Latest / The Hermit and the Wild Woman, and other Stories / The Pretext: Part III
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- 0:00Section twenty of The Hermit and the Wild Woman and Other Stories by Edith Wharton.
- 0:07This LibriVox recording is in the public domain. The pretext, Part three.
- 0:15All the heat and glare from the long illuminated table, about which the
- 0:19fumes of many courses still hung in a savory fog, seemed to surge up
- 0:24to the ladies Gallery and concentrate themselves in the burning cheeks of a slender figure
- 0:30withdrawn behind the projection of a pillar. It never occurred to Margaret Ransom that
- 0:36she was sitting in the shade. She supposed that the full light of the
- 0:40chandeliers was beating on her face, and there were moments when it seemed as
- 0:45though all the heads about the great horseshoe below, bald, shaggy, sleek,
- 0:51close thatched, or thinly latticed, were equipped with an additional pair of
- 0:55eyes set at an angle, which enabled them to rake her face as relentlessly
- 1:00as the electric burners. In the lull. After a speech, the gallery
- 1:06was fluttering with the rustle of programs consulted, and missus Cheff, the brant
- 1:11Girl's aunt, leaned forward to say, enthusiastically, and now we're to hear
- 1:17mister Ransom. A louder buzz rose from the table, and the heads,
- 1:23without relaxing their upward vigilance, seemed to merge and flow together like an attentive
- 1:29flood, toward the upper end of the horseshoe, where all the threads of
- 1:33Margaret Ransom's consciousness were suddenly drawn into what seemed a small speck, no more
- 1:38a black speck that rose hung in air, dissolved into gyrating gestures, became
- 1:46distended, enormous preponderant became her husband, speaking, it's the heat, Margaret
- 1:55gasped, pressing her handkerchief to her whitening lips, and finding just length enough
- 2:00left to push back farther into the shadow. She felt a touch on her
- 2:06arm. It is horrible, Shall we go? Voice suggested? And yes,
- 2:12yes, let us go, she whispered, feeling with a great throb
- 2:15of relief that to be the only possible, the only conceivable solution, to
- 2:21sit and listen to her husband? Now, how could she ever have thought
- 2:25she could survive it? Luckily, under the lingering hubbub from below, his
- 2:30opening words were inaudible, and she had only to run the gauntlet of sympathetic
- 2:36feminine glances shot after her. Between waving fans and programs. As guided by
- 2:43Guy Ganish, she managed to reach the door. It was really so hot
- 2:47that even missus Cheff was not much surprised till long afterward. The winding staircase
- 2:54was empty, half dark, and blessedly silent. In a committee room below,
- 3:00Dawnish found the inevitable water jug and filled a glass for her while she
- 3:05leaned back, confronted only by a frowning college president in an emblazoned frame.
- 3:12The academic frown descended on her like an anathema when she rose and followed her
- 3:16companion out of the building. Hamblin Hall stands at the end of a long
- 3:23green campus, with its sextopal line of elms, the boast and the singularity
- 3:29of Wentworth. A pale spring moon rising above the dome of the University Library
- 3:35at the opposite end of the elm walk, diffused a pearly mildness in the
- 3:38sky, melted to thin haze the shadows of the trees, and turned to
- 3:45golden yellow. The lights of the college windows. Against this soft suffusion of
- 3:50light, the library cupola assumed a Bramantesque grace. The white steeple of the
- 3:57Congregational church became a campanile topped by a winged spirit, and the scant porticoes
- 4:02of the older halls the colonnades of classic temples. This is better, Donish
- 4:09said, as they passed down the steps and under the shadow of the elms.
- 4:14They moved on a little way in silence, before he began again,
- 4:17you're too tired to walk. Let us sit down. A few minutes.
- 4:21Her feet and truth were leaden, and not far off a group of park
- 4:27benches encircling the pedestal of a patriot in bronze invited them to rest, but
- 4:32Donish was guiding her toward a lateral path which bent through shrubberies toward a strip
- 4:38of turf between two of the buildings. It will be cooler by the river,
- 4:43he said, moving on without waiting for a possible protest. None came.
- 4:48It seemed easier for the moment to let herself be led without any conventional
- 4:53feint of resistance, and besides, there was nothing wrong about this. The
- 4:58wrong would have been in sitting up there in the glare pretending to listen to
- 5:01her husband, a dutiful wife among her kind. The path descended, as
- 5:08both knew to the chosen the inimitable spot of Wentworth, that fugitive curve of
- 5:14the river, where, before hurrying on to glut the brutal industries of South
- 5:18Wentworth and Smetten. It simulated, for a few hundred yards the leisurely pace
- 5:24of an ancient university stream, with willows on its banks, and a stretch
- 5:29of turf extending from the grounds of Hamblin Hall to the boat houses at the
- 5:32farther bend. Here, too were benches beneath the willows, and so close
- 5:38to the river that the voice of its gliding softened and filled out the reverberating
- 5:43silence between Margaret and her companion, and made her feel that she knew why
- 5:47he had brought her there. Do you feel better, he asked gently,
- 5:51as he sat down beside her. Oh, yes, I only needed a
- 5:56little air. I'm so glad you did. Of course, the beeches were
- 6:00tremendously interesting, but I prefer this. What a good night. Yes,
- 6:05there was a pause, which, now, after all the soothing accompaniment of
- 6:11the river seemed hardly sufficient to fill. I wonder what time it is I
- 6:15ought to be going home, Margaret began at length. Oh it's not late.
- 6:19They'll be at it for hours in there. Yet she made a faint,
- 6:24inarticulate sound. She wanted to say no, Robert's speech was to be
- 6:30the last, but she could not bring herself to pronounce Ransom's name, and
- 6:34at the moment, no other way of refuting her companion's statement occurred to her.
- 6:41The young man leaned back, luxuriously, reassured by her silence. You
- 6:46see, it's my last chance, and I want to make the most of
- 6:48it. Your last chance. How stupid of her to repeat his words on
- 6:54that cooing note of interrogation. It was just such a lead as the brant
- 6:58girl might have given him, to be with you like this. I haven't
- 7:02had so many, and there's less than a week left. She attempted to
- 7:06laugh. Perhaps it will sound longer if you'd call it five days. The
- 7:13flatness of that again, and she knew there were people who called her intelligent.
- 7:18Fortunately he did not seem to notice it, but her laugh continued to
- 7:23sound in her own ears, the coquettish chirp of middle age. She decided
- 7:29that if he spoke again, if he said anything, she would make no
- 7:32farther effort at evasion. She would take it directly, seriously. Frankly,
- 7:38she would not be doubly disloyal. Besides, he continued throwing his arm along
- 7:44the back of the bench and turning toward her, so that his face was
- 7:47like a dusky bass relief with a silver rim. Besides, there's something I've
- 7:53been wanting to tell you. The sound of the river seemed to cease altogether.
- 7:58The whole world became silent. Margaret had trusted her inspiration farther than it
- 8:03appeared likely to carry her Again, she could think of nothing happier than to
- 8:09repeat, on the same witless note of interrogation, to tell me you only
- 8:16the constraint. The difficulty seemed to be on his side now, she divined
- 8:20it by the renewed shifting of his attitude he was capable usually of such fine
- 8:26intervals of immobility, and by a confusion in his utterance that set her own
- 8:31voice throbbing in her throat. You've been so perfect to me, he began
- 8:35again. It's not my fault if you made me feel that you would understand
- 8:39everything, make allowances for everything. See just how a man may have held
- 8:43out and fought against a thing as long as he had the strength as may
- 8:48be my only chance, and I can't go away without telling you. He
- 8:52had turned from her now and was staring at the river, so that his
- 8:56profile was projected against the moonlight in all its beautiful, young dejection. There
- 9:01was a slight pause, as though he waited for her to speak. Then
- 9:05she leaned forward and laid her hand on his. If I have really been,
- 9:11if I have done for you even the least part of what you say,
- 9:15what you imagine, will you do for me now, just one thing
- 9:18in return? He sat motionless, as if fearing to frighten away the shy
- 9:24touch on his hand, and she left it there, conscious of her gesture
- 9:28only as part of the high ritual of their farewell. What you want me
- 9:33to do, he asked, in a low tone. Not to tell me,
- 9:37she breathed, on a deep note of entreaty, Not to tell you
- 9:45anything, anything, Just to leave our, our friendship as it has been,
- 9:50as as a painter if a friend asked him, might leave a picture
- 9:56not quite finished, perhaps, but all the more quis it. She felt
- 10:01the hand under hers slip away, recover itself and seek her own, which
- 10:07had flashed out of reach. In the same instant, felt the start that
- 10:11swept him round on her, as if he had been caught and turned about
- 10:15by the shoulders. You you, he stammered, in a strange voice,
- 10:20full of fear and tenderness. But she held fast, so centered in her
- 10:26inexorable resolve that she was hardly conscious of the effect her words might be producing.
- 10:33Don't you see, she hurried on, Don't you feel how much safer
- 10:37it is? Yes, I'm willing to put it so, how much safer
- 10:41to leave everything undisturbed, just as as it has grown of itself, without
- 10:46trying to say it's this or that. It's what we each choose to call
- 10:50it to ourselves, after all, isn't it. Don't let us try to
- 10:54find a name that that we should both agree upon. We probably shouldn't succeed,
- 11:00she laughed abruptly. And ghosts Spanish when one names them, she ended,
- 11:05with a break in her voice. When she ceased, her heart was
- 11:09beating so violently that there was a rush in her ears, like the noise
- 11:11of the river after rain, and she did not immediately make out what he
- 11:16was answering. But as she recovered her lucidity, she said to herself that
- 11:22whatever he was saying, she must not hear it, and she began to
- 11:24speak again, half playfully, half appealingly, with an eloquence of entreaty,
- 11:31an ingenuity in argument of which she had never dreamed herself capable. And then
- 11:37suddenly, strangling hands seemed to reach up from her heart to her throat,
- 11:41and she had to stop. Her companion remained motionless. He had not tried
- 11:48to regain her hand, and his eyes were away from her on the river.
- 11:52But his nearness had become something formidable and exquisite, something she had never
- 11:58before imagined. A flush of guilt swept over her. Vague reminiscences of French
- 12:05novels and of opera plots. This was what such women felt, then,
- 12:11this was shame. Phrases of the newspaper and the pulpit danced before her.
- 12:16She dared not speak, and his silence began to frighten her. Had ever
- 12:20a heart beat so wildly before in wentworth. He turned at last, and,
- 12:26taking her two hands, quite simply kissed them one after the other.
- 12:31I shall never forget, he said, in a confused voice unlike his own.
- 12:37A return of strength enabled her to rise, and even to let her
- 12:39eyes meet his for a moment. Thank you, she said simply. Also,
- 12:46she turned away from the bench, regaining the path that led back to
- 12:48the college buildings, and he walked beside her in silence. When they reached
- 12:54the Elm Walk, it was dotted with dispersing groups. The speaking was over,
- 12:58and emblin Hall had poured its audience out into the moonlight. Margaret felt
- 13:03a rush of relief, followed by a receding wave of regret. She had
- 13:09the distinct sensation that her hour, her one hour, was over. One
- 13:15of the groups just ahead broke up as they approached and projected ransom, solid
- 13:20bulk against the moonlight. My husband, she said, hastening forward, and
- 13:24she never afterward forgot the look of his back, heavy, round shouldered,
- 13:30yet a little pompous, in a badly fitting overcoat that stood out at the
- 13:35neck and hid his collar. She had never before noticed how he dressed.
- 13:41End of Section twenty