Latest / Frightmares / Ep. 145 - 1408 (2007)

Transcript

Ep. 145 - 1408 (2007) · Frightmares

• 0:43
  Speaker 1: You know what fucking makes me so angry. I don't
• 0:47
  Speaker 1: know how. I don't know if it's locked on DVD,
• 0:50
  Speaker 1: but I can't find I know this is gonna be
• 0:52
  Speaker 1: most people don't like this movie. But I can't find
• 0:54
  Speaker 1: The Ring Too on Blu Ray anywhere. I don't know
• 0:57
  Speaker 1: if that's like I think that might be locked on DVD.
• 1:00
  Speaker 2: I could have sworn both the Ring one and two
• 1:03
  Speaker 2: we're on Blu Ray, because.
• 1:04
  Speaker 1: I mean, I have the first one on Blue that
• 1:06
  Speaker 1: was easy to find, but I cannot.
• 1:08
  Speaker 2: Find the No.
• 1:11
  Speaker 1: I just thought about it now because.
• 1:12
  Speaker 2: I know there there's no rated version of two. Yeah.
• 1:17
  Speaker 1: Yeah, well.
• 1:20
  Speaker 2: No it's not no.
• 1:22
  Speaker 1: Oh yeah, I was just looking. Sorry, I was just
• 1:24
  Speaker 1: I was just looking at my collection back there when
• 1:26
  Speaker 1: I was putting a fantastic fear of everything back and
• 1:29
  Speaker 1: I was like, you know what, I would really like
• 1:30
  Speaker 1: Ring two on Blu Ray. That would be fucking sick.
• 1:32
  Speaker 1: You're not wrong, Yeah, there's no Blue for it. It's
• 1:36
  Speaker 1: only fucking DVD. Oh wait no, wait wait, wait wait wait,
• 1:39
  Speaker 1: hold on, visit Blu ray dot com hold the phone.
• 1:41
  Speaker 2: Well that's where I'm looking right now.
• 1:43
  Speaker 1: I don't oh yeah, yeah, it's all region it says
• 1:46
  Speaker 1: the Ring to pre order be notified when this is available.
• 1:50
  Speaker 2: I mean, it didn't make any money, so I know, well,
• 1:52
  Speaker 2: here's what actually right here?
• 1:55
  Speaker 1: What the Ring?
• 1:56
  Speaker 2: Two? Blu ray it's Canada or whatever, but it's six
• 2:02
  Speaker 2: nine nine can here all should you just want whatever? Yeah,
• 2:05
  Speaker 2: it's right there. It's a region free so that would work.
• 2:08
  Speaker 1: Oh it's got the big sixteen on the front though.
• 2:10
  Speaker 1: Fuck that well, I mean I'm a stickler for that ship.
• 2:14
  Speaker 1: I'm just saying it's all blue, Okay. Not in America though, apparently, bastards,
• 2:20
  Speaker 1: we're not good enough. I know. I mean that's true.
• 2:23
  Speaker 1: We a lot of other countries. I'm sure I probably haven't.
• 2:25
  Speaker 1: But yeah, I was just putting my movie back and
• 2:27
  Speaker 1: I was like, that drives me crazy. I have The
• 2:28
  Speaker 1: Ring too, somewhere on DVD, somewhere probably behind you. I
• 2:31
  Speaker 1: think I have it on DVD. I need to rewatch
• 2:33
  Speaker 1: that one because I know people it doesn't have nearly
• 2:36
  Speaker 1: as good a ratings and people. But I can't remember
• 2:38
  Speaker 1: why people don't like it. So I need to revisit
• 2:40
  Speaker 1: that one, and I make my own damn opinion.
• 2:43
  Speaker 2: I can tell you exactly why they don't like it
• 2:45
  Speaker 2: probably well most most likely. I mean I I so
• 2:48
  Speaker 2: I watched they were both in Paramount Plus, and uh,
• 2:52
  Speaker 2: I was looking for movies to watch, and I've never
• 2:53
  Speaker 2: seen the unrated version of The Ring Too, which is
• 2:56
  Speaker 2: about two hours, two hours, five minutes, just so much
• 2:59
  Speaker 2: of an ext shirt almost twenty minutes of movie. Oh wow, yeah,
• 3:01
  Speaker 2: it's legit, like under it's not directors because it's just
• 3:03
  Speaker 2: on rated cup But I'm you know, but still, so
• 3:05
  Speaker 2: I watched that and they completely go a whole different
• 3:10
  Speaker 2: direction from The Ring one, and I think that's where
• 3:13
  Speaker 2: a lot of people are like, nope, I'm out, oh right.
• 3:16
  Speaker 2: I mean I didn't hate it, but as a sequel
• 3:19
  Speaker 2: to The Ring, it was almost like The Ring two
• 3:21
  Speaker 2: was just a sequel by name only. But I mean
• 3:25
  Speaker 2: it still had not we watched it was in it.
• 3:27
  Speaker 1: It's still Smara Aiden was the same kid, right, Yeah, yeah, Hey,
• 3:32
  Speaker 1: it'll be whatever it is, it's gonna be better than
• 3:34
  Speaker 1: fucking Rings that came out in twenty sixteen or whatever.
• 3:37
  Speaker 1: That movie was god awful. I remember liking it when
• 3:41
  Speaker 1: it first came out, and so I went to rewatch it,
• 3:43
  Speaker 1: I don't know, a couple months, maybe years ago actually,
• 3:47
  Speaker 1: I can tell you right now when I watched it
• 3:48
  Speaker 1: and I was like, oh, why did I like this?
• 3:50
  Speaker 1: This movie is complete trash twenty seventeen. Yeah, I watched it.
• 3:55
  Speaker 1: I gave it one and a half stars. May seventh,
• 3:58
  Speaker 1: twenty nineteen. I mean, it's got a one point seven
• 4:00
  Speaker 1: so and it stucks too because the director. Wait, no,
• 4:03
  Speaker 1: I'm thinking of someone different. Just kidding, never mind, JK.
• 4:06
  Speaker 1: I'm thinking of another Javier. What's the Harvier I'm thinking of.
• 4:10
  Speaker 2: I don't know they are already of the actor.
• 4:12
  Speaker 1: Maybe it's possible, but yeah, that movie, that movie is
• 4:16
  Speaker 1: not good. I don't recommend Rings at all from twenty
• 4:19
  Speaker 1: seventeen my bad.
• 4:20
  Speaker 2: Yeah, yeah, it wasn't very good at all.
• 4:22
  Speaker 1: Not good. So yeah, welcome to episode one forty five.
• 4:27
  Speaker 1: I'm your host, Austin Proctor. That is your co host.
• 4:29
  Speaker 1: You've already heard Spenra Lafferman. Hi. Hello, so excited every time,
• 4:36
  Speaker 1: just so dead pan. Hello, we're talking about uh Proctor?
• 4:42
  Speaker 1: What is that?
• 4:43
  Speaker 2: Oh that was? That was a really low high pitch.
• 4:47
  Speaker 1: Hi, Georgie, we're talking about fourteen oh eight today, one
• 4:53
  Speaker 1: of my one of my favorite, honestly favorite movies to
• 4:56
  Speaker 1: be to be quite honest. I love this movie. It
• 4:59
  Speaker 1: it's been out for like fe teen years and I
• 5:01
  Speaker 1: watched the fuck out of it back in my teenage years.
• 5:04
  Speaker 1: I haven't seen it in quite some time, and I'm
• 5:06
  Speaker 1: glad that you reminded me of this because you were like,
• 5:08
  Speaker 1: we got to do fourteen oh waight soon? And I
• 5:10
  Speaker 1: was like, let's fucking do it next.
• 5:11
  Speaker 2: I try. I try to watch watch this movie every year.
• 5:13
  Speaker 2: I mean it's actually been two years. But like you know,
• 5:16
  Speaker 2: you get so many horror movies. Eventually you'll get back
• 5:19
  Speaker 2: to the ones you say you want to you watch,
• 5:20
  Speaker 2: or you're never gonna watch the other ones. It's just
• 5:22
  Speaker 2: like I'll watch this. Oh, I just bought ten more ship.
• 5:24
  Speaker 1: I don't know a bitch.
• 5:25
  Speaker 2: I don't know what to do now, but to.
• 5:27
  Speaker 1: Do with my hands?
• 5:29
  Speaker 2: No, no, no, this is this? You know This and
• 5:32
  Speaker 2: the myst would have been a great double feature.
• 5:34
  Speaker 1: Yeah, both Stephen King.
• 5:35
  Speaker 2: And besides the uh, the the New Uh, It's this
• 5:40
  Speaker 2: is probably my favorite uh Stephen King adaptations onto film,
• 5:44
  Speaker 2: besides the IT chapters.
• 5:46
  Speaker 1: Well, it's funny because you know when I first saw
• 5:48
  Speaker 1: the movie when it came out way back when I
• 5:49
  Speaker 1: don't know why I had a list for it there.
• 5:51
  Speaker 1: It was weird. I didn't know as Stephen King, you know,
• 5:54
  Speaker 1: until a few years ago when I was like, oh shit,
• 5:56
  Speaker 1: you know, because it's just not something I knew when
• 5:58
  Speaker 1: I was a youngin and knowing that going into it,
• 6:01
  Speaker 1: because you know, I hadn't I haven't seen it until
• 6:03
  Speaker 1: I knew Stephen it was based off a short story
• 6:05
  Speaker 1: from Stephen King. I'm like, this makes so much more
• 6:07
  Speaker 1: sense though, very Stephen King esk. I mean, we're gonna
• 6:10
  Speaker 1: be doing The miss here soon coming up, so uh,
• 6:13
  Speaker 1: I think one of our next ones coming up is
• 6:16
  Speaker 1: going to be The Missed. And I've never seen it
• 6:20
  Speaker 1: and somehow have not had anything spoiled except for those
• 6:22
  Speaker 1: giant monsters.
• 6:23
  Speaker 2: But I mean good, yeah, good, because I know it's
• 6:26
  Speaker 2: just good, just good.
• 6:28
  Speaker 1: I know I've heard the ending is crazy and fun. Fact,
• 6:32
  Speaker 1: it's actually on Netflix right now, I know, yeah, I
• 6:35
  Speaker 1: just saw that the other day. It came across and
• 6:36
  Speaker 1: I'm like, holy shit, they got The Missed.
• 6:38
  Speaker 2: The Missed It, The Missed It a chapter one. Both
• 6:41
  Speaker 2: came on Netflix like the same, like damn, like what
• 6:44
  Speaker 2: is going on here?
• 6:45
  Speaker 1: The world is coming to an end? Netflix is getting
• 6:47
  Speaker 1: good horror movies. Whats right? Yeah right, because we had
• 6:51
  Speaker 1: a great streak of watching some uh and they weren't
• 6:54
  Speaker 1: necessarily all horror movies.
• 6:56
  Speaker 2: I think out of all there's one hole. Well the
• 6:59
  Speaker 2: Poor Form plus was pretty horrific.
• 7:02
  Speaker 1: Yeah, that was a horror and then I know.
• 7:05
  Speaker 2: A thriller genre.
• 7:06
  Speaker 1: Skins was definitely I'm labeling that a horror.
• 7:08
  Speaker 2: Movie with a capital Oh.
• 7:13
  Speaker 1: Man, it's so funny because like we were, you know,
• 7:15
  Speaker 1: we've uh Me and Spencer do these virtual nights where
• 7:18
  Speaker 1: we will call each other because you'll beat your health.
• 7:20
  Speaker 1: I'm at my house and then we start a movie
• 7:22
  Speaker 1: at the same time and then just text each other
• 7:23
  Speaker 1: because like obviously, I mean, I'd love to hang out
• 7:26
  Speaker 1: every day, but you know, life, we really we can't.
• 7:28
  Speaker 1: We can't hang out every day. So we'll do virtuals
• 7:30
  Speaker 1: a few times a week, and you know, we'll go
• 7:32
  Speaker 1: back and forth picking movies. And you had picked a
• 7:35
  Speaker 1: great one the night before, or like a weird one,
• 7:38
  Speaker 1: a weird good one, and I was like, I got
• 7:40
  Speaker 1: a weird good one for us home and it had
• 7:42
  Speaker 1: it had a two point eight and I'm like, this
• 7:44
  Speaker 1: is why two point eights are fucking tricky man. They're
• 7:46
  Speaker 1: either like four stars or two stars. It was so literally,
• 7:51
  Speaker 1: so fucking so bad, although it weirdly had such a
• 7:56
  Speaker 1: like a redeeming story the movie.
• 8:00
  Speaker 2: The message was amazing. It was like the best message
• 8:03
  Speaker 2: to a very like.
• 8:05
  Speaker 1: It's just just all over the chaotic, fucking like.
• 8:08
  Speaker 2: Van Go made a movie like he's a great, great artist.
• 8:13
  Speaker 2: But I just don't think that the movie would be
• 8:15
  Speaker 2: so out there. I don't think it'd be so enjoyable.
• 8:17
  Speaker 1: Yeah, it was not enjoyable at all, but then by
• 8:19
  Speaker 1: the end of it, I'm like, man, this is everyone's happy,
• 8:22
  Speaker 1: and it just had such a like a good messa.
• 8:24
  Speaker 2: I wasn't happy, No, I wasn't.
• 8:26
  Speaker 1: I'm saying the characters, all the characters like got you know,
• 8:29
  Speaker 1: they they they learned something about themselves and they were
• 8:31
  Speaker 1: able to push on.
• 8:32
  Speaker 3: The message was absolutely just the executing of the message
• 8:36
  Speaker 3: was I don't I don't understand, like it's so unfortunate
• 8:42
  Speaker 3: because there are scenes in that movie that are still
• 8:45
  Speaker 3: in my brain and I would I wish I could
• 8:48
  Speaker 3: take floss to my brain and acts and just floss
• 8:51
  Speaker 3: it out.
• 8:52
  Speaker 1: I told you, I think I think my words verbatim
• 8:54
  Speaker 1: after that movie where I need to go bleach my
• 8:56
  Speaker 1: eyes b r B.
• 8:58
  Speaker 2: Yeah, I don't think I have very said the words
• 9:01
  Speaker 2: what the fuck so much in one succession of time.
• 9:04
  Speaker 1: Yeah. Remember, we snapped each other our faces and I
• 9:08
  Speaker 1: would rather watch a Serbian film before I watched that
• 9:11
  Speaker 1: movie again.
• 9:13
  Speaker 2: Yes, okay, I've seen it. Okay, Oh, I've seen it.
• 9:16
  Speaker 1: Okay. I would literally rather watch that again than watch
• 9:19
  Speaker 1: Skins again. That's how much I fucking detest Skins. It's
• 9:24
  Speaker 1: just so unsettling and uncomfortable. But if you feel the
• 9:28
  Speaker 1: need to want to watch that one, I believe it
• 9:32
  Speaker 1: is still on the Netflix. Yes, it is on Netflix,
• 9:35
  Speaker 1: so feel free to go watch that one if you
• 9:37
  Speaker 1: want a really positive, uplifting message.
• 9:39
  Speaker 2: You just lost a bunch of listeners.
• 9:41
  Speaker 1: No, hey, hey, I told them already. I've already said,
• 9:45
  Speaker 1: shiit movie, great message, So do with that information what
• 9:48
  Speaker 1: you will. But U, one of the other ones we
• 9:50
  Speaker 1: watched was The Platform, and that movie was fucking brilliant,
• 9:54
  Speaker 1: very good social message too, and uh, to top it
• 9:57
  Speaker 1: all off, you throw in a little k chaot chaotic
• 10:00
  Speaker 1: miss chaotic whatever I'm trying to say, really good acting,
• 10:04
  Speaker 1: some good gore, and uh, just a solid overall story.
• 10:07
  Speaker 2: Also The Sadness.
• 10:08
  Speaker 1: Yeah, oh god, I don't think we've talked about that yet,
• 10:12
  Speaker 1: do you want to? Yeah, yeah, we got some time
• 10:15
  Speaker 1: to kill. But yeah, that was another virtual we did.
• 10:18
  Speaker 1: Uh my first Taiwanese horror movie I've ever seen.
• 10:23
  Speaker 2: I can't say it wasn't because I watched a lot
• 10:25
  Speaker 2: of foreign film. Yeah, but like I'm pretty sure it was.
• 10:28
  Speaker 1: I mean, I know I've seen Korean, I've seen Korea.
• 10:31
  Speaker 1: I know I've seen Japanese, Indonesian, Yeah, Indonesian.
• 10:34
  Speaker 2: I've seen Chinese maybe.
• 10:35
  Speaker 1: And Chinese and Mandarin.
• 10:36
  Speaker 2: Oh yeah, but this was the first as well.
• 10:39
  Speaker 1: Yeah, this is my first Taiwanese horror movie. And my
• 10:43
  Speaker 1: I don't know who hurt them because that that movie
• 10:46
  Speaker 1: was a lot from Eyeballs, not in a bad way,
• 10:48
  Speaker 1: but this was.
• 10:49
  Speaker 2: Like the same reaction the skins, but in a good way.
• 10:51
  Speaker 2: Like our faces were still like what the fuck?
• 10:54
  Speaker 1: Yeah, because they give you about i'd say, ten minutes
• 10:57
  Speaker 1: of calm movie and then they just unleash utter chaos
• 11:01
  Speaker 1: and it was close to how long was that movie
• 11:04
  Speaker 1: The Sadness? Yeah probably it was close to two hours. No, no, no,
• 11:09
  Speaker 1: it was an hour thirty nine okay.
• 11:11
  Speaker 2: Okay, so okay, because I thought it was close to
• 11:13
  Speaker 2: two also, but yeah, they give you in that hour
• 11:15
  Speaker 2: and forty minute span, you probably do get a total
• 11:17
  Speaker 2: of ten to twelve minutes of calm and the rest
• 11:19
  Speaker 2: is like what the fuck.
• 11:21
  Speaker 1: And it's actually pretty well paced too, because there are
• 11:23
  Speaker 1: some scenes where it kind of slows down and then
• 11:25
  Speaker 1: picks back up, so it's kind of literally like a
• 11:27
  Speaker 1: roller coaster like this is intense, Okay, it slows down
• 11:30
  Speaker 1: to oh, this is intense again. Holy shit.
• 11:32
  Speaker 2: It gives you enough to catch your breath and be like, oh,
• 11:34
  Speaker 2: there it goes.
• 11:35
  Speaker 1: Again, and it's gone, and it's gone. A wild gore.
• 11:38
  Speaker 1: I mean, i'd say I said at least seventy five
• 11:41
  Speaker 1: percent of that was all practical, and if not all
• 11:43
  Speaker 1: of it, all of it, Yeah, I mean I didn't. Yeah,
• 11:45
  Speaker 1: I was not. I was not unhappy with any of
• 11:48
  Speaker 1: the gore at all. And there was a lot of
• 11:49
  Speaker 1: interesting kills, to say the least.
• 11:53
  Speaker 2: And just scenes one particular scene that they didn't thank
• 11:57
  Speaker 2: god they didn't show. They it was more implied billy yeah,
• 12:00
  Speaker 2: which which I'm okay with that because oh man, because
• 12:05
  Speaker 2: if I had to see that, I don't know if
• 12:07
  Speaker 2: I want to know.
• 12:08
  Speaker 1: Yeah, there's some things I don't need to see, and
• 12:11
  Speaker 1: that was definitely one of them. But yeah, sadness and
• 12:14
  Speaker 1: that's new for this year too. That's a that's a
• 12:16
  Speaker 1: twenty Shutter original. Shutter original. It was. It was released
• 12:20
  Speaker 1: over in Taiwan back in twenty twenty one, but you
• 12:23
  Speaker 1: know with foreign films a lot of the times, it
• 12:25
  Speaker 1: takes a little while for them to get over here.
• 12:26
  Speaker 1: So technically a twenty twenty two release for us, So
• 12:30
  Speaker 1: you'll be seeing that on our top tens. I'm sure.
• 12:33
  Speaker 1: I know it's in the mix for mine, for Suerski
• 12:36
  Speaker 1: and uh yeah. So that was a really good one.
• 12:38
  Speaker 1: Shut Her Original And I remember seeing so much for it,
• 12:41
  Speaker 1: like months back, and I was like, where can I
• 12:43
  Speaker 1: see this? Where can I see this? And finally someone
• 12:45
  Speaker 1: on one of the groups was like, it's coming to
• 12:46
  Speaker 1: Shutter like May twelfth, and I'm like, fuck yes, Like
• 12:48
  Speaker 1: I said a reminder on my phone, I was like,
• 12:50
  Speaker 1: we're gonna watch it, and we watched it and it
• 12:52
  Speaker 1: was nothing short of amazing. It also has a has
• 12:56
  Speaker 1: a three point three. I won't say what I gave
• 12:58
  Speaker 1: it because, like I said, that's gonna come up later
• 13:00
  Speaker 1: in the year.
• 13:01
  Speaker 2: Yeah, I wish. I hope because Shutter does do a
• 13:04
  Speaker 2: lot of physical copies. I hope that's what they do.
• 13:07
  Speaker 1: Oh yeah, I would love to have that.
• 13:08
  Speaker 2: So far, it hasn't been announced, but I would love
• 13:12
  Speaker 2: to have that.
• 13:15
  Speaker 1: Yeah, I definitely want to have that one as well.
• 13:18
  Speaker 1: A couple of what So the platform is sadness? Oh
• 13:21
  Speaker 1: uh we just watched was.
• 13:22
  Speaker 2: That dark comedy that we loved so much with Wilson?
• 13:26
  Speaker 1: Oh that wasn't a horror movie, but that was okay?
• 13:28
  Speaker 1: Oh yeah it was cold. Uh was a Netflix? Dude?
• 13:32
  Speaker 1: We have watched so many, so many Netflix.
• 13:36
  Speaker 2: From like twenty nineteen. Where were we with this came.
• 13:39
  Speaker 1: Out between like sixteen and nineteen. There are so many
• 13:42
  Speaker 1: Netflix original like thriller movies that we watched.
• 13:45
  Speaker 2: Yeah, Like, if you have a doubt that Netflix sucks
• 13:47
  Speaker 2: with the originals, they would go to the year twenty nineteen.
• 13:51
  Speaker 2: Basically anything they shut out that year was great.
• 13:54
  Speaker 1: Let me see, let me see if I can find
• 13:56
  Speaker 1: some of the ship that we watched shimmer Lake, that's
• 13:57
  Speaker 1: what it was. So here are some really unheard of
• 14:00
  Speaker 1: Netflix gyms. Let me just go over them real quick.
• 14:02
  Speaker 1: Shimmer Lake was one. Caliber was another. The Platform was another.
• 14:07
  Speaker 1: Small Crimes was awesome. Yes, The Call was in. Yeah,
• 14:11
  Speaker 1: that one's on Netflix. Two. That was that horror movie
• 14:14
  Speaker 1: with the girl phoning herself twenty years in the past,
• 14:17
  Speaker 1: disappearance at Clifton Hill Freaks. Freaks was fucking amazing.
• 14:23
  Speaker 2: We bought that like instantly after we watched it.
• 14:26
  Speaker 1: During the credits, I was like, oh, it has a
• 14:28
  Speaker 1: blue for like six bucks. I'm like, done good. It's
• 14:30
  Speaker 1: got Amelie hersh In from twenty eighteen. That was fantastic. Yeah,
• 14:34
  Speaker 1: Fractured was fucking amazing. Another one on Netflix. Forgotten another
• 14:40
  Speaker 1: fucking dude. I gave that five stars. Dude, there's so
• 14:43
  Speaker 1: many the Invisible Guests. Another five stars twenty sixteen for
• 14:49
  Speaker 1: Invisible Guests, twenty seventeen to four Forgotten, twenty nineteen for Fractured,
• 14:54
  Speaker 1: twenty eighteen for Freaks, nineteen for Clifton Hill, twenty for
• 14:59
  Speaker 1: The Call, and then seventeen for Small Crimes. Yeah, yeah, yeah,
• 15:02
  Speaker 1: we're worth yeah, because seriously, the forgotten and the occupant,
• 15:06
  Speaker 1: oh and then oh no they're forgotten and whatever. The
• 15:09
  Speaker 1: other one I just said was, oh, Invisible Guests five stars.
• 15:12
  Speaker 1: Then we watched The Occupant, which was another Spanish like
• 15:16
  Speaker 1: thriller for like, gave that one four stars. Bro, all
• 15:18
  Speaker 1: those movies are Netflix originals that I just mentioned, except
• 15:20
  Speaker 1: for The Invisible Guests that that is not, but they're
• 15:23
  Speaker 1: all Netflix originals and yeah, uh like me and you
• 15:26
  Speaker 1: were like, I think I need to start giving Netflix
• 15:28
  Speaker 1: more credit. Yeah. I don't know where these movies have been,
• 15:31
  Speaker 1: but we somehow managed to come across all of them.
• 15:34
  Speaker 1: And dude, I had so much fun with all those virtuals.
• 15:36
  Speaker 1: Like every night I was like, oh man, I was like,
• 15:38
  Speaker 1: we're gonna watch another fucking solid movie. So yeah, we've
• 15:41
  Speaker 1: been we've been killing it lately with uh, with these
• 15:44
  Speaker 1: awesome movies and Real Quick too. Uh, this isn't a movie,
• 15:48
  Speaker 1: but it's a mini series called Worst Roommate Ever. I
• 15:51
  Speaker 1: don't know if you if you've seen that it is.
• 15:54
  Speaker 1: It is a documentary with five episodes, four stories about
• 15:57
  Speaker 1: just like crazy like terrible roommate stories, not necessarily horror,
• 16:01
  Speaker 1: but that is. That's another thing. I gave five stars
• 16:03
  Speaker 1: a lot of five stars lately. Where's that at Netflix? Again? Netflix?
• 16:08
  Speaker 1: It's a really awesome It's like like it's an anthology. Documentary.
• 16:12
  Speaker 1: You know, every episode is a different story.
• 16:14
  Speaker 2: Interesting.
• 16:15
  Speaker 1: Yeah, it's very good. So been watching a lot of
• 16:18
  Speaker 1: good shit lately, to say the least. Also watched the
• 16:21
  Speaker 1: new Slumber Party Massacre from last year. Fucking loved it,
• 16:26
  Speaker 1: solid four star movie, excellent and yeah, and then we
• 16:30
  Speaker 1: actually just watched A Black Phone new for this year,
• 16:33
  Speaker 1: awesome movie, which was fucking amazing. I don't want to
• 16:35
  Speaker 1: give away my rating on that because you'll probably see
• 16:37
  Speaker 1: that in the top ten or at least the runner
• 16:40
  Speaker 1: up top ten, but yeah, I feel Ethan Hawke really
• 16:43
  Speaker 1: killed it with that. With that role, he was very creepy. Yeah,
• 16:47
  Speaker 1: and he you know, he didn't really see He only
• 16:48
  Speaker 1: saw half of his face at a time for like
• 16:50
  Speaker 1: ninety percent of the movie because he was always covered
• 16:52
  Speaker 1: by some part of the mask. But it was amazing
• 16:55
  Speaker 1: what he could do with a like half of a
• 16:57
  Speaker 1: mask and like his eyebrows, And I was.
• 16:59
  Speaker 2: Like, you're killing it man, Ethan Hawk Basically basically he
• 17:03
  Speaker 2: just acted with his face.
• 17:04
  Speaker 1: Yeah, essentially, because you know, you didn't really see he
• 17:06
  Speaker 1: didn't see his mouth and his eyes at the same time.
• 17:08
  Speaker 1: I think until the end when I think he ripped
• 17:10
  Speaker 1: it off. Very briefly, very briefly, but uh, that sown
• 17:13
  Speaker 1: in theaters. Now go see that. I know there was
• 17:15
  Speaker 1: a Dolby showing I wish we could have seen, but
• 17:17
  Speaker 1: it was at like ten thirty at night, and I'm like,
• 17:18
  Speaker 1: I'm old. I can't go out that late anymore. But yeah,
• 17:23
  Speaker 1: Black Phone is freaking fantastic. I want to own that
• 17:25
  Speaker 1: whenever it comes out and watch that again. I showed
• 17:28
  Speaker 1: Gabby Senser last night. Oh she liked it nice. I
• 17:31
  Speaker 1: know that was the you know, that was a second
• 17:34
  Speaker 1: or the second time.
• 17:35
  Speaker 2: I watched it. I haven't rewatched since we got it.
• 17:37
  Speaker 1: But oh, so good. The aspect ratio change is just
• 17:40
  Speaker 1: fucking when.
• 17:42
  Speaker 2: I when I first saw that movie, I was confused
• 17:45
  Speaker 2: as hell. But then I'm like, I see what they're doing.
• 17:46
  Speaker 2: Holy shit, I'm done. It's good.
• 17:48
  Speaker 1: It's very good.
• 17:49
  Speaker 2: Yeah.
• 17:50
  Speaker 1: So yeah, been a lot of good good. Oh I
• 17:52
  Speaker 1: need to rate fourteen. Oh wait, what the fuck? Unbelieva unbelievable.
• 17:58
  Speaker 1: I know I just finished watching like five seconds ago.
• 18:00
  Speaker 1: Uh seen that before? Rate save boom? All right, Well
• 18:05
  Speaker 1: I guess some more. I got some movies here. I
• 18:08
  Speaker 1: got a this was the Shout Factory. Uh, what the fun.
• 18:13
  Speaker 1: Was it called Hidden Jim's Sad? Yeah, So I picked
• 18:17
  Speaker 1: up four because they were like half price, and I
• 18:20
  Speaker 1: have never seen any of these and I wanted to.
• 18:23
  Speaker 1: So the first one I got is George Romero's Night
• 18:26
  Speaker 1: Riders and this is like some medieval crazy ship with
• 18:30
  Speaker 1: what's his face is in this? Tom Savigni? And then
• 18:33
  Speaker 1: Ed Harris, Yes, yeah, that's a that's a young Ed
• 18:37
  Speaker 1: Harris right there. Yeah. So essentially what I get is
• 18:41
  Speaker 1: it's it's came Loot's it says Camelot is a state
• 18:44
  Speaker 1: of mind, and it's Ed Harris on this motorcycle medieval style.
• 18:48
  Speaker 2: So maybe it's like Georgia Romero's version of ad Max or.
• 18:52
  Speaker 1: Yeah, or like a Night's Tale or something something like that,
• 18:55
  Speaker 1: like Mad Max meets a Night's Tale. So yeah, it's
• 18:59
  Speaker 1: a try Renaissance fair who saddle up on motorcycles instead
• 19:02
  Speaker 1: of horses. So it looks awesome. That looks fun. Never
• 19:05
  Speaker 1: seen that one. Then a movie I've heard about multiple
• 19:09
  Speaker 1: times because I've seen the picture of uh, oh my god,
• 19:15
  Speaker 1: what's his face? I'm blanking no, no, no, no, that's
• 19:21
  Speaker 1: not Johnny, isn't that? I thought that was? What's his face?
• 19:24
  Speaker 2: From scream No no, no.
• 19:27
  Speaker 1: No, no, no, no other one? God damn it. What's your
• 19:29
  Speaker 1: fucking names? Shaggy?
• 19:31
  Speaker 2: Yeah, that's he might be in it, but that's not
• 19:33
  Speaker 2: him on the cover.
• 19:34
  Speaker 1: I could have sworn that. I thought he was in
• 19:37
  Speaker 1: those hackers. What crazy. Yeah, Matthew Lillard.
• 19:41
  Speaker 2: That's not on the cover.
• 19:42
  Speaker 1: Yes, it is one hundred percent, one hundred percent. I'm
• 19:46
  Speaker 1: gonna look this up. Yeah, that's definitely with the crazy hair.
• 19:49
  Speaker 1: That's definitely Matthew Lillard. Matthew Willard. Oh sorry, I was
• 19:55
  Speaker 1: I was trying to point.
• 19:56
  Speaker 2: Oh yeah, no, sorry, I was looking at him.
• 19:58
  Speaker 1: Yeah, he's got the weird crazy braids, going.
• 20:00
  Speaker 2: Okay, yeah, that's it. I thought you've met, like the
• 20:02
  Speaker 2: main one.
• 20:03
  Speaker 1: No, no, no, sorry, I was trying to point with my
• 20:05
  Speaker 1: with my finger. I guess that didn't work. It's funny though,
• 20:07
  Speaker 1: because his his pictures on there, but his name's not
• 20:09
  Speaker 1: on there. If you look at the names up top
• 20:12
  Speaker 1: on the front.
• 20:12
  Speaker 2: Yeah, it's not in the back either.
• 20:14
  Speaker 1: I made the cover, but my name didn't.
• 20:16
  Speaker 2: Maybe he I didn't seen this in a long time.
• 20:19
  Speaker 1: Yeah, I've never seen it either, but I've just heard
• 20:20
  Speaker 1: about it. You know, you've got Angelina and Jolee. You've
• 20:23
  Speaker 1: got Matthew Lillard.
• 20:24
  Speaker 2: You've got a whole bunch of I remember liking it,
• 20:26
  Speaker 2: but it's been I mean, hell, the movie is probably
• 20:29
  Speaker 2: this is the twentieth anniversary.
• 20:30
  Speaker 1: Yeah, probably, it's got a three point two. I mean,
• 20:33
  Speaker 1: so it's it's got to be decent. So that's another
• 20:37
  Speaker 1: one I got because like I said, i've seen it.
• 20:38
  Speaker 1: I've heard about it, just just never Sorry, I haven't
• 20:41
  Speaker 1: seen it. I've seen things about it, but I haven't
• 20:43
  Speaker 1: actually witnessed the film. So that's another one. I got
• 20:46
  Speaker 1: this movie called Crime Wave, which is Sam raimie joint
• 20:51
  Speaker 1: directed by and it doesn't have a great rating, but
• 20:54
  Speaker 1: it's Sam Raimi and I'll always I'll give anything that
• 20:57
  Speaker 1: he has. You know, he's directed a chance. Uh so
• 21:00
  Speaker 1: that looks fun as well. And then I got another
• 21:02
  Speaker 1: one that I haven't seen. I've seen none of these movies,
• 21:04
  Speaker 1: but it's screen factory and I have no ar shout
• 21:06
  Speaker 1: factory and I have no control. A movie called The
• 21:08
  Speaker 1: Nightingale directed by Jennifer Kent. Who did I like that cover? Yeah?
• 21:12
  Speaker 1: I love this cover. It's certified fresh rotten tomatoes. I remember, I.
• 21:16
  Speaker 2: Really enjoyed it. I just think for me, when I
• 21:19
  Speaker 2: saw it, when I first came out or whatever the fuck, Yeah,
• 21:22
  Speaker 2: whenever it came out it was on Hulu and I
• 21:23
  Speaker 2: watched it, I just take it. For me, it was
• 21:25
  Speaker 2: overly longly dragged a bit, but other than that, it
• 21:27
  Speaker 2: was a really good follow up to the Bubba Duke.
• 21:30
  Speaker 1: It's a follow up.
• 21:31
  Speaker 2: Well, I mean it was her second. Yeah, they usually
• 21:34
  Speaker 2: that's what they like. There's they'll say follow up to
• 21:36
  Speaker 2: like their next movie, even if it's not a sequel.
• 21:39
  Speaker 1: No, that makes sense. Yeah, it's I mean, it's got
• 21:40
  Speaker 1: a three point seven out of five on letter Box
• 21:44
  Speaker 1: and yeah, it is two hours and sixteen minutes, so
• 21:46
  Speaker 1: it is definitely gonna be a longer movie.
• 21:48
  Speaker 2: Which is fine. You know that's fine. But I mean
• 21:51
  Speaker 2: for like, I mean, I'm not gonna say anything so
• 21:53
  Speaker 2: you haven't seen it, but like for what goes on,
• 21:55
  Speaker 2: it does drag a bit.
• 21:57
  Speaker 1: I mean that makes sense. Yeah, anything over to over
• 22:00
  Speaker 1: two hours, that's the possibility of dragging somewhere.
• 22:02
  Speaker 2: And that wasn't even like uh not saying a lot
• 22:05
  Speaker 2: like maybe cut seven minutes, not even a full like
• 22:08
  Speaker 2: you still keep it over two hours. I just think
• 22:09
  Speaker 2: there there's just a certain timeframe where I was like huh,
• 22:13
  Speaker 2: and then I'm like, oh, okay, cool, we're backing it.
• 22:15
  Speaker 1: Yeah, and you said the same thing with Nightmare Alley.
• 22:17
  Speaker 1: You were like, I like Nightmare Alley, it was just
• 22:18
  Speaker 1: too fucking long.
• 22:20
  Speaker 2: No, that was Yeah, that was two and a half hours,
• 22:23
  Speaker 2: which once again, it's fine. I mean, for you know,
• 22:25
  Speaker 2: I've seen the Del Toro Del Toro, but also I
• 22:29
  Speaker 2: mean his moavies usually aren't that long. That's true, but uh,
• 22:31
  Speaker 2: I mean, like I prefer the extended versions of The Lord
• 22:34
  Speaker 2: of the Rings, but we all those aren't boring. It's
• 22:36
  Speaker 2: just this one was like this could have it still was,
• 22:40
  Speaker 2: could have been fine with being over two hours. Just
• 22:43
  Speaker 2: maybe that one maybe cut about fifteen minutes. And I
• 22:46
  Speaker 2: don't know if you haven't seen that Merrally yet.
• 22:48
  Speaker 1: Yeah, it's on HBO Max. Still, so I.
• 22:51
  Speaker 2: Mean, and I mean I still gave it. I can
• 22:53
  Speaker 2: still give it four stars because I thought it was excellent, but.
• 22:56
  Speaker 1: Well, it's just like dragged, dragged across concrete. It's like
• 22:59
  Speaker 1: a almost a three hour movie. Yeah, that was long
• 23:01
  Speaker 1: as and it does drag a little bit, but it
• 23:05
  Speaker 1: was still fantastic overall, still still a fantastic movie. I mean,
• 23:09
  Speaker 1: oh my god, Jennifer Carpenter gets fucked up in that movie.
• 23:12
  Speaker 1: Holy shit, she's barely in it. I know, she's barely
• 23:15
  Speaker 1: in it and gets completely destroyed. I was like, oh, wow,
• 23:19
  Speaker 1: that's a great one. Vince Vaughan and uh Mel Gibson. Yeah,
• 23:23
  Speaker 1: that's a great one. But yeah, So those are the
• 23:24
  Speaker 1: four movies I bought from the Hidden Gym sales. Stuff
• 23:27
  Speaker 1: I haven't seen, always wanted to see, or have at
• 23:29
  Speaker 1: least heard of it. And you know, I got all
• 23:32
  Speaker 1: these for like I think it's fifty two bucks.
• 23:34
  Speaker 2: Yeah, that's a good deal.
• 23:35
  Speaker 1: It was a good deal because you know, it was
• 23:36
  Speaker 1: like every time I buy from them, I'm like, all right,
• 23:38
  Speaker 1: I need to get like fifty bucks worth to save
• 23:40
  Speaker 1: you know, seven bucks on shipping. So yeah, I mean
• 23:43
  Speaker 1: to get I think it was like fifty seven with
• 23:44
  Speaker 1: tacks out the door.
• 23:45
  Speaker 2: So four Blues, yeah, relatively New Blues for it's like
• 23:49
  Speaker 2: less than sixty.
• 23:50
  Speaker 1: Yeah, fifteen bucks a pop for for screen factory.
• 23:54
  Speaker 2: Yeah, especially because even like a normal New Blue these
• 23:56
  Speaker 2: days are like twenty five thirty bucks exactly. So there alone,
• 23:59
  Speaker 2: Yeah makes sense.
• 24:00
  Speaker 1: I like it. Yeah, they were on sale for for
• 24:02
  Speaker 1: good amounts. I had so many more in my cart,
• 24:03
  Speaker 1: but they were about the same price on Amazon, so
• 24:05
  Speaker 1: I was like, I'll get those later, right, I try
• 24:07
  Speaker 1: not to spend too much this month on Blue Red's
• 24:09
  Speaker 1: It's those are the only four I bought. I think
• 24:12
  Speaker 1: this besides freaks have dude, I had I guess I didn't.
• 24:16
  Speaker 1: I had it, Dude. I had to tone it down.
• 24:17
  Speaker 1: I was buying like hundreds and hundreds of dollars on Dude.
• 24:20
  Speaker 1: I spent probably twelve hundred like a month, for like
• 24:25
  Speaker 1: two months on screen factory Ship, and I was like,
• 24:27
  Speaker 1: I gotta fucking slow down. And I mean now I
• 24:29
  Speaker 1: only have ten left. I only have ten left that
• 24:31
  Speaker 1: I need to take.
• 24:32
  Speaker 2: Where it could be worried. You could be spending all
• 24:34
  Speaker 2: that on drugs or something.
• 24:35
  Speaker 1: I know, I could be losing my job, drunk in
• 24:37
  Speaker 1: the gutter and spending all my money on alcohol and drugs.
• 24:40
  Speaker 1: But I don't do that. It's fucking fine. I spent
• 24:43
  Speaker 1: my spend my money on Blu Rays because I have
• 24:45
  Speaker 1: no drug Yeah, in a sense, but at least this
• 24:49
  Speaker 1: one won't kill me probably right, unless this falls on
• 24:53
  Speaker 1: top of me and I get buried heavy. Dude.
• 24:56
  Speaker 2: That's a way to go though.
• 24:57
  Speaker 1: That's way to just take me up.
• 24:59
  Speaker 2: It's fine, that's like my top two.
• 25:04
  Speaker 1: Oh my god, yeah, I actually just hit over eight
• 25:08
  Speaker 1: fifty on Blu Ray doc or my I love the
• 25:12
  Speaker 1: Blu Ray app. Let me just plug this app real
• 25:14
  Speaker 1: quick because it's Blu ray dot com and they have
• 25:17
  Speaker 1: an app obviously, and you can you can keep you
• 25:19
  Speaker 1: can you can keep track of your collection, so you
• 25:21
  Speaker 1: scan the bar codes. Then for people who don't know,
• 25:23
  Speaker 1: because I didn't know this until recently, you can scan
• 25:25
  Speaker 1: in a bar code and it adds it to your collection.
• 25:27
  Speaker 1: So now I will never be out in public and
• 25:29
  Speaker 1: be like do I have this movie? I fucking check
• 25:31
  Speaker 1: and I'm like, oh, I have it? Or who I don't?
• 25:33
  Speaker 2: Or if someone's like, how many movies do you have?
• 25:36
  Speaker 2: Hold on, hold on a second, let me just get
• 25:38
  Speaker 2: it out of my iphen in my iphen.
• 25:40
  Speaker 1: So I'm at eight fifty eight currently of all my
• 25:42
  Speaker 1: movies including Blu Rays, four k's and DVDs, and you're
• 25:45
  Speaker 1: at eleven sixty seven.
• 25:47
  Speaker 2: Twelve sixty eight, twelve sixty eight.
• 25:49
  Speaker 1: Okay, it was one hundred and one off.
• 25:51
  Speaker 2: So you're so how many did you say you have.
• 25:53
  Speaker 1: Eight fifty eight currently?
• 25:55
  Speaker 2: Yeah, I have four as of right now. I'm still
• 25:59
  Speaker 2: not due. I still book. Yeah, as right now, I
• 26:01
  Speaker 2: have like four hundred and more.
• 26:02
  Speaker 1: You'll probably have another one hundred and fifty. You'll probably
• 26:05
  Speaker 1: be easy gonna say, you'll probably be at like fourteen
• 26:07
  Speaker 1: hund do easy with the steel books, no problem.
• 26:10
  Speaker 2: Yeah, so far I only have three out of my
• 26:12
  Speaker 2: whatever steel books. Yeah, just because I've been watching them recently,
• 26:14
  Speaker 2: so I'm like, I'll just plug this in why I
• 26:16
  Speaker 2: watch it as I watch.
• 26:17
  Speaker 1: Luckily, I still have one, two, three, four five. I
• 26:22
  Speaker 1: still have six and a half shells that can hold
• 26:24
  Speaker 1: about sixty apiece, so that's about another two hundred and forty.
• 26:28
  Speaker 1: But once I read the cap on that, I'm really fucked.
• 26:31
  Speaker 1: I'm gonna have to clear out that fucking thing behind
• 26:33
  Speaker 1: you with the funkos and all the DVDs, and I'm
• 26:35
  Speaker 1: gonna have to just fucking throw the DVDs in the trash.
• 26:38
  Speaker 1: I guess at this point, fuck those DVDs that you
• 26:42
  Speaker 1: think physical well that are I'm gonna throw.
• 26:45
  Speaker 2: I'm gonna Grandma's boy, You're never getting that.
• 26:48
  Speaker 1: No, yeah, anything that's locked on DVD, I'll keep. Anything
• 26:51
  Speaker 1: that's not I will replace with Blu Ray and then
• 26:53
  Speaker 1: sell to bright Light Books. And if they don't want
• 26:55
  Speaker 1: to sell them or buy them from me, then I'll
• 26:57
  Speaker 1: just fucking keep them. I don't want it. Just give me,
• 27:00
  Speaker 1: like a dollar a piece, call it a day, you
• 27:02
  Speaker 1: know what I mean. I wish they would at least
• 27:04
  Speaker 1: do that. Just give me a buck. Come on, give
• 27:06
  Speaker 1: me a buck for all these just.
• 27:08
  Speaker 2: Have a garage, so you'll probably get a buck from somebody,
• 27:10
  Speaker 2: some collector.
• 27:10
  Speaker 1: That's true. Take this bend for fifty bucks. How many
• 27:13
  Speaker 1: Belie DVDs are in there too, Jesus, they're op probably
• 27:18
  Speaker 1: probably so. Yeah, collection is going up. I love it.
• 27:21
  Speaker 1: I love it. I love it. Real quick, before we
• 27:24
  Speaker 1: start this review, let's go and talk about stranger things.
• 27:28
  Speaker 1: Who's dying? Come on, who's gonna die? Someone's dying.
• 27:32
  Speaker 2: I think more than one person's gonna die. I don't
• 27:35
  Speaker 2: think it. I mean, okay, this is my thing. If
• 27:38
  Speaker 2: only one person dies, it's gonna be somebody that's going
• 27:41
  Speaker 2: to rip us apart. If two people dies, I mean
• 27:44
  Speaker 2: it's gonna rip us apart. But like if they're only
• 27:46
  Speaker 2: killing off one person, that just means season five is
• 27:49
  Speaker 2: gonna murder everybody. Yeah, and this one's just gonna hurt
• 27:52
  Speaker 2: so much we will not recover even when season five
• 27:54
  Speaker 2: starts in a couple of years.
• 27:56
  Speaker 1: So here's some theories.
• 27:58
  Speaker 2: I don't want it to be a thing. But Steve.
• 28:01
  Speaker 1: Yeah, no, uh, if the people, it's like Daryl from
• 28:05
  Speaker 1: The Walking Dead when people are like I like the
• 28:08
  Speaker 1: whole the massive People is like, I will stop watching.
• 28:10
  Speaker 1: I will cancel Netflix if Steve dies, and people will
• 28:13
  Speaker 1: do that. Yeah, So I don't think they're gonna be
• 28:15
  Speaker 1: that bold. If they are, I'm not watching season five.
• 28:17
  Speaker 1: I can tell you right now, I'm not watching. If
• 28:19
  Speaker 1: they kill off Steve, I will not be watching season
• 28:21
  Speaker 1: five on I know. That's a fucking weird thing. Or
• 28:24
  Speaker 1: I don't know what.
• 28:26
  Speaker 2: Here with it. What if they do kill off Steve,
• 28:29
  Speaker 2: but we are aware that somehow eleven can bring him back,
• 28:33
  Speaker 2: but that doesn't come into play until season five, so
• 28:35
  Speaker 2: there's a possibility can come back.
• 28:37
  Speaker 1: I mean if they if they explain that there's a
• 28:38
  Speaker 1: way to bring people back, then okay. But if they
• 28:41
  Speaker 1: just kill him off and it's just done, and you know,
• 28:44
  Speaker 1: we don't hear anything else about him in season five,
• 28:46
  Speaker 1: I I'm done.
• 28:46
  Speaker 2: I just they're either gonna kill I think it's it's
• 28:49
  Speaker 2: it's honestly, I think it's Steve or Nancy. And and
• 28:53
  Speaker 2: I'm not going to say why because if some listeners
• 28:56
  Speaker 2: haven't seen this season yet, it's huge spoilers, but certain things,
• 29:00
  Speaker 2: and they've done it in other movies or TV shows before,
• 29:02
  Speaker 2: which I'm not saying this is like all of them.
• 29:04
  Speaker 2: But as the writer's standpoint, what they've done with these
• 29:08
  Speaker 2: characters in this season just makes me think one of
• 29:13
  Speaker 2: them are going if not both of them, but I
• 29:15
  Speaker 2: think just one of them.
• 29:16
  Speaker 1: See here's here's where I'm i'm at. I don't think
• 29:19
  Speaker 1: as I think Steve is gonna be the obvious choice,
• 29:21
  Speaker 1: but I don't think that. I don't think they're gonna
• 29:23
  Speaker 1: be ballsy enough to do that because, like I said,
• 29:24
  Speaker 1: the backlash that they'll receive over that.
• 29:27
  Speaker 2: Well, if he doesn't know this season, he will die.
• 29:30
  Speaker 2: He's just and I don't want him to. But he's
• 29:33
  Speaker 2: just one of those characters that just like, uh, I'm
• 29:37
  Speaker 2: not gonna say who because some people might not have
• 29:39
  Speaker 2: seen this show yet. But in Sria Niki there was
• 29:41
  Speaker 2: a particular person that dies like the third or fourth season,
• 29:46
  Speaker 2: and if anybody has seen this data who I'm talking
• 29:47
  Speaker 2: about that sticks with us to this day. And that's
• 29:49
  Speaker 2: an over ten ten years old show. Yeah, so, and
• 29:54
  Speaker 2: I mean he was a he was a he was
• 29:56
  Speaker 2: a favorite. I mean that again, he was only in
• 29:57
  Speaker 2: three or four seasons, but like that character was a
• 30:00
  Speaker 2: a favorite of every person that watched Sun's Day, one
• 30:02
  Speaker 2: hundred percent agree. This was probably the worst death of
• 30:04
  Speaker 2: the whole series. And it's been over ten years and
• 30:06
  Speaker 2: we still don't get over it.
• 30:07
  Speaker 1: I'm just hoping that they're they're gonna play like Walking
• 30:09
  Speaker 1: Dead did and keep Darryl alive the whole time. I mean, shit,
• 30:12
  Speaker 1: I think even Rick dies at some point or he
• 30:14
  Speaker 1: left it. He left the show.
• 30:15
  Speaker 2: I know, well he well he left the show, but
• 30:17
  Speaker 2: he will be back. It's also apparently doing two movies,
• 30:20
  Speaker 2: so so that doesn't so that well wrong.
• 30:22
  Speaker 1: So here's a couple of things I'm thinking. Yeah, I'm
• 30:25
  Speaker 1: thinking if it's not Steve, I have a theory about
• 30:28
  Speaker 1: maybe it being Lucas because this season he's kind of
• 30:31
  Speaker 1: dealing with a lot of uhh, yeah, he's kind of
• 30:34
  Speaker 1: dealing with a lot of issues, and I think he
• 30:36
  Speaker 1: might come to a point where he may sacrifice himself
• 30:39
  Speaker 1: to kind of redeem himself.
• 30:40
  Speaker 2: I and you know, I I thought about that too, Yea.
• 30:43
  Speaker 2: In my head, I'm like, which.
• 30:45
  Speaker 1: Which would still hurt because it's been around.
• 30:47
  Speaker 2: But it wouldn't hurt me as bed as Steve, which
• 30:48
  Speaker 2: is what you know.
• 30:49
  Speaker 1: Becol And I think because I think, because why is
• 30:52
  Speaker 1: Steve has had the best character arc, not even just
• 30:54
  Speaker 1: in this show, He's had one of the greatest character
• 30:56
  Speaker 1: arcs of any TV show in my opinion, because he
• 30:59
  Speaker 1: was such an asshole in season one, kind of playing
• 31:02
  Speaker 1: the you know, preppy jock guy that was like kind
• 31:05
  Speaker 1: of teasing Nancy with like being with her or whatever.
• 31:08
  Speaker 1: And then in season two, I think that was the
• 31:11
  Speaker 1: one where he was him and Dustin linked up, right,
• 31:13
  Speaker 1: yeah yeah, and they became friends and now he's just
• 31:15
  Speaker 1: like the babysitters. So his character arc has been so
• 31:17
  Speaker 1: wholesome and so great.
• 31:19
  Speaker 2: Which is another reason why the Duffers are gonna like
• 31:22
  Speaker 2: just like in Game of Throws. Also, like George R
• 31:25
  Speaker 2: and Martin told you from the get go, don't get
• 31:27
  Speaker 2: attached to any characters. This was before the show was
• 31:28
  Speaker 2: a thing in the books he said, don't get attached
• 31:30
  Speaker 2: to anybody because the ones that you like the most
• 31:32
  Speaker 2: are gonna die. And he wasn't wrong.
• 31:34
  Speaker 1: It's just a weird thing to do, you know what
• 31:35
  Speaker 1: I mean, LIKEE keep him alive because there's plenty of
• 31:38
  Speaker 1: other people that because like, you know, the whole thing
• 31:41
  Speaker 1: with uh, there's I don't want to say this because again,
• 31:43
  Speaker 1: this is season three, so I don't want to say anything.
• 31:45
  Speaker 1: But there's a certain character that you think dies. But
• 31:48
  Speaker 1: in my head, I was like, he's not dead. I
• 31:50
  Speaker 1: was like, I know he's not because you didn't see
• 31:52
  Speaker 1: him actually die.
• 31:54
  Speaker 2: But what they did with that was was really was
• 31:56
  Speaker 2: like what they did with that, they explained more about
• 31:58
  Speaker 2: that in this season, which I really thought was.
• 32:00
  Speaker 1: Yeah, exactly, but so we all knew he didn't actually die.
• 32:04
  Speaker 2: I see in my head I thought he did. But
• 32:06
  Speaker 2: then I was like, there's no way that they would
• 32:09
  Speaker 2: do that, So like, yeah, I think so soon. But
• 32:13
  Speaker 2: they did the same thing with him in season three
• 32:15
  Speaker 2: that they're doing with Steve in this season, and I
• 32:18
  Speaker 2: don't know if they're gonna do that quote unquote fake
• 32:20
  Speaker 2: out twice.
• 32:21
  Speaker 1: Yeah, I don't know. Because yeah, because you didn't actually
• 32:23
  Speaker 1: see this person die. He kind of just vanished, and I'm.
• 32:26
  Speaker 2: Like and they just and and you kind of just
• 32:28
  Speaker 2: get and then all just for character's sake, everyone assumed.
• 32:31
  Speaker 1: Yeah, And I was like, I was like, okay, they
• 32:33
  Speaker 1: killed him, but I don't know. I was like, no, no, no, no.
• 32:36
  Speaker 2: What if what if they actually pulled the trigger on
• 32:38
  Speaker 2: this season with with him? Like for really, I think.
• 32:40
  Speaker 1: It's gonna be Steve.
• 32:41
  Speaker 2: It's either gonna know I'm talking about the fake out
• 32:44
  Speaker 2: from three.
• 32:45
  Speaker 1: Actually just already prepared for it at this point, you
• 32:47
  Speaker 1: know what I mean, I already had my heart broken ones.
• 32:49
  Speaker 2: I think I think Steve will be the ultimately, like
• 32:53
  Speaker 2: fuck yeah, especially because we're not especially because we're not
• 32:56
  Speaker 2: getting season five for two more years.
• 32:58
  Speaker 1: Oh yeah, I know everyone's going to be in fun.
• 33:00
  Speaker 1: Can you know they're gonna be in there diapers because
• 33:02
  Speaker 1: they're gonna be so old. So yeah, we're talking.
• 33:05
  Speaker 2: About the characters, not the viewers, even though the viewers
• 33:07
  Speaker 2: are old too.
• 33:08
  Speaker 1: The kids are just aging exponentially at this point.
• 33:11
  Speaker 2: Well yeah, I mean this season did take two and
• 33:13
  Speaker 2: a half years because of COVID. I know, so, but still.
• 33:16
  Speaker 1: So Lucas makes sense to me in a way. Also
• 33:19
  Speaker 1: Eddie Eddie makes sense to uh, which.
• 33:21
  Speaker 2: Which I mean, I'm not really I mean, I'm attached
• 33:23
  Speaker 2: to him, but i'm not so like.
• 33:25
  Speaker 1: Yeah, I saw this one thing. I was like, who
• 33:26
  Speaker 1: would you say, Steve or Eddie? Steve. I love Eddie.
• 33:30
  Speaker 1: He's a great addition, but he's only been around for
• 33:31
  Speaker 1: one fucking season. He's actually, he's expendable. I'm sorry, Yes,
• 33:34
  Speaker 1: I'm sorry. Like I love the character. I hope he
• 33:37
  Speaker 1: makes it, but he's fucking expendable. I'm sorry.
• 33:39
  Speaker 2: And if season five is the last one between this
• 33:42
  Speaker 2: the end of this and five, you're gonna need shock value,
• 33:45
  Speaker 2: which will have to be an original character to go
• 33:47
  Speaker 2: probably yeah.
• 33:48
  Speaker 1: Which, but everyone loved. There's a lot of people like
• 33:50
  Speaker 1: that were choosing Eddie over Steve. So there's a lot
• 33:52
  Speaker 1: of love for Eddie already, I.
• 33:54
  Speaker 2: Think, and nothing against either of them, but I think
• 33:58
  Speaker 2: a lot of people are like, he's attractive, let's go
• 33:59
  Speaker 2: with that more. Because I've seen a lot of people
• 34:02
  Speaker 2: I got, you know, I whatever, he's they're simping over Eddie.
• 34:05
  Speaker 2: I'm like, okay, now, guys, I.
• 34:07
  Speaker 1: Think it's really funny. I saw this thing a trivia.
• 34:09
  Speaker 1: I'm not if I don't know if it's one hundred
• 34:11
  Speaker 1: percent accurate, But there was a scene he shot with
• 34:13
  Speaker 1: one of the girls that was killed off, and they
• 34:15
  Speaker 1: didn't shoot this scene of that exactly what you're talking. Yeah,
• 34:19
  Speaker 1: they didn't shoot the scene of them talking together until
• 34:21
  Speaker 1: after they had killed her character and they were like
• 34:23
  Speaker 1: like fuck, these guys have great chemistry.
• 34:25
  Speaker 2: That was okay.
• 34:27
  Speaker 1: So then yeah, but so I'm thinking it's either gonna
• 34:29
  Speaker 1: be Lucas or Eddie or yeah, it might be like, uh,
• 34:32
  Speaker 1: what's the Jonathan or Nancy? Jonathan, Nancy, don't care about Mike,
• 34:36
  Speaker 1: don't care about Eleven, Hopper, Steve, and Define not Robin, right,
• 34:44
  Speaker 1: Yeah that's uh, Robin and Max those five.
• 34:51
  Speaker 2: Yeah, I don't want Robin to dies because they they
• 34:53
  Speaker 2: gave her like this whole season has been a great
• 34:56
  Speaker 2: arc for her because they're just taking over. How So
• 35:00
  Speaker 2: they started with her like the whole season three, there
• 35:02
  Speaker 2: wasn't much of an arc with her. She was just
• 35:03
  Speaker 2: a new character or a new fun character. Then like
• 35:05
  Speaker 2: the last episode of season three, they gave her this
• 35:08
  Speaker 2: arc and they just stopped it there. Yeah, they continued
• 35:11
  Speaker 2: it with this so no, she's not on my chopping
• 35:15
  Speaker 2: box at least not this season. Maybe next season, yeah,
• 35:17
  Speaker 2: like but not right now because of they're still developing
• 35:21
  Speaker 2: her and they've done it really they've done it really
• 35:23
  Speaker 2: well with this season.
• 35:24
  Speaker 1: Yeah, I agree, I really enjoy her, But.
• 35:27
  Speaker 2: It's honestly, like like gun to heead, it's really tough
• 35:29
  Speaker 2: to choose. But my choice is either not not that
• 35:34
  Speaker 2: I want to die that could be dying in these
• 35:36
  Speaker 2: last two episodes are either Nancy, Steve, or Lucas or
• 35:42
  Speaker 2: one or two of the three, not all three of them,
• 35:44
  Speaker 2: but like, honestly, go bigger, go home, knowing that the
• 35:47
  Speaker 2: next season is the last, because I'm sure they're gonna
• 35:49
  Speaker 2: kill off a bunch of people next season.
• 35:51
  Speaker 1: Well, and last theory before we jump into this, the
• 35:53
  Speaker 1: last thing I or one of the theories I heard
• 35:55
  Speaker 1: from because all the what we're talking about now is
• 35:57
  Speaker 1: all stuff that we've thought. But one straw had go
• 36:00
  Speaker 1: fee on TikTok. He was talking about how because time
• 36:03
  Speaker 1: is a very important key element in this season, especially
• 36:07
  Speaker 1: when you realize the whole like kind of quote unquote
• 36:09
  Speaker 1: time travel thing with the upside down. Yeah, so time
• 36:12
  Speaker 1: is a very very big player in this uh this season,
• 36:16
  Speaker 1: and his theory was everyone's gonna die besides Eleven, and
• 36:20
  Speaker 1: she's gonna have to figure out how to bring them back.
• 36:22
  Speaker 2: That's what I was talking about earlier, was like maybe
• 36:24
  Speaker 2: maybe if Steve does die, they could figure.
• 36:26
  Speaker 1: It's all gonna be Yeah, yeah, so I'd be cool
• 36:28
  Speaker 1: with that. If they all just kind of died and
• 36:30
  Speaker 1: then Eleven stuck by herself and she has to like
• 36:32
  Speaker 1: harness the power of the upside down to like reverse
• 36:35
  Speaker 1: time or something like that, that would be an interesting
• 36:37
  Speaker 1: way to do.
• 36:37
  Speaker 2: But obviously we know if they all quote unquote die
• 36:39
  Speaker 2: this season, we know just because we know there's a
• 36:42
  Speaker 2: new season coming up that just kill off n their
• 36:45
  Speaker 2: cast and have a whole new sea.
• 36:46
  Speaker 1: Yeah so or so maybe some people will get come
• 36:49
  Speaker 1: back and the others will get trapped and they'll have
• 36:50
  Speaker 1: to go rescue them.
• 36:51
  Speaker 2: So, if anything, if they were gonna do that, which
• 36:53
  Speaker 2: I do.
• 36:53
  Speaker 1: Like the idea, Yeah, it's definitely a cool idea.
• 36:56
  Speaker 2: Great idea. I just don't think that would be that
• 36:59
  Speaker 2: would be an interesting idea to start season five, and
• 37:01
  Speaker 2: like a couple episodes into five, you have to try
• 37:04
  Speaker 2: to figure Eleven's got to try to figure out, yeah,
• 37:06
  Speaker 2: bringing them back in that one, so maybe save all
• 37:10
  Speaker 2: the desks for for season five as a story. I mean,
• 37:13
  Speaker 2: obviously they gotta they gotta end it crazy high note.
• 37:16
  Speaker 2: They can't just because every season has been better and better,
• 37:19
  Speaker 2: So like they can't just be like better and better.
• 37:20
  Speaker 1: And then mediocre and then man, I mean.
• 37:22
  Speaker 2: Then again it's happened so many times.
• 37:25
  Speaker 1: Hey listen, but like the last season of Dexter wasn't bad.
• 37:29
  Speaker 1: It was just like the last couple of episodes and
• 37:30
  Speaker 1: then the ending.
• 37:31
  Speaker 2: You're like, no, I meant, I meant technically season eight
• 37:34
  Speaker 2: not new Blood.
• 37:35
  Speaker 1: No, no, no, I know, but like I still like
• 37:37
  Speaker 1: season eight up until like the last couple episodes.
• 37:39
  Speaker 2: First four episodes, and that just went away.
• 37:42
  Speaker 1: I mean yeah, like I said, I enjoyed it until
• 37:44
  Speaker 1: like i'd say, the last maybe two or three episodes, and.
• 37:46
  Speaker 2: You're like, I mean, okay, fine, game throws.
• 37:49
  Speaker 1: Well yeah, and I haven't watched that because of that.
• 37:52
  Speaker 1: I heard.
• 37:52
  Speaker 2: The whole last season is just last season. It's it's
• 37:55
  Speaker 2: so sad. Yeah, but it's because the writers were like,
• 37:58
  Speaker 2: like HBO real quick because I know, gotta get do this,
• 38:00
  Speaker 2: but HBO wanted ten seasons, the writers.
• 38:02
  Speaker 1: Were done after like six or seven.
• 38:05
  Speaker 2: Don't okay. One through six was great. Seven, like the
• 38:10
  Speaker 2: first two episodes were good. Then it just went downhill
• 38:13
  Speaker 2: from there all the way to the end. And the
• 38:14
  Speaker 2: writers were but but it's because the writers. So the
• 38:17
  Speaker 2: writers split like gave us half half. So each season
• 38:21
  Speaker 2: is like ten episodes. But because the writers promised longer
• 38:24
  Speaker 2: episodes for seven and eight, which we didn't really get
• 38:27
  Speaker 2: like what was promised onlike you know, shrager things, movie
• 38:31
  Speaker 2: quality episodes. Yeahs, they gave us like six episodes for
• 38:36
  Speaker 2: each season, which you know, cut four hours on each one,
• 38:39
  Speaker 2: so totally eight hours were gone, which which basically is
• 38:41
  Speaker 2: all which basically would have been you know, season eleven.
• 38:44
  Speaker 2: So they just it was a rush job and there's
• 38:46
  Speaker 2: like run it on paper. Here we go, no fan service.
• 38:48
  Speaker 2: We're just gonna fucking do it. And they don't even care.
• 38:50
  Speaker 2: Like there was no fit like you would think to'd
• 38:52
  Speaker 2: be a little There was one bit of fan service,
• 38:55
  Speaker 2: but it lasted two minutes in the last season, which
• 38:57
  Speaker 2: I cool, but like that was it. I'm like okay,
• 39:01
  Speaker 2: like I get it, Like, but at the end of
• 39:03
  Speaker 2: the day, if you're writing this, this show, like be
• 39:06
  Speaker 2: proud of your own work, like don't don't shoot on
• 39:08
  Speaker 2: your own work because and this was the perfect like haha,
• 39:11
  Speaker 2: told you so, go fuck yourself. But uh, before season
• 39:14
  Speaker 2: eight came out of the creators of Game of Thrones
• 39:18
  Speaker 2: were slitted into a start Right Stars movie and then
• 39:21
  Speaker 2: season eight came out, and this is like fuck that,
• 39:22
  Speaker 2: we're done, like no thing, no thing. So because they
• 39:25
  Speaker 2: shot on their own show, they lost a chance and
• 39:28
  Speaker 2: a great franchise. It was gonna be good or not.
• 39:31
  Speaker 2: They they lost their chance of that, which it's their
• 39:33
  Speaker 2: own fault. Bum the one time Disney did something correct.
• 39:38
  Speaker 1: The one time. Uh well, let's hope that Stranger Things
• 39:41
  Speaker 1: doesn't fall victim to that. I'm excited.
• 39:43
  Speaker 2: I don't think it will.
• 39:45
  Speaker 1: That's true. Last two episodes dropped this Friday, when you'll
• 39:48
  Speaker 1: be listening to this or you know, not when you're
• 39:49
  Speaker 1: listening to this the same day that this this episode
• 39:52
  Speaker 1: comes out, the Stranger Things episode six and seven will
• 39:55
  Speaker 1: be out, So yeah, very excited for that eight and nine,
• 40:00
  Speaker 1: eight to nine.
• 40:00
  Speaker 2: Yeah, there's a total of nine episodes because there's usually
• 40:03
  Speaker 2: eight episodes and.
• 40:04
  Speaker 1: Then don't listen to me something there's not obviously I
• 40:07
  Speaker 1: puts something in my soad. I don't know what's going on.
• 40:09
  Speaker 1: I'm not paying attention. I guess eight and nine eight nine, okay,
• 40:14
  Speaker 1: all right, sopposed to get to this frickey fraggedy movie.
• 40:16
  Speaker 1: That's my new phrase I'm saying lately, and I don't
• 40:18
  Speaker 1: know why.
• 40:19
  Speaker 2: It's the first time I've ever heard it.
• 40:21
  Speaker 1: Frickety fraggety, okay, second frickety.
• 40:24
  Speaker 2: Okay, God damn it.
• 40:25
  Speaker 1: All right, so fourteen oh eight. This movie was released
• 40:28
  Speaker 1: in two thousand and seven on June twenty second of
• 40:30
  Speaker 1: that year. Rated PG thirteen don't let don't let anybody
• 40:34
  Speaker 1: tell you PG thirteen movie horror movies aren't good, because
• 40:37
  Speaker 1: this is fucking one of them right here. Yes it
• 40:39
  Speaker 1: is rady PG thirteen for mild sex and nudity, moderate
• 40:43
  Speaker 1: violence and gore, moderate profanity, one fuck, and an inaunorible
• 40:47
  Speaker 1: fuck that I'll get to in a minute. Oh in
• 40:50
  Speaker 1: the trivia, moderate alcohol, drug and smoking, and severe frightening
• 40:53
  Speaker 1: and in ten scenes. Runtime of an hour and forty
• 40:56
  Speaker 1: four minutes for the theatrical cut and one hour and
• 40:58
  Speaker 1: fifty two minutes for the direct cut. Fucking Amazon lied
• 41:01
  Speaker 1: to me. I rented it and it was like one
• 41:04
  Speaker 1: hour fifty two minutes, and then I started it and
• 41:06
  Speaker 1: it was like fuck you, one forty four and I'm like,
• 41:08
  Speaker 1: what the shit? So I didn't see the director's cut.
• 41:10
  Speaker 1: I saw the theatrical cut, which is the only cut
• 41:12
  Speaker 1: I've seen. One day, I'll see the director's cut. There's
• 41:15
  Speaker 1: some extended scenes and parts, and then the ending is
• 41:17
  Speaker 1: completely different. Listed as a fantasy horror mystery directed by
• 41:23
  Speaker 1: a man I'm gonna butcher some of these names, so
• 41:25
  Speaker 1: I apologize. Directed by ooh Mikhail Hafstrom, who has twenty
• 41:29
  Speaker 1: two directing credits and also did The Right from twenty
• 41:32
  Speaker 1: eleven starring Anthony Hopkins. Great Great Extorsism movie. Written by
• 41:37
  Speaker 1: three people, one of which Matt Green, who has twelve
• 41:40
  Speaker 1: writing credits and he did helped write Halloween h two
• 41:43
  Speaker 1: oh and The New Pet Cemetery from twenty nineteen. And
• 41:46
  Speaker 1: we have Scott Alexander who has eighteen credits who also
• 41:49
  Speaker 1: wrote Man on the Moon Yeah with Jim Carrey and
• 41:52
  Speaker 1: Dolomite is my Name. And then we have Larry who
• 41:56
  Speaker 1: Karazuski with eighteen credits as well, who also helped do
• 42:01
  Speaker 1: Man on the Moon and Dolomite is my name, So
• 42:02
  Speaker 1: I guess they worked together.
• 42:04
  Speaker 2: What a what A what a weird? Like, so you
• 42:06
  Speaker 2: got three writers, one of Horror and two of Cobley.
• 42:09
  Speaker 1: Yeah. Yeah. Man on the Moon is like a comedy
• 42:11
  Speaker 1: drama and Dolomite is my name.
• 42:12
  Speaker 2: Yeah also yeah, so interesting actually both bile pics. Yeah,
• 42:17
  Speaker 2: more or less, but yeah.
• 42:17
  Speaker 1: Like yeah interesting. Man on the Moon was like nineteen
• 42:22
  Speaker 1: ninety nine and then this movie was two thousand and seven,
• 42:24
  Speaker 1: and then Dolomite is my Name was like twenty nineteen.
• 42:27
  Speaker 1: So that's a good movie. Yeah, so it is interesting.
• 42:30
  Speaker 1: Composed by a man named Gary Gabriel Jared, who has
• 42:33
  Speaker 1: one hundred and thirty one composing credits. Also did the
• 42:35
  Speaker 1: talented Mister Ripley and the English Patient cinematography by Benoit
• 42:40
  Speaker 1: dell Home. I assume I'm saying that right. I think you.
• 42:43
  Speaker 1: He is French sixty seven cinematographer credits, who also did
• 42:47
  Speaker 1: the Theory of Everything A Lawless which is a fucking
• 42:50
  Speaker 1: fantastic Shila buff Tom Hardy movie, Tom Hattie.
• 42:56
  Speaker 2: Also Gary Oldman is in it and guy Guy Pierce.
• 42:59
  Speaker 1: That's a great and it's about uh prohibition and like Moonshine,
• 43:03
  Speaker 1: Runners and Shit So fucking so good. We've got John
• 43:08
  Speaker 1: Cusack as the lead is Mike Endlin. You should know
• 43:11
  Speaker 1: this man. He's got eighty nine acting credits. He's also
• 43:13
  Speaker 1: in con Air Sarendipity and Hot Tub Time Machine.
• 43:16
  Speaker 2: You forgot to add My favorite one of his was
• 43:18
  Speaker 2: The Raven where he plays Edgar Allen Powell. Oh sorry,
• 43:20
  Speaker 2: it's okay.
• 43:21
  Speaker 1: He's also in that I.
• 43:22
  Speaker 2: Don't, I don't, I don't. It's fine, it's fine.
• 43:25
  Speaker 1: We've got Sammy, Sammy fucking Jay as Gerald Olwen. The
• 43:29
  Speaker 1: man is two hundred one acting credits. And you should
• 43:31
  Speaker 1: know who this motherfucker is, all right, problem, he's the
• 43:35
  Speaker 1: He is the only person that gets a fuck in
• 43:37
  Speaker 1: this movie, except for the inaudible one that I'll explain later.
• 43:42
  Speaker 1: But he's the only one that actually verbally says fuck
• 43:45
  Speaker 1: and I will get to it.
• 43:45
  Speaker 2: And he's the only one that has bad motherfucker on
• 43:48
  Speaker 2: a lightsaber.
• 43:48
  Speaker 1: Yeah, so boom boom did it. We've got Mary McCormick
• 43:53
  Speaker 1: as Lily Uh. She is seventy acting credits. Is also
• 43:55
  Speaker 1: in Deep Impact, Kate Pax and what I know her
• 43:57
  Speaker 1: from Dickie Roberts that's what I've seen her in the most.
• 44:02
  Speaker 1: We used to watch the shit out of that when
• 44:03
  Speaker 1: I was younger. It's not yet knocking Foot. And then
• 44:08
  Speaker 1: we have Tony Shaloube as Sam Farrell or Farrell one
• 44:12
  Speaker 1: hundred and six acting credits, most notably Monk. And then
• 44:15
  Speaker 1: he was also in Galaxy Quest and also a small
• 44:18
  Speaker 1: part in Men in Black. Nice You insensitive prick after
• 44:22
  Speaker 1: he gets his head blown off. Yeah, good times. Estimated
• 44:25
  Speaker 1: budget of twenty five million dollars. Estimated worldwide box office
• 44:29
  Speaker 1: crows of one hundred and thirty three million dollars. This
• 44:32
  Speaker 1: is what you would call a success, just just a
• 44:35
  Speaker 1: wee bit and made, like you know, five times more
• 44:38
  Speaker 1: than what it was made for. So moving on. This
• 44:41
  Speaker 1: movie was filmed in quite a few places. Actually, it
• 44:44
  Speaker 1: was filmed in New York at the Roosevelt Hotel, which
• 44:46
  Speaker 1: is dubbed the Hotel Dolphin in this movie. And then
• 44:50
  Speaker 1: they went to London, England to the Reform Club to
• 44:52
  Speaker 1: film the lobby.
• 44:53
  Speaker 2: Of the Dollan Hotel lobby, just the.
• 44:56
  Speaker 1: Lobby her Most of Beach, California, Manhattan Beach, californ Nia,
• 45:01
  Speaker 1: Los Angeles, Elstree Studios in the UK and Pinewood Studios
• 45:04
  Speaker 1: in the UK, which is a pretty big production studio
• 45:06
  Speaker 1: over there. You can you can watch it on Amazon
• 45:09
  Speaker 1: for a three ninety nine rental. You said it's on Voodoo,
• 45:11
  Speaker 1: but you can only watch the trailer.
• 45:13
  Speaker 2: Oh no, for the directors. For the director watch free
• 45:16
  Speaker 2: with ads.
• 45:17
  Speaker 1: Oh okay, And I think you can watch it free
• 45:19
  Speaker 1: with ads on IMDb TV as well. Oh no, free
• 45:21
  Speaker 1: with ads on Amazon as well. But I was like,
• 45:22
  Speaker 1: fuck ads, I'm not doing that. I'll pay the four dollars.
• 45:25
  Speaker 1: It's fine. Movies that came out around the same time
• 45:28
  Speaker 1: include Pirates of the Caribbean at World's End, which, fun fact,
• 45:31
  Speaker 1: Johnny Depp is coming back for three hundred and one
• 45:33
  Speaker 1: million dollars. No, he really is. He really is, dude.
• 45:37
  Speaker 1: It's all over the internet.
• 45:38
  Speaker 2: Oh I know, but I've gone. I've seen back and
• 45:40
  Speaker 2: forth where him and his lawyers have actually denied it.
• 45:42
  Speaker 1: Oh well, okay, we'll see.
• 45:44
  Speaker 2: As much as I want that to happen, I'm gonna
• 45:46
  Speaker 2: go with my vote is no.
• 45:47
  Speaker 1: Okay, Well we'll see. I guess stay tuned for that.
• 45:50
  Speaker 1: So Pirates of the Caribbean at World's End knocked up
• 45:53
  Speaker 1: mister Brooks, which is fucking super underrated. I love mister Brooks.
• 45:58
  Speaker 2: Fun fact, but that real quick is that was supposed
• 45:59
  Speaker 2: to be a trilogy, but it did not do well
• 46:02
  Speaker 2: in the box office.
• 46:03
  Speaker 1: Yeah, I can understand why not everybody likes Dane Cook.
• 46:08
  Speaker 2: I really hope that's not the reason why it was well,
• 46:12
  Speaker 2: I mean it probably. I don't know.
• 46:13
  Speaker 1: I was gonna say, I don't know what other reason,
• 46:15
  Speaker 1: because like the movie was fucking awesome.
• 46:18
  Speaker 2: It just it's just it's just underperformed, I know. But
• 46:21
  Speaker 2: like I mean, hell, I didn't even know when I
• 46:22
  Speaker 2: first watched it. I had no idea did Cook was
• 46:24
  Speaker 2: even in it?
• 46:24
  Speaker 1: Oh? Okay, well maybe not Hostile Part two, Live Free
• 46:27
  Speaker 1: or Diehard Black Sheep, which is that horror movie from
• 46:31
  Speaker 1: U fucking that one place? Oh my god, not the UK,
• 46:36
  Speaker 1: not Australia. What's that other place? Oh my god, New Zealand.
• 46:40
  Speaker 1: Holy cow. We actually reviewed that on the show Rat Tattooy, Transformers,
• 46:44
  Speaker 1: Harry Potter and The Order of the Phoenix, and I
• 46:46
  Speaker 1: now pronounce you Chuck and Larry. I mean, we're a
• 46:48
  Speaker 1: good year, right, what a great year? I mean that
• 46:50
  Speaker 1: was like this is the first Transformers was Shila buff
• 46:53
  Speaker 1: that one, the very first one with Megan Fox. Great
• 46:55
  Speaker 1: movie like oh seven Yeah, oh seven was a great year. Man,
• 46:59
  Speaker 1: we were wait, I mean I was at the theaters.
• 47:01
  Speaker 2: Yeah, I mean I remember seeing all of these movies.
• 47:04
  Speaker 1: Most of these specific horror moments. I'll get to that
• 47:08
  Speaker 1: when we talk about it. There really isn't any kills
• 47:12
  Speaker 1: in this so not really a favorite kill. Didn't have
• 47:17
  Speaker 1: a favorite line actually, you know well, I.
• 47:20
  Speaker 2: Mean like favorite kill to me, and it was more
• 47:23
  Speaker 2: just verbalized because of a kill that happened in that room,
• 47:27
  Speaker 2: but you didn't see it on screen, but it was discussed.
• 47:31
  Speaker 2: Was when Mike Keenslin goes into Samuel Jackson's office and
• 47:35
  Speaker 2: they're talking and they show him the book with all
• 47:36
  Speaker 2: the deaths and everything, the one where apparently the h
• 47:41
  Speaker 2: the guy and paraphy that could be wrong of certain elements,
• 47:44
  Speaker 2: but where he like died and then tried to like strangle.
• 47:46
  Speaker 1: Like sew himself back together.
• 47:48
  Speaker 2: Yes, that was Honestly, I would have loved to actually
• 47:50
  Speaker 2: see like pieces of that.
• 47:51
  Speaker 1: Yeah, So there really wasn't any on screen deaths, just
• 47:54
  Speaker 1: a lot of deaths talked about. Yeah, favorite line for
• 47:57
  Speaker 1: me was when Sammy Jay used fuck he said that
• 47:59
  Speaker 1: room's fucking evil. Best line favorite character. I mean there's
• 48:03
  Speaker 1: literally like it's like three, But I'll go with the
• 48:08
  Speaker 1: the engineer that comes up going in there.
• 48:14
  Speaker 2: Any any idiot could do this. The room was its
• 48:18
  Speaker 2: own character, that's true. Yeah, I'm gonna go with the engineer.
• 48:22
  Speaker 1: Yeah, I'll go with the engineer because he was funny.
• 48:23
  Speaker 1: Least favorite character I don't know. There really wasn't enough
• 48:25
  Speaker 1: characters in there for me to have a least favorite.
• 48:28
  Speaker 1: There wasn't anybody I fucking hated. Uh IMDb summary. A
• 48:31
  Speaker 1: man who specializes in debunking paranormal occurrences checks into the
• 48:35
  Speaker 1: fabled Room fourteen oh eight in the Dolphin Hotel. Soon
• 48:38
  Speaker 1: after settling in, he confronts genuine terror. Ah, that's terror. Oh,
• 48:47
  Speaker 1: so let's do this. We've got like no time left
• 48:50
  Speaker 1: because we spend most of the time talking. That's fine,
• 48:52
  Speaker 1: that's fine, it's fine, it's fine. Talked about a lot
• 48:55
  Speaker 1: of stuff. So let's go into what happened in this
• 48:59
  Speaker 1: fucking batschick crazy in saying movie, where's my notes? There?
• 49:01
  Speaker 1: They are? So as I said, Mike is his name,
• 49:05
  Speaker 1: Mike Ensln. He's a man, he's a writer, I'd say
• 49:07
  Speaker 1: a failing writer at this point because his boot, his books,
• 49:13
  Speaker 1: his books consist of like top ten Haunted, this, top
• 49:16
  Speaker 1: ten Haunted that, except for one book that he had
• 49:18
  Speaker 1: way back in the day was like The Long Road Home.
• 49:22
  Speaker 1: But he stopped writing books like that after a tragic
• 49:24
  Speaker 1: incident happened that we'll get to in a little bit.
• 49:27
  Speaker 1: But yeah, he's he's just driving down the road in
• 49:29
  Speaker 1: storm stops by this a little mom and pop hotel,
• 49:32
  Speaker 1: and they're like super excited to see him because they're
• 49:34
  Speaker 1: expecting him, like, oh, you're the room key, let me
• 49:36
  Speaker 1: tell you all this information about it. And he's like yeah, yeah, yeah, cool,
• 49:39
  Speaker 1: cool cool. Let me just get the fucking key so
• 49:41
  Speaker 1: I can so I can get up there and do this.
• 49:43
  Speaker 1: And he's completely bored with this place because you know,
• 49:45
  Speaker 1: he knows and his experience is like no, he never
• 49:48
  Speaker 1: sees anything. Yeah, he all just goes there, he writes
• 49:50
  Speaker 1: a book on it, he sells books, and then those
• 49:52
  Speaker 1: people get business and you know, he makes money. So
• 49:55
  Speaker 1: he clearly doesn't believe in anything, which is very interesting
• 49:57
  Speaker 1: because this is his life and he really, you know,
• 50:01
  Speaker 1: he hasn't seen any ghosts.
• 50:02
  Speaker 2: Some people make a living on bullshit.
• 50:05
  Speaker 1: That's true, and it's just it's just funny because when
• 50:07
  Speaker 1: he's doing that little book review or the book signing
• 50:10
  Speaker 1: for like the four people that show up, Yeah, he's like, yeah,
• 50:12
  Speaker 1: you know, I've never seen a ghost. You know, I've
• 50:15
  Speaker 1: never seen anything spooky, anything out of the ordinary. And
• 50:18
  Speaker 1: it's just funny how he doesn't really doesn't really believe
• 50:20
  Speaker 1: in this. He just kind of does it because.
• 50:24
  Speaker 2: I personally think, and I'm not going to completely spoil it,
• 50:27
  Speaker 2: but I personally think what I've gotten from this every
• 50:30
  Speaker 2: every time I watched it, like rewatched it, I personally
• 50:33
  Speaker 2: think he does this to keep his mind off that
• 50:35
  Speaker 2: specific incident. Yeah we'll get we get there later on
• 50:38
  Speaker 2: in the movie.
• 50:39
  Speaker 1: Yeah, we'll get there. So yeah, he's, like I said,
• 50:42
  Speaker 1: it's kind of just a failing writer and just kind
• 50:45
  Speaker 1: of doing this to just, yeah, like keep his that. Yeah,
• 50:47
  Speaker 1: that does make sense, keep his mind off of all
• 50:49
  Speaker 1: this ship. So after this, you know, book signing, which
• 50:52
  Speaker 1: no one's that, he heads back to la And this
• 50:55
  Speaker 1: is a very important moment in the movie that will
• 50:57
  Speaker 1: come back around to but I won't say how or
• 51:00
  Speaker 1: but he's surfing and he sees a plane above him,
• 51:03
  Speaker 1: and he looks at the plane and then like this
• 51:04
  Speaker 1: wave comes and like tumbles him over and he lands
• 51:06
  Speaker 1: on the beach, you know, kind of like out of breath, disheveled,
• 51:10
  Speaker 1: and some guy comes up. He's like, hey, are you
• 51:11
  Speaker 1: all right. It's like, yeah, I'm good. So that's a
• 51:13
  Speaker 1: very important scene if you haven't seen, if you haven't
• 51:15
  Speaker 1: watched the movie, it comes back around, So remember that
• 51:17
  Speaker 1: when you're watching, very very pivotal scene. And then we
• 51:21
  Speaker 1: see him later going to the post office pick up.
• 51:23
  Speaker 1: He picks up some mail. Most of them are advertisements
• 51:25
  Speaker 1: for like spooky locations, trying to get him to come out.
• 51:28
  Speaker 1: And you know, because he's he's well known, people know him.
• 51:31
  Speaker 1: People are writing to him to try to get him
• 51:33
  Speaker 1: out to these places. And then there's one that's a
• 51:36
  Speaker 1: postcard from the Dolphin Hotel. On the back of the
• 51:38
  Speaker 1: postcard it says there's a single warning that says don't
• 51:41
  Speaker 1: enter fourteen oh eight. Mike examines the room number and
• 51:44
  Speaker 1: writes equals thirteen on the card, realizing that it's the
• 51:47
  Speaker 1: sum of what the numbers is, and he's like, oh
• 51:48
  Speaker 1: that's cute. He's like, oh cute. So then he I
• 51:52
  Speaker 1: love this too, because he calls and he's trying to
• 51:54
  Speaker 1: make a reservation. He's like, I want room fourteen oh
• 51:56
  Speaker 1: eight and they're like that, Nope, that's not available, and
• 51:59
  Speaker 1: he's like, I didn't I didn't give you it didn't
• 52:01
  Speaker 1: give you a date. And he's like okay, well what
• 52:04
  Speaker 1: about this week? And he's like no, it's not available.
• 52:06
  Speaker 1: Next week, No, next month, next year? What's going on?
• 52:09
  Speaker 1: They and they just fucking hang up. So he calls
• 52:12
  Speaker 1: his publisher and he's like, I wanted to stay at
• 52:14
  Speaker 1: this fucking hotel. It's apparently spooky, and his one of
• 52:17
  Speaker 1: his friends finds out. He's like, yeah, well, if they
• 52:19
  Speaker 1: have a room there, they legally can't deny you it.
• 52:22
  Speaker 1: So they get him in there to go rent the
• 52:24
  Speaker 1: room out fourteen oh eight and the next thing we
• 52:27
  Speaker 1: see is him arriving and approaching the counter and Mike's like,
• 52:30
  Speaker 1: I'm here. Mike Insland and he's like, hold on a second,
• 52:32
  Speaker 1: goes to get the manager, which is Michael or Michael
• 52:35
  Speaker 1: Samuel L. Jackson comes over and he's like, uh so
• 52:40
  Speaker 1: can you come back to my office so we can
• 52:42
  Speaker 1: just have a little chit chat and uh, you know,
• 52:44
  Speaker 1: talk about this offers him like eight hundred dollars scotch
• 52:47
  Speaker 1: or whatever. It was just like here you go have
• 52:50
  Speaker 1: some of this, and I'm.
• 52:51
  Speaker 2: Okay, sure, right, Like but I'm still going in the room.
• 52:53
  Speaker 1: Yeah, from like nineteen thirty nine, and he literally tries
• 52:55
  Speaker 1: to convince him to not go in the room at all,
• 52:58
  Speaker 1: like going over all these is deaths. I think he
• 53:02
  Speaker 1: said something about there's twenty there's been like twenty two
• 53:05
  Speaker 1: natural deaths and suicides and fifty six deaths in total
• 53:09
  Speaker 1: have happened.
• 53:10
  Speaker 2: Which actually which actually if you you know, with facial expressions,
• 53:15
  Speaker 2: it actually gets Mike and like, oh shit, I did
• 53:17
  Speaker 2: not realize that one.
• 53:18
  Speaker 1: Yeah, the natural death is what he was like, what
• 53:20
  Speaker 1: do you mean naturally? He's like, oh, strangulations, heart attacks, drowning,
• 53:23
  Speaker 1: and he's like drowning, right, fuck do you mean drowning?
• 53:25
  Speaker 1: Excuse me? So they go through this hole, he goes
• 53:28
  Speaker 1: through this goes to this whole spiel and he's like,
• 53:31
  Speaker 1: you know, he's like, here, take this bottle on the
• 53:33
  Speaker 1: complements of the house and he's like, so can I
• 53:35
  Speaker 1: get the key? He's like, mother, heel, He's like, god,
• 53:37
  Speaker 1: damn it, you still want to go up there. He's like, yeah,
• 53:39
  Speaker 1: I want to go up there. He's like, he explains
• 53:41
  Speaker 1: his case, like I've stayed here, I've done this. I'm
• 53:43
  Speaker 1: not scared of this fucking room. He's like, Okay, no
• 53:45
  Speaker 1: one lasts more than an hour, so I guess have fun.
• 53:48
  Speaker 1: And that's another kind of important thing to remember. No
• 53:51
  Speaker 1: one lasts more than an hour. So eventually, you know,
• 53:55
  Speaker 1: he gives him the key and they go to walk
• 53:57
  Speaker 1: to the elevator, and this is when he says, you know, like,
• 54:00
  Speaker 1: uh oh, I'm getting a key, Like what's wrong with
• 54:03
  Speaker 1: the like digital? Like yeah. He's like, well, you know,
• 54:06
  Speaker 1: like electronics don't work in there. And he's like, oh
• 54:09
  Speaker 1: so we have a coast or a phantom. He's like no, no, no,
• 54:11
  Speaker 1: it's like the room's fucking evil. Yeah, it's an evil
• 54:14
  Speaker 1: fucking room room. Uh so yeah. On their way up
• 54:17
  Speaker 1: to the room, they find out that once a month
• 54:19
  Speaker 1: it's cleaned. Two people are always present in the room.
• 54:21
  Speaker 1: The door remains open at all times, and they do
• 54:24
  Speaker 1: that once a month. And then when they get to
• 54:26
  Speaker 1: the floor, which is the thirteenth floor technically because there's
• 54:29
  Speaker 1: no thirteen on. This is the dumbest shit ever can
• 54:31
  Speaker 1: I just go real quick on this, because like they
• 54:33
  Speaker 1: don't put thirteen on most hotels like floors, but the
• 54:37
  Speaker 1: fourteenth floor is still the thirteenth fucking floor, you know
• 54:41
  Speaker 1: what I mean, Like just you're just not adding the
• 54:43
  Speaker 1: thirteen there, you're putting fourteen, but it's still whatever, It's
• 54:45
  Speaker 1: still the thirteenth floor. So Gerald's like, I don't get
• 54:48
  Speaker 1: off here. He's like, this is as close as I
• 54:49
  Speaker 1: get to that room until it is that time of
• 54:51
  Speaker 1: the months to clean, and he's like, see you later,
• 54:53
  Speaker 1: motherfucker' like have fun. So Mike makes his way over
• 54:58
  Speaker 1: to the room and he gets to the room and
• 55:01
  Speaker 1: he opens it up and it's like very eerie and
• 55:04
  Speaker 1: like unsettling. He's like this is it right? It's like okay,
• 55:08
  Speaker 1: And then I love I love the whole scene after
• 55:10
  Speaker 1: that because he just sits on the bed and just
• 55:11
  Speaker 1: demolishes this Room's like that fucking painting stupid. The third
• 55:15
  Speaker 1: painting really sucks. I hate this wallpaper. He's just on
• 55:17
  Speaker 1: the beds, like completely ripping this place to shreds. And
• 55:21
  Speaker 1: it doesn't take long for this movie to kick off
• 55:23
  Speaker 1: at all. The second he gets in there makes fun
• 55:26
  Speaker 1: of all the shit in there. He goes and opens
• 55:28
  Speaker 1: a window and he's looking out, looking around, and then
• 55:31
  Speaker 1: the radio kicks on out of nowhere and it's we've
• 55:34
  Speaker 1: only just begun.
• 55:37
  Speaker 2: And then he also sees two little like those little
• 55:40
  Speaker 2: chocolates on the bed.
• 55:41
  Speaker 1: Yeah, so he turns around because he's like, what the
• 55:44
  Speaker 1: fuck sees the chocolate's on the bed. He's like, oh, okay,
• 55:47
  Speaker 1: that's a nice touch. Interesting. He's like, there's there's gotta
• 55:50
  Speaker 1: be someone in the room. And he's like checking all
• 55:51
  Speaker 1: the fucking rooms, and then he sees the toilet paper
• 55:54
  Speaker 1: is now back and tucked in all nice, and he's like, okay,
• 55:56
  Speaker 1: they're in the living room, and he like jumps out
• 55:58
  Speaker 1: and he's running around. He's like, hmm. Interesting. So he
• 56:01
  Speaker 1: thinks it's someone there fucking with him, but we all
• 56:04
  Speaker 1: know is the viewer. It's not them, man, it's the
• 56:07
  Speaker 1: fucking room. And also the temperature seems to be stuck
• 56:11
  Speaker 1: directly at eighty degrees, so he's like extremely hot. I mean,
• 56:14
  Speaker 1: i'd be fucking hot. I keep my house at seventy two,
• 56:16
  Speaker 1: I'd be dying. So he phones the front desk and
• 56:18
  Speaker 1: they're like, yeah, we'll send someone up and I left.
• 56:19
  Speaker 1: He's like, oh, okay, will you really And then that's
• 56:23
  Speaker 1: when the engineer comes up. He comes up to fix
• 56:26
  Speaker 1: it and he opens the door and he's like, all right,
• 56:28
  Speaker 1: it's right over here. And the engineer just stands there,
• 56:30
  Speaker 1: doesn't move, and he's like right over here. He's like,
• 56:32
  Speaker 1: I'm not going in that room right. He's like it's
• 56:34
  Speaker 1: like six or seven feet. He's like, no, no, no, no, just
• 56:36
  Speaker 1: just open that up, hit this and it's fixed. And
• 56:38
  Speaker 1: then it kicks on and he turns around. He's like, hey,
• 56:39
  Speaker 1: you let me give you a tip, and the guy's
• 56:42
  Speaker 1: just gone and he goes. He goes like to out
• 56:45
  Speaker 1: the door's like, sir. The guy's like already in the
• 56:47
  Speaker 1: elevator and it's like that'd be me bye. Right. So
• 56:50
  Speaker 1: now he's got the ac working. Everything seems to be fine.
• 56:56
  Speaker 1: And then sitting on the bed again, the radio goes
• 56:58
  Speaker 1: off and now it goes crazy. The numbers start flipping
• 57:02
  Speaker 1: and going nuts and going wild, and then it sets
• 57:04
  Speaker 1: us a timer for sixty minutes and it starts counting down,
• 57:08
  Speaker 1: so no one lasts more than an hour. There you go,
• 57:11
  Speaker 1: And it's actually really cool because at this point in
• 57:13
  Speaker 1: the theatrical run, there's about an hour left of the movie. Nice. Yeah,
• 57:18
  Speaker 1: I paused it right when it stopped. Started at sixty
• 57:20
  Speaker 1: seconds and it was about thirty nine minutes in and
• 57:23
  Speaker 1: it's an hour and forty four, so there's just about
• 57:25
  Speaker 1: which is actually really cool. They did that very well.
• 57:28
  Speaker 1: So and like I said, there's about an hour left
• 57:31
  Speaker 1: at this in the point, at the point in this movie,
• 57:34
  Speaker 1: and then right after that incident, he seems to go
• 57:37
  Speaker 1: deaf because he like it's like a loud ringing yeah,
• 57:41
  Speaker 1: and he's like yelling and screaming but can't hear anything.
• 57:44
  Speaker 1: So he pokes his head out the window again like
• 57:46
  Speaker 1: trying to scream for help, and leaves his hand on
• 57:49
  Speaker 1: the window still and it just comes smashing down on
• 57:52
  Speaker 1: his hand and al that probably hurt. And then all
• 57:55
  Speaker 1: his hearing does, oh yeah, all his hearing comes back,
• 57:57
  Speaker 1: and he goes to the fucking washroom, wash room, the
• 58:00
  Speaker 1: bathroom to wash his hand off, and then when he
• 58:02
  Speaker 1: turns on, the water starts spitting out like this boiling
• 58:05
  Speaker 1: hot water. And I'm like, dude, we're like forty minutes
• 58:08
  Speaker 1: into this. It's just like the whole room is just
• 58:10
  Speaker 1: going absolutely crazy because once it starts, it just it
• 58:13
  Speaker 1: just goes yep. It doesn't ever give up. It's very good.
• 58:18
  Speaker 1: So yeah, this is when the ship hit. Shit hits
• 58:19
  Speaker 1: the fan. The shit hits the fan. At this point,
• 58:22
  Speaker 1: clock goes off again, so he rips it out of
• 58:25
  Speaker 1: the wall. Room service calls talking all this nonsense about
• 58:28
  Speaker 1: the food he ordered. He's like, yo, I need help, please,
• 58:30
  Speaker 1: my hand is bleeding. They're like, please, don't yell at me,
• 58:33
  Speaker 1: like you know, call him down. He's like, okay, well
• 58:35
  Speaker 1: give me the manager. And then the line goes dead
• 58:36
  Speaker 1: and he's like, what the fucker. And then this is
• 58:40
  Speaker 1: when he's like, I'm going to get the hell out
• 58:41
  Speaker 1: of this room. I love it in horror movies when
• 58:43
  Speaker 1: they realize it's time to go. Yeah, and they're like,
• 58:45
  Speaker 1: I'm gonna.
• 58:46
  Speaker 2: Leave, specially for him because he's a skeptic. And it's like,
• 58:49
  Speaker 2: you know, what's real?
• 58:51
  Speaker 1: So much is happening. I actually, what the fuck I'm leaving.
• 58:56
  Speaker 1: But he can't get out of the room because he
• 58:58
  Speaker 1: uses the key to get out. The key's the key
• 59:00
  Speaker 1: he snaps in half and then it gets sucked into
• 59:01
  Speaker 1: the lock. Yeah, He's like, what the fuck? And then
• 59:03
  Speaker 1: he goes to jiggle the handle and the freaking knob
• 59:05
  Speaker 1: comes off. He's like, oh, okay, this is great, and
• 59:09
  Speaker 1: this is my this is my favorite horror moment of
• 59:11
  Speaker 1: the movie. Right here is when he goes to the
• 59:14
  Speaker 1: window again and he starts waving across the street at
• 59:17
  Speaker 1: this guy in the chair, and the guy kind of
• 59:19
  Speaker 1: sees him, and then he like stands up next to
• 59:21
  Speaker 1: the window, and then the guy across the street starts
• 59:23
  Speaker 1: mirroring everything that Mike is doing, and Mike's just like,
• 59:28
  Speaker 1: what the fuck's he waves his hand in front and
• 59:30
  Speaker 1: he's doing the same thing. And this goes on for
• 59:32
  Speaker 1: like a couple of minutes or maybe I don't like
• 59:34
  Speaker 1: thirty seconds to a minute, and he grabs the light,
• 59:36
  Speaker 1: the lamp and puts it up to the window, and
• 59:38
  Speaker 1: so does the other guy, and he can see himself
• 59:40
  Speaker 1: across the street and you're just like, what the.
• 59:42
  Speaker 2: Fuck wearing totally different clothes and everything.
• 59:44
  Speaker 1: Totally different clothes. And then in the window across the
• 59:47
  Speaker 1: street he sees someone behind his other self, like all
• 59:52
  Speaker 1: crazy with like a hammer or something like that. So
• 59:54
  Speaker 1: then he turns around and then that person's in his
• 59:56
  Speaker 1: room trying to attack him. And then he falls to
• 59:59
  Speaker 1: the ground and it's like ah, and then he opens
• 1:00:01
  Speaker 1: his eyes and it's gone, and it's like, okay, he's
• 1:00:03
  Speaker 1: obviously tripping nuts at this point seeing all this shit.
• 1:00:07
  Speaker 2: He's thinking that maybe the manager dosed the alcohol.
• 1:00:11
  Speaker 1: Oh yeah, I love that. He's like, where did you
• 1:00:12
  Speaker 1: put in this drink? Am I hallucinating? What's going on?
• 1:00:16
  Speaker 1: Then this is when he starts hearing a young child
• 1:00:19
  Speaker 1: calling out daddy, which I'm like, okay at this point
• 1:00:22
  Speaker 1: seeing this for the first time, and you're like, okay,
• 1:00:23
  Speaker 1: I guess this is his child because they haven't introduced
• 1:00:26
  Speaker 1: his character yet, and that's when he thinks. Yeah. Then
• 1:00:29
  Speaker 1: he's like, okay, I'm obviously tripping on something. And then
• 1:00:32
  Speaker 1: the TV kicks on with a video of him and
• 1:00:34
  Speaker 1: what we assume again is his wife and daughter because
• 1:00:36
  Speaker 1: he becomes very upset by.
• 1:00:37
  Speaker 2: This, which which which we yeah, we we can assume
• 1:00:42
  Speaker 2: that because also when his publisher mentioned about the get
• 1:00:47
  Speaker 2: in the room, he takes a whole personal one. You guys,
• 1:00:50
  Speaker 2: this is in New York. Are you sure you want
• 1:00:51
  Speaker 2: to do this because of what happened, like they kind
• 1:00:53
  Speaker 2: of oh yeah, thank you for a kind of foreshadow
• 1:00:56
  Speaker 2: that there was some tragic accident or something that happened.
• 1:00:59
  Speaker 2: He goes, yeah, it's like he's like, quick trip, quick trip.
• 1:01:03
  Speaker 2: But then we you know, slowly that becomes to unravel
• 1:01:07
  Speaker 2: what actually happened in New York.
• 1:01:09
  Speaker 1: Yeah, so that comes to fruition later in the movie.
• 1:01:12
  Speaker 2: Well throughout from this part for the rest of the movie,
• 1:01:14
  Speaker 2: throughout the movie kind.
• 1:01:15
  Speaker 1: Of exactly because after that incident, he sees like his
• 1:01:20
  Speaker 1: dad in the bathroom. Oh shit, sorry, hold on, I
• 1:01:23
  Speaker 1: moved too quick, way quick. Yeah. Sorry. He starts seeing
• 1:01:25
  Speaker 1: people that are clearly like they almost looked like they're
• 1:01:29
  Speaker 1: cut in from black and white movies and they're like
• 1:01:31
  Speaker 1: jumping out windows and you're just like, okay, well, what
• 1:01:34
  Speaker 1: the fuck's happening? And then he sees his dad in
• 1:01:36
  Speaker 1: the bathroom. They have a weird altercation. At this point,
• 1:01:39
  Speaker 1: he's officially lost it and thinks he's having a nightmare.
• 1:01:41
  Speaker 3: Maybe.
• 1:01:42
  Speaker 1: He's like, okay, I've never had one this vivid, but like,
• 1:01:44
  Speaker 1: I think I'm just asleep. And then he starts losing
• 1:01:46
  Speaker 1: track of time. He's like, when was the last time
• 1:01:48
  Speaker 1: I went to sleep? When when did I fly in?
• 1:01:50
  Speaker 1: Did I fly in today or yesterday? So he's fucking
• 1:01:52
  Speaker 1: losing his mind. And then a giant crack in the
• 1:01:55
  Speaker 1: wall opens up and what I assume blood starts pouring
• 1:01:58
  Speaker 1: out of the cracks that giant crack in the wall,
• 1:02:03
  Speaker 1: and then let's see oh yeah. So then at this
• 1:02:05
  Speaker 1: point he's like, okay, okay, I'm gonna go. He looks
• 1:02:08
  Speaker 1: at like the little map in the back of the door.
• 1:02:09
  Speaker 1: He's like, okay, that room is right there. Okay, from
• 1:02:11
  Speaker 1: my window to the wall is nine feet okay, so
• 1:02:14
  Speaker 1: the other window must be like eighteen feet over. So
• 1:02:16
  Speaker 1: he decides to go out under the ledge on the
• 1:02:18
  Speaker 1: side of the building to try and shimmy his way
• 1:02:21
  Speaker 1: over to the next room. And I was like, cool,
• 1:02:23
  Speaker 1: that's a great idea, except for the fact that he
• 1:02:25
  Speaker 1: goes so far and he's like, okay, should be right here.
• 1:02:28
  Speaker 1: Where is it? And then the camera just completely zooms
• 1:02:30
  Speaker 1: out and there's no windows on the building at all,
• 1:02:34
  Speaker 1: and the fucking except for his two and then the
• 1:02:37
  Speaker 1: wall goes into this endless black nothingness and he's like,
• 1:02:41
  Speaker 1: what the fuck almost falls somehow manages to get his
• 1:02:44
  Speaker 1: way back inside the window barely before it shuts right
• 1:02:48
  Speaker 1: behind him, which is crazy. And then he checks the
• 1:02:51
  Speaker 1: mac map on the back of the door now and
• 1:02:53
  Speaker 1: it's just his room and surrounded just by complete darkness,
• 1:02:57
  Speaker 1: which is such a really cool just I don't know,
• 1:02:59
  Speaker 1: it's just such a cool scene. And then this is
• 1:03:02
  Speaker 1: when the lights flicker. One of the windows is now gone,
• 1:03:05
  Speaker 1: the other one is covered by bricks, and he looks
• 1:03:07
  Speaker 1: out the peopole that's covered in bricks now too, and
• 1:03:10
  Speaker 1: it's just utter chaos. At this point, you see some
• 1:03:13
  Speaker 1: more flashbacks about his wife and his daughter and they're
• 1:03:16
  Speaker 1: hoping for a miracle cure because this daughter has some
• 1:03:19
  Speaker 1: ailment and she's in a hospital bed. And then it
• 1:03:23
  Speaker 1: and then then the room jumps down to like forty
• 1:03:25
  Speaker 1: degrees and this is what this is. I have a
• 1:03:27
  Speaker 1: question about this. If electronics don't work, how did he
• 1:03:31
  Speaker 1: get his fucking wife on that call on his computer? Ha?
• 1:03:36
  Speaker 2: I mean it's not plugged into anything.
• 1:03:38
  Speaker 1: Well, what do you mean? He said electronics don't work
• 1:03:41
  Speaker 1: in there because his phone had no signal, So how
• 1:03:44
  Speaker 1: did he get you know, how did he how did
• 1:03:45
  Speaker 1: he get that signal to call her? You know what
• 1:03:47
  Speaker 1: I mean? Well, yeah, I know, that's that's the one thing.
• 1:03:53
  Speaker 2: Like I never looked past it at all because I
• 1:03:55
  Speaker 2: was like, oh, like, it's so, I guess in a way,
• 1:03:59
  Speaker 2: like it made such because it wasn't plugged into anything.
• 1:04:02
  Speaker 2: I mean, yeah, electronics don't work, like I get that,
• 1:04:05
  Speaker 2: but like maybe the same way the alarm worked the
• 1:04:08
  Speaker 2: TV worked.
• 1:04:10
  Speaker 1: Yeah. No, but it's like he was talking about like
• 1:04:11
  Speaker 1: electroc Like the phone didn't have a signal, So if
• 1:04:14
  Speaker 1: the phone doesn't have a signal, the computer can't possibly
• 1:04:16
  Speaker 1: have a signal to get out of the room. That's
• 1:04:18
  Speaker 1: what I'm saying.
• 1:04:19
  Speaker 2: I mean, I had maybe Skype has its own thing.
• 1:04:23
  Speaker 2: I'm not sure. I don't. I don't know much about
• 1:04:25
  Speaker 2: Skype other than it's a video call thing.
• 1:04:27
  Speaker 1: No I know, But like, if you don't have signal
• 1:04:28
  Speaker 1: on your phone, I don't know how you're getting signal
• 1:04:30
  Speaker 1: on a computer.
• 1:04:30
  Speaker 2: Oh maybe because Wi Fi.
• 1:04:32
  Speaker 1: I can't He says electronics don't work in there like
• 1:04:34
  Speaker 1: that though.
• 1:04:35
  Speaker 2: No I know, but they never explained I guess the
• 1:04:37
  Speaker 2: Wi Fi part of it all or this was just
• 1:04:39
  Speaker 2: a totally flubbed that they did for story and no
• 1:04:43
  Speaker 2: one questioned it. I mean I've never I've never questioned it.
• 1:04:46
  Speaker 1: I just like, oh, okay, yeah, that was my only
• 1:04:48
  Speaker 1: thing because he literally picks up his phone at one
• 1:04:50
  Speaker 1: point and says no signal, but then he's able to
• 1:04:51
  Speaker 1: get a call out. So it's my only problem with
• 1:04:53
  Speaker 1: the movie, honestly. So, yeah, he video calls his uh
• 1:04:57
  Speaker 1: ex wife wife. They don't really know because they haven't
• 1:05:01
  Speaker 1: really officially divorced or separated. They're still married and she
• 1:05:04
  Speaker 1: doesn't really know what's going on, but they haven't spoken
• 1:05:06
  Speaker 1: in like a year at this point. So he's like,
• 1:05:08
  Speaker 1: please send the cops of the hotel, you know, like
• 1:05:11
  Speaker 1: I need to get out of here. And then that's
• 1:05:14
  Speaker 1: when the sprinklers go off in this room. You're like,
• 1:05:16
  Speaker 1: what else could fucking possibly go wrong at this point
• 1:05:18
  Speaker 1: in this room, sprinklers go off. He manages to fucking
• 1:05:20
  Speaker 1: kill the sprinklers, and then somehow, just like in every
• 1:05:24
  Speaker 1: movie they he crawls up into the aty ducks, which
• 1:05:27
  Speaker 1: are you know, it's okay, yeah, four feet wide For
• 1:05:30
  Speaker 1: some reason, I don't know why ac ducks and movies
• 1:05:32
  Speaker 1: are always massive, I know, but like they're not that
• 1:05:36
  Speaker 1: big in real life for the most part. And there's
• 1:05:39
  Speaker 1: been a baby crying for a lot of the movie.
• 1:05:42
  Speaker 1: It's in like the next room over and he hears
• 1:05:45
  Speaker 1: that baby crying again, and he manages to shimmy his
• 1:05:47
  Speaker 1: way over to that event in the next room, but
• 1:05:50
  Speaker 1: it's not it's his fucking wife. It's his wife with
• 1:05:52
  Speaker 1: their young young daughter as a baby, And you're like,
• 1:05:55
  Speaker 1: what the fuck is actually happening in this movie? And
• 1:05:58
  Speaker 1: then something is up there with him that they don't explain,
• 1:06:01
  Speaker 1: just some weird, creepy dude with the glasses that's like
• 1:06:03
  Speaker 1: dead because he like smashes him in the face and
• 1:06:05
  Speaker 1: his jaw breaks and his head comes off. Don't know
• 1:06:08
  Speaker 1: what the fuck. That was just a scare. So then
• 1:06:11
  Speaker 1: he goes back to the room. He's like, oh great,
• 1:06:14
  Speaker 1: I love it here. It's so nice to be back.
• 1:06:16
  Speaker 1: And uh, I think this is one of my favorite
• 1:06:18
  Speaker 1: just kind of parts that wasn't meant to be funny
• 1:06:20
  Speaker 1: that I laughed at. When he goes to open the
• 1:06:22
  Speaker 1: mini fridge but there's no drinks, he just sees a
• 1:06:24
  Speaker 1: little fucking Samuel Jackson.
• 1:06:27
  Speaker 2: He's just yelling at him, and.
• 1:06:29
  Speaker 1: It cuts to you know, it cuts to him like
• 1:06:31
  Speaker 1: it's a third person view and it's just he's just
• 1:06:33
  Speaker 1: yelling at the fridge there. Yeah, there's actually drinks in there.
• 1:06:36
  Speaker 1: But he sees a little you know, Samuel Jackson, it's like,
• 1:06:38
  Speaker 1: you motherfucker, ah blah blah. I just I thought that
• 1:06:41
  Speaker 1: was I thought that was extremely funny, even though it's not.
• 1:06:43
  Speaker 1: It's not supposed to be funny. So, you know, at
• 1:06:45
  Speaker 1: this point, he's just hallucinating all of this ship. You
• 1:06:48
  Speaker 1: see more flashbacks with his wife and his daughter. His
• 1:06:51
  Speaker 1: daughter has died, which is the kind of what set
• 1:06:54
  Speaker 1: all of this emotion with stopping stop stopping writing the books.
• 1:06:59
  Speaker 1: He was right, and now he's moved on to this
• 1:07:01
  Speaker 1: weird shit. You kind of see the aftermath after she dies,
• 1:07:05
  Speaker 1: where they like he gets very violent and aggressive, and
• 1:07:07
  Speaker 1: it's just like, we could have done something. Why did
• 1:07:09
  Speaker 1: we fill her head with all these fantasies? And then
• 1:07:12
  Speaker 1: he's like, I'm gonna go get some smokes by got
• 1:07:15
  Speaker 1: for a pack of smokes and never came back. And
• 1:07:18
  Speaker 1: then after all that, the cut back to him in
• 1:07:20
  Speaker 1: the room and it's just covered in a thin layer
• 1:07:22
  Speaker 1: of snow, because what else can fucking go wrong in
• 1:07:25
  Speaker 1: this movie? And he builds a small fire to like,
• 1:07:27
  Speaker 1: you know, warm up, and while he's trying to stay warm,
• 1:07:30
  Speaker 1: he notices that his laptop, which was previously killed by
• 1:07:33
  Speaker 1: water because when the sprinklers went off, it like shorted
• 1:07:37
  Speaker 1: his computer out. But this is now back to life,
• 1:07:39
  Speaker 1: and it's Lily with a very interesting piece of information
• 1:07:42
  Speaker 1: that makes you go, how is this even possible? I
• 1:07:45
  Speaker 1: don't want to say what it is, and we'll leave
• 1:07:46
  Speaker 1: it there, but she comes back with something that you're like,
• 1:07:49
  Speaker 1: what the fuck? Yeah, what's happening? And then after that
• 1:07:52
  Speaker 1: there's like a few twists and turns, and there's even
• 1:07:55
  Speaker 1: a great fake out as well. I typically don't like
• 1:07:57
  Speaker 1: fake outs like that.
• 1:07:59
  Speaker 2: I think the way that this fake out though, because
• 1:08:01
  Speaker 2: it wasn't just a and I'm not gonna get crazy.
• 1:08:04
  Speaker 2: It wasn't just like a minute and a half fake
• 1:08:06
  Speaker 2: It was a good it was like to make to
• 1:08:10
  Speaker 2: make you believe like this what was going on? And
• 1:08:11
  Speaker 2: then all same like well fuck.
• 1:08:13
  Speaker 1: Like JK just kidding wow, and then yeah there and
• 1:08:17
  Speaker 1: then the theatrical version ends with a pretty solid, uh
• 1:08:22
  Speaker 1: kind of happy ending, except for the fact that there's
• 1:08:26
  Speaker 1: one thing that's played on the tape recorder that the
• 1:08:27
  Speaker 1: wife hears and she's like, oh shit. He's like, yeah,
• 1:08:30
  Speaker 1: I'm not so crazy after all, I'm on the fucker
• 1:08:32
  Speaker 1: and then the the director's gouts a bit more bleak
• 1:08:36
  Speaker 1: and it does kind of fit the story better. But
• 1:08:38
  Speaker 1: I still I think I still prefer the theatrical, but
• 1:08:42
  Speaker 1: I will agree with you that the ending to that one,
• 1:08:44
  Speaker 1: it does fit the story better for what's been going
• 1:08:48
  Speaker 1: on the whole time.
• 1:08:49
  Speaker 2: It's very bleak because at the end of the day, like,
• 1:08:52
  Speaker 2: that's all really all he wanted in that was he
• 1:08:55
  Speaker 2: was trying to prevent that from happening by taking this
• 1:08:59
  Speaker 2: job to get away from everything. But then at the
• 1:09:01
  Speaker 2: end of the day the hotel reminded him that he
• 1:09:04
  Speaker 2: can't get away from it, so this is the only
• 1:09:06
  Speaker 2: way he could. Yeah, and that's I mean, yeah, it's
• 1:09:09
  Speaker 2: dark as fuck, but I personally think it fit better.
• 1:09:13
  Speaker 2: And I understood why they didn't do it theatrically because
• 1:09:15
  Speaker 2: it would have a lot of people would have would
• 1:09:18
  Speaker 2: have probably like what.
• 1:09:19
  Speaker 1: A what a downer. Yeah, it was definitely better to
• 1:09:21
  Speaker 1: do that as a director's cut, and it definitely I
• 1:09:24
  Speaker 1: felt like it it made more sense. But yeah, I
• 1:09:26
  Speaker 1: don't know. I still I still prefer the theatrical, but
• 1:09:28
  Speaker 1: I do I do actually want to watch the director's
• 1:09:30
  Speaker 1: cut because I know now after watching this tonight. I've
• 1:09:33
  Speaker 1: never seen the director's cut because I've never saw that
• 1:09:36
  Speaker 1: ending until I looked it up tonight.
• 1:09:37
  Speaker 2: Well, I'll bring them on Friday, okay, because it's only
• 1:09:39
  Speaker 2: because the directors cuts only on blue.
• 1:09:41
  Speaker 1: Yeah, it's only like seven more minutes. But yeah, So
• 1:09:44
  Speaker 1: this movie's fucking wild. And I love this movie so much.
• 1:09:49
  Speaker 1: I really do, I really just I think it's a
• 1:09:51
  Speaker 1: very very well done and executed movie. I think John
• 1:09:53
  Speaker 1: Cusack as the lead is fucking fantastic, and he does
• 1:09:57
  Speaker 1: a great range of emotions. And I actually read the
• 1:10:00
  Speaker 1: trivia about it how he assented, not essentially, but he
• 1:10:02
  Speaker 1: does go through the five stages of grief throughout the movie.
• 1:10:05
  Speaker 1: Yeah you know which, Yeah, which is really awesome.
• 1:10:07
  Speaker 2: Which also brings me to the point that, yeah, he
• 1:10:11
  Speaker 2: was doing what he's doing for specific reasons, and the.
• 1:10:13
  Speaker 1: Drugs accept he's accepted it. That's the last stage of
• 1:10:15
  Speaker 1: grief acceptance.
• 1:10:17
  Speaker 2: And that's boom. And that's why the director's cut ending
• 1:10:21
  Speaker 2: works so well to me. Yeah, that reason and that
• 1:10:25
  Speaker 2: reason alone.
• 1:10:26
  Speaker 1: I agree. I don't think there's a mid her post
• 1:10:29
  Speaker 1: credits station. Yeah, okay, taglines, here we go. The Dolphin
• 1:10:32
  Speaker 1: Hotel invites you to stay in any one of its
• 1:10:34
  Speaker 1: stunning rooms except one which one no one lasts more
• 1:10:38
  Speaker 1: than an hour.
• 1:10:39
  Speaker 2: I mean, we're old in hours a long time.
• 1:10:43
  Speaker 1: The only demons in room fourteen oh wait are those
• 1:10:45
  Speaker 1: within you.
• 1:10:46
  Speaker 2: That's I mean, that's a pretty solid one.
• 1:10:48
  Speaker 1: Some rooms are locked for a reason, all right. So
• 1:10:53
  Speaker 1: a couple of bits of trivia here, some pretty cool
• 1:10:56
  Speaker 1: things in the movie, Mike Ensland says to his recorder,
• 1:10:59
  Speaker 1: hotel rooms are now naturally creepy places, don't you think.
• 1:11:01
  Speaker 1: I mean, how many people have slept in a bed
• 1:11:04
  Speaker 1: before you? How many of them were sick, how many
• 1:11:06
  Speaker 1: of them were losing their minds? Stephen King wrote this
• 1:11:09
  Speaker 1: in his explanatory note of fourteen oh eight in his
• 1:11:12
  Speaker 1: compilation book of short stories.
• 1:11:14
  Speaker 2: And you know, that's so funny, because I've always thought that, like,
• 1:11:16
  Speaker 2: if have a go to a hotel room, how many
• 1:11:18
  Speaker 2: people have actually slept on this bed, regardless of it
• 1:11:20
  Speaker 2: being cleaner? Not like how many?
• 1:11:23
  Speaker 1: In the standard edition, the DVD runtime is exactly one
• 1:11:25
  Speaker 1: hundred and four minutes and eight seconds, referring directly to
• 1:11:28
  Speaker 1: the movie's title. This also makes the DVD stop playing
• 1:11:31
  Speaker 1: at precisely one four four zero eight, again referring to
• 1:11:35
  Speaker 1: the title, which is fucking awesome. This is incorrect because
• 1:11:39
  Speaker 1: I did not hear Grady at all in this fucking movie.
• 1:11:43
  Speaker 1: So that's fucking bullshit what it says. One of the
• 1:11:45
  Speaker 1: first victims of the Room was named Grady, and Grady
• 1:11:48
  Speaker 1: was a character from the Shining. I did not fucking
• 1:11:50
  Speaker 1: hear that at all in this movie, so I think
• 1:11:51
  Speaker 1: that's incorrect, or it's just yeah, we just didn't hear
• 1:11:54
  Speaker 1: it because I heard him say the first victim was
• 1:11:56
  Speaker 1: that guy who tried to sew his neck back together.
• 1:11:59
  Speaker 1: His name was not fun Grady, or maybe yeah, maybe
• 1:12:02
  Speaker 1: I'm just not remembering it. There are many references to
• 1:12:04
  Speaker 1: the number thirteen throughout the movie. The room is numbered
• 1:12:06
  Speaker 1: fourteen oh eight. At each number up it equals thirteen.
• 1:12:09
  Speaker 1: The room is on the thirteenth floor, and the hotel
• 1:12:12
  Speaker 1: skips the thirteenth floor, so essentially the fourteenth floor is
• 1:12:15
  Speaker 1: the thirteenth floor. Like I said, the room's key also
• 1:12:18
  Speaker 1: has six two, one four etched into it, which also
• 1:12:20
  Speaker 1: adds up to thirteen. The first death was in nineteen twelve,
• 1:12:24
  Speaker 1: which adds up to thirteen, and if you add nineteen
• 1:12:27
  Speaker 1: plus twelve you Get thirty one, which in reversed is thirteen.
• 1:12:31
  Speaker 1: Even the month of the year's movie release date, June seventh,
• 1:12:34
  Speaker 1: sums up to thirteen six seven equals thirteen. The exact
• 1:12:38
  Speaker 1: date the movie was released in the United States was
• 1:12:40
  Speaker 1: June twenty second, twenty seven. And also, Keanu Reeves was
• 1:12:44
  Speaker 1: apparently attached for playing the lead role in this movie.
• 1:12:46
  Speaker 1: That would have been a wildly different movie. I don't
• 1:12:48
  Speaker 1: think you could have pulled it off. No offense to Kiano,
• 1:12:50
  Speaker 1: but he doesn't really.
• 1:12:51
  Speaker 2: Have you seen Constant Teens, but it's the same dark character. Yeah,
• 1:12:56
  Speaker 2: I think he would have.
• 1:12:59
  Speaker 1: Pulled I don't know if you don't. He doesn't have
• 1:13:00
  Speaker 1: the range though, like like Cusack does, to pull that off.
• 1:13:02
  Speaker 1: I don't think I've ever seen Kean u cry.
• 1:13:06
  Speaker 2: Well, you know what I mean. I think this movie
• 1:13:08
  Speaker 2: would have hit too much more closer to home in
• 1:13:11
  Speaker 2: real life for Keanu Reeves. True, and so he probably
• 1:13:14
  Speaker 2: could have made that emotion happen.
• 1:13:15
  Speaker 1: Okay, I'm not saying he can't. I'm just saying I don't.
• 1:13:17
  Speaker 1: I think John Cusack was a was a perfect Oh.
• 1:13:20
  Speaker 2: No, I agree, but I would have loved to seeing
• 1:13:22
  Speaker 2: the Keanu Reeves up.
• 1:13:23
  Speaker 1: That would have yet it would have been a wildly
• 1:13:25
  Speaker 1: different movie.
• 1:13:26
  Speaker 2: Fun to see.
• 1:13:26
  Speaker 1: Here is where the inaudible funck happens right here. So
• 1:13:30
  Speaker 1: in the beginning of the movie, when giving the skull
• 1:13:32
  Speaker 1: rating on the first hotel, he stays that he initially
• 1:13:34
  Speaker 1: gives it six skulls. He then says, screw him five skulls,
• 1:13:38
  Speaker 1: but his lips say fuck them. Yeah, yeah, they awesome.
• 1:13:41
  Speaker 2: They also did that in the movie Galaxy Quest.
• 1:13:44
  Speaker 1: Wow.
• 1:13:45
  Speaker 2: So at the end of Galaxy Quest. I mean, I
• 1:13:46
  Speaker 2: don't know how well you were our Galaxy Quest.
• 1:13:48
  Speaker 1: Not really.
• 1:13:49
  Speaker 2: But there's a scene at the end of the movie
• 1:13:51
  Speaker 2: to where Sigourney Weaver and Tim Ellen her escape in
• 1:13:54
  Speaker 2: and she goes, screw this, but her mouth says fuck this.
• 1:13:58
  Speaker 2: But because they wanted to keep it PG, they took
• 1:14:00
  Speaker 2: it from fuck this to screw this. So that's happened
• 1:14:03
  Speaker 2: before the where they've done stuff like that.
• 1:14:06
  Speaker 1: Oh, so yeah, that was a goof. I don't know
• 1:14:07
  Speaker 1: if I mentioned that was a goof. Uh. When Endsland
• 1:14:09
  Speaker 1: runs toward the door and finds it locked, a lot
• 1:14:11
  Speaker 1: of the sound effects seem to be a little off.
• 1:14:13
  Speaker 1: For instance, when he grabs the door knob, the sound
• 1:14:15
  Speaker 1: of him grabbing it occurs a little before he touches it. Yep,
• 1:14:18
  Speaker 1: here's something fun here. Here's the thing about the gadgets.
• 1:14:20
  Speaker 1: So and this kind of still doesn't make sense. So
• 1:14:22
  Speaker 1: if no electronic gadgets can work in the room, how
• 1:14:25
  Speaker 1: does Mike Mike's laptop work. The room is meant to
• 1:14:27
  Speaker 1: mess with endsland mind, so it's guessed that letting him
• 1:14:30
  Speaker 1: use these items are for a mere amusement of the.
• 1:14:32
  Speaker 2: Room, which does make sense.
• 1:14:34
  Speaker 1: And but he actually got a call out, That's what
• 1:14:37
  Speaker 1: I'm saying.
• 1:14:37
  Speaker 2: But the second time, someone else took over his voice
• 1:14:42
  Speaker 2: and said.
• 1:14:43
  Speaker 1: Certain things yeah to her, And I'm saying.
• 1:14:45
  Speaker 2: That makes perfect sense because it's just screwing with him,
• 1:14:47
  Speaker 2: so so in doing so, it also screwed with with
• 1:14:51
  Speaker 2: with her, yeah, saying everything's fine, blah blah blah and that. So, yeah,
• 1:14:55
  Speaker 2: that does make a lot of sense. I just, yeah,
• 1:14:56
  Speaker 2: I didn't know how far we were going with the review,
• 1:14:58
  Speaker 2: so I didn't say that, no, you're fine, but that
• 1:15:01
  Speaker 2: but that just screw with him makes perfect sense because
• 1:15:04
  Speaker 2: the room's got.
• 1:15:05
  Speaker 1: Some spirits, yeah, looking with him the whole time, So.
• 1:15:08
  Speaker 2: That makes perfect sense on that, But mainly the second
• 1:15:11
  Speaker 2: time around. The first time, you're yeah, it is a
• 1:15:13
  Speaker 2: little sketchy. Then when you see yeah, a different version
• 1:15:16
  Speaker 2: of him take over the skype call, they're like, oh fuck, okay,
• 1:15:19
  Speaker 2: this makes sense.
• 1:15:20
  Speaker 1: Yeah that was a pretty cool scene. Uh, I'm not
• 1:15:23
  Speaker 1: gonna read that one on stupid. I don't know why
• 1:15:25
  Speaker 1: I put that there. When Mike is clutching on the
• 1:15:26
  Speaker 1: brick wall, his nose presses into the brick and it
• 1:15:29
  Speaker 1: gives way, revealing that it is a fake. His hands
• 1:15:32
  Speaker 1: also caused a brick wallder brussell on multiple occasions.
• 1:15:34
  Speaker 2: I did think this was clever, though, Okay, I'll read it. Well,
• 1:15:37
  Speaker 2: you don't have to. Oh it's a spoiler in the movie.
• 1:15:39
  Speaker 2: I would not, but i'd spend in general because there's
• 1:15:42
  Speaker 2: a because the dialogue before this scene happens from the
• 1:15:46
  Speaker 2: person on the other line. Uh yeah, I thought the
• 1:15:48
  Speaker 2: way that was was very clever.
• 1:15:50
  Speaker 1: That is a spoiler too, Yeah, yeah, that is very
• 1:15:52
  Speaker 1: spoily all right. So rating six point eight out of
• 1:15:54
  Speaker 1: ten on IMDb, a three point two out of five
• 1:15:57
  Speaker 1: on Letterbox. I gave this probably way more than it needed,
• 1:16:00
  Speaker 1: but I gave it a four and a half. Oh,
• 1:16:01
  Speaker 1: I give it four I think it's fucking brilliant.
• 1:16:03
  Speaker 2: It is.
• 1:16:04
  Speaker 1: It's a brilliant fucking movie. It's so good. And like
• 1:16:07
  Speaker 1: I said, the only issue I have preventing this from
• 1:16:09
  Speaker 1: five stars is just the other weird thing. I'm sure
• 1:16:11
  Speaker 1: if someone explained it, someone out there probably knows. Maybe
• 1:16:13
  Speaker 1: I'll look it up on YouTube. But yeah, I just
• 1:16:15
  Speaker 1: I fucking love this movie. It is so good. There's
• 1:16:18
  Speaker 1: I love the fake outs. I love the twists and
• 1:16:20
  Speaker 1: the turns, and you know, there's two different endings. It's
• 1:16:22
  Speaker 1: just it's just fucking Chef's kiss. Dude. I love this movie.
• 1:16:25
  Speaker 1: It's so contained. It's essentially one person dealing with his
• 1:16:28
  Speaker 1: demons in a very small space. I love it. It's
• 1:16:31
  Speaker 1: just it checks every box I have for movies. I'm like, yes, yes, yes, excellent.
• 1:16:36
  Speaker 1: So definitely definitely, really enjoy and recommend this one if
• 1:16:39
  Speaker 1: you can't, if you don't want to rent it, fucking
• 1:16:41
  Speaker 1: buy it. Yeah, it's like some books with blue buy it.
• 1:16:43
  Speaker 1: I'm gonna buy it tonight because I need to have
• 1:16:45
  Speaker 1: that in my life. So that is fourteen oh eight
• 1:16:48
  Speaker 1: for sure. Watch it if you haven't, because we haven't
• 1:16:52
  Speaker 1: even spoiled any of the crazy shit that's happened, so yeah.
• 1:16:56
  Speaker 1: Follow us on Facebook at Fright Maares and Instagram and
• 1:16:59
  Speaker 1: Slasher at Fright Maar's podcast, Twitter at Fright Mayre's Underscore pod.
• 1:17:03
  Speaker 1: Follow us on the letterbox. I am a doctor Proctor
• 1:17:07
  Speaker 1: and you are Slaferman. Uh Me and Corey will be
• 1:17:11
  Speaker 1: back next week. Oh yeah, I guess I can tell
• 1:17:16
  Speaker 1: you what we're doing. We are finally doing a Helen
• 1:17:19
  Speaker 1: Hunt horror movie. The joke has been on the show
• 1:17:22
  Speaker 1: since like fucking third or fourth episode when we used
• 1:17:24
  Speaker 1: to play trivia and always used to scream out Helen Hunt.
• 1:17:27
  Speaker 1: If you were there, you remember we are doing a
• 1:17:30
  Speaker 1: Helen Hunt horror movie. So tune back in next week
• 1:17:33
  Speaker 1: for that.
• 1:17:33
  Speaker 2: What you doing the one that I'm thinking of.
• 1:17:35
  Speaker 1: I'll tell you when we get off the air. I
• 1:17:36
  Speaker 1: mean there's not there's not many exactly, So we're doing
• 1:17:41
  Speaker 1: that next week. Very exciting stuff. So until then, guys,
• 1:17:44
  Speaker 1: stay tuned and Sky no bitches, not today, Okay, bye
• 1:17:51
  Speaker 1: bye b