Latest / Man in America Podcast / If Every Patriot Was Like Scott, the Cabal Would Have NO HOPE w/ Scott LaBaido

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If Every Patriot Was Like Scott, the Cabal Would Have NO HOPE w/ Scott LaBaido · Man in America Podcast

• 0:00
  Seth Holehouse: Ladies and gentlemen, welcome to Man in America. I'm your host, Seth Holehouse. It was Andrew Breitbart who said that politics is downstream from culture. They've used and they've weaponized our culture against us through Hollywood, the music industry, through art, modern art, what they promoted. But it's not just what they promoted, it's what they haven't promoted.
• 0:21
  And so joining us today is a fearless, truly a fearless patriot named Scott Labato. You maybe you're familiar with him. He is an incredible artist, but he's someone that has gone against every grain. He's been arrested so many times. And he's got a new documentary that's just coming out called the Relentless Patriot that I'll show you in the beginning of the interview.
• 0:42
  I'll show you the trailer for it, which is just mind blowing. So this conversation and documentary, which is not out yet, but will be coming out, is gonna be a topic that I think will be insanely inspiring to you. It's all about reviving the American spirit, standing up for what's good, standing up for freedom, and not backing down. So folks, please enjoy the interview with Scott. Mr.
• 1:04
  Scott Labeto, it is great to have you on the show. Thank you so much for being here today.
• 1:09
  Speaker 2: Thanks for having me, my friend.
• 1:11
  Seth Holehouse: So before we jump in, I'm gonna play a trailer. You've got a documentary that's coming out about you and your story that introduces you way better than I'd be able to. So I'm gonna go ahead and play this for the audience, because this really sets the stage for our discussion. So let's go ahead and jump into the documentary called The Relentless Patriot.
• 1:32
  Speaker 3: 11 old girl shot in the face because of woke criminal lobby district attorneys. Come on, brother.
• 1:41
  Speaker 2: This is a street performance. Seems like all the artist activists are on the left. Ah, except Scott Barbato.
• 1:48
  Speaker 4: I do not conform to the elitist isms of the art clubs, and they have left me like a redheaded stepchild. This is my medium in which I shall create, and this is my canvas, the front
• 2:00
  Speaker 2: of the Brooklyn Museum.
• 2:02
  Speaker 4: The first most important thing in school or anyone else is the pledge of allegiance. This is not an pro war protest. This has to do with the increasing level of anti Americanism.
• 2:13
  Speaker 3: They
• 2:16
  Speaker 2: don't keep the criminals in jail. They're gonna keep you in jail. This line is to show respect and honor to those who died, got shot in the fucking head, protecting us. You try to take that fucking blue line down. I'll paint it till the day I die.
• 2:33
  When the tower came down, there was absolutely no doubt that that feeling. It was gonna change my life, and it did.
• 2:43
  Speaker 4: When somebody's complaining, it's so cold out. You know, I did the traffic. And here I am
• 2:49
  Speaker 2: drinking with one of these guys who's got one arm. He's got a hook for another arm, and he's drinking a fucking beer, having a laugh with me. And he's not bitching about nothing.
• 2:58
  Speaker 3: I present to you the recipient of this year's VFW Americanism Award, missus Scott Laveto.
• 3:06
  Speaker 4: That's it. I wanna paint a flag on a rooftop in every state near a military base.
• 3:11
  Speaker 5: As a veteran, we all fought for the
• 3:14
  Speaker 6: frame in World War two.
• 3:16
  Speaker 5: And today, we wanna see it flying. They
• 3:20
  Speaker 2: will never as long as I am alive, they will never take the American flag down. You wanna burn one? Then I will find out where you work, and I will find a building across the street and paint a flag 50 by a hundred so you have to see it every fucking day.
• 3:42
  Speaker 7: A pro Trump sign on the front wall of the Staten Island home was burned to the ground.
• 3:47
  Speaker 2: The hate I get is astronomical. If everybody liked me, I'd be doing something wrong. My mother's advice, whatever you do with your life, as long as you believe it in your heart and always take care of those less fortunate. My father's advice was some to understanding. Take but nobody
• 4:04
  Speaker 3: This is about control. They are terrorists. Vision. Must take a stand. Are you ready?
• 4:17
  God
• 4:22
  Speaker 4: didn't give me a gun and
• 4:24
  Speaker 2: a bayonet. He gave me paint and brush, and I will fight to the fucking death for this country.
• 4:37
  Seth Holehouse: Gosh. Man, what a what a trailer, but the trailer is is you. I mean, I I I don't even know where to start. I mean, I I went to art school. You know, I went to a private art school, you know, after, you know, in college, and and it was a is a liberal hive mind of of just junk.
• 4:56
  And you see the modern heart movement now. It's all just it's junk. It's trash. It's this degrading American culture. What you're doing is absolutely incredible.
• 5:06
  So I gosh, like, where I guess the first question that I have is, what drives you? Because when I watch that trailer, I see you. I see this man that has this fiery passion in his eyes that will be you'll be the last man standing if that's what it takes to get your message across. So what's behind this for you? It's it's it's incredible.
• 5:30
  Speaker 2: It's it's not prophetic. It's, you know, artists have visions, different visions than most people. And I've been an artist since childhood. And, you know, we know for a fact that art changes society. It's always been that way through history.
• 5:50
  And, you know, I've been an artist in childhood, and it was back in the early nineties when I went to go find my niche, in the art world. And I come from one of the five boroughs of New York City, which is one of the biggest liberal cities called Staten Island. Staten Island is not like, you know, Manhattan. It is, it's like a little any little town in Middle America. Hardworking people, civil servants, cops, firemen.
• 6:17
  You know, it's patriotism, veterans. You know, I grew up with that American flag in my grandmother's yard because grandpa was in World War two. And we played as kids, and it was always there. We never realized what it meant, what it was. And then I go to find myself in the art world in the early nineties.
• 6:35
  And all I saw I was I was taken back by the disrespect and the hatred towards our American flag, our American values, our military. And as an artist who has abused the First Amendment, and I still do, I worship that amendment, because it allows me to express myself and my grievances. And when I saw the creative community, okay, hating, I've been talking to the majority of them, hating on everything that gave them the right to express themselves. And I was blown away. And artists never get coins.
• 7:14
  It takes forever sometimes. Some artists never get that that calling. And that was when I got my calling thirty something years ago. They punched me right in the gut, brother. And they said, this is what you need to do.
• 7:26
  You need to bring light upon the greatness of that flag, the meaning of it, America, and, you know, use your gift. Use the gift that God gave me to you to do that. You know, I'm the unorthodox, the unusable suspect, an artist to push patriotism. And that's what I started. Said, I'm to paint this flag on everything, everywhere as much as I can.
• 7:50
  And I got heat. The art world threw me under the bus obviously because I'm from Staten Island. A conservative Republican flag waving patriot who loves my military and NASCAR. So they were like, no, no, no. You're not with us.
• 8:05
  And even more so that it's that I say to myself, I don't want to be any part of this club. This club that if you do not succumb to the isms of their elitist agenda, you're not an artist. That's bullshit. That's that's what the art world was always taught to me was that it is open minded to all, but not me. And I said, I'm gonna go the hard way.
• 8:27
  I'm not gonna go the easy way. I know if I stick it out, I could be rich and famous as long as I succumb to what they want me. And I said, no way. That's not where my heart is. That's not how my father brought me up.
• 8:38
  And at the same time, my friend, I saw this little beast pop out of the ground. This politically correct woke beast with these little sharp teeth. And I said I said, this beast is gonna get huge. It's gonna be the size of Godzilla, and it's gonna destroy this country one day. And everybody laughed at me.
• 8:59
  So I started to use my art in protest to express the grievances of not only me, but the people around me who didn't have an outlet. And I became his outlet, and I made many sacrifices, till this day. And, you know, here I am thirty years later. And just a couple of weeks ago, I was at the house showing my movie of the greatest president, Donald J. Trump.
• 9:22
  So I went from the art world hating me to now being I mean, I'm no Michelangelo, but I'm a pretty big name now as an artist. A patriot, but an artist. And it kills them that I succeeded without them. And let me finish here before I forget the start. The beauty part of this film and part of my mission is not only to preserve America and wake people up, but to get the creative community to come out of the closet.
• 9:50
  Those creatives that are conservative. Because I was the only one back then who came out swinging, And everybody was afraid, and now you see it. The arts, the movie theaters, the the the directors, the dancers, the singers are all coming out of the closet. I don't want the art world to be all conservative. I'm a man of balance.
• 10:15
  I want our fair show in the arts. That's all, and it's happening. The change is here. And I feel that my work and my mission of this whole, you know, painting flags and raising awareness for veterans and our military and our cops and, you know, and and and it's worked. It's actually worked.
• 10:36
  We're still on yeah. I mean, this is we're in hell right now. This is the last minute. This is it's 11:59, and at 12:00, we lose this country. And that's a fact.
• 10:46
  Or we get it back to where it was. And this movie explains all of that. It's a battle cry. Yeah. It's about my work and me.
• 10:53
  It's not, though. It's this last minute battle cry to wake the last of you people up to jump on board, and we got this.
• 11:02
  Seth Holehouse: I think it was, Breitbart who said that politics politics is downstream from culture. Right? And I used to work in the in the auction world in New York City. So I was very familiar with Sotheby's and Christie's, and like you could see how and I think I think there's you you could do a whole story just on this. How I think they specifically sell certain things to push the the narrative to change the public perception of art, you know, by having some just trash degenerate art that's so far from what it should be sell for a hundred million dollars.
• 11:34
  We have these beautiful, you know, beautiful eighteenth century, seventeenth century, you know, artworks that are just being looked over. And I think it's a big part of actually destroying our culture. And so what you're doing is that what I see is that you're you're bringing that back because this what you're working on, the art you're doing is you can tell you're actually a phenomenal artist. You have the skill. You understand light and color and all those things, but you're putting the message behind it.
• 11:57
  And I think that that's what's key is that you're using this medium as a weapon against them, which is which is brilliant because it is. Like, what you're doing is you're changing the culture, which is something that I think that most conservatives have a hard time doing. They've mastered it. But but now I think that they're starting to lose that battle, you know, thanks to people like yourself.
• 12:17
  Speaker 2: Yeah. It's it's it's it's true. You know, again, always say it's it's, you know, yes, I am a pretty decent artist, but it's not the genius of my brushstrokes, the execution of the actual painting. It is the subject that I have chosen to when I knew it was an ugly subject back then, I knew it was going to be, you know, I knew there was, again, not prophetically, but that vision that that you have, not only as the artist, but as that American valued, you know, page fit of the community I come from. And I seen it being crushed.
• 12:49
  So, yeah, I mean, I protested in front of the gallery. I did a wonderful satirical painting of Hunter Biden outside the gallery in New York City that has his work. And I opened up with the statement that there are tens, if not hundreds of thousands of artists, a thousand times more creative than I am, that are not getting the opportunity that a scam artist like Hunter Biden is getting in a prominent gallery. This is everything that is wrong with the art world. And I don't want it to you know, I don't want to change, but I want, again, the fair share.
• 13:23
  I mean, again, with all the arts. Look at these young black rappers. They are flooding to Trump. They are flooding to the movement. You know, these directors I mean, the director of this movie, Chris Martini, he came out of the closet a few years ago, and he said, I have a family I'm raising, and I don't care.
• 13:41
  I'm taking that sacrifice like you did, Scott, and we're gonna make this movie. And then we were going to just do it like, you know, grassroots locally. And then we got introduced by this guy, Frank Tortia, Tortia Entertainment, another conservative out of the closet in Hollywood. And he introduced us to Global Ascension Studios, Josh Machiello. And they said, we're starting this whole movement.
• 14:03
  We want this change. So it's not just the painter, sculptor. It's across the board. You know, art is you know, you're an artist. You know, you as a journalist, as a speaker, you're an artist.
• 14:13
  You know? So to have them all come together and see the power of this film to open up. Now there's other film. People are already like, well, I want a film about my conservative values and this story about this musician and that. So it's working.
• 14:28
  You know, it's it's exciting. It's really exciting.
• 14:32
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• 15:02
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• 15:29
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• 16:01
  So folks today, text ideas to 76626 to claim your free copy. It really is. It's rewarding. It is. What would you say was one of if you can recall, which was one of the most powerful emotional responses you experienced to how your art was affecting somebody?
• 16:23
  Speaker 2: It's hard to say. I've done a lot with the veterans. I've used my artwork to raise not only awareness, but lots of money through different foundations and auctions. And the response that I get from them is Sorry. It's when they come up to me and subject to me.
• 16:51
  When they thank me and hug me, and I never served. I never had the balls to serve. So this is my service to them too. Because I sorry, man. I try not to do this.
• 17:05
  Seth Holehouse: No. It's okay.
• 17:06
  Speaker 2: You know, I always say God gave me the talent. God gave me the gift to create. My parents molded the talent, and the men and women of the armed forces gave me the right to use it. So I worship these people. So that's that's the biggest response.
• 17:21
  Most important one. Sorry.
• 17:24
  Seth Holehouse: No. It's it's it's it's okay. I mean, and just just passing Memorial Day, it's it's very appropriate. And I I I have a hard time sometimes looking at these people and thinking that they sacrificed so much for our country, and and imagine what it's like for them looking around and seeing, you know, seeing the open border. Right?
• 17:48
  After going and doing multiple tours, fighting terrorists and now seeing them being invited across the Southern border. I mean, it's I'm I'm glad that what you're doing honors them because they they deserve it more than anything where we give a whole month Yeah.
• 18:02
  Speaker 2: There's a there's big prod. Big section. Right? Yeah. There's a big section of the film that's dedicated to the, you know, the work I've done with them and brings light upon them.
• 18:11
  You know, the police, the firemen, you know, the teachers. It's it's it's such a full a full emotion. It's gonna make you angry, this film. It's gonna make you cry. It's gonna make you laugh hysterical.
• 18:22
  You know? Because I'm just the real I'm that guy. I'm your New Yorker, you know, from Staten Island. Regular guy. I hate, you know, nobody's special.
• 18:29
  People come up to me, oh my god. You're our hero. Saving the world. I'm like, I'm not that guy. I'm just a regular guy who has a gift, and I got a set of balls.
• 18:37
  I'll admit that. And but it does burn my ass when I see these young again, I've done thousands of protests. This film only has a handful of it. I've been arrested so many times. And, I always have that flag with me, whether it's here or whether I'm holding it.
• 18:54
  And to, you know, because I am expressing my grievances. And to see these young folks, you know, protesting, and I worship anybody who protests, as long as they believe it in their heart and they're not doing it because they are programmed or because they think it's cool or somebody told them to do that. And even if I disagree with what you're protesting, when you are desecrating that flag and not holding it up, that flag that allows you to express your effing grievances, that burns me up. And it burns me up not for me. It burns me up because I know what it does to these young guys who came back from Afghanistan that I worked a lot with missing three limbs.
• 19:33
  And these little World War II veterans that cry to me. And I got to stand strong and tell them it's going be Okay when they see this flag being desecrated. It hurts them. It doesn't hurt anybody else. And it doesn't do anything for your cause.
• 19:47
  They think it does. They think it does because it's such a a sack, you know, a a a it's it's such a vital, important, horrible thing to destroy. You know, they know they're gonna get the attention, but it's not working. It's backfiring on them.
• 20:02
  Seth Holehouse: Yeah. I I couldn't agree more. What would you say? And you see clips of it in the trailer. But what would you say was one of your most extreme or where you push the boundary the most, you know, act of, you know, protest or art?
• 20:18
  You know, what what's when we look back at your your life of being an artist, what would you say was that one time, like, you know what? I pushed it really far that time. What what was that for you?
• 20:28
  Speaker 2: There was a couple in the beginning because you had to learn the process. There's a process, and I kind of teach people the process in the movie to protest. You know, your mind, you react. You know? You know, you hear something on the radio.
• 20:40
  You know? Ah, this they won't let this kid wear American flag shirt in school because somebody was offended. You know, my but the veins just blow out of my neck. And again, the art being an artist is both a blessing and a curse at the same time. People need to understand that.
• 20:53
  You know, it's not all bunnies and rainbows. You know, I walk around like smiling, but there's a lot of pain inside and a lot of things that are, you know, my own demons. And so I have to calm myself down from these creative art installation expression protest kind of thing. So one of them that I went a little too far with there was quite a few, actually. You'll see it in the movie.
• 21:22
  The French consulate when I back in 02/2003, we were just in the war, you know, in Afghanistan, and the French president, Sharak, had called our soldiers cowboys. Now I understood he wasn't involved. He didn't wanna get involved in the war. And fine. Just you know?
• 21:40
  But to call Americans and bad mouth Americans who saved your French butt. You know? No. No. No.
• 21:48
  No. No. No. No. You wanna hate the wall?
• 21:50
  Fine. Do not hate the soldier. That's one of my messages. So I went to the French consulate and against the advice of my legal counsel and plastered the whole consulate with giant American flags. Because when you're on a conference in other, you know, country's consulate, you're pretty much on their property, and they could do whatever they want.
• 22:10
  If I stepped over the line and entered to that doorway, they could have even shot me, you know, legally. And but the passion was so hard. I had to do it. But I I just got away with what I thank God I didn't go one step further. But I did make a good point, and I spoke for many people who felt the same way, and that's what I did.
• 22:28
  And, got arrested, got a year's probation. So that was a little you know, that was one of the many. You'll it's in the movie.
• 22:36
  Seth Holehouse: And why to you, at least, the American flag. What's that flag represent to you? And and I'll I'll preface this question a little bit. So I've I've my wife is Australian, and my in laws are visiting. And in Australia, they they say the only place that you see the Australian flag is just government buildings.
• 22:54
  And I've had to help them understand why in America, especially because they've come around between Memorial Day and July 4. Like, they can't believe how many American flags are everywhere. And so I've had to give them my own explanation of what the flag means. But you're someone that's not just putting flags up in your your yard. You're painting them all over the place.
• 23:13
  What's the American flag mean mean to you?
• 23:17
  Speaker 2: I am the epitome of freedom. I am it. I nobody gets to do what I do because I don't answer to anybody. Nobody. I mean, you know, I'm not a maniac.
• 23:28
  I abide by the laws and whatnot. But I have the freest life that was supposed to that was given to me. And it's because of that American flag. Now, well, you know, people have freedom in other countries. The French flag is beautiful.
• 23:45
  The Italian flag is beautiful. The German flag is beautiful. The Russian flag is beautiful. It represents that particular culture. And the American flag is the most important, beautiful the best flag of them all, if you want to be so simple, is because that's the only flag that represents every single one of those other flags and those other people.
• 24:08
  Every single organic culture from all over this world comes here to America. That flag represents the diversity of of the world. You know? Like I say, you know, that French flag represents French people, you know, and so on down the world, across the world. But it's the one flag, that American flag, that work of art, as they like to call it.
• 24:27
  It is a work of art. You know? It is somebody created it. And to me, it has more meaning than, you know, than the Sistine Chapel, than the, you know, a Van Gogh that I've touched the painful brushstrokes of. I worship these masterpieces that's as an artist.
• 24:41
  But the greatest work of art is the American flag, specifically for what I just said. It represents every organic culture, every ethnicity, every gender. You know, we have all sorts of issues. It is not the the most perfect it's not the most perfect country, but it is the closest to it than any other country. You know?
• 25:01
  Yeah. We have had horrible things in this country. Slavery and, you know, the gays had a horrible time. And, you know, by the Italians, would, you know, Sicilians, we were slaughtered. We were lynched when we came here.
• 25:14
  It's but we learned to get better, and that's the beauty of this country and that flag.
• 25:20
  Seth Holehouse: So it's more so the flag is just it represents an idea. And that that and that's what America represents is that's why America is such a threat to the communist, to the globalist, to anybody that that wants anything but freedom for the individual. America and our flag is is really what's standing in the way. And you can see that when they attack our history, you know, the 1719 report, all the different things they've done to or 1619, I forget the you know, to rewrite our own history. They're they they want us to forget what you are standing for.
• 25:54
  Now what about the pledge of allegiance? Because you in the the documentary trailer, you can see you're talking about that. So how does that tie into to your your belief system?
• 26:04
  Speaker 2: Again, it's just, you know, every you know, going back to the politically correct wokeism, just like everybody's offended by every little thing. You know? That's why a lot of people don't like me because you can't really offend me. And I've been called everything under the sun. You know, it's just words.
• 26:19
  It's just like, all right, you label it, you know, you know, the Pledge of Allegiance. You know, it's something we learned as children. And it takes one minute, if not thirty seconds, you know, just to put it in kids' minds that why we, you know, and then you'll remember it later on. Same thing like you said earlier. I remember what the flag meant when I was a kid.
• 26:38
  You learn, you realize it as you grow. So again, Pledge of Allegiance is as simple as it is. And then you have this school, you know, it's in New York. It's a mandate. It's by law.
• 26:48
  You have to conduct in the public schools, the Pledge of Allegiance. And there was a couple of schools, and one of them right after nineeleven who said, No, we're not doing that. It's like the teachings of the Taliban. And I went off and I got arrested for, you know, I don't want to give too much out of the movie. Again, and then I started to do the Pledge of Allegiance again.
• 27:06
  So that one worked. You know, I don't want to forget this important statement, why we're here. You know, we're talking about culture and how things have changed. You know, there's two reasons why we're in this predicament right now, this horrible situation where we could lose everything. And I believe that, you know, we are a nation of balance.
• 27:28
  You know, in the 70s, we were pretty liberal. Then in the 80s, we went a little more conservative. But we're always right here where you can see my hands in the screen. But a couple of decades ago, the radical left just said, no, we're taking this to the moon. And they took it to the moon.
• 27:41
  Now, do I blame them? I did. But then I realized, why did that happen? Because of us. Because of the milk and honey that we suck up every day.
• 27:52
  And we should. You you walk into a shopping store and there's 18 different variations of Cheerios. You know, we become so complacent. You know, oh, look at this. Look at all this milk and honey.
• 28:05
  How can anyone take it away from us? We were complacent. No one can take it away from us. And people like me, a handful of people like me, we saw this a long time ago and trying to warn people, it's gonna get worse. You know?
• 28:19
  And nobody listened. The beauty is, though, although late to the game, people are finally at the game at the fourth quarter. Then this movie, I want them to see to push them right over that edge to say, I gotta go out and fight. I'm not gonna throw, you know, release giant penises in front of the courthouse balloons like I did a couple of weeks ago with the DA on it and the judges on it, which was a spectacular stunt.
• 28:43
  Speaker 8: Or
• 28:44
  Speaker 2: throw something here or, you know, pizza at the governor, at the city. You know, you don't have to do it. Everybody has a talent, a creative talent, a mission to do something. You know? And people are starting to come out and say, oh, yeah, I gotta grab somebody and take them to go vote.
• 28:58
  I'm gonna give my nephew a hundred dollars, who just turned 18, to come and vote. You know, whatever it takes. People are in the game now. But I need to push them a little bit further to the end of the game.
• 29:12
  Seth Holehouse: So I'll pull up the website. It's it's the relentlesspatriot.com. Is this where people go to to like, where do people watch the the the movie? Is it only in theaters? Can is it available for streaming?
• 29:26
  Walk us through that. Because I'm sure that after this interview, a lot of people are gonna wanna rush to see this.
• 29:31
  Speaker 2: Yes. I hope so. You know, this again, back to Global Ascension Studios and, you know, everybody else involved, they were like, we gotta get this in theaters. I know it's very rare to get a documentary full length feature in the theaters. But it's more than, you know, you saw the trailer.
• 29:48
  It's full of excitement. It's more it's a promotion. Chris Martini did what a job with all this footage I've had for years and to cut in and and bring stuff in. So we got it in theaters. And but it's, you know, it opens June June thirteenth is the first sneak peek in theaters across the country.
• 30:08
  So, you know, just go to Fandango.com, look for it, your theaters, and find it. And then it releases on the fourteenth, which is flag day, Trump's birthday. But you understand a movie like this, the elites do not want this movie to be out there. So they are trying to squash it even with advertising, trying to get it promoted. But we're doing the same thing kind of like the Sound of Freedom did, where it's got to be grassroots.
• 30:33
  So we need people to buy tickets. Because, again, I don't care about money. I if I would have been a millionaire twenty years ago, if I succumbed to what they wanted me to do, I don't care about that shit. I don't care about my name record. I care about the mission that I dedicated my creative my whole life to.
• 30:52
  And I think people need to understand that they need to help this movie get out there because it's about bringing the culture back. And this is one of those prominent steps to bring back to the theaters. Okay? You want everybody we go I don't go to the movies anymore very hard Because you go in and halfway through, bam, something will punch you in your face, destroys the whole movie. We're changing that.
• 31:14
  So by people going to buy tickets, even if you're a you know, you got an organization, a patriotic organization, buy both tickets. Because if they see this happening, then it's gonna spread. And then the whole change that I'm trying to do for these thirty years to bring us conservatives, creatives back to the platform. So please, it's not about me. It's about this massive change that is happening, but we need it to happen before the election.
• 31:42
  So just go look for your theaters and get out there, and and you're gonna love it anyway. You're gonna enjoy the movie. You're gonna walk out nuts in a good way.
• 31:50
  Seth Holehouse: So call to action is everyone should open their calendar up, put a reminder. June 12, June thirteenth is when it come it's coming out. Check your theater. June 13. Okay.
• 31:59
  The official, you know, June 12, the sneak peeks. And this is great. I mean, yeah, I have a hard time going to the theater anymore as well, because you go there, and you're right. It's like, this was really good, but why they bring in this and that? It's like, oh, come on.
• 32:11
  Just it just marks as trash. So this is how we support. You know, people are always asking, like, what can I do? What can I do for my country? Well, get this movie to blow up at the box office, get it in more and more theaters, get the runtime longer.
• 32:23
  That's what happens. They say, wow. Okay. Let's keep an extra, you know, three or four weeks, and and bring your your neighbors to it, your friends and family. I mean, as we're heading into July 4, you know, and as we're leading into, I think is probably the most important election in the history of our country in determining whether in a few short years, we're still the republic known as The United States Of America, or we're basically communist China rebranded, you know, this is really critical.
• 32:47
  So, Scott, thank you so much for what you're doing. Thank you for obviously spending your time with me today. It's it's great. I I hope that people are passionate about supporting what you're doing and getting themselves and their friends and their families to the movie theater. Thank you again, man.
• 33:05
  Speaker 2: Thank you so much for having me, my friend. Anytime.
• 33:08
  Seth Holehouse: Absolutely. Great. Take care and God bless. Folks, perhaps you'd agree with me when I say over the past five years, the mainstream health care systems credibility has plummeted. Alternative health care systems that aren't beholden to medical consensus or big pharma are on the rise.
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• 33:51
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