Latest / The Whistler | Old Time Radio / The Whistler - "Death of Mr Penny" (Old Time Radio, 1949)
Transcript
- 0:00Speaker 1: Writers Adrian Gendo and Joel Murcott set this March 20th,
- 0:03Speaker 1: 1949 story at the snowbound Clear Valley Ski Lodge. It
- 0:08Speaker 1: is The Whistler, episode 354, Death of Mr. Penny, from
- 0:13Speaker 1: the CBS Pacific Network, sponsored by Signal Oil. There, Barbara
- 0:19Speaker 1: Eklund and her husband Frederick, a ski instructor, appear to
- 0:23Speaker 1: be newlyweds enjoying a winter retreat. But a man watching
- 0:27Speaker 1: through field glasses has taken an interest in their marriage,
- 0:31Speaker 1: and secrets beneath the surface bring blackmail and danger to
- 0:34Speaker 1: the lodge. Gerald Moore, Dorothy Lovett, Jeff Corey, Doris Singleton,
- 0:41Speaker 1: Marvin Miller, and Bill Foreman are heard in the cast.
- 0:45Speaker 2: Gordon T.
- 0:46Speaker 1: Hughes directed. Now, back to the golden age of radio.
- 0:53Speaker 2: The Signal Oil Program.
- 0:56Speaker 3: Yes?
- 0:56Speaker 2: The signal oil program, the whistler.
- 1:04Speaker 4: Whistling That whistle is your signal for the signal oil program,
- 1:17Speaker 4: the whistler.
- 1:19Speaker 3: Whistling I am the Whistler, and I know many things,
- 1:38Speaker 3: for I walk by night. I know many strange tales,
- 1:42Speaker 3: hidden in the hearts of men and women who have
- 1:44Speaker 3: stepped into the shadows. Yes, I know the nameless terrors
- 1:49Speaker 3: of which they dare not speak.
- 1:54Speaker 2: Yes, friends, it's time for the Signal Oil program, The Whistler,
- 1:58Speaker 2: rated tops in popularity for a longer period of time
- 2:01Speaker 2: than any other West Coast program in radio history. And
- 2:04Speaker 2: signal gasoline is tops, too. Tops in quality. It takes
- 2:08Speaker 2: extra quality, you know, to give you extra mileage. And
- 2:11Speaker 2: signal is the famous go-farther gasoline. So look for the
- 2:15Speaker 2: signal circle sign in yellow and black that identifies independently
- 2:19Speaker 2: operated signal stations from Canada to Mexico. And now the
- 2:25Speaker 2: Whistler's strange story. Death of Mr. Penny.
- 2:33Speaker 3: On the icy slope high above Clear Valley Ski Lodge,
- 2:36Speaker 3: the two people, racing down together side by side, appeared
- 2:40Speaker 3: like two moving specks of black against a sea of white.
- 2:44Speaker 3: To the little man who had his field glasses carefully
- 2:46Speaker 3: trained upon them, the picture was far more complete. He
- 2:50Speaker 3: saw a very handsome couple, the woman fresh, radiant, and wholesome,
- 2:54Speaker 3: the man tall, athletic. And as they swung to a
- 2:57Speaker 3: stop at the end of the ski slope, their happiness
- 3:00Speaker 3: with each other seemed very apparent. Yes, Mr. and Mrs.
- 3:04Speaker 3: Frederick Eklund seemed perfectly matched. The little man with the
- 3:08Speaker 3: field glasses could not help but marvel at the strange
- 3:11Speaker 3: course of true love. How it could so neatly bridge
- 3:14Speaker 3: the gap between the fact of Mrs. Eklund's almost fabulous
- 3:18Speaker 3: wealth and the modest means of Mr. Eklund, the mere
- 3:22Speaker 3: ski instructor. And the little man had to admit that
- 3:25Speaker 3: the two were getting along famously.
- 3:29Speaker 5: Oh, darling, you're wonderful.
- 3:30Speaker 2: Your favorite ski instructor?
- 3:32Speaker 5: My favorite ski instructor.
- 3:34Speaker 6: Well, then you'll accept my criticisms a little more graciously, Mrs. E.
- 3:38Speaker 6: At last, Christy was bad. Fine way to turn an ankle.
- 3:41Speaker 5: And be carried home by the tall, bronzed instructor. I
- 3:45Speaker 5: think I'll do it.
- 3:45Speaker 2: I think you won't. We're heading back to the lodge
- 3:48Speaker 2: right now.
- 3:49Speaker 5: All right, darling, whatever you say. But I've still got
- 3:54Speaker 5: that headache.
- 3:56Speaker 2: Barbara.
- 3:57Speaker 5: Yes?
- 3:57Speaker 2: Something on your mind. You were so quiet up there
- 4:00Speaker 2: on the slope just before we came down.
- 4:02Speaker 5: Quiet? Just taking time to tell myself I'm not in
- 4:08Speaker 5: a dream. That we're really together.
- 4:12Speaker 3: Married.
- 4:13Speaker 5: And so happy.
- 4:14Speaker 2: Are you sure that's all?
- 4:15Speaker 5: I'm sure that's all. And the headache can either be
- 4:18Speaker 5: cured or made worse by a dry martini. Shall we
- 4:21Speaker 5: go take the gamble?
- 4:22Speaker 2: Oh, you don't have to suggest that twice.
- 4:26Speaker 5: I wonder if you'll always be such an agreeable man.
- 4:28Speaker 2: Yeah, as long as I'm thirsty. Let's go.
- 4:39Speaker 3: An agreeable man. Yes, Fred, you've been that with Barbara,
- 4:42Speaker 3: haven't you? That and more. And you know that she
- 4:45Speaker 3: appreciates it. That you've made her very happy. But you
- 4:48Speaker 3: also know that there is something disturbing her this afternoon.
- 4:52Speaker 3: Something more than a simple headache. You worry about it yourself.
- 4:57Speaker 3: Bring it up again as the two of you sit
- 4:58Speaker 3: by the roaring fire of the lodge and... Look out
- 5:01Speaker 3: at the landscape through a giant picture window.
- 5:04Speaker 2: You, uh, still don't feel any better, dear?
- 5:07Speaker 5: No. I'm afraid I'm going to have to go upstairs,
- 5:11Speaker 5: nap for a couple of hours before dinner.
- 5:14Speaker 3: Mind?
- 5:14Speaker 2: You know I don't.
- 5:16Speaker 5: What will you do to amuse yourself?
- 5:18Speaker 2: Oh, look at the scenery.
- 5:19Speaker 5: Well, it's not novel enough. You know it too well.
- 5:22Speaker 2: Oh, no.
- 5:23Speaker 6: I see something different every time I look out the window.
- 5:26Speaker 5: Here.
- 5:27Speaker 2: Here, I'll prove it. You ever see anything like that? Yeah.
- 5:30Speaker 5: I don't see what... You mean that little man on
- 5:35Speaker 5: the terrace? Uh-huh.
- 5:35Speaker 6: The one with the field glasses.
- 5:38Speaker 2: Looks like an African explorer. Now, you can't say I
- 5:41Speaker 2: see anything like that every day. No.
- 5:45Speaker 5: But I didn't mean people. I... Frederick, I... If you
- 5:50Speaker 5: don't mind, I'm going upstairs right now.
- 5:51Speaker 2: No, but you haven't finished your.
- 5:52Speaker 5: I'm sorry, darling. I don't want my drink.
- 5:54Speaker 2: Oh. Well, I'll go up with you, dear.
- 5:56Speaker 5: No, please. I... Frederick... You could do something for me.
- 6:03Speaker 5: That new book I want. The manager said they have
- 6:05Speaker 5: it in the village now.
- 6:06Speaker 2: Oh, I'll drive right down. I'll get it for you.
- 6:07Speaker 2: They are glad to. But are you sure you're all right?
- 6:10Speaker 5: Oh, I will be. Just give me an hour. I'll
- 6:14Speaker 5: be brought as a new penny. Brought as a dollar
- 6:19Speaker 5: by dinner time.
- 6:20Speaker 2: Sounds worth waiting for. Go ahead, darling.
- 6:23Speaker 5: Thanks, darling.
- 6:29Speaker 3: You watch Barbara turn away, go to the stairs. A
- 6:32Speaker 3: moment later, you get up, start outside as if to
- 6:35Speaker 3: get the car. But at the end of the terrace,
- 6:37Speaker 3: you stop and wait a moment. He goes right inside,
- 6:40Speaker 3: doesn't he, Fred? The funny little man that Barbara didn't
- 6:43Speaker 3: want to look at. You walk back and see him
- 6:46Speaker 3: hurry up the stairs after her. Ten minutes later, he's
- 6:49Speaker 3: back down, heading toward the cocktail lounge. You walk in
- 6:52Speaker 3: casually and slide into the booth beside him.
- 6:56Speaker 2: Well, Mr. Penny, it's going very well. You got it?
- 6:59Speaker 2: I did. Five thousand, as usual.
- 7:00Speaker 3: Hmm.
- 7:01Speaker 2: I was a little worried this afternoon. Thought Barbara might
- 7:04Speaker 2: have guessed something. About you?
- 7:05Speaker 3: Mm-hmm.
- 7:06Speaker 2: But I was wrong.
- 7:06Speaker 3: Of course.
- 7:07Speaker 2: Oh, Barbara threatened me today. She said that this must
- 7:10Speaker 2: be the last payment. She's convinced that you'd be quite
- 7:13Speaker 2: understanding about those letters. Oh. I'll have to take a
- 7:16Speaker 2: different tack. Yes, or spoil the act. Oh, they're really nothing,
- 7:19Speaker 2: you know, the letters. She just feels that you'd be
- 7:22Speaker 2: very hurt if you ever knew there'd been another man
- 7:24Speaker 2: in her life once, a married man.
- 7:26Speaker 5: Ha, ha, ha.
- 7:27Speaker 2: I heard. You know, Freddy, you are the odd one.
- 7:31Speaker 2: Long as I have known you, I always marvel. What
- 7:33Speaker 2: is it that keeps you from simply presenting your case
- 7:36Speaker 2: to these women, demanding all the money you want?
- 7:38Speaker 6: Obviously, my dear Penny, you'll never know women. There are
- 7:42Speaker 6: things that cannot be told. One of the things is
- 7:44Speaker 6: that love alone is not sufficient to hold their man.
- 7:47Speaker 6: You're right, I suppose. Well, I've always left that part
- 7:50Speaker 6: of it to you. Yeah, let's keep it that way, huh?
- 7:53Speaker 6: I'll take care of the romancing. You stick with the
- 7:54Speaker 6: business end of the deal. Uh, if you don't mind,
- 7:58Speaker 6: I'll take my half the money now.
- 7:59Speaker 2: To be sure, Freddy. To be sure.
- 8:07Speaker 3: As you conclude your present business with Mr. Penny, he
- 8:10Speaker 3: excuses himself and hurries away. A moment later, you're conscious
- 8:14Speaker 3: of the voice. The song that comes from the large
- 8:17Speaker 3: dining hall.
- 8:18Speaker 5: Monday, maybe Monday.
- 8:22Speaker 3: Susan, a delightful girl, isn't she, Fred? Talented and beautiful. Yes,
- 8:27Speaker 3: and since you met her a month ago, she's been
- 8:30Speaker 3: quite overwhelmed by your charm. You stroll across the lobby
- 8:33Speaker 3: and stand there at the entrance of the dining hall
- 8:36Speaker 3: and watch her as she sings.
- 8:37Speaker 5: She's beautiful, isn't she?
- 8:44Speaker 2: Oh, Penny, I thought you were leaving. I'm going in
- 8:46Speaker 2: to have dinner. Now look, Penny, Barbara will be coming
- 8:48Speaker 2: down soon. She isn't pleasant to be with when you're around.
- 8:50Speaker 2: Your wife is resting, Freddie. She won't be down for
- 8:52Speaker 2: some time. But, shh, I want to listen to this.
- 8:56Speaker 5: And so all else above, I'm waiting for the.
- 9:03Speaker 2: Man I love.
- 9:11Speaker 3: That was wonderful, wonderful. Oh, Susan sings beautifully, does she not, Freddie,
- 9:16Speaker 3: my boy?
- 9:16Speaker 2: Mm-hmm. She's quite a girl. Quite a girl.
- 9:19Speaker 6: Yes.
- 9:22Speaker 2: Another one of your many side interests. You've always had them,
- 9:25Speaker 2: haven't you? Frankie, my boy. Let us go out on
- 9:29Speaker 2: the terrace for a moment. I want to talk to you.
- 9:31Speaker 2: Come along. The idea we've already talked everything out? No,
- 9:35Speaker 2: not quite, my boy. After you. All right, what's on
- 9:42Speaker 2: your mind, Penny? Susan. I want to speak to you
- 9:45Speaker 2: about Susan. Oh? You're quite interested in her, aren't you? Oh,
- 9:48Speaker 2: I don't know. Just for laughs, maybe. Oh, I see.
- 9:52Speaker 2: Then you won't mind if I ask you to stay
- 9:54Speaker 2: away from her. To stay away... You're asking me... Wait
- 10:01Speaker 2: a minute, Freddy. You don't mean that you.
- 10:04Speaker 2: You find it amusing, my boy. Why, she wouldn't even
- 10:07Speaker 2: look at you. But, Freddy, she has many times, so
- 10:11Speaker 2: often that I don't want you to see her anymore. Oh,
- 10:13Speaker 2: just like that, huh? And just what do you do
- 10:16Speaker 2: if I ignore your advice, lover boy?
- 10:18Speaker 5: Oh.
- 10:20Speaker 2: I could make things rather unpleasant for you. Really, I could. Really?
- 10:24Speaker 2: Like what? Tell your wife that you're my business partner?
- 10:29Speaker 2: That we're blackmailing her together? You know what I'd do? No,
- 10:32Speaker 2: what would you do, Freddy? I'd tell her you forced
- 10:34Speaker 2: me into it a trick.
- 10:35Speaker 6: I was only playing along with you until I saw
- 10:37Speaker 6: my chance to turn you over to the police.
- 10:40Speaker 2: Barbara's very much in love with me, Penny. She'd believe it. Yes, yes,
- 10:44Speaker 2: I suppose she would. Well, in that case, I should
- 10:47Speaker 2: have to tell her about the Carson widow. The incident
- 10:50Speaker 2: at Sun Valley two years ago. What? That the police
- 10:52Speaker 2: are interested in finding the man who went skiing with
- 10:55Speaker 2: a Carson woman the morning she was killed. Accidentally. Now,
- 10:58Speaker 2: wait a minute, Penny. I could tell your wife what
- 11:00Speaker 2: really happened, Freddy. So be a good boy and stay
- 11:04Speaker 2: away from Susan, eh? With the prologue of Death of Mr. Penny,
- 11:20Speaker 2: the Signal Oil Company brings you another strange story by
- 11:24Speaker 2: the Whistler. Here in Hollywood, where the Whistler is produced,
- 11:29Speaker 2: this is the week when the movie folks decide who's
- 11:31Speaker 2: going to win the coveted Oscars. Too bad there isn't
- 11:35Speaker 2: an Oscar for gasoline, because I'm sure that Signal Gasoline
- 11:38Speaker 2: would run away with the honors for outstanding performance. Just
- 11:43Speaker 2: as some actors become typed in certain roles, you may
- 11:46Speaker 2: have typed signal gasoline for economy because of its reputation
- 11:50Speaker 2: as the go-farther gasoline. But economy, mind you, is only
- 11:54Speaker 2: half of signal story. You see, the thing which makes
- 11:57Speaker 2: signal's good mileage possible, the extra efficiency today's signal gasoline
- 12:02Speaker 2: coaxes from your motor, also makes signal the logical choice
- 12:06Speaker 2: for more dramatic performances, calling, for instance, starting, flashing pickup,
- 12:11Speaker 2: or smooth, effortless power. So if you want your car
- 12:15Speaker 2: to perform as if it had just won an Oscar,
- 12:19Speaker 2: just you keep these two points in mind the next
- 12:21Speaker 2: time you buy gasoline. One, it takes extra quality to
- 12:25Speaker 2: go farther. And two, signal is the famous go farther gasoline.
- 12:48Speaker 3: It came as a shock, didn't it, Fred? Mr. Penny's warning.
- 12:52Speaker 3: And you wonder if your odd little partner really means
- 12:55Speaker 3: to carry out his threats, to make trouble for you
- 12:57Speaker 3: if you continue to see Susan. He could make things
- 13:01Speaker 3: quite difficult, reviving the Carson incident at this time. It
- 13:05Speaker 3: would never do if your wife Barbara found out about that,
- 13:08Speaker 3: would it? But in the days that follow, you decide
- 13:10Speaker 3: to risk it, to test Mr. Penny's threats, And then
- 13:14Speaker 3: one evening at the lodge as you sit in the
- 13:16Speaker 3: cocktail lounge with Barbara.
- 13:17Speaker 5: Fred?
- 13:20Speaker 2: Yes, dear?
- 13:22Speaker 5: Did you happen to run over to Shelville the night
- 13:24Speaker 5: before last?
- 13:25Speaker 2: Shelville? Where now?
- 13:28Speaker 5: Betty mentioned it this afternoon. She and Greg thought they
- 13:32Speaker 5: saw you there.
- 13:32Speaker 2: No, no, they were mistaken. Oh, I did go down
- 13:34Speaker 2: to the village here. That's the night I ran into Higby,
- 13:36Speaker 2: an old friend of mine. You remember, darling. I called you.
- 13:39Speaker 2: Told you I'd be late getting back.
- 13:40Speaker 5: Yes, I know.
- 13:41Speaker 2: As a matter of fact.
- 13:42Speaker 6: He'd be a nice man most of the evening at
- 13:44Speaker 6: the Buckhorn Cafe, talking over old times.
- 13:48Speaker 2: See here, Barbara, you don't think I'd... I'd lie.
- 13:51Speaker 5: Of course not, darling. You know how Betty is, wrong
- 13:56Speaker 5: as usual. Um, see if you can get the waiter,
- 14:00Speaker 5: will you, dear? I think I'd like another brandy before
- 14:03Speaker 5: turning in.
- 14:17Speaker 2: Oh, Freddie, my boy. I could say that this is
- 14:19Speaker 2: a pleasant surprise, but it isn't really. I've been expecting you.
- 14:22Speaker 2: Can I come in? Well, I was about to retire,
- 14:25Speaker 2: but thanks. I won't take up too much of your time. Oh,
- 14:29Speaker 2: no hurry. Fix yourself a drink, my boy. Thanks again. Oh,
- 14:32Speaker 2: none for me. I have my glass of milk, you see. Well,
- 14:38Speaker 2: here's to you, Penny. The winner.
- 14:40Speaker 3: Oh?
- 14:41Speaker 6: It's all yours.
- 14:43Speaker 2: Susan, I mean. I'll stay away. Good, good. You, uh,
- 14:49Speaker 2: you told Barbara you saw me in Shellville the other night,
- 14:51Speaker 2: didn't you? Did I?
- 14:52Speaker 6: It was just a warning, just in case I had
- 14:54Speaker 6: any ideas about not playing ball, huh? Well, I could
- 14:56Speaker 6: have told her you were with Susan, but I didn't.
- 14:59Speaker 2: Thanks, thanks. It was big of you. I thought so. However, Freddy,
- 15:03Speaker 2: my boy, if you insist... I know, I know. I'll
- 15:06Speaker 2: stay away from Susan. It's all settled. Uh, settled? No, no,
- 15:10Speaker 2: not quite. I've been thinking, Freddy, my boy. What about it?
- 15:14Speaker 2: The money we collect from your wife. Five thousand every
- 15:17Speaker 2: three months. Well, it doesn't seem worthwhile. Now, wait a minute.
- 15:22Speaker 2: I wouldn't push Barbara too hard. Two thousand more isn't
- 15:25Speaker 2: such a push.
- 15:25Speaker 6: Yeah, but there might be trouble. I wouldn't try. Let's
- 15:28Speaker 6: leave it the way it is, huh? Five thousand's good enough.
- 15:30Speaker 2: Perhaps. But when one has to split it two ways...
- 15:33Speaker 2: I said it's enough. For you, perhaps, but not for me. Yes,
- 15:37Speaker 2: I've been thinking, Freddy. I've been thinking I should dissolve
- 15:41Speaker 2: our little partnership. What?
- 15:42Speaker 5: Yes.
- 15:43Speaker 2: I think that from now on, I shall keep all
- 15:46Speaker 2: the money. Wait a minute. I'm the one who gave
- 15:47Speaker 2: you Barbara's letters in the first place.
- 15:49Speaker 5: So what?
- 15:50Speaker 2: You think I'll hold still for you cutting me out? But,
- 15:52Speaker 2: my boy, there's nothing you can do about it. Because
- 15:55Speaker 2: of Sun Valley, Mrs. Carson... Why, you... Oh, please, don't
- 16:00Speaker 2: get excited. I ought to wring your scrawny little neck.
- 16:03Speaker 2: But you will not. You will do nothing. Now, please, go.
- 16:07Speaker 2: I'm quite tired.
- 16:10Speaker 3: Good night, Freddy. For a moment you stand there staring
- 16:18Speaker 3: at the little man. You watch him as he calmly
- 16:21Speaker 3: drops the sleeping capsule into the glass of milk. As
- 16:24Speaker 3: he raises it to his lips, he smiles at you.
- 16:27Speaker 3: And you know he has you at his mercy, don't you, Fred?
- 16:31Speaker 3: You whirl and rush out into the corridor. And as
- 16:33Speaker 3: you hurry back to your room, the rage within you
- 16:35Speaker 3: mounts with each step. Yes, Mr. Penny has complete control
- 16:39Speaker 3: of the situation for the present.
- 16:42Speaker 2: But you're not going to let.
- 16:43Speaker 3: Him get away with it, are you? No, the money
- 16:46Speaker 3: he gets from your wife means too much to you.
- 16:49Speaker 3: And you know that somehow you're going to get rid
- 16:52Speaker 3: of Mr. Penny and the threat he holds over you.
- 16:59Speaker 3: It isn't until the following afternoon that you know just
- 17:02Speaker 3: how you're going to do it. On an errand for Barbara,
- 17:05Speaker 3: you stop at the village drugstore, Pop Grandin's Place.
- 17:09Speaker 7: That be all, Freddy?
- 17:10Speaker 2: Yeah, I guess so, Pop.
- 17:11Speaker 3: Okay.
- 17:13Speaker 7: Oh, say, you going back up the lodge?
- 17:15Speaker 2: Yeah, why?
- 17:16Speaker 7: I wonder if you'd mind dropping off a prescription for me.
- 17:18Speaker 2: Oh, of course not.
- 17:19Speaker 7: You can just drop it off at the desk.
- 17:21Speaker 3: Come on back.
- 17:21Speaker 2: I'll make it up right away.
- 17:25Speaker 3: You walk with Pop Grand into the back of the shop.
- 17:27Speaker 3: Watch him as he prepares a prescription. Then your eyes
- 17:31Speaker 3: wander over the shelves lined with bottles. At the far
- 17:34Speaker 3: end of the lower shelf, you see a bottle filled
- 17:36Speaker 3: with tiny red capsules. Just like the one you saw Mr.
- 17:40Speaker 3: Penny drop into the glass of milk last night.
- 17:44Speaker 7: Oh, dreaded that telephone.
- 17:46Speaker 2: Excuse me, will you, Freddy? Oh, sure, sure.
- 17:49Speaker 7: I never saw it to feel every time I get
- 17:51Speaker 7: back here.
- 17:52Speaker 2: That doggone phone. Couldn't have picked a better time.
- 18:01Speaker 3: As you take the bottle down off the shelf, the
- 18:03Speaker 3: idea hits you, doesn't it? Yes, this could be the way,
- 18:07Speaker 3: couldn't it, Fred? Yes. Quickly, you unscrew the cap, drop
- 18:10Speaker 3: a capsule into your pocket and replace the bottle. Then
- 18:12Speaker 3: your eyes skip along the shelf and finally stop on
- 18:15Speaker 3: a small bottle filled with white powder marked poison. Deadly poison, Fred.
- 18:28Speaker 7: Sorry to be so long, Freddy. That was Mrs. Ferguson,
- 18:31Speaker 7: and you know how she is. Talk, talk, talk, talk, talk, talk, talk. Hey,
- 18:35Speaker 7: where was I?
- 18:36Speaker 2: The prescription.
- 18:37Speaker 3: Oh, yes, yes.
- 18:38Speaker 7: Well, I'll only be a minute, Freddy. Sure nice of
- 18:41Speaker 7: you to do this little favor for me.
- 18:42Speaker 2: Not at all, Pop. Not at all. It's a pleasure.
- 18:52Speaker 3: You're thankful that Barbara is out when you return to
- 18:55Speaker 3: your room at the lodge. Quickly, you empty the contents
- 18:57Speaker 3: of the red capsule into the wash basin. Then you
- 19:00Speaker 3: fill the capsule with the white powder you took from
- 19:02Speaker 3: the shelf at Grandin's drugstore. Moments later, you leave the room,
- 19:06Speaker 3: the capsule containing the deadly poison safely tucked away in
- 19:10Speaker 3: your pocket. Early that evening, you pay another call on Mr.
- 19:19Speaker 5: Penny.
- 19:20Speaker 2: Oh, come in, Freddy, my boy. Come in. Thanks. I'm
- 19:22Speaker 2: going out shortly. You don't mind if I finish shaving,
- 19:24Speaker 2: do you? No, no. Go ahead. Make yourself at home,
- 19:27Speaker 2: my boy. Pick yourself a drink. Thanks. I'll skip this one.
- 19:29Speaker 4: As you wish.
- 19:31Speaker 2: Tell me, to what do I owe the honor of
- 19:32Speaker 2: this visit? Well, I thought maybe you'd reconsider.
- 19:37Speaker 3: What?
- 19:37Speaker 2: After the way you double-crossed me with Susan? Not a chance,
- 19:40Speaker 2: my boy. Not a chance. I'd take a smaller cut.
- 19:44Speaker 2: And as a matter of fact, I've been seriously thinking
- 19:47Speaker 2: of asking your wife for more money. I told you before.
- 19:49Speaker 2: that would be a mistake. She won't pay it. We
- 19:51Speaker 2: shall see. We shall see. What are you doing, Freddy? Hmm? Oh,
- 20:01Speaker 2: just looking at this magazine on your nightstand. Holidays, huh?
- 20:05Speaker 2: Planning a trip? Perhaps. Oh, look, Penny, I need the money.
- 20:09Speaker 2: Why can't we make some sort of arrangement? You're wasting
- 20:12Speaker 2: your time, my boy. This is too good a thing
- 20:14Speaker 2: for me to share with anyone. I am rather surprised,
- 20:17Speaker 2: and Roy, too, that I didn't think of handling the
- 20:19Speaker 2: matter this way long ago. You, uh... You won't change
- 20:23Speaker 2: your mind? No. After all, you still have Barbara. She's
- 20:27Speaker 2: a wealthy woman. You begrudge me a few thousand dollars
- 20:30Speaker 2: now and then? All right. That's the way you want it. Yes,
- 20:33Speaker 2: that's the way I want it, my boy. Good night.
- 20:39Speaker 5: Good night.
- 20:40Speaker 2: No hard feelings, Freddy. No. See you in the morning, then. Yeah.
- 20:46Speaker 2: Maybe you will, Penny. Then maybe not.
- 20:55Speaker 3: It's done, isn't it, Fred? There were only four capsules
- 20:58Speaker 3: in the box. You replaced one with a capsule containing
- 21:02Speaker 3: the deadly poison. And now all you can do is wait.
- 21:06Speaker 3: And you know it won't be long... For Mr. Penny
- 21:09Speaker 3: takes a sleeping capsule every night. You're a little disappointed
- 21:18Speaker 3: the following morning at breakfast when you see Mr. Penny
- 21:20Speaker 3: sitting at his usual table. It was a little too
- 21:23Speaker 3: much to hope for, wasn't it, Fred? That he'd take
- 21:26Speaker 3: the poison capsule the first night. But then there are
- 21:29Speaker 3: only three capsules in the box now. The next morning
- 21:34Speaker 3: you're in for another disappointment. For as you enter the
- 21:36Speaker 3: dining hall, you see Mr. Penny again, sitting at the
- 21:39Speaker 3: table near the window. He looks up as you and
- 21:42Speaker 3: Barbara seat yourself only a few tables away. He smiles, nods,
- 21:48Speaker 3: then returns to his morning paper. And then something that
- 21:51Speaker 3: Barbara says startles you.
- 21:53Speaker 5: Only two left, Frederick.
- 21:54Speaker 2: What?
- 21:55Speaker 5: Only two empty tables left. I'm glad we came down
- 21:58Speaker 5: to breakfast when we did. I hate to wait.
- 22:01Speaker 3: Oh.
- 22:02Speaker 2: Oh, yes.
- 22:04Speaker 5: Oh, goodness, darling. You jumped, though. Something wrong?
- 22:08Speaker 2: No. Oh, no, of course not. I had my mind
- 22:11Speaker 2: on something else.
- 22:14Speaker 3: Yes. You were thinking of the capsules in the box,
- 22:17Speaker 3: weren't you, Fred? There are only two left now, and
- 22:21Speaker 3: it's an even money bet. However, the following morning when
- 22:29Speaker 3: you arrive at the dining hall, Mr. Penny is absent.
- 22:32Speaker 3: It's almost 11 o'clock when you and Barbara leave your table,
- 22:35Speaker 3: and there's been no sign of him. You're sure he's dead,
- 22:38Speaker 3: and you're free at last, aren't you, Fred? Yes. With Mr.
- 22:42Speaker 3: Penny out of the way, the Sun Valley incident is closed.
- 22:46Speaker 3: It'll be a simple matter with your connection to find
- 22:49Speaker 3: someone more trustworthy than Penny to do your blackmailing. As
- 22:53Speaker 3: Barbara hurries upstairs for her scarf, the desk clerk calls
- 22:57Speaker 3: out to you. Oh, uh, Mr.
- 22:59Speaker 5: Eklund.
- 22:59Speaker 2: Yes? What is it?
- 23:02Speaker 3: A message for you, sir, this envelope.
- 23:04Speaker 2: Oh, thank you.
- 23:05Speaker 3: For a moment, you're puzzled. Stare at the envelope. Then
- 23:08Speaker 3: you rip it open. Suddenly, an icy hand closes around
- 23:12Speaker 3: your heart. As a tiny red capsule tumbles out of
- 23:15Speaker 3: the envelope into the palm of your hand. Penny has
- 23:21Speaker 3: known all along, hasn't he, Fred? He must have watched
- 23:24Speaker 3: you in the mirror when he was shaving. Saw you
- 23:26Speaker 3: place the poison capsule in the box. A cold wave
- 23:29Speaker 3: of fear sweeps over you as you realize what he'll
- 23:31Speaker 3: do now. Your first thought is for you and Barbara
- 23:34Speaker 3: to get away. You hurry to your room upstairs. And
- 23:38Speaker 3: as you're about to open the door, you hear Barbara's voice.
- 23:40Speaker 5: Well, yes. Yes, whatever you say.
- 23:45Speaker 3: What?
- 23:47Speaker 5: No, not here. I'll meet you at the point. Inspiration point. Tonight.
- 23:54Speaker 3: Yes.
- 23:56Speaker 5: Nine o'clock, Mr.
- 23:56Speaker 3: Penny.
- 24:03Speaker 2: Mr.
- 24:03Speaker 3: Penny isn't wasting any time getting his revenge, is he, Fred?
- 24:07Speaker 3: Your first thought is to get away. And then suddenly
- 24:09Speaker 3: you realize it's useless to run. He'd find you and
- 24:13Speaker 3: Barbara sooner or later. No, you've got to take care
- 24:16Speaker 3: of him now, once and for all. And this time
- 24:19Speaker 3: you can't afford to miss.
- 24:21Speaker 2: Mr. Penny.
- 24:27Speaker 3: That night, you're standing in the shadows of the fir
- 24:30Speaker 3: trees near the point. You see Barbara hurrying up the path.
- 24:34Speaker 2: Mr.
- 24:34Speaker 3: Penny is not far behind.
- 24:35Speaker 2: Hello, Penny.
- 24:39Speaker 5: What?
- 24:40Speaker 2: Oh. Oh, it's you, Freddy. What are you doing here?
- 24:43Speaker 6: I could ask you the same thing, but I know
- 24:46Speaker 6: what you're doing here. Too bad you'll never keep that
- 24:49Speaker 6: appointment with my wife, Penny.
- 24:50Speaker 2: What? Take a look down there. It's an awful drop,
- 24:54Speaker 2: isn't it? What are you... What are you going to do?
- 24:57Speaker 6: You're a smart little operator, Penny. You ought to be
- 25:00Speaker 6: able to figure that out. The Whistler will return in
- 25:13Speaker 6: just a moment with a strange ending to tonight's story.
- 25:18Speaker 6: When you passed a signal service station during the past
- 25:20Speaker 6: few days, you may have noticed a picture of the
- 25:22Speaker 6: happy bluebird on the sign outside.
- 25:25Speaker 2: Well, Mr. Bluebird is there to remind you that if
- 25:27Speaker 2: you want your motor to sing this spring, you'll be
- 25:30Speaker 2: wise to make your next oil change a change to
- 25:32Speaker 2: the improved type signal oil that does so much more
- 25:35Speaker 2: than just lubricate. Signal premium compounded motor oil. Naturally, signal
- 25:41Speaker 2: premium has 100% pure paraffin base, the finest lubricant known.
- 25:45Speaker 2: But in addition, signal premium contains scientific new compounds that
- 25:50Speaker 2: protect your motor in ways no regular oil alone can do.
- 25:54Speaker 2: For instance, One compound in Signal Premium compounded motor oil
- 25:59Speaker 2: actually cleanses your motor of carbon, gum, and varnish. A
- 26:02Speaker 2: second compound in Signal Premium protects costly bearings from corrosion.
- 26:07Speaker 2: And still other compounds do other important jobs to keep
- 26:10Speaker 2: your motor happy as a bluebird. Good reason, I'd say,
- 26:14Speaker 2: to make your spring oil change a change to Signal
- 26:17Speaker 2: Premium compounded motor oil. Sold only at Signal service stations.
- 26:27Speaker 3: It's all over, isn't it, Fred? Mr. Penny is out
- 26:29Speaker 3: of the way at last. The threat he held over
- 26:32Speaker 3: you is gone, and now you're free. Back at the village,
- 26:35Speaker 3: the Buckhorn Cafe. You spend the next several hours chatting
- 26:39Speaker 3: with old friends, and then shortly after midnight, you return
- 26:43Speaker 3: to the lodge, to your room. As you enter, you're
- 26:45Speaker 3: surprised to see Barbara pacing up and down.
- 26:49Speaker 5: Oh, Fred. Where have you been?
- 26:51Speaker 2: The village, dear. I told you I had to.
- 26:53Speaker 5: Fred, did you hear about it? The accident?
- 26:56Speaker 3: Oh.
- 26:57Speaker 6: The man who fell off the cliffs, yeah. They were
- 26:59Speaker 6: talking about it in the lobby when I came in.
- 27:01Speaker 6: Matter of fact, the sheriff is down there now talking.
- 27:03Speaker 2: To the manager.
- 27:04Speaker 5: The man's name was Penny.
- 27:07Speaker 2: You knew him?
- 27:08Speaker 5: Yes. He was blackmailing me.
- 27:13Speaker 2: What?
- 27:14Speaker 5: He came to me about a year ago with some
- 27:16Speaker 5: letters I'd written. Foolish letters. He wanted $ 5, 000 for each one.
- 27:22Speaker 5: I laughed at him. He meant nothing to me and.
- 27:26Speaker 5: I threatened to call the police.
- 27:27Speaker 2: You threatened?
- 27:28Speaker 5: Yes, I... I threatened to. Then Mr. Penny showed me
- 27:33Speaker 5: some other letters. A woman's letters. Mrs. Carson.
- 27:39Speaker 2: Mrs. Carson?
- 27:42Speaker 5: Her letters to you, Fred. When you were at Sun Valley.
- 27:47Speaker 5: He said the police would be anxious to see them.
- 27:49Speaker 5: I couldn't believe you'd done anything wrong. But then when
- 27:52Speaker 5: he said... He sent the letters to the Idaho police...
- 27:59Speaker 5: I was afraid.
- 28:00Speaker 2: He's been blackmailing you all this time because of those
- 28:02Speaker 2: letters to me?
- 28:03Speaker 3: Yes.
- 28:04Speaker 2: Barbara, listen to me. I've got... It's not true, is it, Fred?
- 28:07Speaker 5: The skiing accident. You didn't kill it, did you?
- 28:09Speaker 2: He told you that?
- 28:10Speaker 5: This morning, yes. He called me on the phone, told
- 28:13Speaker 5: me he could prove it, that you'd killed him. Made
- 28:15Speaker 5: it look like an accident.
- 28:16Speaker 2: That's not true.
- 28:17Speaker 5: Then he was lying. Oh, I knew it, darling. I
- 28:26Speaker 5: knew it all along. But I agreed to meet him
- 28:29Speaker 5: at the point tonight. He said he'd bring all the
- 28:31Speaker 5: proof I needed. Letters, documents, all the evidence.
- 28:34Speaker 2: He... He had all that with him tonight?
- 28:37Speaker 3: Yes.
- 28:39Speaker 5: But he never arrived. He fell off the cliff on
- 28:42Speaker 5: the way.
- 28:43Speaker 2: Yeah. Yeah, he fell off the cliff.
- 28:48Speaker 3: Oh, darling. Darling.
- 28:51Speaker 5: I'm so glad Mr. Penny was lying. If he'd had
- 28:55Speaker 5: any evidence on him... Police certainly would have discovered it
- 28:58Speaker 5: when they found his body. Wouldn't they?
- 29:01Speaker 2: Yeah. Yeah, I guess they would. I'll, uh... I'll go, Barbara.
- 29:13Speaker 2: I'm sure it's for me. Let that whistle be your
- 29:35Speaker 2: signal for the signal oil program, The Whistler, each Sunday
- 29:38Speaker 2: night at this time. Brought to you by the Signal
- 29:40Speaker 2: Oil Company, marketers of Signal gasoline and motor oil and
- 29:44Speaker 2: fine quality automotive accessories. Featured in tonight's story were Gerald Moore,
- 29:51Speaker 2: Dorothy Lovett, and Jeff Corey. The Whistler was produced by
- 29:54Speaker 2: George W. Allen, directed by Gordon T. Hughes, with story
- 29:57Speaker 2: by Joel Malone and Adrian John Doe, and music by
- 30:00Speaker 2: Wilbur Hatch. All characters portrayed on the Whistler program are fictional.
- 30:03Speaker 2: Any similarity of names or resemblance to persons living or
- 30:05Speaker 2: dead is purely coincidental. This is CBS, the Columbia Broadcasting System.
- 30:24Speaker 1: You have been listening to The Whistler, Death of Mr.
- 30:27Speaker 2: Penny.
- 30:28Speaker 1: Until our next broadcast, good night.