Latest / I Am All In with Scott Patterson / It's a Big Fat Happy Sunshine Day for Me (S3 E5, “Eight O’Clock at The Oasis”)

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It's a Big Fat Happy Sunshine Day for Me (S3 E5, “Eight O’Clock at The Oasis”) · I Am All In with Scott Patterson

0:00
Speaker 1: I am all in, kiss you, I am all in
0:17
Speaker 1: with Scott Patterson and I Heart Radio podcast. All right, everybody,
0:21
Speaker 1: Hey Scott Patterson, I am all in podcast our Heart
0:24
Speaker 1: Radio one of them production. What the heck was that
0:27
Speaker 1: was somebody slamming a fist down? How was your knee? Okay, okay, totally,
0:33
Speaker 1: I'm totally good. Thank you for you're so excited that
0:36
Speaker 1: we're starting the episode that you just jumped and hit
0:38
Speaker 1: your name, so excited about John Hamm that iamed my
0:42
Speaker 1: leg into the desk. Um, well, we're gonna get into that,
0:45
Speaker 1: so just try to contain yourself. Let me get through
0:47
Speaker 1: this and then I apologize to everyone's ears. That's quite
0:52
Speaker 1: It's like, it was quite shocking. Um, but you know
0:56
Speaker 1: what they say in show business, the show must go on.
0:59
Speaker 1: So I didn't stop up. No, you did great. Um. Anyway,
1:05
Speaker 1: this wasn't being a good I wasn't being a good
1:07
Speaker 1: background actor. You are not. No, You're You're a frontline personality.
1:15
Speaker 1: You're not a background person I want to keep practicing
1:18
Speaker 1: our background skills. But we can do that. We can
1:21
Speaker 1: do that. You just have to stop moving your mouth
1:23
Speaker 1: so much. You can't exaggerate the movements anyway, Season three,
1:28
Speaker 1: episode five, eight o'clock at the Oasis and riff on
1:32
Speaker 1: that that that song was so calming. That was a
1:37
Speaker 1: big hit Maria Muldour Midnight at the Oasis anyway. Um,
1:43
Speaker 1: so what do you guys think? I thought this was
1:46
Speaker 1: a delightful, delightful episode. I thought it had again the
1:52
Speaker 1: perfect balance. And I've never seen an episode where they
1:56
Speaker 1: used to support guest stars John him and then the
2:00
Speaker 1: guy that played the neighbor so well tied the whole
2:03
Speaker 1: episode in together. We only saw John Hamm once, but
2:07
Speaker 1: boy did he reverberate through the entire song twice because
2:10
Speaker 1: he came to the door. He came to the door, correct,
2:12
Speaker 1: I sit corrected, Um, but still, I mean that really
2:18
Speaker 1: set the tone for this entire episode, in every single scene.
2:21
Speaker 1: So uh. And also I loved how the neighbor, the
2:26
Speaker 1: wacky neighbor, came over and asking Lord Dwight right, how
2:32
Speaker 1: how that ended up being used to get Jess and
2:37
Speaker 1: Rory together? And I agree with you in a really
2:39
Speaker 1: charming scene. Yes, I so agree with you. It was
2:43
Speaker 1: like we had to go through all this with the
2:45
Speaker 1: wacky neighbor to get the perfect Jess and Rory moment
2:50
Speaker 1: which I think had really deep, deep meaning. Didn't but
2:54
Speaker 1: didn't see that coming? Right, I have a very important
2:58
Speaker 1: question to start off with. Should we hit him with
3:01
Speaker 1: a synopsis? First? Danielle take it away? And here we
3:04
Speaker 1: are with Tara s Danielle Romo ams Sugarman. Forgive me
3:08
Speaker 1: for not introducing the ball club, but there they are
3:11
Speaker 1: and all their glory. Danielle take it away alright? Season three,
3:14
Speaker 1: episode five, eight o'clock at the Oasis, and the synopsis
3:18
Speaker 1: of this episode is Lorle see is something she likes
3:22
Speaker 1: at an auction a man dundun. Only Emily knows his identity.
3:26
Speaker 1: Should Laura Lee break her stay out of my love
3:29
Speaker 1: life role? Just once? But when she does, she realizes
3:32
Speaker 1: he's not quite what she anticipated. Plus, Loria La agrees
3:36
Speaker 1: to agrees to do a favor for an annoying neighbor,
3:39
Speaker 1: which also brings Rory and Jess together. Danielle, what that
3:44
Speaker 1: was our most professional synopsis reading? I think of won
3:48
Speaker 1: a full year. Are we are we getting good at this?
3:52
Speaker 1: Are we getting good at this? I don't know. That
3:55
Speaker 1: was amazing. That was like you nailed that. Okay is
4:00
Speaker 1: ready for the most Maybe the third most important question
4:03
Speaker 1: of this episode. Go ahead, I'm ready for anything. I
4:07
Speaker 1: want all three of you to answer this. Is this
4:11
Speaker 1: episode more enjoyable now because we know it's Jon Hamm,
4:18
Speaker 1: because it's John Hamm now rather than just unknown guy back? Then?
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Speaker 1: I'm going to say no, I don't think it matters.
4:26
Speaker 1: I think I think the episode stands alone. It doesn't
4:30
Speaker 1: matter what happened to John Hammer or anybody in the
4:33
Speaker 1: cast it I mean, yeah, I mean it makes it
4:35
Speaker 1: a little bit intriguing to see him a younger version
4:38
Speaker 1: of Jon Hammon, but it really, you know, the episode
4:42
Speaker 1: really holds up. Um, it could have been anybody, right,
4:46
Speaker 1: I'm gonna hold my tongue. I feel like this is
4:51
Speaker 1: my opinion, but it was probably one of the more
4:53
Speaker 1: boring episodes for me, except for the scene with Jess
4:58
Speaker 1: and Rory. But other than that, I was can we
5:00
Speaker 1: get the show on the road? Oh no, no, no.
5:03
Speaker 1: I love this episode. But to answer your question, Amy,
5:06
Speaker 1: I don't think I can quite comment because I didn't
5:09
Speaker 1: see it pre John Hamm's start. But I did love
5:13
Speaker 1: it now. I thought I was like, oh, John Hamm,
5:16
Speaker 1: I loved it. Yeah, And I like Peyton more because
5:22
Speaker 1: it's John Hamm like even though Lourel is like this
5:24
Speaker 1: dude is so boring. I'm like, but it's John Hamm Like,
5:28
Speaker 1: I don't know if you guys know this, but John
5:30
Speaker 1: Hamm is in top gun like John Hamm is mad
5:34
Speaker 1: men like so to me, I'm like, Laurel I is
5:37
Speaker 1: going out with God right now, like John Hamm is
5:43
Speaker 1: so hot. And I don't want to say it, but
5:45
Speaker 1: if you ladies guys listening, there's a how do I
5:53
Speaker 1: say this? There's a rumor about John Hamm that's been going.
5:59
Speaker 1: This is a family show, Amy, Sugarman. He must move forward, Scott,
6:06
Speaker 1: don't let Amy continue with that. We're gonna We're gonna
6:08
Speaker 1: go to a commercial hair get the hook out place.
6:13
Speaker 1: I love how we all knew would exactly so So anyway, um,
6:23
Speaker 1: I think Laurel I is a liar in this episode
6:26
Speaker 1: in one respect, absolute liar. She is not a fan
6:32
Speaker 1: of Bowie, not a real fan of Bowie, because if
6:35
Speaker 1: she was a real fan of Bowie, nothing could have
6:39
Speaker 1: kept her away from that concert. No, you would take
6:42
Speaker 1: those free to take the free ticket? Who cares? If
6:44
Speaker 1: the guy's an adult, right, he's boring and self obsessed
6:48
Speaker 1: and creepy narcissist guy, right, do go with him? Right? Like,
6:53
Speaker 1: aren't we to assume remember to curry favor with her mother?
6:58
Speaker 1: So that doesn't her relationship with the who was it?
7:03
Speaker 1: I don't care what concert is. If the guy is
7:06
Speaker 1: so bad, I can't go. It's bowie watch the show.
7:12
Speaker 1: You don't have to. You don't have to even acknowledge.
7:15
Speaker 1: I mean, I've been the concerts before with with people
7:17
Speaker 1: that I didn't acknowledge. To dance real close, and like dance,
7:27
Speaker 1: dance real close. Put his arm on her. She just moves.
7:32
Speaker 1: She can just move away, old hands, Damn, she can
7:34
Speaker 1: just she could relocate to a different part of the
7:38
Speaker 1: the arena and to get away from you could say, listen,
7:40
Speaker 1: I need to go to the ladies room. I'll be
7:42
Speaker 1: right back, and then just enjoy like a half hour.
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Speaker 1: Come back and say, you can't believe how long the
7:46
Speaker 1: line was. I'm gonna go get a hot dog. I'll
7:48
Speaker 1: be right back. You want something, and then go away
7:50
Speaker 1: for an hour, so you can't believe how line along
7:53
Speaker 1: the line was. Let's get out of here. The show's over, okay,
7:56
Speaker 1: And so she enjoyed it. Maybe she meets another gun
8:00
Speaker 1: what did he drive at Jaguar? She could have got
8:02
Speaker 1: a ride at home, and it's Jaguar. I don't think
8:06
Speaker 1: we are choice of car for him. I would have
8:08
Speaker 1: gone porch Jaguar for like a cool dude. Am I
8:12
Speaker 1: getting it wrong? He drove a Jaguar, right, talked about
8:16
Speaker 1: it all night. Uh yeah, I think he was going
8:21
Speaker 1: for the comfort. Do you think Jaguars are cool for
8:25
Speaker 1: like a forty year old dude? I don't. I wouldn't
8:29
Speaker 1: buy one, but you know, right, that's like, like, what
8:38
Speaker 1: did you guys think of Peyton? I thought he started
8:40
Speaker 1: out really well. I mean it was it was witty, banter,
8:43
Speaker 1: and she was intrigued and hey, I'm you know, I'm
8:45
Speaker 1: no Einstein and took off. I mean it's perfect. I
8:48
Speaker 1: was surprised, Yeah, I was surprising he was so boring
8:51
Speaker 1: because the wine exchange was so right good, although it
8:56
Speaker 1: was brief and barely any talking, right, it wasn't consistent
9:00
Speaker 1: with what was established because he was witty, and he
9:04
Speaker 1: was clever, and he was open, and he seemed intelligent
9:07
Speaker 1: and able to converse, you know, on an adult level
9:11
Speaker 1: instead of sitting there and talking about his boring toys.
9:14
Speaker 1: You know, right, some girls gonna really like Peytron, I think,
9:18
Speaker 1: though I do. Yeah, yeah, there's there's So what do
9:24
Speaker 1: you make of the fact there's a crooked lid? This
9:28
Speaker 1: is so true, So go deeper into it, like Emily's
9:32
Speaker 1: involvement and Rory's involvement and Richard's involvement, and then the
9:38
Speaker 1: train wreck when she didn't like him, and just break
9:42
Speaker 1: it all down. Interesting, Interesting that you know, Laurela didn't
9:49
Speaker 1: see how it was going to adversely affect Emily's relationship
9:54
Speaker 1: with her friend who's Peyton's mother. And I loved the
9:59
Speaker 1: Richard scene. And I know we're bouncing around a little bit,
10:01
Speaker 1: but I loved when Richard Richard called from his office
10:05
Speaker 1: and said that he was golfing with Peyton's dad and
10:09
Speaker 1: that they would discuss and how to sort of rectify
10:12
Speaker 1: the situation and we'll call you back like it was
10:14
Speaker 1: a given, like like like Laurel, I knew what the
10:16
Speaker 1: hell he was even talking about, and that you'll issue
10:19
Speaker 1: an apology. And I just love that conversation because it
10:22
Speaker 1: showed what a great husband Richard is defending his wife
10:26
Speaker 1: and say and listen, yes, it's insane, Laureli. The whole
10:30
Speaker 1: thing is insane. That's Emily's world, and I respect it,
10:34
Speaker 1: and she will get her first. She will be served
10:37
Speaker 1: tea first. That is her world her. If her world
10:41
Speaker 1: has disrupted, my world becomes disrupted. I don't want I
10:44
Speaker 1: don't want to see the best move for Richard was
10:48
Speaker 1: to say, I agree, it's insane, because that's pretty much
10:52
Speaker 1: what Laura I needed, because then she came around and
10:57
Speaker 1: she said, okay, like, if you need me to go
10:59
Speaker 1: out with this guy to the concert, I will. And
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Speaker 1: I think it was because Richard's like, I know it's ridiculous,
11:05
Speaker 1: but like, we got it. This is what she cares about,
11:07
Speaker 1: and I care about her. So it was like, but
11:11
Speaker 1: loral line is completely justified and being defensive there and
11:14
Speaker 1: just being you know, acting in it. I don't think
11:17
Speaker 1: she thought she was acting in a selfish way because
11:20
Speaker 1: you know, Richard and Emily are always telling her what
11:23
Speaker 1: a screw up she is, right, so this time it's like, God,
11:26
Speaker 1: they're invading my private space here. Didn't work out? Can't
11:29
Speaker 1: they just get over it? She wasn't seeing the ramifications
11:31
Speaker 1: because she couldn't see them because you know, her knee
11:35
Speaker 1: jerk is to just good God, these people are at
11:37
Speaker 1: me again. I can't do anything right there. And she's
11:41
Speaker 1: also so certain that Peyton also had a terrible time,
11:45
Speaker 1: like she's like, you, guys, this guy is not into
11:48
Speaker 1: me either, which we don't know that that is not
11:53
Speaker 1: not true because Peyton is probably like, I don't want
11:57
Speaker 1: to go to the concert with this girl either. But
12:00
Speaker 1: I like the episode because it showed me one of
12:05
Speaker 1: the rare times where they're they're almost functioning as a
12:09
Speaker 1: as a family, you know, they're sort of all pulling together,
12:12
Speaker 1: and I like that part of it. I I it
12:14
Speaker 1: was it was more positive for me to see, uh,
12:19
Speaker 1: Emily and Laura I kind of get along and and
12:22
Speaker 1: did you see how um hopeful and energetic Emily was
12:26
Speaker 1: when Laura I came over in the afternoon and she
12:29
Speaker 1: wanted Emily wanted to know all about the date and
12:32
Speaker 1: tell me about the date. How did it go? And
12:33
Speaker 1: you know, so that that was Emily and her element
12:35
Speaker 1: and being hopeful that Laurel I had finally found a
12:39
Speaker 1: guy that she can you know, be proud that Emily
12:42
Speaker 1: can be proud of like this relationship could work because
12:45
Speaker 1: he's of you know, the man are born and it's
12:48
Speaker 1: all going to work out and we can, you know,
12:50
Speaker 1: we can. We can live our snooty little lives. I
12:52
Speaker 1: always want to like disagree with you when you say that,
12:55
Speaker 1: but like this episode proved it, Like they do want
12:58
Speaker 1: her with the son of their friends, you know what
13:03
Speaker 1: I mean, Like they love that. Do you also think
13:06
Speaker 1: that the auction purposely switched up the lamps or do
13:09
Speaker 1: you think it was Emily? Because I think it was Emily. Oh,
13:12
Speaker 1: talk to us about that, because why else would Uraa
13:16
Speaker 1: come to Emily's house in the middle of the week
13:18
Speaker 1: for no reason? So she I was thinking, like Emily
13:21
Speaker 1: wanted to get information because if she calls Laura la
13:24
Speaker 1: at work, Laurel I is not gonna want to talk
13:27
Speaker 1: to her. Solid I'm gonna give you a probably correct
13:37
Speaker 1: And that never occurred to me. Yeah, because she never
13:40
Speaker 1: wants to talk whenever Emily calls and she's at work,
13:42
Speaker 1: she just never wants to talk to her and she
13:44
Speaker 1: won't give her the time of day. So how else
13:46
Speaker 1: will she reel her in except to physically come to
13:49
Speaker 1: her house to pick up the lamp that she bought.
13:52
Speaker 1: She wanted to have there. She wanted to have some
13:54
Speaker 1: girl time with her daughter and talk about the guy
13:57
Speaker 1: and how you know that she was excited for that.
14:00
Speaker 1: It was like Emily really getting a real shot of life, Like, hey,
14:05
Speaker 1: this is how found that I can be like a
14:07
Speaker 1: mom again to Laurela and this is I love the
14:12
Speaker 1: dinner scene of the awkwardness or Laurel. I have to
14:15
Speaker 1: sort of like that was the best dinner scene. Yeah,
14:20
Speaker 1: I mean, I don't know how they're going to tell
14:22
Speaker 1: that one because everybody was great. IM so happy to
14:25
Speaker 1: see Richard. I can't remember if we've seen him for
14:27
Speaker 1: a minute because they're so good at like it's been
14:30
Speaker 1: a while, but Rory was great in that. Yeah, mom
14:33
Speaker 1: saw something she thought looked pretty good at the auction,
14:40
Speaker 1: just having fun with her, making her sweat. And then
14:48
Speaker 1: I thought John Hamm was still charming when he came
14:51
Speaker 1: to the door. That's why I was so shocked he
14:52
Speaker 1: was boring because when he came to the door, Rory
14:55
Speaker 1: was super cool with him and he was so chill,
14:57
Speaker 1: like you look wonderful, like he was so smooth John
15:00
Speaker 1: ham I liked his vibe. I thought he was cool. Yeah.
15:04
Speaker 1: I wish we got like a piece of the date,
15:06
Speaker 1: like just a little glimpse. Yeah, I agree. I agree,
15:10
Speaker 1: but I guess they didn't need it, but they it's
15:13
Speaker 1: a scene that I we should have seen it go south.
15:16
Speaker 1: We didn't need it. See that's the thing about. Maybe
15:18
Speaker 1: they shot it and they realized they didn't need it. Now,
15:22
Speaker 1: it would have been so entertaining to watch that miserable day.
15:26
Speaker 1: All right, so let's go let's go back to the beginning,
15:28
Speaker 1: because I want to talk about like what is going
15:30
Speaker 1: on at luke S Diner with like every family in town,
15:33
Speaker 1: all the babies, so many brunch Like what's happening? I
15:38
Speaker 1: was like, is there a farmer's market and this is
15:40
Speaker 1: where they come out? Like what's go? Yeah, I don't
15:42
Speaker 1: think that scene aged well at all. Literally wrote that
15:47
Speaker 1: down down. I don't know how much I've actually, you know,
15:56
Speaker 1: not to pat myself on the back, but I've been
15:59
Speaker 1: in situations in public where a woman is breastfeeding and
16:03
Speaker 1: somebody says something and I walk over that person and say,
16:06
Speaker 1: shut your mouth. She has everything to do that. That's
16:10
Speaker 1: a child she's feeding, and you have no right to
16:12
Speaker 1: intervene and and traumatize her or her baby. Go away,
16:20
Speaker 1: And yeah, you're right. It was uncomfortable. It really was
16:25
Speaker 1: uncomfortable to watch. I wonder if it was then too.
16:29
Speaker 1: I was ashamed of Luke. I was disappointed in Luke,
16:33
Speaker 1: you know, but it's he's such a conundrum. It wasn't
16:38
Speaker 1: so bad, but it was. It was a little awkward.
16:41
Speaker 1: It's kind of bad. It was pretty bad. Yeah, I
16:45
Speaker 1: agree the line it wasn't good to make me like hate.
16:48
Speaker 1: I didn't hate Luke. Sorry, Danielle, go ahead, no, I mean,
16:52
Speaker 1: we don't need to rehash it. But he says something
16:54
Speaker 1: like shouldn't they be in the barn or a cave?
16:56
Speaker 1: And I was like, oh, yeah, yeah, I'm surprised they
17:00
Speaker 1: wrote that for such a progressive show. It always was
17:04
Speaker 1: ahead of its time, and it's such a female empowered
17:07
Speaker 1: show that it's interesting they even bothered with the scene
17:11
Speaker 1: because the seat, or with that portion of the scene,
17:14
Speaker 1: because the scene was funny enough with Luke being irritated
17:18
Speaker 1: about sticky choo choo trains and sticky hands and the
17:21
Speaker 1: kid aspect of it, and that that tracks with Luke.
17:24
Speaker 1: He would be like, oh, these kids in here, you
17:27
Speaker 1: know what I mean. So I don't know why they
17:29
Speaker 1: added that part. It was not necessary. Yeah, it was.
17:34
Speaker 1: He just sounded like a neanderthal, and I was, I'm
17:40
Speaker 1: so ashamed. Well, you didn't write it. I don't think
17:46
Speaker 1: I protested. Yeah, well, I mean, but was also twenty
17:52
Speaker 1: years ago, you know, Like now it's a lot more
17:55
Speaker 1: like I have to throw a flag on that, because
17:58
Speaker 1: twenty years ago it was totally find a breastfeed. Why
18:02
Speaker 1: are people bothered by it? I don't understand this. This
18:06
Speaker 1: is this is a woman giving her baby life, literally
18:10
Speaker 1: feeding her child. Why does it? Jess was Jess, why
18:16
Speaker 1: do people feel violated by this? Why this is not
18:19
Speaker 1: this is a beautiful moment between a woman. It's probably
18:23
Speaker 1: the most beautiful tender moment between a woman and her
18:26
Speaker 1: and her baby. And how is how can you see
18:31
Speaker 1: that in any other light than that? I don't get it.
18:34
Speaker 1: I mean I don't get think about this. Lucy and
18:38
Speaker 1: Ricky slept in separate beds, Like there's all kinds of
18:42
Speaker 1: like weird things on television or in society. It's like,
18:49
Speaker 1: I just am surprised they wrote it in That's the
18:51
Speaker 1: part that kind of befuddled me, Like that was weird.
18:55
Speaker 1: Definitely a low point for the character beingesting to talk
19:00
Speaker 1: to the writer who wrote this episode, it was Amy
19:03
Speaker 1: and and I think one other person, just Tanner, that
19:10
Speaker 1: would be interesting and otherwise to me, a perfect episode,
19:14
Speaker 1: you know, other the rest of you The rest of
19:19
Speaker 1: the scene was cool, Like the rest of the scene
19:22
Speaker 1: was cool that they were at the counter and there's
19:23
Speaker 1: all these families in there and it's a popular joint
19:26
Speaker 1: with and and it was irritating Luke. That was fine.
19:30
Speaker 1: I just don't know why they added these about the
19:33
Speaker 1: rest feeding. You know, I think Daniel makes a good point.
19:36
Speaker 1: It was twenty years ago. I think we're judging it
19:39
Speaker 1: through this prism of sort of today, and it's it's
19:45
Speaker 1: just not applicable back then, and people are just far
19:50
Speaker 1: more sensitive about it now, or maybe even a little
19:52
Speaker 1: bit more evolved in some sense that where it's more acceptable.
19:55
Speaker 1: But yeah, I mean I still think it was fine
19:57
Speaker 1: then to to do. I don't know I wrote, oh boy,
20:02
Speaker 1: but but I do remember back then this this was
20:06
Speaker 1: a news item when people there were news arc there
20:10
Speaker 1: were headlines that is correct that people are getting offended
20:13
Speaker 1: by this and this is becoming a thing, and it's like,
20:16
Speaker 1: how is this even a story? Why is this a
20:20
Speaker 1: problem for people? You know, I thought a low point
20:26
Speaker 1: for the character, But they I'm happy at least we
20:29
Speaker 1: had the comical relief of just walking out seeing all
20:33
Speaker 1: the babies and walking right back. But I don't think
20:36
Speaker 1: his reaction was was the babies. I thought it was
20:41
Speaker 1: the breastfeeding. It repulsed him and he went back upstairs.
20:45
Speaker 1: So I think, again here a low point for his character.
20:49
Speaker 1: Um most is probably extreme. I thought he was sort
20:53
Speaker 1: of a teenagery about it. I don't know, do we
21:00
Speaker 1: chuck it up to it is what it is like?
21:02
Speaker 1: I don't know, I don't know. I have a problem
21:04
Speaker 1: with it. But what are you going to? Good? I
21:07
Speaker 1: think that's good you do, because we all were cringing
21:09
Speaker 1: at it. So it's like I think, I think the
21:12
Speaker 1: thing we don't know is why bother putting it in?
21:16
Speaker 1: And are we watching it with clearer eyes now than
21:19
Speaker 1: we would have then? And it's I don't I can't
21:22
Speaker 1: even remember how I felt about I get why they
21:25
Speaker 1: want to give every character. You know, every character needs
21:30
Speaker 1: to have flaws. Let's just put it that way, makes
21:32
Speaker 1: some human right, But that is such a for me.
21:38
Speaker 1: That's a lack of humanity. That's taking humanity away from
21:42
Speaker 1: a character. And it doesn't it doesn't track with Luke,
21:47
Speaker 1: that's not that's that was my thing on it, being
21:51
Speaker 1: annoyed by the sticky hands tracks, being annoyed that this
21:56
Speaker 1: choo choo train never works and they always get out
21:58
Speaker 1: the chootoo train and move of onto the that tracks,
22:01
Speaker 1: like and the noise and that. But I don't think
22:04
Speaker 1: Luke would be irritated by someone breastfeeding. That's not something
22:08
Speaker 1: that would. He's a he's a naturalist. He is you
22:12
Speaker 1: know right, he's a tree hugger. He's this, he's that.
22:14
Speaker 1: I wouldn't say he's hippie, but he's no. I agree
22:18
Speaker 1: that it should say no cell phones, no breastfeeding. Yes,
22:22
Speaker 1: like that is who he is. I thought it was weird.
22:28
Speaker 1: I don't know why they put it in. I'm I'm
22:32
Speaker 1: actually looking forward to uh. I will read the emails
22:35
Speaker 1: for this one, all of them, you know, because this
22:38
Speaker 1: is this is this is a major this is kind
22:40
Speaker 1: of a major deal here. What would be interesting is
22:44
Speaker 1: if somebody knows. I mean, we should try and ask
22:46
Speaker 1: the writer. Let's try to track him down to see
22:50
Speaker 1: why they put it in. You know. Look, sometimes also
22:53
Speaker 1: people mess up and they think something's gonna land well
22:57
Speaker 1: and it do you what amazed me. How must a
23:02
Speaker 1: woman feel who's breastfeeding her baby in public because her
23:06
Speaker 1: baby is crying and needs to be fed, And how
23:10
Speaker 1: must she feel when she's attacked for that act, and
23:14
Speaker 1: how much fear she's experiencing and she stays calm. You know,
23:20
Speaker 1: all of that is absorbed by her. It's absorbed by
23:22
Speaker 1: her little baby, all of that stuff. I mean, it's
23:25
Speaker 1: it's a big deal. I'm I feel a little bit
23:28
Speaker 1: ashamed to be a part of that. And I should
23:31
Speaker 1: have spoken up. I should have spoken up and said
23:34
Speaker 1: I'm not saying this. I should have said, I am
23:36
Speaker 1: not saying this. This is not funny, this is something
23:40
Speaker 1: I support. I don't believe this. I don't care if
23:42
Speaker 1: you want to give the character flaws. I should have.
23:45
Speaker 1: I should have opened my mouth, and I didn't. And
23:48
Speaker 1: I think it's all because we felt, like, you know,
23:50
Speaker 1: we were also worshipful of Amy and so grateful that
23:54
Speaker 1: she had given us these jobs. And no, I mean,
23:57
Speaker 1: we earned the jobs. But I mean, you know, at
23:58
Speaker 1: the end of the day, it's up trust the writers.
24:01
Speaker 1: But trust the writers. I I get that. I thought
24:04
Speaker 1: that was just a very ugly moment for that character,
24:07
Speaker 1: and I'm really ashay. I'm kind of ashamed to be
24:11
Speaker 1: a part of that moment. So it was very uncomfortable
24:16
Speaker 1: to watch. I was very disappointed in that character. I
24:20
Speaker 1: think you've said it perfectly. I don't know what more
24:24
Speaker 1: today you could do. And I wish we knew then
24:29
Speaker 1: what we know now. And I don't know, you know,
24:32
Speaker 1: like I don't it takes I don't know. I don't
24:36
Speaker 1: know how hard it would have been to say, like, hey,
24:38
Speaker 1: this guy shouldn't say this. I think it's an interesting
24:40
Speaker 1: conversation and for an actor, I think that's hard to
24:44
Speaker 1: say guys shouldn't say this. Yeah, well moving on otherwise. Yeah,
24:52
Speaker 1: I don't mean to make light of it by saying
24:54
Speaker 1: like and moving on. I just I think we've discussed it.
25:00
Speaker 1: I've expressed how I feel about it. Um, it would
25:02
Speaker 1: be interesting to get one of the writers on to
25:04
Speaker 1: talk about it a little bit, you know, how they were,
25:07
Speaker 1: what were they think. I know people watching it now
25:13
Speaker 1: will will cringe like we did. But I would love
25:16
Speaker 1: to hear from somebody who remembers watching it then. If
25:20
Speaker 1: it was like cringe e, then it had to have
25:23
Speaker 1: been I don't think twenty years made that big of
25:25
Speaker 1: a difference. I don't think there's anything and I'll end
25:29
Speaker 1: with this statement, I don't think there's anything more cowardly,
25:33
Speaker 1: um and inappropriate and illegal. I think it should be illegal.
25:37
Speaker 1: I think people that hassle women who are breastfeeding their
25:40
Speaker 1: babies should be arrested and prosecuted. I do how dare
25:46
Speaker 1: anybody anybody interrupt or apply any negativity or aim any
25:52
Speaker 1: negativity at a woman, uh, for any reason whatsoever, but
25:57
Speaker 1: especially in such a tender, beautiful moment like that. Anyway,
26:03
Speaker 1: That's just how I feel about. I get very protected,
26:05
Speaker 1: very very I think you said it great. Yeah. I
26:13
Speaker 1: think a totally normal transition would be to Michelle's love
26:18
Speaker 1: of auctions. Hey, Michelle, you want to go to auction?
26:29
Speaker 1: He got his the pitch of his voice shot up,
26:32
Speaker 1: he got squeaking, and then I love when he said,
26:34
Speaker 1: if your mother's involved, it will be impact of all.
26:37
Speaker 1: I was like, ah, so that was cute. And I
26:43
Speaker 1: was actually excited for the auction because I knew Michelle
26:48
Speaker 1: was going to be there, so it made me that
26:50
Speaker 1: much more excited for when we got to the auction.
26:54
Speaker 1: So he must really love auctions if he wanted to
26:57
Speaker 1: do all that stuff that Laurel I listed. I was like, really,
27:00
Speaker 1: you're gonna do all that for an option that was
27:03
Speaker 1: just like four major things. Yeah, that's okay. Now, forgive
27:10
Speaker 1: me if I'm wrong, But was this the first time
27:12
Speaker 1: we've seen pizza Pizza? Like, was this the first time
27:15
Speaker 1: we've seen the pizza pizza? That they've gone to Pizza
27:18
Speaker 1: Pizza and that they got the free cheesy bread and
27:21
Speaker 1: they were all bent out of shape Laurela, I was
27:24
Speaker 1: that garlic was extra. Now I don't recall if we've
27:27
Speaker 1: seen pizza Pizza before. Um, don't recall it at all.
27:32
Speaker 1: Pizza Pizza, Yeah, neither, But the cheese bread sounded good.
27:38
Speaker 1: And I think it's our first mention of Beanie Morrison
27:42
Speaker 1: because this dude Dwight has moved into Beanie Morrison's old place.
27:48
Speaker 1: I don't know how Laurela eats that way. It looks
27:50
Speaker 1: that good. That's like the mystery of the whole show
27:57
Speaker 1: because the opening scene she's walking, they're they're doing that
28:01
Speaker 1: walk and talk with with her daughter and walking up
28:03
Speaker 1: to Lucy and she's looking so good. Right, the red
28:07
Speaker 1: pants were back, so that's a repeat where she's worn
28:10
Speaker 1: those red pants before. I loved him the last time.
28:13
Speaker 1: They brought him out again, and she loves it. Not
28:16
Speaker 1: a full choker necklace, but a short necklace. She looks.
28:21
Speaker 1: And all they do is stuff themselves with pizza and
28:24
Speaker 1: junk food. I don't see her exercise, but she's I
28:28
Speaker 1: guess she's working at the end. She's moving around, climbing stairs,
28:31
Speaker 1: she's running around fast. Metabolism exactly. She's still young, right,
28:35
Speaker 1: so they thirty two years old? Yeah, so what do
28:40
Speaker 1: y'all think of Dwight? My god? I have so much,
28:47
Speaker 1: so much to say about Dwight. Let loose lady go.
28:51
Speaker 1: The shirt was one thing, but really what had me
28:54
Speaker 1: just crack up was the inside of his house. One.
29:01
Speaker 1: I have a bone to pick with dwighte he leaves
29:03
Speaker 1: his lights, his lights on when he's out on vacation.
29:07
Speaker 1: You noticed all those lights were on a full home,
29:09
Speaker 1: by the way, beautiful. The outside looks spectacular, but the
29:13
Speaker 1: inside look right. The tiki lounge, all the tiki lounge,
29:19
Speaker 1: and so he just moved in. How does he have
29:21
Speaker 1: so much stuff already? And all those board games? Yeah,
29:26
Speaker 1: my god? And how does he have that much stuff?
29:30
Speaker 1: If the wife like if he kind of went in
29:32
Speaker 1: the dark of night, Like, how do you get all
29:35
Speaker 1: his stuff out? Or was that all news stuff? You know?
29:38
Speaker 1: I don't know, but I'll tell you. You remember the
29:40
Speaker 1: wife on the answering machine. Yes, my god, my research
29:45
Speaker 1: team is cracked. The mystery. Who that was? You know
29:48
Speaker 1: who that was? Okay, well make it a game, make
29:51
Speaker 1: it a game. Don't tell us. Is it a famous
29:52
Speaker 1: person someone on the show? Somebody who was on the
29:58
Speaker 1: show already or later? No, actually, somebody who never appeared
30:07
Speaker 1: on the show. Who but a famous actress that we've
30:11
Speaker 1: heard of. Yes, absolutely, big actress movie, movie or TV TV.
30:19
Speaker 1: Oh my god, this is a much decorated Emmy Award
30:22
Speaker 1: winning actress. I need to hear the voice again. I
30:28
Speaker 1: don't want to, like, bring this one of the finest
30:31
Speaker 1: comedic actresses of our time. Don't not tell me, Do
30:34
Speaker 1: not tell me. I need to. I'm trying to pull
30:36
Speaker 1: it up on YouTube. Hi, it's Doris was asleep when
30:44
Speaker 1: you stut like that, sniffling off cocon samples your parents?
30:52
Speaker 1: Just topic? Are you really thought you get away from me?
30:56
Speaker 1: From me? I would have found you sooner, but now
31:00
Speaker 1: have I found you? Like to say, is this I
31:02
Speaker 1: want you down to the end of the Okay, Tara,
31:14
Speaker 1: do you have a guess who that was? I have
31:15
Speaker 1: no idea, Daniel, any idea, any idea. I'm struggling so
31:22
Speaker 1: hard with this. Can you give me a show? I
31:26
Speaker 1: need to harp on this. I keep harping on this
31:30
Speaker 1: same Alex Borson, Thank you very much. Nice. That's a
31:35
Speaker 1: real good quip. I said that, and then I thought, oh,
31:39
Speaker 1: that's random, because but well done, Alex Borstein. So she
31:45
Speaker 1: was the for people that don't know, she played the
31:48
Speaker 1: harp and then she's like the lead on Basil. She
31:50
Speaker 1: she was the original Drella. She was Drella, well not
31:54
Speaker 1: the original, the only Drella in the pilot episode, and
31:58
Speaker 1: then she couldn't get out of In Living Color was
32:03
Speaker 1: not color a family guy. Sorry sorry, sorry, sorry family Guy.
32:09
Speaker 1: It was j Lo And in Living Color she also
32:11
Speaker 1: was the teacher. She was also the teacher in the
32:14
Speaker 1: Lizzie McGuire movie. That's how I knew her, really, yep,
32:20
Speaker 1: so a couple of quick questions. The clock, so it
32:24
Speaker 1: would say like it's five o'clock at the other way
32:28
Speaker 1: it changed based on the time. Amazing, great clock. That's
32:33
Speaker 1: a beautiful home though I would have to say that
32:35
Speaker 1: was one of the fanciest homes in all of Stars Hollow. Yeah,
32:38
Speaker 1: it was a pretty pretty spectacular home. Yeah, it didn't
32:42
Speaker 1: really get your bearings though. It didn't really look like
32:44
Speaker 1: stars Hollow, did it. No, because it's hard. It's hard
32:47
Speaker 1: to get your bearings because Loralized House. I can never
32:51
Speaker 1: like figure out, Okay, we're in town is it? And
32:54
Speaker 1: what's across the street? And if Dwightes is across the
32:57
Speaker 1: street and it took Rory only that long to run
33:01
Speaker 1: to towns, it's basically in town. I can tell you
33:06
Speaker 1: where the location of Laurelized House was on the lot
33:10
Speaker 1: in relation to the gazebo and the high school. I
33:13
Speaker 1: was going to say, I've been to that tour. So
33:15
Speaker 1: you're talking about Scott tell us. So how far is it,
33:19
Speaker 1: like if you were running from Laurealized to Luke's how
33:22
Speaker 1: long would that take from Laurel from Laurelized to Luke's Diner?
33:27
Speaker 1: Oh god, that's uh, it's it's maybe fifty steps, sixty steps.
33:35
Speaker 1: It's not far. So you've got you've got the gazebo
33:38
Speaker 1: where that town square is right there, right, But that
33:41
Speaker 1: law is okay, if you're standing there and you're facing
33:45
Speaker 1: Luke's diner. No, I'll say, if you're standing there and
33:48
Speaker 1: you're facing Luke's Diner from the gazebo, uh, A little
33:53
Speaker 1: bit to your left is Stars Hollow High School now
33:56
Speaker 1: a little bit okay? So, and right behind if you're
33:59
Speaker 1: staring at it Steiner right behind you in the street
34:03
Speaker 1: behind the town square is Laurealized House and Mrs Kimson
34:08
Speaker 1: and Lane's house. That's where it is. So he was,
34:11
Speaker 1: so he was, And then the movie theater where Kirk
34:14
Speaker 1: would we'd watch Kirk's wacky films and go to the
34:17
Speaker 1: movies and all that. That was across the street from
34:19
Speaker 1: Layalized House, and the house next to that one was
34:24
Speaker 1: supposed to be Dwite's house. And that house looked nothing
34:29
Speaker 1: like Dwite's house looked in this show. Oh interesting, yes,
34:34
Speaker 1: because that looked like they were in another suburb that
34:36
Speaker 1: looked that that house looked like they it was in
34:39
Speaker 1: some kind of really right because there wasn't a tree really,
34:41
Speaker 1: and all of a sudden there's this lawn and the
34:44
Speaker 1: architecture is like a little bit of a different vibe,
34:47
Speaker 1: which I guess you could have. But still, so there
34:51
Speaker 1: you go. There's your, there's your. I mean, let's talk
34:53
Speaker 1: about it now then, because I think this is such
34:56
Speaker 1: an important moment for Rory and Jess, huge because he
35:04
Speaker 1: cared more about her than himself, Like he came all
35:09
Speaker 1: the way over fixed the lawn blah blah blah, and
35:12
Speaker 1: then finds out the Dean's coming and he wants to
35:15
Speaker 1: protect her. He cares about her more so that I think.
35:21
Speaker 1: I think, I think he's always going to be a
35:23
Speaker 1: little bit self serving, you know, his he he really
35:28
Speaker 1: likes her, so that was a little bit for him too.
35:31
Speaker 1: But I mean, I get your point, but I mean,
35:33
Speaker 1: come on, there's some self in so I think he
35:36
Speaker 1: I think he really showed like I care about her
35:40
Speaker 1: so much. I like her so much. I don't want
35:42
Speaker 1: her to be in a bad predicament. I'm just gonna
35:45
Speaker 1: pop this water back on. I thought that there was
35:50
Speaker 1: so much meaning to that moment. Yeah, yeah, I agree,
35:55
Speaker 1: it was. It was a perfect opportunity just being the
36:00
Speaker 1: opportunists that he is, you know, took that opportunity to
36:05
Speaker 1: try to further ingratiate himself. See, I just thought it
36:11
Speaker 1: was genuine, Like I thought, he's like you know what,
36:13
Speaker 1: I ran over her here to help her. She's she
36:17
Speaker 1: still broke his heart a little bit. Like he's kind
36:20
Speaker 1: of broken hearted because he wants to be with her
36:22
Speaker 1: and she's not breaking up with Dean. But he's now
36:25
Speaker 1: to the point where he's like, I don't need to
36:27
Speaker 1: be a jerk like I like her. I want to
36:30
Speaker 1: help her, so that's why I came over. And then
36:33
Speaker 1: I want to help her more because I don't want
36:35
Speaker 1: her to be in some weird position with Dean. I
36:37
Speaker 1: think he's also bummed that, you know, he finds out
36:41
Speaker 1: that she called Dean before he asked. She asked for
36:44
Speaker 1: his help, so he's like, you know what, I'm just
36:46
Speaker 1: gonna let I'm just gonna let him deal with it.
36:48
Speaker 1: Think he fixed it. She didn't really asked for his
36:50
Speaker 1: help though, Yeah, I guess, but like she I think
36:55
Speaker 1: she alluded to it. She kind of it, I mean,
37:00
Speaker 1: not really, it was Cowin's happenstance. I guess. I don't know.
37:05
Speaker 1: I'm you guys An know this, but I'm very team Jess,
37:08
Speaker 1: so I don't know. I've always loved Jess, even through
37:12
Speaker 1: all the boyfriends, Like I just see something in him
37:15
Speaker 1: that I feel like maybe, like Amy saying, in it
37:18
Speaker 1: in him right now? Yeah, I mean she was looking
37:21
Speaker 1: for Luke, remember, like she's looking for me. She really
37:25
Speaker 1: was going she texted Dean or Paige Dean. Then she
37:29
Speaker 1: was looking for Luke and Taylor. I thought that was interesting.
37:32
Speaker 1: Those are the two people that's right she went to,
37:36
Speaker 1: you know, like the dad's yeah, you know what, maybe
37:39
Speaker 1: you're right when you you know, he encountered her. She
37:43
Speaker 1: was soaking wet, and he did want to help her.
37:47
Speaker 1: He oh my god, this is a bad situation for her,
37:51
Speaker 1: you know, as far as first stars hollow. Yeah, and
37:54
Speaker 1: then he just ran. It was genuine. I don't think
37:59
Speaker 1: he had alto are your motives? And I believe they
38:02
Speaker 1: proved that because he turned the water back on he
38:06
Speaker 1: couldn't And then like I just run over here to
38:09
Speaker 1: help you. And now you're saying Deans you know, but
38:12
Speaker 1: he did the the I don't know if it's the
38:15
Speaker 1: right he was. There was some nobility, he was noble, yeah, yeah, yeah, yeah,
38:20
Speaker 1: he showed some real character there. Yeah. Made me like him,
38:23
Speaker 1: and I think we're getting we're getting closer. I will
38:27
Speaker 1: say the one part of that scene that made me
38:29
Speaker 1: kind of laugh a little is obviously like Rory was
38:32
Speaker 1: soaking wet, and then Jess goes over and for five
38:36
Speaker 1: the two seconds he was turning off the water, he
38:39
Speaker 1: was just drenched, like Jesse've been there for all of
38:46
Speaker 1: two seconds. Come on, I do have a bone to
38:49
Speaker 1: pick with this episode. Do you want it right now?
38:52
Speaker 1: We need to take a bone pick it. I mean, sorry,
38:56
Speaker 1: this is a real This is now like to the
38:59
Speaker 1: point where I'm like, guys, what what is happening? The
39:03
Speaker 1: fake eating is really bad. At Friday night dinner. I
39:09
Speaker 1: don't know if any of you guys noticed, but Emily
39:11
Speaker 1: had the tiniest like it was a pin dot of
39:17
Speaker 1: pork on her fork, Like it was like what the
39:23
Speaker 1: minuscule bites, the fake cutting, the fake eating. Like I
39:29
Speaker 1: have one more to add to that list is when
39:31
Speaker 1: Rory went to go water the plants inside Dwite's house
39:34
Speaker 1: and she's just like barely tipping over the water water
39:39
Speaker 1: and like you weren't watering anything. Yeah, okay, so in
39:50
Speaker 1: in in defensive actors who aren't eating eating, eating their
39:54
Speaker 1: faces off during scenes. First of all, it's Emily. She's
39:58
Speaker 1: an elegant mannered woman. She has impeccable table manners. If Okay,
40:05
Speaker 1: here's the problem. When there's so much dialogue going on
40:07
Speaker 1: back and forth, and you know, with a quick pattern,
40:10
Speaker 1: if if you, it's very easy to mismatch a scene
40:14
Speaker 1: or mismatch afford coming up to eat right in those
40:20
Speaker 1: types of scenes. Okay, Now, if it was just Emily
40:25
Speaker 1: having a long monologue, will be easier to do the
40:27
Speaker 1: real eating and really sell the eating part of it
40:30
Speaker 1: and all that. What's important here is not the eating
40:32
Speaker 1: we all get, you know, they the creators make this decision. Look, guys,
40:38
Speaker 1: you know what's important here is the comedy. Okay, it's
40:42
Speaker 1: not the eating. We're not making you know, uh uh
40:47
Speaker 1: an oscar worthy drama film where everything has to be
40:50
Speaker 1: you know, you gotta put all that feelings into the
40:53
Speaker 1: Food Network, right, It's exactly. So it's like, let's just
40:56
Speaker 1: minimize what maximize what's important here. What's important here is
41:00
Speaker 1: the timing in the comedy. And I think the fear
41:04
Speaker 1: is in the editing room. You know, the editors are
41:06
Speaker 1: always going crazy but like this stuff doesn't match, we
41:09
Speaker 1: can't use this takes and it's a brilliant take. And
41:13
Speaker 1: Lauren was so great in this and Richard was because
41:15
Speaker 1: somebody lifted their fork at the wrong time. So you
41:18
Speaker 1: want as an actor to really simplify your movements. When
41:22
Speaker 1: you're editing your table scene and you're supposed to be eating,
41:24
Speaker 1: it's very difficult to match stuff because I think she
41:27
Speaker 1: just didn't care for flavor less pork, So you know
41:35
Speaker 1: why it might be so jarring. Is also and I
41:38
Speaker 1: don't know, Scott, if you've gotten to be addicted to
41:41
Speaker 1: TikTok yet, we're hoping to get you there. On TikTok?
41:45
Speaker 1: What is the deal with the eating? I mean, these
41:47
Speaker 1: people eat like almost it's almost gross. They take like
41:51
Speaker 1: a SMR. Is that what it is? No, it's actually um.
41:56
Speaker 1: It has another word for it, but it's like SMR.
41:59
Speaker 1: Do you know who sloth girl is? Or yes, do
42:02
Speaker 1: you know what I'm talking about? Catchio pepe that girl? Yeah,
42:07
Speaker 1: eas like her whole TikTok is just like eating and
42:13
Speaker 1: chewing last night after like going down her TikTok page,
42:16
Speaker 1: I'm like, why am I doing this? This is almost gross?
42:21
Speaker 1: She you guys gotta watch her. She eats so like
42:25
Speaker 1: what's called It's called muck bang, which is basically like
42:29
Speaker 1: broadcasting you eating and like making the sounds of eating.
42:33
Speaker 1: So it's a thing. Yeah, it's a smr for eating.
42:36
Speaker 1: Is that why I'm addicted to like watching her eat?
42:38
Speaker 1: Or catchio peppe? Well that's her saying it. I don't know.
42:44
Speaker 1: Then she's eating, you guys gotta watch her. She eats
42:47
Speaker 1: crazy spinach pizza and it's just like pouring out of
42:50
Speaker 1: her mouth. And I'm like, why, why do you want
42:53
Speaker 1: me to do? You want me to get involved in this?
42:55
Speaker 1: You want me to eat on? Watch it and see
42:58
Speaker 1: if you think it's because they do the oppo sort
43:00
Speaker 1: of fake acting eating. They're like mowing food, like what
43:05
Speaker 1: are they? Does it too? San Sean White, you know,
43:11
Speaker 1: the like gold medal snowboard guy, So he eats while
43:18
Speaker 1: watching videos of people snowboarding, and I'm sometimes I'm like
43:22
Speaker 1: just fascinated by what is he eating? And it's copious
43:26
Speaker 1: amounts of food, like like he eats twelve pancakes, Like
43:29
Speaker 1: I'm like what. I could literally watch videos of turtles
43:33
Speaker 1: eating lettuce like for hours, like they have animal ones too,
43:38
Speaker 1: or you just see a turtle with anybody anymore. I'll
43:47
Speaker 1: get into this. Here's my next question for you, guys.
43:51
Speaker 1: I knew Laura Lie was. I wanted to say a
43:57
Speaker 1: swear word, blowing it, screwing it up by accepting two
44:02
Speaker 1: dates at one time, That's like, it's never going to work.
44:08
Speaker 1: It's like dating one oh one, don't do it. You
44:11
Speaker 1: throw you got you throw Bowie out there in a week.
44:13
Speaker 1: But he wanted to see her sooner. That was the reason.
44:16
Speaker 1: If you're going on a first date, guys, would you
44:18
Speaker 1: ever accept too when you don't even know the person?
44:22
Speaker 1: It depends on if if I really, you know, I'm vibe,
44:25
Speaker 1: if I was buying, if there's a David Bowie ticket involved,
44:30
Speaker 1: I'm accepting five dates. I knew she was doomed at that.
44:36
Speaker 1: I knew. I was like, oh no, I wrote never
44:42
Speaker 1: a good idea. Well it's Bowie? What was this? This was?
44:51
Speaker 1: You know? I wonder if in the writer's room they
44:53
Speaker 1: had they had to have to take a poll on
44:55
Speaker 1: what the title of this episode would be, like, hey,
44:58
Speaker 1: it's Bowie man, or like that Maria Muldoer beat out Bowie. Interesting?
45:09
Speaker 1: And I liked this episode. Oh god, yes, it was terrific.
45:13
Speaker 1: We haven't even really have we discussed it fully. I mean,
45:17
Speaker 1: I mean, we're getting there. It's it's not so heavy.
45:20
Speaker 1: I think we really broke down the scene that was
45:22
Speaker 1: the most important to me, which was the water on off.
45:26
Speaker 1: There was no real drama between anybody, even the Gilmore's
45:30
Speaker 1: were working it out. I will say I thought, I
45:34
Speaker 1: thought at the end when um Emily was saying, oh, like,
45:38
Speaker 1: it meant a lot that you're saying that, and then
45:40
Speaker 1: she and then I felt like she was almost gonna
45:43
Speaker 1: let Lorala off the hook and like beon on her team,
45:47
Speaker 1: you know, and like to say it's okay, don't worry
45:49
Speaker 1: about it. And then she literally was like, okay, so
45:51
Speaker 1: go on the date, and I'm like, no, we almost
45:54
Speaker 1: had it. We almost had it. I'll never drink tea
45:58
Speaker 1: in the same way because I want the prime te spot.
46:01
Speaker 1: I literally made tea for this today. What was her name,
46:04
Speaker 1: Sally Worthington's and her bad check what happened? It bounced,
46:15
Speaker 1: Laura line bounced, just lost your teeth? Uh I just
46:23
Speaker 1: I laughed out loud many multiple times on this one. This,
46:27
Speaker 1: You know, I wanted to look up who played Dwight?
46:30
Speaker 1: Who played Dwight, because that guy's like a character actor.
46:35
Speaker 1: We can get it at first. Jason Kravitz. Oh yeah,
46:39
Speaker 1: I knew it. I think he was on House. I'm
46:41
Speaker 1: gonna anybody want to bet me five dollars anyone? And
46:44
Speaker 1: I think it was the practice five dollar bet, Tara,
46:48
Speaker 1: do you want to make a five dollar bet? I think, okay,
46:50
Speaker 1: it was the practice. But now I need to see
46:53
Speaker 1: if he was also on House. And if he was,
46:55
Speaker 1: then we'll just call it called a draw. Oh I'm nervous,
46:59
Speaker 1: and it wasn't House. I don't see it. I lost
47:05
Speaker 1: five dollars. Anyway, while you're looking for that, I will
47:09
Speaker 1: reiterate I have never seen an episode that utilized guests
47:14
Speaker 1: the two guest stars that it had, or actually um
47:19
Speaker 1: two of two of the several guest stars are three
47:22
Speaker 1: or four or whatever. I've never seen it used. This
47:27
Speaker 1: is how this is a an instructional episode on how
47:31
Speaker 1: to use guest stars, because it really pushed the narrative,
47:35
Speaker 1: both narratives of this episode. Everything was hanging off what
47:39
Speaker 1: these guest stars laid out for us in the beginning
47:44
Speaker 1: without having to see them repeatedly throughout the episode, and
47:47
Speaker 1: just let you know the main characters have fun with it.
47:51
Speaker 1: It was. It was. It was genius, absolute structural genius
47:56
Speaker 1: in my opinion, what's your veto? I pay my bets. Wait,
48:03
Speaker 1: I have your veto, though I'm paying it to you
48:06
Speaker 1: right now. I lost it and I apologize to Peter
48:10
Speaker 1: Jacobson because I comed Jacobson with the guy that played Dwight.
48:16
Speaker 1: So all right, so there are actually my crack research
48:19
Speaker 1: team came up with several inconsistencies, and I think, give
48:23
Speaker 1: it okay, ready, all right? At time mark sixty to
48:30
Speaker 1: seven minutes, when the cameras on Laurelai, there is a
48:34
Speaker 1: man on the couch behind her that disappears and reappears
48:38
Speaker 1: between the various takes. So what, yes, give me it
48:45
Speaker 1: one more time? What? Yes? You may say the whole
48:50
Speaker 1: thing again? Yeah, because I don't even understand how that's possible.
48:53
Speaker 1: It's possible, the the extra wasn't there in various takes
48:59
Speaker 1: when you cut back and forth, right, So when they
49:01
Speaker 1: cut back to Lorela, he's there. When he go to
49:04
Speaker 1: Roy or whoever she's talking to. When she cuts back
49:06
Speaker 1: to Lorela after that, he's not there. That's a lot
49:11
Speaker 1: worse than a bite of food and a four and
49:16
Speaker 1: at four at the auction, when Natalie comes up and
49:19
Speaker 1: refers to Emily, as the cobra, h squeezing Cobras don't
49:25
Speaker 1: squeeze their prey. That's that's the constricting snakes. That's the python,
49:29
Speaker 1: the anaconda, and the boa constrictor. I should know this
49:32
Speaker 1: because I grew up with boa constrictors. They were my pets.
49:34
Speaker 1: I love constricting No, no, that you did not have
49:37
Speaker 1: snake pets. I did, and I would feed it a
49:39
Speaker 1: mouse once a week and watch him strike it quickly
49:41
Speaker 1: and crush it to death and swallow it. Thank you
49:43
Speaker 1: very much. But the wonders of nature. Um, wait, cobras don't.
49:49
Speaker 1: The cobras are venomous, poisonous snakes. They're like, yeah, they bite,
49:52
Speaker 1: they don't wrap around and squeeze. What a constricting snake
49:56
Speaker 1: does is the one that squeezes. Is they you know
49:59
Speaker 1: that's they wrap around? Came out of that basket. Yeah,
50:02
Speaker 1: that's a cobra. They don't. They don't wrap around people
50:04
Speaker 1: and squeeze. So this was an incorrect um snake to
50:09
Speaker 1: acknowledge good knowledge, she was using the wrong snake. Emily,
50:13
Speaker 1: is an anaconda, a boa, or a python. She's not
50:19
Speaker 1: a cobra. Thank you, thank you, thank you for listening.
50:27
Speaker 1: And we'll have a little plastic constricting snakes viewing on
50:31
Speaker 1: your way out to take home with you three minutes. Uh.
50:39
Speaker 1: Watch Lauren's lips when she is on the phone with Peyton,
50:42
Speaker 1: Sanderson says from Mauie. Now, this was probably one of
50:47
Speaker 1: the worst sound edits that was spliced in because what
50:50
Speaker 1: she really said in the original audio and what was
50:55
Speaker 1: in the original script was Bali, not Maui. They had
50:59
Speaker 1: this license Maui after the fact because of the Bolly bombing.
51:07
Speaker 1: It happened eleven days before the episode aired. No terrorist
51:13
Speaker 1: attack so killed all those people. Yeah, so I had
51:17
Speaker 1: to rush in and I guess that's probably the reason
51:19
Speaker 1: why they had to rush in and say Maui instead
51:21
Speaker 1: about yes. Um. And it was a very obvious sort
51:25
Speaker 1: of you know, looping at it um at thirty nine. Um,
51:34
Speaker 1: there was a blue baseball cap on the right side
51:37
Speaker 1: of Laurelized dressing table. Is that a sub Was this
51:40
Speaker 1: when she's getting ready for the date? Probably guess, oh,
51:45
Speaker 1: a little winky wink to who's going to sleep here?
51:49
Speaker 1: One dat subliminal advertising? Um? Okay, So one we've talked
51:57
Speaker 1: about Alex Borstein, the scre aiming wife on the inswer
52:01
Speaker 1: Machine thirty seven minutes. Have a look at the fish
52:04
Speaker 1: in the aquarium. They are hilariously fake and oversized. I
52:09
Speaker 1: thought that now. What I thought though, was that was
52:11
Speaker 1: actually intentional in that he's just got like a it's
52:14
Speaker 1: just a play tank, right, because it was so crazy, right.
52:19
Speaker 1: It fits in with the theme of what he was
52:22
Speaker 1: doing in the in the interior decorum, and I think
52:29
Speaker 1: we have to give credit and I think you'll probably
52:33
Speaker 1: go over this in pop culture episode as a Maria
52:36
Speaker 1: Muldaur's Midnight Out the Oasis, which is this incredibly iconic song.
52:40
Speaker 1: There are a couple of pop culture references that we
52:43
Speaker 1: will see later this week if Tara gets it, because
52:45
Speaker 1: there were some subtle ones in there. And I just
52:48
Speaker 1: want to say good luck to the Philadelphie. Oh okay,
52:54
Speaker 1: I don't know what that means, but that's great. Well,
52:56
Speaker 1: they're in the playoffs in their center is injured and everybody.
53:01
Speaker 1: We'll see you next time next week. Episode six, Take
53:06
Speaker 1: the Deviled Eggs. Seems like it might be time for
53:09
Speaker 1: a cooking video with Tara deviled eggs, but I don't
53:13
Speaker 1: know yet. I have a good deviled egg, so good.
53:17
Speaker 1: Oh they smell so bad. Oh but they're good, yeah, delish.
53:22
Speaker 1: You know, they smell up your whole house like toots. Alright,
53:31
Speaker 1: nothing like a good tooting smells TikTok. Videos of watching
53:38
Speaker 1: people eat eggs. I think that's it, Mr. Videos eating
53:48
Speaker 1: deviled eggs. Oh, gag me, but okay, that could beat
53:51
Speaker 1: Scott's first TikTok. Okay, you know what you name it?
53:58
Speaker 1: No deviled eggs. I don't know. I'm not gonna do that,
54:01
Speaker 1: deviled eggs. I mean, I'll do it, I mean, but
54:06
Speaker 1: it's but it has to be like, you know, falling
54:08
Speaker 1: out of my mouth, you know, in the firehouse when
54:11
Speaker 1: you're the new it's not called a guinea pig. It's
54:15
Speaker 1: not called a rookie. It's called the It has a
54:18
Speaker 1: name to the p Maybe we'll get back to you
54:23
Speaker 1: next week. But that's so she's got to make the
54:26
Speaker 1: deviled eggs come prepared. Um alright, everybody, that's it. Thanks
54:31
Speaker 1: for downloading. Best Fans on the Planets day sick m
55:03
Speaker 1: Hey everybody, and don't forget follow us on Instagram at
55:07
Speaker 1: I Am all In podcast and email us at Gilmore
55:11
Speaker 1: at I heart radio dot com. Oh you, gil More fans,
55:14
Speaker 1: If you're looking for the best cup of coffee in
55:16
Speaker 1: the world, go to my website for my company, scott
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Speaker 1: dot com, scott ep dot com Grade one Specialty Coffee. Yeah.