Latest / Old Time Mystery Radio | Old Time Radio / Richard Diamond, Private Detective - "The Betty Moran Case" (1949)
Transcript
- 0:00Speaker 1: Dick Powell stars as New York private detective Richard Diamond,
- 0:04Speaker 1: with Ed Begley as Lieutenant Walt Levinson in this early
- 0:08Speaker 1: NBC broadcast. First heard May 29th, 1949, episode six of
- 0:15Speaker 1: Richard Diamond, Private Detective is the Betty Moran case, written
- 0:20Speaker 1: by Blake Edwards and John Michael Hayes. Wealthy Betty Moran
- 0:24Speaker 1: shoots a blackmailer and is later found dead. Police initially
- 0:28Speaker 1: treat the matter as a murder-suicide. Her husband, William, believes
- 0:32Speaker 1: the blackmail operation is still at work and brings Diamond
- 0:36Speaker 1: in to find the dead man's unknown accomplice, a trail
- 0:40Speaker 1: leading from Diamond's Broadway office to police headquarters. Ladies and gentlemen,
- 0:46Speaker 1: here is the original broadcast.
- 0:49Speaker 2: ¶ ¶.
- 1:09Speaker 3: Here's Dick Powell as Richard Diamond, private detective.
- 1:22Speaker 2: My name's Diamond, and I'm in business for a very
- 1:24Speaker 2: simple reason. I like money. Oh, sure, I could do better,
- 1:28Speaker 2: but I don't believe in straining myself. © BF-WATCH TV
- 1:30Speaker 2: 2021 I'm in partnership with a shill called Human Nature.
- 2:04Speaker 2: And with him on my side, it just figures that
- 2:06Speaker 2: people are going to get in trouble. Like the character
- 2:09Speaker 2: who's ringing the doorbell of an apartment on the east side.
- 2:13Speaker 2: He's built just right for more trouble than he can handle.
- 2:22Speaker 4: Well.
- 2:23Speaker 2: Hello, Mrs.
- 2:24Speaker 5: Moran.
- 2:24Speaker 4: You say that like you're really glad to see me.
- 2:28Speaker 2: I'll let you know as soon as we can talk business.
- 2:31Speaker 4: Did you bring a rubber hose along?
- 2:33Speaker 2: Why? Are you going to be hard to get along with?
- 2:35Speaker 4: This time, yes.
- 2:37Speaker 2: Where's your husband?
- 2:38Speaker 4: He went out.
- 2:40Speaker 6: I tried to convince him the window was the quickest
- 2:42Speaker 6: way to the street, but he's old-fashioned.
- 2:44Speaker 4: He took the elevator.
- 2:45Speaker 2: You're drunk.
- 2:47Speaker 4: You can't get a bit out of me. Want a drink?
- 2:50Speaker 7: Just get the $ 500.
- 2:52Speaker 2: I don't want to be around when your old man
- 2:54Speaker 2: gets back.
- 2:54Speaker 4: You couldn't afford that, could you?
- 2:56Speaker 2: No, and I don't think you could either, baby. Now
- 2:58Speaker 2: let's stop playing games, Mrs. Moran.
- 3:01Speaker 4: I've got a big, fat surprise for you, Mac.
- 3:05Speaker 2: Keep it in small bills. Isn't that funny?
- 3:08Speaker 4: That's your surprise.
- 3:09Speaker 7: Yeah?
- 3:10Speaker 4: Yeah. You don't get the money. You get something else.
- 3:14Speaker 2: Stop yelling. You'll have the whole building up here in
- 3:16Speaker 2: a minute.
- 3:17Speaker 4: It'll be up anyway, Mac. A gunshot makes people curious.
- 3:21Speaker 2: Now, wait a minute. You don't have to pull a gun.
- 3:23Speaker 4: I don't have to do anything. And I'm breaking myself
- 3:26Speaker 4: of one habit right now. I'm through paying your dirty blackmail.
- 3:32Speaker 2: Now, you know I got my orders.
- 3:34Speaker 7: If I don't collect, someone else will be around.
- 3:36Speaker 2: Come on, give me the gun.
- 3:37Speaker 5: Sure.
- 3:38Speaker 4: A piece at a time. I need a drink. Well,
- 3:51Speaker 4: here's to nothing, Betty, old girl.
- 3:53Speaker 5: X-T, X-T, read all about it. Matt Grayson shot to
- 4:08Speaker 5: death in blackmail plot. Socialite Betty Moran kills gangster, then
- 4:12Speaker 5: takes own life. Read all about it. Paper.
- 4:16Speaker 8: I can't.
- 4:16Speaker 7: Oh, paper, mister? Yeah.
- 4:19Speaker 2: Here you are, Mr. Jack.
- 4:20Speaker 9: Oh, thanks.
- 4:25Speaker 2: Wealthy wife of William Moran kills.
- 4:28Speaker 8: Well, I have to call Mr.
- 4:31Speaker 7: Moran.
- 4:32Speaker 2: No sense to lose a good source of income.
- 4:34Speaker 5: Yeah, come in.
- 4:37Speaker 2: Mr.
- 4:37Speaker 6: Diamond?
- 4:48Speaker 2: Over here. This clothesline, I couldn't see you. Do you
- 4:54Speaker 2: always do your laundry in your office? Free soap. Pull
- 4:57Speaker 2: up a chair, Mr... Moran. William Moran. Oh. Nice pair
- 5:04Speaker 2: of argyles. One of my old clients. Sends them down
- 5:06Speaker 2: from Sing Sing. Have you read the morning papers, Mr. Diamond?
- 5:09Speaker 2: I haven't had time. Took some throw rugs down to
- 5:12Speaker 2: the laundry mat before I started on the socks. My
- 5:14Speaker 2: wife died last night. What did you eat for breakfast?
- 5:17Speaker 5: Why.
- 5:18Speaker 2: Pancakes and eggs? Why? You must eat a whole pig
- 5:21Speaker 2: when you're not in mourning. How did she die? She
- 5:23Speaker 2: was shot to death. Couldn't she get two people for
- 5:25Speaker 2: her pyramid club? She was being blackmailed. It's usually the
- 5:28Speaker 2: other way around. The victim shoots the blackmailer. She did that.
- 5:31Speaker 2: His name was Mac Grayson. I want you to find
- 5:33Speaker 2: the other man behind this blackmail ring. What makes you
- 5:36Speaker 2: think there was more than one? I received an anonymous
- 5:38Speaker 2: phone call this morning. It was from a man who
- 5:41Speaker 2: said he was a friend of Mac Grayson. He made
- 5:42Speaker 2: it perfectly clear that he was going to continue with
- 5:45Speaker 2: the blackmail. You know what they had on your wife?
- 5:48Speaker 2: She was a very wealthy woman, Mr. Diamond. Before she
- 5:50Speaker 2: married me, she was rather wild. They get that way sometimes.
- 5:56Speaker 2: There were some letters. Why don't you go to the police?
- 5:58Speaker 2: As far as they're concerned, the case is closed. They
- 6:01Speaker 2: say it's a murder and a suicide, and that's that.
- 6:03Speaker 2: But I want to get the people who drove my
- 6:05Speaker 2: wife to suicide. Okay, Mr. Moran, but if you want
- 6:08Speaker 2: me to try and dig up your blackmailers, my fee
- 6:10Speaker 2: is rather high. I want to start sending my laundry out.
- 6:13Speaker 2: Money is no object. That's the nicest thing you could
- 6:16Speaker 2: have said. $ 100 a day and a fifth of plasma. Plasma, Mr. Diamond?
- 6:20Speaker 2: A hundred proof. I never know what I'm going to
- 6:22Speaker 2: run into in a case like this. I may bleed
- 6:24Speaker 2: a little. You can reach me at Evergreen 4-5021. I'll
- 6:26Speaker 2: write you a check. Here, use my pen. It's getting
- 6:30Speaker 2: an inferiority complex. Do you know anything more about this
- 6:34Speaker 2: man who called you this morning? Only that he said
- 6:36Speaker 2: he was a friend of Mac Grayson's. There you are, Mr. Diamond.
- 6:40Speaker 2: This should be enough of a retainer. Oh, yes, yes.
- 6:44Speaker 2: And that's all you know? I'm sorry I can't be
- 6:47Speaker 2: of more help. You've been a brick. I'll get the
- 6:50Speaker 2: rest from Homicide. Thank you, and goodbye, Mr.
- 6:52Speaker 5: Moran.
- 6:52Speaker 2: Goodbye, Mr. Diamond, and good luck. Oh, I'm sorry. I
- 6:56Speaker 2: knocked down some of your washing.
- 6:59Speaker 1: There.
- 7:00Speaker 2: Well, I'll be hearing from you. Well, that's the way
- 7:05Speaker 2: it goes. One minute you're washing socks, and the next
- 7:08Speaker 2: you've got enough money to stake out a claim on
- 7:10Speaker 2: every night spot from Mott Street to Harlem. Unless a
- 7:13Speaker 2: particular blackmail ring likes to kill private detectives. I had
- 7:17Speaker 2: a hunch the assignment might run into overtime, so I
- 7:20Speaker 2: put in a call to a lovely redhead named Helen Asher.
- 7:23Speaker 2: Francis the butler answered, and I told him to pass
- 7:26Speaker 2: the word along that I might be late for my date.
- 7:29Speaker 2: I hung up before Helen could get on the pipe
- 7:31Speaker 2: and start screaming at me like a wounded eagle. I
- 7:34Speaker 2: locked the office, went down to Fifth Precinct, and an
- 7:36Speaker 2: old friend, Lieutenant Levinson. He was in charge of the
- 7:39Speaker 2: homicide detail and could tell me about the late Mrs.
- 7:42Speaker 2: Moran and her victim. When I walked in, Sergeant Otis
- 7:45Speaker 2: was polishing his billy. Hello, Otis. The lieutenant in? Well,
- 7:51Speaker 2: Richard Diamond, the all-American gumshoe. Oh, you're just jealous because
- 7:55Speaker 2: that club you've got is a better shape than your head. Lieutenant,
- 7:59Speaker 2: Diamond's out here. Okay, send him in. Tell me, Shamus,
- 8:03Speaker 2: how does one get to be a great big private detective?
- 8:05Speaker 2: Saving box tops? You have to observe things, Otis, my boy.
- 8:09Speaker 2: For instance, one look at your shirt and I can
- 8:11Speaker 2: tell you've been eating well for a week. Why don't
- 8:14Speaker 2: you either get it cleaned or stick it in a
- 8:15Speaker 2: pressure cooker? Hello, Walt. Now, wait a minute, Rick. If
- 8:19Speaker 2: you've got a body somewhere, take it to another precinct.
- 8:21Speaker 2: I'm a little short right now, but maybe I can
- 8:23Speaker 2: dig one up.
- 8:25Speaker 8: Yeah, that was a swell one. Is this just a
- 8:28Speaker 8: social visit, or am I a dreamer? It's about the
- 8:30Speaker 8: Moran suicide.
- 8:31Speaker 2: You handle it?
- 8:31Speaker 3: Uh-huh.
- 8:32Speaker 8: One of the neighbors called us. They're both deader than
- 8:34Speaker 8: Otis on a double date. What about the Grayson guy
- 8:36Speaker 8: she knocked off?
- 8:37Speaker 2: Cheap thug. Couple of convictions. He.
- 8:39Speaker 8: Oh, don't tell me Moran's been to you with that
- 8:42Speaker 8: blackmail story.
- 8:43Speaker 2: Yeah, yeah. He seems to think Grayson was working with someone.
- 8:46Speaker 8: Rick, that guy pestered us all morning, but there's no
- 8:48Speaker 8: proof of blackmail or anything else, except two people got killed.
- 8:51Speaker 2: Give me a quick rundown. I don't know why you're interested.
- 8:54Speaker 8: I think Moran drummed up the blackmail theory just to
- 8:56Speaker 8: cover that his wife was running around with another man.
- 8:58Speaker 2: Well, I'm interested because Moran gave me a fat 200
- 9:01Speaker 2: bucks in advance to get me in the spirit of
- 9:03Speaker 2: the thing.
- 9:03Speaker 8: Well, if you want to be bored, here are the
- 9:05Speaker 8: photographs of the deal. Here's Mac Grayson. Bullet entered his
- 9:09Speaker 8: chest just below the 10th rib. Guns are 32. Same
- 9:13Speaker 8: one that the Moran dame used on herself. Enough powder
- 9:15Speaker 8: burns on his shirt to show that she was standing
- 9:17Speaker 8: pretty close when she gave it to him.
- 9:18Speaker 2: She'd have to be not to miss him.
- 9:20Speaker 8: You can see she was lying about ten feet from
- 9:22Speaker 8: Grayson near the bar. Probably needed a stiff shot before
- 9:25Speaker 8: she knocked herself off. That's the highball glass on the
- 9:28Speaker 8: floor near her head.
- 9:29Speaker 2: And that's the.
- 9:30Speaker 8: 32 she used, about six inches from her right hand
- 9:33Speaker 8: and only her prints on it.
- 9:34Speaker 2: Powder burns on the girl?
- 9:35Speaker 8: Sure, all over her temple. We did the paraffin test
- 9:38Speaker 8: on her hand, too. She fired the gun all right.
- 9:40Speaker 8: Did Grayson have any friends? We never tied him up
- 9:43Speaker 8: with anyone except an old wino that hangs out on
- 9:45Speaker 8: Skid Row, a dump called the Para Club.
- 9:48Speaker 2: Name's Wilbur Truitt. Mm-hmm.
- 9:50Speaker 8: Now, well, thanks, Walt. Now, look, the dame killed the
- 9:54Speaker 8: guy and then shot herself. What more do you want?
- 9:56Speaker 2: I'll let you know. Now, wait a minute.
- 9:57Speaker 8: I know that gleam in your eye. I always get
- 10:00Speaker 8: a sour stomach from it. If you've got something, you'd
- 10:02Speaker 8: better tell me. Oh, you're a cynic, Walt.
- 10:05Speaker 2: Have you talked to this Wilbert Troy? We questioned him
- 10:07Speaker 2: this morning. Got a tail on him? Sure, but he
- 10:10Speaker 2: won't take us anywhere. Now, what are you cooking up? Well,
- 10:13Speaker 2: maybe you think there's something to Moran's blackmail story. Oh,
- 10:16Speaker 2: don't be an idiot. And what are you tailing Truett for?
- 10:19Speaker 8: Because I can't take a chance. Blackmail's a federal rap,
- 10:22Speaker 8: and if Moran keeps stirring up trouble, I want to
- 10:24Speaker 8: be able to prove he's nuts.
- 10:25Speaker 2: Now, you look here. I want to know what's on
- 10:26Speaker 2: your mind. I'll send you a letter. Oh.
- 10:29Speaker 7: Otis!
- 10:30Speaker 2: Yeah, Lieutenant? Get me my bicarbonate. And shut up.
- 10:34Speaker 5: Bye.
- 10:34Speaker 2: Goodbye. I went through the squad room and out into
- 10:40Speaker 2: the hall. I used the payphone by the door and
- 10:42Speaker 2: put in a fast call to my client, William Moran.
- 10:46Speaker 2: I had a hunch that Moran's $ 200 retainer in my
- 10:49Speaker 2: pocket gave him an A priority on it. Yes? Mr. Moran.
- 10:54Speaker 2: That's right. This is Diamond, Mr. Moran. I've got a
- 10:56Speaker 2: lead on someone who knew Mac Grayson. That's fine, Mr.
- 10:59Speaker 9: Diamond.
- 10:59Speaker 2: Who is it? A guy who hangs out on Skid
- 11:02Speaker 2: Row named Wilbert Truitt. Ever heard of him?
- 11:06Speaker 6: No.
- 11:07Speaker 3: Oh.
- 11:07Speaker 2: Well, he might have been the one who phoned you
- 11:09Speaker 2: this morning. I think I'll go down and find out.
- 11:11Speaker 1: Good, good.
- 11:12Speaker 2: You'll keep in touch, won't you? Oh, as long as
- 11:14Speaker 2: I'm on the case.
- 11:15Speaker 5: Yes.
- 11:16Speaker 2: Goodbye, Mr. Moran. I left the 5th Precinct and headed
- 11:26Speaker 2: for Skid Row. If you've never seen the street, it's
- 11:29Speaker 2: a liberal education in the misery of human beings. Even
- 11:33Speaker 2: the sun winds up with a hangover if it shines
- 11:35Speaker 2: on the place too long. The Parrot Club was a
- 11:38Speaker 2: cellar with a low ceiling and a drink of wine
- 11:40Speaker 2: for 10 cents a glass. The smell of stale alcohol
- 11:43Speaker 2: was so strong that if he opened the door to
- 11:45Speaker 2: air the place out, the walls would probably cave in.
- 11:49Speaker 2: I found Wilbur Truitt sitting at the bar with a
- 11:51Speaker 2: dirty towel around his neck. He held the towel and
- 11:55Speaker 2: the glass of wine in one hand, and with the
- 11:56Speaker 2: other he pulled the towel, lifting his hand and the
- 11:59Speaker 2: glass up to his mouth. You must have been an engineer.
- 12:04Speaker 7: I learned this little stunts in grammar school, Bucko. I
- 12:08Speaker 7: started missing my mouth 30 years ago, so I use
- 12:11Speaker 7: this towel as a sort of alcohol pulley. It cuts
- 12:16Speaker 7: down the element of risk.
- 12:18Speaker 2: Hate to spill a drop. You know a guy named Grayson?
- 12:21Speaker 2: It's the shakes, Bucko.
- 12:22Speaker 7: I am completely exhausted after a night of revelry, and
- 12:26Speaker 7: my hand waves like it was flagging down a caravan
- 12:29Speaker 7: of whiskey trucks.
- 12:30Speaker 2: Look, friend, I.
- 12:31Speaker 7: But after one or two pick-me-ups, I am perfectly capable
- 12:35Speaker 7: of lifting the.
- 12:36Speaker 2: Glass by myself.
- 12:38Speaker 7: And come nightfall, I'm in excellent condition to entertain my
- 12:42Speaker 7: little friends.
- 12:43Speaker 2: Oh, swell.
- 12:44Speaker 7: Most cowards let their little fellows frighten them, and they
- 12:48Speaker 7: end up in Bellevue, but I like them.
- 12:51Speaker 2: They worried me at first, but.
- 12:53Speaker 7: When they found out how much I drank, they began
- 12:56Speaker 7: to show the strain, and the shoe was on the
- 12:58Speaker 7: other foot.
- 12:59Speaker 2: So to speak. Oh, no.
- 13:01Speaker 7: They tried to frighten me the first night, but I
- 13:04Speaker 7: just kept right on with one bottle after another, and
- 13:07Speaker 7: it finally drove them to drink. Now my DTs have hallucinations.
- 13:12Speaker 7: We are rapidly building up a thriving community.
- 13:15Speaker 2: What were you saying, Bucko? Uh, something about the evils
- 13:19Speaker 2: of self-indulgence, but I've forgotten now.
- 13:21Speaker 7: Good.
- 13:21Speaker 2: In that case, I will let you buy me a drink. Oh, sure. Waiter,
- 13:26Speaker 2: bring the bottle.
- 13:27Speaker 7: You just gave me cold chills. If I lick your hand,
- 13:33Speaker 7: it's only a sign of fond endearment.
- 13:37Speaker 2: Okay. Now, do you know a guy named Grayson? I
- 13:42Speaker 2: knew there was a catch. Are you a cop? No.
- 13:45Speaker 7: In that case, I trust you. Besides, you are holding
- 13:48Speaker 7: this lovely bottle.
- 13:49Speaker 2: What about Grayson?
- 13:50Speaker 7: First, a small glass of truth serum.
- 13:53Speaker 2: First, Grayson.
- 13:54Speaker 7: I can't stand to look, so I will turn my
- 13:57Speaker 7: back on the bottle and tell you what I know.
- 14:01Speaker 2: Mr.
- 14:02Speaker 7: Mac Grayson, a very unsavory character who reached a sudden
- 14:07Speaker 7: demise last evening, dealt in smutty pasts and made them
- 14:11Speaker 7: pay off by milking his victims. He has only one friend,
- 14:15Speaker 7: a Mr.
- 14:15Speaker 2: Leo Fink. Now, please, I'm beginning to spit out wads
- 14:18Speaker 2: of cotton. Where does this Fink live?
- 14:20Speaker 5: Oh.
- 14:22Speaker 2: You are indeed a heartless rogue. I was once.
- 14:25Speaker 7: You aren't by any chance a spy from the Purity League?
- 14:29Speaker 2: You get the bottle when I find out where Leo
- 14:31Speaker 2: Fink lives.
- 14:31Speaker 7: 1120 Second Avenue, now, please.
- 14:35Speaker 2: Ah, there you are. Don't struggle with the cork, Bucko.
- 14:38Speaker 7: I have just acquired the strength of an uncropped Samson.
- 14:43Speaker 7: And as I gaze upon this ruby goblet, I am
- 14:46Speaker 7: reminded of the fact that you are not the first.
- 14:49Speaker 7: to come seeking the whereabouts of one Leo Hink.
- 14:52Speaker 2: Huh? Play it back in English.
- 14:54Speaker 7: A thug with a disagreeable habit of twisting my ascot
- 15:01Speaker 7: approached me not ten minutes before you came in seeking
- 15:04Speaker 7: the same information.
- 15:06Speaker 2: Did you give it to him? I had to.
- 15:08Speaker 7: One more pull on my tie and dissipation would have
- 15:11Speaker 7: been a thing of the past.
- 15:13Speaker 2: Thanks, Wilbur. Here, buy yourself another jug. Oh, bless you.
- 15:17Speaker 7: And good morrow, cousin... Here's to my love.
- 15:25Speaker 2: Oh, true apothecary. Thy drugs are quick. Thus, with a kiss,
- 15:34Speaker 2: I die. I left Wilbur with his first love and
- 15:42Speaker 2: walked out on the street. I grabbed a cab and
- 15:45Speaker 2: headed for Leo Fink's address. All the way over, I
- 15:47Speaker 2: kept thinking how wonderful fresh air really was. When we
- 15:51Speaker 2: finally got there, I paid off the cabbie and looked
- 15:53Speaker 2: at my watch. It was 4.30, and the city was
- 15:56Speaker 2: turning soft and mellow as the sun started giving up
- 15:58Speaker 2: behind the tall buildings. I got that lousy feeling again
- 16:02Speaker 2: when I looked across the street. A prowler car was
- 16:05Speaker 2: parked at the curb, and it looked like Homicide's private limousine.
- 16:09Speaker 2: Something was wrong. I went up to Fink's apartment in
- 16:12Speaker 2: a hurry.
- 16:15Speaker 1: Yeah?
- 16:17Speaker 2: Ah, what do you want, Shamus? Well, good afternoon, Sergeant.
- 16:19Speaker 2: I'm taking the census. How long ago did you die, sir?
- 16:22Speaker 2: Very funny, Diamond. Otis, who is that?
- 16:24Speaker 4: Diamond.
- 16:25Speaker 2: Who else?
- 16:26Speaker 8: I didn't ask for a quick quiz on well-known personalities.
- 16:28Speaker 7: Let him in.
- 16:29Speaker 2: Yeah, Lieutenant. Shame on you, Otis. You'll never make an
- 16:32Speaker 2: Eagle Scout. Hello, Rick. What do you want? I bet
- 16:34Speaker 2: he's dead. You'll bet who's dead? You know who's dead. Sure,
- 16:37Speaker 2: I know who's dead. Who do you think is dead?
- 16:38Speaker 2: The guy I came up here to see. Well, who
- 16:40Speaker 2: did you come up to see? I think it's the
- 16:41Speaker 2: guy who's dead. Don't you know? No, I ask you. Well,
- 16:44Speaker 2: I'm telling you. You told me nothing. Look, why are
- 16:47Speaker 2: you up here? Because I'm looking for a guy. What guy?
- 16:49Speaker 2: I think it's the guy who's dead. Who's dead? Oh,
- 16:51Speaker 2: he's on third. Don't you know? I think I know, Lieutenant.
- 16:54Speaker 2: You shut up!
- 16:55Speaker 8: Of course I know. Well, all right, all right. If
- 16:57Speaker 8: you're going to hold out on your old pal... Now,
- 16:59Speaker 8: wait a minute, wait a minute. How did we get
- 17:01Speaker 8: into this thing?
- 17:01Speaker 4: Otis, here's your bicarbonate.
- 17:03Speaker 2: All mixed. All right, now let's start again. Walt, who's dead?
- 17:09Speaker 8: Oh, let's not have two bodies up here. The guy's
- 17:12Speaker 8: name is Fink. Leo Fink.
- 17:13Speaker 2: Why did you say that in the first place? Because
- 17:15Speaker 2: I don't have to do anything I don't want to do. What?
- 17:17Speaker 2: Lieutenant Levinson. Now, what are you doing up here?
- 17:20Speaker 8: Oh, I came up to see Leo Fink, that's all. Well,
- 17:23Speaker 8: he's in the other room. If he spilled anything, don't
- 17:25Speaker 8: believe it. He's been dead for ten minutes. That's too bad.
- 17:28Speaker 8: He knew Mac Grayson. Yeah, how did you find out?
- 17:31Speaker 8: That sweet old gentleman you sent me over to, Wilbert Truitt. Oh,
- 17:34Speaker 8: you got something out of him, huh?
- 17:35Speaker 2: What else did he tell you? Nothing, but we struck
- 17:37Speaker 2: up quite a friendship. I'm going to go back over
- 17:40Speaker 2: and see what another bottle of wine will do to
- 17:42Speaker 2: his memory. I'd better haul him in. Don't do it, Walt.
- 17:44Speaker 2: Don't do it. I can find out things a lot quicker. Shh.
- 17:48Speaker 2: I got a system.
- 17:49Speaker 8: Okay, but keep me posted. I've got to clean up here.
- 17:51Speaker 8: How did Fink get it? Two bullets in the head.
- 17:54Speaker 8: No idea who gave it to him. They used a luger,
- 17:56Speaker 8: I think.
- 17:57Speaker 7: Hey.
- 17:58Speaker 2: Have you questioned Otis? Oh, go on, get out of here. Walt,
- 18:03Speaker 2: tell me, did you check the prints on that highball
- 18:05Speaker 2: glass next to Mrs. Moran to find out whether they
- 18:07Speaker 2: were from her right or left hand? Now, what difference
- 18:09Speaker 2: does it make? I'll let you know. Now, you wait
- 18:12Speaker 2: a minute. No, I can't. I'm behind schedule now. Bye. Oh, Otis!
- 18:21Speaker 2: I went downstairs in a hurry and started back to
- 18:23Speaker 2: Skid Row and Wilbur Truett. I turned a corner and
- 18:26Speaker 2: had a quick change of heart. That's far enough, Seamus. Wow. Wow,
- 18:32Speaker 2: look what I picked up. All right. Get in this alley.
- 18:35Speaker 2: Why don't you put that cannon away? It shows up
- 18:38Speaker 2: like a pair of gums at a dentist convention. Turn
- 18:40Speaker 2: around and get going. I can run if it would help.
- 18:44Speaker 2: Take your time. You haven't got too much of it left.
- 18:47Speaker 2: Stop nudging. You got a cold barrel. Don't you like it? No,
- 18:52Speaker 2: but it helps. A lesson in the manly art of self-defense.
- 18:56Speaker 2: Next time, don't get so close with a gun. Well,
- 18:59Speaker 2: what do you know? A luger. Okay, so I'm a butterfingers.
- 19:05Speaker 2: You got the gun now. What are you going to do?
- 19:06Speaker 2: I got a mean streak, and it shows up when
- 19:08Speaker 2: someone tries to kill me. I'm going to ask a
- 19:11Speaker 2: couple of questions, and if you don't answer them, you'll
- 19:13Speaker 2: wish you'd picked on an octopus. Now, get up. Oh,
- 19:18Speaker 2: you're a big one. Now, who sent you after me?
- 19:22Speaker 2: I don't know. Who sent you after me? Honest, I
- 19:25Speaker 2: don't know. Wait, wait a second. All right. The guy
- 19:30Speaker 2: told me on the phone his name was Jones. Sure.
- 19:33Speaker 2: First name's John.
- 19:34Speaker 7: Now, wait, wait.
- 19:35Speaker 2: I know it's a phony, but he was recommended. You
- 19:37Speaker 2: get paid for your work, don't you? Yeah, but this
- 19:39Speaker 2: one I collect after the job. Where? I thought you'd
- 19:43Speaker 2: gotten over that stubborn streak.
- 19:45Speaker 5: Okay.
- 19:47Speaker 2: The 8 o'clock ferry to Staten Island. He's gonna slip
- 19:50Speaker 2: me two bills. And you don't know his right name? No.
- 19:53Speaker 2: Did you know Mac Grayson? I heard of him, but
- 19:56Speaker 2: I never met him. Are you as handy with a.
- 19:58Speaker 2: 32 as you are with that Luger?
- 19:59Speaker 5: Huh?
- 20:00Speaker 2: Forget it. Next question. Who killed Leo Fink? That's a
- 20:05Speaker 2: pretty big one. Okay, I'll word it differently. Who killed
- 20:08Speaker 2: Leo Fink? I'll take the beating. Yeah. Well, I gotta
- 20:13Speaker 2: hunch this luger of yours will check with ballistics. Come on.
- 20:16Speaker 2: Homicide's still up in Fink's apartment. Nuts! What did you say?
- 20:20Speaker 7: Okay.
- 20:28Speaker 2: I hustled Lowy up to Walt and left him handcuffed
- 20:30Speaker 2: to Sergeant Otis. They deserved each other. Louie said he
- 20:34Speaker 2: was going to be paid off at 8 o'clock... and
- 20:36Speaker 2: my watch said it was a quarter after 7. That
- 20:38Speaker 2: gave me 45 minutes to check at Homicide... and still
- 20:40Speaker 2: catch the ferry to Staten Island. The fingerprint man at
- 20:44Speaker 2: the 5th Precinct... put the prints from the highball glass
- 20:46Speaker 2: under a microscope... and told me what I wanted to know.
- 20:49Speaker 2: My hunch had been right. So I grabbed a cab,
- 20:52Speaker 2: and 20 minutes later... I was paying for my ticket
- 20:54Speaker 2: at the ferry landing. A thick, wet fog was beginning
- 20:58Speaker 2: to roll in off the river... and by 8 o'clock,
- 21:00Speaker 2: it was hard to even see your watch... Someone was
- 21:05Speaker 2: playing a piano in the lounge as the ferry began
- 21:07Speaker 2: to move slowly across the river. I didn't know who
- 21:10Speaker 2: I was looking for, but I figured if there was
- 21:13Speaker 2: going to be a payoff, it would be outside. I
- 21:15Speaker 2: leaned against the rail and took out a cigarette. Got
- 21:20Speaker 2: the match, mister? Yeah, yeah, right here.
- 21:23Speaker 4: Thanks.
- 21:25Speaker 2: Lousy night.
- 21:26Speaker 7: Yeah.
- 21:29Speaker 2: He wasn't my man. When he struck the match, I
- 21:32Speaker 2: could see his dirty work clothes and his factory badge.
- 21:35Speaker 2: I started down the other side of the boat. Finding
- 21:38Speaker 2: a killer in that fog was like looking for your
- 21:40Speaker 2: car keys in a mine shaft. I reached the bow
- 21:43Speaker 2: of the boat, and right then I knew I was
- 21:45Speaker 2: about to score. I get a tight feeling in my
- 21:48Speaker 2: stomach when I start closing in on danger. I spotted
- 21:52Speaker 2: the dark outline at the rail, so I pulled my
- 21:54Speaker 2: hat down and walked up beside him. He was hunched
- 21:56Speaker 2: over with his arms resting on the rail. Terrible night.
- 22:01Speaker 5: Mm-hmm.
- 22:02Speaker 2: It'd be awful if you had to find someone in
- 22:04Speaker 2: this fog. Not if he found you first.
- 22:07Speaker 4: Yeah.
- 22:08Speaker 2: I like the name Louis Osgood. Have you heard of it?
- 22:11Speaker 2: I like the name Moran.
- 22:12Speaker 7: Huh?
- 22:12Speaker 2: William Moran. Who are you? Just an employee.
- 22:15Speaker 7: Diamond?
- 22:16Speaker 2: Yeah, you get a gold star. Well, what do you want?
- 22:18Speaker 2: Have you found the blackmailers? Now, stop playing Alice in Wonderland.
- 22:22Speaker 2: I just pushed around your hired gun if Louis Osgood.
- 22:24Speaker 2: He had enough to say to put you away for
- 22:26Speaker 2: a long time. He couldn't have. He didn't know my...
- 22:28Speaker 2: Didn't know your name? Who murdered your wife, you or
- 22:31Speaker 2: Louie Osgood? Why do you say murder? The police said
- 22:33Speaker 2: it was suicide. Well, I got news for you, Buster.
- 22:36Speaker 2: Homicide just changed its mind. I checked and found out
- 22:39Speaker 2: that the highball glass near her head was covered with
- 22:41Speaker 2: prints from her right hand. What does that prove? It
- 22:43Speaker 2: proves that to take her own life, she'd have to
- 22:45Speaker 2: have fingers a foot long. The prints on the gun
- 22:48Speaker 2: were also from her right hand. You're going to tell
- 22:50Speaker 2: me that your wife shot herself while holding a highball
- 22:53Speaker 2: glass in the same hand? That's not my problem, Mr.
- 22:55Speaker 3: Diamond.
- 22:56Speaker 2: Well, I think it is. If Louie Osgood didn't shoot her,
- 22:59Speaker 2: that leaves just one suspect.
- 23:01Speaker 4: You.
- 23:01Speaker 2: Now, let's take a walk back to the cabin. I
- 23:03Speaker 2: want to keep an eye on you for homicide. All right.
- 23:08Speaker 8: This is where I leave you, Mr.
- 23:09Speaker 9: Diamond.
- 23:09Speaker 8: Hey, come here!
- 23:11Speaker 2: I hadn't thought he'd make a break, but as long
- 23:13Speaker 2: as he had a gun and knew how to use it,
- 23:14Speaker 2: I could understand why he did. I got my gun
- 23:17Speaker 2: out and took off after him. I expected him to
- 23:19Speaker 2: go over the side and in the fog, and he'd
- 23:20Speaker 2: have a good chance. But when a guy gets cornered,
- 23:23Speaker 2: he does funny things. I never would have spotted him.
- 23:26Speaker 2: but he threw open a door and framed himself in
- 23:28Speaker 2: the light from the inside. I must have caught him
- 23:31Speaker 2: because I saw him start to fold and stagger through
- 23:33Speaker 2: the door. I took my time getting there. A wounded
- 23:36Speaker 2: man with a gun can get pretty mean sometimes. The
- 23:39Speaker 2: door swung back and forth with the motion of the boat,
- 23:42Speaker 2: and I could hear the sound of the engines. He'd
- 23:47Speaker 2: gone down in the engine room, so I dropped to
- 23:49Speaker 2: my knees and went in after him. A long, polished
- 23:52Speaker 2: ladder led down to the big diesel's blow, and I
- 23:54Speaker 2: knew I'd hit him with the first shot. because there
- 23:57Speaker 2: was a bright red trail of blood leading down the
- 23:59Speaker 2: ladder and behind the churning machinery.
- 24:00Speaker 3: Moran!
- 24:02Speaker 2: Moran, come on out! You can't get out of here.
- 24:05Speaker 5: Come and get me, Diamond!
- 24:09Speaker 2: I don't like being slapped around, and I'm going to
- 24:11Speaker 2: see that you get yours. He was somewhere off to
- 24:14Speaker 2: my left and keeping himself hidden. The catwalk circled the
- 24:17Speaker 2: engine room, so I pulled an old stunt. I took
- 24:20Speaker 2: a wrench off the wall and tossed it down the
- 24:21Speaker 2: metal ladder. Shh! I watched for his gun flashes, and
- 24:26Speaker 2: when I spotted his position, I got down on my
- 24:27Speaker 2: stomach and crawled along the catwalk until I was directly
- 24:30Speaker 2: over his head. He was sitting in a lot of blood,
- 24:33Speaker 2: and he didn't look like he had long to go.
- 24:34Speaker 2: Come on, Diamond. I know you're down here. Surprise. Look
- 24:37Speaker 2: at the birdie.
- 24:38Speaker 5: What?
- 24:38Speaker 2: Don't try it. Sorry, Moran, but this just wasn't your night.
- 24:49Speaker 2: You want to tell me about it? I shot my wife.
- 24:53Speaker 9: I came in just after she shot Grayson. She was
- 24:56Speaker 9: standing at the bar with her back to me mixing
- 24:58Speaker 9: a drink. She dropped the gun by Grayson's body, so
- 25:01Speaker 9: I picked it up and shot her. Wiped my prints
- 25:04Speaker 9: off and put hers on it. Why did you do it?
- 25:06Speaker 2: I hated her. She had money.
- 25:10Speaker 9: I found some letters and turned them over to Mac Grayson,
- 25:12Speaker 9: the well-known blackmailer. I wanted him to drive her crazy
- 25:15Speaker 9: until she drank herself into a sanitarium.
- 25:17Speaker 2: Then I'd have her money.
- 25:19Speaker 9: I never guessed she'd kill Grayson, but when I did,
- 25:21Speaker 9: I saw a chance to kill her and make it
- 25:22Speaker 9: look like suicide.
- 25:24Speaker 2: You should never have called me. The police were satisfied.
- 25:27Speaker 2: I had to find Leo Fink. He knew I'd hired Grayson,
- 25:30Speaker 2: and he was going to blackmail me. So when I
- 25:34Speaker 2: dug up the little whiner that knew Fink, you hired
- 25:36Speaker 2: Louis Osgood to bump Fink and me. Is that right?
- 25:40Speaker 7: Hey.
- 25:40Speaker 2: Hey, Moran. Oh, well, it was a dull conversation anyway.
- 25:46Speaker 2: Lousy night. The captain came and helped me carry him
- 25:59Speaker 2: up to the deck. Back at the ferry landing, I
- 26:01Speaker 2: called Walt Levinson and told him the whole story. I
- 26:05Speaker 2: didn't wait around. I just hung up in the middle
- 26:06Speaker 2: of his lecture on good behavior and started walking. A
- 26:09Speaker 2: stiff breeze was kicking up and pushing the fog back
- 26:12Speaker 2: where it came from. After a good round of murder,
- 26:15Speaker 2: a guy likes to relax. and I knew just the
- 26:18Speaker 2: place to curl up and get my fur brushed. I
- 26:21Speaker 2: grabbed a cab and headed for 975 Park Avenue, and
- 26:25Speaker 2: the only girl in the world who looked better than
- 26:27Speaker 2: her $ 10 million bank account.
- 26:33Speaker 4: Oh, good evening, Mr.
- 26:34Speaker 7: Diamond.
- 26:35Speaker 2: Hello, Francis. Is Miss Asher in?
- 26:37Speaker 4: Yes, sir.
- 26:37Speaker 2: She's in the library. Thanks. Get me a glass of milk,
- 26:40Speaker 2: will you, Francis? Milk? Oh, yes, sir.
- 26:43Speaker 7: Right away.
- 26:44Speaker 8: Thank you.
- 26:46Speaker 2: Hey, that's a B-flat.
- 26:47Speaker 4: Rick, where have you been?
- 26:50Speaker 2: Sailing, sailing over the rounding main. Move over.
- 26:54Speaker 4: You were supposed to have been here at 8 o'clock.
- 26:56Speaker 2: Oh, what's an hour if you tack it on to
- 26:58Speaker 2: the end of the evening?
- 26:59Speaker 6: Well, I'm glad you've been keeping out of trouble. I
- 27:02Speaker 6: can't stand it when you wander in all beat up.
- 27:07Speaker 6: You smell nice. What kind of cologne is that?
- 27:10Speaker 2: Gunpowder, 38. What? Oh, nothing. What's this you were playing?
- 27:15Speaker 4: Oh, a new song. Again.
- 27:17Speaker 2: You were just dandy.
- 27:18Speaker 4: Well, you know I don't play well. I just pick.
- 27:21Speaker 2: You should be glad you don't play the guitar with
- 27:23Speaker 2: those beautiful nails you'd sawed in half. You're ridiculous.
- 27:27Speaker 3: Whoops.
- 27:29Speaker 2: Oh, that wasn't a B-flat.
- 27:31Speaker 4: Rick.
- 27:31Speaker 2: Mm-hmm.
- 27:33Speaker 4: Who do you love?
- 27:34Speaker 2: I won't tell. Rick. I love you, baby.
- 27:37Speaker 4: Then let's get married.
- 27:40Speaker 2: Hey, these are pretty good lyrics.
- 27:42Speaker 4: Now stop that.
- 27:44Speaker 2: Again This couldn't happen again I hate you This is
- 27:52Speaker 2: that once in a lifetime This is that moment divine.
- 27:58Speaker 4: You never sing when I want you to What's.
- 28:01Speaker 2: More This never happened before Though I have waited a
- 28:10Speaker 2: lifetime For such as you To suddenly be mine No comment?
- 28:19Speaker 7: No.
- 28:20Speaker 2: Mine to hold As I'm holding you now And yet
- 28:27Speaker 2: never to part Mine to... Hey, what's the matter? Don't go.
- 28:34Speaker 4: You want to sing? Go ahead.
- 28:36Speaker 2: Well, what did you have in mind?
- 28:38Speaker 4: I won't tell.
- 28:39Speaker 2: You're not being original. That's my line.
- 28:41Speaker 4: Well, I'm mad.
- 28:41Speaker 2: Come here. Come here. No. Come here. Helen. Still mad? No. Well,
- 28:51Speaker 2: let's get you mad again. It's so much fun making up.
- 28:55Speaker 2: Mine again. What's the name of the song again? It
- 29:00Speaker 2: never happens again. I'm mad. Oh, good.
- 29:04Speaker 7: No.
- 29:06Speaker 2: Mickey. Here's your milk, Mr. Diamond. Oh, my goodness, you
- 29:12Speaker 2: never warned me.
- 29:16Speaker 3: You have just heard Richard Diamond, Private Detective, starring Dick Powell.
- 29:26Speaker 3: Helen was played by Virginia Gregg, Lieutenant Levinson by Ed Begley.
- 29:30Speaker 3: Also in our cast were Wilms Herbert, Tal Avery, Herbert Butterfield,
- 29:34Speaker 3: and Jack Petruzzi. Music was under the direction of David Baskerville.
- 29:38Speaker 3: Richard Diamond is written by Blake Edwards and directed by
- 29:41Speaker 3: William P.
- 29:42Speaker 2: Rousseau.
- 29:43Speaker 3: Now this is Eddie King inviting you to be with
- 29:45Speaker 3: us again at the same time next week when we
- 29:47Speaker 3: will again bring you Dick Powell as Richard Diamond, Private Detective.
- 29:51Speaker 3: This program has come to you from Hollywood. Now NBC
- 29:57Speaker 3: brings you a three-way cavalcade of grand comedy with Phil
- 30:00Speaker 3: Harris and Alice Faye, Fred Allen and Henry Morgan, all
- 30:03Speaker 3: following in fast succession over most of these NBC stations.
- 30:07Speaker 3: This is NBC, the national broadcasting company.
- 30:20Speaker 1: Richard Diamond, private detective, has now closed with The Betty
- 30:25Speaker 1: Moran Case. Thank you for joining us at the radio dial,
- 30:28Speaker 1: and good night. Follow Old Time Mystery Radio for more
- 30:33Speaker 1: classic mystery and detective broadcasts.