Latest / The Breakfast Club / Best of full interview: Jill Scott On Divine Timing, Honesty, Healing + New Album 'To Whom This May Concern' + More
Transcript
- 0:00Speaker 1: Hold up.
- 0:01Speaker 2: Every day I wake up.
- 0:03Speaker 1: Wake your ass up.
- 0:03Speaker 2: The Breakfast Club.
- 0:05Speaker 1: Y'all finished or y'all done?
- 0:06Speaker 2: Morning, everybody. It's DJ Envy, Jess Hilarious, Charlamagne Tha Guy.
- 0:10Speaker 3: We are The Breakfast Club. Lawn LaRose is here. And
- 0:13Speaker 3: we got a special guest in the building.
- 0:14Speaker 1: The legend, the icon, has returned to bless us with
- 0:17Speaker 1: her presence once again.
- 0:18Speaker 2: Ladies and gentlemen, Jill Scott is back. Welcome. How you feeling?
- 0:22Speaker 4: Thank you. Thank you.
- 0:23Speaker 1: How do you feel, Miss Jill?
- 0:25Speaker 4: Excited. Excited.
- 0:27Speaker 1: First album in a decade.
- 0:28Speaker 2: Ten years.
- 0:29Speaker 4: That's what I hear.
- 0:30Speaker 2: To whom it may concern.
- 0:31Speaker 4: Yes, sir.
- 0:32Speaker 1: By the way, I love the way you release music
- 0:34Speaker 1: because it feels like you release music when you feel
- 0:36Speaker 1: like you want to, when the spirit moves you. How
- 0:39Speaker 1: do you know when is the right time to release music?
- 0:42Speaker 4: Because I have too much. And then it lets me relax.
- 0:48Speaker 4: When it's not finished, I keep tweaking, touching, touching, tweaking,
- 0:52Speaker 4: finding new flavors, seasonings, musicians, producers. And when it's done,
- 0:57Speaker 4: it leaves me alone. And then I can just listen.
- 1:00Speaker 4: And I have so much that I could just listen to.
- 1:03Speaker 4: I knew I was done. I was like, okay, now
- 1:06Speaker 4: I can create.
- 1:06Speaker 3: So people would assume that you stopped recording for a
- 1:09Speaker 3: little bit and then you just started recording recently.
- 1:11Speaker 2: But you've been recording this whole time.
- 1:13Speaker 4: I mean, it doesn't stop. It's going to show up.
- 1:16Speaker 4: I mean, what are you going to do? I do record,
- 1:19Speaker 4: but I just go when I feel like it. For
- 1:23Speaker 4: no intention whatsoever. Just because I have to get it out.
- 1:27Speaker 4: Other than that, it's not like I'm thinking about an
- 1:29Speaker 4: album until it's done.
- 1:30Speaker 1: Are you like a comedian? Comedians always say they got
- 1:33Speaker 1: to stop and live a little life before they get
- 1:36Speaker 1: back on the stage. Are you like that?
- 1:38Speaker 5: Absolutely.
- 1:38Speaker 2: Yeah, yeah.
- 1:40Speaker 4: I got to make dinner. I got to go grocery shopping.
- 1:42Speaker 4: I got to see my mom. I got to have
- 1:44Speaker 4: her put me in my place a little bit. Raise
- 1:47Speaker 4: my kid. Do stuff.
- 1:49Speaker 6: Absolutely.
- 1:49Speaker 4: Other than that, what are we talking about?
- 1:51Speaker 5: I saw you talking about when you took the time
- 1:53Speaker 5: off and how intentional you are with just being a
- 1:55Speaker 5: mom in that time that you took off. And then
- 1:58Speaker 5: explaining to your son about, like, why you got to
- 1:59Speaker 5: get back to work and teaching him that. How has
- 2:01Speaker 5: it been now that you're back out on the road
- 2:03Speaker 5: and you're doing all these things and getting back into
- 2:05Speaker 5: the swing of things?
- 2:06Speaker 4: Well, he's 16 now. Mm-hmm. And I didn't have to
- 2:08Speaker 4: explain anything to him. He knew. He was in the
- 2:11Speaker 4: studio with me. You know, he's the one that suggested JID. Mm-hmm.
- 2:15Speaker 4: He's the one that suggested Tierra Whack.
- 2:17Speaker 1: Mm-hmm.
- 2:18Speaker 4: You know, he's been a part of the whole process.
- 2:20Speaker 2: But you got him working.
- 2:21Speaker 6: So he an A & R.
- 2:22Speaker 2: He is.
- 2:23Speaker 4: He is an A & R. Absolutely. We'll see what
- 2:25Speaker 4: else he can do. Right now, he's a scuba diving, cross-country, singing,
- 2:34Speaker 4: writing person thus far.
- 2:36Speaker 2: All of that.
- 2:37Speaker 4: Yeah. Thus far. I'm just watching to see, you know,
- 2:39Speaker 4: what I can do. You know, how I can help
- 2:41Speaker 4: out with the thing.
- 2:42Speaker 2: Does he know how special his mom is and how
- 2:44Speaker 2: powerful his mom is?
- 2:45Speaker 4: Well, he loves me. You know?
- 2:47Speaker 1: Mm-hmm.
- 2:48Speaker 4: Whether I do well or what I have or don't have,
- 2:52Speaker 4: he loves me. We love each other.
- 2:54Speaker 1: Yeah, you're special and powerful to him in ways that
- 2:57Speaker 1: we would never understand. You his mom.
- 2:59Speaker 4: I love him. I appreciate him. I respect him. I
- 3:03Speaker 4: try to help him in any dream that he has.
- 3:06Speaker 4: And I don't even know what that'll even mean. I
- 3:09Speaker 4: don't know. I don't care. As long as he's happy
- 3:12Speaker 4: and he can take care of himself financially, that matters
- 3:17Speaker 4: to us. I'm straight. He's a good person. He's so funny.
- 3:23Speaker 2: He's cool.
- 3:25Speaker 4: So I'm glad he suggested J.I.D. We listened to him.
- 3:30Speaker 4: This is our music in the kitchen. This is what
- 3:33Speaker 4: Jet and I do when we have time together. And
- 3:35Speaker 4: he said, Mom, why don't you call J.I.D.? And I
- 3:38Speaker 4: was like, I don't know him, Jet. And he's like,
- 3:41Speaker 4: just DM him.
- 3:42Speaker 2: And that's what you did? Yeah.
- 3:45Speaker 4: Yeah. And like minutes later, he texted back like, what's up, queen?
- 3:49Speaker 4: What you want? What you want to do? And I
- 3:50Speaker 4: was like, huh, well. He said, send it. And within
- 3:55Speaker 4: 24 hours, he sent his verse back.
- 3:57Speaker 7: Wow.
- 3:57Speaker 4: And when I tell you, I asked him specifically, I said,
- 4:01Speaker 4: I need you to paint a picture with words. This
- 4:05Speaker 4: is what I require of the emcees that I love
- 4:08Speaker 4: and the emcees that I put on my projects. I
- 4:10Speaker 4: need you to paint pictures. Less than 24 hours. You
- 4:15Speaker 4: could see it. You could taste it. He painted. Brilliant.
- 4:20Speaker 4: So proud of him and so happy that he's on
- 4:22Speaker 4: my project.
- 4:23Speaker 1: So what made you put Ab Soul on Ode to Nikki?
- 4:25Speaker 1: Because I feel like Ode to Nikki would have been
- 4:27Speaker 1: such a personal record to you that you would want
- 4:29Speaker 1: to keep that to yourself. What made you reach out
- 4:31Speaker 1: to Ab Soul?
- 4:32Speaker 4: Because Nikki Giovanni inspired writers. She inspired poets. And Ab
- 4:39Speaker 4: Soul is an ill emcee.
- 4:41Speaker 1: Absolutely.
- 4:43Speaker 4: He's so thought-provoking. I have to go back and listen
- 4:47Speaker 4: again and again. And then I pull out books and,
- 4:49Speaker 4: you know, pick up Wikipedia or whatever, you know, to
- 4:52Speaker 4: find out exactly what he's talking about because he's, he's
- 4:55Speaker 4: that thoughtful. He's that prolific. He's, he's had quite a
- 4:59Speaker 4: life experience and it, it represents in his writing deeply.
- 5:04Speaker 4: So I, when I did Ode to Nikki, she's the
- 5:07Speaker 4: first poet that I ever found out about at school. Um,
- 5:11Speaker 4: black poet, black woman. And, uh, It was just awesome
- 5:16Speaker 4: to see myself on paper like that. My people, my neighborhood,
- 5:21Speaker 4: you know, my love on paper. So when I did
- 5:26Speaker 4: Ode to Nikki, she had just passed. Absol seemed like
- 5:31Speaker 4: the right guy to me.
- 5:32Speaker 1: I mean, no, he sounds great on it.
- 5:33Speaker 4: He does sound great on it.
- 5:35Speaker 1: I just wanted to know the meaning because I'm like,
- 5:36Speaker 1: that's a big compliment for Absol.
- 5:38Speaker 4: Because we spent a lot of time talking. We clicked
- 5:40Speaker 4: really easily. So we talked about the Celestine prophecy within
- 5:45Speaker 4: minutes of just talking to each other and moved on
- 5:49Speaker 4: from there. So, yeah, he was the right person for
- 5:53Speaker 4: me to choose.
- 5:54Speaker 2: So you look so happy.
- 5:55Speaker 4: Thank you.
- 5:55Speaker 2: You look so glowing. I've been watching your rollout, right?
- 5:58Speaker 3: I've seen you with Adimu, and I've seen you doing
- 6:00Speaker 3: a lot of pressing. You just look and feel like
- 6:02Speaker 3: a positive vibe.
- 6:04Speaker 4: I feel good. I did something that I really wanted
- 6:07Speaker 4: to do, and it means a lot to me. And
- 6:11Speaker 4: I have an opportunity to share it and perform it
- 6:14Speaker 4: in front of people that will be looking at me
- 6:16Speaker 4: like I look at them. And I get a chance
- 6:19Speaker 4: to travel some more and make some money.
- 6:21Speaker 3: But even when I see you do these interviews, you're blushing.
- 6:25Speaker 3: It's like you're overly loving it.
- 6:27Speaker 2: I love it. I love it.
- 6:28Speaker 3: Even when you got here this morning, you said, what
- 6:30Speaker 3: time do you guys get here in the morning? But
- 6:31Speaker 3: you were smiling and happy about it.
- 6:33Speaker 2: I love it.
- 6:34Speaker 3: And I love to see artists like that that love
- 6:36Speaker 3: the craft. You can tell when an artist has to
- 6:38Speaker 3: do something for money. or when an artist has to
- 6:39Speaker 3: do something because a label is requiring it, or management
- 6:42Speaker 3: is requiring it, then you can tell when somebody just
- 6:44Speaker 3: loves putting out music.
- 6:45Speaker 1: Push out albums every 10 years. She doesn't do anything
- 6:47Speaker 1: because the label wants her to do it.
- 6:48Speaker 2: I know, that's what I'm saying. You can tell the difference.
- 6:50Speaker 6: Even your rollout felt like a hook.
- 6:52Speaker 4: Yeah.
- 6:52Speaker 5: Like, I saw you, you went from Gillian Wallow, then
- 6:55Speaker 5: I saw you on Angie Martinez, then eventually you started doing, like,
- 6:57Speaker 5: you were posting, like, the letters on your Instagram and
- 7:00Speaker 5: kind of explaining the project, and I'm like, this just
- 7:02Speaker 5: feels like I'm being ushered into, like, a whole new, like,
- 7:04Speaker 5: world of things.
- 7:06Speaker 4: That was the plan. Um.
- 7:08Speaker 4: I have a new publicist. I think she's absolutely wonderful.
- 7:11Speaker 4: Her name is Erica Tucker. I think she's fantastic. But
- 7:19Speaker 4: we had a whole other idea two days before we
- 7:21Speaker 4: started doing the rollout. Two days before, I just was like,
- 7:26Speaker 4: hold on, hold on, hold on, hold on. We're talking
- 7:29Speaker 4: about beautiful people. We're going to put beautiful people out
- 7:31Speaker 4: as an introduction to the album. Because really, that's who
- 7:35Speaker 4: I'm calling. I'm calling the people that light up from
- 7:39Speaker 4: the inside, you know, that love, love, yeah, love, love,
- 7:46Speaker 4: that are, again, financially respectful to their lives. Make sense?
- 7:57Speaker 2: Mm-hmm.
- 7:57Speaker 4: Okay. And so if that's the intention, this is the call-out, well,
- 8:04Speaker 4: let me represent the people that have been so beautifully
- 8:07Speaker 4: in helping me with this project. It's all been organic.
- 8:10Speaker 4: I met a guy at a party. He was like,
- 8:13Speaker 4: I'm too sure it's engineer. And I was like, I
- 8:17Speaker 4: believe you.
- 8:20Speaker 1: The church going to be mad at you.
- 8:22Speaker 6: Oh, yeah, possibly.
- 8:24Speaker 1: That's like part two of Drewski's skit.
- 8:25Speaker 4: Possibly.
- 8:28Speaker 5: It's the church and the education system too, though, right?
- 8:30Speaker 5: Because you mentioned education in there as well.
- 8:33Speaker 4: Yes, and the pharmaceutical industry.
- 8:34Speaker 6: Yes, big pharma.
- 8:35Speaker 4: Yeah.
- 8:36Speaker 1: You ain't lying, though.
- 8:37Speaker 4: I know.
- 8:37Speaker 1: You didn't lie. And even just the choice to go
- 8:40Speaker 1: get too short to come on there and describe pimping.
- 8:44Speaker 4: The mentality of a pimp. What is it? So we're clear.
- 8:49Speaker 4: I'm not saying anything. I'm not trying to be mean
- 8:51Speaker 4: to you. What do I want to be mean to
- 8:53Speaker 4: somebody for? That's not it. This is what it is.
- 8:57Speaker 5: Right.
- 8:58Speaker 4: This is what it is. And I have a thoroughbred
- 9:01Speaker 4: pimp to tell you so. give you all the information
- 9:04Speaker 4: that you need. And this has been brought to you
- 9:07Speaker 4: by education. Because I want you to know.
- 9:11Speaker 1: Are those records easy or hard to create?
- 9:14Speaker 4: Easy. Really easy. The musician's name is Kari Martine. I
- 9:19Speaker 4: met him when he was like a kid at the studio. Now,
- 9:23Speaker 4: he played every instrument on that. Every instrument. Right. Right. Okay.
- 9:30Speaker 4: He gives me this music. It feels like It feels
- 9:34Speaker 4: like the player's ball. It feels like it's pimpy. It's
- 9:40Speaker 4: a failure. It's like revolutionary at the same time. And
- 9:44Speaker 4: I was like, yeah, okay, what am I going to
- 9:46Speaker 4: talk about? This is what I want to say. I say,
- 9:48Speaker 4: preacher man, what you trying to do? Trying to get
- 9:53Speaker 4: this money. Is that all you do? When mama ain't
- 9:57Speaker 4: got squat, but you take that. toll. When you ain't
- 10:02Speaker 4: good for the people, I ain't moved. Where's the universities?
- 10:08Speaker 4: Where's all the food for free? People can't pay the bills,
- 10:12Speaker 4: but you're still riding around in the coop to bill.
- 10:14Speaker 4: Biggest pimp of the year.
- 10:16Speaker 2: Uh-huh.
- 10:21Speaker 1: So when you meet Too Short, what do you say?
- 10:23Speaker 1: You met his engineer?
- 10:25Speaker 4: I met Too Short at something. He's just a part
- 10:29Speaker 4: of me. I don't even know when. I didn't know
- 10:31Speaker 4: Too Short.
- 10:32Speaker 1: He's in hip-hop's DNA.
- 10:33Speaker 4: Yo, is that what that is?
- 10:35Speaker 2: Absolutely.
- 10:36Speaker 4: Like immediate breakthrough. Okay, that's what it is. Okay, okay.
- 10:42Speaker 4: I don't feel too crazy. But I met his engineer
- 10:45Speaker 4: at a party. He said, I'm a producer and I also,
- 10:48Speaker 4: I engineered for Too Short. I just believed him. I
- 10:50Speaker 4: just believed him.
- 10:51Speaker 2: I just believed him.
- 10:52Speaker 4: I just believed him. So I gave him my number.
- 10:54Speaker 4: We exchanged numbers. I called him. He sent me music.
- 10:57Speaker 4: He sent me Off of the Back and he sent
- 11:00Speaker 4: me Pressure.
- 11:03Speaker 1: Wow.
- 11:04Speaker 4: When I say organic, like just allowing the things to
- 11:07Speaker 4: be what they are. I'm talking to David Banner. You know,
- 11:10Speaker 4: that's my dude. And we're talking. He's been giving me
- 11:14Speaker 4: music forever. He just keeps the inspiration churning, right? So
- 11:19Speaker 4: we're talking, and I said, I got this track. I
- 11:22Speaker 4: want it to feel like a marching band. I want
- 11:27Speaker 4: it to feel like HBCU marching band. That's what I want.
- 11:31Speaker 4: That's what I want. He said, why don't you call
- 11:33Speaker 4: Trombone Shorty? You got his number? Yeah. Send it to me.
- 11:38Speaker 4: I called him. Easy. He went in and cut 480 tracks.
- 11:44Speaker 4: Why would you do such a thing, sir? Why would
- 11:47Speaker 4: you do such a thing? And he's just like, I
- 11:49Speaker 4: love you.
- 11:49Speaker 1: That's a great intention.
- 11:54Speaker 4: Listen, the way that it's working, I couldn't have planned it. Like,
- 11:59Speaker 4: even the day that it's, you know, come out, it's...
- 12:03Speaker 4: It's February.
- 12:05Speaker 6: December.
- 12:09Speaker 4: 13th.
- 12:09Speaker 2: 13th, yeah.
- 12:11Speaker 4: 2-3. 2-1-3. No. February 13th. Got it?
- 12:19Speaker 2: I don't get it, but.
- 12:20Speaker 4: Okay. On the 20, wait, 26th year, right? 26.
- 12:30Speaker 2: Nobody else in the room got it?
- 12:31Speaker 4: Yes.
- 12:31Speaker 2: 2-13-13 times, no.
- 12:33Speaker 3: Nope.
- 12:36Speaker 2: You ain't got anybody.
- 12:37Speaker 4: It's as simple as simple could be. I love, I
- 12:40Speaker 4: call myself the queen of grand simple things. Two, four,
- 12:47Speaker 4: one and three, two and six. Wait, two and six. Eight.
- 12:57Speaker 2: Right.
- 12:58Speaker 4: Two, four, eight. Just as simple as can be. These
- 13:03Speaker 4: are the things that I look for.
- 13:05Speaker 1: Just when things just all add up, basically.
- 13:08Speaker 4: I am, after reading the Celestine Prophecies, I am driven.
- 13:13Speaker 4: I am driven. It's a path. I just follow it.
- 13:19Speaker 4: Signs are obvious and evident. And I say yes. Whether I,
- 13:25Speaker 4: you know, my number is four. Two is obviously. So
- 13:32Speaker 4: I'm always looking for a four. I'm looking for the
- 13:37Speaker 4: right energy. And Friday the 13th kind of felt good
- 13:42Speaker 4: to me. I don't know. And it's the day before
- 13:44Speaker 4: Valentine's Day. I could have released it on Valentine's Day.
- 13:48Speaker 4: But I like this. I'm hoping people will listen and
- 13:54Speaker 4: have something to talk about.
- 13:55Speaker 2: Most people would have stayed away from Friday the 13th.
- 13:58Speaker 4: Why?
- 13:58Speaker 1: She playing Jason. She killing these hoes.
- 14:00Speaker 2: Listen.
- 14:05Speaker 1: When you talk about the Celestian prophecy, it's like, to me,
- 14:08Speaker 1: I've always seen your aura. When you talk about following
- 14:11Speaker 1: the divine, you've always had that divine energy, that divine presence.
- 14:15Speaker 1: That's why we've always gravitated towards you.
- 14:18Speaker 4: It's a confirmation of what I already knew. It was
- 14:21Speaker 4: a stamp. So when I'm not reading it, I'm listening
- 14:24Speaker 4: to it. It's just a good story. Like, Like any folklore,
- 14:32Speaker 4: I would say, or Bible or Torah or Holy Quran,
- 14:36Speaker 4: they're filled with stories that teach us how to live
- 14:38Speaker 4: a life. And obviously you get to choose how you
- 14:43Speaker 4: do the thing. With the Celestine Prophecy, it taught me
- 14:48Speaker 4: that I'm already doing the things that I need to do.
- 14:55Speaker 4: I always look for beauty. No matter what situation I'm in,
- 14:58Speaker 4: where is the beauty? It's some. There's got to be some.
- 15:02Speaker 4: And then you find it. The mud around your boot
- 15:07Speaker 4: is rich. And it's kind of like mushy and something
- 15:15Speaker 4: about it is a little satisfying. So you step in
- 15:17Speaker 4: the mud a little bit more. My boots are muddy.
- 15:22Speaker 4: But my spirit feels good. So I follow these things.
- 15:26Speaker 4: There are nine insights. The studio that I was working
- 15:29Speaker 4: out of has, I've worked in many times, but it's
- 15:32Speaker 4: been changed over and over again. It's always closing down
- 15:36Speaker 4: and starting again. So I'm in the middle of Celestine
- 15:39Speaker 4: Prophecy and I'm going to the studio because I've decided
- 15:42Speaker 4: to take the month and just go every day, like finish.
- 15:46Speaker 4: And I'm walking up and I look. And they put
- 15:50Speaker 4: that new sign on the studio and it's I-N-C-I-I-T-E, studios.
- 15:55Speaker 4: I was like, Insight Studios?
- 15:59Speaker 2: Okay.
- 16:01Speaker 4: Okay. I'm headed in the right direction. Don't give up.
- 16:06Speaker 4: These are the things that I look for. Like little
- 16:09Speaker 4: signs that are actually really big ones. And here I
- 16:15Speaker 4: am with you. It's been a while.
- 16:16Speaker 2: It's been a while. So if everything's a sign, do
- 16:18Speaker 2: you have a.
- 16:19Speaker 3: see a sign that says I'm not going in that
- 16:22Speaker 3: direction or I'm not going there or management let's not
- 16:24Speaker 3: do that because that does not feel right.
- 16:27Speaker 4: It's not as easy it's abrupt it's harsh it's a
- 16:32Speaker 4: jerk back and I haven't really I don't know how
- 16:36Speaker 4: to like navigate that part yet but I will get
- 16:40Speaker 4: I will get away I will get away I've learned
- 16:44Speaker 4: that too that when the spirit says no When your
- 16:47Speaker 4: whole energy says, no, what are you doing? Don't talk
- 16:51Speaker 4: to this person. I remember talking to somebody at a
- 16:54Speaker 4: party and I was like, why are you talking to
- 16:56Speaker 4: this person? Got COVID. All in my face. And I
- 17:03Speaker 4: was like, got COVID. I was like, see, girl.
- 17:08Speaker 1: Everything makes so much sense now, because one of my
- 17:10Speaker 1: favorite records on the album is Pay You On Tuesday, right?
- 17:13Speaker 1: And it's so funny, because my niece had put out
- 17:15Speaker 1: a tweet yesterday, and she put, if you young, black,
- 17:16Speaker 1: and gifted, get away from niggas and nigga shit ASAP, right?
- 17:20Speaker 1: And I just thought that was hilarious. And then I
- 17:21Speaker 1: heard Pay You On Tuesday, but now I'm like, oh,
- 17:24Speaker 1: she's staying away from the poor me energy type. I mean,
- 17:28Speaker 1: now that I hear you talk about the book so much,
- 17:30Speaker 1: I'm like, oh, that's why she wrote that record.
- 17:33Speaker 4: Part of it.
- 17:33Speaker 1: Part of it, yeah.
- 17:34Speaker 4: Part of it. And I know I keep saying financial,
- 17:36Speaker 4: but I am really over us spending and buying things
- 17:41Speaker 4: that we can't afford. For who? For what? It's so
- 17:45Speaker 4: many things to do, to taste, to see, places to be.
- 17:50Speaker 4: I just don't see how it profits us. I like
- 17:57Speaker 4: nice stuff, too. I really do. But I buy the
- 17:59Speaker 4: stuff that I can afford. And somebody else was like,
- 18:02Speaker 4: you could afford. You don't know what I could afford.
- 18:04Speaker 4: And you don't know what I want.
- 18:09Speaker 1: But you act your wage.
- 18:11Speaker 4: I do. I do. I do. I think it's a
- 18:15Speaker 4: wise decision. I save properly. I invest. I really want
- 18:21Speaker 4: to switch out of this poverty mindset or the lacking
- 18:26Speaker 4: mindset of some, you know, my family break away from
- 18:31Speaker 4: these things. I'm not interested in doing that anymore. I
- 18:35Speaker 4: want to grow and I want to make a whole
- 18:37Speaker 4: lot of money, like a whole lot. And I'm going
- 18:40Speaker 4: to do great things with it. Enjoy it. I already
- 18:43Speaker 4: do enjoy the money I have. I do dope shit
- 18:46Speaker 4: on a regular. I really do. It's been, it's been
- 18:49Speaker 4: so nice. Oh my God. You know, my son went
- 18:53Speaker 4: to Tanzania to, to get his school certification.
- 18:57Speaker 1: Wow.
- 18:59Speaker 6: That's amazing.
- 18:59Speaker 2: Tanzania is beautiful. I was like, ah!
- 19:01Speaker 4: I've never been.
- 19:02Speaker 1: I went to Zanzibar and Tanzania.
- 19:05Speaker 4: Beautiful. I've never been, but he has. Like, yes.
- 19:09Speaker 3: But that's the most important thing, right? When we get
- 19:11Speaker 3: to a place where it's like, none of this matters.
- 19:12Speaker 3: You just want your kids to be happy. Whatever it
- 19:16Speaker 3: takes to be happy. Like, I tell my daughter, my son,
- 19:18Speaker 3: I don't care what you do. If you want to
- 19:21Speaker 3: do nails, if you want to do hair, if you
- 19:22Speaker 3: want to do sanitation, as long as you're happy.
- 19:24Speaker 2: Life is too short.
- 19:25Speaker 4: Joyful. Happy is fleeting.
- 19:28Speaker 1: Joyful.
- 19:29Speaker 4: Joyful look for it that's an insight as well to
- 19:34Speaker 4: constantly look for the joy taste the food taste it
- 19:40Speaker 4: feel the water it's nice and it sparks creativity.
- 19:48Speaker 1: But i can't afford to eat that jill and i
- 19:49Speaker 1: can't afford to go there to swim in that water,
- 19:51Speaker 1: so can you loan me something?
- 19:52Speaker 7: Mm-hmm.
- 19:52Speaker 1: Let me get Tim's eyes in real quick.
- 19:54Speaker 4: I've learned this. If someone wants to borrow something from you,
- 19:57Speaker 4: you give them a job.
- 19:59Speaker 2: Word.
- 20:00Speaker 4: If they do the job and do the job well,
- 20:03Speaker 4: then you're showing me something.
- 20:05Speaker 1: Mm-hmm.
- 20:06Speaker 4: I'm going to give you a small reimbursement contract. I'm
- 20:12Speaker 4: going to say $ 25 a month. Fair? Yes. You don't
- 20:18Speaker 4: pay the $ 25. I don't know when it's going to stop.
- 20:21Speaker 4: It's going to stop if you're consistent. If you're consistent.
- 20:25Speaker 4: If you're not consistent, you never have to worry about
- 20:28Speaker 4: me again. You never have to ask me anything again.
- 20:31Speaker 4: Because this was a contract. It didn't have any interest.
- 20:35Speaker 4: This was respect. So, I enjoy helping people, but I
- 20:42Speaker 4: have to see what they want. I have to see
- 20:44Speaker 4: what they're doing. I gotta see something. You gotta show
- 20:47Speaker 4: me something. You can't just tell me a dream. Okay?
- 20:51Speaker 5: When did you get to that point in your life?
- 20:53Speaker 5: Because I saw you talking to Angie Martinez about that, right?
- 20:55Speaker 5: And setting these boundaries. But then I also hear you
- 20:57Speaker 5: talk a lot about, like, you carried so much for
- 20:59Speaker 5: your family for a long time because you were trying to, like,
- 21:02Speaker 5: y'all were trying to get out of the situations that
- 21:03Speaker 5: you guys were in. And I think that there's, like,
- 21:05Speaker 5: a Sometimes there's like this tug of war of like,
- 21:09Speaker 5: I'm able to help, so I want to help. But
- 21:10Speaker 5: at the same time, I got to set these boundaries.
- 21:12Speaker 5: When did Jill Scott say, I didn't did enough. I
- 21:15Speaker 5: got to stop this.
- 21:16Speaker 7: Now.
- 21:18Speaker 1: Now.
- 21:19Speaker 2: Something had to happen.
- 21:21Speaker 4: I turned 50. And the light popped on. Again.
- 21:25Speaker 1: Yeah.
- 21:29Speaker 4: That's what happened. Time creates wisdom. You know, if you're
- 21:33Speaker 4: paying attention. If you're not paying attention, it just creates age. But, yeah,
- 21:39Speaker 4: I've been paying attention, and I know that that doesn't
- 21:41Speaker 4: make me feel good. To watch people do things that
- 21:47Speaker 4: are outside of their particular space, financial space, like going
- 21:53Speaker 4: on a cruise, okay? You're going on a cruise, but
- 21:57Speaker 4: you didn't pay the mortgage. I can't help you with that, right?
- 22:04Speaker 4: And the fact that you would ask me to is ridiculous.
- 22:08Speaker 4: You made a choice. That is your choice. It wasn't
- 22:13Speaker 4: like something happened, like, you know, the car broke down or,
- 22:17Speaker 4: you know, the tuition is behind or it's nothing like that.
- 22:21Speaker 4: And even if tuition is behind, how them grades? How
- 22:25Speaker 4: they doing? What activities are they in? Because it's mine.
- 22:31Speaker 4: And I can share with you as I seem fit
- 22:34Speaker 4: and deem fit. It might seem harsh, but I don't know.
- 22:38Speaker 4: It feels right to me. I feel better. I don't
- 22:41Speaker 4: feel weighed down by people's stuff.
- 22:43Speaker 1: I don't think that's harsh. And also, what about when
- 22:45Speaker 1: you give somebody money for mortgage, but then you go
- 22:47Speaker 1: see them on a cruise after they just asked you
- 22:50Speaker 1: for money?
- 22:51Speaker 4: I didn't get invited to the cruise.
- 22:54Speaker 1: What is nigga blues to you?
- 22:57Speaker 2: That's his favorite song.
- 22:58Speaker 4: By the way it's called pay you on Tuesday.
- 23:03Speaker 1: I got a lot of favorite records but that record
- 23:05Speaker 1: was hit for me yesterday in a real way I
- 23:08Speaker 1: got a lot of favorite records on that one but
- 23:09Speaker 1: that one really.
- 23:10Speaker 4: Wasn't okay music is medicinal it'll hit you when you
- 23:13Speaker 4: need it so what do you mean by like what
- 23:17Speaker 4: does it do for.
- 23:17Speaker 1: You man For me, it just put things in perspective
- 23:22Speaker 1: based off what you're saying, because you're saying a lot
- 23:24Speaker 1: of that throughout the song as you're singing. But it's also,
- 23:26Speaker 1: it's like, I don't want no more nigga blues. Stop
- 23:28Speaker 1: putting your problems on me. I can wake up in
- 23:31Speaker 1: the morning and be good. And then by the end
- 23:33Speaker 1: of the week, I'm feeling weighed down. And then when
- 23:35Speaker 1: you realize why you're weighed down, it's because you're trying
- 23:38Speaker 1: to help everybody else with they shit. I don't want
- 23:41Speaker 1: no more nigga blues.
- 23:42Speaker 4: It's exhausting.
- 23:43Speaker 1: Yes.
- 23:44Speaker 4: It's exhausting. I love to inspire. I want people to
- 23:46Speaker 4: do better. Mm-hmm. But if they don't want it, what
- 23:50Speaker 4: am I supposed to do? Just keep pouring into an
- 23:53Speaker 4: empty well? I can't do it. The things that you
- 23:57Speaker 4: do don't benefit you. So why do I have to?
- 24:01Speaker 2: Damn.
- 24:05Speaker 6: That's a bar.
- 24:08Speaker 2: It is.
- 24:09Speaker 5: It's really mentally heavy, too. Especially depending on where you
- 24:12Speaker 5: come from. Your song with Atiyah Watt. It's so Philly.
- 24:16Speaker 5: It's so like arts Philly. I love to hear whack,
- 24:19Speaker 5: but just hearing you say that makes me think about
- 24:20Speaker 5: like a lot of people who come from like particular neighborhoods, families,
- 24:25Speaker 5: whatever that mental weight.
- 24:26Speaker 6: We never, some of us never let that go. Like
- 24:28Speaker 6: I used to, I turned 50.
- 24:30Speaker 5: I got family members 65 and plus that are like
- 24:31Speaker 5: literally aging themselves because they're still holding on to that.
- 24:34Speaker 6: I got to do everything for everybody.
- 24:36Speaker 4: Yes. It's not benefiting us. It's like, what are we
- 24:42Speaker 4: being loyal to? That line, you know, all skin folk
- 24:49Speaker 4: ain't kin folk. Not all people are your people.
- 24:54Speaker 1: That's right.
- 24:55Speaker 4: You got to search out for your people and weed
- 24:58Speaker 4: them out respectfully. Or disrespectfully. They just have to go.
- 25:07Speaker 4: They can't stay. They're taking up space. A girlfriend of
- 25:11Speaker 4: mine had asked me about What to do? She said
- 25:16Speaker 4: she wanted a man. And I was like, hmm, maybe
- 25:21Speaker 4: make some space for one. A physical manifestation of a
- 25:28Speaker 4: dream or an idea that you want, it becomes real.
- 25:32Speaker 4: Make room in your closet. Take the lamp down on
- 25:36Speaker 4: the other side of your bed and take the stuff
- 25:39Speaker 4: out of it. It might sound crazy to some. Try it.
- 25:49Speaker 4: Make space in your life for what it is that
- 25:52Speaker 4: you want. And you'll see it every day, the fact
- 25:55Speaker 4: that there's a space. And watch. Just watch. Just trust Auntie.
- 26:01Speaker 4: I love you. Okay?
- 26:03Speaker 2: Well, I'm going to make space in my bank account.
- 26:09Speaker 3: And I'm going to manifest if that money come in.
- 26:12Speaker 4: Get another account. Get another account.
- 26:16Speaker 2: Did your friend ever get the man?
- 26:17Speaker 1: Hmm.
- 26:20Speaker 4: They're very happy.
- 26:21Speaker 2: Oh, good.
- 26:22Speaker 1: At this stage in your life, what does honesty and
- 26:24Speaker 1: music require that it didn't demand from you when you
- 26:27Speaker 1: was in like your 20s and 30s?
- 26:29Speaker 4: What does it require now? I don't know what it requires.
- 26:33Speaker 4: I know what I require.
- 26:34Speaker 1: What do you require?
- 26:40Speaker 4: I require a certain amount of rest. Hmm. I want
- 26:44Speaker 4: to be in the best venues that has the best sound.
- 26:50Speaker 4: I like a two-bedroom or definitely a two-bathroom hotel suite.
- 27:00Speaker 4: Time with my people. Like, my people, I've known them forever.
- 27:05Speaker 4: They're like friends. They're not like friends. They're the best
- 27:07Speaker 4: of friends. Time with them. And then I love to
- 27:14Speaker 4: do my job. So it's not even like I feel
- 27:16Speaker 4: like I'm required to do anything by anyone. I set
- 27:19Speaker 4: my space. You know, I said it before. I'll say
- 27:22Speaker 4: it again. You work hard in your 20s. You work
- 27:24Speaker 4: smart in your 30s. You work how you want to
- 27:28Speaker 4: in your 40s. You work when you want to in
- 27:31Speaker 4: your 50s. And you work if you want to in
- 27:33Speaker 4: your 60s. And I'm in my how I want to
- 27:36Speaker 4: phase of my life. So how I want to is
- 27:41Speaker 4: more than likely. I will be having residencies instead of
- 27:46Speaker 4: running all over the country. Come to me. Come to me.
- 27:49Speaker 4: Let me give you a stage that I've created that
- 27:52Speaker 4: I don't have to pick up and move from space
- 27:54Speaker 4: to space. Just come see me. I'll let you know
- 27:59Speaker 4: in plenty of time so that you can come. And
- 28:03Speaker 4: I'll create based off of the space that I'm in.
- 28:06Speaker 4: This is where I am now. This is what I require.
- 28:11Speaker 2: And then....
- 28:13Speaker 4: I would love listening ears. People that actually listen to
- 28:18Speaker 4: what's being said and the musicianship of the album. You know,
- 28:23Speaker 4: that part. Like, I hope to inspire bass players like crazy.
- 28:30Speaker 4: I hope to inspire MCs like crazy to start, I
- 28:35Speaker 4: don't know, telling stories, painting pictures in big, grand scopes,
- 28:42Speaker 4: you know? So To Whom This May Concern requires these things,
- 28:49Speaker 4: and that's where I am at this point.
- 28:53Speaker 1: The title feels like a boundary and a release in
- 28:58Speaker 1: a way. Why'd you come up with that title, To
- 29:00Speaker 1: Whom This May Concern?
- 29:01Speaker 4: Because it's To Whom This May Concern.
- 29:02Speaker 1: It's casting a wide net.
- 29:04Speaker 4: It is to whom this may concern. You'll know if
- 29:07Speaker 4: it's for you. You'll know. And then I thought about
- 29:11Speaker 4: this because I thought maybe that was limiting. I thought
- 29:13Speaker 4: about this the other day that I didn't understand Billie
- 29:16Speaker 4: Holiday when I was young. I didn't understand the tone
- 29:20Speaker 4: of her voice. I didn't understand the things that she
- 29:21Speaker 4: was talking about. I didn't get it. It's like, why
- 29:24Speaker 4: I didn't make such a big deal about this lady
- 29:26Speaker 4: until I got my feelings hurt. And then I played
- 29:30Speaker 4: Billie Holiday and I was like, oh. that's what this is?
- 29:38Speaker 4: And you're relating to me in this space? Oh. So
- 29:43Speaker 4: it could be the same thing for a lot of people.
- 29:45Speaker 4: I don't know. But to whom this may concern is
- 29:49Speaker 4: for to whom this may concern. We'll know. I can't
- 29:51Speaker 4: wait to see your faces.
- 29:53Speaker 1: That makes so much sense. I can't wait. I think
- 29:56Speaker 1: about older records of yours like Blessed, right? And when
- 29:59Speaker 1: you first heard it, it's a good record. But when
- 30:02Speaker 1: you're actually in that space, oh, later in life, oh,
- 30:06Speaker 1: my God.
- 30:08Speaker 4: It just hits different.
- 30:09Speaker 1: It just hits different.
- 30:10Speaker 4: You get to that point, you're like, and I know
- 30:12Speaker 4: what I know.
- 30:16Speaker 2: Do you think about that when you're creating?
- 30:18Speaker 3: Like, I want to make sure that people understand it
- 30:20Speaker 3: when they're at their lowest moment, at their highest.
- 30:22Speaker 2: Moment, at that moment.
- 30:25Speaker 4: I don't know if I could do that to myself.
- 30:28Speaker 4: I try my best to be as clear as possible.
- 30:31Speaker 4: And I know that I speak in poet, but I
- 30:34Speaker 4: try my best. And then I just, you know, have
- 30:36Speaker 4: to release the baby. Go ahead out in the world
- 30:41Speaker 4: and see what happens. You know, I put a lot
- 30:44Speaker 4: of good intentions, a lot of prayer, a lot of love,
- 30:46Speaker 4: a lot of hours, lots into the project. So this
- 30:53Speaker 4: baby's been loved. I think you can hear that. I know.
- 30:58Speaker 4: I can hear it. And we'll see who gravitates towards it.
- 31:03Speaker 4: I'm excited to see them. I really am.
- 31:05Speaker 5: I was going to say, on the start of the album,
- 31:09Speaker 5: you talk about you can't wait to see the people.
- 31:11Speaker 5: Just now when you said it before this last time,
- 31:13Speaker 5: you kind of got emotional when you said you can't
- 31:14Speaker 5: wait to see people's faces. What is that feeling that
- 31:17Speaker 5: I'm like, since as you say, you can't wait to
- 31:19Speaker 5: see the people show out for this?
- 31:22Speaker 4: It's a dream. Yeah. It's a dream. I've seen it.
- 31:26Speaker 4: I've seen it every time I sing Beautiful People. I
- 31:30Speaker 4: just see thousands and thousands of people. And they're up there, too,
- 31:38Speaker 4: as far as I can see. And I get to
- 31:42Speaker 4: see these faces looking back at me. I don't know
- 31:46Speaker 4: how I'm going to make it through that, but I'll
- 31:49Speaker 4: do my best. And I don't know how I'm going
- 31:51Speaker 4: to make it through Ashe either.
- 31:53Speaker 7: Ooh.
- 31:54Speaker 1: Jay hits so different. Me and one of our producers
- 31:56Speaker 1: were talking about that record earlier. She was asking me
- 31:59Speaker 1: what was one of my favorite records on the album.
- 32:01Speaker 1: She said, I say, I say.
- 32:04Speaker 4: I was crying during the recording. Andre Harris sent me
- 32:09Speaker 4: the music and I was like, this is a prayer.
- 32:12Speaker 4: This is a prayer. Now what shall I say to
- 32:16Speaker 4: my beautiful people? Man, I don't know how I'm going
- 32:21Speaker 4: to ever get through that song. They'll probably have to
- 32:23Speaker 4: sing it for me. I just don't know. I don't know.
- 32:27Speaker 1: I've seen you do some amazing singing when you was crying.
- 32:29Speaker 1: I remember years, years, years. This is 20-plus years ago.
- 32:31Speaker 1: I seen you in Charlotte, North Carolina at the Sugarwater Festival.
- 32:33Speaker 1: You hit a high note so crazy, like literally a
- 32:36Speaker 1: tear came down your face like Denzel and Glory. It
- 32:40Speaker 1: just sat there for a second, and you didn't miss
- 32:42Speaker 1: a beat. So I don't think you'll miss a beat.
- 32:44Speaker 4: We'll see how this goes.
- 32:47Speaker 1: On the hook of Be Great, you say, I'm going
- 32:49Speaker 1: to go ahead and be great.
- 32:50Speaker 4: Yeah.
- 32:51Speaker 1: Do you have times where you feel like you're not
- 32:52Speaker 1: great already?
- 32:55Speaker 4: It's internal. And it's not for anybody else's. It's not
- 33:00Speaker 4: for anybody else. You're great. My great. It's all great.
- 33:03Speaker 4: You know what I'm saying? But I'm going to do
- 33:05Speaker 4: my great. I'm going to, you know. Yeah. Do I have,
- 33:08Speaker 4: do I have, what was the question?
- 33:10Speaker 1: Like, do you ever feel like you're, you have moments
- 33:12Speaker 1: where you feel like you're not great already? Like, I
- 33:15Speaker 1: don't know. Cause I can't, I can't imagine Jill Scott
- 33:16Speaker 1: having imposter syndrome ever.
- 33:18Speaker 4: Oh, thank you. I'm sure I feel insecure and scared
- 33:23Speaker 4: and all the things that human beings feel. I mean,
- 33:25Speaker 4: I know I do. Was there a time I didn't
- 33:31Speaker 4: think I was being great? I don't remember.
- 33:32Speaker 1: When you say, I'm going to go ahead and be great,
- 33:35Speaker 1: you're just talking about... Everything.
- 33:38Speaker 4: And all the things. I said all my life, I
- 33:44Speaker 4: wanted to do good. I wanted to be good. I
- 33:47Speaker 4: wanted to feel free. of a history that made me
- 33:50Speaker 4: cry and stump my stride. So I changed my mind.
- 33:54Speaker 4: I doubled down on believing that the opinions of other
- 33:58Speaker 4: people couldn't light my light or deter my sight nor
- 34:02Speaker 4: wrong my rights or delay my flight. I'm flying high
- 34:07Speaker 4: now up above on the clarity of love. I only
- 34:10Speaker 4: get what I put into it. I spend my sweet
- 34:14Speaker 4: time where I deem fit. I got one life. I'm
- 34:20Speaker 4: going to let my glow show. Baby, look at this.
- 34:24Speaker 4: The embodiment of soul glow. I admit. Paint my own pictures.
- 34:30Speaker 4: Gifts on gifts on gifts. Let the load lift. Let
- 34:34Speaker 4: the words shift. I ain't here to live in fear
- 34:42Speaker 4: or just plain old exist. I'm going to go ahead
- 34:46Speaker 4: and be great. so I want people to play before
- 34:54Speaker 4: they go in their audition I want them to play
- 34:56Speaker 4: before they go in their job interview I want them
- 34:58Speaker 4: to play before they propose.
- 35:00Speaker 7: Before they take their test before they take their test
- 35:02Speaker 7: so much affirmations here like the whole like it felt
- 35:06Speaker 7: like like I feel like living my life like it's
- 35:08Speaker 7: golden it's like a song that you play when you
- 35:10Speaker 7: want to feel good too like that's like my go
- 35:12Speaker 7: to like easy affirmation song but when I was listening
- 35:14Speaker 7: to this I'm like you got like the first three
- 35:16Speaker 7: songs first two songs are just straight out the back
- 35:19Speaker 7: and then you you're just going off with affirmations.
- 35:22Speaker 4: And other things. Is that what it is?
- 35:25Speaker 6: It felt, I don't know if I, like, it's kind
- 35:27Speaker 6: of like, so the opening song, what is it? Dope Shit.
- 35:31Speaker 5: That kind of felt like a, like how you was like,
- 35:34Speaker 5: just listen to Auntie, right? I felt like I was
- 35:37Speaker 5: sitting down and somebody was like, I'm tired of you.
- 35:39Speaker 5: Come here, come have a conversation. Let's really talk because
- 35:41Speaker 5: what's going on? It felt like that. And then when
- 35:42Speaker 5: we go into the second song, Be Great, it's like,
- 35:45Speaker 5: it's already there and I done told you and I'm
- 35:46Speaker 5: not going to tell you again. And then Beautiful People
- 35:49Speaker 5: is like, The people have finally got it and now
- 35:50Speaker 5: they like all come together and it's just this big
- 35:53Speaker 5: march and push back against like this.
- 35:55Speaker 6: I just, like, it's like a world phenomenon. Like everything's switching.
- 35:58Speaker 4: You can see it.
- 35:59Speaker 2: Yes.
- 35:59Speaker 6: Like it just continues and continues and continues.
- 36:02Speaker 7: Yes.
- 36:03Speaker 2: Yes.
- 36:05Speaker 6: So maybe it's more of a movement, not affirmations.
- 36:07Speaker 4: Ooh, I'll take it. I'll take it. It's, it's, I
- 36:15Speaker 4: was made an auntie for a reason. And I'm going
- 36:18Speaker 4: to do my job. Period.
- 36:24Speaker 1: You know, I wonder when you do records like Pressure Hill,
- 36:26Speaker 1: when you do records like Me4, is that, when you
- 36:30Speaker 1: do the actual record, is that when the closure comes
- 36:33Speaker 1: or do you have closure before in order to do
- 36:35Speaker 1: the record?
- 36:39Speaker 4: I've never thought about it. I don't know if that
- 36:44Speaker 4: I'm looking for closure necessarily I need to say it
- 36:50Speaker 4: I need I need to say it it is true
- 36:53Speaker 4: I need to get it out I think that's how
- 36:55Speaker 4: I feel about that yeah and then when I listen
- 37:00Speaker 4: to it it becomes an affirmation for me because I've
- 37:03Speaker 4: said it and I was like yeah you said that
- 37:05Speaker 4: because that's what it is that's exactly what it is.
- 37:09Speaker 2: Yeah you ever went too far and was like let
- 37:11Speaker 2: me take this.
- 37:12Speaker 4: Out man many many times really many times I typically
- 37:17Speaker 4: write the thing before I get into the studio so
- 37:20Speaker 4: I can find how it feels when I get in there.
- 37:23Speaker 4: Or I'll already know how it feels. It wasn't something,
- 37:31Speaker 4: I don't know if I necessarily went too far. Let
- 37:34Speaker 4: me be clear.
- 37:35Speaker 1: Mm-hmm.
- 37:36Speaker 4: I just said some shit I probably shouldn't have said.
- 37:39Speaker 2: That might be too far, but go ahead.
- 37:40Speaker 4: I don't know. It was the right thing. And when
- 37:43Speaker 4: I listened to it, I'm like, yep, that's right. You know,
- 37:45Speaker 4: that was real there. But I probably shouldn't have shared it.
- 37:52Speaker 1: You went hard on this album.
- 37:54Speaker 4: Oh, yeah, I did.
- 37:56Speaker 1: You say you married a bitch that's pretty that's pretty
- 38:04Speaker 1: self explanatory I.
- 38:06Speaker 4: Think I just needed to get stuff out too you
- 38:09Speaker 4: know music is healing for the artist as well supposed.
- 38:12Speaker 3: To be what's the moral compass with that is it
- 38:14Speaker 3: yourself saying no is it your son is it your homies.
- 38:21Speaker 4: I haven't had that it didn't come up nobody said
- 38:23Speaker 4: anything You know, and my son listens to everything. And
- 38:28Speaker 4: we talk about everything. Yeah, so it didn't come, nobody said, hey,
- 38:34Speaker 4: you probably shouldn't say that. Right. Nobody did. And I
- 38:38Speaker 4: don't know if I would agree or disagree about it. Shit,
- 38:41Speaker 4: did you see how everybody's going crazy about squeezing my meat? Mm-mm.
- 38:49Speaker 4: It's a song called Don't Play.
- 38:50Speaker 1: Yeah, but I didn't see people going crazy about it.
- 38:53Speaker 4: Oh, boy, I did. They were like, squeeze my meat.
- 38:58Speaker 7: And I was like, she said squeeze my meat.
- 39:03Speaker 4: She was like, squeeze my meat. And I was like,
- 39:06Speaker 4: I did.
- 39:06Speaker 1: They're not used to that from you yet at this point?
- 39:09Speaker 6: It's a new generation of people who just be on Twitter.
- 39:13Speaker 4: I'm just confused. Maybe you all can help me out
- 39:16Speaker 4: here because I would love to know. I've heard lyrics that... Oh,
- 39:22Speaker 4: way worse.
- 39:23Speaker 1: Lob on my knob, like corn on the cob. They
- 39:26Speaker 1: singing about eating ass now, Jill.
- 39:27Speaker 7: I heard.
- 39:28Speaker 2: I heard.
- 39:31Speaker 6: I heard.
- 39:31Speaker 4: I listened to a lot of music. And because I
- 39:35Speaker 4: listened to a lot of music, I was just like,
- 39:37Speaker 4: what exactly is so radical about Squeeze My Meat?
- 39:43Speaker 1: They not real Jill Scott fans, then.
- 39:44Speaker 4: No, but what, but beside being a fan or not,
- 39:47Speaker 4: like what's radical about that? I just thought I'm missing something.
- 39:50Speaker 1: Probably the way you sung it when you sing it with,
- 39:51Speaker 1: you know, cause it sounds amazing. So you might be
- 39:54Speaker 1: just randomly finding yourself singing it even as a guy.
- 39:57Speaker 5: You know what I mean I also think it's I
- 39:59Speaker 5: think it's too like with the new generation they get
- 40:02Speaker 5: it different ways like go ahead go.
- 40:06Speaker 1: Ahead I'm sure I will at some point the end
- 40:09Speaker 1: of the spirit will move me and I'll just be
- 40:10Speaker 1: coming around the corner squeeze my meat.
- 40:12Speaker 3: You better never sing that if you're in the bathroom
- 40:14Speaker 3: with me bro I'm just telling you that right now
- 40:16Speaker 3: it might can happen that's.
- 40:17Speaker 4: All I think it's the fact that you gotta say
- 40:19Speaker 4: squeeze like.
- 40:20Speaker 5: I think they said it was they was deeming the
- 40:24Speaker 5: big areola music I heard that too yeah I was like, okay.
- 40:30Speaker 5: Because basically, if you don't know what to do with it,
- 40:31Speaker 5: don't come over here. That's the conversation. And I think
- 40:35Speaker 5: it's just right now in music, you either get stuff
- 40:39Speaker 5: like that very straightforward to the point where it's not sensual.
- 40:43Speaker 6: And that has.
- 40:43Speaker 5: Always been you to be able to communicate those type
- 40:45Speaker 5: of things in a very unique way, right? But there
- 40:48Speaker 5: is a new generation of like creators and artists who
- 40:51Speaker 5: are listening to this and discovering your ability for the
- 40:54Speaker 5: first time and they They just think it's so powerful
- 40:56Speaker 5: and forward.
- 40:57Speaker 6: And I'm like, welcome.
- 40:59Speaker 4: That's what's up.
- 41:01Speaker 1: People like that, it's like, I hate people that, I
- 41:03Speaker 1: don't want to have to, I don't want to catch
- 41:05Speaker 1: up with you. Okay? Like, we over here celebrating Jill
- 41:07Speaker 1: Scott because of who Jill Scott is and always has been.
- 41:10Speaker 1: I don't have time to explain to you the greatness
- 41:13Speaker 1: of Jill Scott. You know, catch up in your own time.
- 41:15Speaker 4: Fair enough.
- 41:16Speaker 2: They'll get there.
- 41:17Speaker 1: Catch up in your own time.
- 41:18Speaker 2: Right. I ain't got to explain it.
- 41:19Speaker 1: They'll get there.
- 41:20Speaker 4: Life will happen. And then there I'll be. Your loving auntie.
- 41:24Speaker 4: with so many stories to tell, so many life experiences
- 41:29Speaker 4: to share, so many lessons learned, so much music.
- 41:34Speaker 5: There was a skit on here, too. I forget where
- 41:36Speaker 5: it comes in at. You're talking to someone, and then
- 41:39Speaker 5: it goes into a song. And I was hoping that
- 41:41Speaker 5: we would get more of that type of thing, kind
- 41:42Speaker 5: of like what Jasmine Sullivan did on Hotels. Just because
- 41:47Speaker 5: of what you said, we know so much about you,
- 41:49Speaker 5: but I know that there's a lot more to hear,
- 41:51Speaker 5: and not that I'm older. I just was like, I
- 41:53Speaker 5: wonder if she'll ever do that where we just get
- 41:55Speaker 5: to hear her talk through her like experiences of things.
- 41:58Speaker 5: And then we go back to the music after that.
- 42:01Speaker 4: Well, I don't know. I did listen to Viola Davis's
- 42:05Speaker 4: book and just, my God, I could listen to that woman.
- 42:10Speaker 4: That story was so powerful, so impactful. I think if
- 42:16Speaker 4: I were going to do that, it'd probably be a book.
- 42:18Speaker 4: You know, I have a lot of dreams.
- 42:24Speaker 6: Does that mean a book is in the works or something?
- 42:30Speaker 2: I know a publisher if you need one.
- 42:31Speaker 4: Thank you.
- 42:32Speaker 1: You know, it's so interesting. You mentioned David Banner a lot.
- 42:35Speaker 1: To me, y'all, I don't know, y'all have similar spirits.
- 42:39Speaker 1: I don't know, like sometimes I hear you talking, I
- 42:40Speaker 1: hear David Banner, and then now I'm hearing David Banner,
- 42:42Speaker 1: sometimes I hear Jill Scott, but I never thought about
- 42:44Speaker 1: that until I've heard you mention him in the last
- 42:46Speaker 1: couple of, I heard you mention him in Angie Martinez
- 42:48Speaker 1: interview and you mentioned him here now, and I'm like,
- 42:50Speaker 1: they the same person, kind of, energy-wise. Thank you.
- 42:53Speaker 2: We click.
- 42:53Speaker 4: We click.
- 42:59Speaker 1: You wanna expound?
- 43:04Speaker 4: What would I say about David Banner? He is really,
- 43:16Speaker 4: like I said this earlier, but he's really, really kept
- 43:18Speaker 4: me inspired. Sending me music, sending me music from other
- 43:23Speaker 4: people as well. Not just himself, like not just trying
- 43:27Speaker 4: to get on the album, like sending me other musicians
- 43:30Speaker 4: stuff like that. That's a lot. That's a lack of id. OK,
- 43:34Speaker 4: I love that. And he's he's amazing for resources as well.
- 43:44Speaker 4: We buck heads often and I tell him, I'm not
- 43:48Speaker 4: scared of you, David Banner. You know, and he likes that.
- 43:53Speaker 4: So we're, that's my brother from another mother.
- 43:58Speaker 1: Yep. I can see that.
- 43:59Speaker 4: And I think he's beautiful. That part too.
- 44:04Speaker 1: Do you think healing is louder or quieter at 50?
- 44:11Speaker 4: Quieter internally, but very vocal outside. Gotcha.
- 44:16Speaker 1: It shows up in the music.
- 44:17Speaker 4: Yeah.
- 44:18Speaker 2: Gotcha.
- 44:18Speaker 4: Yeah.
- 44:20Speaker 1: How old are you?
- 44:21Speaker 4: 47. That's it?
- 44:23Speaker 1: Yeah, I'll be 48 this year. Born in 1978.
- 44:26Speaker 4: Baby.
- 44:26Speaker 2: I'm right there.
- 44:29Speaker 1: But I feel the same way you feel.
- 44:30Speaker 2: I like being, I.
- 44:31Speaker 1: Like just growing. You feel more unapologetic about who you
- 44:35Speaker 1: are every day. And you realize how much more it
- 44:38Speaker 1: is for you to learn. And how much that you
- 44:40Speaker 1: have to unlearn.
- 44:42Speaker 4: The unlearning part. Practice, practice, practice, practice, practice.
- 44:49Speaker 2: What did you have to unlearn that was so difficult?
- 44:54Speaker 4: I had to unlearn doubting myself. I had to learn
- 45:01Speaker 4: to trust the process. I think for the last few albums,
- 45:05Speaker 4: I had been trying my best, trying, trying. You don't
- 45:09Speaker 4: have to try. You don't have to try. All you
- 45:12Speaker 4: got to do is realize. Shout out to Bilal. But
- 45:14Speaker 4: that's all you got to do. And that has freed me.
- 45:20Speaker 4: And I have so much music, y'all. It's not even funny.
- 45:26Speaker 4: In so many different categories, which is exciting to me.
- 45:31Speaker 4: And I don't know, you know, this one, I'm here. See?
- 45:36Speaker 4: I got to stay right here. Because there's so many things.
- 45:42Speaker 4: And I'm excited about them all. But I have to
- 45:44Speaker 4: stay right here with to whom this may concern. I
- 45:48Speaker 4: put a lot of love in this thing. I cannot
- 45:50Speaker 4: wait for people to listen with their listening ears, like
- 45:54Speaker 4: actually think about the words and have conversations. And I
- 45:57Speaker 4: don't know, by the time they get to To Be Honest,
- 45:59Speaker 4: I really hope that they're in full swing. That was
- 46:02Speaker 4: my intention.
- 46:03Speaker 1: Is there a song on this album that represents a
- 46:05Speaker 1: boundary that you used to ignore, but now you protect
- 46:09Speaker 1: it no matter what?
- 46:11Speaker 4: I'd have to look at the song list. Can you
- 46:14Speaker 4: think of one?
- 46:16Speaker 1: Let me see. You got dope shit, be great, beautiful people,
- 46:18Speaker 1: off the back, north side, disclaimer, pay you on Tuesday, pressure.
- 46:22Speaker 1: Me four, the math or universe lifting me up. Don't play.
- 46:26Speaker 1: To be honest, right here, right now, I say, sincerely do.
- 46:29Speaker 1: Probably me four, right?
- 46:32Speaker 4: No.
- 46:33Speaker 6: Pressure?
- 46:35Speaker 1: No.
- 46:35Speaker 7: No? Mm-mm.
- 46:36Speaker 4: I love all my life. Mm-mm. Mm-mm. Everything gets you
- 46:39Speaker 4: where you're going. Mm-mm. If I change something, then what
- 46:43Speaker 4: would happen? Who would I be? Mm-mm. You know, I
- 46:47Speaker 4: am literally baby mama number four. Four is my favorite
- 46:52Speaker 4: fucking number. I'm always going to find it. The silver lining,
- 47:02Speaker 4: the joy, the beauty, and the thing. You know, but
- 47:04Speaker 4: you go through stuff, and that's life. And you just,
- 47:07Speaker 4: you know, I'm on the other side of everything, which
- 47:11Speaker 4: is good. Now the job is to get myself engaged.
- 47:15Speaker 4: inside of everything to tell the story properly on stage.
- 47:21Speaker 1: That's what you're looking forward to the most.
- 47:22Speaker 4: I'm looking forward to it. It's therapeutic. It's terrifying. So scary.
- 47:30Speaker 1: Oh, I'm coming to see you on Valentine's Day. I
- 47:32Speaker 1: will be right there, me and the wife.
- 47:34Speaker 4: Nice.
- 47:34Speaker 2: Absolutely.
- 47:35Speaker 4: No, I'm feeling stuff out. So you're coming to a
- 47:38Speaker 4: feel out.
- 47:41Speaker 1: My last question, when it's all said and done, what
- 47:42Speaker 1: does peace look like for Jill Scott? And did this
- 47:46Speaker 1: album bring you closer to whatever that is?
- 47:50Speaker 4: Life is bringing me closer to my peace. And my
- 47:56Speaker 4: kid doing well for himself. And my mother living so comfortably.
- 48:07Speaker 4: And she's happy. My private, my personal life It's solid.
- 48:20Speaker 4: I love my home. I love my friends. I have
- 48:24Speaker 4: beautiful friends, y'all. You would fuck with them. Anybody would. Like,
- 48:28Speaker 4: they're so dope. So many levels of it. There's not
- 48:33Speaker 4: a lot of them, but they're powerful. I'm, you know,
- 48:38Speaker 4: you say you're happy, you say you're joyful, and people
- 48:43Speaker 4: get upset about it. I feel sorry for that, for you.
- 48:48Speaker 6: People get upset about you saying that?
- 48:51Speaker 4: People are upset about other people feeling joy and being happy. Yes.
- 48:56Speaker 4: They do it all the time. I see it. Yes.
- 49:01Speaker 2: Yeah.
- 49:03Speaker 4: I don't know what it is. I don't care what
- 49:05Speaker 4: it is. It's not my bag to carry. I'm going
- 49:11Speaker 4: to let this little light of mine shine.
- 49:13Speaker 1: And that light going to irritate some demons and others.
- 49:16Speaker 4: You see what I'm, that's what I'm saying. That's what
- 49:18Speaker 4: I'm saying. I have a force field. I put it on.
- 49:25Speaker 4: It goes under my feet, above my head. Anytime I
- 49:27Speaker 4: think about it or I just put my force field
- 49:30Speaker 4: on and I walk through my life. We're superheroes. We
- 49:33Speaker 4: can do really anything we want. Anything we can imagine.
- 49:38Speaker 4: You just need the power to do it. The power
- 49:40Speaker 4: is love. The power is sincere friendships. The power is guidance.
- 49:45Speaker 4: My mentor is outside somewhere. Like having that is, and
- 49:52Speaker 4: anybody can attain it. Anybody at any time in any
- 49:57Speaker 4: state of their life can get all of the things.
- 50:01Speaker 4: My mentor sometimes, life will be a little stressful. She'll
- 50:06Speaker 4: come in swinging. Swinging, like boys in the hood, swinging.
- 50:11Speaker 4: She'll kick. It's a physical manifestation of a spiritual thing.
- 50:18Speaker 4: She's fighting off whatever can't happen. And then she says, whoo, whoo.
- 50:25Speaker 4: And I love that. I want to, you know, I'm like, damn,
- 50:33Speaker 4: I'm really like.
- 50:37Speaker 2: I got everything.
- 50:40Speaker 1: Praise God.
- 50:40Speaker 2: Amen.
- 50:42Speaker 4: Oh my God.
- 50:43Speaker 1: Oh my God.
- 50:45Speaker 7: Oh my God.
- 50:46Speaker 2: Everything.
- 50:50Speaker 7: Wow.
- 50:50Speaker 6: It's okay.
- 50:53Speaker 1: Feel that.
- 50:53Speaker 5: That's what I've been feeling all interview. I'm like something. She,
- 50:57Speaker 5: there's a feeling here. I just don't know what it is,
- 51:00Speaker 5: but I'm so glad that you in this space, you
- 51:02Speaker 5: deserve it.
- 51:03Speaker 6: You worked hard.
- 51:04Speaker 4: Ma'am for a long time ma'am.
- 51:06Speaker 5: You've been literally like the Jill Scott my whole life
- 51:09Speaker 5: I'm 34 I.
- 51:10Speaker 1: Just want you to know what you mean to so
- 51:12Speaker 1: many people like I hope you know that we really
- 51:14Speaker 1: love you and we value you and we appreciate you
- 51:17Speaker 1: and even you putting out new music means so much
- 51:20Speaker 1: like this is an event like oh my god Jill
- 51:22Speaker 1: Scott putting up putting out new music like that matters
- 51:24Speaker 1: like a lot of people that put out music I
- 51:27Speaker 1: can take it or leave it some people put out
- 51:29Speaker 1: music the world stops for me and that is what
- 51:32Speaker 1: you're doing to whom it may concern.
- 51:40Speaker 4: I hate to be redundant, but I'm going to say
- 51:44Speaker 4: it again. That in the time when Marvin Gaye was
- 51:51Speaker 4: the highest, there were albums that hit number one and
- 51:56Speaker 4: stayed number one for weeks. In the time with Chaka Khan,
- 52:03Speaker 4: I love you wherever you are, Chaka Khan, so much.
- 52:08Speaker 4: Had number... five on some chart. There was some one, two, three,
- 52:14Speaker 4: and four that were doing way better than that. But
- 52:17Speaker 4: who do we remember? Who do we talk about? Who
- 52:21Speaker 4: do we still go see? It's, you know, this thing
- 52:24Speaker 4: is all secular. You're going to get a bunch of
- 52:28Speaker 4: other things in the water as well. But sometimes, sometimes
- 52:33Speaker 4: you get a Prince. Sometimes you get a Michael Jackson.
- 52:37Speaker 4: Sometimes you get a Teddy Pendergrass. and a Stephanie Mills,
- 52:40Speaker 4: and a Phyllis Hyman. Oh, Lord, the list. And we
- 52:45Speaker 4: remember them, and we carry them, and we play their
- 52:47Speaker 4: music in our house, and we live by it, and
- 52:50Speaker 4: we reference it. And that's what my goal was. I
- 52:55Speaker 4: wanted to have a career like Frankie Beverly and Maze.
- 52:58Speaker 4: And somebody else would be like, well, what do you
- 53:00Speaker 4: mean Frankie Beverly and Maze? Not everybody knows them. What
- 53:03Speaker 4: Frankie Beverly and Maze could do 25 years without having
- 53:07Speaker 4: an album is sell out an arena. And everybody's going
- 53:11Speaker 4: to show up in white, and everybody's going to sing
- 53:14Speaker 4: with all of their hearts, arms in the air. That's
- 53:19Speaker 4: what I wanted for myself. And I have it.
- 53:24Speaker 6: Yes, you do.
- 53:27Speaker 4: I'm going to have to take a nap.
- 53:29Speaker 3: Ladies and gentlemen, Jill Scott.
- 53:34Speaker 2: The album is out today.
- 53:36Speaker 6: Make sure you buy it.
- 53:38Speaker 2: All that good stuff.
- 53:39Speaker 1: We appreciate you so much.
- 53:42Speaker 2: I hope you get that nap.
- 53:43Speaker 1: That's divine.
- 53:44Speaker 2: Go get that nap. You deserve it.
- 53:46Speaker 1: Your soul deserves it.
- 53:47Speaker 4: Oh, my goodness. Here we go.
- 53:50Speaker 2: It's Jill Scott. It's The Breakfast Club. Good morning. Hold up.
- 53:56Speaker 2: Every day I wake up.
- 53:57Speaker 1: Wake your ass up.
- 53:58Speaker 2: The Breakfast Club.
- 54:00Speaker 1: Y'all finished or y'all done?