:47
  Speaker 1: it's just a TV show and you know and all that,
• 53:49
  Speaker 1: but geez, man, he's just like he came flying in
• 53:52
  Speaker 1: and it was.
• 53:53
  Speaker 3: Nuts, but it was awesome. He's like, no, I am not,
• 53:57
  Speaker 3: this is not happening. Get out of here.
• 53:59
  Speaker 1: Sign and he's, man, you know, my next lifetime. I
• 54:02
  Speaker 1: want to grow up in northern California too, because then
• 54:05
  Speaker 1: I can say things. It was nuts, but that was awesome.
• 54:10
  Speaker 3: We're crazy af here and I love no, Simon, No,
• 54:14
  Speaker 3: you will not. She is my wife. You will not.
• 54:17
  Speaker 3: And Emily wanted him back, so she was like stoked.
• 54:20
  Speaker 3: Oh yeah, it's all in the eye of the beholder, right.
• 54:23
  Speaker 3: She was like she got right in the car with
• 54:25
  Speaker 3: him and was totally happy, like this worked out.
• 54:29
  Speaker 1: Simon should have knocked him out, put it, put him down, man,
• 54:33
  Speaker 1: And he just tried to kill your wife with your car.
• 54:37
  Speaker 3: If they went to fisticuts, I'm.
• 54:42
  Speaker 1: Straight and knock your bow tie off.
• 54:44
  Speaker 3: You so we go back to this episode is like
• 54:49
  Speaker 3: just hacked because we then we go back to missus Kins.
• 54:52
  Speaker 3: I mean, we still haven't even gotten to the most
• 54:54
  Speaker 3: insane scene of all time. So we go back to
• 54:58
  Speaker 3: missus Kins and this is where like Lane stands up
• 55:02
  Speaker 3: to her mom and then what Scott talked about Sebastian. Oh, yeah,
• 55:07
  Speaker 3: like you know, Zach and missus Kim bond over so
• 55:11
  Speaker 3: that whole thing's happening.
• 55:13
  Speaker 5: They both like her with her glasses totally.
• 55:16
  Speaker 3: Now they kind of bonding.
• 55:18
  Speaker 1: Okay, So missus Kim bonding with Zach was a lot
• 55:22
  Speaker 1: like Emily bonding with Luke in the hospital, wasn't it.
• 55:27
  Speaker 4: Yes?
• 55:29
  Speaker 1: So many that feels like an ago, So many similarities
• 55:33
  Speaker 1: running through this show.
• 55:35
  Speaker 5: So then Richard and Emily get it did feel a
• 55:37
  Speaker 5: little bit of a repeat of the Davidowski storyline. I'm
• 55:40
  Speaker 5: not gonna lie, like I do have to point that out,
• 55:43
  Speaker 5: you know, Like there, I'm like, oh, they're just trying
• 55:45
  Speaker 5: to revive Dave's character in a different way.
• 55:48
  Speaker 1: But to David galski ingratiation to missus Kim was brilliant.
• 55:55
  Speaker 1: The little speech he had and his little strategy was
• 55:58
  Speaker 1: just absolute brilliance. That's why people love him because he
• 56:01
  Speaker 1: was just smarter than everybody, you know.
• 56:05
  Speaker 3: So Okay, then we get to the scene where Emily
• 56:09
  Speaker 3: and Richard come home you know, from and he's like,
• 56:12
  Speaker 3: you're feeling all right, I don't want to go to
• 56:14
  Speaker 3: the pole pool house, and then she says come home,
• 56:17
  Speaker 3: and it's like all is right in the world.
• 56:19
  Speaker 5: Yeah, she surrendered, you know what I mean. She she
• 56:25
  Speaker 5: surrendered in the sense of of, you know, they've been
• 56:28
  Speaker 5: both dancing around what's really going on? And she finally
• 56:33
  Speaker 5: was like, we gotta we gotta put this to rest,
• 56:36
  Speaker 5: like just come home. Yeah, we know we want to
• 56:39
  Speaker 5: be back together.
• 56:39
  Speaker 1: Just yeah, I think she did it just out of,
• 56:42
  Speaker 1: you know, a need to to sort of feel safe
• 56:47
  Speaker 1: with this crazy man who just ran her in his car.
• 56:50
  Speaker 1: She was home to calm him down so he doesn't
• 56:53
  Speaker 1: like continue to She like.
• 56:56
  Speaker 3: Me, was stoked about kidding, you know, I'm just kidding,
• 56:58
  Speaker 3: I know, but she was happy about the rear end
• 57:00
  Speaker 3: because she she wants to be back together. She's known it.
• 57:04
  Speaker 3: She's known it since she cried after Simon McLean. Okay,
• 57:08
  Speaker 3: then it's Friday night dinner, but you're ending a lot more.
• 57:21
  Speaker 1: Stop it stop stop at California Friday night dinner and Rory.
• 57:27
  Speaker 3: Is there because her thing wasn't a thing. And did
• 57:29
  Speaker 3: you notice Laura I said, is it Marty?
• 57:33
  Speaker 4: Hm hmm. Yeah, Well she didn't really know Logan besides
• 57:39
  Speaker 4: that she doesn't.
• 57:40
  Speaker 3: Write, she doesn't know him at all. But I like
• 57:42
  Speaker 3: that she called out Marty. So then they see through
• 57:46
  Speaker 3: the window the big you know, there's Richard and Emily,
• 57:50
  Speaker 3: and then there's the makeout. Oh my god, my parents
• 57:53
  Speaker 3: are having an affair. Little I love Larelaes reaction is
• 58:00
  Speaker 3: not as like, she's not as sold, but Rory, She's
• 58:05
  Speaker 3: all I married a wonderful man. Yes you did like
• 58:08
  Speaker 3: Rory stoked.
• 58:11
  Speaker 4: Yeah. I think she's she loves her grandparents together, like
• 58:14
  Speaker 4: she really loves them, so I think for her it
• 58:16
  Speaker 4: was important they get back together.
• 58:18
  Speaker 3: I'm stoked.
• 58:24
  Speaker 1: That was actually really funny when when she was pulling
• 58:27
  Speaker 1: Laurel up to the bedroom and Laurel, I don't want
• 58:32
  Speaker 1: to go, why what's up there? What are we doing?
• 58:34
  Speaker 1: What's happening?
• 58:36
  Speaker 3: Really kind of learned this is important. We learned that
• 58:38
  Speaker 3: Laura is the maid of honor and Rory's going to
• 58:40
  Speaker 3: be the best man, so we learned that there's the
• 58:42
  Speaker 3: vow renewal coming, which all you know, it becomes important. Okay,
• 58:47
  Speaker 3: So Tara, what were we going to say?
• 58:49
  Speaker 4: Well, one of the lines that's like so big it's
• 58:51
  Speaker 4: always like a gift and stuff online is oh my god,
• 58:54
  Speaker 4: it's Natalie Wood miss Seline's line. It's always everywhere, and
• 58:58
  Speaker 4: I was like, oh my god, this is the episode,
• 59:01
  Speaker 4: so i'out where it came in. But yeah, I don't
• 59:03
  Speaker 4: know if you guys knew that, but that's usually like
• 59:05
  Speaker 4: a big clip everywhere.
• 59:07
  Speaker 5: This scene definitely annoyed me.
• 59:09
  Speaker 3: Talk about what you don't like? You don't like Selene
• 59:12
  Speaker 3: miss Selene, No, not Selene.
• 59:14
  Speaker 5: It's you know, Loralai trying on the dresses and Emily,
• 59:21
  Speaker 5: you know.
• 59:22
  Speaker 3: And Laura's holding up the dress, yeah.
• 59:24
  Speaker 5: Sorry, holding up the dresses and like you know, you know,
• 59:27
  Speaker 5: she's she's clearly looking at herself in the mirror, being
• 59:30
  Speaker 5: like I want to be a bride, and I think
• 59:32
  Speaker 5: it's with Luke, you know, like you know that it's
• 59:34
  Speaker 5: processing in her head, and it's like for this entire
• 59:38
  Speaker 5: show so far, Emily has just always been like, well,
• 59:41
  Speaker 5: why don't you tell me about your relationship, Like why
• 59:43
  Speaker 5: don't you tell me about you know, like this and
• 59:45
  Speaker 5: that I want to be included, you know, like all
• 59:47
  Speaker 5: that kind of stuff. And this is the moment that
• 59:49
  Speaker 5: Emily had to finally be there for her daughter, you know,
• 59:55
  Speaker 5: like to be like Lorla, you're trying on dresses, like
• 59:59
  Speaker 5: what's that You're looking at dresses? Like what's that about?
• 1:00:02
  Speaker 3: You know, like just to like how it's especially painful
• 1:00:07
  Speaker 3: because you see how happy Lorla was when Emily says
• 1:00:11
  Speaker 3: to miss Selene, oh no, my daughter. She opens an
• 1:00:14
  Speaker 3: inn and she's she's running out of business, and you
• 1:00:18
  Speaker 3: can tell that Emily's so proud, and Lorala's face just
• 1:00:21
  Speaker 3: lights up. She's so stoked that her mom is finally
• 1:00:24
  Speaker 3: proud of her that it's just a gut punch what comes.
• 1:00:29
  Speaker 5: Yeah, And Emily's just totally totally dropped, like dropping the
• 1:00:34
  Speaker 5: ball here, like she she at some point, your daughter
• 1:00:38
  Speaker 5: is not like sixteen years old anymore when all that crazy,
• 1:00:42
  Speaker 5: you know, she got pregnant, all that, all that happened.
• 1:00:45
  Speaker 5: She's a grown adult. She can make her own decisions
• 1:00:48
  Speaker 5: at this point, Like at this point, as a mom,
• 1:00:51
  Speaker 5: like you just need to support your daughter's happiness. And
• 1:00:55
  Speaker 5: she can't do that, and that really really like stung me.
• 1:01:00
  Speaker 5: In this episode, I'm like, like, why is it Emily
• 1:01:03
  Speaker 5: saying like, Lorla, what do you like? You know, maybe
• 1:01:06
  Speaker 5: you'll get married, you know, like what kind of dress
• 1:01:08
  Speaker 5: do you want? Like she just totally missed that, And.
• 1:01:13
  Speaker 3: So I have a different theory. Okay, I think she
• 1:01:18
  Speaker 3: didn't miss it. No, I think I think she saw
• 1:01:22
  Speaker 3: it and saw Lorelai holding up the dress and you
• 1:01:25
  Speaker 3: see that Laura's like open to the idea of I
• 1:01:28
  Speaker 3: want to get married. I want this, and Emily is
• 1:01:32
  Speaker 3: one of two things, not having it with Luke or
• 1:01:37
  Speaker 3: thinks that Luke will never do it, and she wants
• 1:01:41
  Speaker 3: her daughter to have her dreams. So about him trying
• 1:01:43
  Speaker 3: to look at it from like oh no, not all.
• 1:01:47
  Speaker 5: I literally was like she Lorla, she sees that Lorelai
• 1:01:52
  Speaker 5: will get married to Luke, like she sees it, and
• 1:01:55
  Speaker 5: she sees that her her daughter has a desire to
• 1:01:57
  Speaker 5: get married and it's like going to be with Luke
• 1:02:01
  Speaker 5: and she's like no, no, no, no, no, this is
• 1:02:04
  Speaker 5: not happening.
• 1:02:05
  Speaker 3: Scott, what do you.
• 1:02:07
  Speaker 1: Think I agree with everything Danielle said. I know, I
• 1:02:14
  Speaker 1: don't know what else to.
• 1:02:14
  Speaker 3: Say, is there any Okay, all right, let's go in order,
• 1:02:18
  Speaker 3: and then we're going to debate this because it's just
• 1:02:20
  Speaker 3: so gnarly. So Luke's in bed. We learned that they
• 1:02:25
  Speaker 3: went to Al's Pancake World, and it's disgusting. They're never
• 1:02:28
  Speaker 3: going there again. Luke doesn't really want to go to
• 1:02:30
  Speaker 3: the vow renewal. She convinces him, and then we learned
• 1:02:32
  Speaker 3: he got her the TV and it's just like, yeah, amazing, amazing, amazing.
• 1:02:37
  Speaker 3: Right then the knock on Christopher's door, which at first,
• 1:02:41
  Speaker 3: like to the casual viewer, you're like, don't even realize
• 1:02:44
  Speaker 3: it's Christopher, Right, You're sort of like, wait, where are we?
• 1:02:47
  Speaker 3: Suddenly we're at this apartment and there's just seen him
• 1:02:50
  Speaker 3: all episode either, so right, and in walks Emily, and
• 1:02:55
  Speaker 3: it literally was so shocking. It was like, oh, sh bleep.
• 1:03:06
  Speaker 3: She just comes in, tells him what's up, and literally
• 1:03:11
  Speaker 3: sabotages her daughter's relationship and basically says to Christopher, you
• 1:03:15
  Speaker 3: need this is your time, you love her, you need
• 1:03:18
  Speaker 3: to do it. Drops the mic, which is the invite,
• 1:03:21
  Speaker 3: and I.
• 1:03:21
  Speaker 5: Just was like the invites the worst part two because
• 1:03:24
  Speaker 5: it's like, here's the carrot to lead you back to
• 1:03:28
  Speaker 5: ruining lorealized relationship with Luke.
• 1:03:30
  Speaker 4: Right, if you show up, here's the time and place
• 1:03:33
  Speaker 4: to do it.
• 1:03:34
  Speaker 3: Boom go and she rips on Luke and calls him
• 1:03:37
  Speaker 3: a divorce say like to the guy who's left.
• 1:03:41
  Speaker 4: No, like, it's just like, oh, So, here's here's what
• 1:03:46
  Speaker 4: I say, Emily bad, like, what are you doing?
• 1:03:50
  Speaker 1: Here's what I'll say. Here's what I'll say about this scene.
• 1:03:55
  Speaker 1: Totally unnecessary. You did not need this scene. It did
• 1:04:03
  Speaker 1: nothing further to deepen the characters or improve the storytelling,
• 1:04:10
  Speaker 1: because Christopher could have just showed up, shown sorry, shown
• 1:04:15
  Speaker 1: up to the event, and then all of those questions
• 1:04:22
  Speaker 1: would be hanging in the air and all of that
• 1:04:25
  Speaker 1: drama would be born out what is he doing here?
• 1:04:31
  Speaker 1: What did you do? And then Loral I fans out
• 1:04:34
  Speaker 1: Emily that scene did not need to be filmed.
• 1:04:38
  Speaker 3: So I wanted to ask you. So you're saying, I
• 1:04:41
  Speaker 3: thought it hurt.
• 1:04:42
  Speaker 1: The episode, and I thought it really hurt Emily's character,
• 1:04:45
  Speaker 1: and I thought it made him look even weaker than
• 1:04:48
  Speaker 1: he could possibly look.
• 1:04:50
  Speaker 3: Yeah, I'm assuming that it showed.
• 1:04:52
  Speaker 1: A grandmother referring to her granddaughter as this thing it
• 1:04:57
  Speaker 1: was a completely offensive I didn't hear that part she
• 1:05:02
  Speaker 1: referred to that little girl as this thing.
• 1:05:07
  Speaker 4: Yeah, I missed that.
• 1:05:09
  Speaker 3: Scott Scott one.
• 1:05:11
  Speaker 1: Question horrifying say that it portrayed Emily as a monster
• 1:05:16
  Speaker 1: a conns.
• 1:05:18
  Speaker 3: But here's my question for you. So say they did
• 1:05:20
  Speaker 3: not show that scene, but are you saying it still happened?
• 1:05:24
  Speaker 3: So my thing is, say they didn't show it, and
• 1:05:26
  Speaker 3: then Christopher shows up, just shows up. But did Emily
• 1:05:30
  Speaker 3: go there in the audience?
• 1:05:31
  Speaker 1: It's like, wow, what is he doing here? How did
• 1:05:34
  Speaker 1: he get didn't see that coming?
• 1:05:36
  Speaker 3: But in your mind this scene did take place, We
• 1:05:39
  Speaker 3: just didn't see it, or did Emily never do this? Okay, okay,
• 1:05:43
  Speaker 3: I just wanted to like clarify so I understood. Tell
• 1:05:46
  Speaker 3: me when she says the thing and she said, is
• 1:05:49
  Speaker 3: this the child?
• 1:05:51
  Speaker 1: That scene was soap opera quality.
• 1:05:53
  Speaker 5: Yeah, that.
• 1:05:59
  Speaker 3: Is this the child? And is the mother still gone?
• 1:06:02
  Speaker 3: I never heard her say thing.
• 1:06:04
  Speaker 1: Oh I thought she said this thing.
• 1:06:05
  Speaker 3: Can someone pull up the script because I never saw
• 1:06:07
  Speaker 3: it her safe thing.
• 1:06:09
  Speaker 1: Whenever she said the way she referred to this child
• 1:06:13
  Speaker 1: was haineous.
• 1:06:13
  Speaker 3: She says, this is the child.
• 1:06:15
  Speaker 1: It was dismissive and it was just awful.
• 1:06:18
  Speaker 3: Well, the whole scene is heinous. She's who does that?
• 1:06:21
  Speaker 1: It's like I want to you know, right when you're
• 1:06:24
  Speaker 1: rehabilitating this relationship between Richard and Emily and you've got
• 1:06:29
  Speaker 1: these people looking good, you make her do something like that.
• 1:06:32
  Speaker 3: It's the lowest low she's ever done. Yeah, it was awful,
• 1:06:36
  Speaker 3: But I it was totally intentional. They knew they were
• 1:06:39
  Speaker 3: doing it for a reason. So we're looking at this.
• 1:06:44
  Speaker 1: So this is the child this, so this is the child,
• 1:06:47
  Speaker 1: This is the child. Basically, this is the child.
• 1:06:50
  Speaker 3: So this child says, is the mother still gone? You know, look,
• 1:06:54
  Speaker 3: I think it's hideous. I don't think it's I think
• 1:06:57
  Speaker 3: it's even too low for Emily.
• 1:06:59
  Speaker 1: It's so that was the ugliest scene I've ever ever
• 1:07:03
  Speaker 1: witnessed in this whole.
• 1:07:07
  Speaker 4: Yeah, that's right, rough, Yeah, I think you're right.
• 1:07:10
  Speaker 5: The actually we really saw Richard and Emily be ugly
• 1:07:15
  Speaker 5: in this episode.
• 1:07:17
  Speaker 4: Really, I do agree with Scott, like maybe if we
• 1:07:22
  Speaker 4: just skip this and and Christopher showed up, like it
• 1:07:25
  Speaker 4: would be a different like shock. But I think for
• 1:07:29
  Speaker 4: this it was more of how cruel Emily is. I
• 1:07:33
  Speaker 4: think that's what it was, because every time Emily fixes
• 1:07:36
  Speaker 4: something with Lorelei. She takes five steps backwards, like they're fine,
• 1:07:42
  Speaker 4: She's going to be the maid of honor. Like that's
• 1:07:44
  Speaker 4: the thing is, like, she's going to be the maid
• 1:07:45
  Speaker 4: of honor. What are you doing? Why are you messing
• 1:07:48
  Speaker 4: it up?
• 1:07:48
  Speaker 5: You know?
• 1:07:50
  Speaker 1: I think I think when characters take that huge a
• 1:07:56
  Speaker 1: leap down the ladder, as it were, it's like, maybe
• 1:08:01
  Speaker 1: you take them down one wrung, you don't take them
• 1:08:04
  Speaker 1: down ten.
• 1:08:06
  Speaker 3: And they took her down one hundred.
• 1:08:08
  Speaker 1: I mean, you got to keep keep us believing in
• 1:08:14
  Speaker 1: the humanity of a character, right, and people make mistakes
• 1:08:18
  Speaker 1: and that's the soul of drama. But I mean when
• 1:08:21
  Speaker 1: it's when it I mean, that was just evil. Yeah,
• 1:08:25
  Speaker 1: it was.
• 1:08:26
  Speaker 4: It was.
• 1:08:26
  Speaker 3: It was. It was evil. I think you're right, Scott,
• 1:08:29
  Speaker 3: it was really and to me, it was almost too
• 1:08:32
  Speaker 3: evil for Emily. It was real.
• 1:08:34
  Speaker 1: It was out of character. I felt it was just yeah,
• 1:08:38
  Speaker 1: or she does it in a different way, and it's
• 1:08:40
  Speaker 1: it's just the lowest.
• 1:08:41
  Speaker 3: It's in character.
• 1:08:43
  Speaker 1: It was also spelled out and it was so much
• 1:08:46
  Speaker 1: exposition and explaining and this is how I feel and
• 1:08:49
  Speaker 1: these are my feelings about it, and it's oh god, well.
• 1:08:52
  Speaker 3: The inappropriateness of just showing up at Christopher's is kind
• 1:08:55
  Speaker 3: of hardcore, Like, what what mom is doing that?
• 1:08:59
  Speaker 1: I wish I hadn't seen that.
• 1:09:01
  Speaker 3: You get why Loralai cannot stand them? Yeah? Yeah, Like
• 1:09:06
  Speaker 3: this is why I think for us watching we see
• 1:09:11
  Speaker 3: so many redeeming qualities in Emily and Richard especially.
• 1:09:15
  Speaker 1: I don't I don't even know if it's I don't
• 1:09:17
  Speaker 1: even know if it's about that. For me, it's it
• 1:09:20
  Speaker 1: takes me completely out of the the piece. So because
• 1:09:26
  Speaker 1: I don't believe it, it's like it's not believable that
• 1:09:29
  Speaker 1: somebody is going to do that in that way.
• 1:09:32
  Speaker 3: I believe it.
• 1:09:33
  Speaker 1: It took me out of the character. It took me
• 1:09:35
  Speaker 1: out of the show. And this is just a bridge
• 1:09:39
  Speaker 1: to tell me.
• 1:09:40
  Speaker 3: I think it's what Lorala has been telling us for
• 1:09:42
  Speaker 3: all these years. Yeah, they are terrible, and we're always
• 1:09:45
  Speaker 3: kind of like, are they that terrible? And you've even
• 1:09:47
  Speaker 3: defended them, like we've all defended them. And I think
• 1:09:51
  Speaker 3: that whether it was for whatever reason, writers, creators, they
• 1:09:57
  Speaker 3: are showing us why Loralai has been repeatedly always dogging
• 1:10:02
  Speaker 3: on the parents and we're always like, why is she's
• 1:10:04
  Speaker 3: so mad? Why she's so mean. This is why. This
• 1:10:07
  Speaker 3: is exactly why, because Emily would do this, and she
• 1:10:11
  Speaker 3: did do this, and I'm heartbroken about it person and
• 1:10:15
  Speaker 3: like so hurt by it.
• 1:10:16
  Speaker 5: The reason why I do think it's like so in
• 1:10:18
  Speaker 5: character for her, for Emily is she's just so insistent
• 1:10:22
  Speaker 5: on it being the guy that that is satisfactory to her,
• 1:10:27
  Speaker 5: Like she's doing that with Rory. We just saw that,
• 1:10:30
  Speaker 5: you know, but you just saw a character get destroyed.
• 1:10:35
  Speaker 1: How do you come back from that? You can't rehabilitate
• 1:10:38
  Speaker 1: a character after that, once all those evil cards are
• 1:10:42
  Speaker 1: laid out on the table. Who does an audience come
• 1:10:44
  Speaker 1: back from that?
• 1:10:45
  Speaker 3: We'll have to see if we can. That's the thing.
• 1:10:48
  Speaker 1: And I'm sorry that was just it was just like
• 1:10:51
  Speaker 1: she took a sledgehammer to Emily's character. I don't know.
• 1:10:55
  Speaker 5: I mean, yes you do, but you also like I
• 1:10:59
  Speaker 5: need to see more.
• 1:11:01
  Speaker 1: I want to stay in the piece. I want to
• 1:11:04
  Speaker 1: stay in it.
• 1:11:07
  Speaker 5: Aren't you excited for the vour neal you.
• 1:11:11
  Speaker 1: Now it's just hokey to me. Now, it's just like no,
• 1:11:14
  Speaker 1: it's like pokem is on the way and here we go, and.
• 1:11:16
  Speaker 3: I agree with you on how horrible it is The
• 1:11:21
  Speaker 3: only thing I disagree on is that it shouldn't have
• 1:11:24
  Speaker 3: been in there. I'm thrilled it's in there, but.
• 1:11:27
  Speaker 1: I think that it was a I think it should
• 1:11:29
  Speaker 1: not have been in That's.
• 1:11:30
  Speaker 3: Just I mean, I I think it's yeah, and that's fine.
• 1:11:32
  Speaker 1: I've been in the room. Had they asked me, and
• 1:11:34
  Speaker 1: they don't. I do not film this scene. Cut this scene.
• 1:11:39
  Speaker 1: And if I saw I saw a rough cut of this,
• 1:11:41
  Speaker 1: I said, you don't need this scene.
• 1:11:43
  Speaker 3: So yeah, for me, I do like the scene. I
• 1:11:47
  Speaker 3: don't like what it is, but I like that it's
• 1:11:49
  Speaker 3: in there because it's so clear, it's so shocking. I'm
• 1:11:53
  Speaker 3: completely hooked.
• 1:11:56
  Speaker 1: Have to get Bishop on this show and we have
• 1:11:58
  Speaker 1: to ask her how she feels about that scene. Yeah,
• 1:12:01
  Speaker 1: and I'll ask her point blank, did you did you
• 1:12:04
  Speaker 1: have a talk with Amy about getting not doing this scene?
• 1:12:09
  Speaker 3: Well, I don't know.
• 1:12:11
  Speaker 1: I'd love to hear her views on.
• 1:12:13
  Speaker 3: This for sure, because I think it's As an actor,
• 1:12:16
  Speaker 3: I would want to play that scene of Emily where
• 1:12:18
  Speaker 3: you're like, you see Emily being so loving and happy
• 1:12:23
  Speaker 3: and in love with Richard and I'm so happy and
• 1:12:26
  Speaker 3: trying on the wedding dresses and being so proud of
• 1:12:28
  Speaker 3: Laurai and then just it is like what a juxtaposition.
• 1:12:33
  Speaker 3: She is so dark and comes and just does this. Now,
• 1:12:37
  Speaker 3: in her mind, I think she thinks she's doing it
• 1:12:40
  Speaker 3: for the right reasons. The one thing I will ask
• 1:12:42
  Speaker 3: you guys, though, is are we sure there's no chance
• 1:12:47
  Speaker 3: she's doing it because she believes in her heart that
• 1:12:50
  Speaker 3: Luke will never give Lorelai her dream with the dress. Okay,
• 1:12:56
  Speaker 3: I'm all just throwing it out there.
• 1:12:59
  Speaker 5: No, I think I don't think she's worried about his
• 1:13:03
  Speaker 5: finances and not being owning, not franchising or being an
• 1:13:07
  Speaker 5: owner of a franchised diner. You know, like she's just
• 1:13:10
  Speaker 5: more about optics and society and you know, keeping up
• 1:13:16
  Speaker 5: with the Joneses versus blood lines. Yeah, blood lines.
• 1:13:20
  Speaker 1: Obviously there's some controversy here. We're not in agreement here.
• 1:13:24
  Speaker 1: That's fine. I'm going to agree, we're not going to anyway.
• 1:13:26
  Speaker 1: All right, So let's do let's do favorite lines and
• 1:13:31
  Speaker 1: what is uh tar, what's your measuring stick here?
• 1:13:35
  Speaker 4: Oh? Well, my favorite line is the the Slene line,
• 1:13:38
  Speaker 4: just because I don't know, I love that line. The
• 1:13:40
  Speaker 4: oh my god, it's Natalie would I'm going to give it.
• 1:13:45
  Speaker 1: No, No, we're not there yet. We're not there yet.
• 1:13:47
  Speaker 1: Let's just do no. Yeah, my bad, my bad. No,
• 1:13:51
  Speaker 1: measuring stick, put it away, put it back, okay. Danielle.
• 1:13:56
  Speaker 5: Favorite when Emily says come home.
• 1:14:00
  Speaker 1: Amy.
• 1:14:00
  Speaker 3: Favorite line it's Luke saying maybe I'll meet a nice
• 1:14:03
  Speaker 3: girl at your parents wedding.
• 1:14:07
  Speaker 1: Mine was Logan just saying every line he said in
• 1:14:11
  Speaker 1: the whole thing. All right, Tara, measuring stick, how many.
• 1:14:18
  Speaker 4: I'm going to do? Monte Cristo sandwiches?
• 1:14:21
  Speaker 3: Good one?
• 1:14:24
  Speaker 4: You know, I actually actually enjoyed this episode because of
• 1:14:27
  Speaker 4: how much content was in. It kept me on my toes,
• 1:14:31
  Speaker 4: and I feel like, even though the end listen it's
• 1:14:34
  Speaker 4: I don't think. I think that it's moving the show
• 1:14:37
  Speaker 4: along and it's keeping us coming back. So I'm actually
• 1:14:39
  Speaker 4: going to give it an eight point five.
• 1:14:42
  Speaker 5: Danielle, I'll give it a nine out of ten. Wedding dresses.
• 1:14:46
  Speaker 3: Amy, I'm giving it normal flavored toothpaste a ten out
• 1:14:51
  Speaker 3: of ten.
• 1:14:52
  Speaker 1: I'm going to give this.
• 1:14:57
  Speaker 3: And I'm so scared.
• 1:15:00
  Speaker 1: I'm gonna give it a seven point eight three seven
• 1:15:05
  Speaker 1: five crumpled, rumpled bumpers, dude, and that's going to wrap
• 1:15:14
  Speaker 1: it up best fans on the planet. Thanks for downloading,
• 1:15:17
  Speaker 1: and always remember I I'm all In. We'll see you
• 1:15:20
  Speaker 1: next time. Stay safe everyone, Hey, everybody, and don't forget
• 1:15:53
  Speaker 1: Follow us on Instagram at I Am all In podcast
• 1:15:58
  Speaker 1: and email us at Gilmore at iHeartRadio dot com. Oh
• 1:16:03
  Speaker 1: you Gilmore fans. If you're looking for the best cup
• 1:16:05
  Speaker 1: of coffee in the world, go to my website from
• 1:16:07
  Speaker 1: my company Scottip dot com, s C O T T
• 1:16:11
  Speaker 1: y P dot com, scottyp dot com Grade one Specialty
• 1:16:15
  Speaker 1: Coffee