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Romeo and Juliet - William Shakespeare · William Shakespeare Works Collection

• 0:00
  Speaker 1: The prolog enter chorus chorus. Two households, both alike in
• 0:08
  Speaker 1: dignity and fair Verona, where we lay our seen from
• 0:12
  Speaker 1: ancient grudge break to new mutiny, where civil blood makes
• 0:16
  Speaker 1: civil hands unclean. From forth the fatal loins of these
• 0:20
  Speaker 1: two foes. A pair of star crossed lovers take their life,
• 0:25
  Speaker 1: whose misadventured piteous overthrows doth with their death bury their
• 0:30
  Speaker 1: parent's strife. The fearful passage of their death marked love,
• 0:35
  Speaker 1: and the continuance of their parents rage, which but their
• 0:39
  Speaker 1: children's end nought could remove, is now the two hours
• 0:43
  Speaker 1: traffic of our stage, the which, if you, with patient
• 0:47
  Speaker 1: ears attend what here shall miss our toils shall have
• 0:52
  Speaker 1: strived to mend. Exit Act one, seene one, Verona, a
• 0:59
  Speaker 1: public enter. Samson and Gregory with swords and bucklers of
• 1:04
  Speaker 1: the House of Capulate. Samson Gregory on my word, will
• 1:09
  Speaker 1: not carry coals? Gregory, No, for then we should be colliers. Samson,
• 1:17
  Speaker 1: I mean, and we be in color. Will draw Gregory, Aye,
• 1:23
  Speaker 1: while you live, draw your neck out of a collar, Samson.
• 1:27
  Speaker 1: I strike quickly being moved, Gregory, But thou art not
• 1:32
  Speaker 1: quickly moved to strike Samson A dog of the house
• 1:36
  Speaker 1: of Montahue moves me, Gregory. To move is to stir,
• 1:41
  Speaker 1: and to be valiant is to stand. Therefore, if thou
• 1:44
  Speaker 1: art moved, thou runnest away, Samson, A dog of that
• 1:49
  Speaker 1: house shall move me to stand. I will take the
• 1:52
  Speaker 1: wall of any man or maid of monta Hu's Gregory,
• 1:56
  Speaker 1: that shows thee a weak slave, For the weakest goes
• 1:59
  Speaker 1: to the wall. Samson. Tis true, and therefore women, being
• 2:04
  Speaker 1: the weaker vessels, are ever thrust to the wall. Therefore
• 2:07
  Speaker 1: I will push Montahue's men from the wall and thrust
• 2:10
  Speaker 1: his maids to the wall. Gregory. The quarrel is between
• 2:14
  Speaker 1: our masters and us their men, Samson tis all one.
• 2:19
  Speaker 1: I will show myself a tyrant. When I have fought
• 2:22
  Speaker 1: with the men, I will be cruel with the maids.
• 2:25
  Speaker 1: I will cut off their heads, Gregory, the heads of
• 2:28
  Speaker 1: the maids, Samson, ay, the heads of the maids or
• 2:32
  Speaker 1: their maiden heads. Take it in what since thou wilt, Gregory,
• 2:36
  Speaker 1: They must take it in the sense that feel it, Samson.
• 2:40
  Speaker 1: Me they shall feel while I am able to stand,
• 2:42
  Speaker 1: and tis known I am a pretty piece of flesh. Gregory,
• 2:47
  Speaker 1: tis well, thou art not fish. If thou hadst thou
• 2:50
  Speaker 1: hadst been poor John, draw thy tool. Here comes too
• 2:54
  Speaker 1: of the house of Montahu's enter. Two other serving men,
• 2:58
  Speaker 1: Abram and Balthae are Samson. My naked weapon is out. Quarrel.
• 3:05
  Speaker 1: I will back thee. Gregory, how turn thy back and run? Samson?
• 3:10
  Speaker 1: Fear me, not Gregory. No, Mary, I fear thee. Samson.
• 3:16
  Speaker 1: Let us take the law of our sides. Let them begin, Gregory.
• 3:21
  Speaker 1: I will frown as I pass by, and let them
• 3:24
  Speaker 1: take it as they list. Samson, Nay, as they dare.
• 3:28
  Speaker 1: I will bite my thumb at them, which is disgrace
• 3:31
  Speaker 1: to them if they bury it. Abram, do you bite
• 3:36
  Speaker 1: your thumb at us? Sir Samson? I do bite my thumb,
• 3:40
  Speaker 1: Sir Abram. Do you bite your thumb at us, Sir Samson?
• 3:45
  Speaker 1: Aside to Gregory is the law of our side? If
• 3:48
  Speaker 1: I say I Gregory aside to Samson. No Samson, No, Sir.
• 3:55
  Speaker 1: I do not bite my thumb at you, Sir, But
• 3:57
  Speaker 1: I bite my thumb, Sir greg Do you quarrel, Sir
• 4:02
  Speaker 1: Abram quarrel sir, No, Sir Samson. But if you do,
• 4:07
  Speaker 1: Sir Am, for you, I serve as good a man
• 4:10
  Speaker 1: as you, Abram, no better, Samson, Well, sir, enter Benvolio.
• 4:18
  Speaker 1: Gregory aside to Samson, say better. Here comes one of
• 4:23
  Speaker 1: my master's kinsmen Samson, Yes better, Sir Abram, you lie, Samson.
• 4:31
  Speaker 1: Draw if you be men, Gregory, remember thy swashing blow.
• 4:36
  Speaker 1: They fight, Benvolio, part fools, beats down their swords. Put
• 4:42
  Speaker 1: up your swords. You know not what you do? Enter tibolt, tibolt,
• 4:47
  Speaker 1: What art thou drawn among these heartless hinds? Turn thee, Benvolio,
• 4:52
  Speaker 1: look upon thy death. Benvolio, I do but keep the peace.
• 4:56
  Speaker 1: Put up thy sword, or manage it to part these
• 4:59
  Speaker 1: men with me? Tibbalt? What drawn? And talk of peace?
• 5:04
  Speaker 1: I hate the word as I hate hell. All Montahues
• 5:07
  Speaker 1: and thee have at thee coward they fight, Enter an
• 5:11
  Speaker 1: officer in three or four citizens with clubs or partisans.
• 5:16
  Speaker 1: Officer clubs, bills and partisans strike, beat them down, citizens
• 5:22
  Speaker 1: down with the capulets, down with the monte Hues. Enter
• 5:25
  Speaker 1: old capulet and his gown and his wife capulate. What
• 5:29
  Speaker 1: noise is this? Give me my long sword? Ho wife
• 5:34
  Speaker 1: a crutch, a crutch? Why call you for a sword?
• 5:39
  Speaker 1: Capulate my sword? I say, Old Montahue is come and
• 5:43
  Speaker 1: flourishes his blade in spite of me. Enter Old Montahue
• 5:48
  Speaker 1: and his wife Montahue, thou villain capulate, hold me, not
• 5:52
  Speaker 1: let me go. Montahue's wife, Thou shalt not stir one
• 5:57
  Speaker 1: foot to seek a foe. Enter Prince Eschylus with his train,
• 6:02
  Speaker 1: Prince rebellious subjects enemies to peace, profaners of this neighbor
• 6:07
  Speaker 1: stained steel? Will they not hear what ho you men?
• 6:12
  Speaker 1: You beasts that quench the fire of your pernicious rage
• 6:16
  Speaker 1: with purple fountains issuing from your veins, O pain of
• 6:19
  Speaker 1: torture from those bloody hands, Throw your mistempered weapons to
• 6:23
  Speaker 1: the ground, and hear the sentence of your moved prince.
• 6:27
  Speaker 1: Three civil brawls bred of an airy word by thee
• 6:31
  Speaker 1: old Capulet and montahu have thrice disturbed the quiet of
• 6:35
  Speaker 1: our streets, and made Verona's ancient citizens cast by their
• 6:38
  Speaker 1: grave beseeming ornaments to wield old partisans and hands as
• 6:43
  Speaker 1: old cankered with peace. Depart your cankered hate. If ever
• 6:48
  Speaker 1: you disturb our streets again, your lives shall pay the
• 6:51
  Speaker 1: forfeit of the peace. For this time all the rest
• 6:54
  Speaker 1: depart away you capulate, shall go along with me and
• 6:58
  Speaker 1: Montahue come you this after after noon to know our
• 7:01
  Speaker 1: farther pleasure, in this case, to old Freetown, our common
• 7:05
  Speaker 1: judgment place once more, on pain of death. All men
• 7:10
  Speaker 1: depart exunt, all but montahu his wife and Benvolio Montahue,
• 7:17
  Speaker 1: who set this ancient quarrel new approach speak, nephew, were
• 7:21
  Speaker 1: you by when it began? Benvolio, Here were the servants
• 7:26
  Speaker 1: of your adversary and yours close fighting. Ere I did approach.
• 7:31
  Speaker 1: I drew to part them. In the instant came the
• 7:35
  Speaker 1: fiery Tibbalt, with his sword prepared, which, as he breathed
• 7:39
  Speaker 1: defiance to my ears, he swung about his head and
• 7:42
  Speaker 1: cut the winds, who nothing hurt withal hissed him in scorn.
• 7:47
  Speaker 1: While we were interchanging thrusts and blows, came more and
• 7:50
  Speaker 1: more and fought on part and part, till the prince came.
• 7:53
  Speaker 1: Who parted either part monta Hue's wife. Oh where is Romeo?
• 7:59
  Speaker 1: Saw you him? To day? Right? God, I am he
• 8:03
  Speaker 1: was not at this fray. Banvolio, Madam. An hour before
• 8:07
  Speaker 1: the worshiped sun peered forth the golden window of the east,
• 8:11
  Speaker 1: a troubled mind drave me to walk abroad, where underneath
• 8:14
  Speaker 1: the grove of sycamore, that westward rootith from the city's side.
• 8:18
  Speaker 1: So early walking did I see your son Towards him?
• 8:22
  Speaker 1: I made, but he was ware of me, and stole
• 8:24
  Speaker 1: into the covert of the wood. I measuring his affections
• 8:28
  Speaker 1: by my own, which then most sought were most might
• 8:32
  Speaker 1: not be found, being one too many by my weary self,
• 8:36
  Speaker 1: pursued my humor, not pursuing his, and gladly shunned who
• 8:41
  Speaker 1: gladly fled from me. Montahue, many a morning hath he
• 8:45
  Speaker 1: there been seen with tears, augmenting the fresh morning's dew,
• 8:49
  Speaker 1: adding to clouds more clouds with his deep sighs. But
• 8:53
  Speaker 1: all so soon as the all cheering sun should in
• 8:56
  Speaker 1: the farthest east been to draw the shady curtains from
• 8:59
  Speaker 1: a 's bed, away from light, steals home my heavy sun,
• 9:04
  Speaker 1: and private in his chamber pens himself shut up his windows,
• 9:08
  Speaker 1: locks fair daylight, and makes himself an artificial night, black
• 9:13
  Speaker 1: and portentous. Must this humor prove, unless good counsel may
• 9:17
  Speaker 1: the cause remove Benvolio, my noble uncle, do you know
• 9:22
  Speaker 1: the cause? Montahue, I neither know it nor can learn
• 9:27
  Speaker 1: of him, Benvolio. Have you importuned him by any means? Montahue,
• 9:33
  Speaker 1: both by myself and many other friend But he his
• 9:37
  Speaker 1: own affections counselor is to himself. I will not say
• 9:40
  Speaker 1: how true, but to himself, so secret and so close,
• 9:44
  Speaker 1: so far from sounding and discovery, as is the bud
• 9:49
  Speaker 1: bit with an envious worm. Ere he can spread his
• 9:52
  Speaker 1: sweet leaves to the air, or dedicate his beauty to
• 9:54
  Speaker 1: the sun. Could we but learn from whence his sorrows
• 9:58
  Speaker 1: grow as willingly give cure as no enter Romeo, Benvolio,
• 10:06
  Speaker 1: see where he comes. So please you step aside, all
• 10:10
  Speaker 1: know his grievance, or be much denied. Montahu I would
• 10:15
  Speaker 1: thou wert so happy by thy stay to hear true
• 10:18
  Speaker 1: shrift Come madam, Let's away, exunt monte Hue and wife, Benvolio,
• 10:25
  Speaker 1: good morrow, cousin Romeo. It's the day so young, Benvolio,
• 10:32
  Speaker 1: But new struck nine, Romeo, Ay me, sad hour seemed long?
• 10:38
  Speaker 1: Was that my father that went hence so fast? Benvolio?
• 10:42
  Speaker 1: It was what sadness lengthens Romeo's hours. Romeo, not having
• 10:47
  Speaker 1: that which having makes them short Benvolio and love Romeo,
• 10:54
  Speaker 1: out Benvolio, of love, Romeo, out of her favor. Where
• 11:00
  Speaker 1: I am in love? Benvolio, alas that love so gentle
• 11:05
  Speaker 1: in his view should be so tyrannous and rough in
• 11:08
  Speaker 1: proof Romeo, alas that love whose view is muffled still
• 11:14
  Speaker 1: should without eyes see pathways to his will? Where shall
• 11:18
  Speaker 1: we dine? Oh me, what fray was here? Yet? Tell
• 11:22
  Speaker 1: me not, for I have heard it all. Here's much
• 11:25
  Speaker 1: to do with hate, but more with love? Why then,
• 11:28
  Speaker 1: O brawling love? O loving hate? Oh? Anything of nothing? First? Create? Oh,
• 11:34
  Speaker 1: heavy lightness, serious, vanity, misshapen chaos of well seeming forms,
• 11:39
  Speaker 1: feather of lead, bright smoke, cold fire, sick health, still,
• 11:44
  Speaker 1: waking sleep. That is not what it is this love?
• 11:48
  Speaker 1: Feel I that feel no love in this? Dost thou
• 11:52
  Speaker 1: not laugh, Benvolio, no cause I rather weep, Romeo, good heart,
• 11:59
  Speaker 1: at what? Benvolio? At thy good heart's oppression? Romeo, why
• 12:06
  Speaker 1: such is love's transgression? Griefs of mine own lie heavy
• 12:09
  Speaker 1: in my breast, which thou wilt propagate to have it
• 12:13
  Speaker 1: pressed with more of thine. This love that thou hast shown,
• 12:17
  Speaker 1: dotht add more grief to much of mine own love
• 12:20
  Speaker 1: is a smoke raised with the fume of sighs being purged,
• 12:25
  Speaker 1: a fire sparkling in lover's eyes being vexed, A sea
• 12:29
  Speaker 1: nourished with lover's tears. What is it else? A madness
• 12:33
  Speaker 1: most discreet, a choking gall and a preserving suitet. Farewell,
• 12:38
  Speaker 1: my cous Benvolio, soft, I will go along, And if
• 12:44
  Speaker 1: you leave me so you do me wrong. Romeo tut,
• 12:48
  Speaker 1: I have lost myself. I am not here. This is
• 12:51
  Speaker 1: not Romeo. He some other where. Benvolio. Tell me, in sadness,
• 12:57
  Speaker 1: who is that you love Romeo? What shall I groan
• 13:02
  Speaker 1: and tell thee? Benvolio groan, why no? But sadly tell
• 13:07
  Speaker 1: me who Romeo bid? A sick man in sadness make
• 13:11
  Speaker 1: his will ah word ill urged to one that is
• 13:15
  Speaker 1: so ill in sadness, Cousin, I do love a woman, Benvolio.
• 13:20
  Speaker 1: I aimed so near when I supposed you loved Romeo
• 13:24
  Speaker 1: A right good markman, and she's fair. I love, Benvolio,
• 13:29
  Speaker 1: a right fair mark fair cous is soonest? Hit Romeo?
• 13:34
  Speaker 1: Well in that hit you miss? She'll not be hit
• 13:37
  Speaker 1: with Cupid's zaro. She hath Dian's wit and in strong
• 13:41
  Speaker 1: proof of chastity, Well armed from love's weak childish bow,
• 13:45
  Speaker 1: she lives unharmed. She will not stay the siege of
• 13:49
  Speaker 1: loving terms, nor bide the encounter of assailing eyes, nor
• 13:53
  Speaker 1: ope her lap to saint seducing gold. Oh, she's rich
• 13:57
  Speaker 1: in beauty, only poor that when she dies eyes with
• 14:00
  Speaker 1: beauty dyes her store, ben Bolio, then she hath sworn
• 14:05
  Speaker 1: that she will still live chaste Romeo, she hath, and
• 14:09
  Speaker 1: in that spair ring makes huge waste for beauty starved
• 14:14
  Speaker 1: with her severity, cuts beauty off from all posterity. She
• 14:18
  Speaker 1: is too fair, too wise, wisely, too fair to merit
• 14:22
  Speaker 1: bliss by making me despair, she hath forthsworn to love.
• 14:27
  Speaker 1: And in that vow do I live dead that live
• 14:30
  Speaker 1: to tell it? Now? Benvolio be ruled by me. Forget
• 14:34
  Speaker 1: to think of her, Romeo. Oh, teach me how I
• 14:37
  Speaker 1: should forget to think, Benvolio. By giving liberty unto thine eyes,
• 14:42
  Speaker 1: examine other beauties, Romeo, tis the way to call hers
• 14:49
  Speaker 1: exquisite and question more. These happy masks that kiss fair
• 14:54
  Speaker 1: ladies brows being black puts us in mind. They hide
• 14:58
  Speaker 1: the fair he that is struck and blind cannot forget
• 15:01
  Speaker 1: the precious treasure of his eyesight lost. Show me a
• 15:05
  Speaker 1: mistress that is passing fair? What doth her beauty serve?
• 15:09
  Speaker 1: But as a note where I may read who passed
• 15:11
  Speaker 1: that passing fair? Farewell? Thou canst not teach me to
• 15:16
  Speaker 1: forget Benvolio, I'll pay that doctrine, or else die in
• 15:21
  Speaker 1: debt exeunt scene too a street enter capulate, County Paris,
• 15:30
  Speaker 1: and servant the clown capulate. But monta Hue is bound
• 15:35
  Speaker 1: as well as I, and penalty alike, and tis not
• 15:39
  Speaker 1: hard I think for men so old as we to
• 15:41
  Speaker 1: keep the peace Paris of honorable reckoning? Are you both?
• 15:46
  Speaker 1: And pity tis you lived at odds so long? But now,
• 15:50
  Speaker 1: my lord, what say you to my suit? Capulate? But
• 15:54
  Speaker 1: saying or what I have said before? My child is
• 15:56
  Speaker 1: yet a stranger in the world. She hath not seen
• 15:59
  Speaker 1: the chain of fourteen years. Let two more summers wither
• 16:03
  Speaker 1: in their pride. Ere we may think her ripe to
• 16:05
  Speaker 1: be a bride Paris younger than she are, happy mother's
• 16:10
  Speaker 1: maid Capulate, and too soon, martyr, those so early made
• 16:15
  Speaker 1: the earth hath swallowed all my hopes. But she she
• 16:19
  Speaker 1: is the hopeful lady of my earth, But woo her
• 16:22
  Speaker 1: gentle Paris, get her heart. My will to her consent
• 16:26
  Speaker 1: is but a part, and she agree. Within her scope
• 16:29
  Speaker 1: of choice lies my consent and fair according voice, this
• 16:33
  Speaker 1: night I hold an old accustomed feast, whereto I have
• 16:37
  Speaker 1: invited many a guest such as I love, and you
• 16:40
  Speaker 1: among the store one more most welcome, makes my number
• 16:44
  Speaker 1: more at my poor house. Look to behold this night
• 16:48
  Speaker 1: earth treading stars that make dark heaven light such comfort
• 16:52
  Speaker 1: as do lusty young men feel when well apparelled April
• 16:55
  Speaker 1: on the heel of limping winter treads even such delight
• 16:59
  Speaker 1: among fresh female buds. Shall you this night inherit at
• 17:03
  Speaker 1: my house? Here all all see, and like her most
• 17:07
  Speaker 1: whose merit most shall be, which, on more view of
• 17:12
  Speaker 1: many mine being one may stand in number, though in
• 17:16
  Speaker 1: reckoning none. Come Go with me to servant, giving him
• 17:20
  Speaker 1: a paper, Go Surrah, trudge about through fair Verona. Find
• 17:24
  Speaker 1: those persons out whose names are written there, and to
• 17:27
  Speaker 1: them say my house, and welcome on their pleasure. Stay
• 17:32
  Speaker 1: exunt capulate in Paris. Servant, find them out whose names
• 17:37
  Speaker 1: are written here. It is written that the shoemaker should
• 17:40
  Speaker 1: meddle with his yard, and the tailor with his last,
• 17:42
  Speaker 1: the fisher with his pencil, and the painter with his nets.
• 17:46
  Speaker 1: But I am sent to find those persons whose names
• 17:49
  Speaker 1: are here writ, and can never find what names the
• 17:52
  Speaker 1: writing person hath here writ. I must to the learned
• 17:56
  Speaker 1: in good time, enter Benvolio in Romeo, Benvolio, tut man.
• 18:03
  Speaker 1: One fire burns out another's burning. One pain is lessened
• 18:07
  Speaker 1: by another's anguish. Turn giddy and be hope by backward
• 18:11
  Speaker 1: turning when desperate grief cures with another's languish. Take thou
• 18:15
  Speaker 1: some new infection to thy eye, and the rank poison
• 18:19
  Speaker 1: of the old will die. Romeo, Your plantain leaf is
• 18:24
  Speaker 1: excellent for that, Benvolio. For what I pray thee Romeo,
• 18:29
  Speaker 1: for your broken shin Benvolio, Why Romeo art thou mad? Romeo?
• 18:37
  Speaker 1: Not mad, but bound more than a madman is shut
• 18:40
  Speaker 1: up in prison, kept without my food, whipped and tormented
• 18:44
  Speaker 1: and goddin good fellow, servant, god Gegoden, I pray, sir,
• 18:50
  Speaker 1: can you read Romeo aye mine own fortune in my misery? Servant?
• 18:57
  Speaker 1: Perhaps you have learned it without book, But I pray,
• 19:00
  Speaker 1: can you read anything you see? Romeo? I if I
• 19:04
  Speaker 1: know the letters in the language, Servant, ye say honestly,
• 19:08
  Speaker 1: Rest you marry Romeo, stay fellow. I can read, he reads.
• 19:15
  Speaker 1: Signor Martino and his wife and daughters, County n Selmo
• 19:20
  Speaker 1: and his beauteous sisters, the lady widow of vit Ruvio,
• 19:25
  Speaker 1: Signor Placiento and his lovely nieces, Mercutio and his brother Valentine,
• 19:31
  Speaker 1: mine Uncle Capulot, his wife and daughters, my fair niece
• 19:35
  Speaker 1: Rosaline and Livia, Signor Valencio and his cousin Tibbalt Lucio,
• 19:41
  Speaker 1: and the lively Helena. Gives back the paper a fair assembly.
• 19:46
  Speaker 1: Whither should they come? Servant up Romeo, whither servant to supper?
• 19:53
  Speaker 1: To our house? Romeo? Whose house? Servant? My master's Romeo,
• 19:59
  Speaker 1: And I should have asked you that before, Servant. Now
• 20:03
  Speaker 1: I'll tell you without asking. My master is the great
• 20:07
  Speaker 1: rich Capulate. And if you be not of the house
• 20:09
  Speaker 1: of Monta Hugh's, I pray, come and crush a cup
• 20:12
  Speaker 1: of wine. Rest you marry exit Benvolio. At this same
• 20:18
  Speaker 1: ancient feast of capulets, SUPs the fair Rosaline, whom thou
• 20:22
  Speaker 1: so lovest with all the admired beauties of Verona go thither,
• 20:26
  Speaker 1: and with unattained eye, compare her face with some that
• 20:29
  Speaker 1: I shall show, and I will make thee think thy
• 20:32
  Speaker 1: swan a crow. Romeo. When the devout religion of mine
• 20:37
  Speaker 1: eye maintains such falsehood, then turn tears to fires, And
• 20:42
  Speaker 1: these who often drown could never die transparent heretics be
• 20:47
  Speaker 1: burnt for liars. One fairer than my love, the all
• 20:51
  Speaker 1: seeing sun ne'er saw her match since first the world begun. Benvolio, tut,
• 20:58
  Speaker 1: you saw her fair one else, being by herself poised
• 21:02
  Speaker 1: with herself in either eye, but in that crystal scales.
• 21:06
  Speaker 1: Let there be weighed your lady's love against some other
• 21:09
  Speaker 1: maid that I will show you shining at this feast,
• 21:12
  Speaker 1: and she shall scant show well that now seems best. Romeo.
• 21:17
  Speaker 1: I'll go along, no such sight to be shown, but
• 21:21
  Speaker 1: to rejoice in splendor of my own Exeunt Scene three,
• 21:28
  Speaker 1: Capulot's house. Enter Capulot's wife and nurse, wife, nurse, where's
• 21:34
  Speaker 1: my daughter? Call her forth to me, nurse now by
• 21:38
  Speaker 1: my maiden head, at twelve year old, I bade her come,
• 21:42
  Speaker 1: what lamb, what lady bird? God forbid? Where's this girl? What?
• 21:47
  Speaker 1: Juliet enter, Juliet Juliette, How now, who calls nurse your mother? Juliette, Madam,
• 21:57
  Speaker 1: I am here. What is your will? Wife? This is
• 22:01
  Speaker 1: the matter. Nurse. Give leave a while, we must talk
• 22:04
  Speaker 1: in secret. Nurse, come back again. I have remembered me.
• 22:07
  Speaker 1: Thou's here, our counsel. Thou knowest my daughters of a
• 22:10
  Speaker 1: pretty age? Nurse faith, I can tell her age unto
• 22:15
  Speaker 1: an hour, Wife, she's not fourteen, Nurse, all lay fourteen
• 22:20
  Speaker 1: of my teeth, and yet to my teen be it spoken?
• 22:24
  Speaker 1: I have but four she is not fourteen? How long
• 22:28
  Speaker 1: is it now to lambisdied wife? A fortnight in odd days, nurse,
• 22:35
  Speaker 1: even or odd of all days in the year. Come
• 22:38
  Speaker 1: Lamis Eve at night? Shall she be fourteen? Susan? And
• 22:42
  Speaker 1: she God rest all Christian souls. Where of an age?
• 22:46
  Speaker 1: While Susan is with God? She was too good for me.
• 22:50
  Speaker 1: But as I said, on Lamis Eve at night, shall
• 22:52
  Speaker 1: she be fourteen? That shall she marry? I remember it well,
• 22:58
  Speaker 1: tis since the earthquake now eleven years and she was weaned.
• 23:01
  Speaker 1: I never shall forget it of all the days of
• 23:04
  Speaker 1: the year. Upon that day, for I had then laid
• 23:07
  Speaker 1: wormwood to my dog sitting in the sun under the
• 23:10
  Speaker 1: dove house wall. My lord and you were then at Mantua. Nay,
• 23:16
  Speaker 1: I do bear a brain. But as I said, when
• 23:19
  Speaker 1: it did taste the wormwood on the nipple of my
• 23:22
  Speaker 1: dug and felt it bitter, pretty fool to see it
• 23:26
  Speaker 1: tetchy and fall out with the dug, shake quoth the
• 23:30
  Speaker 1: dove house, twas no need I trow to bid me trudge.
• 23:35
  Speaker 1: And since that time it is eleven years. For then
• 23:37
  Speaker 1: she could stand high lone, Nay, by the rude she
• 23:41
  Speaker 1: could have run and waddled all about for even the
• 23:45
  Speaker 1: day before she broke her brow. And then my husband,
• 23:49
  Speaker 1: God be with his soul, I was a merry man,
• 23:52
  Speaker 1: took up the child. Yea quoth he dost thou fall
• 23:55
  Speaker 1: upon thy face? Thou wilt fall backward when thou hast
• 23:59
  Speaker 1: more wit, wilt thou not jewel? And by my holidem
• 24:04
  Speaker 1: the pretty wretch left crying, and said, I to see
• 24:07
  Speaker 1: now how a jest shall come about? I warrant, and
• 24:10
  Speaker 1: I should live a thousand years. I never should forget it.
• 24:14
  Speaker 1: Wilt thou not jewel? Quoth he? And pretty fool, it's stinted,
• 24:19
  Speaker 1: And said I wife, enough of this, I pray thee
• 24:23
  Speaker 1: hold thy peace, nurse. Yes, madam. Yet I cannot choose
• 24:28
  Speaker 1: but laugh to think it should leave crying, and say I,
• 24:32
  Speaker 1: and yet I warrant it bat upon it brow a
• 24:34
  Speaker 1: bump as big as a young cockrel stone, a perilous knock,
• 24:38
  Speaker 1: and it cried bitterly. Yea quoth my husband, fallst upon
• 24:42
  Speaker 1: thy face. Thou wilt fall backward when thou comest to age,
• 24:46
  Speaker 1: wilt thou not jewel? It's stinted, And said, ay, Juliette,
• 24:52
  Speaker 1: and stint thou too. I pray thee, nurse, say I,
• 24:56
  Speaker 1: nurse peace, I have done God mark thee to his grace.
• 25:01
  Speaker 1: Thou wast the prettiest babe that ere I nursed, And
• 25:04
  Speaker 1: I might live to see thee married once I have
• 25:08
  Speaker 1: my wish wife, Mary. That Mary is the very theme
• 25:14
  Speaker 1: I came to talk of. Tell me, daughter, Juliette, how
• 25:17
  Speaker 1: stands your disposition to be married? Juliette? It is an
• 25:22
  Speaker 1: honor that I dream not of nurse, an honor. Were
• 25:28
  Speaker 1: not I thine only nurse, I would say thou hadst
• 25:31
  Speaker 1: sucked wisdom from thy teet wife. Well, think of marriage now,
• 25:37
  Speaker 1: younger than you here and Verona, ladies of esteem, are
• 25:40
  Speaker 1: made already mothers by my count I was your mother
• 25:44
  Speaker 1: much upon these years that you are now a maid. Thus, then,
• 25:48
  Speaker 1: in brief, the valiant Paris seeks you for his love.
• 25:52
  Speaker 1: Nurse a man, young lady, lady, such a man as
• 25:57
  Speaker 1: all the world. Why he's a man of wax wife
• 26:02
  Speaker 1: Verona's summer hath not such a flower nurse? Nay, he's
• 26:06
  Speaker 1: a flower in faith, a very flower wife. What say
• 26:10
  Speaker 1: you can you love the gentleman? This night you shall
• 26:14
  Speaker 1: behold him at our feast, Read or the volume of
• 26:17
  Speaker 1: young Paris's face, and find the light written there with
• 26:21
  Speaker 1: beauty's pen. Examine every married liniment, and see how one
• 26:25
  Speaker 1: another lens content, and what obscured in this fair volume
• 26:30
  Speaker 1: lies find written in the margin of his eyes, this
• 26:33
  Speaker 1: precious book of love, this unbound lover to beautify him,
• 26:37
  Speaker 1: only lacks a cover. The fish lives in the sea,
• 26:40
  Speaker 1: and tis much pride for fair without the fair within
• 26:44
  Speaker 1: to hide that book in many's eyes doth share the
• 26:48
  Speaker 1: glory that in gold clasps, locks and the golden story.
• 26:53
  Speaker 1: So shall you share all that he doth possess by
• 26:57
  Speaker 1: having him, making yourself no less nurse, no less, nay,
• 27:03
  Speaker 1: bigger women grow by men. Wife speak briefly, Can you
• 27:09
  Speaker 1: like of Paris? Is love? Juliette, I'll look to like.
• 27:14
  Speaker 1: If looking liking, move, but no more deep will I
• 27:18
  Speaker 1: in dart mine eye than your consent give strength to
• 27:22
  Speaker 1: make it fly? Enter serving man, Serving man, Madam. The
• 27:29
  Speaker 1: guests are come, Supper served up. You called my young lady,
• 27:33
  Speaker 1: asked for the nurse, cursed in the pantry, and everything
• 27:37
  Speaker 1: in extremity. I must hence to wait. I beseech you
• 27:41
  Speaker 1: follow straight, wife, We follow thee. Exit serving man Juliette.
• 27:48
  Speaker 1: The county stays nurse go girl, seek happy nights to
• 27:55
  Speaker 1: happy days. Excellent Scene four a street enter Romeo, Mercutio, Benvolio,
• 28:04
  Speaker 1: with five or six other maskers torch bearers. Romeo, what
• 28:10
  Speaker 1: shall this speech be spoke for our excuse? Or shall
• 28:13
  Speaker 1: we on without apology? Benvolio? The date is out of
• 28:18
  Speaker 1: such prolyxity. We'll have no cupid hoodwinked with a scarf
• 28:22
  Speaker 1: bearing a tartar's painted bow of lath, scaring the ladies
• 28:26
  Speaker 1: like a crow keeper, nor no without book. Prologue faintly
• 28:30
  Speaker 1: spoke after the prompter for our entrance. But let them
• 28:34
  Speaker 1: measure us by what they will. Will measure them a
• 28:38
  Speaker 1: measure and be gone. Romeo, give me a torch. I
• 28:42
  Speaker 1: am not for this ambling, being but heavy, I will
• 28:46
  Speaker 1: bear the light. Mercutio. Nay, gentle Romeo, we must have
• 28:51
  Speaker 1: you dance, Romeo, not I believe me. You have dancing
• 28:57
  Speaker 1: shoes with nimble souls. I have a soul of lead,
• 29:01
  Speaker 1: So stakes me to the ground. I cannot move, Mercutio.
• 29:05
  Speaker 1: You are a lover, borrow Cupid's wings and soar with
• 29:08
  Speaker 1: them above a common bound Romeo. I am too sore
• 29:12
  Speaker 1: and pierced with his shaft to soar with his light feathers,
• 29:16
  Speaker 1: and so bound I cannot bound a pitch above dull
• 29:18
  Speaker 1: woe under love's heavy burthen do I sink, Mercutio, And
• 29:24
  Speaker 1: to sink in it? Should you burthen? Love? Too great
• 29:27
  Speaker 1: oppression for a tender thing? Romeo? Is love a tender thing?
• 29:33
  Speaker 1: It is too rough, too rude, too boisterous, and it
• 29:37
  Speaker 1: pricks like thorn. Mercutio. If love be rough with you,
• 29:42
  Speaker 1: be rough with love, prick love for pricking, and you
• 29:46
  Speaker 1: beat love down. Give me a case to put my
• 29:48
  Speaker 1: visage in a visor? For a visor? What care, I
• 29:52
  Speaker 1: what curious eye death quote deformities. Here are the beetle
• 29:56
  Speaker 1: brows shall blush for me, Benville, come knock and enter,
• 30:02
  Speaker 1: and no sooner in but every man betake him to
• 30:05
  Speaker 1: his legs, Romeo, a torch for me. Let wanton's light
• 30:10
  Speaker 1: of heart, tickle the senseless rushes with their heels, for
• 30:13
  Speaker 1: I am proverbed with a grandsire phrase. I'll be a
• 30:17
  Speaker 1: candle holder, and look on the game was ne'er so fair?
• 30:21
  Speaker 1: And I am done? Mercutio. Tut duns the mouse, the
• 30:26
  Speaker 1: constable's own word. If thou art done, will draw thee
• 30:30
  Speaker 1: from the mire of this, sir reverence love wherein thou
• 30:33
  Speaker 1: stick'st up to the ears come we burn daylight, ho Romeo, Nay,
• 30:41
  Speaker 1: that's not so, Mercutio. I mean, sir, in delay, we
• 30:46
  Speaker 1: waste our lights in vain like lamps by day. Take
• 30:49
  Speaker 1: our good meaning, for our judgment sits five times in
• 30:53
  Speaker 1: that air, once in our five wits, Romeo, And we
• 30:58
  Speaker 1: mean well, and go going to this mask. But tis
• 31:02
  Speaker 1: no wit to go, Mercutio. Why may one ask Romeo?
• 31:07
  Speaker 1: I dreamt a dream tonight, Mercutio, and so did I Romeo? Well,
• 31:12
  Speaker 1: what was yours, Mercutio, that dreamers often lie Romeo in
• 31:19
  Speaker 1: bed as sleep while they do dream things true, Mercutio. Oh,
• 31:24
  Speaker 1: then I see Queen mab hath been with you. She
• 31:27
  Speaker 1: is the fairy's midwife, and she comes in shape no
• 31:30
  Speaker 1: bigger than an agate stone on the forefinger of an alderman,
• 31:34
  Speaker 1: drawn with a team of little atomis, athwarts men's noses
• 31:38
  Speaker 1: as they lie asleep. Her wagon spokes made of long
• 31:42
  Speaker 1: spinner's legs, the cover of the wings of grasshoppers, her
• 31:47
  Speaker 1: traces of the smallest spider's web, her collars of the
• 31:52
  Speaker 1: moonshine's watree beams, her whip of crickets bone, the lash
• 31:57
  Speaker 1: of film. Her wagoner a small gir coated net, not
• 32:01
  Speaker 1: half so big as a round little worm pricked from
• 32:04
  Speaker 1: the lazy finger of a maid. Her chariot is an
• 32:08
  Speaker 1: empty hazel nut made by the joiner squirrel or old
• 32:12
  Speaker 1: grub time out a mine the fairy's coachmakers. And in
• 32:17
  Speaker 1: this state she gallops night by night through lover's brains.
• 32:21
  Speaker 1: And then they dream of love or courtier's knees that
• 32:26
  Speaker 1: dream on cursey's straight or lawyer's fingers who straight dream
• 32:30
  Speaker 1: on fees or lady's lips who straight on kisses dream
• 32:35
  Speaker 1: which oft the angry mab with blisters plagues because their
• 32:39
  Speaker 1: breaths with sweetmeats tainted are Sometimes she gallops or a
• 32:43
  Speaker 1: courtier's nose, and then dreams he of smelling out a suit,
• 32:47
  Speaker 1: and sometimes comes she with a tithe pig's tail, tickling
• 32:51
  Speaker 1: a parson's nose as a lies asleep, then dreams he
• 32:55
  Speaker 1: of another benefice. Sometimes she driveth o'er a soul's neck,
• 33:01
  Speaker 1: and then dreams he of cutting foreign throats of breeches
• 33:05
  Speaker 1: am buscados Spanish blades of healths five fatom deep, and
• 33:11
  Speaker 1: then Anon drums in his ear, at which he starts
• 33:14
  Speaker 1: and wakes. In, being thus frightened, swears a prayer or two,
• 33:19
  Speaker 1: and sleeps again. This is that very mab that plats
• 33:22
  Speaker 1: the manes of horses in the night and bakes the
• 33:25
  Speaker 1: elf locks in foul sluttish hairs, which one untangled much
• 33:29
  Speaker 1: misfortune bodes. This is the hag, when maids lie on
• 33:33
  Speaker 1: their backs, that presses them and learns them first to bear,
• 33:37
  Speaker 1: making them women of good carriage. This is she Romeo
• 33:41
  Speaker 1: peace piece Mercutio, peace, Thou talkest of nothing Mercutio, true,
• 33:47
  Speaker 1: I talk of dreams, which are the children of an
• 33:50
  Speaker 1: idle brain. Begot of nothing but vain fantasy, which is
• 33:54
  Speaker 1: as thin of substance as the air, and more inconstant
• 33:58
  Speaker 1: than the wind, who woos even now the frozen bosoms
• 34:01
  Speaker 1: of the north, and being angered, puffs away from thence
• 34:05
  Speaker 1: turning his face to the dew dropping south. Benvolio, this
• 34:10
  Speaker 1: wind you talk of, blows us from ourselves. Supper is done,
• 34:14
  Speaker 1: and we shall come too late. Romeo, I fear too
• 34:18
  Speaker 1: early from my mind misgives some consequence. Yet, hanging in
• 34:22
  Speaker 1: the stars, shall bitterly begin his fearful date with this
• 34:26
  Speaker 1: night's revels, and expire the term of a despised life
• 34:30
  Speaker 1: closed in my breast by some vile forfeit of untimely death.
• 34:34
  Speaker 1: But he that hath the steerage of my course direct
• 34:37
  Speaker 1: my sail on. Lusty gentlemen, Benvolio, strike drum. They march
• 34:44
  Speaker 1: about the stage. Exunt Scene five. Capulet's house. Serving men
• 34:51
  Speaker 1: come forth with napkins. First servant. Where's potpan that he
• 34:56
  Speaker 1: helps not to take away? He shift a trencher, He
• 34:58
  Speaker 1: scrape a trencher. Second servant, When good manner shall lie
• 35:03
  Speaker 1: all in one or two men's hands, and they unwashed.
• 35:06
  Speaker 1: Two tis a foul thing. First servant, away with the
• 35:10
  Speaker 1: joined stools, remove the court cuppet, look to the plate. Good,
• 35:14
  Speaker 1: thou save me a piece of march pain. And as
• 35:18
  Speaker 1: thou lovest me let the porter. Let in Susan grindstone
• 35:21
  Speaker 1: and knell Anthony and pot pan. Second servant, Aye, boy ready,
• 35:27
  Speaker 1: First servant, you are looked for and called for, asked
• 35:30
  Speaker 1: for and sought for in the great chamber. Third servant,
• 35:35
  Speaker 1: we cannot be here, and there too, cheerly, boys, be
• 35:38
  Speaker 1: brisk awhile, and the longer liver take all iggsunt enter
• 35:43
  Speaker 1: the maskers, Enter with servants, capulate, his wife Juliet Tibbalt,
• 35:49
  Speaker 1: and all the guests and gentlewomen to the maskers capulate. Welcome, gentlemen.
• 35:56
  Speaker 1: Ladies that have their toes unplagued with corns will have
• 36:00
  Speaker 1: about with you. Aha, my mistresses, which of you all
• 36:03
  Speaker 1: will now deny to dance? She that makes dainty, she
• 36:08
  Speaker 1: I'll swear hath corns? Am I come near ye now? Welcome, gentlemen.
• 36:13
  Speaker 1: I have seen the day that I have worn a
• 36:15
  Speaker 1: visor and could tell a whispering tale in a fair
• 36:17
  Speaker 1: lady's ear such as would please, Tis gone, tis gone,
• 36:21
  Speaker 1: tis gone. You are welcome. Gentlemen, come, musicians play a
• 36:26
  Speaker 1: hall a hall, give room and foot it. Girls, music
• 36:30
  Speaker 1: plays and they dance. More light you knaves, and turn
• 36:34
  Speaker 1: the tables up and quench the fire. The room has
• 36:36
  Speaker 1: grown too hot. Ah surrah, this unlooked for sport comes well.
• 36:41
  Speaker 1: Nay sit, nay sit, good cousin, capulate, for you and
• 36:45
  Speaker 1: I are past our dancing days. How long is it
• 36:48
  Speaker 1: now since last yourself and I were in a mask
• 36:52
  Speaker 1: second capulate by our lady thirty years? Capulate what mantis
• 36:58
  Speaker 1: not so much? 'tis not so much much? Tis since
• 37:01
  Speaker 1: the nuptial of Lucentio come Pentecost as quickly as it
• 37:04
  Speaker 1: will some five and twenty years? And then we masked?
• 37:08
  Speaker 1: Second capulate? Tis more tis more? His son is elder, Sir,
• 37:13
  Speaker 1: his son is thirty capulate. Will you tell me that
• 37:18
  Speaker 1: his son was but a ward two years ago? Romeo
• 37:21
  Speaker 1: to a serving man. What lady's that which doth enrich
• 37:26
  Speaker 1: the hand of yonder knight serving man? I know not,
• 37:30
  Speaker 1: Sir Romeo. Oh, she doth teach the torches to burn bright?
• 37:36
  Speaker 1: It seems she hangs upon the cheek of night, like
• 37:39
  Speaker 1: a rich jewel in an Ethiop's ear, beauty too rich
• 37:43
  Speaker 1: for use for earth to dear. So shows a snowy
• 37:47
  Speaker 1: dove trooping with crows, as yonder lady or her fellows
• 37:51
  Speaker 1: shows the measure done. I'll watch her place of stand
• 37:55
  Speaker 1: and touching hers make blessed my rude hand? Did my
• 37:59
  Speaker 1: heart love to foreswear at sight? For I ne'er saw
• 38:03
  Speaker 1: true beauty till this night tibbled? This by his voice
• 38:08
  Speaker 1: should be a montague. Fetch me, my rapier boy, What
• 38:12
  Speaker 1: dares the slave come hither covered with an antique face,
• 38:16
  Speaker 1: to fleer and scorn at our solemnity? Now by the
• 38:20
  Speaker 1: stalk in honor of my kin, to strike him dead?
• 38:23
  Speaker 1: I hold it not a sin capulate? Why how now, kinsman,
• 38:28
  Speaker 1: where for storm you sow tibbold? Uncle? This is a
• 38:32
  Speaker 1: monta hue our foe, a villain that is hither come
• 38:35
  Speaker 1: in spite to scorn at our solemnity this night? Capulate,
• 38:39
  Speaker 1: young Romeo? Is it tibbled? Tis he that villain Romeo? Capulate?
• 38:45
  Speaker 1: Content thee gentle cause let him alone A bears him
• 38:49
  Speaker 1: like a portly gentleman, And to say truth. Verona brags
• 38:53
  Speaker 1: of him to be a virtuous and well governed youth.
• 38:56
  Speaker 1: I would not for the wealth of all this town
• 38:58
  Speaker 1: here in my house do him disparagement. Therefore, be patient,
• 39:03
  Speaker 1: take no note of him. It is my will the
• 39:06
  Speaker 1: which if thou respect, show a fair presence and put
• 39:10
  Speaker 1: off these frowns, and he'll be the seeming semblance for
• 39:12
  Speaker 1: a feast. Tibbolt. It fits when such a villain as
• 39:16
  Speaker 1: a guest, I'll not endure him, Capulate he shall be endured.
• 39:22
  Speaker 1: What goodman boy, I say? He shall go too? Am
• 39:26
  Speaker 1: I the master here? Or you go too? You'll not
• 39:30
  Speaker 1: endure him, God shall mend my soul. You'll make a
• 39:34
  Speaker 1: mutiny among my guests. You will set cockahoop, you'll be
• 39:38
  Speaker 1: the man Tibbolt. Why, uncle tis a shame? Capulate, go too,
• 39:44
  Speaker 1: go too? You are a saucy boy, is it so? Indeed?
• 39:47
  Speaker 1: This trick may chance to scathe you. I know what
• 39:51
  Speaker 1: you must contrary me. Marry tis time? Well set my hearts.
• 39:55
  Speaker 1: You are a prince Cox Go be quiet, or more life,
• 40:00
  Speaker 1: more light? For shame, I'll make you quiet. What cheerly
• 40:04
  Speaker 1: my heart's timbled patience perforce with wilful collar meeting makes
• 40:10
  Speaker 1: my flesh tremble in their different greeting. I will withdraw,
• 40:14
  Speaker 1: but this intrusion shall no seeming sweet convert to bitterest.
• 40:19
  Speaker 1: Gall exit, Romeo. If I profane with my unworthiest hand,
• 40:24
  Speaker 1: this holy shrine, the gentle fine, is this my lips
• 40:28
  Speaker 1: to blushing Pilgrim's ready stand to smooth that rough touch
• 40:33
  Speaker 1: with a tender kiss, juliet Good, Pilgrim, you do wrong
• 40:38
  Speaker 1: your hand too much, which mannerly devotion shows in this.
• 40:42
  Speaker 1: For saints have hands that Pilgrim's hands do touch, and
• 40:46
  Speaker 1: palm to palm is holy palmer's kiss. Romeo, have not
• 40:51
  Speaker 1: saint's lips, and holy Palmer's too, Juliet Ay, pilgrim lips
• 40:57
  Speaker 1: that they must use in prayer. Romeo. Oh, then, dear Saint,
• 41:03
  Speaker 1: let lips do what hands do they pray? Grant thou
• 41:07
  Speaker 1: lest faith turn to despair, Juliette, Saints do not move, though,
• 41:13
  Speaker 1: grant for prayer's sake. Romeo, Then move not while my
• 41:18
  Speaker 1: prayer's effect. I take thus from my lips by thine,
• 41:22
  Speaker 1: my sin is purged, kisses her, Juliette. Then have my
• 41:28
  Speaker 1: lips the sin that they have took, Romeo, sin from
• 41:33
  Speaker 1: my lips, Oh trespass, sweetly urged, give me my sin again?
• 41:38
  Speaker 1: Kisses her, Juliette, you kiss by the book, Nurse madam,
• 41:45
  Speaker 1: your mother craves a word with you? Romeo? What is
• 41:48
  Speaker 1: her mother? Nurse Mary Bachelor? Her mother is the lady
• 41:53
  Speaker 1: of the house, and a good lady, and a wise
• 41:55
  Speaker 1: and virtuous I nursed her daughter that you talked with all.
• 41:59
  Speaker 1: I tell you you, he that can lay hold of
• 42:02
  Speaker 1: her shall have the chinks. Romeo, is she a capulate? Oh,
• 42:07
  Speaker 1: dear account my life is my foe's debt? Then volio
• 42:14
  Speaker 1: away begone? The sport is at the best, Romeo, Ay,
• 42:19
  Speaker 1: so I fear the more is my unrest capulate? Nay, gentlemen,
• 42:24
  Speaker 1: prepare not to be gone. We have a trifling, foolish
• 42:27
  Speaker 1: banquet towards is it e'en?
• 42:30
  Speaker 2: So?
• 42:31
  Speaker 1: Why then? I thank you all? I thank you, honest gentlemen.
• 42:34
  Speaker 1: Good night. More torches here, exunt maskers, come on. Then
• 42:40
  Speaker 1: let's to bed, ah surrah, by my fay. It waxes late,
• 42:45
  Speaker 1: all to my arrest, ex unt all, but Juliette and
• 42:49
  Speaker 1: Nurse Juliette, come hither. Nurse what is yon, gentlemen? Nurse
• 42:55
  Speaker 1: the son and heir of old Tiberio. Juliette. What's he
• 43:00
  Speaker 1: that now is going out of door? Nurse Mary, that
• 43:04
  Speaker 1: I think be young Pertrucchio, Juliet what's he that follows
• 43:09
  Speaker 1: there that would not dance? Nurse? I know not, Juliet,
• 43:15
  Speaker 1: Go ask his name? If he be married? My grave
• 43:17
  Speaker 1: is like to be my wedding bed, Nurse. His name
• 43:22
  Speaker 1: is Romeo and a Montague, the only son of your
• 43:25
  Speaker 1: great enemy, Juliet, My only love sprung from my only hate.
• 43:32
  Speaker 1: Too early, scene unknown and known too late, prodigious birth
• 43:36
  Speaker 1: of love. It is to me that I must love
• 43:38
  Speaker 1: a loathed enemy. Nurse what's this? What's this? Juliette, A
• 43:45
  Speaker 1: rhyme I learned even now of one I danced with
• 43:49
  Speaker 1: all one calls within, Juliet Nurse Anon a on, come,
• 43:57
  Speaker 1: let's away. The strangers all are gone, exhunt. End of
• 44:03
  Speaker 1: Act one, Act two, prologue, enter chorus, chorus. Now old
• 44:11
  Speaker 1: desire doth in his deathbed lie, and young affection gapes
• 44:17
  Speaker 1: to be his heir. That fair for which love groaned
• 44:21
  Speaker 1: for and would die with tender Juliet matched is now
• 44:26
  Speaker 1: not fair. Now Romeo is beloved and loves again alike
• 44:32
  Speaker 1: bewitched by the charm of locks, but to his foe,
• 44:37
  Speaker 1: supposed he must complain, and she steel love's sweet bait
• 44:42
  Speaker 1: from fearful hooks. Being held a foe, he may not
• 44:46
  Speaker 1: have access to breathe such vows as lovers used to swear,
• 44:52
  Speaker 1: and she as much in love. Her means much less
• 44:55
  Speaker 1: to meet her new beloved anywhere, but passion len them
• 45:00
  Speaker 1: power time means to meet tempering extremities with extreme sweet.
• 45:08
  Speaker 1: Exit Scene one, a lane by the wall of Capult's orchard.
• 45:15
  Speaker 1: Enter Romeo alone, Romeo, can I go forward when my
• 45:22
  Speaker 1: heart is here? Turn back, dull earth and find thy center?
• 45:26
  Speaker 1: Out climbs the wall and leaps down within it. Enter
• 45:31
  Speaker 1: Benvolio with Mercutio. Benvolio Romeo, my cousin, Romeo Romeo, Mercutio,
• 45:40
  Speaker 1: he is wise and on my life hath stolen him
• 45:43
  Speaker 1: home to bed. Benvolio. He ran this way and leapt
• 45:48
  Speaker 1: this orchard wall. Call good Mercutio, Mercutio, Nay, I'll conjure
• 45:54
  Speaker 1: two Romeo humors madman, passion lover. Appear Thou in the
• 46:00
  Speaker 1: likeness of a sigh, speak what one rhyme? And I
• 46:03
  Speaker 1: am satisfied. Cry, But I me pronounce, but love and
• 46:08
  Speaker 1: dove speak to my gossip venus, one fair word, one
• 46:13
  Speaker 1: nickname for her per blind son and heir, young Adam Cupid,
• 46:18
  Speaker 1: he that shot so trim when King Kofichua loved the
• 46:23
  Speaker 1: beggar maid. He heareth not, he stirreth, not be moveth not.
• 46:28
  Speaker 1: The ape is dead, and I must conjure him. I
• 46:32
  Speaker 1: conjure thee by Rosaline's bright eyes, by her high forehead,
• 46:37
  Speaker 1: and her scarlet lip, by her fine foot, straight leg,
• 46:42
  Speaker 1: and quivering thigh. And the demeans that their adjacent lie.
• 46:46
  Speaker 1: That in thy likeness thou appear to us, Benvolio. And
• 46:50
  Speaker 1: if he hear thee, thou wilt anger him. Mercutio. This
• 46:54
  Speaker 1: cannot anger him, twould anger him to raise a spirit
• 46:58
  Speaker 1: in his mistress circle of some strange nature, letting it
• 47:02
  Speaker 1: there stand till she had laid it and conjured it down.
• 47:06
  Speaker 1: That were some spite. My invocation is fair and honest
• 47:10
  Speaker 1: in his mistress name. I conjure only but to raise
• 47:14
  Speaker 1: up him, Benvolio. Come he hath hid himself among these trees,
• 47:20
  Speaker 1: to be consorted with the humorous night blind is his
• 47:24
  Speaker 1: love and best befits the dark. Mercutio, if love be blind,
• 47:29
  Speaker 1: love cannot hit the mark. Now will he sit under
• 47:32
  Speaker 1: a medlar tree and wish his mistress were that kind
• 47:35
  Speaker 1: of fruit, as maids call medlars when they laugh alone, Oh, Romeo,
• 47:40
  Speaker 1: that she were, Oh that she were an open et cetera,
• 47:45
  Speaker 1: Thou a papa in pair, Romeo, good night all to
• 47:49
  Speaker 1: my truckle bed. This field bed is too cold for
• 47:53
  Speaker 1: me to sleep. Come, shall we go, Thenvolio go, Then
• 47:58
  Speaker 1: for tis in vain to see kim here that means
• 48:01
  Speaker 1: not to be found. Exunt scene too capulates orchard enter Romeo, Romeo.
• 48:12
  Speaker 1: He jests at scars that never felt a wound, and
• 48:16
  Speaker 1: er Juliet above at a window, but soft, what light
• 48:21
  Speaker 1: through yonder window breaks? It is the east, and Juliet
• 48:26
  Speaker 1: is the sun. Arise, fair sun, and kill the envious moon,
• 48:30
  Speaker 1: who is already sick and pale with grief. That thou,
• 48:34
  Speaker 1: her maid, art far more fair than she be, not
• 48:37
  Speaker 1: her maid, since she is envious. Her vestal livery is
• 48:42
  Speaker 1: but sick and green, and none but fools do wear it?
• 48:47
  Speaker 1: Cast it off. It is my lady, Oh, it is
• 48:51
  Speaker 1: my love. Oh that she knew she were? She speaks,
• 48:56
  Speaker 1: yet she says nothing What of that her eye discourses?
• 49:02
  Speaker 1: I will answer it. I am too bold. Tis not
• 49:06
  Speaker 1: to me? She speaks. Two of the fairest stars in
• 49:10
  Speaker 1: all the heaven, having some business, do entreat her eyes
• 49:14
  Speaker 1: to twinkle in their spheres till they return. What if
• 49:18
  Speaker 1: her eyes were there they in her head? The brightness
• 49:22
  Speaker 1: of her cheek would shame those stars as daylight doth
• 49:26
  Speaker 1: a lamp. Her eyes in heaven would through the airy
• 49:29
  Speaker 1: regions stream so bright that birds would sing and think
• 49:33
  Speaker 1: it were not night. See how she leans her cheek
• 49:37
  Speaker 1: upon her hand. Oh, that I were a glove upon
• 49:41
  Speaker 1: that hand, that I might touch that cheek, juliette I
• 49:47
  Speaker 1: me Romeo, she speaks, Oh, speak again, bride Angel, For
• 49:53
  Speaker 1: thou art as glorious to this night, being o'er my head,
• 49:57
  Speaker 1: as is a winged messenger of heaven, unto the white, upturned,
• 50:02
  Speaker 1: wondering eyes of mortals that fall back to gaze on
• 50:06
  Speaker 1: him when he bestrides the lazy, pacing clouds and sails
• 50:10
  Speaker 1: upon the bosom of the air. Juliet Oh Romeo, Romeo.
• 50:16
  Speaker 1: Wherefore art thou Romeo deny thy father and refuse thy name,
• 50:22
  Speaker 1: or if thou wilt not be but sworn my love,
• 50:26
  Speaker 1: and I'll no longer be a capulate Romeo aside? Shall
• 50:32
  Speaker 1: I hear more? Or shall I speak? At this? Juliet?
• 50:36
  Speaker 1: Tis but thy name that is my enemy? Thou art
• 50:40
  Speaker 1: thyself though not a Montague? What's montague? It is nor hand,
• 50:46
  Speaker 1: nor foot, nor arm, nor face, nor any other part
• 50:50
  Speaker 1: belonging to a man. Oh be some other name. What's
• 50:54
  Speaker 1: in a name? That which we call a rose? By
• 50:57
  Speaker 1: any other name would smell as sweet? So Romeo would
• 51:01
  Speaker 1: were he not Romeo called retain that dear perfection which
• 51:06
  Speaker 1: he owes without that title. Romeo, doth thy name, and
• 51:11
  Speaker 1: for that name, which is no part of THEE. Take
• 51:14
  Speaker 1: all myself, Romeo, I take THEE at thy word. Call
• 51:20
  Speaker 1: me but love, and I'll be new baptized. Henceforth I
• 51:25
  Speaker 1: never will be Romeo. Juliet. What man art thou that
• 51:30
  Speaker 1: thus bescream'd a knight? So stumblest on my counsel, Romeo
• 51:36
  Speaker 1: by a name I know not how to tell THEE
• 51:39
  Speaker 1: who I am. My name, dear Saint, is hateful to
• 51:42
  Speaker 1: myself because it is an enemy to THEE. Had I
• 51:47
  Speaker 1: it written, I would tear the word Juliet. My ears
• 51:52
  Speaker 1: have yet not drunk a hundred words of that tongue's utterance.
• 51:56
  Speaker 1: Yet I know the sound art thou not Romeo and
• 52:00
  Speaker 1: a Montahue Romeo neither fair saint. If either THEE dislike Juliette,
• 52:08
  Speaker 1: how camest thou hither? Tell me? And wherefore the orchard
• 52:11
  Speaker 1: walls are high and hard to climb in the place death?
• 52:15
  Speaker 1: Considering who thou art? If any of my kinsmen find
• 52:18
  Speaker 1: thee here Romeo, with love's light wings, did I or
• 52:24
  Speaker 1: perch these walls? For stony limits cannot hold love out?
• 52:29
  Speaker 1: And what love can do that dares love attempt? Therefore,
• 52:34
  Speaker 1: thy kinsmen are no let to me, Juliet. If they
• 52:39
  Speaker 1: do see THEE, they will murder thee Romeo a lack
• 52:45
  Speaker 1: there lies more peril in thine eye than twenty of
• 52:48
  Speaker 1: their swords. Look thou but sweet, and I am proof
• 52:52
  Speaker 1: against their enmity, Juliet. I would not for the world
• 52:57
  Speaker 1: they saw thee here Romeo. I have knight's cloak to
• 53:02
  Speaker 1: hide me from their sight. And but thou love me,
• 53:06
  Speaker 1: let them find me here. My life were better ended
• 53:09
  Speaker 1: by their hate than death, prorob'd wanting of thy love, Juliet,
• 53:16
  Speaker 1: by whose direction found'st thou out this place, Romeo, by
• 53:21
  Speaker 1: love that first did prompt me to inquire. He lent
• 53:25
  Speaker 1: me counsel, and I lent him eyes. I am no pilot,
• 53:30
  Speaker 1: Yet wert thou as far as that vast shore wash'd
• 53:33
  Speaker 1: with the farthest sea, I would adventure for such merchandise. Juliet,
• 53:39
  Speaker 1: thou knowest the mask of night is on my face?
• 53:43
  Speaker 1: Else would a maiden blush bepaint my cheek for that
• 53:47
  Speaker 1: which thou hast heard me speak to night? Fain? Would
• 53:50
  Speaker 1: I dwell on form? Fain fain deny what I have spoke?
• 53:55
  Speaker 1: But farewell compliment. Dost thou love me? I know thou
• 54:00
  Speaker 1: wilt say ay, and I will take thy word. Yet
• 54:04
  Speaker 1: if thou swearest, thou mayst prove false At lover's perjuries,
• 54:09
  Speaker 1: they say jove laughs, Oh gentle Romeo. If thou dost
• 54:14
  Speaker 1: love pronounce it faithfully, Or if thou thinkest I am
• 54:19
  Speaker 1: too quickly one, I'll frown and be perverse and say
• 54:23
  Speaker 1: thee nay. So thou wilt woo. But else not for
• 54:27
  Speaker 1: the world. In truth, fair monta Hue, I am too fond,
• 54:31
  Speaker 1: and therefore thou mayst think my behavior light. But trust
• 54:35
  Speaker 1: me gentlemen, I'll prove more true than those that have
• 54:39
  Speaker 1: more cunning to be strange. I should have been more strange.
• 54:43
  Speaker 1: I must confess, but that thou overhearst ere I was
• 54:48
  Speaker 1: ware my true love passion. Therefore pardon me, and not
• 54:52
  Speaker 1: impute this yielding to light love which the dark knight
• 54:56
  Speaker 1: hath so discovered. Romeo, by yonder blessed moon, I swear
• 55:02
  Speaker 1: that tips with silver all these fruit tree tops. Juliet, Oh,
• 55:07
  Speaker 1: swear not by the moon, the inconstant moon that monthly
• 55:11
  Speaker 1: changes in her circled orb, lest that thy love prove
• 55:15
  Speaker 1: likewise variable. Romeo, What shall I swear by, Juliet? Do
• 55:21
  Speaker 1: not swear at all? Or if thou wilt, swear by
• 55:24
  Speaker 1: thy gracious self, which is the god of my idolatry,
• 55:28
  Speaker 1: and all believe thee. Romeo, if my heart's dear love, Juliet, well,
• 55:34
  Speaker 1: do not swear. Although I joy in THEE, I have
• 55:38
  Speaker 1: no joy of this contract tonight. It is too rash,
• 55:43
  Speaker 1: too unadvised, too sudden, too like the lightning which doth
• 55:47
  Speaker 1: cease to be ere one can say it lightens sweet
• 55:52
  Speaker 1: good night. This bud of love, by summer's ripening breath
• 55:56
  Speaker 1: may prove a beauteous flower when next we meet, good night,
• 56:00
  Speaker 1: good night, as sweet, repose and rest come to thy
• 56:04
  Speaker 1: heart as that within my breast? Romeo, Oh, wilt thou
• 56:10
  Speaker 1: leave me so unsatisfied, Juliet. What satisfaction canst thou have
• 56:16
  Speaker 1: to night, Romeo? The exchange of thy love's faithful vow
• 56:20
  Speaker 1: for mine, Juliet. I gave THEE mind before thou didst
• 56:25
  Speaker 1: request it, And yet I would it were to give again, Romeo.
• 56:30
  Speaker 1: Wilt thou withdraw it? For what purpose, love, Juliet, But
• 56:35
  Speaker 1: to be frank and give it THEE again? And yet
• 56:38
  Speaker 1: I wish but for the thing I have. My bounty
• 56:41
  Speaker 1: is as boundless as the sea. My love is deep.
• 56:46
  Speaker 1: The more I give to THEE, the more I have,
• 56:49
  Speaker 1: for both are infinite. I hear some noise within, dear Love, Adieu.
• 56:55
  Speaker 1: Nurse calls within Anon, good nurse, sweet mind to Hugh,
• 57:00
  Speaker 1: be true, Stay but a little I will come again.
• 57:04
  Speaker 1: Exit Romeo, Oh, blessed, blessed knight. I am afeared being
• 57:11
  Speaker 1: a knight. All this is but a dream, too flattering,
• 57:15
  Speaker 1: sweet to be substantial. Enter Juliet. Above, Juliet. Three words,
• 57:21
  Speaker 1: dear Romeo, and good knight. Indeed, if that thy bent
• 57:25
  Speaker 1: of love be honorable thy purpose marriage, send me word
• 57:29
  Speaker 1: tomorrow by one that all procure to come to THEE,
• 57:33
  Speaker 1: where and what time thou wilt perform the right and
• 57:36
  Speaker 1: all my fortunes at thy foot. All lay and follow THEE,
• 57:40
  Speaker 1: my lord throughout the world. Nurse within, Madam Juliette, I come, Anon,
• 57:49
  Speaker 1: But if thou meanest not well, I do beseech THEE.
• 57:52
  Speaker 1: Nurse within, Madam juliet By and by I come to
• 57:59
  Speaker 1: seize thy suit and leave me to my grief. Tomorrow?
• 58:02
  Speaker 1: Will I send Romeo so thrive my soul. Juliette A
• 58:09
  Speaker 1: thousand times good night, Exit Romeo A thousand times the
• 58:15
  Speaker 1: worse to want thy light. Love goes toward love as
• 58:19
  Speaker 1: schoolboys from their books, but love from love towards school
• 58:24
  Speaker 1: with heavy looks. Enter Juliette again above Juliette, hist Romeo
• 58:31
  Speaker 1: hist Oh for a falconer's voice to lure this tassel
• 58:35
  Speaker 1: gentle back again. Bondage is horse and may not speak aloud.
• 58:40
  Speaker 1: Else would I tear the cave where echo lies and
• 58:43
  Speaker 1: make her airy tongue more horse than mine? With repetition
• 58:47
  Speaker 1: of my Romeo's name, Romeo, Romeo. It is my soul
• 58:52
  Speaker 1: that calls upon my name, How silver sweet sound lover's
• 58:56
  Speaker 1: tongues by night, like softest music to a tending ear.
• 59:00
  Speaker 1: Juliet Romeo, Romeo, my dear Juliet. At what o'clock tomorrow?
• 59:08
  Speaker 1: Shall I send to thee Romeo, by the hour of nine, Juliet,
• 59:14
  Speaker 1: I will not fail. Tis twenty years till then I
• 59:18
  Speaker 1: have forgot why I did call thee back, Romeo. Let
• 59:22
  Speaker 1: me stand here till thou remember it, Juliet, I shall
• 59:26
  Speaker 1: forget to have THEE still stand there, remembering how I
• 59:30
  Speaker 1: love thy company, Romeo, and all still stay, to have
• 59:35
  Speaker 1: THEE still forget forgetting any other home. But this, Juliet,
• 59:40
  Speaker 1: tis almost morning. I would have thee gone, And yet
• 59:44
  Speaker 1: no farther than a wanton's bird that lets it hop
• 59:47
  Speaker 1: a little from her hand like a poor prisoner in
• 59:51
  Speaker 1: his twisted guides, and with a silk thread, plucks it
• 59:55
  Speaker 1: back again, so loving jealous of his liberty, Romeo. I
• 1:00:00
  Speaker 1: would I were thy bird, Juliet, sweet, So would I.
• 1:00:06
  Speaker 1: Yet I should kill thee with much cherishing good night
• 1:00:11
  Speaker 1: good night parting is such sweet sorrow that I shall
• 1:00:15
  Speaker 1: say good night till it be morrow. Exit Romeo, sleep
• 1:00:21
  Speaker 1: dwell upon thine eyes, peace in thy breast. Would I
• 1:00:25
  Speaker 1: were sleep in peace so sweet to rest. Hence will
• 1:00:29
  Speaker 1: I to my ghostly father's sell his help to crave,
• 1:00:34
  Speaker 1: and my dear hap to tell. Exit Scene three, Friar
• 1:00:40
  Speaker 1: Lawrence's cell enter Friar Lawrence alone with a basket. Friar
• 1:00:48
  Speaker 1: the gray eyed Morns smiles on the frowning night, checkering
• 1:00:52
  Speaker 1: the eastern clouds with streaks of light and flecked darkness,
• 1:00:55
  Speaker 1: like a drunkard reel's from fourth Day's path in Titan's
• 1:00:59
  Speaker 1: fire wheels. None ere the sun advanced his burning eye,
• 1:01:04
  Speaker 1: the day to cheer, and knights dank do to dry.
• 1:01:07
  Speaker 1: I must upfill this osier cage of ours with baleful
• 1:01:11
  Speaker 1: weeds and precious juiced flowers. The earth that's Nature's mother,
• 1:01:17
  Speaker 1: is her tomb, what is her burying gave, that is
• 1:01:21
  Speaker 1: her womb, And from her womb children of diverse kind,
• 1:01:26
  Speaker 1: we sucking on her natural bosom, find many, for many
• 1:01:30
  Speaker 1: virtues excellent none, but for some and yet all different.
• 1:01:36
  Speaker 1: Oh Mickel is the powerful grace that lies in plants, herbs, stones,
• 1:01:41
  Speaker 1: and their true qualities. For not so vile that on
• 1:01:45
  Speaker 1: the earth doth live. But to the earth some special
• 1:01:48
  Speaker 1: good doth give, nor aught so good, but strained from
• 1:01:52
  Speaker 1: that fair use revolts from true birth, stumbling on abuse,
• 1:01:57
  Speaker 1: virtue itself turns vice being misapplied, and vice sometimes by
• 1:02:03
  Speaker 1: action dignified within the infant rind of this small flower,
• 1:02:07
  Speaker 1: poison hath residence and medicine power. For this being smelt
• 1:02:13
  Speaker 1: with that part cheers. Each part being tasted slays all
• 1:02:17
  Speaker 1: senses with the heart. Two such opposed kings encamped them
• 1:02:21
  Speaker 1: still in man, as well as herbs, grace and rude will.
• 1:02:27
  Speaker 1: And where the worser is predominant full soon the cank
• 1:02:32
  Speaker 1: or death eats up that plant. Enter Romeo, Romeo, goodmorrow, father,
• 1:02:41
  Speaker 1: friar Benedickite. What early tongue so sweet, saluteth me, young son,
• 1:02:47
  Speaker 1: It argues a distempered head, so soon to bid goodmorrow
• 1:02:51
  Speaker 1: to thy bed. Care keeps his watch in every old
• 1:02:54
  Speaker 1: man's eye. And where care lodges sleep will never lie.
• 1:02:59
  Speaker 1: But where un roused youth, with unstuffed brain doth couch
• 1:03:03
  Speaker 1: his limbs, there golden sleep doth reign. Therefore, thy earliness,
• 1:03:08
  Speaker 1: doth me assure thou art up roused with some distempt rature.
• 1:03:14
  Speaker 1: Or if not so, then here I hit it right.
• 1:03:17
  Speaker 1: Our Romeo hath not been in bed tonight, Romeo, That
• 1:03:22
  Speaker 1: last is true. The sweeter rest was mine, friar, God,
• 1:03:26
  Speaker 1: pardon sin. Wast thou with rosaline? Romeo, with rosaline, my
• 1:03:32
  Speaker 1: ghostly father. No, I have forgot that name, and that
• 1:03:36
  Speaker 1: name's woe, friar. That's my good son. But where hast
• 1:03:42
  Speaker 1: thou been, then, Romeo, I'll tell thee ere thou askt
• 1:03:46
  Speaker 1: me again? I have been feasting with mine enemy. Where
• 1:03:50
  Speaker 1: on a sudden one hath wounded me? That's by me wounded,
• 1:03:54
  Speaker 1: both our remedies within Thy help and holy physic lies.
• 1:03:58
  Speaker 1: I bear no hatred, blessed man, for lo my intercession. Likewise,
• 1:04:03
  Speaker 1: stead's my foe, Friar, be plain good son and homely
• 1:04:08
  Speaker 1: in thy drift, riddling confession finds but riddling shrift, Romeo.
• 1:04:14
  Speaker 1: Then plainly no, My heart's dear love is set on
• 1:04:17
  Speaker 1: the fair daughter of rich capulate as mine on hers,
• 1:04:21
  Speaker 1: So hers is set on mine, and all combined save
• 1:04:25
  Speaker 1: what thou must combine by holy marriage. When and where
• 1:04:29
  Speaker 1: and how we met, we wooed and made exchange of vow.
• 1:04:33
  Speaker 1: I'll tell thee as we pass, But this I pray
• 1:04:36
  Speaker 1: that thou consent to marry us to day, Friar, Holy
• 1:04:41
  Speaker 1: Saint Francis, what a change is here is Rosaleene, that
• 1:04:45
  Speaker 1: thou didst love so dear, so soon forsaken? Young men's
• 1:04:49
  Speaker 1: love then lies not truly in their hearts, but in
• 1:04:52
  Speaker 1: their eyes. Yes, Maria, what a deal of brine hath
• 1:04:59
  Speaker 1: washed thy sallow cheeks for Rosalin? How much salt water
• 1:05:03
  Speaker 1: thrown away in waste to season love? That of it
• 1:05:08
  Speaker 1: doth not taste the sun? Not yet thy size from
• 1:05:12
  Speaker 1: heaven clears thy old groans ring, Yet in mine ancient
• 1:05:16
  Speaker 1: ears lo here upon thy cheek the stain doth sit
• 1:05:21
  Speaker 1: of an old tear that is not washed off. Yet.
• 1:05:25
  Speaker 1: If ere thou wast thyself and these woes, thine thou,
• 1:05:29
  Speaker 1: in these woes were all for Rosalin, and art Thou
• 1:05:33
  Speaker 1: changed pronounce this sentence, then women may fall when there's
• 1:05:38
  Speaker 1: no strength in men. Romeo, Thou chidest me oft for
• 1:05:43
  Speaker 1: loving Rosalin, Friar, for doting, not for loving pupil mine.
• 1:05:50
  Speaker 1: Romeo and bat'st me beary love Friar, not in a
• 1:05:55
  Speaker 1: grave to lay one in another out to have Romeo.
• 1:06:00
  Speaker 1: I pray thee childe, not she whom I love. Now
• 1:06:04
  Speaker 1: doth grace for grace and love for love? Allow the
• 1:06:08
  Speaker 1: other did not so, Friar, Oh she knew well thy
• 1:06:13
  Speaker 1: love did read by wrote that could not spell. But come,
• 1:06:18
  Speaker 1: young waverer, come go with me in one respect, all
• 1:06:22
  Speaker 1: thy assistant be for this alliance, may so happy prove
• 1:06:26
  Speaker 1: to turn your household's rancor to pure love. Romeo, Oh
• 1:06:31
  Speaker 1: let us hence I stand on sudden haste Friar, wisely
• 1:06:36
  Speaker 1: and slow they stumble that run fast exeant scene for
• 1:06:43
  Speaker 1: a street enter Benvolio and Mercutio, Mercutio, where the devil
• 1:06:49
  Speaker 1: should this Romeo be? Came He not home tonight, Benvolio,
• 1:06:54
  Speaker 1: Not to his father's I spoke with his man, Mercutio.
• 1:06:58
  Speaker 1: Why that same pale, hard hearted wench that rosaline torments
• 1:07:03
  Speaker 1: him so that he will sure run mad ben Bolo Tibolt,
• 1:07:08
  Speaker 1: the kinsman to old Capulate has sent a letter to
• 1:07:11
  Speaker 1: his father's house, Mercutio, a challenge on my life, Benvolio.
• 1:07:17
  Speaker 1: Romeo will answer it, Mercutio. Any man that can write
• 1:07:21
  Speaker 1: may answer a letter. Benvolio. Nay, he will answer the letters.
• 1:07:26
  Speaker 1: Master how he dares being dared Mercutio, alas poor Romeo,
• 1:07:32
  Speaker 1: he is already dead, stabbed with a white wench's black eye,
• 1:07:36
  Speaker 1: shot through the ear with a love song, the very
• 1:07:39
  Speaker 1: pin of his heart cleft with the blind bow boy's
• 1:07:43
  Speaker 1: butt shaft. And is he a man to encounter Tibolt Benvoleo?
• 1:07:49
  Speaker 1: Why what is Tibolt Mercutio more than prince of cats?
• 1:07:54
  Speaker 1: I can tell you, Oh, he's the courageous captain of compliments.
• 1:07:58
  Speaker 1: He fights as you say, prick song, keeps time, distance
• 1:08:03
  Speaker 1: in proportion, rests me his minim rest one, two and
• 1:08:08
  Speaker 1: the third in your bosom. The very butcher of a
• 1:08:11
  Speaker 1: silk button, a duellist, a duellist, a gentleman of the
• 1:08:16
  Speaker 1: very first house of the first and second cause ah,
• 1:08:20
  Speaker 1: the immortal Pasado, the punto reverse the hay Benvolio, The
• 1:08:26
  Speaker 1: what Mercutio? The pox of such antic lisping affecting fantasticos,
• 1:08:33
  Speaker 1: these new tuners of accent by Jesu, A very good blade,
• 1:08:38
  Speaker 1: a very tall man, a very good whore. Why is
• 1:08:42
  Speaker 1: not this a lamentable thing, Grand Sir, that we should
• 1:08:45
  Speaker 1: be thus afflicted with these strange flies, these fashioned mongers,
• 1:08:50
  Speaker 1: these pardon ames who stand so much on the new
• 1:08:54
  Speaker 1: form that they cannot sit at ease on the old bench.
• 1:08:58
  Speaker 1: Oh their bones, theirs. And to Romeo Benvoleo, Here comes Romeo,
• 1:09:05
  Speaker 1: Here comes Romeo Mercutio without his row, like a dried herring. Oh, flesh, flesh,
• 1:09:12
  Speaker 1: how art thou fishified? Now? Is he for the numbers
• 1:09:17
  Speaker 1: that Petrarch flowed in Laura? To his lady was but
• 1:09:23
  Speaker 1: a kitchen wench Mary. She had a better love to
• 1:09:26
  Speaker 1: be rhyme, her Dido, a dowdie, Cleopatra, a gypsy, Helen
• 1:09:31
  Speaker 1: and hero, Hildings and harlots. This be a gray eye
• 1:09:35
  Speaker 1: or so, but not to the purpose. Signor Romeo, bonjour.
• 1:09:41
  Speaker 1: There's a French salutation to your French slop. You gave
• 1:09:44
  Speaker 1: us the counterfeit fairly last night, Romeo, goodmorrow to you both.
• 1:09:49
  Speaker 1: What counterfeit did I give you? Mercutio? The slip, sir,
• 1:09:54
  Speaker 1: the slip? Can you not conceive Romeo? Pardon good Mercutio.
• 1:10:00
  Speaker 1: My business was great, And in such a case as mine,
• 1:10:02
  Speaker 1: a man may strain courtesy, Mercutio. That's as much as
• 1:10:07
  Speaker 1: to say, such a case as yours constrains a man
• 1:10:09
  Speaker 1: to bow in the hams Romeo, meaning to cursy Mercutio,
• 1:10:16
  Speaker 1: thou hast most kindly hit it, Romeo, a most curious exposition, Mercutio. Nay,
• 1:10:23
  Speaker 1: I am the very pink of courtesy Romeo. Pink for flower, Mercutio. Right, Romeo,
• 1:10:31
  Speaker 1: why then is my pump well flowered? Mercutio, well said,
• 1:10:37
  Speaker 1: follow me this jest now till thou hast worn out
• 1:10:41
  Speaker 1: thy pump, that when the single soul of it is worn,
• 1:10:45
  Speaker 1: the jest may remain after the wearing, solely singular Romeo, Oh,
• 1:10:51
  Speaker 1: single soul jest solely singular for the singleness, Mercutio. Come
• 1:10:57
  Speaker 1: between us, good, Benvolio, my wits faint Romeo, swits and spurs,
• 1:11:03
  Speaker 1: swits and spurs, or I'll cry a match, Mercutio. Nay,
• 1:11:08
  Speaker 1: if our wits run the wild goose chase, I am
• 1:11:11
  Speaker 1: done for thou hast more of the wild goose in
• 1:11:14
  Speaker 1: one of thy wits than I am sure I have
• 1:11:17
  Speaker 1: in my whole five Was I with you there for
• 1:11:22
  Speaker 1: the goose? Romeo, thou wast never with me for anything.
• 1:11:26
  Speaker 1: When thou wast not there for the goose, Mercutio, I
• 1:11:30
  Speaker 1: will bite thee by the ear for that jest. Romeo, nay,
• 1:11:35
  Speaker 1: good goose bite, not Mercutio. Thy wit is a very
• 1:11:39
  Speaker 1: bitter sweeting. It is a most sharp sauce, Romeo. And
• 1:11:46
  Speaker 1: is it not then well served into a sweet goose? Mercutio. Oh,
• 1:11:51
  Speaker 1: here's a wit of chevril that stretches from an inch
• 1:11:55
  Speaker 1: narrow to an l broad Romeo, stretch it out, for
• 1:12:01
  Speaker 1: that word broad, which added to the goose, proves thee
• 1:12:05
  Speaker 1: far and wide a broad goose, Mercutio. Why is not
• 1:12:09
  Speaker 1: this better now than groaning? For love? Now art thou sociable?
• 1:12:14
  Speaker 1: Now art thou Romeo? Now art thou what thou art
• 1:12:19
  Speaker 1: by art as well as by nature? For this driveling
• 1:12:23
  Speaker 1: love is like a great natural that runs lolling up
• 1:12:27
  Speaker 1: and down to hide his babble in a hole. Benvolio,
• 1:12:32
  Speaker 1: Stop there, stop there, Mercutio. Thou desirest me to stop
• 1:12:37
  Speaker 1: in my tail against the hair, Benvolo. Thou wouldst else
• 1:12:42
  Speaker 1: have made thy tail large, Mercutio. Oh, thou art deceived.
• 1:12:47
  Speaker 1: I would have made it short, for I was come
• 1:12:50
  Speaker 1: to the whole depth of my tail and meant indeed
• 1:12:53
  Speaker 1: to occupy the argument no longer, Romeo, here's goodly gear,
• 1:12:58
  Speaker 1: enter nurse and her man Peter Mercutio, a sail, a sail,
• 1:13:03
  Speaker 1: Benvolio two two, a shirt and a smock. Nurse Peter,
• 1:13:09
  Speaker 1: Peter Anon, nurse my fan, Peter Mercutio, good Peter to
• 1:13:15
  Speaker 1: hide her face for her fans, the fairer face of
• 1:13:19
  Speaker 1: the two. Nurse God, ye, good morrow, gentlemen, Mercutio, God
• 1:13:26
  Speaker 1: ye gooden, fair gentlewoman, nurse, is it gooden? Mercutio'tis no less,
• 1:13:33
  Speaker 1: I tell ye, For the body hand of the dial
• 1:13:36
  Speaker 1: is now upon the prick of noon. Nurse out upon you?
• 1:13:41
  Speaker 1: What a man are you? Romeo, one gentle woman, that
• 1:13:45
  Speaker 1: God hath made for himself to mar nurse by my troth,
• 1:13:50
  Speaker 1: it is well said for himself to mar quoth a gentleman.
• 1:13:55
  Speaker 1: Can any of you tell me where I may find
• 1:13:57
  Speaker 1: the young Romeo? Romeo? I can tell you, But young
• 1:14:02
  Speaker 1: Romeo will be older when you have found him than
• 1:14:05
  Speaker 1: he was when you sought him. I am the youngest
• 1:14:08
  Speaker 1: of that name. For fault of a worse nurse, you say, well, Mercutio,
• 1:14:15
  Speaker 1: yeay is the worst? Well very well took in faith wisely, wisely, nurse.
• 1:14:23
  Speaker 1: If you be he sir, I desire some confidence with you,
• 1:14:26
  Speaker 1: ben Bolio, she will indict him to some supper. Mercutio,
• 1:14:32
  Speaker 1: A bod a bad a bad so ho, Romeo, what
• 1:14:36
  Speaker 1: hast thou found, Mercutio? No hair, sir, unless a hare, sir,
• 1:14:41
  Speaker 1: in a lenten pie that is something stale and horror,
• 1:14:45
  Speaker 1: Ere it be spent? He walks by them and sings
• 1:14:49
  Speaker 1: an old hair horr. And an old hair horr is
• 1:14:54
  Speaker 1: very good meat in lent But a hair that is
• 1:14:58
  Speaker 1: horror is too much for a score. When it hoars
• 1:15:02
  Speaker 1: air it be spent. Romeo, Will you come to your
• 1:15:07
  Speaker 1: father's wheel to dinner? Thither? Romeo, I will follow you. Mercutio, farewell,
• 1:15:14
  Speaker 1: ancient lady farewell, sings lady lady lay exit Mercutio, benvolio,
• 1:15:25
  Speaker 1: Nurse Mary farewell. I pray you, sir, what saucy merchant
• 1:15:30
  Speaker 1: was this that was so full of his ropery? Romeo?
• 1:15:35
  Speaker 1: A gentleman nurse that loves to hear himself talk, and
• 1:15:38
  Speaker 1: will speak more in a minute than he will stand
• 1:15:41
  Speaker 1: two in a month. Nurse, and speak anything against me,
• 1:15:45
  Speaker 1: I'll take him down, and a word lustier than he is,
• 1:15:50
  Speaker 1: and twenty such jacks, And if I cannot, I'll find
• 1:15:53
  Speaker 1: those that shall scurvy knave I am none of his
• 1:15:57
  Speaker 1: flirt gills. I am none of his sain's mates. And
• 1:16:01
  Speaker 1: thou must stand by too and suffer every knave to
• 1:16:05
  Speaker 1: use me at his pleasure. Peter, I saw no man
• 1:16:09
  Speaker 1: use you at his pleasure. If I had my weapon
• 1:16:11
  Speaker 1: should quickly have been out. I warrant you, I dare
• 1:16:15
  Speaker 1: draw as soon as another man if I see occasion
• 1:16:18
  Speaker 1: in a good quarrel and the law on my side. Nurse. Now, afore, God,
• 1:16:24
  Speaker 1: I am so vexed that every part about me quivers
• 1:16:27
  Speaker 1: scurving knave. Pray you, sir a word, And as I
• 1:16:32
  Speaker 1: told you, my young lady bid me inquire you out
• 1:16:35
  Speaker 1: what she bid me say. I will keep to myself,
• 1:16:38
  Speaker 1: but first let me tell ye if ye should lead
• 1:16:41
  Speaker 1: her into a fool's paradise, as they say, it were
• 1:16:45
  Speaker 1: a very gross kind of behavior, as they say, for
• 1:16:48
  Speaker 1: the gentlewoman is young, and therefore if you should deal
• 1:16:52
  Speaker 1: double with her, truly it were an ill thing to
• 1:16:55
  Speaker 1: be offered to any gentlewoman, and very weak dealing. Romeo,
• 1:17:00
  Speaker 1: Nurse commend me to thy lady and mistress. I protest
• 1:17:03
  Speaker 1: unto thee nurse, good heart, and I faith I will
• 1:17:08
  Speaker 1: tell her as much lord Lord, she will be a
• 1:17:12
  Speaker 1: joyful woman. Romeo, what wilt thou tell her, nurse, thou
• 1:17:17
  Speaker 1: dost not mark me? Nurse? I will tell her, sir,
• 1:17:21
  Speaker 1: that you do protest, which, as I take it, is
• 1:17:25
  Speaker 1: a gentleman like offer. Romeo. Bid her devise some means
• 1:17:30
  Speaker 1: to come to Shrift this afternoon, and there she shall
• 1:17:34
  Speaker 1: let Friar Lawrence's sell be shrived and married. Here is
• 1:17:37
  Speaker 1: for thy pains nurse. No truly, sir, not a penny, Romeo.
• 1:17:44
  Speaker 1: Go to I say you shall nurse this afternoon, sir.
• 1:17:49
  Speaker 1: Well she shall be there, Romeo, and stay good nurse
• 1:17:54
  Speaker 1: behind the abbey wall. Within this hour, my man shall
• 1:17:57
  Speaker 1: be with thee and bring thee cords may like a
• 1:18:00
  Speaker 1: tackled stare, which to the high top gallant of my
• 1:18:04
  Speaker 1: joy must be my convoy in the secret night. Farewell,
• 1:18:09
  Speaker 1: be trusty, and I'll quit thy pains. Farewell, commend me
• 1:18:13
  Speaker 1: to thy mistress nurse. Now, God in Heaven bless thee
• 1:18:19
  Speaker 1: hark you, Sir Romeo, what sayst thou, my dear nurse, nurse?
• 1:18:25
  Speaker 1: Is your man's secret? Did you ne'er hear say too?
• 1:18:28
  Speaker 1: May keep counsel putting one away, Romeo I warrant thee.
• 1:18:33
  Speaker 1: My man's as true as steel. Nurse, well, sir, my
• 1:18:37
  Speaker 1: mistress is the sweetest lady, Lord Lord, when twas a
• 1:18:41
  Speaker 1: little praying thing. Oh, there is a nobleman in town
• 1:18:44
  Speaker 1: one Paris that would faint lay knife aboard. But she
• 1:18:48
  Speaker 1: good soul had as leave see a toad, a very
• 1:18:51
  Speaker 1: toad as see him. I anger her sometimes and tell
• 1:18:55
  Speaker 1: her that Paris is the properer man. But I'll warrant
• 1:18:59
  Speaker 1: you when I say so. She looks as pale as
• 1:19:02
  Speaker 1: any clout in the versal world, doth not. Rosemary and
• 1:19:06
  Speaker 1: Romeo begin both with a letter Romeo, I, nurse, what
• 1:19:11
  Speaker 1: of that? Both with an R? Nurse, Ah, Mocker, that's
• 1:19:16
  Speaker 1: the dog's name. R is for the no I know
• 1:19:20
  Speaker 1: it begins with some other letter. And she hath the
• 1:19:23
  Speaker 1: prettiest sententious of it, of you and Rosemary, that it
• 1:19:27
  Speaker 1: would do you good to hear it. Romeo, commend me
• 1:19:31
  Speaker 1: to thy lady, Nurse ay a thousand times. Exit Romeo, Peter, Peter, Anon,
• 1:19:41
  Speaker 1: Nurse Peter, take my fin and go before and apace
• 1:19:45
  Speaker 1: Exant Scene five capults Orchard enter Juliet, Juliet. The clock
• 1:19:54
  Speaker 1: struck nine When I did send the nurse, and half
• 1:19:57
  Speaker 1: an hour she promised to return. Chance she cannot meet him.
• 1:20:02
  Speaker 1: That's not so, Oh she is lame. Love's heralds should
• 1:20:06
  Speaker 1: be thoughts, which ten times faster glide than the sun's beams,
• 1:20:10
  Speaker 1: driving back shadows over low ring hills. Therefore do nimble
• 1:20:15
  Speaker 1: pinion doves draw love? And therefore hath the wind's swift
• 1:20:19
  Speaker 1: cupid wings. Now is the sun upon the highmost hill
• 1:20:23
  Speaker 1: of this day's journey, and from nine till twelve is
• 1:20:27
  Speaker 1: three long hours. Yet she is not come. Had she
• 1:20:30
  Speaker 1: affections in warm, youthful blood, she would be as swift
• 1:20:34
  Speaker 1: in motion as a ball. My words would bandy her
• 1:20:37
  Speaker 1: to my sweet love, and his to me. But old folks,
• 1:20:41
  Speaker 1: many faine as they were dead, unwieldly, slow, heavy, and
• 1:20:47
  Speaker 1: pale as lead. Enter nurse and Peter, Oh good she comes, Oh, honey, nurse,
• 1:20:54
  Speaker 1: what news hast thou met with him? Send thy man away, nurse, Heeter,
• 1:21:00
  Speaker 1: stay at the gate, exit, Peter, Juliet. Now good sweet nurse.
• 1:21:06
  Speaker 1: O Lord, why lookest thou sad? Though news be sad?
• 1:21:11
  Speaker 1: Yet tell them merrily? If good thou shamest the music
• 1:21:15
  Speaker 1: of sweet news by playing it to me with so
• 1:21:18
  Speaker 1: sour a face, Nurse, I am a weary Give me
• 1:21:22
  Speaker 1: leave a while? Fee, how my bones ache? What a
• 1:21:27
  Speaker 1: jauntce have I had, Juliet? I would thou hadst my bones?
• 1:21:33
  Speaker 1: And I thy news? Nay? Come, I pray thee speak good, good,
• 1:21:38
  Speaker 1: nurse speak, nurse? Yesue? What haste? Can you not stay? Awhile?
• 1:21:44
  Speaker 1: Do you not see that I am out of breath? Juliet?
• 1:21:48
  Speaker 1: How art thou out of breath? When thou hast breath?
• 1:21:51
  Speaker 1: To say to me that thou art out of breath?
• 1:21:54
  Speaker 1: The excuse that thou dost make in this delay is
• 1:21:57
  Speaker 1: longer than the tale thou dost excuse. Is thy news
• 1:22:01
  Speaker 1: good or bad? Answer to that? Say either, and I'll
• 1:22:05
  Speaker 1: stay the circumstance. Let me be satisfied. Is it good
• 1:22:09
  Speaker 1: or bad? Nurse? Well, you have made a simple choice.
• 1:22:14
  Speaker 1: You know not how to choose a man? Romeo? No
• 1:22:18
  Speaker 1: not he though his face be better than any man's,
• 1:22:22
  Speaker 1: yet his leg excells all mends. And for a hand
• 1:22:25
  Speaker 1: and a foot and a body, though they be not
• 1:22:28
  Speaker 1: to be talked on, yet they are past compare. He
• 1:22:33
  Speaker 1: is not the flower of courtesy, But I'll warrant him
• 1:22:36
  Speaker 1: as gentle as a lamb. Go thy ways, wench serve God?
• 1:22:41
  Speaker 1: What have you dined at home? Juliet? No? No, but
• 1:22:46
  Speaker 1: all this? Did I know before? What says he? Of
• 1:22:49
  Speaker 1: our marriage? What of that? Nurse? Lord? How my head aches?
• 1:22:54
  Speaker 1: What a head? Have I? And beats as it would
• 1:22:57
  Speaker 1: fall in twenty pieces? Back? Oh to other side? Ah,
• 1:23:03
  Speaker 1: my back, my back. But shrew your heart for sending
• 1:23:06
  Speaker 1: me about to catch my death with jaunting up and down?
• 1:23:10
  Speaker 1: Juliet in faith, I am sorry that thou art not well? Sweet,
• 1:23:16
  Speaker 1: sweet sweet nurse? Tell me what says my love? Nurse?
• 1:23:22
  Speaker 1: Your love says like an honest gentleman, and a courteous
• 1:23:26
  Speaker 1: and a kind and a handsome, And I warrant a
• 1:23:29
  Speaker 1: virtuous Where is your mother, Juliet? Where is my mother?
• 1:23:34
  Speaker 1: Why she is within? Where should she be? How oddly
• 1:23:38
  Speaker 1: thou repliest? Your love says like an honest gentleman. Where
• 1:23:43
  Speaker 1: is your mother? Nurse? Oh, God's lady, dear? Are you
• 1:23:47
  Speaker 1: so hot? Mary? Come up? I trow? Is this the
• 1:23:51
  Speaker 1: poultice for my aching bones? Henceforward? Do your messages yourself, Juliet,
• 1:23:58
  Speaker 1: here's such a coil?
• 1:23:59
  Speaker 2: Come?
• 1:24:00
  Speaker 1: And what says romeo? Nurse? Have you got leave to
• 1:24:04
  Speaker 1: go to shrift today, Juliet, I have nurse. Then he
• 1:24:10
  Speaker 1: you hence to Friar Lawrence's cell. There stays a husband
• 1:24:14
  Speaker 1: to make you a wife. Now comes the wanton blood
• 1:24:17
  Speaker 1: up in your cheeks. They'll be in scarlet straight at
• 1:24:20
  Speaker 1: any news. He you to church. I must another way
• 1:24:25
  Speaker 1: to fetch a ladder by the which your love must
• 1:24:28
  Speaker 1: climb a bird's nest. Soon, when it is dark. I
• 1:24:32
  Speaker 1: am the drudge and toil in your delight, but you
• 1:24:35
  Speaker 1: shall bear the burthen soon night go all to dinner.
• 1:24:40
  Speaker 1: He you to the cell, Juliette, he to high fortune,
• 1:24:46
  Speaker 1: honest nurse. Farewell exeunt Scene six, Friar Lawrence's cell. Enter
• 1:24:53
  Speaker 1: Friar Lawrence and Romeo Friar, So smile the heavens upon
• 1:24:59
  Speaker 1: this holy act, that, after hours with sorrow, chiede us
• 1:25:02
  Speaker 1: not Romeo, Amen, Amen. But come what sorrow can it
• 1:25:07
  Speaker 1: cannot counterveil the exchange of joy that one short minute
• 1:25:11
  Speaker 1: gives me in her sight. Do thou but close our
• 1:25:14
  Speaker 1: hands with holy words, Then love devouring death, do what
• 1:25:18
  Speaker 1: he dare. It is enough. I may but call her mine, Friar.
• 1:25:23
  Speaker 1: These violent delights have violent ends, and in their triumph
• 1:25:27
  Speaker 1: die like fire and powder, which, as they kiss consume
• 1:25:32
  Speaker 1: the sweetest honey is loathsome in his own deliciousness, and
• 1:25:36
  Speaker 1: in the taste confounds the appetite. Therefore love moderately long
• 1:25:41
  Speaker 1: love doth so too swift a rives as tardy as
• 1:25:46
  Speaker 1: too slow entered Juliette, here comes the lady. Oh so
• 1:25:51
  Speaker 1: light a foot will ne'er wear out the everlasting flint.
• 1:25:55
  Speaker 1: A lover may bestride the gossamer that idles in the
• 1:25:59
  Speaker 1: wanton summer, and yet not fall. So light is vanity, Juliette.
• 1:26:05
  Speaker 1: Good even to my ghostly confessor, Friar Romeo shall thank
• 1:26:10
  Speaker 1: thee daughter for us both, Juliet as much to him
• 1:26:15
  Speaker 1: else is his thanks too much? Romeo, Ah, Juliet, if
• 1:26:21
  Speaker 1: the measure of thy joy be heaped like mine, and
• 1:26:24
  Speaker 1: that thy skill be more to blazon it, then sweeten
• 1:26:28
  Speaker 1: with thy breath this neighbor air, and let rich music's
• 1:26:31
  Speaker 1: tongue unfold the imagined happiness that both receive in either
• 1:26:36
  Speaker 1: by this dear encounter. Juliet conceit more rich in matter
• 1:26:42
  Speaker 1: than in words, brags of his substance, none of ornament.
• 1:26:47
  Speaker 1: They are but beggars that can count their worth. But
• 1:26:51
  Speaker 1: my true love is grown to such excess, cannot sum
• 1:26:54
  Speaker 1: up sum of half my wealth. Friar, Come come with me,
• 1:27:00
  Speaker 1: and we will make short work. For by your leaves
• 1:27:04
  Speaker 1: you shall not stay alone till Holy Church. In Corporate
• 1:27:08
  Speaker 1: two and one exant end of Act two, Act three,
• 1:27:15
  Speaker 1: Scene one, a public place enter Mercutio, Benvolio and men, Benvolio,
• 1:27:24
  Speaker 1: I pray thee good, Mercutio, let's retire. The day is hot,
• 1:27:28
  Speaker 1: the capulates abroad, and if we meet, we shall not
• 1:27:31
  Speaker 1: scape a brawl. For now these hot days is the
• 1:27:35
  Speaker 1: mad blood stirring. Mercutio, Thou art like one of these fellows, that,
• 1:27:41
  Speaker 1: when he enters the confines of a tavern, claps me
• 1:27:44
  Speaker 1: his sword upon the table, and says, God send me
• 1:27:47
  Speaker 1: no need of thee, and by the operation of the
• 1:27:50
  Speaker 1: second cup draws him on the drawer, when indeed there
• 1:27:54
  Speaker 1: is no need. Benvolio, am I like such a fellow. Mercutio,
• 1:28:00
  Speaker 1: Come come thou art as hot a jack in thy mood,
• 1:28:04
  Speaker 1: as any in Italy, and as soon moved to be moody,
• 1:28:08
  Speaker 1: and as soon moody to be moved, Benvolio, And what too, Mercutio, Nay,
• 1:28:15
  Speaker 1: and there were two such, we should have none shortly,
• 1:28:19
  Speaker 1: for one would kill the other. Thou, why thou wilt
• 1:28:23
  Speaker 1: quarrel with a man that hath a hair more or
• 1:28:25
  Speaker 1: a hair less in his beard than thou hast Thou
• 1:28:29
  Speaker 1: wilt quarrel with a man for cracking nuts, having no
• 1:28:32
  Speaker 1: other reason, but because thou hast hazel eyes. What iye,
• 1:28:37
  Speaker 1: but such an eye would spy out such a quarrel.
• 1:28:40
  Speaker 1: Thy head is as full of quarrels as an egg
• 1:28:43
  Speaker 1: is full of meat. And yet thy head hath been
• 1:28:46
  Speaker 1: beaten as addle as an egg for quarreling. Thou hast
• 1:28:51
  Speaker 1: quarreled with a man for coughing in the street because
• 1:28:54
  Speaker 1: he hath wakened thy dog that hath lain asleep in
• 1:28:57
  Speaker 1: the sun. Didst thou not fall out with a tailor
• 1:29:01
  Speaker 1: for wearing his new doublet before Easter? With another for
• 1:29:05
  Speaker 1: tying his new shoes with an old ribband? And yet
• 1:29:08
  Speaker 1: thou wilt tutor me from quarreling. Benvolio and I were
• 1:29:13
  Speaker 1: so apt to quarrel as thou art. Any man should
• 1:29:16
  Speaker 1: buy the fee simple of my life for an hour
• 1:29:19
  Speaker 1: and a quarter mercutio, the fee simple, oh simple, enter
• 1:29:25
  Speaker 1: tibolt in others, Benvolio, buy my head. Here come the capulets, Mercutio,
• 1:29:32
  Speaker 1: buy my heel. I care not Tibolt follow me close,
• 1:29:36
  Speaker 1: for I will speak to them. Gentlemen. Good den a
• 1:29:41
  Speaker 1: word with one of you, Mercutio, and but one word
• 1:29:44
  Speaker 1: with one of us. Couple it with something, Make it
• 1:29:47
  Speaker 1: a word and a blow, Tibolt. You shall find me
• 1:29:51
  Speaker 1: apt enough to that, sir, And you will give me occasion, Mercutio.
• 1:29:56
  Speaker 1: Could you not take some occasion without giving tibble? Mercutio,
• 1:30:01
  Speaker 1: thou consortest with Romeo, Mercutio, Consort, what dost thou make
• 1:30:07
  Speaker 1: us minstrels? And thou make minstrels of us? Look to
• 1:30:11
  Speaker 1: hear nothing but discords. Here's my fiddlestick. Here's that shall
• 1:30:16
  Speaker 1: make you dance? Zound's consort, Benvolio, we talk here in
• 1:30:21
  Speaker 1: the public haunt of men. Either withdraw unto some private
• 1:30:25
  Speaker 1: place and reason coldly of your grievances, or else depart.
• 1:30:29
  Speaker 1: Hear all eyes gaze on us, Mercutio. Men's eyes were
• 1:30:34
  Speaker 1: made to look, and let them gaze. I will not
• 1:30:37
  Speaker 1: budge for no man's pleasure. And to Romeo Tibolt, well,
• 1:30:43
  Speaker 1: peace be with you, sir. Here comes my man, Mercutio.
• 1:30:47
  Speaker 1: But I'll be hanged, sir. If he wear your livery, marry,
• 1:30:51
  Speaker 1: go before to field. He'll be your follower, your worship.
• 1:30:56
  Speaker 1: In that sense, may call him man Tibolt Romeo. The
• 1:31:00
  Speaker 1: love I bear THEE can afford no better term than this.
• 1:31:04
  Speaker 1: Thou art a villain, Romeo, Tibolt. The reason that I
• 1:31:09
  Speaker 1: have to love THEE doth much excuse the appertaining rage
• 1:31:13
  Speaker 1: to such a greeting villain? Am I none? Therefore farewell
• 1:31:18
  Speaker 1: I see thou knowest me not, Tibolt, boy. This shall
• 1:31:23
  Speaker 1: not excuse the injuries that thou hast done me. Therefore
• 1:31:28
  Speaker 1: turn and draw, Romeo. I do protest. I never injured THEE,
• 1:31:33
  Speaker 1: but love THEE better than thou canst devise, till thou
• 1:31:37
  Speaker 1: shalt know the reason of my love, And so good
• 1:31:40
  Speaker 1: capulate which name I tender as dearly as mine known,
• 1:31:43
  Speaker 1: Be satisfied, Mercutio, Oh, calm, dishonorable, vile submission, Allah Staccata
• 1:31:51
  Speaker 1: carries it away, draws Tibolt, you rat catcher, Will you walk, Tibolt?
• 1:31:58
  Speaker 1: What wouldst thou have with me, Mercutio, good king of cats?
• 1:32:04
  Speaker 1: Nothing but one of your nine lives that I mean
• 1:32:07
  Speaker 1: to make bold withal, and as you shall use me
• 1:32:11
  Speaker 1: hereafter dry beat the rest of the eight. Will you
• 1:32:16
  Speaker 1: pluck your sword out of his picture by the ears,
• 1:32:19
  Speaker 1: make haste lest mine be about your ears. Ere it
• 1:32:23
  Speaker 1: be out tibolt. I am for you, draws Romeo, gentle Mercutio.
• 1:32:30
  Speaker 1: Put thy rapier up, Mercutio, come sir, you pasato. They
• 1:32:35
  Speaker 1: fight Romeo, draw up and folio beat down their weapons. Gentlemen,
• 1:32:41
  Speaker 1: for shame, forbear this outrage. Tiblt Mercutio. The prince expressly
• 1:32:46
  Speaker 1: hath forbid this bandying in Verona streets. Hold tibolt, good, Mercutio.
• 1:32:52
  Speaker 1: Tibbolt under Romeo's arm, thrust Mercutio in and flies with
• 1:32:57
  Speaker 1: his followers. Mercutio, I am hurt, a plague on both
• 1:33:03
  Speaker 1: your houses. I am sped. Is he gone? And hath nothing? Benvolio,
• 1:33:09
  Speaker 1: What art thou hurt? Mercutio? Aye, aye, a scratch, a scratch,
• 1:33:17
  Speaker 1: marry tis enough? Where is my page? Go villain, fetch
• 1:33:21
  Speaker 1: a surgeon, exit page, Romeo, courage man. The hurt cannot
• 1:33:27
  Speaker 1: be much, Mercutio. No tis not so deep as a well,
• 1:33:33
  Speaker 1: nor so wide as a church door. But tis enough.
• 1:33:36
  Speaker 1: Twill serve ask for me tomorrow, and you shall find
• 1:33:40
  Speaker 1: me a grave man. I am peppered. I warrant for
• 1:33:44
  Speaker 1: this world a plague on both your houses. Zounds, a dog,
• 1:33:50
  Speaker 1: a rat, a mouse, a cat to scratch, a man
• 1:33:54
  Speaker 1: to death, a braggart, a rogue, a villain that fights,
• 1:33:58
  Speaker 1: by the book of arithmetic? Why the devil came you
• 1:34:01
  Speaker 1: between us? I was hurt under your arm, Romeo, I
• 1:34:05
  Speaker 1: thought all for the best. Mercutio helped me into some house, Benvolio,
• 1:34:11
  Speaker 1: or I shall faint a play on both your houses.
• 1:34:15
  Speaker 1: They have made worms meat of me. I have it,
• 1:34:18
  Speaker 1: and soundly too your houses exit supported by Benvolio Romeo.
• 1:34:27
  Speaker 1: This gentleman, the Prince's near ally, my very friend, hath
• 1:34:31
  Speaker 1: got this mortal hurt in my behalf, my reputation stained
• 1:34:35
  Speaker 1: with tibolt, slander, tibolt that an hour hath been my kinsman,
• 1:34:40
  Speaker 1: Oh sweet Juliette, thy beauty, hath made me effeminate, and
• 1:34:45
  Speaker 1: in my temper softened valors steal enter Benvolio, Benvolio, Oh
• 1:34:52
  Speaker 1: Romeo Romeo, brave Mercutio's dead. That gallant spirit hath aspired
• 1:34:57
  Speaker 1: the clouds, which too untimely here did scorn the earth.
• 1:35:02
  Speaker 1: Romeo this day's black fate on mo day's doth depend
• 1:35:08
  Speaker 1: this but begins the woe others must end. Enter Tiblt Benvolio.
• 1:35:16
  Speaker 1: Here comes the furious Tibolt back again, Romeo alive in triumph,
• 1:35:21
  Speaker 1: and Mercutio slain away to heaven, respective lenity and fire
• 1:35:27
  Speaker 1: eyed fury be my conduct now, Now, Tibolt, take the
• 1:35:31
  Speaker 1: villain back again. That late thou gavest me. For Mercutio's
• 1:35:36
  Speaker 1: soul is but a little way above our heads. Staying
• 1:35:39
  Speaker 1: for thine to keep him company. Either thou or I
• 1:35:43
  Speaker 1: or both must go with him. Tibolt, Thou wretched boy
• 1:35:49
  Speaker 1: that didst consort him? Here shalt with him? Hence Romeo,
• 1:35:55
  Speaker 1: this shall determine that they fight. Tibolt falls Benvolio, Romeo
• 1:36:04
  Speaker 1: away be gone. The citizens are up, and Tibolt's slain
• 1:36:08
  Speaker 1: stand not amazed. The Prince will doom thee death if
• 1:36:11
  Speaker 1: thou art taken. Hence, be gone away Romeo. Oh, I
• 1:36:16
  Speaker 1: am Fortune's fool, Benvolio, Why dost thou stay? Exit? Romeo?
• 1:36:24
  Speaker 1: Enter citizens, citizen, which way ran he that killed Mercutio?
• 1:36:29
  Speaker 1: Tibble to that murderer? Which way ran he? Benvolio? There
• 1:36:35
  Speaker 1: lies that Tibolt, citizen up, Sir, go with me, I
• 1:36:40
  Speaker 1: charge thee and the Prince's name, obey enter, Prince attended
• 1:36:46
  Speaker 1: old montahu Capulate, their wives and others. Prince, where are
• 1:36:52
  Speaker 1: the vile beginners of this fray, Benvolio, Oh noble Prince,
• 1:36:57
  Speaker 1: I can discover all the unlucky manager this fatal brawl.
• 1:37:01
  Speaker 1: There lives the man slain by young Romeo, that slew
• 1:37:05
  Speaker 1: thy kinsman, brave Mercutio, Capulate's wife Tibolt, my cousin, Oh,
• 1:37:12
  Speaker 1: my brother's child, Oh Prince O husband, Oh, the blood
• 1:37:16
  Speaker 1: is spilled of my dear kinsman, Prince, as thou art true,
• 1:37:21
  Speaker 1: for blood of ours shed blood of Montahue, Oh cousin, cousin,
• 1:37:26
  Speaker 1: Prince Benvolio, who began this bloody fray, Benvolio Tibolt here
• 1:37:33
  Speaker 1: slain whom Romeo's hand did stay Romeo that spoke him fair,
• 1:37:38
  Speaker 1: bid him bethink how nice the quarrel was, and urged
• 1:37:42
  Speaker 1: with all your high displeasure. All this uttered with gentle breath, calm,
• 1:37:47
  Speaker 1: look knees humbly bowed. Could not take truce with the
• 1:37:52
  Speaker 1: unruly spleen of Tibolt, death to peace, but that he
• 1:37:56
  Speaker 1: tilts with piercing steel at Bold Mercutio's breast, who all
• 1:38:01
  Speaker 1: is hot, turns deadly point to point, and with a
• 1:38:04
  Speaker 1: martial scorn, with one hand beats cold death aside, and
• 1:38:09
  Speaker 1: with the other sends it back to Tibolt, whose dexterity
• 1:38:13
  Speaker 1: retorts it. Romeo, he cries aloud, hold friends, friends, part
• 1:38:18
  Speaker 1: and swifter than his tongue, his agile arm beats down
• 1:38:21
  Speaker 1: their fatal points and TwixT them rushes underneath, whose arm
• 1:38:25
  Speaker 1: and envious thrust from Tibolt hit the life of Stout Mercutio,
• 1:38:30
  Speaker 1: and then Tibolt fled, but by and by comes back
• 1:38:34
  Speaker 1: to Romeo, who had but newly entertained revenge. And to
• 1:38:39
  Speaker 1: it they go like lightning, for ere I could draw
• 1:38:42
  Speaker 1: apart them. Was Stout Tibult slain? And as he fell
• 1:38:47
  Speaker 1: did Romeo turn and fly? This is the truth? Or
• 1:38:51
  Speaker 1: let Benvolio die Capulot's wife. He is a kinsman to
• 1:38:56
  Speaker 1: the monta hue affection makes him false. He speaks not true.
• 1:39:01
  Speaker 1: Some twenty of them fought in this black strife, and
• 1:39:05
  Speaker 1: all those twenty could but kill one life. I beg
• 1:39:10
  Speaker 1: for justice, which thou Prince must give. Romeo slew Tiboult
• 1:39:16
  Speaker 1: Romeo must not live. Prince Romeo slew him. He slew Mercutio,
• 1:39:24
  Speaker 1: who now the prince of his dear blood, doth owe Montahue,
• 1:39:29
  Speaker 1: not Romeo, Prince. He was Mercutio's friend. His fault concludes.
• 1:39:34
  Speaker 1: But what the law should end the life of Tibolt Prince,
• 1:39:39
  Speaker 1: And for that offense, immediately we do exile him. Hence
• 1:39:44
  Speaker 1: I have an interest in your hates proceeding my blood.
• 1:39:48
  Speaker 1: For your rude brawls doth lie a bleeding. But all
• 1:39:51
  Speaker 1: immerse you with so strong a fine that you shall
• 1:39:55
  Speaker 1: all repent the loss of mine. I will be deaf
• 1:39:58
  Speaker 1: to pleading an excuse, nor tears nor prayers shall purchase
• 1:40:03
  Speaker 1: out abuses. Therefore use none. Let Romeo hence in haste,
• 1:40:09
  Speaker 1: else when he is found that hour is his last bear.
• 1:40:13
  Speaker 1: Hence this body and attend our will mercy. But murderers
• 1:40:18
  Speaker 1: pardoning those that kill exhunt scene to capulates orchard. Enter
• 1:40:26
  Speaker 1: Juliet alone, Juliet, gallop apace you fiery footed steeds towards phoebus,
• 1:40:34
  Speaker 1: lodging such a wagoner as faith Han would whip you
• 1:40:38
  Speaker 1: to the west and bring in cloudy night. Immediately spread
• 1:40:42
  Speaker 1: thy close curtain love performing night, that runaway eyes may wink,
• 1:40:48
  Speaker 1: and Romeo leap to these arms. Untalked of and unseen
• 1:40:53
  Speaker 1: lovers can see to do their amorous rights by their
• 1:40:56
  Speaker 1: own beauties. Or if love be blind, it best agrees
• 1:41:00
  Speaker 1: with night. Come simple Knight, thou sober suited matron, all
• 1:41:06
  Speaker 1: in black, and learn me how to lose a winning
• 1:41:10
  Speaker 1: match played for a pair of stainless maidenhoods. Hood my
• 1:41:14
  Speaker 1: unmanned blood, bathing in my cheeks with thy black mantle,
• 1:41:19
  Speaker 1: till strange love grown bold, think, true love, acted, simple modesty.
• 1:41:26
  Speaker 1: Come night, Come Romeo, Come thou day and night, for
• 1:41:32
  Speaker 1: thou wilt lie upon the wings of night, whiter than
• 1:41:35
  Speaker 1: new snow upon a raven's back. Come gentle Knight, Come loving,
• 1:41:42
  Speaker 1: black browed knight. Give me my Romeo, And when he
• 1:41:47
  Speaker 1: shall die, take him and cut him out in little stars,
• 1:41:51
  Speaker 1: and he will make the face of heaven so fine
• 1:41:54
  Speaker 1: that all the world will be in love with night,
• 1:41:57
  Speaker 1: and pay no worship to the garish sun. Oh, I
• 1:42:01
  Speaker 1: have bought the mansion of a love, but not possessed it.
• 1:42:05
  Speaker 1: And though I am sold, not yet enjoyed. So tedious
• 1:42:09
  Speaker 1: is this day, as is the night before some festival
• 1:42:13
  Speaker 1: to an impatient child that hath new robes and may
• 1:42:17
  Speaker 1: not wear them. Oh, here comes my nurse, enter, nurse
• 1:42:22
  Speaker 1: with chords, and she brings news, and every tongue that speaks,
• 1:42:27
  Speaker 1: but Romeo's name speaks heavenly eloquence. Now, nurse, what news?
• 1:42:32
  Speaker 1: What hast thou there? The chords that Romeo bid thee fetch? Nurse? Ay?
• 1:42:38
  Speaker 1: Ay the cords throws them down? Juliette, ay me, what news?
• 1:42:45
  Speaker 1: Why dost thou wring thy hands? Nurse? Ah, we're a
• 1:42:50
  Speaker 1: day he's dead. He's dead, he's dead. We are undone, lady,
• 1:42:55
  Speaker 1: we are undone, a lack the day he's gone, he's kill'd,
• 1:43:00
  Speaker 1: he's dead. Juliette, can Heaven be so envious? Nurse Romeo can,
• 1:43:08
  Speaker 1: though Heaven cannot Oh Romeo? Romeo? Whoever would have thought it? Romeo?
• 1:43:14
  Speaker 1: Juliet what devil art thou that dost torment me? Thus
• 1:43:18
  Speaker 1: this torture should be roared in dismal hell? Hath Romeo
• 1:43:22
  Speaker 1: slain himself? Say thou, but I and that bare vowal
• 1:43:27
  Speaker 1: I shall poison more than the death darting eye of cockatris.
• 1:43:33
  Speaker 1: I am not I if there be such an eye
• 1:43:37
  Speaker 1: or those eyes shut that make THEE answer I. If
• 1:43:40
  Speaker 1: he be slain, say I, or if not? No brief
• 1:43:45
  Speaker 1: sounds determine of my weal or woe. Nurse I saw
• 1:43:50
  Speaker 1: the wound. I saw it with mine eyes. God save
• 1:43:53
  Speaker 1: the mark here on his manly breast. A piteous course,
• 1:43:57
  Speaker 1: A bloody, piteous course, pale pale as ashes all be
• 1:44:03
  Speaker 1: daub'd in blood, all in gore blood. I swounded at
• 1:44:07
  Speaker 1: the sight, Juliette, Oh, break my heart, poor bank wrote
• 1:44:14
  Speaker 1: break at once to prison eyes, ne'er look on liberty,
• 1:44:19
  Speaker 1: vile earth, to earth, resign and motion here and thou
• 1:44:24
  Speaker 1: and Romeo press when heavy byer Nurse, Oh Tibolt, Tibolt,
• 1:44:30
  Speaker 1: the best friend I had, Oh courteous Tibolt, honest gentleman,
• 1:44:35
  Speaker 1: that ever I should live to see THEE dead. Juliette,
• 1:44:39
  Speaker 1: what storm is this that blows so contrary? Is Romeo slaughtered?
• 1:44:44
  Speaker 1: And is Tiblt dead my dear loved cousin and my
• 1:44:48
  Speaker 1: dearer lord? Then dreadful trumpet sound the general doom, for
• 1:44:54
  Speaker 1: who is living? If those two are gone? Nurse Tibolt
• 1:44:59
  Speaker 1: is gone. When Romeo banished Romeo that killed him, he
• 1:45:03
  Speaker 1: is banished, Juliet, Oh, God, did Romeo's hand shed Tibbalt's blood?
• 1:45:11
  Speaker 1: Nurse it did? It did alas the day it did, Juliet, Oh,
• 1:45:17
  Speaker 1: serpent heart hid with a flowering face? Did ever dragon
• 1:45:21
  Speaker 1: keep so fair a cave? Beautiful, tyrant fiend, angelical dove, feathered,
• 1:45:28
  Speaker 1: raven wolvish, ravening lamb despised substance of divinest show just
• 1:45:35
  Speaker 1: opposite to what thou justly seemst a damned saint, an
• 1:45:39
  Speaker 1: honorable villain. Oh Nature, what hadst thou to do in hell?
• 1:45:44
  Speaker 1: When thou didst bower the spirit of a fiend in
• 1:45:46
  Speaker 1: mortal paradise of such sweet flesh? Was ever book containing
• 1:45:51
  Speaker 1: such vile matter so fairly bound? Oh, that deceit should
• 1:45:57
  Speaker 1: dwell in such a gorgeous palace. There's no trust, no faith,
• 1:46:03
  Speaker 1: no honesty in men, all perjured, all forsworn, all not
• 1:46:08
  Speaker 1: all the semblers. Ah, where's my man? Give me some
• 1:46:12
  Speaker 1: aqua vita. These griefs, these woes, these sorrows make me old.
• 1:46:19
  Speaker 1: Shame come to Romeo, Juliet, blister'd be thy tongue for
• 1:46:24
  Speaker 1: such a wish. He was not born to shame upon
• 1:46:28
  Speaker 1: his brow shame is a shame to sit for tis
• 1:46:31
  Speaker 1: a throne where honor may be crown'd sole monarch of
• 1:46:34
  Speaker 1: the universal earth. Oh, what a beast was I to
• 1:46:38
  Speaker 1: chide at him? Nurse? Will you speak well of him
• 1:46:42
  Speaker 1: that killed your cousin, Juliet? Shall I speak ill of
• 1:46:46
  Speaker 1: him that is my husband? Ah? Poor, my lord? What
• 1:46:50
  Speaker 1: tongue shall smooth thy name? When I thy three hours
• 1:46:54
  Speaker 1: wife have mangled it? But wherefore villain didst thou kill
• 1:46:59
  Speaker 1: my cousin? That villain cousin would have killed my husband? Back,
• 1:47:04
  Speaker 1: foolish tears, back to your native spring, your tributary drops
• 1:47:10
  Speaker 1: belonged to woe, which you mistaking offer up to joy.
• 1:47:15
  Speaker 1: My husband lives, that Tibolt would have slain, And Tibolt's dead,
• 1:47:20
  Speaker 1: that would have slain my husband. All this is comfort?
• 1:47:25
  Speaker 1: Wherefore weep? I then some word there was worser than
• 1:47:30
  Speaker 1: Tibolt's death that murdered me. I would forget it, fain,
• 1:47:34
  Speaker 1: but oh it presses to my memory, like damned guilty
• 1:47:37
  Speaker 1: deeds to sinner's minds. Tibolt is dead, and Romeo banish'd
• 1:47:43
  Speaker 1: that banish'd that one word banish'd hath slain ten thousand tibults.
• 1:47:49
  Speaker 1: Tibot's death was woe enough if it had ended there,
• 1:47:53
  Speaker 1: or if sour woe delights in fellowship and neatly will
• 1:47:57
  Speaker 1: be ranked with other griefs. Why follow'd not when she
• 1:48:01
  Speaker 1: said Tibbot's dead, thy father or thy mother, nay or both,
• 1:48:06
  Speaker 1: which modern lamentation might have moved. But with a rear
• 1:48:10
  Speaker 1: word following Tibolt's death, Romeo is banished to speak. That
• 1:48:16
  Speaker 1: word is father, mother, Tibolt, Romeo, juliet all slain, all dead.
• 1:48:24
  Speaker 1: Romeo is banished. There is no end, no limit, measure bound,
• 1:48:29
  Speaker 1: and that word's death. No words can that woe sound?
• 1:48:33
  Speaker 1: Where is my father and my mother? Nurse nurse weeping
• 1:48:38
  Speaker 1: and wailing over Tibolt's course? Will you go to them?
• 1:48:42
  Speaker 1: I will bring you thither, Juliette, wash they his wounds
• 1:48:46
  Speaker 1: with tears. Mine shall be spent when theirs are dry.
• 1:48:51
  Speaker 1: For Romeo's banishment. Take up those cords, poor Ropes, you
• 1:48:56
  Speaker 1: are beguiled, both you and I, for Romeo is exiled.
• 1:49:01
  Speaker 1: He made you for a highway to my bed. But
• 1:49:04
  Speaker 1: I a maid, thy maiden, widowed, Come chords, come nurse,
• 1:49:10
  Speaker 1: all to my wedding bed. And death not Romeo, Take
• 1:49:14
  Speaker 1: my maiden head, nurse Hi to your chamber. I'll find
• 1:49:19
  Speaker 1: Romeo to comfort you. I WoT well where he is,
• 1:49:24
  Speaker 1: hark Ye, your Romeo will be here at night all
• 1:49:28
  Speaker 1: to him he is hid at Lawrence Cell. Juliette, Oh
• 1:49:34
  Speaker 1: find him. Give this ring to my true knight, and
• 1:49:37
  Speaker 1: bid him come to take his last farewell Exunt Scene three.
• 1:49:44
  Speaker 1: Friar Lawrence is cell, And to Friar Lawrence, Friar Romeo,
• 1:49:50
  Speaker 1: come forth, Come forth, thou fearful man. Affliction is enamored
• 1:49:54
  Speaker 1: of thy parts, and thou art wedded to calamity and
• 1:49:58
  Speaker 1: to Romeo. Romeo, Father, what news? What is the Prince's doom?
• 1:50:04
  Speaker 1: What sorrow craves acquaintance at my hand that I yet
• 1:50:08
  Speaker 1: know not? Friar, too familiar is my dear son with
• 1:50:13
  Speaker 1: such sour company. I bring thee tidings of the Prince's doom? Romeo,
• 1:50:19
  Speaker 1: What less than doomsday is the Prince's doom? Friar, A
• 1:50:23
  Speaker 1: gentler judgment vanished from his lips. Not body's death, but
• 1:50:28
  Speaker 1: body's banishment. Romeo, ha banishment, be merciful, say death for
• 1:50:35
  Speaker 1: exile hath more terror in his look? Much more than
• 1:50:39
  Speaker 1: death do not say banishment, friar. Hence from Verona art
• 1:50:44
  Speaker 1: thou banished, be patient, For the world is broad and wide, Romeo.
• 1:50:50
  Speaker 1: There is no world without Verona walls, but purgatory torture
• 1:50:55
  Speaker 1: hell itself. Hence, banished is banished from the world, and
• 1:51:01
  Speaker 1: world's exile is death. Then banishment is death misturned, Calling
• 1:51:07
  Speaker 1: death banishment, thou cuttest my head off with a golden axe,
• 1:51:12
  Speaker 1: and smilest upon the stroke that murders me. Friar, O deadly, sin, o, rude, unthankfulness,
• 1:51:19
  Speaker 1: thy fault. Our law calls death. But the kind Prince,
• 1:51:24
  Speaker 1: taking thy part, hath rushed aside the law and turned
• 1:51:27
  Speaker 1: that black word death to banishment. This is dear mercy,
• 1:51:31
  Speaker 1: and thou seest it not Romeo tis torture and not mercy.
• 1:51:37
  Speaker 1: Heaven is here where Juliet lives, and every cat and
• 1:51:41
  Speaker 1: dog and little mouse, every unworthy thing, live here in
• 1:51:45
  Speaker 1: heaven and may look on her. But Romeo may not.
• 1:51:49
  Speaker 1: More validity, more honorable state, more courtship lives in carrion
• 1:51:53
  Speaker 1: flies than Romeo. They may seize on the white wonder
• 1:51:57
  Speaker 1: of dear Juliet's hand and steal immoral blessing from her. Lips, who,
• 1:52:03
  Speaker 1: even in pure investal modesty, still blush as thinking their
• 1:52:07
  Speaker 1: own kisses sin. But Romeo may not. He is banish'd.
• 1:52:12
  Speaker 1: This may flies do when I from this must fly.
• 1:52:17
  Speaker 1: They are free men, But I am banish'd. And sayest
• 1:52:21
  Speaker 1: thou yet that exile is not death? Haddest thou No
• 1:52:25
  Speaker 1: poison mix'd, no sharp ground knife, no sudden mean of death,
• 1:52:31
  Speaker 1: though ne'er so mean, but banish'd to kill me? Banished? Oh, friar,
• 1:52:38
  Speaker 1: the damn'd use that word in hell? Howling attends it?
• 1:52:43
  Speaker 1: How hast thou the heart being a divine, a ghostly confessor,
• 1:52:48
  Speaker 1: a sin absolver in my friend profess'd to mangle me
• 1:52:52
  Speaker 1: with that word banish'd? Friar thou fond madman, hear me
• 1:52:59
  Speaker 1: a little speak Romeo, Oh thou wilt speak again of banishment? Friar.
• 1:53:06
  Speaker 1: I'll give thee armor to keep off that word. Adversity's
• 1:53:09
  Speaker 1: sweet milk philosophy to comfort thee. Though thou art banished, Romeo,
• 1:53:16
  Speaker 1: yet banished, Hang up philosophy. Unless philosophy can make a
• 1:53:20
  Speaker 1: Juliet displant, a town reverse a prince's doom, It helps, not,
• 1:53:25
  Speaker 1: it prevails. Not talk no more Friar. Oh, then I
• 1:53:31
  Speaker 1: see that madmen have no ears, Romeo, how should they
• 1:53:36
  Speaker 1: when that wise man have no eyes? Friar, Let me
• 1:53:40
  Speaker 1: dispute with thee of thy estate. Romeo. Thou canst not
• 1:53:44
  Speaker 1: speak of that? Thou dost not feel wert thou as
• 1:53:48
  Speaker 1: young as I, Juliet, thy love an hour, but married, tippled, murdered,
• 1:53:54
  Speaker 1: doting like me and like me banished. Then mightst thou speak,
• 1:53:59
  Speaker 1: than mightst thou tear thy hair and fall upon the
• 1:54:02
  Speaker 1: ground as I do now, taking the measure of an
• 1:54:05
  Speaker 1: unmade grave. Knock within, Friar, Arise, one knocks, good Romeo,
• 1:54:13
  Speaker 1: Hide thyself, Romeo, not I unless the breath of heart,
• 1:54:17
  Speaker 1: sick groans mist like enfold me from the search of eyes. Knock, Friar, hark,
• 1:54:25
  Speaker 1: how they knock? Who's there? Romeo? Arise, thou wilt be taken?
• 1:54:30
  Speaker 1: Stay awhile, stand up, knock, run to my study by
• 1:54:35
  Speaker 1: and by God's will? What simpleness is this? I come,
• 1:54:38
  Speaker 1: I come, knock? Who knocks so hard? Whence come you?
• 1:54:44
  Speaker 1: What's your will? Nurse within? Let me come in and
• 1:54:49
  Speaker 1: you shall know my Errand I come from Lady Juliet,
• 1:54:52
  Speaker 1: Friar welcome, then enter nurse. Nurse, Oh, holy friar, Oh,
• 1:54:59
  Speaker 1: tell me, friar, where is my lady's lord? Where's Romeo? Friar?
• 1:55:05
  Speaker 1: There on the ground with his own tears made drunk? Nurse? Oh,
• 1:55:11
  Speaker 1: he is even in my mistress case, just in her case, friar, Oh,
• 1:55:17
  Speaker 1: woeful sympathy, piteous predicament. Nurse even so lies she blubbering
• 1:55:24
  Speaker 1: and weeping, weeping and blubbering. Stand up, stand up, stand,
• 1:55:29
  Speaker 1: and you be a man for Juliet's sake, for her sake,
• 1:55:33
  Speaker 1: rise and stand? Why should you fall into so deep
• 1:55:36
  Speaker 1: an oh? Romeo rises nurse Nurse. Ah, sir, Ah, sir, Well,
• 1:55:44
  Speaker 1: death's the end of all? Romeo spakest thou of Juliet?
• 1:55:48
  Speaker 1: How is it with her? Doth not she think me
• 1:55:52
  Speaker 1: an old murderer? Now I have stained the childhood of
• 1:55:56
  Speaker 1: our joy with blood removed but little from her own?
• 1:56:00
  Speaker 1: Where is she? And how doth she? And what says
• 1:56:04
  Speaker 1: my concealed lady to our canceled love? Nurse? Oh? She
• 1:56:08
  Speaker 1: says nothing, sir, but weeps and weeps, and now falls
• 1:56:12
  Speaker 1: on her bed, and then starts up, and Tibald calls,
• 1:56:15
  Speaker 1: and then on Romeo cries, and then down falls again Romeo,
• 1:56:21
  Speaker 1: as if that name shot from the deadly level of
• 1:56:24
  Speaker 1: a gun did murther her, as that name's curse at
• 1:56:28
  Speaker 1: hand murdered her kinsman, Oh, tell me, Friar, tell me,
• 1:56:32
  Speaker 1: and what vile part of this anatomy doth my name lodge?
• 1:56:37
  Speaker 1: Tell me that I may sack the hateful mansion draws
• 1:56:41
  Speaker 1: his dagger. Friar hold thy desperate hand art thou a
• 1:56:46
  Speaker 1: man thy form, cries out, Thou art Thy tears are womanish,
• 1:56:52
  Speaker 1: thy wild acte denote the unreasonable fury of a beast
• 1:56:56
  Speaker 1: unseemly woman and a seeming man or ill beseeming yeast
• 1:57:00
  Speaker 1: in seeming both Thou hast amazed me by my holy order.
• 1:57:06
  Speaker 1: I thought thy disposition better tempered. Hast thou slain tibult,
• 1:57:11
  Speaker 1: wilt thou slay thyself and slay thy lady, that in
• 1:57:14
  Speaker 1: thy life lives by doing damned hate upon thyself. Why
• 1:57:20
  Speaker 1: railest thou on thy birth, the heaven and earth? Since
• 1:57:23
  Speaker 1: birth and heaven and earth all three do meet in
• 1:57:26
  Speaker 1: thee at once, which thou at once wouldst lose fee fee.
• 1:57:31
  Speaker 1: Thou shamest thy shape, thy love, thy wit, which like
• 1:57:36
  Speaker 1: a usurer aboundest in all, and usest none in that
• 1:57:40
  Speaker 1: true use. Indeed, which should be deck thy shape, thy love,
• 1:57:45
  Speaker 1: thy wit, thy noble shape, is but a form of wax,
• 1:57:49
  Speaker 1: digressing from the valor of a man, Thy dear love
• 1:57:53
  Speaker 1: sworn but hollow perjury, killing that love which thou hast
• 1:57:57
  Speaker 1: vow to cherish, thy wit, that ornament to shape and
• 1:58:01
  Speaker 1: love misshapen in the conduct of them, both like powder
• 1:58:05
  Speaker 1: and a skillless soldier's flask. Is get a fire by
• 1:58:08
  Speaker 1: thine own ignorance, and thou dismembered with thine own defense.
• 1:58:14
  Speaker 1: What rouse thee? Man Thy Juliet is alive, for whose
• 1:58:19
  Speaker 1: dear sake thou wast but lately dead? There art thou happy.
• 1:58:23
  Speaker 1: Tibolt would kill thee, But thou slewest Tibolt. There art
• 1:58:27
  Speaker 1: thou happy too. The law that threatened death becomes thy
• 1:58:31
  Speaker 1: friend and turns it to exile. There art thou happy.
• 1:58:36
  Speaker 1: A pack of blessings light upon thy back. Happiness courts
• 1:58:40
  Speaker 1: thee in her best array. But like a misbehaved in
• 1:58:44
  Speaker 1: sullen wench thou poudest upon thy fortune and thy love,
• 1:58:49
  Speaker 1: Take heed, Take heed, for such die miserable, Go get
• 1:58:54
  Speaker 1: thee to thy love, as was decreed, ascend her chamber
• 1:58:58
  Speaker 1: hence and comfort her. But look, thou stay not till
• 1:59:02
  Speaker 1: the watch be set, for then thou canst not pass
• 1:59:05
  Speaker 1: to Mantua, where thou shalt live till we can find
• 1:59:09
  Speaker 1: a time to blaze your marriage. Reconcile your friends, beg
• 1:59:13
  Speaker 1: pardon of the prince, and call thee back with twenty
• 1:59:16
  Speaker 1: hundred thousand times more joy than thou whenst forth in lamentation,
• 1:59:22
  Speaker 1: Go before nurse, commend me to thy lady and bid
• 1:59:25
  Speaker 1: her hasten all the house to bed, which heavy sorrow
• 1:59:29
  Speaker 1: makes them apt unto Romeo is coming, nurse, O, Lord,
• 1:59:35
  Speaker 1: I could have stayed here all the night to hear
• 1:59:37
  Speaker 1: good counsel. Oh what learning is, my Lord? I'll tell
• 1:59:42
  Speaker 1: my lady you will come Romeo, do so, and bid
• 1:59:47
  Speaker 1: my sweet prepare to chide nurse. Here is a ring
• 1:59:52
  Speaker 1: she bid me give you, Sir, Hi, you make haste,
• 1:59:56
  Speaker 1: for it grows very late. Exit Romeo. How well my
• 2:00:02
  Speaker 1: comfort is revived by this friar. Go hence good night,
• 2:00:07
  Speaker 1: and here stands all your state either be gone before
• 2:00:11
  Speaker 1: the watch be set, or by the break of day
• 2:00:13
  Speaker 1: disguised from hence sojourn in Mantua. I'll find out your man,
• 2:00:19
  Speaker 1: and he shall signify from time to time every good
• 2:00:22
  Speaker 1: hap to you. That chance is here. Give me thy hand.
• 2:00:26
  Speaker 1: Tis late. Farewell, good night, Romeo, but that a joy
• 2:00:33
  Speaker 1: past joy calls out on me. It were a grief
• 2:00:36
  Speaker 1: so brief to part with thee Farewell Exeunt Scene four
• 2:00:44
  Speaker 1: Capulate's house, Enter Old Capulate, his wife and Paris Capulate.
• 2:00:52
  Speaker 1: Things have fallen out, sir, so unluckily that we have
• 2:00:55
  Speaker 1: had no time to move our daughter. Look you, she
• 2:00:59
  Speaker 1: loved her kinsman Tibblet dearly, and so did I. Well
• 2:01:03
  Speaker 1: we were born to die. Tis very late. She'll not
• 2:01:07
  Speaker 1: come down to night, I promise you, but for your company,
• 2:01:11
  Speaker 1: I would have been abed an hour ago. Paris. These
• 2:01:16
  Speaker 1: times of woe afford no tune to woo Madam, good night.
• 2:01:20
  Speaker 1: Commend me to your daughter, lady. I will and know
• 2:01:25
  Speaker 1: her mind early to morrow to night. She's mewed up
• 2:01:30
  Speaker 1: to her heaviness. Capulate, Sir Paris, I will make a
• 2:01:34
  Speaker 1: desperate tender of my child's love. I think she will
• 2:01:38
  Speaker 1: be ruled in all respects by me. Nay more, I
• 2:01:43
  Speaker 1: doubt it not, wife, Go you to her ere you
• 2:01:46
  Speaker 1: go to bed, acquaint her here of my son Paris's love,
• 2:01:50
  Speaker 1: and bid her mark you me on Wednesday next. But soft,
• 2:01:55
  Speaker 1: what day is this, Paris? Monday? My lord? Capulate Monday?
• 2:02:02
  Speaker 1: Ha ha, Well, Wednesday is too soon, Thursday. Let it
• 2:02:06
  Speaker 1: be a Thursday. Tell her she shall be married to
• 2:02:10
  Speaker 1: this noble earl. Will you be ready? Do you like this? Haste?
• 2:02:15
  Speaker 1: Will keep no great ado a friend or two for
• 2:02:19
  Speaker 1: hark you Tibalt, being slain so late, it may be
• 2:02:22
  Speaker 1: thought we held him carelessly, being our kinsman. If we
• 2:02:26
  Speaker 1: revel much, therefore we'll have some half a dozen friends,
• 2:02:30
  Speaker 1: and there an end. But what say you to Thursday? Paris?
• 2:02:36
  Speaker 1: My lord? I would that Thursday were tomorrow. Capulate, Well,
• 2:02:40
  Speaker 1: get you gone a Thursday? Be it? Then go you
• 2:02:44
  Speaker 1: to Juliet. Ere you go to bed, prepare her wife
• 2:02:48
  Speaker 1: against this wedding day. Farewell, my lord, light to my chamber.
• 2:02:53
  Speaker 1: Ho afore me it is so very very late that
• 2:02:57
  Speaker 1: we may call it early by and by good night.
• 2:03:02
  Speaker 1: Exant Scene five capulates Orchard and to Romeo and Juliet
• 2:03:08
  Speaker 1: aloft at the window. Juliet, wilt thou be gone? It
• 2:03:14
  Speaker 1: is not yet near day? It was the nightingale, and
• 2:03:18
  Speaker 1: not the lark that pierced the fearful hollow of thine ear.
• 2:03:23
  Speaker 1: Nightly she sings on yond pomegranate tree. Believe me, Love,
• 2:03:27
  Speaker 1: it was the nightingale, Romeo, it was the lark, the
• 2:03:32
  Speaker 1: herald of the morn. No nightingale, Look, Love, what envious
• 2:03:37
  Speaker 1: streaks do lace the severing clouds in yonder east night's
• 2:03:42
  Speaker 1: candles are burnt out, and Jocund Day stands tiptoe on
• 2:03:46
  Speaker 1: the misty mountain tops. I must be gone and live,
• 2:03:51
  Speaker 1: or stay and die, juliette yond light is not daylight,
• 2:03:56
  Speaker 1: I know it. I it is some that the sun
• 2:04:01
  Speaker 1: exhales to be to thee this night a torch bearer,
• 2:04:05
  Speaker 1: and light thee on the way to Mantua. Therefore stay,
• 2:04:09
  Speaker 1: Yet thou needst not to be gone, Romeo, Let me
• 2:04:14
  Speaker 1: be taitan, let me be put to death. I am content,
• 2:04:20
  Speaker 1: so thou wilt have it. So I'll say, yon gray
• 2:04:24
  Speaker 1: is not the morning's eye, tis but the pale reflex
• 2:04:28
  Speaker 1: of Cynthia's brow. Nor that is not the lark whose
• 2:04:33
  Speaker 1: notes do beat the vaultry heaven so high above our heads.
• 2:04:37
  Speaker 1: I have more care to stay than will to go.
• 2:04:40
  Speaker 1: Come death and welcome. Juliet wills it so, how ist
• 2:04:45
  Speaker 1: my soul, let's talk. It is not day, Juliette, it is,
• 2:04:51
  Speaker 1: it is high. Hence be gone away. It is the
• 2:04:54
  Speaker 1: lark that sings so out of tune, straining harsh discords,
• 2:04:58
  Speaker 1: an unpleasing sharp. Some say the lark makes sweet division.
• 2:05:03
  Speaker 1: This doth not sow, for she divideth us. Some say
• 2:05:07
  Speaker 1: the lark and loathed toad changed eyes. Oh now I
• 2:05:12
  Speaker 1: would they had changed voices too, since arm from arm,
• 2:05:16
  Speaker 1: that voice doth us afray hunting thee. Hence with hunts
• 2:05:21
  Speaker 1: up to the day. Oh, now be gone. More light
• 2:05:25
  Speaker 1: and light it grows, Romeo, more light and light, more
• 2:05:30
  Speaker 1: dark and dark our woes and her nurse, nurse, Madam Juliet,
• 2:05:37
  Speaker 1: nurse nurse, Your lady mother is coming to your chamber.
• 2:05:41
  Speaker 1: The day is broke. Be wary, look about, Juliette. Then window,
• 2:05:46
  Speaker 1: let day in and let life out exit. Romeo, farewell, farewell,
• 2:05:55
  Speaker 1: one kiss, and I'll descend. He goeth down, Juliet, art
• 2:06:01
  Speaker 1: thou gone, So, my lord, my love, my friend, I
• 2:06:06
  Speaker 1: must hear from thee every day in the hour, For
• 2:06:09
  Speaker 1: in a minute there are many days. O by this count,
• 2:06:12
  Speaker 1: I shall be much in years. Ere I again behold
• 2:06:15
  Speaker 1: my Romeo, Romeo, farewell. I will omit no opportunity that
• 2:06:21
  Speaker 1: may convey my greetings love to thee. Juliet. Oo, thinkest
• 2:06:26
  Speaker 1: thou we shall ever meet again? Romeo? I doubt it not,
• 2:06:31
  Speaker 1: And all these woes shall serve for sweet discourses and
• 2:06:35
  Speaker 1: our time to come. Juliet O, God, I have an ill,
• 2:06:40
  Speaker 1: divining soul. Methinks I see THEE. Now thou art below
• 2:06:45
  Speaker 1: as one dead in the bottom of a tomb. Either
• 2:06:48
  Speaker 1: my eye sight fails, or thou lookest pale Romeo, and
• 2:06:52
  Speaker 1: trust me love in my eye. So do you dry
• 2:06:56
  Speaker 1: sorrow drinks our blood? Adieu, Adio exit, Juliet, Oh, fortune, fortune.
• 2:07:05
  Speaker 1: All men call THEE fickle. If thou art fickle, what
• 2:07:09
  Speaker 1: dost thou with him that is renowned for faith, be fickle? Fortune?
• 2:07:14
  Speaker 1: For then I hope thou wilt not keep him long,
• 2:07:16
  Speaker 1: but send him back? Lady within, ho, daughter, are you up, Juliet?
• 2:07:24
  Speaker 1: Who is that? Cause? It is my lady mother? Is
• 2:07:28
  Speaker 1: she not down so late or up so early? What
• 2:07:31
  Speaker 1: unaccustomed cause procures her hither? And her mother? Lady? Why?
• 2:07:37
  Speaker 1: How now? Juliet Juliet, Madam, I am not well, lady, evermore,
• 2:07:45
  Speaker 1: weeping for your cousin's death. What wilt thou wash him
• 2:07:49
  Speaker 1: from his grave with tears? And if thou couldst, thou
• 2:07:53
  Speaker 1: couldst not make him live? Therefore have done Some grief
• 2:07:58
  Speaker 1: shows much of love, But much of grief shows still
• 2:08:02
  Speaker 1: some want of wit, Juliet. Yet let me weep for
• 2:08:08
  Speaker 1: such a feeling loss, Lady. So shall you feel the loss,
• 2:08:12
  Speaker 1: but not the friend which you weep for, Juliet feeling
• 2:08:17
  Speaker 1: so the loss I cannot choose, but ever weep the friend, Lady. Well, girl,
• 2:08:23
  Speaker 1: thou weepest not so much for his death as that
• 2:08:26
  Speaker 1: the villain lives which slaughtered him. Juliet. What villain, Madam, Lady,
• 2:08:33
  Speaker 1: that same villain Romeo Juliet aside villain, and he be
• 2:08:40
  Speaker 1: many miles asunder God pardon him. I do with all
• 2:08:44
  Speaker 1: my heart, And yet no man like he doth grieve
• 2:08:47
  Speaker 1: my heart. Lady. That is because the traitor murderer lives, Juliet, I, madam,
• 2:08:55
  Speaker 1: from the reach of these my hands would none but
• 2:08:58
  Speaker 1: I might venge my cousin's death. Lady. We will have
• 2:09:02
  Speaker 1: vengeance for it. Fear thou not then, weep no more.
• 2:09:06
  Speaker 1: I'll send to one in Mantua, where that same banished
• 2:09:11
  Speaker 1: Rennegate doth live, shall give him such an unaccustomed dram
• 2:09:15
  Speaker 1: that he shall soon keep Tibolt company. And then I
• 2:09:18
  Speaker 1: hope thou wilt be satisfied, Juliet. Indeed, I never shall
• 2:09:23
  Speaker 1: be satisfied with Romeo till I behold him dead. Is
• 2:09:27
  Speaker 1: my poor heart, so for of kinsmen vexed, Madam, if
• 2:09:32
  Speaker 1: you could find out but a man to bear a poison,
• 2:09:34
  Speaker 1: I would temper it that Romeo should, upon receipt thereof,
• 2:09:38
  Speaker 1: soon sleep in quiet. Oh, how my heart abhors to
• 2:09:42
  Speaker 1: hear him named, and cannot come to him to wreck
• 2:09:45
  Speaker 1: the love I bore my cousin Tibolt upon his body,
• 2:09:48
  Speaker 1: that hath slaughtered him. Lady, find thou the means, and
• 2:09:53
  Speaker 1: I'll find such a man. But now I'll tell thee
• 2:09:56
  Speaker 1: joyful tidings girl, Juliet, And comes well in such a
• 2:10:01
  Speaker 1: needy time, What are they I beseech your ladyship, Lady. Well, Well,
• 2:10:06
  Speaker 1: thou hast a careful father child, one who to put
• 2:10:10
  Speaker 1: THEE from thy heaviness, hath sorted out a sudden day
• 2:10:13
  Speaker 1: of joy, that thou expectst not nor I looked not
• 2:10:17
  Speaker 1: for Juliet, Madam, in happy time? What day is that
• 2:10:23
  Speaker 1: lady marry my child? Early next Thursday morn. The gallant,
• 2:10:28
  Speaker 1: young and noble gentleman the county Paris, at Saint Peter's Church,
• 2:10:33
  Speaker 1: shall happily make thee there a joyful bride. Juliet now
• 2:10:38
  Speaker 1: by Saint Peter's Church, and Peter too, he shall not
• 2:10:42
  Speaker 1: make me there a joyful bride. I wonder at this
• 2:10:45
  Speaker 1: haste that I must wed ere he that should be
• 2:10:49
  Speaker 1: husband comes to woo. I pray you tell my lord
• 2:10:52
  Speaker 1: and father, Madam, I will not marry yet, And when
• 2:10:56
  Speaker 1: I do, I swear it shall be Romeo, whom you
• 2:10:59
  Speaker 1: know I hate, rather than Paris. These are news. Indeed, Lady,
• 2:11:06
  Speaker 1: here comes your father. Tell him so yourself, and see
• 2:11:09
  Speaker 1: how he will take it at your hands. Enter capulate,
• 2:11:13
  Speaker 1: a nurse. Capulate when the sun sets, the air doth
• 2:11:18
  Speaker 1: drizzle do but for the sunset of my brother's son.
• 2:11:21
  Speaker 1: It reigns downright. How now a conduit girl, what still
• 2:11:27
  Speaker 1: in tears? Ever more showering, and one little body thou
• 2:11:31
  Speaker 1: counterfeit'st a bark a sea a wind for still thy
• 2:11:35
  Speaker 1: eyes which I may call the sea do ebb and
• 2:11:39
  Speaker 1: flow with tears. The bark thy body is sailing in
• 2:11:43
  Speaker 1: this salt flood. The winds thy size, who raging with
• 2:11:47
  Speaker 1: thy tears, And they with them without a sudden calm,
• 2:11:51
  Speaker 1: will overset thy tempest toss'd body. How now, wife, have
• 2:11:56
  Speaker 1: you delivered to her our decree? Lady, I sir, but
• 2:12:01
  Speaker 1: she will none she gives you thanks? I would the
• 2:12:05
  Speaker 1: fool were married to her grave. Cabulate, soft, take me
• 2:12:11
  Speaker 1: with you, Take me with you, wife? How will she none?
• 2:12:16
  Speaker 1: Doth she not give us thanks? Is she not proud?
• 2:12:20
  Speaker 1: Doth she not count her blessed? Unworthy as she is
• 2:12:23
  Speaker 1: that we have wrought so worthy a gentleman to be
• 2:12:26
  Speaker 1: her bridegroom? Juliette, Not proud you have, but thankful that
• 2:12:31
  Speaker 1: you have? Proud? Can I never be of what I hate?
• 2:12:35
  Speaker 1: But thankful even for hate? That is meant love? Cabulate? How? How? How?
• 2:12:42
  Speaker 1: How chop logic? What is this? Proud? And I thank you?
• 2:12:47
  Speaker 1: And I thank you not and yet not? Proud? Mistress Minion,
• 2:12:52
  Speaker 1: you thank me no thankings, nor proud me, no prouds,
• 2:12:57
  Speaker 1: But fettle your fine joints against thirsty day. Next to
• 2:13:01
  Speaker 1: go with Paris to Saint Peter's church, or I will
• 2:13:04
  Speaker 1: drag thee on a hurdle. Thither out you green sickness, carrion,
• 2:13:09
  Speaker 1: I out you, baggage, you tallow face, lady, fee fee,
• 2:13:14
  Speaker 1: What are you mad, Juliet, good father. I beseech you
• 2:13:18
  Speaker 1: on my knees. Hear me with patience. But to speak
• 2:13:21
  Speaker 1: a word capulate, Hang thee, young baggage, disobedient wretch. I
• 2:13:27
  Speaker 1: tell thee what yet thee to church a Thursday or
• 2:13:31
  Speaker 1: never after. Look me in the face, speak not reply not,
• 2:13:35
  Speaker 1: do not answer me, my finger's itch wife. We scarce
• 2:13:40
  Speaker 1: thought us blessed that God had lent us, but this
• 2:13:43
  Speaker 1: only child. But now I see this one is one
• 2:13:47
  Speaker 1: too much, and that we have a curse in having
• 2:13:50
  Speaker 1: her out on her hilding nurse, God in heaven bless her.
• 2:13:57
  Speaker 1: You are to blame my Lord to rate her so capulate,
• 2:14:01
  Speaker 1: And why, my lady wisdom, hold your tongue, good prudence,
• 2:14:06
  Speaker 1: smatter with your gossips, go, nurse, I speak no treason. Capulate,
• 2:14:12
  Speaker 1: Oh God, a godn nurse may not once speak Capulate peace,
• 2:14:20
  Speaker 1: you mumbling fool, utter your gravity or a gossip's bowl
• 2:14:24
  Speaker 1: for here we need it. Not, lady, you are too
• 2:14:28
  Speaker 1: hot capulate God's bread. Aye, it makes me mad day night, late,
• 2:14:34
  Speaker 1: early at home, abroad, alone in company, waking or sleeping. Still,
• 2:14:39
  Speaker 1: my care hath been to have her matched, and having
• 2:14:42
  Speaker 1: now provided a gentleman of princely parentage affair demeans, youthful
• 2:14:47
  Speaker 1: and nobly trained, stuffed, as they say, with honorable parts
• 2:14:51
  Speaker 1: proportioned as one's thought would wish a man. And then
• 2:14:55
  Speaker 1: to have a wretched, pueling fool, a whining mammot in
• 2:14:59
  Speaker 1: her forete tender to answer Alm. Yet, Wed, I cannot love.
• 2:15:04
  Speaker 1: I am too young. I pray you pardon me. But
• 2:15:08
  Speaker 1: and you will not. Wed, I'll pardon you. Graze where
• 2:15:12
  Speaker 1: you will. You shall not house with me, Look to it,
• 2:15:17
  Speaker 1: think on it. I do not use to jest. Thursday
• 2:15:21
  Speaker 1: is near, Lay hand on heart, advise and you be mine.
• 2:15:26
  Speaker 1: I'll give you to my friend, and you be not hang,
• 2:15:30
  Speaker 1: beg starve, die in the streets. For by my soul,
• 2:15:33
  Speaker 1: I'll ne'er acknowledge THEE, nor what is mine, shall never
• 2:15:38
  Speaker 1: do THEE good. Trust to it. Bethink you I'll not
• 2:15:42
  Speaker 1: be forre sworn exit. Juliet, is there no pity sitting
• 2:15:47
  Speaker 1: in the clouds that season two, the bottom of my grief.
• 2:15:51
  Speaker 1: Oh sweet, my mother cast me not away? Delay this
• 2:15:54
  Speaker 1: marriage for a month a week, or if you do
• 2:15:57
  Speaker 1: not make the bridal bed in that dim mind monument
• 2:16:00
  Speaker 1: where Tibalt lies, Lady, talk not to me, for I'll
• 2:16:05
  Speaker 1: not speak a word. Do as thou wilt, for I
• 2:16:08
  Speaker 1: have done with thee exit Juliet, Oh God, oh nurse,
• 2:16:15
  Speaker 1: how shall this be prevented? My husband is on earth,
• 2:16:19
  Speaker 1: my faith in heaven. How shall that faith return again
• 2:16:22
  Speaker 1: to earth unless that husband send it me from heaven
• 2:16:26
  Speaker 1: by leaving earth. Comfort me, counsel me a lack, a
• 2:16:30
  Speaker 1: lack that Heaven should practice stratagems upon so soft a
• 2:16:34
  Speaker 1: subject as myself. What sayest thou, hast thou not a
• 2:16:39
  Speaker 1: word of joy? Some comfort, nurse, nurse, faith, Here it
• 2:16:44
  Speaker 1: is Romeo is banished and all the world to nothing
• 2:16:48
  Speaker 1: that he dares ne'er come back to challenge you, or
• 2:16:52
  Speaker 1: if he do, it needs must be by stealth. Then,
• 2:16:55
  Speaker 1: since the case so stands as now it, doth I
• 2:16:58
  Speaker 1: think it best you married with the county. Oh he's
• 2:17:01
  Speaker 1: a lovely gentleman. Romeo's a dishclout to him an eagle,
• 2:17:06
  Speaker 1: Madam hath not so green, so quick, so fair, an
• 2:17:10
  Speaker 1: I as paris hath beshrew my very heart. I think
• 2:17:14
  Speaker 1: you are happy in this second match, for it excels
• 2:17:17
  Speaker 1: your first, or if it did not, your first is dead,
• 2:17:21
  Speaker 1: or twere as good he were as living here, and
• 2:17:24
  Speaker 1: you no use of him. Juliet, speakest thou this from
• 2:17:29
  Speaker 1: thy heart, nurse, and from my soul too, else beshrew
• 2:17:33
  Speaker 1: them both, Juliet, Amen, Nurse, what Juliet? Well thou hast
• 2:17:41
  Speaker 1: comforted me marvelous much? Go in and tell my lady
• 2:17:45
  Speaker 1: I am gone, having displeased my father to Lawrence cell
• 2:17:49
  Speaker 1: to make confession and to be absolved. Nurse Mary, I will,
• 2:17:54
  Speaker 1: and this is wisely done. Exit Juliet, ancient damn nation, O,
• 2:18:01
  Speaker 1: most wicked fiend. Is it more sin to wish me
• 2:18:04
  Speaker 1: thus forsworn? Or to dispraise my lord with that same
• 2:18:09
  Speaker 1: tongue which she hath praised him with? Above, compare so
• 2:18:13
  Speaker 1: many thousand times, Go counselor thou and my bosom henceforth
• 2:18:19
  Speaker 1: shall be twain all to the Friar to know his remedy.
• 2:18:24
  Speaker 1: If all else fail, myself have power to die. Exit
• 2:18:31
  Speaker 1: end of Act three, Act four, Scene one, Friar Lawrence's
• 2:18:37
  Speaker 1: cell enter, Friar Lawrence and County Paris. Friar on Thursday, Sir,
• 2:18:44
  Speaker 1: the time is very short, Paris. My father Capulate will
• 2:18:49
  Speaker 1: have it so, and I am nothing slow to slack
• 2:18:52
  Speaker 1: his haste. Friar, you say you do not know the
• 2:18:57
  Speaker 1: lady's mind? Uneven is the course I like it not, Paris.
• 2:19:03
  Speaker 1: Immoderately she weeps for Tibalt's death, and therefore have I
• 2:19:07
  Speaker 1: little talked of love for Venus smiles not in a
• 2:19:11
  Speaker 1: house of tears. Now, Sir, her father counts it dangerous
• 2:19:16
  Speaker 1: that she do give her sorrow so much sway, and
• 2:19:19
  Speaker 1: in his wisdom hastes our marriage to stop the inundation
• 2:19:23
  Speaker 1: of her tears, which, too much minded by herself alone,
• 2:19:28
  Speaker 1: may be put from her by society. Now do you
• 2:19:32
  Speaker 1: know the reason of this haste, Friar? Aside? I would
• 2:19:37
  Speaker 1: I knew not why it should be slowed. Look, Sir,
• 2:19:41
  Speaker 1: here comes the lady toward my cell enter, juliet Paris.
• 2:19:47
  Speaker 1: Happily met my lady and my wife, Juliette. That may be, sir,
• 2:19:52
  Speaker 1: when I may be a wife, Paris. That may be
• 2:19:57
  Speaker 1: must be love on Thursday next, Juliet, what must be
• 2:20:02
  Speaker 1: shall be? Friar, that's a certain text, Paris. Come you
• 2:20:09
  Speaker 1: to make confession to this father, Juliet, to answer that
• 2:20:13
  Speaker 1: I should confess to you, Paris, Do not deny to
• 2:20:17
  Speaker 1: him that you love me, Juliet, I will confess to
• 2:20:22
  Speaker 1: you that I love him, Paris, so will ye. I
• 2:20:26
  Speaker 1: am sure that you love me, Juliet. If I do so,
• 2:20:32
  Speaker 1: it will be of more price being spoke behind your
• 2:20:35
  Speaker 1: back than to your face. Paris, poor soul, thy face
• 2:20:41
  Speaker 1: is much abused with tears, Juliet. The tears have got
• 2:20:46
  Speaker 1: small victory by that, for it was bad enough before
• 2:20:49
  Speaker 1: their spite. Paris. Thou wrongest it more than tears with
• 2:20:54
  Speaker 1: that report, Juliet. That is no slander, sir, Which is
• 2:21:00
  Speaker 1: a truth. And what I spake, I spake it to
• 2:21:03
  Speaker 1: my face. Paris. Thy face is mine, and thou hast
• 2:21:08
  Speaker 1: slandered it, Juliet. It may be so, for it is
• 2:21:13
  Speaker 1: not mine own. Are you at leisure, holy father, now?
• 2:21:17
  Speaker 1: Or shall I come to you at evening mass? Friar,
• 2:21:21
  Speaker 1: My leisure serves me, pensive daughter. Now, my lord, we
• 2:21:25
  Speaker 1: must entreat the time alone, Paris, God shield I should
• 2:21:30
  Speaker 1: disturb devotion, Juliet on Thursday early, will I rouse ye
• 2:21:35
  Speaker 1: till then adieu and keep this holy kiss. Exit Juliet, Oh,
• 2:21:43
  Speaker 1: shut the door, and when thou hast done so, come
• 2:21:47
  Speaker 1: weep with me past hope, past cure, past help. Friar Ah, Juliet,
• 2:21:54
  Speaker 1: I already know thy grief. It strains me past the
• 2:21:57
  Speaker 1: compass of my wits. I hear thou must and nothing
• 2:22:01
  Speaker 1: may proroguate. On Thursday next be married to this county, Juliette.
• 2:22:08
  Speaker 1: Tell me not, friar, that thou hearest of this, unless
• 2:22:12
  Speaker 1: thou tell me how I may prevent it. If in
• 2:22:15
  Speaker 1: thy wisdom thou canst give no help, do thou but
• 2:22:19
  Speaker 1: call my resolution wise, and with this knife I'll help it. Presently,
• 2:22:24
  Speaker 1: God joined my heart and Romeos thou are hands. And
• 2:22:29
  Speaker 1: ere this hand, by thee to Romeos sealed shall be
• 2:22:33
  Speaker 1: the label to another deed, or my true heart with
• 2:22:37
  Speaker 1: treacherous revolt turned to another, this shall slay them both. Therefore,
• 2:22:42
  Speaker 1: out of thy long experienced time, give me some present counsel,
• 2:22:47
  Speaker 1: or behold TwixT my extremes and me, this bloody knife
• 2:22:51
  Speaker 1: shall play the empire arbitrating that which the commission of
• 2:22:54
  Speaker 1: thy years and art could to no issue of true honor.
• 2:22:58
  Speaker 1: Bring be not so long to speak, I long to die.
• 2:23:03
  Speaker 1: If what thou speakest speak not of remedy, friar hold, daughter,
• 2:23:09
  Speaker 1: I do spy a kind of hope which craves as
• 2:23:12
  Speaker 1: desperate an execution as that is desperate, which we would prevent.
• 2:23:17
  Speaker 1: If rather than to marry County Paris, thou hast the
• 2:23:21
  Speaker 1: strength of will to slay thyself, then it is likely
• 2:23:24
  Speaker 1: thou wilt undertake a thing like death to chide away
• 2:23:28
  Speaker 1: this shame that copst with death himself to escape from it.
• 2:23:32
  Speaker 1: And if thou darest, I'll give thee remedy. Juliette, Oh,
• 2:23:37
  Speaker 1: bid me leap rather than marry Paris from off the
• 2:23:41
  Speaker 1: battlements of Yonder Tower, or walk in thievish ways, Or
• 2:23:45
  Speaker 1: bid me lurk where serpents are, chain me with roaring bears,
• 2:23:50
  Speaker 1: or shut me nightly in a charnel house, or cover'd
• 2:23:54
  Speaker 1: quite with dead men's rattling bones, with wreaky shanks and
• 2:23:59
  Speaker 1: yellow chaplis sculls. Or bid me go into a new
• 2:24:02
  Speaker 1: made grave and hide me with a dead man in
• 2:24:04
  Speaker 1: his shround. Things that to hear them told, have made
• 2:24:09
  Speaker 1: me tremble, and I will do it without fear or doubt,
• 2:24:13
  Speaker 1: to live an unstained wife to my sweet love. Friar Hold.
• 2:24:18
  Speaker 1: Then go home, be merry, give consent to marry Paris.
• 2:24:24
  Speaker 1: Wednesday is tomorrow tomorrow night. Look that thou lie alone,
• 2:24:29
  Speaker 1: Let not the nurse lie with thee in thy chamber.
• 2:24:32
  Speaker 1: Take thou this vile being then in bed, and this
• 2:24:37
  Speaker 1: distilled liquor, drink thou off, when presently through all thy
• 2:24:42
  Speaker 1: veins shall run a cold and drowsy humor. For no
• 2:24:46
  Speaker 1: pulse shall keep his native progress, but sir cease, no warmth,
• 2:24:52
  Speaker 1: no breath shall testify thou livest. The roses in thy
• 2:24:56
  Speaker 1: lips and cheeks shall fade to paley, ashes, Thy eyes
• 2:25:01
  Speaker 1: windows fall like death. When he shuts up the day
• 2:25:05
  Speaker 1: of life, each part, deprived of supple government, shall stiff
• 2:25:10
  Speaker 1: and stark and cold appear like death. And in this
• 2:25:14
  Speaker 1: borrowed likeness of shrunk death, thou shalt continue two and
• 2:25:18
  Speaker 1: forty hours, and then awake as from a pleasant sleep. Now,
• 2:25:23
  Speaker 1: when the bridegroom in the morning comes to rouse thee
• 2:25:26
  Speaker 1: from thy bed, there art thou dead. Then, as the
• 2:25:31
  Speaker 1: manner of our country is in thy best robes uncovered
• 2:25:35
  Speaker 1: on the buyer. Thou shalt be borne to that same
• 2:25:39
  Speaker 1: ancient vault where all the kindred of the Capulates lie
• 2:25:43
  Speaker 1: in the meantime against thou shalt awake. Shall Romeo by
• 2:25:48
  Speaker 1: my letters know our drift, and hither shall he come?
• 2:25:52
  Speaker 1: And he and I will watch thy waking. And that
• 2:25:55
  Speaker 1: very night shall Romeo bear thee hence to Mantua. And
• 2:25:59
  Speaker 1: this shall free THEE from this present shame. If no
• 2:26:03
  Speaker 1: inconstant toy nor womanish fear abate thy valor in the
• 2:26:07
  Speaker 1: acting it, juliet give me, give me, oh, tell not
• 2:26:13
  Speaker 1: me a fear friar. Hold, get you gone, be strong
• 2:26:18
  Speaker 1: and prosperous in this resolve. I'll send a friar with
• 2:26:22
  Speaker 1: speed to Mantua with my letters to thy lord Juliette
• 2:26:27
  Speaker 1: love give me strength and strength shall help afford farewell
• 2:26:32
  Speaker 1: dear father, exeunt scene two Capulet's house, and toer father, Capulate, mother,
• 2:26:42
  Speaker 1: nurse and serving men two or three capulate. So many
• 2:26:47
  Speaker 1: guests invite as here are writ exit a serving man, Surrah,
• 2:26:53
  Speaker 1: go hire me twenty cunning cooks. Serving man, you shall
• 2:26:58
  Speaker 1: have none, ill sir, for I'll try if they can
• 2:27:01
  Speaker 1: lick their fingers. Capulate, how canst thou try them? So?
• 2:27:06
  Speaker 1: Serving man, Mary, Sir, tis an ill cook that cannot
• 2:27:10
  Speaker 1: lick his own fingers. Therefore he that cannot lick his
• 2:27:13
  Speaker 1: fingers goes not with me? Capulate, Go begone, exit, serving man,
• 2:27:21
  Speaker 1: we shall be much unfurnished for this time. What is
• 2:27:25
  Speaker 1: my daughter gone to? Friar Lawrence nurse? I forsooth capulate,
• 2:27:32
  Speaker 1: well be made chance to do some good on her?
• 2:27:35
  Speaker 1: A peevish self willed harletree it his entered Juliet nurse,
• 2:27:41
  Speaker 1: see where she comes from? Shrift with merry. Look, Capulate,
• 2:27:46
  Speaker 1: how now my head's strong? Where have you been gadding, Juliette?
• 2:27:51
  Speaker 1: Where I have learnt me to repent the sin of
• 2:27:54
  Speaker 1: disobedient opposition to you and your behests? And am enjoined
• 2:27:58
  Speaker 1: by Holy Lawrence to fall prostrate here to beg your pardon.
• 2:28:03
  Speaker 1: Pardon I beseech you, henceforward I am ever ruled by you. Capulate,
• 2:28:09
  Speaker 1: Send for the county, Go tell him of this. I'll
• 2:28:12
  Speaker 1: have this not knit up. Tomorrow morning, Juliet I met
• 2:28:16
  Speaker 1: the youthful lord at Lawrence cell and gave him what
• 2:28:19
  Speaker 1: becomed love, I might not stepping o'er the bounds of modesty. Capulate,
• 2:28:25
  Speaker 1: Why I am glad on it? This is well, stand up,
• 2:28:30
  Speaker 1: this is as should be. Let me see the county.
• 2:28:34
  Speaker 1: Ay Mary, go, I say, and fetch him hither now
• 2:28:37
  Speaker 1: afore God, this reverend Holy Friar, all our whole city
• 2:28:41
  Speaker 1: is much bound to him. Juliette, nurse, will you go
• 2:28:46
  Speaker 1: with me into my closet to help me sort such
• 2:28:49
  Speaker 1: needful ornaments as you think fit to furnish me tomorrow? Mother, No,
• 2:28:55
  Speaker 1: not till Thursday. There is time enough. Capulate. Go, oh, nurse,
• 2:29:00
  Speaker 1: go with her will to church tomorrow. Exeunt Juliet and
• 2:29:05
  Speaker 1: nurse mother, we shall be short in our provision. Tis
• 2:29:10
  Speaker 1: now near night, Capulate, Tush, I will stir about, and
• 2:29:15
  Speaker 1: all things shall be well. I warrant thee wife, go
• 2:29:19
  Speaker 1: thou to Juliet, help to deck up her all, not
• 2:29:23
  Speaker 1: to bed tonight. Let me alone. I'll play the housewife
• 2:29:27
  Speaker 1: for this once what ho they are all fourth well?
• 2:29:32
  Speaker 1: I will walk myself to County Paris to prepare him
• 2:29:35
  Speaker 1: up against tomorrow. My heart is wondrous light, since this
• 2:29:40
  Speaker 1: same wayward girl is so reclaimed exnt Scene three Juliette's chamber.
• 2:29:48
  Speaker 1: Enter juliet and Nurse Juliette. Ay, those attires are best.
• 2:29:55
  Speaker 1: But gentle nurse, I pray thee leave me to myself tonight,
• 2:29:59
  Speaker 1: for I I have need of many orisons to move
• 2:30:02
  Speaker 1: the heavens to smile upon my state, which well thou
• 2:30:07
  Speaker 1: knowest is cross and full of sin. Enter mother, mother,
• 2:30:13
  Speaker 1: what are you busy? Ho need you my help? Juliette, No, madam,
• 2:30:19
  Speaker 1: we have called such necessaries as are behoofful for our
• 2:30:23
  Speaker 1: state tomorrow. So please you let me now be left alone,
• 2:30:28
  Speaker 1: and let the nurse this knight sit up with you,
• 2:30:31
  Speaker 1: for I am sure you have your hands full all
• 2:30:34
  Speaker 1: in this so sudden business. Mother, good night, Get thee
• 2:30:39
  Speaker 1: to bed and rest, for thou hast need Exunt Mother
• 2:30:44
  Speaker 1: and Nurse Juliette. Farewell. God knows when we shall meet again.
• 2:30:50
  Speaker 1: I have a faint cold fear thrills through my veins
• 2:30:55
  Speaker 1: that almost freezes up the heat of life. I'll call
• 2:30:59
  Speaker 1: them back again to comfort me. Nurse, what should she
• 2:31:03
  Speaker 1: do here my dismal scene? I needs must act alone?
• 2:31:08
  Speaker 1: Come vile? What if this mixture do not work at all?
• 2:31:13
  Speaker 1: Shall I be married then? Tomorrow morning. No, no, this
• 2:31:17
  Speaker 1: shall forbid it. Lie thou there lays down a dagger.
• 2:31:23
  Speaker 1: What if it be a poison which the Friar subtly
• 2:31:26
  Speaker 1: hath ministered to have me dead? Lest in this marriage
• 2:31:29
  Speaker 1: he should be dishonored because he married me before to Romeo.
• 2:31:35
  Speaker 1: I fear it is, And yet methinks it should not,
• 2:31:39
  Speaker 1: for he hath still been tried a holy man. I
• 2:31:42
  Speaker 1: will not entertain so bad a thought. How if when
• 2:31:46
  Speaker 1: I am laid into the tomb, I wake before the
• 2:31:49
  Speaker 1: time that Romeo come to redeem me. There's a fearful point.
• 2:31:53
  Speaker 1: Shall I not then be stifled in the vault, to
• 2:31:56
  Speaker 1: whose foul mouth no health? Some air breathe in, and
• 2:32:01
  Speaker 1: there die strangled? Ere my Romeo comes, or if I live?
• 2:32:06
  Speaker 1: Is it not very like the horrible conceit of death
• 2:32:08
  Speaker 1: and night, together with the terror of the place, as
• 2:32:12
  Speaker 1: in a vault, an ancient receptacle, where for this many
• 2:32:16
  Speaker 1: hundred years the bones of all my buried ancestors are packed,
• 2:32:20
  Speaker 1: where bloody tiblt Yet but green and earth lies festering
• 2:32:26
  Speaker 1: in his shroud. Where as they say, at some hours
• 2:32:30
  Speaker 1: in the night spirits resort A lack, A lack is
• 2:32:34
  Speaker 1: it not like that eye so early waking, what with
• 2:32:38
  Speaker 1: loathsome smells and shrieks like mandrakes torn out of the earth,
• 2:32:43
  Speaker 1: that living mortals, hearing them run mad? Oh if I wake,
• 2:32:49
  Speaker 1: shall I not be distraught, environed with all these hideous fears,
• 2:32:54
  Speaker 1: and madly play with my forefather's joints, and pluck the
• 2:32:57
  Speaker 1: mangled tibult from his shroud, And in this rage with
• 2:33:01
  Speaker 1: some great kinsman's bone, as with a club, dash out
• 2:33:04
  Speaker 1: my desperate brains. Oh, look, methinks I see my cousin's
• 2:33:09
  Speaker 1: ghost seeking out Romeo, that did spit his body upon
• 2:33:14
  Speaker 1: a rapier's point. Stay tibbled, Stay Romeo. I come this
• 2:33:21
  Speaker 1: do I drink to thee. She drinks and falls upon
• 2:33:25
  Speaker 1: her bed. Within the curtains, Scene four Capult's house. Enter,
• 2:33:32
  Speaker 1: Lady of the house and nurse lady hold, take these
• 2:33:37
  Speaker 1: keys and fetch more spices, Nurse nurse. They call for
• 2:33:42
  Speaker 1: dates and quinces in the pastry. Enter old Capulate, Capulate,
• 2:33:48
  Speaker 1: Come stir, stir, stir. The second cock hath crowed, the
• 2:33:53
  Speaker 1: curfew bell hath rung tis three o'clock. Look to the
• 2:33:56
  Speaker 1: baked meats. Good Angelica, spare not for costs. Nurse go
• 2:34:02
  Speaker 1: you cot queen, go get you to bed. Faith, you'll
• 2:34:06
  Speaker 1: be sick tomorrow for this night's watching. Capulate, No, not
• 2:34:11
  Speaker 1: a whit what I have watched air now all night
• 2:34:15
  Speaker 1: for lesser cause, and ne'er been sick. Lady, Aye, you
• 2:34:20
  Speaker 1: have been a mouse hunt in your time, but I
• 2:34:23
  Speaker 1: will watch you from such watching Now Exit, lady and
• 2:34:27
  Speaker 1: nurse capulate a jealous hood, a jealous hood. Enter three
• 2:34:33
  Speaker 1: or four fellows with spits and logs and baskets. What
• 2:34:37
  Speaker 1: is there now, fellow, fellow, things for the cook, sir,
• 2:34:42
  Speaker 1: but I know not what capulate. Make haste, make haste, exit, fellow, Surrah,
• 2:34:49
  Speaker 1: fetch drier logs. Call Peter. He will show thee where
• 2:34:53
  Speaker 1: they are. Fellow. I have a head, sir, that will
• 2:34:57
  Speaker 1: find out logs and never trouble Peter for them. Capulate
• 2:35:02
  Speaker 1: mass and well, said a merry horsen. Ha, thou shalt
• 2:35:06
  Speaker 1: be loggerhead, Exit, fellow, good faith, tis day the county
• 2:35:11
  Speaker 1: will be here with music straight for so he said
• 2:35:15
  Speaker 1: he would play music. I hear him near. Nurse wife,
• 2:35:21
  Speaker 1: What ho what nurse I say? Enter, nurse go waken Juliet,
• 2:35:27
  Speaker 1: go and trim her up I'll go and chat with Paris.
• 2:35:30
  Speaker 1: He make haste, Make haste the bridegroom he is come already,
• 2:35:35
  Speaker 1: make haste, I say, exit Scene five, Juliet's chamber, enter nurse, nurse, mistress,
• 2:35:45
  Speaker 1: What mistress, juliette fast? I warrant her? She? Why lamb,
• 2:35:52
  Speaker 1: Why lady fee you slug a bed? Why love? I say, madam,
• 2:35:59
  Speaker 1: swim heart? Why bride? What not a word? You take
• 2:36:06
  Speaker 1: your pennyworths now sleep for a week. For the next night,
• 2:36:10
  Speaker 1: I warrant the county. Paris hath set up his rest
• 2:36:13
  Speaker 1: that you shall rest. But little God forgive me marry
• 2:36:17
  Speaker 1: and amen? How sound is she asleep? I needs must
• 2:36:21
  Speaker 1: wake her? Madam, Madam, madam, I let the county take
• 2:36:27
  Speaker 1: you in your bed. He'll fright you up. If faith,
• 2:36:30
  Speaker 1: will it not be? Draws aside the curtains. What dressed
• 2:36:36
  Speaker 1: and in your clothes? And down again? I must needs
• 2:36:39
  Speaker 1: wake you, lady, lady, lady, alas, alas help help my
• 2:36:47
  Speaker 1: lady's dead. Oh were a day that ever I was born?
• 2:36:51
  Speaker 1: Some aquavitae ho, my lord, my lady and her mother? Mother?
• 2:36:59
  Speaker 1: What noise here? Nurse? Oh lamentable day? Mother? What is
• 2:37:05
  Speaker 1: the matter nurse. Look look, oh heavy day mother, Oh me,
• 2:37:12
  Speaker 1: oh me, my child, my only life. Revive, look up,
• 2:37:17
  Speaker 1: or I will die with thee help help, call help
• 2:37:22
  Speaker 1: and her father father for shame, Bring Juliette forth, her
• 2:37:28
  Speaker 1: lord is come, Nurse, she's dead, deceased, she's dead. Alack
• 2:37:35
  Speaker 1: the day, mother, Alac, the day she's dead. She's dead,
• 2:37:40
  Speaker 1: She's dead, Capulate, Huh, let me see her holt alas
• 2:37:47
  Speaker 1: she's cold, her blood is settled, and her joints are stiff. Life,
• 2:37:55
  Speaker 1: and these lips have long been separated. Death lies on
• 2:37:59
  Speaker 1: her like an un untimely frost upon the sweetest flower
• 2:38:02
  Speaker 1: of all the field. Nurse who lamentable day mother, O
• 2:38:09
  Speaker 1: woeful time, Capulate death that hath taken her, hence to
• 2:38:15
  Speaker 1: make me wail, tice up my tongue, and will not
• 2:38:19
  Speaker 1: let me speak. And to Friar Lawrence and the county
• 2:38:22
  Speaker 1: Paris with musicians, Friar Come, is the bride ready to
• 2:38:27
  Speaker 1: go to church? Capulate, ready to go, but never to return,
• 2:38:33
  Speaker 1: O son. The night before thy wedding day, hath death
• 2:38:37
  Speaker 1: lain with thy wife. See there she lies flower, as
• 2:38:41
  Speaker 1: she was deflowered by him. Death is my son in law.
• 2:38:47
  Speaker 1: Death is my heir, my daughter, he hath wedded. I
• 2:38:51
  Speaker 1: will die and leave him all life living, all is
• 2:38:56
  Speaker 1: deaths Paris. Have I thought longed to see this morning's face?
• 2:39:02
  Speaker 1: And doth it give me such a sight as this mother?
• 2:39:06
  Speaker 1: A cursed, unhappy, wretched, hateful day, most miserable hour that
• 2:39:12
  Speaker 1: ere time saw in lasting labor of his pilgrimage. But
• 2:39:17
  Speaker 1: one poor one, one poor and loving child, but one
• 2:39:23
  Speaker 1: thing to rejoice in. Solace it, and cruel death hath
• 2:39:27
  Speaker 1: catched it from my sight, nurse, Oh woe.
• 2:39:33
  Speaker 2: Oh woful, woeful, woeful day, most lamentable day, most woeful
• 2:39:38
  Speaker 2: day that ever ever I did yet behold, Oh day,
• 2:39:42
  Speaker 2: oh day, oh day, oh hateful day.
• 2:39:45
  Speaker 1: Never was seen so black a day as this, Oh
• 2:39:48
  Speaker 1: woeful day, Oh woeful day. Paris beguiled, divorced, wronged, spite it, slain,
• 2:40:00
  Speaker 1: testable death by thee, beguiled by cruel, cruel, thee quite overthrown.
• 2:40:07
  Speaker 1: O love, O life, not life, but love in death, capulate, despised, distressed, hated, martyred, killed,
• 2:40:19
  Speaker 1: uncomfortable time. Why camest thou now to murther murther our solemnity?
• 2:40:25
  Speaker 1: O child, oh child, my soul, and not my child
• 2:40:31
  Speaker 1: dead art thou dead, Alack, my child is dead, and
• 2:40:35
  Speaker 1: with my child my joys are buried. Friar peace, Oh,
• 2:40:41
  Speaker 1: for shame, Confusion's cure lives not in these confusions. Heaven
• 2:40:46
  Speaker 1: and yourself had part in this fair maid. Now Heaven
• 2:40:50
  Speaker 1: hath all and all the better is it for the maid.
• 2:40:54
  Speaker 1: Your part in her you could not keep from death,
• 2:40:57
  Speaker 1: But Heaven keeps his part in eternal life. The most
• 2:41:01
  Speaker 1: you sought was her promotion, for twas your heaven, she
• 2:41:04
  Speaker 1: should be advanced. And weep ye now seeing she is
• 2:41:08
  Speaker 1: advanced above the clouds, as high as Heaven itself. Oh,
• 2:41:13
  Speaker 1: in this love, you love your child so ill that
• 2:41:16
  Speaker 1: you run mad, seeing that she is well. She's not
• 2:41:19
  Speaker 1: well married, that lives married long, but she's best married
• 2:41:23
  Speaker 1: that dies married young. Dry up your tears and stick
• 2:41:27
  Speaker 1: your rosemary on this fair course, and as the custom is,
• 2:41:32
  Speaker 1: and all her best array, bear her to church. For
• 2:41:35
  Speaker 1: though fond nature bids us all lament, yet nature's tears
• 2:41:40
  Speaker 1: are reasons merriment, capulate all things that we ordained. Festival
• 2:41:47
  Speaker 1: turn from their office to black funeral, our instruments to
• 2:41:52
  Speaker 1: melancholy bells, our wedding cheer to a sad burial feast,
• 2:41:57
  Speaker 1: our solemn hymns to sullen dirges, change our bridal flowers
• 2:42:03
  Speaker 1: serve for a buried course, and all things change them
• 2:42:07
  Speaker 1: to the contrary. Friar Sir, go you in, and madam
• 2:42:13
  Speaker 1: go with him, and go sir paris. Everyone prepare to
• 2:42:16
  Speaker 1: follow this fair course unto her grave. The heavens do
• 2:42:20
  Speaker 1: lower upon you, for some ill move them no more
• 2:42:23
  Speaker 1: by crossing their high will exit Mann't musicians and nurse.
• 2:42:31
  Speaker 1: First musician, faith, we may put up our pipes and
• 2:42:35
  Speaker 1: be gone. Nurse honest, good fellows, ah, put up, put
• 2:42:40
  Speaker 1: up for well, you know this is a pitiful case.
• 2:42:44
  Speaker 1: Exit First musician. I, by my troth, the case may
• 2:42:50
  Speaker 1: be amended. Enter Peter, Peter. Musicians, Oh musicians, Heart's ease,
• 2:42:57
  Speaker 1: Heart's ease? Oh, and you will have me live. Play
• 2:43:01
  Speaker 1: Heart's ease, First musician. Why Heart's ease? Peter, Oh musicians,
• 2:43:07
  Speaker 1: because my heart itself plays? My heart is full of woe. Oh,
• 2:43:11
  Speaker 1: play me some merry dump to comfort me. First musician,
• 2:43:16
  Speaker 1: not a dump. We 'tis no time to play now, Peter.
• 2:43:20
  Speaker 1: You will not then, First musician, No, Peter, I will
• 2:43:26
  Speaker 1: then give it you soundly. First musician, what will you
• 2:43:31
  Speaker 1: give us, Peter, no money on my faith, but the gleek.
• 2:43:35
  Speaker 1: I will give you the minstrel. First musician, Then while
• 2:43:39
  Speaker 1: I give you the serving creature, Peter. Then while I
• 2:43:43
  Speaker 1: lay the serving creature's dagger on your pate, I will
• 2:43:47
  Speaker 1: carry no crotchets. I'll ray you all thaw you do
• 2:43:52
  Speaker 1: you note me, first musician, and you ray us and
• 2:43:57
  Speaker 1: faw us you note us, Second musician, pray you put
• 2:44:01
  Speaker 1: up your dagger and put out your wit. Peter, then
• 2:44:05
  Speaker 1: have at you with my wit. I will dry beat
• 2:44:08
  Speaker 1: you with an iron wit, and put up my iron dagger.
• 2:44:11
  Speaker 1: Answer me like men when griping grief, the heart doth wound,
• 2:44:15
  Speaker 1: and doleful dumps the mind oppress. Then music with her
• 2:44:19
  Speaker 1: silver sound? Why silver sound? Why music with her silver sound?
• 2:44:24
  Speaker 1: What say you, Simon Katling? First musician, Mary sir? Because
• 2:44:30
  Speaker 1: silver hath a sweet sound? Peter, pretty? What say you,
• 2:44:35
  Speaker 1: Hugh Rebick? Second musician? I say silver sound because musicians
• 2:44:40
  Speaker 1: sound for silver. Peter pretty too? What say you, James
• 2:44:45
  Speaker 1: sound Post? Third musician, Faith, I know not what to say. Peter, Oh,
• 2:44:52
  Speaker 1: I cry you mercy, you are the singer I will
• 2:44:55
  Speaker 1: say for you it is music with her silver sound,
• 2:44:58
  Speaker 1: because musicians I have no gold for sounding. Then music
• 2:45:03
  Speaker 1: with her silver sound, with speedy help, doth lend redress?
• 2:45:08
  Speaker 1: Exit First musician, what a pestilent knave is this same
• 2:45:14
  Speaker 1: second musician, hang him? Jack, come will and here tarry
• 2:45:19
  Speaker 1: for the mourners, and stay dinner. Exit end of Act four,
• 2:45:26
  Speaker 1: Act five, Scene one, Mantua a street, Enter Romeo. Romeo,
• 2:45:33
  Speaker 1: if I may trust the flattering truth of sleep, my
• 2:45:37
  Speaker 1: dreams presage some joyful news at hand. My bosom's lord
• 2:45:42
  Speaker 1: sits lightly in his throne, and all this day an
• 2:45:46
  Speaker 1: unaccustomed spirit lifts me above the ground with cheerful thoughts.
• 2:45:51
  Speaker 1: I dreamt my lady came and found me dead, strange
• 2:45:55
  Speaker 1: dream that gives a dead man leave to think, and
• 2:45:58
  Speaker 1: breathed such life with kiss in my lips, that I
• 2:46:01
  Speaker 1: revived and was an emperor. Ah me, how sweet is
• 2:46:06
  Speaker 1: love itself possessed? But when love's shadows are so rich
• 2:46:10
  Speaker 1: in joy? And to Romeo's man, Balthazar booted news from Verona.
• 2:46:17
  Speaker 1: How now Balthazar dost thou not bring me letters from
• 2:46:21
  Speaker 1: the friar? How doth my lady is my father? Well?
• 2:46:26
  Speaker 1: How fares my Juliet, that I ask again, for nothing
• 2:46:30
  Speaker 1: can be ill. If she be well, man, then she
• 2:46:35
  Speaker 1: is well, and nothing can be ill. Her body sleeps
• 2:46:38
  Speaker 1: in Capal's monument, and her immortal part with angels lives.
• 2:46:44
  Speaker 1: I saw her laid low in her Kindred's vault, and
• 2:46:47
  Speaker 1: presently took post to tell it. You O, pardon me
• 2:46:51
  Speaker 1: for bringing these ill news, since you did leave it
• 2:46:54
  Speaker 1: for my office, Sir Romeo, is it means so? Then
• 2:46:59
  Speaker 1: I I you stars. Thou knowest my lodging, Get me
• 2:47:04
  Speaker 1: ink and paper and hire post horses. I will hence
• 2:47:07
  Speaker 1: to night. Man, I do beseech you, sir, have patience.
• 2:47:12
  Speaker 1: Your looks are pale and wild, and do import some misadventure. Romeo,
• 2:47:18
  Speaker 1: tush thou art deceived. Leave me and do the thing
• 2:47:22
  Speaker 1: I bid THEE. Do hast thou no letters to me
• 2:47:25
  Speaker 1: from the friar man. No, my good lord Romeo, no matter.
• 2:47:31
  Speaker 1: Get thee gone and hire those horses. I'll be with
• 2:47:34
  Speaker 1: thee straight exit thou Thazar, well, Juliet, I will lie
• 2:47:40
  Speaker 1: with THEE tonight. Let's see for means, o, mischief, Thou
• 2:47:45
  Speaker 1: art swift to enter in the thoughts of desperate men.
• 2:47:49
  Speaker 1: I do remember an apothecary, and hereabouts a dwells, which
• 2:47:53
  Speaker 1: late I noted, in tattered weeds, with overwhelming brows, culling
• 2:47:59
  Speaker 1: of simple meager were his looks. Sharp misery had worn
• 2:48:04
  Speaker 1: him to the bones. And in his needy shop a
• 2:48:07
  Speaker 1: tortoise hung an alligator stuffed and other skins of ill
• 2:48:11
  Speaker 1: shaped fishes. And about his shelves a beggarly account of
• 2:48:15
  Speaker 1: empty boxes, green earthen pots, bladders and musty seeds, remnants
• 2:48:22
  Speaker 1: of pack thread, and old cakes of roses were thinly
• 2:48:25
  Speaker 1: scattered to make up a show. Noting this penury to myself,
• 2:48:31
  Speaker 1: I said, and if a man did need a poison,
• 2:48:34
  Speaker 1: now whose sail is present death in Mantua here lives
• 2:48:38
  Speaker 1: a caitiff wretch would sell it him. Oh, this same
• 2:48:43
  Speaker 1: thought did but forrun my need. And this same needy
• 2:48:46
  Speaker 1: man must sell it me. As I remember, this should
• 2:48:50
  Speaker 1: be the house being holiday. The beggar's shop is shut.
• 2:48:55
  Speaker 1: What ho apothecary, enter, apothecary, apothecary who calls so loud? Romeo,
• 2:49:04
  Speaker 1: come hither, man, I see that thou art poor. Hold
• 2:49:07
  Speaker 1: there is forty ducats. Let me have a dram of
• 2:49:11
  Speaker 1: poison such soon speeding gear as will disperse itself through
• 2:49:15
  Speaker 1: all the veins, that the life weary taker mull fall dead,
• 2:49:20
  Speaker 1: and that the trunk may be discharg'd of breath as
• 2:49:23
  Speaker 1: violently as hasty powder fired. Doth hurry from the fatal
• 2:49:28
  Speaker 1: cannons womb apothecary, such mortal drugs I have, But man
• 2:49:34
  Speaker 1: to his law is death to any he that utters them. Romeo,
• 2:49:39
  Speaker 1: art thou so barren, full of wretchedness, and fierce to die?
• 2:49:43
  Speaker 1: Famine is in thy cheeks, need an oppression, starveth in
• 2:49:46
  Speaker 1: thine eyes. Contempt and beggary hangs upon thy back. The
• 2:49:50
  Speaker 1: world is not thy friend, nor the world's law. The
• 2:49:54
  Speaker 1: world affords no law to make thee rich. Then be
• 2:49:57
  Speaker 1: not poor, but break it and take this apothecary my poverty,
• 2:50:04
  Speaker 1: but not my will consents, Romeo. I pay thy poverty
• 2:50:09
  Speaker 1: and not thy will. Apothecary. Put this in any liquid
• 2:50:15
  Speaker 1: thing you will, and drink it off, And if you
• 2:50:17
  Speaker 1: had the strength of twenty men, it would despatch you straight. Romeo.
• 2:50:23
  Speaker 1: There is thy gold worse poison to men's souls, doing
• 2:50:28
  Speaker 1: more mirther in this loathsome world than these poor compounds
• 2:50:32
  Speaker 1: that thou mayst not sell. I sell thee poison. Thou
• 2:50:36
  Speaker 1: hast sold me none. Farewell, buy food and get thyself
• 2:50:41
  Speaker 1: in flesh, Come cordial and not poison. Go with me
• 2:50:45
  Speaker 1: to Juliette's grave, for there must I use thee exeunt
• 2:50:51
  Speaker 1: scene to Verona. Friar Lawrences sell enter Friar John, to
• 2:50:56
  Speaker 1: Friar Lawrence John, Holy France is in friar brother ho
• 2:51:02
  Speaker 1: enter Friar Lawrence Lawrence. This same should be the voice
• 2:51:07
  Speaker 1: of Friar John. Welcome from Mantua. What says Romeo, or
• 2:51:11
  Speaker 1: if his mind be writ give me his letter John
• 2:51:16
  Speaker 1: going to find a barefoot brother out one of our
• 2:51:19
  Speaker 1: order to associate me here in this city, visiting the
• 2:51:23
  Speaker 1: sick and finding him. The searchers of the town, suspecting
• 2:51:26
  Speaker 1: that we both were in a house where the infectious
• 2:51:29
  Speaker 1: pestilence did reign, sealed up the doors and would not
• 2:51:33
  Speaker 1: let us forth, So that my speed to Mantua there
• 2:51:36
  Speaker 1: was staid Lawrence, who bear my letter then to Romeo John,
• 2:51:43
  Speaker 1: I could not send it here it is again, nor
• 2:51:46
  Speaker 1: get a messenger to bring it thee so fearful were
• 2:51:48
  Speaker 1: they of infection, Lawrence unhappy fortune by my brotherhood. The
• 2:51:55
  Speaker 1: letter was not nice but full of charge of dear
• 2:51:59
  Speaker 1: import and the neglecting it may do much danger. Prior John,
• 2:52:03
  Speaker 1: go hence, get me an iron crow, and bring it
• 2:52:06
  Speaker 1: straight unto my cell. John Brother, I'll go and bring it.
• 2:52:10
  Speaker 1: THEE exit Lawrence. Now must I to the monument alone
• 2:52:16
  Speaker 1: within this three hours will fare Juliet wake. She will
• 2:52:20
  Speaker 1: be shrew me much that Romeo hath not no notice
• 2:52:24
  Speaker 1: of these accidents. But I will write again to Mantua
• 2:52:28
  Speaker 1: and keep her at my cell till Romeo come poor
• 2:52:31
  Speaker 1: living course closed in a dead man's tomb. Exit Scene three, Verona,
• 2:52:39
  Speaker 1: a churchyard in it the monument of the Capulids. Enter
• 2:52:44
  Speaker 1: Paris and his page with flowers and a torch. Paris.
• 2:52:48
  Speaker 1: Give me thy torch, boy, hence and stand aloof yet
• 2:52:53
  Speaker 1: put it out, for I would not be seen under
• 2:52:56
  Speaker 1: yon yew tree. Lay thee all along, holding thine ear
• 2:53:00
  Speaker 1: close to the hollow ground. So shall no foot upon
• 2:53:04
  Speaker 1: the churchyard tread being loose unfirm with digging up of graves.
• 2:53:09
  Speaker 1: But thou shalt hear it whistle then to me as
• 2:53:13
  Speaker 1: signal that thou hear'st something approach. Give me those flowers.
• 2:53:17
  Speaker 1: Do as I bid. THEE go page aside. I am
• 2:53:21
  Speaker 1: almost afraid to stand alone here in the churchyard. Yet
• 2:53:25
  Speaker 1: I will adventure. Retires Paris sweet flower, with flowers, thy
• 2:53:31
  Speaker 1: bridal bed I strew, Oh woe, thy canopy is dust
• 2:53:36
  Speaker 1: and stones, which with sweet water nightly I will do,
• 2:53:40
  Speaker 1: or wanting that with tears distilled by moans. The obsequies
• 2:53:45
  Speaker 1: that I for THEE will keep knightly shall be to
• 2:53:49
  Speaker 1: strew thy grave and weep whistle boy. The boy gives
• 2:53:56
  Speaker 1: warning something doth approach? What cursed phot wanders this way
• 2:54:01
  Speaker 1: to night to cross my obsequies in true love's right?
• 2:54:06
  Speaker 1: What with a torch muffle me night a while retires
• 2:54:12
  Speaker 1: enter Romeo and Balthazar with a torch, a mattic, and
• 2:54:17
  Speaker 1: a crow of iron. Romeo give me that mattic and
• 2:54:21
  Speaker 1: the wrenching iron. Hold take this letter early in the morning.
• 2:54:25
  Speaker 1: See thou deliver it to my lord and father. Give
• 2:54:29
  Speaker 1: me the light upon thy life. I charge thee what
• 2:54:32
  Speaker 1: e'er thou hearest or seest stand all aloof and do
• 2:54:35
  Speaker 1: not interrupt me in my course. Why I descend into
• 2:54:39
  Speaker 1: this bed of death is partly to behold my lady's face,
• 2:54:43
  Speaker 1: but chiefly to take thence from her dead finger a
• 2:54:45
  Speaker 1: precious ring, a ring that I must use in dear employment.
• 2:54:50
  Speaker 1: Therefore hence be gone. But if thou jealous dost return
• 2:54:54
  Speaker 1: to pry in what I farther shall intend to do
• 2:54:58
  Speaker 1: by heaven, I will tear thee joint by joint, and
• 2:55:01
  Speaker 1: strew this hungry churchyard with thy limbs. The time and
• 2:55:05
  Speaker 1: my intents are savage, wild, more fierce, and more inexorable,
• 2:55:09
  Speaker 1: far than empty tigers or the roaring sea. Balthasar, I
• 2:55:15
  Speaker 1: will be gone, sir, and not trouble you, Romeo. So
• 2:55:20
  Speaker 1: shalt thou show me friendship, Take thou that live, and
• 2:55:24
  Speaker 1: be prosperous, and farewell, good fellow Balthasar. Aside for all
• 2:55:30
  Speaker 1: this same, I'll hide me Hereabout his looks I fear,
• 2:55:35
  Speaker 1: and his intense I doubt retires, Romeo, thou detestable maw,
• 2:55:41
  Speaker 1: thou womb of death gorged with the dearest morsel of
• 2:55:45
  Speaker 1: the earth. Thus I enforce thy rotten jaws to open,
• 2:55:49
  Speaker 1: and in despite I'll cram thee with more food. Romeo
• 2:55:54
  Speaker 1: opens the tomb. Paris. This is that banished haughty monta
• 2:55:59
  Speaker 1: hue that murdered my love's cousin, with which grief. It
• 2:56:03
  Speaker 1: is supposed the fair creature died, and here is come
• 2:56:07
  Speaker 1: to do some villainous shame to the dead bodies. I
• 2:56:10
  Speaker 1: will apprehend him. Stop thy unhallowed toil vile Montahu. Can
• 2:56:15
  Speaker 1: vengeance be pursued further than death, condemned villain? I do
• 2:56:19
  Speaker 1: apprehend THEE. Obey and go with me, for thou must die, Romeo,
• 2:56:25
  Speaker 1: I must, indeed, and therefore came I hither, good gentle youth,
• 2:56:30
  Speaker 1: tempt not a desperate man. Fly hence and leave me
• 2:56:34
  Speaker 1: think upon these gone, Let them affright THEE. I beseech
• 2:56:38
  Speaker 1: THEE youth, but not another sin upon my head by
• 2:56:42
  Speaker 1: urging me to fury, Oh, be gone by heaven. I
• 2:56:45
  Speaker 1: love THEE better than myself, for I come hither armed
• 2:56:48
  Speaker 1: against myself. Stay not be gone? Live and hereafter say
• 2:56:54
  Speaker 1: a madman's mercy. Bid THEE run away Paris. I do
• 2:56:59
  Speaker 1: defy thy conjuration and apprehend THEE for a felon here Romeo,
• 2:57:05
  Speaker 1: wilt thou provoke me? Then have at THEE. Boy they fight,
• 2:57:12
  Speaker 1: page O, Lord, they fight, I will go call the watch.
• 2:57:17
  Speaker 1: Exit Paris falls Paris. Oh I am slain. If thou
• 2:57:24
  Speaker 1: be merciful, open the tomb, lay me with Juliet dies
• 2:57:30
  Speaker 1: Romeo in faith. I will let me peruse this face
• 2:57:36
  Speaker 1: Mercutio's kinsman, noble county Paris. What said my man when
• 2:57:41
  Speaker 1: my betossed soul did not attend him as we rode?
• 2:57:45
  Speaker 1: I think he told me Paris should have married Juliet?
• 2:57:49
  Speaker 1: Said he not so? Or did I dream it so?
• 2:57:53
  Speaker 1: Or am I mad hearing him talk of Juliet to
• 2:57:57
  Speaker 1: think it was so? Oh, give me thy hand, one
• 2:58:01
  Speaker 1: writ with me in sour Misfortune's book. I'll bury thee
• 2:58:06
  Speaker 1: in a triumphant grave. A grave, oh no, a lanthorn
• 2:58:12
  Speaker 1: slaughtered youth. For here lies Juliet and her beauty makes
• 2:58:16
  Speaker 1: this vault a feasting presence full of light. Death. Lie
• 2:58:21
  Speaker 1: thou there by a dead man and teared lays him
• 2:58:26
  Speaker 1: in the tomb. How oft, when men are at the
• 2:58:30
  Speaker 1: point of death, have they been married? Which their keepers
• 2:58:34
  Speaker 1: call a lightning before death? Oh? How may I call
• 2:58:38
  Speaker 1: this a lightning? O, my love, my wife? Death, that
• 2:58:45
  Speaker 1: hath sucked the honey of thy breath, hath had no
• 2:58:49
  Speaker 1: power yet upon thy beauty. Thou art not conquered Beauty's ensign.
• 2:58:54
  Speaker 1: Yet is crimson in thy lips and in thy cheeks,
• 2:58:59
  Speaker 1: and death's pale flag is not advanced there tibalt liest
• 2:59:04
  Speaker 1: thou there in thy bloody sheet. O, what more favor
• 2:59:08
  Speaker 1: can I do to THEE than with that hand that
• 2:59:11
  Speaker 1: cut thy youth in twain to sunder his that was
• 2:59:15
  Speaker 1: thine enemy. Forgive me cousin, ah, dear Juliet, Why art
• 2:59:22
  Speaker 1: thou yet so fair? Shall I believe that unsubstantial death
• 2:59:27
  Speaker 1: is amorous? And that the lean, abhorred monster keeps THEE
• 2:59:31
  Speaker 1: here in dark to be his paramour. For fear that
• 2:59:35
  Speaker 1: I still will stay with THEE, and never from this
• 2:59:38
  Speaker 1: palace of dim night depart again. Here here will I
• 2:59:43
  Speaker 1: remain with worms that are thy chambermaids. Oh, here will
• 2:59:48
  Speaker 1: I set up my everlasting rest and shake the yoke
• 2:59:52
  Speaker 1: of inauspicious stars from this world. Wearied flesh eyes, look
• 2:59:58
  Speaker 1: your last arms, take your last embrace and lips O
• 3:00:06
  Speaker 1: you the doors of breath seal with a righteous kiss,
• 3:00:10
  Speaker 1: a dateless bargain to engrossing death. Come bitter conduct, Come
• 3:00:17
  Speaker 1: unsavory guide, Thou desperate pilot, Now at once run on
• 3:00:22
  Speaker 1: the dashing rocks thy sea, sick, weary bark. Here's to
• 3:00:27
  Speaker 1: my love drinks, Oh true apothecary. Thy drugs are quick.
• 3:00:36
  Speaker 1: Thus with a kiss, I die falls enter Friar Lawrence
• 3:00:43
  Speaker 1: with lanthorn, crow and spade, Friar, Saint Francis, be my speed?
• 3:00:49
  Speaker 1: How oft to night have my old feet stumbled at graves?
• 3:00:52
  Speaker 1: Who's there, Balthazar? Here's one a friend, and one that
• 3:00:57
  Speaker 1: knows you well, Friar, bliss be upon you. Tell me, good,
• 3:01:03
  Speaker 1: my friend, what torch is yond that vainly lends his
• 3:01:06
  Speaker 1: light to grubbs and eyeless skulds as I discern it
• 3:01:11
  Speaker 1: burneth in the Capal's monument, Balthasar, it doth so holy, sir.
• 3:01:17
  Speaker 1: And there's my master, one that you love, Friar. Who
• 3:01:21
  Speaker 1: is it? Balthasar Romeo, Friar, how long hath he been there, Balthasar?
• 3:01:29
  Speaker 1: Full half an hour? Friar, go with me to the vault, Balthasar,
• 3:01:34
  Speaker 1: I dare not, sir. My master knows not, but I
• 3:01:37
  Speaker 1: am gone hence and fearfully did menace me with death
• 3:01:41
  Speaker 1: if I did stay to look on his intents, Friar, stay,
• 3:01:45
  Speaker 1: then all go alone. Fear comes upon me. Oh much
• 3:01:50
  Speaker 1: I fear some ill, unthrifty thing, Balthasar, as I did
• 3:01:54
  Speaker 1: sleep under this yew tree. Here I dreamt my master
• 3:01:58
  Speaker 1: and another fought, and that my master or slew him? Friar,
• 3:02:02
  Speaker 1: Romeo a lack a lack? What blood is this which
• 3:02:07
  Speaker 1: stains the stony entrance of this sepulcher? What mean these
• 3:02:12
  Speaker 1: masterless and gory swords to lie discolored by this place
• 3:02:16
  Speaker 1: of peace? Enters the tumbe Romeo, Oh, pale? Who else?
• 3:02:24
  Speaker 1: What paris too and steeped in blood? Ah? What an
• 3:02:30
  Speaker 1: unkind hour is guilty of this lamentable chance? The lady stirs.
• 3:02:36
  Speaker 1: Juliet rises, Juliet, Oh, comfortable, friar, Where is my lord?
• 3:02:43
  Speaker 1: I do remember well where I should be? And there
• 3:02:45
  Speaker 1: I am? Where is my Romeo? Friar? I hear some noise, Lady,
• 3:02:53
  Speaker 1: Come from that nest of death, contagion and unnatural sleep.
• 3:02:57
  Speaker 1: A greater power than we can contradict hath thwarted our intents. Come,
• 3:03:03
  Speaker 1: Come away, thy husband, in thy bosom there lies dead
• 3:03:07
  Speaker 1: and Paris too. Come, I'll dispose of thee among a
• 3:03:11
  Speaker 1: sisterhood of holy nuns. Stay not to question, for the
• 3:03:15
  Speaker 1: watch is coming. Come go good, Juliet, I dare no
• 3:03:19
  Speaker 1: longer stay, Juliet, go get thee. Hence for I will
• 3:03:24
  Speaker 1: not away exit friar. What's here? A cup closed in
• 3:03:32
  Speaker 1: my true love's hand. Poison, I see hath been his
• 3:03:38
  Speaker 1: timeless end. Oh churl drunk all and left no friendly
• 3:03:44
  Speaker 1: drop to help me after, I will kiss thy lips,
• 3:03:48
  Speaker 1: haply some poison, yet doth hang on them to make
• 3:03:51
  Speaker 1: me die with a restorative kisses him. Thy lips are warm, Chief,
• 3:03:58
  Speaker 1: watch with it, Lead boy, which way yea noise? Then
• 3:04:06
  Speaker 1: I'll be brief, Oh happy, Dagger snatches Romeo stagger. This
• 3:04:13
  Speaker 1: is thy sheath there, rest and let me die. She
• 3:04:18
  Speaker 1: stamps herself and falls on Romeo's body. Enter Paris's boy,
• 3:04:23
  Speaker 1: and watch boy, this is the place there where the
• 3:04:28
  Speaker 1: torch doth burn. Chief, Watch, The ground is bloody. Search
• 3:04:33
  Speaker 1: about the churchyard. Go some of you where you find
• 3:04:37
  Speaker 1: attach exunt some of the watch pitiful sight. Here lies
• 3:04:43
  Speaker 1: the county slain and Juliette bleeding warm and newly dead.
• 3:04:49
  Speaker 1: Who here hath lain this two days buried? Go tell
• 3:04:54
  Speaker 1: the prince, run to the capulets, raise up the monta hues.
• 3:04:57
  Speaker 1: Some other search exunt a of the watch. We see
• 3:05:02
  Speaker 1: the ground whereon these woes do lie. But the true
• 3:05:06
  Speaker 1: ground of all these piteous woes. We cannot without circumstance descry.
• 3:05:11
  Speaker 1: Enter some of the watch with Romeo's man, Balthazar. Second Watch,
• 3:05:16
  Speaker 1: here's Romeo's man. We found him in the churchyard. Chief Watch,
• 3:05:21
  Speaker 1: Hold him in safety till the Prince come hither. Enter
• 3:05:24
  Speaker 1: friar Lawrence and another watchman. Third Watch, Here is a
• 3:05:28
  Speaker 1: friar that trembles, sighs, and weeps. We took this mattock
• 3:05:33
  Speaker 1: and this spade from him, and he was coming from
• 3:05:35
  Speaker 1: this churchyard side. Chief Watch, a great suspicion. Stay the
• 3:05:41
  Speaker 1: friar too. Enter the Prince and attendants. Prince, what misadventure
• 3:05:47
  Speaker 1: is so early up that calls our person from our
• 3:05:49
  Speaker 1: morning rest? Enter Capulate and his wife with others, Capulate?
• 3:05:55
  Speaker 1: What should it be that they so shriek abroad? Wife?
• 3:06:00
  Speaker 1: The people in the street cry Romeo, some Juliet, and
• 3:06:04
  Speaker 1: some Paris, and all run with open outcry toward our monument. Prince,
• 3:06:10
  Speaker 1: What fear is this which startles in our ears? Chief Watch, Sovereign,
• 3:06:16
  Speaker 1: Here lies the county Paris slain, and Romeo dead, and
• 3:06:20
  Speaker 1: Juliet dead before warm and newly killed Prince, search seek
• 3:06:26
  Speaker 1: and know how this foul murder comes? Chief watch. Here
• 3:06:30
  Speaker 1: is a friar and slaughtered Romeo's man with instruments upon them,
• 3:06:35
  Speaker 1: fit to open these dead men's tombs capulate. Oh heavens,
• 3:06:40
  Speaker 1: O wife, Look how our daughter bleeds this dagger hath
• 3:06:44
  Speaker 1: mistagned for lo his house is empty on the back
• 3:06:48
  Speaker 1: of montahu and it miss sheathed in my daughter's bosom. Wife,
• 3:06:54
  Speaker 1: O me, this sight of death is as a bell
• 3:06:57
  Speaker 1: that warns my old age to a sepulcher, and to
• 3:07:01
  Speaker 1: Montahue and others. Prince, come Montahue, for thou art early
• 3:07:06
  Speaker 1: up to see thy son and heir more early down Montahue.
• 3:07:12
  Speaker 1: Alas my liege, my wife is dead to night grief
• 3:07:16
  Speaker 1: of my son's exile hath stopped her breath? What further
• 3:07:20
  Speaker 1: woe conspires against mine? Age? Prince, look and thou shalt
• 3:07:25
  Speaker 1: see Montahue, Oh thou untaught? What manners is in this
• 3:07:32
  Speaker 1: to press before thy father to a grave? Prince, seal
• 3:07:36
  Speaker 1: up the mouth of outrage for a while, till we
• 3:07:39
  Speaker 1: can clear these ambiguities and know their spring, their head,
• 3:07:43
  Speaker 1: their true descent. And then will I be general of
• 3:07:46
  Speaker 1: your woes and lead you even to death. Meantime, forbear
• 3:07:51
  Speaker 1: and let mischance, be slave to patience. Bring forth the
• 3:07:55
  Speaker 1: parties of suspicion. Friar, I am the great, able to
• 3:08:01
  Speaker 1: do least, yet most suspected, as the time and place
• 3:08:05
  Speaker 1: doth make against me of this direful Mrther. And here
• 3:08:09
  Speaker 1: I stand both to impeach and purge, myself condemned and
• 3:08:14
  Speaker 1: myself excused. Prince, then say at once what thou dost
• 3:08:20
  Speaker 1: know in this friar. I will be brief, for my
• 3:08:24
  Speaker 1: short date of breath is not so long as is
• 3:08:27
  Speaker 1: a tedious tale. Romeo there dead, was husband to that Juliet,
• 3:08:34
  Speaker 1: and she there dead, that Romeo's faithful wife. I married them,
• 3:08:39
  Speaker 1: and their stolen marriage day was Tibbolt's Noomsday, whose untimely
• 3:08:44
  Speaker 1: death banished the new made bridegroom from this city for
• 3:08:49
  Speaker 1: whom and not for Tibolt. Juliet pined you to remove
• 3:08:54
  Speaker 1: that siege of grief from her betrothed, and would have
• 3:08:57
  Speaker 1: married her perforced accounty. Pa. Then comes she to me,
• 3:09:02
  Speaker 1: and with wild looks, bid me devise some mien to
• 3:09:05
  Speaker 1: rid her from this second marriage, or in my cell
• 3:09:09
  Speaker 1: there would she kill herself? Then gave I her so
• 3:09:13
  Speaker 1: tutored by my aunt a sleeping potion, which so took
• 3:09:17
  Speaker 1: effect as I intended for it, wrought on her the
• 3:09:20
  Speaker 1: form of death. Meantime, I writ to Romeo that he
• 3:09:24
  Speaker 1: should hither come as this dire night to help to
• 3:09:27
  Speaker 1: take her from her borrowed grave, being the time the
• 3:09:30
  Speaker 1: potion's force should cease. But he which bore my letter,
• 3:09:36
  Speaker 1: Friar John, was stayed by accident, and yester night returned
• 3:09:40
  Speaker 1: my letter back. Then, all alone, at the prefixed hour
• 3:09:43
  Speaker 1: of her waking, came I to take her from her
• 3:09:46
  Speaker 1: Kindred's vault, meaning to keep her closely at my cell
• 3:09:50
  Speaker 1: till I conveniently could send to Romeo. But when I
• 3:09:53
  Speaker 1: came some minute ere the time of her awaking, here
• 3:09:57
  Speaker 1: untimely lay the noble Paris and true rome O dead.
• 3:10:01
  Speaker 1: She wakes, and I entreated her come forth and bear
• 3:10:04
  Speaker 1: this work of heaven with patience. And then a noise
• 3:10:08
  Speaker 1: did scare me from the tomb, and she, too, desperate,
• 3:10:11
  Speaker 1: would not go with me, but as it seems, did
• 3:10:15
  Speaker 1: violence on herself. All this I know, and to the
• 3:10:19
  Speaker 1: marriage her nurse is privy. And if aught in this
• 3:10:23
  Speaker 1: miscarried by my fault, let my old life be sacrificed
• 3:10:27
  Speaker 1: some hour before his time, unto the rigor of severest law, Prince,
• 3:10:34
  Speaker 1: we still have known thee for a holy man. Where's
• 3:10:38
  Speaker 1: Romeo's man? What can he say? In this Malthazar? I
• 3:10:43
  Speaker 1: brought my master news of Juliette's death, And then in
• 3:10:46
  Speaker 1: post he came from Mantua to this same place, to
• 3:10:50
  Speaker 1: this same monument. This letter he early bid me give
• 3:10:53
  Speaker 1: his father and threatened me with death, going in the
• 3:10:56
  Speaker 1: vault if I departed not and left him there, Prince,
• 3:11:00
  Speaker 1: give me the letter. I will look on it. Where
• 3:11:04
  Speaker 1: is the county's page that raised the watch? Surrah? What
• 3:11:08
  Speaker 1: made your master in this place? Boy? He came with
• 3:11:12
  Speaker 1: flowers to strew his lady's grave and bid me stand aloof?
• 3:11:16
  Speaker 1: And so I did. Anon comes one with light to
• 3:11:19
  Speaker 1: ope the tomb, and by and by my master drew
• 3:11:22
  Speaker 1: on him, and then I ran away to call the watch. Prince.
• 3:11:27
  Speaker 1: This letter doth make good the Friar's words their course
• 3:11:31
  Speaker 1: of love, the tidings of her death. And here he
• 3:11:34
  Speaker 1: writes that he did buy a poison of a poor apothecary,
• 3:11:38
  Speaker 1: and therewithal came to this vault to die and lie
• 3:11:41
  Speaker 1: with juliet Where be these enemies Capulate, Montahue, See what
• 3:11:47
  Speaker 1: a scourge is laid upon your hate that Heaven finds
• 3:11:51
  Speaker 1: means to kill your joys with love, And I, for
• 3:11:55
  Speaker 1: winking at you discords too, have lost a brace of kinsmen.
• 3:12:00
  Speaker 1: All are punished. Capulate O, brother Montahue, give me thy hand.
• 3:12:07
  Speaker 1: This is my daughter's jointure. For no more can I demand, Montahue.
• 3:12:13
  Speaker 1: But I can give thee more, For I will raise
• 3:12:16
  Speaker 1: her statue in pure gold, that whilest Verona, by that
• 3:12:20
  Speaker 1: name is known. There shall no figure at such rate
• 3:12:23
  Speaker 1: be set as that of true and faithful Juliet. Capulate,
• 3:12:28
  Speaker 1: as rich shall Romeo's, by his ladies lie poor sacrifices
• 3:12:34
  Speaker 1: of our enmity. Prince a glooming peace this morning, with
• 3:12:40
  Speaker 1: it brings the sun, for sorrow will not show his head.
• 3:12:45
  Speaker 1: Go hence to have more talk of these sad things.
• 3:12:49
  Speaker 1: Some shall be pardoned and some punished. For never was
• 3:12:54
  Speaker 1: a story of more woe than this of Juliet and
• 3:12:58
  Speaker 1: her Romeo exit Omnis the end end of Act five