Latest / Repcolite Home Improvement Show / Is Brown Really the Color of 2026? PLUS: Six Checks to Save Your Roof
Transcript
- 0:01Speaker 1: Hey everyone, thanks for tuning in. You're listening to Home
- 0:04Speaker 1: in Progress sponsored by repcole Like Paints and Benjamin Moore.
- 0:08Speaker 1: I'm Dan Hansen, and today we're going to cover a
- 0:12Speaker 1: fair amount of ground. On the second half of the show.
- 0:16Speaker 1: We're going to take a deep dive into Benjamin Moore's
- 0:19Speaker 1: new color of the year. It's a brown won't won't won't.
- 0:23Speaker 1: And I've had a lot of people, or a number
- 0:25Speaker 1: of people, let's not overplay it. I've had a number
- 0:28Speaker 1: of people express, how shall we say it, disappointment, Let's
- 0:34Speaker 1: use that word. They've expressed disappointment at the choice. They
- 0:38Speaker 1: just can't believe that brown is the color of the year. Well,
- 0:42Speaker 1: I know that browns aren't necessarily the flashiest of colors,
- 0:46Speaker 1: but I do think there's a lot going on with
- 0:48Speaker 1: this color pick, and it is pretty interesting. In fact,
- 0:51Speaker 1: one of the ideas I'll just spill the beans a
- 0:53Speaker 1: little bit. I'll get it more into it later, but
- 0:55Speaker 1: one of the ideas behind the color choice this year
- 0:58Speaker 1: is how people are just sick of trends. You know,
- 1:01Speaker 1: new trends crop up all the time and we're sick
- 1:04Speaker 1: of trying to keep up with them. We're sick of
- 1:06Speaker 1: chasing trends. People don't want to repaint their homes every
- 1:09Speaker 1: single year, and so Benjamin Moore is leaning into that
- 1:12Speaker 1: with a color that has staying power. You know, it's
- 1:15Speaker 1: literally in their mind when they pick this color, a
- 1:18Speaker 1: color that you can live with for several years, maybe five,
- 1:22Speaker 1: maybe even more years without having to repaint. So that's
- 1:26Speaker 1: their idea. Does the new color that they picked deliver
- 1:29Speaker 1: on that. We're going to get into all of that
- 1:31Speaker 1: and you know, dissect it and figure out how they did.
- 1:35Speaker 1: That's coming up later. We'll also be talking about how
- 1:37Speaker 1: you can get entered into a contest to win one
- 1:40Speaker 1: of four two hundred and fifty dollars two hundred and
- 1:43Speaker 1: fifty dollars repcolate gift certificates if you don't want it.
- 1:48Speaker 1: You know, I've had a number of people say, well,
- 1:50Speaker 1: I'm not doing any painting, so that doesn't help me.
- 1:52Speaker 1: Christmas is coming right, and who wouldn't love to give
- 1:56Speaker 1: away a two hundred and fifty dollars gift certificate for
- 1:59Speaker 1: paint for somebody's house. It's a great gift and it
- 2:03Speaker 1: didn't cost you anything, and you look amazing when you
- 2:07Speaker 1: give something like that. So everybody's got somebody in their
- 2:11Speaker 1: life who's going to be painting. So I think this
- 2:13Speaker 1: contest really applies to everybody. It's super easy to get entered.
- 2:17Speaker 1: We'll talk about that at the end, but right now
- 2:19Speaker 1: I want to talk about something that happened to me
- 2:23Speaker 1: last week, not this past but the one before. It
- 2:29Speaker 1: was not terribly fun. Here's what happened. I'm sleeping peacefully
- 2:33Speaker 1: one of these days. I don't remember which day it was,
- 2:36Speaker 1: doesn't matter, sleeping peacefully, and then my son wakes me
- 2:40Speaker 1: up at five thirty or so, I think it was
- 2:42Speaker 1: even earlier than that to let me know that there's
- 2:46Speaker 1: water all over the floor in the basement. He'd already
- 2:50Speaker 1: cleaned it up as well as he could, but he
- 2:52Speaker 1: wanted me to know, so that was nice. Unfortunately, his clothes,
- 2:56Speaker 1: which had been strewn all about the room, you know,
- 3:00Speaker 1: acted like towels, and they actually stopped the advancing water
- 3:04Speaker 1: and soaked it up. So being messy actually saved the
- 3:09Speaker 1: day this time. It's nice that it finally has paid
- 3:14Speaker 1: off for him. Yeah, it paid off in a big way.
- 3:19Speaker 1: Saved him a lot of work because it kept that
- 3:22Speaker 1: water localized. I'm sure that it will probably mean that
- 3:27Speaker 1: the floor will forever be strewn with clothes, because you
- 3:30Speaker 1: never know when water is going to come pouring in. Anyway,
- 3:33Speaker 1: we assessed the situation, discovered what the problem was, which
- 3:37Speaker 1: I'll explain later, and then we went about our day.
- 3:39Speaker 1: Now later, because of that water, you know coming in,
- 3:42Speaker 1: you know, because it had happened, I started to get
- 3:44Speaker 1: a little antsy. It's how I am. I think through
- 3:47Speaker 1: all these different terrible scenarios and assume that most of
- 3:50Speaker 1: them are probably going to happen. So I start to
- 3:52Speaker 1: think that water is maybe coming in everywhere. Why didn't
- 3:55Speaker 1: I look everywhere to make sure? Why did I think
- 3:58Speaker 1: it was just this one spot. Oh, I go through
- 4:00Speaker 1: the whole house, you know, all through the basement, and
- 4:03Speaker 1: I find out that everything is good. It's just the
- 4:05Speaker 1: one spot. So I'm relieved, right, taking a breath of
- 4:08Speaker 1: fresh air, feeling that weight off my back. And then
- 4:12Speaker 1: because water is on my mind, I start thinking about
- 4:14Speaker 1: the roof, you know, maybe the roof is leaking. Long
- 4:17Speaker 1: story short, I'll explain more about this later, But long
- 4:20Speaker 1: story short, I crawl into the attic. You know, I
- 4:23Speaker 1: drive myself so crazy that I end up just crawling
- 4:26Speaker 1: into the attic to determine that everything is fine so
- 4:30Speaker 1: I can go about my day peacefully. And lo and behold,
- 4:33Speaker 1: I find out the roof really is leaking in a
- 4:35Speaker 1: couple of spots. Well, once I get over that initial
- 4:38Speaker 1: pity party moment, I started thinking about all of you
- 4:41Speaker 1: out there. Now. It's not fun finding a roof leak,
- 4:44Speaker 1: but it's way worse when you don't find one that's
- 4:47Speaker 1: already there. So I want to talk today about some
- 4:50Speaker 1: preventative maintenance that most of us can do. And I'm
- 4:53Speaker 1: going to focus on six realistic steps that you can
- 4:56Speaker 1: tackle this fall today, this weekend. You know, some you
- 4:59Speaker 1: can do safely by yourself. Some you may want to
- 5:02Speaker 1: pro for you know, you know you you'll figure it
- 5:05Speaker 1: out as we go. Let's start here. Clean the gutters
- 5:09Speaker 1: and the downspouts. This is the first one, and it's
- 5:11Speaker 1: one of those projects that gets talked about all the time.
- 5:13Speaker 1: I talk about it a bunch, everybody talks about it
- 5:16Speaker 1: a bunch. But it's important and it's relatively straightforward. And really,
- 5:20Speaker 1: this time of year, you probably should be doing this
- 5:23Speaker 1: periodically because more and more leaves are dropping every single day.
- 5:26Speaker 1: All right, this is important to do the cleaning the gutters,
- 5:29Speaker 1: I said, it's important. Why is it important? It's important
- 5:32Speaker 1: because when the gutters clog up with leaves and debris,
- 5:34Speaker 1: water backs up and can't be channeled away from your home.
- 5:38Speaker 1: That could end up dumping water right at your foundation
- 5:40Speaker 1: where it could find a way in. But it can
- 5:42Speaker 1: also back up and seep under your shingles, you know,
- 5:45Speaker 1: run along your face shut and get into your roofing system. Now,
- 5:48Speaker 1: over time, this can lead to leaks, it can lead
- 5:50Speaker 1: to rot, it can lead to other problems that you
- 5:52Speaker 1: don't want to deal with. So grab a ladder, get
- 5:55Speaker 1: somebody to hold the ladder steadily for you, and remove
- 5:58Speaker 1: all that gunk. Flush the down spouts with a hose
- 6:01Speaker 1: if you need to. Whatever you need to do to
- 6:03Speaker 1: make sure that water is flowing freely through the system
- 6:06Speaker 1: and away from your house. And while you're at it,
- 6:08Speaker 1: do yourself a favor. Inspect the gutters and the down
- 6:11Speaker 1: spouts to make sure that everything is attached, you know,
- 6:15Speaker 1: make sure it's all hooked together, make sure it's functioning
- 6:17Speaker 1: the way it's supposed to be. I had a down
- 6:19Speaker 1: spout get bumped off by a garbage can that we
- 6:22Speaker 1: wheeled back into place one day, and then when we
- 6:24Speaker 1: got all that rain, it ended up dumping it all
- 6:27Speaker 1: right at the foundation of the house and it found
- 6:29Speaker 1: away into the basement. That's how my problem happened because
- 6:32Speaker 1: it wasn't connected and doing its things. So check yours,
- 6:36Speaker 1: since you're out there anyway, make sure that they're working
- 6:39Speaker 1: all right. So first thing, clean out those gutters. We
- 6:41Speaker 1: say it all the time, but do that. That's going
- 6:43Speaker 1: to help you. Second thing, inspect your shingles. Cracked shingles,
- 6:47Speaker 1: curled edges, missing granules, lifted corners. All of these things
- 6:51Speaker 1: are early warning signs. If shingles fail, water gets under them,
- 6:54Speaker 1: into the deck and eventually into your attic. So give
- 6:57Speaker 1: those shingles a once over. And you know the scope
- 7:00Speaker 1: of your skills and the slope of your roof. The
- 7:03Speaker 1: scope of your skills and the slope of your roof,
- 7:06Speaker 1: it's kind of rimy. That should be easy to remember.
- 7:09Speaker 1: Know the scope of your skills and the slope of
- 7:11Speaker 1: your roof. What I'm getting at is if you can
- 7:13Speaker 1: safely get up there and give them a look, that's ideal.
- 7:16Speaker 1: If not, check out what you can from the ground
- 7:19Speaker 1: and use binoculars if you need to, but don't get
- 7:23Speaker 1: up there if you're not comfortable or if the slope
- 7:26Speaker 1: is too much, But if you can get up there,
- 7:28Speaker 1: that's great either way. Look for missing shingles, cracked shingles,
- 7:32Speaker 1: dark patches, and so on. Inspect your shingles. Third thing
- 7:35Speaker 1: that you can do if you're able to get on
- 7:37Speaker 1: the roof, give some attention to your chimney flashing, the
- 7:41Speaker 1: roof penetrations, anything out there that's penetrating the roof, and
- 7:44Speaker 1: specifically vent pipe boots. Now, for me, my roof problem
- 7:49Speaker 1: was the chimney. The calking around the flashing had gotten
- 7:52Speaker 1: old and brittle and had chipped away in a few spots,
- 7:55Speaker 1: and that gave the water an easy path into the attic.
- 7:58Speaker 1: So look that over and make sure the sea are
- 8:00Speaker 1: in good shape and are doing their job, and also
- 8:02Speaker 1: look for possible entry points for water around the base
- 8:05Speaker 1: of the chimney. And then do the same thing for
- 8:08Speaker 1: your bathroom fan exhausts and any other roof penetrations. And
- 8:12Speaker 1: then finally take a peek at any vent pipe boots.
- 8:15Speaker 1: Now what's a vent pipe boot. Well, it's that rubber
- 8:17Speaker 1: or plastic collar sometimes called a gasket that's around the
- 8:20Speaker 1: pipe sticking out of your roof, the seal where the
- 8:24Speaker 1: pipe penetrates your roof, that's the vent pipe boot. And
- 8:27Speaker 1: those rubber boots, whatever you want to call them, those gaskets,
- 8:30Speaker 1: they can fail with time, they dry out, they can crack,
- 8:33Speaker 1: they can lose their seal, and when they fail, waters
- 8:36Speaker 1: of course got an easy path into the home. Now.
- 8:38Speaker 1: Usually they're going to last, you know, anywhere from eight
- 8:41Speaker 1: to fifteen years, but it never hurts to give them
- 8:43Speaker 1: a quick once over, just to make sure they're in
- 8:45Speaker 1: good condition and they're doing their job. So look around
- 8:49Speaker 1: each vent pipe for cracked rubber collars separation from the pipe,
- 8:53Speaker 1: or gaps you know, between the boot and the roof surface.
- 8:56Speaker 1: Check to make sure that the flashing beneath the collar
- 8:58Speaker 1: is properly overlapped by shingles on the uphill side. And
- 9:01Speaker 1: if you spot cracked collars, visible gaps, or any other issues,
- 9:06Speaker 1: you know, anything that would make you suspect that that
- 9:08Speaker 1: gasket or that boot is failing, call a probe. They
- 9:11Speaker 1: can come out and confirm your diagnosis and do the repair.
- 9:14Speaker 1: One other thing not related to the roof, you know,
- 9:17Speaker 1: leaky roofs or anything, but since you're up there anyway,
- 9:20Speaker 1: you know, shine a flashlight down those vent pipes. Make
- 9:24Speaker 1: sure that they're clear. They're important for your plumbing and
- 9:29Speaker 1: if that air, if they're blocked, air can't move through there,
- 9:32Speaker 1: and that can actually mess with you know, draining sinks
- 9:36Speaker 1: and all of that. So with all the leaves coming down,
- 9:39Speaker 1: just just if you can shine a light down there,
- 9:41Speaker 1: that at least gives you a quick look to see
- 9:43Speaker 1: if anything's you know, severely blocking it. At least as
- 9:47Speaker 1: far as you can see. It's not perfect. You know,
- 9:49Speaker 1: you're not diagnosing everything at that point, but you're up there,
- 9:52Speaker 1: you might as well take a peek at that. Moving on,
- 9:55Speaker 1: while you're on the roof, if you can safely do so,
- 9:58Speaker 1: trim any overhanging branches. Be sure to clear any organic
- 10:02Speaker 1: debrithe from the roof, all right, First off, the branches
- 10:05Speaker 1: when they're rubbing against the shingles, that can wear shingles
- 10:08Speaker 1: down over time, and falling limbs of cores can punch
- 10:11Speaker 1: holes in the roof. So clear the branches away if
- 10:14Speaker 1: you can safely do that, you know, cut them back
- 10:16Speaker 1: and take care of those. Secondly, piles of leaves that
- 10:20Speaker 1: have settled into you know, certain pockets on the roof
- 10:23Speaker 1: can trap moisture, and they can keep water pooled rather
- 10:26Speaker 1: than letting it run off, and all of that gives
- 10:28Speaker 1: the water the chance to back up under the shingles.
- 10:31Speaker 1: So get those leaves off the roof, all right. Step
- 10:34Speaker 1: five the attic check. And here's the step that saved
- 10:36Speaker 1: me from much bigger problems. And I want to back
- 10:39Speaker 1: up and explain some of this a little more. You know,
- 10:42Speaker 1: I said that I crawled through the attic, and it
- 10:46Speaker 1: seems a little insane that water in the basement would
- 10:48Speaker 1: make me make me check the attic. I got to
- 10:50Speaker 1: give you the whole story, so it makes a little
- 10:53Speaker 1: more sense. In my living room, when we moved in
- 10:56Speaker 1: years back, there was a small stain on the ceiling
- 10:59Speaker 1: where water I had previously leaked in around the fireplace.
- 11:02Speaker 1: The inspector pointed it out, and whenever I repaint that
- 11:06Speaker 1: area that ceiling, I'm gonna have to use a special
- 11:09Speaker 1: stain blocking primer to seal it in and then I'll
- 11:11Speaker 1: be done with it, hopefully forever. But I haven't done
- 11:14Speaker 1: that painting yet. It's just not something that I notice.
- 11:17Speaker 1: I don't think about it, and I never really even
- 11:19Speaker 1: see that spot unless I shine a light up there.
- 11:22Speaker 1: The lighting in their room is so bad. And that's
- 11:24Speaker 1: a benefit for having that bad lighting in the room.
- 11:29Speaker 1: It doesn't expose all these flaws. But anyway, that's why
- 11:32Speaker 1: I haven't repainted that ceiling yet. It just it falls
- 11:35Speaker 1: off my radar. I don't even think about it. But
- 11:37Speaker 1: every now and then, when we get a lot of
- 11:39Speaker 1: rain or something happens, like get water in the basement,
- 11:42Speaker 1: which happened because of a lot of rain, I always
- 11:45Speaker 1: remember that spot and then I go and look at it,
- 11:47Speaker 1: and I wonder, is it worse? Is it the same
- 11:50Speaker 1: as it always used to be? So this happened, you know,
- 11:53Speaker 1: multiple multiple times. So I ended up taking pictures of
- 11:56Speaker 1: it so that when more rain comes in someday, or
- 11:59Speaker 1: more rain happens, I can go and consult these old
- 12:02Speaker 1: pictures and I can reference them and find out if
- 12:05Speaker 1: the spot has changed over time. And the only problem
- 12:09Speaker 1: with that plan, it's a good plan. The only problem
- 12:12Speaker 1: is that my phone runs short on space, and so
- 12:15Speaker 1: periodically throughout the year, I have to delete a bunch
- 12:18Speaker 1: of stuff, and I always tool through and I find
- 12:21Speaker 1: these pictures, and I have no idea why I've taken them.
- 12:24Speaker 1: You know, why do I have pictures of the ceiling.
- 12:26Speaker 1: That's stupid. So I delete all those pictures and then
- 12:28Speaker 1: we get a lot of rain. I go looking for
- 12:30Speaker 1: the pictures and they're gone every single time, so I
- 12:32Speaker 1: take new ones and I repeat that. Anyway, I was
- 12:36Speaker 1: doing that again this past week, and I finally decided
- 12:39Speaker 1: that since it's been a while, maybe I should just
- 12:41Speaker 1: crawl in the attic and check. You know, I didn't
- 12:43Speaker 1: want to do it, but I couldn't get it out
- 12:45Speaker 1: of my head. It just seemed like the thing to do,
- 12:47Speaker 1: and so I did it. And when I crawled the
- 12:50Speaker 1: little ways in, I immediately spotted damp spots on the underside
- 12:53Speaker 1: of the roof decking and in an area around the chimney.
- 12:56Speaker 1: What a pain. I was so frustrated. It wasn't bad,
- 13:01Speaker 1: but it was bad enough. Now. Of course, it's absolutely
- 13:04Speaker 1: no fun to get into the attic. It's messy, it's
- 13:06Speaker 1: a tight space, it's dark, it's full of who knows what,
- 13:10Speaker 1: who knows what is up there, and you get to
- 13:13Speaker 1: try to navigate around an area where there's no real floor. Right,
- 13:17Speaker 1: it's not fun, but it's still a surefireway to find many, many,
- 13:21Speaker 1: many roofing problems. And as sad as I was about
- 13:24Speaker 1: finding it, I'm still really happy to know about the
- 13:27Speaker 1: problem so I can address it and deal with it
- 13:28Speaker 1: before it becomes worse. So get into your attics, That's
- 13:31Speaker 1: what I'm getting at. Get into your attics and take
- 13:34Speaker 1: a look, especially after we've had some prolonged rain. Now,
- 13:37Speaker 1: quick word about actually getting around and moving around in
- 13:40Speaker 1: your attic. If yours is like mine, there's no floor,
- 13:43Speaker 1: it's just ceiling joists buried under blown in insulation. You
- 13:46Speaker 1: need to know a few things before you go exploring.
- 13:48Speaker 1: First off, if you can bring a piece of plywood
- 13:51Speaker 1: with you, you know, I'm talking like a two foot wide,
- 13:54Speaker 1: maybe a three foot wide piece of three quarter inch
- 13:56Speaker 1: thick plywood that you can lay across a couple of joists,
- 14:00Speaker 1: and that can become a mobile platform. You can kneel
- 14:03Speaker 1: on it, stand on it, kind of slide it ahead
- 14:05Speaker 1: of you as you go. It distributes your weight so
- 14:07Speaker 1: you're not bowing the joys and cracking your ceilings below
- 14:10Speaker 1: or worse yet, falling through. Second, use your feet like
- 14:14Speaker 1: you're feeling for stepping stones. All right, with all that insulation.
- 14:17Speaker 1: You can't see the choice, so probe gently with your
- 14:20Speaker 1: foot until you feel solid wood. Then commit your weight, slow, deliberate,
- 14:25Speaker 1: no quick movements up there, or you're going to have
- 14:27Speaker 1: a way worse problem than just trying to diagnose a
- 14:32Speaker 1: little bit of a leaky roof. Third thing, Bring a headlamp,
- 14:35Speaker 1: not a flashlight. You need both hands free. You may
- 14:38Speaker 1: not think you do, but you will promise. I promise
- 14:41Speaker 1: you this. I mess this up. And so I'm up there,
- 14:44Speaker 1: and I need both hands to kind of balance myself
- 14:46Speaker 1: because I didn't have the plywood with me. I should
- 14:48Speaker 1: have brought that. I knew right away I should have
- 14:50Speaker 1: brought that, but I didn't. I thought I could do it.
- 14:53Speaker 1: So I need both hands. So I put the flashlight
- 14:55Speaker 1: in my mouth right, so I can use both hands
- 14:57Speaker 1: and kind of brace myself in a couple spots and
- 14:59Speaker 1: crawl forth. And then as I'm doing that, I stirred up,
- 15:03Speaker 1: you know, looking for the next floor, Joisce. I stirred
- 15:05Speaker 1: up a whole bunch of attic insulation, and it ends
- 15:08Speaker 1: up in my mouth right because my mouth's open around
- 15:11Speaker 1: the flashlight. And then without even thinking about it, I
- 15:14Speaker 1: instantly spit all the insulation out, and of course that
- 15:17Speaker 1: sent the flashlight flying, you know, I spit it straight
- 15:20Speaker 1: into the insulation, and I watched it disappear, you know,
- 15:24Speaker 1: into all that blown in insulation, and suddenly everything is
- 15:28Speaker 1: pitch black up there. I've got insulation in my mouth.
- 15:32Speaker 1: I'm in the middle of this area over you know,
- 15:35Speaker 1: a family room, just trying to find floor. Joyce, I've
- 15:38Speaker 1: got no light. It's absolutely terrible, trying to keep my
- 15:41Speaker 1: balance trying to find my flashlight. Well, it all worked out, obviously.
- 15:45Speaker 1: I'm not still up there waiting to be rescued. But
- 15:49Speaker 1: I don't want really to send you to that kind
- 15:51Speaker 1: of an experience. So get a headlamp. All of that.
- 15:54Speaker 1: Just say, get a headlamp. Also, and this is important,
- 15:56Speaker 1: wear a hat, you know, a thick hat. There are sharp,
- 15:59Speaker 1: rusty nails sometimes rusty sticking through the roof deck up there,
- 16:03Speaker 1: and they're just waiting to puncture your head if you
- 16:07Speaker 1: stand up too fast. So just just be aware of
- 16:10Speaker 1: all that stuff. It's not the most happy environment up there,
- 16:13Speaker 1: but it's good to get up there and take a look.
- 16:15Speaker 1: If you spop, moisture damage or anything else that's concerning
- 16:19Speaker 1: up there, it might be worth it to call a pro.
- 16:22Speaker 1: And that's actually the last recommendation that I've got. That's
- 16:24Speaker 1: step six, schedule a roof inspection. Now, when I noticed
- 16:28Speaker 1: the leaking chimney and a couple other wet areas in
- 16:30Speaker 1: the attic, I reached out to Matt Williams from Sheriff
- 16:32Speaker 1: Goslin Roofing. Matt's been on the show multiple times and
- 16:35Speaker 1: he drove out and walked me through exactly what was
- 16:38Speaker 1: going on. Now. Sheriff Goslin, like a number of other
- 16:40Speaker 1: roofing contractors, offers a free inspection. They'll get up there,
- 16:43Speaker 1: they'll tell you how long your current roof probably is
- 16:45Speaker 1: going to last before it needs replacement. They'll assess any
- 16:48Speaker 1: damage or issues that you might be dealing with. They'll
- 16:51Speaker 1: talk about fixes and so on. Now, when Matt was
- 16:54Speaker 1: up there, we were looking at the spots that I
- 16:55Speaker 1: was suspicious of. But he took that investigation way deeper
- 16:59Speaker 1: than I did, and he spotted things I never would
- 17:01Speaker 1: have caught. You know, one of the leaks was around
- 17:03Speaker 1: the chimney flashing. I suspected that one, but a second
- 17:06Speaker 1: leak was happening about five feet above and to the
- 17:09Speaker 1: left of the spot where I thought it was happening,
- 17:12Speaker 1: and Matt explained how common that was, how water can travel,
- 17:14Speaker 1: you know, and can be really sneaky. It can make
- 17:17Speaker 1: you think that the problem is in one spot when
- 17:18Speaker 1: it's actually somewhere else. So all that to say, getting
- 17:21Speaker 1: a pro to look at the roof is probably a
- 17:23Speaker 1: really good idea. I asked Matt what he recommended, and
- 17:26Speaker 1: he said that once the roof gets to be, you know,
- 17:28Speaker 1: about fifteen years old or so, even if your own
- 17:31Speaker 1: attic inspections and roof inspections turn out nothing, it's probably
- 17:34Speaker 1: a good idea at that point to get somebody out
- 17:36Speaker 1: there to give you a free inspection. And from that
- 17:39Speaker 1: point on, Matt said he usually would determine if it's
- 17:42Speaker 1: a good plan to come out the following year, you know,
- 17:44Speaker 1: and do it every year, or to settle into kind
- 17:46Speaker 1: of an every other year situation. Either way, the inspection
- 17:49Speaker 1: is free, or at least they can be, make sure
- 17:52Speaker 1: you ask about that, because they're not all free. Sheriff
- 17:55Speaker 1: Goslin has free inspections. Other ones do too, but other
- 17:58Speaker 1: ones will charge, so make sure you ask those questions
- 18:01Speaker 1: so you're clear on the situation. But get a pro
- 18:03Speaker 1: out there. They'll walk you through everything they find. All right,
- 18:06Speaker 1: let's shift gears dramatically and start digging into Benjamin Moore's
- 18:09Speaker 1: new color of the Year. And let's start that conversation
- 18:12Speaker 1: right after. This home in progress is brought to you
- 18:15Speaker 1: by Repcolite Paints and Benjamin Moore Top toier paint expert advice.
- 18:19Speaker 1: Your next project is way easier than you think it's
- 18:22Speaker 1: going to be. A couple of weeks ago, Benjamin Moore
- 18:25Speaker 1: announced their Color of the Year for twenty twenty six,
- 18:29Speaker 1: and I know some of you out there really get
- 18:31Speaker 1: into that. You know, you're chomping at the bit. You're
- 18:34Speaker 1: sitting on the edge of your seat. You're so pumped
- 18:37Speaker 1: because the color of the Year is coming out. And
- 18:38Speaker 1: I know there's another group of you who couldn't care less.
- 18:42Speaker 1: It'd be impossible for you to muster away to care less.
- 18:46Speaker 1: But I've got to dig into it, whether you care
- 18:49Speaker 1: less or not. I've got to dig into it on
- 18:52Speaker 1: the show because it's my job and it's why they
- 18:55Speaker 1: pay me. But I promise you, even if you're one
- 18:58Speaker 1: of those people who really don't care about Color of
- 19:00Speaker 1: the Year stuff at all, there's still a lot of
- 19:02Speaker 1: good stuff in here, so hang with me. It's gonna
- 19:05Speaker 1: be worth it for you, all right. The color of
- 19:07Speaker 1: the Year from Benjamin mor Is called Silhouette the twenty
- 19:11Speaker 1: twenty six color of the Year, and according to their
- 19:13Speaker 1: marketing materials, it is and I quote, a rich espresso
- 19:18Speaker 1: brown with charcoal undertones. And I know there's a group
- 19:22Speaker 1: of you thinking right now, brown seriously. Brown. I know
- 19:26Speaker 1: that's true because I've talked to some of you told
- 19:30Speaker 1: you it was brown, and I probably should have. I
- 19:34Speaker 1: should have said, what is the quote? I should have said,
- 19:37Speaker 1: the color of the year is a rich espresso brown
- 19:39Speaker 1: with charcoal undertones. And maybe the people I was talking
- 19:42Speaker 1: to wouldn't have said brown seriously. But either way, brown,
- 19:48Speaker 1: you know, it's not a lovely color. Even when when
- 19:51Speaker 1: you hear it said brown. You know, lavender, that kind
- 19:55Speaker 1: of sounds like a pretty color at least, even if
- 19:57Speaker 1: it's not your thing. But brown, you know, doesn't sound lovely.
- 20:02Speaker 1: It sounds boring. Brown typically has been boring. A lot
- 20:05Speaker 1: of us think brown is boring, and you know, brown
- 20:08Speaker 1: is just it's just not a nice color, at least
- 20:12Speaker 1: not in a lot of our minds. And if that's you.
- 20:14Speaker 1: If you're one of those people thinking brown, just pause
- 20:17Speaker 1: for a second and maybe reconsider. I'm going to give
- 20:20Speaker 1: you a lot of reasons to maybe reconsider, So just
- 20:23Speaker 1: put pause on your thoughts for a little bit. Ride
- 20:26Speaker 1: with me, and then you can hit you know, hit
- 20:29Speaker 1: play again or whatever, and see once how you feel
- 20:31Speaker 1: about brown. Now. I think brown gets a bad rap
- 20:35Speaker 1: for a number of reasons. One is maybe because so
- 20:38Speaker 1: many of us are immature at heart. All right, I'm
- 20:40Speaker 1: not gonna say more than that, but I think that's
- 20:43Speaker 1: part of it. Another reason that brown probably gets a
- 20:47Speaker 1: bad rap is that we often associate it with those heavy, dated,
- 20:50Speaker 1: you know, nineteen seventies interiors, the brown shag carpet, the
- 20:54Speaker 1: brown paneling, the brown everything. You know, brown was everywhere
- 20:58Speaker 1: back then, and maybe you just can't get past that idea.
- 21:02Speaker 1: But brown really is these days seeing a resurgence. You know,
- 21:05Speaker 1: in our interiors. People are more and more and more
- 21:09Speaker 1: moving away from all of these grays that we've had
- 21:12Speaker 1: through the years, through recent years, going back a ways,
- 21:17Speaker 1: you know, we're moving away from those grays, and we're
- 21:19Speaker 1: moving towards colors that feel warmer and more livable, and
- 21:22Speaker 1: brown naturally produces that vibe. So designers like to recommend
- 21:26Speaker 1: browns because the right brown can add depth to a
- 21:29Speaker 1: room without making it feel heavy. You know, browns are
- 21:32Speaker 1: incredibly flexible. That's another thing that makes them great. You
- 21:35Speaker 1: can pare them easily with limestone, walnut, linen, and a
- 21:38Speaker 1: huge variety of earthy tones and textures, you know, in
- 21:41Speaker 1: different metals. They can be mixed with certain materials or
- 21:44Speaker 1: certain colors for a more elevated look. You can mix
- 21:47Speaker 1: them with simpler materials for a more rustic look. There's
- 21:50Speaker 1: a lot of flexibility, a lot of versatility with a brown.
- 21:53Speaker 1: But here's the real reason browns are back. People really
- 21:57Speaker 1: do want to preserve this connection to nature and the
- 22:00Speaker 1: outdoors when it comes to their interior design. We talked
- 22:03Speaker 1: about this several weeks ago, two or three weeks ago
- 22:05Speaker 1: with interior designer Andy Gates. You know, just the whole
- 22:08Speaker 1: biophilic design. We want to stay connected to nature, and
- 22:12Speaker 1: brown is a very very natural color. You know, it's
- 22:15Speaker 1: incredibly organic. It's literally the color of earth, right, wood, stone,
- 22:21Speaker 1: it's warm, it's grounding, and after years and years and
- 22:25Speaker 1: years of cool grays and stark whites, that could feel
- 22:28Speaker 1: cold and impersonal. People are really craving the warmth that
- 22:32Speaker 1: brown brings. So that's why it's back now for those
- 22:35Speaker 1: who like flowery marketing language. Benjamin Moore describes silhouette, you know,
- 22:39Speaker 1: the brown for the year, as a sophisticated and warm
- 22:43Speaker 1: hue that offers an elegant alternative to black paint, and
- 22:47Speaker 1: it pairs easily with a wide range of colors. So
- 22:49Speaker 1: that's kind of the whole idea of silhouette in a nutshell,
- 22:54Speaker 1: a sophisticated and warm hue. And let me take a
- 22:57Speaker 1: quick detour at this point. You know, there's a lot
- 22:59Speaker 1: more I want to say, but I do want to
- 23:01Speaker 1: stop for a second because pink companies and designers and
- 23:04Speaker 1: I just did it. We love to throw around the
- 23:07Speaker 1: word sophisticated, and we use all kinds of other jargon.
- 23:11Speaker 1: But in this instance, I just used the phrase or
- 23:14Speaker 1: the words sophisticated when talking about a color. And I
- 23:17Speaker 1: want to dig into what that really means because it
- 23:19Speaker 1: sounds good. And you know, I think a lot of
- 23:22Speaker 1: you maybe are rolling your eyes. Why do I need
- 23:24Speaker 1: to explain this, But if that's you, if you're rolling
- 23:28Speaker 1: your eyes or thinking that sophisticated in reference to a
- 23:31Speaker 1: color doesn't need to be explained. Well, explain it to
- 23:34Speaker 1: yourself for a second, in terms of how it relates
- 23:36Speaker 1: to color, or explain it to somebody in the room
- 23:38Speaker 1: with you. You know, I don't know what you come
- 23:41Speaker 1: up with when you try to explain how sophisticated relates
- 23:44Speaker 1: to a color. But when I did it, when I
- 23:47Speaker 1: tried that little experiment, uh, I didn't have a whole lot.
- 23:50Speaker 1: I ended up saying a sophisticated color is something elegant
- 23:53Speaker 1: and timeless. It's sophisticated. You know, cool people would have it,
- 23:57Speaker 1: maybe James Bond. You know, really, it was ridiculous. It
- 24:01Speaker 1: seems so easy until I did it. I'm not sure
- 24:05Speaker 1: what you came up with, and I'm sure you didn't
- 24:07Speaker 1: come up with something terrible. What I came up with
- 24:09Speaker 1: wasn't terrible. You know, A sophisticated color is something elegant
- 24:12Speaker 1: and timeless. But when designers call it color sophisticated, what
- 24:16Speaker 1: they're talking about is way more than that. They're actually
- 24:18Speaker 1: describing something very very specific, the color's complexity. A sophisticated
- 24:23Speaker 1: color is one that has layers, you know, like an
- 24:25Speaker 1: onion it's not a straight from the tube one note color.
- 24:29Speaker 1: There are subtle undertones that make it shift, you know,
- 24:32Speaker 1: depending on the light, what's next to it, the materials
- 24:35Speaker 1: around it. Think about it this way. A simple color
- 24:39Speaker 1: is kind of like a basic primary color crayon, you know, bright, straightforward,
- 24:44Speaker 1: really obvious. You know, fire engine red, it's just really obvious.
- 24:48Speaker 1: A sophisticated color has hints of other colors mixed in,
- 24:51Speaker 1: so it's quieter, it's moodier, it's more adaptable. With silhouette,
- 24:56Speaker 1: you know, let's make it specific. With silhouette, you've got
- 24:58Speaker 1: that espresso brown, but there are charcoal undertones. And here's
- 25:02Speaker 1: what's really interesting. It also has violet undertones, so there's
- 25:07Speaker 1: a lot going on. In cooler light, those violet undertones
- 25:10Speaker 1: are going to come forward. In warmer light, the brown
- 25:12Speaker 1: undertones show up more, and it feels cozy and grounded.
- 25:15Speaker 1: It's like the color is a little bit alive, you know,
- 25:17Speaker 1: what changes throughout the day a little bit. And that complexity, again,
- 25:22Speaker 1: is what designers mean when they say a color is sophisticated.
- 25:25Speaker 1: It's got nuance, it's balanced, it's responding to its surroundings,
- 25:29Speaker 1: and that's what makes it interesting to live with. So
- 25:32Speaker 1: when people say a color's sophisticated, now you've got a
- 25:35Speaker 1: little more of an idea what they're getting at. And
- 25:37Speaker 1: I'm betting it's a little more than what you came
- 25:40Speaker 1: up with too. So sometimes it's really good to define
- 25:43Speaker 1: some of these jargon terms that we all throw around
- 25:46Speaker 1: and think we're talking about something, when in fact none
- 25:48Speaker 1: of us are really saying anything at all. Okay, now
- 25:51Speaker 1: let's move on. Let's talk bigger picture stuff. Because the
- 25:54Speaker 1: choice of silhouette, you know, Benjamin Moore making that choice,
- 25:57Speaker 1: it's really a response to something that Bench Moore is
- 26:00Speaker 1: calling micro trend fatigue. And honestly, I think of all
- 26:04Speaker 1: the things that I want to talk about in regards
- 26:06Speaker 1: to silhouette, this part's maybe the most important part for sure.
- 26:10Speaker 1: To me, it's the most interesting part. Now. Andrea Magno
- 26:13Speaker 1: from Benjamin Moore. She leads up the Color of the
- 26:16Speaker 1: Year's search every single year, and we've had her on
- 26:18Speaker 1: the show before and I'm hoping to get her back
- 26:21Speaker 1: soon to talk about silhouette. But until she comes back,
- 26:25Speaker 1: all I can do is reference her quotes from articles,
- 26:27Speaker 1: and in some of those articles, Andrea explains micro trend fatigue.
- 26:32Speaker 1: Like this quote, you go on social media and it's
- 26:35Speaker 1: this trend that trend, and it's almost like you can't
- 26:37Speaker 1: keep up. But we're seeing almost a reaction to that
- 26:40Speaker 1: where people are looking to have good, timeless, classic pieces
- 26:43Speaker 1: in their home. End quote. So basically what she's getting
- 26:46Speaker 1: at with micro trend fatigue, we're exhausted, that's the bottom line.
- 26:50Speaker 1: You know, the constant, constant churn of trends on Instagram, TikTok, Pinterest,
- 26:56Speaker 1: it's relentless, you know. One day it's all about this
- 26:59Speaker 1: particular paink or whatever. Then it's sage green, then it's
- 27:03Speaker 1: terra cotta, then it's you know, another pink, I don't know,
- 27:06Speaker 1: it's coastal Grandmother. It never stops, you know. And here's
- 27:09Speaker 1: the thing. The reality is people don't want to be
- 27:12Speaker 1: repainting their homes every six months. People don't want to
- 27:15Speaker 1: be repainting their homes every year or every five years,
- 27:18Speaker 1: for heaven's sake. So choosing silhouette as the color of
- 27:21Speaker 1: the year is actually a reaction to the idea of
- 27:26Speaker 1: chasing that next trend. You know, I know there are
- 27:29Speaker 1: people who hear about this color of the year thing
- 27:31Speaker 1: every single year, and they think it's a little bit annoying,
- 27:34Speaker 1: you know, because it's all about, in their mind, getting
- 27:36Speaker 1: a new color scheme in your home every year. That's
- 27:39Speaker 1: what Benjamin Moore is after. Actually, the idea behind this
- 27:42Speaker 1: year's selection is the opposite. It's about finding and choosing
- 27:46Speaker 1: colors that you're not going to regret in five years,
- 27:48Speaker 1: Colors that have staying power, colors that feel timeless. You know,
- 27:52Speaker 1: there's this whole anti trend movement happening right now in design,
- 27:58Speaker 1: and instead of following what social media is telling us
- 28:01Speaker 1: to do, people are choosing colors that reflect our personality,
- 28:05Speaker 1: the comfort that we want in our space. There's a
- 28:08Speaker 1: return to craftsmanship, to heritage, to things that feel like
- 28:12Speaker 1: they have a soul. And it's funny, funny, funny, funny
- 28:15Speaker 1: to me how everything is so cyclical. You know. Last week,
- 28:18Speaker 1: just last week, we talked about how the Victorian era,
- 28:23Speaker 1: you know, all the architecture of the Victorian era and
- 28:25Speaker 1: the way people designed and decorated their homes, all of
- 28:28Speaker 1: that started with this deep longing for a return to
- 28:32Speaker 1: craftsmanship and beauty and quality. That's what started that whole movement.
- 28:36Speaker 1: But then it got out of control and factory started
- 28:39Speaker 1: cranking out machine made decor and all of that. Everybody
- 28:42Speaker 1: went nuts. They filled their homes with it, and then
- 28:45Speaker 1: all of a sudden, everything comes back again. Pendulum swings,
- 28:48Speaker 1: there's a kickback, and the arts and crafts movement rises up,
- 28:52Speaker 1: calling again for a return to craftsmanship and natural, simplistic beauty.
- 28:57Speaker 1: While we're seeing it again a reaction against the constant
- 29:00Speaker 1: content that we're fed on social media and a longing
- 29:03Speaker 1: to see designs slow down just a little bit. You know,
- 29:06Speaker 1: we want craftsmanship, you know, good quality materials, natural tones,
- 29:11Speaker 1: calm and comfortable interiors. And that's what silhouette Benjamin Moore's
- 29:15Speaker 1: Color of the Air for twenty twenty six represents. You know,
- 29:18Speaker 1: it's not a flash in the pan color. It's not
- 29:20Speaker 1: going to look dated next year. It's the kind of
- 29:22Speaker 1: color that you can build a room around and know
- 29:25Speaker 1: that it's still going to be working for you five,
- 29:27Speaker 1: maybe even ten years from now if you want to,
- 29:30Speaker 1: you can have it working for you that long down
- 29:32Speaker 1: the road. It's a neutral, but it's a neutral with depth,
- 29:35Speaker 1: and that means it's not boring, it's not bland, but
- 29:38Speaker 1: it's also not pushy, you know, It's going to adapt
- 29:41Speaker 1: to fit a lot of different vibes. We hinted at
- 29:44Speaker 1: it earlier. It can be elegant and it can be rustic.
- 29:47Speaker 1: And the only thing that really needs to change is
- 29:49Speaker 1: some of the supporting pieces, you know, accessories, pillows, art, hardware, whatever.
- 29:54Speaker 1: Silhouette is a great foundational color, all right, Right now,
- 29:57Speaker 1: I want to look at some of the best ways
- 29:59Speaker 1: to incorporate silhouette into your space in your home. So
- 30:02Speaker 1: I think what I'll do is I'll talk about some
- 30:04Speaker 1: key spaces and the kind of vibe that you're likely
- 30:06Speaker 1: to get with silhouette and get started. Let's just look
- 30:09Speaker 1: at living rooms. If you put it on the walls
- 30:12Speaker 1: in your living room, you're going to get a cozy,
- 30:15Speaker 1: welcoming space. You could pair it with white trim or
- 30:18Speaker 1: off white trim. I'd probably lean towards off white trim,
- 30:21Speaker 1: and you're going to get a really classic look. You
- 30:23Speaker 1: could bring it onto the ceiling and really create a
- 30:26Speaker 1: cozy vibe in that space. You know, it's really going
- 30:29Speaker 1: to create a welcoming and relaxing space in that area
- 30:32Speaker 1: by not necessarily fully color drenching the area, but putting
- 30:36Speaker 1: it on the walls. And bringing it onto the ceiling.
- 30:38Speaker 1: You know, definitely that's going to create a cozy vibe
- 30:41Speaker 1: in there. And if you've ever thought about putting a
- 30:44Speaker 1: color on the ceiling, if you ever think about doing that,
- 30:47Speaker 1: a couple of things that I'll say here. First Off,
- 30:50Speaker 1: a number of you are probably thinking, why would I
- 30:51Speaker 1: put such a dark color on the ceiling. It's going
- 30:54Speaker 1: to make the room feel smaller. Well, that's actually, you know,
- 30:57Speaker 1: pretty much a design myth. Putting a darker color on
- 31:00Speaker 1: the ceiling is in most instances going to push the
- 31:03Speaker 1: ceiling further away visually, it's going to make the space
- 31:06Speaker 1: feel a little more expansive. So don't instantly discount the
- 31:10Speaker 1: idea of, you know, putting a color on the ceiling
- 31:12Speaker 1: because you're thinking that's going to make the room feel smaller.
- 31:15Speaker 1: It's not going to necessarily do that. In fact, most
- 31:17Speaker 1: times it won't. Secondly, if you're even remotely thinking about
- 31:20Speaker 1: putting a color on the ceiling, use Benjamin Moore's water
- 31:23Speaker 1: borne ceiling paint. I talk about it a fair amount
- 31:26Speaker 1: on the show here, but it's a premium ceiling paint
- 31:29Speaker 1: that covers and hides really well. Yeah, so it's nice
- 31:32Speaker 1: to work with. But most importantly, it stays dead flat
- 31:35Speaker 1: even when it's tinted, and that's not the usual case
- 31:38Speaker 1: for many, probably most ceiling paints. Most of the time
- 31:42Speaker 1: they're going to pick up some sheine from the colorant
- 31:44Speaker 1: that's added to them to get to the color that
- 31:46Speaker 1: you want. And when they've got that sheene, it makes
- 31:49Speaker 1: them trickier to work with. You know, as you roll
- 31:51Speaker 1: them onto a ceiling, you're going to see lap lines
- 31:53Speaker 1: and all of that much more readily when there's a
- 31:56Speaker 1: sheen on your finish on the ceiling. Benjamin Moore's waterborne
- 32:00Speaker 1: ceiling paint is going to stay dead flat no matter
- 32:03Speaker 1: what color is in it, and that's going to make
- 32:05Speaker 1: it really easy to work with and easy to get
- 32:07Speaker 1: great results. So keep that in mind. Silhouette in the
- 32:11Speaker 1: dining room, what about that, Well, you could pair it
- 32:13Speaker 1: with metals like gold or brass in your lighting or
- 32:16Speaker 1: your hardware or whatever, and that's going to create this
- 32:19Speaker 1: kind of upscale feel without feeling overdone. And then, because
- 32:24Speaker 1: it's so versatile, you could pair it with or not then,
- 32:27Speaker 1: but instead of that, you could pair it with more
- 32:30Speaker 1: natural elements and materials and create this cozy inviting, you know,
- 32:34Speaker 1: kind of rustic vibe, you know, like a little hobbit hole,
- 32:38Speaker 1: perfect for kicking back and relaxing and having first and
- 32:41Speaker 1: second breakfasts and all of those things in it. So
- 32:43Speaker 1: that's where you see the versatility of silhouette with what
- 32:47Speaker 1: you pair it with. It's a great choice for bedrooms,
- 32:50Speaker 1: of course, because it's going to create that naturally cozy,
- 32:52Speaker 1: RESTful space. Front Doors another place to use silhouette, and
- 32:56Speaker 1: it's one of my favorite uses because it's not your
- 32:58Speaker 1: everyday first thought. You know, normally front doors get a
- 33:01Speaker 1: little boulder treatment, reds, greens, you know, mustard yellows, blues, blacks,
- 33:06Speaker 1: but opting for silhouette gives the door a warm, welcoming feel.
- 33:10Speaker 1: It's inviting, it's a little unusual, and that's kind of
- 33:13Speaker 1: fun with the front door. If you're thinking kitchens, silhouette
- 33:17Speaker 1: would work beautifully on an island or maybe on your
- 33:20Speaker 1: lower cabinets. It's going to add a ton of depth
- 33:22Speaker 1: and contrast while keeping that space relatively balanced, especially if
- 33:26Speaker 1: you keep those upper cabinets or walls lighter exteriors brown
- 33:31Speaker 1: tones like silhouette. They're great outdoors too. You could try
- 33:34Speaker 1: it on trim to highlight certain architectural details, or even
- 33:38Speaker 1: use it as an alternative to black for a softer,
- 33:40Speaker 1: more natural look. Now, the thing about brown and silhouette
- 33:43Speaker 1: in particular is that it's inherently comforting. You know, you
- 33:46Speaker 1: pick that up as we're walking through the rooms. There's
- 33:48Speaker 1: other rooms we could look at, but what you're getting
- 33:51Speaker 1: with silhouette is this comforting tone, you know, a soothing
- 33:55Speaker 1: sense of security that it brings to a space. Rich
- 33:57Speaker 1: Brown's work really well in rooms that you want to
- 34:00Speaker 1: retire to in the evening. They create, you know, kind
- 34:03Speaker 1: of an inviting, relaxing atmosphere. Whether you color drench your
- 34:06Speaker 1: space in one shade or layer a selection of similar
- 34:09Speaker 1: tones across different surfaces, painting a room brown really creates
- 34:13Speaker 1: a cozy feel. That's kind of the bottom line. Now,
- 34:17Speaker 1: as many of you know, when Benjamin Moore releases a
- 34:19Speaker 1: color of the Year color, they also release a number
- 34:21Speaker 1: of color trends colors, you know, supporting actor colors, and
- 34:25Speaker 1: this year there are seven and they're all designed to
- 34:28Speaker 1: work well together. They can kind of be divided into
- 34:31Speaker 1: what we maybe could call some pale tones and some
- 34:34Speaker 1: mid tones, so maybe two different groups if you want
- 34:36Speaker 1: to think about them that way. The pale tones include
- 34:39Speaker 1: Swiss Coffee, which is kind of a warm, creamy white.
- 34:42Speaker 1: It's already one of Benjamin Moore's bestsellers. There's First Crush,
- 34:46Speaker 1: which is a neutral with a little bit of blush undertones.
- 34:49Speaker 1: So it's got a little bit of a pink vibe
- 34:51Speaker 1: to it, but very very subtle. There's Batique that's a
- 34:55Speaker 1: dusty mauve that really's got a lot more pink to it.
- 34:58Speaker 1: That one's not my favorite, to be honest. Bautique kind
- 35:02Speaker 1: of feels like a banunk. I didn't really like that one,
- 35:05Speaker 1: but hey, it's just me. If you love it, go
- 35:08Speaker 1: for it. Rain Dance that's another one that we'd kind
- 35:11Speaker 1: of lump into the pails. Maybe it's a steely green
- 35:14Speaker 1: with gray undertones, you know, really organic, you know, a
- 35:17Speaker 1: mineral quality to it. Really nice colors, except for maybe Bautique.
- 35:21Speaker 1: Sorry Boutique, Uh sorry, Bautique. The mid tones, let's just
- 35:25Speaker 1: move on a couple mid tones. Three different mid tones.
- 35:28Speaker 1: Narroganzt green it's a deep blackened teal, Southwest pottery you
- 35:33Speaker 1: can picture what that is, a warm terracotta tone, and
- 35:35Speaker 1: sherewood tan now, the idea is that these colors can
- 35:38Speaker 1: stand alone or work together. Silhouette pairs beautifully with Swiss
- 35:42Speaker 1: coffee for contrast, or you could use it with Sherwood
- 35:44Speaker 1: tan for a tonal kind of layered approach. First crush
- 35:48Speaker 1: can soften spaces dominated by deeper tones, on and on
- 35:51Speaker 1: and on and on. These aren't just random colors thrown together.
- 35:55Speaker 1: That's the main thing to take away from this. They're
- 35:57Speaker 1: designed to kind of create a balance, colors that can
- 36:00Speaker 1: on top of one another without fighting for attention. So
- 36:03Speaker 1: looking at Benjamin Moore's Color Trends for twenty twenty six,
- 36:06Speaker 1: it's all about warmth and connection to nature and comfort
- 36:09Speaker 1: and creating a RESTful space. And like any of the
- 36:12Speaker 1: color Trends colors throughout the year, the biggest message is
- 36:15Speaker 1: to pick whatever color works best for you. Whether Silhouette
- 36:18Speaker 1: is one of those colors or any of these color
- 36:20Speaker 1: trends colors, maybe those are the colors that work for
- 36:23Speaker 1: you and they're speaking to you right now. But if
- 36:25Speaker 1: they're not, go find what is you know. That's what
- 36:28Speaker 1: it's all about. Find what you love, you know, Just
- 36:31Speaker 1: think about what you want to feel when you're in
- 36:33Speaker 1: that particular space that you're painting and bring those ideas
- 36:36Speaker 1: to Repcolite. We'll help you find the colors that get
- 36:38Speaker 1: you there, and will also help you make sure that
- 36:40Speaker 1: you're choosing tones that you'll still love in five years.
- 36:44Speaker 1: All right, that's going to do it for today. But
- 36:45Speaker 1: before I wrap it up, I got to talk about
- 36:47Speaker 1: that contest quickly, super simple. Just go to our Facebook
- 36:50Speaker 1: and Instagram pages and find our contest post. Or if
- 36:54Speaker 1: you want an even simpler path, just go to repcolite
- 36:57Speaker 1: dot com. Click the contest banner on the homepage. That's
- 37:00Speaker 1: going to provide you with the links that take you
- 37:02Speaker 1: directly to the Instagram and the Facebook posts that I'm
- 37:05Speaker 1: talking about. Either way, get to those posts and in
- 37:07Speaker 1: the comments tell us which of the twenty twenty six
- 37:10Speaker 1: color trends colors moves you and which room they move
- 37:13Speaker 1: you to paint. For example, one of the comments out
- 37:15Speaker 1: there right now is rain Dance would look great in
- 37:18Speaker 1: my laundry room. That's all I'm looking for. So whatever
- 37:21Speaker 1: color moves you, whatever room it moves you to paint,
- 37:24Speaker 1: leave a comment, and on November sixteen, I'll draw four
- 37:26Speaker 1: random winners from everybody who had something to say on
- 37:29Speaker 1: those posts, and those four people will each win a
- 37:32Speaker 1: two hundred and fifty dollars Rep Coollite Gift certificate. So again,
- 37:35Speaker 1: head to repcollite dot com, click the contest banner on
- 37:38Speaker 1: the homepage, and get your comments in. All right, that's
- 37:40Speaker 1: officially going to do it. If you enjoyed this episode
- 37:43Speaker 1: and you'd like to hear more like it, we really
- 37:45Speaker 1: encourage you to subscribe to the podcast. You can do
- 37:48Speaker 1: that wherever you listen to podcasts, of course, everybody knows
- 37:52Speaker 1: that by now. And also if you did like the
- 37:54Speaker 1: content and you wouldn't mind leaving us a review, that
- 37:57Speaker 1: would be great. It helps other people find the show
- 38:00Speaker 1: and that really helps us out. All right, thanks so
- 38:02Speaker 1: much for listening for Home in Progress. I'm Dan Hansen.
- 38:05Speaker 1: I'll see you next time.