Latest / DISGRACELAND / Jay Z: Street hustle, a Nightclub Stabbing, a Near Drug Bust and the God MC
Transcript
- 0:00Speaker 1: Disgraceland is a production of Double Elvis.
- 0:19Speaker 2: The stories about jay Z are insane. As a boy,
- 0:23Speaker 2: he shot his own brother, he himself was shot at
- 0:27Speaker 2: arrested for drug possession, charged with the stabbing of a colleague.
- 0:31Speaker 2: Raised in one of the most violent housing projects in
- 0:34Speaker 2: the country, jay Z is imbued with a hustler sense
- 0:38Speaker 2: of the street, yet he's dined with presidents, keeps Warm Buffett,
- 0:42Speaker 2: one of the richest men on the planet on speed dial,
- 0:44Speaker 2: and continues to lend his name and his considerable wealth
- 0:48Speaker 2: the causes he believes in to help illuminate injustice. Jay
- 0:52Speaker 2: Z is impossible to simply categorize. He is as multi
- 0:56Speaker 2: hyphenate as they come. Rapper, producer, ceo, entrepreneur, activist. At
- 1:02Speaker 2: his core, though he will forever be simply a hustler,
- 1:06Speaker 2: a hustler who has made and continues to make some
- 1:09Speaker 2: of the greatest music of all time. Unlike that music
- 1:12Speaker 2: I played for you at the top of the show.
- 1:14Speaker 2: That wasn't great music. That was a preset loop from
- 1:18Speaker 2: my melotron called Hoboken Riddle MK One. I played you
- 1:23Speaker 2: that loop because I can't afford the rights to Smooth
- 1:26Speaker 2: by Santana and Rob Thomas, And why would I play
- 1:30Speaker 2: you that specific slice of Latin infused Nowhere Rock Cheese?
- 1:34Speaker 2: Could I afford it? Because that was the number one
- 1:38Speaker 2: song in America on December one, nineteen ninety nine, And
- 1:42Speaker 2: that was the night jay Z entered Manhattan's Kitcat Club
- 1:46Speaker 2: and set off a melee, resulting in a stabbing that
- 1:49Speaker 2: very nearly derailed the career the most successful hip hop
- 1:53Speaker 2: artist of all time on this episode, a natural born hustler,
- 1:58Speaker 2: Nowhere Rock Cheese, the greatest flow in the game, a
- 2:02Speaker 2: nightclub stopping in the eighth wonder of the world, the
- 2:05Speaker 2: motherfucking greatest jay Z. So thank you, ladies and gentlemen.
- 2:10Speaker 2: You could have been anywhere in the world tonight, but
- 2:12Speaker 2: you're here with me. I appreciate that. I'm Jake Brennan
- 2:18Speaker 2: in this. It's disgraceland.
- 2:31Speaker 3: What we've been is are people and the mother.
- 2:35Speaker 4: Then if the same happy name for me, the awful
- 2:37Speaker 4: to believe.
- 2:39Speaker 5: We've been to be with anybody's wont holing. Anybody that's
- 2:43Speaker 5: half m o't be mine.
- 2:46Speaker 6: Everything.
- 2:47Speaker 2: If every name we put back in the game of.
- 2:57Speaker 5: Everybody, everybody.
- 3:11Speaker 6: Be it n get me head money, drop head, puny Ron.
- 3:40Speaker 2: December fourth, nineteen sixty nine, Chicago. Fred Hampton had his
- 3:46Speaker 2: hustle on. As chairman of the Illinois Chapter of the
- 3:49Speaker 2: Black Panthers. He had to it was his job hustle
- 3:53Speaker 2: the Panthers, wrap hustle new recruits, hustle the revolution, make
- 3:57Speaker 2: every word count, make every speech America had it coming.
- 4:02Speaker 2: Years of white American oppression had led to the formation
- 4:05Speaker 2: of the Black Panther Party, and now it spoken radical,
- 4:08Speaker 2: sometimes violent organization that had felt the nineteen sixties winds
- 4:12Speaker 2: of change blowing through the cold Chicago air and decided
- 4:16Speaker 2: that the revolution would most certainly be televised and fucking
- 4:20Speaker 2: technicolor if they had anything to say about it. Freedom,
- 4:25Speaker 2: full employment of their people, an end to the robbery
- 4:28Speaker 2: of the black community by the white capitalists by any
- 4:32Speaker 2: means necessary. Brother Malcolm's hustle was spot on. Fred Hampton
- 4:38Speaker 2: knew it, and Fred had as wrapped down too. Just
- 4:44Speaker 2: like Malcolm X, Fred's flow was unique. Unlike any others,
- 4:48Speaker 2: Fred Hampton was a highly skilled orator. The Panthers brass
- 4:52Speaker 2: knew this, which is why, at the tender age of
- 4:54Speaker 2: nineteen he had rapidly ascended the leadership ranks of the
- 4:57Speaker 2: revolutionary organization. That's also why j Edgar Hoover had designated
- 5:02Speaker 2: Fred Hampton for the FBI's Agitator Index, marking him as
- 5:06Speaker 2: a key militant figure by the time he turned twenty one.
- 5:10Speaker 2: Using the index to track and monitor Hampton's every move,
- 5:15Speaker 2: he was followed by a g man. His mother's phone
- 5:18Speaker 2: was tapped. Unseen forces worked carefully to carry out a
- 5:22Speaker 2: disinformation campaign to sew discord between the Panthers and like
- 5:26Speaker 2: minded revolutionaries, and most effectively, j Edgar Hoover managed to
- 5:31Speaker 2: place a spy high into Fred Hampton's inner circle. Fred's
- 5:35Speaker 2: bodyguard was a snitch. William O'Neill Rado Fucco had his
- 5:39Speaker 2: beef for felony carthat drop by the FBI in exchange
- 5:43Speaker 2: for rolling out Fred and his fellow Panthers to the
- 5:46Speaker 2: bureau on the regular, providing intel information on Fred's whereabouts,
- 5:50Speaker 2: the Black Panthers, plans, etc. For Hoover and his boys.
- 5:54Speaker 2: It was a highly effective asset. They heard everything, they
- 5:59Speaker 2: knew everything, and tonight they knew Fred Hampton was on
- 6:02Speaker 2: his game, firing up the neighborhood rank and file at
- 6:05Speaker 2: the Church of the Epiphany, spitting revolution to his own rhythm,
- 6:09Speaker 2: sans beat, a cappella, fireflow, irresistibly compelling. December sixty ninth,
- 6:17Speaker 2: the twilight of American idealism, uncivil disobedience in the air,
- 6:22Speaker 2: But eight hundred miles away in Brooklyn, things were a
- 6:25Speaker 2: bit more peaceful than they were back in Chicago on
- 6:27Speaker 2: that night, at least in the hospital room Gloria Carter
- 6:33Speaker 2: was occupying, and this was her fourth child. He would
- 6:36Speaker 2: come easy, she knew it. He'd be unaffected by the
- 6:40Speaker 2: birthing chaos ringing out throughout the rest of the maternity
- 6:43Speaker 2: ward floor. Baby's screaming, bloody murder, mother's bearing, unspeakable pain,
- 6:48Speaker 2: expectant fathers, those who'd managed to show up anyway, drunk
- 6:52Speaker 2: on anticipation or worse. Chaos ruled everything around her, but
- 6:57Speaker 2: not here.
- 6:57Speaker 6: In her room.
- 6:59Speaker 2: She had a feeling this one would be different, right
- 7:02Speaker 2: from the jump. He'd flow easy. December fourth, in the
- 7:09Speaker 2: wee hours after Fred's epiphany, Route four AM, Chicago's West Side,
- 7:14Speaker 2: outside of poverty blighted tenement building, a fourteen man government
- 7:18Speaker 2: sanctioned special ops unit headed up by the Chicago States
- 7:21Speaker 2: Attorney's Office in lockstep with Mayor Daily Chicago PD. It
- 7:26Speaker 2: was time no more fucking around. Just days ago, two
- 7:30Speaker 2: cops were shot dead, seven others riddled with bullets and
- 7:33Speaker 2: various shootouts with the Black Panthers, and the cops had
- 7:36Speaker 2: it on good authority from Hoover's inside man that the
- 7:39Speaker 2: apartment they were now posted up outside of on this
- 7:42Speaker 2: freezing Chicago morning, Fred Hampton's apartment was stockpiled with nineteen
- 7:48Speaker 2: guns and more than one thousand rounds of ammunition. The
- 7:52Speaker 2: plan was well underway. William O'Neill Hoover's snitch slash, Fred
- 7:57Speaker 2: Hampton's bodyguard had slipped Fred a barbituate after his speech
- 8:01Speaker 2: at the Church of the Epiphany earlier that night, and
- 8:03Speaker 2: the Feds, on his mom's wire tap, literally heard Hampton
- 8:07Speaker 2: pass out mid sentence around one am. He was inside asleep.
- 8:12Speaker 2: The revolution was put on pause, and if the FEDS
- 8:14Speaker 2: had anything to say about it, it would be quelled
- 8:17Speaker 2: completely before sunrise, and they crept up the front stairs,
- 8:22Speaker 2: guns drawn, eight cops, an assassin squad, another six cops
- 8:27Speaker 2: posted up behind the back door. A death trap. The
- 8:31Speaker 2: stairs in the front hall could barely hold the approaching raiders.
- 8:34Speaker 2: They spat out their own burden with every step, creaking
- 8:37Speaker 2: and cracking with each creepy footfall. It was only a
- 8:40Speaker 2: matter of time before the authorities were made and they
- 8:43Speaker 2: were about to lose the element of surprise if they
- 8:45Speaker 2: didn't act fast. Four forty five am, a cop at
- 8:49Speaker 2: the front of the line kicked in Fred Hampton's door.
- 8:54Speaker 2: Panther Mark Clarke, was sitting in a chair on the
- 8:56Speaker 2: other side of the door, a shotgun at his lap.
- 8:58Speaker 2: The security duty the cop shot him instantly direct straight
- 9:02Speaker 2: to the chest. The impact of the shooting caused Mark's
- 9:05Speaker 2: finger to pull the trigger a reflexive desk convulsion. His
- 9:09Speaker 2: gun discharged into the ceiling. Post mortems, they came out
- 9:12Speaker 2: of nowhere and it scared the fuck out of everyone.
- 9:15Speaker 2: But for the raiders it was a fortunate accident. Shots fired,
- 9:19Speaker 2: ship was on, Bullets blasted out from the raiding team
- 9:23Speaker 2: from inside the apartment. The rest of the cops barreled
- 9:26Speaker 2: into the tiny flat. They had one mission, fine Fred Hampton.
- 9:30Speaker 2: They kicked open the bedroom door and there he was dead, asleep,
- 9:34Speaker 2: drugged to the gills. His nine months pregnant fiance had
- 9:37Speaker 2: his side, shouting her pretty little face off. One cop
- 9:40Speaker 2: grabbed her by the hair and dragged her, screaming bloody murder,
- 9:43Speaker 2: out of the bedroom. Fred lay silent, sleeping, drugged, oblivious.
- 9:47Speaker 2: The cops in the room noticed blood on his shoulder.
- 9:49Speaker 2: Somehow he caught a bullet from the initial melee, but
- 9:52Speaker 2: he was alive and still asleep. Harold Bell, a fellow
- 9:55Speaker 2: black panther, was in the other room, hands up on
- 9:58Speaker 2: his knees, surrendering, his eyes and ears wide open. Heard
- 10:02Speaker 2: one cop say to another, that's Fred Hampton, and the
- 10:07Speaker 2: reply is he dead. Bring him out. He's barely alive.
- 10:11Speaker 2: He'll make it. Bring him out, but rustling something being
- 10:15Speaker 2: dragged across wooden floorboards, and then Bell heard two shots,
- 10:21Speaker 2: and the screaming stopped and there was silence. One cop
- 10:26Speaker 2: broke it, saying he's good and dead now. They dragged
- 10:34Speaker 2: Fred Hampton's body into the bedroom doorway and left it
- 10:37Speaker 2: lying in a pool of blood. Then the cops went hunting.
- 10:42Speaker 2: They fired multiple shots into the second doorway, wounding four
- 10:45Speaker 2: other panthers. They dragged their bloody, beaten bodies down the
- 10:48Speaker 2: stairs out into the street and arrested them for assault
- 10:51Speaker 2: and attempted murder of the police officers and Fred Fred
- 10:55Speaker 2: was dead and sadly for the purposes of the revolution,
- 11:00Speaker 2: so was his hustle. Back in Brooklyn, Floria Carter's newborn
- 11:05Speaker 2: baby was very much alive. Despite weighing ten pounds eight ounces,
- 11:09Speaker 2: He flowed easily out of her birth canal. She named
- 11:13Speaker 2: him Sean Sean Carter. He'd one day take on many names.
- 11:18Speaker 2: Jehovah as in Jehovah, as in the god m See
- 11:21Speaker 2: because of his flow, the CEO of the ROC, because
- 11:24Speaker 2: of his hustle, and known the world over as simply
- 11:27Speaker 2: as jay Z. He was born on December fourth, nineteen
- 11:31Speaker 2: sixty nine, and he arrived on the day Fred Hampton died.
- 11:35Speaker 2: Because real hustlers just multiply.
- 12:00Speaker 7: My world.
- 12:01Speaker 8: We were called hustlers in the corporate world to call
- 12:05Speaker 8: CEOs and businessmen.
- 12:07Speaker 2: I used to talk a lot. I was slick, I.
- 12:14Speaker 4: Will slick.
- 12:17Speaker 9: I will.
- 12:20Speaker 2: In a corporate world.
- 12:21Speaker 8: They call that a.
- 12:22Speaker 4: Master community care. Okay.
- 12:25Speaker 8: So here were the parallels between the street hustler, multi
- 12:29Speaker 8: million dollar drug killers who never used drugs, who never
- 12:32Speaker 8: was a part of gangs, who never carried guns, age
- 12:35Speaker 8: nineteen millionaire. So it was in nineteen eighty four and
- 12:44Speaker 8: I embraced a criminal lifestyle. My criminal lifestyle was shaped
- 12:48Speaker 8: by my mentors. I wanted more for my mother. I
- 12:53Speaker 8: wanted more for my mother.
- 12:56Speaker 4: I decided that this was the way for me, which
- 12:59Speaker 4: was for me.
- 13:00Speaker 8: Tickets for tens of thousands of young men in of color,
- 13:04Speaker 8: in inner city communities of Frossen Els.
- 13:06Speaker 2: I was one of those guys. And it's not something
- 13:08Speaker 2: that I'm proud of.
- 13:09Speaker 8: Well, you always have to go back to the beginning.
- 13:12Speaker 2: Of how it began. Ambitious, slick, smooth, cunning. The hustler
- 13:20Speaker 2: is all of these things, but he is also distrusting, insecure,
- 13:24Speaker 2: and paranoid. And right now, in the year of nineteen
- 13:27Speaker 2: ninety four, this Marcia Housing Project's hustler was paranoid is
- 13:32Speaker 2: fuck racing down the New Jersey Turnpike, the drug thoroughfare
- 13:35Speaker 2: between his stash house in Brooklyn and the open markets
- 13:38Speaker 2: he was conquering in Maryland, DC in Virginia. The Nissan
- 13:44Speaker 2: Maximum wasn't the Lexus he wanted, but it did the trick. Reliable, inconspicuous, comfortable,
- 13:50Speaker 2: and most important, it was mechanically tricked out with stealth
- 13:53Speaker 2: hiding spots for his package. The secret compartment in the
- 13:57Speaker 2: interior near the sun roof was the spot A large
- 14:00Speaker 2: stash of crack cocaine was inconspicuously hidden. Only he knew
- 14:04Speaker 2: where it was. The cop who had stopped him a
- 14:07Speaker 2: few minutes ago had no idea, but the German shepherd
- 14:10Speaker 2: from the canine unit most certainly would know, because the
- 14:13Speaker 2: dog was an ace drug tracker. A female, the bitch
- 14:17Speaker 2: had a more balanced temperament than her male counterparts and
- 14:20Speaker 2: was better inclined from meticulous drug tracking. The cop was
- 14:24Speaker 2: waiting on the side of the road, impatient the hustler
- 14:28Speaker 2: and the driver's seat of his Maxima, who was known
- 14:30Speaker 2: on the street simply as Shone and in wrap battle
- 14:33Speaker 2: circles as Jazzy, or increasingly by those back in the
- 14:36Speaker 2: New York hip hop scene who were in awe of
- 14:39Speaker 2: as highly unique flow as jay Z was sweating it.
- 14:43Speaker 2: His heartbeat, raged, pulsated almost through the roof, squirreled, stash
- 14:48Speaker 2: and all when those highway patrol blues flashed behind him,
- 14:51Speaker 2: pulling them over. Luckily the caneine unit was delayed. The
- 14:55Speaker 2: cop grew irritated, pissed the dogs were laid, pissed his
- 14:59Speaker 2: search came up empty. Pissed because he knew this young
- 15:02Speaker 2: black man with the tilted Yankee sprim and out of
- 15:04Speaker 2: state plates was holding pissed he could do nothing about it,
- 15:08Speaker 2: and pissed that he had to let him go freed
- 15:11Speaker 2: from potential arrest. As Jay drove down the Jersey Turnpike
- 15:14Speaker 2: and watched the Canine unit race by him in the
- 15:17Speaker 2: other direction, he called it he had ninety nine problems,
- 15:20Speaker 2: but at a bitch ain't won hit me, and jay
- 15:26Speaker 2: Z dodged a bullet. He knew it. It was only
- 15:29Speaker 2: a matter of time though, before it be caught or killed.
- 15:32Speaker 2: He'd already been shot at three times from close range
- 15:35Speaker 2: and remarkably survived. It was a wake up call. Jay
- 15:39Speaker 2: was egotistical enough to suppose that his unscathed survival was
- 15:43Speaker 2: divine intervention. He was meant for greater things than the
- 15:46Speaker 2: street game. He was special. He knew it. His mother
- 15:49Speaker 2: told him so all the time, and lately she wasn't
- 15:52Speaker 2: the only one. The rap game he'd had one foot
- 15:59Speaker 2: in from his early teens, battling it out on the
- 16:02Speaker 2: Marcy Houses pavement, beating out rhythms on high school cafeteria
- 16:06Speaker 2: tables to rhyme over He could feel the poll the
- 16:09Speaker 2: allure He was damn good, better than most. Every time
- 16:13Speaker 2: he spit a rhyme in the company of others, he
- 16:14Speaker 2: was quickly reminded how good he was, how unique his
- 16:18Speaker 2: flow was. He vanquished all comers. He was invited on
- 16:22Speaker 2: stage with his hero rap pioneer Big Daddy Kane, with
- 16:25Speaker 2: two other lesser known rappers like him who were also
- 16:28Speaker 2: studying at the foot of Kin, Tupac shakor Queen Latifa.
- 16:33Speaker 2: Jay Z stood out in this talented company, HIPing Caine
- 16:36Speaker 2: up on stage, filling in for him on the mic
- 16:38Speaker 2: while he headed backstage for costume changes. Jay Z crushed
- 16:43Speaker 2: Cain started imitating his style. It wasn't long before he
- 16:48Speaker 2: was offered the opportunity to wrap on other MC's tracks.
- 16:51Speaker 2: With every studio guest spot. His reputation grew. But jay
- 16:55Speaker 2: wasn't so easily seduced by the music industry. It was
- 16:58Speaker 2: just another hustle, barely more legit and barely less dangerous
- 17:02Speaker 2: than the drug game. At least out on the street,
- 17:04Speaker 2: you knew where you stood with people in the music business,
- 17:08Speaker 2: a cesspool of suited up vipers. You were getting secretly
- 17:11Speaker 2: shook down while they shook your hand in real talk.
- 17:14Speaker 2: The money was good, but it wasn't that good. It
- 17:16Speaker 2: wasn't like what he was bringing in from his connections
- 17:18Speaker 2: down Interstate ninety five plus. Jay thought most rappers were
- 17:23Speaker 2: complete clowns, pretending to be hustlers, dealers, violent street thugs.
- 17:28Speaker 2: He was already all of these things. The game was
- 17:31Speaker 2: no game. It was not to be fucked with. You
- 17:33Speaker 2: were real or not. You were either in or out, disinterested, hard, real,
- 17:40Speaker 2: street politic, practical minded, criminal minded. Whatever his inclination at
- 17:44Speaker 2: the time, jay Z still knew his fate if he
- 17:47Speaker 2: stayed in the streets, So when others around him continued
- 17:50Speaker 2: to push a rap career, he increasingly softened to the idea.
- 17:54Speaker 2: He couldn't get rhyming out of his system anyway. Since
- 17:57Speaker 2: he was a young boy, he wrote lyrics in his head.
- 18:00Speaker 2: Inspired by the storytelling of Slick Rick and the hard
- 18:03Speaker 2: flow and lyrical prowess of Rakim, Young Sean Carter used
- 18:07Speaker 2: rhymes to form his own internal identity to tell his
- 18:10Speaker 2: own story. For years, he kept that story percolating inside,
- 18:15Speaker 2: honing his craft in private, even though he had next
- 18:18Speaker 2: to no privacy in the notorious Marci projects. After his
- 18:22Speaker 2: father abandoned the family to pursue a blood feud when
- 18:25Speaker 2: Sean was ten. He had been a quiet kid, distrustful.
- 18:29Speaker 2: He told his story in his head on its street
- 18:31Speaker 2: corners while he was hustling, but everyone who heard him
- 18:34Speaker 2: freestyle heard that story spill out. The street hustler brought
- 18:38Speaker 2: to life through rhyme. The story was instantly compelling in
- 18:41Speaker 2: his voice. The sound of it all that natural vulnerability.
- 18:44Speaker 2: It played against Jay's put on cockiness and made him
- 18:47Speaker 2: relatable an a plus reliable narrator. Whatever efforts he made
- 18:52Speaker 2: in the rap game as a young street entrepreneur, they
- 18:55Speaker 2: served as a front for his drug dealing hustle. The
- 18:59Speaker 2: first and the fourteenth of the month, everyone going to
- 19:01Speaker 2: get well the blighted hopelessness of the mid eighties Marsie
- 19:04Speaker 2: housing projects where for some food in the pantry was
- 19:07Speaker 2: timed to buy monthly welfare checks, and crackheads could be
- 19:11Speaker 2: seen being herded like cattle by predatory dealers as soon
- 19:14Speaker 2: as those checks came in. Jay Z was one of
- 19:17Speaker 2: those dealers. There would be no checks for jay Z's mom,
- 19:20Speaker 2: just cash. His old man had split, so Jay would
- 19:23Speaker 2: take what his environment had to offer and he would
- 19:26Speaker 2: provide Marsi houses. This is where teenage jay Z made
- 19:30Speaker 2: his money, and this is where jay Z honed his
- 19:32Speaker 2: musical talent. While making his bones stealing on the street.
- 19:38Speaker 2: He cut his teeth at his mother's kitchen table, reading
- 19:41Speaker 2: the dictionary front to back to improve his vocabulary and
- 19:45Speaker 2: thus his freestyle ability. The learned vocab complimented his natural gift.
- 19:50Speaker 2: He was a master of that syncopated flow, the kind
- 19:53Speaker 2: that slides over the beat like continent slide over tectonic plates,
- 19:57Speaker 2: revealing the volcanic churning underneath only if Jehovah commands it,
- 20:02Speaker 2: and for Jehovah underneath it all deep down, the smooth,
- 20:05Speaker 2: irresistible flow birth the burning fire of ambition. DJ Clark Kent,
- 20:11Speaker 2: who was well aware of Jay's talent, had been trying
- 20:14Speaker 2: to sign Ja to Atlantic Records as soon as Kent
- 20:17Speaker 2: got his an R gig. Jay, Ever, the hustler, smartly
- 20:21Speaker 2: played hard to get. He wasn't interested, and frankly, Kent's
- 20:25Speaker 2: bosses at Atlantic weren't that interested either. Kent knew that
- 20:29Speaker 2: if Jay was going to hustle as an artist, he
- 20:31Speaker 2: needed a business counterpart to take care of the nasty bits,
- 20:35Speaker 2: to push and to protect Jay Kent tooked him up
- 20:39Speaker 2: with Damon Dash, a successful club promoter from up in Harlem.
- 20:43Speaker 2: The idea was that Dame would manage Jay take care
- 20:46Speaker 2: of the business while the god m C took care
- 20:48Speaker 2: of the rhymes. Kent's inclination was that with the right
- 20:52Speaker 2: hustle behind the right hustler, that a record deal would
- 20:54Speaker 2: happen on the quick. Dame Dash was exactly that type
- 20:58Speaker 2: of hustler, and jay Z proved early that his business
- 21:02Speaker 2: instincts were as a stude as his creative ones. When
- 21:06Speaker 2: Atlantic Records eventually passed on jay Z, Jay and Dash
- 21:09Speaker 2: dared to create their own independent record label, Rockefeller Records,
- 21:13Speaker 2: to sell jay Z's debut album, Reasonable Dope. It was
- 21:17Speaker 2: a risk. It was their own money on the table,
- 21:19Speaker 2: and that money would be gone if the record flopped.
- 21:22Speaker 2: To further bet on himself to double down on his instincts,
- 21:25Speaker 2: Jay then had the audacity to proclaim that this his
- 21:29Speaker 2: first record would be his last. It was unheard of
- 21:32Speaker 2: where other rappers were practically begging for music industry kingmakers
- 21:36Speaker 2: to put out their records. Jay was like, yeah, I'm
- 21:38Speaker 2: all set, I'll do one and then bounce. Jay had
- 21:41Speaker 2: a new kind of attitude, and he had something to say,
- 21:44Speaker 2: and the streets were his story. He was the real deal.
- 21:47Speaker 2: He had a budding and waiting audience for his debut
- 21:50Speaker 2: because of his reputation on the street and the buzz
- 21:53Speaker 2: he created by proclaiming that his music career would end
- 21:56Speaker 2: almost as soon as it began. It was a master stroke,
- 21:59Speaker 2: and anticipation for the album built up and on its
- 22:02Speaker 2: release via distribution deal, Jay and Dame hooked up with
- 22:05Speaker 2: Priority Records in the summer of nineteen ninety six. Jay
- 22:09Speaker 2: Z's Reasonable Doubt debuted at number twenty three on the
- 22:12Speaker 2: Billboard two hundred and charted for eighteen weeks, ultimately going platinum.
- 22:22Speaker 2: Once the word was out, Jay's rise to the top
- 22:25Speaker 2: was as smooth as the ride in the new Lexus
- 22:27Speaker 2: he purchased. After Reasonable Doubt, Rockefeller leveled up to a
- 22:31Speaker 2: distro deal with def jammed release. Of course, his next album,
- 22:34Speaker 2: Forget That One and Done Bullshit. Jay was now a
- 22:37Speaker 2: Star in My Life Volume one, which was followed a
- 22:40Speaker 2: year later by volume two, Hard Knock Life, with the
- 22:43Speaker 2: monster single of the same name that traded on a
- 22:45Speaker 2: little orphan anty riff of all damned things and led
- 22:48Speaker 2: to the record being certified platinum five times. Over another year,
- 22:53Speaker 2: another album, The Hustle Never Stopped. In nineteen ninety nine,
- 22:57Speaker 2: jay Z was set to release Volume three, The Life
- 23:00Speaker 2: Times of s Carter, with a rumored collaboration with pop
- 23:03Speaker 2: princess Mariah Carey. Nineteen ninety nine was also the year
- 23:08Speaker 2: Jay and Dame founded the fashion label Rockawaar. Endorsement deals
- 23:12Speaker 2: with other brands weren't an option, no problem. Start your
- 23:15Speaker 2: own brand, trade on the trends you were setting. Trade
- 23:18Speaker 2: on that mafioso hood rap, take three sewing machines in
- 23:22Speaker 2: a barren downtown office and spin off eighty million in
- 23:24Speaker 2: profit in just eighteen months. Fuck the middleman. It was
- 23:28Speaker 2: a valuable lesson. Own that shit. Be your own boss,
- 23:31Speaker 2: just like you were back in the corner. Don't take
- 23:33Speaker 2: no shit off anyone ever. Use your own hustle. Use
- 23:37Speaker 2: your hustle to get to where you need to get
- 23:39Speaker 2: to by any means necessary, just like Malcolm, Just like Fred.
- 23:43Speaker 2: But be smart, stay on the right side of that violence.
- 23:48Speaker 4: We'll be right back after this word word word, by
- 23:55Speaker 4: any means necessary.
- 24:03Speaker 5: To get the criminal of his band when our criminals
- 24:05Speaker 5: bats missed mules in me.
- 24:07Speaker 10: I am going to healse whatever necessary to get that
- 24:10Speaker 10: criminal off my ban.
- 24:14Speaker 6: Brian Hemby leaves.
- 24:21Speaker 2: Sean Puff Daddy Combs arrested December nineteen ninety nine on
- 24:25Speaker 2: gun charges after a shooting in a Manhattan club. DMX
- 24:29Speaker 2: arrested on gun charges and animal cruelty in New Jersey,
- 24:32Speaker 2: Old Dirty Bastard possession of marijuana and crack cocaine. Something
- 24:37Speaker 2: was going on in the New York City hip hop scene.
- 24:40Speaker 2: It all went back to the murders of Tupac Shakor
- 24:43Speaker 2: and Jay Z's Brooklyn brother in arms, Christopher Biggie Small's
- 24:46Speaker 2: Wallace aka the Notorious Big. The killings didn't happen in
- 24:51Speaker 2: New York, but their infamy in the minds of New
- 24:54Speaker 2: York's finest had justified the formation of the NYPD's latest initiative,
- 24:59Speaker 2: the Hip Hop Task Force, or, as they took to
- 25:02Speaker 2: calling themselves, the Rap Squad. Their mandate keep tabs on
- 25:06Speaker 2: New York City's big name mcs. Their entourages, rate the
- 25:10Speaker 2: danger of shootouts, other violence or drug charges make arrests
- 25:14Speaker 2: make headlines. If gangster rap had lyrically picked up on
- 25:18Speaker 2: the more violent strains of black sixties radicalism by way
- 25:21Speaker 2: of Compton realism. Then it only made sense that, just
- 25:25Speaker 2: like Fred Hampton's Black Panthers, rap would have its own
- 25:28Speaker 2: hooveresque intelligence units keeping tabs from coast to coast. So
- 25:34Speaker 2: Jay heard the rumor of the squad, but it had
- 25:36Speaker 2: worried him little. He was clean, Dealing drugs was in
- 25:39Speaker 2: the past. Making records was than now, and he had
- 25:42Speaker 2: a banger of an album about to drop, Volume three,
- 25:46Speaker 2: The Life and Times of s Carter, in just a
- 25:48Speaker 2: few weeks. He was hoping to hit half a million
- 25:51Speaker 2: in sales in the first seven days. Certify that shit
- 25:54Speaker 2: a massive success from the jump, just like everything else
- 25:57Speaker 2: he touched. But there was a problem. The record had
- 26:00Speaker 2: been bootlegged a month in advance of its drop, on
- 26:04Speaker 2: the heels of the highly successful pre released single collaboration
- 26:07Speaker 2: with Mariah Carey for the song Heartbreaker, a song that
- 26:10Speaker 2: hit number one on the Billboard chart and a song
- 26:13Speaker 2: that had set up the record for explosive sales upon
- 26:16Speaker 2: its release. It was all in jeopardy due to the
- 26:19Speaker 2: album being bootlegged. Sales were about to be drastically affected
- 26:23Speaker 2: in a negative way, and the album blasted out of
- 26:25Speaker 2: car stereos all over Manhattan weeks before it hit record stores.
- 26:30Speaker 2: Bootlegs of live shows traded among diehard fans, had a
- 26:33Speaker 2: long history in the industry, but at the dawn of
- 26:36Speaker 2: the Internet, bootlegging meant file sharing, not mixtapes. The cost
- 26:40Speaker 2: of making infinite new copies of a track was zero,
- 26:44Speaker 2: no digital rights management software, and the sun was setting
- 26:48Speaker 2: fast on the days of the five time platinum albums
- 26:50Speaker 2: like Jay's Last One and a bootleg in nineteen ninety
- 26:53Speaker 2: nine could drop the floor out from under any album
- 26:56Speaker 2: to the tune of millions of dollars. Every effort was
- 26:59Speaker 2: made to root out the bootleker. Like Fred Hampton's William O'Neil.
- 27:03Speaker 2: Jay Z's rat Fuck came from the inside. Ever paranoid
- 27:07Speaker 2: and distrustful, his hustler instincts told him so, and when
- 27:11Speaker 2: Jays started leaning on coworkers, a Rockefeller, one name kept
- 27:15Speaker 2: coming back on him. Lance On rivera former business partner
- 27:19Speaker 2: to the notorious Big On as he was called, had
- 27:23Speaker 2: produced a track on Jay's forthcoming record and presumably had access.
- 27:28Speaker 2: December one, nineteen ninety nine, Midtown Manhattan, the Kitcat Club,
- 27:34Speaker 2: the release party for the heavily anticipated solo debut by
- 27:37Speaker 2: Q Tip from a tribe called Quest Sean, Puffy Comb's
- 27:41Speaker 2: Little Kim Busted Rhymes, and the Little Cease all on
- 27:44Speaker 2: the scene. Jay z rolled up late and deep with
- 27:47Speaker 2: his entourage behind him. At the bar Lance on Rivera,
- 27:52Speaker 2: Jay spied him confronted him with the bootlegking allegation, fuck that,
- 27:56Speaker 2: fuck you. I didn't bootleg shit. Who do you think
- 27:58Speaker 2: you even talked to? Fuck in my face you. Jay
- 28:02Speaker 2: headed back to the bar, blinders on rage, pulsing darkness,
- 28:07Speaker 2: closing in that feeling of being fucked with, losing control,
- 28:11Speaker 2: being disrespected, dissed and dismissed unacceptable in Jay's previous occupation,
- 28:16Speaker 2: when you were disrespected, and especially if someone took money
- 28:19Speaker 2: out of your pocket, you not only stood your ground,
- 28:22Speaker 2: you let that motherfucker know you were not to be
- 28:24Speaker 2: fucked with by any means necessary. It was survival, and here,
- 28:29Speaker 2: right now in the KitKat club, that familiar survival instinct
- 28:33Speaker 2: kicked in and took over. Jay turned around, beat a
- 28:41Speaker 2: line straight back to the bottle in one hand, knife
- 28:44Speaker 2: in the other. He got up on him quick. Witnesses
- 28:47Speaker 2: say Jay spoke direct to Ala, Michael Corleoni, Delfredo Lance,
- 28:51Speaker 2: You broke my heart and then smashed the bottle over
- 28:54Speaker 2: UN's brother's head a quick distraction before plunging the five
- 28:57Speaker 2: inch blade into uns cut. Fuck you, bootleg boy. Let
- 29:01Speaker 2: that be a lesson. All hell broke loose in the club.
- 29:05Speaker 2: Jay Z and his entourage escaped without a rest, but
- 29:08Speaker 2: words spread fast. It was Jigga who did a payback
- 29:12Speaker 2: for bootlegging his new record lance On Rivera's life was
- 29:17Speaker 2: never in serious danger though the stabbing was not life threatening,
- 29:21Speaker 2: but the threat to jay Z's freedom was now very serious.
- 29:25Speaker 2: NYPD's rap squad was on the prawl, and by the
- 29:28Speaker 2: end of the week, jay Z voluntarily turned himself into
- 29:31Speaker 2: Manhattan's Midtown South precinct. The top rap store is busted.
- 29:41Speaker 9: Jay Z turned himself into Night and the cops started
- 29:43Speaker 9: working on his ram sheet, accusing him of a stabbing
- 29:47Speaker 9: at a trendy party.
- 29:48Speaker 5: Kimberly Richardson is at Midtown South right now Kimberland No wasnded.
- 29:51Speaker 7: Just a few hours ago, police here at Midtown South
- 29:54Speaker 7: arrested Sean Carter, better known as jay Z the Rap Star,
- 29:58Speaker 7: voluntarily turned himself in here at the precinct earlier this evening.
- 30:02Speaker 7: Now Carter is being held here in connection with that
- 30:04Speaker 7: stabbing fight that erupted at the KitKat Club last night.
- 30:08Speaker 7: But just a few moments ago, Carter's attorney had this
- 30:11Speaker 7: to say, He's not involved in this.
- 30:15Speaker 3: He's not involved. I have my faults. You know, I'm
- 30:33Speaker 3: not an appropriate persons. I have my DOC days also,
- 30:40Speaker 3: you know I have my doc days.
- 30:50Speaker 6: Also.
- 30:50Speaker 2: You know.
- 30:57Speaker 3: I have my doc days also.
- 30:59Speaker 4: You know.
- 31:06Speaker 2: When the smoke cleared, Jay Z was charged with the
- 31:08Speaker 2: stabbing of Lance on Rivera. Jay pleaded not guilty, gambling
- 31:13Speaker 2: over a potential fifteen year prison sentence, he lawyered up
- 31:17Speaker 2: taking a cue from his buddy Sean Puff Daddy Combs,
- 31:20Speaker 2: who was at the time facing his own indictment for
- 31:23Speaker 2: gun and bribery charges and staring down fifteen years himself.
- 31:27Speaker 2: Puffy's attorney was notorious mob lawyer Murray Richmond, who had
- 31:31Speaker 2: famously defended members of all five New York families at
- 31:34Speaker 2: different times, most notably John Gotti, and was known for
- 31:38Speaker 2: his colorful quips to the press, having reportedly said, I
- 31:42Speaker 2: love murder. Always one less witness to worry about. Murray
- 31:47Speaker 2: Richmond may have been a smart ass, but he was
- 31:50Speaker 2: not without smarts. Sitting in jay Z's Trump Tower suite
- 31:54Speaker 2: ahead of Jay's day in court, he could see the
- 31:56Speaker 2: writing on the wall. The two of them were playing
- 31:58Speaker 2: cards and watching car average of Puffy's trial on repeat.
- 32:02Speaker 2: The local New York channels seemed to be covering at
- 32:04Speaker 2: twenty four to seven. A block away from Puffy's trial,
- 32:08Speaker 2: the terrorists accused of truck bombing the World Trade Center
- 32:11Speaker 2: in nineteen ninety three were also on trial, and the
- 32:15Speaker 2: press could give a shit. It was all puffey all
- 32:18Speaker 2: the time. To those as street smart as Murray Richmond
- 32:21Speaker 2: and Jay Z, it was a clear sign Jay's trial
- 32:25Speaker 2: would be just as big of a deal as puff Daddy's,
- 32:27Speaker 2: and thus prosecutors would be twice as aggressive as they
- 32:30Speaker 2: normally would. And there was only one smart thing to do,
- 32:35Speaker 2: plead guilty. So that's what jay Z did. After a negotiation,
- 32:40Speaker 2: he pleaded guilty to a misdemeanor assault charge for the
- 32:43Speaker 2: stabbing of Lance on Revera. He took a three year
- 32:47Speaker 2: probation settlement with the state and reportedly settled out of
- 32:50Speaker 2: court with Rivera for somewhere between five hundred thousand and
- 32:53Speaker 2: one million dollars. It is unclear with the Lance Rivera
- 32:57Speaker 2: ever did bootleg Jay's album, but it didn't matter. Jay
- 33:00Speaker 2: Z has gone on to say that the event was
- 33:03Speaker 2: in a way a blessing. It straightened him out, caused
- 33:06Speaker 2: him to change his ways, to leave the street behavior
- 33:09Speaker 2: behind and incorporate his hustle in a whole new manner
- 33:12Speaker 2: in a way that would make him fabulously successful in
- 33:15Speaker 2: the wealthiest Black musician of all time.
- 33:30Speaker 6: Touched million over the years. Of the years I've been
- 33:37Speaker 6: thought of the award, the former the former.
- 33:42Speaker 10: Mccipient, This is the top is the moment of my.
- 33:49Speaker 6: Little walk on a little walk off site.
- 33:52Speaker 10: And I've been doing a little wanting a little more
- 33:55Speaker 10: fighting the day and I did five years ago. That's
- 33:59Speaker 10: because but I want I can as I had any.
- 34:03Speaker 6: Had a bad Let me see see, how would you
- 34:10Speaker 6: like to be remembered well?
- 34:13Speaker 1: But uh, I would like to be remembered as a
- 34:16Speaker 1: man who brought a UH.
- 34:19Speaker 10: Innovation to popul the scene, a peculiar, unique special. I
- 34:24Speaker 10: would like to be remembered as a man who had
- 34:26Speaker 10: a wonderful time lived in his life and who had
- 34:30Speaker 10: a good friends.
- 34:31Speaker 5: Find family.
- 34:32Speaker 10: And I don't I don't think I could answer it anymore.
- 34:34Speaker 4: About h N recalling the Motsan Squarden, New York City.
- 34:58Speaker 10: And here.
- 35:00Speaker 4: Stork only on three.
- 35:38Speaker 2: Jay Z was retiring at thirty three years old. This
- 35:42Speaker 2: was his last show, Madison Square Garden in New York,
- 35:46Speaker 2: King of the Concrete Jungle where dreams are made, so
- 35:49Speaker 2: that empire state of mind going out on top the
- 35:52Speaker 2: new Sinatra. Jay Z made it there, He made it everywhere.
- 35:56Speaker 2: Since the stabbing incident, He'd settled down A rumor had
- 36:00Speaker 2: a Jay had hooked up with pop goddess Beyonce. A
- 36:03Speaker 2: culture shaking power couple was on the make, and jay
- 36:06Speaker 2: Z's personal stock was on the rise. He was maneuvering
- 36:10Speaker 2: a break between him and his Rockefeller business partner, Dame.
- 36:13Speaker 2: Dash for J was an effort to leave that street
- 36:16Speaker 2: hustle behind completely. Dame was an old dog. New tricks
- 36:20Speaker 2: in the boardroom were not an option. The split would
- 36:24Speaker 2: not be amicable. Jay was in demand, Dame was still
- 36:28Speaker 2: on that street grind. J was being courted by nearly
- 36:31Speaker 2: every major record label to take their reins and lead
- 36:34Speaker 2: them into the twenty first century. It was clear to
- 36:37Speaker 2: label suits on both coasts that J had an inscrutable
- 36:40Speaker 2: eye for talent he recruited, collaborated with, and helped launch
- 36:44Speaker 2: the careers of Pharrell Williams, Kanye West, and others. Of
- 36:49Speaker 2: all the labels who came calling, def Jam offered the
- 36:52Speaker 2: most value to jay In addition to being an iconic
- 36:55Speaker 2: record label with artists who in part provided the musical
- 36:58Speaker 2: building blocks to jay Z these formative years, ll Cool Jays,
- 37:02Speaker 2: Slick Rick, Public Enemy, and Beastie Boys. Def Jam was
- 37:06Speaker 2: also a Rockefeller Records parent company, so def Jam already
- 37:10Speaker 2: owned fifty percent of Rockefeller, and they also own the
- 37:13Speaker 2: master recordings to jay Z's records. Otherwise known in the
- 37:17Speaker 2: music business as the masters and artist masters are a
- 37:22Speaker 2: potential gold mine of future profits, especially for an artist
- 37:25Speaker 2: as successful and prolific as JZ. It's extremely rare for
- 37:30Speaker 2: major label artists to own and maintain control of their masters.
- 37:33Speaker 2: It's a right that is reserved for the biggest, most
- 37:36Speaker 2: successful artists of all time, if at all we're talking
- 37:40Speaker 2: about the Michael Jacksons and Bruce Springsteen's of the world,
- 37:43Speaker 2: and even then, the right to own one's masters is
- 37:45Speaker 2: a right that is hard fought and rarely won in
- 37:50Speaker 2: a business move so cunning it can only be described
- 37:52Speaker 2: as Michael Corleone esque. Jay Z vanquished Dame Dash and
- 37:57Speaker 2: seized control of his Masters at the same time. After
- 38:01Speaker 2: the release of his supposed last album, The Black Album,
- 38:04Speaker 2: in his retirement show at Madison Square Garden, jay Z
- 38:08Speaker 2: accepted the position as president and CEO of def Jam
- 38:11Speaker 2: Recordings in exchange for ownership of his master's reverting to him.
- 38:16Speaker 2: As part of the deal, Dame Dash would stay on
- 38:19Speaker 2: to run Rockefeller, but Rockefeller would have to sell its
- 38:22Speaker 2: remaining fifty percent of the company to deaf Jam. The
- 38:25Speaker 2: result would mean a cash windfall for Dame Dash, but
- 38:29Speaker 2: with jay Z now running deaf Jam and def Jam
- 38:32Speaker 2: now fully owning Rockefeller, in effect, it also meant that
- 38:36Speaker 2: jay Z not only controlled his Master Recordings, but he
- 38:39Speaker 2: also controlled his former label, Rockefeller, and by extension, his
- 38:44Speaker 2: former business partner, the now flush but powerless by comparison
- 38:48Speaker 2: to Jay head of Rockefeller, Dame Dash. Needless to say,
- 38:53Speaker 2: this was an arrangement that did not hold for Dame Dash.
- 38:55Speaker 2: He quickly split to start a different record label, Rock
- 38:58Speaker 2: for Life. It's been said before, but it's true. Jay
- 39:05Speaker 2: Z brought his street hustle to the boardroom and it
- 39:07Speaker 2: didn't stop with def Jam. When hustlers start to stack
- 39:10Speaker 2: their paper more money than they can spend on cars
- 39:13Speaker 2: and jewelry and women, the move is to put the
- 39:16Speaker 2: money back out onto the street and have it make
- 39:18Speaker 2: more money. For jay Z, the street hustle was over.
- 39:22Speaker 2: He put his money into the free market with a
- 39:24Speaker 2: series of brilliant investments. He broke off two million for
- 39:28Speaker 2: Uber as the ride share company was launching. He then
- 39:32Speaker 2: unsolicited wired another three million to company founders for a
- 39:35Speaker 2: bigger steak, and they returned it, but regardless, Jay's investment
- 39:39Speaker 2: is now worth a reported seventy million, and Jay was
- 39:42Speaker 2: brought in as part owner of the Brooklyn Nets NBA franchise.
- 39:46Speaker 2: He invested in the Uber of the air, the private
- 39:49Speaker 2: jet app Jet Smarter. There's his sports club franchise, the
- 39:52Speaker 2: forty forty Club, and of course he retains a steak
- 39:55Speaker 2: in rock Aware after selling a majority of the company
- 39:58Speaker 2: to Iconics for two hundred and f four million dollars.
- 40:02Speaker 2: In addition to his many real estate holdings, jay Z's
- 40:04Speaker 2: art collection consists of picassos and basquettes, and, in a
- 40:08Speaker 2: move rivaling the cunning of the deaf Jam deal, jay
- 40:11Speaker 2: Z purchased a majority stake in the streaming service Title
- 40:14Speaker 2: in order to control the distribution of his master recordings,
- 40:18Speaker 2: which has in turn allowed him to make record breaking
- 40:20Speaker 2: marketing deals for his current recordings. Oh Yeah, he unretired
- 40:23Speaker 2: from making music again with Megabrand, Samsung in Sprint. After
- 40:28Speaker 2: Jay's tenure at def Jam, he started rock Nation, another
- 40:31Speaker 2: record label, a music management company, and a sports agency
- 40:35Speaker 2: all rolled into one to steer the careers and pull
- 40:38Speaker 2: in ten to twenty percent in fees from artists and
- 40:40Speaker 2: athletes like Rhianna, Nick Jonas, and Domakin Sioux. In the
- 40:44Speaker 2: Beta Boy himself, Kyrie Irving, along with Bacardi, jay Z
- 40:49Speaker 2: is the co owner of the Kangnac company Duce, and
- 40:52Speaker 2: to date, his smartest investment was his purchase of the
- 40:55Speaker 2: champagne company armand Dabrignac for an estimated two hundred million,
- 41:00Speaker 2: which has given him a return of roughly three hundred million,
- 41:03Speaker 2: which is thirty percent of Jay's portfolio and a move
- 41:06Speaker 2: that pushed his net worth to more than a billion dollars. Remarkably,
- 41:11Speaker 2: with all of his music success, profits from his recordings
- 41:15Speaker 2: and publishing only amount to about seventy million dollars. The
- 41:18Speaker 2: totality of his financial success has elevated jay Z far
- 41:22Speaker 2: beyond the music industry. The self made man from the
- 41:25Speaker 2: Marci Housing Projects now rubs elbows with Warren Buffett, Bill Gates, and,
- 41:30Speaker 2: perhaps most famously, Barack Obama ambition. Absolutely talent, without a doubt.
- 41:37Speaker 2: As a rapper, jay Z is the goat. He's Tom Brady, Air, Jordan,
- 41:42Speaker 2: Mike Tyson, Jimmy Hendrix, and Frank Sinatra all rolled into one.
- 41:46Speaker 2: And not just because he has more number one albums
- 41:49Speaker 2: than Elvis Presley or Michael Jackson or Prince or Elton
- 41:52Speaker 2: John or Madonna or anyone ever in the history of music,
- 41:56Speaker 2: with the exception of the Beatles, and not because of
- 41:58Speaker 2: his unmistakable flow, a technique uniquely his immediately recognizable as
- 42:03Speaker 2: jay Z. It's because of his hustle, a work ethic
- 42:08Speaker 2: learned on the corner selling crack, reciting rhymes in his
- 42:11Speaker 2: head over and over Jehovah, so focused that to this
- 42:15Speaker 2: day the man does not actually write his lyrics on paper.
- 42:19Speaker 2: It's all flow, all the time. For jay Z. The
- 42:22Speaker 2: hustle wasn't just a means of survival in Brooklyn's Marcia
- 42:25Speaker 2: Housing projects. It was a lifelong learning experience, an evolution.
- 42:31Speaker 2: Jay Z was smart enough to use the street to
- 42:34Speaker 2: propel him out of his circumstance, but once that street
- 42:37Speaker 2: hustle threatened to tear him down with his violent approach
- 42:39Speaker 2: to conflict resolution, jay Z was smart enough to recognize
- 42:43Speaker 2: that a new hustle was needed to survive, to thrive,
- 42:47Speaker 2: because real hustlers never die, they just multiplied. This isn't
- 42:52Speaker 2: a new rule, this is ancient wisdom of the Alpha
- 42:55Speaker 2: of the ascendant ones. Jay Z's illumination is no longer
- 42:59Speaker 2: a mystery, and for some, for those who hold the keys,
- 43:02Speaker 2: who know the code to the Magna Carta, the map
- 43:05Speaker 2: to the Holy Grail, that is a disgrace. I'm Jake
- 43:10Speaker 2: Brennan and this is Disgraceland.
- 43:26Speaker 9: Disgraceland was created by Yours Truly and is produced in partnership.
- 43:30Speaker 2: With Double Elvis. Credits for this episode can be found
- 43:33Speaker 2: on the show notes page at disgracelampod dot com. If
- 43:37Speaker 2: you're listening as a Disgraceland All Access member, thank you
- 43:40Speaker 2: for supporting the show.
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- 43:51Speaker 9: ad free, Plus you'll get one brand new exclusive episode
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- 44:17Speaker 9: Rock a Roller, He
- 44:20Speaker 4: The bed Don Man