Latest / Specialty Matcha Podcast / Matcha's Past, Present, and Future
Transcript
- 0:00Hello and welcome to the Specialty Match Podcast.
- 0:02My name is Ryan, This is my Coho Sunjin, who also goes by Sam and
- 0:05we're the cofounders of Sanka Matcha Products.
- 0:08We launched this podcast to discuss our learning journey,
- 0:10Matcha, share startup stories and interview experts.
- 0:13And today's episode, we want to give it a comprehensive review
- 0:18of what Matcha was in the past, what it is nowadays, and what it
- 0:22could be in the future. I feel like that there are
- 0:25already 1000 articles and podcasts online talking about
- 0:28the history of Matcha. And, you know, Ryan let's, you
- 0:31know, try to create something new, I guess for our audience,
- 0:34that's a little bit more refreshing.
- 0:36Yeah, you're totally right. And, you know, both you and I
- 0:39tend to be a little more reserved about covering topics
- 0:42that a lot of other people have just simply because there's so
- 0:45much good information out there. Do we put a unique spin on it?
- 0:48But I do think it's worthwhile, at least in the Specialty Much
- 0:51podcast, to have at least one episode dedicated to the history
- 0:54of Matcha, as certainly not a comprehensive 1 which cannot be
- 0:58done with any reasonable length of time.
- 1:01I'm ready for two hour recording, Ryan, or three hours
- 1:04but. Something where, you know, for
- 1:05talking with coffee people or industry friends that aren't
- 1:08into matcha and they were like, hey guys, like what's the deal?
- 1:11Like where is matcha? Where did it come from?
- 1:14What's the status quo, and where do you think it's going to go in
- 1:16the future? And this is sort of our response
- 1:18to a question like. All right, so where do we start?
- 1:22Yeah, so let's start at the very beginning.
- 1:24One of the interesting things about tea in general is that
- 1:27there is very little dispute about the cultural origins of
- 1:32this plant of this product. Basically the only country that
- 1:36holds any claim to the being the first people to cultivate tea
- 1:39are in China and Chinese people. Unlike the coffee world where
- 1:42there's a little bit of debate between Yemen and Ethiopia.
- 1:46And supposedly the scientific evidence shows that it was first
- 1:50discovered and, and naturally growing in in Ethiopia.
- 1:54But then in the very, very early days that no one was really
- 1:57cultivating it to make it into what is we know as coffee now
- 2:00until the, until some Arab people brought it to Yemen and
- 2:04planted it there. And we're really the first
- 2:06people to do actually any real coffee cultivation.
- 2:09So it's a little bit more of a complex history, but within the
- 2:12case of tea, it's pretty much undisputed, except for a few
- 2:16crazy people in Korea who claim that tea has always been there,
- 2:22that tea is a Chinese product and was first cultivated by
- 2:25Chinese people. Very unpopular idea even in
- 2:29Korea too, as we study under a few Korean tea ceremony masters.
- 2:34But yeah, you're totally right, not only culturally but also
- 2:38biologically that, you know, many proofs exist for tea to
- 2:41being, you know, first cultivated and consumed in and
- 2:46even to this stage you can still find a lot of the specimens that
- 2:51kind of lies in between, you know, completely wild T before
- 2:55you get the domesticized and semi wild and you know, wild
- 3:00camellia sentences. Those are very different things
- 3:02for some of the cousins defaulting to the similar family
- 3:06that were not domesticized. Those are actually semi or very
- 3:11poisonous. They're still growing in the
- 3:14wild in Yunnan along with all the tea bushes that are getting
- 3:18harvest. Very interesting to visit those
- 3:21places with with the locals. When I was in Yunnan.
- 3:23They look very different in the way that the size is.
- 3:28Those really like wild cousins of camellia sentences are huge
- 3:33but the leaves are very similar so I can almost cannot tell the
- 3:36difference between a camellia sentences and their wild
- 3:40cousins. But the locals told me that some
- 3:43of them can be processed into tea and is drinkable and some of
- 3:47them are just really poisonous and will make you very dizzy and
- 3:51very sick. So very, very interesting to see
- 3:55them in person. Yeah, yeah.
- 3:57So for those of you who don't know, you know, matcha comes
- 3:59from a plant called Camellia senensis, which was originally
- 4:04discovered, grown, cultivated and as a natural part of the
- 4:07forest in southwestern China. And one of the first things you
- 4:10learned about in any T education is that all T needs to come from
- 4:14the genus and species Camellia sinensis.
- 4:16And in a previous recording, we said that's about 99% true,
- 4:20which leads to an interesting question.
- 4:21And what's the other 1%? And it's exactly what Zhongjun
- 4:25was talking about. There are other species,
- 4:29Camellia species that are very similar to tea.
- 4:32So if you go to some of the very Yunnan focused vendors that sell
- 4:36tea, they have something called Camellia italiansis.
- 4:39It is one of the other common species.
- 4:41It's basically tea and processed into things like poor and some
- 4:44other things. So there's some other Camellia
- 4:46varieties. Technically, that's the wrong
- 4:48way of putting it. There's some other Camellia
- 4:50species, genus Camellias, and then various other species from
- 4:54sinensis to Taliansis and a few others that are edible.
- 4:57Some are poisonous and they all originate in southwestern China.
- 5:00And of course, these plants are part of the forest.
- 5:02They don't know the boundaries. So, you know, part of those
- 5:05forests extended into Myanmar and Laos and and into northern
- 5:09parts of Thailand where a lot of tea gets processed.
- 5:13And actually a lot of it gets smuggled across the border,
- 5:15especially as poor prices in China have gotten very high.
- 5:18And where that stuff doesn't get even labeled as originating from
- 5:22that place. And most of it gets smuggled to
- 5:25a city in Yunnan called Sichuan Bana.
- 5:27More than the poor traders buy it and blend it.
- 5:30We've talked about sort of tea laundering within the case of
- 5:33China and Japan for matcha, But it's also happening where people
- 5:37want to create something that is what people think of as a
- 5:40Chinese product and a very different part of the tea world.
- 5:44All the time off with all kinds of teas, not just in matcha, but
- 5:48we see that in poor, we see that in Long Jing, which is another
- 5:52very expensive Chinese green tea that is cultivated and processed
- 5:56in Hangzhou and and a lot of these regions in Sichuan and
- 6:01Guizhou supplies all of these famous production area and get
- 6:06turned into these much more expensive tea by the end of the
- 6:09day. We kind of see that within Japan
- 6:12too, you know, like Kagoshima and gold supplies all the way
- 6:16into a Wuji proper and gets processed.
- 6:19You just got to import the aricha into Kyoto Prefecture and
- 6:23boom, you got wujicha. Yeah, same thing.
- 6:25Same thing. Same, same.
- 6:27It's a big problem in the SeaWorld.
- 6:29So anyway, the origins of Macho's past are in southwestern
- 6:33China, where then tea eventually spread to the rest of the world.
- 6:37At least the Chinese varietals did.
- 6:38But the earliest tea cultivation was done in China, and then
- 6:42later spread through Zen Buddhism to Korea and to Japan.
- 6:47And the earliest documentation of tea moving to Japan, I
- 6:52believe is in the Tang Dynasty, which is around 1000 years ago.
- 6:55But it didn't really stick in any meaningful way until a monk
- 6:58named Asai, who you can read all about online, Buddhist monk
- 7:02studying Buddhism in China, brought it back to Japan, where
- 7:08then it really stuck. And he's kind of considered the
- 7:10one of the godfathers of, of Japanese tea, bringing over
- 7:14those tea seeds. Yeah, there were predecessors of
- 7:17the SI in the past trying to bring tea into Japan from China,
- 7:21but he was the only one that really made the Bush and the
- 7:25culture of drinking it took roots within Japan.
- 7:28So that's I think around Song dynasty.
- 7:33Yeah, during the Song dynasty. So Zhengjiang, before we talk
- 7:36more about the spread of tea throughout East Asia and the
- 7:38move of what it was essentially Song dynasty Mota into Japan,
- 7:43let's talk about the mythical origin stories for tea.
- 7:46So if you learn anything about tea history, typically you
- 7:48encounter 2 origin stories for the way how Tau T was
- 7:52discovered. Do you want to recount the the
- 7:56tale of the mythical Emperor Shannon in his discovery of T?
- 8:01Yeah, Shannon. Wow.
- 8:03It's basically not a real person, but let's, you know,
- 8:06treat him as a real person for the sake of this story.
- 8:10But he's one of the mythical legendary emperor of China
- 8:15thousands of years ago and basically had this vision, the
- 8:19mission of trying all kinds of vegetations that were native to
- 8:23China at the time to test their effects and compile them into
- 8:28knowledge and educate his people.
- 8:30And when he was on this mission of finding all of the, you know,
- 8:36medicinal and agricultural effect of all these vegetations,
- 8:39he often times run into poisonous ones and got very
- 8:43sick. And one day he end up trying
- 8:46this, you know, this leaf coming from this tree and all of a
- 8:51sudden all of his illness and pain went away.
- 8:55It's really a panacea at the time for him.
- 9:00And he gave very, you know, high praise to this vegetation and
- 9:06what is to be understand nowadays as tea.
- 9:10Tea as a cure all goes all the way back to the mythical origins
- 9:14of its discovery. Yes, yes, yes, the OG snake oil.
- 9:18Did Shannon lose 20 lbs after he started drinking it every day?
- 9:22Yeah, he doesn't need to eat anymore, actually.
- 9:27But yeah, that's one of the very trustworthy, credible origin
- 9:32story of tea that goes all the way back.
- 9:34The other one, I think it's incredible.
- 9:36I'll let you tell the story. The other origin story,
- 9:39competing origin story, is much more realistic, I think, where
- 9:44Bodhi Dharma, the the guy who brought Buddhism from India to
- 9:48to China, was said to have been meditating in a cave.
- 9:51He was so upset with he fell asleep.
- 9:53So he was so upset with himself for falling asleep that he
- 9:56ripped off his eyelids and that where his eyelids landed, the
- 9:59first tea trees grew. And thus we are all drinking
- 10:02plants that are descendant from Bodhi Dharma's eyelids.
- 10:07Wow, much more likely. Wow, it's almost like the
- 10:10Christian story of the bread turning into Jesus, God's flesh.
- 10:14That's an interesting parallel. Very, very interesting.
- 10:19But that's the other story that's far more trustworthy, in
- 10:24my opinion, than the panacea of Sheno.
- 10:27Yes. So those are the two origin
- 10:28stories. And you know, basically tea is
- 10:30undisputedly Chinese. And then, as I said, you know,
- 10:33it spread to other parts of East Asia in the Tongue and Song
- 10:37dynasties, respectively, into Korea and Japan, mostly through
- 10:42the spread of Zen Buddhism, where Buddhist monks traveled to
- 10:46China to go to temples to learn and kind of discovered this new
- 10:49wonderful plant, brought it back with them.
- 10:51So that's approximately how that happened and spread.
- 10:54So Sam, let's pivot to Chinese, a little bit of Chinese tea
- 10:58history, which is important to contextualize matcha and its
- 11:01origins. So can you add a little color
- 11:04about what tea was like and how it was served in the Tong
- 11:08dynasty and then in the subsequent dynasty of the Song
- 11:11afterwards? Yeah, for sure.
- 11:13So tea was actually consumed and there there were very early
- 11:19archaeological discoveries of tea being compressed into cake
- 11:23forms all the way back to the Han dynasty, which is almost
- 11:272000 years ago. And the exact way of consuming
- 11:30tea at the time was largely unknown.
- 11:34But there are descriptions of how people consume tea in Tang
- 11:38Dynasty, which is 1000 years after Tang Dynasty.
- 11:42So it's a long time, but tea got consumed along the way too.
- 11:46But you know, there, there there were too few archaeological
- 11:49proofs and records of how exactly or if there is any
- 11:53ceremonial ways related to that. At Tang Dynasty, people still
- 11:57consume cake teas, you know, tea are compressed into this form of
- 12:03they call it long Tuan Phong bee.
- 12:05So the cake of phoenix and the dole of Dragons.
- 12:09So they're basically either in a cake form or in a dole form, and
- 12:13they will be sealed a pattern of phoenix or a dragon on top of it
- 12:18as tributed to the monarchs. And it was around the Tang
- 12:23Dynasty that people started to consume tea in a more fragmented
- 12:29form in boiled water. It's almost drinking a soup.
- 12:32So they have a giant pot of boiled water.
- 12:35They take some pieces, chunks off from the cake or the dough,
- 12:39and then they will roast the chunk on top of the charcoal
- 12:43fire to kind of revitalize the fragrance and the flavor of the
- 12:47tea. And then they put it into a
- 12:49wheel grinder and then they grind them into smaller chips.
- 12:54And then they toss the chips into the giant boiling pot along
- 12:59with the gingers and a bunch of other spice.
- 13:02And then they drink the soup. So it's, it's more like a soup
- 13:06at the time. Then, you know, the tea that we
- 13:08are familiar with nowadays. And that was how people consume
- 13:11tea back in Tang dynasty and Song dynasty, the way it is much
- 13:15more elaborate. So people are starting to form
- 13:18this, you know, single origin, single ingredient concept that
- 13:22they are starting to consume tea on itself without other spice
- 13:26and other ingredients in the soup.
- 13:29So tea was largely processed the same.
- 13:32It's still being compressed. And then they would, you know,
- 13:36grind the compressed tea into a much finer powder in a stone
- 13:41grinder. So what we call ishiyusu in
- 13:44Japanese, it's called shizuo in Chinese.
- 13:47But the Chinese character, the kanji is the same.
- 13:49And they would grind them into much finer powder, and then they
- 13:52will whisk it in the tea bowl with a much paler, whiter color
- 13:59compared to today's matcha. So a lot of the theories were
- 14:04suggesting that, you know, the song Diners tea, mocha powder
- 14:08tea is much closer to today's white tea baicha versus, you
- 14:13know, a Japanese or matcha or green tea.
- 14:17So people at the time, usually the monarchs and the literatis,
- 14:21they would do this very interesting competition, they
- 14:25call it Doja tea competition or tea battles, where they would
- 14:27gather together and then they would try to whisk, whisk the
- 14:31tea so that it will form the thickest foam.
- 14:34And then they compete on whose foam last the longest.
- 14:38And sometimes they will use calligraphy brushes or their
- 14:41fingers to try to do calligraphy on the film.
- 14:44And there is this very famous artist at the time who can write
- 14:48a entire poetry on a very small mall with very thick foam.
- 14:53And it was considered to be a celebrity at the time, so.
- 14:57Original latte art throwdown. Original latte art, Very true,
- 15:02very true. Although they don't add milk,
- 15:04but they do compete with buy buy the film.
- 15:06And that's how people enjoy mortar or Sung Dynasty matcha
- 15:10back in the days. And then TE got introduced into
- 15:14Japan around the same period of time.
- 15:16But in China, something big really happened.
- 15:19So it was the downfall of Song dynasty because of the Mongolian
- 15:24invasion. But the Mongolian dynasty only
- 15:26lasts for 88 years. So they it did some damage to
- 15:29the Chinese culture. But a lot of the habits are
- 15:32large, largely still preserved. But at the downfall of the
- 15:36Mongol dynasty, the Yuan dynasty, this very interesting
- 15:40guy prevailed amongst all of the warlords.
- 15:43Julian Zhang or the first emperor of Ming dynasty.
- 15:46He was a peasant, not really a peasant.
- 15:49He was a beggar. He was like from the lowest
- 15:53possible, like, you know, social hierarchy at the time.
- 15:56And he had seen the worst out of how people got treated by the
- 16:02society elites at the time in China, by the Han people
- 16:06themselves and also by the Mongols.
- 16:09So relating back to tea culture. So he he really had some pretty
- 16:14iron fisted policy against, you know, overconsumption and
- 16:18elitism in China when he took the throne to become the first
- 16:23emperor of Ming Dynasty. And one of the target was tea.
- 16:27So manufacturer of mucha very similar to early days and even
- 16:33nowadays of how people manufacture matcha in Japan was
- 16:37very laborious, very tedious, very time consuming.
- 16:40And it was all these people, these farmers, peasants, workers
- 16:45making something that they themselves are not able to
- 16:49afford. It's reserved for the top of the
- 16:52society, for the elites, for the monarchs.
- 16:54And Julian Zhang, the first emperor of Ming Dynasty, hated
- 16:58that. Like, he hates the idea of, you
- 17:01know, overworking and, you know, exploiting the lower class.
- 17:07And he hated so much that he essentially banned the
- 17:10manufacturer of morcha in China. And from since Ming Dynasty from
- 17:16Ming dynasty, morcha completely disappeared for hundreds of
- 17:19years in in China. So it was banned and you know,
- 17:23loosely tea became the mainstream.
- 17:26But luckily or unluckily, the culture guy introduced into
- 17:30Japan. Luckily it was preserved in in
- 17:32Japan. Unluckily, you know, the same
- 17:35kind of tedious and laborers work and culture got preserved
- 17:40and got thrown to the Japanese people and it was basically the
- 17:44same story. It was a product reserved for
- 17:47the world Lords the the monarchs and the literatis.
- 17:50But on the other hand, luckily the very reason that we can
- 17:54still enjoy this beverage to this day, we got to thank the
- 17:57Japanese that they helped to preserve this culture.
- 18:00You know, unlike, you know, the Tang Dynasty tea, Ginger 5 spice
- 18:05soup that we will never know what the taste of those
- 18:09beverages are. We we can still have some sense
- 18:12of what matcha or matcha taste like to this day.
- 18:16Yeah. So just to do a quick compare
- 18:18and contrast moment between Malta and modern matcha,
- 18:22actually, before I'll do that, I will say that the only reason
- 18:26that the majority of the people listening to this podcast can
- 18:29drink and try matcha is because of the industrial revolution.
- 18:33Matcha is so insanely laborious. And now that we're learning
- 18:37quite a bit more about the insurance and outs of matcha
- 18:39production, it is so incredibly energy intensive.
- 18:44And from like a physics point of view and the amount of heat that
- 18:47you need, the amount of energy that you need to keep everything
- 18:50cold and to mill it, it is like probably from a carbon footprint
- 18:55perspective, one of the worst types of decultivation, at least
- 18:58in its processing. Yeah, Phil and John had a point.
- 19:03Not even to mention the the labor requirements to do the
- 19:06type of Labor before any type of mechanization.
- 19:09So mucha and matcha until the industrial revolution were not
- 19:14in every man's tea. It was really an elite culture
- 19:17and a lot of these stories that are told within China U cultural
- 19:21tea contacts are probably more vanity than substance about the
- 19:25types of people that were enjoying tea at the time and who
- 19:27could actually have afforded it. It's very nice that they have a
- 19:30very inclusive spirit, but the historical realities were
- 19:33probably that you had to have a fair bit of money to enjoy it.
- 19:38Didn't put it quite frankly, even today, you have to have a
- 19:41fair about a fair amount of money to enjoy it.
- 19:43It's still expensive, but at least it's accessible.
- 19:46But to compare and contrast Song Dynasty, Mucha and Mucha, some
- 19:50people will say, and actually Mark from Ohika recorded a real
- 19:54his hot take and he said his hot take was that Mucha is Japanese
- 19:59and not Chinese. And I actually totally agree
- 20:02with his argument. Is that what we know of and
- 20:05think of as much of today, there is very little resemblance to
- 20:10what mocha was and how it was processed.
- 20:12So back in Song Dynasty, no one was shade growing their tea, at
- 20:16least not intentionally. And they were not processing it
- 20:19the same way, although they were steaming it, but it was not, you
- 20:22know, this very green would not have been this very green color.
- 20:26It's been pretty well documented that it was a very white.
- 20:28Fake foam. So there's clearly some very
- 20:30different types of processing. So the major innovations which
- 20:34make matcha, it's give it its physical characteristics and
- 20:40flavor characteristics and we're really refined and invented by
- 20:43the Japanese. So where you draw that line is,
- 20:46you know, up to the audience. So we don't have a stake in that
- 20:49battle. But they were probably very
- 20:51different products, but they did share steaming in common and
- 20:55they were both powdered. So there were suspension of
- 20:57particles and you were adding water to tea.
- 21:01They shared that step as well. But Ryan, you know, shading tea
- 21:06in Japan is also fairly new compared to the long history of
- 21:11tea. If you go back to the time of
- 21:13Sinolique, you know, like they were not shading tea at the
- 21:15time. It was really until there is
- 21:18this very interesting. I think it's Portuguese or
- 21:21Jesuit in the 19th century who went to Japan that first
- 21:25documented that the tea was being shade ground in Japan.
- 21:29And then there are archaeological discovery of
- 21:33some, you know, carbon layers related to rice straw being used
- 21:37in tea gardens that dates back even 100 years earlier than
- 21:41that. But still, that's, you know,
- 21:44fairly recent when we're talking about the long history of tea
- 21:47being consumed in Japan, in the region.
- 21:50And just a cool shout out to the research that you were talking
- 21:53about and some of those discoveries that were made that
- 21:55were dating, potentially dating or provided some evidence for
- 22:00Honzu Reichstraw shading 100 years before it was documented
- 22:03by the Portuguese was discovered in the Okunoyama tea garden from
- 22:08Hori Shimaya where the that famous cultivar was from, which
- 22:12is a super cool. So every time anyone you're
- 22:15drinking Okonoyama cultivar and from Hori Sisimaya and you're
- 22:19actually drinking tea that is genetically descended from that
- 22:24400 year old Bush in that garden dating all the way back to that
- 22:29point, which is quite an interesting piece of living
- 22:32legacy. And the fact that you can drink
- 22:33that when buy that retail in Japan for about 25 bucks is so
- 22:38incredibly special. And so take an extra moment to
- 22:41enjoy that. Yeah, it's a piece of living
- 22:43history. Absolutely.
- 22:44That's, that was a quick compare and contrast.
- 22:47So when tea then entered Japan, it was really cemented into a
- 22:50tea serum. And by the way, we're going to
- 22:52the Japanese tea history part you could write PhD
- 22:56dissertations on. So we're going to give a little
- 22:59more of a faster overview of it, especially since everyone
- 23:03listening probably has heard a lot about it.
- 23:06But in Japan, basically we cemented into a ceremony by a
- 23:10guy named Senoriku at the the the three core schools that are
- 23:15descended from Senoriku. Senoriku is a Moto Senke Ersenke
- 23:20and Musha Koji Senke, which are collectively known as the Sen
- 23:24Senke that all derived from Senoriku who has many, many
- 23:29things that you can research, who is famous for promoting the
- 23:32wabi aesthetic. And to sort of move away from
- 23:35these very affluent motifs and decorations and T utensils that
- 23:39were being imported from China at the time and really created
- 23:43aesthetic movement, the wabi sabi wabi aesthetic.
- 23:47So these three schools are the primary institutions in which
- 23:50tea ceremony has lived and evolved.
- 23:52It's under a leadership system called the Iyamoto system.
- 23:56So Iyamoto basically means grandmaster and it's father to
- 24:00son lineage. And after each generational
- 24:04change, they're allowed to make one change, one fundamental
- 24:07change to the ceremony. So it is thus always living and
- 24:11adapting and not completely rigid throughout time.
- 24:14And then you also have all of the samurai schools.
- 24:16And then you also historically have had a lot of people just
- 24:18practicing tea sort of in their, in their own way that we're not
- 24:22necessarily ever tied to one of these tea ceremony institutions.
- 24:25Their their influences waxed and waned over the years.
- 24:29Well, we both had been Omoto Sanki students at some time.
- 24:32I consider some self belonging to one of the school.
- 24:35Ryan, I don't know about you, but.
- 24:36Yeah, well, I mean, we're both, I don't know, we're not active.
- 24:40We're maybe former a Moto Psyche students.
- 24:43I I still have gone to a couple of their gatherings in recent
- 24:46years and and still really quite enjoy it, especially as a guest.
- 24:52It's being a host is learning to be a host is very challenging.
- 24:56Honestly, from an educational perspective, it is just a
- 24:59fantastic thing to be a competent guest in a tea
- 25:04ceremony, which by the way, would probably take years of
- 25:07being a properly competent guest to all the manners and formality
- 25:12that's required. But it's a really wonderful
- 25:14cultural thing to experience when when you have arrived at
- 25:18that point in your educational journey.
- 25:20It's honestly not for me. I'm care much more about the
- 25:23product of matcha than the ceremony itself.
- 25:26And so I learned enough to know that it was not definitely not
- 25:28my path, but I certainly appreciate it but for the art
- 25:31that it. Yeah.
- 25:33And you know, thank God that, you know, this culture still
- 25:36exists today that really helped to preserve Mata for the longest
- 25:41time that, you know, because right now we have all these
- 25:45demands coming from all corners of the society and all corners
- 25:48of the world consuming this product.
- 25:50But you know, for the longest time, tea ceremony
- 25:54practitioners, tea ceremony schools, were the sole buyers of
- 25:58matcha. Thank them that you know matcha
- 26:00can still exist until this day. And so this is where we arrive
- 26:04at a very interesting point because we've talked about tea
- 26:06ceremony in the preparation of tea, but we've also talked about
- 26:09the processing of tea. And the processing of tea I
- 26:11think is very underappreciated within the broader Hicks history
- 26:15and context of Japan. And Mark from Oika said
- 26:18something very interesting that really stuck in my mind was he
- 26:21was describing these rice straw shading techniques, the honzu
- 26:25shading techniques as endangered was the adjective that he used.
- 26:29I thought what what a really nice, interesting way of putting
- 26:31it is that with all this industrialization that allows
- 26:34all of us to drink matcha is that a lot of the traditional
- 26:37methods that are less efficient are becoming in danger and
- 26:40losing this tradition. And one thing that's very
- 26:42interesting is I think with it, when most people think of
- 26:44Japanese tea, especially in Japan and in the United States,
- 26:48is that there's very little thought historically given to
- 26:51the farmer. I read a book called Making Tea
- 26:53Making Japan and the subtext is cultural nationalism and
- 26:57practice. It's the history of Chana Yu and
- 27:00Japanese tea ceremony and how it was used to to form the idea of
- 27:04Japanese in this in the modern Japanese nation and culture and
- 27:08not once. And this is not a criticism,
- 27:10it's more of an observation. In this entire book did they
- 27:13ever talk about the people who are actually making the tea?
- 27:19The title Making Tea, Making Japan, not once or maybe very
- 27:24briefly, and I had forgotten, but it really was not a topic of
- 27:27this book where the farmers or the producers of this product.
- 27:31This is a really interesting observation.
- 27:33It's well, for the longest time, they are largely, you know, I'm
- 27:37just going to be very frank and blunt, the, the lowest of the
- 27:41social hierarchy of, you know, the tea making chains, you know,
- 27:47the, although they are the beginning part that like they,
- 27:50they, they are really the cornerstone and the foundation
- 27:52of why other people can have something to drink.
- 27:57But in terms of social hierarchy, they are, they're
- 28:00really the at the bottom for for the longest time.
- 28:04And it's really until very recently that social media kind
- 28:08of gave them a mic to, to have other people hear their voices.
- 28:12Yeah. It's, it's a very weird change.
- 28:16Zhengjun zooming back around Sanya Riku's time, can you talk
- 28:19a little bit about what was the utility of tea ceremony at the
- 28:23time, about the samurai class and and a lot of the stories
- 28:28told around some tea ceremonies and why the Japanese took this
- 28:32Chinese tradition and and made it their own?
- 28:34Well, that's actually a very interesting angle to, to
- 28:38understand tea and it's historical meaning in different
- 28:43era in Japan. Because in, in the very
- 28:45beginning, it's just a beverage that people like to consume.
- 28:49And after Sinoliku kind of formalized and ceremonialized
- 28:53the consumption of this this beverage into a culture, it kind
- 28:59of became a a a safe space, A foundation for people,
- 29:05especially the warlords, to have conversations with each other.
- 29:10Because, you know, at a time when you enter into a tea room,
- 29:14actually still to this days, you are not allowed to bring any
- 29:17weapon. You need to surrender your swore
- 29:20your Cortana outside of the tea room.
- 29:22And then instead you bring a little very cutesy fan as a
- 29:28symbolism of your weapon. Yeah, to and then you enter into
- 29:33the tea room. And it was really trying to, you
- 29:35know, prevent these samurais, the these warlords from warring
- 29:40swore against each other during a dispute.
- 29:42You know, you still got to come to a agreement or, or a
- 29:46disagreement at the end of the day.
- 29:47But, you know, you need to work out of the tea room alive.
- 29:50So that was kind of the purpose of a lot of these tea gatherings
- 29:54at the warring state period of Japan.
- 29:57But the purpose definitely changed after the development of
- 30:02Japanese society. It was really a interesting
- 30:05point that you know, the book you've been reading, Ryan Making
- 30:08Team Making Japan, that later on tea ceremony kind of served as a
- 30:13foundation for nation building for almost a umbrella structure
- 30:17to kind of contained and preserve all of the cultural
- 30:20element that can be described and defined as Japanese and can
- 30:25be used as a reference for Japanese Ness.
- 30:29And tea ceremony kind of served a wonderful umbrella structure
- 30:33for that purpose. Yeah, it's, it's interesting.
- 30:36Most of us in studying history, nationalism is a relatively new
- 30:41concept, believe especially just to use Europe as an example,
- 30:45Italy was basically a bunch of little fragmented, you know,
- 30:49tiny little regional centers of power in the, in the early, I
- 30:53think it was in the 1800s, at some point, the unifiers that
- 30:57kind of brought Italy together enter to 1 country, said great,
- 31:00we've created Italy, now we have to create Italians.
- 31:03And very similar stories are true in France and in Germany
- 31:07too. This idea of being German or
- 31:09this idea of being French or Italian is actually a relatively
- 31:13historically new concept. And Japan was definitely not
- 31:16immune from this. So both in the Meiji period and
- 31:20the more modern period, you know, Japanese tea ceremony tea
- 31:25macho was kind of chosen as this element that totally embodied
- 31:30Japanese Ness. And it it really stuck.
- 31:34And it was a really wonderful encapsulation of so many
- 31:38different crafts and arts that that it touched.
- 31:42And I'll read a line here from the book.
- 31:44You may find it. No worries.
- 31:46So, she writes, what renders the tea ceremony a quintessentially
- 31:50Japanese experience is not it's fixed or apartness from the
- 31:55ordinary routines of living, but rather the alternation between
- 31:59the everyday and the exceptional differentiation and distinction
- 32:03that is inscribed in the practice.
- 32:05And then she goes on to say it's in it's combination with
- 32:09practice. 1 reaching out in a self reinforcing matrix of other
- 32:13items defined as quote UN quote Japanese culture sustain these
- 32:18resonances before it takes far more than T Typically ceramics,
- 32:23scrolls, lacquerware, kimonos, tatami and even kaiseki cuisine
- 32:27to make a tea serum. In the moment to moment
- 32:30unfolding of the ritual, the stage, the props and the
- 32:33scripted roles conspire to create a seamless flow that not
- 32:37only naturalizes a very unnatural conduct, but also
- 32:43momentarily veils the oddness, apartness and distinctive
- 32:47Japanese of what's going on. So it's really is the perfect
- 32:51encapsulation of Japan. Yeah, that was a very long wait
- 32:54of saying, you know, tea Ceremony being a almost a, a
- 33:00gallery of all of these Japanese cultural elements, a very well
- 33:06curated gallery experience for people to experience and learn
- 33:12about Japanese culture and for Japanese to learn about their
- 33:16own identity. Yeah.
- 33:18And to make Japanese people to culturally Japanese people and
- 33:23they were saying, you know, especially after World War 2IN
- 33:25finding and creating a strong sense of national identity,
- 33:29especially in light of the new global world order and all of
- 33:32the internationalization that was happening.
- 33:35Creating a new generation of Japanese Japanese people to be
- 33:40molded into the cultural standards that they wanted to
- 33:44imbue to that generation, especially in such a conformist
- 33:48society, was very rigidly structured.
- 33:50And Chano you was perfect. It taught you how to sit, how to
- 33:53act, your manners. So for example, and within a
- 33:56Japanese tea ceremony, you have to apologize to the person who's
- 33:59going to have their bowl after you because you're drinking it
- 34:02before them and you think the host and you're taught ought to
- 34:05respect the wares and you're taught aesthetic appreciation.
- 34:08So after you drink the matcha, you put the ball back down to
- 34:11Tommy. You look left, you look right,
- 34:13and you pick it up, but not too far off the floor to examine the
- 34:17bowl. And you can ask questions about
- 34:19it and look at its different aesthetic subtleties and learn
- 34:23to appreciate them. And on top of that, when you
- 34:26learn Japanese tea ceremony, it is incredibly hierarchical and
- 34:29top down. You were told what to do, what
- 34:31to act, how to act, how to respond.
- 34:33It's perfect training ground to create a more conformist society
- 34:38that Japanese Japan is famous for, and that's actually one of
- 34:41the biggest critiques of Japanese tea ceremony in
- 34:44contemporary culture today for people who are have no interest
- 34:48in learning or studying it. Yeah, really.
- 34:52You know, a Japanese society in a nutshell.
- 34:54Almost. Yeah, there's a very funny line.
- 34:58Oh yeah. Here is so part of this book.
- 35:00She did research kind of talking with everyday normal Japanese
- 35:04people to get their set, especially people who are not
- 35:06tea people at all about what they think of chanayu in Japan.
- 35:09So this is more like current day matcha, but looking at it from a
- 35:13very like ordinary Japanese person's lens and to give you a
- 35:16sense of why it might be a dying art.
- 35:19One reason she writes this, one reason why the practice is so
- 35:23insistently promoted as relaxed in the experienced tourism
- 35:27industry is because as a as a representative of the Kyoto
- 35:32Tourism Board put it quote, tea is a hierarchical world with a
- 35:37strict relationship between teachers and students.
- 35:40Most people nowadays don't want that.
- 35:43They just want to try it out easily sitting in a Tatame room
- 35:46and enjoying a bowl of tea. So a lot of the, you know, that
- 35:51they recognize this at least within the tourism boards and
- 35:55really stress and have done a lot of modifications for for
- 35:58foreigners to have a less rigid experience.
- 36:00And so there's definitely some self-awareness even within
- 36:03these. Cultures, yeah, I, I mean, like
- 36:05even within Japan too, as we talked to some of the younger
- 36:09generation in Japan who are Japanese, they they don't want
- 36:13to go through this whole process either.
- 36:15In a way it really becomes a this is highly contacted again a
- 36:20cultural baggage that the preventing people to really
- 36:23enjoy matcha as it is just matcha.
- 36:26Another contemporary criticism of Japanese tea ceremony is the
- 36:30insane value and price of what they would call a lot of the T
- 36:33dogu or T utensils, ranging from the cha ones, which are tea
- 36:38bowls or the scoops or the natsu maze, can go for really crazy,
- 36:43insane prices. And someone that she interviewed
- 36:46in the book said you should be able to do it, referring to cha
- 36:50na Yu with any sort of utensil. But no one, no one does that
- 36:53now. And there's this idea around
- 36:55stuffiness around like what? What what can and cannot be used
- 37:00and this kind of this accumulation culture of wanting
- 37:03to buy the nicer and more expensive thing within Japanese
- 37:07tea practitioners and someone that she also interviewed that I
- 37:11really like and got a good laugh of this is someone she
- 37:14interviewed. They said quote people, people
- 37:17who don't know T just say without any interest when you
- 37:20tell them a bamboo scoop cost $10,000, they just say, oh,
- 37:25$10,000. To this, her mother burst out
- 37:28into laughter and said, yeah, for an oversized earpick for one
- 37:32of the great Buddha. A statue in Nara, I suppose.
- 37:34Ridiculous. How dare you A?
- 37:40Earpick. Earpick for oversized Earpick
- 37:43for the Great Buddha. And this is a Japanese person
- 37:48saying it, so it's. He has a pass or she has a pass.
- 37:53They have a pass, but backing up a little bit in the history.
- 37:56So you have the Sen Senke, you have these three schools and
- 37:59they have been active. I believe they're on the like
- 38:02the 15th and 17th generations now in the past in this podcast,
- 38:07I said 14 and 16, but I think there were generational changes
- 38:10since my memory of learning this.
- 38:12And those have always existed, but they weren't always the only
- 38:16way that tea was done in Japan. So as long June, let's back up a
- 38:18bit and talk a little bit about the histories of tea and matcha
- 38:23in the Meiji era as Japan was industrializing from a
- 38:26practitioner's perspective, from from the book making tea, making
- 38:30Japan, what was sort of the lay of the land that was going on in
- 38:32the, you know, around the 1800s. Yeah, there's a very interesting
- 38:35paragraph that I can just read it from the book that talks
- 38:39about this very topic. So here it goes.
- 38:42Industrialists and politicians were drowned to Channel U for
- 38:47many of the same reasons I stand Daniel and warriors.
- 38:50Steinman being the warlords at the time at once being.
- 38:54It offered a symbolic link to prior rulers for purposes of
- 39:00legitimating power. A social space for networking
- 39:03with other elites, as I was talking about, you know, like
- 39:06offering a space for the samurais and the diamond to have
- 39:09conversations with each other without weapons and and continue
- 39:14in the book and and a means for displaying a superior refinement
- 39:20alongside the pleasures of an afternoon of elegant
- 39:24entertainment. Meanwhile, beneath this
- 39:26oligarchy, the school system, always a central forge of
- 39:30national identity transmitted to the population below a knowledge
- 39:35of T bovent into a distinctively National History.
- 39:39Girls were encouraged to take up T as a hobby in training for
- 39:43their role as being, you know, good wives and wise mothers.
- 39:48The tea ceremony was not simply a flat symbol but a lift
- 39:52practice with bodies conveying it's national dissemination.
- 39:56Whether by business leaders or classroom leaders, tea continued
- 40:00to be done. The variously gendered balances
- 40:04of the nationalized result stood in a productive tension.
- 40:09Women's practice transmitted popular understanding of the
- 40:13tea. Ceremony to households across
- 40:16the nation, while men's tea, often reacting to women's
- 40:19practice, stamped such understandings with the higher
- 40:22legitimacy of status and power. Very interesting.
- 40:26It is very interesting. Like the Japanese society in the
- 40:30nutshell, almost the reason why you know, like we are perceiving
- 40:34Japanese, you know, in a lot of stereotypical way nowadays from
- 40:40a outsider point of view. And something very interesting
- 40:43in this book that we don't need to quote is apparently to this
- 40:46day for college entrance exams, one of the topics that you need
- 40:50to know and basically do some brute memorization has to do
- 40:54about the history of Senor EQ. So like this is ingrained within
- 41:00every Japanese person and a lot of people, especially young
- 41:03girls were encouraged to study it.
- 41:06And part of it really make up the vast majority of the
- 41:09practitioner base today and to become like good Japanese
- 41:13subjects basically and the good the good wives and wives, wives,
- 41:16mothers policy that the government took.
- 41:19And so it's really a very long legacy.
- 41:21Why you but mostly mostly see upper to middle class housewives
- 41:25in Japan are the primary practitioner base of these
- 41:28schools, which is interesting. Another thing that this book
- 41:32goes on to tell that leads us to the modern day status quo of
- 41:36macho and Japanese tea ceremony was used as a means of cultural
- 41:41was kind of chosen as a cultural element to share with the rest
- 41:44of the world. So when Japan came to the Paris
- 41:47World Expo over 100 years ago, a tea house, that was one of the
- 41:51things that they brought. When royalty and dignitaries
- 41:54come to Japan there, serve tea in a tea ceremony, it's really
- 41:57has been chosen as this cultural exchange element that's
- 42:01distinctively Japanese that they can share with the rest of the
- 42:04world. Interesting.
- 42:05So almost like the Confucius Institute of China, but much
- 42:09more successful. Much more successful than the
- 42:11Confucius Institute, whose branch was recently shut down at
- 42:15Penn State for reasons we. Won't and a number of other
- 42:18universities. Different history, not quite as
- 42:20pure as the chana Yu cultural spreading, but it it's actually
- 42:27interesting you go back to the history books.
- 42:29There's a really cool photo of Ronald Reagan sitting on a
- 42:32tatami mat with the Prime Minister of Japan at the time
- 42:35where he took him to his home and made matcha for him.
- 42:38So there's all sorts of these really cool pictures of of it
- 42:41being used as this type of element of cultural exchange.
- 42:44So Sam, this leads us to a wonderful segue of, of the
- 42:50status quo of matcha today. And the modern history is, I
- 42:55think all of this toxicity around people, especially in the
- 42:59US, accusing others of cultural appropriation and how a lot of
- 43:05traditionalists are not very open to the ideas of innovation
- 43:08or changing or, you know, people's conservative mindsets.
- 43:13It's always been this way. It should stay this way.
- 43:16Matcha in so many ways is just so fundamentally untouchable
- 43:21because it is distinctively wrapped in this Japanese Ness
- 43:26and it has intentionally been that way for hundreds of years
- 43:30where it's literally used as a subject to create Japanese
- 43:35cultured people. A Japanese person that grows up
- 43:38in the States and grows up and away from their original culture
- 43:42is not the same level. They don't have the Japanese
- 43:45Ness that you would have if you grew up in Japan.
- 43:49The manners, the sensibilities, the aesthetic preferences,
- 43:53etcetera. Yeah.
- 43:54I mean, like this whole movement of essentially enshrined matcha
- 43:59or tea ceremony into this very elevated status, I think it's
- 44:03what's making anything that related to matcha or tea
- 44:07ceremony so untouchable. I mean, like matcha being just a
- 44:11element of this whole idea, it's really the most controversial
- 44:16side because you know, like it, it really is not no longer part
- 44:22of Japanese exclusively anymore. It's so internationalized
- 44:27nowadays for people that are still kind of beholding it as
- 44:31part of something that's essentially very Japanese,
- 44:34essentially part of this Japanese narrative, are
- 44:38obviously would feel offended by people repurposing it for other
- 44:43usage. And when they are doing so, they
- 44:46are often getting accused of appropriating this thing.
- 44:49And just to give this some gravity and for some further
- 44:52context for everyone listening, I don't know if they if you know
- 44:55this story. So just to further, just to
- 44:57further contextualize this and how important matcha and tea
- 45:00ceremonies to the Japanese that during World War 2, the the air,
- 45:05the inheritor of the Urasenke lineage to to the Iyamoto was
- 45:10part of the Air Force and actually ended up being part of
- 45:12the kamikaze unit during World War 2.
- 45:14And it was chosen that that he was not going to, to, to commit
- 45:19suicide in that way because he was too culturally important to
- 45:23the Japanese nation. So what they had him do is
- 45:26perform tea ceremonies for the kamikaze pilots.
- 45:30So that that was sort of their last ceremonial gesture and
- 45:34salute to those pilots was they experienced a tea ceremony, had
- 45:37a bowl of matcha, and then went off to die during World War 2.
- 45:41And so there's an incredible cultural weight and importance
- 45:44behind tea ceremony which which lives on to this day.
- 45:47It's a very interesting story and actually he later he
- 45:52survived and went on to become the Iyamoto and is actually one
- 45:56of the greatest spreaders of Japanese culture and messages of
- 45:59peace. After the war, he traveled to
- 46:02many, many, many different countries doing all sorts of
- 46:04public demonstrations at Iyamoto and has been very praised in in
- 46:08talking about his messages for peace and is it became a very
- 46:11important man within Japanese tea history.
- 46:14So it is very importantly and distinctively Japanese and it,
- 46:18it has a huge cultural weight behind it to this day, which
- 46:21leads us into this very interesting dilemma into the
- 46:24future to, to, to segue into sort of the contemporary history
- 46:28of matcha. The industrial revolution was
- 46:31brought, which brought a lot more mechanization.
- 46:34Obviously, you know, before World War Two, you had the
- 46:36invention and discovery of the Haber Bosch process.
- 46:41It's a chemical process that allows us to take to fix
- 46:44nitrogen and basically with a lot of energy, take hydrogen and
- 46:48nitrogen and create ammonia, which then can be then further
- 46:52reacted to create both bombs and industrial fertilizer.
- 46:56And so with this industrial fertilizer, you had this Agri
- 46:59mass agriculture boom along with all these new mechanical devices
- 47:05that allow mass agriculture. And that very much hit the tea
- 47:07industry, which is now how the majority of the world can even
- 47:11consume matcha is because of all of the wonderful inventions and
- 47:14the scale of agriculture that happened after the industrial
- 47:18revolution. So at one point the West starts
- 47:22to take a pretty big interest in matcha.
- 47:24And that's actually a pretty more recent history.
- 47:29I've, I've done quite a bit of searching to the New York Times
- 47:32archives looking for early mentions of matcha.
- 47:36There's not very many and they're rather obscure, but it
- 47:39really didn't start to really become a thing and as far as I
- 47:43can tell, until around the early 2000s.
- 47:46And any sense of scale where you started to see it in cakes and
- 47:50and bubble tea stores and ice cream and Starbucks.
- 47:53I believe the first Starbucks in North America to serve a matcha
- 47:56latte was like in 2004, 2005. And a lot of new consumers got
- 48:02exposed to it in countries all over the world, developed a huge
- 48:05love for it. And then basically the market
- 48:07got flooded with a bunch of crap, very industrial stuff.
- 48:11So the term ceremonial grade was invented to kind of distinguish,
- 48:14you know, matcha that was more meant and designed to be put
- 48:17into a cake with a bunch of sugar to help mask the
- 48:20bitterness. And matcha that was meant to be
- 48:22consumed on its own. People started abusing that
- 48:25term. And that's kind of the status
- 48:27quo that we are in now because there's a lack of regulation
- 48:31around who can use that term. But matcha has become incredibly
- 48:34popular. And at the same time, Japan is
- 48:38literally a dying country from a demographic perspective.
- 48:41The average age of a tea farmer, and she's a local prefecture in
- 48:45Japan, is, I believe, 67 years old.
- 48:49Very few of those players are, very few of those farmers have a
- 48:52succession plan. So not only do you see both
- 48:55declining and abandoned tea plantations all over Japan, but
- 48:59you also see this mass consolidation that's happening
- 49:02where larger companies are buying up or leasing property or
- 49:05existing land from farmers. And the statistic is, I think in
- 49:09the 1980s you had about 200,000 tea farms in Japan.
- 49:13Now it's under 12,000. That's an insane shrinkage.
- 49:17Although you should put an asterisk next to that and
- 49:20recognize 1980s were an incredibly weird time in Japan.
- 49:23Japanese were among the richest country, one of the most rich
- 49:27countries in the world, and you know, in the late 90s if you
- 49:31were talking to someone in business or was it apparently
- 49:33early career? I've heard all of the management
- 49:36books about how to be a good manager and how to rise to the
- 49:39ranks. Were all Japanese books Japanese
- 49:42management the Toyota way? But definitely not the case
- 49:46today. No ones copying the playbooks of
- 49:48what's happening in Japan anymore.
- 49:50So this decline is natural and expected.
- 49:53When you move from a growth economy that's extremely wealthy
- 49:57that values things that they'll spend $10,000 on a tea scoop for
- 50:01sure they can support so many different farmers across Japan,
- 50:05but it's just not the case today anymore.
- 50:07So you start to see a lot of the rise of the specialty movement,
- 50:10specialty food movement, single origin products, single cultivar
- 50:13products, better movement in the late 90s in the West of wanting
- 50:17to know where your food came from.
- 50:19And you think see the rise of specialty coffee, bean depart,
- 50:21chocolate and then tea and then eventually spread to matcha
- 50:24where it was really spearheaded by a bunch of Western people are
- 50:28going to Japan making relationship with Japanese tea
- 50:30farmers, asking more in depth questions about their product
- 50:34and doing a lot more storytelling.
- 50:37And historically created around matcha product positioning that
- 50:42were mostly controlled by large institutionalized blend houses
- 50:45and that just gave all of their products and poetic name.
- 50:48And they had very close relationship with large
- 50:50institutional buyers or people in powerful positions that had a
- 50:53lot of influence over consumer buyers such as Iamoto's or, or
- 50:58people, people who ran temples, for example.
- 51:00So to this day, you go to some of the older traditional blend
- 51:03houses, you see all sorts of products that are endorsed by
- 51:06this school of chanoyu or this temple or this, this thing or
- 51:10that thing. And the idea of having matcha
- 51:14being a very consumer focused thing where you know, you know
- 51:18what you're drinking and to develop a set of complex
- 51:21preferences is a relatively new topic.
- 51:24And the idea of much as a specialty product is relatively
- 51:27new, which brings us to approximately the status quo,
- 51:30which where I'd say we're in the early stages of a specialty
- 51:33market where people really want to understand and and
- 51:36differentiate much of products based on the fact that it comes
- 51:40from this leaf that is descended from Bodhi Dharma's eyelids and
- 51:45all of the nature and nurture processes that can lead to
- 51:48interesting and unique flavors or stories.
- 51:50Yeah, wow. We really came through 2000
- 51:56years of the journey of this tea leaf and we are landing to this
- 52:00day of this very interesting mose, a dilemma of Mata being
- 52:06both a very, you know, specialty product and a also very legacy
- 52:13product that served the two very, very different audiences.
- 52:18On all of the growth is going to lie outside of Japan because
- 52:22it's a demographically dying country.
- 52:24There are fewer quote, UN quote, as this book put it, bodies out
- 52:28there symbolically and literally representing Japanese Nists.
- 52:32And it's a very different consumer base.
- 52:34You know, it's your average office worker who's working in
- 52:38tech and and metro Bangkok. It's someone, you know, it's an
- 52:42artist walking around Brooklyn, NY, You know, it's, it's someone
- 52:46down in Santiago, Chile, that's running a interesting, cool
- 52:51Japanese fusion restaurant. It's a really different mix of
- 52:55people now. And, you know, back in the days
- 52:57in which this was practiced in Japan, any of these
- 53:00practitioners probably could have never imagined that such a
- 53:04diverse group of people would fall in love with this this
- 53:07product and that came out of their culture.
- 53:10So how do we thread this Needle Matcha is both untouchable and
- 53:14very difficult to criticize or improve upon or iterate on,
- 53:19especially from the outside. And certainly within the inside.
- 53:22It's very difficult in Japan. It's seen as an industry you
- 53:26can't easily break into, particularly because of all of
- 53:29these cultural associations. So how do we go from here?
- 53:33Well, I would say that's actually not entirely true.
- 53:37It's untouchable outside of Japan and inside of Japan by a
- 53:43group of people holding a very strong narrative, a strong
- 53:47discourse, or holding a authority to define this
- 53:50product, but not necessarily those people who grows and farms
- 53:55much and not necessarily the people who consumes matcha
- 53:59outside of Japan nowadays. And the whole specialty movement
- 54:03kind of bridged the gap between all of these people, consumers
- 54:07that you were just talking about, Ryan, in all corners of
- 54:10the world enjoying matcha and the tea farmers in Japan who
- 54:15have been largely omit and kind of, you know, disregard by a lot
- 54:20of parties within and outside of Japan.
- 54:23And actually by talking, you know, in person with all these
- 54:26tea farmers in Wuji, in Yamei, in, you know, a lot of different
- 54:30parts in Japan, I would say that they are very open minded and
- 54:34they're very practical and they really care about the products
- 54:37that they're making, the tea that they're farming.
- 54:39And they are just happy that people are enjoying their
- 54:43creation. They don't necessarily have
- 54:46this, you know, matcha being untouchable, matcha being
- 54:49unchanged kind of mentality. In fact, when we were in Holi
- 54:54Shitiman's retail store, they were like, yeah, these T are
- 54:58great for latte. You should try it.
- 55:00We like matcha latte too. So, you know, like, I think
- 55:04that, you know, there is going to be a very segmented consumer
- 55:09cohort and narrative going into the future.
- 55:12And I don't think the gap between these two cohorts can be
- 55:18diminished one way or another. But the good news is 1 cohort is
- 55:23definitely growing than the other one by a very large
- 55:26percentage. And I think, I think that, you
- 55:29know, like the future of matcha really lifts the demand, really
- 55:33lifts outside of Japan. But, you know, for the moment,
- 55:37you know, the production and the manufacture of matcha inside of
- 55:41Japan is still going to be, you know, the status quo in the near
- 55:45future. But we don't know.
- 55:46But there are many other places outside of Japan that also grows
- 55:50tea. You know, why not matcha too?
- 55:52Yeah, just like the idea of you have like new world wine, old
- 55:55world wine, very similar concept could be put onto something like
- 55:59matcha doesn't necessarily especially with the global
- 56:02shortage, the the producers can't keep up as a lot of
- 56:05structural problems in that industry.
- 56:07So from people in the West, what are some things that we can do
- 56:10to promote the future for Matcha that we think is like very
- 56:14constructive? Like where are we stepping on
- 56:17our own feet as foreigners and as outsiders in the spreading of
- 56:22matcha and this culture to the rest of the world?
- 56:25I think one thing that would be very valuable or beneficial for
- 56:30us as people outside of Japan is to build matcha as a cultural
- 56:35element and as a product. So as a cultural element, I
- 56:39think that's where all of these accusations of cultural
- 56:44appropriation becomes relevant, right?
- 56:47You know, forming your own school of Chanu Yu outside of
- 56:50Japan as a foreigner claiming your way is, you know, the the
- 56:54way of making tea probably be, you know, cultural
- 56:58appropriation. But viewing matcha as a product,
- 57:02finding a usage of it as a beverage or as a ingredient in
- 57:07various way, I think that's that's something that's outside
- 57:12of the discussion of matcha being a culture.
- 57:15We spent a lot of time talking about matcha as a culture in
- 57:19this episode, but the really the status quo of matcha today is
- 57:24that it's no longer being tight by one culture.
- 57:28It's imbued into the daily life of many cultures around the
- 57:32world. It has been internationalized
- 57:34and it's no longer, you know, being abound by, you know, tea
- 57:39ceremony in Japan, being confined as part of the Japanese
- 57:44cultural element. But, you know, it has been
- 57:47spread across the world thanks to Ola Senke, thanks to, you
- 57:51know, all of these, you know, specialty movements or these
- 57:55beverage companies like Starbucks, you know, making
- 57:59delicious beverages using matcha as ingredient.
- 58:02You know, matcha has been preached outside of Japan and
- 58:07one party can no longer hold or hold a narrative or hold the
- 58:11authority to define what much Chinese anymore.
- 58:15I couldn't agree more. There should be a huge
- 58:17separation between macho ceremony and much as a product
- 58:21and much as a specialty product. Is certainly not fighting
- 58:25against ceremony in any way. And this self policing that's
- 58:29going on around accusing people of cultural appropriation, I
- 58:33think will really inhibit the growth moving forward.
- 58:36It's kind of like is what we discussed in the authenticity
- 58:40trap, you're using accusations of, of cultural appropriation as
- 58:46a weapon against other people, which can be very non
- 58:49productive, especially it's very commonly used with the reference
- 58:54of race. Like this guy looks South Asian
- 58:57to me. He has no right to do this
- 58:59stuff. You know, it's like, why is that
- 59:02the first place you go? And the next thing that comes
- 59:04out of some people's mouths is, well, my grandmother's Japanese
- 59:07and, you know, it's just inviting a fight.
- 59:10You know, I can say, wow, OK, my, my dad's father, my grand,
- 59:14my, my paternal grandfather is from Korea, but he was born in
- 59:17Pyongyang, which is now North Korea.
- 59:20But at the time it was actually part of the Japanese Empire.
- 59:23Does that make me Japanese? Like, I don't know.
- 59:26It doesn't give me any more rights than than anyone else to
- 59:30promote matcha as a specialty product or or even matcha
- 59:34ceremony. A lot of my Emoto Senke teachers
- 59:37were white Americans. The racial component to this is
- 59:41so weird to me and very hostile territory, and I think we're
- 59:46really stepping on our own feet. And the cultural component too,
- 59:50I mean, like if there is anyone or any entity or group of people
- 59:53can claim, you know, other people culturally appropriating
- 59:57this beverage will actually be the Chinese.
- 59:59You know, like they invented powder green tea or powder tea
- 1:00:02in the 1st place. They just don't drink it or make
- 1:00:05it anymore. But you know, it's really
- 1:00:08bothersome that you know. People are so weaponizing this
- 1:00:13term and using it to attack other people in a way that
- 1:00:17honestly sometimes it's the party being attacked.
- 1:00:23Probably legitimately made a bad product or it was bad marketing
- 1:00:28or it was bad usage of words, but accusing them being cultural
- 1:00:32appropriation. I think it's just far, far, far
- 1:00:35too severe of the term of a condition.
- 1:00:38It's a bad product, but you know, it's not, you know,
- 1:00:41attacking Japan, it's maybe attacking your stomach the least
- 1:00:46or the worst, but but, you know, elevating it to such a strong or
- 1:00:51severe status, I think it's really unnecessary.
- 1:00:55Well, creates a US versus them mentality.
- 1:00:58There's us, we're the ones who are respectful of culture and
- 1:01:01trying to preserve this, but they're they're just trying to
- 1:01:04profit off of it. And there's 1000 different ways
- 1:01:06you can slice that. But this implicit division of US
- 1:01:10versus them is not good in in the conversations that move us
- 1:01:13forward. And you know, this
- 1:01:14conversation's super long and it's not even close to a
- 1:01:18detailed history. You know, the future really much
- 1:01:21depends on everyone not only understanding the past to
- 1:01:23contextualize everything, but also not endlessly looking
- 1:01:27backwards either to cast judgement on other people's
- 1:01:30practices today. It's, you know, macho is very
- 1:01:32much now belongs to the world, even though it is distinctly
- 1:01:36Japanese. But you know, it's not under
- 1:01:38anyone's control anymore, now that in the same way that
- 1:01:43chocolate isn't under anyone's control, or just tea in general,
- 1:01:47or coffee. Do you have producers?
- 1:01:49You have blenders, you have people selling it, you'll have
- 1:01:53consumers, and it's all super organic now.
- 1:01:57It's not this sort of insular beverage that existed in a
- 1:02:00famously insular culture historically that has all these
- 1:02:05rules and rigidity about ritualized ceremonial practices.
- 1:02:10Well, people like to. Those stereotypes really came
- 1:02:14from people who had the voice at the time because when we were
- 1:02:18talking to the farmers, they were happy that the matcha was
- 1:02:21so internationalized. They were like friends from
- 1:02:24apart Come and enjoy the tea that we growed and come and
- 1:02:28enjoy this beverage with us. And we are happy that you are so
- 1:02:32curious and want to learn more about the tea that we are
- 1:02:35farming. Yeah, and those farmers are the
- 1:02:37ones who never get talked about. Yeah.
- 1:02:40So they do not have a, they do not have a voice back in the
- 1:02:43days. It's a very, very much a very
- 1:02:46recent change that we are seeing right now thanks to Internet and
- 1:02:50social medias. Thank goodness that's what the
- 1:02:52West cares about. We care about the farmers and
- 1:02:55productions and the product itself.
- 1:02:57So, you know, the specialty matcha movement is really a
- 1:03:01movement about people, about the farmers, about the product,
- 1:03:05about the consumers and creating the best product possible that
- 1:03:09meets the right consumer preference.
- 1:03:10And those products have interesting stories to tell from
- 1:03:13the cultivar, from the production methods of the
- 1:03:17terroir, all all these types of things.
- 1:03:19It's actually peeling back the layers of the onion.
- 1:03:22Matcha has all of the superficial vanity and cultural
- 1:03:26associations with it. And those ceremonies go super
- 1:03:29deep. Don't get me wrong, they have
- 1:03:31their own like inner parts of the onion.
- 1:03:33But if you look at matcha itself and you peel back the layers of
- 1:03:37the onion that what you get out is a really interesting human
- 1:03:40story just like any other specialty product.
- 1:03:43And that's what the specialty much in movement, which I
- 1:03:47believe is the future or one of the futures that will live
- 1:03:50alongside tea ceremony as much it continues to to be in the
- 1:03:54future. But I hope in 20-30 years from
- 1:03:57now we're talking about new experimental cultivars or new
- 1:04:01crazy shading styles. Maybe someone takes a new
- 1:04:05wavelength of light in a greenhouse and and does some
- 1:04:10weird shading, but they expose it to, I don't know, 500
- 1:04:14nanometer lights and it produces.
- 1:04:16Some interesting flavor. There's all sorts or matcha
- 1:04:19being grown in new and different terroir in places by, you know,
- 1:04:23very different group of people. And it's this like rich,
- 1:04:26thriving, diverse thing that that people can love and enjoy
- 1:04:31and benefit from. How should we hope the future
- 1:04:33is? Yeah.
- 1:04:35And we are almost talking about, you know, this specialty
- 1:04:38movement and Channel US two parallel universe.
- 1:04:43But I bet they will converge at some point.
- 1:04:45You know, naturally some group of people from, you know, loving
- 1:04:48drinking matcha from the group of, you know, the special
- 1:04:53specialty movement cohort will inevitably find curious about
- 1:04:57Channel U and about the traditional side of Japanese and
- 1:05:00tea culture. And I think that's a good thing.
- 1:05:02And then drawing tunnel you learning more, want to learn
- 1:05:07more about traditional Japanese culture.
- 1:05:10I think that's, you know, beneficial for, you know, Japan
- 1:05:14and Japanese culture as a whole, too.
- 1:05:16The ultimate moment will be when we can get the Iyamoto's
- 1:05:20interested in Matcha as a specialty product.
- 1:05:24That could be a very interesting cultural moment for recognizing
- 1:05:28Japanese tea farmers and the hard work that they do versus
- 1:05:31some poetically named product that no one knows what they're
- 1:05:34drinking because they don't have transparent label and no one
- 1:05:37tells you. That would be the the ultimate
- 1:05:40goal, I think, of these two worlds converging.
- 1:05:42And transparent, labeled and poetic names doesn't necessarily
- 1:05:46contradict each other. That either but.
- 1:05:49There's really no reason why these two words won't converge
- 1:05:54and handshake with each other at the end.
- 1:05:57Yeah. I mean really, if you want to
- 1:05:59see the traditional players really dominate, just imagine
- 1:06:02all the blend houses to start giving radically transparent
- 1:06:06labels. Boom.
- 1:06:07It's actually going to be a very difficult marketing position.
- 1:06:10Then for everyone else focusing on specialty, that would be the
- 1:06:14ultimate. When that pendulum swings back
- 1:06:16to them will be a very interesting same day.
- 1:06:19Yeah, that, that, that'll be. Cool, we are happy to see that.
- 1:06:23Oh yeah, love for that. That'd be very cool.
- 1:06:25I mean any Matcha brand anywhere, I mean your primary
- 1:06:28value is you're bringing the customers, right.
- 1:06:31They although they are getting much more international
- 1:06:33distribution and awareness than ever before.
- 1:06:36But really, like everyone who's listening that owns a Matcha
- 1:06:38brand in their country, they know their consumers better than
- 1:06:40anyone else and are able to curate and produce and pick
- 1:06:44things and select product for them in a way that like a
- 1:06:47Japanese person literally probably couldn't comprehend
- 1:06:51someones preferences in Santiago, Chile, or in Riyadh,
- 1:06:55Saudi Arabia, or in Manila and the Philippines.
- 1:06:58Like the very different cultures, different preferences,
- 1:07:01different everything. Yes, indeed.
- 1:07:03Yeah. All right, apologies for the
- 1:07:04Super long and semi unstructured slash structured conversation.
- 1:07:08Hopefully with some editing this wasn't too long.
- 1:07:10But I think this is really a self embodiment of what the
- 1:07:14future of macho will look like. Too super fluid, no one can
- 1:07:17define it. So if you enjoyed this thing,
- 1:07:19please consider showing friends giving us five stars on the
- 1:07:22platform you're listening to, and we'll see you on the next
- 1:07:25one. See.
- 1:07:25You in the next episode.