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The Resurrection Episode Fourteen The Rising Of Cane · Arroe Collins Like It's Live

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  Speaker 1: You like making discoveries right? How about Arrow dot net,
• 0:03
  Speaker 1: Rroe dot net. Not a podcast but a podcast network,
• 0:07
  Speaker 1: twenty different podcasts to choose from. Like street Speak with
• 0:10
  Speaker 1: Alexa and Clarence. It's one man, a Hugh Man having
• 0:16
  Speaker 1: a conversation with AI technology. What are the comparisons? Do
• 0:22
  Speaker 1: they have anything to compare with? Alexa and Clarence Street
• 0:27
  Speaker 1: Speak on Ero dot net, arr Oe dot net. Enjoy
• 0:31
  Speaker 1: your exploration. My name is Erro. Do you believe in resurrections?
• 0:38
  Speaker 1: I mean they happen every day? But are you willing
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  Speaker 1: to listen, to participate, to explore and find newer ways
• 0:44
  Speaker 1: to understand? This podcast isn't about what we study and
• 0:49
  Speaker 1: see through the eyes of religion. My boy boy Ernie
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  Speaker 1: spoke with me each chance we had together. But this
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  Speaker 1: isn't about resurrecting a spiritual brother of nearly thirty four years.
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  Speaker 1: This resurrection is that of a writing instrument, verbal documentation
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  Speaker 1: of what some may call a vision quest trusting the
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  Speaker 1: great mysteries of life. Tools are handed to us to
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  Speaker 1: carve out each expectation. This tool was laid to rest
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  Speaker 1: inside a forest to experience the elements of reality while
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  Speaker 1: connecting with a universe that unconditionally shares its stories, But
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  Speaker 1: who's writing it? Welcome to the Resurrection.
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  Speaker 2: We are in the park right now, going over to
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  Speaker 2: the third writing instrument that we shared with the soil
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  Speaker 2: about forty four days ago, I think is what I counted,
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  Speaker 2: So it'll be the first time that this writing instrument
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  Speaker 2: has been above the soil. But the thing is is
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  Speaker 2: that as we walk in that direction, the question is
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  Speaker 2: is it still there? Was it washed away by storms
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  Speaker 2: that we've had here in the southeast. It did somebody
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  Speaker 2: come by dig where I was, They saw me putting
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  Speaker 2: it in soil and they took it. You don't know
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  Speaker 2: until you get there. We've entered the area where the
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  Speaker 2: writing instrument is, and now, of course my imagination is going,
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  Speaker 2: well where did you put it? So I think as
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  Speaker 2: we step off the path right here, we're going through
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  Speaker 2: a lot of the white Pine area, white pine leaves.
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  Speaker 2: I know the vicinity of where it is. Not godfig no,
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  Speaker 2: I got it. I mean there it is. Oh my god,
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  Speaker 2: it's wet as all can be. Oh it's yeah, yeah, yeah,
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  Speaker 2: that it's it's it's on it. It's got a plastic background,
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  Speaker 2: but of course it's got the new container that we're
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  Speaker 2: going to use. But yeah, it's it's in a Oh
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  Speaker 2: my god, it's all nasty.
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  Speaker 3: Look at that.
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  Speaker 2: Do you think it will work?
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  Speaker 3: That's that's not a sealed plastic.
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  Speaker 2: No, no, you can tell that the weather got this.
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  Speaker 3: Oh god, no, no, no, no, no, Oh, I don't
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  Speaker 3: Oh this is nasty.
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  Speaker 2: We are back in the r V. I've got my ink.
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  Speaker 2: It's gonna be an ink. Well, because this is a
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  Speaker 2: fountain pin who I hate that word term or that
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  Speaker 2: word fountain instrument or writing instrument.
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  Speaker 3: Uh.
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  Speaker 2: The ink that I'm using is Parker ink. You have
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  Speaker 2: to be very careful because these things are like always overflowing.
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  Speaker 2: I don't want this ink anywhere near the RV. So
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  Speaker 2: now what I'm going to do is I'm going to
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  Speaker 2: get into the actual plastic. This will be the last
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  Speaker 2: time this plastic is part of the writing instrum because
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  Speaker 2: we have a protective case that it's going to go
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  Speaker 2: into when we return into the soil in three days.
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  Speaker 2: It's pretty strong, pretty strong. Okay, the plastic case is
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  Speaker 2: absolutely nasty. But look at how beautiful it is without
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  Speaker 2: the plastic. I mean, there's not any dirt or any
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  Speaker 2: weather on it.
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  Speaker 3: At all.
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  Speaker 2: So the interesting how the where you would put the
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  Speaker 2: bladder of the writing instrument. It's very loose, as if
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  Speaker 2: somebody had unloosened it. Yep, it was the devil. Okay,
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  Speaker 2: So no ink has been on the inside of this.
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  Speaker 2: You are my witness, so I get perfectly clear, right, Okay,
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  Speaker 2: no ink?
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  Speaker 3: Okay.
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  Speaker 2: So now I just want to and we're gonna call
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  Speaker 2: this cane because of where we are. God, that's a
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  Speaker 2: beautiful nib, too, m untouched nib. All right, here comes
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  Speaker 2: the dip ah any time is eleven o nine am.
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  Speaker 2: It's writing. Wow, Wow, it writ's really nice, very nice.
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  Speaker 2: Not as smooth as a moblong, but it's got some
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  Speaker 2: drag to it. That could be because the nib is
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  Speaker 2: so new to It's been a fascinating journey with a
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  Speaker 2: third resurrection, resurrection meaning the rising of the writing instrument,
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  Speaker 2: this one at Caine Creek. The writing instrument. I don't
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  Speaker 2: know if I've done this in past episodes, but the
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  Speaker 2: name of it is kine to represent the area that
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  Speaker 2: it is living within. And it was very interesting to
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  Speaker 2: use it to write with it in all of my
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  Speaker 2: journals last night because it's almost like it's gonna sound
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  Speaker 2: so crazy, like a very special friend, a visitor, a
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  Speaker 2: family member, And if you're religious, it's almost like a
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  Speaker 2: missionary has stopped in for a few lessons that other
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  Speaker 2: people can learn from. But I spent so much time
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  Speaker 2: describing in all of these journals why the writing instrument
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  Speaker 2: was in the soil, what I expected from it, and
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  Speaker 2: you know, what are the expectations once it's been freed
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  Speaker 2: from the soil. But then it started hitting me in
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  Speaker 2: the heart when I said, wait a second, just like
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  Speaker 2: that missionary that you spoke of, this connection with this
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  Speaker 2: writing instrument, Kane will go back into the earth in
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  Speaker 2: just forty eight hours and it will stay there until
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  Speaker 2: the next time that you return to this unbelievable piece
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  Speaker 2: of land with the stream, with the beauty of the lake,
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  Speaker 2: and how it is surviving this drought. It's a worse
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  Speaker 2: since two thousand and eight. I mean, the evidence is there.
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  Speaker 2: You can see that there's a drought, but you can't
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  Speaker 2: help but wonder what else is nature saying about the drought?
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  Speaker 2: And I think that's what I'm going to learn from
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  Speaker 2: the writing instrument today, is that you can speak to
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  Speaker 2: me without having to explain your story. This is what
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  Speaker 2: learning is all about. Speak to me, almighty Pan. Kind
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  Speaker 2: of interesting how the returning of the writing instrument to
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  Speaker 2: the soil today, Cain is what the writing instrument is called.
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  Speaker 2: And as we walk through the forest this early in
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  Speaker 2: the morning, we have a full moon, so the writing
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  Speaker 2: instrument will be returning to the soil with a full moon.
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  Speaker 2: And the birds are just singing so brightly this morning.
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  Speaker 2: A cool temperature on a fourth of July weekend that
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  Speaker 2: it's scheduled to be into the high one hundreds when
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  Speaker 2: it comes to the heating index. So it's going to
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  Speaker 2: be very interesting. And I thank god that I did
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  Speaker 2: take the chance to create and to put together a
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  Speaker 2: protective box for the writing instrument, because somewhere along the line,
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  Speaker 2: I heard it in my heart that we were going
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  Speaker 2: to do something unique and different, and that is we
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  Speaker 2: weren't just going to let this writing instrument be in
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  Speaker 2: the soil for forty days. It was always going to
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  Speaker 2: be in the soil from this day forward. But it's
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  Speaker 2: very interesting, and I wish you could see this, is
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  Speaker 2: that as we make our way into the forest, is
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  Speaker 2: coming up on my left hand side and to my
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  Speaker 2: right hand side is that full moon so I've got
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  Speaker 2: both sets of energy right here in this moment before
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  Speaker 2: this writing instrument returns to the soil, and I do
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  Speaker 2: not know when I'm going to return, And that, to me,
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  Speaker 2: as a writer, is the great mystery.
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  Speaker 1: The resurrection. It's a true story. Learn more about this
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  Speaker 1: forest and my boy boy Ernie on Arrow dot net,
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  Speaker 1: a r re dot net. His story, his journey a
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  Speaker 1: new path with the Writing Instrument are available on the
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  Speaker 1: podcast the lyrics from Ernie's Forest. Future episodes of this
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  Speaker 1: podcast will focus on the transition of materialistic value to
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  Speaker 1: that of an authentic storyteller. The ice storms, a record
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  Speaker 1: setting eleven inches of snow, the fear of walking to
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  Speaker 1: the gravesite to find nothing, The resurrection, faith, hope, forgive
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  Speaker 1: and discovery. What lessons will the writing instrument bring back
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  Speaker 1: to the surface of walking forward? Let it rise above
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  Speaker 1: our tears.