Latest / Movie Meltdown / 216: Jennifer Lawrence and the Road to Stardom
Transcript
- 0:10Speaker 1: Hi, my name's Jennifer Lawrence, and you're listening to Movie Meltdown.
- 0:15Speaker 2: It's showtime. The following feature has been rated R by
- 0:19Speaker 2: the Motion Picture Association of America. It is intended for
- 0:22Speaker 2: mature audiences, and parental discretion is advised.
- 0:26Speaker 3: Our nuclear reactor pumping out one million kilowatts of power.
- 0:56Speaker 4: Provide more cooling in the containment chamber.
- 0:58Speaker 5: To your citizens, we have a movie meltdown.
- 1:01Speaker 6: Well, Jennifer, just relax, take it slow, and let the
- 1:05Speaker 6: good times roll.
- 1:16Speaker 7: What's up and welcome to Movie Meltdown. I'm Brian.
- 1:18Speaker 5: I'm Fred.
- 1:19Speaker 3: I'm Lucy.
- 1:20Speaker 7: And we are coming to you live via digital recording
- 1:22Speaker 7: from the Alley Theatre. And with that, we have not
- 1:25Speaker 7: one but two new people sitting in this week, one
- 1:28Speaker 7: of whom is connected to this place. So first, we'll
- 1:31Speaker 7: get to Philip. Philip, I've known you forever, so I've
- 1:35Speaker 7: been trying for quite a while to lure you into
- 1:38Speaker 7: the evils that is Movie Meltdown. So say hello, I suppose.
- 1:42Speaker 5: Hi, everybody.
- 1:42Speaker 3: Hi, everybody.
- 1:44Speaker 7: Yeah, you've got a good amount of movie geek knowledge,
- 1:48Speaker 7: and you'll tolerate me for short amounts of time. So
- 1:51Speaker 7: you're a good candidate already.
- 1:53Speaker 2: Glad to be here.
- 1:55Speaker 7: And then we also have Sterling.
- 1:57Speaker 5: Greetings.
- 2:00Speaker 7: You are connected to this theater that we are in
- 2:02Speaker 7: right now. So do you want to give people a
- 2:05Speaker 7: rundown of the basics of the Alley Theater?
- 2:08Speaker 3: Sure. The Alley Theater, which is located in Butchertown in
- 2:12Speaker 3: a basement, is actually a fantastic place to be.
- 2:15Speaker 2: They don't know that.
- 2:16Speaker 7: It's Radiant.
- 2:17Speaker 8: Shh.
- 2:17Speaker 3: Don't know.
- 2:18Speaker 8: Oh, sorry.
- 2:19Speaker 3: It's on the tower that you can see in Butchertown.
- 2:22Speaker 7: You know, that one. Oh, everything's covered in gold.
- 2:25Speaker 3: It's shining. Yeah, it's beautiful. I do love this place, though.
- 2:30Speaker 3: It's awesome, actually. Yeah, it's located in the bottom floor
- 2:33Speaker 3: of the Pointe. with an E at the end because
- 2:36Speaker 3: we're fancy.
- 2:37Speaker 5: It is fancy.
- 2:38Speaker 3: And yeah, I just started as production manager here a
- 2:40Speaker 3: couple of months ago. And anyway, welcome, Movie Meltdown. We
- 2:43Speaker 3: are happy to have you.
- 2:45Speaker 7: Yeah, we got steered this direction. And I told you,
- 2:48Speaker 7: I was like, I would have known. I would have
- 2:49Speaker 7: been here sooner. Got all kinds of fun things we
- 2:51Speaker 7: can do here.
- 2:53Speaker 3: Oh, yeah. Lots of toys to play with.
- 2:55Speaker 7: So hopefully, yeah, in the future, we're trying to expand
- 2:58Speaker 7: and do some fun stuff coming up in this next year.
- 3:01Speaker 7: So yeah, we're going to try to work together on
- 3:03Speaker 7: some of those projects. Cool, cool. Let's see. That having
- 3:08Speaker 7: been said, I won't go into it fully because it's
- 3:12Speaker 7: not kicking in until next month, but we, as usual,
- 3:15Speaker 7: are broke. And I bring it up all the time,
- 3:18Speaker 7: but I decided let's just kind of focus it and
- 3:20Speaker 7: we can have that fancy NPR mode of this is
- 3:24Speaker 7: the only time this year we'll be asking you. We'll
- 3:26Speaker 7: do that, but we're going to shoot for next month.
- 3:28Speaker 7: So I'm actually going to do a focused month-long fundraiser
- 3:32Speaker 7: kind of thing And I'm just putting it out there
- 3:34Speaker 7: now because if you're getting any money back on your
- 3:36Speaker 7: tax returns, save us a big chunk of it is
- 3:38Speaker 7: what I'm saying. Because there will be like, it's a
- 3:42Speaker 7: multi-tiered reward system. You're going to get cool stuff out
- 3:45Speaker 7: of it. So I'm just telling you, save a little
- 3:47Speaker 7: cash right now. Just a heads up. So it's not
- 3:50Speaker 7: officially started, but I'll let you know. I'm sure you'll
- 3:53Speaker 7: be fully aware and sick of it before it's over with.
- 3:57Speaker 7: Other than that, for this week's Geek activity. Forget all
- 4:02Speaker 7: the other old geek activities. This week, I had a
- 4:05Speaker 7: geek activity years in the making. Now, you guys listening
- 4:09Speaker 7: at home know what it is because you probably looked
- 4:10Speaker 7: at the name of it when you downloaded it. You
- 4:13Speaker 7: guys sitting here don't know. I haven't clued you in
- 4:15Speaker 7: on the amazing event that happened earlier this week. I
- 4:18Speaker 7: think it's amazing because I didn't think it would ever
- 4:20Speaker 7: actually pan out. Yeah, this past week, I interviewed Jennifer Lawrence.
- 4:27Speaker 9: Wow.
- 4:28Speaker 7: Cool.
- 4:28Speaker 3: Did not see it coming.
- 4:29Speaker 7: I didn't either. I didn't, and I've been working on
- 4:31Speaker 7: it for years.
- 4:33Speaker 3: Like sending a letter to her house every week.
- 4:37Speaker 7: Trying to get the restraining order taken off.
- 4:42Speaker 3: Jennifer, we can have an interview. All you have to
- 4:43Speaker 3: do is get that restraining order taken away.
- 4:47Speaker 8: So wait, did you know about this two weeks ago?
- 4:49Speaker 7: No, I did not.
- 4:51Speaker 8: When you were naysaying and talking about how it was
- 4:52Speaker 8: never going to happen.
- 4:54Speaker 7: No and making fun of those other shows that also
- 4:57Speaker 7: didn't have interviews with gender for like yeah just just
- 5:00Speaker 7: saying you know anyway really it is i think that
- 5:04Speaker 7: is sort of a feather in our cap if you
- 5:06Speaker 7: will i for for a show of our level to
- 5:08Speaker 7: be pulling in a oscar nominated i i'd say you
- 5:12Speaker 7: can't really argue a-list actress at this point um that's
- 5:16Speaker 7: that's kind of a big deal i don't know many
- 5:18Speaker 7: like geeks in their basement on skype that are pulling
- 5:21Speaker 7: that in so you know we're We're geeks in a theater.
- 5:24Speaker 7: Thank you. A gold-plated theater.
- 5:27Speaker 10: A basement theater.
- 5:28Speaker 7: Tower theater.
- 5:29Speaker 3: Well, it's a really nice basement theater.
- 5:31Speaker 7: It's a very nice basement.
- 5:32Speaker 2: Come on.
- 5:33Speaker 7: Look at these sets. They're fantastic. Don't describe the.
- 5:36Speaker 10: Sets, please.
- 5:38Speaker 7: Gold- No, stop. Just stop. But yeah, I just, yeah.
- 5:45Speaker 7: Not to pat myself on the back, but hold on.
- 5:47Speaker 7: Let me dislocate my shoulder. No, I think it's really...
- 5:52Speaker 7: kind of cool that it happened. It took a long
- 5:55Speaker 7: time and, uh, you know, it's, it wasn't long, but
- 5:58Speaker 7: it was what we could do. So I'm, I'm, you know,
- 6:00Speaker 7: I'm going with it. So I figured with her, um,
- 6:04Speaker 7: pending Oscar situation, we would kind of take a few
- 6:06Speaker 7: minutes and talk about the Oscars. So I think that's,
- 6:10Speaker 7: that's what we'll head into. We'll, we'll go ahead and
- 6:11Speaker 7: take our break here. And, uh, when we come back in,
- 6:14Speaker 7: I will be talking with Jennifer Lawrence.
- 6:17Speaker 2: Jennifer, Jennifer, lives up on the hill.
- 6:22Speaker 11: Jennifer, Juniper, sitting very still.
- 6:24Speaker 12: Is she sleeping?
- 6:24Speaker 2: I don't think so. Is she breathing?
- 6:27Speaker 13: Yes, very low.
- 6:28Speaker 11: Whatcha doing, Jennifer, my love? Jennifer, Oh, the time is now,
- 6:51Speaker 11: the time is here.
- 6:53Speaker 9: Now's the time.
- 6:55Speaker 11: To abide a cheer.
- 7:00Speaker 9: The tasty life where the price is right.
- 7:03Speaker 2: Well, look in here, you'll dig this site.
- 7:06Speaker 4: The moment's handy for a piece of candy.
- 7:08Speaker 7: Just name your brand, they're all so grand.
- 7:10Speaker 6: Hey, what do you think of a nice blue rank?
- 7:15Speaker 3: Hi.
- 7:15Speaker 14: Sergeant Chamberlain Frederick Ross.
- 7:17Speaker 2: We have an appointment. No one can see.
- 7:20Speaker 7: What Jennifer saw. He was standing right where you are.
- 7:24Speaker 1: Kind of breathless like you.
- 7:44Speaker 10: Well, we had a real bad murderer up here a
- 7:45Speaker 10: couple of years ago. A girl with no head and
- 7:47Speaker 10: no hands.
- 7:48Speaker 15: I believe the code is Jennifer.
- 7:49Speaker 2: No one can imagine what Jennifer felt.
- 7:53Speaker 7: I think I found something horrible, sir.
- 7:58Speaker 14: I think I.
- 7:59Speaker 16: Found a hand.
- 8:00Speaker 2: What's with all this Jennifer stuff? These cases aren't connected, John.
- 8:03Speaker 7: Yes, sir, I think they may be.
- 8:05Speaker 2: He's a crazy man. To my certain knowledge, he has
- 8:08Speaker 2: killed eight girls.
- 8:09Speaker 15: Not a lot of support for that scenario, though, is there?
- 8:12Speaker 2: But one man suspects why she could be next.
- 8:16Speaker 7: If I promise to stop being a cop, will you
- 8:18Speaker 7: promise to stop being a witness?
- 8:20Speaker 2: She's a little young for.
- 8:23Speaker 3: You, bro.
- 8:23Speaker 2: You had a lousy life with a lousy wife.
- 8:27Speaker 3: Is that why you need to pick on this little
- 8:30Speaker 3: blind girl?
- 8:31Speaker 2: Because you can control her. Our blind lady has been
- 8:38Speaker 2: attacked again.
- 8:39Speaker 12: Why does he want to kill me?
- 8:40Speaker 5: Because he thinks you're a witness.
- 8:42Speaker 3: There is no serial killer. You stick her name up
- 8:44Speaker 3: in neon and there is still no serial killer.
- 8:46Speaker 11: I love you. Are my lips lying to you?
- 8:50Speaker 2: John, what's happening? Is my mouth lying to you?
- 8:55Speaker 7: He was here.
- 8:57Speaker 3: I've got a bad feeling about this. Is that you, John?
- 9:00Speaker 5: I've been doing this too long to be wrong.
- 9:02Speaker 2: What the.
- 9:05Speaker 5: There is a bad man out there.
- 9:06Speaker 15: And I don't know if he's in the next room.
- 9:12Speaker 3: Or in the next state.
- 9:16Speaker 15: And I don't know what his trigger is.
- 9:21Speaker 3: If he's in the room with her, she's dead.
- 9:24Speaker 2: Andy Garcia, Uma Thurman, and John Malkovich. Is anyone there?
- 9:39Speaker 2: eight well i love the movies.
- 9:42Speaker 3: Welcome to the biggest movie event of the year ladies
- 9:46Speaker 3: and gentlemen prepare yourselves.
- 9:51Speaker 16: Ladies and gentlemen, prepare yourselves.
- 10:00Speaker 15: It's time for the Movie Meltdown Oscar Mayer Party. With
- 10:03Speaker 15: all the blitz, glamour, poor products, and vicious commentary you've
- 10:07Speaker 15: come to know and love, the Academy Awards will never
- 10:12Speaker 15: be the same.
- 10:13Speaker 2: Bacon tastes good. Paw chops taste good.
- 10:16Speaker 5: Coming soon to this feed.
- 10:18Speaker 15: Don't miss it.
- 10:22Speaker 7: Oscar Meltdown.
- 10:23Speaker 15: It's going to be artery clocking good.
- 10:46Speaker 17: I went to school with 27 Jennifers 16 Jens, 10 Jennys,
- 10:56Speaker 17: and then there was her Mmm, yeah You might be
- 11:08Speaker 17: the one that I've been seeking for You might be
- 11:12Speaker 17: the strange daylight boomer.
- 11:16Speaker 12: You might be the girlie who shall lend all girls.
- 11:19Speaker 12: You might be the sweet on the spike boomer. I
- 11:25Speaker 12: rode the bus with 27 Jennifers.
- 11:29Speaker 7: All right, so we're here with Jennifer Lawrence. I guess,
- 11:32Speaker 7: you know, at this point, we're weeks away from heading
- 11:36Speaker 7: into the Oscars, so I thought we could address some
- 11:38Speaker 7: of the Oscar situation, unless you're just kind of sick
- 11:43Speaker 7: of it at this point. I'm assuming that's what everybody's
- 11:47Speaker 7: asking you, no matter where you go at this point. Yep,
- 11:50Speaker 7: it is.
- 11:50Speaker 1: But it's okay. It only lasts for a couple months.
- 11:53Speaker 3: That's true.
- 11:54Speaker 7: I mean, it is kind of a big deal, so
- 11:55Speaker 7: I thought, you know, since we're heading into it, we
- 11:57Speaker 7: could sort of touch on that. First, I wanted to
- 12:01Speaker 7: go back and see, Mike, as far as when you
- 12:04Speaker 7: were a kid, is that something you were interested in?
- 12:07Speaker 7: Were you kind of a kid that sat down and
- 12:09Speaker 7: actually watched the ceremony and got into that?
- 12:12Speaker 9: Yeah, well, I loved the answers.
- 12:15Speaker 18: I always watched them growing up because it was I
- 12:18Speaker 18: always thought, like, my brother used to watch, you know,
- 12:20Speaker 18: the World Series and the Super Bowl, and I always thought, like,
- 12:22Speaker 18: that was my Super Bowl, because I loved movies and
- 12:26Speaker 18: I loved actors.
- 12:26Speaker 9: Yeah, I loved watching that.
- 12:30Speaker 7: Yeah.
- 12:32Speaker 1: It was my World Series.
- 12:33Speaker 7: You got into the whole tradition and the, you know,
- 12:35Speaker 7: the ceremony that goes on with it all.
- 12:38Speaker 9: Yeah, well, I mean, not really. I didn't really have.
- 12:41Speaker 1: I just talked to me on TV, really.
- 12:43Speaker 7: Yeah, just kind of, like, you know, the whole... pageantry
- 12:46Speaker 7: that goes on with it yeah but i mean i
- 12:48Speaker 7: guess knowing that knowing that you were kind of a
- 12:50Speaker 7: fan of it what was it like when you got
- 12:53Speaker 7: that nomination the first.
- 12:54Speaker 18: Time and it's kind of so surreal and so unbelievable
- 12:59Speaker 18: that i'm still in a state of not really being
- 13:02Speaker 18: able to believe it.
- 13:03Speaker 9: And i still can't absorb it um i think the
- 13:08Speaker 9: only time the only time that i really felt it
- 13:12Speaker 9: and felt like I absorbed that moment and understood it
- 13:15Speaker 9: was the second that I heard my name be called.
- 13:17Speaker 9: And then after that, I've just been floating on a
- 13:20Speaker 9: cloud of belief ever since.
- 13:22Speaker 7: Well, and then what, I mean, what was it like
- 13:24Speaker 7: walking into that theater that first time too? I mean.
- 13:27Speaker 1: It was so crazy because I was able to bring my.
- 13:31Speaker 9: Whole family with me, my brothers, my parents, and my sister-in-law,
- 13:35Speaker 9: and just being able to.
- 13:36Speaker 1: Like, to share that with everyone, with all of us
- 13:40Speaker 1: kind of in this theater.
- 13:41Speaker 8: Of what in hell are we doing?
- 13:44Speaker 1: It's crazy.
- 13:45Speaker 9: It could not have been, it couldn't have been a
- 13:47Speaker 9: better day.
- 13:48Speaker 7: Yeah, that's definitely pretty far away from our hometown. I'm
- 13:53Speaker 7: actually based out of Louisville, so we're... Oh, cool! Yeah,
- 13:58Speaker 7: so we're definitely pretty far away from Hollywood from the
- 14:04Speaker 7: get-go there. I guess, you know, this time going in, before,
- 14:09Speaker 7: you know, before we even get to that, how did
- 14:10Speaker 7: you get involved in Silver Linings Playbook? Did they have
- 14:14Speaker 7: you in mind when they were, you know, piecing the
- 14:16Speaker 7: script together, or how did that happen?
- 14:19Speaker 9: No, actually the opposite. I was, they weren't even going
- 14:23Speaker 9: to consider me because I was too young, because I
- 14:26Speaker 9: was supposed to be a widow. So they were kind
- 14:29Speaker 9: of looking at every other actress that was, you know, older.
- 14:34Speaker 9: And and they didn't even really want to meet with me,
- 14:38Speaker 9: I don't think, because they knew I was too young.
- 14:40Speaker 9: But I got on Skype with David O. Russell, and
- 14:44Speaker 9: we just did an audition, and hopefully, like, the thing
- 14:48Speaker 9: changed his mind. And I went out to New York
- 14:52Speaker 9: and met with him in person, and I got it.
- 14:58Speaker 7: David O. Russell's definitely got a reputation, and it's kind of,
- 15:02Speaker 7: you know, been... had some stories about him as a director,
- 15:05Speaker 7: so I guess what was your experience working with him
- 15:08Speaker 7: as a director?
- 15:08Speaker 9: Probably the most incredible experience of my entire life. I've
- 15:13Speaker 9: actually never met someone who doesn't deserve a reputation more.
- 15:17Speaker 9: I think that David had to go through whatever he
- 15:19Speaker 9: had to go through to get to where he is now.
- 15:22Speaker 9: He's the warmest, sweetest, funniest person in the entire world,
- 15:27Speaker 9: and he's a genius, and I don't think that.
- 15:33Speaker 9: My experience could have been any better with him. I
- 15:36Speaker 9: think he's... He's a lovely, lovely, lovely person.
- 15:43Speaker 7: Yeah, yeah. That's kind of what I... We talked to
- 15:47Speaker 7: Lily Tomlin, and she... She was talking about her experience
- 15:50Speaker 7: working with him on I Heart Huckabees, and even as
- 15:53Speaker 7: much friction as they had, she still, you know, by
- 15:56Speaker 7: the end of it, was still, like, loved him, and
- 15:57Speaker 7: he was a genius, and, like, it's just, yeah, his
- 16:01Speaker 7: work ethic is, you know, you spend that much time
- 16:04Speaker 7: on set, I guess they start to drive each other crazy,
- 16:06Speaker 7: but they still loved each other.
- 16:09Speaker 3: Yeah, of course.
- 16:10Speaker 9: Yeah, but also, I mean, David is just so, he
- 16:13Speaker 9: just has a passion. He's just so passionate about what
- 16:16Speaker 9: he does that he brings that passion and that energy
- 16:20Speaker 9: to set and just makes you want to make the
- 16:23Speaker 9: movie so much better, like no matter how tired you are.
- 16:26Speaker 9: He just has this, he's had this passion that's contagious
- 16:30Speaker 9: and there's no kind of set like a David O.
- 16:33Speaker 1: Russell set.
- 16:34Speaker 9: People are just excited to be there.
- 16:37Speaker 7: Well, once you got in there and found out you
- 16:39Speaker 7: were working with Bradley Cooper, I mean, it's sort of
- 16:42Speaker 7: a very different turn compared to what he had been doing.
- 16:45Speaker 7: I don't know, what did you expect going in working with,
- 16:48Speaker 7: you know, had you met him before the movie?
- 16:51Speaker 9: No, we hadn't met before the table read, and then
- 16:56Speaker 9: our first day together was dance rehearsal, which is a
- 17:02Speaker 9: really great way to get to know somebody if you're
- 17:04Speaker 9: sweating on them immediately. Um, so, and then he, he
- 17:09Speaker 9: was so nice, so funny, so wonderful. And on the
- 17:12Speaker 9: first day of work, when I saw him as Pat,
- 17:17Speaker 9: I just, I, he blew me away.
- 17:18Speaker 15: I just thought he was incredible.
- 17:19Speaker 9: And I couldn't imagine anybody else doing, doing a better
- 17:25Speaker 9: job than him. He was just incredible.
- 17:27Speaker 7: And that, I mean, the whole cast, I mean, working
- 17:29Speaker 7: with Robert De Niro and Jackie Weaver, I mean, it's, how,
- 17:33Speaker 7: how overwhelming is it, is all of that?
- 17:36Speaker 9: Well, you know what? It was really overwhelming on the
- 17:39Speaker 9: flight in, thinking, oh, my God, I'm going to walk
- 17:42Speaker 9: into a room with Jackie Weaver, Robert De Niro, Bradley Cooper,
- 17:45Speaker 9: and David O.
- 17:45Speaker 8: Russell.
- 17:47Speaker 1: What am I going to do? This is going to
- 17:48Speaker 1: be insane.
- 17:48Speaker 9: And then you walk in, and I met them, and
- 17:51Speaker 9: Bob is just the nicest. He's just warm, and he's normal,
- 17:56Speaker 9: and it's just impossible to be starstruck by him when
- 18:01Speaker 9: he's talking to you because he's just looking you in
- 18:03Speaker 9: the eye, and he's just being... And he's normal. And
- 18:06Speaker 9: so he just instantly makes you comfortable.
- 18:08Speaker 1: And Jackie is probably one of my favorite people, I think,
- 18:13Speaker 1: on planet Earth.
- 18:14Speaker 9: She's just sweet and.
- 18:16Speaker 1: Funny and so lovely and so warm. And it's the
- 18:18Speaker 1: same thing with Bradley. All of these people are just
- 18:21Speaker 1: so intimidating on their way in. And when you finally
- 18:23Speaker 1: get to meet them, it's like, oh, great.
- 18:26Speaker 7: Well, you mentioned the dancing. Had you done much of
- 18:30Speaker 7: that beforehand? Or how much prep did you have to
- 18:32Speaker 7: do going into that segment?
- 18:35Speaker 18: Oh, God, no.
- 18:36Speaker 9: I'm a horrible dancer. We have about... I mean, we
- 18:42Speaker 9: started rehearsing from day one. And then we rehearsed pretty
- 18:49Speaker 9: much every day that we could, even.
- 18:50Speaker 1: While we were filming.
- 18:51Speaker 9: So we rehearsed that dance for about a month. It
- 18:54Speaker 9: was really hard. I mean, it was sometimes... I remember
- 18:58Speaker 9: being like, this is... Because I had just wrapped The
- 19:00Speaker 9: Hunger Games, which was probably the most physically intense movie
- 19:04Speaker 9: I've ever done.
- 19:05Speaker 1: And I remember at times being like, this is more
- 19:06Speaker 1: exhausting than not agreeing.
- 19:08Speaker 9: Like, send me back out a little bit.
- 19:10Speaker 5: I can't do that.
- 19:14Speaker 7: Well, I mean, as you're heading into that evening, do
- 19:18Speaker 7: you have plans for, like, what you're going to do
- 19:21Speaker 7: beforehand or how you're going to handle it once you
- 19:23Speaker 7: get in there?
- 19:24Speaker 9: I normally have my friends come up because it's such
- 19:30Speaker 9: a long process getting ready because A lot of times
- 19:33Speaker 9: your dress needs to be tailored to day up, so
- 19:35Speaker 9: everybody gets their hours before, and.
- 19:36Speaker 1: Then hair and makeup, and I called it the pit crew.
- 19:39Speaker 9: The pit crew arrives, and it's really just hanging out
- 19:42Speaker 9: for hours. I like to invite my friends just so
- 19:44Speaker 9: I can have some normal, like, fun, and, like, it
- 19:46Speaker 9: can make me laugh and kind of keep my mind off.
- 19:49Speaker 3: Of it so I don't get nervous.
- 19:50Speaker 16: Yeah distractions yeah I only try to avoid caffeine because
- 19:54Speaker 16: I'll have time I was so I mean obviously I
- 19:57Speaker 16: was really excited to be there but I was just
- 19:59Speaker 16: then when your nerves.
- 20:01Speaker 9: And caffeine and like adrenaline hit I like walked.
- 20:03Speaker 1: Down the red carpet like.
- 20:07Speaker 7: No more espressos for you Well, then it's a weird
- 20:15Speaker 7: situation where you've actually got, you know, all of the
- 20:18Speaker 7: main areas covered, really, as far as all the other actors,
- 20:21Speaker 7: all your co-stars, you know, the movie. So I guess
- 20:24Speaker 7: my question then was going to be something different of like,
- 20:27Speaker 7: you know, obviously you're sort of rooting for all them.
- 20:30Speaker 7: Is there anything like. anything else that's nominated or anything
- 20:33Speaker 7: else you're sort of, you know, you're sort of rooting
- 20:36Speaker 7: for as, like, an underdog, you know, documentary or, like,
- 20:39Speaker 7: some other people that are going to be there that
- 20:41Speaker 7: you're interested to see?
- 20:42Speaker 9: I really, I think one of the most surprising things
- 20:47Speaker 9: about Oscar season is the friends that you make. Like,
- 20:52Speaker 9: Sally Field and I, I think, are going to start
- 20:54Speaker 9: a carpool. And just, I mean, I love pieces of
- 20:59Speaker 9: Southern Wild and Amour and And it's really, it never
- 21:02Speaker 9: feels like a competition. It's just, I feel like all
- 21:05Speaker 9: of these people are my friends. And because it's not,
- 21:09Speaker 9: it's art, you know, and it's just, we all have
- 21:11Speaker 9: similar passions and we all have such a great part
- 21:15Speaker 9: of our lives in common. And everybody is so supportive.
- 21:20Speaker 9: I mean, I feel like I was laughing about with
- 21:21Speaker 9: the writer of Argo last night. And I was telling
- 21:25Speaker 9: Jennifer Garner, we both feel like Silver Linings and Argo
- 21:28Speaker 9: are brothers. Because every time Argo wins for something, we
- 21:33Speaker 9: all stand up and start clapping. Anytime Silver Linings wins,
- 21:36Speaker 9: they stand up and start clapping. It's just like the
- 21:39Speaker 9: kind of brotherhood that you make with these things. Because
- 21:41Speaker 9: nobody really just... And it is the truth. I know
- 21:44Speaker 9: that people get annoyed when people say this because it
- 21:46Speaker 9: sounds like a cliche, but the truth is it's an
- 21:48Speaker 9: honor to be nominated. And that's really... that's really the
- 21:51Speaker 9: only thing that matters. Um, yeah, there has to be
- 21:54Speaker 9: a winner because they need, they need TV ratings, but
- 21:56Speaker 9: that's not really what matters to us. And, um, and
- 22:01Speaker 9: it's just, it's just like an incredible time to get to,
- 22:04Speaker 9: to get to know legends and to get to know
- 22:06Speaker 9: these people who have inspired.
- 22:08Speaker 1: Me my whole life.
- 22:10Speaker 3: Yeah.
- 22:10Speaker 7: I mean, at that point, it's such an impressive group
- 22:12Speaker 7: of people. You can flip a coin. It doesn't matter,
- 22:14Speaker 7: but yeah, just to be included in that and now
- 22:16Speaker 7: to be included in that twice, that's, you know, that's impressive.
- 22:19Speaker 3: Yeah.
- 22:20Speaker 1: Thank you so much.
- 22:48Speaker 3: Dave, I do not get superheroes.
- 22:51Speaker 11: Oh my god, I don't get you.
- 22:53Speaker 3: What don't you get? Towerbot here.
- 22:56Speaker 4: Well, the meatbags were going to say that if you're
- 22:59Speaker 4: a geek and like podcasts, then you could try Tower
- 23:01Speaker 4: of Technobabble at www.toweroftechnobabble.com.
- 23:07Speaker 2: Then this started. Well, it's up to you.
- 23:11Speaker 10: I'm gonna get my taser and put a stop to this.
- 23:14Speaker 2: Towerbot out. Okay, monkeys.
- 23:18Speaker 3: It's noctilony.
- 23:27Speaker 7: Hey guys, look what I've got. Check out these awesome
- 23:30Speaker 7: earbuds I'm using right now. Look at that. That's wood
- 23:34Speaker 7: right there. That's actual wood.
- 23:37Speaker 10: Why would you use wood to make technology?
- 23:39Speaker 7: Because they're... It's like... They're steam... Is.
- 23:44Speaker 3: Steampunk really wood? I thought it was more of a
- 23:46Speaker 3: brass thing.
- 23:46Speaker 7: Well, you got to work the wood in to hold
- 23:48Speaker 7: the brass together. These are the fancy high-end steampunk versions
- 23:52Speaker 7: with a mic built in, mind you. But yeah, where
- 23:56Speaker 7: would I get these you under?
- 23:58Speaker 3: Tweaked Audio.
- 24:02Speaker 5: Way to pitch.
- 24:03Speaker 7: You want to hear more, you say?
- 24:05Speaker 10: TweakedAudio.com.
- 24:08Speaker 7: Hey, they are available in three styles and seven colors.
- 24:12Speaker 7: And they sound pretty damn good. I kind of forgot
- 24:14Speaker 7: because I hadn't had my old pair in a while
- 24:17Speaker 7: and I was using the knockoff crappy ones I bought
- 24:19Speaker 7: at the store. And I got these and put them in.
- 24:22Speaker 7: I was like, oh, shit, that's right. These are actually
- 24:24Speaker 7: really good. So they are professional quality earbuds, mind you. And,
- 24:29Speaker 7: you know, noise reducing, compatible with your iPods and most phones,
- 24:34Speaker 7: unless you have a dumb phone. You should really get
- 24:36Speaker 7: a smartphone, not a dumb phone.
- 24:37Speaker 14: But You just keep a bunch on hand for gifts
- 24:41Speaker 14: when you don't know what the perfect thing is.
- 24:44Speaker 7: Around the holidays, I was putting that word out. I
- 24:46Speaker 7: was like, you know, go ahead and stock up. They're
- 24:48Speaker 7: good for Hanukkah. They're good for Christmas.
- 24:50Speaker 3: Yeah, for a while there, we were thinking at the alley,
- 24:53Speaker 3: we'd have a giant stack of iPads and be like, hey, guys,
- 24:56Speaker 3: thanks for coming down. I'm sorry you didn't want to
- 24:58Speaker 3: see the show, but here, take a free iPad.
- 25:01Speaker 7: That's a pretty good promo, actually.
- 25:02Speaker 3: Yeah, yeah.
- 25:03Speaker 7: If it said, like, the alley on the back, you'd
- 25:05Speaker 7: be like, hey, look at this.
- 25:07Speaker 3: The Tommy Fresh style of promotions.
- 25:10Speaker 10: For all you Parks and.
- 25:11Speaker 7: Rec fans out there. Yeah, he's on to something, though.
- 25:14Speaker 5: Yeah.
- 25:14Speaker 3: If you give someone a free iPad, they're far more
- 25:17Speaker 3: likely to look upon you favorably.
- 25:19Speaker 7: I'm not wearing his old clothes, though. That's all I
- 25:21Speaker 7: have to say.
- 25:21Speaker 10: Yeah, that's a little weird.
- 25:23Speaker 7: So, anyway, the... The basic rundown here, if you need
- 25:26Speaker 7: yourself some earbuds, tweakedaudio.com. And if you go there, there's
- 25:31Speaker 7: a deal. There's a Meltdown deal. If you go, there's
- 25:34Speaker 7: a discount code, and you put in Meltdown, you get
- 25:37Speaker 7: 33% off and free shipping. That's all I'm saying. You
- 25:41Speaker 7: guys are excited, right?
- 25:42Speaker 8: Yeah.
- 25:43Speaker 3: Oh, yeah.
- 25:44Speaker 7: As well you should be.
- 25:44Speaker 2: A little more passion, guys.
- 25:47Speaker 7: Look, he's directing.
- 25:49Speaker 3: Crap. Told me not to do that.
- 25:52Speaker 7: It's like it's a theater or something. Tweet.io.com. Use the
- 25:59Speaker 7: Meltdown code. That's all I'm saying.
- 26:05Speaker 9: Hi, this is Lily Tomlin, and I'm moving Meltdown with Brian.
- 26:11Speaker 19: Tumble out of bed and I stumble to the kitchen
- 26:13Speaker 19: Pour myself a cup of ambition And yawn and stretch
- 26:17Speaker 19: and try to come to life Jump in the shower
- 26:21Speaker 19: and the blood starts pumping. Out on the streets the
- 26:24Speaker 19: traffic starts jumping. With folks like me on the job
- 26:27Speaker 19: from nine to five.
- 26:29Speaker 4: It's part of your problem, you know.
- 26:32Speaker 5: You haven't seen enough movies.
- 26:34Speaker 9: All of life's riddles are.
- 26:35Speaker 14: Answered in the movies.
- 26:37Speaker 3: And now, on with the show.
- 26:47Speaker 7: On the stairway to stardom, you'll see tomorrow starts today.
- 26:54Speaker 3: On the stairway to.
- 26:55Speaker 12: Stardom, we're here to brighten up your day.
- 27:02Speaker 3: We've got singers.
- 27:03Speaker 7: And dancers and actors performing for you.
- 27:08Speaker 12: But there's more, so much more, and it's all right
- 27:12Speaker 12: here for you.
- 27:15Speaker 11: On the stairway to stardom.
- 27:18Speaker 7: All right, we're back. And once again, I must say
- 27:20Speaker 7: thank you to Jennifer Lawrence, who talked to me and
- 27:24Speaker 7: put up with me more than anything. So thank you
- 27:26Speaker 7: to Jennifer. And yeah, we'll see what we can do.
- 27:30Speaker 7: That was a minor version. I'm already throwing it out there.
- 27:33Speaker 7: She needs to come sit down with us, come to
- 27:35Speaker 7: the theater, come hang out with us. So, you know,
- 27:37Speaker 7: we're I'm putting the wheels in motion now.
- 27:41Speaker 3: Yeah, she's a Hollywood actress. She should really want to
- 27:43Speaker 3: be in a theater at this point.
- 27:44Speaker 7: I think so.
- 27:45Speaker 3: You've got to go back to her roots.
- 27:47Speaker 7: And especially this theater right here in her hometown.
- 27:49Speaker 3: Exactly, where she too can put on reproductions of bad
- 27:54Speaker 3: old sci-fi serials and Ed Wood movies.
- 27:57Speaker 7: She would be awesome in Plan 9, which actually they
- 28:00Speaker 7: are doing a remake, but I don't know if she's
- 28:02Speaker 7: going to be cast in that one. But she can
- 28:04Speaker 7: come here and do it.
- 28:05Speaker 3: Yeah, because after all, Nine Plans for Ed Wood is
- 28:08Speaker 3: debuting next weekend here at the Alley.
- 28:11Speaker 2: Ooh, that wasn't a plug.
- 28:13Speaker 3: Very subtle.
- 28:14Speaker 2: Yes.
- 28:15Speaker 7: It's as subtle as that tweaked audio problem.
- 28:16Speaker 2: Known for my subtlety.
- 28:20Speaker 7: So, yeah, we've gotten our Jennifer mania out of the
- 28:24Speaker 7: way there. I tried to control myself. I think I
- 28:28Speaker 7: conducted myself as professional as I could, so. With that,
- 28:34Speaker 7: we're moving back into our other favorite area, the grind.
- 28:52Speaker 7: This segment, we discussed a specific topic or question related
- 28:55Speaker 7: to movies, and this week's topic comes from Fred. Who,
- 28:59Speaker 7: oddly enough, mentioned this whole sentence before he knew any
- 29:02Speaker 7: of this. Yeah. So he specifically said he wanted to discuss,
- 29:07Speaker 7: I believe he put it as, the phenomenon of stardom
- 29:10Speaker 7: and industry enfranchisement. You were wondering why it seems that
- 29:15Speaker 7: certain people, like Jennifer Lawrence, are being groomed for that
- 29:18Speaker 7: sort of thing, while other actors are just actors. So
- 29:21Speaker 7: I thought that would be good tie-in for both, since
- 29:24Speaker 7: number one, we just talked to Jennifer Lawrence, and number two,
- 29:27Speaker 7: we've got someone who deals with actors all the time.
- 29:30Speaker 7: So between all that, hopefully we get some sort of
- 29:33Speaker 7: good conversation going here. So where would you like to begin?
- 29:39Speaker 3: Who, me?
- 29:39Speaker 9: Me?
- 29:40Speaker 7: You suggested it.
- 29:41Speaker 10: I just suggested the topic. I didn't have anything to
- 29:44Speaker 10: say about it. No, I just think it's kind of interesting,
- 29:47Speaker 10: the whole.
- 29:49Speaker 14: Difference between the art of acting and the star. It's
- 29:54Speaker 14: always sort of struck me going way back to when
- 29:58Speaker 14: I was a kid and I noticed Like, Burt Reynolds
- 30:02Speaker 14: wasn't in movies. He was somebody. Burt Reynolds is.
- 30:07Speaker 7: Is Sharky's machine.
- 30:09Speaker 5: Yeah.
- 30:10Speaker 9: Is Gator.
- 30:11Speaker 10: Yeah. Was he Gator?
- 30:14Speaker 14: Was he Smokey or the Bandit? I don't even remember.
- 30:18Speaker 8: Do you know where you can find out?
- 30:19Speaker 3: Where?
- 30:20Speaker 7: Jupiter, Florida.
- 30:21Speaker 15: Really?
- 30:21Speaker 3: Are you aware of the Burt Reynolds Museum?
- 30:23Speaker 7: Why are we not recording there?
- 30:25Speaker 8: That's an excellent question. It is the most, I'm going
- 30:28Speaker 8: to go ahead. This may be a bold statement and
- 30:30Speaker 8: I don't like speaking in absolutes generally, but it is
- 30:33Speaker 8: the greatest place in the world.
- 30:35Speaker 7: That's a bold statement.
- 30:36Speaker 8: It's in a strip mall, as you would imagine it
- 30:39Speaker 8: would be.
- 30:39Speaker 3: It's under a dentist's office.
- 30:40Speaker 7: Is it in a basement?
- 30:41Speaker 1: Oh, nice.
- 30:41Speaker 8: And when we went, we asked for the genesis. I
- 30:44Speaker 8: hope I'm not totally derailing this conversation.
- 30:47Speaker 7: Can it get better than this?
- 30:49Speaker 3: Go ahead.
- 30:49Speaker 8: Mentioning Burt Reynolds and not mentioning the Burt Reynolds Museum
- 30:52Speaker 8: would be a grave oversight. He, I guess, we asked
- 30:56Speaker 8: how this thing began, which is a natural question. And
- 31:00Speaker 8: we were told that back in the Lonnie days, when
- 31:02Speaker 8: Lonnie left Burt, she got the house. And she said, Bert,
- 31:06Speaker 8: I don't want anything in the house. I just want
- 31:08Speaker 8: the house. Get your shit and go. So he had
- 31:11Speaker 8: just stacks of ephemera. Wait, what was the best one?
- 31:17Speaker 8: There was like a skylight from Striptease. That's actually like
- 31:20Speaker 8: sort of the cornerstone of the entire collection. And it's
- 31:23Speaker 8: like pictures of him with like people in the 70s
- 31:25Speaker 8: and autographs and thank you notes and hotel room keys.
- 31:28Speaker 3: Just all the stuff he's accumulated from being Burt Reynolds. Exactly.
- 31:31Speaker 10: So he started his own museum.
- 31:32Speaker 3: Well, actually.
- 31:34Speaker 10: I mean, only really a person like Burt Reynolds can
- 31:36Speaker 10: do that.
- 31:37Speaker 7: He's the only person who can do this.
- 31:41Speaker 3: Well, I can see Tom Selleck taking a stab at it.
- 31:44Speaker 8: He put the stuff in storage and he had all
- 31:45Speaker 8: these storage units for years and years and years. And
- 31:47Speaker 8: one day he's, you know, I guess paying the bill
- 31:49Speaker 8: for the storage unit. And I was like, what the
- 31:50Speaker 8: hell am I doing? I'm paying to keep all this
- 31:53Speaker 8: stuff when I could have people pay me to see it.
- 31:55Speaker 8: So he rented the space below the dentist's office, and
- 31:58Speaker 8: there it is. It's also actually the Burt Reynolds Museum
- 32:01Speaker 8: and Community Theater tie-in. And there is at the beginning,
- 32:05Speaker 8: oh gosh, some eyes just lit up.
- 32:08Speaker 3: I'm sorry, the idea of doing a production at Burt
- 32:10Speaker 3: Reynolds Community Theater.
- 32:11Speaker 7: Crossover promotion is what we're looking at.
- 32:13Speaker 3: I'm just imagining a proscenium like the front of the
- 32:15Speaker 3: stage with like a giant portrait of Burt Reynolds. like
- 32:18Speaker 3: hanging over it as everyone's acting.
- 32:20Speaker 8: That's essentially what happens.
- 32:21Speaker 3: And they teach class in the middle of it. Yeah,
- 32:24Speaker 3: it'd be fantastic.
- 32:26Speaker 8: So, anyway, sorry. Back to.
- 32:28Speaker 7: I don't know where to go after that.
- 32:29Speaker 9: Yeah, right?
- 32:30Speaker 3: I mean, the problem is what do you lead up with?
- 32:32Speaker 14: I know where to go with that. There was a
- 32:35Speaker 14: great joke. I can't remember who it was about, but
- 32:38Speaker 14: it was like some actress who had just had or
- 32:41Speaker 14: adopted a baby and she went to a Hollywood party
- 32:46Speaker 14: and she noticed that, like, All the celebrities there projected
- 32:50Speaker 14: themselves onto the baby. Julia Roberts was there, and she
- 32:55Speaker 14: came up to the baby and said, Oh.
- 32:57Speaker 10: Your baby's so pretty. What a great smile.
- 33:01Speaker 14: And then Nora Ephron was there, and she came over
- 33:04Speaker 14: to the baby, and she said, Oh, your baby's so funny,
- 33:07Speaker 14: so intelligent. And then Lonnie Anderson was there, and she
- 33:13Speaker 14: came over to the baby, and she said, Bert's an asshole.
- 33:19Speaker 7: I didn't even realize they were together that far. I
- 33:22Speaker 7: figured she was gone before striptease ever showed up.
- 33:24Speaker 2: I don't know.
- 33:26Speaker 7: I didn't realize they hung in together that long.
- 33:29Speaker 8: Well, he might have added some other stuff just to
- 33:32Speaker 8: spice things up.
- 33:33Speaker 7: Stuff in his new place that he was sick of
- 33:34Speaker 7: looking at.
- 33:36Speaker 14: Didn't he lose a lot of money in his little
- 33:38Speaker 14: restaurant chain thing?
- 33:40Speaker 7: Did he?
- 33:40Speaker 3: Not as much as Britney Spears lost in hers.
- 33:42Speaker 18: Really?
- 33:43Speaker 5: I think so.
- 33:44Speaker 10: What was hers?
- 33:45Speaker 3: Nyla. NY for New York, where she loved to live,
- 33:49Speaker 3: and LA for Louisiana.
- 33:50Speaker 2: Where she was from.
- 33:52Speaker 7: I assumed it was britney's fish joint well apparently the
- 33:59Speaker 7: idea was basically to sell like up upscale fish joint type.
- 34:03Speaker 3: Food to new yorkers and for whatever reason it lasted
- 34:07Speaker 3: all of about maybe a.
- 34:07Speaker 7: Week today's special scrawl box fresh also what they call
- 34:17Speaker 7: their uh behind your back at the rehearsals yeah oh
- 34:20Speaker 7: yeah oh dude that's me Hey, did you talk to
- 34:25Speaker 7: the dancers?
- 34:25Speaker 14: I think I may have told that story before I
- 34:27Speaker 14: was driving out River Road, and at the Kingfish there,
- 34:30Speaker 14: they had a sign.
- 34:31Speaker 10: Out front, Scrod Box. Not good advertising.
- 34:37Speaker 14: It's almost as bad as in Murray, Kentucky. There was
- 34:40Speaker 14: a place called Granny's Porch when I was in college there,
- 34:45Speaker 14: and they had the worst advertising.
- 34:47Speaker 10: I've probably told this already.
- 34:49Speaker 7: I think I've heard it.
- 34:50Speaker 10: Yeah, it stayed in.
- 34:51Speaker 3: Well, I haven't.
- 34:52Speaker 14: The sign out front said... open face granny burger.
- 35:00Speaker 3: It's like can you imagine the commercials on tv like
- 35:03Speaker 3: timmy i want an open face granny.
- 35:06Speaker 20: Burger whoa it's gone it turned into every other kind
- 35:12Speaker 20: of restaurant it would be like go out of business
- 35:15Speaker 20: and then it was a mexican place for a while
- 35:17Speaker 20: and they had.
- 35:18Speaker 14: Like the creative writing workshops there But they still had
- 35:20Speaker 14: the open-faced granny burger. Yeah, then it was some other
- 35:22Speaker 14: kind of breakfast. But every time, all the food tasted
- 35:28Speaker 14: the same. It was like they had a stove that
- 35:31Speaker 14: only did one flavor. There was nothing you could do
- 35:34Speaker 14: to escape the granny's porch phenomenon.
- 35:39Speaker 7: Open-faced granny burger just sounds like a a maneuver like
- 35:43Speaker 7: yeah after the dirty sanchez i tried the.
- 35:48Speaker 14: I don't know i think it sounds like a a
- 35:50Speaker 14: b slasher or something i don't.
- 35:53Speaker 3: Know i just imagine that as as the restaurant went
- 35:55Speaker 3: through multiple iterations like in every one there was like
- 35:58Speaker 3: the open-faced granny burger, then you had the open-faced granny fajitas,
- 36:01Speaker 3: and then you had the open-faced granny breakfast sandwich.
- 36:04Speaker 7: Open-faced granny dog.
- 36:06Speaker 3: Open-faced granny omelet.
- 36:07Speaker 14: And then you had the scrod box.
- 36:09Speaker 7: Granny scrod box.
- 36:11Speaker 3: Open-faced granny scrod box.
- 36:14Speaker 7: This is not good at all.
- 36:15Speaker 9: Yeah.
- 36:17Speaker 7: I don't think granny's going to sponsor us either.
- 36:19Speaker 3: You're not going to get that five bucks from your
- 36:22Speaker 3: grandma in the mail anymore.
- 36:25Speaker 7: I was counting on that to run this show.
- 36:29Speaker 5: So do we want to get back on that question?
- 36:31Speaker 7: Sure, why not?
- 36:33Speaker 3: What was it again?
- 36:34Speaker 5: Stardom.
- 36:35Speaker 7: I like people that focus the rest of these trying
- 36:38Speaker 7: to sit monkeys in front.
- 36:40Speaker 10: Of a microphone.
- 36:41Speaker 14: There are the star makers in the industry who just
- 36:45Speaker 14: decide they're going to enfranchise somebody. Or there was the
- 36:50Speaker 14: guy in The Godfather who wound up with a horse
- 36:52Speaker 14: in his bed. He was not this part is perfect
- 36:57Speaker 14: for Johnny Fontaine, and it would make him a huge star,
- 36:59Speaker 14: and he's never going to get it.
- 37:01Speaker 7: You know why?
- 37:02Speaker 10: That was great. It was like he was going to
- 37:05Speaker 10: non-star him.
- 37:08Speaker 7: Isn't that what producers and managers, they kind of set
- 37:12Speaker 7: out to star you, and then when you piss them off,
- 37:15Speaker 7: they non-star you. Yeah, I guess.
- 37:18Speaker 14: But then there's that, who was that one actor, he
- 37:21Speaker 14: was like in Deadwood, twice as two different characters like
- 37:25Speaker 14: what the hell's his name yeah maybe he's on tv.
- 37:28Speaker 7: Now yeah he's he's awesome like he is like.
- 37:32Speaker 14: He is but he like tries not to be noticed.
- 37:35Speaker 7: Yeah stuff he's he's so good again somebody who can
- 37:38Speaker 7: be one character and turn around and come back and
- 37:40Speaker 7: be another character within the same show yeah and like
- 37:43Speaker 7: you're not really yeah i mean he's i've seen him
- 37:46Speaker 7: in so many like weird movies and like horror movies
- 37:49Speaker 7: and like being dead serious and then He's on Raising Hope,
- 37:54Speaker 7: and it's the goofiest slapstick perform, and he's genius at it.
- 37:59Speaker 7: It's one of the few performances on TV right now
- 38:02Speaker 7: that I will actually seek out and want to watch.
- 38:04Speaker 7: Most stuff I could care less about, but that show's good,
- 38:08Speaker 7: and he's amazing on it.
- 38:10Speaker 3: In theater, we call those actors, and they just turn
- 38:13Speaker 3: around and do something else.
- 38:14Speaker 7: It's crazy.
- 38:16Speaker 3: Uh, I've seen him do it too.
- 38:17Speaker 7: It's wild. This is one of those theater stories.
- 38:22Speaker 3: Yeah, no, I don't know. I, I mean, I don't
- 38:26Speaker 3: pretend to fully understand as well as I would like
- 38:28Speaker 3: to how well the movie industry works, but at the
- 38:31Speaker 3: same time you can easily see. Um, and I know
- 38:33Speaker 3: this too from experience that there are the people, there
- 38:37Speaker 3: are the people in movies definitely who get elevated because
- 38:40Speaker 3: they're a type of And you can see that in basically,
- 38:43Speaker 3: I mean, unfortunately, I think this tends to happen to
- 38:45Speaker 3: starlets a little bit more than to male stars. It's like, okay,
- 38:49Speaker 3: we need a blonde younger type, you know, or we
- 38:52Speaker 3: need a brunette glasses type or something like that. And
- 38:55Speaker 3: whoever fits that pattern and they like their agent and,
- 38:58Speaker 3: you know, in other words, it becomes a numbers game
- 39:01Speaker 3: kind of. But then there are guys like a great
- 39:03Speaker 3: example being Gary Busey or somebody who just shows up
- 39:07Speaker 3: in like a million movies and you've seen them in
- 39:09Speaker 3: a million movies before you even know who they are. Um,
- 39:12Speaker 3: and that's probably because they know everybody else. Like they
- 39:17Speaker 3: know the casting people, they know the other actors, they
- 39:20Speaker 3: know blah, blah, blah. So, you know, when there comes when, okay,
- 39:23Speaker 3: well we need a guy to be in this role. Well, Hey,
- 39:25Speaker 3: Gary's free this weekend. Like, you know, in other words,
- 39:27Speaker 3: there are always those guys who people. people in the
- 39:30Speaker 3: industry know them and they know they can fit fit
- 39:34Speaker 3: into any production. But they're not necessarily pumped as stars
- 39:39Speaker 3: or really promoted as stars, but they wind up doing
- 39:41Speaker 3: tons of work.
- 39:43Speaker 7: Well, he turned a corner on his career and now
- 39:46Speaker 7: he's more of a star for his craziness than anything else.
- 39:49Speaker 7: But I mean, he did, if you go back to
- 39:51Speaker 7: even all the way through the eighties, that he was
- 39:52Speaker 7: just nonstop. He was a working actor. Oh yeah.
- 39:56Speaker 3: And, and it's true actually, like a lot of, I mean,
- 39:59Speaker 3: people forget cause they tend to look at like, I
- 40:01Speaker 3: think Hollywood and they see all the stars and they're like,
- 40:03Speaker 3: those are the actors. But if you, if you, if
- 40:05Speaker 3: you look at like, especially if you go and spend
- 40:07Speaker 3: a couple of hours on IMDB, you'll see there's a
- 40:09Speaker 3: huge number of working actors in Hollywood. They're in everything,
- 40:13Speaker 3: like all kinds of movies that you've seen and they're,
- 40:16Speaker 3: and you don't even realize just how permeated like your
- 40:19Speaker 3: movie experience is with these people. They're kind of the
- 40:22Speaker 3: silent stars in everything.
- 40:24Speaker 7: There's a good amount of those that are just working. Actually,
- 40:27Speaker 7: I just watched a documentary. I think it was the,
- 40:30Speaker 7: that guy who was in that thing. Have you seen that? It's, It's,
- 40:35Speaker 7: that's what it is. It's nothing but.
- 40:36Speaker 3: The guy who was in the thing?
- 40:38Speaker 7: No, it's like 23... It was somewhere like 20 or
- 40:42Speaker 7: 25 different actors, and they're all, oh, yeah, that guy.
- 40:46Speaker 7: They've worked in 40 films, and nobody has an idea
- 40:50Speaker 7: what their name is. They're just like, oh, he's that
- 40:52Speaker 7: guy that was in that one thing. Everybody recognizes you.
- 40:55Speaker 7: Everybody can sometimes even describe the movies you were in
- 40:58Speaker 7: or the roles that you play, but has no idea
- 41:00Speaker 7: what their name is. And most of them on there,
- 41:02Speaker 7: I kind of fell into that category. There were a
- 41:04Speaker 7: few that even I was like, okay, I know that one.
- 41:07Speaker 7: I know I knew him by name, but like there
- 41:09Speaker 7: were a lot of them that I was like, yep,
- 41:11Speaker 7: recognize him. Couldn't tell you what the hell his name is. So,
- 41:12Speaker 7: I mean, it's, it's true. There's a huge amount of
- 41:15Speaker 7: just working actors that are like, and those are kind
- 41:18Speaker 7: of amazing. Like when you really can just continually work
- 41:22Speaker 7: from one project to the next and constantly turn in
- 41:25Speaker 7: solid performances like that, that, that kind of takes a
- 41:28Speaker 7: different level of dedication than somebody who just kind of
- 41:31Speaker 7: makes it and gets big and gets like leading roles
- 41:34Speaker 7: kind of thrown at them. If, if, It takes you
- 41:36Speaker 7: 20 years to get to that point that says something
- 41:39Speaker 7: about you. If you never get to that point, it
- 41:41Speaker 7: really says something about you.
- 41:43Speaker 6: Yeah.
- 41:43Speaker 8: I think that there's been a shift in the industry. Obviously,
- 41:47Speaker 8: there's been a shift in the industry. Back in the
- 41:48Speaker 8: day when the studios controlled everything and we were working
- 41:53Speaker 8: under the studio system, then it was to the benefit
- 41:56Speaker 8: of the studio heads to really promote somebody because they
- 41:59Speaker 8: were loyal to them and they worked for them and they.
- 42:01Speaker 11: Were a product.
- 42:02Speaker 8: Now that people are free agents and they work for
- 42:05Speaker 8: various producers and various studios, I think it's more up
- 42:09Speaker 8: to the magazines. I mean, that's who stands to gain.
- 42:13Speaker 8: So I think it's about pretty faces who interview well.
- 42:16Speaker 8: And if the magazine folks think they can sell, then
- 42:20Speaker 8: it's to their benefit to endorse them.
- 42:23Speaker 7: I can't believe there's still that level of that industry anymore.
- 42:27Speaker 7: Like the print alone is still like, as big a
- 42:31Speaker 7: thing as it is. And I think it's just habit.
- 42:33Speaker 7: Like I think, especially because most of it is run
- 42:35Speaker 7: by advertising. And I think advertisers are so behind the
- 42:38Speaker 7: times that they won't latch on to anything internet yet.
- 42:41Speaker 7: Like they're still like holding on to dear life for
- 42:44Speaker 7: those ads that they run every week and every month.
- 42:47Speaker 7: And it's like, they just, they're so used to that
- 42:50Speaker 7: because to me, I'm just like, when's the last time
- 42:51Speaker 7: I've bought a magazine? Like, especially like a cheesy star
- 42:56Speaker 7: filled man, you know, it's like those, I guess there's
- 42:58Speaker 7: still a lot of people that just that's what they buy.
- 43:01Speaker 7: They go to the grocery and they read that while
- 43:02Speaker 7: they're in line and they buy it every week. But
- 43:05Speaker 7: I don't know. Like most people I know don't just
- 43:07Speaker 7: get those. People don't really subscribe to stuff like they
- 43:10Speaker 7: used to. Like it's just the shift has come on
- 43:13Speaker 7: both ends of the spectrum there. And it's like the print, again,
- 43:17Speaker 7: I can't believe it's dying except for the fact that
- 43:20Speaker 7: advertisers won't change and won't realize that like most of
- 43:23Speaker 7: the people aren't paying attention to where they're throwing their
- 43:26Speaker 7: money now.
- 43:27Speaker 3: It's not like they're charging us to look at them
- 43:28Speaker 3: in the aisles either. We all do that. I won't lie,
- 43:33Speaker 3: although mostly I try to spend more time looking at
- 43:35Speaker 3: the sun and other incarnations of Weekly World News because
- 43:39Speaker 3: the articles are much more interesting.
- 43:41Speaker 7: I thought you just meant staring at the sun.
- 43:43Speaker 3: I spend more time staring at the sun than reading
- 43:48Speaker 3: about the Kardashians. I can honestly say that's true, actually.
- 43:51Speaker 7: That's a better option, truthfully.
- 43:53Speaker 14: I imagine they're probably read a lot by cashiers in
- 43:57Speaker 14: all night stores.
- 44:00Speaker 7: More than likely.
- 44:00Speaker 3: Could you imagine working an all night job where it's
- 44:03Speaker 3: like the only thing you can read is Us Weekly.
- 44:06Speaker 7: It's like a seven level of hell somewhere.
- 44:07Speaker 14: And then they have the pipe game music that plays
- 44:09Speaker 14: like ten songs over and over. The only thing worse
- 44:13Speaker 14: would be like driving an ice cream truck. Pop goes
- 44:18Speaker 14: the weasel.
- 44:19Speaker 7: All day.
- 44:20Speaker 10: Just drive you insane.
- 44:22Speaker 3: Oh man.
- 44:23Speaker 14: There should be laws about that. People shouldn't be subjected.
- 44:27Speaker 7: There's a reason those guys usually get busted doing something.
- 44:30Speaker 5: Ice cream truck guys?
- 44:31Speaker 7: Yeah, I mean, you're going to go crazy.
- 44:33Speaker 14: There was some actor who told a story about how
- 44:35Speaker 14: he'd done that, and his biggest failure, he remembered, was, oh, well,
- 44:39Speaker 14: he said, I can't remember who the actor was now,
- 44:42Speaker 14: but he said it was like a real test of
- 44:44Speaker 14: your morals because every now and then a kid would
- 44:47Speaker 14: come out with a giant bill Obviously, he got out
- 44:52Speaker 14: of his mom's purse and was like, is this enough
- 44:58Speaker 14: to buy?
- 44:58Speaker 7: Just enough for this.
- 45:01Speaker 10: You can get two with that. You can get two.
- 45:05Speaker 14: And then he said also he wrecked the ice cream truck,
- 45:08Speaker 14: which you have to be terrible to do that because
- 45:12Speaker 14: it only.
- 45:12Speaker 10: Goes 35 miles an hour. You have to nod off.
- 45:17Speaker 8: I always want a guessing game of who the celebrity is.
- 45:20Speaker 8: I feel like the next hour could be us lobbying candidates.
- 45:22Speaker 14: It's weird how I remember stories and I don't remember
- 45:25Speaker 14: who's attached to them. I don't remember who told the
- 45:29Speaker 14: Burt Reynolds joke.
- 45:31Speaker 3: If you have any answers to these questions, please send
- 45:33Speaker 3: them to.
- 45:34Speaker 7: Geeks at MovieMeltdown.com.
- 45:38Speaker 14: Every now and then something I have to look up.
- 45:41Speaker 14: A friend of my daughter said, One day she was like,
- 45:45Speaker 14: do you know that movie where there's like a shed
- 45:48Speaker 14: and there's a guy who goes into or through a
- 45:52Speaker 14: thing or something? And it drove me crazy. And we
- 45:57Speaker 14: thought it was a drop dead fret. No, no, it
- 46:00Speaker 14: was not. And then we thought it was something else.
- 46:02Speaker 14: And it took me like three months and I found
- 46:05Speaker 14: out what the movie was. Eventually I, pared it down.
- 46:10Speaker 7: I immediately went through Evil Dead 2.
- 46:12Speaker 14: Like a detective going over a cold case.
- 46:14Speaker 3: Wicker Man remake.
- 46:15Speaker 10: Yeah. You just, I don't know.
- 46:19Speaker 14: It would be like if the Incredible Inman got that
- 46:22Speaker 14: one thing he couldn't solve. And after he came out
- 46:26Speaker 14: of retirement and got out his old files and went
- 46:29Speaker 14: through them.
- 46:30Speaker 7: That's going to be a new show on CBS next year.
- 46:32Speaker 10: That would be a good show.
- 46:33Speaker 3: The Incredible Inman returns.
- 46:35Speaker 7: The Incredible Inman files.
- 46:39Speaker 8: Don't leave us in suspense.
- 46:42Speaker 10: What was the scene?
- 46:43Speaker 15: I don't remember.
- 46:45Speaker 7: This is a story brought to you by Fred. It
- 46:47Speaker 7: was some Disney movie.
- 46:49Speaker 14: I've got it written down somewhere because at first I
- 46:53Speaker 14: thought it was some other movie like a magical... There's
- 46:58Speaker 14: a garage and a shed and a guy goes into
- 47:01Speaker 14: or through a thing or something.
- 47:03Speaker 3: That sounded like a Disney movie from the 80s.
- 47:04Speaker 10: Magical garage and shed.
- 47:07Speaker 14: I've got it somewhere. I'll I'll post it online if
- 47:11Speaker 14: anybody cares.
- 47:12Speaker 7: Well, that's what I was thinking as you told that story.
- 47:14Speaker 7: I was like, you just need to take notes is
- 47:15Speaker 7: what you need. I have this anecdote. Wait a minute.
- 47:18Speaker 7: Let me reference that.
- 47:19Speaker 14: See, I do take notes, but then they're on a
- 47:22Speaker 14: hard drive at home. What am I going to carry
- 47:24Speaker 14: that around with me?
- 47:25Speaker 7: An actual spiral notebook shoved in your pocket at all times.
- 47:30Speaker 7: That's why Google is your best friend.
- 47:33Speaker 5: Yeah, I suppose.
- 47:36Speaker 14: Some things are just un-Google-able, though. They cannot be Googled.
- 47:40Speaker 7: You're trademarking that word right now, right? Don't say it, man.
- 47:43Speaker 7: Society rests on faith. Well, I think, again, if you're
- 47:50Speaker 7: going by those types, I think it's always been guilty
- 47:53Speaker 7: of that, like Hollywood in general. I think almost more
- 47:56Speaker 7: than anything, and maybe the male actors back in the
- 48:00Speaker 7: day were that. You had those types, and they stuck
- 48:03Speaker 7: to those. I mean, Humphrey Bogart was awesome, but did
- 48:06Speaker 7: he play anything that wasn't a Humphrey Bogart type? Like
- 48:10Speaker 7: they would find a role and be like, this is
- 48:12Speaker 7: your role. I can't give this to anybody else. This
- 48:14Speaker 7: movie has your name on it. So they were all
- 48:17Speaker 7: kind of like that. I mean, Cagney was a very
- 48:19Speaker 7: specific type.
- 48:20Speaker 14: Spencer Tracy was always Spencer Tracy.
- 48:23Speaker 7: What's Rhett Butler's name? Oh, Clark Gable. Clark Gable. Yeah.
- 48:27Speaker 7: Like he, like he could never play anything that wasn't
- 48:29Speaker 7: Clark Gable, you know? I mean like, Or Cary Grant. Yeah,
- 48:33Speaker 7: they had a very specific thing. And I don't know
- 48:39Speaker 7: if they just didn't want to stray out of it,
- 48:41Speaker 7: or the studios at the time would not let them
- 48:43Speaker 7: go outside of it, but it's rare that you get
- 48:46Speaker 7: performances from those caliber actors that went in different directions, really.
- 48:51Speaker 8: And every studio had a different one. We have Cary Grant,
- 48:55Speaker 8: and we have this person that looks exactly like Cary Grant,
- 48:58Speaker 8: but isn't Cary Grant, but does Cary Grant. But then
- 49:00Speaker 8: back in the day, you know, they would do their
- 49:02Speaker 8: parade of stars and they'd be like, these are the
- 49:03Speaker 8: people that are with our studio this year. And they
- 49:06Speaker 8: would actually call attention to the Walter Brennans and the
- 49:08Speaker 8: Thelma Ritters. And they were part of their family. And
- 49:12Speaker 8: so I think that character actors did get more attention
- 49:15Speaker 8: then just because they were appreciated for filling that niche,
- 49:18Speaker 8: whereas today, back to my magazine.
- 49:21Speaker 3: Theory, nobody cares.
- 49:23Speaker 14: Today, who's the guy in Hurt Locker who's trying to
- 49:27Speaker 14: be an action guy now?
- 49:28Speaker 7: He is an actor. They've given him like three franchises.
- 49:31Speaker 7: He is an action guy.
- 49:32Speaker 14: Let's say he is.
- 49:34Speaker 5: Who's awesome.
- 49:34Speaker 14: I'm a little worried about him, though. I'm not sure.
- 49:38Speaker 14: I just watched that Bourne thing.
- 49:41Speaker 15: Oh, yeah. The new one.
- 49:42Speaker 10: The Bourne.
- 49:44Speaker 16: Really?
- 49:44Speaker 10: The Bourne sequel. I'm not sure about him.
- 49:47Speaker 14: I don't know if he's doing what he ought to do.
- 49:49Speaker 7: The Bourne.
- 49:50Speaker 14: It does seem like he's decided on the action track,
- 49:55Speaker 14: and I'm just like, I don't know, that Hurt Locker thing.
- 49:58Speaker 7: That was a non-action action movie.
- 50:00Speaker 14: You add something in that, you don't have going anymore.
- 50:03Speaker 3: Yeah, he's got it. That's one of the reasons I
- 50:05Speaker 3: like that guy. He's got some depth to him. Also,
- 50:08Speaker 3: when he was staying up in a couple of the
- 50:10Speaker 3: award shows I saw him in, he reminds me of
- 50:12Speaker 3: some of those older male Hollywood actors.
- 50:15Speaker 10: He seems like a regular guy.
- 50:16Speaker 3: Yeah, he's not so clean cut. He looks like he's
- 50:20Speaker 3: got some mileage on him, you know? Like, he's been
- 50:22Speaker 3: places and done things, actually.
- 50:24Speaker 7: And that's what's weird, that they, like.
- 50:25Speaker 3: Chris Pine or something.
- 50:26Speaker 7: Yeah, that they, like, cast him when they did, because usually,
- 50:30Speaker 7: especially to throw him in all these franchises, they like their, like,
- 50:32Speaker 7: super young leading man so they can get 20 years
- 50:35Speaker 7: out of him. He's pretty old. Like, I didn't realize.
- 50:37Speaker 3: Like, if you.
- 50:38Speaker 14: Well, seriously.
- 50:39Speaker 3: He's, like, in his 30s.
- 50:40Speaker 7: Well, no, they were bringing him up to be the
- 50:42Speaker 7: new Tom Cruise in the Mission Impossible. He's, like, nine
- 50:45Speaker 7: years younger than him or something.
- 50:46Speaker 20: Like.
- 50:47Speaker 7: He's barely, you know, if they were going to go
- 50:49Speaker 7: super young and bring in a whole new generation, you'd
- 50:52Speaker 7: think they'd go like, you know, somebody who's 20, not
- 50:54Speaker 7: somebody who's just behind Tom Cruise.
- 50:57Speaker 14: I think he might be going the wrong direction.
- 50:59Speaker 7: I think he's got a lot more potential with that.
- 51:04Speaker 14: Something isn't coming off right.
- 51:06Speaker 7: The drama stuff would probably do him better. That's not
- 51:09Speaker 7: the money.
- 51:10Speaker 3: My theory is he's probably just trying to build up
- 51:12Speaker 3: a studio base right now. He's trying to be in
- 51:14Speaker 3: a number of productions, know some people, get some bank
- 51:17Speaker 3: to his name before he can actually start doing some more.
- 51:21Speaker 3: It's problematic for a lot of actors in today's world
- 51:24Speaker 3: because if they break out doing drama, it's possible that
- 51:28Speaker 3: they could just stay quietly doing drama for a long time.
- 51:31Speaker 3: It's really hard to actually get a big name for
- 51:33Speaker 3: yourself in dramatic work.
- 51:35Speaker 10: Well, see, owe somebody money.
- 51:37Speaker 3: I mean... Maybe he goes to the dog races a lot.
- 51:40Speaker 7: I don't know. Especially in his situation. I would almost
- 51:43Speaker 7: say this with any actor. If you can hit that
- 51:46Speaker 7: action market, you better do it now. Unless you're Liam Neeson,
- 51:49Speaker 7: who waits until he's 60 to become an action star.
- 51:51Speaker 7: And then is awesome.
- 51:53Speaker 5: And is amazing as an action star.
- 51:55Speaker 7: But every other actor, once you hit 40, they're like,
- 51:58Speaker 7: come on, really? People just like to talk trash as
- 52:01Speaker 7: soon as they cast you in an action movie. Even
- 52:03Speaker 7: though now they keep trying to drag out all the
- 52:05Speaker 7: old ones because Expendables 2 made money, but I mean, really,
- 52:09Speaker 7: is anybody watching the.
- 52:10Speaker 10: I don't know if you're Harrison Ford.
- 52:12Speaker 3: The Red series.
- 52:14Speaker 7: Red at least tapped into that. It was kind of
- 52:17Speaker 7: making fun of that whole idea.
- 52:19Speaker 16: I don't know.
- 52:20Speaker 3: I want to speak to a little bit about the
- 52:22Speaker 3: point about character actors in the past, because I think
- 52:24Speaker 3: that's pretty spot on. But, you know, we were talking
- 52:26Speaker 3: about Hanna-Barbera earlier.
- 52:29Speaker 7: Yes, we were.
- 52:31Speaker 3: And how they had, like, this enormous cast of, like,
- 52:33Speaker 3: weird characters and off-ball... Like, That was part of the
- 52:36Speaker 3: studio system back in the day because there was that
- 52:38Speaker 3: time back when producers like David S. Elznick is the
- 52:42Speaker 3: great example from Gone with the Wind. Producers were for
- 52:45Speaker 3: years seen as the ultimate architects of films. They were
- 52:48Speaker 3: the ones who got the money, picked the director, found
- 52:52Speaker 3: the cast, et cetera, because they were the moguls of
- 52:54Speaker 3: the studio system. And they were the ones who sort
- 52:56Speaker 3: of put together a lot of those really epic blockbusters
- 52:59Speaker 3: and So, yeah, they tended to hold on to their
- 53:01Speaker 3: actors and make them into a kind of a crew
- 53:04Speaker 3: that they would then shuttle from film to film and
- 53:05Speaker 3: promote them as a group. You know, like, oh, we're
- 53:08Speaker 3: looking at the MGM constellation of stars. You know, we're
- 53:11Speaker 3: looking at this group or that group. And in the 60s,
- 53:14Speaker 3: we see the directors rose up and became more important.
- 53:17Speaker 3: The producers started to be seen as backers of films,
- 53:20Speaker 3: et cetera. Now, I don't know, if anything, I see
- 53:22Speaker 3: now it's just kind of bifurcated because we have Now
- 53:26Speaker 3: we have, like, the independent film scene, which tends to
- 53:29Speaker 3: put more emphasis on character actors and on more unusual
- 53:32Speaker 3: stuff like that. But at the same time, though, we
- 53:34Speaker 3: have the sort of atrophied remnants of the studio system
- 53:37Speaker 3: that's all about the media and, like, pumping the names, etc. So,
- 53:41Speaker 3: I don't know, that's kind of what I see going on,
- 53:43Speaker 3: is there's a market for both, but they're no longer
- 53:46Speaker 3: seen as part of the same market. Like, either you're
- 53:49Speaker 3: watching indie films that are filled with weird character actors or...
- 53:52Speaker 3: you're watching some Hollywood blockbuster with Chris Pine. I'm sorry,
- 53:56Speaker 3: I'm picking on him, but it's true. Come on, he's pretty.
- 54:00Speaker 10: He is pretty. I didn't just say that.
- 54:03Speaker 7: I did, I don't care. Based on your example, now
- 54:08Speaker 7: all I want is a classic Hollywood version of Laugh-Olympics.
- 54:14Speaker 7: Somebody get on that, please.
- 54:16Speaker 3: Message from the internet, please, Hollywood.
- 54:20Speaker 7: But, I mean, it's kind of true that they've split now,
- 54:24Speaker 7: and you really do have that, like, and I think
- 54:27Speaker 7: it's also, like, audiences. I think audiences have totally split,
- 54:31Speaker 7: and you've got your super artsy crowd that loves the
- 54:33Speaker 7: indie movies and won't even sit through one of those
- 54:36Speaker 7: mainstream movies. And it's the same attitude from the other end.
- 54:39Speaker 7: It's like, I don't want to see them stupid talking movies.
- 54:41Speaker 7: I want explosions.
- 54:42Speaker 5: I want those talkies.
- 54:44Speaker 7: Yeah, it's like it is a huge divide that's come
- 54:47Speaker 7: between those two crowds.
- 54:47Speaker 14: You know, it's so weird that you say that because
- 54:49Speaker 14: the other night, Because I'm on a different schedule. I
- 54:52Speaker 14: had to transition in a weekend from an early morning
- 54:56Speaker 14: to a late night schedule.
- 54:58Speaker 7: Which is why Fritz disappeared lately. So we're glad to
- 55:00Speaker 7: have you back, by the way.
- 55:01Speaker 10: So I'm glad to be back.
- 55:03Speaker 14: I'm glad to have survived the whole thing.
- 55:06Speaker 10: But it came down to this weekend.
- 55:08Speaker 14: And what I was going to do was stay up
- 55:10Speaker 14: late so I could sleep in and adjust my schedule.
- 55:13Speaker 14: And I thought, I want to watch something with explosions
- 55:17Speaker 14: and shit.
- 55:18Speaker 3: And.
- 55:18Speaker 14: Something that will hold my interest. And I tried to
- 55:20Speaker 14: find something streaming online that I could watch. And I
- 55:24Speaker 14: couldn't find it. Because everything I really knew I liked,
- 55:28Speaker 14: I had seen already. And Skyfall wasn't on DVD yet.
- 55:35Speaker 14: I was looking forward to that. It's coming out in
- 55:37Speaker 14: a few days. And I tried to find something. And
- 55:41Speaker 14: I couldn't keep my eyes. I tried to watch The Expendables.
- 55:45Speaker 14: Which I thought was like a bunch of action guys
- 55:48Speaker 14: doing something. But no, it was all Sylvester Stallone.
- 55:51Speaker 3: Yeah.
- 55:51Speaker 10: It was all Sylvester.
- 55:52Speaker 5: And I couldn't watch it.
- 55:53Speaker 7: Well, who made that movie is the real question. Whose
- 55:56Speaker 7: baby is that? Oh, wait.
- 55:57Speaker 14: I don't know.
- 55:58Speaker 2: It's my movie.
- 55:59Speaker 14: I couldn't watch it. Then I tried to find something else.
- 56:01Speaker 14: I couldn't keep my eyes. So I wound up watching.
- 56:07Speaker 10: Fish Tank.
- 56:09Speaker 14: Tie in.
- 56:10Speaker 10: And that kept me up.
- 56:12Speaker 7: Yeah.
- 56:12Speaker 10: Which, you know... it's a great movie.
- 56:15Speaker 14: I really liked it, but the pace is just glacial.
- 56:19Speaker 14: It's like watching a slug move across a lawn, but
- 56:23Speaker 14: that held my interest. I couldn't find a movie with
- 56:27Speaker 14: explosions or anything because all the good ones I've seen
- 56:30Speaker 14: already and all the others are just too tired.
- 56:33Speaker 7: Well, that one you substituted explosions for cursing. Yeah. Cause
- 56:37Speaker 7: you get about it is.
- 56:38Speaker 6: Yeah. Yeah.
- 56:40Speaker 10: So that's, that's what I watched to stay up.
- 56:43Speaker 7: Um, So you don't fall into most people's thinking. But
- 56:49Speaker 7: I think we all do that, really.
- 56:50Speaker 10: I tried. That's the point.
- 56:52Speaker 7: I tried to be dumb. I really did.
- 56:54Speaker 14: Yeah, I wanted to say something, but I just couldn't
- 57:00Speaker 14: stay awake.
- 57:02Speaker 10: Sylvester Stallone. Oh, my God.
- 57:07Speaker 8: Have you been to the Sylvester Stallone?
- 57:09Speaker 7: Museums?
- 57:11Speaker 10: Yes, I have actually many times.
- 57:13Speaker 3: Where is this one? Is it on Jupiter also?
- 57:15Speaker 5: Sorry, in Jupiter?
- 57:18Speaker 14: I imagine it has like a giant row of courthouse steps.
- 57:23Speaker 3: So that you too can experience the pleasure of running
- 57:25Speaker 3: up the steps and rocking.
- 57:27Speaker 10: Yeah, the famous tracking shot.
- 57:29Speaker 7: I do that every time I go up my stairs
- 57:30Speaker 7: at home. Jump up and down at the top.
- 57:33Speaker 10: I'd just drink a bunch of raw eggs.
- 57:36Speaker 7: I don't think that's recommended anymore.
- 57:38Speaker 10: You're not supposed to.
- 57:44Speaker 21: Okay, kids, we're actually just getting started on this conversation.
- 57:47Speaker 21: But this topic is just too much to be contained
- 57:50Speaker 21: in one episode. So we're going to cap it off here,
- 57:52Speaker 21: and when we return, we're going to continue on this
- 57:54Speaker 21: road to stardom. So tune in next time where you'll
- 57:57Speaker 21: hear intriguing remarks like these.
- 57:59Speaker 14: Come on, let's rag on stars. That's the whole point
- 58:02Speaker 14: of this question.
- 58:05Speaker 3: Guys, that third movie was terrible. Like, I directed it.
- 58:09Speaker 3: It was terrible.
- 58:10Speaker 5: And it was y'all's fault.
- 58:11Speaker 3: So here's the idea.
- 58:14Speaker 14: For some reason, my mind wandered and I started thinking
- 58:17Speaker 14: of those celebrities who were on Match Game.
- 58:21Speaker 3: Obviously, they didn't see me there.
- 58:23Speaker 7: You were waiting.
- 58:25Speaker 3: Yeah, waiting.
- 58:25Speaker 7: Gollum-like behind a chair.
- 58:27Speaker 5: Of course, it's always Gollum-like.
- 58:28Speaker 3: They hear me when I talk to myself.
- 58:31Speaker 14: Like, remember Chris O'Donnell?
- 58:35Speaker 3: Hmm.
- 58:36Speaker 14: Isn't it weird just to remember somebody like that?
- 58:38Speaker 3: I would just take a moment. We just don't think
- 58:41Speaker 3: you're really there, you know? We don't think you have
- 58:43Speaker 3: that you-ness that we need.
- 58:46Speaker 14: Yeah, there are parts of it, I think, that are
- 58:48Speaker 14: pretty horrible.
- 58:50Speaker 3: But.
- 58:51Speaker 14: I still kind of root for the movie. And the
- 58:54Speaker 14: other thing that was weird about him is he was
- 58:56Speaker 14: in that famous circus fire.
- 59:00Speaker 8: I was actually, here's a Margot Hemingway story. No one
- 59:04Speaker 8: saw this one coming.
- 59:05Speaker 10: Yeah, but he was a spectacular failure.
- 59:09Speaker 9: Yeah.
- 59:10Speaker 14: It's not everybody can do that. It's easy to be
- 59:12Speaker 14: like a run-of-the-mill failure. He was a spectacular failure.
- 59:18Speaker 21: All this and more on the next Starfield episode of
- 59:21Speaker 21: Movie Meltdown.
- 59:28Speaker 13: Check the crippled man sitting in the church. My conscience hurts.
- 59:32Speaker 13: Flesh like me hits the dirt. She's paralyzed from her
- 59:35Speaker 13: feet to her thighs. And the man who pulled the
- 59:37Speaker 13: trigger didn't even lose his left eye. Check Jimmy cutting
- 59:40Speaker 13: hair at.
- 59:41Speaker 16: The barber shop.
- 59:41Speaker 13: He plays the bass guitar like David plays the harp.
- 59:44Speaker 13: His knowledge name is Greek. Because whenever he speaks, he's
- 59:47Speaker 13: got the wisdom of King Solomon. Bags in his eyes
- 59:49Speaker 13: from no sleep. Sometimes he thought of the fame in
- 59:51Speaker 13: Madison Square Garden. So some seek stardom, but they forget Harlem.
- 59:55Speaker 2: But she gave first of all.
- 59:56Speaker 13: The kingdom of God. That's what my pops told me.
- 59:58Speaker 13: So if I fall, could.
- 59:59Speaker 7: The choir catch me?
- 1:00:00Speaker 13: I flew away on a mountain, got tempted by Satan,
- 1:00:03Speaker 13: got bitten by a cobra, but the Lord took.
- 1:00:05Speaker 3: My bend up.
- 1:00:06Speaker 13: So whose side am I on? I'm on the righteous.
- 1:00:08Speaker 13: Always check the lyrics. No time to contradiction.
- 1:00:14Speaker 3: Some seek stardom, then they forget Harlem.
- 1:00:16Speaker 1: Some seek stardom, then they forget Harlem.
- 1:00:19Speaker 13: They keep their pockets full, but their souls run empty. Well,
- 1:00:21Speaker 13: I'm your family, I beseech you, in hopes that I
- 1:00:23Speaker 13: may reach you. My mother told me one day that
- 1:00:25Speaker 13: judgment day would come someday. Born an adult black child
- 1:00:28Speaker 13: with geeky hair, grown wise, and teachers just like me.
- 1:00:31Speaker 13: Cause I knew what my culture be. So now you're
- 1:00:33Speaker 13: my brief history. I can't neglect my passion, see. Rockin's
- 1:00:35Speaker 13: kinda new to me, cause my true love was poetry.
- 1:00:38Speaker 13: White was good and black was black, but black was
- 1:00:39Speaker 13: us and us. We'll be right back. when i enter
- 1:00:56Speaker 13: your vicinity you see my girl he never asked of
- 1:00:59Speaker 13: me to show i knew i was free to go
- 1:01:01Speaker 13: and be but alas i clearly see what's wrong with
- 1:01:03Speaker 13: me you did your insecurity of me and my ability
- 1:01:06Speaker 13: so really won't you let me be your has to
- 1:01:08Speaker 13: ask too much from that to tell the truth and
- 1:01:10Speaker 13: not the lie oh my Brothers keep their pockets full,
- 1:01:21Speaker 13: but their souls run empty.
- 1:01:23Speaker 3: Some say stardom, then it will get harder. Some say stardom,
- 1:01:27Speaker 3: then it will get harder.
- 1:01:28Speaker 11: Some say stardom.
- 1:01:31Speaker 13: I got mine, I want you, get yours. We never
- 1:01:33Speaker 13: open doors that we neglect. And don't protect the ones
- 1:01:52Speaker 13: that's left. People never really seem to care. And then
- 1:01:55Speaker 13: they cry out, my people, why aren't we treated.
- 1:01:57Speaker 2: Equal as we flee?
- 1:01:58Speaker 13: We flee our own communities. We leave our family in poverty.
- 1:02:02Speaker 13: And then we blame it on another. So family, please recover.
- 1:02:05Speaker 13: Walk a least, man, you're coming, you can blow now
- 1:02:08Speaker 13: if you want till we're through. Families keep their pockets
- 1:02:20Speaker 13: full but their souls run empty.
- 1:02:21Speaker 19: People keep their pockets full but their souls run empty.
- 1:02:25Speaker 12: We keep our pockets full.
- 1:02:26Speaker 11: But our souls run empty.
- 1:02:51Speaker 5: Stop it. We need one of those Bieber whatever.
- 1:02:55Speaker 7: Everybody needs a little Bieber in their life. Come on, man.
- 1:02:57Speaker 3: So says the Prince of Darkness.
- 1:03:00Speaker 7: Thank you. I've already been recognized for it, truly.
- 1:03:05Speaker 5: This episode is a production of Movie Meltdown, produced and
- 1:03:07Speaker 5: edited by The Oddity Studios, with opening music performed by
- 1:03:11Speaker 5: The Empires. For more on how to sponsor or support
- 1:03:14Speaker 5: the show, email producer at moviemeltdown.com.
- 1:03:16Speaker 13: Talk hard!