Latest / The Breakfast Club / Final Medal Count: USA 121, Drake 3, Meek 0

Transcript

Final Medal Count: USA 121, Drake 3, Meek 0 · The Breakfast Club

• 0:01
  Speaker 1: Jo Walmost Dangerous Morning Show, your breakfast Club club business.
• 0:07
  Speaker 1: Kill y'all together. Y'all are like a mega for us.
• 0:10
  Speaker 1: Y'all just took over him with what your podcast? This?
• 0:14
  Speaker 1: Chris Brown, I've officially joined the breakfast Club. Say something, mother,
• 0:17
  Speaker 1: I'm with it, wal Smoke, Dangerous Morning Show, Breakfast Club Issues.
• 0:32
  Speaker 1: Good morning Usa, yo yo yo yo yo yo yo
• 0:35
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:37
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:39
  Speaker 1: yo yo yo yo yo yo yo yo Yo. Good
• 0:41
  Speaker 1: morning Angela ye chola men, the guy peace to the
• 0:44
  Speaker 1: planet is Monday. Yes, back to the work week. I'm
• 0:50
  Speaker 1: in here with my flip flops on in my socks.
• 0:52
  Speaker 1: Had a nice RESTful weekend. What about y'all? I went
• 0:55
  Speaker 1: to Summer Slam yesterday. Are you in wrestling? Yeah? Well
• 0:58
  Speaker 1: I went to SummerSlam. I like women wrestlers, Okay at them? Yeah?
• 1:03
  Speaker 1: Actually they're pretty popular right now. But Sasha Banks was wrestling.
• 1:06
  Speaker 1: I said she lost. But that's Snoop Dogg's cousin, you know,
• 1:10
  Speaker 1: for Banks to Snoop Dogg's cousin, Yeah, for real cousins
• 1:13
  Speaker 1: of all her for real cousins. I don't know. Who
• 1:16
  Speaker 1: Sasha Banks is. I don't know why I'm even acting
• 1:18
  Speaker 1: like that. Shasha Banks and Snoop dogs that I have
• 1:20
  Speaker 1: no identity. You know, that's what I could put together. Well,
• 1:24
  Speaker 1: obviously it's a huge deal. It was at the Barclays
• 1:26
  Speaker 1: in Brooklyn, sold out event. That's the only way, the
• 1:28
  Speaker 1: only reason asually you went by the way. Well, I
• 1:32
  Speaker 1: show support though, but I have been wanting to go,
• 1:35
  Speaker 1: and I had the opportunity to go, so shout out
• 1:37
  Speaker 1: to everybody that was there. Barbara from the w W
• 1:39
  Speaker 1: either hooked me up at my tickets. It was a
• 1:42
  Speaker 1: very it was a very long event. And then at
• 1:43
  Speaker 1: the end we got to keep our chairs, like the
• 1:46
  Speaker 1: chairs that you sat and they would like special w
• 1:48
  Speaker 1: W E chairs. Nice to let you fold them up
• 1:50
  Speaker 1: and take them home. That was mayhem, can you slap
• 1:52
  Speaker 1: somebody with them? I haven't watched Russia to days. At
• 1:54
  Speaker 1: a Rock and Stone Cold Steve Austin bro Well brock
• 1:57
  Speaker 1: Lessner was there. I knew little brock Lessner man. That
• 2:01
  Speaker 1: one was crazy. There was blood everywhere, not in the wrestler.
• 2:04
  Speaker 1: I was never in the wrestling. As a kid, you
• 2:06
  Speaker 1: probably would you would have had fun if you and
• 2:08
  Speaker 1: my son doesn't like wrestling. He doesn't like that stuff.
• 2:10
  Speaker 1: He likes basketball, baseball, football, he don't like too. But
• 2:14
  Speaker 1: growing up in South Carolina you had TVs and TNT,
• 2:16
  Speaker 1: so I grew up on IT, W, c W and
• 2:19
  Speaker 1: n W. While was there, he had the official song
• 2:22
  Speaker 1: He's a big wrestling fan, p y T. I don't
• 2:24
  Speaker 1: know how that went with the theme of everything, and
• 2:28
  Speaker 1: people loved the way while Lay loved wrestling in while
• 2:31
  Speaker 1: would be the biggest rap star right now, absolutely if
• 2:33
  Speaker 1: Fab was there with his son also five sons into
• 2:36
  Speaker 1: it too. I was at the Poconos on Friday at
• 2:39
  Speaker 1: a club coll Dubai, which was Jim Pack shot everybody
• 2:42
  Speaker 1: that came out. And then I was in Springfield, Massachusetts, Massachusetts.
• 2:46
  Speaker 1: Did you get one of those hotel rooms in the
• 2:48
  Speaker 1: Poconos where you take a bath in the champagne glass?
• 2:51
  Speaker 1: Remember those back in the day in the Poconos. The
• 2:54
  Speaker 1: rich stuff are you talking about? It's not rich at all.
• 2:56
  Speaker 1: It used to be commercials on TV. That's you take
• 2:59
  Speaker 1: Grella Valentine's Day when you don't really have that much money.
• 3:01
  Speaker 1: They have the heart shape jacuzzi and they fill it
• 3:04
  Speaker 1: up with champagne. It is probably cheap time they had
• 3:06
  Speaker 1: the bathtubs that look like a glass of champagne. Looks
• 3:09
  Speaker 1: like a glass of champagne, sounds like a tough full
• 3:12
  Speaker 1: of seamen. Yeah it's not yours. Yeah it wasn't. I
• 3:15
  Speaker 1: never went, but it was very cheap. Picture can see.
• 3:19
  Speaker 1: I can't believe you've never seen this. He's always had
• 3:20
  Speaker 1: commercial commercials all the time in your b I'm cool. Now,
• 3:27
  Speaker 1: how do you even climb up in that thing? That's sure?
• 3:29
  Speaker 1: This steps on the side of it somewhere. I was
• 3:31
  Speaker 1: on club couch y'all weekend, you know, binging on to
• 3:34
  Speaker 1: get down on Netflix, dropped on the clue moms for
• 3:36
  Speaker 1: that show. Amazing, amazing show. Still haven't finished yet though,
• 3:40
  Speaker 1: by the way out, one more episode to go, Claudet
• 3:43
  Speaker 1: between that and reading. So let's get the show cracking.
• 3:46
  Speaker 1: Front page news. What we're doing. Well, let's talk about
• 3:49
  Speaker 1: the USA all of the medals. Let's talk about the
• 3:51
  Speaker 1: final counts from the Olympics. Okay, we'll get into that,
• 3:54
  Speaker 1: and Moore keep it locked. It's the Breakfast Club morning, everybody,
• 4:01
  Speaker 1: Steve j m Vy, angela Ye, Charlomagne and God we
• 4:04
  Speaker 1: are the breakfast Class and maybe that we've been playing
• 4:05
  Speaker 1: this song for so long. And my dumb maass started
• 4:07
  Speaker 1: to say, yeah, I've been listening to the Tory Lanez
• 4:09
  Speaker 1: album all weekend. That wasn't even to Yeah, that was exchange.
• 4:12
  Speaker 1: Listen to the Tory album all weekend. It's a great album, right,
• 4:15
  Speaker 1: it's pretty dope. It's pretty long, long as hell. I'm
• 4:18
  Speaker 1: listened for an hour and only got the track five.
• 4:19
  Speaker 1: You didn't listen to Frank Ocean's album, No, not at all.
• 4:22
  Speaker 1: He dropped another one, didn't he? Yeah, three thousands on it? Cool,
• 4:26
  Speaker 1: you got a good three thousands heard albums. I heard
• 4:29
  Speaker 1: part of it. I heard about ten songs. I gotta
• 4:31
  Speaker 1: be in a Frank Osian moved. I ain't gotten to that, Frank.
• 4:34
  Speaker 1: I don't know yet. I know when I get there.
• 4:36
  Speaker 1: All right, let's get in some front page news. Olympic update.
• 4:40
  Speaker 1: The men's basketball team and the women's basketball team both
• 4:43
  Speaker 1: brought home the goal. The men beat Siberia with Serbia
• 4:47
  Speaker 1: Serbian ninety six sixty six to women be Spain one
• 4:49
  Speaker 1: on one seventy two. If you wanted to pronounce that Siberia,
• 4:52
  Speaker 1: I was too played, called Siberia Siberia yeah, all right,
• 4:57
  Speaker 1: you say anything about what Carmelo had to say. I
• 4:59
  Speaker 1: don't think we have the audio of Mellow. We have
• 5:01
  Speaker 1: an audio Melow that we don't have the audio Melow.
• 5:03
  Speaker 1: It's never him to say I got another goal, but
• 5:05
  Speaker 1: this is his last goal. He's the old basketball player
• 5:09
  Speaker 1: because in four years to be forty, no o, old
• 5:14
  Speaker 1: Mello be maybe like thirty six, maybe thirty. But that
• 5:17
  Speaker 1: was his third gold medal. So congratulations to Carmela. That
• 5:20
  Speaker 1: was the final medal count in real for the US.
• 5:22
  Speaker 1: Right now, the US has dominated. They got one hundred
• 5:25
  Speaker 1: and twenty one medals. Okay, they were in first place.
• 5:28
  Speaker 1: Second place was China. They got fifty one, so that
• 5:32
  Speaker 1: was a huge lead for the United States. Fifty one
• 5:35
  Speaker 1: more than the second place China. Sorry, no, great Britain
• 5:37
  Speaker 1: was number two with sixty seven. China was number now,
• 5:40
  Speaker 1: you're right, China was number two with seventy. I'm trying
• 5:43
  Speaker 1: to read what they have on the on the screen,
• 5:45
  Speaker 1: but they got a back. They have fifty one more
• 5:46
  Speaker 1: than than China because the USA has one twenty one,
• 5:49
  Speaker 1: China had seventy, and then the Americans. For US before that,
• 5:54
  Speaker 1: our previous high was one hundred and ten, so we
• 5:56
  Speaker 1: topped that even we got all the gold though, well,
• 5:59
  Speaker 1: Michael fulps the most medals of any Olympian. He got six,
• 6:03
  Speaker 1: while Katie Ledeckian Simone Biles each got five. How much
• 6:06
  Speaker 1: are you saying, bog three three? Okay, so he got nine,
• 6:10
  Speaker 1: he got nine, all right, Now, let's talk about this
• 6:14
  Speaker 1: A strange boyfriend. Twenty seven year old man confessed on Saturday.
• 6:18
  Speaker 1: He killed five people early Saturday. One of them was
• 6:20
  Speaker 1: a pregnant woman, So he's going to be charged with
• 6:23
  Speaker 1: six counts of capital murder. That was in southwestern Alabama.
• 6:26
  Speaker 1: Derek Derman. He used multiple weapons in the killings, and
• 6:29
  Speaker 1: he was in custody after he kidnapped his girlfriend and
• 6:32
  Speaker 1: a three month old infant, so later on. The pair
• 6:36
  Speaker 1: were later released unharmed. But he did kill the victims
• 6:39
  Speaker 1: as they slept about thirty miles northwest of Mobile. So
• 6:42
  Speaker 1: the killings took place hours after his girlfriend fled to
• 6:46
  Speaker 1: a relative's house to escape him. He was very abusive
• 6:49
  Speaker 1: and she came to the house around one am. The
• 6:51
  Speaker 1: police responded to a nine when one call at the house,
• 6:53
  Speaker 1: but they could not find him. They said it was
• 6:55
  Speaker 1: a very heavily wooded area, so it was easy for
• 6:57
  Speaker 1: him to escape. Oh God, bless all over himself too early,
• 7:00
  Speaker 1: faul that I don't even had breakfast. I ain't drink
• 7:02
  Speaker 1: my green tea, I ain't had no green juice. I
• 7:04
  Speaker 1: ain't eat no egg whites. I don't want to him
• 7:05
  Speaker 1: hear about all that, Bertie yet. All right, well that's
• 7:08
  Speaker 1: front page news. Now tell them why you're mad. Eight
• 7:10
  Speaker 1: don't drink five eight five one oh five one. And
• 7:12
  Speaker 1: maybe an upset you need to vent, maybe had a
• 7:14
  Speaker 1: bad weekend, whatever it may be, get it off your
• 7:17
  Speaker 1: chest right now. Eight on drink five eighty five one
• 7:19
  Speaker 1: oh five one, phone lines and wide open, call us
• 7:22
  Speaker 1: up right now. It's the Breakfast Local Morning, the Breakfast Club.
• 7:29
  Speaker 1: Hey y'all, this is a man rap. But come on in,
• 7:31
  Speaker 1: your friend. I'm gonna tell you why man. I'm gonna
• 7:32
  Speaker 1: tell you why man for real? Man, Hey, y'o, My
• 7:34
  Speaker 1: girl keep coming home smelling like paul O' cologne, so
• 7:36
  Speaker 1: like like that ain't for girls like I love. Something's
• 7:39
  Speaker 1: going on for meal like like like I'm heated about that.
• 7:42
  Speaker 1: And now I need you to tell me why you
• 7:43
  Speaker 1: are man? Why are you man? I'm the Breakfast Club
• 7:45
  Speaker 1: for real? What up this is? Tell them why you? Mad? Well?
• 7:51
  Speaker 1: I am pissed off over the weekend and about too
• 7:56
  Speaker 1: much previously. I've been trying to break up with this
• 7:59
  Speaker 1: certain as well, and over the weekend I thought that
• 8:02
  Speaker 1: I thought I accomplished that. But I've been getting calls
• 8:05
  Speaker 1: all mine and I just want to say, um, we
• 8:09
  Speaker 1: have nothing in common. Okay, you want to call them,
• 8:15
  Speaker 1: you want to call them on three way and have
• 8:16
  Speaker 1: Sean Lemayne do it for you right now. No, I'm
• 8:18
  Speaker 1: not going to intervene in your murder, Blen. Don't you
• 8:21
  Speaker 1: manage emotions like that. But you know, just because you
• 8:24
  Speaker 1: gotta give him a minute to realize that, you know,
• 8:26
  Speaker 1: y'all really broke up and you can't do no sex.
• 8:29
  Speaker 1: You can't give them no sex. You can't tell me
• 8:31
  Speaker 1: we broke up and still want to have sex with me. Okay, okay,
• 8:36
  Speaker 1: we just contact w J WG. Okay, w G, it's
• 8:40
  Speaker 1: a rap, all right? Thanks efficient to see WG. Hello,
• 8:46
  Speaker 1: who's this quick? What's going on? And hey tell them
• 8:48
  Speaker 1: about you? Mad all right? Comes to be upset and
• 8:51
  Speaker 1: kind of discourage because I'll produced the song for a
• 8:55
  Speaker 1: birth of the Nation. It's absolutely the most part song here.
• 8:58
  Speaker 1: I'll have no way to get it to the You
• 9:00
  Speaker 1: produced the song for birth Nation, sir, birtha Nation is done.
• 9:04
  Speaker 1: It'll be out October seven, sir. For the Soundtrack's not
• 9:06
  Speaker 1: to wait for the soundtrack though. All right, I'm gonna
• 9:08
  Speaker 1: tell you what to do. Go to at Little Burger
• 9:10
  Speaker 1: on Twitter and tweet him and tell him you got
• 9:12
  Speaker 1: a song for the soundtrack. Atlantic has the sound track.
• 9:17
  Speaker 1: Tweet a Little Burger. That's who running the black stuff
• 9:20
  Speaker 1: Burger Burger. Yeah, at little Burger, at little Burger, yes
• 9:24
  Speaker 1: you know, no, no, no, just at Little burg Nope,
• 9:27
  Speaker 1: it's happened. Ye, you can send it to me so
• 9:31
  Speaker 1: you see that. That's that's that's what you call Hampton privilege. Okay,
• 9:35
  Speaker 1: everybody got a privilege. Don't ever get it twisted. That's
• 9:37
  Speaker 1: Hampton privilege. Hello, who's this? Okay, many big family, y'all.
• 9:43
  Speaker 1: And uh, I'm mad because I don't know if I'll
• 9:45
  Speaker 1: see that sort of power. Last night, Yes I did.
• 9:48
  Speaker 1: It was crazy. You can't curse, you can't go, don't
• 9:51
  Speaker 1: get nothing where I ain't see. Yeah, I see it
• 9:52
  Speaker 1: an that I ain't gole spoil it. But like this
• 9:55
  Speaker 1: dude has a three or four crazy dem All right,
• 9:59
  Speaker 1: I will say this ghost made the right decision. Though,
• 10:02
  Speaker 1: what snack man? They snack man? What's good? Happy Monday? Snap?
• 10:09
  Speaker 1: Resident comedian that tells horrible jokes. Let me here today's joke.
• 10:13
  Speaker 1: All right? Um, why did the man divorce his cross
• 10:17
  Speaker 1: eyed wife? Why? Because she was seeing somebody on the side.
• 10:25
  Speaker 1: You really get down with some thoughts. That's the backpare
• 10:27
  Speaker 1: Like you took a pin and paper and wrote that
• 10:29
  Speaker 1: down you probably put in your phone. Hilarious, you really
• 10:32
  Speaker 1: thought about that, My goodness, tell them why you mad?
• 10:34
  Speaker 1: Eight hundred five eight five one on five one. If
• 10:36
  Speaker 1: you're upset, you need to vent right now, call us up.
• 10:39
  Speaker 1: It's the breakfast Club. Co morning, the breakfast Club. This
• 10:47
  Speaker 1: is the Ruble Report with angelin breakfast clubs. That's a
• 10:55
  Speaker 1: little better. It's getting in like that one. He's getting in.
• 10:58
  Speaker 1: So everybody was talking about Drake his meek mill over
• 11:01
  Speaker 1: the weekend. Now it all started with Drake and DC
• 11:04
  Speaker 1: and he changed some of the lyrics to back to
• 11:06
  Speaker 1: back knowing that he was going to be in Philly
• 11:07
  Speaker 1: the next night. Here is Drake on stage where he
• 11:19
  Speaker 1: basically cast make a vagina, get to do that at
• 11:22
  Speaker 1: all the shows though, Oh I don't know. I didn't
• 11:25
  Speaker 1: hear him do that in New York. Okay, Well, anyway,
• 11:28
  Speaker 1: then he went to Philly and he performed on stage
• 11:31
  Speaker 1: and Philly in here is what he had to say
• 11:33
  Speaker 1: on stage. You did that in New York too, So
• 11:53
  Speaker 1: still here, man, you're not really from Philly and they
• 11:55
  Speaker 1: can tell. But he did it in Philly, But in
• 11:57
  Speaker 1: New York he said the same thing. You're not really
• 11:59
  Speaker 1: from New York. I could tell ye, but I'm sure
• 12:00
  Speaker 1: in Philly, in your hometown, it's a bit different feeling.
• 12:03
  Speaker 1: He's supposed to do that though, Okay, And then here's
• 12:05
  Speaker 1: here's what he had to say on stage in Philly. Also,
• 12:09
  Speaker 1: when you watched that video all the way over to night,
• 12:11
  Speaker 1: it's not about the city'll love the city. So that's
• 12:17
  Speaker 1: after him performing back to back. Now, that was about Beaver.
• 12:23
  Speaker 1: That was about supposed to I mean, you win that
• 12:25
  Speaker 1: guy city, that guy still talking crazy. It showed him
• 12:28
  Speaker 1: that's what we wanted me to do last summer with me,
• 12:33
  Speaker 1: was right, He's supposed to do that, all right. Well,
• 12:35
  Speaker 1: here is d line. He does security for Meek and
• 12:38
  Speaker 1: he went on Instagram and posted this video. He got
• 12:41
  Speaker 1: the police guard name and he won't come out to
• 12:45
  Speaker 1: go to gates, hing all that. Now you can't go home.
• 12:48
  Speaker 1: That's how we're playing. Let's respect him a man name Nan.
• 12:51
  Speaker 1: He can't get out, Nan, he can't get out the building.
• 12:54
  Speaker 1: He sent Jai Our Prince allhead to talk to him, saying, sniggers,
• 12:58
  Speaker 1: who is jail Prince? And I think it's j R.
• 13:01
  Speaker 1: Smith and Jazz Prince together? Yeah, oh you meant to
• 13:03
  Speaker 1: say j Prince. Listen. I'm so perplexed by this whole situation.
• 13:08
  Speaker 1: If that's the definition of press, I don't understand the
• 13:10
  Speaker 1: definition of press. This wasn't a club, it was the
• 13:12
  Speaker 1: Wells Fargo Arena in Philly. That's like being at the
• 13:15
  Speaker 1: Super Bowl and saying you're gonna press the halftime act.
• 13:17
  Speaker 1: Like said, that's not gonna happen. And why wouldn't that
• 13:20
  Speaker 1: be policed there in a bunch of security. I have
• 13:22
  Speaker 1: to protect the stars in the show from over twenty
• 13:24
  Speaker 1: thousand screaming fans. Well. Meek also posted on Instagram in
• 13:28
  Speaker 1: case you were wondering what he had to say about
• 13:30
  Speaker 1: all of this. He posted a picture and he said,
• 13:32
  Speaker 1: when you run out the back door and use the
• 13:34
  Speaker 1: old man to save you, I'm done. You had Philadelphia
• 13:36
  Speaker 1: swat with you. I'm gonna go ahead hanging up with
• 13:39
  Speaker 1: these suckers. Had y'all tucked him back there for hours?
• 13:41
  Speaker 1: Loo hashtags still running, I only came to talk. Why
• 13:45
  Speaker 1: is me posting like that? Why is he incriminating himself?
• 13:48
  Speaker 1: It isn't me going probation for six years and he
• 13:50
  Speaker 1: on social media incriminating himself like he was trying to
• 13:52
  Speaker 1: get Drake touched up. I really don't understand these dudes.
• 13:55
  Speaker 1: But then maybe the main ones talking about rats, but
• 13:58
  Speaker 1: they snitching on themselves, Like why I put yourself back
• 14:01
  Speaker 1: in that position? Meet You just got off house arrest.
• 14:03
  Speaker 1: You're just getting to get back in these streets and
• 14:05
  Speaker 1: go through the country and get these bags. Why incriminate yourself?
• 14:08
  Speaker 1: What's the point not enough of If I'm Drake and
• 14:10
  Speaker 1: I go to Philly and I'm gonna have a little
• 14:12
  Speaker 1: more extra security with me anyway, I'm having extra security
• 14:14
  Speaker 1: everywhere I go because I'm Drake and I'm performing in
• 14:17
  Speaker 1: front of twenty thousand people every night. Why wouldn't you
• 14:21
  Speaker 1: and you as the same security NIGGI got him. Sure
• 14:23
  Speaker 1: when she performs and when Meek's there, I'm sure. Right,
• 14:26
  Speaker 1: everybody has security doing big arenas what you did with
• 14:30
  Speaker 1: Nicky's gonna have the D line. What's the guy's name?
• 14:32
  Speaker 1: I'm gonna have. That's all. You're gonna have an ex
• 14:34
  Speaker 1: football players, No, you have ninjas. You don't want to
• 14:38
  Speaker 1: just have football players. You want to have ninjas with you.
• 14:41
  Speaker 1: But Jakes also brought out Little Wayne at the show
• 14:43
  Speaker 1: in Philly, and he also hinted at the two of
• 14:45
  Speaker 1: them perhaps going back on tour together again. So that's
• 14:49
  Speaker 1: what happened over the weekend. Just updating on everybody on
• 14:52
  Speaker 1: what's going on, seeing all of that on their timeline.
• 14:56
  Speaker 1: I just see a bunch of buffoonery. All I say
• 14:58
  Speaker 1: is a bunch of niggas nigging, Like I want everybody
• 15:01
  Speaker 1: to get money, like go do your music, you know,
• 15:04
  Speaker 1: go do your shows. But all of that w W
• 15:06
  Speaker 1: E stuff, that's Gobbagause I want to hear more. I
• 15:08
  Speaker 1: want to hear new Meek music too. I mean, I
• 15:10
  Speaker 1: want to hear Meek music. I don't understand how you
• 15:12
  Speaker 1: want to stand's been putting out music. I don't understan
• 15:15
  Speaker 1: how he's standing outside the weld fogleson a little bit
• 15:17
  Speaker 1: of the fight. It's the welds Fogles And it's not
• 15:19
  Speaker 1: a club. If it was a club of something, I understand.
• 15:21
  Speaker 1: It's the weld Fogle Arena. Think of whatever the biggest
• 15:25
  Speaker 1: arena is in your city. Imagine going to fight Lebron
• 15:28
  Speaker 1: James at the at the what's the thing called in Cleveland.
• 15:31
  Speaker 1: I don't quick and loan since imagine that. Imagine that?
• 15:35
  Speaker 1: How how I want to know how? How's that gonna happen?
• 15:38
  Speaker 1: It's not gonna But I just want to say they
• 15:40
  Speaker 1: need to move on past their issues. Just maybe y'all
• 15:43
  Speaker 1: don't like each other, go your separate ways. Me because
• 15:45
  Speaker 1: I'm probation. He's living it up. He's got a brand
• 15:48
  Speaker 1: new mansion with Nikki Drake, is gonna continue to do
• 15:53
  Speaker 1: whatever he's just go ahead and do music back and forth,
• 15:56
  Speaker 1: but all of the talking on Instagram. If you're on probation,
• 15:59
  Speaker 1: just yes, you know what I've been, go ahead and
• 16:02
  Speaker 1: do a song. It had been Jeks in Philly, they'd
• 16:04
  Speaker 1: let him in the building. He's meek. No, they wouldn't.
• 16:06
  Speaker 1: They wouldn't. Definitely, not as a show Are you crazy?
• 16:11
  Speaker 1: They would be held liable if something happen. Well, I'm
• 16:13
  Speaker 1: just saying that would make Jake's about to get on stage.
• 16:18
  Speaker 1: It had been more for him to be in the
• 16:19
  Speaker 1: building with a few people and do what approach Drake this,
• 16:21
  Speaker 1: what's up? That happened? But that right there, the ex
• 16:25
  Speaker 1: football player outside of the arena throwing rocks, like, come on, bro,
• 16:29
  Speaker 1: that looks so stupid. All right, all right, well that
• 16:31
  Speaker 1: is your rumor report. I'm angela ye. All right, thank you,
• 16:34
  Speaker 1: mich front page that was up next. What we're talking
• 16:36
  Speaker 1: about easy, Let's talk about the Olympics and how well
• 16:38
  Speaker 1: the United States did. Okay, we'll get into that when
• 16:40
  Speaker 1: we come back. Keep a locked it to Breakfast Club.
• 16:42
  Speaker 1: Get your ass up, it's Monday. Everybody is DJ mv
• 16:46
  Speaker 1: angela Ye, Charlemagne the God we are the Breakfast clut.
• 16:49
  Speaker 1: That was Tory Lane, right, That was Tory Lane. Tory
• 16:53
  Speaker 1: Lane's on that long ass album he got out Dope project.
• 16:55
  Speaker 1: Let's get in some front page news. Then let's talk
• 16:57
  Speaker 1: about the Olympics. Last night was the clothe using ceremony
• 17:00
  Speaker 1: of the Rio Olympics that the men's basketball team they
• 17:04
  Speaker 1: brought home the gold that the women's did as well. Yeah,
• 17:06
  Speaker 1: there was a bunch of dudes outside the Olympic arena
• 17:09
  Speaker 1: trying to fight the whole US Olympic team. They couldn't
• 17:11
  Speaker 1: get in. And it was shocked that it was mad
• 17:13
  Speaker 1: security too. It was like old Mello got mad security.
• 17:16
  Speaker 1: Dreckmond Green got mad security at the Olympics. I feel
• 17:20
  Speaker 1: Carmela said, this is it for him, By the way,
• 17:22
  Speaker 1: his third Olympics. He's not gonna play in the Olympic
• 17:25
  Speaker 1: team anymore. I mean truth. He told four years man,
• 17:27
  Speaker 1: they probably not gonna want Mellow on the Olympic team
• 17:29
  Speaker 1: because it's gonna be old. I got to the truth
• 17:31
  Speaker 1: to the matter. Sleute to him. On his three gold medals,
• 17:33
  Speaker 1: he got a little emotional. He spoke after the gold medal,
• 17:36
  Speaker 1: why was this one's special for you home? I know
• 17:38
  Speaker 1: this is this is it for me, This is familiar.
• 17:42
  Speaker 1: I committed to something. Sorry, I'll committed to this old
• 17:51
  Speaker 1: four I've seen the worst and I've seen the best. Man,
• 17:55
  Speaker 1: I'm here today, three gold medals later. I just want
• 17:58
  Speaker 1: to say thank you for allowing me. They wanted to
• 18:01
  Speaker 1: lead us a lot of just all the same, but
• 18:03
  Speaker 1: of our country despite of everything that's going on right
• 18:06
  Speaker 1: now in all countries. We gotta be united. And I'm
• 18:10
  Speaker 1: glad I did what I did. I stepped up for
• 18:12
  Speaker 1: the challenge. But this is what it's about. Salute to mellow.
• 18:15
  Speaker 1: Mello's really crying because you got to come back to
• 18:17
  Speaker 1: New York and suffer with the Knicks after being on
• 18:18
  Speaker 1: a winning team all summer long. And he also said
• 18:21
  Speaker 1: during that you know, we need to make America greade again.
• 18:24
  Speaker 1: That doesn't mean that he supports Donald Trump like peoples like,
• 18:26
  Speaker 1: oh he's a borts Donald Trump. No, that doesn't mean that.
• 18:28
  Speaker 1: That definitely doesn't mean that. And that means that Donald
• 18:31
  Speaker 1: Trump has made things so bad for the past year,
• 18:33
  Speaker 1: just as far as like race relations in America and
• 18:36
  Speaker 1: energy that he's putting out that, yes, we do need
• 18:38
  Speaker 1: to make America grade again and get away from whatever
• 18:40
  Speaker 1: Trump's putting out there. Now. Also, let's talk about this
• 18:42
  Speaker 1: is strange boyfriend, We're a little crazy. Yes, it's a
• 18:45
  Speaker 1: twenty seven year old man in Alabama and he confessed
• 18:48
  Speaker 1: to killing five people. This all happened early Saturday. One
• 18:52
  Speaker 1: of the women was a pregnant woman, and he's going
• 18:54
  Speaker 1: to be charged with six counts of capital murder because
• 18:57
  Speaker 1: of that. Derek Dearman. They said he used multiple weapons
• 19:01
  Speaker 1: in these killings and he killed the victims as they slept.
• 19:04
  Speaker 1: So his girlfriend, his girlfriend was actually the one that
• 19:07
  Speaker 1: alerted the police. Leonetta Leicster. She walked into the police
• 19:10
  Speaker 1: station and said that her boyfriend had killed multiple people.
• 19:14
  Speaker 1: She said she had gone to the house where the
• 19:15
  Speaker 1: slayings took place to stay with the relative, and I
• 19:18
  Speaker 1: guess they got into an argument. She left, went over
• 19:20
  Speaker 1: there and that's when he showed up. And what was
• 19:22
  Speaker 1: his reasoning? I mean, is there a reason? I mean,
• 19:25
  Speaker 1: he was abusive. I guess they got into an argument.
• 19:27
  Speaker 1: She left, she went to a relative's house, and then
• 19:30
  Speaker 1: he showed up to the residence and attacked the victims
• 19:32
  Speaker 1: while they were sleeping. What's crazy is at about one
• 19:34
  Speaker 1: am on Saturday, somebody called the police to report that
• 19:37
  Speaker 1: he was trespassing. The police did respond, but they didn't
• 19:40
  Speaker 1: find him anywhere. Then he came back sometime between one
• 19:43
  Speaker 1: fifteen am and sunrise, and that's when he attacked all
• 19:45
  Speaker 1: the victims while they were sleeping. Why don't people like
• 19:48
  Speaker 1: that just kill himself first? Like, if you ever think
• 19:50
  Speaker 1: about just harm and a whole bunch of people in
• 19:51
  Speaker 1: that man and just take yourself out. He ended up
• 19:53
  Speaker 1: turning himself in. So now six charges. Well, Jesus Christ,
• 19:59
  Speaker 1: don't right as front page now starting September first, it
• 20:06
  Speaker 1: looks like Ober is going to start these self driven
• 20:09
  Speaker 1: cars where there are gonna be no humans inside. You
• 20:12
  Speaker 1: can call it Uber. It'll pick you up and take
• 20:14
  Speaker 1: it to your destination. Is that everywhere or that they
• 20:16
  Speaker 1: were just testing it and they're gonna starts in Pittsburgh
• 20:19
  Speaker 1: September first, what I look like? But would you drive
• 20:22
  Speaker 1: in this self driven car? You call it Ober, it
• 20:24
  Speaker 1: picks you up, there's nobody inside its destination. I barely
• 20:28
  Speaker 1: trust the Uber driver as it is, So I'm going
• 20:30
  Speaker 1: to jump in a car that drives itself absolutely. Let's
• 20:33
  Speaker 1: open up the phone lines eight five, eight five, one
• 20:35
  Speaker 1: oh five one. Now you know, technically, this car is
• 20:37
  Speaker 1: supposed to be a lot safer than any human. The
• 20:39
  Speaker 1: reaction time is supposed to be way better. It can
• 20:41
  Speaker 1: press the break way better, it can swerve at it
• 20:44
  Speaker 1: a way way better. But if anything goes wrong, just
• 20:47
  Speaker 1: like when a pilot flies a plane, even though the
• 20:49
  Speaker 1: plane goes in the course on its own in case
• 20:52
  Speaker 1: something goes wrong, don't you need a human? But they're
• 20:54
  Speaker 1: saying the probability is going to be so low, and
• 20:56
  Speaker 1: more accidents happened with human error than this computer be
• 20:59
  Speaker 1: way safer than and what happens to all the drivers,
• 21:01
  Speaker 1: They're not gonna have jobs anymore. I don't care. Listen,
• 21:03
  Speaker 1: I'm an eighties baby. The only car that I trust
• 21:06
  Speaker 1: to drive himself is Kid from Night Writer. All right,
• 21:08
  Speaker 1: drop on a clues bombs from Kid. Damn it. I
• 21:10
  Speaker 1: need to kind of talk to me like Kid. That's it?
• 21:12
  Speaker 1: Eight five eight five one oh five one. If this
• 21:15
  Speaker 1: Uber car gets released everywhere, would you take this Uber?
• 21:18
  Speaker 1: Call it's gonna be self driven it. There's gonna be
• 21:20
  Speaker 1: no driver. That's saying that the car is gonna be
• 21:22
  Speaker 1: technically safer than a human. It can break faster, it
• 21:25
  Speaker 1: can swerve faster, it can swerve. But I don't need
• 21:27
  Speaker 1: all these advancements in technology. I still read regular books.
• 21:30
  Speaker 1: I don't do the kindles and the e books and
• 21:32
  Speaker 1: all that kind of stuff, like oh Man, five eight
• 21:35
  Speaker 1: five one oh five one. Would you take an uber
• 21:37
  Speaker 1: self driven car? Call us up right? Now, here's Drake
• 21:39
  Speaker 1: re read It's too good. It's a breakfast cloak com
• 21:42
  Speaker 1: on it. That was Diddy, I need a girl morning.
• 21:46
  Speaker 1: Everybody is DJ m vy Angela Yee, Charlomagne the guy
• 21:49
  Speaker 1: we are the breakfast club. Now Uber saying September feet
• 21:53
  Speaker 1: they're gonna start releasing these self driven uber vehicles, no
• 21:56
  Speaker 1: humans involved, just testing him out right, testing out what
• 21:59
  Speaker 1: people gonna be using them. And they're saying it should
• 22:01
  Speaker 1: be safer than the human. It's saying that the car
• 22:03
  Speaker 1: can actually stop faster, it can react better and swerve
• 22:07
  Speaker 1: out of the way if there's any problems, and it's
• 22:09
  Speaker 1: gonna be a lot safer, then they get me to
• 22:10
  Speaker 1: the airport. If I'm in a rush on it, I
• 22:12
  Speaker 1: don't know if the car is gonna speed. I don't
• 22:15
  Speaker 1: know if you're gonna be able to make stops, so
• 22:16
  Speaker 1: you're not gonna be like, hey, stop at this boat,
• 22:17
  Speaker 1: dig and get to get to the ATM. I just
• 22:19
  Speaker 1: need to take some money out. Can you just pull
• 22:21
  Speaker 1: up it right here for a minute. That won't happen,
• 22:23
  Speaker 1: but it will get you probably to the Airport's safer
• 22:24
  Speaker 1: than any human driving. I'm cool on that because I
• 22:27
  Speaker 1: don't know how the car is feeling that day. With
• 22:28
  Speaker 1: an uber driver, I can get in and check his temperature,
• 22:31
  Speaker 1: check her temperature, make sure that they didn't they're in
• 22:33
  Speaker 1: a good mood, or they're not in a good mood.
• 22:34
  Speaker 1: I can say something to cheer them up. I don't
• 22:36
  Speaker 1: know how this cause feeling. The robots always in a
• 22:38
  Speaker 1: good mood. We don't know that. We don't know that.
• 22:40
  Speaker 1: I've seen our robot, I see. We don't know that.
• 22:42
  Speaker 1: I've seen all these movies where robots flip the f out.
• 22:45
  Speaker 1: We don't know what this car maybe feeling that day.
• 22:47
  Speaker 1: If the cars feeling suicidal and the car wants the
• 22:50
  Speaker 1: car wants to kill itself that day with me and
• 22:52
  Speaker 1: it just what what if? I don't think the car
• 22:54
  Speaker 1: can feel that way, But what about it? For human
• 22:56
  Speaker 1: feels that way. It's the same different and it's different.
• 22:57
  Speaker 1: But at least I might can talk him out of it.
• 22:59
  Speaker 1: I could be like, bro, why are you speeding? Like
• 23:00
  Speaker 1: slow down? Money? We got something to live for here,
• 23:02
  Speaker 1: Like I can talk to it, but you can the
• 23:04
  Speaker 1: car and tell a car to slow down. What if
• 23:06
  Speaker 1: I'm in the car and I forgot my passport at
• 23:07
  Speaker 1: home and I'm going out of the country, and I
• 23:09
  Speaker 1: might way to the airport and I need you to
• 23:10
  Speaker 1: turn around real fast. Oh man, we just left, but
• 23:12
  Speaker 1: I need to get my passport. Then what. I'm sure
• 23:14
  Speaker 1: there's a way that you can hit a button and
• 23:15
  Speaker 1: text it and make it go back the other way.
• 23:17
  Speaker 1: I need to know these things. But it will be
• 23:18
  Speaker 1: a lot safer if you're traveling, especially if you're traveling
• 23:20
  Speaker 1: long distance. You ain't gotta worry about highway driving. You
• 23:22
  Speaker 1: ain't gotta. And then nobody really feel real drives the
• 23:24
  Speaker 1: speed limit. People drive a little bit above the speed limit.
• 23:28
  Speaker 1: Everybody will be passing. I got I got in a
• 23:30
  Speaker 1: bunch of ubers with like ninety year old drivers, and
• 23:33
  Speaker 1: they definitely drove the speed limit. Listen to all you
• 23:35
  Speaker 1: lazy humans. We don't need all these advantages in the technology.
• 23:38
  Speaker 1: It's some things that still require in human touch. I
• 23:42
  Speaker 1: think that we need to keep these fast food people there.
• 23:44
  Speaker 1: I think we need to keep these uber drivers there.
• 23:47
  Speaker 1: Something still need a human touch. Everything can't be robotic,
• 23:51
  Speaker 1: all right, you don't want to live in that world.
• 23:53
  Speaker 1: I went to a sneaker story the other day. They
• 23:54
  Speaker 1: don't even have people trying to sneak. They have vending
• 23:56
  Speaker 1: machines for Jordan's now when you kick your size and
• 23:58
  Speaker 1: then it picks up the sneakers for you and ops
• 24:00
  Speaker 1: in the box with you. People, See that's stupid. Yeah,
• 24:03
  Speaker 1: that's just if some things need a human touch, Like
• 24:06
  Speaker 1: what if what if the robot gives you the wrong size?
• 24:08
  Speaker 1: Can you talk back to the robot and say, hey,
• 24:10
  Speaker 1: it's not the size I got, just got the jays
• 24:12
  Speaker 1: I wanted? Can you do that? I don't know? Hello?
• 24:15
  Speaker 1: Who's this? Chris? Now Over was releasing these new self
• 24:18
  Speaker 1: driven cars where there's no humans involved. You get in
• 24:21
  Speaker 1: the car, takes you the way you need to be.
• 24:22
  Speaker 1: It's supposed to be a lot more accurate and safer.
• 24:25
  Speaker 1: What do you think when you get one? I will
• 24:27
  Speaker 1: try it. I just don't understand, Like, if they're doing
• 24:30
  Speaker 1: role work and they make you go around the corner,
• 24:32
  Speaker 1: how they could make that car go around when there's
• 24:34
  Speaker 1: nobody looking at you. I'm sure they can do an
• 24:37
  Speaker 1: alternate route. Okay, thank you, bro? Hello, who's this? It's
• 24:43
  Speaker 1: Sharif more calls like no, I was not get in
• 24:46
  Speaker 1: that car at all? Why do you go? You ain't
• 24:49
  Speaker 1: got to worry about nothing getting in the car where
• 24:51
  Speaker 1: there's no human being. Yeah, how are you gonna tell
• 24:54
  Speaker 1: you kids don't talk to strangers? But then just put
• 24:55
  Speaker 1: them in the car with a robot? But that car
• 24:57
  Speaker 1: to get you the safer. I would rather trust that car.
• 25:00
  Speaker 1: You're saying that, but you have no proptics, like you
• 25:02
  Speaker 1: have no proof that called gonna get you there safe.
• 25:04
  Speaker 1: There's always a margin for error when it comes to
• 25:07
  Speaker 1: anything that is computerized. Heything could go run, it's a
• 25:10
  Speaker 1: smaller error. Hello, who's this? We're talking about these self
• 25:14
  Speaker 1: driven cars? What do you think you're gonna get one?
• 25:16
  Speaker 1: No doubt you're getting an Uber. There's no driving. I mean,
• 25:19
  Speaker 1: that's gotta be a nice, peaceful ride. I think see
• 25:22
  Speaker 1: that this is the problem. Uber drivers have talked our
• 25:24
  Speaker 1: air off so much that we don't even want them
• 25:26
  Speaker 1: there no more. Too many Uber drivers have passed us
• 25:29
  Speaker 1: mixed taps and demo that now we don't even want
• 25:32
  Speaker 1: the Uber drivers driving no more. No man, No, I'll
• 25:35
  Speaker 1: put up with you playing your music while we're riding
• 25:37
  Speaker 1: to the airport. Eight hundred five eight five one oh
• 25:39
  Speaker 1: five one that starting September first, Uber is gonna have
• 25:42
  Speaker 1: these self driven cars where they'll take you around there'll
• 25:44
  Speaker 1: be no human they're saying, it's supposed to be a
• 25:46
  Speaker 1: lot safer. Reaction time is a lot better. You don't
• 25:49
  Speaker 1: have to worry about human error. And what if you're
• 25:51
  Speaker 1: in the neighborhood and you don't know nothing about these
• 25:53
  Speaker 1: self driving cars and you're just chilling in the yard
• 25:55
  Speaker 1: and you see this car rolling around your neighborhood with
• 25:57
  Speaker 1: nobody driving, you gotta shoot out of it. Is there
• 26:01
  Speaker 1: really nobody in the car when this is happening. No,
• 26:04
  Speaker 1: nobody's call if I see somebody, If I see a
• 26:06
  Speaker 1: car riding around my neighborhood with nobody driving, I'm calling
• 26:08
  Speaker 1: ghost Bug. I'm calling Lugly Jones. Them over right, immediately
• 26:12
  Speaker 1: listen McCarthy, the hands of this bro eight hundred five
• 26:14
  Speaker 1: eight five one on five one. Would you get in
• 26:16
  Speaker 1: the car. It's the breakfast club the morning that was
• 26:19
  Speaker 1: Drake one Dance Morning. Everybody is DJ m vy Angela Yee,
• 26:23
  Speaker 1: Charlemagne and God. We are the breakfast club that we're
• 26:26
  Speaker 1: talking Uber now they're staying starting September first, Uber drivers
• 26:30
  Speaker 1: are not gonna be needed. They're gonna be starting these
• 26:32
  Speaker 1: vehicles where there's gonna be no driver inside and taking
• 26:35
  Speaker 1: you to your destination. They're saying it's gonna be a
• 26:37
  Speaker 1: lot safer. Reaction time is a lot better. You don't
• 26:40
  Speaker 1: have to worry about human era or somebody having a
• 26:42
  Speaker 1: bad day. This computer generated car, which is gonna be involvable,
• 26:46
  Speaker 1: would take you too where you need to be. I'm
• 26:48
  Speaker 1: with it. Oh yeah, I'm cool. I still have an
• 26:50
  Speaker 1: appreciation for Homo sapiens. I haven't gotten to the point
• 26:53
  Speaker 1: in my life where I hate humans that much, that
• 26:55
  Speaker 1: where I just want to have robots take over my life.
• 26:58
  Speaker 1: The day I go into a Chick fil A, it's
• 27:00
  Speaker 1: a bunch of robots working there. The day I will
• 27:01
  Speaker 1: stop eating chick will because those people like Chick fil
• 27:05
  Speaker 1: are angels sent from the heavens above and not robots.
• 27:08
  Speaker 1: All Right, I don't like I don't everything. Don't need
• 27:10
  Speaker 1: these added touches and technology like I don't do Kindle,
• 27:13
  Speaker 1: I don't do E book. I still like to flip
• 27:15
  Speaker 1: the pages and get bookmarks and stuff like that. I'm cool.
• 27:18
  Speaker 1: I don't need to get no car without no driver. Hello,
• 27:20
  Speaker 1: who's this from a level? Puts some kid with talking
• 27:24
  Speaker 1: cars with no drivers? Would you get in one? Oh? No,
• 27:28
  Speaker 1: I would not get in one right now, but in
• 27:30
  Speaker 1: the future, I will you want to wait till everybody
• 27:34
  Speaker 1: else tested out right, I mean, just like a couple
• 27:36
  Speaker 1: of us ago also up your drives heard but it
• 27:39
  Speaker 1: was a modern inspect crash, so autompol and kill somebody. Yeah,
• 27:42
  Speaker 1: I know, you know, so I don't want to be
• 27:44
  Speaker 1: a part of it, but I do think in the
• 27:45
  Speaker 1: future that's the way that we're going to go. I mean,
• 27:48
  Speaker 1: if you ask people right there, what's the sayings between
• 27:51
  Speaker 1: players the car, I'll say that players are safe with
• 27:54
  Speaker 1: this because they always on autopoly and cards, you know,
• 27:57
  Speaker 1: to have people interactions, so it CAUs for that's That's
• 28:01
  Speaker 1: not the reason planes is safer, bro. The reason planes
• 28:03
  Speaker 1: is safer because usually when you're in the air on
• 28:05
  Speaker 1: the plane, you're up there by your damn self. All right,
• 28:08
  Speaker 1: it's a bunch more cars on the road right next
• 28:10
  Speaker 1: to each other at high speed and not for enoughing.
• 28:13
  Speaker 1: We talk about one case that that the pilot killed
• 28:17
  Speaker 1: somebody in the car, but we can talk about a zoion.
• 28:19
  Speaker 1: Accidents were humans though. You know what happens if a
• 28:23
  Speaker 1: car hits your self driving, uber, if a car hit
• 28:26
  Speaker 1: yourself driving Yeah, like what if a car, another car
• 28:29
  Speaker 1: hits you in the Uber, then you get hurt. What
• 28:31
  Speaker 1: happens if? I mean, it's like a reaction time for
• 28:34
  Speaker 1: the car to like try to worry out the way. Hello,
• 28:37
  Speaker 1: who's this? Hey, Brittany? Would you driving this self driven
• 28:41
  Speaker 1: car from Uber? Of course? I would? Like? How cool
• 28:44
  Speaker 1: is it? I think we just like live in a
• 28:46
  Speaker 1: world where so much, so many things are becoming possible,
• 28:49
  Speaker 1: like Musk and a hypers Now I'm waiting on the
• 28:55
  Speaker 1: hyper loop now, in like, we can't let you think
• 28:58
  Speaker 1: holds anyway if we're gonna but I'm gonna say this,
• 29:01
  Speaker 1: I'm gonna let a lot of people experiment with the
• 29:03
  Speaker 1: hyper loop before I try it. Of course I'm not
• 29:05
  Speaker 1: gonna be the first one, but of course I want
• 29:08
  Speaker 1: to do it like it Have I ever told you?
• 29:13
  Speaker 1: All the time I was in La randomly drunk, having
• 29:15
  Speaker 1: a conversation with a much of my white friends, and
• 29:18
  Speaker 1: somebody overheard us talking about UFOs and stuff, and then
• 29:21
  Speaker 1: they came over to us and they was discussing the
• 29:23
  Speaker 1: hyper loop and stuff, and it was elon Musk. Really, yeah,
• 29:27
  Speaker 1: you don't know the hyper loop is the hyper loop
• 29:29
  Speaker 1: is something that's gonna be able to You're gonna be
• 29:31
  Speaker 1: able to travel at top speed. You'll be able to
• 29:33
  Speaker 1: get from New York to LA in like thirty minutes.
• 29:36
  Speaker 1: And scary. Yeah, that sounds scary. That sounds like you
• 29:39
  Speaker 1: can die quickly. Elon Musk is one of my favorite
• 29:41
  Speaker 1: people though. But like I said, it's gonna have to
• 29:43
  Speaker 1: be a lot of hamsters and gerables that die in
• 29:45
  Speaker 1: that hyper loop before I decide that, you know what,
• 29:47
  Speaker 1: this is something that I want to do. But when
• 29:49
  Speaker 1: I'm fifty five years old, I'll probably take the hyper
• 29:52
  Speaker 1: loop really absolutely be able to get from New York
• 29:55
  Speaker 1: and LA and thirties SA you have to go. You know,
• 29:57
  Speaker 1: if one thing happens on that track. At one point,
• 30:01
  Speaker 1: they didn't think that we'd be in something like planes
• 30:03
  Speaker 1: that go that fast. That's the type of advantage in technology.
• 30:06
  Speaker 1: That's what a track leaves a plane in there that's
• 30:07
  Speaker 1: on the track. So if anything that happens on the track,
• 30:09
  Speaker 1: a little grease, a little dirt, anything that makes that no,
• 30:13
  Speaker 1: I think that, you know, this type of technology will
• 30:16
  Speaker 1: be able to handle grease and dirt. No trains go
• 30:18
  Speaker 1: off the tracks. It's not a train. The hyper loop
• 30:21
  Speaker 1: goes over whatever train this is not just there. Ain't
• 30:23
  Speaker 1: gonna be no twoy twenty seven black Sheep saying, if
• 30:27
  Speaker 1: my hyper loop goes off the track, pick it up,
• 30:29
  Speaker 1: pick it up, pick it up. It's not gonna be
• 30:31
  Speaker 1: that old man. All right, stop it okay, okay. But
• 30:34
  Speaker 1: in the words of Robert Einstein, the moral of the
• 30:36
  Speaker 1: story is I fear today that technology will surpass our
• 30:39
  Speaker 1: human interaction. The world will have a generation of idiots.
• 30:43
  Speaker 1: All right, Yes, rumors on the way. We'll talk about
• 30:45
  Speaker 1: Frank Ocean over the weekend. Now, first he put out
• 30:47
  Speaker 1: his visual album on Thursday. Then he put out a
• 30:50
  Speaker 1: music video or at least Saturday morning, and then he
• 30:54
  Speaker 1: put out a couple of more things. I'll tell you
• 30:55
  Speaker 1: about it, and I'll tell you about a poem that
• 30:58
  Speaker 1: Kanye did for his magazine about McDonald's, and we'll talk
• 31:02
  Speaker 1: about on three thousands of verse. You just named three
• 31:05
  Speaker 1: robots back to back to back, Frank Ocean, Kanye was
• 31:07
  Speaker 1: Andrey A Robots. We'll get into that when we come back.
• 31:11
  Speaker 1: Keep it locked. Its a breakfast club, Good morning, listen,
• 31:16
  Speaker 1: oh reports club. Well, Frank Ocean did a lot these
• 31:25
  Speaker 1: past few days. Now, on Thursday, he put out his
• 31:27
  Speaker 1: visual album Endless, and he also put a music video
• 31:30
  Speaker 1: for a Nike's Early Saturday Morning. Then he put out
• 31:33
  Speaker 1: another album that was called Blonde, and he also put
• 31:35
  Speaker 1: out a glossy magazine that was called Boys Don't Cry,
• 31:38
  Speaker 1: which originally everybody thought was going to be the name
• 31:41
  Speaker 1: of the album. Now, in addition to this, he did
• 31:44
  Speaker 1: some pop up shops in New York, London, Chicago, in LA.
• 31:47
  Speaker 1: So there were certain silver packages that had the magazine
• 31:51
  Speaker 1: which came with the CD, and also it was in
• 31:55
  Speaker 1: different magazine store, so people were lined up trying to
• 31:57
  Speaker 1: get the magazine. It was free too, by the way,
• 31:59
  Speaker 1: you think you Willie Walker selling golden tickets. Now. Inside
• 32:02
  Speaker 1: of the magazine there was also some high fashion photos.
• 32:05
  Speaker 1: There were poems, short stories, an outline for a TV show,
• 32:09
  Speaker 1: interviews with Little Bee, all kinds of stuff. I don't
• 32:12
  Speaker 1: know if you guys tall this about. Kanye wrote a
• 32:13
  Speaker 1: poem about McDonald's, What old McDonald or McDonald's the food
• 32:17
  Speaker 1: McDonald's the food place. It was called McDonald's man. Uh.
• 32:22
  Speaker 1: The French Fries had a plan. The French Fries had
• 32:24
  Speaker 1: to plan the salad bar and the ketchup made a
• 32:25
  Speaker 1: band because the French fries had a plan. I don't know.
• 32:28
  Speaker 1: You gotta read the whole thing. Okay, I'm sure he's
• 32:30
  Speaker 1: doing a deal with McDonald's. I don't know. Apparently this
• 32:33
  Speaker 1: might have been something that he had written as a
• 32:34
  Speaker 1: kid quite some time ago, so I don't even know
• 32:37
  Speaker 1: what it's about. But there's a lot of things that
• 32:39
  Speaker 1: Frank Ocean has included. Now, there's also a song by
• 32:42
  Speaker 1: on j three thousand, and it's like about a minute long.
• 32:45
  Speaker 1: It's just on J three thousand on there check it out.
• 32:48
  Speaker 1: Twenty years So I was under the m pressing that
• 32:51
  Speaker 1: everyone wrote they didn't running yet, that you hurts me,
• 32:53
  Speaker 1: I'm home and those not deserving everywhere? Was I working
• 32:56
  Speaker 1: just way too hot? So he said he was naive
• 33:00
  Speaker 1: and under the impression that everyone wrote their own versus
• 33:03
  Speaker 1: twit him. Women Are two thousand has his own soul.
• 33:06
  Speaker 1: Yeaholo reproduct. You take what you get from Andrew two thousand. Okay,
• 33:11
  Speaker 1: like he said, you want to featu him, like no
• 33:12
  Speaker 1: one my own song on your album, You give it
• 33:13
  Speaker 1: to him. Crazy over that more than anything else from
• 33:18
  Speaker 1: what I heard. You know, people were very excited about
• 33:21
  Speaker 1: this on Jay three thousand. That's hip hop royalty. That's
• 33:23
  Speaker 1: a hip hop legend. If he wants a song on
• 33:24
  Speaker 1: your album, you give him a song on your album.
• 33:26
  Speaker 1: Some people were trying to say that he was taking
• 33:28
  Speaker 1: shots at Drake, but I don't think so. I think
• 33:30
  Speaker 1: he was being very vague about he thought he was.
• 33:33
  Speaker 1: Everybody wrote their own versus clear clearly we know that's
• 33:35
  Speaker 1: not the case. I mean, he shouldn't know that's not
• 33:37
  Speaker 1: the case. I mean from early on, back in the day,
• 33:39
  Speaker 1: people have had people use it writing their rhymes. He said,
• 33:43
  Speaker 1: I'm stumbled and lived everywhere. Was I working just way
• 33:45
  Speaker 1: too hard? All right? In addition, he did a remake
• 33:49
  Speaker 1: of He did a cover of At Your Best. If
• 33:51
  Speaker 1: you remember that's the Isley Brothers and Aliyah also remade
• 33:54
  Speaker 1: that song. Here is Frank Ocean's version. Uh, we ain't
• 33:57
  Speaker 1: necessarily have to have it yet. No, we ain't got it.
• 34:00
  Speaker 1: Oh okay, my bad thought we had that. Nope, you
• 34:03
  Speaker 1: can play the Elia version. Just you know. This is
• 34:06
  Speaker 1: Frank did word for word. I'm sure a lot of
• 34:09
  Speaker 1: kids don't know that that dad came from Eliah Got
• 34:11
  Speaker 1: Your Best? Yes, yeah, I'm sure they do, all right.
• 34:14
  Speaker 1: In addition to that song is how old at least
• 34:18
  Speaker 1: twenty years. In addition to other songs that came out
• 34:21
  Speaker 1: over the weekend, Usher did a new remix of No
• 34:24
  Speaker 1: Limit and that included who on it, check it out
• 34:27
  Speaker 1: and keep it? Yeah yo yo, make it say no
• 34:40
  Speaker 1: she Scott and Masterpeay with no change Yeah except ferg
• 34:49
  Speaker 1: not to read. But we could have just told the
• 34:52
  Speaker 1: peoples on that remix week told you get a little
• 34:54
  Speaker 1: feel for it though two changes on it. Gucci's on there,
• 34:57
  Speaker 1: I let him tell you, Scott, and of course master
• 35:00
  Speaker 1: P is on there as well. That's a dope record, man,
• 35:02
  Speaker 1: I just don't know how much people care that remixes dope.
• 35:05
  Speaker 1: I like the original. I think a lot of people
• 35:07
  Speaker 1: like that. Everg, I've heard a lot of people talk
• 35:09
  Speaker 1: great about that, and even from the beginning, a lot
• 35:11
  Speaker 1: of people are like, man, he should have put master
• 35:12
  Speaker 1: P on it. He should have been put about a
• 35:15
  Speaker 1: mystical or silk of somebody silks on. I gotta pay
• 35:17
  Speaker 1: homage now. I don't know if you guys saw this
• 35:19
  Speaker 1: over the weekend. Also we got Frank Ocean up if
• 35:21
  Speaker 1: you want to play it again, Oh, there we go. Okay,
• 35:23
  Speaker 1: here's the Frank Ocean at your best version. You are positive.
• 35:37
  Speaker 1: It's beautiful. I love the song under what come on?
• 35:49
  Speaker 1: You can't front on this song. I gotta be in
• 35:51
  Speaker 1: a mood to listen to Frank. You can't just turn
• 35:53
  Speaker 1: from Ocean on like I can't just you can't just
• 35:55
  Speaker 1: turn Frank Och on and be like, listen to this.
• 35:57
  Speaker 1: I gotta be doing something like, oh, you can turn
• 35:59
  Speaker 1: Frank Ocean on. No, I gotta be like I gotta be.
• 36:02
  Speaker 1: I don't know, I don't know what kind of mood
• 36:04
  Speaker 1: I gotta be in to listen to Frank Ocean. I
• 36:06
  Speaker 1: don't do house cleaning. I'm gonna cut the grass with
• 36:09
  Speaker 1: headphones on, all right. Nick Cannon and now said he
• 36:12
  Speaker 1: is a freshman now at Howard University. He hasn't wrote
• 36:15
  Speaker 1: out to Hampton envy because you went to Hampton. He
• 36:17
  Speaker 1: went to Howard University, So not everybody's great. He posted
• 36:21
  Speaker 1: on Instagram, you know, HU twenty twenty, my first day
• 36:24
  Speaker 1: as a freshman Howard University class at twenty twenty. How
• 36:27
  Speaker 1: does Nick Cannon think he's gonna have time? Different things?
• 36:30
  Speaker 1: Frank Oshen makes first day of college because he'd be
• 36:34
  Speaker 1: lonely on campus like Nick gonna be the oldest person.
• 36:37
  Speaker 1: Now he really does Nick gonna be the oldest person
• 36:40
  Speaker 1: on that campus. He really ain't gonna have nobody to
• 36:42
  Speaker 1: talk to. He gonna feel lonely. People are not gonna
• 36:44
  Speaker 1: want to bother them because he Nick Cannon, But he
• 36:46
  Speaker 1: gonna want to sit with somebody at luncheon. Then he
• 36:48
  Speaker 1: gonna hear at your best Frank Ocean version in his
• 36:51
  Speaker 1: head stopping he played to play that. Tell me watch this.
• 36:54
  Speaker 1: You set the scene. You at the cafeteria lunch table
• 36:57
  Speaker 1: by yourself, first day at school. Nobody's sitting with you.
• 37:01
  Speaker 1: You slowly bite into your sandwich. Bet you are, You're
• 37:09
  Speaker 1: looking around. Nobody still has coming to sit by you.
• 37:14
  Speaker 1: You finished your sandwich, You throw your bag in the trash.
• 37:16
  Speaker 1: Can you slowly walk to your next class? Check your
• 37:21
  Speaker 1: Twitter to see if anybody tweeted, Hey see the cute
• 37:24
  Speaker 1: guy sitting at lunch by himself. No tweets, bro, So
• 37:28
  Speaker 1: then you send out a tweet about where you're at
• 37:30
  Speaker 1: and get no retweets because nobody can't. You're really thought
• 37:32
  Speaker 1: about that, continuing this jerky All I can clean now
• 37:37
  Speaker 1: is that is your mom of report. I'm answering, all right,
• 37:41
  Speaker 1: miss ye I'm drinking green tea with some honey right now,
• 37:44
  Speaker 1: and I'm still ing in the mood looking Frank Ocean. Yeah, jerk.
• 37:47
  Speaker 1: What we're doing for Donkey Man, Dogy the day is
• 37:49
  Speaker 1: going through this whole chain of clown events that happened
• 37:51
  Speaker 1: last night outside of the Wells far Go Arena in Philadelphia. Okay,
• 37:55
  Speaker 1: get into that when we come back, keep it lock.
• 37:57
  Speaker 1: Just to Breakfast Club Go Morning may say that gang
• 38:01
  Speaker 1: don't get out of shape man, you are donkey today
• 38:09
  Speaker 1: does not discriminate. I might not have the song of today,
• 38:11
  Speaker 1: but I got the donkey that if you ever feel
• 38:14
  Speaker 1: I need to be a donkey man, hit it with
• 38:16
  Speaker 1: the the practice club bitches. He just don't give today today.
• 38:21
  Speaker 1: Oh God, Donkey of Today from Monday, August twenty second
• 38:24
  Speaker 1: goes to the so called goon who decided the so
• 38:27
  Speaker 1: called press Drake at the Wells Fall Goal Arena in
• 38:29
  Speaker 1: Philadelphia last night. Let me give you some quick backstory.
• 38:32
  Speaker 1: We all know Drake and Meek Mill have an issue,
• 38:33
  Speaker 1: and last night Drake performed in Philly for the first
• 38:36
  Speaker 1: time since the Rap Beef, and Drake wasn't at a nightclub.
• 38:39
  Speaker 1: He was at the Wells Fall Go Arena, a building
• 38:41
  Speaker 1: that caused three hundred million plus to build, a building
• 38:44
  Speaker 1: where the Philadelphia Flies in Philadelphia seventy six is both
• 38:47
  Speaker 1: played a building well over twenty one thousand people can
• 38:49
  Speaker 1: fit in a building that is owned by Comcasts and
• 38:52
  Speaker 1: sponsored by one of the largest banks in the country,
• 38:54
  Speaker 1: Wells Fall Go. Now. Like most arenas in America, this
• 38:57
  Speaker 1: building is probably one of the most securious places in
• 38:59
  Speaker 1: the city. And in certain places everybody is just well aware.
• 39:02
  Speaker 1: You can't cut up at why simply because it's mad
• 39:05
  Speaker 1: security And why wouldn't it be when you have twenty
• 39:08
  Speaker 1: one thousand streaming fans of the function. I have to
• 39:11
  Speaker 1: keep everybody there safe and protect the main attraction, whether
• 39:14
  Speaker 1: it's a hockey team, basketball team, or in last night's case, Drake. Well,
• 39:18
  Speaker 1: last night it was some real live flexing going down
• 39:21
  Speaker 1: on social media because there was some guys outside the
• 39:24
  Speaker 1: Wells Fargo Arena acting like they wanted to press Drake.
• 39:26
  Speaker 1: Let's hear it. Let y'all know right now, we're hundred
• 39:30
  Speaker 1: two hundred deep. Dream Chases were gonna press Drake. He disrespectful, disrespectful,
• 39:37
  Speaker 1: you know what I'm saying. Real star academics shade room
• 39:41
  Speaker 1: all on. I'm let y'all right now, Dream chases DC
• 39:46
  Speaker 1: four on his way d Lion Prime Security, AP Security.
• 39:51
  Speaker 1: This is what we do. This is what I do.
• 39:53
  Speaker 1: Ye two hundred Yeah, I'm two hundred strong. I come around.
• 39:59
  Speaker 1: My press gave this real take Edge back to Toronto.
• 40:04
  Speaker 1: I am so perplexed by this whole chain of events.
• 40:11
  Speaker 1: Number one, I tell y'all all the time, why oh,
• 40:13
  Speaker 1: why oh why do you guys choosing to incriminate yourself
• 40:17
  Speaker 1: via the Internet all you do to get screaming about
• 40:19
  Speaker 1: raps and ratting and death to all snitches be the
• 40:22
  Speaker 1: main one snitching on yourself via social media. If you
• 40:25
  Speaker 1: had a chance to really do something to drink in
• 40:27
  Speaker 1: that arena, which you didn't, why would you broadcast that
• 40:30
  Speaker 1: you was going to do it beforehand via social media?
• 40:33
  Speaker 1: Doing that is the digital version of acting like you
• 40:35
  Speaker 1: want to fight someone, but knowing that it's people there
• 40:37
  Speaker 1: who're gonna hold you back. You don't really want no static,
• 40:40
  Speaker 1: You just want to look like you're about static. Now,
• 40:42
  Speaker 1: this guy just incriminated himself online for all the authorities
• 40:45
  Speaker 1: in Philly to see because he wants to pretend to
• 40:48
  Speaker 1: press Drake look man, if that's the definition of press,
• 40:51
  Speaker 1: I don't understand the definition of press. This wasn't a club,
• 40:54
  Speaker 1: it was the Weld Fogo Arena in Philly. That's like
• 40:57
  Speaker 1: being at the Super Bowl and saying you're gonna press
• 40:59
  Speaker 1: the halftime. You're acting like you surprised their security there.
• 41:02
  Speaker 1: Why wouldn't there be policed in a bunch of security there.
• 41:04
  Speaker 1: I have to protect the stars of the show from
• 41:06
  Speaker 1: over twenty thousand screaming fans, and I have to protect
• 41:08
  Speaker 1: twenty thousand screaming fans from themselves, and in this day
• 41:10
  Speaker 1: and age, possibly from acts of terrorism. But the fact
• 41:13
  Speaker 1: that these goons went to the Wells Fall Go Arena
• 41:16
  Speaker 1: and acted surprised there was a match security there, it's
• 41:18
  Speaker 1: baffling to me. It's like being shocked that President Obama
• 41:21
  Speaker 1: has secret service. It's like being shocked that there's an
• 41:23
  Speaker 1: alarm system in a bank when you try to rob it.
• 41:25
  Speaker 1: It's literally like going to Pizza Hut and being shocked
• 41:28
  Speaker 1: that they serve pizza. You knew it was gonna be
• 41:30
  Speaker 1: madd security there, but you wasn't there to press people.
• 41:32
  Speaker 1: You was there to get attention via social media. This
• 41:35
  Speaker 1: is the world we live in ladies and gettlemen. This
• 41:37
  Speaker 1: so called goon didn't really want to press Drake. He
• 41:39
  Speaker 1: wanted to be on Shade Room and Academics and ball
• 41:42
  Speaker 1: Alert and promote DC for He's probably happy as hell
• 41:45
  Speaker 1: he's getting donkey today and will probably be making a
• 41:47
  Speaker 1: video about it later. That's why I don't be saying
• 41:49
  Speaker 1: these dudes names. But I have to talk about these
• 41:51
  Speaker 1: things because I have to point out the lameness in
• 41:53
  Speaker 1: his actions so they aren't repeated. But you know who
• 41:56
  Speaker 1: I'm really disappointed in, Meek mal Okay, Meek Mail on Instagram.
• 42:00
  Speaker 1: When you run out the back door with twelve and
• 42:02
  Speaker 1: use the old man to save you, I'm done. You
• 42:05
  Speaker 1: had Philadelphia swat with you. I'm gonna go ahead and
• 42:07
  Speaker 1: hang it up with these suckers. Had y'all tucked him
• 42:09
  Speaker 1: back there for hours, laugh out loud, still running, mic Mill,
• 42:13
  Speaker 1: aren't you on probation for six years? Why are you
• 42:16
  Speaker 1: on social media incriminating yourself? Miek on Instagram taking credit
• 42:20
  Speaker 1: like he called this shot like he was trying to
• 42:21
  Speaker 1: get Drake touched up, knowing them people in Philly be
• 42:23
  Speaker 1: on his head and be looking for any old thing
• 42:25
  Speaker 1: to violate him. Why I connect yourself to this negro nonsense,
• 42:29
  Speaker 1: especially being that they just let you off house arrest
• 42:31
  Speaker 1: and let you float around and get them bags. Why
• 42:33
  Speaker 1: incriminate yourself. I don't understand how you guys will sland
• 42:36
  Speaker 1: to somebody for being the rats, but then a rat
• 42:38
  Speaker 1: on yourselves. Meek, you shouldn't be taking credit for this. Okay,
• 42:42
  Speaker 1: entertain the clown and you become part of the circus.
• 42:44
  Speaker 1: And what this dude did outside the world fall Go
• 42:46
  Speaker 1: Arena last night, it's definitely deserving of a bright pair
• 42:48
  Speaker 1: of overalls, a red nose, and a smile opinion on
• 42:50
  Speaker 1: his face from ear to ear. Please give this clown
• 42:53
  Speaker 1: the biggest he hall. Please. I wouldn't even want you
• 42:58
  Speaker 1: rapping my set like that. If I go on probation
• 43:00
  Speaker 1: for six years. If I'm want probation for six years,
• 43:02
  Speaker 1: don't show up talking about you dream chases and you
• 43:05
  Speaker 1: outside and about to do this and that. Don't put
• 43:07
  Speaker 1: that on me. Okay, I don't want those problems, all right.
• 43:10
  Speaker 1: I don't want those legal issues. You shouldn't want them.
• 43:13
  Speaker 1: Maybe I'll missing something, okay, all right, Well thank you
• 43:17
  Speaker 1: for that. Donk in today, sir, let's change gears a
• 43:19
  Speaker 1: little bit this Monday. Let's talk about strap on. What
• 43:25
  Speaker 1: all right? This is? I don't understand. Just finished talking
• 43:28
  Speaker 1: about clowns. Go ahead, and here you go the biggest
• 43:31
  Speaker 1: one from Quinns. What is it that you want to know?
• 43:32
  Speaker 1: And no, I don't want to know anything. You just said.
• 43:35
  Speaker 1: Young Amy was here on Friday and she spoke about
• 43:38
  Speaker 1: strap ones. This is what she had to say. Let's
• 43:39
  Speaker 1: play the audio. You said, baby, give me that's a
• 43:42
  Speaker 1: low throw. What the hell is she's throating? You? See?
• 43:49
  Speaker 1: I never understood that. That's like like getting a tattoo on,
• 43:51
  Speaker 1: a fake on, Like why would you? That's how? I'll
• 43:58
  Speaker 1: bring a couple of girls here one day and they
• 44:00
  Speaker 1: explain to you what that mean. Okay, I don't want
• 44:04
  Speaker 1: to know. How do they give you pleasure? That's none
• 44:05
  Speaker 1: of your business? All right, So that's the question. I
• 44:09
  Speaker 1: see where you're going with this envy. But you got
• 44:11
  Speaker 1: to start adding context to things. Okay, you can't just
• 44:13
  Speaker 1: be yelling out. Let's talk scrap on all right? Okay,
• 44:17
  Speaker 1: you listen, I understand the question. Not go ahead, go
• 44:20
  Speaker 1: How does a strap on bring pleasure you? No? I
• 44:24
  Speaker 1: don't want to Okay about you got let's reword that again. Envy,
• 44:29
  Speaker 1: please stop it. Please isolate that for me so I
• 44:32
  Speaker 1: can use that against him later life. Please. But this
• 44:35
  Speaker 1: is the question, this is the question. Let's be in women,
• 44:38
  Speaker 1: how does the scrap on bring you pleasure? Because it
• 44:41
  Speaker 1: doesn't seem like it would pleasure the woman with the
• 44:44
  Speaker 1: scrap on? And why would you, as a woman want
• 44:46
  Speaker 1: to suck on the scrap on? You know what I'm
• 44:48
  Speaker 1: talking about? Orally you're not talking about. Yeah, because that's
• 44:51
  Speaker 1: what she says in the song. You know what I
• 44:52
  Speaker 1: mean for me, That's why I told her it's like
• 44:54
  Speaker 1: getting a tattoo on the fake on and acting like
• 44:55
  Speaker 1: it hurts. All right, Well, let's let's open up the
• 44:57
  Speaker 1: phone lines eight hundred five, eight five, one oh five one,
• 45:00
  Speaker 1: And how does a strap on bring pleasure? Army, Well,
• 45:04
  Speaker 1: let's be in. Let's being boy, let's be in boy.
• 45:08
  Speaker 1: Jesus all right, talking to lesbian boy right eight hundred
• 45:11
  Speaker 1: five by the way, by the way, and during the
• 45:14
  Speaker 1: Young MBA interview, you did say so you're a female lesbian.
• 45:16
  Speaker 1: I just want to go that you at me? Yes,
• 45:20
  Speaker 1: the guy with the Hampton had on you yo me
• 45:21
  Speaker 1: that just feel like you guys didn't have this conversation
• 45:24
  Speaker 1: with each other. You don't want to be in here
• 45:25
  Speaker 1: for us. I mean, all right, go ahead, all right,
• 45:27
  Speaker 1: eight hundred five eight five one five one, call us
• 45:29
  Speaker 1: up now it's the breakfast Club come morning. That was fabulous.
• 45:34
  Speaker 1: Can't let you go morning? Everybody is DJ M vy
• 45:37
  Speaker 1: angela ye, Charlemagne the guy. We are the breakfast club
• 45:40
  Speaker 1: that if you just joined us young and may stop
• 45:42
  Speaker 1: through on Friday. And she had a conversation with Charlemagne
• 45:45
  Speaker 1: about strap ons. Let's hear what she had to say.
• 45:48
  Speaker 1: You said, baby, give me that's a lot throw what
• 45:52
  Speaker 1: the hell she throat? You don't want enough? See, I
• 45:57
  Speaker 1: never understood that. That's like like getting a tattoo on
• 45:59
  Speaker 1: a fake arm, Like why would you? That's how I'll
• 46:05
  Speaker 1: bring a couple of girls here one day and they'll
• 46:08
  Speaker 1: explain to you what that man, I don't want to know.
• 46:11
  Speaker 1: How do they give you pleasure? That's none of your
• 46:13
  Speaker 1: businesss So Charlomagne, you were a little confused. Yes, I
• 46:18
  Speaker 1: wasn't a little confused. And it was people that was
• 46:20
  Speaker 1: tweeting me all weekend saying that I wish you wouldn't
• 46:23
  Speaker 1: have talk to her so much about sexuality, if sexualities
• 46:26
  Speaker 1: and her lyrics were going to talk about it. And
• 46:27
  Speaker 1: I am utterly confused about that line. Shorty such and
• 46:31
  Speaker 1: such and she deep throats okay, because last time I checked,
• 46:35
  Speaker 1: young Ammy wasn't a woman, right, Yes, so she's deep
• 46:37
  Speaker 1: throating anything. It's a scrap on. So I want to
• 46:40
  Speaker 1: know what way to make a woman want to do that.
• 46:42
  Speaker 1: I think it's just the visual of it. It's like
• 46:44
  Speaker 1: watching porn and getting turned down by somebody doing something
• 46:46
  Speaker 1: in front of you, even if they're not physically touching you.
• 46:50
  Speaker 1: But doesn't having any type of penist, artificial or not
• 46:53
  Speaker 1: defeat the whole purpose of being a lesbian. It's like
• 46:55
  Speaker 1: touching yourself in front of someone. Okay, well, hello, who's
• 46:58
  Speaker 1: this laton or your lesbian? Yes? So how does this?
• 47:03
  Speaker 1: How does this work? They're confused about how this would
• 47:05
  Speaker 1: turn you on as far as course being for anybody
• 47:08
  Speaker 1: that's gonna, you know, give you pleasure. But just like
• 47:12
  Speaker 1: when you all the pleasure you're a woman, it's not
• 47:16
  Speaker 1: necessarily do anything from you, but you get something out
• 47:18
  Speaker 1: of it. Or just like when a woman is a man,
• 47:21
  Speaker 1: she's like anything from it. A right, I'm gonna tell
• 47:23
  Speaker 1: you why this makes no sense. This makes no sense
• 47:25
  Speaker 1: because a scrap on is not you. It's still an
• 47:27
  Speaker 1: artificial tool. You can't feel it. If she's got her
• 47:30
  Speaker 1: mouth on. Yes, she's saying it turns her on when
• 47:32
  Speaker 1: she's doing it to someone. But what he's asking is
• 47:34
  Speaker 1: the person that you're doing it too. Because you're not
• 47:36
  Speaker 1: physically touching them, how does it turn them on? It's
• 47:39
  Speaker 1: like when you watch porn or watch a flick, you
• 47:42
  Speaker 1: watch something okay, type of oral pleasure, like it stimulates you,
• 47:46
  Speaker 1: like you get turned on by it. A woman has
• 47:48
  Speaker 1: done some nasty stuff to you that's never really made
• 47:50
  Speaker 1: you feeling kind of way, but just seeing her do it,
• 47:52
  Speaker 1: it's like that. No, that's not true. Anything anything a
• 47:58
  Speaker 1: woman does to me, I can actually feel it. Hello,
• 48:00
  Speaker 1: who's this ry this table? I'm from sy but I
• 48:06
  Speaker 1: was calling about the question about the strap on. So
• 48:11
  Speaker 1: a strapon has more than one side, Like on the
• 48:13
  Speaker 1: other side, it's for their pleasure, so like it was
• 48:16
  Speaker 1: going up and down again so that it brings them pleasure,
• 48:21
  Speaker 1: not saying that I suck a strap Okay. The other
• 48:25
  Speaker 1: side goes to the war. Why when the movement goal
• 48:28
  Speaker 1: is a goal? Right? All right, they can vibrate. It
• 48:34
  Speaker 1: has little things on it like it's it's different. So
• 48:37
  Speaker 1: a woman's clatorius is getting stimulated by wearing the scrap
• 48:39
  Speaker 1: on there you go, Okay, I didn't know every day
• 48:44
  Speaker 1: and then maybe it tell us of the role play
• 48:45
  Speaker 1: aspect of it. You know, it's like a part of
• 48:48
  Speaker 1: a costume. All right. If you want to pretend to
• 48:50
  Speaker 1: be a man, just talk. We're talking strap wars this morning,
• 48:53
  Speaker 1: and call us back when we come back. We'll find out.
• 48:54
  Speaker 1: Eventually he has one or use one before. It's the
• 48:57
  Speaker 1: breakfast slugan Morning Control Drake, pop con Morning. Everybody is
• 49:02
  Speaker 1: DJ Envy Angela Ye, Charlomagne, the guy we all the
• 49:05
  Speaker 1: breakfast clay about drinking popcorn. I say nothing about drinking popcorn.
• 49:09
  Speaker 1: Now we're talking strap ons this morning. That this came
• 49:11
  Speaker 1: from our conversation from young Amma, who was a Brooklyn
• 49:14
  Speaker 1: artist who stopped him Friday. Listen a clip of what
• 49:17
  Speaker 1: she said. I mean, she has a line in her
• 49:18
  Speaker 1: song that has a lot of people confused. This is it,
• 49:21
  Speaker 1: you said, baby, give me that's a low throw? What
• 49:26
  Speaker 1: the hell is she throating? Hey, you don't want see
• 49:30
  Speaker 1: I never understood that. That's like like getting a tattoo
• 49:32
  Speaker 1: on a fake arm, Like why would you that's the
• 49:35
  Speaker 1: fake fake? Like, listen, how I'll bring a couple of
• 49:39
  Speaker 1: girls here one day and they explain to you what that. Man,
• 49:44
  Speaker 1: I don't want to know. How did they give you pleasure?
• 49:46
  Speaker 1: That's none of your business, all right. So Charlomagne was
• 49:50
  Speaker 1: a little confused, but confused about this at all. I was.
• 49:55
  Speaker 1: I just want to know, like, how did that bring pleasure?
• 49:57
  Speaker 1: Like to me, that's like getting a tattoo on a
• 49:58
  Speaker 1: fake arm and I can let it hurts. Oh oh
• 50:00
  Speaker 1: oh oh, like not at off. He's a freak. Well,
• 50:04
  Speaker 1: clearly he's never had he's never had the double delight
• 50:07
  Speaker 1: strap on. So do you have a strap board? No?
• 50:10
  Speaker 1: I don't. You never used a strap board? No, I'm
• 50:13
  Speaker 1: just as No man has ever asked me to use
• 50:14
  Speaker 1: a strap on on him. Okay, so that's never happened.
• 50:18
  Speaker 1: I don't know that I could do that. I'm not
• 50:19
  Speaker 1: a very dominating person like that. I don't want to
• 50:22
  Speaker 1: do that. Okay. Hello, who's this Alicia? Hey Alicia, are
• 50:27
  Speaker 1: you a lesbian? Yes? I am me and my girlfriend
• 50:29
  Speaker 1: who's don't get this. For about five years. Oh sho,
• 50:32
  Speaker 1: she got that fire tongue. Then. Now, have you guys
• 50:35
  Speaker 1: ever used a strap on? Yes, we actually have a couple.
• 50:38
  Speaker 1: Well three wow, tell us about him. Well, some lesbians
• 50:44
  Speaker 1: they actually do feel it when they're getting like Felacia
• 50:49
  Speaker 1: with a strap on, Like some girls actually like the
• 50:54
  Speaker 1: visual of it, but the actual strap on because it's
• 50:58
  Speaker 1: rubbing again, you know, you get played right there you go,
• 51:00
  Speaker 1: you can feel Have you ever tried the double delight? No?
• 51:03
  Speaker 1: In me and my girlfriend act is actually scared to
• 51:06
  Speaker 1: use it. So what is the double delight? The double
• 51:10
  Speaker 1: we can we can show you better than we can
• 51:12
  Speaker 1: tell you. That's all right? Why not? Why not just
• 51:15
  Speaker 1: add a real penis to the mixed boo? No, because
• 51:18
  Speaker 1: it's nasty, y'all need to grow up. Grow up, it's nasty,
• 51:25
  Speaker 1: you guys a nasty guy? Hello? Who's this? Hey? My
• 51:30
  Speaker 1: name is Hey? Are you a husband? No? I'm not
• 51:34
  Speaker 1: all right? Well we're talking strap ones this morning. Have
• 51:36
  Speaker 1: you ever used the strap one? Actually? Why, I've never
• 51:39
  Speaker 1: used one? Any one? Okay, I've never used one. Your
• 51:43
  Speaker 1: boyfriend used one? Or your girlfriend used one? Uh? The
• 51:46
  Speaker 1: boyfriend used one? Boyfriend? Why do you why do he
• 51:48
  Speaker 1: feel like, he used one on you? Are you used
• 51:50
  Speaker 1: it on him? No? No, no, he used it on me.
• 51:53
  Speaker 1: Why did he use one when he has a real one?
• 51:55
  Speaker 1: That is exactly why I decided to call in. Because
• 51:59
  Speaker 1: it's visual stimulation. It's different when you are, let's say,
• 52:05
  Speaker 1: using your own but when you're actually all up in
• 52:08
  Speaker 1: it and you're using it on your girl, you get
• 52:11
  Speaker 1: to see everything. It's all visual. It's not necessarily why
• 52:15
  Speaker 1: he wanted to feel. I'm mental ideas. I don't know
• 52:18
  Speaker 1: about that one, but okay, if that's whatever turns you guys,
• 52:21
  Speaker 1: there you go. Well that was going out was a
• 52:24
  Speaker 1: lot younger, but yeah, I guess so it's whatever turned
• 52:27
  Speaker 1: him on. And I think not mad at that. So
• 52:30
  Speaker 1: what's the moral of the story, guys, swisten man. The
• 52:32
  Speaker 1: moral of the story is simply, lesbians need to grow
• 52:34
  Speaker 1: up right, stop using scrap on and add a real
• 52:37
  Speaker 1: penis to the mix. It's like when you grow up
• 52:39
  Speaker 1: and stop buying real hair for you weave instead of
• 52:41
  Speaker 1: artificial hair. Man, Just grow up. I don't know if
• 52:44
  Speaker 1: that's the case, but if you like it, we love it.
• 52:49
  Speaker 1: We got rooms coming up. Yes, we are going to
• 52:51
  Speaker 1: talk about something great that Justin Bieber just recently did
• 52:53
  Speaker 1: a really nice gesture. Also, what's that called the Bentley
• 52:57
  Speaker 1: benttiagat beantiago that meek Mill just got what somebody else
• 53:00
  Speaker 1: just got one? But it was at present. We'll tell
• 53:02
  Speaker 1: you who but his lady a Bentley Bentiaga. All right,
• 53:05
  Speaker 1: we'll get into that and more. Keep it locked. It's
• 53:07
  Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. This is
• 53:14
  Speaker 1: the Ruble Reports with Angela breast Well. I think this
• 53:26
  Speaker 1: might have been some type of misunderstanding because the headline
• 53:28
  Speaker 1: everywhere was Consequence ghost Writes for jay Z Boy might
• 53:33
  Speaker 1: be listening in the frank ghost in this weekend now here.
• 53:35
  Speaker 1: But you gotta listen to what he actually had to say. Okay,
• 53:38
  Speaker 1: listen to what Consequence had to say about ghost writing.
• 53:40
  Speaker 1: Can you talk about some of the songs that you
• 53:42
  Speaker 1: that you've written or some of the verses that you've written. Um,
• 53:45
  Speaker 1: that's a little tapable just because of the fact that, um,
• 53:48
  Speaker 1: because I want to do more of it. It's like
• 53:50
  Speaker 1: outing somebody a little bit, because to me, it's really
• 53:53
  Speaker 1: about the work. I want to be a part of
• 53:55
  Speaker 1: Special Records. I don't need to raise my social equity
• 53:59
  Speaker 1: by going into my illuminatia case start names. But um
• 54:05
  Speaker 1: one record in particular I was happy to be a
• 54:07
  Speaker 1: part of was M jay Z's encore with me and
• 54:10
  Speaker 1: Kanye kind of h was on the phone and we
• 54:13
  Speaker 1: actually came up with the chorus back and forth. But
• 54:16
  Speaker 1: see that shouldn't even have got misconstrued because he said
• 54:19
  Speaker 1: the cord said back and forth with Kanye by the
• 54:21
  Speaker 1: way on the phone. So I mean it didn't sound
• 54:24
  Speaker 1: like he wrote jay Z's versus. He didn't write holes versus.
• 54:27
  Speaker 1: But when you get online and you see the headline,
• 54:29
  Speaker 1: I was like, whoa, he goes right for Jacks. That's
• 54:32
  Speaker 1: when you hear that Frank Goostien record just in your head.
• 54:37
  Speaker 1: Got to sit there for a while. Up, I like this,
• 54:42
  Speaker 1: how do I clean this one? I can't clean this
• 54:44
  Speaker 1: one up? Let me reach out to the breakfast love
• 54:47
  Speaker 1: see to my guy consequence and so little to our
• 54:50
  Speaker 1: guy Frank Ocean. I don't know him as well. All right.
• 54:54
  Speaker 1: Ryan Lochtey is still talking about the situation that happened
• 54:58
  Speaker 1: in Rio where basically his teammates and him got into
• 55:02
  Speaker 1: some issues for allegedly lying or ain't no allegedly lying.
• 55:06
  Speaker 1: He lied exaggerated and exaggerating, he lied. Here's what he
• 55:11
  Speaker 1: had to say. I let my team down. I wanted
• 55:13
  Speaker 1: to be there, like I don't want them to think
• 55:15
  Speaker 1: that I left um and left them to try, because
• 55:19
  Speaker 1: I mean, there were my teammates. I wanted to definitely
• 55:21
  Speaker 1: be there, and I wanted to help out any way
• 55:24
  Speaker 1: I could, and so I just wanted to make sure
• 55:27
  Speaker 1: that they were homesick before I came out and talked.
• 55:31
  Speaker 1: If you listen closely, you can hit this song in
• 55:32
  Speaker 1: the background when he's talking. All right, Okay, good. Ryan
• 55:43
  Speaker 1: Locktey also said that he did over exaggerate that story
• 55:46
  Speaker 1: and if I had never done that, we wouldn't be
• 55:48
  Speaker 1: in this mess. He also told Matt Lower, it's how
• 55:50
  Speaker 1: you want to make it look. He said. Whether you
• 55:52
  Speaker 1: call it a robbery or whether you call it extortion
• 55:54
  Speaker 1: or us just paying for the damages, we don't know.
• 55:57
  Speaker 1: All we know is it was a gun point in
• 55:58
  Speaker 1: our direction and we were demanded to give money. He
• 56:00
  Speaker 1: didn't know exaggerately lied. Why can't he just say he lied?
• 56:03
  Speaker 1: He definitely lied. Okay, however you want to interpret that.
• 56:06
  Speaker 1: Justin Bieber, now here's a nice, good story of the day.
• 56:09
  Speaker 1: On a Monday, because there was a lot of drama
• 56:11
  Speaker 1: over the weekend. Now, Justin Bieber was out having some drinks.
• 56:15
  Speaker 1: He was in Studio City on Tuesday and he saw
• 56:17
  Speaker 1: some customers at a nearby table. They were all crying.
• 56:21
  Speaker 1: Now he has a bartender, what was going on? And
• 56:24
  Speaker 1: that's when one of the regular they bartender told him
• 56:26
  Speaker 1: one of the regulars at the bar actually died earlier
• 56:29
  Speaker 1: that day. He fell from his fire escape, hit the
• 56:32
  Speaker 1: frank and hit it. That's exactly so such a sad story.
• 56:37
  Speaker 1: They would definitely listen in the franks got so he
• 56:41
  Speaker 1: actually ended up paying their tab because he was so
• 56:43
  Speaker 1: moved by what happen. And you know, Justin Bieber has
• 56:47
  Speaker 1: quit Instagram. It won't be seeing anything on his Instagram.
• 56:52
  Speaker 1: When you quit Instagram and you're sitting at the ball
• 56:55
  Speaker 1: by yourself and you're drinking and you notice some people crying,
• 56:58
  Speaker 1: You ain't got nothing else to do. You can't crack
• 57:00
  Speaker 1: yourself about going to look at the grammar. Act like
• 57:01
  Speaker 1: you don't notice the people crying, So you gotta go
• 57:03
  Speaker 1: pay their tap and then you talk to him and
• 57:06
  Speaker 1: why are you crying? Oh, my friend died He fell
• 57:08
  Speaker 1: off a five story building and see Frank Osien dropped
• 57:13
  Speaker 1: his music at the perfect time. I'm sad fully don't
• 57:21
  Speaker 1: cry now. By the way, Frank Oceans Blonde came out
• 57:26
  Speaker 1: over the weekend as well as visuals. He put out
• 57:29
  Speaker 1: a magazine that was a limited edition and he also
• 57:33
  Speaker 1: has a poem by Kanye in there about McDonald's McDonald's man,
• 57:37
  Speaker 1: McDonald I'm not in the mood to listen to Frank.
• 57:40
  Speaker 1: You got Kanye writing poems about McDonald's like that, McDonald's man,
• 57:44
  Speaker 1: McDonald's man. The French Fires had a plan. The French
• 57:46
  Speaker 1: Fires had a plan. Frank Osien makes music for people
• 57:49
  Speaker 1: who get mad at the dog because they can't find
• 57:50
  Speaker 1: a remote control. You know, you can't find your remotal choice,
• 57:52
  Speaker 1: you manage your pack where the damn remote? Like the dog. No,
• 57:55
  Speaker 1: the Cheeseburger and the Shakes formed a band to overthrow
• 57:58
  Speaker 1: the French Fires plan. I always knew him. French Fries
• 58:00
  Speaker 1: was evil man. Frank Goldi makes music for people who
• 58:03
  Speaker 1: pressed the wrong button and accidentally pay their whole cell
• 58:05
  Speaker 1: phone villa instead of just the past due amount. Then
• 58:07
  Speaker 1: French Fries look good. Though I knew the diet Cooke
• 58:09
  Speaker 1: was jealous of the fries. I knew the McNuggets was
• 58:11
  Speaker 1: jealous of the fries. Even the McRib was jealous of
• 58:13
  Speaker 1: the fries. I could see it through his artificial meat eyes. Okay, yeah,
• 58:19
  Speaker 1: but not for nothing. On some real ish, I did
• 58:21
  Speaker 1: that over the weekend. You cried, no, I paid the
• 58:24
  Speaker 1: full amount of my cellphone build. Turn it up that.
• 58:30
  Speaker 1: I was pissed off that. Then first fifteen seconds after
• 58:32
  Speaker 1: you actidently do that, you just sit in your hand man,
• 58:37
  Speaker 1: I pushed one instead of two. I was pissed. Oh
• 58:39
  Speaker 1: boy da, all right, well that is your real report
• 58:43
  Speaker 1: imagining freight. Thank you, miche people short mixing up. Next,
• 58:47
  Speaker 1: we're gonna start off with Frank Ocean to join out.
• 58:49
  Speaker 1: I'm lying, it ain't gonna We're not that. We definitely
• 58:52
  Speaker 1: not gonna start off with that. But let me know
• 58:53
  Speaker 1: what you want to hear. Eight hundred five five one
• 58:55
  Speaker 1: or five one and today the first day cool for
• 58:57
  Speaker 1: a lot of people are the next week. It used, Well,
• 58:59
  Speaker 1: it depends where you're from. If you're in the on
• 59:01
  Speaker 1: the East coast is usually to day after Labor Day.
• 59:03
  Speaker 1: If you're in the South, you already started, all right,
• 59:05
  Speaker 1: right eight hundred five eight five. You already started. You're
• 59:07
  Speaker 1: listening to that Frank Ocean. Oh oh yes, Frank Ocean
• 59:11
  Speaker 1: makes meautuf for people who eating lunch about themselves in
• 59:13
  Speaker 1: the first day school. Damn it, my goodness, this's the
• 59:16
  Speaker 1: breakfast club. Good morning. That's your best you all. You
• 59:24
  Speaker 1: have a positive motivating force with them. My life